Taking the theme “Natural Union”, rockstar and photographer Bryan Adams shot Kaldewei’s new collection of Steel Enamel Washbasins…
New images have surfaced of Kaldewei’s Steel Enamel collection, which have been captured through the lens of legendary rockstar and photographer Bryan Adams. The campaign displays the importance of maintaining relationships combined with the increased need for hygiene awareness in these controversial times. Adams takes an intimate look at togetherness exclusively for Kaldewei: with his unique perspective he show that following simple hygiene routines we can come together and join hands—with our family, our friends, our partners.
The unique collaboration between Bryan Adams and Kaldewei evolved into the project “Natural Union”. With his empathetic and professional vision, Adams photographed the 2021 washbasin collection; the charismatic images are emotionally charged with a strong message.
At first stance “Natural Union” may seem at odds with the commandment of the hour for social distancing. But if we take our responsibility towards each other and our environment seriously, we can see we are closer than ever. We are all naturally connected and have a responsibility to look after each other and our planet – everyday actions such as washing your hands have never been more important,” says the photographer, highlighting the concept behind the campaign.
In late August, six people of different gender, ages and backgrounds came together in a Berlin photo studio. Photographed under running water, these distinctive hands old, young, male and female touched. This creates a seamless link to Kaldewei; the company uses natural components to produce steel enamel products which make every surface unique.
The Ming and Miena Steel Enamel Washbasins
Ming is the embodiment of subtle sophistication. The convex lines form an elegant silhouette, whist the classic black-and-white colour range acts as a perfect setting for creative design. Whether for the minimalist bathroom or more imaginative spaces—the classic grace of the new Ming washbasins allows for personal creativity; making the bathroom a retreat which sparks joy. Ming comes in four different variations: matte lava black, classic lava black, matte alpine white and classic alpine white.
Miena invigorates the bathroom with a totally new colour palette of blue and violet hues. The elegant design allows for experimentation with colours, the ability to make the bathroom a place of quiet calm or one that feels as cosy as a living room.
The steel enamel makes the colourful washbasins an easy-to-care and durable gem that even constant use can’t dull. The new editions of Miena with their playful yet stylish colour contrast accentuate the washing area and revive the bathroom. Miena is available in „Soft Touch” mint, „Sweet Love“ pink, „Deep Dream“ petrol, „Navy-blue“ matte and 13 more colours.
About Bryan Adams
Apart from his musical work, Bryan Adams is an award-winning photographer with a nuanced eye. His photos are often taken within his philanthropic causes. His photographic work has won him multiple accolades and has been exhibited at Somerset House, Photokina, Kunsthalle Mainz and NRW Forum Düsseldorf. Adams has been tirelessness in standing up for people in need all over the world.
Steel and Glass Turn into Steel Enamel
Steel and glass are two authentic, natural materials each possessing unique properties that have been valued for millennia. When joined they blend into an immaculate fusion of steel enamel. Kaldewei products are 100 per cent Made in Germany and are the epitome of exceptional design. For generations, Kaldewei’s unique enamel formula has been a well-kept secret. Applied onto steel, a pristinely beautiful, durable, hygienic surface evolves. Steel enamel is 100 per cent recyclable and one of the most sustainable materials in the bathroom.
Kaldewei is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.
Checking in to Selina Brighton – a room with a view
Following the recent opening of Selina Brighton, we sent travel journalist Sara Darling – who pre-Covid would be travelling to far-flung destinations around the world – to be one of the first to check in to the hotel, which is conveniently located on her doorstep…
Brighton has got the best of everything. And I say that, because I am biased (it’s my home)! It’s hilly, happy and generally quite hippy! It’s also perfect for a staycation – something we have evolved to love since lockdown.
However, with all it’s quirks, the seafront is like a mecca of swish hotels, posh apartments, restaurants and quaint squares – and very rarely do I get to frequent them. However, the opening of the latest hotel to hit the beach was a local affair, and I was happy to shimmy on down, with little more than a toothbrush and a party frock, to check it out.
Selina Hotel is situated in a perfect tourist spot – opposite the i360 and the West Pier; the iconic landmarks have not been forgotten within the design of the redecorated rooms as many have a view of both.
Image credit: Selina
Image credit: Selina
Designed to reflect Brighton’s iconic ocean-front location and the city’s creative spirit, interior designer Tola Ojuolape collaborated closely with Selina’s workshop team, using materials that represent and embrace the community, and each of the rooms has been given a quirky and whimsical twist.
As an international nomadic lifestyle brand, Selina is renowned for its combination of co-working spaces, wellness and recreational experiences; in fact, you can find Selina Hotels in more than 70 urban, beach, jungle and mountain-side locations across 20 countries worldwide. With a plan to develop a global infrastructure for nomads and remote workers who want to make the world their classroom/office/playground Brighton is a great fit.
Image credit: Selina
The modern, on-site restaurant, The Old Pier, offers an uninterrupted vista for people watchers- and the constant enchantment of the bobbing tide and 360 pod will ensure anyone who doesn’t have their sea legs, feels safe cocooned in the shabby-chic, atmospheric, plant-filled bar.
31 uniquely designed private rooms, suites and shared rooms are all tasteful, yet uncluttered; they are designed not to be lived in, as Brighton is there to be explored! I stayed in a delightful king size room, with a damn comfortable bed, and sash windows which let in a refreshing sea breeze. With a small (original natch) school desk and chair, open plan wardrobe and ensuite with quality condiments, the room led off a rickety floorboard corridor, which was miraculously un-squeaky throughout the night.
Image credit: Selina
But perhaps that had something to do with copious amounts of alcohol that came when celebrating the opening of the property. Both residents and non-residents are welcome to take part in the weekly bingo sesh, which is hosted by Party with Ginger and her entourage of incredible performers. If you’ve never seen Grace Jones, Lady Gaga, Britney Spears, Madonna or Kylie up close, I can only imagine it would be as much fun as this! Bingo is the name of the game, but actually takes second place to these dancers – socially distanced of course, and complemented by house line shots of tequila.
While you’re being entertained, you can scan the menu from the table topped bar code and enjoy table service – I’d highly recommend the signature 48-hour sourdough pizza – they do a vegan one obviously this being Brighton- the Dungeon with vegan mozzarella, grated chilli seitan, red peppers and crushed green chillies, which was insanely delicious! Over the coming months, The Old Pier will also expand the menu further to include salmon sashimi poke bowls, Bajan style fish tacos and beef and vegan burgers, but I loved the sweet corn niblets and cauliflower tempura and fish tacos.
Image credit: Selina
Image credit: Selina
If your first night was unexpected, it’s well worth engaging in the full Brighton experience and signing up for a rejuvenating morning yoga session in the i360. Blow away the cobwebs and set yourself up for the day with sea views from a downward dog position, before tottering back across the prom to the hotel for brunch.
Whether you are keen to get out and explore the city, which is right on your doorstep, hang around the lobby with your laptop or peruse the products from local brands that are on display in reception, Selina is in the heart of the action. Locals will soon be able to snap up a spot in a co-working space, which will no doubt be a creative hot pot – showcasing local artist Amy Isles Freeman, whose work themes around female sexuality, freedom and joy.
Whether you live in Brighton or just fancy a Covid friendly trip to the seaside, I’d highly recommend checking out the range of lofts, suites, family rooms that accommodate up to four, standard and micro-sized double rooms at the Selina. What’s more, the brand has a further 19 opening in 2021 including shared community rooms which fit up to six guests.
In a recent development of the public areas and bedrooms, Karen Walker Design created a series of design schemes focusing on complementary texture, pattern and colour. Here we explore Heathfield & Co’s role in lighting the spaces…
Jesmond Dene House is an independent boutique hotel located on the outskirts of Newcastle upon Tyne city centre.
Selected to bring harmony to the 43 guestrooms and suites, Heathfield & Co’s Coupole table lamps feature on each bedside, mirroring the classic contemporary aesthetic of the hotel. Additionally, their Pierre Monochrome table lamps are presented in the suites to add a tactile and sculptural focus point to the vibrant rooms.
Image credit: Heathfield & Co/Michael Baister
Image credit: Heathfield & Co/Michael Baister
Further highlights from Heathfield’s collection can be found in the public areas. A pair of Addison table lamps provide the scale required in the Great Hall Lounge, with their large smoke glass bodies and substantial brass metal details.
Image credit: Heathfield & Co/Michael Baister
Heathfield & Co is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here.
Main image credit: Heathfield & Co/Michael Baister
These innovative spaces will welcome integrators, consultants, specifiers and end-users and showcase TIG’s impressive ecosystem of AV, UC, IT and control solutions from brands at the forefront of leading-edge technology development, in a safe and socially-distanced way.
The new Experience Spaces will serve to demonstrate how TIG’s ecosystem of world-class brands work together to form bespoke bundles that match the client’s exact brief, and help integrators deploy fully integrated, tailor-made and futureproof smart spaces in a wide range of environments including corporate, retail, residential, hospitality, education and healthcare.
The locations of the new Experience Spaces were carefully chosen for their ease of accessibility and central positions in both Frankfurt and London. They are located in:
WeWork – Fifth floor No 1 Poultry London EC2R 8EJ UK
Marienforum – Seventh floor Mainzer Landstr. 1 60329 Frankfurt am Main Germany
Guests can book their personalised visit with one of TIG’s experts by going to:www.tig.eu/events#booking-form. TIG is committed to adhering to Covid-safety and strict social distancing regulations, and all meetings will be held in private with the most relevant TIG specialist on hand.
With ISE 2021 postponed, and many other industry events being cancelled, TIG is planning to host bespoke and small-scale events in its Experience Spaces over the coming months, which will offer an intimate and safe platform to see first-hand how the technologies that TIG represents integrate. These events will see safety measures in place and virtual elements to reach those unable to travel.
The Experience Spaces follow the successful launch of TIG’s Virtual Experience Space back in June, when the opening of the real-life Experience Spaces had to be postponed due to the coronavirus pandemic. The Virtual Experience Space is an immersive online space as part of TIG’s new website that has been carefully designed to welcome and deliver an engaging and life-like experience for visitors. For those unable to attend the real-life Experience Spaces in Frankfurt and London, the Virtual Experience Space is still available to them.
TIG’s ecosystem includes:
Collaboration and residential smart space technology from Crestron
Stylish control panels for the hotel and home from Black Nova
The Desk Sign and Blynclight ranges from Embrava,which display employee and workspace availability, and indicate whether desks have been disinfected before next use
Remote monitoring and power distribution solutions from GUDE
Innovative tools and software from Hoylu for remote collaboration and accessible digital group learning
User-friendly yet advanced meeting scheduling and management software from NFS
Luxury custom switches and sockets from Rhombus Europe
Made-to-order furniture from Salamander Designs that fits in perfectly with specific AV products
And, most recently, show-stopping energy efficient LED displays from SiliconCore
Robin van Meeuwen, TIG’s CEO, comments: “The opening of our Experience Spaces in Frankfurt and London is the next big step for TIG! We have been excited about this development for a long time now. The delay due to Covid-19 has actually given us more time to plan these spaces even more carefully and ensure our fantastic brands are represented in the best way possible.
“Whilst it has been a big investment for TIG, we believe the best way to bring our technology to the customer is by letting them experience it first-hand. Our partners and customers deserve a space that showcases how technology can transform the way we live, work and collaborate. I’d like to say to them now that our team is ready and waiting to welcome you, discuss your deployments and provide a solutions-based approach to fulfil your client’s needs.
“This year has been a difficult one for many organisations, but we are confident that TIG can now be recognised as the place to come to help your clients overcome today’s challenges and feel prepared for tomorrow, with a focus on efficiency, adaptability, safety and security. We look forward to welcoming all our valued partners and customers to our new spaces in the UK and Germany – with Paris, Johannesburg and Moscow to follow soon!”
Head over to the website to book a visit to the new Experience Spaces, hosted one-to-one with our expert salespeople.
Bette unveiled ‘perfect bath for 2’ in more than 400 colours
The new BetteSelect Duo fitted bath has been designed to be the perfect bath for two…
Made from glazed titanium-steel, the extremely solid and durable BetteSelect Duo bath works equally well for bathing children as it does for a romantic candlelit bath for two. Candles can even be placed on the bath itself, without fear of damaging it.
The two seater bath has ergonomically shaped backrests on both sides, for extremely comfortable sitting. Softly rounded neck profiles, which gently merge into a wide rim, further increase the lying comfort, as they invite you to lean back and relax your head.
Well thought-out down to the last detail
The central position of the waste outlet means no one will have the discomfort of having to sit on it. It has also been moved slightly to the side, which not only looks stylish, but also brings practical fitting benefits.
Image credit: Bette
Designed for a long life
Like every Bette bath, the BetteSelect Duo is made of glazed titanium-steel. Bette gives a 30-year guarantee on the robust material, which is not only particularly hygienic and easy to clean, but also UV-resistant so it keeps its colour, impact and scratch-proof, so it keeps its shine, and resistant to chemicals, cosmetics and bath additives.
Colours
The BetteSelect Duo is available in more than 400 colours, including Bette’s latest effect colours Midnight, a glittering black, and Blue Satin, a frosted shade of blue.
Sizes
The BetteSelect Duo is available in the spacious 170×75 cm and 180×80 cm sizes. Both versions are 42 cm deep, which is enough room to ensure warm knees.
Sound insulation as standard
Also included as standard is a soundproofing set that ensures more peace and quiet when running and taking a bath. There is also the option of a higher level of sound insulation that conforms to DIN 4109, to minimise sound for neighbours.
Other practical options
The BetteSelect Duo bath can also be ordered with a sealed wall connection, called BetteUpstand, that does away with the need for silicone, an almost invisible anti-slip surface, AntiSlip Pro, and a special dirt-repellent surface for even easier cleaning. A practical grab handle, which makes it easier to sit down and stand up, is also available if required.
Bette is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.
Case study: Crieff Hydro Hotel creates room to breathe with hypoallergenic technology
Scotland’s Crieff Hydro Hotel in Perthshire has enhanced its studio offering by developing nice studio apartments, which are all fitted with the latest hypoallergenic technology from Room To Breathe UK…
Working with Glasgow based Insite Group who create cleaner and safer indoor environments – Crieff Hydro Hotel has added ‘Room to Breathe UK’ to its studio apartments to ensure peace of mind for all guests.
‘Room to Breathe UK’ creates a constantly monitored hypoallergenic space using technologies which kills 99.9 per cent of viruses, eliminates bed bugs and generally boosts wellness of all guests with particular peace of mind for allergy sufferers.
The studio rooms, located a short stroll from the main hotel reception have been boosted with the addition of a compact kitchen unit fitted with sink and microwave. These apartments are perfect for a family getaway where everyone is invited – even your four-legged companion – as these are the only dog-friendly rooms within the main hotel.
The nine newly-fitted studio apartments, can accommodate up to four guests in two separate sleeping areas with a king bed and a set of single pull out sofa beds.
“These plans have been in the works for some time and we’re delighted to see the studio apartments project is now complete,” said Kristian Campbell, General Manager at Crieff Hydro Hotel. “It was great to partner with Insite Group for this project and guests can see the ‘Room to Breathe’ certification on all our studio apartments.
“We have always been an advocate for clean and safe environments at our hotel and as we offer dog-friendly accommodation, it’s extremely important that all our visitors are cared for.
“Our existing self-catering accommodation has been extremely popular in recent months so we’re proud to expand our offering with our enhanced studio apartments.”
Gordon Bruce Co-Founder of Room to Breathe, said: “We could not be happier than to have partnered with the Crieff Hydro Family of Hotels and look forward to a very long healthy partnership.
“Their visionary outlook and adoption of our innovative system, which creates healthier indoor environments, for their guests is exactly what you would expect from this Iconic Scottish Brand of Hotels. It is a pleasure to be part of their future in achieving Wellness for all their guests.”
Room to Breathe UK is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.
5 Minutes With: Karl Lennon, Director of Architecture & Design Accounts at GROHE
Ahead of Hotel Designs LIVE – where GROHE are sponsoring the session “The revival of smart tech post-pandemic” – Hotel Designs catches up with Karl Lennon, Director of Architecture & Design Accounts at GROHE…
Tomorrow, in an engaging panel discussion, Hotel Designs LIVE will explore the revival of smart tech post-pandemic.
Ahead of putting the spotlight back on technology, we catch up with the session’s sponsor, GROHE, to understand how sustainability and technology can work together to create a more meaningful hotel design scene.
Hurry! you have until 10am (BST) today in order to secure you virtual place in the audience for Hotel Designs LIVE. Click here to participate.
Hamish Kilburn: GROHE has consistently been raising the sustainability bar in the hospitality sector for many years now but what’s one thing they are doing that sets them apart?
Karl Lennon: Several years ago, we began our journey into 3D printing and exploring how the growing use of this technology could be applied within bathroom design. Then in March 2019, we unveiled our Icon 3D tap range, a collection of 3D printed taps produced by printing metal using a powder bed laser melting process, a unique material developed by our R&D team. In terms of sustainability, it sees us starting to move away from a make-take-waste model and begin the shift towards operating within a more circular economy. Also, 3D printing allows us to create visual spectacles and masterpieces that just simply wouldn’t be possible with traditional manufacturing methods. We completely pared back on the design of our Icon 3D taps, incorporating design details such as ultra-thin profiles and hollow interiors that would not only push the barriers of bathroom product design but significantly reduce the amount of material required in the manufacturing process too.
Meanwhile, we’re also channelling our innovation back into the hospitality, architecture and design industry with our RIBA-approved CPD programmes. We cover topics such as 3D printing and water-saving to give tangible solutions and help hoteliers and designers realise the potential for these products in their market. I look forward to sharing more on the Icon 3D in our product watch tomorrow!
Image caption: GROHE Atrio Icon 3D | Image credit: GROHE
HK: How will the pandemic impact consumer’s relationships to wellness areas within hotels?
KL: As with many areas of the hotel experience, we will of course see more movement towards touchless activation of products within wellness zones, especially as these are public areas with higher footfall. The likes of infra-red sensors for various touchpoints will become commonplace but this should only enhance the experience and complement that desired sense of wellbeing and “switching off” for guests. This technology is already familiar to most of us, namely through public bathrooms, but expansion is likely to occur across almost all areas of a project. Even some homeowners will be looking to implement touchless operation into areas of their homes so there will be a greater expectation that these developments are in place when visiting a hotel or wellness facility. However, really only time will tell! This is a constantly unfolding situation and one we are learning about and adjusting to everyday so I think we are still finding our path for the future.
Image caption: Icon 3D printing design process | Image credit: GROHE
HK: Are there any exciting projects championing sustainability that you’ve worked on recently?
KL: We see more and more now that hotel operators that we are working with across the globe have made strong commitments to sustainability in the future, which is fantastic to see. We’re working closely with these partners to enable them to satisfy these goals in their new and existing projects by advising them with the right products and specifications. This of course aligns with our own sustainability objectives where we are trying to reduce our impact through carbon-neutral manufacturing processes and working towards plastic-free packaging next year. So I hope soon that there will be lots more exciting sustainable hotel projects paving the way for new standards in the industry.
HK: We have noticed that colour is being injected back into the modern bathroom. Why is this?
KL: Formerly a functional space that focused on personal hygiene, the bathroom has become increasingly considered as a tranquil retreat. Colours enrich our experiences and heighten our senses so the two marry well, as we seek to create more experiential hotel spaces for guests. We believe the growth potential for coloured bathrooms lies within brassware and the ability to coordinate all aspects; from taps and showers to flush plates and accessories, all perfectly coordinated in the same colour and finish. This can really add that edge of luxury which is what makes a hotel break so indulgent and appealing for guests.
HK: What are some major pitfalls designers can avoid when adding tech into the bathroom?
KL: I think the biggest pitfall is using tech just for the sake of using tech! There is such a thing as too much technology and it can really detract from the experience if not carefully considered. Good tech design is intuitive. Hotel guests don’t want advanced shower systems with complicated controls that they would struggle to operate without instructions – the shower is a place to unwind and refresh and guests want to take advantage of that luxury even more when enjoying a visit to a hotel. Therefore designers need to keep in mind that tech products need to be clear and easy to use for guests, in order to deliver a more enjoyable experience.
HK: When it comes to hoteliers or designers specifying sustainable solutions for a new project, where is best to start? What simple solutions are best to implement that have the biggest impact?
KL: Connecting with suppliers and manufacturers to fully understand what is available, and how specific solutions can meet your individual project needs, is a helpful starting point to generate ideas and knowledge of this area. In terms of solutions, a key place to start of course is water-saving products. As an example, at GROHE, all our products either come with standardised water saving features or can be adapted to reduce consumption. Subsequently, we work across a lot of LEED and BREEAM certified projects. Some key solutions to consider are dual flush plates, water-saving shower heads and also advanced thermostatic shower systems. Alongside reducing water consumption, looking at methods to refine energy usage is also an important focus area. In the guestroom bathrooms, innovations such as cool start taps that only use cold water when first activated instead of unnecessary heating of hot water are a simple yet effective strategy, as are infra-red taps.
GROHE is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.
Weekly briefing: a London opening & the ‘new normal’ of luxe design
Only got a minute? Our editorial team have compiled the top design stories that they have published this week, including a roundtable that targets health and wellness and luxury designers’ predictions of the ‘new normal’…
What has become clear in recent weeks is that even with the best will in the world, we are yet to find many of the answers we require in order to design in a post-pandemic world. However, beneath this week’s Hotel Designs headlines, we have spoken to leading designers, architects and hotel experts to understand what we do know. Here is our ‘editor’s pick’ of the juiciest stories covered this week.
One thing that has become apparent as we stand in the eye of the pandemic storm is that no one yet has all the answers. From the number of panel discussions I have hosted recently, I have learned that designers, architects and hoteliers are adapting daily to new developments in the Covid-19 crisis, which is somewhat impossible when designing hotels that will open years from now.
With a question mark on what the future of health and wellbeing will look like in tomorrow’s hotel, editor Hamish Kilburn, in collaboration with HDR | Hurley Palmer Flatt, asks industry’s experts to decipher what’s fact and what’s myth when predicting tomorrow’s wellness scene.
In order to continue to start creative conversations like no other, Hotel Designs has launched Hotel Designs LIVE, a one-day virtual conference to serve the industry during and after the Covid-19 crisis.
Marriott International has announced the planned openings of eight new Fairfield by Marriott properties in Japan, highlighting a vast expansion that more than doubles the size of the brand in the country.
A bold and lavish take on Arabescato marble, Pulp is the latest porcelain wall and floor tile collection from design-led tile specification brand, Parkside.
Fairfield by Marriott doubles its footprint in Japan
The Fairfield by Marriott brand is increasing its portfolio in Japan with eight hotels stated to open across four prefectures…
Marriott International has announced the planned openings of eight new Fairfield by Marriott properties in Japan, highlighting a vast expansion that more than doubles the size of the brand in the country.
Sekisui House, a renowned Japanese developer, has partnered with Marriott International to further enhance their ‘Trip Base’ initiative – a project seeking to revitalize local sightseeing spots – with the opening of hotels alongside ‘Michi-no-Eki’ roadside stations. The Michi-no-Eki rest stop system was created over two decades ago to provide comfortable stop-over rest facilities for road trip travelers in Japan, situated close to national parks and UNESCO World Heritage Sites.
As part of the Marriott Michi-no-Eki project, Fairfield by Marriott Gifu Seiryu Satoyama Park, Fairfield by Marriott Gifu Mino, Fairfield by Marriott Tochigi Utsunomiya, Fairfield by Marriott Kyoto Kyotamba, Fairfield by Marriott Gifu Gujo and Fairfield by Marriott Mie Mihama are slated to open this month, followed by Fairfield by Marriott Tochigi Motegi in November and Fairfield by Marriott Kyoto Miyazu in December.
“Following its Japan debut in Sapporo earlier this year, we are thrilled for the Fairfield by Marriott brand to continue its expansion in the country,” said Rajeev Menon, President, Asia Pacific (excluding China), Marriott International. “These new openings underscore Marriott International’s commitment to growing our presence in Japan to serve travellers here. The new hotels will deliver the brand’s principles of friendly service and family treatment, giving travelers access to inspiring natural destinations across the country.”
Image credit: Marriott International
Fairfield builds upon its strong heritage of warm hospitality and the belief in the beauty of simplicity, creating a place where every moment is an inviting and effortless experience for its guests. The experience is backed by The Fairfield Promise™ – from the hotel’s level of service to accommodations, if a guest is ever not satisfied with their stay, Fairfield will make it right.
Upon arrival, a welcoming lounge with a relaxed seating area provides a smart and flexible space for guests. Designed for both rest and productivity, each guest room averages about 25 square meters and offers a comfortable bed for a great night’s sleep, as well as fast complimentary Wi-Fi. The hotels also offer optional breakfast take-away in bento boxes for guests to enjoy at the hotel or while on the road.
Fairfield by Marriott Gifu Seiryu Satoyama Park (85 rooms, opened October 6)
This hotel is a great starting point for family holidays exploring Gifu Seiryu Satoyama Park, an urban park designed to emulate the rural landscape of Japan’s Showa era (1926-1989). The park features the nostalgic Satoyama Café, a foot spa corner and a charming morning market. Along the nearby Nakasendo Highway, guests can visit charming streetscapes of post-station towns, as well as historical temples and shrines.
Fairfield by Marriott Gifu Mino (54 rooms, opened October 6)
Surrounded by breathtaking views of the great Nagara River and emerald-green mountains, guests can explore Mino’s ancient buildings and streetscapes that date back to Japan’s Edo period (1603-1867) and discover the beauty of Mino Washi, the artisanal handmade paper with a history dating back 1,300 years. Visitors can also savor the delicious Ayu sweet fish caught in the pristine waters of the river, served with fresh seasonal vegetables from the surrounding countryside.
Fairfield by Marriott Tochigi Utsunomiya (87 rooms, opening October 7)
Conveniently located near the Utsunomiya Romantic Village, this hotel makes an ideal base for sightseeing around the beautiful rural countryside. Guests get to enjoy hands-on experiences with local farming, strawberry picking, forest hikes and traditional hot springs. This area is famous for its delicious gyoza dumplings, which can be found at many popular restaurants nearby.
Fairfield by Marriott Kyoto Kyotamba (75 rooms, opened October 8)
This hotel is located at the gateway of the Kyotamba region, characterized by its rolling green hills. The climate of the Tamba plateau produces treasure troves of specialty produce famous throughout Japan, such as Tamba chestnuts and Tamba black beans. Food lovers will enjoy discovering local delicacies throughout the year here, such as Ayu sweet fish in early summer, botan-nabe or boar meat hot pot in the winter, as well as dishes made with sansai or wild mountain vegetables in the springtime.
Fairfield by Marriott Gifu Gujo (87 rooms, opened October 9)
For fans of Japanese history and culture, Gujo is a not-to-be-missed destination. Guests can explore nearby Gujo Hachiman Castle and the old-world charm of the castle town, surrounded by beautiful rural Japanese countryside. In Gujo, the Kokin Denju no Sato Field Museum features classical waka poetry readings, and thermal spring-filled ceramic baths and foot spas to soothe and relax travel-weary limbs. Guests can also discover the delicacies of this region, including salt-grilled Ayu sweet fish and keichan, a traditional chicken dish.
Fairfield by Marriott Mie Mihama (63 rooms, planned opening October 12)
The Hamakaido is the main coastal route of the World Heritage-listed Kumano Kodo, Japan’s 1,000-year-old pilgrim’s route. This hotel is located next to the Michi-no-Eki Park Shichiri-Mihama roadside station, right in front of the Hamakaido. With the year-round warm and pleasant weather, guests can also explore nearby Shichiri Mihama Beach, selected as one of Japan’s “100 Great Beaches”, and enjoy the wealth of regional produce, including the many different varieties of mandarin oranges and the freshest seafood.
Fairfield by Marriott Tochigi Motegi (52 rooms, planned opening November 20)
This hotel is located next to Michi-no-Eki Motegi, near the Mooka Railway station and tracks, famous for its majestic steam locomotives which run on weekends, attracting crowds of children and adults alike. Motor racing fans will also enjoy visiting the famous international racing circuit nearby, Twin Ring Motegi, which also houses the Honda Fan Fun Lab featuring next-generation technologies such as robotics and electric vehicles.
Fairfield by Marriott Kyoto Miyazu (93 rooms, planned opening December 15)
This hotel is located in the ancient Japanese capital of Kyoto, offering panoramic views of the beautiful clear waters of Miyazu Bay. Guests can enjoy refreshing ocean breezes, explore the charming ancient streets of Kyoto, and discover classic Japanese cuisine at Osakana Kitchen Miyazu, including its popular kaisen-don, rice bowls topped with selections of fresh seafood. Guests can also take a pleasure cruise to see the beautiful Amanohashidate sandbar, voted as one of the three most scenic views in Japan.
“Japan has a variety of breathtaking destinations and experiences for visitors, from beautiful countryside to ancient historical sites and some of the most wonderful and varied cuisine in the world,” said Masahiro Taguchi, Project Director of Fairfield by Marriott’s Michi-no-Eki portfolio. “Fairfield by Marriott Michi-no-Eki Hotels will welcome guests with the beauty of simplicity, and offer comfortable start points for travelers to explore local destinations and hidden gems.”
Virtual Roundtable: health & wellbeing in hospitality and hotel design
With a question mark on what the future of health and wellbeing will look like in tomorrow’s hotel, editor Hamish Kilburn, in collaboration with HDR | Hurley Palmer Flatt, asks industry’s experts to decipher what’s fact and what’s myth when predicting tomorrow’s wellness scene…
One of the major challenges that hotel designers and architects are facing globally at the moment is how much emphasis to put on Covid-19 when making decisions that will impact the future look and feel of hospitality. The pandemic has no doubt changed the demands of modern travellers, no more so arguably than in what will be expected in the wellbeing and wellness areas of tomorrow’s hotels.
In an attempt to define realistic solutions, we speak to leading designers, architects and developers from around the world – and ask about the future of health and wellbeing in hospitality and design.
On the panel:
Veronica Givone, Managing Director at IA Interior Architects
Mark Bruce, Director at EPR Architects
Chris Lee, Director of Architecture, Design & Construction at Wyndham Hotels and Resorts.
Ivaylo Lefterov, Hotel Development Director, Miris
Kobi Karp, Founding Principal of Kobi Karp Architecture and Design
Tom Bishop, Director of Project Management at Bruce Shaw
Dan Curtis, Senior Projects Surveyor at Core Five LLP
Matthew Voaden, HDR|Hurley Palmer Flatt
Hamish Kilburn: We have never seen this before; every single hotel around the world putting together a reopening strategy. How has the pandemic, and the reopening of these hotels, changed the mindset of operators when it comes to health and wellbeing?
Chris Lee: Any operator will say that guest safety is their first priority. Obviously with Covid-19, that’s paramount. In times like these, the majority of travellers are leaning towards brands they can trust.
Wyndham Hotels & Resorts set up a working party back in March. We looked across the whole spectrum of the business, including all brands and hotels, to identify what we needed to do to get ahead of this pandemic, all the time with the aim to keep our guests in a place where they trust us, whilst feeling safe and comfortable.
As a result, we launched an initiative called ‘Count on Us’, which is a long-term initiative with the emphasis being on additional cleanliness to address the characteristics of Covid-19 . We have had to adapt certain procedures, but that’s not necessarily a bad thing and it has allowed us to enter into partnerships with new suppliers. For example, Ecolab is supplying the EPR-approved cleaning chemicals and products for our hotels across the region. As part of that deal, they have offered product training to our staff. These team members are, bit by bit, becoming ‘Covid safety officers’.
HK: How will Covid-19 impact how hotels are designed?
Mark Bruce: The truthful answer to that is that our clients are all trying to figure that out themselves, which is why this discussion is very timely.
Six Senses arriving in London is a good example, with its core focus being wellness. What I will say, strictly architecturally, is that there is a wider emphasis on indoor/outdoor spaces, which I think makes sense to us. On the luxury end, customers want things to be the same but with more space. On the more lifestyle and budget end of the scale, travellers want confidence.
Image caption: Rendering of Six Senses London, slated to open in 2023
Working closely with our mechanical and engineering suppliers to understand the practical aspects, such as air conditioning systems and finding ways to bring in natural air, has been fundamental in order to understand our limits as architects.
Matthew Voaden: We are finding that working more closely with architects from early stages of design is beneficial in not only addressing the concerns of enhanced ventilation to the space, but also to the architecture/interior design as integrating the services from outset does not later compromise the initial concept.
Tom Bishop: From a project management perspective, we usually get operator and design feedback far too late (usually during stage three or four). Do you reckon that this support system will bring forward when we are able to have these discussions?
MB: Yes, I think it’s a good point. 50 per cent of our clients are owner/operators, developers, which means from day one you can have good conversations about it. This is a huge challenge for operators – and you’re right, these conversations do not currently happen early enough.
HK: Covid-19 has amplified the need for service and design to work in harmony, something that the lifestyle sector was already very good at. What are the new challenges in lifestyle hotels?
TB:Ruby Hotels is a great example of a lifestyle hotel that shelters design working with service. Typically, guests checking in to a Ruby hotel are looking for a bed for the night. You check in to ‘lean luxury’ – it’s clean and well designed and you are not spending that much time in your room. The public area space is minimal, cool and trendy while the F&B offering is limited – so they are almost already designed for the post-pandemic world and naturally cater to new demands from travellers. It will be interesting to see what the hotel group does next. I know the brand is looking for sites still, and it’s an exciting time for them.
Image caption: A playful interior design scheme inside Ruby Lucy, London
There is definitely a difference in demand from guests checking in to a five-star hotel than travellers checking in to a three-star hotel. On the luxury end, the question is now how to create the same atmosphere pre-pandemic in a space that now limits how many people are in that area.
“We are trying too hard at the moment and, dare I say it, over reacting.” – Ivalyo Lefterov, Hotel Development Director, Miris.
HK: Ivaylo, talk to us about SVART. How is this project challenging conventional methods of wellbeing and wellness?
Ivaylo Lefterv: That’s a very wide question, I have to say. I’m addressing this situation having worked on both the design and operational side. From my perspective at least, we are trying too hard at the moment and, dare I say it, over reacting.
First of all, we have no idea how things will evolve six months from now, so making any assumptions or drastic changes could be quite damaging. But equally, with SVART in particular, sustainability and wellness were already key pillars of that project. So, Covid-19 has somewhat brought attention to what we were already trying to achieve, which is a positive.
Image caption: SVART, which is slated to open in 2022 as the world’s first ‘energy-positive’ hotel
The building itself, sheltering a new F&B concept, is part of the wellness journey. We have been discussing how we activate the building, and our conclusion is that we want the guest to be in control. We are talking about touchless without losing human interaction. That is an important balance. We are trying to allow the customer to be guided intuitively but also using technology as a tool to allow us to measure the condition of their stay and be able to adjust their experience accordingly. I do believe that lighting will become much more of a focus in the post-pandemic world.
MV: I agree, having worked recently with a number of clients on integrating smart technologies into new and existing buildings, we are trying to strike a balance between introducing technology that benefits the development and not just an innovation that is an immediate reaction to the current Covid-19 situation, which ultimately might not be required.
HK: It’s a given that hygiene is creeping – no, leaping – up on the agenda for hoteliers. When it comes to Value Engineering though, what will fall off in its place?
Dan Curtis: We have seen a move towards less cluttered space. When you walk into a hotel room there is now more clean space with natural materials, focusing on the light and scenery.
“Value Engineering should not be a factor when considering safety” – Kobi Karp, Founder, Kobi Karp Architecture and Design.
Kobi Karp: I agree. Value Engineering should not be a factor when considering safety. Traditionally we have used copper pipes in buildings before we discovered the properties in PVC. I now see a movement that is drawing designers and architects back to raw materials, such as copper. In my firm we design a lot of restoration projects, and it’s very easy to convert those hotels into sustainable hubs as a result of Covid-19.
Over the last few months the focus has also switched to technology – it is evolving rapidly! To date, we have not felt the need to implement this. Now, we are taking another look at it technology’s role in a post-pandemic world.
HK: We can have all the best will in the world, but let’s realistic and talk about scalability – change is very expensive for global hotel brands that need to maintain branding across all hotels. Chris, how are you making these decisions?
CL: It’s such a difficult call! If I was in a developer’s position, and it was my money, I still wouldn’t know what to do.
We’ve had numerous discussions internally about reviewing our design standards. At the moment, we have to stay where we are because no one has the answers on timing. Like Tom said, if you double the size of your lobby then you are doubling the size of your real estate, which naturally reduces your ROI. I don’t think we are yet in a position to fix these financial and design issues.
Image caption: Wyndham Introduces new hybrid meeting concept at Dolce Hotels in Europe
TB: Let me explain this from a refurbishment approach. An owner has an asset. It was worth X in January 2020 and it’s now worth Y. If they are trying to loan against the asset, that value has reduced. This means your refurbishment budget has reduced along with occupancy levels (for example, from 85 per cent to 65 per cent) and a lower room rate. Ultimately, you are going to see, I believe, more QS-led design in the four-star and below market because ultimately there is more of a budget constraint that has to be adhered to. There is a delicate balance between health, design (to ensure that the hotel is competitive within its market), increasing room rates and overall yield.
Veronica Givone: In the last six months, I have been talking with a lot with investors. My conclusion is that the last decade has already seen a shift in what brands wanted to provide. 10 years ago they were designing for their brands. Now they are designing for the people checking in to the hotel.
“We now need to avoid designing hotels that look like hospitals.” Veronica Givone, Managing Director, IA Interior Architects.
I believe that the pandemic will just amplify this. People are more aware when it comes to wellness and wellbeing. We now need to avoid designing hotels that look like hospitals. It’s the balance the find when applying tech and keeping service fresh. We need to understand how to make our staff feel confident and comfortable to use the space. We need to make short-term solutions, and I hope that social distancing will not be a long-term hurdle. In 15 years from now, who will be the guest? That’s what we now need to think about.
HK: Matthew, HDR | Hurley Palmer Flatt Group has its ear to the ground when it comes to identifying and utilising new innovations that will improve building quality. What have you seen emerge recently?
MV: When cultural changes happen, it always results in a lot of discussions around new innovations and products.
UVC Lighting, and air purification systems are really interesting, but would be better and easier to cost, if they were disguised in the foundations of a new build. Upgrading filters in maintenance, CO2 monitoring, modification to the Building management system to extend fan runtimes etc and other factors are constantly being analysing as part of our teams initial response to the pandemic.
I would say, it is easier to integrate new innovations into budget hotels. It’s more challenging for luxury properties and brands in order to not disrupt the familiar luxury guest experience and journey.
IL: I can see the industry moving forward towards the guest designing their experience before check in. That will allow the actual hotel stay – take the arrival experience for example – to be more like a performance, a theatre if you like. The guestroom itself would become your butler to make it more personal without removing the human factor. Your reception becomes your living room, as opposed to being purely a practical and frankly unenjoyable element.
“Gen Z want to be in control – they like choices.” – Chris Lee, Director of Architecture, Design & Construction, Wyndham Hotels & Resorts.
