Following a seven restoration of Book Tower, hospitality company Method Co. and real estate developer, Bedrock, have opened the doors to ROOST Detroit, a 117-key hospitality experience sheltered in the historic downtown landmark…
Blending the comfort and practicality of apartment living with the amenities of a boutique hotel, ROOST Detroit offers a temporary living environment ideally suited for a long-term stay. The property offers a combination of 117 beautifully furnished studio, one and two-bedroom apartment hotel accommodations in downtown Detroit. All the extended stay units feature full-sized kitchens and modern stainless steel appliances, hardwood herringbone oak flooring, quartz countertops, along with trademark curated furnishings from design houses such as GUBI and Carl Hansen.
Image credit: Matthew Williams
A leader in the extended-stay hotel segment, the new ROOST Detroit marks the brand’s debut in the state of Michigan. Developing the hybrid aparthotel concept, ROOST Detroit has a 24/7 concierge services and guests will also have access to a bike share program, a fitness centre and a 300 square metre co-working space.
“We are incredibly excited to be opening our sixth ROOST location in Detroit and to be part of the renaissance that has been ongoing here for some time now,” said Randall Cook, co-founder and CEO of Method Co. “Book Tower has been under restoration and renovation for seven years and we could not be more thrilled to welcome people from Detroit, the region and the world to see what we have all been up to. In addition to several incredible food & beverage concepts, Method Co. is also excited to unveil Anthology, which will offer the city of Detroit a variety of fully customisable events and gatherings within Book Tower’s beautiful event spaces.”
Image credit: Matthew Williams
Image credit: Matthew Williams
In addition to the hotel accommodation, Book Tower has 229 residential units and almost 5,000 square metres of retail and office space, along with three new dining concepts. These include a new-to-market French restaurant with a boulangerie, a bar in the Rotunda and a Japanese restaurant and sake pub. Another key part of the concept, Anthology will feature a seasoned event planning, culinary and beverage team by Method Co. with the ability to curate a wide variety of special events ranging from personal celebrations to one-of-a-kind weddings to impressive corporate affairs — all hosted within the numerous, stylish venues at Book Tower.
Image credit: Matthew Williams
Event spaces include the Conservatory Ballroom, a magnificent space capped by a glass skylight and appointed with a state-of-the-art lighting and sound system, parquet wood floors and lush greenery. The ballroom accommodates 300 strolling and 225 seated. The Linden Room, with a capacity of 150 strolling which can be utilised as a pre-function space, for cocktail hours or other private events and a Green Room. In addition, Graystone Lane, a forthcoming activated alleyway, and other highly anticipated food and beverage spaces on the main level and rooftop of Book Tower, each customisable to accommodate any kind of event.
With the introduction of Anthology by Method Co, Book Tower becomes a destination for unique, one-of-a-kind events and functions within Book Tower’s dining venues and overnight or extended stay accommodations at ROOST Detroit.
Edmund Bell, a leading provider of high-quality textiles, has announced the launch of its groundbreaking new product, RESET. Representing a significant step forward in sustainability, it is the very first blackout fabric made from recycled yarns, reflecting the brands commitment to environmental responsibility and innovation…
RESET by Edmund Bell showcases an exciting blend of new materials, seamlessly combining texture and structure to create a soft, tactile wool look. Its aesthetic character is confident and refined, offering a timeless appeal that effortlessly complements any contract environment. The remarkable feature of the fabric lies in its composition, as the face fabric is crafted entirely from 100 per cent recycled polyester, with an impressive overall recycled content of 57 per cent.
Image credit: Edmund Bell
Image credit: Edmund Bell
One of the standout aspects of the range is its versatile colour palette. Featuring a range of warm and cool neutrals, including ash, mist, pumice, storm, chalk, natural linen, and clay, the collection provides an abundance of options to suit any design scheme. In addition, the palette includes stylish flat greens such as tarragon, thyme, forest and caper, as well as popular choices like denim, indigo and mineral.
“We are thrilled to introduce RESET, our first blackout fabric made from recycled yarns,” said Fiona Napier, Sales Director, Edmund Bell. “This revolutionary product represents a significant milestone in our ongoing sustainability efforts and showcases our commitment to providing eco-friendly solutions without compromising on quality or style. RESET offers not only a soft and luxurious feel but also a compelling story of environmental stewardship.”
Image credit: Edmund Bell
RESET is more than just a blackout fabric, it’s a symbol of Edmund Bell’s dedication to sustainable innovation. By incorporating recycled yarns into its production, the environmental impact of the textile industry is reduced and a circular economy is encouraged. The fabric’s super soft handle and timeless aesthetic make it a perfect choice for various contract applications, including hospitality, healthcare and commercial spaces.
Image credit: Edmund Bell
Edmund Bell is also soon launching DUO, a double-sided dimout fabric, again constructed from recycled yarns. Duo is perfect for the contract sector and being double-sided, means it can be used as a room divider or give a different feel to the external architecture when used for window coverings. Edmund Bell continues to prioritise sustainability and push the boundaries of eco-friendly textile solutions. RESET and DUO are a testament to the company’s ongoing commitment to creating innovative products that address the needs of both customers and the planet.
Edmund Bell is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
Registration opens for Independent Hotel Show 2023
The Independent Hotel Show (IHS), the UK’s only trade event dedicated to the boutique and independent hotel sector, is preparing to return to Olympia London on October 16-17 2023 and visitor registration is now open…
The Independent Hotel Show will be welcoming a diverse range of hoteliers for two days of networking, learning and product sourcing. A carefully curated selection of over 200 innovative businesses – including transformational hospitality tech, high-end design & décor suppliers and unique in-room F&B solutions – will be on hand to discuss their latest products and services.
“This year’s show is packed with fascinating discussions, quality suppliers and countless opportunities to celebrate what makes this community unique,” commented Glenn Wallace, Event Manager for the Independent Hotel Show.
Image credit: Independent Hotel Show
On the programme this year, IHS will be hosting a range of insightful presentations, discussions and debates across the Innovation Stage, in partnership with eviivo and designed by New Heritage and the Hotel Business Stage, in partnership with HotelPartner and designed by Design Command.
From marketing your hotel and working effectively with influencers to the psychology of design and putting the ‘S’ back into ESG, each stage will platform leading hoteliers and hospitality experts from across the UK. An exciting addition to this year’s event is a partnership with LEVEN Hotels for an interactive showcase of the LEVENverse, a fun virtual immersive hotel environment built in the Metaverse.
“We’re delighted to be partnering with the Independent Hotel Show this year and showcasing the possibilities of the metaverse for the hotel sector,” said Timothy Griffin, Co-Founder of LEVEN Hotels.
Image credit: Independent Hotel Show
Guests at the show will once again have the opportunity to meet with peers and discuss industry trends and best practice in the Social Business Space, designed by New Heritage, with hosted roundtables covering the latest opportunities and challenges in the hotel sector.
The event has also partnered with sustainability consultant Sarah Duncan to provide real value for hoteliers looking to learn more about how to improve their sustainability initiatives. ““The ESG Hub at this year’s Independent Hotel Show is designed to educate and engage – not to preach or intimidate,” discussed Duncan. “We hope that everyone visiting the hub will walk away with a nugget or two of knowledge or inspiration to help on their ESG journey, plus find some helpful solutions to common challenges.”
Also present will be leading hotel cosmetics supplier ADA Cosmetics. “Dispenser innovation and hygiene is at the forefront of trends in the hotel sector this year,” commented Delaine Walker, Vice President of Sales – UK & Ireland, ADA Cosmetics. “We will be showcasing an interactive wall of dispenser options for hotels to test and try out at this year’s show.”
Visitors can expect to meet with carefully curated, quality suppliers including fresh quality flower supplier Fredericks of London, digital marketing agency Umi Digital and sustainability focussed bed brand Hypnos.
Hotel Designs is a proud media partner of Independent Hotel Show, which takes place on October 16-17 at Olympia London.
Hotel art used to suffer from the unflattering stereotype of being both inoffensive and unmemorable, but with interventions from art agencies like Artiq, it has undergone a seismic shift, with curated art becoming synonymous with hotel design…
The concept of art in hotels has seen a 180 degree shift, giving us many instances where the art installations have become the primary reason guests check in to a particular hotel. Anthony Gormley’s ROOM at London’s Beaumont Hotel is a classic example.
The same could be said for office art. Although the phrase still doesn’t necessarily spark joy, there’s no denying the rise of considered art collections and innovative collaborations between corporate businesses and creatives. A collaboration worth noting is the Anton Alvarez installation ‘The Remnants’ with Brookfield Properties last year.
Image credit: The Beaumont
Whether luxury hotels, or businesses in the heart of the city, art is increasingly being seen as an investment in well-being, rather than simply something nice to look at. Businesses in both sectors want art collections that tell stories with local relevance, while supporting local creative communities. In addition, there is starting to be a clear understanding of the positive impact engaging with art and creativity can have on the people who occupy these spaces, whether temporary travellers, or permanent members of a team.
Image credit: Artiq
Exploring the positive impact engaging with art can have on us, is nothing new. Since the 1950s, it has been written and understood that creativity is a powerful factor in the human psyche. Throughout the 21st century, numerous studies have honed these explorations producing tangible results. Then came the pandemic, propelling the conversation around mental health and well-being and unsurprisingly, creativity plays a significant role in this.
According to a new report by UCL based on cohort studies, engaging in cultural activities can significantly reduce the risk of depression and anxiety while providing a greater sense of purpose and fulfilment. Similarly, a 2022 study by Brookfield Properties and The School of Life revealed that 75 per cent of those with enriched offices preferred working in the office to their home, compared to just 53 per cent in ‘lean office’ environments, highlighting the importance of art in the workplace as a tool for connection and community.
Image credit: Locke
As businesses try their best to attract and retain staff and as hotels compete to stand out to travellers in a competitive market, providing opportunities to engage in activities that make us feel good is key. There’s a growing demand amongst the Artiq corporate client base for creative workshops hosted by the artists whose work they have on their walls. As part of Artiq Experience, clients are given the opportunity to learn new skills such as etching or printmaking and switch off and channel their creativity, while spending time with peers in a way that forges a strong feeling of community.
Image credit: Artiq
Artiq is seeing the same increasing emphasis on creativity, community and connectivity across clients in the hospitality sector. One example of a brand that truly understands the connection between creativity and well-being is edyn. While staying in one of its Locke aparthotels, guests can access life drawing classes and terrazzo workshops or temporarily join the weekly running club.
The key takeaway from this conversation, is that engaging in creative and cultural activities as part of our routines can significantly impact both mental and physical health. Whether at work or in a hotel you’re visiting, or an interior you are designing – if there’s an opportunity to spark your creativity, take it!
Artiq is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
The new Mineral Form Ax Tile Collection from Modieus is the perfect fit for high traffic spaces that demand great design, but need the flexibility that broadloom Axminster carpet can’t deliver…
The design inspiration behind the new Mineral Form collection is nature and the beautiful structures and colours we find in naturally occurring minerals. We caught up with Leah Manwaring and Debra Ryan, the brilliant design duo at Modieus to understand more.
“Minerals are naturally occurring, inorganic solids that have a crystalline structure,” explained Manwaring, Designer, Modieus. “This means that their atoms are arranged in a regular, repeating pattern. When a mineral is fractured, the broken surfaces often exhibit characteristic patterns. This can be likened to the way that pieces of a grid can fracture. If you take a sheet of paper with a grid drawn on it and tear it in half, the two pieces will still have the same grid pattern. However, if you tear the paper into smaller pieces, the grid pattern will become more irregular. This is similar to how the crystal structure of a mineral can be disrupted when it is fractured.”
Image caption: Diamond | Image credit: Modieus
The non-critical tile designs start its life as a woven broadloom Axminster carpet. A cushion backing is applied for comfort and cut into one metre x one metre tiles. The designs have been inspired by mineral forms, which means that there is no need for an exact pattern match. This approach means that individual tiles can be moved to even out wear, damaged and soiled tiles can be easily replaced and for ultimate flexibility the project installation can be phased to minimise disruption. Tiles also allow for easy access to under floor cabling, which is more common in commercial interiors as they are no longer limited to office spaces.
Image caption: Sapphire | Image credit: Modieus
“Our business is built on the firm belief that our customers should never have to compromise,” said Xander Okhuizen, Founder, Modieus. “Modieus is the flooring specialist that says ‘yes’, whatever the design, whatever the style, whatever the floor, Modieus will make it happen. There are no limitations, only possibilities. The Mineral Form Ax Tile Collection is a fantastic addition to our portfolio, as it delivers excellence in design, installation and performance.”
“The ability of minerals to fracture and rearrange their appearance can be used to identify them,” added Ryan, Designer, Modieus. “For example, a mineral that fractures in smooth, flat planes is likely to be a sheet silicate, such as mica. A mineral that fractures in irregular, jagged lines is likely to be a brittle mineral, such as quartz. We’ve used this research to inspire four distinct design and colour stories in our Mineral Form collection: Topaz, Quartz, Sapphire and Diamond.”
Image caption: Topaz | Image credit: Modieus
Topaz can be found in a variety of colours, with teal and apricot being two of the more unusual colours. Teal topaz is a deep blue-green colour that is often described as being reminiscent of the feathers of a mandarin duck. Apricot topaz is a warm, peachy orange colour that is said to resemble the flesh of an apricot. Manwaring explains, “Both teal and apricot topaz are relatively rare and highly prized by collectors, so we had to include this colour combination. The end result is striking and simply beautiful.”
Image caption: Quartz | Image credit: Modieus
Quartz is the second most abundant mineral in the Earth’s crust. It is typically clear or white in colour. Teal quartz is formed when traces of iron and titanium are present in the quartz crystal, whilst deep terracotta quartz is formed when traces of iron and manganese are present in the crystal. This gives the mineral its deep, rich terracotta colour. “Both teal quartz and deep terracotta quartz are treasured by collectors for their unique and beautiful hue,” continued Ryan. “Teal quartz is often used in jewellery and other decorative items and deep terracotta quartz is often used in carvings and sculptures. This colour combinations also works really well in flooring design.”
Image caption: Sapphire | Image credit: Modieus
Sapphires are known for their vibrant blue colour. The dark navy colour of sapphires is often described as being like the night sky, with a deep, rich hue that is both mysterious and alluring. ” We’ve added highlights of gold and light beige to add touch of warmth and elegance to the sapphire blue,” described Manwaring. “This is true to nature, as highlights of gold and light beige are often found in sapphires from certain regions, such as Sri Lanka and Madagascar.”
Image caption: Diamond | Image credit: Modieus
“No matter what colour they are, diamonds are all incredibly beautiful, they have been valued for centuries for their rarity, beauty, and durability,” said Ryan, explaining the process of inspiration. “Our structured designs and monochromatic palette is ideal for architectural interiors that need high performance flooring.”
The Modieus Mineral Form Collection would be incomplete without the Diamond design chapter. Diamonds are a mineral of extraordinary elegance, they epitomize enduring beauty, symbolising love and resilience. Diamonds are typically colourless, but do bring blues and smoky grey hues into the palette.
Modieus is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
The judges for The Brit List Awards 2023 have been announced weeks before the application / nomination process closes for the 12 individual award categories, which remain free to enter…
For six years, The Brit List Awards, powered by Hotel Designs, has celebrated the leading interiors designers, architects, hoteliers and suppliers operating in Britain. In 2023, the campaign is back to find this year’s key influencers of the hotel design scene.
> ENTER FOR FREE (application / nomination process is quick and easy, and closes on August 11).
Previous winners of The Brit List Awards include, among others, Jo Littlefair, Co-Founder of Goddard Littlefair (Interior Designer of the Year 2019), Christos Passas, Director, Zaha Hadid Architects (Architect of the Year 2020), Franklite (Best in Tech 2021), Tina Norden, Partner, Conran & Partners (Interior Designer of Year 2021), Jacu Strauss (Interior Designer of the Year 2022), Kerry Acheson (Architect of the Year 2022) and Conor O’Leary, Managing Director, Gleneagles (Hotelier of the Year 2018).
The 2023 application and nomination process, which has always been and remains free-of-charge for all interior designers, architects, hoteliers and suppliers, has opened and closes on August 11.
The categories for The Brit List Awards 2022 are:
Interior Designer of the Year
Architect of the Year
Hotelier of the Year
Best in Tech
The Eco Award
Best in British Product Design
Public area of the Year – NEW FOR 2023
Lighting scheme of the Year – NEW FOR 2023
Hotel Concept of the Year – NEW FOR 2023
International Award
Rising Star
Outstanding Contribution to the Hospitality Industry
Just weeks after this year’s campaign launched, Hotel Designs has announced this year’s judging panel that consists of legendary interior designers, respected developers and design journalists alike. Let’s meet them.
Brian Messana, Co-Founder, Messana O’Rorke
Image credit: Messana O’Rorke
Brian Messana, who recently featured on the DESIGN POD podcast, established his New York-based architecture firm with Toby O’Rorke, Messana O’Rorke, in 1996. Before that, he was a project designer with Peter Marino and worked with Richard Meier & Partners and Asymptote in New York. Born and raised in Los Angeles, Messana is on the board of the Society of American Registered Architects and is a committee member of the American Institute of Architects (AIA) Customer Residential Architects Network. The architect is a member of the AIA, Architectural League of New York and International Interior Design Association, among others.
Tatiana Sheveleva, Co-Founder and Partner, Chapi Chapo Design
Image credit: Chapi Chapo Design
Born and raised in Kazakhstan, Tatiana Sheveleva is Co-Founder and Partner of Chapi Chapo Design, one of the world’s leading hospitality interior design firms.
After leaving her homeland to pursue education in the United States, Sheveleva followed her ambitions to Canada where she immigrated in 2003. Throughout her distinguished career as an international designer she has lead large-scale projects with the world’s most renowned five-star luxury hotel companies including Four Seasons, St. Regis, Ritz-Carlton, Aman, Park Hyatt, Mandarin Oriental, Baccarat and more.
A creator of experiences, Sheveleva believes that every new project is an invitation to embark on an immersive journey through storytelling. Her work tells evocative stories honouring the culture of each location and the people who call it home. Crediting inspiration from her heritage, Tatiana invokes a uniquely luxurious, crafty, and sharp approach.
Neil Andrew, Vice President, Design (EMEA), SH Hotels & Resorts
Image credit: Neil Andrew
Neil Andrew, who has worked in the past for the likes of Woods Bagot, Studio Moren and Perkins&Will, has more than 20 years’ experience in interior design. Recently appointed as the role of Vice President, Design (EMEA) at SH Hotels & Resorts, Neil, who recently joined as a guest on the DESIGN POD podcast, joins this year’s panel, bringing with him a wealth of multi-disciplinary knowledge, seeing this year’s entries through the lens of an in-house design expert.
Nicholas Oakwell, Founder, NO Uniform
Image credit: Nicholas Oakwell / NO Uniform
Founded in 2002 by designer Nicholas Oakwell, NO Uniform has built an unparalleled reputation in designing and delivering a directional fashion-conscious approach to customised uniforms whilst maintaining the client’s identity.
Fuelled by a passion for designing modern and innovative uniforms, NO Uniform has created unique and individual collections for some of the world’s leading luxury hotels, restaurants, bars, clubs, finance, and corporate industries with an eclectic client portfolio. With the blurring of boundaries between fashion and design, Oakwell joins the panel as this year’s wildcard judge.
Caroline Lewis, Freelance Travel Journalist
Image credit: Anna Windett’
Caroline Lewis is a renowned travel journalist specialising in luxury hotels, with an eye for what makes somewhere a stand-out and a deep aversion to the generic, bland and soulless. She is a long-time contributor to publications such as luxury hotel booking platform Mr & Mrs Smith and also writes for the digital editions of magazine brands including Harper’s Bazaar and ELLE.
Moritz Waldemeyer, Founder, Studio Waldemeyer
Image credit: Studio Waldemeyer
Studio Waldemeyer is an international creative studio run by Moritz Waldemeyer and Nazanin Farahbod. Their work occupies a diverse range of creative spaces, from art, lighting and product design through to fashion and entertainment.
Following our early collaborative work for the likes of Hussein Chalayan and Zaha Hadid, the studio soon established itself as a creative force in 2004. After its first two exhibitions in 2006 and 2007, Waldemeyer and Farahbod participated in MoMA’s Design & the Elastic Mind exhibition in 2008. In 2013, the studio’s lighting product ‘My New Flame’, developed for Ingo Maurer, was unveiled as part of MoMA’s permanent collection.
Studio Waldemeyer was built on a philosophy of playful experimentation by forging links between technology, art, fashion and design. This approach has resulted in a number of bespoke installations for clients such as Audi, Rinascente and Bicester Village, as well as light-studded costumes for the likes of U2, Rihanna, Jamiroquai and the London Olympics Handover Ceremony. In 2019 the studio joined the Bentley design team to illuminate the EXP100GT in celebration of the brand’s 100 years anniversary. Moritz and Nazanin act as head creatives in the studio’s projects, crafting their signature aesthetic into each piece.
Hamish Kilburn, Editor, Hotel Designs
Hamish Kilburn, Editor, Hotel Designs
Overseeing this year’s judging process for a sixth year, Hamish Kilburn is the Editor of Hotel Designs, and the host of two podcasts; Travel By Design, brought to you by Marriott Bonvoy Traveller and DESIGN POD.
In his role, Kilburn has developed a unique narrative for Hotel Designs by reviewing design-led hotels around the globe, interviewing designers, architects and hoteliers who are disrupting the international hotel design scene and writing engaging features from all corners of the arena.
He has also been instrumental in identifying – and shining the spotlight on – fresh talent, ideas and innovations that are together changing the general landscape of hotel design and hospitality. As part of his role, he is an experienced judge and speaker on the international hotel design scene, regularly discussing key topics at leading design exhibitions and fairs around the world.
Now that the judges have been announced, The Brit List Awards 2023, Hotel Designs’ annual search to find the leading interior designers, architects, hoteliers and suppliers in Britain and beyond, is well and truly on.
This year’s campaign will conclude with a spectacular performance/awards ceremony. Following last year’s antics, The Brit List Awards 2022 will debut at Circa Embankment, London’s famous LGBTQ+ nightclub, to celebrate the winners in (apt camp) style.
On the night, in addition to the individual winners being announced,The Brit List 2023 will also be officially unveiled, which is the annual publication that prestigiously profiles the top 25 interior designers, the top 25 architects and top 25 hoteliers who are operating in Britain.
A breathtaking mountain backdrop, lush green meadows, a small lake and plenty of fresh air, all makes the Puradies nature resort a haven of vitality, which NOA has expanded with the new spa themed around the elements of fire, water, earth and air…
The striking landscape was NOA’s focus from the very beginning of the design process at Puradies. Prior to the recent extension, the property had a natural bathing pond with boardwalks, but no pools. Strong demand was ultimately the trigger for a completely new spa concept, which includes wellness and sports areas as well as the new in-house restaurant Ess-Enz.
The family-run hotel with its 76 guestrooms and 14 chalets, is laid out as a village and lives up to its name for those seeking relaxation and sports enthusiasts. Originally a farm house with guestrooms, it is now a hotel dedicated to ecotourism. The sustainable philosophy runs through the range of activities on offer, the cuisine and the architecture.
Image credit: Alex Filz / NOA
The new building, which now houses fitness and yoga rooms, lounging areas and relaxation rooms, its own children’s pool, an adult pool and the restaurant, is harmoniously embedded in the landscape despite its size and expanse. The floor plans are laid out in concentric rows, blending in with the natural topography. One centre faces the bathing lake and the other faces the hill on the south side. This creates two façades that, despite their different orientations, are in balance with each other and are inviting no matter which direction they are approached from.
Image credit: Alex Filz / NOA
Green roofs blend seamlessly with the meadows, while below separate spaces have great views north and south and open up to maximise the enjoyment of the surroundings. The new wellness wing with its different spaces rises out of the ground like a gentle wave and disappears again into the meadow with its expressive peaked canopies. For the onlooker, the pastoral landscape with its endless expanse and tall grasses, which is so characteristic of this area, is preserved.
“Our idea was to integrate the new building as homogeneously as possible into the landscape and not to build a towering building,” commented Gottfried Gruber, Architect, NOA.
Image credit: Alex Filz / NOA
A lawn with raised beds, a column fountain made of Dorfer quartzite and an open-air fire pit extends between the main house and the new building, while underground the existing corridor that previously led to the beauty reception area has been maintained. This is the connecting point for access to the new wellness area.
Image credit: Alex Filz / NOA
A new long corridor, whose interior design sets the mood for the four element experience, leads past treatment rooms to the sports and fitness room with a view of an inner courtyard with a rock garden. In the corridor itself, the elements of earth and air meet, rendered as a rough, surfaced wall in an earthy hue on one side and light linen fabrics on the opposite side of the window. The mineral, coarse plaster gives the passage tactility, while the light-flooded, lively textiles lend it a mystical air.
Image credit: Alex Filz / NOA
After passing through, the guest is first welcomed by the fireplace lounge – a split-level room that connects the wellness area and the restaurant across levels. As the name suggests, the central element is an open, bowl-shaped hanging fireplace framed by a floor-to-ceiling wall artwork by a young local artist, Michael Lang.
Seating, cushions and plants give character to the room, which is lined with sisal rugs. Here, guests can relax with a drink and enjoy the view in the fiery, earthy ambience. The fireplace lounge leads to the new yoga room, which can also be used as another relaxation room with fold-out couches. A staircase leads up the gallery to the new restaurant.
Image credit: Alex Filz / NOA
Image credit: Alex Filz / NOA
Continuing on the lower level, the passageway leads to the area with the children’s pool. Here the elements of earth and water meet. The eye is drawn first to the pool with its organic free form and a water slide, surrounded by intimate alcoves that invite relaxation and play. These are equipped with a wooden floor, deep seat cushions, loungers and armchairs, covered with outdoor fabrics, as well as sisal carpets and fabric lamps with a shade made of yarn.
Image credit: Alex Filz / NOA
A homely, cosy character and a fascinating play of light and shadow give the room character. Directly above the pool are metal suspensions for hanging plants. Outside is an area with tables, sheltered from the wind and sun, with a lawn extending out towards the swimming pond.
Image credit: Alex Filz / NOA
“In the interior, we played with the four elements: fire, air, earth and water are reflected in different forms in each of the rooms,” said Regina Traar, Interior Designer, NOA.
Image credit: Alex Filz / NOA
Past the dressing rooms and sanitary facilities, the wellness guest reaches the main pool, which continues outside. In addition to the numerous lounging options close to the floor, a slightly higher platform in the middle of the room is a special design highlight. From here, you can enjoy the view across the pool towards the swimming pond, enveloped by floating light linen curtains that change colour from light to darker towards the floor. The airiness is also contrasted here with the rough-surfaced wall that runs continuously through the entire wellness area as a reference to the earth.
Image credit: Alex Filz / NOA
Image credit: Alex Filz / NOA
On the upper floor, the new à la carte restaurant Ess-Enz is a true fusion of all elements. On the south side, the building is only apparent as architecture at this level, albeit discreetly and still true to the terrain. The transparency provided by the large glass fronts and the recessed skylights create an airy lightness and allow impressive views of the pond, pool and sky. In the interior, organically shaped ceiling elements made of wood with hanging plants recreate the height profile of a mountain. The lights laser-cut from wood, which seem to vibrate with the air circulation, further enhance the sense of weightlessness, while the compact seating islands, with fabric covers that are partly plain and partly patterned, keep the design grounded.
Image credit: Alex Filz / NOA
Adjacent to the restaurant, a sun terrace oriented in different directions offers a view of the mountain panorama and the meadows. The space is characterised by the tilted section of the projecting roofs, whose architectural silhouette changes constantly depending on the viewing angle. A very exciting open space is created between two closed structures, which strongly influences the perception of the landscape.
Image credit: Alex Filz / NOA
Separated from the restaurant by the sun terrace are two other relaxation rooms, one with natural stone dedicated to the earth and the other with sisal surfaces open to the air. From here you can get return to the basement and the main pool. This completes the cycle of the wellness area at the point where the building merges back into the landscape.
Bathrooms inside Hoxton Brussels inspired by 1970s
Traditional British bathroom brand, Burlington, can be seen in the immaculate bathrooms in The Hoxton, Brussels. With a distinctive, retro 1970s design that truly delights and inspires, Bespoke by Burlington evokes notes of vintage glamour…
A total of 212 basins in Confetti Pink were supplied to The Hoxton as one of the first Bespoke by Burlington projects since it launched. The collection is a unique edit of hand-decorated and coloured ceramics, offering a twist on traditional bathroom design by replacing classic white with covetable colours, floral patterns and unique personalisation.
“We were very excited to work with the Ennismore design team on the full international specification,” said David Balmer, Senior Projects Consultant, Bathroom Brands Group. “The Hoxton, Brussels takes its cues from the 1970s and the vibrant but relaxing aesthetic of Bespoke by Burlington’s Confetti Pink has created a bathroom which is less amenity and more luxury.”
The joy of a fantastic hotel bathroom can never be underestimated, and the addition of Confetti Pink Bespoke by Burlington basins adds to the retro feel and laid-back charm that this stylish new opening has to offer the Belgian capital. The design is a unique edit of hand-decorated and coloured ceramics. Offering the next level of customisation in bathroom design, it draws inspiration from fashion, nature, and famous eras of design.
In March 2023, two new ceramic colours joined the Bespoke by Burlington collection – Enchanted Blue and Cosmic Green. Enchanted Blue reimagines Clair De Lune Blue, a colour celebrated in luxe 1930s bathrooms. It is a soft powder blue ceramic that delivers style and serenity to any space. Cosmic Green draws inspiration from the fashionable mint green bathrooms of the 1950s, expressing charm and versatility, and complementing a range of bathroom styles and designs.
Bespoke by Burlington has a range of Edwardian basins, as well as a comprehensive collection of WCs. Each piece is made to order by skilled craft workers in Staffordshire, England, using the finest materials.
Burlington is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
‘Stimulating wellness through design’ is a topic that is unquestionably under scrutiny. To cut through the sensory noise, Editor Hamish Kilburn, along with six leading designers, delved into the challenges and opportunities being faced as the experience and expectations of wellness in hospitality evolves…
At a time when hotels and the hospitality sector are taking on the challenges of sustainability, circularity and accessibility – along with a focus on creating experiences and moments of wellbeing within the hotel design arena – has wellness stepped beyond the spa?
In Hotel Designs’ latest roundtable, in association with Geberit, Editor Hamish Kilburn asked a handful of leading interior designers and architects around the table how all the facets of wellness and wellbeing are being integrated into the fabric of a hotel experience and what are the challenges, as well as the points of inspiration, on this journey.
In the recently published Hotel Guest Experience Report 2023, a document put together by Geberit in collaboration with designers and experts in their fields, designer Wren Loucks examined ritual, sensory rich experiences and social sustainability in hotel design. With this in mind, Kilburn started the conversation by asking Loucks what, as a result of her research in this field, inspired her to integrate concepts of wellness into design.
Wren Loucks: As designers we have a real opportunity to create spaces that make people feel good. That is really powerful and is something we need to tune into. As part of this, we need to understand the needs of everyone we are designing for, as well as how different people move through the same space. This process is as much about the people, as it is about the environment and choosing products consciously.
Image credit: Be-kin
HK: Can we broaden our understanding of wellness in design by digging deeper into the social and collaborative aspect of design and wellness?
Richard Holland: This is possibly the least understood aspect of ESG. You will feel well in a space, if you feel good about the objects and the materials that have been used to create it. A lot of our work goes into imbuing stories into the materials we use, especially when we work with social enterprises and charities. Choosing a material, then telling its story, all links back to helping people and communities on different levels. By extension, the design then follows a similar thread. It is understanding that our design decisions have social consequences, which enables us to use spaces to improve people’s lives and experiences, both within that space and as contributing to that space.
Image credit: Inhabit Hotels / Holland Harvey
HK: Does that mean wellness is now being understood more broadly and are clients more open to those conversations about injecting wellness into the design process?
Balkaran Bassan: There is a greater recognition of all the touchpoints of wellbeing running through a project and that ultimately creates spaces that are more responsive and more layered. The questions are certainly being asked around the relationship between wellness and wellbeing and leading on from that, luxury. All these concepts differ from person to person, from the little moments to the larger statements in design and the challenge for us, as designers, is how we respond to that.
Geraldine Dohogne: I believe we have always wanted to design spaces that generate emotions and facilitate wellbeing through a conscious use of materials, but there are now a lot more opportunities for this from suppliers, together with an increase in guest expectations for wellness elements to be integrated across a design.
HK: Lets look at those minor moments of wellness – the elements in design that stimulate wellness that are being explored…
WL: We have been doing a lot of workplace design where acoustics and different qualities of sound have been part of the conversation. Diving into these different sensorial elements and how they interact and then in turn, how different people respond, is fascinating and can change the shape of a design.
GD: Scent is another very important element of wellness and wellbeing. There are so many layers to the concept and a hotel is becoming much more than a place to sleep, it is about creating moments of wellbeing on different levels.
Clare McDonald: It’s about all the senses working together, as wellbeing and wellness has become important to everyone. It is no longer about making an interior that is instagram-able and beautiful on the surface – it has to feel impactful. Impactful when occupying the space, but equally when you leave, to have a memory of the space. It is often a sense that brings those moments back – sound, scent, touch.
GD: You don’t necessarily remember the hotel first, you remember a moment. The emotion surfaces first, then the place and the design elements follow on.
HK: With some hotels making the decision to not touch the bathrooms when renovating, are we missing something on the level of design cohesion and enhanced wellness offering by putting the bathrooms on hold?
WL: It really depends on the story – if it is about sustainability or retaining history then it makes sense to keep a bathroom, but if you are exploring a sensory journey then you would need to reconsider that conversation.
Lynne Clapham-Carter: For us at Geberit, it is all about water, which makes it about what you don’t see, as much about what you do see. With concerns around sustainability and water being high on the agenda, the bathroom becomes an important area to focus on when updating a project.
Image credit: Geberit
HK: Is the blurring of boundaries between the bathroom and guestroom a momentary trend, or another element in the wellness conversation?
GD: Integrating a bathroom into a guestroom can be difficult and those shifting boundaries can limit the design. Often when designing for a commercial hotel project you need to design for a broad audience and the bathroom needs to be an intuitive space.
CM: When working in the mid-range sector it becomes a bit more difficult and the focus is often on the big visuals with the feels being secondary. But there are ways through lighting and scent in products for example, to add notes of luxury and wellbeing. A simple change like placing the basin into room, can work as a more subtle shift, rather than a statement reconfiguration.
BB: If you can tap into the sensory elements in the mid-level experience to answer wellness questions, rolling out the soft spa experience into every element in the hotel is an important conversation to be having with clients and with hotel operators.
Image credit: Design Command
Image credit: Be-kin
HK: If the bathroom is one of the touchpoints that define a hotel stay, how far can we go, to take bathrooms away from being simply practical spaces to sheltering their own personality?
RH: In the design for Inhabit hotels, we deconstructed the bathroom. By separating the spaces, it allows for more flexibility. While the traditional hotel bathroom design has been substantially reconfigured, there is a balance between shifting the space and keeping it practical. It is also important to do what is appropriate to the building and in Inhabit, we were able to make those design changes while keeping the heritage ambiance that is a part of its story.
Image credit: Inhabit Hotel / Tim Evan Cook
HK: The finishes and materials that are now available are taking the conversation further. What are designers looking for from suppliers?
LC-C: Lighting and the quality of light is more important than ever, both in bathroom products and fittings and in discussing wellness more broadly. With the trend to introduce as much natural light as possible, it is interesting to see that in some cases the traditional guestroom layout is being flipped, giving the bathroom access to the natural light source. This injects an immediate sense of spa and wellbeing into the bathroom and then, as you step away from the light into the bedroom, it operates on a more circadian level. Temperature is another important point when looking at materials and surfaces in the bathroom, which needs to be considered when designing transitions from, for example, the shower to the bathroom floor.
Image credit: Geberit
HK: Having covered lighting and scent, what about touch?
RH: For us, using materials that are authentic is important. There are all sorts of advantages to this aside from the materiality of the surface. Questions around carbon and circularity are usually better if you are using a material in its original form, rather than something that has been produced to look like something else. This can be more expensive, but as these choices reflect on and become part of the brand, designers and clients need to be both conscious about and understand the process behind, the products being specified.
BB: There is an increased honesty to materials that are being used, with everything becoming more pared back right now, as the concept of quiet luxury gains traction. Designers, operators and end users are all placing a greater value on this simplicity in design and it is an aesthetic that works beautifully with ideas of wellness and wellbeing, as it inherently introduces a sense of calmness.
Image credit: Patrick Locqueneux / Blacksheep
CM: Guidelines for the mid-scale brands have also become looser. Working with a brand like Mercure, there is a focus on taking inspiration from localisation concepts, which in turn can be translated into materiality. Inspiration is taken from local materials and then introduced as a more subtle reference running through a design. While there is still a brand story, materials give each location a unique spin.
WL: The idea of quiet luxury is interesting, as it is not just about being zen. You can have bold colour and other elements, as, in my opinion, quiet luxury is about spaces that just feel good, without necessarily knowing why. It is a feeling and a sense of something that gives, rather than takes.
HK: How do you create a space that leaves a person feeling good without necessarily knowing why?
WL: That is the magic of being a designer and integrating all those sensory elements, while really understanding who you are designing for. We often look at nature and biophilic design as points of inspiration, because nature gives back and refuels. That is how I want my interiors to feel, and what I want to deliver. There is no easy answer, it is a question of experimentation, trial and error.
Image credit: Blacksheep
HK: Finally, inclusive design is an important part of the wellness conversation. What do designers need to consider when creating these moments of wellness and wonder in bathrooms, but also ensuring that we are designing for accessibility and inclusivity?
WL: As designers it is about engaging the stakeholders. We put things into place, but we can’t be experts in all fields, so engage with people, find out what is required. It is definitely more time consuming, but you learn a lot and it is a rewarding process that makes the design experience so much richer.
BB: As designers we thrive on stories and bringing those into designs – we need to harness that creativity to enrich the hospitality experience by incorporating these new and diverse stories into a design, from sound and lighting through to grab rails.
RH: I think the days are gone where accessible, or non-accessible is a thing – it should just be about inclusive environments we are creating for everybody.
While the wellness and wellbeing design journey might be well on its way, it is clear that the path is as divergent as the end user. Increasingly it is about both the individual and the community and importantly, the points at which these ideas intercept. Engaging all the senses through multiple touchpoints of design might be a tall order, but it is one which it would appear, designers and suppliers are embracing and integrating into the hotel and hospitality experience.
Geberit is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
Editor Hamish Kilburn checked in to one of London’s more edgy bolthole boutique hotels, Vintry & Mercer, which, despite opening in 2019, very much feels like a new and fresh hotel…
There is no doubt about it, London is very much in the centre of a luxury hotel development boom this year, with multiple leading grand dames completing renovations and new luxury brands making their dramatic entrances in the capital. With all the noise being generated this year, it would would be easy to forget some of the hotels that opened prior to the pandemic that have made a statement on the London hospitality scene. Among them is Vintry & Mercer, a 92-key boutique jewel a stone’s throw away from St Pauls.
Image credit: Vintry & Mercer
The city’s new destination hotel, which celebrates colourful mercantile history with a contemporary twist, features a snazzy roof terrace, an all-day restaurant and even an underground speakeasy that is aptly named ‘Do Not Disturb’.
Image credit: Vintry & Mercer
The client wanted to create a ‘bolthole’ away from the city that could transport guests into another time and space entirely. The client requested a design approach similar to its first property, the award-winning The Ampersand Hotel in South Kensington, which Studio Moren also designed. The brief called for the same high level of design, ingenuity and quality.
Following its appointment in 2015, Studio Moren redesigned an already approved scheme, which originally had bedrooms focussed around a small internal courtyard. Working within the building’s envelope, the new design, led by Co-head of Interior Design, Lindsey Bean-Pearce, and Associate, Giada Gemignani, increased the number of external aspect rooms and created a more impactful entrance.
Image credit: Vintry & Mercer
Vintry & Mercer is a one-of-a-kind property, immersed in and visually referencing the location using bespoke wallcoverings, carpets, and light sculptures to engage guests with the story of the hotel and its neighbourhood. The old-world charm of vintage inspired furniture and joinery mixes with modern and clean detailing: it’s a playful marriage of old and new, just like the city itself.
The hotel’s 92 rooms are spread across five room categories, ranging from intimate doubles to suites with glass-panelled balconies that overlook London’s Southbank skyline. Bespoke wall coverings and statement headboards meet the client’s brief for a signature DNA linking back to The Ampersand.
Image credit: Vintry & Mercer
The design for the Mercer Roof Terrace is based on a countryside orangery with a palette of weathered timbers and muted sage green and grey in the upholstery. Floor-to-ceiling windows celebrate the views of St. Paul’s Cathedral and the Southbank. Richness is introduced using brass detailing, with honeycomb-patterned tiles on the walls and Versailles parquet timber flooring.
A clever combination of plantation shutters and delicate wire framed mirrors, throws natural illumination across the space from the roof light above, while a partial-open prep kitchen, bar seating and overhead storage make the most of a small space.
Introducing the award-winning Luce by RAK Ceramics
The striking translucent porcelain surface Luce by RAK Ceramics has been named Best Kitchen Surface at the prestigious Livingetc Style Awards 2023…
Standing out to the judges at Livingetc Style Awards among the numerous outstanding entries received, Luce by RAK Ceramics emerged as the deserving recipient of Best Kitchen Surface.
A stunning centrepiece for any interior design project, Luce by RAK Ceramics is a porcelain surface with enhanced backlighting technology. The extra-large format ‘mega slab’ makes installation straightforward over larger areas, such as open-plan kitchen/living spaces. This is a material that is also highly practical, easy to care for and scratch and stain resistant, making it suitable for use on kitchen island units, for example.
Image credit: RAK Ceramics
The translucent body of Luce is made with a very high purity of raw materials containing special and high-quality clays and minerals. When illuminated, a soft glow is created, transforming the design from a plain tile to a soft natural marble, perfect for carrying the room through from the practicalities of daytime family life to a more sociable ambience after dark. The range includes seven different graphics and colours in marble and onyx effect, that replicate the natural ability of the stones to filter the light.
The Livingetc Style Awards hold great significance as they celebrate brands that resonate with the publication’s design-conscious audience who turn to the title for inspiration and to make well-informed, stylish choices.
RAK Ceramics is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our recommended suppliers, please email Katy Phillips.
Roadchef has teamed up with Wyndham to open Super 8 by Wyndham Chester East, the first hotel in the UK by the stylish economy brand known for its roadside hotels. Here’s what we know…
Wyndham Hotels & Resorts is the world’s largest hotel franchising company with approximately 9,100 hotels spanning more than 95 countries. The mighty hotel group’s latest venture includes partnering up with Roadchef, one of the UK’s leading motorway service area operators welcoming 52 million visitors each year, to open Super 8 by Wyndham Chester East, the brand’s first entry in the UK.
For nearly 50 years, Super 8 by Wyndham has been recognised as a trusted companion to roadside travellers. With nearly 2,700 hotels around the world—including the U.S., China, Dominican Republic, Indonesia, Germany, UAE, Saudi Arabia and soon in the UK—Super 8 is known for elevating the economy hotel experience, offering sleek accommodations and friendly service at an affordable price.
Image credit: Wyndham Hotels & Resorts
“Today’s travellers want a quality experience but at an affordable price, which is exactly what Super 8 by Wyndham offers,” said Dimitris Manikis, President Europe, Middle East, Eurasia and Africa at Wyndham Hotels & Resorts. “It’s a brand that’s all about embracing the journey, helping guests rest up, refuel and tackle the open road ahead. For that reason, Roadchef – a company known for leveraging innovation placing convenience and comfort at the heart of their business – is the perfect partner to help us bring Super 8 by Wyndham to the UK.”
Expected to open this month following an extensive refurbishment project, the 41-room hotel is conveniently located just off the M56 motorway, serving road travellers around the Cheshire, Greater Manchester and North Wales areas of the UK. The refurbishment is part of a larger multi-million investment by Roadchef as it looks to upgrade its roadside hotels across the UK to better meet the needs of guests now and in the future.
Image credit: Wyndham Hotels & Resorts
Dan Sutton, Head of Hotels at Roadchef, commented: “Our long-term vision is to transform the way people experience road travel and roadside hotels. Business and leisure travellers alike seek convenience, comfort, and affordability, and we believe hoteliers need to cater to these modern-day guests and their evolving expectations. Launching Super 8 by Wyndham in the UK is a step towards elevating and revolutionising the roadside hotel experience and we are proud to be a part of this transformation and continue to invest in delighting our guests.”
Super 8 by Wyndham Chester East opens following a major refurbishment project, which kicked off earlier this year. Influenced by the look and feel of new Super 8 hotels throughout North America and Europe with sleek furnishings and signature artwork, Roadchef conducted research on UK travellers’ preferences, which influenced the hotel’s design. Among the findings, respondents highlighted a strong desire for enhanced convenience, greater choice and flexibility of experience as well as a growing need for well-considered electric vehicle charging options to suit an overnight stay rather than a short high-powered ‘top up’ whilst mid-journey.