CL:Hotels have changed in the last decade. Lifestyle didn’t really exist much 10 years ago. Gen Z want to be in control – they like choices. What better way to make a choice: on your phone, you have everything you need. But, regardless of the evolution of tech, hospitality is about people and you can get that interaction in all hotels. I just hope the pandemic doesn’t adjust the people factor in our industry, because that is so important.
VG: The key is balance all possible demands and offer flexibility, allowing the guest to decide.
MB: I was really pleased that this came up as a topic. I have never really spoken about sound in a roundtable discussion, but it’s important to consider. Like many of the sub topics we have explored in this session, we were analysing sound in hospitality before Covid-19 was a thing. The pandemic has allowed us to refocus on new ways to create atmosphere, and one of the most impactful ways to subconsciously evoke a mood in pursuit of wellness is to consider sound.
A great example is Six Senses, and it is an absolute joy working with the brand. They talk about anti spaces, the moments in between moments. I believe that the spaces in between create the emotion and memories. We have been helping Six Senses to transfer their look and feel and their renowned focus on wellness into an urban environment, and sound has been a massive part of that.
The minute you walk in, sound from the outside is muted – the perception of the city gets left behind and the focus turned to the naturally aerated lobby. As you move further towards the spa, the way sound is treated is going to be a very exciting part of the project. To see a leading brand like Six Senses embrace sound to elevate the experience is very exciting! I think it will add a lot of value to hospitality in the future.
Thanks to HDR | Hurley Palmer Flatt and all of our international experts, we have started the conversation around health and wellbeing in hospitality in hotel design. Now it’s over to you. Have your stay by tweeting us @HotelDesigns.
One thing that has become apparent as we stand in the eye of the pandemic storm is that no one yet has all the answers. From the number of panel discussions I have hosted recently, I have learned that designers, architects and hoteliers are adapting daily to new developments in the Covid-19 crisis, which is somewhat impossible when designing hotels that will open years from now.
In one discussion that took place during lockdown, Michael Bonsor, Managing Director of Rosewood London, said: “The concept of hospitality, which is third largest employer in the UK, has stopped. We are now questioning how long this will last for.”
In another more recent discussion, Mark Bruce, Director at EPR, gave a raw reflection of the international hotel design landscape. He said: “The truthful answer to that is that our clients are all trying to figure that [the impact of Covid-19] out themselves, which is why this discussion is very timely,” he said. “On the luxury end, customers want things to be the same but with more space. On the more lifestyle and budget end of the scale, travellers want confidence.”
While we can predict that the pandemic will change consumers views on health and wellness, there is not one solution that fits all. One conclusion that is fixed however is that it will be more of a challenge to implement social distancing in luxury hotels than it will be to adapt lifestyle hotels for the new demands of modern travellers.
Ahead of putting many of these questions forward at Hotel Designs LIVE, we asked a handful of hospitality luxury designers how the pandemic will impact the industry from a design perspective.
Rosendale Design(Norma, The Stafford Hotel, Jason Atherton’s restaurants and more…)
Image credit: The Stafford Hotel, London
“Terraces and outdoor spaces are now highly requested,” said Dale Atkinson, Founding Director of Rosendale Design. “This was once a ‘nice to have’ due to the unreliable weather in the UK, but now people feel safer eating and drinking outdoors.
“One material that will see a resurgence is copper, this is due to its anti-bacterial properties; it has a very warm appearance and used correctly can look quite refined, so can be easily detailed into various spaces.
“Internally, we must look to divide group of tables into their own ‘pods’ whilst still maintaining the buzz that people want to be a part of. Booth seating works well.”
Nicola Harding & Co – (The Mitre Hampton Court, The Rose at Deal, Beaverbrook & more)
Image credit: The Mitre Hampton Court
“Now, I’m even more determined to create somewhere intoxicating, a place that will transport people from the stress and sadness of the last few months,” said designer Nicole Harding. “I’m thinking about more mini-bar provisions, more comprehensive room service offerings – e.g. we are designing little hampers for cocktails/breakfast/movie nights.
“We may consider planning of spaces more,” says Jo Littlefair, Co-Founder of Goddard Littefair. “For example, so that pendants are positioned at heights that then don’t dictate where a table should sit, giving operators more flexibility to reposition furniture without looking out of place.
“Spa within a spa is a whole conversation around whether a spa is hygienic — whether people will want to embrace them,” adds Martin Goddard, Co-Founder of Goddard Littlefair. “I think we feel that health is something people are going to really concentrate on, and therefore wellness, and spas, and the facilities that they can offer, all strengthen that appeal.”
David Collins Studio — Simon Rawlings, Creative Director — (Nobu Hotel Portland Square, The Carriage House and Tack Bar at Adare Manor, Gleneagles & more)
Image credit: Adare Manor
“I think that we are going to see social and cultural attitudes and behaviours changing, rather than changes to the physicality of restaurants,” explains Simon Rawlings, Creative Director at David Collins Studio. “The times and places that people visit restaurants will change, for example, if people are working from home, perhaps they will clock off earlier for an early-evening dinner to fall in line with local curfews. They will likely stay local, meaning that neighbourhood restaurants will flourish whereas city centre restaurants may not garner the footfall they need – which I think very sadly is what we are seeing happen at the moment here in London.”
If you are a designer, architect or hotelier and would like to have your say on how the industry should prepare for the ‘new normal’, you can tweet us @HotelDesigns.
Opening of The Mitre, Hampton Court marks debut of The Signet Collection
Recently announced, a new boutique luxury hotel brand The Signet Collection has launched in conjunction with the unveiling of its first hotel The Mitre, Hampton Court…
The Signet Collection, which was founded by former COO of Longshot; owners of Beaverbrook and Bel & the Dragon Group. Hector Ross and his team are set to create meaningful stays in time honoured places and will be made up of several destination-defining properties throughout the UK.
The Signet Collection, a home-grown and hands-on brand, is passionate about all aspects of the craft of hospitality and champions the belief that a hotel is only as good as the people in it. With a focus on experiences, history and informality of design, food and service – each of The Signet Collection hotels will be highly individual and will centre around preserving and restoring authenticity.
Image credit: The Mitre, Hampton Court
“We start with a special place. Our hotels have history, stories to tell,” said Ross. Each one is imbued with generations of tales, legacies, myths and legends. We unearth this history, these stories. We restore them, reimagining them, passing them on for our guests to enjoy, layered with a British sense of humour, top-notch F&B and memorable experiences”
The first hotel in the collection, The Mitre, has debuted. Sheltered within a Grade II-listed property dating back to 1665, the now hotel was originally used as ancillary accommodation for guests of King Henry VIII at Hampton Court Palace. Set on the banks of the River Thames, the 36-key hotel includes a 60-cover riverside all day dining and wine bar, a 70-cover brasserie and bar, an 60-cover Orangery, a large riverside terrace, meeting rooms and private dining areas.
Food & beverage has pride of place for the new hospitality brand headed up by culinary and operations director Ronnie Kimbugwe, whose background includes time with the Gordon Ramsay group at Claridges and a decade with the Bel and Dragon Country Inns.
“Through design we aim to connect our guests with the history and the location of each hotel.” – Designer Nicola Harding
Interior designer Nicola Harding is the creative lead behind The Signet Collection and transformation of The Mitre, which combines quirky British sensibility with elegant authentic luxury.
Image credit: The Mitre, Hampton Court
Image credit: The Mitre, Hampton Court
Known for her work on the Garden House at Beaverbrook and The Rose Hotel in Deal, Nicola draws inspiration from Hampton Court and the surrounding neighbourhood, accentuating the character of the building and creating spaces that feel effortlessly evolved. “The Signet Collection hotels will blend the old with the new, the refined with the comfortable, and the local with the worldly,” she said. “Through design we aim to connect our guests with the history and the location of each hotel, providing characterful bedrooms, and playful lively public spaces where people quickly feel at home.”
As well as broadcasting thought-provoking interviews and panel discussions, the one-day virtual conference will also frame a number of dynamic PRODUCT WATCH segments throughout the day in order to identify the latest product launches and innovations within each of the four topics areas that will be explored.
“When we first launched Hotel Designs LIVE in June, we made a pledge that the event will cut through the noise in order to broadcast what we believe are the most relevant conversations happening in the industry right now,” explains editor Hamish Kilburn who will host the event. “We have worked incredibly hard over the last few months to ensure that our next broadcast of Hotel Designs LIVE does the concept justice. This has included filming a segment with our new videography partner CUBE Video, working closely with our sponsors and suppliers and inviting relevant leaders and visionaries from around the world to sit on the virtual sofa in order to add value to the conversations we are airing.”
Here’s what’s coming up:
09:20 – 09:30: EDITOR’S WELCOME
Editor Hamish Kilburn will open by acknowledging the success and highlights from the inaugural virtual conference, which took place on June 23. In addition, he will discuss the rationale behind the four sessions that Hotel Designs LIVE will position under the spotlight for the second edition of Hotel Designs LIVE.
09:30 – 10:30: Discussing sustainability with Bill Bensley (Sponsored by Silentnight Group)
In order to definitively understand sustainability in international hotel design, while also highlighting new, unconventional methodology in the process, Hotel Designs LIVE will welcome Bill Bensley as the event’s headline speaker.
Affectionately known as the “Willy Wonka of Design”, Bensley is a dedicated eco-warrior and a highly qualified jack of all trades – gardener, fisherman, architect, interior designer, lover of all things natural, and most of all, a wide-ranging explorer of as many corners of the earth as he can.
The award-winning designer, who never fails to deliver innovative solutions when designing sustainable spaces, will join Kilburn to discuss how design, architecture and hospitality can coincide with nature.
Following on from the inaugural Hotel Designs LIVE, where the panel questioned the very existence of lobbies in the wake of Covid-19, this session will move away from pure sterile solutions and instead inject design back into the public areas. Kilburn will ask a handful of leading designers and architects how we, as an industry, can authentically create purposeful areas that evoke interesting first impressions.
12:30 – 13:30: Reassuring the post-corona consumer (Sponsored by Room To Breathe UK)
The industry may well be re-opening its doors, but recent studies suggest that the post-corona consumer is hesitant to re-explore the hospitality scene. In an engaging panel discussion, Kilburn will ask a number of leading hoteliers from all corners of the globe how tomorrow’s hospitality arenas can effectively and sensitively reassure modern travellers that hotels are safe spaces.
14:00 – 15:00 BST: The revival of smart tech post-pandemic (Sponsored by GROHE)
To kickstart the debut Hotel Designs LIVE, tech-influencer Jason Bradbury, the former presenter of The Gadget Show, took us on a wild journey to understand the boundless possibilities when it comes to technology in hospitality. One of the main takeaways from the session was the importance of making technology invisible for the modern consumer.
Ahead of putting the spotlight back on technology, Kilburn checked in to a completely contactless hotel experience to understand tech’s role in tomorrow’s hotel. The full feature will be broadcasted to the audience attending ‘The revival of smart tech post-pandemic’. Here’s a teaser filmed and edited by CUBE Video.
Continuing this quest, but also grounding it in the context of hotel design in the wake of Covid-19, Kilburn will invite a number of expert designers to discuss, in detail, whether or not the hotel experience will ever be truly contactless, as well as asking how to authentically and meaningfully inject smart technology into a modern hotel.
We love a trend alert at Hotel Designs, especially one that challenges conventional design aesthetics. Here, UK Bathrooms identifies how and why black is back in the modern bathroom…
As we enter the shorter months, we’re embracing dark tones and welcoming them into the wash space as we mirror the early nights and moody skies on the horizon.
“Black is a wonderful shade to meditate to and allows overtaxed minds a moment of tranquillity.” – Graeme Borchard, Managing Director at UK Bathrooms.
Why black?
One of the biggest changes in bathroom design in recent years has been its evolution from a functional space, designed with efficiency rather than aesthetics in mind, into a room for enjoyment and wellbeing. The surge in time spent in the bathroom in 2020 especially, saw the bathroom become a place to unwind and enjoy moments of peace in; as other areas of the home became spaces to work, teach and multitask, the bathroom took on the role of a sanctuary. “Black has moved into the bathroom as homeowners are seeking a space for privacy and relaxation as busy lives get busier,’ explains Graeme Borchard, Managing Director at UK Bathrooms. “Black is a wonderful shade to meditate to and allows overtaxed minds a moment of tranquillity, which is what today’s bathroom is all about.”
Image credit: UK Bathrooms
Image credit: Crosswater
How to style a black bathroom
This trend is all about maximum darkness – for the greatest effect, opt for black across as many surfaces and objects in the space as possible to create a calming, cave-like cocoon that’s impactful without overstimulating the senses. Pay attention to textures; mix in different black finishes and materials, from glossy glazes to matt and brushed metals, to create a space which is indulgent and immersive while maintaining the feeling of shelter and protection.
Black fixtures and fittings
The newest launches from a host of luxury brands have been doused in darkness. Shower heads, taps, mixers, screens, panels and all of the fittings in-between, it’s clear that the finish of the moment is deepest black. Be it Matt Black, hansgrohe’s biggest finish of the year which covers the Metropol mixer range, and 53-piece Talis E collection, or the extensive range of Matt Black brassware and bathroom accessories of Crosswater’s MPRO range. Most of Abacus’s range can be covered in black via its Colour My Bathroom offering, and Saneux and Roper Rhodes both have extensive dark collections.
Large black bathroom pieces
Chunkier bathroom objects of all styles are also being coated in rich black. Victoria and Albert’s freestanding baths take on an edgy yet sensuous feel when their soft curves are realised in black. Along with its brassware, much of VitrA’s ceramicware and storage pieces comes in a slick black finish which transforms them into giant sculptural objects. Villeroy and Boch’s ultra-modern Avento vanity units are finished in glossy Crystal Black, the brand’s Antheus unit brings natural texture in black ash, and UK Bathroom’s Essentials Black Square Edge Bath Screen is a whimsical take on the trend, a semi-transparent slice of shadow hovering over the shower. In the traditional sphere, the Sarah Georgian basin and washstand by Burlington is composed of decorative black aluminium and black marble.
“Black is incredibly versatile, contemporary and chic,” says Borchard. “Black elements in the bathroom create an edge, making a statement while remaining timeless and enduring.” Finish the look with as much black flooring, tiling and paint as you dare, or try a black feature zone around either the sink, bath or shower to add more subtle wow factor.
UK Bathrooms is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.
Product watch: Parkside Tiles adds lavish colour to Arabescato
A bold and lavish take on Arabescato marble, Pulp is the latest porcelain wall and floor tile collection from design-led tile specification brand, Parkside…
Pulp from Parkside Architectural Tilers takes the rich veining of this exquisite marble and adds a contemporary flavour in five bold colours – gold, black, green, blue and red – for a look that becomes strong, dynamic and surreal.
Available in matt, polished and raw (high slip-resistance) finishes, Pulp brings a marble look with a contemporary twist through floors and walls, inside or out. The rectified porcelain tiles are available in 600 x 1200mm, 100 x 600mm, 75 x 600mm (polished only), 300 x 300mm and 75 x 1200mm skirting, meaning the collection is ready to provide an all-over marble look that adds to its luxurious feel.
“Marble is definitely a timeless and demanding look that’s adored for its sense of unadulterated luxury,” explains Sarah Holey, marketing manager at Parkside. “There are few other interior finishes that quite so eloquently summarise their intent, but its high cost and natural variance make it a difficult one to introduce successfully into a project, particularly on large surface areas, so step up Pulp.
“The controlled colour and look of the marble veining brings a contemporary overtone that pays homage to genuine Arabescato marble but without falling into the trap of feeling like a direct copy. Pulp brings the instant luxury aesthetic of marble but in an accessible tile that celebrates the joy of colour and features the performance of today’s best porcelain.”
Pulp is exclusively available in all five colours from Parkside, with samples available from the website.
Parkside Architectural Tiles is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.
Weekly briefing: remembering Sir Terence, lighting launches & a Bath debut
Only got a minute? Our editorial team have compiled the top design stories that they have published this week, including an editor’s letter that remembers a legend, Chelsom unveiling Edition 27 and Hotel Indigo entering new territory…
And just like that we are in October. With the industry busy trying to navigate itself into more familiar settings – where hotels are open and in demand, – we appreciate that you may not have time to read all the content that Hotel Designs has published this week. Therefore, here is our ‘editor’s pick’ of the juiciest stories that have been covered this week.
Weeks ahead of celebrating the best British designers, architects, hoteliers and suppliers in The Brit List Awards 2020, editor Hamish Kilburn warmly remembers a design legend, Sir Terence Conran, in his monthly column.
Image caption: The Hybrid set | Image credit: Chelsom
Every two years on the international hotel design scene, something incredible happens. The industry becomes temporarily blinded by new lighting designs that are created with tomorrow’s luxury hospitality projects in mind. The brand behind this much-awaited artificial phenomenon is, of course, Chelsom.
A much-anticipated addition to the Danish capital city, Copenhagen, transforms an iconic architectural landmark into a modern oasis of cool. Writer Collette Swindells explores the hidden gems – including the country’s most luxurious penthouse and a sully sustainable ‘Earth Suite’ – that are sheltered inside.
The hospitality sector has been deeply impacted by the coronavirus pandemic. As lockdown eases, hotels are navigating the effects of social distancing and new safety guidelines for their design and guest experience. Giles Fuchs, owner of Burgh Island Hotel, safely guides us through what to consider when designing for social distancing.
Throughout October we are, for the second time this year, putting the spotlight on lighting. To kickstart this series, we reach out to Gary Thornton, senior project designer at neolight global, to understand lighting design from the inside.
Private investment business Intrinsic Equity, has acquired shower brand AQATA Limited…
Based in Hinckley, Leicestershire, AQATA one of the UK’s most respected luxury shower enclosure manufacturers now joins Intrinsic Equity’s family of KBB and design related brands.
The iconic shower brand Aqualux was acquired from Dutch bathroom giant Fetim in late 2019 and early 2020 the company obtained the online hardware brand Ironmongery and More.
Commenting on the acquisition, Group CEO Steve Lee stated “We are delighted to be able to take this bold, strategic move during such unprecedented times. Aqata has been part of the fabric of the British shower industry since it was established by Peter Brown in 1986. We are proud to have the opportunity to continue the great work of MD and owner Jayne Barnes who headed up Aqata for over 15 years following her father’s retirement in 2005”.
Lee continues; “For many years we have admired what the Aqata brand represents to the independent bathroom retail market, the products are excellent and backed by a world class service. The position of the brand perfectly complements Aqualux, which has been synonymous with the large scale merchants and retailers for more than 40 years.”
Lee explains “Aqata shower enclosures are British designed and hand crafted in its modern factory in Leicestershire. Whilst 2020 has seen major changes and uncertainty for the UK following Brexit and Covid-19, this acquisition offers great flexibility for our customers: a British manufacturing facility combined with the long established global sourcing model of Aqualux, this will ensure we can continue to provide a dynamic, speed to market offering with competitive pricing; all backed by a market leading service and significant inventory throughout our supply chain.”
AQATA is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.
Confessions of a lighting designer – what is lighting design?
Throughout October we are, for the second time this year, putting the spotlight on lighting. To kickstart this series, we reach out to Gary Thornton, senior project designer at neolight global, to understand lighting design from the inside.
The profession of architectural lighting design is a relatively young industry, even though the practise of what we do in determining where there is light and where there isn’t has been around for centuries.
Of course back then this was simply people deciding where to put candles or, as far back as the 9th century, where to locate oil lamps. But architectural lighting design as a more formal profession really only goes back to around the 1950s with the likes of Richard Kelly pioneering the practice, followed by people like Derek Phillips and Jonathan Speirs.
So what is lighting design and what is it that lighting designers actually do? I’ve lost count of the times I’ve tried to explain this to my friends who think we “choose where to put light bulbs”!
It can be easily forgiven that it is not a widely known profession. There is no formal educational pathway and many people stumble into the profession from a semi-related field of design and find themselves “doing lighting design” before they even realise what it is (myself included!).
As an example, our office comprises lighting designers with backgrounds in product design, interior design, electrical engineering, film and television, photography, sculpture and architecture. There are indeed well-established Masters degrees, or undergraduate courses in Theatrical Lighting Design, but this is not the case for Architectural Lighting Design. Something that has been brought up again recently in our industry.
Lighting
Lighting concerns itself with how people perceive their environment, yet because light is intangible it has an intrinsic, and often underestimated, role in all aspects of visual design.
Working in a medium which remains invisible until it strikes a physical surface means that we lighting designers must be as concerned with the nature of the surface and the biology behind the human eye as with the light which strikes it.
Ambient illumination, direct light, reflected light, the use of colour, areas of relative darkness and contrast all contribute to how a space looks and how it feels, resulting in designs made up of layers of light. The better lighting schemes consider what should be left unlit as much as what should be lit, so maybe we are just as much “darkness designers” as we are lighting designers.
Because of the immateriality, great lighting is rarely lauded. If you walk through a space and it looks and feels great then chances are it is because of the lighting. Not to take away from the interior designer, architect, or landscape designer that has typically designed more of the physical environment, but certainly in how the colours appear, how the material textures catch your eye, whatever the mood it prompts or the visual aesthetic it provides, it is because of the lighting.
Poor lighting on the other hand gets no end of complaints. Lighting that is overly bright or dark, too much glare, or feels cold and uninviting can make spaces feel uncomfortable so people don’t want to visit and spend time there. Even the best interior design schemes can be marred by bad lighting, and at the extreme bad lighting can even be bad for your health depending on the time of day or the tasks required of the people using it.
Image credit: neolight
Image credit: neolight
Lighting for hospitality
At the core of neolight’s work is the hospitality sector, and one of my favourite spaces to illuminate is the All Day Dining restaurant within a hotel. This is largely because it’s such a transformative space and great way to demonstrate the power of lighting. An All Day Dining restaurant needs to be able to provide a bright and fresh environment for breakfast, right through to the warmth and relaxing ambience of an evening meal.
When you get this right, the space will look and feel like a different restaurant to the guests from morning to night.
Lighting experiences
Architectural lighting design really started an accelerated upward curve with the mainstream adoption of LED. Since then light sources have been getting smaller and more efficient, and the fixtures themselves are increasingly packed full of technology.
Alongside this evolution of lighting technology has been an evolving expectation of the role of the lighting designer. No longer are we providing simple scene-setting schemes with smooth dimming to meet the client expectations, now clients are looking for more engaging and dynamic schemes concealed within the fabric of the building, with light that entrains and supports your circadian rhythm, they want an experience.
Yes the experience is framed by the architecture, or informed by the interior design, or the service that you receive, but transcending across all of those to make it a good experience is good lighting design.
Lighting design = experience design. And if that helps become popular on social media, then all the better.
To this end we are not just designers anymore. We have to be artists and scientists, knowledgeable in Bluetooth and LiFi, experts in daylight and green building codes, understanding biology of the human eye, of the physics of light, and all manner of material properties.
And this is all before we even mention the Internet of Things, where we are suddenly being asked about the limitations of LoRaWAN as a protocol to control light fixtures with.
Lighting is digital
There is an underlying expectation to all of this that we are digitally savvy. Lots of industries are going through change and digitisation, but lighting is changing right up there with them. In order to keep meeting the expectations of a modern day lighting design, we have to be able to understand and design with all these evolving elements.
One particular attribute that I’ve taken on is learning to code due to the increasing overlap with disciplines that do require this, and at the very least we need to be able to coordinate with them. For example, this is a prototype app written in Python that communicates with light fixtures in a hotel room to automatically adjust the colour temperature and brightness based on personal circumstances, such as jet lag.
Internet of Things
We have gone through the exponential growth of LED and now we have even further miniaturisation of technology so there is virtually nowhere that LEDs cannot be integrated, and conversely almost anything, like a sensor or a camera, that can’t be put back into light sources.
Lighting is a prime choice for the IoT to piggy back onto as it has an already existing ubiquitous infrastructure of power and data. This means that light fixtures can be used for monitoring space occupancy, improving shopping experiences, reporting crimes, and more.
But in order to be able to implement this we have to understand it, and that means lighting designers becoming experts in something else that isn’t traditionally “lighting”. It’s becoming experts in data, cloud servers, and Bluetooth meshes as part of the whole IoT network.
And this isn’t a trend that’s going away. At a macro level Smart Cities are well underway around the world (we are working on a Smarty City strategy for a brand new city in KSA at the moment), and on a micro level it’s using your voice to control the lighting in your own home. Lighting is a key part of the future of connected services.
Covid-19 will undoubtedly accelerate the demand for contact-free environments. Why carry a physical ID or ticket and have to touch door handles, when AI could verify you and open the door automatically? Why touch any number of surfaces and interfaces to check-in to a hotel, when facial recognition could automate this as you walk through the lobby and give you a “key” on your mobile phone?
In assessing these expected trends we see that lighting is well placed to provide this as part of the IoT. Retrofitting sensor-embedded light fixtures becomes much easier than ripping out ceilings, pulling cables, and installing new networks.
As part of this learning curve affecting lighting, designers are no longer just visiting project sites, but also visiting data centres that test these sensor embedded light fixtures and the data points that they capture to understand it first hand in order to be able to implement it as part of a lighting scheme.
Misunderstandings
As lighting becomes more understood it’s great to now be reading comments like this, highlighting the importance of lighting to a space.
But for every moment of understanding, we still work with wider design teams who still misunderstand what we do. Consultants that have heard of ZigBee or BLE, and so that’s how they want their lighting controlled – when in reality all they really need is a simple control plate.
Part of our role is taking a step back from the technology and really understanding the project needs. We won’t use technology for the sake of it, especially if it’s not needed and likely to end up not being used. How often have you struggled with a fancy lighting control system in a hotel guestroom when a simple rotary dimmer switch would have been just perfect?
As lighting design finds its way into mainstream vocabulary, more buzzwords like “human centric lighting” have come to the fore, which is another misconception to overcome.
Human centric design is human focussed design. At the heart of this notion is what we have been doing for many years now. Designing for humans. Lighting for humans. Lighting for, and with, people at the centre.
The future
Who knows what the limits are to where lighting will reach – even a few years ago we were barely imagining what we have today of subscription models offering Lighting as a Service, secure wireless data through light in LiFi, and even highly secretive LED spectrum recipes used in horticulture to maximise crop yield!
Of what I have no doubt is that as lighting design continues to advance and evolve, so will the humble lighting designer along with it.
Editor checks in: will design ever be the same again?
Weeks ahead of celebrating the best British designers, architects, hoteliers and suppliers in The Brit List Awards 2020, editor Hamish Kilburn warmly remembers a design legend, Sir Terence Conran, in his monthly column…
I have procrastinated long enough over writing this month’s Editor’s Letter. Perhaps it was a case of word block. More likely it was the anticlimax I experienced after my previous column didn’t achieve the level of engagement I had hoped it would. That’s not to say it wasn’t read – it was, and its context has emerged in many conversations since – but it seems people were afraid to ‘like’ and ‘comment’ on a topic that carries such heavy stigma in a desperate and lonely landscape. Not only that, but we are all operating with fatigued resources while not having the faintest clue about what tomorrow will bring – and yet our role in all of this is to offer solutions.
Just when we thought we had reached the pit of all lows – locked away from each other, and somehow busier than ever – our phones light up with a newsflash from the BBC. The headline reads: Sir Terence Conran ‘visionary’ designer dies at 88. He, the man who founded Habitat, the Design Museum and Conran and Partners, was very much that: a visionary; a legend in every sense of the word who during his near 70-year career revolutionised design in Britain and Europe. And we have everything to thank him for, whether we knew him personally or not.
Image caption: Sir Terence Conran (1931 – 2020)
Architect Thomas Heatherwick said it best in Dezeen. “For me, Sir Terence Conran was one of a small handful of amazing people who dragged Great Britain out of the post-second world war gloom and modernised the country by revolutionising how we think about our homes, the products we buy for them and even the food we eat and how we eat it,” he wrote. “His impact and influence is around us every day and has been so successful that we don’t even realise where it came from. Without Terence, there would have been no Habitat. Without Terence, there may still not be excellent food in the United Kingdom. And without Terence, there certainly wouldn’t be any Design Museum in London.”
Conran’s passing, especially in a year that has shaken the hotel design and hospitality industry on a global scale, begs the pertinent yet terrifying question which (let’s face it) is on all of our minds at the moment: will British design ever be the same again?
‘Yes’ and ‘no’ – not what you wanted to hear, I understand, but it’s the only honest answer we have at the moment. One could rightly argue that nothing will ever be the same as it once was. The industry will evolve as it always has done. And people, brilliantly talented and authentically charismatic people, will come forward to offer real-life solutions for the challenges we are currently facing.
“I think it’s safe to say that British design and hospitality is resilient and evolving quickly to meet new demands of modern travellers.”
There are no boundaries, and we can literally reimagine the world to design better and healthier cities, like WATG has done for the new New York concept it unveiled recently, transforming the concrete jungle into, well, a jungle!
GIF credit: WATG
In many ways, now is the perfect time to celebrate such innovative forward thinkers. Last week we opened the floodgates to unveil the shortlist for The Brit List Awards 2020. With more than 120 individuals and projects selected across eight categories, I think it’s safe to say that British design and hospitality is resilient and evolving quickly to meet new demands of modern travellers. We will proudly reveal and celebrate this year’s top designers, architects, hoteliers and suppliers in our virtual awards ceremony, which takes place on November 12 at 2pm (GMT).
Aside from building up to our annual awards, Hotel Designs has also sheltered some thought-provoking conversations this month. In an exclusive roundtable discussion that will be published shortly, we heard from a developer who has become a distant friend of mine during the pandemic. He said that he can envision the day when travellers will design their own hotel experiences on their smartphones before they have even checked in. This will, he hopes, eliminate public areas being seen as clinical, functional and at times unwelcoming spaces, which they have unexpectedly become since the pandemic emerged onto the scene. Instead, this design concept will allow lobbies to be filled with personality once more and become, if you like, a sort of lounge area where guests can relax and unwind in.
“This month I had the opportunity to physically check in to a completely contactless hotel experience.”
Don’t underestimate technology’s role in the post-pandmeic world, is certainly a lesson I have learned during this turbulent time. As well as zooming in and out of virtual roundtable discussions, this month I had the opportunity to physically check in to a completely contactless hotel experience (the novelty was almost overwhelming). Following an opportune tech overhaul, Bloc Hotel Gatwick has been able to reimagine the hotel journey. With software from SymbiOT and hardware from Crestron, the hotel’s guests are now able to check in and operate their entire stay – everything from lift calls to light and temperature adjustment – by using their smartphones without even having to download an app. The video feature we filmed will be broadcast at Hotel Designs LIVE on October 13, and will kickstart our panel discussion on the revival of smart technology in the post-pandemic world.
Yet again, it has been an unstable and explosive month on the editorial desk at Hotel Designs. On behalf of the entire team, I would like to send our condolences to Sir Terence Conran’s family and friends. We have lost a British and world design icon, and his legacy lives on through those who were inspired by his immeasurable talent and class.
Checking in to Villa Copenhagen, a new brand of conscious luxury
A much-anticipated addition to the Danish capital city, Copenhagen, transforms an iconic architectural landmark into a modern oasis of cool. Writer Collette Swindells explores…
It is not often that a space of more than 25,600 square metres becomes available in the centre of a European capital – least of all in a city like Copenhagen, where it is often considered something of a luxury to have a separate shower and toilet in your downtown apartment.
Instantly recognising the tremendous potential of the site, Nordic Hotels & Resort, a member of Preferred Hotels & Resorts, sought to transform the imposing old-world grandeur of the five-floor, Neo-Baroque former headquarters of the Danish Post and Telegraph into a fresh expression of what it means to be Scandinavian.
Combining an impressive roll-call of talents including award-winning London architecture and interiors firm Universal, award-winning design studio Goddard Littlefair, specialist F&B design studio Epicurean, Danish architect Eva Harlou and Nordic jewellery designers Shamballa Jewels, the reconstruction weaves together three key themes of contrast, conscious luxury and happiness.
The arrival experience
Entering the somewhat unassuming frontage, adjacent to the Copenhagen Central Station, guests are immediately greeted with an expansive, light-filled, glass-roofed atrium lobby – appropriately named The Square – centrally adorned by a tongue-in-cheek ‘Whispering’ sculpture from Spanish artist Jaume Plensa.
Image credit: Stine Christiansen
Cleverly designed to be a multi-functional space that welcomes both locals and foreigners, it artfully mixes classic Danish design elements with contemporary flourishes and finishes that unite the functions of the hotel boutique, lounge area, bar, self-service check-in and reception. It is a space that comes alive at night too, with live music and DJs cementing its vibrant personality, and other day-time pop-ups including a mobile piercing station from jeweller Maria Black.
Direct access to most of the hotel’s F&B and public areas is available from The Courtyard, ensuring it is continually an animated, lively thoroughfare and meeting point for all.
Relaxed public areas for all occasions
To the city side of this, The Playroom acts as a further extension of the lobby lounge space, with even more intimate spaces and cosy pockets that encourage visitors to have fun with friends while playing board games, foosball and other table games on custom-made tops. Part grand parlour part secluded den, the space is also perfect for hosting large groups, with Epicurean ensuring a relaxed, cultivated atmosphere with its Carl Hansen furniture, vintage tiling, antique-style woodwork and panelling and patina mirrored walls.
Image caption: The Playroom | Image credit: Villa Copenhagen
On the alternate side of The Courtyard, Kontrast, a contemporary brasserie, offers an equally smart take on mid-century styling, with subtle tributes to its former tenant. Replica carvings and window details from the original posthouse inspire wood panelling details, with reused and recycled materials cleverly woven in where possible.
Curved booth seats in warm brown leather tones are complimented with custom high chairs in striking hues that fill out the main dining area inside, allowing guests the chance to gaze into the large, open kitchen and bar. Bespoke tables are inlaid with brass, showcasing the level of craftsmanship and attention Epicurean brings to each fit-out, while also adding something new and fun to the traditional Scandinavian styling visitors might come to expect elsewhere in town.
On the terrace, overlooking the main station, more contemporary woven textile furniture sits outside, alongside Tore Gustafsson’s menu of fresh, local and seasonal produce. Taking inspiration from the south of Europe and North Africa, Gustafsson – known for previously steering the helm of Copenhagen Meatpacking favourite Paté Paté – has built an impressive sustainable food profile across all the F&B outlets, with a focus on providing a ‘carbon-free’ experience.
Sustainable hospitality solutions
Part of the overall commitment by the hotel to four of the UN Sustainable Development Goals – Decent Work and Economic Growth; Sustainable Cities and Communities; Responsible Consumption; and Production and Partnerships for the Goals – meat consumption at each outlet has been reduced, alongside overall food waste, with an innovative technology converting this into green energy. Fresh herbs and spices are also handpicked from the hidden rooftop garden, which sits next to a beehive from Bybi and the famed lapping pool.
F&B areas
Designed by Goddard Littlefair to reflect the local community’s relationship with food, drink and socialising, there are a plethora of options when it comes to F&B in the hotel. Breakfast is served daily in the former postage sorting room, Public, located on the lower floor which is accessed via a neon light-filled stairwell off The Courtyard. Descending into what feels like the belly of the grand building, you can hear the hum of the nearby train station, which provides a steady memory of its previous life.
Image caption: Public | Image credit: Stine Christiansen
Indeed Epicurean drew heavily from archival photos of the space in its former glory, invoking its archways, lighting, brickwork and paneling in their redesign. The expansive area, filled with rows of bespoke banquette seating and commanding repurposed copper arches, can also host larger functions and groups and extends onto the sunken garden, containing the entrance to the almost completed Rug Bakery.
The original arrival point for the mail, the impressive terrace space is somewhat of a hidden gem for the hotel – exposed when the roof was removed from the loading dock – and a perfect place to enjoy the freshly baked local pastries Denmark is known for.
The guestrooms and suites
In contrast to the lively public and F&B areas, Universal took their starting point for the design of the guestrooms and suites from the art of Danish master painter Vilhelm Hammershøi – known for his understated composition, elegant lighting, muted palette and study of secluded moments and spaces.
Mapping out the building’s original interior, the studio restored and reinstalled many of the key period features like the impressive windows, herringbone flooring, cornices, architraves and wood paneling. Each room and suite has been treated like a grand Danish residence, housing a sophisticated collection of custom-designed classic and contemporary furniture, alongside original pieces from known Danish designers Hans Wegner, Finn Juhl, Nanna Ditzel, Niels Otto Møller, Ole Wanscher and Borge Morgensen. Warmth and softness is key, with bespoke textiles, lighting and ceramics amplifying the comfort to create a calm refuge with more than a few touches of brilliance. Materials are locally and sustainably sourced where possible, with Kvadrat’s Sahco brand providing natural wool textiles that sit next to other highlights including biodegradable and recyclable linen headboards produced by Scandinavian interior textile studio Astrid.
Image caption: Delux guestroom | Image credit: Villa Copenhagen
Each of the rooms has its own typography – there are 50 in total – with sprawling four metre-high ceilings on the lower levels and near floor-to-ceiling windows that give you various views of the city surrounds. The converted attic, with its exposed timber beams, differs only because of its unique character and obvious height limitations – but its roof-lit views of the city more than compensate for this.
Of course all the usual five-star modern conveniences apply, with keyless entry, remote check-in, virtual check-out, and an optional white glove service available in each of the 381 rooms. In-room facilities are on-point too, with a considered range of local favourites that includes Mikkeller beer and chocolate, Great Dane Rum, Nordic winegums, Harahorn Norwegian gin, and ELG vodka.
Image caption: Guestroom | Image credit: Villa Copenhagen
Sustainability stays top of mind, with custom in-room guest amenities provided by Skandinavisk in a signature range that pays homage to the smell of wood-laden northern forests. Gone are the plastic-wrapped pairs of slippers, replaced instead by slides that can be bought in the hotel’s boutique store, together with a collection of other local, sustainable and notable designers.
But if you really want to experience something different, then check-in to the ‘Universal Penthouse Suite’ which was designed across two floors with a central walnut and steel spiral staircase connecting the upper master bedroom with the lounge space on the lower floor.
Image caption: Universal Penthouse Suite | Image credit: Villa Copenhagen
Image caption: Universal Penthouse Suite | Image credit: Villa Copenhagen
Added to this next-level option is the completely sustainable suite, the Earth Suite, designed by Eva Harlou using eco-friendly furniture and recycled materials and textiles. Denmark’s most expensive suite, the Shamballa Master Suite was designed by Shamballa Jewels and takes in 110sqm that includes the former Postmaster’s office and the best view of the adjoining main station.
Image caption: Earth Suite | Image credit: Villa Copenhagen
Image caption: Earth Suite | Image credit: Villa Copenhagen
Sitting in a collection of seven other Shamballa suites, these exclusive retreats are due to be completed by the end of 2020 – a small casualty of the Covid-19 lockdowns.
Luckily though, if you can’t afford the additional extravagance of the Shamballa suites, the lapping pool, with its centralised cooling system using excess heat from the hotel to keep it at a steady 34 degree, provides a welcome space to relax and unwind. Adjacent to the 24-hour fitness centre, sauna and wellness area, it is a colourful, secluded spot that sits beside the rooftops of Copenhagen and offers a cabana service from its Pool Bar.
Image credit: Stine Christiansen
You might also like to take a walk through the five floors to check out the private collection of artwork – valued at more than US$2 million – that includes local and international artists like Per Kirkeby, Ian McKeever and Bent Stokke. Norwegian Stokke produced 383 unique charcoal artworks to be featured in each room, as well as along the many hallways and restored stairways.
But perhaps the real jewel of the hotel is the Old Boardroom, available to be hired as a private function space for intimate dinners and gatherings, and still proudly displaying the plaque bestowed to the building by both Kings Frederick III and Christian X who both ruled the year it was inaugurated. Its restored tapestry-and-chandelier adorned space, with adjoining bar, sits in stark, refined contrast to the other over 2,000sqm of meeting and event room spaces that are decorated with more than 850 conference chairs produced using 2.75kg of upcycled plastic ocean waste and fishing nets. It is just another example of how the hotel holds dual respect and reverence for the past and the future – carefully balancing respect for each in the present.
And like a home that becomes more of itself every day new memories are created within it, Villa Copenhagen, in all its imposing glory, is sure to become a welcomed part of the city’s new landscape: a reinvigorated icon that stands even taller than its predecessor.
Every two years on the international hotel design scene, something incredible happens. The industry becomes temporarily blinded by new lighting designs that are created with tomorrow’s luxury hospitality projects in mind. The brand behind this much-awaited artificial phenomenon is, of course, Chelsom.
The launch of a new ‘Chelsom Edition’ becomes a precious moment etched in modern design history, usually marked in a grand setting with no expense spared to introduce the A + D community with the brand’s latest dynamic and timeless designs. And although, this year, suppliers are prevented from hosting live events, this, by no means, makes Chelsom’s unveiling of Edition 27 any less sensational. In fact, some would go as far to argue that the pandemic has created a catalyst for brands like Chelsom to launch their latest products with a deeper meaning for the sake and sanity of tomorrow’s hospitality landscape.
As expected, the collection reflects Chelsom’s brand image, showcasing a plethora of beautifully designed lighting products specifically created for the international hospitality and marine interior design arenas. More than 40 per cent of the collection is entirely new and all pieces are available with LED light sources to accommodate the latest developments in technology and energy efficiency.
“I believe that our clients will not only appreciate the refinements we have made to our product collection in terms of even sharper product designs, higher quality levels and strong focus on value engineering, but also the continued evolution of our brand image as international market leader,” said Will Chelsom, Managing Director at Chelsom. “Both the catalogue and website illustrate this perfectly and have been carefully designed with our clients’ requirements as a priority.”
“Edition 27 has been a fantastic collection to produce and it’s our most ground-breaking to date.” – Robert Chelsom, Chairman at Chelsom.
Edition 27 is a truly eclectic harmony of lighting that harnesses and refines the latest trends in finishes and materials. Striking brass tones, textured Venetian glass and cutting-edge LED pieces are just some of the elements that dominate the bold and exciting new collection, offering designers creative lighting solutions for any interior space from guestrooms, to corridors, through to restaurants and other public spaces. Amongst many things, Edition 27 offers the widest collection of LED reading lights in the company’s history including the LED Eye range which moves on the aesthetics of your standard bedside reading light whilst maintaining all the successful features of function and light output.
Robert Chelsom, Chairman at Cheslom, added: “In all my years working within the industry never has there been a more challenging yet exciting time to be designing lighting products. Triggered by fashion cycles, interior trends are moving increasingly faster and in doing so constantly stimulate new design directions when it comes to finishes and materials, which is something we have given careful consideration to. Edition 27 has been a fantastic collection to produce and it’s our most ground-breaking to date. Will and I are proud to be able to say that all product has been designed in- house to create this diverse lighting collection that truly caters for all levels of the hospitality and marine sectors.”
Here are some of our editor’s picks:
LED EYE
Image caption: LED EYE | Image credit: Chelsom
When Chelsom designed the iconic bedside reading light LED Dock, the design intent came with years of experience in successfully lighting hotel guestrooms. Trying to mix being inconspicuous and striking at the same time was a large design challenge, little did they know it would become the company’s most successful product ever enhancing hotel schemes in more than 30 countries worldwide.
In the new collection, Chelsom moves on the aesthetics of a bedside reading light whilst maintaining all the successful features of function and light output. The starting point was to create a product that was inconspicuous in that it nestled successfully into a headboard with minimum projection and yet was cool and stylish to look at when guests first entered the room. Development led to compact and slim outer vessel which surrounded the ‘eye’, a sculptured cast metal piece which invites the hotel guest to open the eyelid thereby illuminating the light and allowing a full range of movement to create the perfect light spill. Much time and engineering skill went into prototype development ensuring that the cast centrepiece revolve and rotates wit the lightest of touch and can be easily opened to operate the microswitch and closed to extinguish the light.
The highly tactile moulded centrepiece still remains extremely slim with a subtle curve at the bottom edge. Once opened the warm white LED light passes through a high-quality focusing lens to create perfect reading light.
Hybrid
Image caption: The Hybrid set | Image credit: Chelsom
The main concept of this striking collection of wall, floor and table lamps centres around the over-scaled cylindrical head, creating ambient room light through the matt opal glass top dome and directional task light from below. The head swivels from left to right with a mechanical stop to prevent over rotation.This sleek and contemporary range is available in an assortment of finish options and is the perfect fusion of design aesthetic and technological refinement making it the perfect addition to any interior space.
Crook
Crook features a stepped column supporting a shepherd’s crook-styled arm, which allows a good spread of downlight. The base on this product has a rounded stepped detail, while the lampholder cover features interesting knurled detailing.
Shield
On the wall, the perforated metal tapered half shield emits a warm glow and throws light onto the oval backplate, which creates a halo effect around its concave-curved perimeter. On the ceiling, the chandelier ha conical, perforated shades with opal acrylic liners giving a warm glow.
The main concept of this striking range of wall lights centres around how light effect can be created on the wall and within different types of glass so that the fittings were not just about achieving ambience but also about the projection, pattern and play of light on surface and the refraction of light through different coloured and shaped glasses. Traditional components have been used in unique applications to achieve a powerful light effect suited to any environment with one of the key features being that the glasses can be fully interchangeable to create totally different results.
Cheslom is one of Hotel Designs’ recommended suppliers. To keep up to date with supplier news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.
GROHE receives nomination for the German Sustainability Award 2021
Going further than other brands in its quest to design a sustainable future – with its 360-degree sustainability approach – GROHE is a candidate for the 13th annual German Sustainability Award…
Bathroom brand GROHE has once again been nominated for the German Sustainability Award following last year’s successful top 3 ranking in the category “Germany’s Most Sustainable Big Companies 2020”. The brand, which is one of the leading manufacturers of integrated bathroom solutions and kitchen fittings, is now looking forward with excitement to this year’s award ceremony on December 4th, 2020 in Düsseldorf.
For the 13th year running, the German Sustainability Award Foundation will honour companies that combine economic success with social responsibility and environmental protection in an exemplary manner. “We are really very pleased with the nomination and the recognition it brings. We have been pursuing our sustainability goals for many years with high pressure and full conviction,” says Thomas Fuhr, COO Fittings LIXIL International and CEO Grohe AG. “This year we have again been able to reach important milestones. It encourages us to constantly scrutinise and improve our internal processes in the interest of a better environment.”
CO2-neutral production at GROHE since April 2020
As one of the first leading manufacturers in the sanitary industry, GROHE switched to CO2- neutral production in April 2020. Since July 2019, GROHE has been using green electricity at all five LIXIL EMENA production sites, which produce exclusively for the global brand, and in the German logistics centres.
In addition, the brand is also investing in solar technology, combined heat and power plants and innovative, manufacturing processes such as 3D metal-printing that conserve materials to ensure a value chain that conserves resources.
In order to offset CO2 emissions that could not be reduced in the past, GROHE is also supporting two compensation projects. However, the brand’s commitment does not stop there: By 2021, GROHE wants to make its sales offices climate-neutral and increase its energy efficiency by its own means in order to reduce the share of compensation.
Since 2018, GROHE has also been actively engaged in avoiding plastic with its “Less Plastic Initiative” which aims to replace plastic packaging with more sustainable alternatives. This initiative has to date already saved around 10 million items of product packaging made of plastic. By 2021, this figure is to be increased significantly to up to 35 million.
For GROHE, sustainability is an integral part of its corporate strategy alongside quality, technology and design and it is therefore deeply rooted in the brand’s DNA. GROHE sees itself on a continuous journey in terms of its sustainability initiatives – looking to the future, but also motivated by the numerous successes in recent years. In addition to repeated top rankings in the German Sustainability Award, the sanitaryware brand was awarded the CSR prize of the German Federal Government in 2017 whilst GROHE CEO Thomas Fuhr was also honoured with the B.A.U.M. Environmental and Sustainability Award by the B.A.U.M. corporate network in September 2019.
GROHE is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.
Set in a honey coloured Georgian terrace built in the 18th century, the 166-key Grade I listed building, which now shelters Hotel Indigo Bath, has hosted famous figures from history including Sir Walter Scott, William Wilberforce, and the Duke of York.
Just as no two neighbourhoods are alike, no two Hotel Indigo properties are alike. Each is designed to uniquely reflect the local culture, character, and history of the surrounding area.
Image credit: IHG/Hotel Indigo
Taking its design cues from the city’s surrounding Georgian architecture and the history of the local neighbourhood, Hotel Indigo Bath creates a truly memorable experience by artfully combining modern design and historical architecture. Guests will have five different room types to choose from, reflecting the surrounding neighbourhood of Bath:
‘Romance & Mischief’ rooms – Taking inspiration from the infamous Debutant Season in Bath, where grand evenings of gambling and frivolity mixed with afternoon tea and whispers of romantic promises. The rooms have dark green headboard wooden panelling combined with vibrant luscious red velvet soft furnishings. Nodding to the old gambling culture, there are playing card side tables. The artwork on the walls plays on the theme of romance with love birds and portraits that have been vandalised by ex-lovers.
‘Literary Hideaway’ rooms – Reflecting Bath’s abundance of famous authors, these rooms are designed to be cosier and reflect a getaway for creative writers. The walls behind the bed are covered in a montage of novels by many of Baths authors and the desk is a traditional writer’s bureau with a captain’s chair. There is a slightly more muted colour pallet of browns and mustard yellows.
‘Georgian Architecture’ rooms – With the back wall of the bed lined with ornate ceiling sconce covers and grand high ceilings, this room amplifies the grand Georgian residence feel. Bold, symmetrical, geometric patterns favoured by Georgian architecture of that time, are visible with a deep and rich colour pallet – designed to accentuate the period features.
‘Garden’ rooms – Moving through the design periods, these rooms are a newly built modern extension. With a more contemporary, light and youthful modern design, these rooms are reflective of the garden in which they sit.
‘Underground Vault’ rooms – Built in the 18th century the vaults are an amazing example of historical architecture and house the hotel Suites. Designed with soft lighting, black timber finishing, vaulted bath stone ceilings, underfloor heating and high-end crafted furniture, these rooms are offer something raw and authentic.
Image caption:Vault Suite | Image credit: IHG/Hotel Indigo
All rooms are equipped with comfy Hypnos beds with luxury Egyptian cotton linen, spa-inspired bathrooms, Nespresso coffee machines, high speed Wi-Fi and a variety of channels on a 40” flat screen TV.
The sensitively designed bathrooms, which include top-quality brands, were specified by bathroom consultancy brand Utopia Projects.
Hotel Indigo Bath is also home to “The Elder”, a new and exciting restaurant from multi-award-winning West Country restaurateur Mike Robinson, co-owner of the only Michelin-starred London pub, the Harwood Arms in Fulham. He also opened The Woodsman restaurant and bar at Hotel Indigo® Stratford on Avon last year, winning the Good Food Guide Best New Entry 2020.
The Elder is the place to enjoy authentic, honest and timeless British cooking, with a focus on sustainability, seasonality, and locally sourced produce and is open for lunch and dinner with an à la carte menu. In the bar and the south facing terrace, visitors can enjoy small plates alongside cocktails and Somerset ciders.
The inspiration for the Overclay tile series by Casa Ceramica comes from the earth, the authentic material par excellence and from the architectural marvels of the past…
From the ziggurats of Mesopotamia to the terracotta army of Xi’an: raw clay is the oldest and most alluring construction material, found again today in both ambitious and innovative architectural projects.
The enveloping dusky colours of the desert and the charm of the Mediterranean kasbahs provide the inspiration for Overclay by Casa Ceramica, a series of porcelain stoneware floor and wall tiles, with an authentic yet sophisticated flavour. Making this collection perfect for bringing character to both indoor and outdoor residential and commercial settings.
This collection of floor and wall tiles, is available in seven colours, all of which are inspired by the authenticity of earth and the heat of the desert. Among the nuances selected are Rose and Cotto, two incredibly expressive, on-trend accents. Paired with these are five more muted tones off; Ecru, White, Grey, Taupe and Dark.
Image credit: Casa Ceramica
Image credit: Casa Ceramica
Image credit: Casa Ceramica
The decorative study underlines the sophisticated character of the series through Petra, innovative shades of colour with graceful, material waves. Available in both cool and warm versions, in the 60x120cm and 30x120cm sizes, these shaded surfaces are perfect for bringing an engaging touch to any interior. These innovative and fascinating decorations are available in the of 60x120cm and are suitable even for floor installation.
Casa Ceramica is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here.
Product watch: Sphero urinal range by Armitage Shanks
Armitage Shanks, the expert provider of commercial washroom solutions, has launched Sphero, its new collection of intelligent urinals…
The elegant and comprehensive Sphero range by Armitage Shanks has been designed with features which allow for greater levels of cleanliness, easier installation and maintenance, as well as water saving benefits for all commercial spaces.
The bathroom brand worked with design studio, Studio Levien, to create the innovative Sphero collection which incorporates unique features to meet the current and future needs of installers and their customers. The range comprises three different sized urinals, Mini, Midi and Maxi with multiple installation options, all of which complement the modern washroom. The electronic Maxi e-hybrid model has built in smart technology (mains supply), which detects levels of salinity, optimising the urinal’s water usage by adjusting flushing according to usage patterns. Another key feature of the electronic models is the innovative spreader light which senses blockages and other maintenance issues.
Sphero’s unique circular, concave shape has been designed to minimise splashing while also improving the cleanliness, durability and efficiency of the urinals. The new rimless design adheres to contemporary trends, as well as helping to retain liquids within the bowl, aiding hygiene and cleaning regimes.
The Sphero Maxi model comes with an installation template with an incorporated rubber seal which eliminates the need to use sealant when fitting the product. The template includes a levelling slot, pre-holes and markings for ease of installation. The model also has an innovative, patented hinged maintenance bracket so installers can easily access the inner workings of the urinal.
Easy to specify, the Sphero range comes with all the key components expected from a urinal, under one product code. Its pioneering spreader nozzle delivers a hygienic flush which covers most of the urinal bowl. The top fixed waste feature allows for quick and easy access when using the supplied service key, making for effortless on-wall maintenance.
Tony Rheinberg, Senior Sector Marketing Manager, Armitage Shanks commented: “We believe in designing for people, but also innovating for the planet. This was the thinking behind our easy to install Sphero offering, which brings hygiene, user comfort and easy maintenance together thanks to intelligent designs and smart technology. Design and performance often seem incompatible, but this new collection features stylish aesthetics allowing for greater levels of cleanliness, and water saving capabilities. Water is our most precious resource and our next generation of products will help address the growing global challenge of climate change.”
Ideal Standard is one of our recommended suppliers. To keep up to date with supplier news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.
The British Institute of Interior Design (BIID), a brand committed to encouraging and supporting creativity and competence in the field of British interior design, has become an Industry Partner for The Brit List Awards 2020.
“The BIID are delighted to partner with The Brit List Awards again in 2020,” said Charlotte Davies on behalf of BIID. “The event is always popular with our members and is excellent opportunity to showcase some of the amazing design within the hotel industry. Our President Lester Bennett is excited to be invited to judge this year’s entries and we are all looking forward to what will undoubtedly be a different Brit List to what we are used to, but equally enjoyable.”
The Brit List Awards is Hotel Designs’ annual nationwide search to find the top designers, architects, hoteliers and suppliers who are operating in Britain.
As well as selecting the the top 25 designers, architects and hoteliers who will be profiled in The Brit List 2020, the campaign also selects individual winners of the following categories:
Interior Designer of the Year
Architect of the Year
Hotelier of the Year
Best in Tech
The Eco Award
Best in British Product Design
Outstanding Contribution to the Hospitality Industry
“We have always felt that there is a natural synergy between The Brit List Awards and the BIID, and we are therefore extremely excited that the brand has become our Industry Parter for the third year running,” said editor Hamish Kilburn. “As well as helping us promote the event, including the applications process, the BIID have also been paramount to the quality of this year’s judging panel, with both President Lester Bennett and Past President Harriet Forde being on the international judging panel.”
How to attend the virtual award ceremony
If you are a designer, architect, hotelier or developer and would like to attend the virtual award ceremony, which will take place at 14:00 (GMT) on November 12 2020, click here.
If you would like to discuss various sponsorship packages available, please contact Katy Phillips via email, or call 01992 374050. Tickets to both the virtual event and the winners party will be available to secure soon.
Weekly briefing: A sensational shortlist & the secret to a good night’s sleep
Only got a minute? Our editorial team have compiled the top design stories that they have published this week, including the shortlist of The Brit List Awards 2020 and an exclusive interview with designer Lisa Haude about tomorrow’s design challenges…
With the industry re-strategising following further constrictions to social distancing, we appreciate that you may not have time to read all the content that Hotel Designs has published this week. Therefore, here is our ‘editor’s pick’ of the juiciest stories that have been covered this week.
This year, more than 120 individuals and projects were selected across eight categories. The winners will be announced at the virtual award ceremony on November 12. Now in its fourth year, The Brit List Awards is Hotel Designs’ the nationwide search to find the most influential designers, architects, hoteliers and suppliers operating in Britain.
Click here to read the story | Click here to secure your seats in the audience at the virtual awards ceremony.
A survey carried out by GROHE has revealed British showering behaviours and consumer attitudes towards their bathroom. As indicated in the debut broadcast of Hotel Designs LIVE, bathroom and wellness demands have shifted as we look ahead towards a post-pandemic world.
A storyteller in her own right, designer Lisa Haude creates one-of-a-kind spaces that breathe a new level of authenticity into the projects she touches. Working predominantly with the larger brands, such Hilton Hotels & Resorts, Hyatt Hotels & Resorts and Marriott International, Haude’s style is to celebrate the history of each hotel’s destination, which is channeled through an meaningful design narrative that is sheltered inside each project.
Sustainability meets design in Austria’s Winzendorf-Muthmannsdorf municipality. Surrounded by grapevines, and set on a sloping plot of around 1,600 square metres, is a detached house in harmony with nature. The distinctive and nature-loving architecture is in evidence outside, in the form of the charred larch cladding used on the façade. The client requested elegance and eco-conscious design everywhere, including the bathroom.
Calling all designers, architects, hoteliers and developers: you can secure your complimentary seats in the audience for Hotel Designs LIVE, which takes place on October 13, by clicking here…
Chris Ward, Group Marketing Director at Hypnos Contract Beds, looks at how in addition to having Covid-compliant practices, hotels can offer a more discernible experience to guests by providing premium experiences that have sustainability at their heart.
Industry insight: a special sleep experience during Covid
Chris Ward, Group Marketing Director at Hypnos Contract Beds, looks at how in addition to having Covid-compliant practices, hotels can offer a more discernible experience to guests by providing premium experiences that have sustainability at their heart…
As most people in the UK and around the world are remaining at, or closer to home in ‘the new norm’, how can hospitality businesses continue to attract guests and encourage them to return?
Accommodation providers have always sought to deliver the right experience to guests. Even now in the midst of the Covid pandemic, this hasn’t changed. So, although it is imperative to make every operational aspect Covid-compliant, guests still want to experience all the perks that make their stay special and memorable. This of course includes a comfortable, beautiful and sustainably-made bed that will provide the best possible night’s sleep.
Instill confidence
The need to ensure the highest levels of hygiene has meant that hoteliers have had to rework all communal areas to enable social distancing. From lifts to lobbies and restrooms to restaurants, place markers, reduced touchpoints, hand sanitising stations and more frequent cleaning regimes are all becoming common sights. Changes to how services are delivered to and inside guest bedrooms are also in the frame too, including the provision of a clean and hygienic – yet comfortable and durable – bed. Indeed, the bed is the foundation to the perfect sleep environment, so bed and mattress hygiene needs to be prioritised without compromising on the touch of luxury and comfort that discerning guests will expect.
This is why hoteliers should use fine-quality beds and mattresses that have in-built anti-bacterial, anti-allergy and anti-bed bug treatment in the fabric of all its sleeping surfaces. All durable and supremely comfortable Hypnos Contract Beds come with these features so that guests can feel reassured that they will have a healthy, restful and luxurious stay – thereby helping hoteliers to secure all important positive reviews and repeat visitors.
Image credit: Monet Garden Hotel
The green touch
Before Covid emerged, having sustainability credentials was already a key requirement for any reputable organisation to meet and satisfy increasing consumer expectations for a more ethical lifestyle. The hospitality industry is no exception, and hotels wishing to attract discerning guests have been continually looking for ways to operate more sustainably. Whether it’s eliminating single-use plastics or reducing their carbon footprint, the drive to become more environmentally-friendly could be seen in well-known chains as well as smaller boutique operators.
Although companies are now needing to balance environmental goals with survival, it doesn’t mean that hoteliers should abandon the ‘green’ agenda altogether, especially if the retention of sustainable practices enables them to offer customers the hospitality experience they are looking for. In fact, those who don’t continue to assess how they can lower the impact of their operations on our planet could simply lose guests who feel they have failed to meet their high environmental standards.
It’s one of the reasons why Hypnos prides itself on creating comfort with integrity. All our beds focus on low-carbon sustainable designs, meaning our mattresses and beds are recyclable and need never go to landfill.
Working together
The current pandemic has brought into focus the fact that ‘we’re all in this together’. This way of thinking can also be applied to help accommodation providers to deliver sustainable services to guests. By working together with suppliers, they can ensure that not only are they doing the utmost to operate sustainably on their own premises, but that the products and services supplied to them truly support their efforts to meet environmental goals.
As a family-run British business, Hypnos works closely with its hospitality partners of all sizes across the world to provide beds that have been made adhering to the very highest environmental and ethical standards. Only natural, sustainable fibres are used in all of its mattresses, with no nasty chemical-based foams, making them recyclable at the end of their life and boosting the circular economy. These kind of sustainable sleep solutions allow Hypnos’ hospitality partners to bolster their own green credentials which are vitally important to modern, discerning guests.
All over the world, hospitality accommodation providers are facing the prospect of operating in a brand new way for the short and medium term at least. As the sector looks at adjusting to a new type of ‘normal’, there’s no doubt that building confidence and trust for guests will be of paramount importance. By providing a safe, comfortable and sustainable night’s sleep, hospitality businesses can go a long way to ensuring a safe and rich guest experience and meeting their expectations.
Hypnos is one of Hotel Designs’ recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.
Case study: lighting InterContinental Park Lane hotel
Located in the heart of London’s prestigious Mayfair, the InterContinental Park Lane hotel delivers elegant natural interiors, award-winning restaurants and bars, and unrivalled views of the Royal Parks…
Alongside designers RPW Design, Heathfield & Co were delighted to supply both bespoke and standard lighting from their product range, as part of the development of the hotel’s exclusive Mayfair Collection.
image credit: IHG/Heathfield & Co
image credit: IHG/Heathfield & Co
This luxurious range of guestrooms and suites are said to be ‘a refinement of the timeless elegance for which we are loved.’ With a careful attention to fine and subtle details, materials such as wood, leather and brass set the natural and comforting tone. Heathfield’s experienced team worked on a series of bespoke bedside ceiling fittings, inspired by their classic ‘Derwent’ design.
image credit: IHG/Heathfield & Co
The solid brass framework and Dandelion satin lampshades reflect in the panelled mirrors behind, perfectly framing the centre of the room. The Derwent Large cube pendant and Vivienne Clear glass table lamp create decorative features in the suites, enhancing the soft and elegant design.
Miniview: Inside WILDES Chester, a northern boutique jewel
Northern design studio Spaceinvader, with architecture by EDGE Architect, has created a rich, layered and luxurious interiors scheme for the new WILDES Chester boutique hotel…
With interiors by hospitality and workplace designers Spaceinvader and architecture by EDGE Architects, WILDES Chester will be housed in a Grade-II listed building in The Rows, Chester’s famous historical centre.
The hotel property, on the corner of Bridge and Watergate Streets, was originally developed in 1892 by architect Thomas M Lockwood and is made up of three townhouses.
Today, it shelters a hotel that aims to become a go-to destination for business and leisure travellers.”Our focus is to delight our guests’ senses through innovative food and service with a real aim to redefine hospitality within the city’, said Paul Wildes, CEO of the hotel group. ‘Original features include huge fireplaces, stone windows and original beams and the hotel will be sensitively refurbished to retain these period features while introducing an interior design that takes influence from key venues in London and around the world.”
Liverpool-based Edge Architects have been commissioned to extend the building to the rear, as well as creating a new roof terrace with plunge pool, with the proposals currently awaiting planning permission. The new layout of the black-and-white-fronted building, where the existing fabric is partly redbrick Victorian and partly Jacobean, will encompass 16 en suite bedrooms, each featuring a unique design. Free-standing furnishings in the bedrooms allow the original building to breathe, whilst quirky elements, from free-standing bathtubs and skylights for guests to enjoy the night sky to the four-seater cinema in one of the rooms, add character.
“The new hotel will become a fantastic luxury destination for visitors to Chester,” SpaceInvader Senior Interior Designer Izzy Eling said, “embodying a rich, sensual and flamboyantly-decorated immersion in the heart of the city, with a design scheme inspired by a number of historical threads, coupled with contemporary services and styling.”
The interiors concept takes its initial influence from the site’s history, having originally been built for the Duke of Westminster as a base for his country pursuits, including horse racing and deerstalking. References to horse racing saddlery, from leather straps to diamond stitching details, are incorporated throughout, whilst the logo for Benedict’s and the feature layered bulkhead over the bar are inspired by the racecourse tracks, making it the perfect place to visit before or after a trip to Chester races. The new identity work on the scheme is by Natural Selection Creative Studio.
A second inspirational source was Chester’s medieval market heritage, with Bridge Street having played host to a market trading in leather, cotton and wine and the site itself said to have been used as a corvisor (leather works), producing leather harnesses, gloves and riding boots.
The third thread of the concept is the architecture’s mostly Victorian origins, which finds form in opulent styling in the interiors scheme, from the use of decorative tiling and floral patterns to deep rich jewel tones and exaggerated details. The Victorian era also saw a rise in trade with the East and the importation of new exotic materials from India and China, including luxurious, hand-painted silk wallpapers, woven rattan furniture and highly-decorated porcelain. This aspect of the era’s eclectic tastes forms the final styling inspiration, in the form of large, patterned rugs and the jewel tones used for the bedroom design palette, whilst silk wallpapers and patterns influenced by India and China line the corridors.
‘Playful, hidden quirks and memorable styling will feature throughout,” Eling added. “This will definitely be an Instagramm-able venue when it completes and opens, with any number of details visitors will notice over multiple visits!”
The lobby
Upon arrival, the lobby’s bespoke new Victorian-style mosaic floor tiles feature the new hotel branding inset at their centre. The concierge area features horse-racing details to the timber reception desk design, including leather straps and branded leather tabs for the room keys. The main stair at the rear has been finished in a bespoke carpet, with dark edging detail and an ornate banister. A seating arrangement, with velvet chairs immediately suggesting the scheme’s opulence, sits directly beneath the stair, whilst a door leading away from reception takes visitors directly into Benedict’s bar and restaurant.
F&B
The 45-person-capacity Benedict’s bar features a rich colour scheme of golds and deep tones, with a design influence taken from horse racing. An opulent gold-coloured bulkhead over the bar, for example, is structured to imitate the form of racetracks, whilst feature tiling wraps around the bar itself, which is edged with gold detailing before it cedes to the main dark timber floor.
The bar has a dark marble front and a lighter marble top with WILDES branding etched into its front face. A bespoke wallpaper, developed with a specialist designer, includes subtle horse-riding illustrations. Furniture is rich and luxurious, upholstered in velvet and leather, with quilted detailing throughout.
Image credit: The WILDES Hotel Group
Two adjacent snug areas are dark and cosy with feature jewel tones of emerald green and ruby pink. The wallpaper here is detailed with wildlife images, including rabbits and deer, with set dressing including faux taxidermy in a nod to the Duke of Westminster’s love of country pursuits. The connecting spaces feature artwork referencing horse-racing and country life, with a quirky, full-sized horse lamp greeting visitors en route to the toilets.
The 30-cover indoor section of Benedict’s restaurant showcases a more feminine, romantic feel, inspired by the Victorian love of floral patterns and motifs and including bright velvet fabrics, patterned wallpaper and petal-shaped lamps. The external terracing has both a 12-person bar area overspill and a 26-cover restaurant seating area, dressed in striking black-and-white-striped wicker furniture, referencing the building’s Jacobean architectural elements, with gold cushion highlights and upholstery.
Private Dining Room
The first floor Benedict’s private dining room is an opulent space, perfect for entertaining, and inspired by traditional Victorian drawing rooms.
Image credit: The WILDES Hotel Group
A bespoke timber table for 16 guests is its central focal point, with design features including striking chandeliers, opulent velvet drapes and a floral ceiling finish.
Restrooms
Taking inspiration from Victorian powder rooms, the ladies’ toilets feature pink Victorian metro tiles and gold swan taps, whilst the men’s are in darker tones, with green tiling and black swan taps. Both are tied together through the use of wallpaper featuring giant fern leaves, referencing a plant that was particularly popular in Victorian times, along with metal-plated cisterns embellished with the Benedict’s logo.
Spa
The Spa area boasts a super-feminine, indulgent scheme. Predominantly pink, its motifs include a feature raised peacock motif against the dove-grey wall panelling and faux cherry blossom dressing, nodding to the Orient and the Victorian taste for Chinoiserie. Plush pink velvet banquette seating sits below pink wall panelling, with neon ‘Blooming Fabulous’ wall signage adding to the space’s indulgent feel.
Guestrooms
Although each room is unique in terms of proportion, layout and views, design treatments broadly follow two paths. The first is fresh, elegant and airy with a British country pursuits influence. Parquet timber floors and light wall panelling provide a backdrop to green velvet window dressing, large-scale foliage rugs and rattan-style furniture and headboards. Leather detailing, quilted stitching embellishment and gold lighting elements tie the scheme together.
Image credit: The WILDES Hotel Group
The second treatment features a richer and moodier colourway, with dark wall panelling and black rattan headboards. The windows and grand double beds are in ruby velvets, whilst the parquet flooring is layered with a large-scale floral rug.
Both bedroom types have connecting details, such as bespoke bedside tables, which are inspired by horse-racing and particularly The Champion’s Chest, where cups and medals are held, whilst also featuring WILDES branding. Each room type also has a feature coloured sink, marble wall panels and timber panelling as well as freestanding baths engraved with the hotel’s branding.
The upper floor features a number of skylighted ‘Stargazing Rooms’, allowing guests to gaze up into the night sky, whilst one additionally features a mezzanine level, which is accessed by a spiral stair and leads up to a private cinema and bar. This space features green velvet reclining armchairs, gold lighting and burnt orange velvet curtains framing the screen, combining to deliver a cosy-but-luxurious cinematic experience.
Lee Rowland, Head of Sales at Schlüter Systems commented on the announcement: “Being part of an industry facing its fair share of challenges in 2020, it is imperative that the talent, motivation, and drive which keeps businesses pushing forward, whether individual or as an entire company, are celebrated.
“The Brit List Awards identifies the leading interior designers, architects, hoteliers and suppliers operating in Britain and Schlüter-Systems are proud to support this.
“As a manufacturer of tile and stone accessories, we work alongside many different areas of the architectural industry and have seen first-hand how practices have pulled together within the current climate and we wish the best of luck to all nominees.
The Brit List Awards is Hotel Designs’ annual nationwide search to find the top designers, architects, hoteliers and suppliers who are operating in Britain.
As well as selecting the the top 25 designers, architects and hoteliers who will be profiled in The Brit List 2020, the campaign also selects individual winners of the following categories:
Interior Designer of the Year
Architect of the Year
Hotelier of the Year
Best in Tech
The Eco Award
Best in British Product Design
Outstanding Contribution to the Hospitality Industry
How to attend the virtual award ceremony
If you are a designer, architect, hotelier or developer and would like to attend the virtual award ceremony, which will take place at 14:00 (GMT) on November 12 2020, click here.
If you would like to discuss various sponsorship packages available, please contact Katy Phillips via email, or call 01992 374050. Tickets to both the virtual event and the winners party will be available to secure soon.
Offering two extra-large formats (900 x 150mm and 900 x 300mm), Carioca is a range of bold colour infused cork tiles that can be mixed at will for a strikingly different wall. Each tile is made in Portugal using cork from the country’s carefully protect forests and which is already recycled from waste of the wine stopper industry.
Available in 15 shades from Bluemoon and Dove Blue through Forest, Terracotta and Safrron to Purple, Blush and Pearl; Carioca also comes in eight multi-colour designs of complementing hues coordinated to the monochrome options. Each tile features a machined edge to give a pronounced, thick join that reveals the almost-black cork base layer, adding depth and making the wall even more captivating.
Bringing a modern graphical edge to cork’s timeless natural aesthetic, Carioca expresses the liveliness and energy of cork as a contemporary surface material. FSC-certified, the tile uses cork’s inherent sound absorption and thermal regulation benefits to improve acoustics and energy performance. A water-based Aquadur® matt finish fights off marks and makes maintenance easy, ensuring that despite it light weight, Carioca has the performance needed for today’s commercial interiors.
Paulo Rocha, product and R&D manager, Granorte, says, “Carioca’s beauty is in its fusion of modern graphic design and natural material to provide a more sustainable alternative to man-made surfaces. Marco’s clever use of bold colour and strong graphic lines on top of cork’s individual and intrinsic beauty, produces a powerful aesthetic that’s hard to ignore.”
Natural, renewable, recyclable, bio-degradable, PVC-free, lightweight, high-performance and strikingly good to look at, Carioca is another example of Granorte pushing the boundaries of possibilities with cork.
Granorte is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here.
Leading Austrian Architectural firm STEINBAUER architektur+design used natural materials to design a family home, and specified Kaldewei products to create a bathing experience unlike any other…
Sustainability meets design in Austria’s Winzendorf-Muthmannsdorf municipality. Surrounded by grapevines, and set on a sloping plot of around 1,600 square metres, is a detached house in harmony with nature. The distinctive and nature-loving architecture is in evidence outside, in the form of the charred larch cladding used on the façade. The client requested elegance and eco-conscious design everywhere, including the bathroom.
Image credit: Kaldewei
Sustainable building methods are demonstrated throughout the light-filled, open-plan house all the way through to the bathroom: this is where, in keeping with the overall eco-friendly concept; architect Oliver Steinbauer, owner of the firm STEINBAUER architektur+design, in Vienna’s Neustadt, installed a Kaldewei Conoduo bathtub, made from sustainable steel enamel. Thanks to its natural raw materials, steel enamel is 100 per cent recyclable and exceptionally long-lasting.
The lower levels inside the new-build family home are dominated by sandblasted concrete ceilings, steel, exposed screed and large windows. The private rooms feature white Corian, naturally oiled oak and discreet east-facing light slits. All of the built-in furnishings have been crafted from brushed wild oak, these are combined with individual pieces made of Engelsberg marble from the nearby quarry. The wine-cellar is another design highlight, sunk deep into the earth for optimum temperature control.
“Because the plot is a vineyard that has been family-owned for generations, creating a building that was timeless and in harmony with nature was paramount right from the start,” says architect Oliver Steinbauer.
Image credit: Kaldewei
Image credit: Kaldewei
The bathroom is located on a mezzanine floor. At its heart is the sunken Conoduo bathtub from Kaldewei which has a framed view towards the Engelsberg mountain to the northwest. Here too, the focus on eco-friendly building methods is evident from the material used for the bathtub. The Conoduo is made of Kaldewei steel enamel, an exquisite symbiosis of steel and glass. Steel enamel is manufactured by Kaldewei from natural raw materials. At the end of its useful life it can be fully recycled. The glazed surface of the bathtub is extremely robust, hygienic and easy to clean. Kaldewei backs up its exceptional longevity with a 30-year guarantee. “The steel enamel bathtub goes perfectly with the open but varied spatial layout and the property’s reduced natural materiality,” added Steinbauer.
The design of the bathtub fits seamlessly into this home. Conoduo’s hallmarks are its minimalist design and timeless elegance – rounded off by a flat waste outlet and a discreet overflow, both enamelled in the same colour as the bathtub. This allows the bathtub, in keeping with the property overall, to meet the highest standards of design and aesthetic. The home’s owners can thus enjoy a relaxing bath while feeling that they are sitting in the middle of a wine terrace. This superbly soothing setting make this the perfect spot for them to savour a fine wine made from their own grapes.
Kaldewei is one of our recommended suppliers. To keep up to date with supplier news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.
1 in 3 Brits want to replace shower with modern system, survey reveals
A survey carried out by GROHE has revealed British showering behaviours and consumer attitudes towards their bathroom…
As indicated in the debut broadcast of Hotel Designs LIVE, bathroom and wellness demands have shifted as we look ahead towards a post-pandemic world.
The demands on bathroom design have risen significantly, with the shower gaining a lot more attention, being preferred over bathing by 64 per cent of UK participants surveyed in a recent study by global market research institute, Explorare, commissioned by GROHE.
As many as 43 per cent are now viewing the bathroom as an indulgent space for wellness and relaxation with 48 per cent using the shower to help them relax, the survey found.
Whatever our reasons for showering; whether it’s an invigorating way to start the day, a quick freshen up after working out or for pure relaxation, our needs vastly differ from person to person and even day by day, and showers need to be able to meet this demand.
Alongside flexibility in design and functionality, the survey results revealed that safety and sustainability are two key factors consumers take into consideration when it comes to showering. 78 per cent said that having a shower surface that doesn’t get hot whilst they’re showering was a priority and similarly, 61 per cent deemed a thermostat that can balance out fluctuations in temperature an important factor in their shower’s performance. Meanwhile, around half (51 per cent) of Britons are actively trying to save water with 54 per cent seeking additional sustainable functions from their shower to help them live more eco-consciously in their day-to- day lives.
The combined results of the study provide in-depth insights into consumer behaviour around showering and help bring to light some key customer profiles:
The “Hygiene Pragmatist”, who showers after exercise like 55 per cent of those surveyed, does not spend much time in the bathroom and favours a practical shower system that keeps water consumption to a minimum.
The “Wellness Lover”, who is looking for intelligent shower systems with lots of innovative features for a truly luxurious water experience
The “Freshness Enthusiast”, who prefers a shower system with comfortable user-centric features and high design standards.