Super 8 by Wyndham Chester East will offer a variety of room types designed with comfort and noise-reduction in-mind, providing guests with a home-away-from-home experience. The hotel will offer a mix of contemporary rooms to easily suit families, groups, couples or individuals, as well as two-bedroom accommodations with lounge areas and king bedrooms, in addition to standard double, twin and king guest rooms. The hotel will also provide the latest in-room tech, a stylish bar and restaurant, as well as on-site EV charging facilities, allowing guests to charge their vehicles overnight at an inclusive, affordable price. Whether for a short stay, a business trip or weekend away with friends, Super 8 by Wyndham Chester East will be a reliable roadside companion to suit any traveller’s needs.
In line with both Roadchef’s and Wyndham’s commitments to protecting the environment, Super 8 by Wyndham Chester East will participate in the Wyndham Green Certification programme, Wyndham’s five-level certification framework and brand standard that helps hotels to improve their energy efficiency, reduce emissions, conserve water, and reduce waste whilst also helping owners’ bottom lines.
Super 8 by Wyndham Chester East is part of Wyndham Hotels & Resorts’ portfolio of more than 65 hotels across the UK, all of which participate in Wyndham Rewards, the award-winning hotel rewards programme offering approximately 101 million enrolled members the opportunity to redeem points at more than 50,000 hotels, vacation club resorts and vacation rentals around the world.
Family-run, independent online tiles specialist Hyperion Tiles knows how to introduce a touch of luxury to a hotel or spa, with an extensive selection of marble tiles, in a multitude of shades and a combination of shapes…
Popular in high-end commercial buildings, this sought-after natural stone has long been prized for its elegance and opulence and has the power to elevate any interiors setting. “Marble tiles are beautiful and instantly recognisable,” discussed Richard Skeoch, Director, Hyperion Tiles. “Associated with quality and sophistication, they enjoy an unrivalled aesthetic appeal. But marble tiles don’t just look amazing, they are durable and heard-wearing too. And because marble is a natural stone, it has much less of an environmental impact than its engineered/manufactured counterparts.”
Image credit: Hyperion Tiles
Image credit: Hyperion Tiles
Available in a huge range of shapes and sizes, the Ca’Pietra Long Island Marble Honed Finish tile is endlessly versatile and are suitable for both walls and floors, with a honed finish. For admirers of the Art Deco aesthetic, the Ca’ Pietra Milan Silver Marble Mosaic tiles is available in three colours and incorporates a striking herringbone pattern that works beautifully as a decorative backdrop or statement floor section.
“Another advantage of marble tiles is that each piece is different, with unique patterns and veining,” continued Skeoch. “So, if you like the idea of creating an interior that’s unlike any other hotel or spa, marble tiles are a great place to start.”
Image credit: Hyperion Tiles
Suitable for both walls and floors, the Ca’ Pietra Long Island Marble Small Hexagonal Mosaic tile incorporates a subtle grey veining, with a honed finish that makes them perfect for modern bathrooms and en-suites, looking for a marble touch. Marble tiles offer endless options and combinations in terms of style and shape. They are also available in three different types of finishes – polished, honed and tumbled. Certain finishes work better in specific settings. For example, a honed finish is less slippery than a polished finish, making it more suitable for bathrooms and wet room environments.
Hyperion Tiles has a range of more than 15,000 bespoke floor and wall tiles in a variety of patterns, colours, shapes and sizes. In addition to tiles, it offers a dedicated collection of distinctive bathroom pieces, from mesmerising mirrors to stylish storage, a designer paint and wallpaper collection, all complimented by a highly skilled team available to offer expert advice, such as technical know-how and in-depth product knowledge to designers, specifiers and architects.
Hyperion Tiles is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
Bette now creates 100,000 bathroom products from green steel
Bette has achieved a manufacturing milestone on a journey towards sustainable bathroom design after announcing that it creates 100,000 of its bathroom products from green steel…
Bette manufactures its baths, shower trays and washbasins from glazed titanium steel and began sourcing and using CO2-neutral steel in 2020. Now the company is celebrating a major milestone: the production of 100,000 bathroom products made of ‘green’, CO2-neutral steel.
“We are celebrating an important milestone on our path to greater sustainability: each of these 100,000 bathroom products represents our commitment to a greener future and sustainable interior design,” says Bette Managing Director Thilo C. Pahl. By using green steel, the company, based in Delbrück, Germany was able to reduce its CO2 emissions by ten per cent in 2021, and in 2022 the reduction was almost 40 per cent, which corresponds to around 8,000 tonnes of CO2.
Image credit: Bette
As part of its commitment, Bette also wants to support sustainable steel production in Germany and its steel suppliers switching from fossil to regenerative blast furnaces, even though these are around three times more expensive. Bette is doing this at no extra cost to its customers.
Steel becomes ‘green’ through suppliers continuously investing in measures to reduce their CO2 emissions. At steel manufacturer ArcelorMittal, for example, this commitment is documented by certificates, which are assigned to individual steel blanks, making them CO2-neutral. This in turn has a positive impact on Bette’s overall CO2 emissions and is also visible at product level.
Currently, subject to minimum quantities, Bette is able to offer certain products made of CO2-neutral steel and, in the future, there will be product ranges made exclusively from this ‘green’ steel.
The 100,000 product milestone is only a step on the way to Bette’s ambitious goal: by the end of 2024, the company wants to manufacture half of its products from green steel. In addition, Bette is continuously working on optimising its use of resources. Processes and procedures along the entire supply chain are constantly reviewed to ensure that they are as resource-efficient as possible. For many years, the bathroom specialist has also been using combined heat and power plants and photovoltaics to generate energy in order to largely produce its own electricity and heat.
Image credit: Bette
However, the company’s biggest source of emissions remains its product. That is why Bette not only attaches importance to sustainably produced, recyclable and quality products that are also long-lasting in terms of aesthetics and comfort, but also takes care to avoid overproduction. Around 70 percent of Bette’s baths, shower trays and washbasins are made to order, the remaining 30 percent are stock items.
Thilo C. Pahl added: “We are proud of what we have achieved so far, but we know that our work does not end here. Our commitment to sustainability is a long-term process and we will continue to innovate, research and look for ways to do our part to create environmentally friendly bathrooms.”
Bette is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
Product watch: OPTIX 10 Quadrant shower enclosure from Crosswater
Crosswater has expanded on its shower enclosure range, offering an additional enclosure shape with the new OPTIX 10 Quadrant shower enclosure combining function and style, integrating seamlessly into both traditional and modern bathroom suites…
Made with strong 10mm glass and adjustable stainless-steel rollers to ensure smooth, whisper-quiet operation, the new OPTIX 10 Quadrant shower enclosure from Crosswater is designed to stand the test of time. Available with either a left or right hand opening door, it measures 2000mm in height, with three different widths available. With clear door seals, the clean design across the range ensures luxury remains at the forefront, to ensure a truly indulgent showering experience.
Image credit: Crosswater
The entire OPTIX 10 range is available in five colourways – Brushed Brass, Slate, Brushed Stainless Steel, Polished Stainless Steel and the new finish, Brushed Bronze. There are multiple choices of handle dependant on the desired style.
Image credit: Crosswater
Crosswater has also expanded on its Clear 6 range which is now available in a new Brushed Bronze finish. Dramatically reducing installation time, Crosswater’s Clear 6 patent protected design features the latest click and lock quick-fit installation system, meaning only one person is required when fitting. With hidden hinges for a streamlined appearance, the enclosures also come built with quick-release, easy to clean double rollers. With separate side panels, the door can be installed for either a left or right hand opening, to fit with a bathrooms needs. Combining precision-engineered frames with premium materials to ensure durability and longevity, the range features a wide selection of door styles and sizes
All Crosswater shower enclosures have matching finishes, allowing consistency in appearance throughout a bathroom, from shower heads to brassware and accessories. The glass used in Crosswater shower enclosures is coated with Crosswater Clear easy-clean finish to protect the glass and keep it looking cleaner for longer whilst anti-leaking technology prevents any water from escaping. Both ranges are also suitable for either a shower tray or tiled floor installation.
Crosswater is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
Modern minimalism meets Maine, at the York Beach Surf Club
Located on the coast of southern Maine, the York Beach Surf Club, recently restored and reimagined, is a 52-key family-owned resort, deeply rooted in the unique history of northeast surfing culture and beach vacation hospitality…
The York Beach Surf Club was originally founded in 1963 as an organisation for local surfers by York’s own Sonny Perkins, a surfer who was pivotal in the overall emergence of east coast surf culture and the first surfer in the state of Maine. The property was given a new lease on life when Perkins’ son, Taylor Perkins purchased the property in 2020. Conducting the largest restoration in the region in two decades, the hotel was re-envisioned by Perkins’ own design team, The Surf Company, as ‘Scandinavian Modern Maine,’ melding modern minimalist Scandinavian style with the spirit of Maine’s traditional coastal architecture.
Image credit: Read McKendree
Drawing from the inspiration of the rich history, York Beach Surf Club’s revitalisation features 52 brand-new guestrooms and bungalows, a heated salt water pool and pool bar and an oceanfront lawn space for its raw oyster and cocktail bar the Rolling Pearl, a fully restored vintage 1964 International Harvester milk truck. With multiple outlets serving food and beverage offerings, the property boasts an all-day cafe and bar serving locally sourced seafood, a coffee bar by Daybreaker Coffee Company serving espresso cocktails dawn to dusk, and in-room dining available to guests staying at the resort.
Guests will also enjoy coastal amenities and unique-to-the-property experiences, such as on-site surf lessons with a private instructor and harvest moon wine pairings on the lawn. A forthcoming full-service restaurant will debut later in the summer season.
Image credit: Read McKendree
With a fresh, new exterior, the design of the property celebrates surf culture. From the natural wood bands around the perimeter of the Waverider building – indicative of the stringers in a surfboard – to the coral doors, each aspect of the design was crafted specifically to evoke the art of board making. Every guest room offers its own distinct vantage point of the ocean or the resort’s grounds. Taking its cues from the York and southern Maine surf culture, the property’s design depicts the evolution of surfing’s emergence from the 1960s to today, through the meticulously designed decor pieces and materials, showcasing depth and discovery of the property’s unique origin story.
Image credit: Read McKendree
Image credit: Read McKendree
The entrance to check in at York Beach Surf Club in the Oceanfront building combines a mix of materials that reflect coastal Maine, such as Maine cedar accents, gray wood floors and bold black fixtures. As guests check in, they will notice around the check-in desk classic 1960’s longboards, which have been surfed by the founding members of the York Beach Surf Club. Artwork in the hallways comes from Perkins’ own original photography collections as well as the collections of the original York surfers, spotlighting photos of the Surf Club throughout the years on York Beach and giving guests a nostalgic and authentic representation of how surfing came into its own in the ’60s. Sitting next to the front desk in the lobby is a balsa surfboard that belongs to Sonny Perkins, signed by every living member of the York Beach Surf Club and visiting surfers over the years.
Image credit: Read McKendree
Pineapple Poolside Café, the heated salt-water pool and pool bar, will be a guest-only amenity. Melding the upbeat energy of a classic pool bar with the idyllic nature of New England summer, The Pineapple Poolside Café will feature a pool-specific menu where patrons will sample specialty drinks, such as the Palm Tree In Maine frozen cocktail and various small plates served fresh to their chaise lounge. Each F&B outlet will serve cocktails specifically designed for the Surf Club by Tales of the Cocktail finalists Ben Clemons, a York native and Jamie White of The Pearl Diver in Nashville, Tennessee.
Image credit: Read McKendree
The 42 guestrooms and ten bungalows all feature indoor and outdoor spaces, each of which has been meticulously crafted for each guest’s experience by The Surf Company team, from outdoor patios at the bungalows to balconies in each hotel room with ocean or pool views. With multiple nodes around the property playing host to fire pits and Adirondack chairs, patrons and guests will cosy up to the warmth of an evening fire with the custom blankets designed specifically for the Surf Club. A walking trail throughout the resort grounds provides guests an opportunity to take morning strolls with their pup – the full property is dog friendly – or evening walks down to the beach and enjoy the crisp Maine air.
After hours, the pool transcends into a festive party atmosphere, where the poolside bar turns into a nighttime scene exclusively available for guests of the hotel to enjoy. Sounds from the house DJ will be hosted on weekends and for special nightlife events exclusive to guests of the Surf Club.
Image credit: Read McKendree
Each room features hand-built, custom furniture designed by The Surf Company’s own design team for the property, including white oak headboards, custom valet and closet combos, garment racks and small benches near the entry. All photography showcased in the rooms is from the archives of Sonny Perkins, showcased to the general public for the first time in 50 years.
The modern and coastal nuances combine to create calm interiors that blend with the beauty of the surrounding landscape, from thoughtful surfing-inspired design touches in each room, to private outdoor areas with outdoor showers in the bungalows, to communal fire pits with grilling platforms available for all guests.
Located in the heart of York, Maine, the property is part of the beach’s emergence as a narration of East Coast surfing in the 1960’s. As a locale for summer migration with a permanent influx of immigrants and travellers over the last few hundred years, York inevitably found itself at the front line of 60s surf culture, concurrent with the craze created by the Beatles and the Californication of 60s youth.
Today, generational travellers flock to southern Maine’s coast and the town of York for the iconic surfing, beaches, lighthouses, golf courses and freshly caught coastal cuisine.
Product watch: Manchester-made terrazzo from Parkside
Available from Parkside, Ethical Stone Terrazzo is a low-impact terrazzo tile that’s made in Manchester using repurposed brick, natural British stones and low-carbon cement…
In a process that sees stone waste collected from factories or sites across the UK and turned into new premium floor tiles, Ethical Stone Terrazzo is a British made terrazzo that supports UK industry in producing low carbon materials. Available through Parkside, it can transform commercial interiors with an unmistakable terrazzo floor that offers significantly lower CO2 emissions.
The origin of every Ethical Stone tile can be traced to the British Isles. With marble from the Isle of Skye, pink limestone from Devon, black Welsh slate and Derbyshire limestone; Ethical Stone is a unique and beautiful British take on classic terrazzo tiles in effects that simply can’t be recreated. Reclaimed Manchester Brick is also highlight of the low impact approach of Ethical Stone Terrazzo. And it’s not just old brick that can be reused: glass, metal, concrete, stone and even timber can all be used in production.
Ethical Stone also uses a low carbon alternative to traditional Ordinary Portland Cement (OPC). By utilising a by-product of the steel industry, this alternative reduces reliance on OPC by up to 50 per cent. It’s a ground-breaking low carbon technology that helps to lower Ethical Stone’s CO2 footprint. Made in Manchester, Ethical Stone Terrazzo also brings low carbon innovation to an 80-year history of terrazzo manufacturing in the city.
Compared to Italian sourced tiles, Ethical Stone Terrazzo offers a significantly lower CO2 footprint for transportation to a typical UK project – delivery into London uses 76 per cent less CO2 than terrazzo from Italy. For any project looking to use real terrazzo finishes but concerned about the impact of the material, Ethical Stone Terrazzo makes significant strides in lowering CO2 footprint in production and delivery.
The tile is available from Parkside in standard colours, including the striking Manchester Brick (with or without slate), and bespoke mixes are available on request. Tile formats include square and rectangular up to 597mm x 597mm in 38mm thickness and can be specified in honed, polished or brushed surface finishes.
Ethical Stone Terrazzo is now on show at the Parkside Sustainability & Design Studio in Clerkenwell, where samples can be collected and returned.
Parkside Architectural Tiles is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
Product watch: Laufen introduces Pro S shower tray
Laufen has introduced the Pro S tray, along with new colours and its quick guide to choosing the perfect shower tray…
When it comes to choosing a shower tray, the abundance of shapes and materials available in the market can make the decision-making process overwhelming. However, with the right guidance, selecting the perfect shower tray can be a breeze and Emma Mottram, Marketing Manager for Laufen, shares her expert advice on how to choose the ideal shower tray. The five top tips from Mottram help narrow down the options while making an informed decision and introduces the new Pro S shower tray and Matt Black and Matt Concrete colours.
Mottram kicks off the guide by addressing size, as the size of the bathroom will clearly determine the appropriate shape and size of the shower enclosure and tray. For smaller bathrooms, space-saving styles like a square enclosure with a square shower tray – Laufen’s range from 800 x 800mm to 1000 x 1000mm – are a better fit. Larger rectangular shower trays are more suited to bigger bathrooms, with Laufen offering sizes ranging from 1000 x 800mm to a super spacious 2000 x 1000mm. For awkwardly shaped bathrooms, there is always the option of a bespoke solution that is customised to fit the space available.
Image credit: Laufen
When choosing a shower tray, it is also important to consider the materials it is made from. Durability is key to withstanding daily wear and tear. Additionally, the appearance and texture of the shower tray are important factors to consider and sustainability should also play a role in the design decision. Laufen has found a substitute for conventional resins in the production of its shower trays. The resin in Marbond trays is made entirely from recycled PET bottles, which has two benefits. Firstly, existing materials, such as PET beverage bottles, are kept in circulation for much longer, especially in the case of durable bathroom products that are often used for over a decade. Secondly, conventional resin is no longer needed for the production of Marbond products, reducing their CO2 footprint by more than 20 per cent. There is also no compromise in the quality of the finished product. Laufen’s Marbond shower trays are durable, stable, repairable and easy to clean, with a surface structure that is noise reducing, anti-slip and has a pleasant and warm touch.
Image credit: Laufen
With more options available, choosing the right colour is key. White bathrooms are no longer de rigueur, as dark colours have stepped into the fray, with moody tones a huge interiors trend. Before choosing a shower tray, consider what else is going on in the room. What colour are the walls or tiles? What brassware has been specified? Do you want the shower tray to blend in with the floor or stand out? White looks clean and fresh, but Laufen’s new colours – Matt Concrete and Matt Black – can bring a contemporary edge to a shower room. Look at all the individual elements in the room on a moodboard and see which colour tray works best.
Depth is another essential element to consider, with the option of a tray that fits flush with the floor, or one that is laid on top of it. The decision between the two may be influenced by the space needed for the waste. If the property is under construction, inform the fitter at the outset so that the plumbing can be accommodated. If renovating an existing space, the designer will need to check whether there is enough space for the waste. Fortunately, there are varying waste depths and solutions available to solve this problem. While some people prefer a shower tray that is laid on top of the floor, this look is less contemporary and works better in a more traditional setting. Additionally, a raised border around the edge can provide an attractive finish and be useful for containing water. However, elderly or disabled individuals may find a step-free, flush tray safer and easier to use.
Image credit: Laufen
And finally, consider the drain. One of the most significant considerations when it comes to installing a shower tray is the position of the drain. The drain’s location is critical because it ensures proper water drainage and prevents water from pooling on the surface. Laufen shower trays allow you to position the drain on the short or long side of the tray to optimise the showering experience. The new Pro S shower trays have a hidden linear drain that seamlessly integrates with the colour of the tray. Alternatively, the square-shaped drain cover for the Pro collection comes in three designs that can be matched to the five available tray colours. Ask a plumber where is best for the drain according to the placement of the shower head and to ensure the most efficient draining. Though the final decision usually depends on the location of the existing plumbing.
Laufen is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
Hypnos settles in for a sustainable night’s sleep in The Tawny
Set in 70 acres of idyllic greenery and designed to improve guests’ wellbeing, The Tawny offers ‘a stay like no other’ as the UK’s first deconstructed hotel, consciously designed using sustainable materials, making Hypnos the perfect bedfellow…
Taking the best bits from a traditional luxury hotel experience and combining them with naturalistic design and complete privacy to offer a stunning country escape, The Tawny features in the latest episode in the Hotel Hypnos series brought to life by luxury bed and mattress pioneers, Hypnos Contract Beds, which provides insight into the range of bespoke elements that form part of a unique and relaxing stay in rural Staffordshire.
Amidst the restored wild garden of Consall Hall Estate, guests at The Tawny can enjoy a stroll through lakeside gardens and find peace in secluded fells, as they are encouraged to switch off and immerse themselves in the beauty of their surroundings. One of the core components of guest wellbeing at The Tawny hotel is a restful night’s sleep. As part of its luxury offering, each distinctively designed room features beautiful décor that complements the surroundings, in addition to luxurious touches that intertwine with the natural environment and a premium mattress from the world’s first carbon neutral bed creators, Hypnos.
“Physical and mental wellbeing come first at The Tawny and that starts with a good night’s sleep,” explained Josh Chadwick, General Manager, The Tawny.”We pay close attention to the interior details in every room, including everything from the lighting and linen to pillow preferences and a good quality mattress, to create the perfect sleeping environment.”
“Our philosophy focuses on sustainable design and the delivery of a restful sleep,” said Carolyn Mitchell, Sales and Marketing Director, Hypnos Contract Beds. “Therefore, we are delighted to be supporting The Tawny in its ongoing efforts to optimise its guests’ overall experience and be progressive in the future of sleep tourism. Sustainability is completely embedded within our business. Each of our products are ethically made using responsibly sourced natural materials and are tailored to offer the perfect balance of comfort and performance.”
Part of The Tawny’s commitment to the environment includes its eco-conscious design that works in harmony with the rolling landscape. “Preserving nature is so important to us,” continued Chadwick. “Each of our rooms are built on steel beams to avoid damaging the tree roots and grounds. This year, we’re also investing in solar panels and batteries, which will help us become an A++ generated business.”
“For us, it’s important to work with those who share our commitment to making a positive environmental impact,” concluded Mitchell,”and we’ve been truly inspired to see how The Tawny has created a bespoke experience that not only protects, but promotes, nature.”
Hypnos is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
Nay Palad Hideaway reopens following typhoon Odette in 2021
Nay Palad hideaway is situated on the southeastern top of the island of Siargao in the Philippines. The hotel has reopened following the devastation of typhoon Odette in 2021, which was recorded as the second costliest typhoon in Philippine history…
Bobby Dekeyser isn’t your average hotel owner. The former goalkeeper for Bayern Munich and founder of global furniture company Dedon now raises Alpacas in Ibiza. He and his London-based daughter Carolin created Nay Palad Hideaway, a model of sustainable luxury that is coupled with original and exciting features at every turn.
On the southeastern tip of the island of Siargao in the Philippines, Nay Palad sits between a white sand beach on the Pacific Ocean and an ancient mangrove forest. The hotel has undergone a complete redesign and rebuild following more than 85 per cent of the island being destroyed in 2021 from typhoon Odette.
Image credit: Nay Palad Hideaway
Enlisting the talents of celebrated, award-winning designer and friend, Daniel Pouzet – renowned for his incredible art installation structures – the team have created a socially-conscious home away from home. Taking the opportunity to rethink the design, the majority of the furnishings were built on-site by Philippine artisans previously employed for Dedon, ensuring every item on island is completely unique.
With thoughtfully designed nooks and crannies the island over, guests can wile away the day on a hidden rooftop lounge bed accessible by ladder, soak up the soaring ocean views from the U-shaped communal sofa or open-air nests hanging from palm trees. With a staff of almost 100 per cent Filipino; ensuring local traditions and timeless beauty combine with the highest contemporary standards of comfort, environmental and social responsibility.
Image credit: Nay Palad Hideaway
Adopting the belief that ‘small is beautiful’, the new resort offers 10 intimate villas ranging from one-bedroom to three-bedrooms – including the breathtaking Perlah Villa, which has its own private beach, pool and treehouse – alongside a number of unique, architecturally-inspiring spaces that promote wellness and the benefits of embracing a barefoot state of mind.
Image credit: Nay Palad Hideaway
In line with this philosophy, Nay Palad offers all-inclusive rates; an approach that allows every guest experience to be different, with their time on the island carefully curated and highly personalised throughout, encouraging guests to tune into their own rhythm, eat when and where they want and fully indulge in island living.
The menu is designed daily to centre around freshly caught and grown produce, room amenities and products are naturally sourced and created, and at the heart of the resort, is an unfaltering commitment to supporting the local community through a number of programmes and initiatives both on and off island.
Image credit: Nay Palad Hideaway
With its stunning scenery and a range of activities, Siargao Island is often referred to as the surf capital of the Philippines and guests can enjoy surfing, water sports and island hopping. The Hideaway spa specialises in Hilot – a Filipino massage tradition acclaimed for its healing abilities – and there is a dedicated yoga pavilion and an outdoor cinema.
Case study: Havwoods gets underfoot in Nokken cabins
Going beyond a simple wood cabin design, Nokken is a new retreat hospitality concept that combines the best in desirable, eco-conscious and considered architecture, making it a perfect match with the functionality and flair of Havwoods wood flooring…
Claiming to be the world’s most adaptable modular cabin ecosystem, Nokken has been purposely designed by creators Nathan Aylott and James Van Tromp to offer the most efficient and economic platform possible for hotel operators and landowners to start or diversify a retreat hospitality offering. Comprising rustic, industrial and contemporary styles, the cabins boast interior flair and functionality, creating the perfect asset to host small or large groups. Supporting this aesthetic, Havwoods was commissioned to provide the wood flooring.
Image credit: Aylott + Van Tromp
Image credit: Aylott + Van Tromp
The custom boards from Havwoods were selected for their soft appeal and rustic textures to complement the dominating dark colourways and natural features. Accentuating the scheme further, the floor works in perfect cohesion with the ceiling, chairs and neutral colourways seen on the curtains, evoking themes of relaxation and calm.
Image credit: Aylott + Van Tromp
Image credit: Aylott + Van Tromp
The cabin interiors have been inspired by the essence of the outdoors, which purposely reinforces a sense of escapism and a greater connection and emphasis to the landscape. With the interiors clad in wood the overall feeling is soft, welcoming and embracing, complimented by matching joinery and zonal lighting. The large floor-to-ceiling windows allow for plenty of natural light to flood the cabin, elegantly reflecting off the lightly toned planks and complementing the outside view – resulting in a beautiful full wood-on-wood scheme.
Havwoods is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
Sneak peek: Members Suite at the Independent Hotel Show 2023
Hotel Designs meets design studio Cocoon & Bauer, returning as a design partner to the Independent Hotel Show 2023…
Having previously brought the innovative Inclusive Hotel Room feature to life in 2022 at the Independent Hotel Show, this year Cocoon & Bauer is tackling the show’s Members Suite, an area for leading hoteliers to network, relax and do business.
Peter Turner, owner of the studio, unveils this year’s design and exclusively discusses with Hotel Designs some of the inspirations behind it.
Hotel Designs: What is Cocoon & Bauer known for?
Peter Turner: We are an interior design studio based in Yarm, North Yorkshire. We cover all sectors of the design industry, from high-end residential and hospitality to retail and workplace design!
Image credit: Cocoon & Bauer
HD: What do you enjoy about working with the independent hotel sector?
PT: Working with independent hotels allows us to be more creative. You usually find you are dealing directly with the owner/managing director and can really develop a thorough and interesting brief that captures their aspirations and requirements.
HK: Why has Cocoon & Bauer decided to work with the Independent Hotel Show for the second time this year?
PT: We loved the entire process last year. It was so much fun! The preparation, the development on site, the open days and chatting to clients, it was a fantastic few days. This year we wanted more of that, but also loved the idea of being tasked with the Members Suite and what we could bring to this space.
Image credit: Cocoon & Bauer
HD: This year you’re taking on the Members Suite, what made you pick this feature at the show?
PT: We were offered it! Following on the fantastic design last year for the Inclusive Hotel Room, [Independent Hotel Show Event Manager] Glenn Wallace approached us to look at the Members Suite so it had the same dramatic impact the bedroom did last year. I think it gives us even more scope to show our talents and make it the place to be this coming year.
HK: What was the brief for this area?
PT: To provide a collaborative and private area for clients, hoteliers and stand users to network, meet and relax in.
Image credit: Cocoon & Bauer
Tell us a bit about the planned design for the Suite – what are some of the design features we’ll be seeing and what inspired the design…
PT: We love what we’ve produced! I wanted the Members Suite to be anything you wanted it to be and to resemble nothing. This seems a strange aesthetic to aim for, but I wanted it to be all things; a lobby, a bar, a lounge, a rooftop terrace – anything. It shows the ability for any space to become what you need from it by using correct furniture in a clever layout with the right finishes and accessories.
Image credit: Cocoon & Bauer
HD: Are there any suppliers you’d like to shout out?
PT: Once again, our contacts within the industry have been amazing in assisting us with the project.
Special shout-out goes to Tarkett Flooring, Ocee Design, AQ Form, Vepa, Panaz Fabrics and our brilliant shop-fit partners Nuvoke who once again are fitting the stand for us.
Hotel Designs is a proud media partner of Independent Hotel Show, which takes place on 16-17 October at Olympia London.
The Ritz-Carlton, Naples – reopened and reimagined
The latest chapter of The Ritz-Carlton, Naples’ storied history has arrived, with the legendary beachfront resort unveiling a dramatic transformation drawing inspiration from the historic glamour of travel and the destination’s unique coastal elegance…
The dramatic transformation of The Ritz-Carlton, Naples includes the addition of the new Vanderbilt Tower, which features an expansive new Ritz-Carlton Club Lounge and more than seventy club-level guestrooms, along with a new resort lobby and three new dining experiences. The transformed resort also presents new outdoor spaces including new pools, bungalows and cabanas, along with extensive redesigns to all 474 guestrooms and suites.
“We are proud to welcome our loyal guests and new visitors, as well as the incredibly supportive local community to The Ritz-Carlton, Naples once more,” said Mark Ferland, Ritz-Carlton Area General Manager. “It is an honour to bring this incredible transformation to life at our iconic resort. The stunning redesign, coupled with new experiences invites guests to celebrate their memories and create new traditions.”
Image credit: The Ritz-Carlton, Naples
Architect Cooper Carry and Parker Torres Design collaborated to create interiors that honour the resort’s heritage and traditions. Paying homage to the classic elements of the Gulf Coast with a nod to the destination’s history, new accents create a timeless luxury experience for guests who immediately experience the elevated ambiance of the redesigned resort upon entering.
Image credit: The Ritz-Carlton, Naples
A nod to its role as the social epicentre of Naples, the new Lobby Bar pays homage to decades of celebrations with a signature champagne menu. The sophisticated space features elegantly modern lounge seating and a striking sculptural light installation with crystal pendants floating high above the marble-topped bar, capturing attention and admiration as soon as guests walk through the doors. This arrival experience sets the stage for the dramatic enhancements and new experiences yet to be discovered throughout.
Image credit: The Ritz-Carlton, Naples
Each of the resort’s 474 guestrooms and suites, including the all-new Club accommodations have been updated with a design that exudes a casual elegance and timelessness, reflecting the resort’s legacy of coastal sophistication. More spacious layouts provide further options for families, groups and extended stays.
Image credit: The Ritz-Carlton, Naples
One of the most notable changes to the footprint of the resort is the new Vanderbilt Tower, a 14-floor expansion adding more than 70 Club-Level rooms to the resort offerings. Reflecting the needs of today’s luxury traveller, the signature tower has been designed exclusively for Club Level guests, complete with a dedicated check-in, more spacious and highly appointed guestrooms and an elevated Ritz-Carlton Club Lounge experience. At a sprawling 4,000 square-feet, this new Ritz-Carlton Club Lounge is a pioneer within the brand with private spaces for dining and entertainment, along with curated programming that connects guests with unique resort and local experiences.
Image credit: The Ritz-Carlton, Naples
Floor to ceiling windows pour natural light into the sun-drenched space, which is filled with comfortable seating for a morning breakfast or sunset drink. Elements of the sea are seamlessly incorporated into the design of the Club Lounge, from the flow of the tides represented in the carpeting, to vintage postcards depicting Naples over the decades donning the walls. A dedicated full-service bar with a dramatic light installation provides an exclusive space for aperitifs and nightcaps, while a dedicated play area entertains and engages the resort’s youngest guests.
Image credit: The Ritz-Carlton, Naples
Now home to eight unique dining destinations, the property shelters a dynamic culinary journey with new concepts bringing modern flair and flavours that expand upon the already extensive offerings found at the resort. From refined bites at the Lobby Bar to vegetable-forward shared dishes at Sofra, Executive Chef Satish Yerramilli has crafted menus that allow each restaurant to offer an experience unique to each space.
Image credit: The Ritz-Carlton, Naples
The stunning new Lobby Bar is the first taste of the new culinary and cocktail experiences offered by the resort. With a Master Sommelier-designed menu of champagnes and elevated pairings, the Lobby Bar celebrates the heritage of the space as a noted gathering point in the Naples community for decades. Anchored by a Signature Champagne Tasting Menu, the bar features elevated light bites including oysters, caviar, crispy tuna and wagyu truffle sliders with gold leaf.
Image credit: The Ritz-Carlton, Naples
Serving lunch and dinner, Sofra is a vegetable-forward restaurant inspired by the shareable, flavourful plates of the Eastern Mediterranean. Located on the ground floor of the Vanderbilt Tower and just steps away from the pool, this open-air concept is inspired by the fishing industry with design nods such as lighting pendants resembling nets and dishes highlighting local seafood. Guests are pulled into the space by a dramatic structural piece above the bar that anchors the restaurant resembling the magnetic pull that brings loggerhead turtles to the area each year.
Image credit: The Ritz-Carlton, Naples
Long days spent lounging in the Florida sunshine is key when visiting The Ritz-Carlton, Naples and the resort has found new ways to elevate poolside experiences. Ten fully enclosed, air-conditioned bungalows with cascading doors provide the ultimate in poolside comfort and luxury, each with its own private bath, television and entertainment system and service bar for refreshments. Additionally, ten cabanas will be added to the pool area, each with plush seating, ceiling fans and televisions, serving as a luxurious home base for outdoor relaxation.
Image credit: The Ritz-Carlton, Naples
The revitalised outdoor experience joins the completed transformation of The Ritz-Carlton, Naples Spa, which made its debut in January 2022. The luxury spa provides a sense of place, with light coastal hues reflective of the seaside destination throughout. The serene and welcoming palette complements the renowned treatments and therapies that utilise local herbs and botanicals for an immersive and invigorating experience. The luxury spa will be welcoming guests and members again by early August.
COMO sets a date for the opening of COMO Metropolitan Singapore
COMO Hotels and Resort’s global portfolio continues to grow with its first hotel in Singapore located in the group’s new immersive experience building…
The COMO Group has announced that the newest addition to its global portfolio and the first hotel in its home country, COMO Metropolitan Singapore, will launch in September 2023 with a soft opening. The property will be located within COMO Orchard, the brand’s newest immersive experience development spread over 19 floors in the heart of the city.
It is the most complete iteration yet of the vision that brings together the brand’s fashion, wellness and cuisine into one inspiring location. The property will host COMO Metropolitan Singapore’s 11 floors of luxury accommodations, a rooftop pool bar for guests, as well as floors for dining, a wellness centre and fashion retail. The result is an inspiring and curated gathering place for innovators and creatives.
Image credit: COMO Hotels & Resorts
Opening in successive phases starting in September, the 156-key hotel boasting city-wide views, is the first of the spaces sheltered in the property to launch. For this project, the group has collaborated with several award-winning talents including Italian architect Paola Navone, Otto Studio, Japanese interior design-consultant Koichiro Ikebuchi, Atelier Ikebuchi, American-Thai interior designer Preeti Sriratana, Modellus Novus and Norwegian digital artist Thomas Hilland.
The brand’s wellness centre, COMO Shambhala, has been leading preventative health in the hospitality industry for over 25 years throughout 16 global COMO properties. The newest addition to the portfolio shelters over 800 square metres of wellness facility dedicated to holistic wellbeing, offering luxury spa treatments, addressing both core movement, with yoga, Pilates, Gyro, gym and functional fitness and nutrition, including gut health and body composition diagnostics. Classes, workshops, one-day Wellness Packages and multi-day Wellness Paths allow guests to choose their wellness journey, or have one curated for them.
Image credit: COMO Hotels & Resorts
In addition, COMO Orchard will host three dining establishments throughout the building. Debuting its first-ever international location is the beloved Michelin-starred New York and Miami Korean steakhouse, COTE by restaurateur Simon Kim, offering signature cocktails and an impressive wine selection. For visitors in search of a nutrient-packed meal, COMO Cuisine will be serving all-day dining classics featuring Singaporean favourites, as well as healthy fare from the celebrated COMO Shambhala Cuisine. Also making his Asia debut is internationally acclaimed French pastry chef Cédric Grolet, who will serve his signature, extraordinary confections in his pastry shop on the first floor.
With two floors dedicated to fashion retail curated by multi-label boutique Club 21, visitors will find dynamic, seasonal collections and pop-up partnerships. Personal shoppers will be available to help navigate the space and purchases will be delivered directly from the Club 21 floors to guests’ hotel wardrobes.
The way these different innovators and luxury lifestyle experiences intersect is seamlessly integrated in the flow of the building’s spatial design, the introduction of fuss-free technology and signature service. The result is a global first – an inspiring gathering place to suit all moods, from morning to late, for customers with a passion for the COMO vision of what modern luxury can really mean.
Trend watch: Ideal Standard adds new glossy grey finish to i.life B
Ideal Standard has announced the latest addition to its i.life B range – a Glossy Grey finish. This new trend-led colour option gives the popular i.life collection a contemporary aesthetic and sophisticated edge…
Ideal Standard has announced that Glossy Grey is now available on a selection of i.life B’s vanities, toilets and bidets – all of which have been designed in collaboration with renowned Italian studio, Palomba Serafini Associati (PS+A). The entire collection was built to be flexible, with the wide variety of models on offer meaning users never have to sacrifice beauty for practicality – whether specifying for a large family bathroom or smaller ensuite.
Ideal Standard’s Singular approach takes this flexibility even further, and offers the complete compatibility needed to let customers bring their design vision to life. Singular ensures that products from any of Ideal Standard’s portfolios can be brought together seamlessly, giving customers the freedom to create tailored solutions without having to make compromises.
Image credit: Ideal Standard
True to this approach, the manufacturer offers matching furniture options and shower trays in grey, with a variety of models to suit any space. Partnering perfectly with the glossy grey finish, Ideal Standard’s range of Silk Black fittings, accessories, and shower enclosures enable customers to create a fully coordinated look. Equally, the new grey ceramics can be combined with Ideal Standard’s wide range of brassware collections in chrome or durable PVD colours, for fully tailored solutions and a truly cohesive space.
“The i.life bathroom collection provides a smart, adaptable collection where design, comfort, and hygiene all come together,” said Leanne Martin, UK Marketing Director. “No matter the size or shape of your bathroom, i.life can bring style to any space, and the addition of Glossy Grey to this range offers a contemporary and sophisticated look.”
It isn’t just looks-wise where i.life B shines though, behind i.life’s graceful aesthetic is powerful technology that keeps it performing effortlessly and effectively. RimLS+ advanced flushing technology delivers a strong flush, while the lack of an overhanging rim means these WCs are easier to clean for a more hygienic space. Ideal Standard has also drawn on a century of experience creating beautiful and functional bathroom solutions to make the installation process easier than ever too. The innovative EasyFix+ installation system makes this stage of the process effortless, as wall-hung toilets can be installed faster and by just one person – saving time and resource.
Ideal Standard is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
Roundtable: why bathrooms are becoming the hero in hotel design
The aim for Hotel Design’s latest roundtable, in association with GRAFF, was to explore bathroom design’s role within the overall hospitality experience. During Clerkenwell Design Week 2023, Editor Hamish Kilburn sat around the table at The Zetter Townhouse with seven leading designers to get the full picture on why and how bathrooms are becoming the hero in hotel design (watch the full video below)…
Clerkenwell Design Week has always been about innovative design, creative conversations and new directions; three areas that became fuel for Hotel Designs’ latest roundtable, which took place in association with GRAFF.
Mid-way through London’s highly popular design festival, Editor Hamish Kilburn offered leading interior designers seats around the table to explore the role of the bathroom within the hotel experience, and how, in fact, the perception of wellness has shifted from functional to focal point, feeding both guest and brand expectations.
The conversation started by looking back to understand how events of recent years have changed guest expectations to the point where the bathroom has in many cases become that point of differentiation – the hero, if you like – when it comes to hotel journey.
Watch the full video here (and read the main takeaways below):
After introductions were made, Kilburn continued by asking what has been the most important shift or change in wellness trends – and leading on from that, bathroom design. Beverley Bayes, Director, Sparcstudio, listed a few fundamental evolutions that have found themselves on the spa-design agenda. “The most important change has been about establishing a connection to nature and linking wellness directly to the outside,” she said. “This, along with social spa-ing and a rise in health treatments that are immersive and connect with all the senses from sound rituals, to scent, to light all are impacting on the design of the hotel bathroom which is now far more immersive.”
Image credit: Sparcstudio
The discussion moved on to what guests are looking for in bathroom and wellness offerings today. With the focus more broadly, from a luxury design perspective, being on paring back to allow spaces to become quietly intuitive, Kilburn asked the designers, just what makes that design difference, creating the ‘hero shot’ in a bathroom.
Leeanne Armstrong, Founder and Creative Director at Black Ivy Design responded, outlining the key points, which in the studio, sets design apart. “A good design has to be cohesive and form part of the same narrative,” she explained. “The bathroom, therefore, cannot be left out if that process. Lighting has a larger role to play in this than ever before and in fact using sensory design in the bathroom, especially, has become key. The finishes and design touchpoints all need to relate to the fabric of the building and we need to draw all these threads together to make a complete design story.”
Amal Yusuf, Design Manager, David Collins Studio, added: “It is important not to forget all the senses. Lighting is always key, but so is scent and touch – you tend to be barefoot in a bathroom, so the temperature of surfaces makes a difference,” she said. “Good design allows the use of the bathroom to become a more intuitive space.”
Image caption: The Apartment, The Connaught Hotel | Image credit: David Collins Studio
Kilburn then wanted to know if clients are more likely to take risks as a response to consumer demands for more statement design in the bathroom. Guy Oliver, Chief Designer and Managing Director, Oliver Laws, believed that storytelling in hotel design is socially fuelled. “When creating a statement that is new and unique, which takes on board touchpoints such as barefoot luxury and authenticity, it is important to work with artisans and to develop those relationships that, by their nature, add to the story of the design, as well as having a positive social impact. This is part of the broader social conversation around wellness.”
This moved the conversation on to look at how art has found its place in bathroom design. “As a space, the bathroom essentially needs to be easy to use and of course functional, but we still make sure that we inject design and layers of detail into the room,” discussed Jane Maciver, Creative Director at Buckley Gray Yeoman. “We have been bringing art and artefacts into the bathroom with bespoke pieces that are sometimes both functional and beautiful, adding layers to the space and giving it personality above and beyond its utilitarian place in the design scheme.”
Appropriately, the conversation was surrounded by the designs and finishes available from GRAFF, including its Ametis Collection, designed by Davide Oppizzi. This futuristic collection, inspired by the density of water and its colours, is one creative response to the question of immersive design and the touchpoints that contribute to the design emphasis on the bathroom. Davide Oppizi, Designer, GRAFF, went on to explain a little more. “Ametis was about thinking outside the box to design something new,” he said. “We explored the relationship between light, colour, water and wellness. We added light to the design, emphasising the play between all these elements and making the whole bathroom experience more experiential and immersive.”
Image credit: GRAFF
This led the discussion on to the use of technology within the parameters of the bathroom. Kilburn asked the designers how this had evolved and whether or not technology has become more seamless in a bathroom. “Technology tends to now be within the appliance; it’s within the product,” responded Yusuf. “Our job is to make sure all these elements speak to each other.”
Identifying the changing demographic of luxury as a key influence in design, Kilburn asked how this was also impacting on and being interpreted in the bathroom. Dawn Campbell, Managing Director, Bell & Swift replied. “People have become a lot more intuitive about how a space makes them feel and equally they can see through it when a design lacks meaning and depth,” she mentioned. “Even working with the more commercial brands, it is important for us to make sure that everything we specify has a meaning and a purpose. All elements have to speak to each other and that includes the bathroom, as it is now far more integrated into the design as a whole”.
Image credit: Bell & Swift
Drawing the conversation together succinctly, Yusuf added: “We have changed the question. How will this look has become how will this feel. Everybody understands this, and it is this shift that has created the fundamental change in the direction of bathroom design and how that feeds into concepts of wellness more broadly.”
As luxury hotel brands increasingly define themselves around wellness, the bathroom has to work a lot harder as it transitions into a personal spa. To complicate the moodboard, the language of luxury is unquestionably changing, but despite that, the designers around the table delved into the pros and cons of colour in the bathroom, explored the multi-faceted face of surface design, while debating longevity versus design innovation. What emerged clearly from all of this is that the role of the bathroom has moved on.
The future of statement bathroom design lies in the hands of whoever will be bold enough to innovate beyond the boundaries of yesterday. With the demand for sensory design notes, premium products, spaces that feel intuitively tranquil – and the fact that bathrooms, by nature, require durable solutions that have longevity in the overall hotel design context – surely that calls for a little more budget allocated towards tomorrow’s bathroom experiences?