The bathroom is no longer a purely functional room used exclusively for personal hygiene. Expectations have risen considerably which has been accompanied by the increasing complexity of bathroom design and furnishing.
Retailers, designers and installers can really build an understanding of their customer’s needs by exploring individual customer behaviour and combining this with their product and industry knowledge to make informed, relevant recommendations. At a time when 40 per cent of us are using the bathroom for some much-needed space and me-time, conveying the emotional added value of a product can create plenty of upsell opportunities, and ultimately result in a higher level of positive customer satisfaction.
GROHE is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.
Calling all designers, architects, hoteliers and developers: you can secure your complimentary seats in the audience for Hotel Designs LIVE, which takes place on October 13, by clicking here…
With just a few weeks to go until Hotel Designs LIVE on October 13, new speakers have been announced for the one-day virtual conference.
Click here to read the agenda for Hotel Designs LIVE. | Click here to participate in Hotel Designs LIVE.
Hotel Designs LIVE, sponsored by headline partner Technological Innovations Group, was born out of the idea to keep the industry connected and the conversation flowing during the lockdown period following the spread of Covid-19 coronavirus. However, considering the noise the virtual conference created, the team at Hotel Designs have decided to return with part two. “The aim of this event on October 13 is to look beyond today’s pandemic in order to find real solutions for designers, hoteliers, architects and developers,” explains editor Hamish Kilburn who will host the virtual event. “To do this meaningfully, we have invited industry experts from around the world to sit on our virtual sofa.”
Confirmed speakers include:
Bill Bensley, Founder of BENSLEY
Erik Nissen Johansen, Founder of Stylt
Erica Pritchard, Associate at HBA London
Eric Jafari, Chief Development Officer at Locke
Constantina Tsoutsikou, founder of Studio LOST
Sara Gardiner, co-founder of Matetsi Victoria Falls
Karolin Troubetzkoy, Executive Director of Anse Chasanet & Jade Mountain
Ari Peralta, CEO of Arigami
Fiona Thompson, Principal at Richmond International
Therese Virserius, Founder of Virserius Studio
Olivier Delaunoy, Technology Director at SymbiOT
In addition to the live interviews and panel discussions with handpicked industry experts – and to ensure that the event is bridging the gap between hospitality suppliers and designers, architects, hoteliers and developers – the conference also included structured ‘PRODUCT WATCH’ pitches around each session, allowing suppliers the opportunity to pitch their products and services in a ‘live’ environment to the hospitality buyers that are tuned in.
If you are a designer, architect, hotelier or developer and would like to secure your complimentary seats in the audience, click here.
If you are a supplier to the hotel design industry and would like to promote your latest product or services to the Hotel Designs LIVE audience, please contact Katy Phillips via email or call +44 (0)1992 374050.
Product watch: wall hanging mirrors, made in London
Alguacil & Perkoff was created with the aim to help create distinctive, beautiful and harmonious interiors through the design and careful selection of original and exquisite collections of mirrors.
The importance of mirrors in hospitality is undeniable in a great number of ways. Obviously crucial in every room and bathroom for use by guests, they are also extremely valuable elements for the design of all spaces in the building. Equally important is the selection of the right partner to create and supply those mirrors.
Mirrors not only bring light into a room and a greater sense of space, but they also provide designers with a wide range of unique and original decorative options to create beautiful feature points that reflect, complement or enhance the interior design.
Mirrors used as unique feature points have a great aesthetic impact and require unique and at times minimalist or very dramatic designs, always with impeccable finishes.
Although their design is important in their selection, mirrors in guest rooms and bathrooms often fulfil more practical requirements and are often required in larger volumes.
Whichever the case may be, there are three key qualities that the supplier of such mirrors needs to possess:
Original designs and complete flexibility to customise them
High Quality with an understanding of budget constraints
Reliability and remarkable customer service
Alguacil & Perkoff was created by founding directors Jose Luis Alguacil Rodriguez and Serge Perkoff with the aim to help create distinctive, beautiful and harmonious interiors through the design and careful selection of original and exquisite collections of mirrors.
Image credit: Alguacil & Perkoff
The team design and manufacture in London, UK . They have developed their own collections of modern and high quality hand-crafted wall hanging mirrors that proved rapid successes. Offering a variety of traditional or more modern shapes, their mirrors are either frameless or elegantly embellished with brass, copper, stainless steel or powder coated frames.
Each mirror is fully customisable, including size, mirror tint, frame style / finish / colour, and backing material. They also create and/or fabricate bespoke mirrors on demand.
Perkoff says: “We founded our workshop with an appetite for design, creativity and hand-crafting. We were not driven by trends but followed our instincts to create often minimalist, but always high quality, elegant and beautiful mirrors.
Moving to source our components locally not only gave us complete control over quality and flexibility in design, but also allowed us to customise each and every one of our mirrors still maintaining reasonable delivery times and without ramping up costs or compromising quality.”
Alguacil & Perkoff is building trust every day among the design community, placing a strong emphasis on reliability and customer service. They are today working on a daily basis with interior designers, architects or individuals who are seeking to acquire hand-crafted mirrors that fulfil their specific requirements to make their interiors more unique.
Alguacil says: “Although attention to details is paramount to our work, our designs do possess a hand-crafted feel to them which is a signature of our work and our quality, and that makes each mirror unique. We have kept true to our original intentions and stayed away from finishes that make a mirror look like it has been mass-produced.
We however love our work with designers, and do adapt and listen to the needs of our customers. It has lead for example to the development of a highly successful collection of ceiling suspended mirrors. Each is custom made and possesses a high quality finish both at the front and at the back of the mirror. Those can also be double sided if required.”
Alguacil & Perkoff mirrors are safely shipped worldwide on a daily basis. They are today a reliable supplier of mirrors for all hospitality projects, with the capacity to supply large volume pieces from existing collections, or fully customised creations for more unique designs.
Alguacil & Perkoff is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here.
For commercial interiors, the Covid-19 pandemic will leave a lasting legacy in the demand for surface finishes that can contribute to improved hygiene, says UNILIN…
More often only thought about in sensitive environments, hygiene has quickly become a factor in the specification of materials where before it wasn’t considered a concern. Now everywhere demands surfaces that can fight off bacteria or that are easy to disinfect.
Fortunately, the need for a hygiene friendly finish doesn’t mean that interior projects have to compromise on design, at least not when it comes to laminated boards and HPL materials from UNILIN panels. These surfaces can be cleaned several times a day by 70 per cent alcohol solutions without fear of damage, helping in the ongoing maintenance and daily hygiene of commercial environments.
In everywhere from schools and shops to offices and hotels and on everything from desks, tables and walls to doors and cupboards; UNILIN panels can provide a hygienic surface without sacrificing aesthetic integrity. With the UNILIN Evola collection, specifiers can bring the feel and look of natural materials, brushed metals and terrazzo, explore the crisp ‘clean’ colours of pure white and bright fresh green, or embrace the soft-touch effect of Super Matt Black; creating surfaces that are at once beautiful and hygienic. With more than 190 options, there’s really no limit to creativity.
Bringing perfection in the details, UNILIN develops its surfaces in-house, experimenting with the depth of emboss and level of gloss to develop harmonious and lifelike designs, all without affecting the surface’s ability to be cleaned. So, whether creating a natural ambience for hotel guest rooms or a bold, graphic design for corporate offices; designers can offer customers universally simple maintenance in a finish designed to cope with busy commercial spaces.
Jurgen Plas, marketing manager, UNILIN panels, says: “Undoubtedly, Covid-19 has accelerated change in commercial environments, not only in terms of how we use and engage with the space, but also in what that particular environment demands from its finishes. It’s been a dramatic and rapid shift, yet one that is set to last and we’re ready to rise to the challenge of hygiene with our melamine faced panels, HPL and innovative Clicwall system.”
UNILIN is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.
The shortlist for The Brit List Awards 2020 has been announced, with more than 120 individuals and projects selected across eight categories…
Known as the industry’s most widespread search to identify the leading designers, architects, hoteliers and suppliers, The Brit List Awards 2020 has unveiled this year’s shortlist.
The finalists, listed below, have been invited to attend The Brit List Awards’ annual award ceremony – taking place virtually on November 12. At the event, The Brit List 2020 (a publication that profiles the top 25 designers, architects and hoteliers) as well as the individual winners will be announced. In addition, Hotel Designs is hosting a ‘Winners’ Party’ for the industry on January 28, 2021, which will be aptly sheltered inside Minotti London’s Fitzrovia showroom.
Click here to attend the virtual awards. | Click here to attend the Winners’ Party.
Now in its fourth year, The Brit List Awards is Hotel Designs’ the nationwide search to find the most influential designers, architects, hoteliers and suppliers operating in Britain. This year’s meticulous process began months ago when Hotel Designs opened up nominations and applications to its loyal readers.
“Now more than ever, we should recognise and celebrate the leading individuals who are consistently and meaningfully at the forefront of British design, architecture and hospitality.” – Hamish Kilburn, editor, Hotel Designs.
Since then, an independent panel of expert judges gathered to discuss and select this year’s individual award winners and also to confirm the 75 individuals who have made it into The Brit List 2020. “Now more than ever, we should recognise and celebrate the leading individuals who are consistently and meaningfully at the forefront of British design, architecture and hospitality,” said editor Hamish Kilburn. “Although, on record, 2020 has been one of the most challenging periods for the industry, I have faith that the individuals we have shortlisted, together, have the skills and experience to create meaningful solutions for hospitality and hotel design in the post-pandemic world.”
The shortlisted finalists for The Brit List 2020 are:
Interior designers
Studio
Designer
1508 London
Hamish Brown
Areen Design
Andrew Linwood
B3 Designers
Mark Bithrey
Bergman Interiors
Marie Soliman
Bergman Interiors
Albin Berglund
Beyond Design
Geraldine Dohogne
Conran and Partners
Tina Norden
David Collins Studio
Simon Rawlings
Dennis Irvine Studio
Dennis Irvine
DesignLSM
Emma Farren
Dexter Moren Associates
Lindsey Bean-Pearce
Ennismore
Charlie North
Fran Hickman Design & Interiors
Fran Hickman
G.A. Group
Edward Davies
Goddard Littlefair
Martin Goddard
Hirsch-Bedner Associates
David T’Kint
Holloway Li
Alex Holloway
IHG
Clinton Freeman
IHG Interior Design Dept
Henry Reeve
Kai Interiors
Michaela Reysenn
Marriott International (in-house)
Michael Bories
MBDS
Martin Brudnizki
Motionspot
Ed Warner
Patrick LeLarge Studio
Patrick LeLarge
Project Orange
James Soane
Rachel Laxer Interiors
Rachel Laxer
Rosendale Design
Dale Atkinson
RPW Design
Elizabeth Lane
Scott Brownrigg
David Mason
Squid Inc.
Oliver Redfern
Studio Mica Limited
Carolynne Shenton
The Waterside Inn (in-house)
Laura Roux
Twenty2Degrees
Joe Stella
Wimberly Interiors
Damien Follone
Yasmine Mahmoudieh Studio
Yasmine Mahmoudieh
Architects
Studio
Architect
3D Reid
Gordon Ferrier
BACA Architects
Richard Coutts
Ben Adams Architects
Ben Adams
Conran and Partners
Simon Kincaid
Dawson Design Associates
Metehan Apak
Dexter Moren Assocaites
Mark Wood
EPR Architects
Mark Bruce
EPR Architects
Geoff Hull
Foster + Partners
Luke Fox
GA Group
Terry McGinnity
HGP Architects
Matthew Salter
Hilton EMEA
Christopher Webb
Holland Harvey Architects
Richard Holland
Holloway Li
Na Li
Holloway Li
Alex Holloway
Jestico + Whiles
James Dilley
jmarchitects
Graham Barr
LDS Architects
Catarina Pina-Bartrum
NAME Architecture
Nathalie Rozencwajg
ODOS Architects
David O’Shea
Orms PLP Architecture
Simon Whittaker Mark Kelly
ReardonSmith Architects
Jonny Sin
Red Deer
Ciarán O’Brien
RPP Architects
Simon Robinson
RPP Architects
Harry McConnell
RPP Architects
Peter McGirr
RPP Architects
Alan Shields
SIRS
Manuel Irsara
WATG
Dan Hinch
Zaha Hadid Architects
Christos Passas
Hoteliers
Hotel/group
Hotelier
45 Park Lane
John Scanlon
Bespoke Hotels
Robin Sheppard
Birch
Chris King
Brown’s Hotel
Stuart Johnson
Carbis Bay Hotel & Estate
Stephen Baker
Cheval Collection
George Westwell
COMO Metropolitan London
Javier Beneyto
Corinthia London
Thomas Kochs
Eccleston Square Hotel
Olivia Byrne
Gleneagles
Conor O’Leary
Ham Yard Hotel
Laura Sharpe
Hastings Hotels Group
Howard Hastings
Heckfield Place
Olivia Richli
Hotel Café Royal
Guillaume Marly
Hotel Indigo Stratford-upon-Avon
Carl Davies-Phillips
Lime Wood Group & Home Grown Hotels (The Pig)
Robin Hutson
Nobu Hotel Portman Square
Grant Campbell
Ruby Hotels
Michael Struck
Sofitel London St James
Marie-Paule Nowlis
Stock Exchange Hotel (Manchester)
Gary Neville
The Apartment Group
Debrah Dhugga
The Artist Residence
Justin Salisbury
The Beaumont
Jannes Soerensen
The Cave Hotel & Golf Resort
Robert Richardson
The Gallivant
Harry Cragoe
The Lanesborough, London
Marco Novella
The Prince Akatoki London
Ray Goertz
The Rosewood London
Michael Bonsor
The Standard London
Elli Jafari
Treehouse Hotel London
Ayo Akinsete
Best in Tech
Aqualisa (Quartz Touch)
Hamilton Litestat (Perception CFX Decorative Wiring Accessories)
ReMake by Panaz
Safeology UVC
SleepAngel Barrier Bedding
The Cave Hotel & Golf Resort
XR SmartStudio (Royal Lancaster London)
The Eco Award
Focus EcoDesign Fireplaces
Granorte Cork
Heckfield Place
Room To Breathe
Silentnight Group Hospitality
The Chamberlain by Sibley Grove
Best in British Product Design
ALMAR
AMMIQUE
Aqualisa (Quartz Touch)
Button-Fix
Chelsom Edition 27
Fitzroy of London (Accessible Washroom Package)
Hamilton Litestat
Monkey Puzzle Tree (‘Hit the North’ real cork wallpaper)
Parkside (Sequel Principle collection by Alusid)
Phillip Watts Design (Shoe Pull)
Safeology
Focus SB (Kelly Hoppen collection)
SMD Textiles (Houndstooth)
Splinterworks (Hamaca)
Style Library (Anthology Volume 07)
Vaughan (Coldstream Picture Light)
There is no shortlist for the award for Outstanding Contribution to the Hospitality Industry, which will be the final award presented at the exclusive ceremony.
To attend The Brit List 2020 Awards, click here. To attend The Brit List Awards Winners’ Party, click here. If you would like to discuss various sponsorship packages available, please contact Katy Phillips via email, or call 01992 374050.
In Conversation With: interior designer Lisa Haude
Interior designer Lisa Haude, founder of PDG Studios, is known for her creative and unique approach to design. Editor Hamish Kilburn sits down with the storyteller to understand why she is considered one of the industry’s finest…
A storyteller in her own right, designer Lisa Haude creates one-of-a-kind spaces that breathe a new level of authenticity into the projects she touches. Working predominantly with the larger brands, such Hilton Hotels & Resorts, Hyatt Hotels & Resorts and Marriott International, Haude’s style is to celebrate the history of each hotel’s destination, which is channeled through an meaningful design narrative that is sheltered inside each project.
One of her recent projects – among many others – is AC Hotel by Marriott Washington D.C. Downtown, a hotel in the heart of the city that’s design marries together the architectural relevance of Washington D.C. with a modern twist.
Image credit: AC Hotel by Marriott Washington DC Downtown
“The one-of-a-kind light fixture that spans from the bar through the lobby space is actually a replica of the Potomac River from an aerial viewpoint.” – Lisa Haude, founder of PDG Studios.
To learn more about the project, and the designer who brought it to life, I caught up with Haude, the founder of PDG Studios.
Hamish Kilburn: What inspired you to be a designer?
Lisa Haude: I’ve always loved being creative. Thinking outside of the box and bringing a vision to life is such a rewarding experience and one that I treasure the most.
HK: One of your recently completed projects was the AC Marriott DC. Can you explain for us the design scheme and what the challenges were for this project?
LH: With this project, we wanted to take the iconic, historical architectural elements of Washington DC and reinvent them with a modern interpretation. This was done by juxtaposing strong structural lines (which the building already had) and incorporating softer curves and fluid movement via furniture and unique, yet focal, point details. For example, the one-of-a-kind light fixture that spans from the bar through the lobby space is actually a replica of the Potomac River from an aerial viewpoint, which was reinterpreted in an artistic light form to provide soft, fluid lines and movement throughout the space.
Image credit: AC Hotel by Marriott Washington DC Downtown
Our biggest challenge with this space was working within a very small building that had many structural constraints. Although difficult at times, these challenges are what really allow us to expand our creativity and bring something truly unique to life!
HK: As well as high-end luxury you have also completed some recent budget hotels. How do you achieve adding personality on a budget?
LH: With a small budget, we focus on being strategic with how the funds are allocated, paying attention to every little detail and having a very strong design story that can be implemented from start to finish. This requires some flexibility and creativity as you work through the execution of the design with the contractor to ensure that the design intent is carried through and will make the most out of the budget you are working with.
Image credit: Hilton Garden Inn Bozeman
HK: Can you explain to us more about the projects you have on the boards?
LH: Weare currently working on a historic/adaptive reuse property, a modern mountain get-away, and another very fun project that will be a nod to history but with a modern twist, among a few others!
HK: In your work, there seems to be a lot of emphasis on art. What is your secret to persuade the client to allocate enough budget for artwork?
LH: We believe that art is part of the design story and we are very intentional with the placement and selection of the pieces we use. We work closely with our owners to make sure we have some money carved out to include some unique pieces in the spaces, as they are the necessary cherry on top that helps complete the design.
Image credit: Hilton Garden Inn Sunnyvale
QUICK-FIRE ROUND
HK: What is one trend that you wish will never return?
LH:Wallpaper borders! This may be dating me slightly, but when I started in the design industry, a guestroom or residential project was not complete unless you had a wallpaper border in the space.
HK: What items during lockdown could you not have lived without?
LH: Computer, iPhone and wine (and, of course, my daughter and dog!)
HK: What makes a good design team?
LH: A team of like-minded individuals who respect each other and truly value each other’s input and love to collaborate.
HK: Who is your interior design hero?
LH: I have so many people in the industry that I look up to, but today, the people I admire the most are those working around the clock to find safe alternatives and vaccines so that we may all soon be able to travel freely and be inspired by the people and places around us.
HK: Describe PDG Studios in three words…
LH: storytellers, authentic and collaborative!
“It’s important to plan for and design zones that allow for individual space.” – Lisa Haude, founder of PDG Studios
HK: How have the challenges of the pandemic allowed you to challenge conventional design?
LH: We now need to be more adaptive and creative with how we approach design. In our current designs, we encourage the incorporation of more green and outdoor space (i.e. rooftop terraces, balconies and courtyards), the use of larger windows/natural light sources and less toxic materials, such as natural materials and plants. It’s important to plan for and design zones that allow for individual space, where one can work and be conscience of the materials that are being used. Moving forward, it will be imperative to source materials that do not harbour germs and can be easily cleaned—and those people spending time in these spaces will want to know that!
Image credit: AC Hotel by Marriott Washington DC Downtown
HK: How will smart tech evolve in the hotel guestroom post-pandemic?
LH: Easy/quick access to tech will become even more of a necessity. From the ability to work from your room via teleconferencing to the ease of being able to fully automate your room via your smart device, tech is most likely going to continue to evolve and become more mainstream and expected. For example, the ability to turn on/off lights, control the AC /heat, open/close the door, etc., without contact (using voice activation instead) will be very desired and important to many people. The technology is already there for many of these items, but I believe there will be a greater push to make it more affordable and mainstream to the greater public in a hospitality-type setting.
HK: Has sustainability slipped off the agenda in hospitality?
LH: I don’t think so. I feel like it is now even more important that we use products that are sustainable, locally sourced and easy to clean and maintain. I believe that this period of time has taught us all to take a step back and appreciate the people in our life and our surroundings. We have also become more conscience about our choices and how products are used and/or disposed of.
Main image credit: PDG Studio/Hilton Garden Inn Bozeman/AC Hotel by Marriott Washington DC Downtown
Bette shortlisted in SBID Product Design Awards 2020
Bette has been shortlisted in the SBID (Society of British and International Interior Design) Product Design Awards 2020…
The company’s new freestanding, circular, glazed titanium-steel bath, the BettePond Silhouette, has been shortlisted in the ‘Sanitaryware’ category.
Considered one of the most prestigious accolades in interior design, success in SBID’s awards programme is achieved purely for design, innovation and functionality of the entries, with finalists demonstrating the highest standards of design excellence for interior products.
Each entry undergoes a two-tier judging process, with leading industry professionals evaluating the entries, followed by a public vote, that makes up 30 per cent of the results. Bette’s BettePond Silhouette was shortlisted by this year’s jury for both its technical standards and creative delivery.
Bette is now encouraging votes in the final stage at www.sbidawards.com with voting closing on Wednesday September 30 at 5pm.
The winning entry in each category will be announced on Friday October 23.
Bette is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.
Weekly briefing: safe design, A+D post-pandemic and Hyatt at new heights
Only got a minute? Our editorial team have compiled the top design stories that they have published this week, including an exclusive report into safe design, an interview about A+D post-pandemic and Hyatt making another debut…
We appreciate you may not have time to read all the content that Hotel Designs has published this week. Therefore, here is our ‘editor’s pick’ of the juiciest stories that have been covered this week.
For article two in the Hotel Designs LAB series, Hotel Designs and Arigami move past sound in design. Founder of Arigami Ari Peralta and editor Hamish Kilburn compile the thoughts of neuroscientist at NASA Human Research Program and a neurofeedback technologist at MuArts to dive beneath the surface of safe design and emotional wellness.
The next Hotel Designs LIVE, which is free to attend for designers, architects, hoteliers and developers, will take place on October 13.
In addition to the live interviews and panel discussions with handpicked industry experts – and to ensure that the event is bridging the gap between hospitality suppliers and designers, architects, hoteliers and developers – the conference also included structured ‘PRODUCT WATCH’ pitches around each session, allowing suppliers the opportunity to pitch their products and services in a ‘live’ environment to the hospitality buyers that are tuned in.
Image caption: A render of a new wellness experience that will be sheltered inside Pan Pacific London
With the world the way it is at the moment, the conversation in the industry has steered sharply towards how architecture and design will be affected in the post-pandemic world. Looking ahead, we sat down with Mark Kelly, Partner at PLP Architecture, to understand how to build a meaningful hotel landscape.
The Parkside x Rutland London collaboration has brought together the two companies for a series of photographs showing off the latest ceramic tiles and brassware. With Parkside sourcing tiles from the world’s best manufacturers and Rutland London manufacturing its luxury brassware in Hampshire, the project demonstrates the ability of global and local design influences to work in unison.
Hyatt Hotels has announced the opening of Hyatt Regency Lanzhou, Hyatt’s debut hotel in the city of Lanzhou, China. Located in a city that is considered a gateway to China’s west region, the hotel is designed for productivity and peace of mind through its anticipatory service for which the Hyatt Regency brand is known.
5 minutes with: Paul Zway on ‘The Private Collection’
To understand The Private Collection by Exclusive Tents, editor Hamish Kilburn sits down with the brand’s founder, Paul Zway…
Built with couples, families or small groups in mind – as well as for poolside, day beds and beach use – The Private Collection of innovative tents by Exclusive Tents are designed for tomorrows travellers.
Uniquely, these small-scale tents are created to be placed close to each other and still be able to maintain the social barrier that will allow for safety and luxurious comfort.
To understand more about the collection – and the man behind the Exclusive Tents brand – I caught with Paul Zway.
“In this Post-Covid world, only glamping offers the security of a natural form of social distancing.” – Paul Zway, Founder, Exclusive Tents.
Hamish Kilburn: In 16 years, why do you believe the demand for luxury tented accommodation has increased the way it has?
Paul Zway: There has been an ever-enlarging segment of people who want to get back closer to nature not only to find harmony but to also find freedom in space which Glamping naturally offers.
There is also an element of wellness and comfort that comes to those willing to experience living in a luxury tent whilst being immersed in and connected with/to nature. In this Post-Covid world, only glamping offers the security of a natural form of social distancing.
HK: What makes these new tents ideal for social distancing?
PZ: These are relatively compact tents of which the two smallest are five-sided (pentagon) and the other two are respectively rectangular and hexagonal tents. All have the luxury features of our larger Exclusive Collection of tents but they are small and private enough to be placed close to each other and still be able to maintain the social barrier.
All wall panels can be raised or lowered based on how they are spaced and placed in a grouping which will allow for privacy as well for any views where applicable. All windows have screens and roll-up canvas flaps as well as clear PVC window overlays which creates privacy and security and allows natural light to flow in.
Image credit: Exclusive Tents
Provision is also made for a ceiling fan/light mount and the curtains and inner ceiling liner finish the interior off with elegance. The two smaller five-side pentagon tents and also be arranged side by side or back to front for different views either separately or as a combination. These Private Collection Tents were designed for couples, family or small groups as well as for poolside, day beds and beach.
HK: From your vantage point over the industry, will public areas in hotels ever be the same again?
PZ: Most certainly public areas, particularly in new developments, will evolve and change with these changed times but some older establishments will have difficulties, be it budgetary or structurally, trying to evolve. This evolution, I believe, is only in its infancy but will find a more of a natural evolution in the glamping sector of hospitality.
HK: What were the design challenges when creating these new social distancing tents?
The entire idea was to create a compact tent using our existing superior frame structure along with our high-quality fabrics. Various designs and shapes were explored, but we finally settled on the pentagram because of its uneven shape and that it could be reversed to give an alternative view so it was based both on vision in and vision out.
Most of the design effort went into the two smaller tents in the Private Collection of tents, the largest being a hexagonal shape and 142 sq ft in area. The tents can be treated with fire retardant are rated for strong winds and can be insulated and are truly four-season tents.
Image credit: Exclusive Tents
HK: How have you ensured that luxury and comfort is not scarified in the design of this product?
Every effort was made to ensure that all the luxury features from the Exclusive Collection was included into these new tents with the only difference being that all sides can be rolled up to create a gazebo if required.
The Private Collection tents can also be insulated and have the same various colour options as the Exclusive Collection.
HK: Can you tell us more about the materials you use and how long they are expected to last?
PZ: We use only the best quality materials be it the steel or the fabrics and we also use the best thermal/acoustic insulation available for this kind of application. With the correct maintenance our tents have a longevity of at least 15-20 years.
HK: How do these tents challenge conventional tented accommodation in their design?
PZ: Our tents are fully “All Season” tents with a 4-layer roof and can be used in extreme heat down to bitterly cold conditions. Our roof framing system is very unique and robust making our tents do extremely well in very strong winds and heavy snow. The load bearing capabilities from the interior roof is also incredibly good for heavy fittings. We also have a range of insulation options and all tents can me made with fire retardant. We also offer a rainwater collection system along with a solution for fire suppression sprinklers.
HK: We loved your ‘biography through tents’ piece that we published recently. What advice would you give your younger self if you could?
PZ: I have always had to reinvent myself and have battled the odds on many occasions without any formal business education but always prevailed. I don’t regret much because I seldom look back and am always looking and moving forward. That being said, the only advise I would have given myself back then in the day was to tread way more carefully when stepping through the bush with snakes around it.
HK: Some would argue that your products are limited to safari regions. What would you say to that?
“Our Exclusive Collection of tents are not typical safari tents.” – Paul Zway, Founder, Exclusive Tents.
PZ: Granted, our Safari Collection which includes the Serengeti, Savanna and Livingston tents are all typical traditional Safari tents however we have these style tents standing in regions all over the world.
Our Exclusive Collection of tents are not typical safari tents but they too crossover well into typical safari regions. Our tents are built to specific requirements and this is most commonly related to climate. We are working currently on a tent that must weather cold conditions down to -45C which is the type of challenge that we excel in. Our tents are designed to be functional all year round and do not need to be winterised.
Exclusive Tents International is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here.
Inspired by the typical roofs found in Mediterranean cities, BOW by CTD Architectural Tiles is a collection of large curved tiles in a range of on-trend colourways…
Measuring at 150 x 450mm, the BOW collection by CTD Architectural Tiles stands out for its relief pattern and characteristic volume, offering a modern new take on traditional roof tile design to create standout feature walls in residential, commercial and hospitality spaces.
Ideal for adding depth and interest to walls, the curved tiles reflect light and shade in a distinctive manner. Available in five glossy colourways from crimson red to minty green, and a matte finish Clay colour, the BOW range provides designers, specifiers and architects with a versatile tiling solution ideal for projects of all styles and sizes.
Image credit: CTD Architectural Tiles
Image credit: CTD Architectural Tiles
Part of the Saint-Gobain family, CTD Architectural Tiles specialises in the supply of high quality ceramic tile finishes and tiling solutions across all sectors in the UK commercial specification market. With clients in a variety of sectors including the leisure, retail, hospitality industries, CTD Architectural Tiles is committed to bringing customers the latest innovations in product and in service. With unparalleled expertise and technical knowledge, the team works with industry leading, innovative manufacturers to offer a complete portfolio of ceramic and porcelain tile ranges to suit the architect, interior designer, developer and specification professional.
CTD Architectural Tiles is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here.
In Conversation With: Mark Kelly, Partner at PLP Architecture
Looking ahead, past the pandemic, editor Hamish Kilburn sits down with Mark Kelly, Partner at PLP Architecture, to understand how to build a meaningful hotel landscape…
With the world the way it is at the moment, the conversation in the industry has steered sharply towards how architecture and design will be affected in the post-pandemic world.
PLP Architecture is a firm behind some of the world’s smartest and most sustainable buildings, which will soon include Pan Pacific London. Expected to be completed in 2021 – and already being described as an ‘architectural marvel’ – the project’s vision is to balance a design that is sensitive to the Asian heritage of the brand whilst creating an ultra-modern, timeless hotel and complex that challenges conventional architecture.
As a result of the firms sustainable mission, the building will shelter mix of 42 native wildflower and some sedum species populate levels 34 and 42 – 44, protruding above the structure’s rooftop, seeking to create a sense of continuity between the tower and the outdoor public spaces and gardens on the ground floor.
Representing a number of firsts for London, such as being the first tower development in the City of London to harmoniously fuse private apartments with a luxury hotel, PLP Architecture’s collaborative approach with Yabu Pushelberg and developers UOL and Stanhope ensures the delivery of an integrated and seamless design at every level of building, helping to bring to life a bold, emblematic and creative new embodiment of urban expression for the capital. Most importantly, though, it has been built with tomorrow’s consumers and travellers in mind.
Image caption: Establishing render of Pan Pacific London’s exterior
Image caption: A render of a new wellness experience that will be sheltered inside Pan Pacific London
So how are architects evolving to meet the hefty demands of modern travellers and budget conscious clients in the post-pandemic world? I spoke to Mark Kelly, Partner at PLP Architecture, to find out.
Hamish Kilburn: How will coronavirus reshape architecture?
Mark Kelly: Architecture is an inherently flexible process – always evolving while constantly questioning and reinventing itself. As such, it is well placed to respond to the current and seemingly ever-changing Covid crisis and, for that matter, other current and future global concerns such as the climate emergency. Covid has specifically put extra focus on the health of the architectural spaces we inhabit – not just in the way they operate, but in the way they make occupants behave and feel.
We are already seeing a shift towards greater implementation of technology to reduce levels of contact. There is also now a greater recognition of the benefits of architecture enhancing a state of health and wellbeing – achieved through more natural lighting and ventilation, improved climate control, larger areas of personal space more robust and cleanable surfaces, increased sizes and more options for circulation, clearer signage and better management of wayfinding – as well as more pragmatic inclusions like well-designed and integrated places for washing / sanitising hands and select use of screens and shields where required in areas of frequent interaction.
“The current environment is a perfect opportunity for hotels to think creatively about ways to not just reconsider and reactivate their existing spaces.” – Mark Kelly, Partner, PLP Architecture.
HK: How should the hospitality industry prepare for post-pandemic work in terms of architecture and design?
MK: Though we are in very challenging times at the moment, we see opportunities for an exciting future across the industry – one that addresses the requirements of a post-pandemic world and also reinvents itself into a more dynamic, safe and inclusive environment for people to use and enjoy. Ultimately hospitality, as a service-based industry, has the goal of accommodating and providing comfort – not just for guests, although they are a clear priority – but for staff as well. Everyone involved has a right to feel safe and protected at all times.
Image caption: Final mock-up room inside Pan Pacific London
During the pandemic, we have seen some creative uses for hotels being implemented – including people using them as remote offices, exercise studios and other support for a newly mobile workforce. This has not only helped to counteract the problems associated with lower occupancy levels but started to address other issues that were present before the pandemic. The current environment is a perfect opportunity for hotels to think creatively about ways to not just reconsider and reactivate their existing spaces, but transform their business models to help further diversify and futureproof their assets.
We see a real need to shift towards the inclusion of more local target groups, with a new and expanded reliance on the local population to add authenticity and ensure year-round activation and use of hotels. The pandemic has provided, and in some cases necessitated, an opportunity for the industry to expand from a more straightforward offering of overnight accommodation with perhaps a restaurant and gymnasium, into a truly community-minded hub where locals, tourists and business men and women alike interact and intermingle in an environment that entices each.
Premium hospitality can remain a core function in hotels, but it will need to be flexible enough to adapt to take advantage of this exciting and beneficial adaptation into a Hospitality Integrated Business that brings together the workplace, wellness and placemaking.
HK: What kinds of spaces will we be willing to live, travel and work in now?
MK: Everyone’s goal is and will be to avoid contamination with the virus. As a whole, many of the types of spaces we will be willing to live, travel and work in already exist in limited quantities and going forward their designs will become more widespread through the adaptation and retrofitting of existing spaces and the creation of new ones.
Image caption: Render of the hotel entrance at Pan Pacific London
Density control is easier than ever now, and in hotels we believe that good design for the management of arrivals and departures in a reception space, for instance, can be easily integrated with new goals for sustainability to achieve environments that actively help prevent the spread of the virus and, ultimately, are healthier and more invigorating for everyone.
The inclusion of more natural light, better ventilation, clearer wayfinding, more generous sizing, and adaptable personal spaces – all things we as a practice have been incorporating into our designs for many years – have become crucial visual indicators of safety that allow us to feel comfortable and protected at our homes, in our places of work, and while moving around outside of both.
“No longer a futuristic dream, loop circulation systems with horizontal movement will help optimise people movement across levels.” – Mark Kelly, Partner, PLP Architecture.
HK: How can architecture mitigate pathogenic risks in an interconnected world?
MK: Architecture will play a crucial role in supporting our control of pathogenic risks in our increasingly globalised world. Natural ventilation and better air management, including the use of HEPA filters, for instance, are already recognised for their ability to reduce infection rates and virus spread. Easy-to-clean materials, such as high-pressure laminates and other smooth, anti-microbial surfaces, enabling efficient management of contagion mitigation measures.
Spatial use and organisation are also important, including the ways in which shared spaces (corridors, lounges, lobbies, dining areas) are activated. New developments in vertical circulation are poised to be a game-changer for taller structures in our cities. No longer a futuristic dream, loop circulation systems with horizontal movement will help optimise people movement across levels, spaces, and even buildings and reduce risk associated with unnecessary interaction.
Crucially, we believe that changes in architecture can be carried out subtly and effectively, preserving a sense of design identity and uniqueness, accommodating luxury and comfort, while embracing risk reduction and contagion prevention to ensure we can get back to close to what we define as our normal lives as possible.
Main image credit: PLP Architecture/Pan Pacific London
Hyatt Regency Lanzhou Opens as “new architectural landmark”
The 711-foot-tall (217-metre-tall) landmark, which shelters the first Hyatt hotel in Lanzhou, is located beside the city’s famous Yellow River and becomes the brand’s debut property in the Lanzhou…
Hyatt Hotels has announced the opening of Hyatt Regency Lanzhou, Hyatt’s debut hotel in the city of Lanzhou, China.
Located in a city that is considered a gateway to China’s west region, the hotel is designed for productivity and peace of mind through its anticipatory service for which the Hyatt Regency brand is known.
Welcoming guests into a revitalising sanctuary above the bustling city, the 300-key hotel has been designed to enhance productivity and peace of mind. The spacious guestrooms and 15 suites, feature contemporary decor in soothing tones of blue and soft grey, with expansive views through floor-to-ceiling windows.
To promote wellbeing for guests and the environment, the hotel utilises smart, eco-friendly systems. Infrared sensors automatically activate control settings when guests enter or leave the room, and smart sunshades auto-adjust for a comfortable environment and power savings.
Hyatt Regency Lanzhou’s creative dining scene caters to Lanzhou’s multi-ethnic community as well as domestic and international travellers with three superb halal restaurants and a lounge. The all-day Market Café serves East-West-themed buffet selections showcasing seasonal ingredients, including made-to-order Lanzhou beef noodles. Xiang Yue is a contemporary Chinese restaurant specialising in authentic Gansu and Cantonese cuisines, with 10 private dining rooms. YUN – Hot Pot Restaurant offers personal seafood hot pots highlighting premium delicacies and nutritious slow-cooked broths. On the 16th floor, the lounge is an inviting urban retreat for meetings, socialising or relaxing over elegant high teas and light refreshments.
Image credit: Hyatt Hotels
Two floors of the hotel are dedicated to recreational and wellbeing facilities. In the pool sanctuary, the indoor, temperature-controlled swimming pool uses a leading glass-fibre quartz sand filter system for a natural, eco-friendly swimming experience enhanced by sixth-floor city views.
Elsewhere, the hotel also shelters creative event space. More than 16,145 square feet (1,500 square metres) of sophisticated spaces comprise a ballroom, eight multifunction meeting rooms and three VIP lounges. State-of-the-art technology includes HD high-speed cameras and 65-inch gesture-control smart screens supporting full-scene video synchronisation, rebroadcasting and live-streaming. Natural light and river views create a refreshing and inspiring ambience, with meetings and events supported by experienced hotel event planners.
The Hyatt Regency brand has more than 200 conveniently located urban and resort properties locations in more than 30 countries around the world. The opening of Hyatt Regency Lanzhou is part of the brand’s ongoing efforts to expand its presence globally in places that matter.
Lighting product watch: Eltham Collection by Vaughan
Vaughan has launched Eltham Collection, a selection of products, based on early 20th Century design…
Featuring four new table lamps, and five pieces of faux shagreen furniture, Eltham Collection continues Vaughan’s longstanding theme of creating products rooted in antiques, but then given a contemporary flair.