GRAFF is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
Flying the LUX flag in the new destination of Zanzibar, global hospitality group The Lux Collective and ZK Venture Company in Zanzibar have signed a hotel management agreement for the first LUX luxury resort in East Africa. Set on a private pristine beach overlooking the Indian Ocean, the hotel has been meticulously prepared and has commenced its operations as LUX Marijani Zanzibar…
Positioned as a premier destination for sustainable luxury travel, LUX Marijani Zanzibar is located at Pwani Mchangani on the North-East coast. With a private beachfront and the Indian Ocean as the backdrop, the luxurious boutique resort is inspired by modern Arabic architecture and design. All 82 guestrooms and suites will provide elegant spacious comfort along with the warm personalised service that is the brand hallmark. An ideal destination for business, leisure and wedding, it will feature meeting and conference facilities, restaurants with international and local cuisine, a spa with tailored holistic wellbeing experiences, a pool and other amenities.
With the East African economies powering ahead, the group’s strategic entry into the new destination of Zanzibar in Tanzania will reinforce its brand presence in this important emerging market.
“We are privileged and excited to partner with the ZK Venture Company in Zanzibar to operate this five star boutique beach resort, raising its luxury quotient and service to yet another level,” said Paul Jones, Chief Executive Officer, The Lux Collective. “This marks the start of our meaningful partnership in the region of East Africa where the tourism potential is limitless. We are confident that the partnership will elevate our flagship luxury brand LUX as we continue to expand our footprint globally.”
Image credit: LUX Marijani Zanzibar
Image credit: LUX Marijani Zanzibar
“We are delighted to be The Lux Collective’s first strategic partner in East Africa,” added Natasha Manji, ZK Venture Company. “The Group’s purpose ‘we make each moment matter and care about what matters’, resonates with our own values. This like-minded partnership is a natural fit that promises opportunities for growth and success. We are truly inspired by LUX’s ethos of celebrating life through the ‘Life Extraordinary’ experiences. Its exemplary standards deliver shining hospitality that is lighter and brighter. Collaborating with LUX to rebrand our luxurious resort, I envision LUX Marijani Zanzibar to become a gem in Zanzibar where the beauty of nature, distinctive culinary experiences and sustainable wellbeing journeys will be uniquely attractive. In addition, we will focus on environmental-conscious and local community uplifting initiatives to create a greener future for all.”
For a purposeful stay steeped in rich cultural and heritage discoveries, guests can explore the UNESCO World Heritage Site Stone Town, Old Fort Zanzibar, 19th Century Hamamni Persian Baths to Jozani Forest nature trail and Spice Farm tour that traces back to the historic spice trade.
Growing its global presence, The Lux Collective currently manages 17 operating resorts and hotels in Mauritius, Maldives, Ile de la Reunion, China and Tanzania with a total of 12 hotels in its current development pipeline in Asia and Middle East.
First look: inside Parga Beach Resort’s new 23 luxury suites
The new suites at Parga Beach Resort will add a new layer of luxury, designed with ‘distinct elements’ that were ‘inspired by local architectural heritage’, with a modern twist…
Resting on a secluded bay, overlooking the glistening Ionian Sea with direct access to Valtos beach, Parga Beach Resort is all about relaxing, recharging and discovering the quaint town of Parga in north-western Greece.
Levelling up in the luxury arena, the resort has just unveiled 23 brand-new luxury suites, which are categorised into four types. Each suite features unique amenities and seamlessly blends the resort’s feeling of laid-back luxury with local craftmanship and luxurious amenities.
Image credit: Parga Beach Resort
The jewel in the crown, the Penthouse Bliss Suite is spread over two floors and features a harmonious minimal design. Fully equipped with a private balcony, a terrace overlooking the resort’s lush gardens, and its very own private plunge pool, guests can sit back and relax in their own idyllic space.
Meanwhile, the Maison Bliss Suite is a stand-alone building that guarantees privacy and exclusivity. The loft-style, open plan suite is spread across two levels and comes with a spacious private terrace equipped with a private pool for guests to enjoy.
Image credit: Parga Beach Resort
Set amidst verdant gardens, the Eden Suite offers quiet luxury combined with the feeling of being at home, allowing visitors of Parga to really relax in its airy, open-plan space, including a bedroom and sitting area as well as a balcony to bask in the Grecian sun. Perfect for couples and families alike, the Aura Suite incorporates distinct design elements inspired by the local architectural heritage and spaces designed with style and comfort in mind. A private pool with sun loungers and a private terrace offer the perfect summer recipe.
Image credit: Parga Beach Resort
Home to three restaurants that feature beloved classic recipes with a twist, the resort invites guests to explore authentic Grecian flavours and indulge in home-made meals at its beachfront eateries that serve up modern Greek and Mediterranean cuisine coupled with unobstructed views of Parga. Perfectly positioned in Parga, guests can take part in kayaking adventures in the Ionian Sea, dive into the natural beauty of the surrounding landscape and discover the hidden treasures of the historic town.
Checking in to the Mansion Suites at The Grove, Hertfordshire
Editor Hamish Kilburn makes a hat-trick return to The Grove, Hertfordshire, to explore the newly unveiled Mansion Suites, and speak to the designers, Martin Hulbert and Jay Gierson of Martin Hulbert Design…
There is arguably no person who is more familiar to the charm and character of The Grove, Hertfordshire than the man who designed, and then re-designed it several times over. For Martin Hulbert, Founder of Martin Hulbert Design, checking in to the hotel is like coming home – assuming, of course, Hulbert’s home is also set within 300 acres.
From the stately arrival experience to the interiors that so effortlessly reflect its location surrounded by English countryside, The Grove, Hertfordshire is a quintessentially British luxury hotel that has evolved over the years to amplify new strands of its, at times, quirky character.
Image credit: The Grove, Hertfordshire
One way to effortless tune in the right characteristics in such a design project is through the power of art. At The Grove, art has truly been taken outside the frame, with installations scattered all over the interiors and the grounds outside. “The intention behind our curation at The Grove was to provide guests with a visually stimulating experience that not only captivates but also harmonises with the charming views offered by the estate,” Hulbert told Hotel Designs. “This is achieved through a blend of old and new pieces, and art from The Grove’s existing collection, curated over two decades.
“This ensures we have a connection to the hotel’s history, bridging the gap between the past and present, in a way that also introduces some renowned contemporary British artists. Amongst those who created exclusive artworks specifically for The Grove are Poppy Ellis, hailing from Kent and Andrew Viner, who resides and works in East Sussex. These artists bring a fresh perspective and innovative techniques that contribute to the overall artistic landscape.”
Image credit: The Grove, Hertfordshire
The hotel’s most recent renovation saw Hulbert and Jay Grierson elevate the luxury hospitality experience by redesigning its signature rooms, the Mansion Suites, which are sheltered in the 16th century mansion house – AKA, the heart of the hotel. For the team at MHD, this project was about striking a balance between charming antique elements and stylish modern touches. Each suite is individually designed with everything, I’m told, made and sourced in the UK.
Accessed via a separate lift to the rest of the hotel that feels exclusively tucked away, the Mansion Suites immediately feel plush yet unpretentious. Flooded with natural light – and splendid views over the grounds that are reflected in a considered and paired-back colour scheme of terracotta, blue and green – the bedrooms feel tranquil. “Entering one of the signature suites inside the mansion is a truly captivating experience,” added Hulbert. “The rooms exude magnificence, offering a generous sense of space and an abundance of natural light. The latest design scheme is a thoughtful blend of old and new, creating a calm, deeply comfortable, and understated space. It’s a place where you can retreat and feel undisturbed by the world outside.”
Image credit: The Grove, Hertfordshire
To capture this atmosphere, the team at MHD focused on thoughtfully pairing contemporary touches into a traditional hotel suite – subtle touches that had lasting impact without sacrificing the volume of each suite. “We wanted to ensure that shone through whilst nodding to the contemporary,” said Gierson. “The original Georgian features, such as intricate mouldings, ornate fireplaces and curved bay windows, offering breathtaking views of the Hertfordshire countryside, were meticulously preserved and enhanced. These architectural gems contribute to the timeless allure of the suites.”
Image credit: The Grove, Hertfordshire
The most obvious challenge, on the outside looking in on this project, was making design decisions that created a subtle juxtaposition of contemporary touches with antique elements, without losing a cohesive hospitality experience that is set when checking in at the hotel. “Linen fabrics and ceramic tiles were carefully incorporated to introduce modern elements,” added Hulbert. “Linen fabrics create a crisp and contemporary look, while ceramic tiles provide sleekness and durability. To further enhance the blend of antique and contemporary styles, the suites feature individually sourced antique furniture, including chandeliers. These carefully selected pieces add character, sophistication, and a sense of history to the overall design.”
While establishing a synergy between elements, preserving original features was a necessary mindset. “Balancing modern comfort with the preservation of historical design presented a constant challenge, as practical considerations for guest usability had to be met without compromising the building’s integrity,” explained Gierson. “Compliance with strict historic building regulations and sourcing suitable antique pieces added to the complexity of the project. However, by overcoming these challenges, we successfully transformed the suites, achieving a harmonious blend of old and new while providing a memorable guest experience.”
Image credit: The Grove, Hertfordshire
In the competitive hotel design arena, The Grove, Hertfordshire has risen to the challenge, several times over, in fact, to level up its hospitality experience with new spaces that cohesively speak the same language of the rest of the hotel. The Signature Suites in the Mansion certainly do speak the same dialect, but I would argue that they have a slightly stronger accent – as all premium suites should.
Redesigning a legacy: evolving Beachcomber hotels in Mauritius
Editor Hamish Kilburn was in Mauritius to explore how Beachcomber Resorts & Hotels, the island’s first luxury operator that opened its first hotel in 1952, is evolving its look and feel of its hotels without touching its precious legacy and effortless style…
Legacy can only take hotels so far in the global hospitality arena. Being the first to successfully arrive, or shelter something different, anywhere in the world will undoubtedly be answered by calls from competition. For Beachcomber Resorts & Hotels, the first luxury hotel operator to launch in Mauritius, the brand is the island – and it’s as simple as that. The question the group has had to answer in recent years is what to touch and what to preserve when renovating an heirloom.
With eight hotels in its portfolio, all dotted around the island of Mauritius, amplifying different strands of the brand’s personality and its panache, Beachcomber isn’t just a chapter from 1952 when it arrived in the island’s hospitality narrative; it is a consistent motif weaved into more than seven decades of hospitality plot twists as new hotel brands make their character debuts.
An Ocean Suite at Royal Palm. | Image credit: Beachcomber Resorts & Hotels
What is arguably most interesting about Beachcomber’s hotels, and therefore the group’s DNA, is how the unapologetic differences between each property have been celebrated. Take Royal Palm for example, in the North overlooking Grand Baie. It’s a hotel that radiates a calm, unruffled luxury that has, over decades, become famous for its naturally delivered, exclusive first-class service.
Today, the 73-key hotel is an icon, recognised and cherished by regular guests. The challenge for grand dames like this is how to develop so that it is suitable and appealing for multi-generations. Its answer is to welcome a savvy, no-nonsense General Manager who has 25 years’ experience, leading hotels such as Peninsula Paris and Hotel Lutetia. Cue the arrival of Isabelle Bouvier, who since 2021 has been refreshing Royal Palm with a touch of punctuated Parisian class; her style is indefinable, elusive and infectious.
Image caption: Poolside at Royal Palm. | Image credit: Beachcomber Resorts & Hotels
Having this many hotels lodged together in such close proximity requires points of differences – the location, design style and overall offering – no one property is the same, or even remotely similar. Like siblings growing up, the brand has been a guardian in championing moments and achievements when its hotels have been able to show their raw characteristics.
Royal Palm, if you like, is the older sister – largely following the rules and retaining its position as the luxury address, gracefully fit for royalty, in Mauritius. But, as well as offering sumptuous suites and private beaches, the hotel is not without its quirks. Socially driven, the team decided to stage a series of avant-garde photoshoots with their staff. The black-and-white photos that hang around the hotel’s corridors, taken by French photographer Eric Cullivier, accurately show the heart and energy of hospitality at Royal Palm – they are a series of scenes, referencing in-between moments, that elegantly challenge formality. For example, there is a photograph of the housekeeping team having a pillow fight in a suite, or a butler being wheeled around the hotel on a baggage trolley. The collection more than highlights, it radiates, through the power of art and creativity, a human-centric approach, subtly breaking a boundary between hotel and guest, that everyone can relate to.
Image caption: Exterior of Royal Palm. | Image credit: Beachcomber Resorts & Hotels
Move up the family tree of Beachcomber, and you will start to discover that there is something for every traveller. Each hotel, built on the same moral foundations, has its own charm, and utilises a different design direction that answers to architecture and local community.
For Jean Louis Pimot, the group’s Chief Operating Officer, who arrived on the island in 1997 and proudly never left, growing first a General Manager and working his way into his COO role, ensuring each property is threaded together through brand values has been a key element of its success and growth. “There’s an authenticity with what we are about,” he said. “We are not bling. Nothing is overstated, which I also think is true for Mauritius itself. It’s a very special place, made what it is by the people.”
Image caption: Club House at Paradis Golf Resort & Spa
There is a craft to Beachcomber that is shared by each property, which is exemplified through its social responsibility. In 2006, the group launched Beautiful Localhands, an initiative that helps local hand-craft creatives by giving them the opportunity to develop their skills and sell their products to the tourist market. Not only this, the signs and details in each room and throughout the hotel come from the same programme, which promotes local technique and helps maintain its cultural heritage by doing good. In addition, to confront single-use plastics, the biodegradable water bottles have been made from sugarcane leaves – they can even be planted after use.
“Beachcomber, by far, is the most historical group of hotels on the island,” Pimot continued. “We really believe we provide the best hospitality that the island has to offer. However, that is a treasure as much it is a challenge when it comes to renovating and evolving.”
Separated from Royal Palm by 50 miles of lush rainforest and spectacular cascading waterfalls, on the southwestern tip of Mauritius is where you will find Dinarobin Beachcomber Golf Resort and Paradis Beachcomber Golf Resort. Don’t allow their shared location to fool you. These hotels have contrasting personalities, strengths and, indeed, weaknesses. Together, connected by a smooth golf-buggy transfer initiative – guests for both hotels can travel freely between each property – they form a resilient hospitality experience that is unmatched. All of a sudden, limitations of one hotel on its own are erased with the support of the other.
Image caption: An arial view looking down at Dinarobin Golf Resort & Spa. Image credit: Beachcomber Resorts & Hotels
Think of Dinarobin and Paradis like the younger, at times, more rebellious siblings of Royal Palm. While they may not share the same hobbies or interests, they have learned the art of sharing. These hotels, fuelled by adventure, rest on sandy beaches at the foot of the island’s most famous mountain, Le Mourne.
While Dinarobin amplifies a rustic-chic approach to luxury, Paradis, on the contrary, boasts a contemporary design scheme. throughout. Both have many layers in their architecture and design narratives, but examples of architecture’s role in hotel design arguably peek at Dinarobin.
Beyond the surface of a beachside hotel is a rare and unexpected jewel – the spa. Instead of framing somewhat conventional, and expected, tranquil views that stretch across the water, the spa at Dinarobin confidently confronts, not just faces, Le Mourne. It was here, craning my neck up in the private pool, where the scale and presence of the mountain – and the hotel’s genuine sense of place – was felt most. The result is a wellness area that fluently feels almost detached from the rest of the hotel, allowing guests to feel wrapped in nature.
Meanwhile, Paradis celebrates luxury through movement. Complete with an 18-hole golf course, three miles of uninterrupted beach and a plethora of watersport activities, the 293-key hotel, with eight different F&B options, is perfectly suited for guests of all ages seeking an elevated hospitality experience. And it is here where the brand’s latest design project is being developed with care.
Following modern traveller demands and identifying long trends, Paradis is transforming its premium restaurant, Blue Marlin, into two F&B outlets that will be connected with a central bar. “The project is long-overdue; it should have been done during the pandemic,” Pimot explained. “On average [at Paradis], guests stay for 10 days. Apart from accommodation, more people want to eat together and share moments as families. Our F&B approach, therefore, in terms of operations, must adapt to offer high-class and dynamic F&B experiences. This requires us to diversify the offering.”
Leading the design direction of the renovation is Carina Share, Director at Design Partnership, who was tasked to contextually add new layers to the F&B offering through design. “The soft curved archways and neutral colour palette aims to create an inviting yet sophisticated space to complement the a la carte food offering,” she explained.
The Zest restaurant, as it will be called, will celebrate memories, not only ‘created around the sharing of food’, as Share put, but also the memories of what the space was before. The iconic ‘Blue Marlin’ fish, for example, that hung on the walls of the existing restaurant will be deconstructed and made into an art installation.
The restaurant will fade from formal and become more reclined and connected to its environment – think linen trousers over pressed chinos. “The space is all about sharing, togetherness and celebrating a laidback environment,” added the designer. “Aesthetic inspiration is taken from the Mediterranean that also inspired the cuisine.”
Image caption: Dinarobin is a hotel that is enveloped around nature. | Image credit: Beachcomber Resorts & Hotels
The bar, meanwhile, acts as a central arrival experience between the two restaurants, creating a better orientation point. “Paradis is a well-known property,” said Pimot. “Therefore, it is extremely emotional to touch certain areas of the hotel, but we need to modernise and be up-to-date with technology.”
What I believe is most praiseworthy in the development of Beachcomber Resorts & Hotels is that it fully understands its position on the global hospitality map. Where other groups have taken the ingredients of a successful hotel location and spread their wings to open in new territories, Beachcomber has done everything to preserve its integrity – to stay true to its legacy and ethos, Beachcomber belongs in Mauritius, and it would suggest Mauritius only. By retaining its local rational, the group is protected to adjust, not drastically change, its look and feel to accommodate for new generations of luxury travellers while also remaining distinctly Mauritian in its manner.
The Principle Collection, from Parkside and Alusid, represents a huge step forward for the ceramic tile industry as the world’s first mass produced 95 per cent recycled content tile…
With a tile body made entirely from by-products (post-consumer recycled glass and ceramic) of other manufacturing processes, Principle from Parkside, is based on technology that has taken a bold leap from a small batch production to a fully scalable process. Made by adapting the tile body to work in standard ceramic production facilities, the tile achieves a similar like-to-like cost as some other twice-fired tiles.
The original Sequel Vibe requires making each tile by hand from low value glass and ceramic waste with capacity of approximately 50 square metres per week. The new technique developed for Principle uses the same low value materials, but sources them after a further production process for finer granules that can enter the machine-operated ceramic tile production cycle. In turn, Principle enters the world of scalable production with current output of 1,000 square metres per day.
Image credit: Parkside
“The original process for Sequel Vibe demonstrated that it was possible to create a wall tile using a high content of recycled materials,” explained Dan Little, Managing Director, Parkside. “However, as is often the case with developmental technology, it had manufacturing limitations. With the introduction of Principle, we’ve worked with Alusid, makers of Sequel Vibe, to develop a production process that achieves mass-production that also uses less energy. It’s a big step forward for the industry.”
Principle also addresses the energy used during production by eliminating the spray drying of almost all ceramic tiles in mass production today. An energy and resource intensive process, this means that approximately 35 per cent less energy and approximately 75 per cent less water is used than a similarly produced ceramic tile.
Image credit: Parkside
Founded in 2015, Alusid is the result of a research project at the University of Central Lancashire. Setting out to explore ways in which waste and low-value materials destined for landfill could be re-purposed into versatile surface materials, Professor David Binns and Dr Alasdair Bremner developed an innovative and aesthetically versatile surface material made from glass, ceramics and mineral waste.
As such, it becomes the world’s first mass produced 95 per cent recycled content tile. In fact, the body of Principle is entirely made from recycled materials. Alusid is looking at reducing the impact of the glaze to provide further environmental gain for the product in future iterations.
Principle echoes a similar hand-made aesthetic to Vibe, with a colour and depth in each of the four tones inspired by the Victorian period. With classic style that remains timeless and elegant, the tiles look impressive in any setting. Measuring 29.5 x 7.3 x 0.8 cm, Principle is available in colours of green, amber, blue and white.
Parkside Architectural Tiles is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
Hello Hawaii: inside newly renovated Kona Village, A Rosewood Resort
Rosewood Hotels & Resorts has unveiled an extensive redesign in its hotel in Kona, on the ‘big island’, imagined by Greg Warner of Walker Warner Architects, and San Francisco-based interior design firm, NICOLEHOLLIS…
Nestled on the sacred and spiritual lands of Kaʻūpūlehu on The Big Island of Hawaii, Kona Village, A Rosewood Resort rises from the remnants of a beloved hideaway after over a decade of stillness.
Carefully conceived to emanate a feeling of organic, approachable luxury, the resort’s long-awaited new chapter draws inspiration from the unique nuances of the destination as well as the original property, which captured the hearts of travellers from all over the world.
What lies here now is an inviting sanctuary that fully immerses guests in island experience while also demonstrating a forward-thinking and sustainable design approach. Through a seven-year development process led by Hawaii-raised architect, Greg Warner of Walker Warner Architects, and San Francisco-based interior design firm, NICOLEHOLLIS, the duo brought together the collective insights of local expert artists, craftsmen, environmentalists, engineers, cultural experts and community leaders to shine a light on the profound beauty that can be found in balancing the past, present and future.
Image credit: Rosewood Hotels & Resorts
The revisioning of Kona Village, A Rosewood Resort was guided by Rosewood’s partner Kennedy Wilson, the innovative global real estate investment company renowned for its commitment to responsible and sustainable development on Hawaii, with a core mission to be as minimally disruptive to the land as possible.
Working to the site’s special energy the site and its existing archaeological landmarks, Warner set out to respectfully restore the relaxed Pacific Island style that epitomised the original property while elevating it with modern touches and sustainable elements. To this end, several of the key buildings on property were designed according to LEED Gold Certification standards, and the resort is also pursuing TRUE and SITES certifications. If achieved, Kona Village will be the first resort in the world with all three distinctions.
Kennedy Wilson employed the services of Re-Use Hawaii, a non-profit organisation, to manage the demolition of Kona Village’s previously existing structures. Working closely with the team at Walker Warner the entire demolition was done thoughtfully with more than 80 per cent of materials salvaged repurposed and brought back to the island as affordable building materials.
The current architecture includes nods to the past, with thoughtful changes made to certain previous elements that were no longer aligned with the latest sustainability standards. Returning guests will recognise the property’s iconic silhouette and single hale layout – which stands in stark contrast to the other resorts on the island.
Image credit: Rosewood Hotels & Resorts
Walker Warner organised the guest hale, which are traditional Hawaiian housing structures much like refined beach bungalows, to stretch across small village-like crescents scattered around the perimeter the resort. In the middle, set against the glistening waters of Kahuwai Bay, sit the dining, wellness, and recreational facilities. This physical footprint of the accommodations and amenity spaces pays homage to the former days of Kona Village and re-establishes the convivial, summer camp-like environment that it was known for back then.
Discreetly tucked along the island’s tree line, Walker Warner’s architectural scheme was carefully conceptualised to both highlight and harmonise with the diverse geography and biology of The Big Island. The buildings were positioned with the trade winds in mind, underscoring one of the ultimate luxuries of oceanfront living. They were also built and outfitted using natural and responsibly sourced materials that would not deplete the island’s resources.
Of note, the thatched roofing around the resort is made of recycled materials, rather than the native leaves that islanders used to rely on for this feature. Additional choices of Walker Warner’s that reinforce the organic, natural feeling of the place include exterior siding inspired by the colours found in coconut tree trunks and exposed wood framing. The result of all these efforts and more is a look and feel that is both striking and low impact.
Meanwhile, Don Vita, President of VITA Planning & Landscape Architecture developed Kona Village’s stunning landscape design that is very much at the forefront of the property experience. Vita worked closely with Walker Warner to create gorgeous grounds that pull inspiration from the rawness of their surroundings, placing an emphasis on the stark, primal beauty of the stretch of shoreline Kona Village calls home, as well as the cultural imprint the native flora and fauna have had on those who have settled here for centuries.
Image credit: Rosewood Hotels & Resorts
A detailed design narrative
Working to complement the exterior architecture, the interiors of Kona Village, A Rosewood Resort exemplify simplistic yet special design. Helmed by award-winning designer Nicole Hollis of NICOLEHOLLIS, the resort’s distinctive interior aesthetic is both rustic and relaxed, locally relevant andluxurious. A long-time visitor of The Big Island having spent time at Kona Village prior to its closure, Hollis was committed to retaining the identity of the original property while cementing it firmly into the 21st century.
Coupled with inspirations drawn from the concepts of ‘ohana and cultural heritage, her work set out to tell the rich and layered story of this land called Kaʻūpūlehu. To accomplish this mission Hollis relied on a range of strategic elements including custom furnishings, made from natural materials and precisely placed to prompt social interactions, as the legacy resort was known for. Additional design details that support her vision include site-specific colour schemes and specially commissioned art pieces from native and resident Hawaiians.
Across the 150 guest hale, which span from one to four bedrooms, Hollis has created striking indoor-outdoor retreats that serve as an extension of the natural beauty found beyond their walls. One of three distinctive schemes envelop each, dependent on where it sits on the site. In the agrarian South Village, hale are bathed in blues and yellows reflective of the nearby ocean waters and sandy shores. In the North Village, black and red tones have been implemented to pay homage to the surrounding lava fields and Mauna Kea volcano in the distance.
Finally, hale by the lagoons are distinguished by darker wood tones and a palette of deep greens and teal blues, drawing from the striking colours of the natural brackish water and the plants and fish that call them home. No matter what scheme they adhere to, all rooms are appointed to ensure the eye is drawn directly to the exterior views, on display through a soaring window wall. Most accommodations feature a private lanai, remarkably large in size to encourage guests to enjoy as much time as possible in the open air.
For the custom fixtures, furnishings, and décor found throughout the hale, Hollis focused on materials that are both inviting and enduring, such as scraped wood floors and Douglas Fir walls and ceilings.
Statement pieces commissioned by NICOLEHOLLIS and handmade by expert craftsmen include beds inspired by the shape of a boat, evocative of Kaʻūpūlehu’s origins as a fishing village. Upholstery textiles, rugs and accessories portray traditional Hawaiian artforms and motifs to further facilitate understanding of the local land and culture. For example, decorative pieces inspired by Hawaiian tools used for fishing, carving and knot tying have been thoughtfully placed along the walls and surfaces.
The bathrooms, meanwhile, boast custom sinks and soaking tubs formed in concrete, reflective of the lava flows around the resort. Together all these touchpoints create a rich sampling of textures and immerse guests in an authentic Hawaiian design experience.
Throughout the reimagined layout, returning guests will encounter landmarks of the legacy property—reinforcing a commitment to commemorate what came before, while creating a new and elevated experience. The arrival experience itself was carefully crafted to evoke a feeling of being welcomed home, with a reception area set up as an informal living room on a lanai overlooking Kahuwai Bay.
Perhaps the most impressive of the original architectural elements are five inimitable guest hale. Located mere feet from the ocean cliffs, these accommodations exist on their original foundations—providing sweeping views of the Bay and direct access to the shore that few other accommodations offer today.
The restaurants and bars will also conjure a familiar feeling. Constructed from Johnno Jackson’s shipwrecked schooner, The New Moon, Shipwreck Bar has been lovingly restored to its original glory just feet from the shoreline. Talk Story Bar also returns, situated in its original location on the sandy beach and maintaining its upbeat and amicable aura.
Image credit: Rosewood Hotels & Resorts
Moana, the property’s signature restaurant which was a key fixture of the old Kona Village, also remerges, though it has been slightly set back from its original location. Its iconic thatch roof mirrors the design of the former Moana’s, and the interior design showcases a modern approach to the kind of communal dining that was quintessential to the concept in years past.
A new wellness experience
Built into the black lava flow and facing the island’s mountains with views toward the Hualālai volcano, Asaya® Spa at Kona Village celebrates the healing and restorative powers of the earth on which it sits. Designed to channel the land’s mana – a sacred Hawaiian term for the special energy of ability and strength – Asaya provides an optimal environment for wellness seekers to embark on a journey of self-discovery. Guests are welcomed into a calming reception area that showcases the same natural materials of wood and stone that are found elsewhere around the resort.
The power of art
Beyond preserving the treasures that remained, the team at NICOLEHOLLIS worked closely with King Kamehameha School’s Cultural Committee to bring new items into the space that would further educate guests on the land’s legacy, curating a diverse collection of art and furnishings thoughtfully created by Hawaiian artisans. These unique commissions convey the storied history of Kona Village and the sacred site it lives on, while introducing a new generation of Hawaiian artists and craftspeople to a wider audience.
Image credit: Rosewood Hotels & Resorts
In the welcome lanai, for example, a ceramic installation by Christopher Edwards portrays the constellation of Makali’i rising over Hualālai, while in the surrounding garden an abstract terrazzo sculpture of a Piko – or a human navel – by Randall Shiroma symbolises where life begins. Suspended from the vaulted ceiling of Moana, an installation by Kaili Chun is inspired by the crab claw shaped pe’a (sails) of the great voyaging canoe. This motif is emblematic of both the old and new Kona Village and can be seen all around. Nearby, above the display kitchen, five-metre-long painting by Lynn Capell illustrates the days of Kahuwai Bay before Kona Village, and sculptural ceramic sconces by Suzanne Wang, etched using shells from the property’s seashore, line the dining area.
The ever-present connection to the Bay and ocean is further conveyed through traditional lashing patterns in the building’s columns, reminiscent of those found in canoes and fishing nets. The centerpiece of Moana, a vast live edge table made from a Hilo-grown mahogany tree, was designed by Kamuela Hardwoods in Waimea. It is surrounded by oversized monkey pod tables that cater to the rest of the restaurant as well as the two private dining rooms, which are lined with prominently printed historical images.
Situated within the lava flow along the walk from Asaya Spa’s reception area to the treatment rooms, a multi-piece structure by John Koga brings the concept of flowing water back to the arid expanse of lava. Each hale is adorned with a curated selection of pieces from additional Hawaiian artists, including Nancy Vilhauer, Pegge Hopper, Terry Field, Linda Spadaro, Roen Hufford, Jamie Makasobe, Jordan Souza, and Abigail Romanchak.
Designing the surfaces inside Emerald Zanzibar Resort & Spa
Atlas Concorde porcelain tiles play a leading role in the indoor and outdoor design of the new Emerald Zanzibar Resort & Spa, combining local tradition with the cutting edge of wellness and luxury…
Designed by DeLogu Architecture, an international architectural firm based in Rome, Emerald Zanzibar Resort & Spa, with its variety of environments and 250 suites, provides the ideal stage for the various earthy effects of the complete Atlas Concorde product system, giving each guest a unique sensory experience while offering the designer the technical benefits of an extremely high-performance, durable and easy-to-maintain material.
Image credit: Atlas Concorde
“Emerald Resorts & Spas are located in places that are able to surprise and excite,” explained Ermenegildo Scarapicchia, CEO of The Emerald Collection. “Zanzibar is a one-of-a-kind destination, as unique as each of our resorts is, every sensory experience – from the food to the architecture of the spaces – is designed to generate well-being and imagined by combining the suggestions of the very rich local culture with the insights of architects and artists of food and hospitality from around the world. The added value is Italian ingenuity, the common thread that unites attention to quality and the ability to find the perfect balance between beauty and performance that we share with Atlas Concorde.”
Image credit: Atlas Concorde
Pathways and broad outdoor spaces shine thanks to the special treatment of the natural stone used in the Block Collection, which has a distinct material strength perfect for shining in the sunlight. For the areas around the pools, the choice fell on the Klif and Marvel Stone collections, also used in some areas of the interior, exploiting the non-slip surfaces and resistance, along with the beauty of their respective interpretations of stone – Klif with its shades of gray and textured surface and Marvel Stone with its look replicating the eternal elegance of marble.
Image credit: Atlas Concorde
Used in multiple hues, wood-effect floor and wall tiles from the Etic and Etic Pro collections were chosen for various areas of the resort, from the Asiatique restaurant, where the tiles play a key role in creating the venue’s overall style, to the convention centre, playing with the dark colors of matte rosewood and the brightness of varnished oak. The intense natural and authentic character of wood comes alive on the surface of the porcelain tiles, conveying the timeless appeal of the original material in a contemporary design. The combination with the Klif and Trust collections, inspired by the earthy strength and rich details of natural stone, translates the union of Western and Eastern culture that is the common thread of the entire project into a style of interior design, where the refinement of an avant-garde look is blended with the allure of the magic typical of age-old local traditions.
Image credit: Atlas Concorde
The Boost collection was selected for the flooring of Emerald Zanzibar Resort & Spa’s main ‘Aqua’ restaurant, which elegantly explores the color scale of greys, and Venti Boost, which interprets the tradition of encaustic tiles, for its distinct decorative attitude. From the world of Marvel, which has been exploring the aesthetics of marble since 2012 by selecting colours, veining and details from the finest marbles from around the world, Emerald Zanzibar Resort & Spa opted for the Marvel, Marvel Dream and Marvel Stone collections, chosen to bring the absolute elegance of this material to the spa and areas surrounding the pools.
Image credit: Atlas Concorde
Finally, Atlas Plan, a brand specialising in large kitchen, table and furnishing slabs – which together with Atlas Concorde floor and wall tiles and Atlas Concorde Habitat bathroom fixtures, makes up the complete Atlas Concorde product system – was chosen to clad the sinks in the luxurious suites with a pool. The mix of collections selected demonstrates the ability of the Atlas Concorde range to meet a wide variety of design and stylistic requirements, generating a harmonious stylistic composition where beauty coexists with high quality and advanced technology.
Atlas Concorde is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
In pictures: official images released from MEET UP North 2023
The hotel design and hospitality community gathered at YOTEL Manchester on July 6, 2023, for MEET UP North 2023 – and it was unlike any other event hosted by the team at Hotel Designs. Here’s why…
Taking over YOTEL Manchester – and sheltering an immersive panel discussion on ‘blurring the boundaries between spaces’ that aptly travelled around the venue’s public areas – MEET UP North on July 6 was unlike any other networking event for the hotel design community in 2023.
Interior designers, architects, hoteliers and suppliers alike gathered at the quirky hotel in the vibrant Spinningfields neighbourhood to partake in Hotel Designs‘ fourth edition of MEET UP North. The event kicked off with an opening speech from Editor Hamish Kilburn, which filtered into the panel discussion between Katie Edgar, Director of Interior at YOTEL; Joe Lane, Creative Director at 93ft and Luke Artingstall, Director and Founder, Artin Light.
Image caption: Hamish Kilburn, Editor of Hotel Designs, chaired the immersive panel discussion. | Image credit: Hotel Designs / Tangerine Photography
Image caption: Panellist Luke Artingstall, Director and Founder, Artin Light. | Image credit: Hotel Designs / Tangerine Photography
Image caption: Panellist Katie Edgar, Director of Interiors at YOTEL. | Image credit: Hotel Designs / Tangerine Photography
Image caption: Panellist Joe Lane, Creative Director at 93ft. | Image credit: Hotel Designs / Tangerine Photography
The discussion, which was divided into three topics and locations around the venue, touched on unconventional ways to amplify brand identity, making use of in-between spaces and moments and ensuring that all design narratives are cohesive and accessible to every body checking in. “This year, following popular demand from the industry, we wanted to add content and context to this particular networking event,” Kilburn commented. “We couldn’t have found a better panel, and I am grateful to Katie, Joe and Luke – all of whom see this conversation from different vantage points – for confidently approaching this topic in an honest and progressive manner.”
Following the live conversation, which sparked debate throughout the evening, guests were able to authentically make new connections while catching up with like-minded individuals.
Here are the official images from MEET UP North 2023:
Image credit: Hotel Designs / Tangerine Photography
Image credit: Hotel Designs / Tangerine Photography
Image credit: Hotel Designs / Tangerine Photography
Image credit: Hotel Designs / Tangerine Photography
Image credit: Hotel Designs / Tangerine Photography
Image credit: Hotel Designs / Tangerine Photography
Image credit: Hotel Designs / Tangerine Photography
Image credit: Hotel Designs / Tangerine Photography
Image credit: Hotel Designs / Tangerine Photography
Image credit: Hotel Designs / Tangerine Photography
Image credit: Hotel Designs / Tangerine Photography
Image credit: Hotel Designs / Tangerine Photography
Image credit: Hotel Designs / Tangerine Photography
Image credit: Hotel Designs / Tangerine Photography
Image credit: Hotel Designs / Tangerine Photography
Image credit: Hotel Designs / Tangerine Photography
Image credit: Hotel Designs / Tangerine Photography
Image credit: Hotel Designs / Tangerine Photography
Image credit: Hotel Designs / Tangerine Photography
Image credit: Hotel Designs / Tangerine Photography
Image credit: Hotel Designs / Tangerine Photography
Image credit: Hotel Designs / Tangerine Photography
Image credit: Hotel Designs / Tangerine Photography
Image credit: Hotel Designs / Tangerine Photography
Image credit: Hotel Designs / Tangerine Photography
Image credit: Hotel Designs / Tangerine Photography
Image credit: Hotel Designs / Tangerine Photography
Image credit: Hotel Designs / Tangerine Photography
Image credit: Hotel Designs / Tangerine Photography
Image credit: Hotel Designs / Tangerine Photography
Image credit: Hotel Designs / Tangerine Photography
Image credit: Hotel Designs / Tangerine Photography
MEET UP North is brought to you by the team at Hotel Designs. The brand’s next major industry networking event will be The Brit List Awards 2023, which takes place on November 1 at Circa Embankment. The application process for this event is now open – and tickets are on sale.
Sponsors and partners:
Showcase Partner: Hamilton Litestat
Exclusive Style Partner: YOTEL
Event Partner: Crosswater
Event Partner: Burlington
Event Partner: Häfele
Event Partner: Silentnight Group Hospitality
Official Videographer: Mel Yates
Podcast Partner: DESIGN POD
Image credit: Hotel Designs / Tangerine Event Photography
Product watch: Ca’ Pietra Proper Good Paint Collection from Hyperion Tiles
Family-run, independent online tiles specialist Hyperion Tiles has added the premium paint collection by Ca’ Pietra to its portfolio – a range of high-quality paint colours, which are not only easy to apply, but also deliver long-lasting results…
The Ca’ Pietra Proper Good Paint collection from Hyperion Tiles, is exactly that: a range of high-quality paint colours that is easy to apply and delivers long-lasting results. The collection incorporates everything from standard base coats to specialty finishes. And because its UV-resistant, fade-resistant and water-repellent, it performs as good as it looks. The team has worked hard to curate a variety of colours, from all ends of the spectrum, each of which is named after something (or someone) who has personally inspired the company, ensuring that there is no shortage of shades to select.
Image credit: Hyperion Tiles
Image credit: Hyperion Tiles
“Our team has worked hard to curate a variety of colours, from all ends of the spectrum, so there’s certainly no shortage of shades to select,” explained Richard Skeoch, Director,Hyperion Tiles. “Our Ca’ Pietra Proper Good Paint Collection doesn’t just look good – it performs brilliantly too, thanks to its UV-resistant, fade-resistant and water-repellent properties.”
Image credit: Hyperion Tiles
“Importantly, the Ca’ Pietra Proper Good Paint Collection is environmentally responsible and made in the UK,” added Skeoch, “so not only is it non-hazardous, eco-friendly and low VOC, it doesn’t rack up thousands of air miles en route to our customers.”
Having added this comprehensive paint collection to its portfolio, Hyperion Tiles continues to shine a light on the more than 15,000 bespoke floor and wall tiles in a variety of patterns, colours, shapes and sizes, which it is known for. In addition to surface solutions, it offers a dedicated collection of distinctive bathroom pieces, from mesmerising mirrors to stylish storage. The highly skilled team is always available to offer expert advice, such as technical know-how and in-depth product knowledge, to homeowners, designers, specifiers and architects.
Hyperion Tiles is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
Ruby Zoe, designed by Matthew Balon and Squire & Partners, becomes Ruby’s second property in London to open. We took a peek inside to see how ‘lean luxury’ translates in Notting Hill…
Following much anticipation, Squire & Partners and the in-house team at Ruby Hotels – led by Matthew Balon – have completed their vision to open Ruby Zoe, a 173-key ‘lean luxury’ hotel that is located in the heart of Notting Hill, London.
The hotel, which is the group’s 16th property in Europe, has been designed with Notting Hill’s history as well as its Caribbean heritage. This is especially evident in the decor and interior design, which reflect all the different cultures that have made the neighbourhood the vibrant district it is today. In particular, the 1970s, the colours of Portobello Road and the Caribbean islands provided inspiration for the typically cosy Ruby atmosphere, a relaxed and welcoming interior, full of colour, weathered surfaces, and musical references. The open and expansive glass fronts on three sides open the entire ground floor to the city.
Image credit: Ruby Hotels
The latest hotel also follows Ruby‘s Lean Luxury philosophy: a location in the heart of the city, top design, and high-end amenities with the essentials. And it does so affordably by consistently dispensing with superfluous and non-essentials. For the rooms of the RubyZoe, this means the brand-typical elements of an open washstand and glass rain shower, lots of fresh white and wall paneling made of cherry wood. Extra charm is added by the artwork above the bed, which picks up on the colorful houses in Notting Hill.
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A highlight is definitely the 455 square-metre public area in the ground floor, which includes a bar and a retail space with a vinyl store. The vinyls are curated by Ruby‘s own resident artists and are available for purchase on site. The open-plan area invites locals, guests, and even the neighbourhood to linger, and provides space to work from or even just enjoy a coffee while watching passersby walk by.
Image credit: Ruby Hotels
In autumn 2023, a specially commissioned public artwork for the London Borough of Kensington & Chelsea by celebrated British-Trinidadian artist Zak Ové will also be installed on the hotel’s façade. This is his first glass mosaic artwork inspired by the traditions, flair and freedom of carnival and masquerade. Ové’s installation will consist of eight floor-to-ceiling glass mosaic panels that frame the exterior at the RubyZoe‘s entrance. Together, they form a billowing, vibrant carnival parade that celebrates the area’s rich heritage as well as Ové’s own heritage and connection to the area.
Four room categories are available for Ruby guests to choose from, ranging from the friendly NEST Room, COSY Rooms, LOVELY Rooms and the WOW Rooms with up to 30 square metres.
ZEL Mallorca, the first hotel of the ZEL brand, opens its doors
ZEL is the new lifestyle brand born from a collaboration between Meliá Hotels International and Rafael Nadal. The collection is a hotel concept with a refreshing aesthetic based on the spontaneity, energy and family values of the Mediterranean…
The ZEL hotels are inspired by the ‘phygital’ philosophy that combines physical elements with technological innovation that enhance the experience and comfort of guests. Therefore, stepping in to ZEL Mallorca, instead of a traditional reception, guests will find a digital kiosk in the patio where they can get their room card by scanning the QR code with their phone, which they will have received when they registered online previously. If they have not already done this, they can register with their phone at that time while they enjoy a welcome drink. In the same way, when it is time to check out, guests receive a notification to check their expenses, validate them and pay online or in the patio with a member of the hotel staff if they prefer.
Image credit: Meliá Hotels International
The interiors of ZEL Mallorca transmit the harmonious mix of influences, with references to other key features of the Mediterranean culture from Italy and Greece, as well as patterns and finishes with a Mallorcan essence and earthy and ocean tones that generate an atmosphere brimming with energy. The renovation and interior design project were created by ASAH studio run by architects Álvaro and Adriana Sans.
Image credit: Meliá Hotels International
The patio, an essential element of Mediterranean architecture, is the heart of ZEL Mallorca, the epicentre and core of its energy. The patio functions as a lobby and interconnects its different areas, perfectly reflecting a passion for freedom and open-air living. Upon entering the patio, the first thing you will notice is the absence of a traditional ‘reception’, because ZEL is inspired by a ‘Mediterranean home’ and therefore the patio offers a concept store where you can buy exclusive products by national and international brands, a specialty café serving the brand Syra Coffee and a Mediterranean lounge.
Image credit: Meliá Hotels International
“We are proud to prove that a project with challenges and such high standards like the ZEL brand has been captured in a new gem of the Mediterranean hotel sector with ZEL Mallorca, which will undoubtedly be the best international showcase of the new brand and an emblematic hotel that we will feel very proud of,” said Gabriel Escarrer, Chairman and CEO of Meliá. “This hotel is an exceptional jewel born from the combination of our experience in hotel management and the inspiring leadership of a worldwide icon like Rafael Nadal and the first example of the alliance of two groups of family origins and solid shared values. For us, today marks the start of a new expansion and growth phase for the ZEL brand and I am glad to mark the celebration with the announcement of our first ZEL hotel in Mexico: ZEL Sayulita, which will open in 2025.”
Since its conception, ZEL has aimed to take the spirit and essence of the Mediterranean way of life to the best destinations around the world, and the opening party included all the classic Mediterranean ingredients – a night by the sea, the breeze and the drums playing background beats, while the guests sampled the gastronomic offering and cocktails of the famous Beso Beach that operates the main restaurant on the property. Guests could see and experience first-hand the much-anticipated features that make the ZEL hotel concept stand out from other brands, like the patio, the open-air living concept, its integration with its surroundings and the contrasts of spaces created to embrace its trademark ‘fiesta and siesta’ concept.
Bathroom brand Burlington is embracing an industrial slant on tradition in its new brassware finish, brushed nickel…
Burlington is no stranger to adding to an existing collection. Earlier this year, the bathroom brand that champions the elegant aesthetic added new colours to its Bespoke Collection. Prior to that, it launched its oh-so-sleek art deco-style Riviera Collection to add some personality into the classical bathroom. Its recent move has seen the brand levelled up in the traditional bathroom arena by launching brushed nickel finish in its taps and accessories.
Offering a truly time-honoured, luxurious result, brushed nickel makes the optimal finish for any classic bathroom interior. An ideal option for those who prefer a more understated aesthetic, the brushed nickel finish gives a soft, satin-like appearance that flawlessly complements various colour schemes and interior styles from contemporary, to transitional, or even traditional.
Image credit: Burlington
One of the most durable finishes available, brushed nickel is favoured in a bathroom, due to its ability to withstand daily use and retain its appearance. Unlike the shiny surface of chrome, brushed nickel is much more forgiving when it comes to fingerprints, water spots and scratches.
Burlington is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our recommended suppliers, please email Katy Phillips.
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A celebration of mosaic art with Orsoni Venezia and Brugal
Celebrating the Third Edition of Brugal’s Global Artist Series, the Dominican rum brand has partnered with Orsoni Venezia 1888, the historic Venetian mosaic furnace, to create a stunning collection of 18 handmade bottles that embody the essence of both rum production and the art of mosaic…
At the heart of this remarkable partnership lies a deep-rooted commitment to preserving heritage and upholding the values of family craftsmanship. Orsoni Venezia 1888, founded in the same year as Brugal, has been a beacon of artistic excellence in the realm of mosaic art, while Brugal’s expertise in rum production spans over a century, a testament to its unwavering dedication to its craft. Together, they bring forth a limited-edition collection of Brugal 1888 bottles, each one meticulously crafted using Orsoni Venezia 1888’s iconic mosaic technique.
Image credit: TREND Group
This collaboration tells the story of two visionary founding fathers, separated by thousands of kilometres, yet united by their passion, innovation and unwavering commitment to their crafts. Brugal and Orsoni Venezia 1888 embody the essence of a family’s mastery, its ability to adapt to change and the constant quest for excellence. These shared values have shaped both brands, allowing them to carve out a unique place in the worlds of rum and art.
The pinnacle of this collaboration is the extraordinary golden bottle aptly named ‘Liquid Gold’. This masterpiece will be showcased and auctioned by Bolaffi, a renowned institution in Turin, in September 2023. The proceeds from the auction will be donated to the Ugo and Olga Levi Foundation, a prestigious Venetian centre dedicated to musical and musicological research. The foundation’s noble mission of promoting music culture aligns perfectly with the spirit of this collaboration.
Image credit: TREND Group
The funds raised will be utilised for the restoration of a remarkable collection of portraits depicting famous musicians, breathing new life into these timeless works of art. This act of philanthropy showcases the deep-rooted commitment of Brugal and Orsoni Venezia 1888 not only to their respective crafts, but also to the broader artistic community.
The Brugal Global Artist Series’ Third Edition goes beyond the realms of rum production and delves into the captivating world of mosaic art. Through this collaboration, the intricate beauty and craftsmanship of mosaic take centre stage, weaving together the stories of two brands and their enduring legacies. Each bottle in this collection is a unique piece of art, symbolising heritage, family craftsmanship and a shared passion for excellence.
As we raise our glasses to celebrate this milestone collaboration, let us also raise awareness for the power of art to transcend boundaries and bring communities together. Brugal and Orsoni Venezia 1888 have showcased that art, whether in the form of rum or mosaic, can create lasting impressions and enrich lives. In this mosaic of creativity, Brugal’s rum and the art of mosaic merge seamlessly, creating a masterpiece that will be cherished for generations to come.
TREND Group is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
IA Interior Architects complete first international hotel
For its return to Italy after a seven-year absence, the luxury brand InterContinental Hotels & Resorts chose a historic neo-Renaissance palace on Via Veneto, with a complete renovation curated by the interior design studio IA Interior Architects preserving the glamorous character of a building that was a manifesto of the Dolce Vita…
Built in 1900 to host diplomats visiting the nearby American embassy, the InterContinental Rome Ambasciatori Palace is located in the heart of the city on the prestigious Via Veneto, one of the most celebrated avenues in the world. With its wide sidewalks lined with tall trees, it is known as Rome’s Champs-Élysées or the equivalent of Italy’s Fifth Avenue. Via Veneto catapulted to fame in Federico Fellini’s iconic film La Dolce Vita, which immortalised a life of Italian indulgence with endless aperitifs at Harry’s Bar and secret parties in the most luxurious hotels.
Designed in the style of a neo-Renaissance palace by celebrated architect Carlo Busiri Vici in the early 1900s, the Ambasciatori Palace was recently reimagined as the quintessential Roman destination for IHG Hotels and Resorts. IA Interior Architects’s Managing Director of Hospitality Veronica Givone, who collaborated with the owners during selection and acquisition of the property, as well as on its initial design while at another architecture firm, subsequently was appointed to direct and revise the design project with the IA team.
The renovations lasted two and a half years and involved the optimisation of space with all 160 guestrooms and suites of the hotel defined by a timeless Italian design approach, with architectural elements that re-imagine the opulence and heritage of Rome. Large and small gestures reinterpreted for a sophisticated and high-level atmosphere, inspired by Italian luxury apartments. The objective was to ensure the comforts and surprises expected of a luxury hotel, heightened by a pervasive authenticity of place that draws on genuine local materials, Italian heritage, Roman tradition and the country’s warm hospitality and beauty.
The new hotel will offer a luxury immersive experience typical of InterContinental hospitality to both business and leisure travelers. “The entry of this splendid InterContinental Hotels & Resorts property into our Group is a moment to celebrate,” said Eric Viale, Managing Director Southern Europe, IHG Group. “Bringing this iconic brand to the capital strengthens IHG’s presence in the luxury and lifestyle segment in the country. We are very proud to do this together with the partners who have worked with us on this project. It is a demonstration of confidence in the success of our brands, the same confidence that our guests have in the experience we offer.”
Based on the concepts of classical rhythms, natural elements and dramatic spaces, the design takes a timeless, sophisticated approach to ambiance, combining modernity and the style associated with the Via Veneto. Existing architectural features and the original character of the interiors are enhanced creating a sense of discrete, modern luxury. Entering the Palace, visitors are greeted by a design compelled by the original décor, which remains largely intact, evoking a luxury and elegance expressed from the grand columns framing the magnificent staircase, to the reinterpretation of Roman tapestry on marble floors, to stucco plasterwork and bespoke chandeliers. The entrance is impressive yet warm and inviting through the use of marbles, brass portals, gold doors, theatrical elements and a palette of neutral tones.
The reception continues the initial arrival experience in mood and ambiance with details similar to the main lobby and added features that heighten the encounter. The colour scheme is monochromatic with gold accents and sophisticated finishes in intricate layers and patterns. Dramatic and contemporary elements, for instance a brass screen and the modern marble floor design, are juxtaposed with traditional architectural detailing at the ceiling and walls. The classical, serene design continues at the main lobby, enriched by a dramatic injection of brass portals and red marble emphasizing the space’s original height and grandeur, drawing guests to the impressive and eclectic original staircase, inspired by the stair at the prestigious opera house in Rome—a grand experience that runs through all six floors of the Palace.
Unique style and the existing architecture make a statement. White Marmorino finishes highlight original detailing and décor and a red central runner with red velvet drapes lead guests through a dramatic, theatrical experience in contrast to the unexpected dark and moody guestrooms corridor design.
The event space, wellness suites and gym at the mezzanine level exude a sense of rest and restoration. Sculpted lines, crafted volumes, forms and patterns create an atmosphere for rejuvenation, relaxation and a celebration of wellness. Elements of intrigue such as the green Italian marble reception desk and feature walls add a sense of calm and freshness.
The guestrooms and suites, with a serene palette of colours, shun all sense of standardisation, underscoring Italian traditions and craftmanship—the bases for developing the two guest room schemes. Bespoke details and design emphasise the ancient city’s influence from brass handles reimagined to resemble Roman fluted columns to leather crafted headboards and fluted wall lamps, all original IA designs made by Italian artisans. Through geometries, patterns and hues, as well as a touch of unexpected modern style, the materials selection contrasts the richness of brass, the timber of flooring and the delicate tones of colour on walls and furniture.
Evoking Rome’s classical elegance and supporting the genius loci of place, executive suites with their motif of arches that separate living room and bedroom instantly imbue the suites with the city’s most iconic characteristic and symbol, the arch, key to its history of architectural mastery. Every aspect of the design of the InterContinental Rome Ambasciatori Palace ensures a warm engaging celebration of contrasts and delights based on Rome’s heritage, Italian modernity and the legacy of the Via Veneto.
Main image credit: InterContinental Rome Ambasciatori Palace / IA Interior Architects / Mattia Aquila
With quality, sustainability and human-centric design at the core of the GROHE product portfolio, it is an easy fit and naturally embodies the quiet luxury approach to design and specification…
As the term ‘quiet luxury’ steadily gains recognition within the interior sphere, it remains heavily influenced by trending media showcasing interiors that favour understated craftsmanship and quality design over mass trend-led styling and overbranded buys. With this, quiet luxury is subtly shifting from a trend into a movement, bringing this understated elegance intoplay with each design decision being conscious, considered and refined.
Image credit: GROHE
Quiet luxury encourages curated investment pieces that create a calm, inviting space and when it comes to interior design and specification, this approach is no longer a fleeting trend but a significant shift in consumer behaviour and an important step in moving away from short-lived design trends.
In a recent YouGov study, it was found that 23 per cent of UK adults view the environment as one of the top three most important issues currently facing the country . Since its research began in 2011, YouGov noted that those acknowledging environmental issues as important matters have steadily risen over the past decade, from having hovered between five and nine per cent until 2014, to consistently staying above 20 per cent ten years on.
Image credit: GROHE
In GROHE’s collaboration with the global pioneer of premium quartz surfaces, Ceaserstone, as part of its Private Collections, innovative technologies delivering the very best in experience and offering sustainable benefits, work alongside quality products created with expert craftsmanship in timeless designs . The collection is an extension of GROHE’s premium models, Atrio and Allure Brillant and provides a customisable design experience with a choice of colour, finish, material and handle options. Along with the premium finish, the collection also provides users with resource efficiency functionality.
Image credit: GROHE
Integrated within a number of the fitting’s body is GROHE’s water-saving technology, EcoJoy, which reduces the water flow by up to 50 per cent, without compromising on performance. The societal demand and continued awareness around sustainability is a key driving trend for manufacturers to provide premium performance showers, that cater to an eco-friendly and environmentally conscious lifestyle.
GROHE recently announced Spring 2024 as the market launch of its first water-recycling shower GROHE Everstream. The shower system is currently being field tested and a training programme for installers is expected to start in the second half of 2023. In addition, GROHE is also aiming to have all GROHE concealed showers water-recycling-ready by 2030. GROHE Everstream has been designed to create the showering experience users expect, but consuming as little fresh water as possible – and using far less energy. The Everstream system uses as little as a quarter of the water and a third of the energy typically required by traditional showers.
GROHE is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
Panel discussion: curating ‘wow’ moments in hotel design
To celebrate the launch of House of Rohl and Studio Mica’s involvement in the Wow! House 2023, displaying at Design Centre Chelsea Harbour this summer, Editor Hamish Kilburn chaired a panel discussion with leading designers on statement hotel design (watch full video below)…
In the global community of interior design and architecture, we are so used to walking into a showroom and seeing the latest products on display. But what is, arguably, more effective than seeing cold objects with no contextual reference is walking into an immersive space and experiencing products being displayed the way they were intended. Cue the launch of the 2023 edition of the Wow! House, a full-scale installation on display at Design Centre Chelsea Harbour throughout the month of June, that comprises of 18-full size room sets. Each one is the result of a meaningful collaboration between interior designer and supplier.
The concept of the Wow! House is to collaboratively challenge conventional approaches to interior design, while stretching audience’s imaginations to think beyond two-dimensional trends.
This year, highlights from the installation included a mirrored bathroom, a 3am room made complete with a playful deconstructed disco ball, a safari-meets-townhouse design scheme, and a bathroom set from Studio Mica and House of Rohl that confronted wellness through the clever use of materials, tones and form. The organic and earthy set oozed natural zen from all angles and proved that ‘wow’ moments don’t have to be ostentatious or outrageous assaults on the senses.
Image caption: WOW!house 2023 House of Rohl Bathroom, designed by Studio Mica. | Image credit: James McDonald
To add an extra layer of meaning to this year’s work of art – amplifying its power to encourage designers to think less and design more – Hotel Designs, together with House of Rohl, hosted a forward-thinking and considered panel discussion days after the installation opened to put the topic of ‘statement design’ under the spotlight. In front of a live audience ahead of a private viewing of the Wow! House, Editor Hamish Kilburn chaired an open and honest conversation with Abi Kendler (Studio Mica), Geraldine Dohogne (Geraldine Dohogne Design) and Jeremy Blake (Jeremy Blake Architects).
The topical interaction was caught on camera, and is available to watch on-demand (see below):
> Since you’re here, why not watch our factory tour, where Editor Hamish Kilburn went behind the scenes at the Perrin & Rowe HQ?
House of Rohl is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
With a focus on sustainable fabrics and an unwavering commitment to excellence, the Spellbound Collection from Sekers encompasses seven thoughtfully developed Global Recycling Standards (GRS) compliant collections, including multi-purpose, upholstery, drapery and sheers…
Each of the collections from Sekers Fabrics, developed along with its partners, FR-One, is inherently flame-retardant, washable and the upholstery ranges are also Crib 5 inherent. Sekers and FR-One share a vision of making sustainability the new normal and take immense pride in setting a standard for the industry to follow. Prepare to be captivated as Spellbound unfolds, having recently made its highly anticipated debut in the UK, with its seven collections within a collection.
Sensuous is FR-One’s first velvet in an eco-composition, the luxurious fabric features a 54 per cent GRS certified inherently FR recycled polyester composition. With a rich and deep palette of 30 colours that gently catch the light Sensuous lends itself to an unlimited array of upholstery and drapery applications, working well in every interior style.
Image credit: Sekers
Savvy has a natural touch and its subtle slub yarn emulates a beautiful linen-blend sheer in double width. With a 100 per cent GRS certified recycled inherently FR polyester composition, it is available in 25 colours from soft naturals to ocean blues. Savvy lives up to its name by combining simple elegance and soft drape with more sustainable yarns, making this sheer a preferred window treatment for contract application.
Image credit: Sekers
Sensational includes two decorative drapery jacquard designs, Sestri and Savant, both with a rich silk look and touch. Savant features an organic marbleised design with a vintage pearlised patina to catch the light, while Sestri coordinates as a complementary allover texture. Both are made from Global Recycled Standard certified inherently FR polyester, with eight beautiful colours in each. Sensational is an excellent option for FR compliant window treatments with a touch of drama.
Image credit: Sekers
Solunar’s tone on tone woven structure gives this wide width dimout the look and feel of natural fibre while containing 56 per cent GRS certified inherently FR polyester. With a vast palettes of 25 colours, from sophisticated naturals, soft mustard and gentle blush pinks, Solunar’s generous weight and dimension exceeds its dimout brief and is an elevated decorative drapery fabric.
Image credit: Sekers
The latest addition to FR-One’s essential range of dimouts, Starlight has a 100 per cent GRS certified recycled polyester composition and a solid matt construction. Available in 27 vibrant colours with a width of 300 centimetres, Starlight is a ‘go to’ drapery item for all interior projects.
Image credit: Sekers
Stylo’s yarn dyed woven construction gives this wide width sheer a beautiful two-tone look evoking cotton drill and denim’s while taking on a subtle shot appearance. With a soft drape and natural touch, the fabric fits seamlessly into any interior style, while featuring a 51 per cent GRS certified recycled inherently FR polyester composition. Available in 19 colours, including shades of blue denim and neutral tones.
Image credit: Sekers
FR-One’s rendition of the omni-present bouclé trend, Synergy features two multipurpose designs Sestri and Saiph. Saiph strikingly combines boucle yarn with a flatweave construction in a chevron jacquard while Sestri coordinates as an all over boucle texture. Each design is available in 12 on-trend colours with a composition of GRS certified inherently FR recycled polyester. The Synergy collection has an invitingly tactile 3D touch and visual aspect allowing designers and specifiers alike to create stylish interior experiences.
Sekers is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
Lindian Village Beach Resort Rhodes, Curio Collection by Hilton has opened its doors –located near the picturesque town of Lindos, the 188-key hotel is the latest addition to Curio Collection by Hilton’s growing portfolio and boasts stunning views of the Aegean Sea…
Lindian Village Beach Resort Rhodes features a welcoming minimal ‘boho’ design, which is edged with a refined elegance. Earthy tones and natural textures create a harmonious flow between the stunning surrounding nature and the relaxed indoor atmosphere. Each suite comes with either a private pool, veranda, or Jacuzzi, for an added touch of luxury. Inspired by the nearby Butterfly Valley, the hotel design pays homage to the theme of ‘metamorphosis’ and the vibrant pattern of Panaxia Quadripunctaria, commonly referenced as the jersey tiger moth. Guests will also have access to a private beach, freshwater swimming pools, eight restaurants and bars, spa, gym, tennis court, numerous experiences and a kids club for the ultimate getaway for both couples and families.
Image credit: Curio Collection by Hilton
“Lindian Village Beach Resort Rhodes is a breath-taking addition to our growing Greek portfolio of Curio Collection by Hilton hotels, joining the recently opened Sea Breeze Santorini Beach Resort and The Royal Senses Resort & Spa Crete,” said David Kelly, senior vice president, Continental Europe, Hilton. “We are proud to be partnering with Zetland Capital and management company SWOT Hospitality in Greece, a key strategic growth market for Hilton, to introduce this stunning resort to our guests from around the world. Set on a private beach overlooking the glistening Aegean Sea, Lindian Village Beach Resort Rhodes is the perfect secluded destination for curious travellers looking to relax, unwind and enjoy the best of what the Greek island has to offer.”
Image credit: Curio Collection by Hilton
“We are excited to bring about a new era for Lindian Village Beach Resort Rhodes, now introduced as part of Curio Collection by Hilton,” said Ahmed Hamdani, Founder, Chief Investment Officer, Zetland Capital. “Following significant refurbishment, and carefully designed high-end services, we look forward to welcoming guests to this unique and impressive beach front resort in the beautiful island of Rhodes. This project underpins our investment strategy to invest in well located hotels in prime Mediterranean destinations and work with strong partners, like Hilton and SWOT Hospitality.”
Image credit: Curio Collection by Hilton
The eight dining options set within the resort – five restaurants, two bars and one gelateria – are all designed by Apostolos Trastelis, owner and founder of the Michelin-star awarded restaurant, Spondi and expert gastro-consultant of a multitude of restaurants in Greece. From traditional Rhodian recipes at Alas Ouzeri and Italian delights from Era Ora Trattoria to inspirational Japanese cuisine at Niku and light refreshing bites at Helios Pool Bar & Restaurant, guests are offered a variety of gastronomic experiences throughout their stay.
Image credit: Curio Collection by Hilton
Mornings will begin with a bountiful Greek buffet set at Estia Comfort Dining with special attention placed on the honey and yogurt bar. The restaurant also offers themed buffet dining with comfort foods from a variety of countries, including Cyprus, Lebanon and Israel. Guests not willing to leave the resort’s private beach can savour a variety of delicious quick bites from Yummy Truck. Those with a sweet tooth can also enjoy a treat at Dreams ‘n’ Creams gelateria alongside an impressive selection of ‘loukoumades’, which are traditional Greek doughnuts with honey. Set by the soothing sounds of the resort’s Zen river, Bliss Bar will be the perfect location to take in the beautiful surroundings.
Image credit: Curio Collection by Hilton
The hotel’s Calli Spa celebrates the rejuvenating benefits of local herbs, essential oils and minerals with a variety of healing and results-oriented treatments. Guests can also participate in ‘Eudaimonia’ spirituality sessions, meaning ‘happiness’ in Greek, which is an exclusive experience for body, mind, and soul, specially curated to achieve the ‘soul’s glory’. Guests can choose to train at the gym or by the beach, practice yoga in the open air under the bright sky, play tennis on the resort’s court or relax by one of the two freshwater swimming pools with various sports facilities close by.
Image credit: Curio Collection by Hilton
The resort cultivates a profoundly authentic spirit, set deeply within and reflecting its stunning surroundings. Adults are invited to a wine-tasting experience or a Greek cooking and cocktail class, while the younger ones will love the sensorial fun of a pizza-baking session. Traditional Greek feasts and music will ignite the senses and activities such as a pottery class or an astronomy class will create unforgettable memories for guests of all ages. Guests will also have access to a team of activity experts to explore the exciting panorama of Rhodes and the nearby gems, from guided tours to Lindos Castle, Rhodes Old Town and Valley of Butterflies to sailing tours to Halki, private boat trips and scuba diving sessions.
Image credit: Curio Collection by Hilton
A wide variety of spacious venues and state-of-the-art equipment make the resort ideal for any type of social gatherings or corporate meetings. From intimate celebrations by the pool with idyllic views to grand, luxurious events at the beach club right next to the sea – guests are spoiled for choice and guaranteed an unforgettable experience.
La Fantaisie – a new landmark hotel in the heart of Paris
Taking root on the bustling Rue Cadet, La Fantaisie is the latest property launched by the family-owned Leitmotiv hotel group. With interiors by Martin Brudnizki, the hotel has been designed as a lush enclave where nature and pleasure go hand in hand…
Historically, Rue Cadet draws its name from the brothers Jacques and Jean Cadet, renowned gardeners in the 16th century, who owned the Clos Cadet and supplied the court with fruit and vegetables. At that time, the street was home to crop-growing fields. With its large, landscaped garden, La Fantaisie builds on this heritage to offer a new concept. Up above, a tree-lined rooftop bar frames panoramic views of Paris and becomes a destination in its own right – a hidden gem in this quartier.
Image credit: Jerome Galland
Conceived as individual havens of peace, the 73 guestrooms and suites as well as the spa and various bathing facilities provide a total disconnection from the hustle and bustle of the urban environment outside. Inspired by the natural world, each key promises a unique stay. Drawing on nature as inspiration, Martin Brudnizki Design Studio has orchestrated interiors with bucolic charm.
Image credit: Jerome Galland
The colour palette – soft greens, sunny yellows and coral touches – evokes the natural world, creating a soothing and comfortable environment. The choice of luxurious materials is discovered, both literally and figuratively, like a fantasy (or should we say fantaisie), with richly upholstered seats, lavish headboards, ornate walls and ceilings covered with floral wallpaper transports guests into a dreamlike world of nature.
Image credit: Jerome Galland
Image credit: Jerome Galland
Despite the city bustle of Rue Cadet, you feel drawn into the lushness of a garden in the heart of the city. Martin Brudnizki Design Studio has meticulously selected natural elements such as cane backrests, glass wall lamps that resemble petals and foliage and a mosaic that represents a field of wild flowers and grasses in the spa. Here, you can breathe serenely.
Image credit: Jerome Galland
The return of chef Dominique Crenn to France, has been creating waves in the industry as she brings an inspired concept of sharing and creative freedom to the hotel restaurant. Inside, the atmosphere is relaxed and natural light reigns. When the weather is good, the terrace, which extends into the garden, tempts you out to enjoy a longer break. Inspired by an antique garden greenhouse, the restaurant’s glass roof connects the restaurant with the natural world outside and the evolving seasons.
Image credit: Jerome Galland
The rooftop bar is surrounded by greenery and the space opens out onto the legendary zinc roofs of Paris. A convivial spot, the bar boasts luscious cocktails and has been designed as a lively, fun and offbeat place to unwind. From this green haven, you can rediscover La Fantaisie from above with its hanging gardens and veranda flooded with light. The rooftop bar resembles a hidden paradise where pleasure and joie de vivre rule.
Image credit: Jerome Galland
Dedicated to relaxation and wellbeing, the spa’s ethos is based on a holistic approach with its baths inspired by ancient healing rituals and the curative power of underground springs. In the heart of this quiet sanctuary, multiple design features invite nature to flourish, with armchairs upholstered in soft green fabric, mosaics depicting sprouting plants and pools filled with water reflecting the spring green colour of their environment.
Image credit: Jerome Galland
The architects at Petitdidierprioux designed a hotel that is both a haven for nature and a dynamic neighbourhood landmark. One of the key elements of the project, the facade, has been revitalised. Clad in greyish-green pre-weathered zinc, this new facade pays tribute to the Parisian landscape. Complemented by the building’s copper-covered roofs, a balance between the built environment and the natural world has been created. Set between the neighbouring buildings, the new glazed rooftop area adds dynamism to the street’s skyline, as it stands out as the culmination – and crowning glory – of La Fantaisie’s new architecture.
James Latham has announced the launch of Decospan’s Shinnoki range of veneered panels – this new collection combines cool and contemporary timber decors with an almost unmatched degree of strength and resistance…
Exclusive to James Latham in the UK and Ireland, the new Shinnoki collection showcases the kind of beauty only real wood can bring. Manufactured with a real wood veneer, bonded to a 100 per cent sustainable MDF core, the pre-finished boards are manufactured with the highest levels of care, craftsmanship and attention to detail. Shinnoki 4.0 comprises 18 different styles, within six distinctive collections, to suit almost any taste – starting with the subtle, lighter-coloured ‘Washed Stone’ and ‘Pure Natural’ through to the darker-hued ‘Sultry Browns’ and ‘Luscious Blacks’.
Image credit: James Latham
With the authentic look and feel of full-bodied timber, every Shinnoki panel is treated with Decospan’s signature six-layer varnishing technique, meaning they are scratch-proof and water-resistant, able to withstand the demands of busy interior environments. The addition of a subtle, super matt coating and a deep brushing also makes the material soft to the touch whilst enhancing the texture of each grain. The full range includes matching panels, veneers and edge banding, ensuring complete consistency. Not only that, they’re made using Decospan’s proprietary MixMatch technology to create a uniform surface, with a linear grain effect, using only the choicest cuts of veneer to never compromise on quality.
Image credit: James Latham
Suitable for a wide variety of consumer and commercial applications, now including horizontal use, it can be specified for walls and ceilings as well as furniture, from kitchen cabinetry to standalone pieces. Crucially, from a fabrication point of view, the product offers that real timber look and feel, with the added benefit of lighter weight, greater consistency and easier machining. It’s taking ready-to-use veneered panels to the next level, with a product that truly combines luxury and functionality.
Image credit: James Latham
The fact that every panel already comes brushed, stained and lacquered means it requires no additional finishing. This alone offers the potential for buyers to achieve significant savings and efficiencies, whether on a large-scale residential development or on a busy furniture production line. No longer is hand treatment the only way to achieve the perfect finish on wood panels. Even better, it’s incredibly easy to install,and low-maintenance, simply cleaned with a dry or damp cloth, providing further reassurance to homeowners, facility managers and cleaning contractors alike of Shinnoki’s quality and durability.
Image credit: James Latham
Finally, each panel comes with a guarantee that all the timber used in production has come from responsibly managed, FSC-certified forests. Furthermore, Shinnoki is only produced using wind and solar energy, guaranteeing a carbon-neutral material from cradle to gate. Panels are 2790 x 1240 x 19mm, composed of two layers of veneer and an MDF core, available exclusively from James Latham in the UK and Ireland in packs of 25 sheets.
James Latham is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
From bijoux and boutique, to big and bold in Budapest, this months hotel openings perfectly illustrate the shift in hotel design for more considered and personal spaces that are deeply imbedded in and reflective of, a location. From Mexico City to Margate, writer Pauline Brettell takes a look at a few of the latest hotel openings that are inviting us to sink into a sofa, retire to a roof terrace or soak up a sea view…
A far cry from the neutral zones and anonymous spaces of chain hotels from years gone by, the hotels on this months list all seem to offer a warm and very personal embrace – from roses on the ceiling to ocean views, it is about taking on board what the location has to offer and amplifying it through design. Embracing the trend to create a sense of place, each of these new properties is doing that in wonderfully idiosyncratic ways through design and storytelling, that is about both the individual and about community.
Ember Locke
The latest aparthotel from Locke, spread across eight floors, will include 121 apartments, ranging from studios to duplex one-bedroom apartments. The lobby and common areas of Ember Locke will be complemented by a coffee shop, bar, restaurant, small stage for live performances, co-working space, meeting room and garden.
Designed in collaboration by creative and interior design studios Atelier Ochre and House of Dré, the inspiration behind the design was taken from the late Kensington Roof Gardens and the laissez-faire flamboyance demonstrated by the iconic mid-century fashion brand Biba, born in Kensington’s bohemian fashion scene in the 1960’s. The interiors of the apartments have been curated as a series of boudoir rooms with colourful tones, luxurious materials, vibrant patterns and Art Deco details.
Hotel San Fernando
Image credit: Chad Wadsworth
The reimagined boutique Hotel San Fernando, marks Bunkhouse’s second property in Mexico. Located in the La Condesa neighbourhood of Mexico City, the new property is a serene retreat central to the city’s bustling energy, with 19 guestrooms across five floors, a lobby bar and lounge and a rooftop terrace.
Taking its name from the building itself, Edificio San Fernando, the property honours the patron saint of the Spanish Army Corps of Engineers. This ties in to the building’s architectural features, which draw from the anti-traditional elegance of the Art Deco era. Built in 1947 as an apartment building, original architectural details such as casement windows, encaustic tile floors, wainscoting in the corridors and lobby and stained glass, remain, while Bunkhouse and Mexico City-based Reurbano revitalised the design to reflect the rich colour and history of Mexico, melding old world elegance with new world style.
La Fantaisie Paris
Image credit: Hotel La Fantaisie
La Fantaisie is the dream of a garden brought to life, with a design inspired by local Parisian history, the hotel reimagines the story of master gardeners Jean and Jacques Cadet who transformed the street in the heart of Faubourg Montmartre, into abundant market gardens. Sheltering 73 guestrooms and suites with interior design by Martin Brudnizki, the colour palette of soft greens, warm yellows and touches of coral references the plant world, while creating a soothing, comfortable environment.
The unique decor transports guests into a dreamlike world, with richly upholstered seats, sumptuous headboards and walls and ceilings adorned with floral wallpaper. As one of the only five-star hotels with a full garden and rooftop bar in the heart of Paris, La Fantaisie is preparing to offer a uniquely enchanting experience in the already enchanting city.
In addition to the Brudnizki interior, the return of Dominique Crenn, who will be overlooking the hotel’s culinary direction is creating more than a few ripples of interest in the opening. Crenn is the first and only female chef to be awarded three Michelin stars across the whole country and the move to La Fantaise marks a return home to her native France for the first time since the 1980s.
No.42 by GuestHouse
The elegant, arcaded frontage of No42 by GuestHouse was built as part of the original seafront development and is strongly reminiscent of the era. True to brand this iconic building, originally named ‘The Terrace Hotel’, has been both restored and reimagined. Guests stepping inside the elegant, seafront property will find 21 bedrooms, a restaurant, a rooftop bar, a beachfront café serving healthy and organic food throughout the day, a lounge space and a spa. All these areas have been designed by GuestHouse’s in-house interior design team, drawing inspiration from the colourful and unfading seaside character of the town, while collaborating with some of Margate’s many creative forces for the interior.
The spaces are warm and spirited, positively lacking formality and pretension and the bedrooms look and feel like that of a stylish friend’s townhouse, many of which have sea views and private balconies. Chalky whites and moody greens sit alongside warm golden yellows contrasted with hints of pink and red. Textures and movement associated with the sea come through in the surface finishes.
La Fiermontina Ocean
Image credit: Eric Martin
La Fiermontina Ocean is the third in the La Fiermontina portfolio, a collection that has its roots in the strong desire of the Filali siblings to reconnect with the places linked to their grandmother Antonia and uncle Enzo Fiermonte, from Puglia, their native land, to Paris and then Morocco. La Fiermontina Ocean has been designed as a boutique eco-retreat, on the wild Larache coast, in the northwest of Morocco, providing respectful hospitality and telling incredible, soul-stirring stories. Sheltering 12 Pool Suites and two Family Villas with private gardens and pool terraces with ocean views, it is located within the newly created ‘Dunes of Kkmiss Sahel’ Regional Natural Park.
The property includes four stone houses and a hammam for wellness treatments and argan oil massages in the nearby rural village of Dchier, which is part of an important community development project that is integral to the hotel ethos. The cultural diversity in the Filali family is reflected in the resort’s interior design, with its combination of Italian taste, French restraint and Moroccan warmth.
W Budapest
Image credit: Marriott International
Hot on the heels of the opening of W Rome in 2021, W Budapest showcases the continued evolution of W Hotels design direction, creating a modern, inviting, unexpected and sophisticated setting for the next generation of luxury travellers. The soon-to-open hotel will offer stylish guestrooms and suites, including the exceptional Extreme WOW – W’s take on the Presidential Suite, as well as a destination bar, restaurant, W Lounge and AWAY Spa – all influenced by Budapest’s rich history, creativity and diversity.
The 151-key hotel is sheltered in the iconic Drechsler Palace, a UNESCO World Heritage Site on Andrássy Avenue. The ornate building has been both carefully restored and transformed by London-based interior design studio Bowler James Brindley and Hungary-based studio Bánáti + Hartvig. Both studios came together and drew inspiration from the palace’s rich cultural history and multiple identities as a café, social hub and Hungarian State Ballet Academy.
UNILIN Panels making a surface statement – naturally
UNILIN Panels has created a decorative surface that looks and feels just like oak, adding definition and detail with textures that go deeper than ever before to make Master Oak a true interpretation of nature…
Master Oak compromises nothing for its authentic look. It remains just as easy to look after and just as durable as any other UNILIN HPL or melamine surface. Compared to real oak, it is three times as scratch-resistant, more colourfast and more stain proof. It can be used on everything from desktops to shelves, doors, hotel furniture, storage, cupboards, partitions and more. Thanks to its excellent performance characteristics, the finish is also easy to clean and needs no specialist, or ongoing maintenance.
Image credit: UNILIN
Image credit: UNILIN
At the heart of Master Oak’s authentic look and touch lies UNILIN Timber Touch Technology. Regular HPL and melamine-faced panels only have around three or four depth levels which limits how much texture can be applied to the surface. This technology allows for 64 different depth levels for 20 times more texture than regular surfaces. Giving the touch of real oak – from rough to smooth and everywhere in-between – the technology is also responsible for its matt finish with almost absent shine levels for a natural ‘unfinished’ effect.
Yet it’s not just the surface of Master Oak that is extraordinary. UNILIN’s digital printing technology is also unique in the industry. A patented coating applied to the digital paper ensures that the surface has more colour-play and depth, as well as better sharpness and contrast. The end result is a decorative surface that looks exactly like oak. This print technology also allows for the largest pattern in the industry, which means an authentic look and fewer repeats.
Image credit: UNILIN
UNILIN Panels uses 100 per cent recovered wood for Master Oak melamine-faced products. Recovered wood is rescued from incineration – a mix of wood waste from sawmills or wood-processing and from post-consumer wood such as old furniture. Master Oak chipboard panels use 90 per cent post-consumer wood. Using 100 per cent recovered wood in the making of Master Oak is made possible by the industry’s most advanced sorting and cleaning process. Developing the technology over the past six years and through using wood that would otherwise have been incinerated, UNILIN gives continued life to more than 1,000,000 tonnes of wood every year.
Each of Master Oak’s six look has been created by the in-house design team. Looking towards global trends and exploring how natural wood finishes are used in commercial interiors, it has put together a range of authentic oak looks that are versatile and usable in real world applications. Master Oak Elegant black and Master Oak Everest white are exclusively available in coloured in core high pressure laminate (HPL). This special construction ensures that the edges are the same colour as the Master Oak finish. Ideal for furniture and cabinetry construction, coloured in core leaves a smart edge.
Master Oak is a surface suited to virtually all interior uses, allowing everywhere from retail, cafés and bars, hotel and offices to schools and hospitals to enjoy the comforting and relaxing look of natural oak.
UNILIN is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
The Playford Hotel, a member of Accor’s exclusive MGallery Hotel Collection, has opened after a multi-million, two-year renovation. A strong, consistent design language has returned a sense of place to this iconic hotel and the carpet designs by Modieus underpin it all…
Located in Adelaide’s cultural precinct and notionally anchored in the Art Nouveau style, the hotel had lacked a single, unifying design approach. The client brief to the design team at Hachem was simple, bring back the wow! Every step of the journey through the reimagined The Playford Hotel, flooring specialist Modieus was able to add another layer to the narrative with designs, which mirrored the statements the carpets served to punctuate.
Image credit: The Playford
A monochromatic palette expresses a contemporary version of Art Nouveau in the hotel entrance. The entry experience provides a crucial counterpoint to the relentlessly angular and characterless urban buildings that surround it. This is design that nourishes the soul and captures the essence of a movement that embodies warmth, style and elegance.
Image credit: The Playford
In the grand hall, nature provides elegant, sinewy lines to inspire the movement of lighting and carpet patterns. Employing decorative elements within the existing space allows a simple, neutral and calming palette against the strong grounded carpet pattern and colouring. By identifying elements of contemporary design that complement the motifs and forms of Art Nouveau, Hachem was able to design a thoroughly modern interior that captured the character and romance of a glamorous era in travel.
“I have really enjoyed working with the team at Hachem,” said Leah Manwaring, Design Manager, Modieus. “The brief was to bring back the wow and I’m delighted that our carpet designs deliver that as well as sumptuous comfort for the guests at The Playford.”
Image credit: The Playford
The hotel continues to exude a contemporary Art Nouveau feel with beautifully appointed guestrooms and suites, luxurious amenities and personalised services. Materials of brass, leather and stone make no compromise on style in the standard rooms. In the suite, a pop of dusty pink, additional wall panelling detail, upgraded fittings and a larger footprint underline the step up in luxury. Exquisite details and high ceilings are hallmarks of the loft rooms. Influences are taken from lavish master suites of the era, with stylish materials and finishes creating a captivating and seductive private space.
Image credit: The Playford
Luma, derived from the word ‘light’ in French, is the reimagined restaurant at the heart of this beautiful boutique hotel. Working within a budget, Hachem revived a tired space through careful reuse of existing elements to minimise waste and delivered an Instagram-worthy dining room that has re-established The Playford as a destination venue. The feature artwork is an awe-inspiring contemporary lighting piece that goes all-out to create a powerful talking point for guests and visitors. The curved lines are echoed in the carpet design by Modieus.
Modieus is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
Editor Hamish Kilburn excavated more than a few hidden treasures when he checked in to review the latest luxury boutique hotel in Athens, THE DOLLI at Acropolis, which just happens to frame arguably the best view over the acropolis…
If THE DOLLI at Acropolis was any closure to the world’s most iconic ruin, the acropolis in Athens, then quite frankly it would be in its shadow; too close. The location, therefore, of the city’s latest luxury hotel – in the buzzy Plaka neighbourhood – is perhaps its most obvious appeal. However, ignore the intricate design narrative inside the 46-key hotel and you will be totally missing the point – the allure – of this boutique bombshell.
Embarking on a pursuit of the rare and exceptional, the owner, Mari Daskalantonaki, dreamt of creating a hotel in the heart of Athens The underlying aim throughout the seven-year project was to defend the building’s heritage with meticulous craftsmanship and authentic finesse. “The first two [years] were spent in deep thinking and conceptual sessions: how can she look, should she be like a residence, a classic hotel or a place defining hospitality as it should be now and tomorrow?,” Daskalantonaki said. “The only thing I knew, way before finding the name, that she’s a woman, like the city she was born, Athens.”
Image credit: Grecotel
The design vision, crafted meticulously by Greek architect Stelios Kois, Founder of Kois Associated Architecture, was to shelter a contemporary hotel that embraced its curves. Kois was sensitive to preserve the original architecture created by Andreas Kriezis.
The hotel, which joins the Grecotel portfolio, has gleamed from the outside in since its soft opening in January 2023. It is wrapped in what used to be a former department store. Its naturally high ceilings throughout, therefore, allow for a confident yet paired-back design scheme to shine. And that quiet luxury, juxtaposed from what is on the outside, is immediately felt upon entering.
Image credit: Grecotel
In the lounge – where the arrival experience feels almost like theatre – guests can expect to see original art pieces from Pablo Picasso and Jean Cocteau, designer works by François-Xavier and Claude Lalanne, 18th century antiques, custom-made furniture from the finest contemporary designers such as Pierre Augustin Rose and a collection of ancient Greek ceramics – we are in Athens, after all. THE DOLLI, with its natural curves in both the architecture and design, is described best as an ‘elegant lady’, I am told. She is beautiful, wise and unwaveringly confident – and she has every reason to be.
Image credit: Grecotel
All these elements in the lounge, which bounce off the reflection of large, distressed mirrors, fuse in harmony. Together, they cast a strong first impression that delivers the elevated luxury promise of a hotel that will feel like a home away from home. But creating one statement area in the lounge is one thing. Ensuring that feeling flows throughout the whole hotel, while also making space for a few hidden surprises in other nooks, is an entirely different task.
Further into THE DOLLI, still on the ground floor, is where guests will find the library and the pantry, which is where a playful lighting scheme works against a backdrop of olive-green cabinets, marble tables and soft wooden surfaces, pinched together with the same cream furniture style that raises the charm of the lounge.
Don’t let the luxury status of THE DOLLI fool you into thinking that this ‘elegant lady’ is, perhaps, stiff and stuffy. You only have to roam the corridors to understand that the hotel has many layers – she is by no means conventional.
Image credit: Grecotel
For example, as guests emerge from the lifts, the floor number is referenced by a small yet impactful lighting piece. It features one, two or three people (depending which floor you are on) that in the design of the lighting structure casts an atmospheric shadow. This is a subtle and contemporary way to make the design work harder. Deeper into these often-forgotten areas of the hotel – the arteries of the hotel, if you like – the designers have injected the spaces with several different modern art pieces.
The attention to detail continues in the guestrooms and suites, eight of which frame impressive views of the acropolis through floor-to-ceiling windows. Each room feels naturally bright and open, perhaps due to the exceptionally large ceilings (3 ½ metres tall, I am told).
Image credit: Grecotel
The design scheme inside the rooms feels exuberant, but also muted in the right places – it’s almost like the hotel is protecting the building’s heritage to keep its design answering to architecture and not the other way around. Some many argue that it is a little safe on the surface, but character has been injected into these tranquil abodes with marble side tables, sophisticated paneling and large Bauhaus-inspired artwork above the beds that almost pours out of the walls.
The bathrooms, meanwhile, which cohesively share the same design language felt in the bedrooms, have been kitted out with the finest products – think state-of-the-art, motion detection toilets, sumptuous rainfall showers and chrome taps, all from GROHE with circular washbasins from Roca.
Image credit: Grecotel
There is no question that the strongest statement this hotel serves is perched on the rooftop, which is where its signature restaurant and rooftop infinity pool are situated, and both boast unparalleled – I would go as far to say jaw-dropping – views over not only the acropolis and the archeological sites underneath the ruin, but also over the rest of the city, which glistens in the afternoon sunlight. Daskalantonaki describes this part of the hotel as ‘a unique viewpoint of the classical world, where time stands still’. “The challenge to transform this once-forgotten rooftop into a destination of its own was taken up by Stelios Kois,” she explained. He’s a genius of understatement. He embraced my vision, and created what was to become Dolli’s restaurant. He gave a humble piece of divine architecture to Athens.”
Image credit: Grecotel
Sophisticated and fascinating – original and eclectic – the hotel is a sharp exhale from the fast-paced city outside. What I think captures my attention most of all about this fresh-faced hotel that has popped up in Athens with a defiant purpose to offer something new on the city’s hospitality landscape, is that in just a few months of opening, surrounded by ancient treasures and inspired by profound ideas, THE DOLLI at Acropolis has itself become a bit of a jewel. A gem that I have every hope and believe will value as it ages. And that, surely, is something worth preserving.
Looking for a bathroom that is cool with an added dash of attitude, lots of audacity, plus a hint of romance? This bold as brass bathroom is completely unique and it’s in the brass section where Unidrain plays a leading role…
When the singer songwriter Mads Langer and his wife, top model Julie Lillelund, decided to create their dream bathroom, they were looking to merge the unconventional and free-spirited, style of bohemian decor with the more edgy, innovative artistic and daring of the avant-garde. Thus, creating their ‘rock-star bathroom’, which is eclectic and decadent, luxurious but practical, fashion focused yet cosy. This bold as brass bathroom is completely unique and Unidrain supplies the details that make it all work, ensuring that the form, also has function.