Lucy Vaughan, chairman and co-founder of Vaughan Designs, recalls how the collection came into existence: “From admiring my grandmother’s monogrammed boxes, to professionally taking an interest in my time as an antique dealer, shagreen has a particularly special place in my heart. Paired with the lights, it encapsulates all that I love about early 20th century design, with its emphasis on simplicity, purity of line and subtlety of form.”
Image caption: The Wyndham Table Lamp by Vaughan
Image caption: The Fairmont Table by Vaughan
The Eltham Collection includes :-
Hudson Table Lamp
A contemporary shape, reminiscent of American skyscrapers, this table lamp has an appealing crisp line to it. The decorative applied lines on the sides add a more ‘statement’ feel to the piece. The monumentality and decoration have an affinity to Axumite obelisks from 4th Century Ethiopia.
Wyndham Table Lamp
Based on an early 20th Century original, this vase is decorated with flowing swirl motifs to give it a wonderful textured feel. The non-uniform color adds a Modernist element to the aesthetic.
Shoreham Table Lamp
Based on an antique original, this playful design takes its inspiration from the work of the mid-20th Century. Its bright pop of color makes it a wonderful, statement piece.
Fairmont Table
A neat and satisfying design, this side table has a classic hexagonal shape to it, which is given a contemporary twist thanks to the addition of faux shagreen.
Vaughan is one of our recommended suppliers. To keep up to date with supplier news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.
Parkside collaborates with brassware brand Rutland
Working to inspire interior designers with combinations of classic brassware and contemporary tile designs, Parkside and Rutland London have released a capsule photography series…
The Parkside x Rutland London collaboration has brought together the two companies for a series of photographs showing off the latest ceramic tiles and brassware. With Parkside sourcing tiles from the world’s best manufacturers and Rutland London manufacturing its luxury brassware in Hampshire, the project demonstrates the ability of global and local design influences to work in unison.
With the lavish green marble effect tiles of Pulp and the ultra-glossy green Lenton brick tiles from Parkside teamed with Rutland London’s classic brushed brass, Parkside x Rutland London Palazzo showcases a timeless look grounded in high luxury hotel interiors. For Parkside x Rutland London Elysium, the dusk of Fauve Pink, bold tropical print of Orta Flora and terrazzo-effect, high slip resistant Durali tiles are teamed with polished brassware for a look inspired by key interior trends.
Taking Rutland London’s polished nickel finish, Parkside x Rutland London Samarkand brings fresh meaning to Mediterranean style with the backdrop of Parkside’s crackle gloss Fauve Yellow brick wall tile and Fusion Blu pastel floral pattern. In Prism, we see an ultra-modern look with Rutland London’s brassware in antique brass, paired with a striking vertical installation of Spectre in the Milk hologram and Durali terrazzo wall and floor tiles.
Mark Williams, sales and design director, Parkside, explains the collaborative partnership: “A meeting of chance in Chelsea, where we both have showrooms, saw a conversation about bringing our complementing products together to create a series of inspirational bathroom locations. While we may have different approaches – our international sourcing of tiles and Rutland London’s made in England brassware – we share surprisingly similar end results, beautiful products at the forefront of design, and so the partnership is not as unusual as one might first think.”
Parkside x Rutland London features some of the latest introductions from both companies in a series of bathroom looks that demonstrate depth, versatility and the appeal of enduring quality.
“The tapware, towel rails, shower enclosures and vanity units in the collaboration represent the quality and timeless style synonymous with Rutland London,” said Rupert Harris from Rutland London. “Manufactured from solid brass with ceramic disc cartridges, our brassware is available in over 20 finishes, including variations of bronze, copper and gold. Alongside, it is WRAS approved for commercial interiors, making it a natural partner to Parkside’s architectural tiles.”
Parkside will be presenting its latest tile additions to the London design community at Focus/20 between 14 and 18 September. Visitors to the London Design Centre, Chelsea Harbour event are invited to “The Sanctuary” a bathroom setting inspired by wellbeing and health and featuring products from Rutland London and Botanique Workshop.
Parkside Architectural Tiles is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.
Hamilton Litestat becomes Event Partner for The Brit List Awards 2020
For the third consecutive year, Hamilton Litestat has become an Event Partner for The Brit List Awards 2020…
Hamilton Litestat, a British electrical solutions provider that designs, develops and manufactures innovative electrical accessories of the highest quality, has become an Event Partner for The Brit List Awards 2020…
“The hotel industry has always been important for Hamilton, and it continues to grow in its prominence for us as a business,” Gavin Williams, Head of Marketing at Hamilton Litestat, told Hotel Designs. “We’re pleased to be celebrating the achievements of the sector together with Hotel Designs through our support of The Brit List 2020. This recognised platform allows us to build upon our relationships with decision makers, from interior designers and architects through to hoteliers.
“We’ve proudly supported the sector with quality wiring accessories for more than 50 years from our headquarters in Bristol – whether that’s meeting the high volume needs of a large chain of hotels or delivering against bespoke and eclectic briefs for unique boutique hotels. Following such an unsettled year, we look forward to celebrating success and exceptional talent at this virtual event.”
The Brit List Awards is Hotel Designs’ annual nationwide search to find the top designers, architects, hoteliers and suppliers who are operating in Britain.
As well as selecting the the top 25 designers, architects and hoteliers who will be profiled in The Brit List 2020, the campaign also selects individual winners of the following categories:
Interior Designer of the Year
Architect of the Year
Hotelier of the Year
Best in Tech
The Eco Award
Best in British Product Design
Outstanding Contribution to the Hospitality Industry
“The support that Hamilton Litestat has shown our brand since the start of my editorship is immeasurable,” editor Hamish Kilburn added. “Especially this year, when everything around us is changing and we are being forced to adapt in order to meet new guidelines, we are so excited to have Hamilton and the team on board as an Event Partner.”
How to attend the virtual award ceremony
If you are a designer, architect, hotelier or developer and would like to attend the virtual award ceremony, which will take place at 14:00 (GMT) on November 12 2020, click here.
If you would like to discuss various sponsorship packages available, please contact Katy Phillips via email, or call 01992 374050. Tickets to both the virtual event and the winners party will be available to secure soon.
It may be no surprise to hear that the classic Timage range of bulkhead lights has been on the scene for decades.
The brand has an enduring appeal and has been a dependable fitting across many markets for some 40 years. This is testament to a timeless Italian design that seems to fit in so many situations, whether indoors or outside in the worst that the sea air can throw at them. And that’s the Timage USP coming to the fore again: all our products are marine grade and have their design and engineering roots in the world of boat design.
This is the reason for the bulkhead lights being grouped under the Coastal Collection of lights. In truth, it is many-a-year since this style of light was used on board a pleasure yacht. However, Timage saw that clients admired the aesthetics of lights made for yachts and readily appreciated the build quality, and so these lights came to be specified for non-marine applications. The nautical theme has remained a strong styling cue and hotels, restaurants, bars, homes and building approaches all seem to be adorned with these lights today.
Whereas lights from the current Coastal Collection are still being fitted to cruise liners and even navy vessels where no compromise is tolerated, the brand has developed newer generations of lights for yachts. These new lights use the absolute latest engineering for peak LED performance and efficient low voltage battery power: essential criteria for the modern superyachts and workboats that we furnish on a daily basis. These, of course, are again highly suitable for low voltage installations on land-based projects or for recreational vehicles and motor homes.
The bulkhead lights have not been forgotten in this ongoing development exercise. New shapes of lamp body and lenses are available. The classic look has carried the nautical theme of lens protection bars, showing an industrial style. This of course still makes sense for both resistance to knocks and for the aesthetic appeal. We now have what is regarded as a more contemporary style where the lens is more open without shielding the bulb. They give perhaps a cleaner look and can be mixed more freely with spotlights or other modern complimentary lights we offer. It is now an even wider range to satisfy the customer.
The bulkhead lights are typically available in a choice of finishes and electrical specification. Normal options include conventional screw light bulb holders or LED modules. By choosing whether to have a clear or frosted lens, the look can further be varied by the type of feature light bulb you may prefer. The bodies of these lamps are mostly made from high pressure die-cast brass and their substantial weight is certainly one of their appeals. There is nothing flimsy about the construction of these lamps and that is what brings such longevity. In choosing the brass finish you equally have the opportunity to enjoy the patina and character that can develop over years of continued use. It is a chance to see the age develop within the environment, tempered by your desire to polish and restore the finish. For a brighter more stable look, the chrome plating option will fix the shine. Certain models are available in a wider choice of aluminium, bronze or nickel and note that for special orders, we can do custom plating for other finishes such as antiqued bronze or brushed brass.
Timage is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here.
Product watch: N.A.P (Neuron Activation Pod) by WellTek
WellTek, the leading London-based furniture company, has introduced N.A.P (Neuron Activation Pod) to the UK from Lo0ok Industries, a ground-breaking Finnish technology company…
The N.A.P pod uses Neurosonic technology to increase the user’s wellbeing by helping to improve sleep quality, reduce migraine problems, relieve stress and many more ailments both physical and mental.
N.A.P is not simply a silent capsule or traditional nap pod. The science behind this pod affects human natural relaxation and recovery mechanisms. The N.A.P technology guides the human body and mind mechanically to a meditation-like state that minimises and prevents stress-related symptoms. Sleep mechanisms are restored, and at the same time, many other stress triggers in the body and mind are corrected.
The Neurosonic technology is based on sensory tissue stimulation, built-in elements transmit a very low-frequency (20-100 Hz) sinusoidal vibration, which is targeted simultaneously to the whole body. As a natural mechanism, vibration affects your body calmly via the autonomic nervous system and the mind. The treatment brings a new dimension to fixing stress-based symptoms and is used to enhance quality of sleep, to ease stress, muscle tensions and swelling. It activates metabolism and assists in both physical and mental recovery.
Marco Kärkkäinen – Neurosonic Founder, Psychotherapist explains: “What does a zebra do when it has managed to escape the lion? It shakes itself. The purpose of this natural mechanism is to calm and relieve the stress reaction. Neurosonic produces this same natural effect – and thus takes relaxation and recovery to a completely new level.”
There are four key effects on the human body and mind, all linked to the influence the technology has on the Autonomic Nervous System, i.e the part of the nervous system responsible for control of bodily functions not consciously directed, such as breathing, heartbeat and digestive processes.
Sleep Quality: N.A.P has a calming effect on the human body. The production of stress hormones is reduced and sleep mechanisms are restored. You calm down and fall asleep more easily. Nightly awakening decreases, and sleep becomes more restful and effective.
Pain Alleviation: The neural network calms down, lymphatic circulation becomes more active and pain alleviates. Your body feels more relaxed and sleep mechanisms return to a more normal state, which causes many other things in the body and mind to be corrected.
Stress Relieving: Positive changes take place in the neurotransmitter action and the neural pathways in the alarm state calm down. Stressed people are able to fall asleep more easily and at night, the wake-ups that are being monitored are reduced or completely gone.
Recovery: Neurosonic relaxes your body effectively, by balancing the autonomic nervous system. At the same time, muscle circulation and metabolic restoration are restored at a faster pace. On average people report a 50 per cent reduction in recovery time from a strenuous run, work out etc.
Neil Jenkins, Managing Director of Office Blueprint says: “Our product portfolio is committed to supporting healthy and stress-free office environments and N.A.P is an inspiring addition. When your mind is full, it is difficult to find the mental capacity to help relieve the stress from hectic lifestyles. A research based proven and safe treatment with no side effects, N.A.P is a truly remarkable product with transformative effects that will help employee wellbeing whether mental or physical”.
WellTek is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here.
Weekly briefing: a London review, ‘fit’ design & the power of art
Only got a minute? Our editorial team have compiled the top stories that they have published this week, including news on Moxy’s development, an exclusive review and our feature on the power of art…
We appreciate you may not have time to read all the content that Hotel Designs has published this week. Therefore, here is our ‘editor’s pick’ of the juiciest stories that have been covered this week.
In an exclusive editorial to celebrate the upcoming ‘WELLNESS’ concept coming to ‘ACCOR’ by Bergman Interiors, we took a closer look at the future of wellness in hospitality.
Within the luxury market, wellness is not an expectation; it’s a dominant consumer value that is essential to the future hotel experience. This demand has inspired the collaboration between ACCOR and Bergman Interiors, in order to design wellness for tomorrow’s consumers.
Nestled between high-end art galleries and luxury boutiques – conveniently tucked behind Bond Street and metres away from Regent Street – is the discreet entrance to No.5 Maddox Street.
Sheltering just 12 luxury apartments – all of which were renovated last year by the owner herself, Tracy Lowy – No.5 Maddox Street is part of the Living Rooms collection, which also includes The Laslett and Weymouth Mews. Offering what it claims is ‘the best of apartment living and hotel service’, it’s almost as if the collection was unconsciously designed for the post-pandemic world.
Moxy has opened its third hotel in Japan. Located in one of the main hubs of Osaka City, the new Moxy hotel will provide guests with what Marriott is describing as “a fun and playful experience” through lively communal spaces.
“We are thrilled to be opening Moxy Osaka Shin Umeda, which marks the third Moxy branded hotel to open in Japan,” said Rajeev Menon, President, Asia Pacific (excluding Greater China), Marriott International. “This opening is a testament to Marriott International’s commitment to continue expanding its footprint across Japan and Asia Pacific with the experiential lifestyle portfolio catering to the next generation of travellers.”
According to UK Bathrooms, taps in a range of metallics and subtle brushed finishes are trending in the bathroom for 2020 and beyond.
Taps with matt or brushed finishes are flooding into the most contemporary bathrooms in a varied palette of muted metallics and monochromes, transforming pieces of brassware into elegant design statements.
More than ever before, there is a demand among modern travellers for hotel operators have to create destinations we feel a connection with; a place we want to spend time in. Interiors, therefore, need to captivate, inspire, and resonate with us. Art can do that and so much more; art has the power to stir our emotions and leave a lasting impression.
That’s why, in a search for creativity post-lockdown, we decided to catch up with Clare Howlett, artwork design manager at Elegant Clutter, to see how the brand is engaging new artists and the process it applies when pairing artists to projects.
The Arena Collection by Crosswater has been specifically developed to complement the most popular elements of modern bathroom design…
Crosswater’s Arena Collection uses state-of-the-art manufacturing technology and the essential characteristics of traditional Scandinavian design.
It excels in both form and function with a focus on slender space-saving proportions, ample storage and clean simple lines. From the beech wood effect of Modern Oak to the sleek finish of Pure White Gloss, the new 500, 600, 800 and 1000mm console units added to the Arena range will sit cohesively within bathrooms of all styles.
Steel
Embracing a subtle brushed texture with a linear grain, the Steel finish provides a modern twist on a natural finish. The blend of silver, grey and white gives a unique look, completed with an easy-clean anthracite finish drawer box. For a striking twist, pair the Steel designs with brushed brass detailing, wood accents and hints of greenery for a beautifully tied together scheme.
Modern oak
The wood-like finish of Modern Oak creates a warm and inviting aesthetic. Each piece features authentic elements including knots, inclusions and chalky-limed accents, with matching edging and a birchwood drawer set to finish. Modern Oak pairs effortlessly with Scandinavian influences, herringbone style backdrops and soft grey colour palettes – delivering a scheme that exudes charm and sophistication.
Pure white gloss
Take white bathrooms to a new level with the Pure White Gloss finish. Sleek and impactful, this classic colour reflects and maximises natural light into the bathroom. It has also been finished with an additional UV coating technology – meaning the surfaces will remain more resistant to scratches, heat, impact and yellowing, retaining the beautiful finish for longer. Complete the look with wicker accents, greenery and a soft tonal colour palette for an ultra modern interior.
Portland grey matt
Silky smooth, the Arena Matt Grey finish is the perfect option for family bathrooms. Thanks to its anti-fingerprint properties and scratch and impact resistance, it makes for a truly stylish yet practical choice. Portland is a medium, cool grey and its simple internal accents act as the perfect match for any colour brassware, handle or accessory. The furniture comes complete with a long-lasting and easy-to-clean textured anthracite melamine drawer box for added appeal.
Combining form and functionality, each piece across the Arena Furniture collection is designed to look beautiful and be as efficient as possible in today’s contemporary bathroom.
Crosswater is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.
Embracing change – and predicting a rise in demand for luxury apartments post-pandemic – editor Hamish Kilburn checks himself in review No.5 Maddox Street…
It was the first time since the start of lockdown I had made the trip into the capital, but certain things were not how I remembered.
For starters, not a single person on the train journey had demanded for me to move my bag on the empty seat next to me. Pre-Covid, not standing on the commute would have been seen as a miracle. Five months after the government put us into a forced hibernation, the empty carriage felt lonely. I disembarked the train at St Pancras International, checked my watch – it was 08:59 on a Wednesday – I could hear the echo of an barren terminal in what was supposed to be ‘rush hour’.
On my walk from the station to Maddox Street in Mayfair, the stark reality hit: most of London’s iconic hotels were closed and lifeless. And yet, while the majority of hotels in the city were shaking up re-opening strategies and not cocktails, other accommodation offerings – like for example No.5 Maddox Street – were able to open fully because of their design scheme being friendly to social distancing.
“I launched the Living Rooms concept in 1999 after recognising the modern traveller’s desire for privacy and independence.” – Tracy Lowy, owner, Living Rooms.
Nestled between high-end art galleries and luxury boutiques – conveniently tucked behind Bond Street and metres away from Regent Street – is the discreet entrance to No.5 Maddox Street.
Sheltering just 12 luxury apartments – all of which were renovated last year by the owner herself, Tracy Lowy – No.5 Maddox Street is part of the Living Rooms collection, which also includes The Laslett and Weymouth Mews. Offering what it claims is ‘the best of apartment living and hotel service’, it’s almost as if the collection was unconsciously designed for the post-pandemic world. “I launched the Living Rooms concept in 1999 after recognising the modern traveller’s desire for privacy and independence,” Lowy told Hotel Designs. “From concept through to the finished product, we sought to create the best of both worlds; design-led apartments that combine the services of a luxury hotel, complete with the privacy, space and the comfort of home.”
Image credit: No5. Maddox Street
The arrival experience at No.5 Maddox Street is unlike any hotel I have ever stayed in – there is no lobby, for example, which immediately creates an understated entrance with no room for drama. With no lift, meaning that No.5 Maddox Street is not accessible for everyone, I climbed the industrial-like stairs to check in.
While each apartment sheltered within the building is different, all of them are competitively spacious. In fact, the smallest apartment, at 27 sqm, is almost double the size of a typical London hotel guestroom, which adds to the home-from-home setting that Lowry has created. In addition, and something of a rarity in the city where space is a premium, many of the apartments feature decked terraces, balconies and open fire places.
Image credit: No5. Maddox Street
The property was given a refurbishment last year to mark its 20th anniversary. Impressively, No.5 Maddox Street remained open throughout. “As the refurb was mostly cosmetic, we remained open for guests and blocked apartments out in groups – it was a bit of a game of Tetris,” explained Lowy.
“We sourced a lot of vintage design pieces which come with their own set of challenges.” – Tracy Lowy, owner, Living Rooms.
Although Living Rooms decided not to hire in a design firm for the project, Lowry carefully selected items that she believed would create an apt homely environment in the centre of the action. “We sourced a lot of vintage design pieces which come with their own set of challenges,” she said. “But we are lucky to have some great partners in that area that we can always count on to help us come up with the goods.”
The apartments have been refreshed, nipped, tucked and brightened with modernised interiors. As well as vintage rugs by Larusi, the spaces feature one-of-a-kind furnishings from Les Couilles Du Chien and a curated selection of photography and artwork that reflects the rich history of the local area.
With as much emphasis on service as well as design, guests of No.5 are encouraged to ‘live like a local’. Those checking in can explore the city by using the constantly updated neighbourhood guide, as well as tapping up the knowledgable and friendly concierge service.
Image credit: No5. Maddox Street
As I checked out of No.5, following a relaxing and comfortable nights sleep, I am intrigued to understand from Lowy’s perspective whether or not the demand for this style of accommodation has increased following the pandemic. “Travellers, both leisure and business, are really seeing the benefit of the personal space we can offer,” she explained. “In this part of London, where hotel rates can be very high, we can often offer an entire apartment for the price of a hotel room.”
In conclusion, I agree with the term ‘hotel alternative’ when describing No.5 Maddox Street. Although I am not fully won over by apart-hotels stealing the limelight in hospitality completely, the apartments at No.5 Maddox Street are smartly designed to offer a discreet urban pad, suitable for one or two nights. They are warm and inviting but, in my opinion, feel more like you are staying in someone else’s home-from-home – similar to a stylish, well-stocked and well-hosted AirBnB, if you like.
Product watch: Facet lighting by Studio Waldemeyer
Hotel Designs learns how lighting designer Moritz Waldemeyer bent glass to its will in order to create FACET…
In all its beauty and variety, glass is essentially an amorphous material with no regular crystalline structure.
Yet through a design vision and mastery in glassmaking craft, the material can come to mimic its opposite, creating highly organised and consistent structures.
As if trying to systematise the chandelier-making tradition, Moritz took the geometrical shape of the Classic chandelier outline and turned it into a diamond-like hexagonal glass building block. On its own, with just single pendant, or in combination of multiple items into a large chandelier, the FACET modules stand out as clear, disciplined and geometrical.
Image credit: Moritz Waldemeyer
Image credit: Moritz Waldemeyer
The light source included inside every block allows the FACET system to be universal and almost unlimitedly extendable.
Moritz Waldemeyer is an internationally renowned London based designer who’s work occupies a diverse range of creative spaces. 2004 saw his debut into the design world with an interactive chandelier for Swarovski. With a forward thinking approach and a philosophy of playful experimentation Studio Moritz Waldemeyer is forging links between technology, art, fashion and design.
Led by Waldemeyer, the studio has taken on projects for Audi, Intercontinental Hotels, Rinacente and Wallpaper Magazines 2014 Handmade issue. Studio Moritz Waldemeyer has also created bespoke light studded costumes for Will.I.AM, Rihanna, Take That and the 2012 London Olympics handover Ceremony performers. Under Moritz’s direction the studio strive to create innovative concepts incorporating his signature aesthetic into each piece.
Studio Waldemeyer is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here.
“Fit is the new sexy,” and it’s here to stay in hospitality!
In an exclusive editorial to celebrate the upcoming ‘WELLNESS’ concept coming to ‘ACCOR by Bergman Interiors, Hotel Designs takes a look at the future of wellness in hospitality…
A few years back, gyms were a place where you trained, lost weight or gained muscle. Today, gyms are part of our lifestyles. And with that lifestyle comes community. Whether the gym has a nightclub style with beaming lights, or is an industrial shell, we all seek a gym with the lifestyle and community that speak to us.
This lifestyle is getting us stronger, not just physically but also mentally – such an awakening calls for mind, body and soul.
Within the luxury market, wellness is not an expectation; it’s a dominant consumer value that is essential to the future hotel experience. This demand has inspired the collaboration between ACCOR and Bergman Interiors, in order to design wellness for tomorrow’s consumers.
Image credit: ACCOR
How hotels are changing regarding fitness in general?
Within the exercise world, fitness methods and training techniques have changed however these methods and concepts have been slow to be embraced within the hospitality industry.
What was once seen as an amenity for guests is being recognised as a key facility within luxury hospitality. 66 per cent of Gen X’ers say they actively participate in self-care to improve their physical wellbeing. What’s more, 76 per cent of millennials exercise at least once per week – exercise has become a vital part of our hotel customers lifestyle and our concepts need to meet this heightened expectation.
With this key demand in mind ACCOR has brought the fitness concept centre stage for the Pullman brand with our newly created Pullman Power Fit concept. Working with Bergman Interiors was a natural choice with their strong experience in creating innovative exercise and fitness concepts coupled with a depth of experience within luxury hospitality.
Image credit: ACCOR
Pullman Power Fitness replaces the stale one-size-fits-all hotel gym environment with a bold, artful, social approach to contemporary fitness. Pullman Power Fitness defines and explores our ambition to energise bodies and inspire minds. In-touch with today’s traveller and their fitness goals, we offer much more than a gym. We provide a community where guests can have fun while challenging themselves to take their performance to the next level within a stylised interior design, energetic branding and the latest on Video on Demand exercise technology.
A collaborative partnership with Bergman, the Pullman brand, Wellbeing and ACCOR design departments the concept was developed over 12 months and the result is a vibrant fitness space that makes a statement, beckons interaction, and energises the body while inspiring our guests. Our spaces and programming tap into an exciting new era of training diversity, integrated technology, and embracing the spirit of friendly competition.
Wellness mentally and physically?
“When it comes to wellness consumer research confirms a fundamental societal shift underway, feeling healthier as a lifestyle goal has well and truly entered the mainstream,” Albin Berglund, co-founder and managing director of Bergman Interiors, told Hotel Designs. “Because the modern luxury travellers of now- and the future- is on a journey: to find purposeful new travel experiences that speak to their inner self and to personal fulfilment. And they’re willing to pay a premium for it.”
Image credit: Engine Room
Broadly, we have defined five areas – nutrition, holistic design, movement, spa, and mindfulness – that we view as essential to the overall wellness experience within hospitality. We then customise the delivery and tactics in these areas to suit each brand and its unique guest preferences, demographics, psychographics, brand positioning, culture and locations.
Changes to wellness within the hotel industry after Covid-19
It is important to separate the temporary impact such as heightened sanitation measures, social distancing and impact on travel versus the longer term impact on consumer attitudes and behaviour.
Image credit: BXR
These push factors are the relentless pressures on our health, such as less physically active work, the prevalence of processed food, air quality concerns, light and noise pollution – all of which create malaise, illness and stress. Covid-19 has been a “super-accelerator” to these “push factors” globally, with a cross generational embrace of the need to invest in ones well being and a clear reminder of the benefit of leading a “preventative” lifestyle.
Then we have the pull factors. Wellness is a highly appealing touch point among consumers, a desirable draw that promises unique, enriching, relaxing experiences that help us define and express ourselves. Wellness helps us move away from the push factors and embrace the highly attractive lifestyle that is so integral to luxury hospitality and again this desire to combine wellness with travel will blossom.
In conclusion, we are expected to see an increase in the demand for healthy food within our restaurants, for outdoor exercise and access to nature, exercise will move from inside the gym to outside or a greater demand for in room or video driven options.
The Maria Teresa chandelier by Masiero is an iconic product that comes from Venice’s historical tradition and each piece is characterised by uniquely shaped crystal glass pendants…
The precious classical style of the Maria Teresa chandelier maintains its original, iconic look but adopts a new personality thanks to the fascinating creativity of colour and a varied range of lighting effects achieved by the latest control systems.
Image credit: Masiero
Each Masiero’s Maria Teresa is available in three different lighting technology: the classic, the Dynamic White LED that allows you to customise light temperature and the RGB_W Led that allows you to transform light in colours.
In Touquet Paris la plage, for its renovation, the Grand Hôtel Le Touquet specified the brand’s red Maria Teresa chandelier, made with Murano glass, as the decorative fulcrum of its atrium. More recently, the bar of the Hotel, “Le Menko”, has been adorned with 10 black Maria Teresa chandeliers that gently illuminate the room and reinforce the Gatsby / art deco style of this new space.
Masiero is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here.
According to UK Bathrooms, taps in a range of metallics and subtle brushed finishes are trending in the bathroom for 2020 and beyond…
Gone are the days when your choice of tap colour was high shine chrome or high shine chrome.
Taps with matt or brushed finishes are flooding into the most contemporary bathrooms in a varied palette of muted metallics and monochromes, transforming pieces of brassware into elegant design statements.
“A wide range of tap finishes are emerging as part of the trend for statement bathrooms.” – Graeme Borchard, Managing Director, UK Bathrooms.
Metallic finishes in gleaming hues ranging from copper to bronze have moved into the bathroom over the recent years, as brassware became more experimental – and #bathroomselfie started trending on Instagram. Now it’s the turn of subtler, more gentle shades, as brushed and matt finishes are launched across taps of every tone. “A wide range of tap finishes are emerging as part of the trend for statement bathrooms,” explains Graeme Borchard, MD at UK Bathrooms. “There’s a real desire for spaces which are bold and luxurious, but also unique and personal.”
Adding a tap – or other brassware – with a brushed, matt or textured finish to the bathroom instantly creates a sophisticated, tranquil feel, thanks to their delicate and understated nature. Due to the wide variety of shades which have recently become available, there’s now a tone to harmonise with every bathroom scheme. Brushed nickel, for example, is a mellow version of classic chrome, the soft silvery colour working beautifully with bathrooms in cool, watery hues that have blue, green, turquoise or white bases. For bathrooms decorated with warmer colours like pink, coral or yellow, muted brass and bronzes will blend in with the dusky, sunset feel of the space.
As well as their chic appearance, taps lacking the traditional high shine have practical benefits too, accumulating fewer watermarks and finger prints, and requiring minimal polishing, so are joyfully low maintenance.
Want to make more of a statement? Matt black and white taps have also taken hold of 2020, the striking shades packing more of a punch than brushed metallic tones, but with a minimal texture that doesn’t reflect light at all.
Matt monochromes work in any bathroom setting. A matt black tap absorbs light, forming a shadowy silhouette against the surface behind it – team it with matching brassware to create a pared-back take on the industrial, New York loft-style bathroom trend. Matt white taps speak of elegance and crispness, a point of difference against other glossy white ceramics in the room, while also working alongside them. Against surface materials like marble or tiles, white taps let the walls take centre stage, while black taps add a shapely focal point.
Image credit: Crosswater
Image credit: Crosswater
Matt textures work best on taps which have simple, modern shapes, so the material is emphasised and can be fully appreciated; a bevy of new releases from key bathroom brands combine brushed or matt finishes with clean, contemporary styling.
Taking influence from modern architecture, hansgrohe has added Matt White and Matt Black to its FinishPlus range, which also includes Brushed Bronze and Brushed Black Chrome, and can be applied across the sleek Metropol and Talis E ranges. Crosswater’s MPRO collection is also all about minimal shine finishes, its basin taps – as well as other coordinating showers, valves and accessories – can be coated in Matt Black, Matt White and Brushed Stainless Steel or Brass. Colour Your Bathroom by Abacus has the option to apply on trend Matt Black, Brushed Bronze and Brushed Nickel across its entire collection of taps and more, while VitrA’s angular Origin range carries Matt Black and Brushed Nickle on more than 150 products.
Image credit: hansgrohe
Image credit: hansgrohe
Finding a tap with a finish that will complement but not overpower your bathroom has never been easier – choose a single piece for a sculptural statement or use textured metal across the entire space to fully embrace this year’s hottest bathroom trend.
UK Bathrooms is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.
Industry insight: the power of art in hotel design
At Hotel Designs we have always championed the value of art, but in this feature we explore the power of art. Editor Hamish Kilburn speaks to Clare Howlett, artwork design manager at Elegant Clutter, to learn more…
More than ever before, there is a demand among modern travellers for hotel operators have to create destinations we feel a connection with; a place we want to spend time in. Interiors, therefore, need to captivate, inspire, and resonate with us. Art can do that and so much more; art has the power to stir our emotions and leave a lasting impression. It’s no wonder that so many designers turn to art to inject personality into an installation but commissioning the right piece of art for your project is a craft in itself.
That’s why, in a search for creativity post-lockdown, I have decided to catch up with Clare Howlett, artwork design manager at Elegant Clutter, to see how the brand is engaging new artists and the process it applies when pairing artists to projects.
“We go on a creative journey with our clients. We start by drawing out the narrative to reveal the story and spirit of a place.” – Clare Howlett, artwork design manager at Elegant Clutter.
“One of the biggest advantages of being an art consultant is that we are not constrained by a house-style,” explains Howlett. “At Elegant Clutter we go on a creative journey with our clients. We start by drawing out the narrative to reveal the story and spirit of a place. We’re not about finding a theme; we are about how we amplify character through artistic collaboration.”
As well as a strong in-house artwork studio, Elegant Clutter has a growing portfolio of artists they are working with. Having nurtured creativity in others throughout her career, Howlett is particularly passionate about the process of discovering new talent. Her years of experience as a judge on international under-graduate design competitions is a distinct advantage when researching new collaborations. “We are art lovers as well as art curators,” she adds, “so I get an enormous amount of joy in supporting emerging artists as well as introducing established artists to new sectors.”
Quite often, Elegant Clutter is able to provide an already established local artist a brand new platform to showcase their work. The brand is currently working with swiss artist Etienne Krähenbühl to install one of his famous “Bing Bang” sculptures in the lobby of the new Hyatt Regency Hotel, which is directly connected to the Circle convention centre at Zurich airport. Working closely with Krähenbühl, Elegant Clutter will complete the installation using its own craftspeople to present the art in a way that integrates perfectly to the hotel’s specific situation. The sculpture is created with hard crafted oak, which honours the Butzenbüel, a small hill in parkland created as place of reflection near the airport buildings and the Circle complex.
Image caption: A sculpture by Etienne Krähenbühl, which honours the Butzenbüel | Image credit: François Busson
In addition to installing bespoke artwork in hotels across Europe, Elegant Clutter’s influence can be found in all sorts of installations. A good example is inside the American Express lounge at Heathrow airport. Here the brand is working with Minty Sainsbury, a London based artist specialising in architectural pencil drawings. Having studied architecture at the University of Cambridge, graduating top of her year in 2013, she went on to work in a London architectural practice. But she soon discovered that the drawing board no longer has a place in the modern architectural office, so returned to the pencil with the intention of keeping the art of architectural drawing alive. Sainsbury’s work can be found in iconic hotels such as Gleneagles but having the opportunity to display her drawings where they will be seen by travellers from the world over was a first. She explains the inspiration behind this commission.
“Elegant Clutter wanted to capture London’s personality in two pictures that travellers from around the globe could relate to,” the artist explains. “So, I was asked to draw St Pauls which I have done many times and the Walkie Talkie, which was a first and a building I wouldn’t have thought of drawing if it hadn’t been for this commission. The two illustrations convey the classic and the contemporary side of London perfectly.”
Image caption: St Pauls Cathedral | Image credit: Minty Sainsbury
Image caption: Walkie-Talkie building | Image credit: Minty Sainsbury
Image caption: St Pauls Cathedral | Image credit: Minty Sainsbury
“I discovered Michelle’s Instagram account during lockdown and was captivated by her beautiful seascapes.” – Clare Howlett, artwork design manager at Elegant Clutter.
Howlett is constantly on the lookout for artists to collaborate with. This can be driven by the project brief, for example, researching local artists to tell a specific story with the art narrative, or discovering someone who has established a unique style and wants to extend their reach. Michelle Lucking is one such artist. She specialises in creating beautiful seascapes and underwater portraits. Her art explores the contrasting raw power and calm serenity of the differing states of water, and the technical challenge of capturing both its translucency and movement. In 2017, she won the prestigious Annie Longley Award at the annual British Pastel Society exhibition. She is also brand ambassador for the internationally acclaimed pastel company Unison Colour and now Elegant Clutter’s most recent artist signing.
Howlett explains how she connected with Lucking during lockdown: “I discovered Michelle’s Instagram account during lockdown and was captivated by her beautiful seascapes. We spoke on the phone and had an instant connection. She has an established following within the residential sector, so I can see the potential for her work being displayed in beautiful boutique hotels. It’s really exciting and rewarding to introduce new artists to the commercial sector.”
Lucking’s work can already be found in private collections around the world. She told us why it was the right time to broaden her reach and why Elegant Clutter is the right fit for her: “I wanted to share my work with more people, but it was essential that I collaborated with a company who valued and supported independent artists. Elegant Clutter are true art custodians. I feel confident they have the skill in placing my work to enhance an interior space where it can connect to a new audience.”
Celebrating artist talent is something close Hotel Designs’ heart. Elegant Clutter is in a unique position where it can use its project management, installation skills and its knowledge on the fine art of storytelling to introduce new artists into the world of contract interiors – a precious responsibility to keep art alive in hospitality design.
Elegant Clutter is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here.
Siminetti shortlisted for SBID Product Design Awards 2020
Surface brand Siminetti is among the impressive global design talent to have become a finalist in the SBID Product Design Awards 2020, for its entry into the Surfaces and Finishes category…
Luxury surface brand Siminetti has been shortlisted for the SBID Product Design Awards 2020 in the Surfaces & Finishes category.
Respected by the industry at large, success in SBID’s GOLD-rated awards programme is achieved purely for design, innovation and functionality of the entries. The finalists in each category therefore demonstrate the highest standards of design excellence for interior products within their field, spanning the commercial and residential design sectors.
Consistent in its quest to recognise, reward and celebrate global interior design, this year’s SBID Awards has been the most globally represented edition to date; receiving entries from 49 countries around the world.
Each entry undergoes an exhaustive two-tier judging process, where leading industry professionals evaluate essential elements such as compliance with the brief, budget, health & safety and fit-for-purpose design. Siminetti‘s product “Golden Pearl Drop” was shortlisted by this year’s revered international jury for both its technical standards and creative delivery.
The Judges decisions are finalised by the third and final stage of judging, where the public are invited to vote for their favourite projects at www.sbidawards.com. Accounting for an influential 30 per cent of the results, the public and ultimate end-users of design have the final say in which products have what it takes to take home a prestigious SBID Award. With previous years seeing an astounding 225,000 unique voters, the voting will close on September 30 at 5pm (BST).
You can show your support and vote for Siminetti‘s project by visiting the website.
The Surfaces & Finishes category is for architectural and interior surfaces and finishes. These include but are not limited to panels, wallcoverings, stone, veneers, ceramics, wood, acrylic, glass, mouldings, paint and tiles.
Siminetti’s Mother of Pearl Decorative Panels are the next generation in Mother of Pearl surface finishes. Handcrafted by Siminetti’s team of artisans, the ‘Golden Pearl Drop’ Decorative Panels capture the stunning natural beauty of Mother of Pearl that has for centuries been associated with luxury, sophistication and elegance. Utilising a combination of Siminetti’s ‘Bianco’ and ‘Golden Promise’ Mother of Pearl, every panel carries its own bespoke appeal.
Founder and CEO of SBID, Dr Vanessa Brady OBE says: “Business has been disrupted for many during the pandemic, but I’m pleased to confirm that the interior design practice has remained relatively steady. The SBID Awards received submissions from more countries this year than in any other year, demonstrating the strength of SBID and the industry as a whole. We are thrilled to be the award that industry professionals want to win and for that, we are particularly proud and honoured, as an interior design body for trading standards, to continue showcasing the world’s best interior and product designs during these difficult days.”
The winning entry in each category will be announced on October 23 and be awarded with a bespoke trophy as this year’s prestigious SBID Awards Winners. An Overall Winner will also be awarded for the product that scored highest overall from both the judges shortlists and public votes combined.
DOMINGO has been making upholstery since 1973, when three craftsmen friends decided to start their own company. Today their sofas, armchairs, banquettes showcase in hotels, restaurants, spas, cruise liners, yachts, and residences around the world…
The three friends still go to work although they have now trained the second generation of upholsterers, making sure that their legacy is passed on and their skills continue.
DOMINGO’s stylish product are handcrafted according to the best Italian tradition in their workshops in Italy. The company only uses solid hard wood for their frames whilst the foams chosen for their sofas are designed for intense usage.