Image credit: Unidrain
When Langer and Lillelund moved into their house one point they were certain of, was that they wanted a huge bathroom. They assessed the space and after reallocating several rooms they converted one of the first-floor bedrooms into what is now their bathroom. This stunning space is everything they wanted, from the large blue freestanding bathtub, lavender-coloured floor tiles, imposing chandelier, pink sofa, floral wallpaper through to matching curtains. The colour palette and furnishings in the room are all brought into harmonious alignment with the stylish curation of their own beautiful vintage accessories and the well-executed brass detailing.
Image credit: Unidrain
The couple were involved in all aspects of the bathroom’s interior and their passion for vintage design and choice of products reveals a sureness of style and talent for combining trends, tone and texture. The couple are certainly unafraid to challenge design norms and Scandinavian aesthetics, with something of Victorian nobility and a hint of French rococo within this bathroom – but the style defies decoding – it’s all their own! However, one thing is certain, your senses are awakened when you enter this room.
Image credit: Unidrain
Image credit: Unidrain
There is room for all the family in the deluxe shower zone and the attention to detail came into play with the inclusion of the exclusive brass elements by Unidrain. With its heritage in Danish design it was the ideal solution for the custom-made drain that spans two showers in length. The stylish toilet roll holder and toilet brush are all from Unidrain’s Reframe Collection and its immersion within the design helps to create both a visual balance and continuity in dialogue with the other brass items in the bathroom.
Working with very specific interior design ideas can make it difficult to work with standard products – especially when dealing with family-sized solutions. In such instances extra-long, bespoke drains are produced to order. Two drains are combined to form one unit and then one of Unidrain’s grating or panel designs is selected to add to the stylish finish. If you are looking for what amounts to a bespoke drain then the modular line drain system is a perfect option, as it enables the consumer to obtain a solution that deviates from standard dimensions, allowing them to create room for the whole family. It is also perfectly suited for dressing rooms and large bathrooms and can be finished using any of Unidrain’s designs.
Unidrain is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
Go bold or go home – a sneak peek inside W Budapest
Ahead of its opening next month, Hotel Designs got a sneak peek inside W Budapest, which is set to showcase W Hotels’ bold, locally-inspired design in Hungary’s capital this summer…
W Hotels is on a mission this summer to ‘redefine the hospitality scene in Budapest’ with the opening of W Budapest.
Ahead of its anticipated arrival next month, W Budapest unveils the physical, historical and social inspirations for the compelling design of the hotel. Firstly, the 151-key hotel is sheltered in the iconic Drechsler Palace, a UNESCO World Heritage Site on Andrássy Avenue. The ornate building has been both carefully restored and transformed by London-based interior design studio Bowler James Brindley and Hungary-based studio Bánáti + Hartvig. Both studios came together and drew inspiration from the palace’s rich cultural history and multiple identities as a café, social hub and Hungarian State Ballet Academy.
Image credit: Marriott International
Hot on the heels of the opening of W Rome in 2021, W Budapest showcases the continued evolution of W Hotels design direction, by which we mean creating a modern, inviting, unexpected and sophisticated setting for the next generation of luxury travellers. The soon-to-open hotel will offer stylish guestrooms and suites, including the exceptional Extreme WOW – W’s take on the Presidential Suite, as well as a destination bar, restaurant, W Lounge and AWAY Spa – all influenced by Budapest’s rich history, creativity and diversity.
“The arrival of W Hotels in Budapest will offer an unexpected, captivating hotel experience and an exciting next chapter for the iconic Drechsler Palace,” said Jenni Benzaquen, Senior Vice President for Europe, Middle East and Africa Brand Portfolio at Marriott International. “As the W Hotels brand continues to evolve, we have leaned into sophisticated design principles while playing up the balance between modernity, and as always with W Hotels – a playful touch.”
A tale of two cities, the design of the hotel brings together the two sides of the city – Buda and Pest – bridging together the rich heritage of both while effortlessly playing with the juxtaposition. This has inspired a ‘second skin’ design narrative for the new hotel, which creates an intriguing interplay between materials in every location. From soft layering and alluring oversized archways to the use of metallic meshing to create depth and intrigue in the bedrooms, the second skin aesthetic creates spaces that reveal new depths each time you experience them.
Image credit: Marriott International
Throughout the process of transforming Drechsler Palace into W Budapest, the iconic building provided many precious features that the new design embraces and celebrates. The enchanting inner courtyard, at the heart of the building, is newly enclosed by a delicate, veil-like glass roof to protect the space from the elements, creating an intimate courtyard. The fifth floor’s unique wooden-centric design is sympathetic to the Palace’s original roof design that has been restored. Finally, a speakeasy breathes new life into the Palace’s underground bar, paying homage to the eclectic characters and socialites that frequented the space in its past life.
The Houdini-inspired illusion comes to life at W Budapest’s AWAY SPA, where mirrors and water features create a feeling of never-ending space and serenity. Hidden doors lead to secret spaces, where guests can seek solace from the bustling city and enjoy moments of calm and relaxation. A lounge takes centre stage, inspired by the thermal baths that Budapest is famed for, shrouded in traditional tiles and gold mesh, fusing the traditional historic side of the city with the modernity of W Hotels in one aesthetic.
Image credit: Marriott International
The Loire Valley inspired French Renaissance architectural aesthetic will feature throughout the reimagined hotel, mirroring icons from the city such as the Hungarian State Opera House, the Széchenyi Baths and neighbouring buildings on Andrássy Avenue. This grand aesthetic has been playfully modernised within the hotel, which features stained glass and a rich colour palette of green, coral and deep blues, alongside a contemporary twist on Zsolnay tiles, jewellery inspired light fittings and decorative motifs.
“When we started the project, we were presented with a rich feast of inspirations from which the various narratives were born. One of which was Hungary’s famous exports, Harry Houdini, and his life’s work inspired our ‘grand illusion’ design narrative. We have used mirrors in creative ways throughout the hotel to create optical illusions on ceilings, walls and floors, allowing Harry Houdini’s legacy to live on through W Budapest’s illusionary aesthetic,” said Bowler James Brindley. “Zsa Zsa Gabor, another celebrated Hungarian who was at the vanguard of introducing European sophistication to Hollywood in the 1940s, has also been celebrated through playful touches of retro glamour.”
For more than two centuries ballet has been an integral part of Hungary’s cultural scene, with the hotel once housing the State Ballet Institute and the Hungarian Dance Academy. The interior subtly celebrates the iconic dance through soft pink hues, curved lines, and impressive lighting installations, inspired by the graceful fluidity of the dance. The ‘ballet etoile’ aesthetic is celebrated in the all-black Extreme WOW suite and all-white WOW suite, taking inspiration from the famous ballet Swan Lake.
Budapest offers an array of distinctive activities, mixing those that have been passed down through generations with new burgeoning trends to create a vibrant and eclectic social scene. In particular, the hotel nods to the city’s famous love of chess throughout its ‘Budapest Gambit’ inspired design. Chequer board patterns make unexpected appearances, including monochrome tiled marble flooring, a chess board inspired ceiling mirror in the W Lounge, guestrooms that feature black and white tiled walls and recesses, and lamps that emulate chess pieces to bring soft lighting throughout the hotel. This is complemented by odes to Budapest’s café culture where locals start with coffee and stay for cocktails with dining areas in Nightingale, the hotel’s destination restaurant, mixing blue tones with metallic accents and café-style seating to create a sense of intimacy.
Artwork throughout the hotel that sparks conversations and connections has been created by Adam Ellis Studio. Blending both interiors and ambiance, original wallpapers and framed pieces portray modern elegance, daring details and Hungarian influences. From a tapestry trio of Hungarian mythological creatures made from grass cloth to a welcome area dressed in green and gold metallic artwork detailing Houdini’s famed aviary of tropical birds, suspended from a chandelier chain; the hotel’s walls offer fresh perspectives that ignite curiosity.
Image credit: Marriott International
The extreme WOW and WOW suites are adorned in a bespoke wallpaper that transports you to the adjacent Hungarian Opera House, visible from both rooms. Inspired by its grand ceiling fresco, the immersive space depicts scenes of Greek gods playing musical instruments and enjoying revelry, accented with delicate metallic touches. This modern feel extends into the suite bathrooms, where sea creatures shimmer through delicate aquatic botanicals. These ornate and intricate works are complemented by static framed art pieces in a monochrome palette, depicting all the accoutrements for ‘a night at the theatre’.
The Fantastic suites and guestrooms, meanwhile, embrace the hotel’s Budapest Gambit design with colourful abstract artwork celebrating the city’s national game, alongside bold historical dream-like visions of the city.
Editor Hamish Kilburn gathered a cluster of designers inside the Sanipex showroom during Clerkenwell Design Week to moderate his most sensitive roundtable to date, translating trends in hotel design…
Love ’em or hate ’em, trends have been shaping and reshaping the hotel design and wider hospitality industry for decades. Whether you choose to be a follower or not, certain movements in interior design are fast evolving the look and feel of hotel design. To understand how certain trends are translated in hotels around the world, during Clerkenwell Design Week 2023, I spoke to a handful of designers, each experts in their field, to help me understand globally how trends are being absorbed.
The conversation started by Kilburn asking the panel what made trends hit universally. “I believe that something is universal, long-lasting that has meaning,” said Trevor To, Senior Associate, Gensler. “When I think about this I think of Monet, because everybody knows it’s beautiful. I think biophilia is one of those theme that connect everybody because we as human beings just connect very much to and around nature – I really believe that the indoor-outdoor connection is really important.”
Watch the full panel discussion here (video credit: CUBE):
Approaching the topic from a different angle, James Dilley, Director, Jestico + Whiles, challenging the value of a trend that is accepted globally. “Sometimes a universal trend is not always positive,” he said. “I think what often we’re talking about is a reaction to the globalisation of design. Design is, all of a sudden, instantly accessible after being a bombarded with looks, styles and trends from social media. People, and clients, are seeing things that they like and reacting to them. It’s a bit like baking a cake. You may have all the ingredients in front of you, but to bake a cake you need to be a good baker. The people who know how to assemble a good design scheme are living in a world of Pinterest.”
Image credit: Jestico + Whiles
Diana Darmina, Associate Interior Designer at LXA, responded with a wider look at the social and emotional response to social media and hotel design. “I think consumers buy with emotion,” she explained. “But I would say it’s also this idea of escapism and people seeking new experiences. Especially in hospitality, what I’ve seen is that designers tend to go and create something a little bit more out there, in bathrooms for example, because of social media, which isn’t a bad thing. That’s something that is probably being influenced from the Middle East.”
Image credit: Mel Yates Photography
Challenging pre-existing trends around wellness in the bathroom is difficult, given the practical need and nature of these spaces. Kilburn asked the panel what trends, in particular, are emerging in hotel bathrooms in 2023 and beyond. Brooke Radtke, Senior Associate at Woods Bagot, responded. “I’m not sure, beyond wellbeing being at the forefront of traveller demands, what is driving bathroom trends, but I would say that we have certainly noticed bathrooms becoming hero spaces in hotels,” she said. “We had this brilliant opportunity recently because in a building we converted from an existing office building to a hotel. And one of the really great things about the structure was the corner had a glazed facade. And so we very quickly pinpointed that as a great opportunity to create these really impressive bathrooms, drawing on the context of that land and feeling of theatre in with big roll-top brass baths.”
Image credit: AMANO Covent Garden / Woods Bagot
The demographic of the ‘luxury traveller‘ is changing rapidly. Claire Smith, Director, ABDA, injected the conversation with a view on how luxury trends are being translated to cater for multi-generations. “I think the definition of luxury is being challenged where ever you look,” she said. “We are in really early stages of working on a project that is pegged as a luxury eco resort, but not luxury in the sense of materials and finishes, but more in experience. So, the focus is on emotional elements such as the lighting and the in-between spaces as you walk through the hotel; the details, if you like. I think that’s where luxury is going. It’s more about how the space makes you feel.”
Sanipex is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
Editor checks in: the real value of ‘pride’ in hotel design
To conclude Pride Month 2023, Editor Hamish Kilburn shares a behind-the-scenes on the significance of one interview that was published this month, while also giving his pick of impactful stories and reviews written recently, including the launch of The Brit List Awards 2023…
When James Bermingham, this month’s ‘cover star’, if you like, agreed to sit down with us to discuss Virgin Hotels’ growth strategy, we felt a sense of pride on the editorial desk – and not just for securing the exclusive perspective from the CEO calling the shots.
Image caption: James Bermingham, CEO of Virgin Hotels, this month’s ‘cover star’, pictured with Sir Richard Branson at the opening of Virgin Hotels Edinburgh | Image credit: Virgin Hotels
It felt apt to publish an article about a brand like Virgin Hotels during Pride Month. What I believe has always resonated loud from the Virgin empire is its ability, and now responsibility, to push forward human-centric agendas. It has achieved this through design, hospitality and fashion – sometimes all at the same time – to make bold and meaningful statements. Fuelling this characterful (at times unruly) personality are the people behind the brand’s expansion who face challenges and opportunities to grow, dare I say dominate, without losing Virgin’s distinctly warm style, which feels etched and protected in its DNA.
Image caption: The lobby inside Virgin Hotels New York City. | Image credit: Michael Mundy
In-between opening hotels in Scotland and New York City, while also preparing to cut ribbons and pop open bottles of fizz in Miami and Denvor, Bermingham took a moment to exhale; to capture for us what these moves on the hotel development chess board really mean for the disruptive brand, which is still very much in its infancy.
Opened last year, Virgin Hotels Edinburgh stands as a milestone for the brand as well as ourselves. Last year, shortly after it received its initial rave reviews, it became a proud protagonist among the entries in The Brit List Awards 2023. That’s because one of the individuals from the architecture studio responsible for ensuring the 222-key hotel was designed with and not just in the listed-building architecture shell was recognised for her work on the project. Not only that, Kerry Acheson, Associate at Ica, became the first woman in the award campaign’s history to win Architect of the Year.
Now in its sixth year, The Brit List Awards 2023 is a fabulous – and I should remind you, free – application/nomination process, which offers designers, architects, hoteliers and suppliers alike the opportunity to amplify their proudest projects and products. It’s a chance to break free from boundaries to share design and hospitality projects that deserve to be celebrated. It’s a way to showcase what, on the global hotel design landscape, is taking the industry to new heights – or depths.
Image caption: Editor Hamish Kilburn ‘balancing’ his priorities this month while scooping the design exclusive review of a new hotel in Crete, Greece. | Image credit: @hotel_travel_editor / Instagram
As well as launching The Brit List Awards 2023, serving the industry with the hottest VIP arrivals, sharing the latest products launches, publishing various hotel reviews – from Doha to New York – and reaching the conclusion of our fourth series of DESIGN POD, this month, somehow, I managed to sneak off to Crete, Greece.
I touched down in Heraklion, and it began my mission to scoop the design exclusive of Pnoé Breathing Life, a new wellness hotel, rich in texture and character, that should, going by the theme of this Ed’s Letter, be proud of what it has achieved – going from concept to complete in just 10 months.
Perhaps more than that, though, the hotel should also be proud in its achievements to open something on the luxury hospitality scene that the locals have embraced, which looks and feels new yet also deeply rooted into its location. It shelters – if ‘shelters’ is the right word given the open, low-level architecture throughout – an unexpected take on Greek wellness that feels totally balanced with a contemporary design ethos and a forward-thinking hospitality vision. The local rosé they serve isn’t bad either…
Editor, Hotel Designs.
Enter now – applications and nominations for The Brit List Awards 2023 close on August 12. This year, the campaign, includes 12 categories, and the top 25 entries in the interior design, architecture and hospitality categories will also be profiled in The Brit List 2023.
Shortlisted finalists (interior designers, architects and hoteliers) will issued with a complimentary ticket to attend The Brit List Awards Ceremony 2023, which takes place on November 2, 2023 at Circa Embankment.
In line with its commitment to creating flooring that is good for people and the planet, Tarkett has launched Safetred Serenity – a stylish sustainable slip resistant safety floor that brings together impeccable sustainability credentials and designer good looks…
The contemporary palette of Safetred Serenity by Tarkett offers a myriad of design applications, blending seamlessly across any hospitality, leisure, workplace, education, health and aged care environment. Described as a true British collection, it is manufactured and fully recyclable in the UK to minimise transportation at all stages of its life.
This hardworking floor doesn’t compromise when it comes to style, offering a collection of exclusive neutral hues, inspired by the beauty of the UK and Irish natural landscapes and environments. Each of the 12 harmonising and relaxing shades were designed to evoke feelings of tranquillity. From palettes that pay homage to warm, sandy beaches and cool blue ocean waves, to stone-inspired tones reminiscent of misty mountains and white cliffs. Each design aims to embrace nature’s organic beauty.
Image credit: Tarkett
A practical, multifunctional safety floor solution, the collection is suitable for both barefoot and hard-sole shoes. This combined with its calming serene palette and DSDC accreditation lends itself perfectly for dementia-inclusive and neurodiverse settings. Simple and adhesive-free installation means it works well in all design schemes, whilst reducing environmental impact and saving on installation time.
“The Safetred brand was originally created by pioneering British company, Marley Flooring in the 1970’s, and joined the Tarkett family nearly twenty years ago,” explained Shaz Hawkins, Tarkett. “Safetred Serenity is a new practical, multifunctional, and hard-wearing safety floor with impeccable eco-credentials, that blends seamlessly into any space, no matter the style. I’m really proud of what we have developed and the flexibility this flooring solution offers – a myriad of opportunities for creative exploration that supports neurodiverse design, all the while protecting people and the planet.”
Safetred Serenity is manufactured from almost 50 per cent recycled content, using 100 per cent recycled and re-circulated industrial water as part of a closed-loop water system. The collection is free from phthalates and biocides to protect people’s health and well-being while in use. Once it’s served its purpose, it can be recycled in Tarkett’s in-house recycling centre located in Kent, to preserve the planet’s natural resources.
Tarkett is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
Touchpoints for sustainable furniture design from Morgan
Katerina Zachariades, Creative Director at British design-led furniture manufacturer Morgan, explores the top sustainability considerations hospitality designers and specifiers should make when selecting furniture…
Gone are the days of sustainability as a mere buzzword in the hospitality industry. Not only is sustainability a defining factor in creating standout interior spaces, the benefits of eco-conscious furniture design extend to enhanced functionality, lower lifetime costs and more satisfied clients. The pursuit of sustainabilty in furniture design presents an opportunity for industry professionals to shape a more environmentally conscious future. By considering sustainable materials, embracing innovative manufacturing technologies, minimising waste and challenging throwaway culture, designers can create exceptional spaces that align with the ever-growing demand for eco-friendly solutions.
Upholstery plays a pivotal role in both the visual appeal and comfort of furniture. By opting for fabrics made from recycled materials, designers can significantly reduce environmental impact. The most recent Morgan collection, Aran, exemplifies this approach by utilising knit material composed of post-consumer recycled plastic bottles. These fabrics not only contribute to waste reduction but also offer exceptional durability and aesthetic versatility, enabling designers to create one-of-a-kind interiors.
Similarly, where possible, opt for frames and tabletops that incorporate recycled and/or recyclable materials. There is a plethora of options available, such as terrazzo or table tops made of recycled plastics, such as yoghurt pots, which create eye-catching effects while reducing waste. Choosing an unusual recycled product or one related to your company can form the basis for a story that helps build brand loyalty.
Image credit: Morgan
When it comes to timber frames, prioritise sustainability sourced wood. Ash, known for its self-seeding and fast-growing properties, is one of the most sustainable hardwoods available in the UK. Its abundant availability and versatility make it suitable for furniture, cabinetry and more. Despite being one of the toughest hardwoods, ash is relatively light with a good strength to weight ratio – ideal for furniture which receives a lot of use or is likely to be moved around frequently.
Harnessing modern manufacturing technology, 3D printing offers design freedom and significantly reduces waste. Unlike subtractive manufacturing methods, additive manufacturing (3D printing) utilises only the necessary materials to create a product. As 3D printing is increasingly adopted in furniture manufacturing, designers have greater design freedom and even more options for actively helping reduce environmental impact. Morgan’s Rio tables embrace this modern technology, comprising a striking, central 3D printed component, a glass top and timber turned legs.
Innovative approaches to furniture design can drastically reduce material waste throughout the production process. The material used for the Aran collection is a prime example, in which each fabric sleeve is knitted to fit precisely with zero waste. It’s an environmentally conscious solution that combines both form and function.
Image credit: Morgan
Behind the scenes, manufacturers’ choices about unused materials also impact sustainability credentials. Consider working with companies that have a plan in place for any potential waste. At Morgan, unwanted fabric off-cuts and roll ends are donated to a local charity, while any timber off-cuts go into a biomass boiler.
To combat throwaway culture and reduce environmental impact, designers should prioritise furniture that comprises elements that can be individually replaced or updated. This approach avoids the need for complete replacements when a single component wears out or becomes outdated. By offering modularity and adaptability, furniture pieces can evolve with changing needs and design trends, ultimately extending their lifespan and minimising waste.
Morgan is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
Moxy Hotels debuts in the arctic playground of Tromsø
Moxy Hotels has opened Moxy Tromsø in Northern Norway. Operated by Core Hospitality A/S, the hotel marks the northernmost property in Marriott Bonvoy’s global portfolio…
Tromsø is famed for its beautiful winter landscapes and mesmerising Northern Light displays, with summer adventures benefitting from the midnight sun and 24-hour sunlight. With Moxy Tromsø boasting undisturbed views of the fjord and mountains beyond, Danish designers Mette Fredskild Studio drew inspiration from the locale, with a palette of local traditional folk dress featuring indigo, cobalt and city blue, to warmer colours, including purples, brown and deep red. Murals in public spaces, created by local artists Alice Kvalvik and Jonathan Broca are a playful take on Tromsø life and the environment beyond.
Image credit: Marriott International
“We are thrilled to expand our Moxy Hotels footprint in Norway with the opening of Moxy Tromsø, unlocking Marriott Bonvoy’s northernmost destination in the world,” said Sandra Schulze-Potgieter, Vice President, Premium & Select Brands, Europe, Middle East and Africa, Marriott International. “Moxy is known for its young-at-heart spirit and Tromsø is an incredible destination for our fun-hunters to add to their bucket list, with a different stay and experience for each season.”
Image credit: Marriott International
Moxy Tromsø combines stylish, industrial design and sociable service at an accessible price point so that guests can save on space and splurge on experiences. 208 smartly designed guestrooms feature walk-in showers, 55-inch flat-screen televisions, super comfy beds and motion-activated LED guidelights. Designed to maximise the beauty beyond, the newly built hotel takes check-in to new heights. Guests step onto the top floor into Sky Bar Moxy, the social heart of the hotel, which also serves as the hotel’s front desk. All guests are welcomed with a ‘Got Moxy’ cocktail or mocktail at check-in, alongside the room key.
Image credit: Marriott International
“Moxy Tromsø is an exciting new destination for all travellers and Marriott Bonvoy members and we are very proud of this new addition to our portfolio,” said Per Denker Sørensen, CEO of Core Hospitality. “The opening of Moxy Hotels in Tromsø marks the entrance of an international lifestyle hotel brand in the marketplace. We are confident that our Sky Bar Moxy, offering stunning views of the fjord and hopefully northern lights during winter, will be a new social destination among travellers and locals alike. It is an honour to be part of this new development and to open yet another Moxy Hotel in Scandinavia.”
Image credit: Marriott International
Sky Bar Moxy, the social heart of the hotel, embraces the playfulness of Moxy, offering a plethora of board games, a foosball table and several café tables with board games printed onto the tabletop. The 11th-floor rooftop terrace offers truly unobstructed views of the city and the fjord and the indoor lounge will install a telescope available for guests to spot the wildlife below and gaze at the stars in winter.
With a light bites menu and crafted cocktails, Sky Bar Moxy is a vibrant social space with bold programming for locals and guests alike to plug and play. Local brews on tap include Nordlys (northern lights) and Isbjørn Lite (polar bear) from MACK and classic brand cocktails such as the delicious non-alcoholic Fauxy Moxy with hints of strawberry, rose and hibiscus. The Moxy Pickups menu taps into international favourites and a dedicated barista counter serves up a coffee fix for those that have made the most of the night-long sunshine.
The hotel is the gateway to breathtaking Arctic adventures famed in the region, from husky and reindeer visits, Sami culture experiences, whale safaris, northern lights hunting, cross-country skiing and fjord cruises.
Applications now open for The Brit List Awards 2023
The Brit List Awards returns in 2023 with three new categories. Many things are new this year – including the venue of the ceremony – but the application / nomination process remains free for everyone. Hurry, though, the closing date is August 11…
Enter now – The Brit List Awards 2023 campaign has officially launched with the free application / nomination process now open for all interior designers, architects, hoteliers and suppliers alike.
Image caption: Jacu Strauss won Interior Designer of the Year last year for his work on One Hundred Shoreditch. | Image credit: Lore Group
This year’s categories are:
Interior Designer of the Year
Architect of the Year
Hotelier of the Year
Best in Tech
The Eco Award
Best in British Product Design
Public area of the Year – NEW FOR 2023
Lighting scheme of the Year – NEW FOR 2023
Hotel Concept of the Year – NEW FOR 2023
International Award
Rising Star
Outstanding Contribution to the Hospitality Industry
Click here to apply/nominate for The Brit List Awards 2023 (the application process closes on August 11).
Past winners include, among others, Albin Burglund (Interior Designer of the Year 2020), Robin Hutson (Hotelier of the Year 2021), Christos Passas (Architect of the Year 2020), Tina Norden (Interior Designer of the Year 2021), Jacu Strauss (Interior Designer of the Year 2022) and Kerry Acheson (Architect of the Year 2022).
Image caption: Virgin Hotels Edinburgh was one of last year’s project in the spotlight with its architect, Kerry Acheson, winning Architect of the Year. | Image credit: Ica Studio
Much more than just an awards ceremony, in addition to individual winners being announced at a glitzy awards ceremony, the top 25 entries in the interior design, architecture and hotelier categories will also be profiled in The Brit List 2023, Hotel Designs‘ annual publication that lists the real influencers shaping the hotel design and hospitality industry.
Shortlisted interior designers, architects and hoteliers will receive a complimentary ticket to attend the awards ceremony, which this year takes place at London’s iconic gay nightclub, Circa Embankment, on November 2.
Who can enter?
The Brit List Awards 2023 is an open call to all interior designers, architects, hoteliers and suppliers. Entries in all categories apart from Hotel Concept of the Year and Outstanding Contribution to the Hospitality Industry will need to reference hotel projects, product launches or hospitality initiatives, that have launched or completed between November 2022 to November 2023.
Image caption: Sir David Chipperfield won Outstanding Contribution to the Hospitality Industry award last year following the completion of Taoxichuan Hotel. | Image credit: Hyatt
How to enter
It is extremely simple to enter for any of the 12 categories for The Brit List Awards 2023. Full details on categories – and guidelines – can be found on the awards page and by clicking ‘nominate/apply here’.
Main image credit: The Brit List Awards / Hotel Designs
Clarke & Clarke is getting set for summer with a stunning new range of indoor/outdoor fabrics. Perfect for covers, cushions and blinds, bold feature prints, deckchair stripes, chevrons and a complementary plain offer something for everyone…
The Clarke & Clarke SS23 Edit, Alfresco, is a captivating collection of solution dyed indoor outdoor fabrics. Perfect for covers, cushions and blinds, this range of seven striking designs includes bold feature prints, deckchair stripes, chevrons and a complementary plain, all digitally translated onto a stunning new textured base cloth. Micro-bacterial, sun and stain resistant, Alfresco shares a vibrant, tropical feel across a range of sophisticated, warm colours and fresh coastal tones.
Image credit: Clarke & Clarke
Image credit: Clarke & Clarke
Discussing the collection, Clarke & Clarke Brand Manager, Rebekah Roberts shared her thoughts and personal favourites. “With all the qualities of an oil-painting, Congo Outdoor is one of our most dramatic fabrics,” said Roberts. “Inspired by the African rainforest, it’s deep, bold and beautiful. If you are looking for something playful? Join our cheerful monkeys amongst their oversized hide and seek paradise in Monkey Business Outdoor. Translated from one of our most popular designs, vivacious colours pop against a natural ground”.
Image credit: Clarke & Clarke
“For a touch of floral inspirations, Passiflora is an iconic print and one of my personal favourites,” continued Roberts. ” Trailing passionflowers come to life across a full colour base cloth which is available in our bestselling Kingfisher and new Denim colourways. You can complete the look with Idro, a multi-width stripe and fantastic go-with in understated natural tones. Pair alongside patterns and plains to create a contemporary outdoor scheme that’s summer ready”.
Translated from seven of its bestselling designs, Alfresco is the ideal way to update garden furniture and add focal points to patios or conservatories. In wide reaching colourways that span from fresh coastal tones and warm, sophisticated hues to vibrant, tropical bursts, each design showcases Clarke & Clarke’s signature style. Along with statement good looks, this sun and stain resistant collection can withstand both the elements and any lingering crumbs!
Sanderson Design Group is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
Artiq celebrates its 5th edition of Queer Frontiers
Founded by Artiq in 2018, Queer Frontiers is an exhibition that brings together extraordinary artistic talent and rising stars to raise funds for charities with causes close to the LGBTQ+ community. The exhibition returns for its 5th edition in the iconic Walker’s Court in London’s Soho…
This year’s exhibition by Artiq is titled Queer Myths, Queer Futures and will feature new work by more than 20 LGBTQ+ and ally artists alongside a series of limited-edition prints produced exclusively for the show. Queer Myths, Queer Futures brings together artists whose practices are inspired by classical mythology or folklore, who draw on contemporary myth-making or politics, or who explores an artistic vision of what queer could mean in the future. Exhibiting artists will include Elio Mercer, Mazahir Hussain, Kevin Aanafi-Brown and Olivia Mansfield, with more to be announced.
Image credit: Artiq / Adam Wilson Holmes
All artworks are for sale, with proceeds being split between Rainbow Railroad, a global not-for-profit organisation and the artists. Rainbow Railroad was founded in 2006, with the aim of helping at-risk LGBTQI+ around the world get to safety. The organisation’s core Emergency Travel Support program provides vital support to LGBTQI+ people facing an immediate threat to their lives and helps to identify a pathway out of their current location to a new country where they can safely resettle and live openly without fear. In addition, Rainbow Railroad provides information and resources, coordinates referrals to local refugee and LGBTQI organisations and provides short term financial assistance.
Image credit: Artiq / Olivia Mansfield
This year, the specialist insurance firm and dedicated art supporter, Hiscox, return as a sponsor. Hiscox is a firm that has built a market-leading reputation over the years through its commitment to its clients and superior services that promise expertise, efficiency, empathy and fairness. With 3,000 staff across 14 countries and 35 offices, art is an integral part of the culture at Hiscox. In addition to collecting art by living artists that hang on the walls of their offices for the viewing pleasure of their employees, Hiscox also sponsors public exhibitions and college prices, including Artiq’s Graduate Art Prize and Queer Frontiers, extending its impact and support to new generations of emerging artists.
The exhibition is also supported by Soho Estates, a family-owned property company with holdings across large parts of Soho that have supported Artiq’s presence in Soho since its inception. This partnership is a result of Artiq and Soho Estates working closely together over the years to provide inclusive spaces for creativity. Soho Estates tenants reflect the vibrant mix found in London’s creative heart, including restaurants, bars and clubs, hotels, cinemas and theatres, independent retailers, residential flats and offices. Their objective is to enhance and add value to existing stock through careful restoration and redevelopment in keeping with the area.
The exhibition will be accompanied by a programme of events, including performances and a panel talk on July 4. It will be a captivating discussion on the intersection of queer identities, mythology, and contemporary art. Our speakers, including Sacha Coward, Dominic Lauren, Mazahir Hussain, Shane Sutherland and Olivia Mansfield, will share their insights and artistic practices. The event is free to attend, but you’ll need to RSVP.
Artiq is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
NOA has designed a new sustainable extension for the Olympic Spa Hotel in Val di Fassa, aiming to enhance and integrate the facilities with the surrounding landscape…
Adding new spaces and functions to a mountain hotel without affecting the harmony with the landscape, on the contrary, creating a better integration with the surroundings is the guiding theme of the project by NOA for the Olympic Spa Hotel, in Vigo di Fassa – a property with a tradition of hospitality dating back to 1963. The plan to expand the current premises with an annex and a new sauna was an opportunity to define a ‘mimetic’ and sustainable intervention model, which will allow the hotel to grow and offer its guests an even more exciting immersion in the beautiful Dolomite scenery.
Image credit: Alex Filz / Noa
“As with other similar projects, we started with a general concept,” explained Stefan Rier, Architect and Co-Founder of NOA. “We know from experience how important it is to always define an overall vision. Even if (as in the case of the Olympic Hotel) we initially only focus on one part of the project, what we build is not a stand-alone element, but becomes the first step of an overall, wider-ranging plan, that will develop over time.”
Image credit: Alex Filz / Noa
The key idea in NOA’s design was to shift the centre of gravity of the hotel from the provincial road, which most of the existing rooms overlooked, to the slope behind it, which slowly declines, turning into a forest, until it reaches the Avisio stream. The project envisaged the construction of the ten new rooms along the slope, partially buried and connected to the hotel by an underground passage. The sauna, on the other hand, is a separate wooden building, located on the edge of the forest, in an elevated position facing the treetops and accessible via an atmospheric aerial pathway. The emphasis is on direct contact with nature, which is also supported by the used materials, by the façade design that plays with the mountain skyline, by the terraces and the special interior patios embedded in the larger rooms.
Image credit: Alex Filz / Noa
The new building, which accommodates ten guestrooms and a gym, is characterised by its distinctive profile, inspired by that of a mountain. At one end, a higher spike identifies the double level of the largest suite, then the roof descends, with lower height spikes indicating the single-level rooms and at the other end, the fitness studio. This silhouette, highly recognisable in its graphic simplicity, is intended to become the hotel’s architectural signature.
The colour palette of the materials used, also recalls the surrounding landscape. The sloping pitches and external walls are plastered in a grey colour reminiscent of the Dolomite rocks with the use of forms and materials in symbiosis with the landscape. Sustainability considerations were key during the entire project, which was implemented with local firms and the partial burial of the structure is designed to limit the built volumes as much as possible.
Image credit: Alex Filz / Noa
Image credit: Alex Filz / Noa
In the extension, the burying of part of the structure offers guests the feeling of closer contact with nature. Access from the hotel to the annex is also via an underground path. Each room has floor-to-ceiling windows and a large terrace overlooking the landscape. The new rooms are named in the Ladin language, a culture to which the owners’ family is very attached. Thus, the four ‘Te Bosch’ rooms pay homage to the forest, an inspirational element that shapes the interior.
Image credit: Alex Filz / Noa
Each of them has an internal patio with transparent walls, creating a private space accessible in every season and bringing light and nature into the room. The vegetation of the patio, the presence of a birch tree and the view of the sky become part of a new experience for hotel guests who can, for example, imagine themselves outdoors while taking a shower. Or, in winter, they can see snow falling from both sides of the room, with the feeling of being in the middle of an alpine forest. Or, again, they can sleep outside on summer nights, on suspended beds equipped with double sleeping bags and admire the starry sky, given the lack of light pollution.
Image credit: Alex Filz / Noa
Image credit: Alex Filz / Noa
In the five ‘Te Aga’ rooms, dedicated to the element of water, there is a stone fountain from which pure mountain water from a spring at 3,5000 metres gushes out. A benefit that the hotel offers with the aim of banning the use of plastic bottles. Oak and larch from the Fassa Valley are used in all the rooms, both for the floor and the furnishings. At one end of the building, at the highest ‘peak’ of the façade, is the two-level suite. The sleeping area is on the ground floor, in an area lowered by three steps to create more intimacy and give movement to the volume of the room. The first floor, on the other hand, is entirely dedicated to relaxation, with the sauna, emotional shower and wellness area making use of the volume of the characteristic double-pitched attic, looking out over the forest.
Image credit: Alex Filz / Noa
The new sauna is an elevated construction with eye-level views of the tree canopies. Made entirely of wood, externally clad in larch and internally in spruce treated with black wax, it blends into the forest and offers an impressive panorama of it both from the interior windows and a side terrace. It can be reached directly from the hotel via an aerial walkway, which leaves the meadow below free (where, by the way, the ‘Marcialonga’, the famous cross-country skiing event, passes by every year). Therefore, access to the sauna is only outside, even in winter, a choice that intends to promote a strong and direct contact with nature.
Image credit: Alex Filz / Noa
The structure of the annex is made of reinforced concrete, with a portion of green roof, where the building is buried in the slope.“This is a solution that we are proposing especially for hotels, where we often have large volumes,” explained Rier. “The choice of burying a part of the structure reduces the volumes and is an interesting solution, especially in attractive mountain areas like the Dolomites.”
All the furnishings are made to measure in oak with knots, a choice that reflects the hotel’s green vocation and links with Alpine tradition. Even in the shapes of the furniture, continuity with local styles has been sought. Light, natural colours dominate, flanked by green, which recalls the shade of the beautiful pine forest in front of the rooms.
Looking ahead, the hotel development plan includes the construction of further guesthouses similar to the first one and a new wellness area. The central building will also be restyled. In particular, the façade will be redesigned with a wooden structure that will recall the profile of the peaks. To reduce the perceived built volume and the environmental impact of the project, it is planned that the ground floor will be buried, creating a hilly landscape where the new facilities, all underground, will be located.
Parkside celebrates 40 years at Clerkenwell Design Week
With a fabulous cocktail party and the Parkside 40 Years x Lois O’Hara commission, Parkside marked its 40th year in the tile specification business in style, at this year’s Clerkenwell Design Week…
The Parkside 40 Years x Lois O’Hara commission wrapped the Parkside Sustainability and Design Studio in the Brighton artist’s colourful graphic print throughout the three-days of Clerkenwell Design Week. Alongside, the tile specification business also held Brunch & Mimosa sessions and inspiring talks from designers and material innovators. With hundreds of visitors through its doors to begin conversations and discover a growing range of sustainable material choices, Parkside completed another successful Clerkenwell Design Week.
“We’re delighted to have taken part in another fantastic Clerkenwell Design Week,” said James Journet, Sales Design Director, Parkside. “With a cocktail party to celebrate our 40th year, cheese and wine with Planq and The Mosaic Factory, as well as serving brunch and mimosas every day at 11; the studio welcomed in people from right across the design and specification industries. It was a great atmosphere and felt hugely positive, we’re already looking forward to doing it all again.”
Image credit: Parkside
The company was founded in 1983 by Peter and Georgina Edmonds with a Leicester showroom. When Peter and Georgina’s daughters began customising tiles with Parkside’s own kiln and expanding distribution sales, the transformation into a tile specification company began. In 1985, it started directly importing tiles from Spain and Italy, ordering with Telex machines. Fast forward to 2023 and Parkside is now a Carbon Balanced business with a range of more than 20,000 commercial tiles, including some of the most sustainable tiles in production.
Dr Alasdair Bremner talked through the development of one such tile, Principle. This is the world’s first mass produced 91 per cent recycled content tile. Made with recycled materials from post-consumer glass and pre-consumer vitrified ceramic, every square metre of Principle diverts eight kilograms of waste from landfill. Parkside also continued its ongoing association with Planq as the sustainable furniture brand explained how it’s taking old textiles and denim and transforming them into a sustainable material with numerous applications.
Founder of interior studio, LA VILLIANE, Mathilde Le Villian also came to the Sustainability and Design Studio to moodboard with visitors and give a glimpse of her soon to launch tile collaboration with Parkside, Sotho Tile. Other new products including stunning British made Ethical Terrazzo from Ethical Stone. The 100 per cent British terrazzo uses aggregates from across the island and binds them with a next generation low-carbon cement. Made in Manchester, Ethical Terrazzo saves just shy of 2000 kilograms of carbon per load from transportation alone.
Parkside is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
CTD Architectural Tiles reveals its latest collection
CTD Architectural Tiles has unveiled its latest collection of carefully curated tiles, seamlessly combining the latest trends with exceptional performance ideal for the hotel sector…
The latest collection from CTD Architectural Tiles features an array of new and updated tile ranges from some of the world’s leading manufacturers from around the world. Details of all new tile ranges are available on the tile supplier’s website, where architects, interior designers and specifiers are able to request free samples to discover the look and feel of each tile.
Responding to the varied needs of its customers working across the hotel design sector, the collection features a comprehensive choice of tiles suited to a variety of styles and requirements, from ceramic tiles for feature walls to slip-resistant porcelain floor tiles.
Image credit: CTD Architectural Tiles
Some of the new ranges, like Canal Grande, provide the best of both worlds, offering users a solution for eye-catching yet sophisticated walls. Inspired by the vibrant and luxurious feel of Venice’s waterways and the Venetian art of boat making, this collection of glazed porcelain tiles mimics the distinctive qualities of mahogany wood. These tiles benefit from innovative photographic techniques to create a 3D surface effect, resulting in a classic feel suitable for elegant hotel restaurant and bar spaces.
Also inspired by classic luxury is Endless, which epitomises the ever-popular marble trend suited to hotels looking to create bathroom and reception areas with a grand feel. Available in five opulent shades and a choice of six sizes, this beautiful collection can add sophistication and elegance throughout a hotel project. Providing an attractive anti-slip tile solution with the added benefit of Microban anti-bacterial technology, Endless is ideal for any project looking to combine form with function.
Image credit: CTD Architectural Tiles
Alternatively, Sweet Bars offers users a vibrant yet chic wall tile that’s ideal for adding a pop of colour and texture to any space. Whether it’s for a busy bar area or reception, these glazed ceramic tiles are guaranteed to make an impression thanks to the collection’s fusion of fresh translucent and earthy clay shades.
CTD Architectural Tiles is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
Three locations, three concepts – new luxury accommodation in Rome from THDP
THDP has created the perfect haven for the curious travellers that want to dive deep into the secrets of one of the most fascinating cities in the world – three locations and 27 luxury short rental apartments in Rome, providing serene yet enchanting spaces to unwind after long days of exploring…
THDP has made its mark the neighbourhoods of Colosseo, Navona and Trastevere – the three places of intervention, distributed in three different areas of Rome, that differ from each other for both history and contemporary lifestyle. Although they tell different stories, they are still linked by the same past, yet each of them has developed its own neighbourhood identity.
The first one, Trastevere is a Young Rome, famous for its nightlife. The alleys, the fountains and the clothes hanging outside, all frame a fresh, sparkling and vital life. The second one, Colosseo, is the monumental Ancient Rome, situated really close to the Colosseum, between three of the seven hills, Esquilino, Colle Oppio and Celio. The third location is Noble Rome, Navona, the Rome of palaces, antique dealers and art galleries. An elegant Rome that, when viewed from the windows and terraces, opens up the perspectives onto an exclusive and opulent dimension.
Image credit: Paolo Fusco
Trastevere – young Rome, ‘La Roma Giovane’ – is not only famous for its history, but also for being one of the busiest centres of the city nightlife. With its countless traditional and contemporary restaurants, street artists, theatres, monumental squares and bridges that connect the area with the city centre, it acts as a trait d’union between the old and the new, creating a bubble with an unparalleled atmosphere. The colours and materials of the apartments here are inspired by the district – lively, warm and welcoming, rich in shades and eclectic.
Image credit: Paolo Fusco
The Trastevere apartments are composed of three bedrooms, three bathrooms (two of which are en-suite), an open plan living, dining and kitchen area and a spacious entrance. The intent is to keep as much existing flooring as possible as a sustainable choice and yet to retain the balance among the new and existing floor finishes while respecting the design concept.
Image credit: Paolo Fusco
Image credit: Paolo Fusco
The layout of the living area is casual and focused on function, with a shelving element separating the food preparation area from the lounge area. The lounge enjoys a large corner snug sofa with a built in double bed for that extra guest. The kitchen and dining area of these apartments are colourful, bright and brave – a palpable reflection of the Young Rome concept. The kitchen units are in blue with feature tiles in the form of arches as a backsplash. Colourful terrazzo ‘Trencadis’ style tiles insets and contemporary FF&E selection complements the overall scheme. The main protagonist of this playful living area is definitely the feature wall covering, inset into accent wall mouldings, which helps to animate the space and together with bright and colourful upholstery choices and modern furniture, creates a focussed and cheerful living space.
Image credit: Paolo Fusco
The colour scheme of the master bedroom is quieter than common. The custom headboards are of a low maintenance faux leather that is shaped as small scale arches, one of the repeatable design features in this apartment style – and bespoke feature wall covering definitely reminds one of typical Roman shapes and architecture. The selection of contemporary design furniture and finishes creates a young and fresh vibe.
Image credit: Paolo Fusco
Colosseo is located in one of the most ancient districts in Rome whose origins go back to prehistoric times, when it was nothing more than a rural path used by local populations. An area rich in history, but also in theatres such as Brancaccio, the new Palazzo Merulana set of continuous contemporary exhibitions and an important hub between ancient Rome and the cosmopolitan Esquilino district, seems to bring back in our imagination the idea of the Roman road that reaches the farthest points of the empire. Anyone who walks through it, cannot avoid to immerse themselves in its history.
Image credit: Paolo Fusco
The kitchen area is sleek and modern, the colour scheme is neutral, the fittings are chrome with a travertine countertop, with a backsplash adding a timeless elegance. The bespoke pendant design by THDP along with modern FF&E choices makes the space feel elegant yet contemporary. Leading on from this, the living area is a perfect balance between timeless elegance and a modern design sensibility. The colour scheme is black and white, with accents of brown, green and dusty pink.
Image credit: Paolo Fusco
The master bedroom colour scheme is light and subtle, with tones of green with accenting shades of pink. The bespoke headboard upholstered in low maintenance faux leather with accent piping in pink and comfortable modern furniture, helps the space to feel inviting and pleasant. The bathroom scheme is definitely a timeless choice and a reflection of the concept colour scheme. The black flooring with feature mosaic inset, marble look tiles and chrome fittings together with bespoke vanity unit and back lit mirror give a lasting impression that is both noble and powerful.
Image credit: Paolo Fusco
Piazza Navona is all about Noble Rome, ‘La Roma Nobile’. This neighbourhood was created to establish a quick connection between the monumental and administrative centre of the city and the new residential districts beyond the Tiber. It has always had an elegant character, home to important noble palaces and beautiful architectural masterpieces. Considered from the Romans as one of the entrances to the underworld, the area was born from the fusion of the sacred and the profane, with its countless churches scattered throughout the Rione Parione, the many workshops of artisans and antique dealers that still coexist with the new art galleries modern, the vintage shops of Via del Governo Vecchio, and historical places such as the bar del Fico and the Terrazza Borromini, or Palazzo Alberini, headquarters of Gucci.
Image credit: Paolo Fusco
These apartments are composed of three bedrooms, two bathrooms (one of which is ensuite), a generous living and dining area and a separate kitchen. The intent is to keep as much existing flooring as possible in order to reduce costs yet to retain the balance among the new and existing floor finishes while respecting the design concept.
A rich and colourful scheme for the kitchen features coloured kitchen fronts, faux marble look countertop and brass fittings coupled with a statement modern furniture selection. Luxurious finishes and bespoke light fittings by THDP, together with wow effect feature wall covering, brings together the overall design concept.
Image credit: Paolo Fusco
Grand yet modern, is the description used for the master bedroom of the Roma Nobile scheme. The feature headboard upholstered in turmeric velvet and bespoke light fittings give a lasting impression. The furniture selection is classic yet contemporary which helps to balance the overall scheme, keeping it fresh but memorable. The square gold moulding on the wardrobe is a classic shape that suits the design concept and a more modern feel of these apartments.
In the bathrooms, the selection of 3D feature tiles and white stone look floor tiles is expressive and bold design solution. The metal finishes here are brushed brass, white ceramic basin and sanitary fittings and a fixed shower screen in an arch shape.
Image credit: Paolo Fusco
Image credit: Paolo Fusco
The rich and warm tones, curved shapes and spectacular lighting all work together to make a statement, which maintains a strong local identity. Custom lampshades from a local studio, picture frames from an artisan who has had a studio in the district for over 70 years and the local artwork on the walls, all conspire together, creating layers to the design in these apartments and making the space inviting and comfortable, while immersing guests in the noble history of Rome.
Casona Sforza – sheltering luxury with a conscience
Set with a light footprint in the serene landscape of Barra de Colotepec, Casona Sforza presents a unique, vernacular-inspired architecture and a sustainable luxury experience with personalised attention, exclusivity and privacy…
Casona Sforza, dreamt up and designed by the entrepreneur Ezequiel Ayarza Sforza and the leading Mexican architect Alberto Kalach, stands out from the crowd with a structure that revalues roots and reflects a commitment to environmental conservation. The structure is a collection of forms with clean lines, asymmetries, arches and vaults that establish a harmony with the landscape of Puerto Escondido. In this location on the Oaxacan coast, where the Colotepec River and the sea converge, comfort and elegance are intertwined with respect for the environment, in an enclave where nature and design collaborate to stimulate the senses.
Image credit: Casona Sforza
Among its luminous spaces — with terracotta tones and a terrace with a concentric swimming pool — time passes without urgency in the shelter of cypresses, mangroves and oaks. Using other endemic vegetation species, such as majaguas, tabachines, mesquites and huizaches, as well as the unmistakable cacti of the region, Kalach redefined a landscape project that pays tribute to the unique ecosystem of this latitude. The design incorporates Zisus and Copa de Oro plants along with other shrubs, which provide shade and freshness while defining the different areas and promoting privacy.
Image credit: Casona Sforza
The eleven suites with their vaulted roofs offer an indulgent haven in a bohemian aesthetic, punctuated with natural textures, furniture and details in tropical woods and a colour scheme built around neutral hues. With three guestroom categories: Junior, Senior and Master, guests enjoys panoramic views and home comforts in all of them. The interior design throughout the property bears witness to artisan crafts from all over the country, including palm lamps from Jalisco, rugs from Teotitlán del Valle, textiles from the Valley of Oaxaca and hammocks, chairs and curtains from Yucatán. The atmosphere is further enhanced with design details from the Oaxacan sierra, produced by the Pueblo del Sol community transformation workshops.
Image credit: Casona Sforza
At Pueblo del Sol, potters, ceramists, cabinetmakers, farmers and beekeepers are promoted in the sustainable production initiative whose mission is to build a new reality thanks to the contributions and support of Casona Sforza, which proudly shares with guests the experience of discovering organic agriculture projects focused on coffee, vanilla, cocoa and honey. There are workshops in crafts such as pottery, carpentry, natural cosmetics, bioconstruction and jewelry; or guests can take part in yoga, meditation and healing workshops.
Image credit: Casona Sforza
Complementing the hospitality experience, the new culinary offering of Casona Sforza,by the Venezuelan chefs Vanessa Franco and Andrés Trujillo, takes its inspiration from the land and the sea, resulting in an authentic product-based cuisine. By working with farms and cooperatives in and around Puerto Escondido, the chefs and their team confirm an absolute commitment to sustainability, using only the freshest ingredients. In this way, they allow the natural environment to dictate the preparations for each day. Fish, shellfish, fresh vegetables and homemade bread are fundamental to the menu.
Image credit: Casona Sforza
The total immersion in the tranquility of the environment continues with the wellness services, focused on revitalising the body, mind and spirit. Facing the waves of the sea, guests can enjoy experiences such as relaxing massages and reiki sessions. Casona Sforza stimulates the senses through conscious luxury, one that enables a strong bond to be established with a destination and an escape from the tumult of ordinary life, as guests enjoy walks, expeditions and surf lessons, while sighting dolphins, whales and sea turtles.
Lusso and Jacksonheim Boutique deliver notes of modern luxe to Manchester
Inspired by a myriad of international locations and cultures, the Jacksonheim Boutique provides a series of stunning staycation spots in the heart of Manchester and luxury lifestyle brand Lusso supplied a range of its renowned bathroom products to the aparthotel to complete the look…
Jacksonheim Boutique is a collection of luxury boutique apartments with hotel-like services. Sheltering thoughtful and often unexpected designs, each aparthotel and serviced apartment is unique, based on the brand ethos of ‘never repeated but always remembered’, with individuality and originality as its hallmarks.
Merging both Japanese and Scandi influences, the Japandi Boutique is calm, inviting and tranquil. Featuring oak panelling, micro-cemented walls and a neutral colour scheme with hints of black. The suite is designed to communicate hygge and wellbeing, which is why it’s decorated with the smooth white stone of Lusso’s collection, including the popular Picasso Basin and Edge Wall Hung Vanity Unit.
Image credit: Jacksonheim Property Group
Sleeping between one and six guests, the Midnight Residence is the epitome of luxury. Boasting an open-plan living space with high ceilings, the bathroom is characterised by its dark biophilic design, which sets the mood for a long soothing soak in the grey Monaco Lusso bath. The opulent freestanding bath is offset by a striking nature wall, allowing the green hues to highlight the deep grey shade of the stone. The matching Nuvo Basins make the perfect final touch. The stoneware is part of Lusso’s Silk Collection, which is available in three earthy colourways – Grigio Earth, Charcoal and Pebble Grey.
Image credit: Jacksonheim Property Group
Designed to whisk its residents away from the hustle and bustle of Manchester to the cosmopolitan surroundings of New York City, the New York boutique apartment does just that. Featuring 15 foot ceilings, solid oak floors and exposed brickwork, beams and pillars. The industrialised interior contains Lusso’s products in its walk-in shower room, including the Thinn Stone Basin.
In a quickfire round of questions, Lusso caught up with Phoebe Desser, Jacksonheim’s interior designer, to find out a bit more about the design process.
Lusso:Why did you choose to feature Lusso within the apartments?
Phoebe Dresser: Lusso products are durable yet beautiful in design and they help us to create breathtaking spaces while maintaining our need for durability with high-quality finishes. Lusso also has a wide variety of products already available, with frequent updates for new additions.
L: What’s the most important factor when designing an aparthotel?
PD: While beauty and creativity are at the forefront of all that we do, we always maintain a high standard of any materials used. We ensure all the suppliers we work with provide hard-wearing, long-lasting products or materials as the products we use must stand the test of time. From a visual aspect, they need to look a certain way, however, this is rendered useless if the product is going to crumble after a few uses.
L: Can you tell us about your favourite Lusso product?
PD: It would be so difficult for us to choose our favourite Lusso product, given that we use a vast range of items throughout our portfolio. If we had to choose the current front runner, it would be the Monaco Grigio Earth Freestanding Stone Bath, which you can find in our Midnight Residence. Not only do we love this bath at Interiors by Jacksonheim, but we are constantly receiving positive feedback from guests on how much they adore the design. According to one of our recent guests, they didn’t want to get out of the tub!
We also love the Picasso Countertop Stone Basin, as well as the Edge Wall Hung Vanity Drawer Unit, which are both featured in our Japandi Boutique. The basin in particular is a favourite of ours for a number of reasons, as it’s easy to clean, hasn’t been damaged or stained since we installed it and looks amazing.
Image credit: Jacksonheim Property Group
Lusso supplies its range of luxury bathroom, kitchen and homeware to a range of clients around the world. Its products can be found in some of the world’s leading hotels, including Claridges, The Connaught and New York’s Equinox Hotel. Also tailored to bespoke requests, one of its biggest bespoke projects to date is London’s iconic Trocadero building – now known as the Zedwell Hotel – for which Lusso supplied over 700 bespoke-sized stone basins to fit out the bathrooms in the modular hotel rooms.
Lusso is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
Curio Collection by Hilton opens its doors in Madrid
Located in the city centre location of Calle de la Montera, Hotel Montera Madrid, the city’s first Curio Collection by Hilton, showcases an impressive design reflecting the culture and heritage of Madrid…
With interiors by Lázaro Rosa-Violán, the hotel design has been inspired by the eclectic character of the area, fusing elegant and contemporary styles with a relaxed, welcoming ambience, all within a completely remodelled neoclassical building, dating back to 1924. Located on a street named ‘Montera,’ a reference to the hat worn in traditional Spanish costume, this handcrafted item is the main inspiration for the hotel’s design. Evoking a bespoke story, it is a recurring theme throughout the property in artwork featured in corridors and public areas, in the iconic valet stand found in each room, door handles, the trimmings of the bed’s headboards and team member uniforms.
Image credit: Curio Collection by Hilton
Image credit: Curio Collection by Hilton
The guestrooms at Hotel Montera Madrid provide guests with a tranquil space, combining traditional Castilian design with a modern twist. The neutral tones throughout the décor, the rounded mirror and picture frames and the delicate trimmings on the headboards allude to old Spanish decorative style. The guestrooms have also been designed to ensure the property is sustainably efficient, including controlled LED lighting, energy saving window fittings which avoid heat and cold loss and reusable water bottles in the room to avoid plastic waste.
Image credit: Curio Collection by Hilton
“We are delighted to welcome the impressive Hotel Montera Madrid, Curio Collection by Hilton, to our expanding European portfolio,” said David Kelly, Senior Vice President, Continental Europe, Hilton. “This spectacular property offers guests an authentic experience in the heart of Spain’s bustling capital city, with elegant rooms, a stylish restaurant and rooftop bar with stunning views. Hotel Montera Madrid will be popular with both locals and international visitors alike and is another standout Hilton property in one of the world’s most celebrated cities, where we are serving a wide variety of traveller needs at our six hotels under six distinctive brands.”
In addition to its 93 guestrooms, including eight exclusive suites, the hotel includes two exciting, world-class food and beverage concepts. La Braserí restaurant offers typical Madrilenian cuisine with an international twist, as well as world cuisine with a touch of local flavours. ‘El Cielo de Chicote’ is a sister cocktail bar to the city’s famous Museo Chicote, the first cocktail bar in Spain with a history dating back to 1931. Guests can take in the stunning 360 degree panoramic views of the city, including Gran Via and Calle de la Montera, while enjoying a cocktail from the curated menu inspired by the Spanish expression ‘De Madrid al Cielo’ – From Madrid to the Heavens. On the rooftop, guests are also invited to take a dip in the open-air pool or relax in the Balinese bed area.
In conversation with: Melanie Kershaw of ESPA International
As Senior Associate of Spa Development at ESPA International, Melanie Kershaw knows exactly what is required to provide both hotel operators and guests a multifaceted spa experience. On a recent trip to the ESPA flagship spa at the Waldorf Astoria Lusail Doha, writer Pauline Brettell sat down with her to find out more about the design machinations behind the massages and the mindfulness…
It is clear that the hotel spa is no longer confined to the dead space of the hotel – it has come out of the basement and into the sunlight as our concern for health and wellbeing continues to grow exponentially. From pillow menus to personalised scents in the guestroom, hotels are integrating aspects of wellness into multiple levels and shouting about it from the biophilic roof terraces– the design of the spa has to both keep up and in many cases, lead the way.
Image credit: ESPA
Pauline Brettell: As the spa increasingly becomes a key differentiator in hotel brands, do you find hotels are becoming more open to new wellness ideas?
Melanie Kershaw: Awareness of the spa in the industry is ever increasing, as owners, hotel operators and guests alike all want authenticity and a spa that delivers is key. At ESPA Design and Consultancy, everything we design is for a reason and this resonates with owners and hoteliers as we collaborate to deliver an ESPA spa or ESPA Life Restorative Wellness. That being said, space is always a challenge, however if designed well, with a genuine spa concept to support guests on their wellbeing journey, there is usually a willingness during early discussions to find that balance of allocating the right amount of space to the spa.
As we see different types of wellbeing modality being embraced, we are able to look beyond the walls of the spa and extend the offerings into other areas on property, such as the pier overlooking the sea for yoga classes and sound bath sessions, as in the case of ESPA Life Waldorf Astoria Lusail, or depending on location, forest bathing and cold-water swimming.
PB: How has spa design changed – and is still changing?
MK: We have seen a shift from the spa being primarily treatment rooms and relaxation spaces designed with pools, to more social spaces as the need for connection is greater now, more than ever. There is definitely a greater focus on wellbeing spas and integrative wellness resorts. This shift is about designing wellbeing spaces with a holistic approach and offering a wellness and spa experience that is designed to allow guests to pause, connect and reset the body’s systems, all within a luxury environment that supports the individual needs.
So offering treatment experiences that support both physical and mindful harmony is now really important. As people’s priorities change to gain more balance and perspective, regularly taking care of our minds as well as our bodies with cognitive training and mindful therapies, physical experiences and improving our gut health and microbiome is key to future proofing long term health.
Image credit: ESPA
PB: How does the relationship between Interior Designer and Spa Designer playout?
MK: Collaboration is key! We are very fortunate to work as a team with some of the most talented interior designers internationally. ESPA Design and Consultancy can work on a project together with the interior designers from master planning, concept development, spa planning, technical to construction, pre-opening, training and operational set up – so for us it’s a long-term relationship and the benefit of that is that we keep in touch and happily work on future projects together.
PB: Can interior design re-direct the spa design, or is it usually the other way around?
MK: Yes, in some instances where the interior designer might, for example, have a signature style, or design their own furniture and have their own USP, it can direct the look and feel of the spa. However, our job as the Spa Designer is to make sure on all levels – from a sense of place, guest journey perspective and operationally – that the design fits with the concept, the layout works and includes all the right facilities for that specific project, whether that is a city spa, resort or wellness destination.
PB: ESPA use the term ‘Restorative Wellness’ – how does that differentiate from other more traditional spa experiences?
MK: Our approach is approach is driven by the desire to help our guests realise a sustainable state of balance within their body and mind and to help them establish this as their default setting. We believe in prevention as the most effective system of care for our health, primarily through preventing unnecessary inflammation and using skills to manage our stress reaction and so we have skilfully curated nutrition, exercise, movement, treatments and mindful practices to nurture vital life skills and connect guests with knowledge and inspiration to reset both their physical and mindful wellbeing.
There is a focus on more lived sensorial experiences, short interludes which guests can take away and use in everyday life to bring an immediate moment of calm, energy or focus. Guests love this autonomy – taking a skill away from each Restorative Wellness experience that they can use practically and see both immediate and accumulative effects really resonates with our guests especially after recent world events – having a toolbox of skills to use as and when needed, is a valuable asset.
Image credit: ESPA
PB:Aside from products and treatments – can the spatial design contribute to the concept of restorative wellness?
MK: Yes definitely, the design can encourage guests along their journey, contributing to a greater sense of wellbeing, starting by inviting guests into comfortable surroundings that are light, airy welcoming spaces, spaces where guests are immediately supported by the design. The spa journey then transitions to more tranquil and cosy spaces defined for treatments, where it feels safe to experience treatments in a positively reinforced environment – a safe, welcoming, nurturing, non-judgemental space where we can help spark joy and cultivate happiness within our guests, where positive personal life lessons are inspired, infused and nurtured.
Image credit: Espa
PB: Moving onto ESPA Life Waldorf Astoria Lusail specifically, the hotel has a large amount of space dedicated to the spa and wellness facilities – was this a given right from the initial discussion, or did it grow with the design?
MK: Initially only one floor was allocated and it soon became evident as we worked on the design with the client and designers at WATG London, this was not going to support all the facilities needed for it to be the ESPA Life flagship in the Middle East. Designing spaces that reflect all aspects of the concept to deliver Restorative Wellness was key. Generously located over three floors and spanning 3,000 square meters, the facilities were extended to ensure we were able to offer total wellbeing, a sanctuary for both physical and mental regeneration and relaxation. Extensive thermal experiences and signature treatment rooms were coordinated with wellness suites, traditionally inspired hammams, state-of-the-art fitness centre, mindful studio for lifestyle classes and suites for beauty and grooming services – all with the aim of establishing this distinctive lifestyle concept.
Image credit: ESPA
PB: Can you explain the concepts behind the ESPA Life Waldorf Astoria Lusail spa experience both visually and experientially?
The guest journey was important, and the way ESPA Life is first discovered by entering through a curved portal, embarking upon a journey through a series of arches, created a sense of rhythm, visually guiding guests from one space to another. Working alongside the interior design team at Pierre-Yves Rochon, (PYR) we were delighted with their concept inspiration of an Arabic fable ‘that pearls are created from dew drops during the nights of a full moon’. This set the tone for the look and feel and the desire to represent and portray the illusions of pearls consistently throughout space.
The journey unfolds from Spa Reception, a beautiful lounge with a stunning light feature; a cluster of moon shaped globes suspended from the ceiling, a gentle nod to the design inspiration. Transitioning through Wyld Erth Café a sense of calmness is instilled, encouraging optimum wellbeing for body and mind which lies at the heart of what we do. This philosophy is rooted in preventative healthcare principles and flows throughout the spa offering.
Image credit: ESPA
Moving on through the spa. energy rises as we enter the state-of-the-art Fitness Centre and Mindful Studio. We had the exciting opportunity to create something special with the gym and embraced the chance to extend the space outdoors to a six-metre-wide terrace holding the best views over the sea. The gym wholly maximises its location with full height glazing curving all the way round, creating an indoor-outdoor environment with the benefit of visually connecting with nature, encouraging the release of natural feel-good endorphins.
PB: How is the spa experience enhanced by the design?
MK: It was important to maximise the location of spa, having the best view of the bay and include a dramatic sense of scale with floor to ceiling windows. Indoor and outdoor zones were connected by the terrace that flows around the entire spa allowing natural light in to illuminate areas and welcome guests, whilst the journey through internal spaces was designed to soothe the senses. The design stylishly captures a contemporary elegance. Polished surfaces contrast with tactile textures, organic shapes and warm natural colours feel nourishing with aesthetic appeal and complementing the sensorial journey. A subtle rhythm is created between interlinked spaces. Light, shadow and pattern are used to define guest areas that are welcoming, luxurious, modern and social.
Taking advantage of the views and outside spaces was important to connect with nature, embracing natural daylight, whether in arrival spaces, the gym or within the wellness suites. There was also a need for a blend of social and private spaces, with areas to meet with friends in comfortable surroundings and for spaces to be by yourself, and the sumptuous choice in the design by PYR supports this.
Image credit: ESPA
The entire process was collaborative to ensure that the design works on every level. Working with the architect WATG London we considered the shape of building, the best views, a solar study and designed the layout of the spa accordingly. Moving inside with the PYR team, we considered the flow of the spaces, the materials and finishes and colour palette to tell the story and echo the project concept, ensuring that the design and wellness experience are intertwined.
Continuing the collaborative story, working with Nulty Lighting was key, as the lighting also plays an integral role throughout the design with indirect linear lighting provided diffused light, accents above vanities and different colour temperatures within the pools to compliment the feeling of the water and experience of the hot and cold pools. A fibre optic ceiling lighting is a stunning feature in the male thermal suite and water reflections dance above the hot vitality pool, deep hues of blue and grey georgette silk marble cocoon thermal experience and lighting grazes the spiral mosaic giving a subtle shimmer to this backdrop.
Image credit: ESPA
And in brief before we finish PB: Your most challenging project?
MK: Two projects spring to mind – one was a heritage building where the timeline was impacted hugely by the discovery of a number of significant Roman archaeological finds, uncovered during excavation to support the original foundations – the other extreme was on a project in Thailand where during construction we had several visits from a water monitor lizard who enjoyed a dip in the vitality pool!
PB: The one essential product on all your spa-design travels?
MK: The ESPA Tri-Active Regenerating Treatment Oil, is one of my favourites, I love it! It’s great to use in flight after spritzing with Hydrating Floral Spa-Fresh Mist, that combination help my skin feel hydrated in flight – and of course drinking plenty of water.
PB:Personal favourite wellness activity?
MK: I love being outside and connecting to nature so walking my dog is right up there on my list for raising vibrational energy. I also find Qi Gong and breathwork really helps me to find a moment of calm and centre myself, especially when I’ve been travelling.
And finally…
PB: Any exciting projects in the pipeline you can share with us?
MK: Yes! We are working on several exciting projects internationally; in Japan, with Spas featuring Onsen and beautiful sense of place, in Singapore, in Mexico we have a project situated along a stretch of the Caribbean coastline with cenote design elements in a beautiful location known for its ecological reserves. We also have projects throughout Europe including Spain and Italy which are both situated in historic and iconic buildings so it’s a very exciting time.
Design exclusive: inside Pnoé Breathing Life, a new wellness hotel in Crete
Editor Hamish Kilburn scoops the design exclusive review of Pnoé Breathing Life – a new, luxury wellness hotel in Crete that has emerged…
Strengths on the hospitality landscape in Greece lie on contrasts, not similarities. Crete, the largest among the Greek Islands, is land-locked with ancient ruins, mountainous terrain, diverse gastronomy and what is fast becoming a flourishing luxury and wellness hospitality scene.
To thrive beyond early years here, each hotel must open to offer something new. For Pnoé Breathing Life, the latest wellness hotel to emerge in Crete, that meant creating a point of difference in its design. For the owner, Marita Karatzi, ‘difference’ translates to ‘risks’. It’s no coincidence, for example, that she decided to open a luxury hotel in an area that isn’t the obvious place for a five-star hospitality experience – on eastern fringe of the capital Heraklion. It’s clear from meeting her, though, that Karatzi has her sights set on leading new trends, not following them, while answering to the energy of the island.
Image credit: Pnoé Breathing Life
Opening with the ambition to push boundaries in design and hospitality style to own itself as the destination wellness hotel in Crete, Pnoé Breathing Life was designed by Cube Concept – and it took just 10 months to complete. In that time, Aria Lironi, Design Director, and her team transformed the ruins of a former hotel – building the design around the skeleton of the existing architecture – that was left derelict for years. Her brief was to create an ‘oasis of calm’. But the deadlines were anything but tranquil. “To be honest, I work better under pressure,” she told me. “We finished the design fast, and we ordered the materials before we started construction.” In moments like these, on tight projects like Pnoé, I imagine it is convenient and seamless having designers, architects and contractors all under one studio roof.
Image credit: Pnoé Breathing Life
To fully understand the design narrative of Pnoé Breathing Life, you first have to learn about the materials. Lironi opted to use local stone as a subtle way to inject a robust sense of place, while she specified quality tiles imported from Italy and Spain. Beyond sourcing locally, though, the designer and architect also wanted to retain materials that existed in the previous site. Outside each room, for example, and in various other areas around the hotel – such as under the bar – geometric-style walls form a motif of soft boundaries and add a layer of colour, as well as texture, to the overall design narrative. “This is a reference to the old building, a sensitive nod if you like” the designer said. “I really wanted to find a way to refer to the old hotel. This particular style [of surface design] was seen in the rooms previously. We have, taken it – I guess dissected it from the rooms – and injected it in others areas of the hotel to add character.”
The result of the savvy design scheme is a 60-suite hotel that exists both in total privacy and as part of a wider community – it feels, at times, sacred but with contemporary twists at unexpected moments. Perhaps the best example of this is in the arrival experience. Guests’ firsts impressions of the architecture and design are cast as they walk through floor-to-ceiling wooden shutters. They capture a view that spans through the hotel, directed towards low-level architecture that embraces the main swimming pool. “We designed this area to feel like a big hug,” explained Lironi. “The swimming pool is the core of the property, and the rest of the hotel faces inward.”
Image credit: Pnoé Breathing Life
The lobby/lounge area, in comparison, is secondary. Positioned on the side, almost out of sight, it offers a private, relaxed and intimate check-in experience. It is grounded with natural materials and layered with earthy tones. Contemporary accents, such as in the furniture, the strong LED lighting scheme and Bauhaus-inspired art, reflect the brand’s sharp, vogue-like character.
If we are talking and celebrating differences, then we cannot ignore the hotel’s 60 suites, all of which come complete with private pools – it’s a nice touch, but the real statement comes in the interior design inside the rooms, which is, perhaps, the largest and most welcome surprise in the overall the hospitality experience at Pnoé Breathing Life. And it, the design, works. I mean, it really works!
Image credit: Pnoé Breathing Life
Answering to the existing, white-washed hospitality scene in and beyond what is stereotypically ‘luxury’ in Greek guestroom design, in its own unapologetic style, the hotel’s suites are muted, unpretentious – dare I say even masculine. They are layered with dark, natural materials to create and compliment a moody, yet wholesomely calming, setting.
Adding warmth to the space, the lighting scheme is made up of a series of spotlights on black rails and contemporary pendants that cascade from the ceiling. “We were challenged with the lighting,” confessed Lironi. “If we integrated the lighting into the ceiling, like we initially wanted to do, then it would reduce the height of the suites, which we wanted to avoid. So, instead, we introduced the matt-black railings, which also have a practical use.” The rigs are adaptive in their design. As well as lighting, they frame the room and can also in places, if required, be used as an extra, exposed wardrobe railing.
Image credit: Pnoé Breathing Life
There is a strong sense of harmony in the materials inside the suite. The rooms are accented with seating that have feature stylish pops of rattan. Meanwhile, the wardrobes and case goods share the same design language – the slatted panels, which blend into the walls, are finished in the same dark, moody tones.
In order to utilise space, intuitive partitions have been made from wood that reveal an extra mirror – the overall open-plan design of the suites make them flow with ease.
This is the case all around the hotel, in fact. Where there are steps, there are subtle ramps, which in most cases – the curvaceous walkway from pool to restaurant, for example – feels more organic to use over stairs, and also creates a depth to the design and architecture. “The hotel’s rooms may be on one level, but the ground when we got to site was not flat,” Lironi explained. “Therefore, in order to ensure the hotel was accessible for guests, as well as our housekeeping trollies, we put great emphasis on the landscape architecture to ensure each space filtered seamlessly into the other.” This is complimented with stunning plants and trees, framing walkways, that quietly add to the hotel’s contemporary-meets-nature look and feel.
Image credit: Pnoé Breathing Life
The pool, meanwhile, is complete with fabric cabanas, wide wooden sun beds and a natural aesthetic that compliments the panoramic views of both sea and mountain. With the central focus on wellbeing, though, the spa is where the heart of the hotel can be found (and felt) – wellness is, after all, the hotel’s main mantra.
Guests enter the spa through glass doors and are immediately channelled towards the treatment rooms and wet area via a corridor of steppingstones that rests on water. The muted design scheme inside is idyllic – cave-like with natural stone against frosted glass – yet the tones and textures used are in keeping and very much connected to the overall design scheme.
Image credit: Pnoé Breathing Life
What really sets this wellness hotel in Crete aside from others, though, is its innovative and high-tech offerings, such as Hyperbaric Oxygen Therapy, Zerobody and Breathwork therapy, alongside a state-of-the-art fitness facility and professional personal trainers. The spa is balanced with a state-of-the-art fitness centre and relaxation area that is complete with waterfalls, Himalayan salt stones, a wood fired sauna and an ice fall.
Image credit: Pnoé Breathing Life
Cretan cuisine has its own distinctive character amid the Mediterranean palate served at Pnoé Breathing Life, drawing on seafood, lamb, herbs and farm-grown vegetables. Pnoé’s focus is, I’m told, on nourishing guests with high quality produce. Its two restaurants use local suppliers, with the major of its ingredients inside the hotel’s premium F&B offering, Uranus, sourced from the must-visit Peskesi Organic Farm. This provides an authentic and quality taste of the island that changes throughout the season.
As like elsewhere in the hotel, lighting is a protagonist in the restaurants – and a lot of it is bespoke. “This piece,” Lorini said pointing up at the ceiling lighting in the Anasa restaurant, “was inspired by ‘flowing air’. We wanted this space of the hotel to feel open, and without boundaries.” In addition to the lighting, the furniture has also been made bespoke. In the restaurant’s bathrooms, meanwhile, Lorini took the restroom beyond its practical use, and created an almost playful experience, with bulb-like taps from Gessi and stone-like washbasins.
Image credit: Pnoé Breathing Life
Pnoé Breathing Life is labelling itself as a next-gen wellness hotel. But as the sound a saxophone aptly amplifies around the main pool during the hotel’s official opening party, I can’t help feeling like there is so much more soul in this new boutique luxury hotel that is waiting to burst out.
Not one to hang around, or rest for that matter, Karatzi’s next chapter for Pnoé has already started. Rumours are that she has purchased the land that sits in front of the hotel, directly in front of the beach with the aim to expand with more rooms. “I have already completed the designs,” Lironi said enthusiastically. “Whether they get approved or not is an entirely different matter.” And with that, I guess we will have to wait, with bated breath – pun intended – on how Crete’s latest and most anticipated wellness hotel will indeed settle in to its natural surroundings.
A small but mighty furniture solution, Hackney, the latest bathroom collection from Britton, fuses practicality with modern design to deliver customisable bathroom storage for the budget conscious…
The Hackney collection from Britton is a modular furniture collection comprising of wall-hung modular drawers, shelving and worktop options that can be effortlessly combined to create a customised unit that delivers on style. In addition to providing ample storage, Hackney’s contemporary floating design will instantly create the illusion of space, adding grandeur and modernity to smaller bathrooms.
Image credit: Britton
Delivered fully assembled for a quick and easy install, the Hackney base and shelving units can be effortlessly combined to create the perfect storage solution. The Base Unit is available in three sizes, 500mm, 600mm, and 700mm and four contemporary colourways, including Earthy Green, Matt Black, Gloss White and a new Cherry Wood Effect.
Hackney features a soft closing, full extension drawer with a hidden pull-to-open handle – ideal for those seeking a sleek bathroom aesthetic. The Hackney Furniture Unit also features PU adhesive bonded edges, ensuring improved resistance to humid bathroom conditions.
Each unit can be paired with a choice of Carrara or Marquita marble effect worktop options, available in sizes ranging from 500mm to 1200mm and a complementary countertop basin. For those that prefer a timeless aesthetic, Hackney can also be paired with the integrated Hackney Ceramic Basin, crafted in glazed vitreous china to match Britton’s sanitaryware.
Britton is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
Ideal Standard just showed the industry how pop-up installations should look
Ideal Standard made the bold decision this year not to exhibit at ISH. Instead, the bathroom brand invited 30-plus international media representatives, including Editor Hamish Kilburn, to Venice for an exclusive viewing of its Aesth|ethics pop-up display. While there, Kilburn managed to speak to Chief Design Officer Roberto Palomba about what to expect in the future…
Every so often, among the sea of its competitors, a brand charges ahead in a completely different direction. At first, it may seem reckless. But ripples build into larger waves. IdealStandard, this year, has given its classmates a lesson in how to do pop-ups with meaning and passion by taking the international design media’s focus away from Milan Design Week for a minute to focus on Venice of all places to discover what the brand has been working on. And it did so in effortless style, complete with a water taxi transfer from airport to pop-up – now that’s just showing off.
Image caption: Ideal Standard showcased its latest bathroom innovations its Aesth | ethics exhibition in Venice. | Image credit: Ideal Standard
After finding my land legs, once we arrived at the venue – a disused warehouse in the former shipyards of Artsenale di Veniezia – we were told that this was a carbon-neutral event, and that all of our travel was to be offset. All of a sudden, the Aesth|Ethics theme of the experience started to make refreshing sense.
Inside, the pop-up included a showcase of Ideal Standard’s latest products, with a few teasers on what was to come, led by the brand’s creative protagonist Roberto Palomba, who made headlines in recent years when he became Ideal Standard’s Chief Design Officer. The installation followed Ideal Standard’s unique singular approach by displaying bathroom solutions across all product categories from different ranges – displaying how cohesively the collections work together.
“The philosophy gives us a unique vantage point to approach product design,” said Palomba. “With that singular thread in mind, it helps guide and evolve the way we think creatively, giving us a toolkit to develop new collections and strategies that can interpret the world of bathrooms with a holistic vision. That toolkit lets us address functional issues, while creating products that inspire designers.
“The Arsenale di Venezia is the perfect location and provides us with a dramatic setting to showcase our new Italian inspired collections.”
Image caption: The private exhibition in Venice put the spotlight on the brand’s ecological approach to product design. | Image credit: Ideal Standard
The new products on display included the Alu+ range of eco-sustainable shower systems, the contemporary i.life ceramics range in a new modern glossy grey finish, the minimalist Solos showering collection with intuitive smart controls for an all-in-one spa like experience, and the La Dolce Vita collection – a design-led and comprehensive bathroom range that celebrates Italian lifestyle.
“Design and performance are central to Ideal Standard’s products and its deep, historic roots tell that story too,” added Palomba. “The company has a rich heritage, evolving the bathroom into what it is today, with leading innovations like the ceramic disc cartridge and iconic designs like the original Linda range.
“This historic design pedigree gives us something few other manufacturers have; it inspires our ambition to continue exploring and innovating design and technology.”
Image caption: Introducing Alu+, made from 84 per cent recycled aluminium. | Image credit: Ideal Standard
Following Palomba talking to our team in January about this year’s emerging bathroom trends, I took the opportunity to ask him about how the new products and collections answer to these themes around colour, accessible luxury and futuristic aesthetics. “In all our collections, we seek to respond to trends while keeping in mind the individuality of the end consumer,” he explained. “Each person has their own priorities and given the freedom with design, would express themselves differently. There is no ‘one-size fits all’ solution, but with our collections we want to provide versatility, meet the needs of our consumers in terms of design trends for the contemporary bathroom, all while retaining our identity and rich design heritage.”
The undertone of the Aesth|ethics installation was, anequiveqallbly, Ideal Standard’s honest commitment to creating a more sustainable future and explain the company’s commitment to deliver innovative, high-quality products that encourage sustainable living practices. In this vein, Ideal Standard has completed a full carbon footprint analysis of the Aesth|ethics event and partnered with Up2You to neutralise the generated CO2 emissions.
Image caption: Dolce Vita collection is a design-led and comprehensive bathroom range that celebrates Italian lifestyle. | Image credit: Ideal Standard
Ideal Standard chose two projects that focus on preserving and restoring forests to support the fight against climate change. The first is helping to protect almost 785,000 hectares of forests and wildlife on the southern shores of Lake Kariba in Zimbabwe. The Kariba Forest Protection project aims to create a biodiversity corridor by connecting four national parks and eight safari reserves while implementing numerous community-focused initiatives.
The company has also committed to helping turn almost 22,000 hectares of cattle grazing land into sustainably managed forests for high-value, long-life timber products as well as sequestering large amounts of carbon dioxide. Both projects are verified by the Verified Carbon Standard and the Climate, Community & Biodiversity Standards.
Speaking on the event, CEO Jan-Peter Tewes said: “Aesth|ethics is a great occasion to highlight what we, as a company, have in store for the future. We’ve developed some ambitious goals, both from a sustainability and people perspective, that we have outlined in our new sustainability report, so the opportunity to delve deeper into those goals and talk about how we want to achieve them is fantastic.
“Whether it’s increasing diversity through an active recruitment drive or installing photovoltaic panels at our Wittlich fittings plant in Germany as we transition the business to use 100 per cent renewable electricity, we are now well on the way to a more sustainable future.”
Image caption: Solos is the new minimalist bathroom range. | Image credit: Ideal Standard
Image caption: Solos is the new minimalist bathroom range. | Image credit: Ideal Standard
The pop-up was a fine example how a brand can lead ethically without sacrificing its creative approach or performance of the product. If anything, thanks to the extensive research and development undertaken in the last few years, since his arrival as Chief Design Officer, I wonder whether these narrow parameters around manufacturing and designing consciously have allowed Palomba to be even more creative in this direction with the new collection.
“Our new collections look further than the immediacy of current trends,” the designed added. “We create timeless, sustainable products that last and designs that influence new trends. Our neo-classical ranges like Calla and Joy Neo are a great example of where we are fusing elements of classic interior design with the requirements of the modern-day bathroom.
Of course, colour is a key vehicle for expression and personalisation. With our design-led i.life B range we’ve helped meet that wish for expression by launching the collection in glossy grey – which can be smartly paired with Ideal Standard’s Silk Black taps for an on-trend, yet timeless design.”
Just like the brand’s commitment, my whirlwind Venetian adventure ended full-circle, skimming over waves as we hurtled towards the airport, wondering where Ideal Standard will take the industry next in order to make its necessary statements on ethical and conscious manufacturing.
Ideal Standard is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
Aloft to debut in Singapore with its largest hotel to date
Sheltering a staggering 785 rooms and suites, Aloft Singapore Novena is slated to open in Q3, 2023. Here’s what we know…
Marriott International has announced that it has signed an agreement with Hiap Hoe Limited, through HH Properties Pte. Ltd, to bring the design-forward Aloft Hotels brand to Singapore. Following a strategic conversion, the signing of the 785-room hotel expects to open in Q3 2023, marking the Aloft brand’s debut in Singapore and the largest Aloft hotel in the world.
Aloft Singapore Novena will be comprised of two towers and located in Zhongshan Park, a mixed-use development in the cultural district of Balestier. This area is renowned for its rich heritage and is situated along the Balestier Heritage Trail, surrounded by an array of famous local eateries and linked to the integrated dynamic healthcare precinct, Healthcity Novena.
Image credit: Marriott International
Designed by Singapore-based DP Architects, the hotel’s exterior takes on clean simple forms and will blend harmoniously with Zhongshan Park’s natural surroundings. With interiors of the hotel aesthetically designed by KKS International, Aloft Singapore Novena will showcase a vibrant atmosphere akin to the Aloft Hotels brand. Guestrooms will feature ultra-comfortable beds, custom amenities, complimentary high-speed Wi-Fi, 55-inch LCD televisions and walk-in rainfall showers.
“The signing of Aloft Singapore Novena heralds the expected arrival of Marriott International’s 14th hotel in Singapore and we are delighted to be launching the Aloft brand in the country together with such an experienced partner as Hiap Hoe Limited,” said Gautam Bhandari, Market Vice President for Singapore and Maldives, Marriott International. “With the site’s proximity to the city’s Central Business District as well as to local attractions and green spaces, the location is strategically placed to enable us to attract both business and leisure guests.”
Image credit: Marriott International
“We are thrilled to announce our third collaboration with Marriott International as we venture and introduce the first Aloft hotel in Singapore,” said Teo Ho Beng, Chief Executive Officer, Hiap Hoe Limited. “Aloft Singapore Novena expects to feature a contemporary and dynamic space that caters to the needs of design-savvy, next-generation travellers and locals. We are excited to provide an urban-inspired gathering place that embodies the Aloft brand’s unique personality and energy, tailored for individuals who value boldness, style and connectivity.”
Dining options at the hotel include a modern Chinese and local seafood restaurant and a Halal-certified buffet restaurant. The range of facilities available on the property will feature an outdoor pool and state-of-the-art gym. Business travellers can also plan to host meetings in the hotel’s pillarless and modern event spaces.
New images of Peninsula London unveiled – along with its opening date
After leaving the hotel design community guessing for quite some time, Peninsula London has finally announced that it will officially open its doors on September 12 – becoming one of this year’s biggest London hotel development stories in 2023…
After months – if not years – of anticipation, we finally been given a date for the opening of The Peninsula London. Slated to officially arrive in London on September 12, the debut of the iconic brand entering the city’s luxury hospitality scene, will no doubt shake up the existing hotel landscape in Peninsula’s effortless style – complete with plush interiors, award winning service and exceptional wellness offering.
The newly-built hotel, designed and appointed to embody the finest British craftsmanship, is situated at one of the city’s grandest junctures – where Hyde Park Corner meets Wellington Arch. With architecture conceived to gracefully harmonise with the heritage buildings of Belgravia, the property embodies a sleek, spacious aesthetic that floods its exquisite interiors with natural light. The interiors are the inspired work of designer Peter Marino, who, in addition to ongoing architectural commissions for Chanel, has more than a few landmark hotel interiors in his portfolio. The hotel, along with its 25 opulent luxury residences, centres around an expansive, off-street courtyard, landscaped in the style of a classic English garden with cascading ivy, wisteria vines and 120-year-old Japanese maples allowing for a graceful and easy off-street arrival.
Many of the city’s most iconic attractions, including Buckingham Palace, The Royal Parks, The Palace of Westminster, Harrods and the boutiques of Bond Street are less than a 15-minute-walk away – although guests can, of course, opt for transport in one of the hotel’s luxury chauffeured cars.
Image credit: The Peninsula London
“We are delighted to launch The Peninsula London, which is the culmination of decades of looking for the most exceptional location in London,” said Clement Kwok, Managing Director and CEO of The Hongkong and Shanghai Hotels, Limited, owner and operator of The Peninsula. “We believe that the investment we have made into this project, the dedication of our people and the project teams we have worked with and the quality and the attention to detail that we have strived for, will make this a unique hotel that we believe will stand out not only in London but globally and will be one of the most important hotels in our group for generations to come, ” continued Kwok. “It is always an important ingredient of The Peninsula that the hotel has been designed and planned not only to service international guests but that it will also become an integral part of the local community. We are very excited to welcome local residents and international visitors to experience this exceptional property and to enjoy The Peninsula’s sophisticated hospitality and service in one of the world’s most dynamic cities.”
The hotel’s 190 luxurious guest rooms and suites all feature bespoke furnishings, textiles and artworks that evoke the feel of chic private residences. All include mahogany-panelled dressing rooms, exquisite bathrooms of honey onyx and customised fittings crafted by renowned British artisans, while many have floor-to ceiling-windows with unparalleled views over Wellington Arch and historic Belgravia.
Image credit: The Peninsula London
Equally impressive are the hotel’s numerous special-event venues opening later this year, which include the sweeping pillarless St. George Ballroom and other gathering spaces ranging from capacious and configurable conference rooms to an intimate private cinema. All are equipped with state-of-the-art technology and the attentive service of the hotel’s special-event staff.
World-class dining and drinks can be enjoyed at the stylishly refined restaurants, bars and lounges. The hotel’s signature rooftop restaurant, Brooklands, offers Modern British cuisine from Michelin-starred Chef Director Claude Bosi, as well as top-flight libations, a tasting lounge and cigar storage helmed by Manu Harit, certified Master of Havana Cigars’, in a collection of spaces inspired by classic British aviation and motorsport. At Canton Blue and its adjacent bar, Little Blue, innovative Chinese cuisine, cocktails, teas and exotic décor celebrate the spice-trade union of Asian and British cultures. And at The Lobby, traditional Peninsula Afternoon Tea and globally inspired fare are served beneath soaring ceilings and often accompanied by live music. A more casual offering is available throughout the day at The Peninsula Boutique and Café.