Technology has been integrated into the process in the form of laser guided cutting tables. This guarantees precision and reduces fabric waste.
DOMINGO’s standard product offering is vast given the several lines produced under the DOMINGO and also the stylish models produced and distributed with the ADRENALINA line (a label by DOMINGO).
For many years DOMINGO has been working in partnership with designers and/or fit out companies across the globe on a wide variety of commercial projects. DOMINGO knows by now that every space presents its own individual features, therefore the company allow their clients the option to make alterations on their standard products or even to create bespoke pieces starting from as little as a sketch.
Each standard product by DOMINGO can be modified in width, length and depth, can be realised in COM (customer’s own material), can be integrated with accessories such as plugs, USB ports and Phone chargers when the structure allows it.
Making each product in house, by hand allows DOMINGO to deliver the highest possible quality whilst being able to manage client’s individual requests.
DOMINGO operates a NO MINIMUM policy. They will make and ship just one armchair, if this is what your project requires. It goes without saying, the same care and attention is used to make one sofa for a family living room or hundreds of sofa bed for a hotel project.
The company has turned an area of their workshop into a PROTOTYPING ROOM, staffed with a few of their most experienced craftsmen. This is the room where new shapes are invented, new lines are tried and new styles are tested in terms of structure and balance.
The in-house team of designers at DOMINGO can provide 2D and 3D files of catalogue standard products (all available upon request). They can also help with the placement of products in 2D and 3D files should your designers be too busy or under deadline.
DOMINGO can help design practices with their FR standards and certifications, studying ad hoc solutions when required.
The experience gained by being creatively challenged on their own “upholstery turf”, turns DOMINGO and its staff the ideal partner for architects and designers of interiors as they are not just makers but they act more as project consultants. This collaboration between creatives and craftsmen over the years have produced some outstanding products.
Adrenalina (the design label by DOMINGO) is also the outcome of this collaboration between creatives and artisans in DOMINGO.
When architect and product designer SIMONE MICHELI came to see us with an “explosive idea”, the BOMB was born.
When Swarosky launched their new crystal collection (2012) they turned to ADRENALINA to find a way to embed their gems to celebrate the event.
When another client requested a sofa to be made from an ALFA ROMEO car, a real one (he added), DOMINGO contacted a famous car maker in Italy to negotiated the purchased of a red car shell so they could place their sofa in it.
Image credit: DOMINGO
When a restaurant owner insisted in wanting a nine-metre Chester Sofas for his restaurant all in one piece, DOMINGO embraced the challenge. Not only did they make the couch as per their client’s specification, but they also arranged for an extra-long truck to deliver it and rented an industrial machine to lift and move it to the assigned area.
Image credit: DOMINGO
When the AQUADOME spa turned to DOMINGO to add a new take on soft seating in their wellness centre, the solution delivered was some vibrant padded loungers with polystyrene microbeads, covered in waterproof, antibacterial material.
DOMINGO SALOTTI is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here.
Inside Moxy Hotels’ third property to open in Japan
Located in one of the main hubs of Osaka City, the new Moxy hotel will provide guests with what Marriott is describing as “a fun and playful experience” through lively communal spaces…
In a city that is buzzing with an attitude that does not always follow the rules, the 288-room Moxy Osaka Shin Umeda has officially opened its doors. As Marriott International’s bold experiential brand, the new hotel features fun, playful and stylish experiences, designed to give guests everything they want and nothing they don’t.
Image credit: Marriott International/Moxy Hotels
“We are thrilled to be opening Moxy Osaka Shin Umeda, which marks the third Moxy branded hotel to open in Japan,” said Rajeev Menon, President, Asia Pacific (excluding Greater China), Marriott International. “This opening is a testament to Marriott International’s commitment to continue expanding its footprint across Japan and Asia Pacific with the experiential lifestyle portfolio catering to the next generation of travellers.”
Creating an environment that appeals to today’s modern traveller as well as locals, the hotel’s chic design pays homage to the vibrant city of Osaka. The aesthetics of the hotel are inspired by a combination of the fashionable art of Umeda and the unique expressions of local Fukushima, known as the “mechanical arcade” that once supported the development of Japan’s electronic industry.
Upstairs, the 288 guestrooms are cleverly designed to maximise space and allow guests the flexibility to adapt the room to their needs. Each room is equipped with the latest technology featuring a 55-inch flat screen television with screen casting ability, furiously fast and free Wi-fi, abundant USB ports, motion activated LED guidelight and backlighted glass panels to add ambience.
Image credit: Marriott International/Moxy Hotels
Image credit: Marriott International/Moxy Hotels
The hotel also features several of the Moxy brand’s cheeky lifestyle touches. The signature Bar Moxy doubles as the hotel’s check-in counter, where guests are greeted upon arrival with a complimentary ‘Got Moxy’ cocktail. Buzzing with high-energy is The Terrace, an outdoor area where ‘Fun Hunters’ can eat, drink and socialise. The Lounge calls its charms through its graffiti art walls, modern furniture and ambient lighting, ideal for gatherings, special events or crafted cocktails, while Grab and Go allows guests to satisfy their cravings day or night. Guests can plug in and tune out in the Library or re-energise using the pink Moxy punching bag in the hotel’s 24-hour fitness centre that also features gymnastic equipment, spinning bikes and a full-circuit gym.
With the opening of Moxy Osaka Shin Umeda, the animated brand, which now has more than 60 experiential hotels open across North America, Europe, and Asia Pacific, continues to make design-led hotel experiences accessible and affordable.
Main image credit: Marriott International/Moxy Hotels
With modern travellers demanding more personalised hotel experiences, Hotel Designs takes a look at MyEdition range of taps by AXOR, which have been designed in collaboration with Phoenix Design…
For more than 25 years, AXOR has been a pioneer in the development and production of avant-garde design objects for luxury bathrooms and kitchens. This legacy is continued with AXOR MyEdition, a collection of taps created in collaboration with the Stuttgart-based design studio, Phoenix Design. The design is independent and recognisable, supporting the brand maxim “Form follows Perfection”.
Image credit: AXOR
Conceived as an expression of personality, self-realisation and individual creativity, the range features a variety of surface colours and patterns that enable the tap to be customised for an individual look. The exclusive plate materials can be chosen from 15 AXOR FinishPlus special finishes, two glass plates and five special materials: metal, wood, marble and leather. This monolithic design makes individualisation possible by allowing more room for personal creativity.
Image credit: AXOR
This demand for personalisation has been furthered by AXOR with the recent launch of MyEdition 2.0. Offering maximum freedom in the choice of materiality for the mounting plate, it is now possible for designers to create their own plates to perfectly match wider bathroom schemes. Using approved specification templates for the designs and local craftsmen for the manufacture, personalised plates can be secured onto the existing tap and fitted as normal.
In addition to its innovative aesthetic, the collection also offers a superior water experience. MyEdition is available with the innovative PowderRain spray – a first for washbasin mixers. With the advantage of micro spray technology, this new water method has six fine openings per nozzle (instead of one), transforming the spray into thousands of micro droplets that envelop hands in a gentle cocoon of water.
AXOR MyEdition comprises nine products in total, including products for washbasins, bidets and bathtubs. It represents the next stage in AXOR’s journey in developing innovative ways to experience water.
hansgrohe is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here.
The complete bathroom solutions from Ambiance Bain
With more than 60 years’ experience in developing inspirational bathroom furniture and shower spaces, Ambiance Bain works closely with customers to understand their needs to deliver solutions…
Ambiance Bain’s hotel furniture collection with a comprehensive range of shower trays and wall panels in co-ordinating or contrasting colours, offers a package which is not only functional, but stunning and hygienic too.
Cleanliness has always been important in the hotel sector, but now even more so with the current Covid-19 crisis. Using Ambiance Bain SMO™ washbasins and worktops, then co-ordinating with shower trays and wall panels, all moulded in a single piece, leaves nowhere for the germs to hide.
Image credit: Ambiance Bain
Tiled areas and seals between basins and units can be difficult to clean and maintain. Using SMO™ instead gives a much better finish which looks fantastic and allows a much better hygiene regime, making cleaning a pleasure.
SMO™ is an exclusive material particularly suitable for hotel spaces. Moulded from a single piece, the products are completely seamless and it’s also possible to repair SMO™ products using our repair kit should they become damaged, ensuring the longevity of the facilities.
Available in an array of beautiful gloss, matt and sparkly colours, you can be sure there is an option for every style of hotel design. You can even choose your own RAL colour if you need a completely bespoke look.
The durable range of sizes and a choice of ceramic or SMO™ vanity basin worktop, provides choice and affordability. Whilst the ceramic basin offers a slightly more competitive solution, the SMO™ basin worktop, complete with upstand to protect the wall from splashes, allows much more flexibility in design with a choice of matching shower trays and wall panels to add a touch of luxury.
The innovative hotel vanity units have an open shelving feature combining high storage capacity with ease of maintenance and all units are delivered fully assembled ready to install. Then choose from four adjustable shower trays, Origin, Oka, Altima & Altimax or 2 made to measure options Universal and Elegance, all with co-ordinating shower wall panels, which complement our SMO™ worktops for a completely harmonious design.
Available in a range of colours to suit your style, Ambiance Bain hotel bathroom furniture together with our shower spaces offers the ideal solution to every style and design.
Ambiance Bain is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here.
Design and architecture firm WATG has shared its urban planning solution that shapes a new vision for a greener New York City – one that underscores the unforeseen positives revealed during the pandemic…
While the Covid-19 crisis and lockdown took force of major metropolises, an unusual thing happened across the world’s best cities: the sounds of taxi horns hushed, the skies cleared and the gloomy haze of pollution lifted – there were even reports of city dwellers waking up to the song of birds, rain pouncing on windows, and the rustling of leaves.
As New York City begins to emerge from its forced hibernation – unlocking bodega doors, flipping open blinds, and turning around its “Open for Business” signs – there are obvious unintended positives that almost instantaneously took hold of the city that never sleeps. New Yorkers should not forget what a cleaner city looks like, and fight to find a way to adopt new ways of living that contribute to a healthier, safer, more breathable way of life.
It is that spirit that fueled WATG, the multidisciplinary global design firm, to “roll out” a new vision for New York City’s streets. The concept, titled Green Block, led by John Goldwyn, WATG’s London-based master planner and landscape architect, was an internal innovation competition focused on how its team of leading urban planners, landscape architects and designers could use their skills, and lessons learned from the pandemic, to transform urban spaces in a post-pandemic world for the better. The concept at once allows for a green, carless, alfresco-hopping, streetscape vision for New York’s streets.
“Our cities have long been overdue for transformation and, as some people flee for greener landscapes in the wake of COVID-19, Green Block proves that you don’t need to sacrifice one for the other – we actually can, in fact, have both the urban and the green lifestyle,” said Goldwyn.
Focusing on the intersection of Manhattan’s Flatiron Building, an iconic symbol for the city itself, Green Block claws back space from the roads and reclaims it for the people and environment.
Green Block is built using a modular program that transforms city streets into green spaces using a kit-of-parts system that is maintenance-free and created from 100 per cent recyclable materials. Green Block not only adds greenery to existing cafes and shop fronts but it creates untapped revenue opportunities for retail, commerce, and restaurants, and helps clean and filter city air while beautifying streetscapes.
Green Block brings limitless value to cities and destinations – serving as a living, breathing solution to air filtration; reducing car noise, impact and pollution; providing homes for the world’s decreasing bee population; and increasing the amount of space for people to exercise and leisure. The solution provides greater opportunity for cyclists and walkers, replacing paved footpaths with lush plants; and increasing street appeal for restaurants and retail – providing untapped opportunities for outdoor dining and shopping. Restaurant operators can also use the new outdoor space to grow vegetables, herbs or fruits to serve on their menus.
“People who are all too often disconnected from nature should be allowed respite on their streets. The pandemic tapped into an underrepresented desire in urban dwellers to connect with nature. That desire is a human right, and the city needs to address it. Green Block is in the best interest of New Yorkers and New York City’s standing in the world,” finished Goldwyn.
“As planners and designers, we have to help communities become more self-reliant. We have to make sure we’re creating systems that help ourselves and future generations thrive,” continues Goldwyn. “Communities that are resilient with strong, built-in systems of support become even stronger during times of crisis.”
WATG is currently working with confidential land owners in the United Kingdom to deploy Green Block on select streets of London, and the concept has been recognised by Urban Design Forum, based in New York, as a solution for their “City Life After Coronavirus”call for entries, which focuses on organisations advancing a just and equitable recovery for communities most impacted by the crisis.
Inside Hart Shoreditch, London’s latest lifestyle hotel
The 126-key hotel, which is in the heart of Shoreditch, has been designed by Fabled Studio and draws inspiration from East London’s past as a centre of craftspeople and makers. Hotel Designs takes a peek inside…
East London lifestyle hotel, Hart Shoreditch Hotel London from Curio Collection by Hilton, which has recently opened, was designed in collaboration with London-based interior design consultancy Fabled Studio. The 126-key property seamlessly blends the vibrant heritage and modern-day creativity of East London, through its thoughtfully designed spaces.
“Gone is the tired aesthetic of exposed graffitied brick walls, filament lightbulbs and mis-matched furniture to create a bright, fresh and life-affirming space.” – Steven Saunders, co-founder and director of Fabled Studio.
Image credit: Hart Shoreditch/Gary Edwards
Drawing inspiration from East London’s past as a centre for craftspeople and makers, the hotel’s design narrative is deeply rooted in showcasing the industries that thrived there including furniture makers, metal workers and silk weavers. In keeping with the Curio Collection by Hilton portfolio, the hotel will give visitors to London the chance to experience one of the city’s most sought-after neighbourhoods and discover its unique history.
Image caption: The lobby | Image credit: Hart Shoreditch/Gary Edwards
“We set out to create a brand-new identity for a Shoreditch hotel and restaurant/ bar by delving deeper into the stories and history that the East End has to tell,” said Steven Saunders, co-founder and director of Fabled Studio. “Gone is the tired aesthetic of exposed graffitied brick walls, filament lightbulbs and mis-matched furniture to create a bright, fresh and life-affirming space. Natural textures and a muted architectural colour palette create a crisp canvas which we have dressed with soft sage velvets, woven linens and Kilim patterns to offer an elegant and mature space to enjoy.”
Image credit: Hart Shoreditch/Gary Edwards
Hart Shoreditch takes its name from one of the building’s previous occupants, The Harts, who were cabinetmakers in the 1800’s. The distinctive space encapsulates East London’s rich industrial and artisan past. Design details including a steel re-bar and copper staircase, and contemporary, bespoke mahogany lights have been designed to replicate cabinetmaker’s boxes and pay homage to the building’s earlier artisan life.
Soft textures, furnishings and warm lighting will guide guests through to Tavla, the hotel’s bar where guests and locals alike will be encouraged to relax and spend time throughout the day and into the evening. Here, textured woven stools are mixed in with lounge chairs in muted tones and softened textures giving the space a modern, residential feel. The restaurant BARBOUN, boasts an industrial-luxe aesthetic with rattan and Thonet-style chairs and partitions inspired by the Victorian furniture makers workshops of Great Eastern Street. Warmth and softness is brought into the space through natural linen café curtains, drapery in deep oxblood and upholstery in nude leather; as well as the asymmetric architecture of the vast timber ceiling replicating the beamed structure of a factory warehouse. A striking steel re-bar and copper staircase sits towards the back of the space along with a central cascade of moon chandeliers.
Image caption: Tavla bar, with lighting design by DPA Lighting | Image credit: Hart Shoreditch/Gary Edwards
Image caption: Tavla bar, with lighting design by DPA Lighting | Image credit: Hart Shoreditch/Gary Edwards
Guests can choose from nine room and suite categories, all of which feature a soft and elegant colour palette of white and grey with striking burnt orange and deep green accents. Predominantly contemporary in style with copper mirror detailing and simplistic modern furnishings, the guestrooms are warm and inviting with subtle design details throughout such as saddle-stitched leather strapping and copper rendered marmorino textures. Copper leafed bedside mirrors are embossed with woven lace etchings in a nod to the deep-rooted Huguenot history of nearby Spitalfields. Bathrooms feature a combination of materials which come together to create a sophisticated, urban space. Luxurious marble showers and rolltop baths with impressive views across Shoreditch are complimented by contrasting concrete vanities, herringbone flooring, bold geometric tiling and paired back brass detailing.
Hart Shoreditch is also home to two unique meeting spaces which have been designed to emulate the look and feel of 18th century Huguenot townhouses synonymous with East London and its silk weaving past. A classic London aesthetic intertwined with modern textures and details set against soft green walls.
Image credit: Hart Shoreditch
Located in the heart of Shoreditch on Great Eastern Street, the hotel is conveniently situated just a moment’s walk from Shoreditch High Street underground station and within walking distance of the neighbourhood’s independent boutiques, vibrant bars, restaurants and famous markets such as Brick Lane and Spitalfields.
Bathoom wellness // How to take a wet room project to the next level
One of the most apparent changes in the post-pandemic world will emerge from the shifting demands regarding wellness. Schlüter Systems explains how its Schlüter-KERDI-BOARD can take the wet room to a new level…
When it comes to designing wet rooms, getting the perfect finish right is an absolute must. This can only be achieved by creating a completely level and tile-ready substrate prior to installation of the covering material.
The recently BBA certified Schlüter-KERDI-BOARD is the ideal solution to give you full peace of mind. The lightweight backerboard is a proven multifunctional product whilst also being flat and even.
Consisting of an extruded hard foam core panel with a special reinforcement material on both sides and waterproof fleece faces to finish, KERDI-BOARD is also an eco-friendly alternative to fibreglass or cement-faced backerboards. The absence of a cementitious layer means that it costs less to transport and produces no dust when cut, making for healthier working conditions and avoiding the release of toxins into the wider environment.
Image credit: Schlüter Systems
Image credit: Schlüter Systems
Using various sealing bands, adhesives, and pre-fabricated corner pieces available from the Schlüter-KERDI range, the seams between individual boards are quickly and robustly sealed. This will create a complete CE marked bonded waterproofing assembly upon which tiling can commence without delay.
The versality of the product is why we see it being a key player in the creation or renovation of hotel spas and bathrooms going forward. Available in a range of seven thickness ranging for 5-50mm, KERDI-BOARD can be used to create shelves, niches, partition walls and even seats within a bathroom area. This can help to create a relaxing and spa-like experience for guests and, in a time when luxury and wellness is at the forefront of the hospitality industry, these further considerations can make all the difference.
When looking to introduce some tranquillity into your bathroom, wet room or spa project, KERDI-BOARD will provide both a reliable substrate to tile onto, and the flexibility to create the wow-factor when considering any additional features.
Schlüter Systems is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.
The trend for upcycling shows no sign of abating; businesses are increasingly looking to upgrade their interiors on a budget and without the upheaval of ripping out and replacing furniture, explains surface brand Architextural…
Upcycling taps into the trend for sustainability that continues to be big news; it is better for the environment for venues to make use of what they already have and give it a new lease of life, rather than replacing it wholesale and sending old furniture and fittings to landfill.
This is where vinyl wrapping processes come into their own, providing a fresh new look in a multitude of styles, quickly and easily.
Wrapping is a simple process, whereby an existing surface is covered with a self-adhesive film. Architectural finishes are highly engineered, durable films, designed to look and feel like real-life materials. The films are applied with heat, by skilled installers, to provide a realistic hardwearing finish. This allows clients to create bespoke furniture using less expensive materials, wrapping them to look like authentic marble, wood or concrete. With thousands of finishes available, the possibilities are vast.
Image credit: Architextural
Diverse applications
Architectural films can be used on a wide range of surfaces, including walls, lifts, doors and FF&E.
Such films are conformable for 3D applications, meaning their use is not limited to flat surfaces. Almost any surface can be wrapped, making films ideal for the commercial environment. What’s more, they can even be applied over existing substrates.
As the surface finishes are conformable, they can be applied to curved structures to create eye-catching designs. This provides a key advantage over laminates that require edge banding, whereas films offer the opportunity to wrap fully over edges to completely seal them.
Image credit: i-Stock/Architextural
Image credit: i-Stock/Architextural
“Wrapping is also highly durable – lasting for an average of 12 years on interior surfaces.”
Environmental benefits
On average, it costs seven times more to rip out and replace interiors. Refurbishment with architectural films is a way to upcycle existing fixtures and fittings, rather than send to landfill.
It’s a budget-friendly option for architects when costs are being squeezed, allowing businesses to refresh a venue more frequently or at a lower cost. Wrapping is also highly durable – lasting for an average of 12 years on interior surfaces – meaning it can work out more cost effective over the lifetime of the product, when compared to fabric, paint or veneer.
Image credit: Architextural
Less day-to-day disruption
It’s also easier for businesses, as vinyls are applied in situ, with no noise, mess or waste – allowing the venue can stay open throughout. Little equipment is needed, with minimal prep, meaning less downtime and inconvenience.
All finishes are fire tested and meet building regulations. And as the product is a PVC solution, it is fully water and heat resistant, as well as and hygienic, all of which are important in high-traffic venues such as gyms, bars and restaurants.
With a world of possibilities at their fingertips, companies looking to reduce costs and improve their sustainability would be wise to look at upcycling using self-adhesive finishes to refresh spaces with minimal disruption to the business.
Architextural is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.
Case study: a bespoke approach to lighting two hotels
To showcase Heathfield & Co’s bespoke approach to lighting design, Hotel Designs explores how the brand designed unique lighting schemes for two well-known hotels in London…
From cruise ships and shared working spaces, to five star hotels and restaurants across the world, Heathfield & Co’s bespoke portfolio showcases more than 40 years of knowledge and experience in commercial projects. Here are just two examples that illuminate the brand’s creative approach to lighting.
The Curtain
Located in the heart of Shoreditch, The Curtain is a 120-key go-to for London creatives.
Starting with the client’s initial brief, Heathfield & Co’s bespoke team worked closely with U.S. based Duncan Miller Ulmann to design unique lighting to suit the sophisticated urban city aesthetic.
From an initial project review, through to final delivery and site support, Heathfield’s dedicated project managers led every stage of the process, ensuring the budget was met and final designs were perfectly executed.
Adjustable bedside wall lights, perforated ceiling pendants and picture desk lamps were among the bespoke products designed, developed and manufactured exclusively for this stylish hotel.
Image credit: Kimpton Fitzroy/Heathfield & Co
Image credit: Kimpton Fitzroy/Heathfield & Co
Kimpton Fitzroy
Combining contemporary interiors with the original features of its 19th century building, the Kimpton Fitzroy in Bloomsbury is a London hotel like no other.
Collaborating with the creative teams at Tara Bernerd and Russell Sage Studio, Heathfield’s dedicated team of product designers and engineers created a series of extravagant chandeliers and sleek wall lights to complement the hotel interior. Specialist finishes and materials were developed and produced for the project to achieve a truly unique design.
Heathfield Lighting is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here.
Editor Checks In: the price tag eliminating diversity in design
An independent investigation on diversity in design, carried out by Hotel Designs, has highlighted the potentially ‘unethical’ lengths that studios are willing to go to in order to win projects on the international hotel design scene. Editor Hamish Kilburn writes…
Traditionally – as well as recently – in the international hotel design and hospitality arena, the word ‘unethical’ and the phrase ‘dirty money’ was targeted largely towards the abusers of power; a handful of hotel owners, for example, have used money laundering to fund ostentatious and, quite frankly, outrageous development projects in luxury addresses.
However, it turns out that even some design firms have also been sheltering their fair share of unethical methods when it comes to business development, and I believe it is having a dramatic impact on equality within the industry – something that I was once proud of, but as I scratch beneath the surface, I am beginning to realise that we are at risk of this being nothing but a façade.
In new supporting evidence, there have been an increased number of design firms that have been exposed of deliberately undervaluing the proposed cost of a project in what has been described as “a desperate bid” to win the client’s commission. And especially in these challenging times that lie ahead, it is apparent that the scales are no longer level and the playing field is no longer fair.
“These allegations could drastically disrupt the design industry’s performance, as well as put several question marks on how ethical and diverse the industry is becoming.” – Hamish Kilburn, editor, Hotel Designs.
It is understood that for some design firms, certain prestigious projects – or more accurately all projects won during these unstable economic times – are considered more valuable within a portfolio now that we are are heading into a recession. As a result, firms are strategically pitching to clients with a significantly lower cost on the table – eliminating any possibility to make a profit – in order to drastically further the chances of winning the account.
One anonymous business development manager from a design studio, who Hotel Designs spoke to, described how he/she lost a commission for a recent project after a competitor allegedly undervalued the development by roughly 80 per cent to what he/she believed the project should achieve in design fees.
Furthermore, another anonymous leading designer reached out to Hotel Designs with a claim that he/she has witnessed projects being won by competitors at up to 75 per cent lower than what he/she believed was a reasonable professional fee to complete the hotel project.
In addition, other designers have come forward and claimed that they have witnessed situations whereby even suppliers have agreed to pay the design studio separately in order to be specified in a particular project, again this is with the understanding that being specified in the project’s design will generate positive PR around the brand as a result – effectively out-valuing the fee to the design studio.
Although not directly linked, these drastic methods of securing new business have circled back towards further inquiries regarding how design firms are actually funding their existence in the already competitive market.
If proven correct, these allegations could drastically disrupt the design industry’s performance, as well as put several question marks on how ethical and diverse the industry is becoming, especially, for example, if mystery backers are then funding the project on behalf of the design firm.
What’s more, the risk design studios are willing to take in order to secure these projects rings deafening alarm bells in my head, because it will inevitably be the talented individuals – often juniors on low-pay packages – who will be working on the project and who will ultimately suffer the most.
“Fees have seriously been trending lower after every recession when clients demand from firms.” – Anonymous designer.
There are also concerns among the industry that Covid-19 – and the pressures that are attached to the pandemic regarding a lack of new business opportunities on the horizon – will create further desperation between design studios that are responding to client briefs.
We have heard from a number of design studios regarding this, and many have decided to reduce project costs in ratio with the cuts they have made to staffing. One firm, again which would wish to remain anonymous, has confirmed that it has made a 20 per cent cut to all current project costs, and the studio has taken this decision in full knowledge that when or if the industry ever returns to what we recognised as normal, then the studio will work at full capacity but will only receive 80 per cent of the original fee. “We have seen this continuously,” said another anonymous designer. “Fees have seriously been trending lower after every recession when clients demand from firms.”
So, you tell me, will greed take its toll, and will meaningful and creative hospitality solutions be overshadowed by a tempting lower project cost? I certainly hope not, as I believe the industry is still made up of solution-driven individuals who understand and respect the need for thinking long-term, despite living and working in what feel like desperate times.
This is the first article within the series of this investigation. If you would like to speak to Hotel Designs – on or off the record – about diversity in design, please email the editorial desk.
As part of our editorial series exploring the wider context of Burlington’s Bespoke Collection, Hotel Designs understands more about the 1920s and ’30s, art-deco inspired pieces that the bathroom brand has launched to the market…
Characterised by the unmistakable shapes and colours synonymous with the 1920s and 1930s style, the Art Deco range by Burlington was inspired by architecture and vintage tableware.
Charleston
Drawing heavily on the linear and geometric designs of the early modern art movements, the elegant fan-like shape of the Charleston pattern creates an eye-catching focal point. Complementing the traditional silhouette of Burlington’s ceramics, the delicate monochrome illustration is ideal for those wanting to add a unique embellishment to their bathroom interior.
Image credit: Charleston, Art Deco collection by Burlington
Vienna
A design that exudes confidence and charm, the vibrant appearance of the Vienna pattern blends a classic retro colour palette with the geometric shapes reminiscent of the Art Deco era. Inspired by the yellow ochre and black shades in vintage tableware, Vienna brings a playful nod of the roaring twenties into today’s bathroom.
Image credit: Vienna, Art Deco collection by Burlington
Martinez
Inspired by the iconic Martinez Hotel balcony in Cannes, the hand-illustrated pattern fuses both linear and circular detailing, resulting in an exquisite and attention-grabbing decoration. A subtle incorporation of gold echoes the distinctive balcony design, leaving a lasting impression.
Image credit: Martinez, Art Deco collection by Burlington
Image credit: Martinez, Art Deco collection by Burlington
Burlington is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.
Hotel opening // Marriott opens duel-branded hotel in Yinchaun, China
The building that shelters the duel-branded JW Marriott and Courtyard by Marriott hotel has been described as a new elegant landmark in Northwest China…
Marriott International, Inc. has announced the opening of its dual-branded hotel, JW Marriott Hotel Yinchuan and Courtyard by Marriott Yinchuan in Northwest China, recognised as an oasis in China’s hinterland, a historical and distinctive destination surrounded by deserts and the Helan Mountains.
Invested and established by Ningxia Genyuan Real Estate Development Co., Ltd., the dual-branded hotel is an architectural masterpiece depicting a grand sailing ship boasting a total of 513 rooms. The property will deliver purposeful and memorable service to guests, from the warm luxury experience signature to the JW Marriott brand to the innovative and passionate offerings from Courtyard by Marriott.
Located in the cultural center of Yinchuan, JW Marriott Hotel Yinchuan and Courtyard by Marriott Yinchuan are adjacent to Yinchuan International Convention and Exhibition Center, Ningxia Museum and Ningxia Grand Theatre.
“We are excited to welcome JW Marriott Hotel Yinchuan and Courtyard by Marriott Yinchuan to our expanding portfolio in the northwest of China. The opening of this dual-branded hotel demonstrates the growing demand for travel as more travelers seek to discover new and emerging cities all across China,” said Henry Lee, President, Greater China, Marriott International. “This milestone opening signals a new chapter in the dynamic hospitality industry of Yinchuan, and we look forward to bringing our signature offerings to our guests through thoughtfully-curated experiences, leaving them with unforgettable memories from our brands.”
JW Marriott Hotel Yinchuan offers 247 guestrooms and 32 suites featuring floor-to-ceiling windows with dramatic views of Yinchuan skyline. All rooms are thoughtfully decorated, equipped with the latest in-room technology and modern amenities, including a 55-inch LCD TV and capsule coffee machine. Embracing a sense of modern luxury, JW Marriott Hotel Yinchuan promises a haven designed to allow guests to focus on feeling whole – present in mind, nourished in body, and revitalised in soul.
Image credit: Marriott International
JW Marriott Hotel Yinchuan features signature offerings centred on encouraging guests to celebrate being in the present, foster connections and revitalise the mind. JW Garden, a farm-to-table program, ensures sustainable sourcing of fresh herbs and vegetables for guests. Guests who want to maintain their wellness routines during their stay will enjoy the 24-hour Fitness Centre, which is complete with an indoor heated pool and is flooded with natural sunlight.
Image credit: Marriott International
Designed to meet the diverse needs of business events, conferences and banquets, JW Marriott Hotel Yinchuan is able to accommodate large-scale event with the pillar-free JW Grand Ballroom. Covering a total area of 1,400 sqm and equipped with a 90 sqm LED screen, the ballroom can accommodate 1,300 guests and be divided into four independent areas. For more intimate events, the 500 sqm JW Ballroom is equipped with a 50 sqm LED screen, and can be repurposed as three independent multifunctional ballrooms. In addition, 10 multi-functional Meeting Rooms of varying sizes will meet the diverse needs of guests.
Courtyard by Marriott Yinchuan features 234 stylish and contemporary guestrooms that cater to passion-driven guests looking to pursue their personal and professional ambitions whilst on the road. Showcasing modern design and decor, as well as a vivacious and inspiring ambience, all guestrooms are equipped with flexible work areas, high-speed Internet, and high-definition televisions for discerning business travellers.
Bette supports hospitality with discussion on new hygiene demands
Bathroom brand Bette supports the hospitality sector with HotelForum discussion on hygiene demands that have been created by Covid-19…
As a member of the European Networking Architecture, German bathroom manufacturer, Bette, has created a panel of leading design and hotel industry professionals, which will discuss whether there are ‘new guidelines for hotel design, enforced by pandemic experiences.’ The discussion will take place in English as part of the hotelforum event on October 7 and can be accessed online.
Sebastian Noack from Bette comments: “As a result of the pandemic, the demands on hygiene safety measures in hotels have increased massively. The panel discussion will consider whether this is an opportunity to plan, design and build crisis-proof hotels to help achieve a competitive advantage through hygiene-oriented design. We hope it will also be a useful opportunity to consider whether the increased expectations on hygiene standards will also have an impact on the choice of materials, as has been the case in the health sector.”
The panel discussion will explore the positions of developers/owners, operators and designers on investment in high hygiene standards and if and how such investment can be refinanced.
The panelists, in alphabetic, order will be:
Claus Dieter Jandel, Executive Vice President & Chief Development Officer, Deutsche Hospitality
Emma King, Head of Design, InterContinental Hotels Group
Federico Toresi, Global Vice President Design – Luxury & Premium Brands, Accor
Kirstin King, Design Director, Bergman Interiors
Marcel Wanders, founder Marcel Wanders Studio
Monika Moser, Regional Managing Director, Wilson Associates
Rogier Hurkmans, Regional Director of Operations, NH / Minor Hotels
The panel will be part of hotelforum (www.hotelforum.org) and will be held on October 7th, with the discussion starting at 3.55 CET.
Bette is a Hotel Designs’ Recommended Supplier. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.
Discussing luxury furniture design with Oki Sato, founder of Nendo
Following our official ‘first look’ of the 2020 Minotti Collection – and to mark putting furniture under the editorial spotlight this month – editor Hamish Kilburn speaks to one of the designers behind the collection; Oki Sato, founder of Nendo…
Airy with constructive details linked to Japanese tradition, the Torii modular furniture, designed by Nendo for Minotti’s 2020 Collection, plays with round-edged volumes, thin profiles and the apparent formal simplicity of an extremely detailed design.
With an interlocking game, the horizontal elements within the furniture are laid on the vertical supports, ensuring a sophisticated visual lightness that accommodates the padded volume, characterised by couture craftsmanship.
The Torii family includes sofas, armchairs, dining and lounge little armchairs, ottomans,coffee tables and console tables. To understand more about these pieces within the context of the timeless collection, I spoke to the visionary behind Torii’s creation; Oki Sato, the founder of designs studio Nendo.
Image credit: The Torii range of the 2020 Minotti Collection
Hamish Kilburn: Can you describe the Torii range in three words?
Oki Sato: Traditional, lightness, and secureness.
HK: How does your design within this collection challenge conventional furniture design?
OS: Generally, furniture legs are reinforced by connecting vertical members to horizontal members. On the contrary, the leg structure resembles a “torii,” a traditional gate of a Shinto shrine, with a horizontal member sitting on the two vertical timbers.
Moreover, the ends of the horizontal member are designed to look like they are biting into the seat, reminding us of traditional “wood joinery” often seen in vernacular Japanese wooden architecture. The design goal was to maintain the visual lightness while expressing a sense of secureness with each component firmly locked together in unity.
HK: In your own words, what were the major challenges when designing these pieces?
OS: We had received a presentation from Minotti family for this project. This was our very first time to receive a presentation from the brand, despite having presented many times before. I think it was a challenge to design Nendo-like details to evolve Minotti family’s first rough concept and to exceed their expectations.
HK: Can you describe how the design evolved from initial sketches to the finished product?
OS: After we received first presentation by Minotti, the initial sketch was drawn by Minotti. It was 100 per cent Minotti design at the very first moment. And then, the essence of Nendo was gradually added to the sketch through meetings and prototypes with the Minotti family.
Minotti shared a specific image at the very beginning, which helped us to proceed prototype making faster than ever and we could devote more time to considering the details.
HK: How long did this process take?
OS: I believe this process took about nine months.
HK: Can you explain more about the material you used in the upholstery?
OS: Minotti’s high technology and extensive experience coordinated our idea to concrete shape. The brand arranged everything, including a selection of materials and the softness of the cushion.
HK: What is it about Japanese design that attracts so many luxury brands?
OS: I believe it is about light and shadow. Let’s say for Italians, when one says red, Italian designers can see a lot of different reds. They have hundreds of colours of reds, but not just red.
On the other hand, I think the Japanese perceive more tones of light and shadow. I guess light and shadows are about minimalism, poetry which is one of the values of Japanese design.
Minotti London, which is exclusive style partner at MEET UP London, is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.
Showcasing innovative creations of Japanese and international artists under the concept ‘different by design’, Aloft Tokyo Ginza, which will open in October 2020, will mark the brand’s arrival in Japan.
W Design International (W/D/I), assigned by Sankei Building, initiated the overall design and realiastion of Aloft Ginza by combining old-school aesthetics inspired by Ginza’s social stories and industrial design. The new 16-storey boutique design hotel with rooftop bar is filled with radiant and iconic works by select artists. W/D/I curated a total of 11 artists whose installation-art was allocated to embody the ambience at Aloft Ginza.
Image credit: Aloft Hotels/Marriott International
Image credit: Aloft Hotels/Marriott International
Image credit: Aloft Hotels/Marriott International
With more than 16 years of experience on hospitality design projects across Japan and the Asia Pacific region, W/D/I is specialist firm in the hospitality design sector, providing strategic and creative solutions for projects in Japan and beyond.
“The guestrooms, including four suites, have been designed with a relaxing, rock-chic vibe.”
True to its ‘Ginza Vogue’ flair, the eclectic style of the 205 loft-like guestrooms, including four suites, have been designed with a relaxing, rock-chic vibe. The hotel is the ideal accommodation for global travellers who love open spaces and stylish boutique design. “Ginza Vogue” also pays homage to Toshiro Mifune’s 100th birthday, a legendary Japanese actor who was loved by film fans internationally.
Image credit: Aloft Hotels/Marriott International
Image credit: Aloft Hotels/Marriott International
The ‘different by design’ scheme has been achieved largely by W/D/I collaborating with lightning, audiovisual and music design by WORKTECHT to create one-off meaningful experiences. The atmosphere created was inspired by the Miyuki-Zoku movement from 1964, where Japanese teenagers expressed a cutting-edge and sophisticated style (the suffix “zoku” means “subculture” or “social club“). Meanwhile globally in 1964, pop art changed the art world. Artists like Andy Warhol and Roy Lichtenstein became superstars, and many of them collaborated. W/D/I visualised this Ivy-fashion and rock spirit for “Neo Miyuki-Zoku” in 2020.
Aloft Tokyo Ginza is located less than a five-minute walk away from both Ginza Station and Higashi-Ginza Station, and will open aptly while the city is preparing to face the greatest sporting event in modern times, the Olympics Games, ideal for savvy international travellers who are expected to attend.
Main image credit: Aloft Hotels/Marriott International
Product watch: Newport Bedroom Collection by Taylor’s Classics
The Newport Bedroom Collection by Taylor’s Classics is simple yet elegant mix of bedroom furniture. Hotel Designs explores…
A perfect complement to the brand’s other ranges of traditional chairs and tables, Newport Bedroom Collection by Taylor’s Classics is ideal for hotels and other accommodation styles.
The range consists of two styles of wardrobe, a bedside cabinet with a choice of marble tops, a luggage rack, a bedroom desk with gilded leather insert, a selection of bedroom/ desk chairs, bedroom tables and reclaimed lighting.