A diverse array of relaxation and well-being choices are available to guests later this year at the hotel – including an extensive menu of mind-body therapies at the hotel’s Spa and Wellness Centre, exercise classes and workshops offered at the fully equipped modern fitness centre and swimming in a dramatically lit 25-metre indoor swimming pool. A dedicated digital Wellness Portal also provides guests with in-room, round-the-clock access to wellness programming. For guests who enjoy high-end shopping, the hotel’s ground-floor retail arcade entices with nine luxury boutiques such as Asprey London, DMR – David M Robinson Jewellery and Watches, Mouawad, Moussaieff Diamond and a floral shop. In addition, The Peninsula London will be home to Topaz Detailing, one of the world’s most exclusive detailing and paint protection film specialist for supercars, offering its first location in Central London.
The Peninsula London’s superbly curated and quintessentially British aesthetic is the result of exclusive collaborations with some of the country’s most acclaimed artists and creators. The design elements and amenities custom-crafted by these creative partners – including fashion designer Jenny Packham, perfumier Timothy Han, and more than 40 artists from The Royal Drawing School – grace all the hotel’s public spaces, as well as its guest accommodations.
As with all Peninsula properties, The Peninsula London offers guests the superb comfort and flawless attention to detail that are synonymous with the brand. Whether via in-room amenities and technology inspiring destination-specific arts programmes and cultural experiences, or global proprietary services like Peninsula Time (fully flexible check-in and check-out) and PenChat (access to a 24-hour digital concierge), the hotel exemplifies The Peninsula’s enduring commitment to its guests and larger community.
BLINK redefines Hong Kong’s Southside Riviera at The Fullerton Ocean Park Hotel
BLINK Design Group has revived a new era of glamorous seaside resort grandeur in the distinctive interiors of the new Fullerton Ocean Park Hotel in Hong Kong’s history-rich Aberdeen district…
Inspired by the heritage, architectural traditions and marine biodiversity of the island’s southside, The Fullerton Ocean Park Hotel Hong Kong stays true to the brand’s promise to explore the world differently. BLINK has brought its full collection of ‘placemaking’ experiences to bear in creating interiors which bring ‘The Fragrant Harbour’ back to life in a contemporary yet timeless design journey.
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BLINK’s founder and creative director, Clint Nagata, was inspired by the local fishing village history and architectural styles, sailing culture and influences from the naturally diverse southern coast of Hong Kong Island, weaving them into the design of this unique modern day oceanfront destination.
“We have drawn on many influences for inspiration in this fascinating project,” discussed Nagata. “Textures and patterns from the southern coast vernacular, mountains and islands, the district’s lush vegetation, seafaring adventures and the rich history of the local sampans reimagined as beautiful patterns on screens, woven rattan finishes, inspirations from the district’s rich marine biodiversity, bohemian chic, eclectic accents, rare and exotic materials and an elegant seaside resort have all been brought to bear.”
A further source of inspiration was glamour of the island’s southside riviera, exemplified by the 1950s when it was the setting for the classic Hollywood film ‘Love is a Many Splendored Thing’ and a playground for celebrities like William Holden and Clark Cable.
Image credit: BLINK Design Group
Steep hills and lush greenery frame the entrance, with warm coloured timber portals marking the drop off. Contemporary screen patterns inspired by seafaring adventures line the main entrance, creating a dramatic sense of arrival. The reception counter is a statement millwork piece crafted in green stucco and surrounded by tropical indoor plants in locally-made vessels. Woven rattan finish forms the backdrop for the reception counter, intentionally creating a relaxed luxury-first arrival impression, styled with memorabilia redolent of the heyday of ‘The Fragrant Harbour’.
“A fascinating collection of Aberdeen sampan memorabilia is on display,” added Nagata. “Guests may recall their own memories of sampan rides from their childhood days.”
Image credit: BLINK Design Group
The over seven metre-high ceiling of the Lighthouse Lounge lends graciously to a panoramic view of the South China Sea, seating 94 guests comfortably at the horizon. Columns that line the space carry hints of bygone Victorian architecture details such as vertical elements on the white timber. Warm coloured, nature inspired materials are integral parts of this iconic space, literally the ‘living room’ of The Fullerton Ocean Park Hotel adorned with large trees and tropical plants.
Large fans suspended from the high ceiling draw parallels to the glamourous verandas of Repulse Bay, casting flickering shadows and affording cool breezes. Handmade rugs add a natural touch, tied in with nautical themed colours on throw pillows. The lounge is effortlessly connected with the outdoors, blending the boundaries of nature. Refined natural abaca screens provide sun shading while the use of rattan nods to the Fullerton brand’s Singapore roots.
Image credit: BLINK Design Group
Image credit: BLINK Design Group
BLINK has continued to draw inspiration from the Hong Kong Riviera vibe for its stunning spa and suites. Guests are enticed into a world of sculptured landscapes and relaxed glamour. The spa transports guests from urban Hong Kong to a resort vibe, finished with Southeast Asian well-being touches. The luxurious changing rooms take advantage of the long floor plate, maximising the view of the bay and mountain. A vitality pool tucked in a quiet corner lends privacy yet offers guests a sweepingly dramatic panorama.
The new, recycled boucle fabric for contract upholstery joining the Skopos portfolio takes its inspiration from Mother Earth – Gaia – with a sophisticated organic look…
Gaia is one of several new Skopos collections, where the focus has been centred around positive environmental footsteps based on the mantra ‘Rethink, Renew, Reuse’. This contract boucle collection is made from 73 per cent recycled polypropylene (from recycled textiles) and 27 per cent recycled polyester (post-consumer waste) and offers a sustainable hardwearing solution, which supports a future vision for environmentally conscious interior textiles. A soft, textured upholstery boucle, offered in a sophisticated, muted, earthy palette, each of the 21 skus includes dapples of complimentary tones to give a grainy, organic, wool look to the quality.
Image credit: Skopos
With Crib 5 cotton backing for full flame retardancy, Gaia backing is halogen free. Gaia performs to 50,000 Martindale rubs, perfect for hospitality and leisure interiors and meets the standard set for severe contract use for commercial furniture. Gaia also performs to the requirements for IMO and carries the MED Wheelmark, confirming suitability for Marine/ Cruise interior environments, while at the same time supporting Skopos’ commitment to become ‘Carbon Neutral’ in 2023, These fabrics are available immediately, with short lead-times for larger order quantities and form part of the Skopos Accents range.
Skopos is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
5 questions to Henning Rieseler of Studio F. A. Porsche on the design collaboration with Duravit
We spoke to Design Director Henning Rieseler from Studio F. A. Porsche on the inspiration behind the creation of the Qatego bathroom collection, designed in collaboration with Duravit…
Studio F. A. Porsche designed the Qatego bathroom series for Duravit as a collection where wood, ceramic and natural stone come together to create a harmonious bathroom design with skillfully accentuated niches. The rounded form of the sanitary objects is striking against the linear and minimalistic design of the cabinets, creating a holistic bathroom interior of effective contrasts.
Image credit: Duravit
Hotel Designs: Studio F. A. Porsche has always stayed true to its founder’s philosophy: maximum functionality with an honest design. How was this approach implemented in the Qatego bathroom collection for Duravit?
Henning Rieseler: When it came to Qatego and bathroom design overall, we opted for a completely new approach within our philosophy: the most significant function in a private area such as the bathroom is the feeling of comfort and wellbeing. It is these highly emotional ‘functions’ that people seek in their private home, especially at a time when the outside world appears increasingly restless and maybe also a little discomforting. For that reason, Qatego focuses on simplicity and a very human touch that we have combined with softer forms, which are exceedingly minimalist and iconic overall. As a result, everything appears very natural and discreet.
HD: What was the basic idea behind the development of the bathroom collection and what were you intending to achieve?
HR: We wanted to design a product range that is in line with human needs and restores a more natural approach to the bathroom. We immediately liked Duravit’s main material – ceramic – with its natural tactility and softness. Instead of working against the material or introducing new, unknown materials into the bathroom, we saw ceramic as already being the best choice for our approach of the ‘new naturalness’. A further objective was also to compile a very broad palette of products and materials and we were able to realise that with Duravit.
Image credit: Duravit
HD: Qatego stands out with its striking design – what do you consider to be the most important features of the bathroom range?
HR: The most important design features are the soft forms at the upper edge of the products. All products can be recognised easily and immediately at first glance because we have mainly used elementary shapes such as squares and circles. Up close you feel the perfect balance as soon as you touch the products: soft details lend a sense of naturalness, without appearing to be too organic.
HD: The collection impresses with the interaction of natural materials such as wood, ceramic and natural stone. How are these materials combined with one another?
HR: Part of our design idea is that all materials and colours are harmonised with one another and can be combined in a variety of ways: the white ceramic of the washbasins combines with the furniture elements, which are available in wood décor and muted single colours, as well as with a stone console in three different materials. Faucets can also vary the look, of course. Combining white marble with a black faucet, for example, gives the product a soft overall impression, yet the color contrast also lends the series a refined and exclusive look.
Image credit: Duravit
HD: This is the first time that Studio F. A. Porsche has worked with Duravit – how did the design process of the new collection progress?
HR: The process was exciting for us because Duravit kept the brief open. There were two stipulations that we found attractive and challenging: on the one hand the question of how customers’ requirements in a bathroom have changed. The second was explicitly not to design a collection that would only appeal to a small target group, but rather that should be attractive to a wide range of customers in terms of its design and variety. In this respect we conducted many constructive discussions within the design team and above all with Duravit and learned a lot from each other. The entire development process, both in terms of the concept and the implementation, was characteriSed by an excellent, close collaboration as well as the strong motivation of everyone involved at Duravit and of course here at Studio F.A. Porsche. This can be clearly seen from the result.
Duravit is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
With only one week to go until Interior Design & Architecture Summit (IDAS), here is a sneak peek into who will be dressing the seminar talks stage, as Blackpop prepares to create a backdrop for the event in its signature bold and maximalist aesthetic…
Having been founded in 2013 by Maxine Hall and Paula Moss, both of whom continue to design and direct its incredible journey, interiors label Blackpop has a very distinct design DNA. One which immerses you in a world of colour, pattern and texture – a glamorous interior world that is tactile, desirable and utterly uplifting. As a part of this process, the company specialise in producing a range of sustainable and natural fabrics, wallpapers, contract coverings, murals, wall hangings, upholstered furniture, bed throws and hand knotted rugs.
Image credit: Blackpop
Working fluidly across both commercial and residential schemes, Blackpop’s digital process allows for projects to be readily customised. This includes tweaks in colour and scale, creating distinctive designs that give all its clients that desirable statement finish. A large amount of time is spent working with interior designers and architects, with recent projects having included Chateau Denmark, London, Adare Manor, Ireland, Ardbeg Distillery, Scotland, alongside numerous undisclosed residential homes.
“Our designs are full of stories – they embody and respond to place, history and art, conveying a deep sense of character and warmth,” discussed Maxine Hall, Principal Designer, Blackpop. “It’s like feeling comfortable and confident whether you are wearing a cocktail dress or jeans. For me it’s all about effortless luxury. Blackpop craft unique combinations, that express individuality and joy. The team at Blackpop resemble a family business where high standards permeate our entire approach and are paramount in our daily relationships with both residential and commercial clients.”
Through award-winning collaborations with renowned cultural establishments such as the National Portrait Gallery and Sir John Soane’s Museum having cemented the brands reputation in design history, Blackpop has also recently been accessioned into the archives at the iconic V&A Museum, London. The design label is delighted to have been invited to dress the IDAS space for this year, where speakers and delegates will experience a boldly elegant living room setting – Blackpop style.
Interior Design & Architecture Summit has very few supplier stands still available. If you are a supplier to the hospitality industry and would like to attend IDAS, to take part in the pre-arranged, face-to-face meetings with designers and architects, please email Olivia Jackson, or call 01992 374064.
Harlequin contract fabrics – a powerhouse of texture and tactility
For a momentous shift in the power and design capabilities of fire-retardant (FR) fabrics, the Momentum 13 collection from Harlequin has it all – colour, pattern and resilience combined…
Triadic, Grade and Momentum Velvets are a powerhouse trio, designed by Harlequin for hotel interiors, where endurance meets expressive design. The Momentum 13 collection and Momentum Velvets work in combinations oozing individuality from the seams. From lobbies to lounges and barstools to banquettes, all look, feel and perform in an elevated way with the Momentum 13 FR fabrics. These pre-treated designs stand up to high traffic environments and meet crib 5 contract upholstery requirements, without missing a bold beat with their designs.
Image credit: Harlequin
Grade takes the organic form of a chevron pattern and plays with light and shadows with a feathered edge blurring the lines of each shade and tone. Soft, fluid and with a tight weave that gives a beautiful contrast in the fabric, matt and shine combine seamlessly with FR credentials. Whether the boldness of Adriatic’s stormy grey or Neptune’s graphite tone is called for, or a softer, more delicate hue of Rose Quartz or creamy Parchment, the texture and depth of Grade washes across curtains and wraps around seating with intensity, creating expressive hospitality environments.
Image credit: Harlequin
Image credit: Harlequin
Triadic is almost hypnotic in its weave. A versatile geometric, its pattern amplifies the texture, popping off the fabric across a signature Harlequin palette, including Coast Blue, Clay, Burnt Umber, Neptune, Rosewood and Emerald. Jewel tones and a deep sumptuous texture looks impressive in drape form and strikingly powerful over an ottoman or rounding the bend of a bucket chair. This geometric has a modern herringbone style, contrasting expressively against other geos and striking patterns, for an eclectic and individual look.
Momentum Velvets is a mirage in the world of velvets in hotels. It looks almost too soft to be strong and yet, with its water-repellent finish and cross-colouring, it reflects light boldly, repels water with ease and offers guest rooms a deep sumptuous finish in an array of hues that range from nature-inspired Pebble and Heather to the deepest blue in Ink and striking Gold. Reflecting light at every opportunity, Momentum Velvets has a soft sheen but the strongest aesthetic for a plain fabric. Boldly layer with Grade and Triadic for an expressive interior that empowers guests to discover their own style, in style when checking in to stay.
Grade, Triadic and Momentum Velvets, available in a breadth of sublimely expressive colours, are suitable for contract upholstery, curtains, blinds and cushions.
Sanderson Design Group is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
OKU announces new hotel opening for Southern Spain
Lifestyle brand OKU Hotels, has announced the addition of a new property to its portfolio, OKU Andalusia, slated to open in 2024. This all-new property will be the third in its portfolio…
Set on a secluded stretch of white sandy shores, where the Andalusian hills meet the sea and with views across to Gibraltar and North Africa, OKU Andalusia, located just outside of Sotogrande will be the ultimate beachside retreat, bringing with it the brand’s much loved reputation for laid-back, soulful and offbeat luxury. This opening will mark a first for the brand, naturally growing into the family market in OKU style.
Image credit: OKU Hotels
The property will offer a mix of swim-up suites, penthouse rooms with expansive terraces and two-bedroom suites for families and friends. Each suite has been carefully designed to reflect the signature boho-chic, minimalistic style that defines every OKU property, from earthy toned linens to beautiful natural materials and contemporary lines. In addition, the hotel will offer a private four-bedroom villa for those looking for the ultimate private escape, featuring a private infinity pool, living area and terrace. The central areas will be home to three beautiful infinity pools terraced on the hillside, several restaurants -including the brands signature Mediterranean To Kima and Asian and globally-inspired OKU Restaurant – a chic kid’s club offering on brand enriching and holistic experiences for little ones and an adults’ only beach club offering panoramic sunset vistas and house beats.
The kid’s club and family friendly pool areas will bring something new to the brand portfolio, welcoming families who are looking for the best of both worlds, without compromising on style or atmosphere.
Image credit: OKU Hotels
OKU Andalusia plans to be a haven for wellness lovers and home to a 2000 square metre serene hillside spa, which will feature an indoor pool, meditation garden, outdoor yoga shala, indoor yoga studio, state-of-the-art gym, steam room and sauna, plus treatment rooms. The spa will embody the brand wellness philosophy, blending holistic therapies with natural ingredients and results driven methods.
The oceanside adults-only beach club will have a relaxed and atmospheric feel, offering day visitors an opportunity to soak up the Mediterranean sunshine, with a beachside outdoor pool, loungers and cabanas. The property will offer guests access to one of Spain’s most beautiful regions, with its unique landscape of beaches and hills, some of the worlds finest golf courses, wild hiking trails, charming authentic villages and Andalusian sunshine, when it opens its doors next summer.
OKU is very excited to be opening new hotels and will take the brand global, with new destinations to be announced soon, including the Maldives, Middle East and beyond.
THDP redefines short rental accommodation in Venice, Italy
The design studio THDP has designed and renewed 12 luxury apartments with a ‘microlocal language’ in the heart of Venice Italy…
Located in the heart of the San Marco district in Venice, between Piazzo San Marco and Rialto Bridge, 12 apartments have been sensitively restored by design studio THDP.
The building itself was the first source of inspiration for the design studio. Although more contemporary than other Palace’s overlooking the Grand Canal, the facade still displays striking historical features. The mullioned windows, arches and shutters remain and have been painstakingly preserved by the design studio.
Image credit: Giorgio Baroni
Although ‘redesigned’, many of the original features, such as the stairwell, steps and railings, remain untouched, resulting in a beautiful new-meets-old aesthetic and feel.
Bringing optimum light into the palazzo was of utmost importance. Over the staircase, the skylight has been restored and on the rooftop terrace, the decorated glass of the three-mullioned windows has been repaired. Hung in the centre of the stairwell’s vast skylight is a chandelier, printed in fabric by Fortuny; when illuminated, they leave a mesmerising effect on the floor below. Despite undergoing repair, the marble-effect marmorino walls and stairs have been left with signs of wear, reflecting the building’s rich past. Protecting the marmorino below, a dark magenta runner is fitted on the staircase, incorporating the colours of marmorino, and finished with brass rods.
Image credit: Giorgio Baroni
On the ground floor, connecting both entrances into the building, is a small lobby. The unique waiting area features outdoor furnishings (as a high-tide precaution), and acts as a small shared terrace. The room’s decor is inspired by the turquoiseVenetian waters and the colours that decorate the hotel’s exterior.
Inside, each apartment features an entrance hallway; a living room/kitchen area; two bedrooms (one of which is fitted with an ensuite) and two bathrooms.
The style of the living rooms is modern yet ornate, with neutral walls and furnishings that feature mustard, gold, teal and magenta accents. The purpose of this colour scheme is to create a tranquil environment with a lighter palette, whilst also expressing the richness of classic Venetian interiors with some vibrant features. The typically Venetian cone-shaped fireplaces, for example, have been carefully reconstructed to their original state, made possible by the discovery of an old photograph found by the interior designers themselves.
Image credit: Giorgio Baroni
With a focus on Italian design, much of the decor has been sourced from Veneto or the local area. Notable brands include Miniforms, Rubelli, Cantori, Vibieffe, Bolzan, Italamp, Siru, Flukso, Besana, Zucchetti, Florim.
The wall colour in the bedrooms recall Venice’s water, which is contrasted against the rust created on the metal portals when corroded. For the beds, a quilted, padded headboard with most of them featuring integrated brass tables, will overlook each residential-style Bolzan bed.
Image credit: Giorgio Baroni
The wardrobes feature glass panes opening into a wallpaper lined closet. The wallpaper features a marbled paper-effect digital print, a Turkish technique brought to Venice by recently deceased Venetian artist Alberto Valese, who founded a small shop in Campo Santo Stefano.
The kitchens have a more minimalistic design, with dark green handle-less doors designed by Fenix, that feature grooves and a black plinth.
The entrance hallway features an elegant wallpaper framed with white molded profiles, produced by Orac Decor. For the more decorative elements, accessories by Les Ottomans and Ar- cade Murano have been selected, as well as Murano mirrors by Barbini and a console with a dark green crackle effect top by Cantori.
In the bathrooms, the classical Venetian style meets modern materials and sanitation. The colour palette recalls 18th-century wooden furnishings with the use of pastel colours. The wall cladding is by Florim; a stoneware created with high-precision technology that is embossed with a loomed fabric from the Rubelli archive collection. Florim have also designed the floor and wall coverings, made in from porcelain and adorned with a seeded effect.
Image credit: Giorgio Baroni
The rooftop suite features a terrace, constructed as an extension of the living area. Overlooking the building’s interior, the balcony offers a breathtaking view over Venice’s rooftops, providing some escape from the bustling streets below.
Image credit: Giorgio Baroni
With sustainability in mind, the aim of the project was to involve local companies, reflecting the high quality of Italian-made produce and the knowledge of Venetian artisans. The companies selected represent THDP’s vision, perfectly combining classic and contemporary design.
Rissai Valley, a Ritz-Carlton Reserve, is the latest resort in the prestigious Ritz-Carlton Reserve portfolio. Located on the edges of the Qinghai-Tibet plateau in China’s Southwestern Sichuan province, the design by WATG pays homage to the natural surroundings and Tibetan heritage…
The Jiuzhaigou Valley Scenic and Historic Interest Area covers 72,000 hectares in northern Sichuan Province, is protected as a national nature reserve and has been inscribed by UNESCO as a World Heritage Site and World Biosphere Reserve. In this spellbinding setting, Rissai Valley — its name a transliteration of the Tibetan word for ‘village’ — is an intimate luxury hideaway that offers guests rare insights and immersive connections with the natural surroundings and culture of traditional Tibetan village life.
Image credit: Ritz Carlton/Marriott Hotels
“We are thrilled to debut Rissai Valley, China’s first Ritz-Carlton Reserve in Jiuzhaigou, one of the most stunningly beautiful and culturally rich areas of the world,” said Tina Edmundson, President, Luxury, Marriott International. “Rissai Valley is the sixth property in a rare portfolio of exclusive estates worldwide, offering an intimate and transformative experience rooted in heartfelt care and human connection. I cannot wait for guests to enjoy the ancient indigenous culture and traditions of Jiuzhaigou through a unique Ritz-Carlton Reserve lens.”
Image credit: Ritz Carlton/Marriott Hotels
The property, designed by architectural firm WATG, shelters 87 intimate villas, all offering magnificent views of the snow-capped Minshan mountain range, forests and ancient Tibetan villages. WATG made use of traditional building forms and locally sourced materials to reflect the unique location, while the landscaping was led by John Pettigrew, who created the immaculate gardens with indigenous planting to reflect the extraordinary landscapes. The elegant interiors were designed by the late Indonesian interior design legend Jaya Ibrahim, who curated palettes of forest greens, emeralds and icy blues to mirror the jewel-coloured lakes and waterfalls of Jiuzhaigou, while celebrating the culture and heritage of the local villages with examples of artisanal Tibetan craftsmanship throughout the property.
Image credit: Ritz Carlton/Marriott Hotels
Guests arriving at Rissai Valley are warmly welcomed with a Zhaxi Dele Tibetan blessing ceremony and every new day brings opportunities to be immersed in experiences that provide insights into local heritage and life. Through a dedicated team of local Tibetan culturalists, artisans, chefs and healers, guests are welcomed into an ancient culture to gain transformative insights along with genuine connections with the people of Jiuzhaigou and their families. Each villa enjoys the services of a dedicated personal host, called a ‘Nieba’ in the local language, who takes care of every detail for guests, ensuring a seamless stay experience. In this idyllic setting, guests can discover the artistry of Tibetan folk dance and classical music, as well as discover calm and balance through the meditative practise of Thangka painting, a unique Tibetan art form. In the early morning, guests can also join on a leisurely hike into the pristine forests surrounding the property.
Image credit: Ritz Carlton/Marriott Hotels
“Rissai Valley is a truly magical place, nestled in the landscapes and surroundings of one of the most mythical natural wonders of the world,” said Marcel Damen, General Manager, Rissai Valley. “As the first Ritz-Carlton Reserve in China, we look forward to welcoming guests to a place of marvellous beauty and to experience the many curated experiences that connect guests with the rich local culture. A stay at Rissai Valley will inspire many memories that will last a lifetime.”
Image credit: Ritz Carlton/Marriott Hotels
Dining at Rissai Valley offers memorable experiences complemented by the beautiful surroundings, from romantic al fresco dinners in a picturesque garden setting overlooking the forests, to memorable family picnics by crystal-clear streams or elegant cocktail events against a backdrop of snow-capped mountains. Bo Ri Village offers all-day dining in an idyllic ancient village situated opposite the Reserve. Refined Sichuan restaurant Cai Lin Xuan highlights local specialities, and at La Montagne, diners can select from a Western menu and enjoy al fresco barbecues with breathtaking views. The Lobby Lounge offers a relaxing and intimate venue for afternoon teas or evening cocktails.
Image credit: Ritz Carlton/Marriott Hotels
A true sanctuary dedicated to holistic wellness and peace of mind, the Rissai Spa invites guests to unwind through ancient healing modalities and treatments inspired by Tibetan philosophies. The spa offers a selection of healing practices and experiences based on centuries-old Tibetan wisdom for guests who seek serenity and balance, such as singing bowl sound therapy and yoga sessions by a cascading waterfall. An expansive infinity swimming pool invites guests to take a dip in its clear blue waters, framed by a spectacular view of a Tibetan village against towering mountain peaks.
Image credit: Ritz Carlton/Marriott Hotels
For families, Rissai Valley offers experiences that will capture the imaginations of young guests, with dedicated indoor and outdoor facilities. At the Reserve Kids’ Club, Rissai Kids is an engaging and immersive programme that encourages children to discover the wonders of Jiuzhaigou, focusing on connections to Tibetan culture through music and dance and exploration of the indigenous flora and fauna surrounding the Reserve. Activities include fun guided outdoor adventures, treasure hunts, animal feeding, kite flying and stargazing evenings.
Ideal Standard launches new sustainable shower system Alu+
Ideal Standard has exclusively previewed its latest showering range, Alu+. The new collection stands out with its modern colour palette, practical features and strong sustainability credentials, offering customers a contemporary shower solution for modern living…
The Alu+ shower system from Ideal Standard features elegant rectangular lines, which are perfectly accented by the circular mixer, showerhead and hand spray. The contemporary design is further complemented with the option of three low-sheen finishes – Silk Black, Rosé and Silver, giving customers the option to play with colour in a new and exciting way.
Along with its aesthetic credentials, sustainability has been prioritised, with Alu+ created from high quality recyclable aluminium that is made up by 84 per cent recycled content. Completely free from chrome, lead and nickel, Alu+ also features water saving technology, which is built into the entire range – the flow limiters restrict consumption to just eight litres/minute for the hand spray and 12 litres/minute for the rain shower without impacting performance.
Image credit: Ideal Standard
Image credit: Ideal Standard
“Ideal Standard has a long history of delivering innovative, high-quality products that encourage sustainable living practices, with technologies designed to help conserve energy and water,” said Stacey Seagrave, Senior PM of Non-Residential Fittings at Ideal Standard. “The new Alu+ range is a prime example of our commitment to reimagining material design and maximising recyclability, we hope that by delivering beautiful and functional yet also sustainable collections, we can set a new standard in bathroom design.”
All plastic parts of Alu+ are made from high performance, drinking water compliant polymers to ensure water is never polluted with harmful plastics. In fact, Ideal Standard is making sustainably conscious decisions throughout the full product lifecycle for Alu+, with all packaging being completely recyclable and free from single use plastics.
Practicality is central to the range and Alu+ includes storage shelves and matching beauty bars, with mirrors and other storage solutions available in the same three colours. The hand spray and extra-large rain shower head feature two different spray modes for users, with a normal Rain spray and the luxurious SilkRain mode, which sees the shower system dispense ultra-fine water droplets for a premium, spa-like experience.
Image credit: Ideal Standard
Image credit: Ideal Standard
Switching between spray modes is simple, with an easy to adjust lever on the hand spray and Ideal Standard’s EasyDial control knob on the shower head. Both the hand spray and shower head are easy to keep clean and free from limescale thanks to the practical EasyClean spray nozzles. The range is available in both thermostatic and single lever options as well as shower rail sets with handset and shower systems with diverter to easily switch between hand spray and overhead shower.
Furthermore, Ideal Standard’s Singular philosophy makes the shower system easy to pair with matching Cerafine O taps and Idealrain shower accessories in the same colours and style, as well as Ideal Standard’s wider collections of shower trays and enclosures, ceramics, and furniture.
Ideal Standard is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
KEUCO has introduced two new on-wall shower fittings, to complement its extensive PLAN blue range…
KEUCO fittings always combine a first-class design, flawless finishes and high performing functionality with excellent quality. The traditional design language of the PLAN blue range of fittings allows it to harmonise with different interior styles, which makes it the ideal choice when it comes to use in bathroom design.
Choose from a thermostat shower mixer or a combination with an integrated head and hand shower. The slim PLAN blue design and the shower mixer with head and hand shower is perfect for private and hotel bathrooms and both options work with specifications for new builds and renovations.
Image credit:
The new thermostatic shower mixers are available in both classic chrome and a new modern black with an almost velvety touch. This matte finish has a special lacquer coating that makes it extremely durable and easy to clean, whilst adding an intense depth of colour that adds a luxurious touch to the bathroom.
The design-strong flat head shower has a height-adjustable shower rail and the large overhead shower (a diameter of 250mm) can be swivelled and moved to the desired position, whilst the hand shower is positioned within easy reach and at the correct height with a shower slide.
KEUCO is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
To really understand the true design narrative of Woven by Adam Smith, the latest culinary experience at Coworth Park, Editor Hamish Kilburn spoke to Martin Hulbert and Jay Grierson, both from Martin Hulbert Design…
Nothing about Coworth Park is what you would expect. Yes, it is a Dorchester Collection offspring – kind of like the step-sister of The Dorchester, but aside from the branding it doesn’t feel like it really belongs to any hotel group or cluster, and thankfully so.
Perhaps it is down to Zoe Jenkin’s unwavering leadership style, or perhaps its unrivalled destination in the heart of Ascot, that puts the hotel on the map. What I have come to learn about this charming luxury hotel set over 240 acres of picturesque Berkshire parkland is that its point of difference is in the detail, whether that be the contemporary wooden stairwell commanding attention the Mansion House, the charming home-from-home interior design scheme inside its premium suites, such as North Lodge, the exceptional flavours tasted throughout ones stay or the people – in house as well as commissioned – who make the hotel feel, well, like a family.
Image credit: Dorchester Collection
Martin Hulbert is one of those individuals who has become a synonymous figure next to the hotel. The original designer behind the hotel, he created its calming and timeless interiors. “Not only is it a beautiful building in a wonderful setting but the team have always been very open to our ideas and trusted us, so as designers it’s a dream project,” explained Hulbert. “We never approach our designs to fit in with trends and we feel it’s why Coworth Park has stood the test of time in terms of its interiors and the feel. It’s a special place and we are grateful to continuously return.”
Given that the hotel has always championed and supported those who understand how to usher its brand and image forward, it is no surprise that they asked Hulbert and his team at Martin Hulbert Design (MHD) back to design Coworth Park’s latest restaurant. Woven by Adam Smith showcases British produce, from fresh seafood to foraged mushrooms.
Image credit: Dorchester Collection
Beyond its menu, though, the design of the restaurant is soft with curtains and wallpaper that melt into the carpet, as well as practical with lamps that can be raised and lowered to suit daytime and evening moods. It’s also, in true MHD style, full of innovative, unexpected and playful details, such as high-table waiter stations made from papier mâchè, sculptures in the entrance made from recycled wood and quirky lighting that, excuse the pun, are metaphorically and physically woven into the restaurant.
As with all of Hulbert’s projects, there is much more than meets the eyes, which is why, while checked in to taste the menu, I was fortunate enough to sit down with Hulbert and his colleague Jay Gierson to understand the intricate details and challenges when creating Woven by Adam Smith.
Image credit: Martin Hulbert Design
Hamish Kilburn: What was your initial interpretation of the ‘woven’ theme?
Martin Hulbert: This is the second time we have been given the brief for the restaurant, having overseen the original renovation of Coworth Park in 2010, so, although it was a new theme, it didn’t feel like we were starting totally from scratch. Conceptually designed around the autumn season, we’ve subtly interpreted this throughout the space from the warm, earthy colour scheme and use of natural materials to the lighting, all of which is bespoke to the project. We knew from the start that we wanted the design to be surprising yet sophisticated but certainly not in a stuffy way – an inviting space that elevates the dining experience and complements Adam’s incredible cooking. Collaborating closely with him from the start was also great; he helped shape our interpretation of the theme.
Image credit: Dorchester Collection
HK: The story around recycled materials used in the design is super inspiring. How difficult was this, in reality, to find solutions that would weather the demand from a luxury restaurant?
Jay Grierson: We always try to use recycled materials in our designs as not only is it sustainable but it also means you end up with something that is entirely original and bespoke, which fits well within the context of a luxury restaurant. For example, at the entrance to Woven, guests will see a set of sculptures by Marcus Crane and Dan Ainsworth which are made of recycled wood, metal and resin. These have drawn inspiration from the gardens at Coworth and immediately add a sense of theatre to the restaurant and make you feel as though you’ve arrived somewhere special.
Image credit: Dorchester Collection
How does the design of the F&B space answer to the rest of the hotel?
MH: At Coworth Park the spaces are split into seasons relating to the aspect of the room and with Woven being themed around autumn it fits perfectly with the notion of it being a countryside hotel for all the seasons. It helps that we’ve designed the rest of the hotel, rather than this being an isolated project as there’s a subtle continuity that can be seen throughout the interiors.
HK: What were the main challenges during this project?
JG: Every small detail is original at Woven, which made it a very complex scheme to pull together as there were so many moving parts and different makers involved. It’s been worth the effort though and we are delighted that we’ve been able to champion creativity and craftsmanship.
MH: In many ways Woven is a showcase for the fantastic artisans and craftsmen who have helped us create something totally original.
Image credit: Dorchester Collection
HK: Tell me more about the wallcoverings, changing tones to almost meet the carpet…
MH: The walls are a bespoke MHD design and feature a subtle hand-drawn oak leaf motif printed onto linen. This complements the inventive contemporary lighting installation, which is designed by British architect Umut Yamac in collaboration with MHD and mimics a forest canopy with rays of light pouring through the trees and over the restaurant interior.
JG: The bespoke wool carpet then mimics this with a very subtle shadow effect. As you say, it’s very tonal which brings a warmth to the space. The tones and fabrics used in the wallcovering and carpets also transition very well from day into night, which was important as the space is open from breakfast through to dinner.
Image credit: Dorchester Collection
HK: I love the papier mâché high tables throughout the restaurant. It seems so simple, yet incredibly effective. How did the client react to this idea when you first presented it?
MH: We love them too! When working with The Dorchester Collection, they have never stamped on our ideas and instead embraced our creativity, which has inspired us to be more adventurous. They’re made from papier maché and resin, and inspired by the works of British artist Henry Moore.
JG: We explained to the client that these represent the buttress roots of trees and they were really on board with the idea, particularly from a practical point of view as with such an exciting yet complex menu the staff needed waiter stations. We wanted everything part of the design to fit with the narrative and to add intrigue, and we feel these subtly do that without being overbearing.
Tonje Odegard checked in to the newly opened Moxy NYC Lower East Side to discover what industry titans Michaelis Boyd, Rockwell Group and Stonehill Taylor have managed to rustle up for one of this vibrant and fresh-faced hotel group’s latest instalments…
There is so much to talk about when it comes to the interior design choices inside the recently opened Moxy NYC Lower East Side, and it’s all positive. I mean, what can you expect when you have some of the biggest talents in the industry coming together, working their magic in perfect harmony? With the help of interiors by Michaelis Boyd Asscoiates for the guestrooms and public spaces, Rockwell Group’s touch for the F&B outlets (in collaboration with Tao Group Hospitality it’s worth noting) and architecture by Stonehill Taylor, The Moxy NYC Lower East Side was ready to open its 303 guestrooms to the public in October 2022.
Image credit: Michael Kleinberg
The hotel really is impactful from the moment you enter its foliage-covered catwalk hallway, beautifully lit by natural light from the floor-to-ceiling windows. The monochrome tiled floor depicts circular shapes, which are revisited in large brass-clad industrial ceiling lamps, a theme that carries through into the lobby. The tone for the hotel is immediately set – the markings of a good lobby in our opinion). It is edgy yet elegant, playful yet at the same time sophisticated. It’s an energy that very much mirrors the vibe of Lower East Side itself, where Soho, Nolita, Chinatown and the East Village meet.
Image credit: Michael Kleinberg
Playfulness makes its appearance in bold colours and vivid patterns, but also eye-catching artefacts such as a large brass bear dancing with a hula-hoop, or 3D-printed pinup girls hanging from the crystal chandeliers in acrobatic poses. I met with General Manager Leo Glazer who told me more about the neighbourhood’s history, which helped inspire the hotel’s style. For instance, he told the tale of how the hotel’s grounds used to be home to large German winter gardens in the 19th century, which has inspired the extensive usage of foliage, and how the area has a rich history of vaudeville theatre, art, burlesque houses, and circus performance – hence the hula-hooping bear and acrobatic dolls!
Elsewhere, the lobby is interactive and equally laid-back, encouraging socialisation and play. The seating is all movable, so people can gather in smaller or larger groups as they see fit; there’s a shuffleboard; a giant marble bar with an overhang of fluted glass and brushed brass serving coffees and cocktails throughout the day; and a Pac Man table in the meeting space next to the lobby – to conclude, it’s a multipurpose amusement space.
“Functional spaces are key, but we want them to be fun and interactive, because Moxy is all about fun,” explains Glazer. “Still, what lies as a foundation for all of it is how design can enhance the guest experience and to change the narrative of what a hotel could and should feel like for the people staying here.”
Image credit: Michael Kleinberg
Part of that mission is changing the lobby-level space to something more than just a check-in spot. The immersive and vibrant elements in the lobby bar contribute to this, of course, but so does the late-night live music venue right next to it; Silver Linings is a stylish and sophisticated bar lounge inspired by Andy Warhol’s New York haunt The Factory, famous for its 1960s parties and often referred to as The Silver Factory. The custom-made lounge chairs with fine-line drawn abstract faces are particularly eye catching and they fit in nicely in the colour palette of blue, black and gold, with touches of silver.
Throughout Silver Lining, Michaelis Boyd chose materials that are both luxurious and nostalgic, including the herringbone-patterned wood flooring, glimmering chrome and nickel, plush velvet and the slightly rough, pitted surface of the bar.
Let’s move downstairs to the hotel’s restaurant, Sake No Hana, situated in the basement. The entrance to the hotel is sat on a corner, and it is in this space in particular that you can appreciate the clever use of that; you enter downstairs to the restaurant through circular staircases made up of metal, glass and leather on either sides. Guests arrive to a double-height entrance area that instantly transports them to Japan. The circular bar again counteracts the angular features of the corner space and giant Japanese kimono-inspired tapestries help soften the room further. In fact, there are a lot of textures and layers throughout in the design details, wallpapers and decorations.
Image credit: Michael Kleinberg
The restaurant itself is dark and moody, with dim lighting that makes for a sensual atmosphere. It is voyeuristic and inviting, keeping up with the Japanese theme through cherry blossoms, round lanterns, blush colours contrasted by a black backdrop, specs of reds, tassels and mirror ceilings – it’s truly a magic space with food to match.
A further level down is where we find the hotel’s nightclub, Loosie’s, an intimate party space with dozens of sparkling mirror disco balls scattered across the ceiling in an epic chandelier formation. This is a real downtown hangout attracting an eclectic and hip crowd from the neighbourhood.
“The history of Moxy Lower East Side’s surroundings as an incubator for live music, performance, and art inspired Rockwell Group’s designs of Sake No Hana and Loosie’s Nightclub,” said Shawn Sullivan, Partner, Rockwell Group. “We spent a lot of time thinking about how to mark the transitions from the hotel to the restaurant and club, which are in the cellar and sub-cellar levels. Guests enter Sake No Hana via two curved staircases, flanked by double-height kimono-inspired tapestries, that descend from a catwalk in the hotel’s lobby. The entrance feels very grand and theatrical, as guests take in the installation and move to the bar and dining room beyond. An alley leads to Loosie’s further below, referencing the ‘back houses’ of the Lower East Side that attracted artists in the 20th century. The building may be new, but the experience takes you back in time in the neighbourhood.”
Image credit: Michael Kleinberg
Coming back up for air, I take the lifts to the hotel’s final, but perhaps most impressive F&B outlet, The Highlight Room, located on the 16th floor. As the name suggests, it soars high over the rooftops of the Lower East Side and its terrace offers unrivalled views of the financial district to the left and upper Manhattan to the right. Again, the German Winter Gardens are referenced with a giant foliaged tree taking centre stage inside the bar and the room takes advantage of the 360 views by having wrap-around windows throughout. Layers of premium materials — plaster, brass, velvet upholstery, caramel drapery, terrazzo tiles — add a dose of luxury.
It’s obvious that the guest experience has been placed front and centre in the hotel rooms. They’re not the most spacious, but it’s always been Moxy’s ethos to rather have functional and comfortable rooms. The Moxy Lower East Side delivers on this in spades: supremely comfortable beds with storage underneath; generously spaced but separated shower and toilet; foldable desks; and the signature plug system on the wall instead of a wardrobe. Moxy has really boiled down what guests are looking for when staying at a hotel and delivered that – a good night’s sleep and great water pressure in the shower.
Image credit: Michael Kleinberg
Triple-glazed windows ensure silent nights, and the ones on the higher floors ensure epic city views. Although small, the rooms don’t feel squashed, much helped by the double height ceilings and floor-to-ceiling windows. To maximise on space even further, the sink is placed in the room itself and instead of going for a utility feel, the sink is made into a statement piece itself by composing of glazed lava stone, transforming it into a striking design feature.
Moxy NYC Lower East Side is a triumph in both fantastic designs and a carefully curated guest experience. The stakeholders have really proven themselves as industry heavyweights and it’s a beautiful thing to witness.
Roundtable: the language of biophilia in surface design
Exploring biophilic design on all sensory levels, a journey that inevitably merges with questions of nature and sustainability, was the question on the table inside the Atlas Concorde showroom during Clerkenwell Design Week 2023. Surrounded by materials clearly referencing natural surfaces both in colour and texture, Editor Hamish Kilburn sat down with seven leading designers to discuss the path hotel design, in particular, is taking when it comes to injecting natural elements into surface design. Pauline Brettell writes…
Far from receding into the ether as a post-pandemic trend, biophilic design remains a key element of design in general and in the hospitality industry in particular. What has changed, however, is the language of biophilia. It has deepened, along with our understanding of the psychology of biophilic design. Concurrently, the innovative materials and surfaces that are being explored in response to this have given design schemes an extended meaning.
To define what today’s definition of biophilia looks and feels like in surface design, Hotel Designs, together with Atlas Concorde following the launch of its latest collaboration with HBA, welcomed a handful of interior designers for its latest roundtable, which took place at the start of Clerkenwell Design Week.
On the panel:
Diana Darmina, Associate Interior Designer, LXA
Chin Lim, Principle, HKS
Sarah Wakefield, Creative Director, JOLIE
Una Barac, Founder & Executive Director, Atellior
Elena Verdera Pastor, Senior Interior Designer, Studio Moren
Charlie Cruickshank, Design Associate, AIME Studios
Wren Loucks, CEO & Creative Director, Be-kin
Hamish Kilburn, Editor, Hotel Designs
What was clear throughout the conversation was that the interlocking elements of biophilic design, sustainability and circularity are all part of the same whole, where the psychology of people and the preservation of the planet are emerging as the primary concerns in design.
Hamish Kilburn: As the biophilic conversation resonates, how much more variety is there now when trying to create a natural, organic look and feel – a biophilic feel – in surface design?
Charlie Cruikshank: There has always been availability to some extent, but the problem has been that there has also been a price associated with introducing natural materials and surfaces into a design.
Wren Loucks: In a case of supply and demand, the shift and increased interest in natural material and biophilic design more broadly, has been mirrored with a shift in price point. This makes sustainable materials more accessible – along with an increased creative focus on exploring materials, which ultimately stimulate wellbeing and drives the biophilic conversation forward.
Image credit: LXA
Diana Darmina: In addition, I feel that clients have been part of this shift in terms of what they are asking for as part of a design brief. Designers, in turn, translate these requests to suppliers and the whole supply chain responds and shifts.
Chin Lim: Technology has also been key in allowing us to create products that are both sustainable and practical. This has been one of the most fundamental changes in terms of increasing the offering of what is available in this arena.
Image credit: Atlas Concorde
HK: How is the pared-back aesthetic that we are seeing in a symbiotic relationship with biophilic design, along with shifting boundaries and the merging of indoor and outdoor spaces, being reflected in the projects you are working on?
Elena Verdera Pastor: Biophilic design was very much part of the thinking process in the Westin London which is reflected in a lot of the detail and materials used in the public areas of the hotel. While Westin is very much a luxury brand, it is not all about metres and metres of marble. In fact, the ceramic offering of marble reproductions have improved so much, that they provide a more sustainable and a more cost effective way of introducing a look that is both luxurious and reflects nature, rather than taking from nature.