This range of contract bedroom furniture is crafted in solid and veneered European Oak and manufactured to contract quality standards. The design and detailing recalls that of the late Victorian, Arts & Crafts era, and will blend easily into the interiors of many hotels or inns of the period.
Image credit: Albero Lounge Bedford
Image credit: Albero Lounge Bedford
The Newport Collection is available in either a light or medium oak stain and polished in a resistant polyurethane lacquer.
Taylor’s Classics is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.
The recent launch of the new Aqualisa Smart Quartz Collection of showers shows that the shower brand is firmly in the driving seat for innovative shower technology in the UK. In order to understand the technology behind the new products – as well as some of the major challenges that come with driving innovation in the bathroom – we spoke to Ian Gell, Aqualisa’s head of new product design.
Hotel Designs: As Head of New Product Design at Aqualisa, what was the initial brief when creating the latest Smart Quartz Collection of showers?
Ian Gell: We wanted to create a first truly Smart shower that would improve the showering experience even further and offer connectivity across our Quartz Digital collection in an ever-growing IOT market. We also wanted to develop a feature rich product at an entry level price. Aqualisa are known for designing world class showers and we wanted to go that one step further making our showers that little bit more special.
Image credit: Aqualisa
“From a concept perspective, having a shower that can be operated via an app or having voice control abilities seems quite straight forward however, the truth is, it was extremely challenging.” – Ian Gell, head of new product design, Aqualisa.
HD: Can you explain some of the main challenges you faced when designing these products, and the solutions you came up with to rectify these?
IG: The development of the app was the biggest challenge for us. From a concept perspective, having a shower that can be operated via an app or having voice control abilities seems quite straight forward however, the truth is, it was extremely challenging. There is no ‘off the shelf’ solution that you can incorporate and use so we had to develop something from the ground up that could communicate with all our products. As well as developing the app, we had to develop the software and hardware in our valves and controllers. Allowing all new controllers and valves to communicate with each other was key.
HD: What makes this collection truly unique from anything else on the market?
IG: Aqualisa invented the digital shower back in 2001 and we have been market leaders in this area since. Having a truly connected shower to offer is the icing on the cake for our well-loved brand as it enables so many exciting and innovative opportunities to become possible.
Image credit: Aqualisa
Image credit: Aqualisa
HD: From concept to launch, how long did this collection take to design/create?
IG: At the back end of November 2018, the designers picked up their pens for the first time and started creating some concept sketches and schemes however, the project really didn’t pick up traction until February 2019 and was launched in March 2020 so it took roughly a year. Most of the work has been developing a connected solution with some purpose. This resulted in the app being created and the hardware and software requiring a major overhaul to allow our product to become connected which took most of the time.
HD: Technology in hotel bathrooms has traditionally divided consumer opinions? How user-friendly is the design of the Smart Quartz Collection of showers?
IG: A smart shower provides a personalised experience with safe and precise water control. Our smart and digital showers are in fact easier to use than most traditional showers. We have all used showers in the past where you need to stop and analyze the controls and work out what lever turns it on and what lever controls the temperature. Sometimes it’s the same lever and takes a bit of experimenting! In most instances, the user normally gets a cold wet arm whilst trying to get the water to the correct temperature for their liking. This is not the case with our product.
Our product is activated by a simple on/off button so there is no confusion. Furthermore, our showers can be activated remotely by remote control, through an app also by voice command (if you a have an Alexa or Google home device), so users can turn the shower on from outside the shower. All our showers will indicate when the desired temperature has been reached giving the user confidence the shower will be at the perfect temperature before entry.
As well as having user benefits, our smart showers are quick and simple to install. As the hot and cold water is mixed away from the showering area, there are no bulky valves to fit into the wall. Our valves can be fitted out of site in a convenient location i.e. in a cupboard, in the loft space or under the bath resulting in easy access if needed.
“Quartz Touch also allows users to store their preferred showering profile that can be active through the controller or via the app.” – Ian Gell, head of new product design, Aqualisa.
HD: How does the range of products enhance the bathroom experience?
IG: Smart showers are sleek and modern devices and will compliment any bathroom interior from the more classic approach to the most contemporary design. Quartz Touch is great for tech enthusiasts out there as an LCD display is present showing the user the exact temperature. The user can also access different menus allowing full control for flow. Quartz Touch also allows users to store their preferred showering profile that can be active through the controller or via the app. You can set your preferred flow, preferred outlet and temperature with a simple touch of a button.
Our showers are also compatible with Alexa and Google so once the Aqualisa skill has been downloaded, Aqualisa showers can be added to people’s smart routines. For example, “hey google, start my relaxing bath routine” could turn up the thermostat, dim the lights and start filling the bath from your Aqualisa controller, all via that one command. With the smart technology out there, the options are limitless.
HD: How have you designed these products so that they are eco-friendly?
IG: There is growing pressure to find ways to reduce water consumption per household and per person. We all understand the benefits of reducing water usage and how it effects the environment and household bills. As showers are one of the biggest contributors of wastewater, we wanted our customers to be aware of how much water they were consuming from their shower. As a result, we have incorporated a water usage dashboard into our app that shows how much water has been consumed for each user as well as the entire house over a specific period. This could be over the last week, month or six months. The app will clearly show who is using the most water and costs associated to them.
We also have a water saving mode on our handset that reduces flow by around 20 per cent. Our optimised spray pattern still provides an enhanced showering experience whilst using less water.
Our Quartz Classic and Unity controllers have a boost function. The boost option allows users to have added flow if required or users can choose to have it turned off to a lower flow rate and save water.
Our Touch and Optic controllers have three flow settings, Eco Medium and Max. Our Eco setting reduces flow by 40% compared to the Max flow setting.
All of our packaging used for our smart products is made from fully recyclable material. Around 70% of the packaging components we use is made from recycled material. 100% of the waste produced during the production of our packaging is collected and recycled back into paper.
HD: For hotels looking to renovate their properties in the wake of Covid-19, why is the Smart Quartz Collection a good option?
IG: We are continuously improving the installation features of all our products but there is a particularly good replacement and refurbishment story with smart showers around less pipework and push fit cable connection. For example, the major benefit of upgrading from a traditional shower is moving the SmartValve, the brains of the system, completely out of the showering area – and potentially away from the guest bathroom altogether which is so easy for any future adjustment and maintenance.
Also, freeing up more space in the showering area itself opens up much more design and décor flexibility. Perhaps even more compelling in the post-Covid economy is the ability of hotel management to monitor water usage and costs, if necessary, adjusting the water flow through hotel bathrooms. Assurances around hygiene and safety have surely never been a higher priority in terms of the hotel guest proposition and contactless smart shower technology clearly meets that brief.
Aqualisa is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.
Reasons why you might sleep better in a hotel room
With new research showing that 34 per cent of Britons admitted booking trips or holidays just to catch up on sleep, Silentnight Group’s sleep expert Dr Nerina explains why this might be…
When we’re checking out of a hotel, we often feel rested, refreshed and ready to return to our normal lifestyle.
This is usually down to the fact we’ve had better quality sleep than we would have had in our own beds at home. According to new research, 34 per cent of Britons admit booking trips or holidays just to catch up on sleep, so guaranteeing a great night’s sleep for guests is a top priority for the hotel industry. But what exactly is it about a hotel environment that leads guests to enjoy better sleep? As the UK most trusted bed brand, Silentnight know what matters when it comes to changing how people sleep for the better.
The perfect escape
As a hotel guest, you’d never walk into your room and find toys, dirty washing and a cold mug of tea on the side. Hotel rooms are clean, calming and clutter-free environments that are designed for relaxation and a great night’s sleep without the constant reminders of your busy life.
Silentnight’s Sleep Expert, Dr Nerina says “Bedrooms should equal rest and relaxation so it’s important to declutter and tidy up. When traces of work, the laundry basket or children’s toys are out of sight, you’re able to leave the day behind and enter into a deep sleep.”
During a hotel stay, guests can fall asleep and wake up without a to-do list on their minds, allowing them to truly rest, unwind and enjoy their stay.
Image credit: Silentnight Group
The perfect environment for sleep
Hotel rooms are well equipped for quality sleep. Many hotel rooms are fitted with air conditioning, and it’s been proven that rooms at a cooler temperature can help you fall asleep quicker and wake up feeling more refreshed. Lighting can also have a significant impact on sleep so many hotel rooms have black out curtains or blinds to help you drift off easily.
“There’s an optimum temperature for good sleep and it’s around 19°C. Remember; this is all about how you feel and what you need. The same can go for darkness in the room: it’s important to be able to create a level of darkness that feels right for you.” Dr Nerina says.
Providing these options for your guests is a great way to ensure the best possible night’s sleep away from their home environment.
Options to rest your head
Not only do hotels allow guests to personalise the temperature and lighting, they often provide many options for guests to rest their heads, too.
Most hotels provide guests with a variety of pillow firmness choices so they can find the perfect solution for their sleep. Having the correct firmness rating for a pillow can help ease any aches and pains and promotes healthy spinal alignment. Replacing pillows at home when they’ve become tired and flat is often overlooked, whereas in the hotel industry, pillows are upgraded regularly which can ensure guests always have the best quality slumber.
That fresh sheet feeling
Everyone knows how good it feels to sleep on fresh bedding. Hotels have stringent cleaning policies, which have become increasingly important in light of the recent pandemic which means bedding is washed very regularly. That means a hotel guest will probably experience fresh sheets much more in a hotel than they might do at home.
Replacing bedding is another task that can be easily neglected at home, and it can sometimes be the cause of a troublesome night’s sleep. Dr Nerina advises, “if you wake up feeling unrested and uncomfortable, it could be time for some new bedding. Bedding plays a massive role in the quality of sleep by providing all-important comfort.”
Hotels should replace and clean bedding including duvets and sheets often to keep them in the best condition for their guests.
Mattresses made for the best sleep
People and sleep come in many forms and too many people are compromising on their sleep. Inspired by a nation of unique sleepers, Silentnight make it their mission to change how you sleep for the better. A hotel’s priority is the comfort of their guests. The best hotels will invest in top quality mattresses to form the basis of a great night’s sleep.
Mattresses should provide both comfort and support, so guests can sink-in and drift off easily. With over 70 years of experience, Silentnight Group’s range of hospitality mattresses from the UK’s most trusted bed brands are the perfect solution for a great night’s sleep. They tick every box for quality and safety with all of our products are tested to the highest of UK standards, for complete peace of mind.
Wake up and smell the coffee
Surely the best part about a hotel stay is breakfast the next morning? Eating breakfast isn’t just important to stop you going hungry and giving you energy for the day ahead, it also improves the quality and quantity of your sleep.
“Breakfast is really important because eating breakfast activates your circadian clock and allows your body to produce the sleep hormone melatonin,” Dr Nerina says. “People who eat a proper breakfast find it less difficult to fall asleep and stay asleep, wake up with more energy and are less inclined to hit the snooze button.”
Whether it’s for a fleeting visit or a longer break, work trips or family fun, a hotel stay can be a haven in the midst of busy living for guests. A good night’s sleep is crucial so hospitality providers should pay extra attention to guaranteeing five-star sleep for their guests.
The Brit List Awards 2020: entries close this week
Designers, architects, hoteliers and suppliers have until August 27 (this Thursday) to submit your free entry for The Brit List Awards 2020…
The Brit List Awards 2020 is Hotel Designs annual nationwide search to find the top designers, architects, hoteliers and suppliers who are operating in Britain.
As well as selecting the the top 25 designers, architects and hoteliers who will be profiled in The Brit List 2020, the campaign also selects individual winners of the following categories:
Interior Designer of the Year
Architect of the Year
Hotelier of the Year
Best in Tech
The Eco Award
Best in British Product Design
Outstanding Contribution to the Hospitality Industry
What’s more, the application process to enter or nominate somebody deserving is completely free – simply click here to apply/nominate.
Unlike previous years, due to the outbreak of COVID-19, The Brit List Awards 2020 will take place as a virtual event on November 12, with a live winners party scheduled for January 28 2021 at Minotti London. Katy Phillips, publisher at Hotel Designs, explains: “While we would prefer to physically bridge the gap between all of our shortlisted finalists by hosting a live awards ceremony, we have made the sensible decision to carry out this year’s awards ceremony virtually,” she explains. “However, in order to ensure that we are offering the valuable networking element of our event, we look forward to welcoming the shortlisted finalists, the winners and key-industry suppliers to our live winners’ party celebration as part of MEET UP London in January 2021 at Minotti London.”
Over the last three years, The Brit List Awards has becoming a significant event in the design, architecture and hospitality calendar, as Hamish Kilburn, editor of Hotel Designs, explains: “The Brit List Awards was born out of the concept to celebrate Britain as a major design and hospitality hub,” he says. “Arguably, it is more important this year than any other year before to mark that success while celebrating the talented individuals who are continuing to design innovative spaces on the international design scene. It is therefore my pleasure to host this year’s event, albeit virtually, and I cannot wait to personally congratulate the winners when we all meet again in January 2021 for the winners’ party.”
If you would like to discuss various sponsorship packages available, please contact Katy Phillips via email, or call 01992 374050. Tickets to both the virtual event and the winners party will be available to secure soon.
Sponsors of The Brit List Awards 2020:
Exclusive Headline Partner: Crosswater
Event Partner: Hamilton Litestat
Award Partner: Aqualisa
Showcase Partner: Schlüter Systems
Event Partner: Duravit
Industry Partner: The British Institute of Interior Design
IN PICTURES: W Ibiza sheltering some serious summer vibes
New images have been released of the recently opened W Ibiza, which was designed by Tel Aviv design and architecture studio BARANOWITZ + KRONENBERG. The result: a very different approach to W on an island full of soul…
Previously a beach front Balearic structure from the 1980s, BARANOWITZ + KRONENBERG (B+K) has completely transformed the existing building into a social hub that connects with guests, sets an apt ‘W’ scene and sparks imagination, while incorporating the bold and playful theme characteristic of W Hotels. The practice has set out to design a hotel to match the relaxed pace and cosmopolitan attitude of Santa Eulalia; the result is an idyllically escape injected with the playful charm of Ibiza.
Image credit: Marriott International/W Ibiza
Image credit: Marriott International/W Ibiza
Alon Baranowitz and Irene Kronenberg, Co-Founders of Baranowitz + Kronenberg said: “We are delighted to have had the opportunity to work with W once again. It was important to us to capture the spirit of Ibiza within this project. ‘Flower Power’ lead our design strategy; laid back, colourful, simple, transparent, engaging and letting the sun shine in are notions which flow throughout the public and private spaces of the hotel.”
Setting foot at the W Ibiza esplanade, a field of masts welcomes the guests with a captivating sense of arrival. One cannot escape their magnetising energy, which pulls guests inside and towards the Azul water of the Mediterranean on the horizon.
Image caption: An original sketch of the hotel’s public area | Image credit: B+K
Inside, B+K has meticulously modified the existing structure to introduce a dramatic ascending section of the entire ground floor that follows from the main entrance esplanade to the outdoor pool and sea; a tour de force of ascending amphitheatre platforms that entice to connect and engage, celebrate life or just exist alone together. This spatial arrangement is set between a concrete floor and steel-wired hand-woven laced ceiling; two dominating features which define an inspiring stage for self-expression. Amongst these two dominating surfaces, colours and textures inspired by the Balearics and Ibiza’s culture appear and define the different platforms to connect, relax and play.
Image credit: Marriott International/W Ibiza
The bohemian theme which is synonymous with the island, is handled with a refined sophistication, amplified through the spatial arrangement and choice of materials and finishes. The overall impression is of a refreshing engaging simplicity expressed by a minimum of means: colour, sun and shade.
Consisting of 162 guestrooms and suites, the hotel boasts a jaw-dropping rooftop swimming pool and picturesque sunset bar boasting spectacular views of the Mediterranean Sea, as well as a 4,000 square foot spa and gym.
Image credit: Marriott International/W Ibiza
Image credit: Marriott International/W Ibiza
The food and beverage offerings are naturally infused as anchoring bays rather than destinations.
Image credit: Marriott International/W Ibiza
The pool and rooftop bars, La LLama restaurant, Ve Café and Chiringuito Blue set on the white sands of the beach, make for cutting-edge individual F&B concepts that spark hearts and minds and bring people together. Each with its own character and mind-set, the venues cater for any mood from sunrise to sunrise.
Image credit: Marriott International/W Ibiza
Through bold and innovative design, the practice has paid homage to the island’s heritage and captured the free spirit of Ibiza whilst elevating the five-star hotel experience to a new level. The state-of-the-art furnishings, expertly curated street art and spectacular lighting, combined with the subtle references to the past makes for a truly unique experience for the first International hotel brand in Ibiza.
While the pandemic continues to force travellers from certain regions to quarantine and while businesses are encouraged to adapt to new social distancing guidelines as measures to prevent Covid-19’s spread tighten once more, there is heavy sense of uncertainty in the air. HIX, an ever-changing design experience that was expected with high anticipation to launch this year, has released an official statement announcing that it will postpone the debut event until November 2021.
“We made this decision based on uncontrollable factors but just one question: ‘can we guarantee a brilliant HIX experience this year?’ – HIX.
“It hurts to write the above statement because we are still buzzing from our launch and [we] feel a huge sense of gratitude for your support in making HIX London’s only hotel design event… all in the space of six months,” the event organisers expressed in the statement. “We made this decision based on uncontrollable factors but just one question: ‘can we guarantee a brilliant HIX experience this year?’ The potential implications of the uncontrollables made it impossible to answer that question with a confident ‘yes we can!’
“So we made the call; despite our own sense of adventurous optimism, despite the Government announcement for events to go ahead from October and despite our exhibitor’s consensus view of ‘if you guys open this year then we’ll do it with you‘.
“And this brings us to the good news. The HIX 2020 exhibitors have pledged their support for 2021 and with 15 months before the event, we have already allocated most of the stand spaces. So we now have the time and clarity to reflect, discuss, sketch and then create the hotel design experience that the community deserves.
“At this point in the announcement we’re supposed to provide a polished and sensible quote from us, ‘the organiser’. But we reckon that Anand from Hansgrohe summed it up pretty well on a zoom call this week:‘It’s sad not do it this year, but we’ll all build HIX 2021 to be something credible, meaningful and something for the future’. That’s exactly what we would have tried to say. Thank you Anand.”
HIX, which is fully supported by Hotel Designs, is now scheduled to take place at the same venue, sheltered inside London’s Business Design Centre, on November 18 – 19, 2021. Watch this space, we’re with HIX.
Soaring above Tokyo with panoramic views of the Imperial Palace, Four Seasons Hotel Tokyo at Otemachi is poised to reach a new height of luxury in its design statement with Japanese traditions melded seamlessly with a modern European aesthetic.
The 193-key luxury hotel is the design brainchild of Jean-Michel Gathy, legendary principal designer at the award-winning hospitality and design consultancy firm Denniston.
On the top six floors of the new 39-storey tower plus two additional floors (Ground Floor and 3rd Floor)adjacent to the Imperial Palace–the capital’s literal and figurative heart, Four Seasons Hotel Tokyo at Otemachi will be a restful haven for travellers delivering a new level of luxury experiences at the city’s latest sky-high social scene. The hotel will feature 193 well-appointed guestrooms and suites, a prestigious spa sanctuary and a 20-metre pool on the highest floor as well as four distinct F&B concepts.
“The cultural diversity of the country has drawn me to create a contemporary expression of the traditional values for this project.” – Jean-Michel Gathy
Image credit: Four Seasons Tokyo at Otemachi
Gathy skillfully presents authentic Japanese elements throughout the design in respecting Japan’s culture, traditions and heritage, while incorporating the finest elements and absolute DNA of Four Seasons. “The cultural diversity of the country has drawn me to create a contemporary expression of the traditional values for this project without arrogance or a sense of overbearing,” the designer commented. We aim to ignite the feeling of a home away from home with an inviting, warm and welcoming atmosphere in the most dynamic city.”
Reflecting the vibrancy of Tokyo, a traditional Japanese red-orange lacquer box featuring solid timber panels acts as the frame to the hotel entrance at the busiest district of Tokyo. Gathy has created an experience of sensory excitement from which travellers will discover the city’s intriguing blend of ancient and hypermodern.
To replicate the Japanese aesthetic, Gathy has personally curated a defining art collection to celebrate the distinctive craftsmanship and artistry, which embodies the traditional foundations of the country. Distinct examples can be found in the combination of the Japanese floral art Ikebana, hanging natural fibre/fabric artwork and the timber panel featured at the entrance to awaken the overriding strength of connection between east and west.
Board the lift to the reception lobby on the 39th-floor where an extraordinary view is revealed through a glass curtain wall fronted by a rock installation on a shallow pond. “To truly respect the tradition and interpret the tranquility of Japan, the water feature serves as a buffer area to deflect guests’ eyeballs as it may be considered as discourteous to look straight down into the Imperial Palace.” shares Gathy who leads his team to plan scrupulously and strike a balance between the pursuit of aesthetics and the preservation of culture and respect for traditions. The six-metre high ceiling and cosy nooks and crannies provide capacious space for the reception, while the colour theme of gold and black delivers a subtle and warm welcoming atmosphere to Four Seasons Hotel Tokyo at Otemachi.
Image credit: Four Seasons Tokyo at Otemachi
The links between contemporary West and the traditions of Japan have contributed to the reception area where guests can discover the hidden details before experiencing the dynamism of Tokyo. In response to the Four Seasons’ core value of “East meets West”, the Japanese calligraphy with the meaning of “season” is harmoniously blended in a typical European pendant chandelier and ingeniously displayed on the bottom part of the dome. The Japanese Zen garden subtly sculpted and reflected on a 3-dimensional wall by the artist Pongsatat Uaiklan (Dong) sits behind an elegant Italian cat-leg cabinet decorated with Japanese blocks.
Distinct Japanese touches immerse guests in the local landscape, the flowing and multidimensional design can be found throughout the 193 guestrooms at Four Seasons Hotel Tokyo at Otemachi. Blending the art to the room flawlessly, Gathy appointed the Japanese award-winning photographer Namiko Kitaura to capture the bespoke fabric artwork displayed as the backdrop in each guestroom.
Image credit: Four Seasons Tokyo at Otemachi
All rooms and suites are tailored for intimacy with an innovative open-plan layout. The sophisticated Japanese aesthetic flows through the interiors which are illuminated by natural light during the day and with bespoke modern light fixtures to reflect the after-dark glamour of Tokyo.
Image credit: Four Seasons Tokyo at Otemachi
Celebrating an authentic wedding in the heart of Tokyo at Four Seasons Hotel Tokyo at Otemachi, the ballroom and the function rooms adjacent to the chapel promise magical settings for every moment of celebrations.
Natural light and elegant décor at the chapel invoke an ambience of romance and peace with distinctive European touches. Incorporating private rooms for the bride and officiant, and offering seamless connectivity to the Ballroom Foyer, Grand Ballroom and each of the smaller function rooms, the Chapel can host not only the ceremony but all other types of wedding events, from intimate family brunches to gala receptions.
Image credit: Four Seasons Tokyo at Otemachi
The Grand Ballroom’s windows draw natural light into the spacious interior. The chandeliers and cascading lights without concrete shapes echo the beauty of nature and evoke the contemporary transition of Japanese culture. Gathy shares his vision for the project: “Inspired by the hotel name, Four Seasons, we are trying to reflect the essence of traditional literature and poetry – flow of the Seasons.”
Gathy applies his deft touch to create a serene sanctuary for THE SPA at Four Seasons Hotel Tokyo at Otemachi with the selection of a gentle and relaxing colour tone. The massive 3D natural fibre or fabric art installations in the spa lobby and pool area billow and sweep outward as if caught in a gust of wind, which offer a sanctuary of tranquility amidst bustling Tokyo for a journey of rejuvenation, relaxation and the pursuit of wellbeing.
Image credit: Four Seasons Tokyo at Otemachi
Gathy proudly leads his team to interpret the luxury brand DNA of Four Seasons with great respect to the culture and tradition of the country while celebrating the cutting-edge creativity and contemporary design ethos of Tokyo as a dynamic city. Gathy continues his innovative design inspiration which draws upon aspects of the country’s rich culture to the brand and his previous completion – Four Seasons Hotel Bangkok at Chao Phraya River will also open on October 1 2020.
Dreamlike, flexible, durable, and tactile, Regolo by Casa Ceramica is an essential system characterised by different colour finishes and peculiar textures, that can be arranged and rearranged in an infinite array of compositions…
Regolo by Casa Ceramica takes a fresh clean look, creating a harmonious balance of shapes, functions and shades of colour.
With its clearly architectural vocation, Regolo, is made of glazed stoneware in white body porcelain. Making it ideal for residential, retail, and hospitality premises. In addition to the Flat versions, with their smooth and uniform or iridescent surfaces, Regolo is also available in the Textured Domino 50 and 100, Tatami and Bamboo versions with bas-relief motifs and structures. The new colour palette with its Panno, Lunaria, Ardesia, Ossido, Ceruleo, Cipria, Mattone, Tanè and Tabacco master shades, includes 3 neutral and 6 desaturated shades in both cold and warm tones.
Ultramatte
The Ultramatte opaque finish highlights the structure of the flat surfaces, emphasising the value of the essential elegance, as an invitation to meditation and creative freedom. The 9 colours – Panno, Lunaria, Ardesia, Ossido, Ceruleo, Cipria, Mattone, Tanè, Tabacco – and the Iridescent version, that adds a soft touch and delicate play of light. The Ultramatte finished can even be used on the floors too.
The Iridescent is very different from the essential opaqueness of the Ultramatte. It follows the most current trends, with the mimetic ability to fit into silent and minimal settings with a surprising shiver of colour. The light that illuminates the surface is reflected in different tones depending on the observer’s angle, creating special chromatic effects. Iridescent’s futuristic image is born from a highly refined and environmentally friendly production process.
Domino
Mathematical abstraction turns into beauty and timeless functionality. Domino 100’s covers the entire surface and adds movement by the bas-relief dots. Whereas Domino 50’s surfaces are only half decorated. The accurate spacing of the dots is created by perfect geometry. Domino is available in; neutral Panno, Ardesia, and Ossido shades.
Image credit: Casa Ceramica
Bamboo
A simple bas-relief line marks the opaque surface. A row that scans the surface of the ceramic, emphasising its structure and resistance, showing different compositional paths. The straight line of the tile offers maximum creative freedom when combined with other tiles. The rounded geometry in relief creates relaxing and harmonious play of shadows, in a fluid and coherent expression of elegance. Bamboo is available in the Panno, Ossido and Ceruleo shades.
Image credit: Casa Ceramica
Image credit: Casa Ceramica
Tatami
The tactile experience offered by Regolo meets with the sublime interwoven surface of Tatami. The recurring cross pattern is created using a module that is indirectly connected to the brand. Tatami is available in the Cipria, Mattone, Tanè, and Tabacco shades.
Casa Ceramica is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here.
Inside Selina Brighton, a new rough-edged boutique jewel
Selina Brighton is a 31-key boutique hotel that is about to open its doors to an experience-led hospitality adventure on the South Coast. Ahead of its opening, editor Hamish Kilburn takes a peek inside…
Selina, the experience-led hospitality group for the modern nomadic traveller, has opened its third property this summer with the launch of Selina Brighton in the heart of the vibrant, boho city centre.
The timely arrival of Selina Brighton offers what is describes as the ‘ultimate staycation in 2020 and beyond’, and boasts unparalleled sea views from each of its 31 uniquely designed private rooms, suites and shared rooms.
Playful, colourful and just a little bit cheeky is what we seem to be gathering from the hotel’s style – we’ve also been told to expect the unconventional.
Image credit: Selina
“We’re thrilled to bring our unique Selina concept to one of the most exciting cities in the UK, and in such a thriving and bohemian neighbourhood full of culture, individuality and a place to cultivate hedonism and escape social restrictions,” said General Manager, Hugo Carvalho. “We can’t wait to open our doors and provide a new hub for the Brighton community; a fairground for daring and unadulterated fun.”
Image credit: Selina
Designed to reflect Brighton’s ocean-front location and the city’s creative spirit, interior designer Tola Ojuolapecollaborated closely with Selina’s workshop team, using materials that represent and embrace the community. As a result, each of the rooms has been given a quirky and whimsical twist, offering something new and unique to the accommodation sector in the city.
Image credit: Selina
Image credit: Selina
31 rooms range of categories including lofts, suites, family rooms that accommodate up to four, standard and micro-sized double rooms, with a further 19 opening in 2021 including shared community rooms which fit up to six guests.
Social spaces are inherent in each of Seina’s properties, and the brand will be hosting specially curated programming, engaging workshops and unique pop-ups throughout the year in its Brighton property that are in-line with new social distancing guidelines.
The aptly named restaurant, The Old Pier, is set to become a Brighton favourite, serving a range of delicious dishes with a side of sea views, including sourdough focaccia with whipped burrata and fermented honey, Mexican style cactus salad and mac’n’cheese croquettes with truffle mayo.
The understated lobby area will also be utilised as a social space for guests and locals alike, offering a grab and go coffee shop for your morning pick-me-up, as well as a sizable retail space selling products from local brands.
In addition, and to answer modern demands, a co-working space will also be launching for locals to use as a community hub with artwork created and curated by local artist Amy Isles Freeman, whose work themes around female sexuality, freedom and joy.
Selina currently operates +70 urban, beach, jungle and mountain-side locations across 20 countries worldwide and is developing a global infrastructure for nomads and remote workers who want to make the world their classroom, office, and playground.
5 minutes with: the founders of Avenue Interior Design
Following the completion of a handful of luxury hospitality projects in the States, Avenue Interior Design has become known for its refusal to be defined by any one style, as editor Hamish Kilburn learns when he interviews the firm’s founders…
Avenue Interior Design, led by founders Andrea DeRosa and Ashley Manhan, has positioned itself as a small yet mighty powerhouse in an industry full of giants.
With the world of hospitality slowly re-opening, there remain concerns and hesitations among operators and travellers on what will become of the industry. I speak to DeRosa and Manhan, two level-headed designers who understand and respect how design evolves around cultural shifts, in order to explore how the pandemic has affected hotel design decisions.
Hamish Kilburn: Let’s dive straight in, how will public areas look in the post-pandemic world?
Ashley Manhan: Business and convention travel will likely lag compared to leisure travel as we see safer at home orders lift. Convention travel has been a critical component for many hotels as occupancy and F&B revenue are strongly tied to properties located near convention venues or for properties that have large meeting facilities.
Image credit: SLS Baha Mar
Andrea DeRosa: Accommodating large groups and conventions may require smaller breakout rooms with improved air circulation and potentially live streaming speakers to these smaller rooms. On the F&B front, buffets and family-style plating will likely be put aside for individual plates or packaged meals.
HK: What new/different materials might go into hotel builds now?
AD: Given that COVID-19 transmission has found to be primarily airborne, much consideration is going into upgraded air filtration systems. Increased ventilation and better filtration will be essential components of healthy building strategies. Additionally, we may see the use of mobile and handled UV disinfection systems for sterilisation and disinfecting of high use spaces. In terms of interior finishes and materials, and those selected for FF&E, designers will face the added challenge of selecting materials that can withstand more frequent cleaning and disinfecting.
AM: In terms of lobbies, our current clients are requesting short-term solutions for partitions and countertop shields at transaction points, check-ins, and other places social distancing may not be feasible.
Fitness spaces will likely decrease in size- a trend for some properties already in major urban areas with access to specialised gyms and studios. Look for more in-room fitness options and equipment like yoga mats and lightweight dumbbells.
Restaurants face some of the largest obstacles in terms of social distancing and the use of PPE by diners. Restaurants will surely seat fewer guests to accommodate for social distancing protocol. Menus may go digital or restaurants may offer apps to place orders from your own device. Larger service counters for pickups or extended “grab and go” options maybe also be more prevalent as people warm up to the idea of eating out again.
Image credit: SLS Baha Mar
AD: In the short term, we are seeing many hotel brands unrolling programs to build guest confidence and implementing quick, sometimes temporary solutions now while permanent solutions are analyzed and explored. Long term, we anticipate pandemic related measures to be modifiable to give operators the option of adjusting to meet current health risk levels. Such modifications may include digital occupancy signage, movable partitions, and digital projections indicating recommended social distances in queuing areas. A large part of the equation is understanding guests’ demands, expectations, and associations with these changes. There will certainly be varying levels of concern depending on where in the country/world the guest is traveling from. Those guests from the hardest-hit areas are likely to expect greater measures than those traveling from areas less affected. Ongoing observation of guest behavior will inform decisions owners and operators make for long term modifications to their properties.
HK: How can hotels shelter these new hygiene protocols without disrupting the design or the experience?
AM: Taking into consideration that guest safety and wellbeing is, and always has been, a top priority for any property, the next priority remains firmly rooted in good design. Ownership teams require that our commitment to creating a hospitality quality experience remains the top priority just as it was pre-pandemic. Modifications to properties should be subtle, flexible and well-intentioned. This includes careful consideration to the function of the space, the circulation of guests through the space as well as more obvious elements like materials, furnishings and even wayfinding. Creating more space for guests to comfortably, and naturally, socially distance may be as simple as removing a few clusters of lounge chairs in a lobby or replacing a communal table with a series of smaller, movable tables that can be situated individually or easily paired together.
AD: Incorporating decorative, movable screens or drapery also allows for social distancing flexibility while providing a thoughtful, well-designed element to the space. Graphics, signage, and font styles can be utilised in a way that provides informative guidance on precautions or protocol in a way that is consistent with the design language of the brand or property. For new build properties, especially food and beverage venues, you will likely see more fluid floor plans with fewer permanent features to allow for flexibility in furniture layouts and the function of a space.
Image credit: The Ramble Hotel
HK: Have you already begun incorporating any changes into the hospitality projects you’re working on?
AD: Many of the modifications we’ve made for our current projects have been temporary or short term solutions that will allow our clients to adhere to guidelines as outlined by local jurisdictions. Before making more costly or broad-sweeping modifications, our clients are waiting to gauge guests’ expectations and behaviours to ascertain what long term modifications should look like. For instance, the addition of automated faucets and hand soap dispensers seem like a logical move, however, for many properties that have been without revenue for the last few months, the expense of a modification requiring any construction or electrical work may be out of the budget. Scale is a monumental consideration as well. The cost of making such a change in a hotel with 50 keys is likely more feasible than making that change in a hotel with more than 1,000 keys.
HK: Have you made any changes to guestrooms in the projects you are working on?
AM: Guestroom size, function, and programming have also been a hot topic amongst designers and Ownership teams. In recent years the emphasis was on creating public spaces so dynamic and engaging it drew people out of their rooms and into the lobby, restaurant, bar, pool, etc. Guestroom sizes were generally shrinking and the furnishings were becoming paired down and multi-purpose in their design. It will be interesting to see if guestroom sizes increase to become more of a mini-sanctuaries that offer personalised guest experiences.
Hotel Designs will be discussing topics such as adding personality in public areas and reassuring the post-corona consumer at Hotel Designs LIVE on October 13. If you are a designer, architect or hotelier, click here to participate for free.
Case study: Bentley & Studio Waldemeyer’s fresh approach to lighting design
To celebrate its 100 year anniversary, Bentley Motors approached Studio Waldemeyer to help the brand create all aspects of illumination on the most sophisticated concept car in the company’s history…
The vehicle Bentley Motors showcased to mark its 100 anniversary displays the future of luxury craftsmanship with seamless fusion of materials and intelligent curation of technology, whilst introducing light as a new luxury material – all highly relevant when centering the focus back to lighting solutions for tomorrow’s hotels.
Bentley, which is a brand that has flirted with hotel design for many years with a handful of luxury hotel brands sheltering ‘Bentley Suites’, approached Studio Waldemeyer to join their design team and help design and engineer all aspects of illumination on the show car.
The car manufacturer’s challenging design brief required a completely new approach to light design and engineering. Studio Waldemeyer created an innovative tool chain, seamlessly merging the latest in parametric design tools from the world of computational architecture with electronic circuit design software. This approach not only allowed the perfect 3D integration of light in the complex surfaces of the car, but also the turnaround of the project in record time.
Image credit: Bentley Motors
The Bentley EXP 100 GT is by far the most complex and challenging project for Studio Waldemeyer up to date and represents the perfect combination of artistic expression and technical innovation the studio is know for. Entering a new creative discipline the studio has yet again helped to raise the bar of innovation, in this case producing the most sophisticated illumination in the history of vehicle design.
Starting at the very prominent front grill, the illumination continues along the central spine into the interior space and finishes off with the sophisticated treatment of the rear horseshoe panel and 3D rear light clusters. While the approach to the project was that of a holistic 3D body of light, each area had its own challenges – be it the exotic materials, complex curvatures and the interaction with specialist design teams and craftspeople.
Image credit: Bentley Motors
Image credit: Bentley Motors
Attention to detail was paramount – the flying B logo required a weeks worth of hand polishing before receiving the tiny bespoke LED component that illuminates its wings. Different approaches were taken for every material – be it the hand woven silk or the 5000 year old river wood. The interior contains two hand blown crystal pieces that visualise the inner workings of the car’s AI. Collaborating closely with Cumbria Crystal, Studio Waldemeyer worked on the 3D design, implementation and illumination of this central feature.
Image credit: Bentley Motors
The biggest research effort went into the external illumination. Starting from the sculpted surfaces of the car’s exterior, thousands of LEDs had to be placed at precise locations, requiring large numbers of different bespoke circuit board designs. This is a unique problem for an industry that is normally geared to make large numbers of a single design. Since no design tools existed for this task, the studio created their own: merging parametric 3D software with PCB design programmes. The manufacture of these unique pieces of electronics was done in Italy – a country famous for its long tradition in fine craftsmanship.
The concept car created a splash far beyond the automotive world and continues to receive praise in the press – garnering coverage in publications such as Wallpaper and Forbes – whilst collecting some of the most prestigious design awards in the process.
Studio Waldemeyer is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here.
Product watch: Mutina by Parkside – monochrome with meaning
Chymia, a collaboration between Mutina and Laboratorio Avallone is the latest monochrome porcelain tile collection available in full exclusively at Parkside. Hotel Designs explores…
Chymia fluctuates between the discipline of graphic design, expressive gestures of mark making and the two extremes of black and white, where symbols and textures are combined to create patterns of light and shadow on the surface.
Black forms the basis, in a distinctive tone created by designer Gennaro Avallone, with the patterns taking on various shades of black all the way through to white. Throughout the collection, black and white are never separate but co-exist, with each pattern also available in white, taking on various shades all the way through to black in a reversal of role.
Image credit: Parkside
Each of the 22 (11 black, 11 white) designs in Chymia is obtained by combining the principle black and white structures with 11 patterned textures, achieving a tile that can be used randomly in monochrome compositions. The collection involved research on glazes and raw materials, along with the combination of traditional applications and modern technology to achieve the absolute colours used.
Image credit: Parkside
Image credit: Parkside
Chymia came to life in a collaborative project between ceramics manufacturer Mutina and Laboratorio Avallone, a Milan-based studio whose research reaches in to painting and sculpture to create unique objects of contemporary furnishing. The collection was developed with the aim of making a break with traditional styles, restoring an original quality to ceramics with unexpected outcomes.
Image credit: Parkside
“Chymia is a collection that’s full of surprises,” said Sarah Holey, marketing manager, Parkside. “Taking the apparent simplicity of monochromatic pattern, it reveals that careful experimentation and attention to the creation of pure colours can bring depth and new-found results to a seemingly traditional black and white palette. Infusing new meaning into checkerboard or bringing more depth and nuance to all-over black or white, it offers some hugely exciting opportunities for designers and we’re delighted to welcome it to the Parkside portfolio.”
Chymia is available in 30 x 30cm porcelain tiles for wall or floor use, supplied in individual patterns in black or white.
Parkside Architectural Tiles is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.
To kickstart putting ‘beds’ under this month’s editorial spotlight, Rosie Littler from Design Equals takes her grandma’s advice when specifying the bed in hotel design…
My Grandma always me some wise words that resonate: “Spend your money on your bed or your boots,” she said, “because if you are not in one, you are in the other.”
But when it comes to hotels, how important is the bed you choose and how do you make such a subjective comfort item desirable to all?
For hotels the bed is often the showstopper of the room that attracts attention and boosts bookings. But so many components frame the perfect bedroom setting. Design Equals offer design services – both commercial and residential – with a specific focus on boutique hotels.
Here are our top tips to consider when planning your next ‘Pinterest perfect’ guestroom.
From the top:
Headboard
Image credit: hotel Panache
Image credit: No.38 The Park Hotel
Shape. Size. Texture. Fabric choice. It ALL matters. And it can really set the tone of your overall look. Make it a real feature to reflect the emotion you want to create within the room. It is a good opportunity to experiment with luxurious fabrics and compliment with cushions.
Bedding
Image credit: THE PIG in Brockenhurst
Now this is a personal passion project of ours. We love love love beautiful bedding. But it comes at a cost. And we believe you do get what you pay for. Contemporary cottons, laid back linens and sumptuous satins make your guests experience memorable. So many of our residential clients ask us to create that hotel bedroom feeling and so often it will be the linen subconsciously they are referring to. But it needs to be fit for purpose. Durable, easy to launder and look new time after time. Work with wonderful suppliers to ensure you are getting the best value for the products you need.
Bed base
Image credit: Nimb Hotel – Deluxe Balcony Room
This is where you can up-sell your rooms if you have the space. Kings, Queens and more allow you to put a premium on your room rate. But in a bed base there is also the opportunity for flexibility. There are hundreds of bed frames to choose from and we are always really thorough with our clients when selecting bases as there are a couple of key things to consider. Height, durability, functionality and sustainability all need to be thought through consciously.
Mattress
It does not matter what grade, star or rating your property has, every establishment that rents out a room for the night is fundamentally selling a good night’s sleep on a clean mattress. Quantifying the cost of your mattress to the price per night principle will help you realise why buying a quality mattress is best for your clients and your business. We have a range of quality suppliers with an extensive choice. By working with a quality manufacturer, you are also gaining invaluable insight into what your guests really want as these companies are champions at customer research. Take the time to try different mattresses and think about the best mattress in your budget that reflects the quality of your stay.
Side tables
This is the opportunity to introduce unique features and give your guests an opportunity to place a morning coffee, bedtime book or dare we say it mobile phone on. The functionality of these pieces of furniture is not to be overlooked and can irritate paying customers if they are not fit for purpose.
Lighting
Image credit: The Hoxton Hotel, Paris
Set the mood and the style with beautifully procured lighting and make sure the switches are in a convenient place. That feeling of having to get out of bed to turn the light off is annoying. Make your hotel an escape from the mundane. Whether you are refurbishing rooms or starting from scratch it’s always a good idea to bring in a quality electrician from the get-go.
Final touches
Cushions, throws, accessories, aroma. Small things, big impact. This is an opportunity to bring your brands personality through into your hotel rooms. And make it really special. Draw on the senses by using aromatherapy diffusers and carefully chosen bathroom products to elevate your offering. It is also an opportunity to up-sell products to your guests. The addition of beautiful throws and plumped feature cushions can add the finishing touches to your hotel room that makes your customers want to photograph, post on social media and recreate in their own home.
Design Equals is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here.
Al Wathba Desert Resort & Spa is located deep within the expansive landscape of Abu Dhabi. With a design reminiscent of a historic desert village, it is an intimate retreat suffused with natural beauty, unique tranquillity, and rare experiences.
Image credit: Marriott International
“We are delighted to welcome Al Wathba, Desert Resort & Spa to our ensemble of hotels that define the destination and offer our global explorers an authentic desert experience alongside warm Arabian hospitality,” said Guido De Wilde, Chief Operating Officer, Middle East, Marriott International. “Abu Dhabi’s legacy as an international cultural destination with a rich history and heritage, together with the diversity of its dramatic landscapes, offers a unique opportunity for us to guide our guests on transformative journeys that touch their spirits and enrich their lives.”
Inspired by native architecture and the destination’s rich history, the resort’s 103 guestrooms and villas feature traditional Arabesque flourishes, mashrabiya detailing, and Bedouin accessories. Understated interiors and neutral tones sit in harmony with the desert landscape that wraps around this extraordinary hideaway. The villas come with spacious indulgence, private plunge pools and a patio that boasts unlimited views of the surrounding Arabian Desert.
Image credit: Marriott International
Six dining venues and bars lend themselves to a range of unique epicurean experiences. Bait Al Hanine offers a generous menu, including a wide selection of Lebanese classics, for all-day dining. Al Mabeet features authentic Emirati cuisine in an understated desert setting. Hayaakom, a Bedouin inspired lounge serves afternoon tea and sandwiches. Terra Secca is a trattoria-style, classic Italian restaurant that offers guests a theatrical view of the kitchen and chefs. Al Mesayan, an intimate rooftop bar serves as an ideal spot for stargazing or dune watching, while Panache offers a relaxed pool respite.
Image credit: Marriott International
Nestled within a picturesque garden, the hotel’s spa is seen as the pinnacle of the entire hotel experience. Guests at Al Wathba can enjoy a range of health and wellness rituals in a contemporary setting, whilst harnessing age-old techniques. With 11 treatment rooms, the spa also boasts relaxation areas including a healing crystal salt sauna, traditional Turkish hammam, unique cryo experience, an open-air yoga pavilion, invigorating ice shower as well as steam rooms, plunge pools, and snow caves.
Image credit: Marriott International
Al Wathba Desert Resort & Spa joins The Luxury Collection brand’s rapidly growing portfolio in the UAE which includes iconic hotels such as Al Maha, a Luxury Collection Desert Resort & Spa, Dubai, Grosvenor House, a Luxury Collection Hotel, Dubai and Ajman Saray, a Luxury Collection Resort, Ajman.
Behind the scenes: designing the ‘hottest boutique hotel’ in Dublin
The Mayson is said to be Dublin’s ‘hottest new boutique hotel’ and one of the most modern and architecturally striking hotels added to the Dublin skyline. Editor Hamish Kilburn checks it out…
Located in the heart of Dublin Docklands, The Mayson is an exciting restoration project by ODOS of 45,000 square feet.
It now shelters a 94-key hotel, as well as destination bars, restaurants, a gym, ample event space and an outdoor courtyard.
Image credit: The Mayson Dublin
The Mayson is a redevelopment of two protected structures – one formerly a town house built in 1860 and the other an industrial warehouse dating back to 1870. Architects ODOS have kept the original features and fixtures such as the fireplaces and the restoration of the old Valence & McGrath pub including its shop front and worked in collaboration with ODON on interiors.
Image credit: The Mayson Dublin
“This exciting restoration project is a redevelopment of No.81 and No.82 North Wall Quay,” said David O’Shea, founder of ODOS. “ Both buildings were in a dilapidated condition and had not been used in over two decades. The concept was to redevelop these strikingly unique buildings by drawing on their existing, inherent characters. The ambition for No.81 was to retain a public house on the ground floor, resulting in intervention to the existing structure and restoring the original features. No.82 is one of the few remaining warehouse structures on the north quays and presented a rare to establish this forgotten building.”
Image credit: The Mayson Dublin
The hotel also features an unusual ‘living’ wall where plants grow up through an internal courtyard, adding to the unconventional off-beat ethos of The Mayson. Offering a rooftop restaurant with views of all over Dublin, Ryleigh’s restaurant which serves breakfast, lunch and dinner and The Mayson Bar, which serves food all day long, there is a wide variety of food available.
Designed by architecture and design firms concrete and Gensler, citizenM Seattle has opened its doors, marking the brand’s arrival on the west coast of the USA…
Inspired by the neighbourhood and the boundaries between analogue and digital blur, citizenM Seattle has opened its quirky doors.
The seven-storey building is positioned on the corner of John Street facing Denny park and Westlake avenue that runs all the way towards lake Union. The area is home to the headquarters of Microsoft and Amazon and characterised by the iconic Space needle.
Image credit: Richard Powers for concrete
The concept design of the architecture and interior was led by Rob Wagemans from concrete, the firm behind other citizenM properties in areas such as Amsterdam, Munich, Shanghai and Copenhagen. The project work was executed by the Seattle team of architecture and design firm Gensler.
Image credit: Richard Powers for concrete
Image credit: Richard Powers for concrete
All 264 rooms are prefabricated modular units stacked on top of each other, creating a building with a series of large bedroom windows which are typical for the architecture of citizenM.
The ground floor public areas are spacious with lots of daylight coming from the large store front windows facing the street.
Image credit: Richard Powers for concrete
The bar with a large bottle rack and skylight above it, together with the elevator core wrapped in a bespoke art piece by local artist Jeffrey Veregge make this a remarkable citizenM.
Inside the latest luxury lifestyle hotel in Mayfair, London
From the people who brought us the renowned Cliveden House and Chewton Glen comes The Mayfair Townhouse, which is slated to open this Autumn…
Curious, engaging and witty, The Mayfair Townhouse is said to deliver the unexpected and redefines what it means to be a London hotel – think Oscar Wilde meets Alice in Wonderland.
Part of Iconic Luxury Hotels, this will be the fifth property in the portfolio, but promises to offer a new unexpected personality from what the brand is traditionally known for. Bringing a new lifestyle product into one of London’s most distinguished neighbourhoods – The Mayfair Townhouse is the new charismatic ‘kid on the block’ – a product that has never been experienced in Mayfair.
“We’ve created a product – a personality – that’s exceptionally unique to our collection at Iconic Luxury Hotels.” – Andrew Stembridge, Executive Director of Iconic Luxury Hotels.
“There is nothing like The Mayfair Townhouse,” said Andrew Stembridge, Executive Director of Iconic Luxury Hotels, who has been instrumental in developing this outstanding lifestyle hotel for London’s Mayfair. “When the property debuts in Autumn 2020, you will see something that has not yet been done. We’ve created a product – a personality – that’s exceptionally unique to our collection at Iconic Luxury Hotels. We’re looking to give London and travellers from all over the world, something fresh, something totally different and something totally unexpected. This is a new and exciting chapter for Iconic Luxury Hotels, and as we welcome our second property in London, we look forward to creating remarkable memories in the heart of Mayfair.”
Image credit: Iconic Luxury Hotels
A carefully stylish, imaginative home for the modern traveller – the essence of the new Townhouse invites discerning travellers who appreciate an intuitive, perceptive level of service and a guest who above all, has a refined palette for curiosity. Without the traditions of a regular hotel, there is no room at the Townhouse that has not been thoughtfully curated. The hotel bridges the gap between ritzy high-end lavish hotels and the corporate enterprise properties that currently stand in Mayfair.
When guests walk through the doors of this new Townhouse, expect the unexpected. Moments of surprise await around every corner of the fifteen connected Georgian buildings that line Half Moon Street, which was once the setting for Oscar Wilde’s most famous play, The Importance of Being Earnest. Built from 1730, Half Moon Street was a colourful haunt for bachelors, bohemians and artistic types in Victorian London. During this time many of Half Moon Street’s townhouses were split into residential apartments for the elite to live before marriage. Iconic fictional characters, Oscar Wilde’s Algernon Moncreiff and Bertie Wooster in P. G. Wodehouse’s comedies resided here. Moments of this history and culture are immersed throughout The Mayfair Townhouse’s discreet address, and quickly become the central pillars of design and personality of the eclectic house.
Image credit: Iconic Luxury Hotels
Dandy is the cornerstone theme and design language of The Mayfair Townhouse – building on the historic connections with Oscar Wilde, Half Moon Street and the dandy lifestyle associated with Mayfair. Capturing this playful spirit to create a new era of the Dandy, Goddard Littlefair has helmed an authentic, quick-witted design of the Townhouse. Telling the tale of Oscar Wilde’s world through an imaginative design, Goddard Littlefair has revived the interiors of the townhouses of which seven are Grade-II listed, bringing to life the Georgian spirit and blending this with a contemporary rhythm. The fox, the hotel’s mischievous motif, is woven throughout the hotel, from the art collection showcasing a series of fox images, to intricate design elements throughout the property.
The design delves into the personalities of the original inhabitants of the area, taking inspiration from characters like Wilde and his contemporary aesthetes, and also the flamboyant aesthetic movement of that period. The result? A contemporary Georgian style interwoven with English eccentricities, capturing the adventurous mischief of the dandy. Twists of the unexpected, curiosities, and a humorous, playful design tone resonate throughout the hotel through various fabrics and colour palettes, to create a flamboyant dressing on the residential townhouse.
Image credit: Iconic Luxury Hotels
If the walls could talk. Art plays a pivotal part of the hotel, with Minda Dowling, a leading art specialist, curating unique and unusual pieces for The Mayfair Townhouse to further bring each space to life. The hand-picked collection includes both known names and emerging artists, to celebrate different creators of our time all with their own wow factor. Take Clarita Brinkerhoff’s peacock sculpture for instance – the piece sits at 67 inches high and is made out of 25,000 Swarovski crystals. Guests are invited to learn about the art through special QR codes that have been developed – so guests can scan and absorb details.
The aptly named Dandy Bar is the heart and soul of the Townhouse. This is where you’ll find refuge from the bustling streets of Mayfair. A theatrical, dimly lit atmosphere that creates a place to see and be seen. Dandy Bar epitomises bespoke cocktails. Take The Mayfair Dandy for example – an avant-garde take on the classic Dandy cocktail once enjoyed by hedonists of the area, or AR Lenoble Brut Champagne, Oscar Wilde’s favourite. Of course, the design evokes the dandy spirit. Lampshades have silk pleated shades, seating is covered in printed velvets and leathers with marble, brass and high gloss timbers adorn the room. The flamboyance of feathers in flapper outfits and the traditional gentleman’s pocket inspires the design of the Dandy Bar.
Image credit: Iconic Luxury Hotels
Flavours of whimsy yet practicality make its way through the Townhouse’s individually designed guest rooms and suites. From the functional Classic Rooms, to the indoor-outdoor living themed Garden Suites, to the Dandy muse ‘Penthouse Suites’ – every corner of each room is thoughtfully designed and appeals to what the discerning modern traveller is seeking today.
Image credit: Iconic Luxury Hotels
Expect to find the highest quality linens and robes, superb bathrooms, luxury mattresses, his-or-her toiletries, good lighting and intelligent use of space. Little touches reflecting the hotel’s quick-witted personality include minibar contents from local artisans, flamboyant spare socks, takeaway mints and in-room cocktail kits using the dandy’s ingredient of absinthe.
Image credit: Iconic Luxury Hotels
With no traditional restaurant at The Mayfair Townhouse, you’re invited to the Lower Ground floor – a vibrant space located downstairs off the entrance lobby. Appealing to the modern nomad traveller, this is a place to work, explore and connect with the personalities of the time, and enjoy breakfast. Take in the whimsical characters on the walls as you enjoy this convivial Library-esque space. Beyond the walls lies a further dining room, which instils a feeling that it belongs to the residence’s owner. Your own private versatile oasis which can be used for private dining, or a ‘meeting of the minds’ gathering place.
From Autumn onwards, The Mayfair Townhouse is where you’ll find both luxury and the joy of the unexpected. Guests come for the exceptional service and inspiring atmosphere and leave with a renewed confidence that choosing personality over conformity is always worth it.
Feature: continuing a bespoke tradition of excellence
Hotel Designs explores bespoke and antique billiards for the 21st Century…
The craftsmen at Sir William Bentley Billiards’ workshop, in Marten, England, have designed and made some of the world’s most beautiful bespoke billiard tables.
With nearly 40 years of experience in Antique Billiards restoration and reproduction, they have worked on countless exquisite pieces made by legendary furniture makers such as Gillow, William Morris, Burroughes & Watts and Thurstons, to become experts in their craft. Their aim has been to emulate these and to continue the Victorian tradition of Excellence in billiard table manufacture. They have done this by restoring and reproducing the designs of the past 200 years at the same time as applying the same attention to detail and focus on quality to the creation of stunning contemporary designs for Snooker tables, Pool tables and dual-purpose dining/boardroom tables.
Image credit: Billiards
The family-run business is committed to providing a truly bespoke, personalised service, producing unique furniture of the highest quality, from the finest materials. Each piece is handmade to order, with every detail subject to the to the client’s individual specifications – or that of their interior designer. As a result, their table designs have become increasingly diverse and contemporary, and the finishes, craftsmanship and attention to detail are subject to the scrutiny of this most discerning audience.
The appeal to these clients is clear – every table, as well as the matching accessories, such as scoreboards, cue-racks and specialist billiard lighting, is meticulously made to match the interior design of the property it’s being made for.
This truly bespoke approach, and the quality of its work, has led the company to be widely known within the Interior design industry, Internationally, as well as in the UK. Many of their tables have been uniquely specified by top Interior designers and are as likely to be found in a Luxury hotel in the far East, or boutique Bar in Dubai as they are in a private Alpine Chalet or a Mayfair basement. The dual-purpose tables in particular have allowed a number of hotels to combine the offering of a conference or function room with that of a billiard room or games room, whether as a public space or offered for private hire.
In recent years, working with commercial clients such as hotel owners especially, the company has been asked to provide their unique tables on a rental basis. These hoteliers have been able to furnish their property with a stunning piece of furniture, beautifully suited to their space, sometimes offering alternative use of this space, without significant capital outlay. In addition, Pool or Snooker table rental is often combined with a service option – so that any maintenance or repairs required can be quickly attended to by the company’s expert fitters and table makers.
Billiards is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here.
Pater Noster, described as a ‘home on the horizon’, is an unedited destination in Sweden where no hotel designer has dared to design – until now, that is. Editor Hamish Kilburn explores how a team of entrepreneurs, hoteliers, restaurateurs, designers and professional sailors have given this island a new purpose…
In the outpost of the archipelago that form the Pater Noster islands – one of Sweden’s most windblown, barren and exposed places – you will find an unlikely hotel experience that rises from the point where two straits (The Skagerack and Kattegatt) meet.
Image credit: Pater Noster
Image credit: Pater Noster
It is marked by a lighthouse; a masterpiece that gave hope and guided seafarers safely for more than a century. Adjacent to it, the keepers and their families built their home, a small-scale community on an island dictated by the elements that had always been perceived as uninhabitable. Until now, that is.
Image credit: Pater Noster
A team of Swedish entrepreneurs, hoteliers, restaurateurs, designers and professional sailors have breathed new life into the lighthouse master’s old home, creating nine design-led guestrooms, accommodating up to 18 guests.
Image credit: Pater Noster
Award-winning design agency Stylt, which has completed projects such as Stora Hotellet andHUUS Hotel, in Gstaad, was responsible for the concept and interior design. “During my 30 years within the hospitality business, I have rarely come across such a unique destination”, says Stylt’s founder and partner in the lighthouse project Erik Nissen Johansen. “It’s all there – the remote location, the fantastic nature, the extreme weather conditions, the thrilling history – and soon, great hospitality with a dash of roughness and low-key luxury.”
Image credit: Pater Noster
Image credit: Pater Noster
With the project being so isolated in the middle of the sea, logistics were perhaps the main challenge. “The extra layer of freight combined with heavy winds made things interesting,” Nissen explains. “We had an incident when our new DUX beds arrived at the dock. It was a rough sea and we lost a large box in the water. It quickly disappeared, and all the legs to 24 beds were drifting towardsDenmark. Luckily, we managed to catch all of them with our smaller boats, but they will probably rust faster than normal.”
The interior design has completely been inspired by the destination, even down to the fruit bowl that is a repurposed piece of driftwood that washed up on the shores as the work was being completed. “When we were completing building the large dining table, a piece of driftwood just floated ashore,” Nissen tells Hotel Designs. “It was as if the island wanted to help.” The washed-up item was upcycled into a fruit bowl that now rests on a large dining table that was so large it had to be manufactured inside the property.
Image credit: Pater Noster
The artwork in the dining hall, shot by underwater photographer Christy Lee Rogers, hangs in a respectful bow to the hundreds of shipwrecks that surround the island. The photographic works together push the possibilities of movement, colour and light.
“This is a home, not a hotel, filled with history.” – Mirja Lilja Hagsjö, Chief of Operations at Pater Noster.
Image credit: Pater Noster
The entire site, which is only about 250 metres long and 120 metres wide, includes a restaurant, a bar and outdoor café. “The spirit of the old lighthouse master is all over the place” explains chief of operations Mirja Lilja Hagsjö. “This is a home, not a hotel, filled with history.”
Pater Noster is an apt example how to meet the new demands within the world of hospitality, offering genuine guest experiences with a strong cultural heritage. Depending on the weather, the island is reached by boat or helicopter. It’s perfect for smaller groups looking for a one-off experience, hosting meetings and private parties as well as a range of activities such as deep-sea fishing, sailing, kayaking, scuba diving and visiting the legendary lighthouse itself.
Image credit: Pater Noster
Image credit: Pater Noster
The property is the result of like-minded people, all of whom have different crafts and skills, coming together with a common aim: to put the island on the travel bucket list of all modern travellers and explorers. These individuals behind the project are entrepreneur Olle Langenius, Mirja Lilja Hagsjö (Chief of Operations), Zana ”Sassa” Usorac – (F&B), Frida Langenius och Carl Sylvan – transportation and sea adventures and Erik and Elisabeth Nissen Johansen (design and concept).
Throughout August, Hotel Designs is exploring inspirational hotel concepts from around the world. If you would like to be included in this editorial series, please tweet @HotelDesigns.
RPW Design unveils next stage of Four Seasons Hotel Hampshire
As well as being responsible for designing the guestrooms inside Four Seasons Hotel Hampshire, which we are expecting to get a mock-up at the end of August, RPW Design has revealed the renovation of the hotel’s conference and banqueting space…
The refreshed interiors of the Four Seasons Hotel Hampshire’s meeting and event spaces seamlessly breathe fresh life into the historical Georgian property.
In order to appeal to both the social and business clientele at the Four Seasons Hotel Hampshire, RPW Design has artistically designed different identities for each of the conference and banqueting rooms. These offer guests a more varied collection of options to fulfil their individual requirements. To ensure the hotel remains quintessentially British, RPW Design chose to specifically work with British manufacturers and suppliers.
“We are delighted to unveil the results of the collaboration between The Four Seasons Hampshire team and RPW Design,” says Elizabeth Lane, Partner at RPW Design. True to our convictions as a firm, the results are testament to our ability delivering designs that will stand the test of time.”
Image credit: RPW Design/Four Seasons Hampshire
Four Seasons Ballroom
Intended to be both adaptable and flexible the Four Seasons Ballroom, the largest room in the renovation, focuses on neutral colours to complement the natural light that brightens the room. In order to create a stylish aesthetic and reconnect with the property’s magnificent architecture and picturesque countryside location, RPW Design has chosen sophisticated furnishings and light fittings to complement the soft tonal colour scheme of the overall refurbishment. By choosing neutral tones the design lends itself to personalisation of the space for a variety of clients’ needs.
Image credit: RPW Design/Four Seasons Hampshire
Circulation Area
The design of the circulation area showcases RPW Design’s distinctive flair with a marvellous ceiling installation by Haberdashery, composed of 1,100 floating bone china leaves in natural white with 14 carat gold finishes. This spectacular yet organic display emphasises the central visual axis and circulation, welcoming guests into the Mandeville Ballroom.
Image credit: RPW Design/Four Seasons Hampshire
Mandeville Ballroom, Beckington Room and Bathurst Room
In order to create a sense of intrigue whilst maintaining a very classic design throughout, RPW Design has carefully chosen contemporary crystal chandeliers for the Mandeville Ballroom, Beckington Room and Bathurst Room by Vaughan and Dernier & Hamlyn. Within these rooms, classic soft blues and greys complement the neutral shades, providing an elegant contrast and breathing fresh life into the space.
Shrewsbury Room
RPW Design has not only modernised the hotel’s spaces but reconnected it with the area’s rich history. Drawing inspiration from the surrounding Dogmersfield Park, RPW Designs has collaborated with Scottish fabric artisans Timorous Beasties to develop a beautiful bespoke chocolate-coloured velvet with gold printed bird motif upholstery for all four walls of the Shrewsbury room. This gives the room warmth and a luxurious feel, coupled with the unique carpet design which incorporates oak leaf canopies. Styled in this way, the Shrewsbury Room can now act as a multi-functional space lending itself to be a ‘mini cinema’, a meeting room or simply a lounge.
Main image credit: RPW Design/Four Seasons Hotels & Resorts
Inside Bermonds Locke – an alternative hotel experience
Ahead of speaking at Hotel Designs LIVE in October, Lifestyle hospitality brand Locke will open its third London property this September. Before then, Hotel Designs has managed to get a behind-the-scenes glance at the interiors inside Bermonds Locke…
Designed to be lived in, and offering an alternative to traditional hotels in the post-pandemic world, each individual studio apartment inside Bermonds Locke is equipped with fully fitted kitchens and modern living space.
Combined with activated public spaces and a locally-led cultural programme, Bermonds Locke will simultaneously allow guests to enjoy the benefits of a lifestyle hotel. The flexibility of the home-meets-hotel format appeals to a broad range of travellers across the leisure and business markets, for both extended and short stays. As the demands of contemporary travellers rapidly change, Locke’s burgeoning success and European expansion plans put it at the centre of the future of travel.
“We are delighted to open our third property in London with Bermonds Locke,” said Stephen McCall, CEO of edyn. “Locke aims to liberate guests from the confines of a typical hotel room by creating beautiful apartments that are designed to be lived in.The type of guest we’re accommodating wants to explore life as a local, and so the Bermondsey neighbourhood has played a significant role in defining the aesthetic, partners and programming.”
“Concrete testing cubes destined for landfill find new purpose serving as a plinth for a six-metre long terrazzo tables in the ground floor workspaces.”
Image credit: Locke
Bermonds Locke marks the first collaboration for the brand with London-based interior architecture studio Holloway Li. Paying homage to nature’s wonder in both aesthetic and eco-responsibility, Holloway Li have created a living experience out of re-purposed construction materials in both the public areas and private apartments. Concrete testing cubes destined for landfill find new purpose serving as a plinth for a six-metre long terrazzo tables in the ground floor workspaces; whilst in the rooms bespoke bed frames woven out of blackened rebar are accented with linen canopies to infuse old ideas of the concrete jungle with a new sense of sanctuary.
“We are really excited to be partnering with Locke to pave a new design direction for the brand’s home-meets-hotel concept,” explained Alex Holloway and Na Li, Co-Founders Holloway Li. “By challenging the purpose of materials, we hope to highlight how a circular material economy can generate an incredibly unique aesthetic and a new kind of living experience – doing more, with less.”
Image credit: Locke
Bringing the changing gradient of the desert sunset to south London, Locke’s signature studios on the upper floors will be dipped in blue, beige and grey hues and saturated vibrant pinks on the lower floors. Responding to a narrative and concept developed by Heather Tierney from Wanderlust (the visionary behind cult US restaurant The Butcher’s Daughter), Bermonds Locke evokes the Southern California cool of Joshua Tree, the Mojave Dessert and Abbott Kinney – a culture and food destination comparable to Bermondsey Street.
Image credit: Locke
Situated within walking distance of some of London’s favourite spots, guests can enjoy the energetic Bermondsey Street – home to some of the best bars, restaurants and art galleries in London. To the north of the property, guests can meander through the cobbled streets of Shad Thames and Maltby Street Market– the smaller, slightly more charming younger sister of Borough Market. As with all Locke properties, Bermonds Locke comes fully staffed by a team of House Hosts, offering excellent insight to ensure both long and short-term visitors have access to the best local knowledge and insider tips.
The opening of Bermonds Locke comes as the brand continues to expand both within the UK and internationally. With further openings planned in Dublin, Berlin, Lisbon, Munich and Copenhagen, Locke is also slated to open its fourth London outpost in Dalston in late 2020.
Whether you are designing for a small patio, a city-sized rooftop area or a large piece of land, each outdoor living trend can be adapted to suit any interior/exterior style, writes Paisley Hansen…
For years, the biophilic design ‘trend’ or ‘movement’ has been gaining in popularity. It began as a concept for commercial properties to bring nature indoors and has been expressed in the form of living walls and communal green spaces.
According to Stephen R. Kellert at Metropolis Magazine: “Biophilic design focuses on those aspects of the natural world that have contributed to human health and productivity in the age-old struggle to be fit and survive.” It is not enough to simply be outdoors; a purposeful design for an outdoor living space should complement and connect you to your outdoor space.
Hardscaping
The man-made features used in outdoor spaces are the basis for landscape design and generally are installed first. These include paths, walls, and patios. If you are not working with a professional landscape designer, it is wise to sketch your intended design and play with ideas on paper before you rent a bobcat.
Currently geometric designs for garden beds and patios are popular, however a curvilinear design is timeless. The style of your home will help you determine the design for your outdoor spaces.
Plant materials
It is wise to plan your garden on paper also, rather than plant, dig up and plant again. Make use of your public library, horticulture sites and the agriculture department of universities in your plant zone to compile lists of trees, shrubs and flowers that will grow in your area. Merely loving tulips will not make them grow well if you live in southern Texas. The biggest trend in plantings over the last decade is the installation of plants that are native to a climate instead of fighting to keep a plant alive in an inappropriate zone. Not only does this end up saving money it also discourages nuisance plants–especially those that become invasive.
More plant trends
Choosing a type of garden previously meant flowers or vegetables, but this has changed significantly in the last decade. Combination gardens are easy to grow and the variety of flowers, herbs and veggies that are available to home gardeners will help you create a beautiful garden for all your needs. Match plants according to the amount of sunlight and water for companion planting.
Furnishing outdoor space
The current trend in outdoor furniture is the use of natural materials like rattan, wood, or wood-like, along with wicker elements – just look at Minotti’s new 2020 collection.
Image credit: Minotti
Styles range from mid-century modern and classic coastal to contemporary. The perennial favourite in outdoor furniture is the porch swing. The nostalgia associated with a big porch, a wooden swing and a warm summer night is classically American. With fewer front porches these days many people are finding alternatives to the hanging porch swing.
Furniture designs
Adirondack chairs have been fashionable for centuries and the style is popular even today, though many current pieces are brightly painted for a fresh new look. Egg chairs and barrel chairs are trending right now as is flexible outdoor seating. Furniture that can be moved around the yard for various occasions allows you to invest in a few quality pieces rather than buying furniture for every spot in the garden. When creating a fashionable outdoor area, choose what appeals to you. If an all-white garden gives you a sense of peace and harmony that should be your goal to create. For others, a riotous mix of colours may be your happy place.
Additional trends
The trends in lighting are currently focused on overhead string lights hung in outdoor-café style. Lights can also be strung on the perimeter of your space to give more definition to the area. Up-lighting beneath a specimen tree or shrub will highlight the structure of the special plant or vignette of plants. Fire features run the gamut from huge stone fire pits to small, gas-fuelled tabletop models. Water features are also available in a multitude of sizes and shapes.s
Current trends in outdoor design can be specific to a style or be an eclectic mix of styles. The most important part of outdoor design is making it fit your lifestyle.
Using UVC technology to help hospitality reopen safely
The Safeology Tower leverages the science of UV light to inactivate a wide array of pathogens, including the coronavirus (SARS-CoV-2)…
As hotels and other businesses struggle to survive amid the Covid-19 pandemic, Safeology has released a video demonstrating new technology that will allow them to safely reopen, stay open and return to a time of normalcy
The UVC-disinfection product uses smart technology to eliminate up to 99.9 per cent of pathogens, which is the key to helping our economy thrive.
Image credit: Safeology
“We can safely, quickly and efficiently eliminate up to 99.9 per cent of surface and airborne pathogens, including the coronavirus, helping hotel operators create a clean, worry-free environment for guests,” says Safeology CEO Jim Mischel. “In fact, with this technology, hotels can actually be safer than guests’ homes.”
This video shows how the tower works in a hotel environment.
Designed, engineered and manufactured in Everett, Washington, the Safeology Tower uses UVC and loT technology to allow widescale disinfection of hotels, cruise ships, restaurants, commercial spaces, classrooms, healthcare facilities, and other spaces with ease and unmatched efficiency. Far more than just a UVC lamp, the Safeology Tower was specifically created with smart technology, complete with wireless touch pad, remote-control functions, safety features, and data collection software useful for a wide range of hospitality and commercial industry needs.
Safeology has also brought together a team of national experts to navigate the UVC technology and its use. The team includes George Diaz, M.D., who treated the first U.S. case of COVID-19; chemical engineer Joseph Anderson, Ph.D.; microbiologist David Rockabrand, Ph.D.; and electrical engineer Rolf Bergman, Ph.D.
The Safeology Tower™: smart reduction of pathogens
The Safeology Tower eliminates up to 99.9 per cent of surface pathogens through the effective use of UVC disinfection – a well-studied germicidal technique gaining prominence in the fight against COVID-19 and other coronaviruses. Designed for both function and safety, the sleek Safeology Tower offers a unique and complete total-disinfection solution loaded with literally dozens of features, including:
Laser mapping technology to determine required UVC dosage to deactivate the virus.
Multiple safety features including PIR (passive infrared) motion sensors and AI (artificial intelligence) movement detection to ensure safe operation in unoccupied spaces.
Interactive 6.3-inch tablet with integrated wireless charger; Wi-Fi Cloud-based control and monitoring; multiple languages, and cycle-completion notification.
74-inch height for floor to ceiling, 360o disinfection coverage; 6 high-output shatter resistant amalgam 253.7 nm UVC lamp emitters with 12,000-hour lamp life; handles and easy-roll wheels for fast deployment of unit, with self-locking casters for secure placement.
Full range of other supportive resources, including PPE equipment; complete marketing support; customer service for help with provisioning, set up, and questions; and a continuously updated online archive of related UVC information.
Review the complete list of features, and learn more about the advantages of the Safeology solution.
Calling all designers, architects, hoteliers and suppliers: the deadline to submit your free entry for The Brit List Awards 2020 closes on August 27 (two weeks from today)…
Free to enter, The Brit List Awards 2020 is Hotel Designs’ nationwide search to find the top designers, architects, hoteliers and suppliers who are operating in Britain.
As well as selecting the the top 25 designers, architects and hoteliers who will be profiled in The Brit List 2020, the campaign also selects individual winners of the following categories:
Interior Designer of the Year
Architect of the Year
Hotelier of the Year
Best in Tech
The Eco Award
Best in British Product Design
Outstanding Contribution to the Hospitality Industry
What’s more, the application process to enter or nominate somebody deserving is completely free – simply click here to apply/nominate.
Unlike previous years, due to the outbreak of COVID-19, The Brit List Awards 2020 will take place as a virtual event on November 12, with a live winners party scheduled for January 28 2021 at Minotti London. Katy Phillips, publisher at Hotel Designs, explains: “While we would prefer to physically bridge the gap between all of our shortlisted finalists by hosting a live awards ceremony, we have made the sensible decision to carry out this year’s awards ceremony virtually,” she explains. “However, in order to ensure that we are offering the valuable networking element of our event, we look forward to welcoming the shortlisted finalists, the winners and key-industry suppliers to our live winners’ party celebration as part of MEET UP London in January 2021 at Minotti London.”
Over the last three years, The Brit List Awards has becoming a significant event in the design, architecture and hospitality calendar, as Hamish Kilburn, editor of Hotel Designs, explains: “The Brit List Awards was born out of the concept to celebrate Britain as a major design and hospitality hub,” he says. “Arguably, it is more important this year than any other year before to mark that success while celebrating the talented individuals who are continuing to design innovative spaces on the international design scene. It is therefore my pleasure to host this year’s event, albeit virtually, and I cannot wait to personally congratulate the winners when we all meet again in January 2021 for the winners’ party.”
If you would like to discuss various sponsorship packages available, please contact Katy Phillips via email, or call 01992 374050. Tickets to both the virtual event and the winners party will be available to secure soon.
Sponsors of The Brit List Awards 2020:
Exclusive Headline Partner: Crosswater
Event Partner: Hamilton Litestat
Showcase Partner: Schüter Systems
Event Partner: Duravit
Award Partner: Aqualisa
Industry Partner: The British Institute of Interior Design
Quintex announces financing support for affordable energy solutions
Quintex is always looking for new ways to support its customers and to make it even easier to benefit from its range of quality solutions for commercial kitchens. The energy-saving experts explain…
Quintex has announced QFinance, the company’s own financing support options to assist our customers when choosing Quintex solutions.
Our aim for QFinance is to give everyone the opportunity to purchase our solutions through a more affordable process, not only making things simple, but ensuring our customers see the benefits and savings from day one. It provides very little risk and enables our clients to keep on track with their energy saving and long term sustainability goals.
How can QFinance help you?
We understand that controlling and monitoring cash flow is now more important than ever. Operators will be dissecting all areas of their business to find where improvements and savings can be made. However, with tighter budgets some of these businesses’ may not have the capital needed to invest in long term solutions. This is where Quintex’s QFinance comes in.
QFinance will give businesses the option to utilise any of Quintex solutions, eliminating the upfront costs and ensuring that businesses can save money from the moment after installation.
Spread the cost of our professional, quality solutions
With low fixed monthly payments, it’s now more affordable to opt for our solutions. This will enable you to get up and running with our products whilst keeping your finances in check.
Eliminate upfront costs
Investing in something right now is probably not at the forefront of every business’ mind. Our QFinance options eliminate the need for those larger upfront costs and ensures that you can plan ahead for the future.
Reach sustainability/Energy Goals
We understand companies may be putting sustainability and energy targets on the backburner due to budget restraints. With QFinance we can get you achieving your goals from the get go with no upfront costs.
Straightforward options
With easy monthly payments and agreement terms, to suit you and your financial needs, you can easily plan your spend each month without worrying about a large cost. We offer a range of straightforward options to suit your current situation, so there’s no reason why you can’t benefit from our solutions as soon as possible.
Find out more about QFinance and how we can help you
As the industry returns to normal, many projects will be pushed aside due to budget constraints, but with our new finance options, we give businesses’ the power to see positive results and savings from day one.
If you’d like to enquire about QFinance or want to know more, get in touch with the team. We’re back in the office and are dealing with enquiries as normal. Call us today on 0118 973 9310 or email us at sales@quintex.co.uk.
Quintex is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here.
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