Image credit: Studio Moren
Una Barac: Biophilic design isn’t just about being green – yes, it is about plants and greenery and nature, but there are multiple ways to reflect this. With the SIRO project with Kerzner International, for example, we have focussed on a reduced palette using materials that are honest and avoiding trends that will date. It is about painting and reflecting nature. Part of that process has been to reduce the use of natural stone. Instead, the focus is on sustainably produced tiles that are inspired by nature and reflect nature through a neutral palette – the idea running though SIRO is to calm the senses in a timeless soothing way and reflecting nature is integral to that process.
WL: It’s key to understand what biophilia actually is, as so much about connecting to nature is about experiencing all the senses – nature is inherently restorative and soothing, so biophilic design is about introducing surfaces, textures and colours to facilitate that.
Image credit: Atellior
HK: Creatively, how does the surface design change from urban boutique hotels to, for example, a beachside resort?
CL: Resorts are almost inherently biophilic as they are more geared to merge inside and outside spaces and integrate biophilic design elements in this process, while a hotel in an urban setting is definitively more of a challenge!
Sarah Wakefield: You can be quite subtle with biophilia and use an interplay of patterns and texture from nature through the use of materials and surfaces. This can be used most effectively in elements like furniture where there is most interaction. As humans, our heart rate lowers when immersed in nature, so introducing biophilic notes becomes even more important in an urban environment where there might be less direct reference to draw from. Bringing these materials into the hotel immediately encourages guests to respond intuitively to the surfaces, colours and materials being used.
Image credit: Jolie Studio
Image credit: Jolie Studio
CC: While not an urban environment, the restaurant inside Gleneagles, Restaurant Andrew Fairlie, had particular challenges. There were no windows and therefore no natural light, which we often see as being key to biophilic design. In this case, we drew inspiration from the Secret Garden on the property. Through different surfaces and patterns, we injected biophilic notes, and as a result create an intimate space that still reflected the surrounding nature despite having no direct access or view of it.
Image credit: Ennismore
HK: Looking at the relationship between biophilic design and sustainability, and with so many factors that need to be considered, what are the current challenges of specifying sustainably?
CL: Increasingly, project funding is being tied into ESG goals, and it is really incumbent on us as designers to guide clients to the right products. This is becoming a lot easier as the sustainability agenda has been on the table for some time now – so most clients are on board and in fact most of our clients, like all of us, are striving for a better and more sustainable future. The process, therefore, of specifying has become easier in this regard.
UB: Ultimately our brief is to design to the budget given to us by the client. At the beginning you start with what you want to aim for, on both a design and an environmental level, but there are so many layers and nuances to this process. It is not about being exclusive or prescriptive on what is or is not sustainable, it is about being genuinely open-minded and interrogating where a material has come from; questioning and researching the entire process of production and delivery along with longevity, which might shift the conversation in an unexpected direction.
Image credit: Atellior
EVP: As designers, we are constantly trying to really research and develop an understanding of what materials are local to each project – looking beyond our usual suppliers might take a bit more time. However, if we are wanting to add a deeper layer of authenticity to the design, it is important to connect to the local environment and this can also answer concerns around sustainability in a different way. Doing the research at the beginning of a project helps us to communicate this to the client so we can paint a complete picture of production and delivery.
Image credit: Studio Moren
HK: Have questions around issues like sustainability, budget and biophilic design resulted in any unconventional use of material to make a design statement?
SW: We have been working on a project in Hammersmith, where we have been trying to re-use existing material on site to create a new surface material instead of discarding the material. Focussing on the process of reusing and reinventing is both creative and challenging, but it is a process that slowly more suppliers are exploring. It is also interesting how designers use and apply the same material in different ways, or explore different applications for these materials.
CC: In the Hoxton, one solution we have come up with that addresses both budget and surface design is by introducing murals by local artists. which have all co-incidentally been quite organic in form, as well as through the colours and also the type of paint being used in some cases. This was almost an accidental solution that has resulted in a different surface treatment that is also about art and community.
Image credit: Ennismore
DD: I also feel, as designer, that we don’t go often enough to factories to understand the process and discover what isn’t being used – to look at the by-products of production with fresh eyes. We can work with suppliers to add value to waste and find interesting and innovative ways to use these materials.
CL: The innovative use of material can also be socially transformative if you can focus on both local materials and local skills. For the Corinthia Maldives, we worked with local artists to design a bamboo structure, made from materials found on the island, that references the shape of the manta ray found in the waters surrounding the resort. All this adds another layer to the design – sometimes these extra dimensions are not immediately visible but can, importantly, contribute to the overall feeling of the space.
Image credit: HKS
The direction of the conversation around the Atlas Concorde table made it clear that, while it may not always be easy being green, the biophilic path is certainly one that is becoming increasingly interesting and open to interpretation, as designers and suppliers both respond to and challenge preconceived notions of material and surfaces in relation to sustainability.
Atlas Concorde is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
BILL & COO Coast Suites on Mykonos is set to unveil a new look for the summer, with the opening of ten new Grand Coastal Suites, the Grand Coastal Villa and a reimagined beachfront pool…
The new suites are an extension of BILL & COO Coast Suites, where barefoot luxury comes to life on ten acres of fragrant gardens and shoreline. Nestled in Agios Ioannis Bay on Mykonos, every Grand Coastal suite will feature a private infinity edge pool, an expansive terrace dressed with sun loungers, a sheltered dining area and sweeping vistas of the island of Delos and the Aegean.
Image credit: BILL & COO
The spacious and airy accommodations, averaging 50 square metres, are designed to make guests feel right at home. The ten suites can also be seamlessly connected for larger parties, transforming into one standalone villa, ideal for families and groups. This summer, the group will also debut the first Grand Coastal Villa, a chic living space of 647 square metres, with four bedrooms, a large terrace, private infinity pool and a dining area overlooking the panoramic coastline. The villa and suites offer contemporary Cycladic interiors, with white-washed spaces, curved walls and earthy tones lending a modern beach house aesthetic and bring a sense of calm and tranquillity to every corner.
Image credit: BILL & COO
As one of the only hotels on Mykonos with its own private Beach Club, the location of the Coast Pool Bar is unparalleled. Situated directly on the beachfront, the space has undergone a complete renovation, with a 180 square metre infinity pool– allowing guests to step straight from the shade onto the sand.
Image credit: BILL & COO
Already considered an epicurean hotspot thanks to BeefBar Mykonos, guests staying at the Coast Suites can also enjoy new flavours this summer, with the opening of a new Mediterr-Asian restaurant concept, COOZEST, as well as visiting nearby BILL & COO Suites and Lounge for an unforgettable evening at the renowned Gastronomy Project by Chef Ntinos Fotinakis.
The reimagined boutique Hotel San Fernando, marks Bunkhouse’s second property in Mexico. Located in the La Condesa neighbourhood of Mexico City, only a few steps from the Parque México, the new property is a serene retreat central to the city’s bustling energy…
The Hotel San Fernando features 19 guestrooms across five floors, a lobby bar and lounge, and a rooftop terrace. Taking its name from the building itself, Edificio San Fernando, the property honours the patron saint of the Spanish Army Corps of Engineers. This ties in to the building’s architectural features, which draw from the anti-traditional elegance of the Art Deco era. Built in 1947 as an apartment building, original architectural details such as casement windows, encaustic tile floors, wainscoting in the corridors and lobby, and stained glass, remain, while Bunkhouse and Mexico City-based Reurbano revitalised the design to reflect the rich colour and history of Mexico, melding old world elegance with new world style.
Image credit: Chad Wadsworth
Image credit: Chad Wadsworth
“CDMX has absolutely everything we love in a city, and more,” said Amar Lalvani, Executive Chairman, Bunkhouse Group. “The culinary scene is mind blowing, the depth of culture is remarkable, the architecture and design are stunning, and most important of all, the people are incredibly warm and welcoming. We’ve been searching for the right opportunity to open a hotel there for some time now, and in partnership with our friends at Reurbano, as well as countless other local creators, we couldn’t be more thrilled to expand into such a vibrant and captivating city.”
Image credit: Chad Wadsworth
Image credit: Chad Wadsworth
You are immediately introduced to the hotel’s Art Deco inspiration with entry doors featuring playful, curved metal panes that are original to the building with new glass that mimics the historic stained-glass windows. The updated lobby design features pieces from many local collaborators, including lobby lounge chairs from CDMX furniture showroom Originario, while the eclectic art program features work from local CDMX-based artists such as Pedro Friedeberg and Ricardo Guevara, to a piece from Texas-based contemporary artist Cruz Ortiz. Hotel San Fernando’s lobby retail shop sells a thoughtful selection of Mexican-made wares from local artisans and makers meant to evoke the easy feeling of visiting CDMX, as well as custom Bunkhouse-created pieces only found on property.
Image credit: Chad Wadsworth
Guests can ease into the morning with complimentary breakfast on the rooftop with daily offerings such as fresh fruits, classic Pan Dulces and rotating specialities like Huevos Rancheros and Chilaquiles. In the evenings, guests are welcome to bring up snacks or a beverage from the downstairs lobby lounge. Accessible from the lobby through arched entryways in a rose-coloured lacquer, the lounge, which boasts limited outdoor seating, also makes for the perfect first or last stop of a storied evening. Stained-glass windows feature Art Deco details in bold hues of deep turquoise, dark emerald green, lavender and ochre, while soft green walls and a bar clad in clay tile with a marble top complement unique furniture that brightens the space, such as a chandelier by local female designer Rebeca Cors.
Image credit: Chad Wadsworth
With nods to Bunkhouse group’s Texas heritage, the 19 refreshed guestrooms feature clean-lined furnishings from local CDMX-based studio La Metropolitana and are accentuated with colour blocked walls in a punchy coral, with ivory and gold peppered throughout. Touches reminiscent of home are found throughout the rooms, such as dishware and textiles that feel collected from the city’s various markets, with select rooms featuring a kitchenette for added convenience.
Image credit: Chad Wadsworth
The updated design also features pieces from many local collaborators, including customised bedside lighting and decorative lobby lamps from Oaxaca-based studio Oaxifornia, while Bunkhouse stained the built-in wood millwork by La Metropolitana in a warm tone and added a pop of teal and green to the exposed plywood edges.
Image credit: Chad Wadsworth
Image credit: Chad Wadsworth
The three new guestrooms on the roof level feature brand new furniture designed by Bunkhouse and fabricated by CDMX-based B Collective Studio, with colourful tiles in pale blue, coral and green to create geometric patterns ranging from triangles to pinwheels. Lush plants add to the apartamento feeling in all the rooms and a custom linen program from Kassatex, alongside signature Bunkhouse custom robes, reference the incredible textile heritage of the city.
The bohemian neighbourhood of La Condesa is home to many restaurants, cafes, parks, and boutiques, offering endless exploration through the tree-lined streets. San Fernando embodies the Mexico City ideal of La Sobremesa, the stretch of time and conversation after eating is finished, providing a place to relax and unwind from the bustling city.
Is this the coolest boutique hotel to open in Portugal this year?
Forget Lisbon for the moment, and instead join us in Cascais – the ‘the Portuguese Riviera’, which is home to a new 19-key Artsy Cascais that could just be Portugal’s coolest boutique hotel to arrive in 2023…
Artsy by name, Artsy by nature, Artsy Cascais in Cascais – the ‘the Portuguese Riviera’ could possibly be the coolest boutique hotel that has emerged on the Portuguese hospitality scene this year.
It has grown out of a 19th-century mansion, in which guests checking in breathe the history not only of the property but also of the village. It sits alongside a newer, more contemporary building that has a striking facade designed by local urban artist Vhils, whom who some critics have called the Portuguese Banksy. This external Vhils piece is one of the most impactful and differentiating aspects of this hotel.
Image credit: Matilde Espirito
Central to the hotel, which is a meeting place between craft and history, is the art narrative that plays out in the 19 rooms and suites – from the lighting to the walls. From photography to contemporary works, the art has been curated to add a new layer to the design. What’s more, guests who stay in the modern wing with six Artist Rooms (two of which with a small terrace) have the unique experience of sleeping inside a sculpture and waking up surrounded by the light that passes through the exterior’s artwork. The historic wing has 13 rooms with high ceilings and large windows that allow for ample sunlight and magnificent views of the streets and gardens of Cascais.
Image credit: Conçalo Miller
Architect Pedro Gomes Fernandes oversaw the re-imagination of the original building that combines the modern with the historic, maintaining the original Rococo features that date from 1899. The link is apparent in the purity of forms and in the use of materials that respect the delicacy and elegance of the old construction, integrating it with what is new. A glass structure now unites the two buildings, representing the ‘direct’ passage between the 19th century and the 21st.
Image credit: Matilde Espirito
Trained architect Marta Carreira oversaw the transformation of the property. Although she is an architect by trade, she found a passion for interiors having worked with Atelier Graça Viterbo. While Artsy is Carreira’s first luxury hotel project, she brought character to the project.
Her guiding idea was to immerse the hotel in its surroundings, bringing elements of the sand and the sea into the rooms. Her work also takes us back to the beaches of Cascais and to the bohemian vibe of a village that’s often called the Portuguese Riviera.
Image credit: Conçalo Miller
However, she didn’t neglect the historical memory. She collaborated with Fipsi Seilern, a London-based artist who explores urban art and who designed a copy of a self-portrait by Rembrandt that superimposes this same piece of graffiti.
Like art, lighting plays a major role in this hotel. Carreira worked with designers Gwendolyn and Guillane Kerschbaumer from Atelier Areti on the light fixtures for the restaurant and hotel passageways. In the rooms and suites, meanwhile, there are lamps from GUBI, a Danish brand linked to Bauhaus, and MENU, another, more contemporary Danish brand.
Image credit: Conçalo Miller
Timeless pieces such as the suspension lamp by Gino Sarfatti in the library bar reinforce the idea of the balance between novelty and permanence. All the furniture in the hotel was designed by Carreira, except for a set of striped sofas by Ferm Living in the library bar.
The character of the interior design scheme spills out onto the rooftop, which is the perfect location to leave you; poolside while enjoying a sundowner overlooking a beautiful and perhaps different perspective of this part of Portugal.
> Since you’re here, why not listen to our latest podcast episode, which explores ‘unconventional narrartives in design’?
LedsC4 designed the lighting for Juno House – the first women’s member’s club founded in Barcelona with a holistic outlook to personal well-being and professional development of women…
Guided by its NYC roots, Juno House, with its lighting designed by LedsC4, is a hub for creativity, productivity and international synergies. Founded by a team of women from the United States and Spain, the project is located in the heart of Barcelona in one of the city’s most emblematic buildings. The house, located on Diagonal & Aribau, has been designed to offer business, wellness and motherhood services for the modern woman looking to grow her career and streamline her day in a chic and elegant setting. Designed as a catalyst for collaboration and a refuge for work/life balance, Juno House aims to make life easier and more inspiring. From motherhood to career reinvention, the concept aims to provide a safe space for members to grow.
Image credit: Marta Vidal
Image credit: Marta Vidal
To provide the project with the right lighting, LedsC4 opted for luminaires in its Decorative collection. These included table and floor lamp models from the Tubs collection, with a unique design and mellow but powerful light projection, Tubs is perfect for large spaces. Voiles, the artisanal collection by Céline Wright, illuminates the space with its pendant model and its asymmetrical shape made with Japanese Washi paper. The final statement comes from Bloom, with its charming design and the simplicity of its forms, it completes the lighting project, standing out in the space given the gentle nature of its profile.
LEDSC4 is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
Arizona Biltmore, a Waldorf Astoria Resort, reveals its restoration
The historic Phoenix resort, Arizona Biltmore has opened the doors on its property-wide refresh taken on by an impressive team of respected designers and consultants – all honouring the property’s legacy while including contemporary touches for a new era…
Built almost a century ago, Arizona Biltmore is known as one of the grandest resorts of Hollywood’s Golden Age. Inspired by the innovative geometric designs of his mentor and Arizona Biltmore’s consulting architect Frank Lloyd Wright, Albert Chase McArthur built the resort to reflect its desert surroundings. In recent years, the iconic property has been restored to its former glory by a team of respected designers and consultants from Virserius Studio, PHX Architecture, Serving the Nation, Inc., Burton Studio and Wimberly Interiors.
Image credit: Michael Baxter
“We sought to revitalise the property, while preserving its iconic legacy,” explained Therese Virserius of Virserius Studio. “Our aim was to honour the remarkable work of Wright and McArthur, while simultaneously modernising and enhancing the luxurious guest experience for a new era.”
“Rather than merely replicating the original structure, we sought to pay homage to these renowned architects by reimagining their vision using modern methods and materials while remaining faithful to their timeless design principles,” added Erik Peterson, founder of PHX Architecture.
In keeping with the property’s architectural style, the structural aesthetic remains true to Wright’s flowing ‘textile block’ design, evident in the horizontal lines, handmade craftsmanship and open-plan layout strewn with custom facades and materials like fine porcelain, ornate stained glass and mosaics. The restoration itself included McArthur and Wright’s original ‘Biltmore Blocks’, created from desert sand onsite and designed with interlocking lines to form a pattern across the building’s facade. The 34 different arrays of blocks are arranged to create a sense of movement and rhythm resembling notes on a musical scale.
Image credit: Madison LaBerge
The team replaced 6,000 of the blocks requiring repair by using the same techniques and materials as the original blocks, accompanied by hand-embroidered furniture built in the spirit of the traditional design and a replating of the eponymous gold-leaf ceiling in the Gold Room. Modern upgrades were mindfully navigated to maintain historical integrity, including the seamless implementation of technology throughout the main building and updates to rooftop air conditioning units. In keeping with Arizona Biltmore’s stunning surroundings, Burton Studio integrated desert-inspired landscaping throughout the property, complementing Frank Lloyd Wright’s beloved Sprite statues as well as the new ‘Treasures of Heaven’ art installation.
The revamped spaces include two pools for adult and family visitors, standalone cottages that combine the resort’s chic aesthetic with plush amenities, dining venues clad in natural textures and the all-new Tierra Luna Spa and Sol Garden – a holistic wellness experience rooted in the cosmos and Earth’s four elements.
The resort’s cottages have been magnificently refreshed with the intention of creating a home-like ambiance. Each cottage houses an inviting living room, awash in earthy colours and framed by woods and stucco walls, along with bespoke furniture pieces and lighting by Virserius Studio and Imaggo Production. Additional repairs included the iconic stained glass and rooftop patios. From each guestroom, a lush corridor leads to the outdoor terrace with a firepit and dazzling mountain views. Live plants are maintained by a self-planting trough that cools down the space. The tailored elements seamlessly combine with Wright’s signature concrete patterns contrasted by woods and glass, providing both transparency and privacy.
Image credit: Michael Kleinberg
At the heart of the resort, the Spire Bar and Event Lawn offers magnificent views of Piestewa Peak and an alfresco space canopied by a Frank Lloyd Wright-inspired structure, all supported by its eponymous spire at the centre. A colourful Spanish mosaic wraps around the bar, topped with a ramada decorated in a geometric flower in backlit glass. Each evening, the setting sun upon the spire creates an elegant light show, and adjacent trees’ glow changes from red to purple. Curved banquettes distinguished by custom tiles and fire pits are complemented by the ‘Luxe Twist’, a bespoke art installation clad in multi-coloured lights, created by New York-based artist Rob de Oude.
Image credit: Arizona Biltmore Waldorf Astoria
Reflecting the resort’s storied past while incorporating contemporary touches, the Wright Bar’s design utilises space and light for a stunning atmosphere, with stunning contrasts of richly coloured furniture against the Biltmore Blocks. Luxurious peacock feather tiles adorn the bar in shades of teal and midnight blue and modular sofas are strategically positioned to encourage socialisation and provide flexible seating arrangements. The bar’s Art Deco geometric patterns use opulent tones to create additional depth and layering, with details such as hand-picked stones and custom leather-wrapped handrails. The ceiling pattern is a subtle nod to Wright’s famous geometric designs, incorporating a monochromatic palette to complement the overall design of the space.
Thomas Hart Shelby Photography
The recently opened Tierra Luna Spa and Sol Garden houses 12 treatment rooms and a range of therapies inspired by the surrounding Sonoran Desert. The spa’s 2,600 square metres of space pays tribute to both the earth and the moon and offers a unique array of experiences including the mud and crystal bar and onsite astrology readings. Amenities such as indoor/outdoor treatment rooms, lounge, steam showers, bathtubs, curated library and plush seating display a desert-chic aesthetic The Sol Garden offers stunning mountain views and ocotillo coves and includes a cold plunge pool, hot tub, invigorating rain shower and a wellness bar that serves immune-boosting cocktails and zero-proof refreshments for a transformative experience.
Set behind the Spire Bar and reserved for adults, the stylish Saguaro Pool is guarded by its namesake, a majestic 140-year-old cactus named ‘Lloyd’ that lies just beyond the pool gates. Chic, air-conditioned cabanas, each with a geometric design back wall flanked by lush living walls, line a side of the pool. Dotting the pool deck outfitted with Spanish titles, are large, vibrant mosaic ‘pebbles’ by Italian manufacturer Bisazza.
The reimagined Paradise Pool for families now features a triple water slide aptly named ‘The Twist’, along with a delightful splash pad. Before taking the exhilarating ride down its Wright-like curves, circles and spirals, stunning desert views are visible from the peak of the slide. Luxurious, air-conditioned private cabanas can be found just steps away from the Paradise Pool, with a swim-up bar and poolside dining available for refreshments.
Main image credit: Arizona Biltmore Waldorf Astoria
Hyatt Hotels has announced the first phase of opening for Hyatt Regency Kotor Bay Resort, which will offer guests a premium experience in Montenegro’s stunning Kotor Bay, a UNESCO World Heritage site. The property will be the first Hyatt hotel in Montenegro…
Set against the backdrop of majestic cliffs and the Adriatic Sea, Hyatt Regency Kotor Bay Resort is ideally located on the outskirts of Kotor, one of the country’s most charming cities celebrated for its preserved old town. Seamlessly blending urban convenience with breathtaking vistas along the Montenegrin coastline, guests will be surrounded by a picturesque fjord-like landscape of unparalleled beauty. With this new addition to the Hyatt Regency portfolio, the brand’s intentional growth further showcases Hyatt’s commitment to offering travel experiences in places that matter most to guests and World of Hyatt members.
“The Balkan region serves as a driving force for the rapid growth of the hospitality industry and our Hyatt Regency brand is strategically positioned to enter emerging markets,” said Takuya Aoyama, Vice President Development for Hyatt. “We are honoured to work with Krolbay d.o.o. Podgorica to bring our resort experience to one of Europe’s most rapidly developing destinations.”
Image credit: Hyatt Hotels
After finishing touches are completed, Hyatt Regency Kotor Bay Resort will be comprised of 205 guestrooms, offering an upscale experience inspired by the sophisticated allure of its coastal surroundings. Embracing natural hues and incorporating tastefully subdued blue design accents, the resort creates an inviting contemporary atmosphere for its guests. The property will also feature two outdoor pools, an indoor pool and private waterfront access.
Image credit: Hilton Hotels
For enhanced wellbeing, guests of the resort will have access to a state-of-the-art fitness centre, a dedicated space for yoga and pilates and expansive spa facilities. These amenities provide the perfect environment for relaxation, allowing guests to find serenity while enjoying panoramic views of the bay and mountain scenery.
Image credit: Hilton Hotels
Hyatt Regency Kotor Bay Resort is also expected to feature six dining venues, which will include: The a la carte Restaurant Lighthouse, inspired by the Mediterranean coastal yachting lifestyle of the bay featuring fresh ingredients from the area, combined with new world wine and beverage options. The Blue Restaurant will focus on a medley of local and international dishes, with a Montenegrin food corner promoting the region’s rich local gastronomic heritage. The Hedonist Rooftop Restaurant will offer modern interpretations of traditional Balkan cuisine taking guests on an epicurean journey through the peninsula. The property’s three bars will cater to guests day to night, providing the perfect spot to enjoy a peaceful morning coffee or relaxed evening cocktails.
Embracing a contemporary eco-design approach, Hyatt Regency Kotor Bay Resort places significant emphasis on the seamless blend of indoor and outdoor spaces. True to the spirit of the brand, the hotel is poised to be a go-to gathering space for every occasion – from inspiring business meetings to relaxing family vacations. With memorable event spaces, the property sets the stage for impactful meetings and celebrations, accommodating approximately 10 to 160 guests.
Villeroy & Boch launches its own range of taps and fittings
Ceramic, furniture, taps – a coordinating bathroom design brings all components together in perfect harmony. With this in mind, Villeroy & Boch has launched its own comprehensive range of taps and fittings…
Villeroy & Boch have tailored eleven different collections, from entry level to premium, to coordinate seamlessly with its bathroom range and to impress with easy installation, precision workmanship and functionality.
Perfectly coordinating ceramic and taps impress in terms of both aesthetics and functionality and Villeroy & Boch has designed its new range of taps with painstaking attention to detail. There is one noticeable difference, the taps incorporate key design features of the bathroom collections. For example, the linear but gently rounded ‘soft square’ shapes of Subway 3.0 and the modern lines and colours of Loop & Friends. This provides additional planning security as well as ensuring quick, easy and reliable installation of bathrooms.
Image credit: Villeroy & Boch
The collection consists of a total of 11 designs, starting with O.novo Start, for professional solutions in the entry-level segment, through to the luxurious Mettlach tap, a unique tribute to 275 years of Villeroy & Boch brand history. As well as taps tailored to specific collections – including Antao, Subway 3.0, Architectura, O.novo and Loop & Friends – universal models such Liberty and Dawn can be combined ideally with different collections. A selection of finishes from classic chrome to matt black and brushed gold or nickel open up extensive scope for bathroom designs tailored to every taste and budget.
With the Villeroy & Boch brand standing for first-classic materials and precise workmanship, the company insists on top quality for its taps too: from the selection of high-quality components to workmanship and dimensional accuracy. Designed and tested in Germany, they combine functionality with durability and efficient use of water. This is achieved thanks to clever functions such as AquaSmart, which limits water consumption to an environmentally friendly five litres per minute. In comparison with a traditional tap, this can result in water savings of up to 60 per cent – with no compromise in performance or comfort. EasyClean, on the other hand, protects surfaces from stubborn deposits – eliminating the need for aggressive cleaning products and protecting the environment. All taps meet European standards and have been tested for the most demanding requirements.
Image credit: Villeroy & Boch
Universally combinable shower taps and fittings as well as accessories such as soap dispensers and towel holders add the finishing touches to the range. The new Villeroy & Boch taps offer a perfect fusion of aesthetics and functionality, and are an ideal choice for anyone wishing to design a stylish and high-quality bathroom.
Villeroy & Boch is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
Architect Rachel Hoolahan on ‘next-gen’ design thinking
‘Next-gen thinking – designing for the future’ was a talk offered as part of Havwoods’ Clerkenwell Design Week programme, brought to you by Hamish Kilburn, Editor of Hotel Designs, and architect Rachel Hoolahan, Associate and Sustainability Coordinator at Orms…
Rachel Hoolahan is no stranger to Hotel Designs. Having been on our radar for a few years – she has appeared on DESIGN POD and a number of roundtables for good measure – the architect and now Associate at Orms is the studio’s official Sustainability Coordinator. But more than that, Hoolahan is an ambassador for the entire industry, collectively, to work together to become more conscious of the environmental and social impacts of our actions – while championing intuitive and thoughtful architecture.
Image credit: The Standard London. Architecture by Orms
For this reason, when asked to moderate a session on ‘next-gen design thinking’ by the team at Havwoods during Clerkenwell Design Week, Hamish Kilburn, Editor of Hotel Designs seamlessly asked Hoolahan to join him for an honest, open and safe conversation about what will drive positive change on tomorrow’s design and hospitality landscape.
Hamish Kilburn: Tell us about your journey in architecture – where did it all start?
Rachel Hoolahan: I wasn’t sure what I wanted to do, so I committed to some work experience at an architecture firm when I was 16 and fell in love with it! From there, I went on to study architecture in Dublin and went on to work at Weston Williamson in London on the Paddington Crossrail station in my work year, before returning to Ireland for my first full-time role.
I’ve always been curious about space. You know, the ‘wow’ moment, but also where great design makes you feel truly comfortable and part of the design. It’s that sense and feeling that you get, without being able to pinpoint exactly what it is.
Image caption: Hamish Kilburn, Editor of Hotel Designs and Rachel Hoolahan, Associate at Orms, came together during CDW 2023 to discuss next-gen design. | Image credit: Havwoods
HK: How did your sustainability role come into play when at Orms?
RH: We love a challenge at Orms, so rather than thinking about sustainability as an add on, we think about it from within – it’s our ethos. I’ve always been curious and conscious of sustainability within the industry, so I carved out this position by learning and educating myself. I’d allocate time in my week to read and research interesting people and brands, listen to podcasts and read articles. As you learn and become more knowledgeable in this sector, you are then in that position to ask the right questions with both clients and suppliers.
HK: How important is the circular economy in future design?
RH: As an architect, we have so much power and influencer from the start, so we can think consciously about everything we’re doing at every stage. The circular economy is a necessity, not a choice. There are so many materials already in existence, so we need to start thinking about how they can be re-used and re-purposed – but as part of this process, we need to do our due diligence to find out where it came from and how it has been made.
Material passports are a great way to do this. They offer an opportunity to gather and organise data about materials contained within a building. An initiative like this has already received great funding from all over the world – it shows that you don’t have to compromise on design, but instead, you can add to it with materials already in circulation.
Image caption: Throughout CDW 2023, the Havwoods showroom was open and thriving to the design community. | Image credit: Havwoods
HK: How do you work with your hospitality clients so that they understand the importance of circular economy in future design?
RH: Hospitality is one of the most exciting industries to work in as people are more open-minded and experimental. When working on a new project, we give both a budget and a carbon budget. For example, if a client loves a certain material, we help them understand the decision they’re making and what impact that material has on the environment. Whilst we want to ensure the brief is met and matches their specifications, we can then advise from there and offer alternatives if we need to.
HK: What is the answer to being sustainable?
RH: Persistence and education. The design needs to be prevalent and impactful beyond the finished result. We guide both clients and suppliers about how they can be sustainable and meaningful in the long term.
HK: What can we learn from the next generation of designers and architects?
Rachel: This generation are the first that know nothing other than sustainability. Being environmentally conscious is woven through the narrative from the beginning. It’s really refreshing working this way as this generation are empathetic and really care. We always try and include junior designers from the start and support them as much as we can. It’s vital to prep your team and give them that time, and that nudge – however most of the younger team I work with are very confident anyway!
Havwoods is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
Bulgari Hotel Roma, the Roman brand’s tribute to its hometown, has officially opened its doors onto the Piazza Augusto Imperatore in a landmark event on the Rome hotel scene…
Last night Bulgari unveiled its ninth and newest property, Bulgari Hotel Roma, to a select audience with an array of spectacles from live music and dance, to exceptional cuisine and a majestic drone show. The hotel is the second hotel in Italy and ninth of the jewels in the worldwide Bulgari Hotels & Resorts collection, which currently includes properties in Milan, London, Paris, Dubai, Beijing, Shanghai, Bali and Tokyo, with openings scheduled in the Maldives and Miami (2025) and Los Angeles (2026).
Image credit: Bulgari Hotels & Resorts
The celebrations began with Bulgari Group CEO Jean-Christophe Babin hosting a ribbon cutting ceremony in front of an original 1 B.C. statue in Pentelic marble of a seated Augustus covered with a cloak and portrayed with the traditional attributes of Jupiter welcoming the guests at the Hotel entrance – a Roman sculpture from Villa Mattei al Clelio part of the quinquennial exhibition in the Vestibolo space of five Torlonia Collections’s works recently subjected to study and restoration conducted by the Torlonia Foundation with the contribution of Bulgari.
Image credit: Bulgari Hotels & Resorts
“The Bulgari hotel in Rome is not just a new gem of the Eternal City, but a true contemporary and innovative Roman monument,” said Jean-Christophe Babin, Bulgari Group CEO. “It combines the pinnacle of hospitality and gastronomy setting a new world standard, but also a genuine cultural centre with a public library on Roman arts and architecture and unique statues from the world famous Torlonia collection such as the Emperor Augustus welcoming our guests in the entrance vestibule. The hotel offers a unique full immersion in a new luxury combining hospitality, arts and craftsmanship, pioneering a new generation of Haute Hospitalité Monuments. We are honoured to contribute to the splendour of Rome, home of Bulgari and always an inexhaustible source of inspiration for all its creations. Looking forward and epitomising the inclusive, aspirational and contemporary city of the 21st century.”
Image credit: Bulgari Hotels & Resorts
Located at number 10 in the very central Piazza Augusto Imperatore, in the Campo Marzio area, a stone’s throw from Via del Corso, the Piazza di Spagna and also the historic Bulgari store on Via Condotti, the hotel is a unique entity in the Maison’s history, because of Bulgari’s unbreakable bond with the city where it was founded nearly 140 years ago and also the opportunity it provides to express the spirit of the city, describing it with a contemporary twist. The Bulgari Hotel Roma is a celebration of the most refined qualities of Rome, reaching beyond clichés and is a showcase for the best Italian design and craftsmanship, a great heritage that is celebrated through a myriad of details.
Image credit: Bulgari Hotels & Resorts
The hotel is unquestionably the jewel in the Bulgari crown and offers the relaxed elegance of 114 luxurious guestrooms and suites. Like the hotel’s public spaces, they are designed by the Milan-based architectural studio ACPV Antonio Citterio Patricia Viel, who are responsible for the signature look of all nine Bulgari Hotels and Resorts worldwide, while the Studio Polis of Rome and architect Gennaro Farina, curated the design and supervision of the restoration works of the building, the decorative apparatus and was also involved in the urban planning.
Image credit: Bulgari Hotels & Resorts
Image credit: Bulgari Hotels & Resorts
The link between the Bulgari Hotel Roma and the vision and historical time of the emperor Augustus is guaranteed by the presence of the statue of seated Augustus. Positioned in the center of the entrance vestibule, this statue is the first in a series of five, whose restoration has been sponsored by Bulgari and which will alternate in the exhibition.
“In the Bulgari Hotel Roma we aimed to recreate the quest for beauty and sophistication,” said Patricia Viel, architect and CEO at ACPV Architects “and also the variety of tastes, origins and histories perfected in polychromatic craftsmanship and techniques, which were typical of the Augustan era.”
Image credit: Bulgari Hotels & Resorts
The hotel has 114 guestrooms, many of them suites. They are decorated in four different colour palettes – white, yellow, red and green – and every one of them enjoys a splendid view over Piazza Augusto Imperatore or Via della Frezza, a small street full of Roman charm. Located on the third floor, the Bulgari Suite covers 300 square metres and has a spectacular view of the Mausoleum of Augustus.
Image credit: Bulgari Hotels & Resorts
In addition, the property offers five different types of catering, all curated by the renowned chef Niko Romito. The recipient of three Michelin stars for Reale, his restaurant in Abruzzo, Romito has been in charge of all culinary experiences for Bulgari Hotels & Resorts since 2017. With its magnificent view onto Piazza Augusto Imperatore thanks to its location on the fifth floor, Il Ristorante – Niko Romito presents a menu of contemporary Italian cuisine, created exclusively for Bulgari Hotels & Resorts by the chef, in a warm and elegant atmosphere. The restaurant opens onto a large outside terrace, with a view of the historic Mausoleum of the Emperor Augustus and of the Ara Pacis. A private dining room can seat up to eight people.
Image credit: Bulgari Hotels & Resorts
On the same floor, the Bulgari Bar is the perfect place to socialise while sipping iconic cocktails. It features a large black marble bar decorated with cones in Murano glass that reflect the light, while outside there is a large lounge terrace with its own bar area. In La Terrazza the Bulgari Hotel Roma has something that is unique: with its extraordinary rooftop position, with cabanas and lounge areas, it boasts breathtaking views of the city skyline. The landscaping of La Terrazza, which was designed by P’Arcnouveau, is that of a typical Roman terrace, with over 200 pots holding a very wide range of plants and native flowers; it is reminiscent of the ancient Roman residences such as the Villa of Livia and Hadrian’s Villa.
Image credit: Bulgari Hotels & Resorts
Looking onto Via della Frezza, the first Bulgari Dolci boutique in Italy delivers a luxury experience composed of delicious sweets, such as Bulgari’s celebrated ‘chocolate gems’ and a selection of traditional Italian pastries from the La Pasticceria – Niko Romito menu. Alongside the entrance foyer, with a view onto Piazza Augusto Imperatore, the Lobby Lounge is reserved for hotel guests throughout the day. It provides a refined and exclusive atmosphere, with a menu that ranges from afternoon tea to aperitif. The Bulgari Hotel Roma also houses a Library holding a collection of fine books on Roman art, design, history and architecture. This will be open not just to hotel guests but also, upon appointment, to the general public.
Image credit: Bulgari Hotels & Resorts
The hotel lounge, located to the left of the entrance foyer, is reserved for hotel guests and has a relaxed and intimate atmosphere. With a fireplace, its own bar and a private outdoor area beneath the portico, it is the perfect place for a work meeting, afternoon tea or a glass of champagne, accompanied by sweet and savoury snacks.The floor design pays tribute to the 1930s parquet of the Bulgari store in Via Condotti, and the wall is lined with large bookshelves and photos of the Dolce Vita Rome of the 50s and 60s. This room especially showcases the brilliance of Gio Ponti with a display of his beautiful trumpet vases produced by Richard Ginori between 1923 and 1933 when he took over as artistic director. Completing the décor is furniture by Maxalto, lamps by Fontana Arte and carpets by Altai.
Image credit: Bulgari Hotels & Resorts
Truly a temple to wellbeing, where body, mind and spirit can find a new balance, the Bulgari Spa recreates the atmosphere and experience of the ancient Roman baths. The heart of this 1500 square metre oasis of peace is the large natatio, a 20-metre pool decorated with glistening mosaics by Bisazza, reminiscent of the motifs seen in the celebrated Baths of Caracalla, which are also a source of inspiration for Bulgari’s Divas Dream collection. Eight columns clad in ribbed arabesque marble rise up in the centre of the pool, which is fed by two bronze spouts that echo Morpurgo’s fountain and that were forged with the same lost wax technique that was used for statues in ancient Greece. The two mosaic niches contain two rare 19th century terracotta statues which represent the allegory of beauty and of silence.
Inspired by majestic riverside homes, Zoffany resumes its textile tour of London with Arcadian Thames, where nature breathes and romantic gardens thrive…
For more than 300 years, the Arcadian Thames has provided a balm for the soul, enabling Londoners to experience a glorious waterside idyll, flanked by ancient woodland and flower strewn meadows, as the river meanders from Hampton to Kew. Landscaped gardens fringe commanding palaces and grand historic houses, dipping their bankside toes into the cool, swell beneath. Meaning ‘rural paradise’, arcadia is a place of virtue and pleasure, narrating centuries, encouraged by the Age of Enlightenment and it’s less restrictive way of thinking. A successor to the formality of Tudor and Stuart times, its eddying waters are where writers, poets and artists gathered.
Comprising five prints, five weaves, two embroideries and six wallcoverings, this latest collection pays homage to the revolutionary vision of 18th century nobility, with a curation of enduring masterpieces that celebrate their unwavering commitment to preserving the English landscape.
Image credit: Sanderson Design Group
Image credit: Sanderson Design Group
“It’s always a joy to shine the light on a little known story, especially when it stems from London, Zoffany’s hometown,” said Peter Gomez, Lead Designer, Zoffany. “The stretch of river that forms the Arcadian Thames holds so much historical significance and of course, a unique, natural beauty – it’s rare these two components are appreciated collectively. Our interpretation of the Arcadian Thames revisits London in an unexpected way, capturing a snapshot of life, and the prominent influences of its residents.”
Providing the cornerstone to all its designs, archive documents, sympathetically reinterpreted for today, bring together a combination of form, pattern and colour to create a harmonious aesthetic that is intuitively Zoffany. Arcadian Thames continues Zoffany’s support of emerging talent, introducing artisan embroider, Livia Papiernik, from the Royal School of Needlework and subsequently the Royal College of Art. Titled Hampton Embroidery, Livia’s exquisite, decorative piece is hand finished with traditional French knots and a combination of advanced stitching techniques. An exquisite blend of pattern and storytelling, paying homage to Jacobean embroidery and the heraldic beast statues which decorate Hampton Court Palace. This considered piece is embellished with hand finished detail and decorative stitching.
Image credit: Sanderson Design Group
Image credit: Sanderson Design Group
The Grand Tour introduced this style of Italianate baroque gardens to the aesthetic of English stately homes. Taken from a 19th century block printed wallpaper, this interpretation is printed on a paper backed fine textile ground giving the illusion of fabric on the wall. Drawing from a world class pool of talent, Zoffany has commissioned acclaimed mural artist Melissa White to capture the very essence of the Arcadian Thames in an atmospheric three metre panel. Hand drawn using traditional chalk paints, the design frames a vista of riverside life, incorporating elements from London’s Scion House, Garrick Villa, Strawberry Hill House and Hampton Court. Her magnificent painting with its far reaching views, follows in the footsteps of arcadian discovery, preserving a poetic scene curated by an authentic hand.
Sanderson Design Group is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
The opening of the Hyatt Regency London Blackfriars marks a key milestone in Hyatt’s strategic growth in the capital as the ninth Hyatt hotel in the city…
In the last five years, Hyatt has increased its brand presence in the UK from five to 13 properties, with six of those based in London. The 204-key Hyatt Regency London Blackfriars is the 14th property in the country, demonstrating the United Kingdom as a priority growth market within its diverse and evolving brand portfolio.
Housed in a grade II listed building on the former grounds of King Henry VIII’s Bridewell Palace, Hyatt Regency London Blackfriars claims a prime spot in London’s business and leisure district. In line with the Hyatt Regency brand ethos, the hotel has been intuitively designed for productivity and peace of mind, with an environment for guests to work, connect or relax. Well-appointed guestrooms and suites boast contemporary finishes, quality amenities and dedicated workspaces. Three dynamic and diverse food and beverage concepts are poised to become new local culinary destinations. Meanwhile a trio of versatile group spaces offer to host a wide range of meeting and events in this desirable central London location. Guests also benefit from access to a 24-hour state-of-the-art fitness centre.
“We are delighted to welcome guests to Hyatt Regency London Blackfriars situated alongside our neighbouring landmarks, businesses and cultural attractions,” said Laurent Schauder, General Manager of Hyatt Regency London Blackfriars. “With our welcoming service, inventive food and beverage offerings and ideal location, Hyatt Regency London Blackfriars is soon to become the hotel of choice for anyone looking for a memorable experience in the heart of the city.”
Image credit: Hyatt Hotels
Designed by THDP Ltd, the hotel’s interiors are influenced by its local history. The building’s past life as one of King Henry VIII’s royal palaces is referenced in the materials used throughout the hotel, with marble ceramics and gold finishes evoking its former regality. With Fleet Street, the historic hub of printing and publishing, just around the corner, Hyatt Regency London Blackfriars pays homage to the craftsmanship of the trade through the bespoke artwork inspired by the art of newspapers that adorns its walls.
The 204 guestrooms and suites provide impressive views of the listed buildings that once held iconic printing presses, while others offer the chance to marvel at the famous skyline of the city of London. With 10 room categories and up to 70 square metres of space, guests can enjoy the hotel’s modern guestrooms, complemented by ergonomic work areas, rainfall showers and comfortable aesthetics.
Image credit: Hyatt Hotels
Three innovative food and beverage concepts are set to mark Hyatt Regency London Blackfriars as the new destination for inspired cuisine and mixology. The Chinese Cricket Club fuses traditional techniques and the finest ingredients to offer a contemporary take on Chinese classics. The restaurant is named in honor of the captain of the Shanghai XI cricket team, Feng, who travelled to England in 1857 with his bride, Xiu. When arriving to Blackfriars’ docks, the couple made their way to Limehouse, where Xiu opened the first traditional Chinese restaurant in London. Their legacy lives on in the inviting backdrop of The Chinese Cricket Club and its rich and diverse menu of homemade dim sum and signature specialties.
New York and London meet at NYnLON, a neighbourhood-style bistro that celebrates the charm, heritage and influence of the two great cities. The all-day menu brings together local and sustainable dining, with elevated comfort food favorites, accompanied by an extensive drinks list showcasing authentic American whiskies and exceptional natural wines.
Get lost at The Leaf and Cane, a 1920s inspired hideaway offering a vibrant atmosphere and delightful street food paired with crafted cocktails and premium rums. Bringing the lively flavors of Latin America to central London, The Leaf and Cane immerses guests in a colourful jungle, inviting them to uncover its hidden garden, secret stone vaults and innovative mixology.
For seamless events in the city of London, Hyatt Regency London Blackfriars offers up to 430 square metres of multifunctional event space. Two medium-sized spaces have been designed to optimise productivity and are well suited for meetings, or small group gatherings. The main function room can seat approximately 150 people and is an ideal choice for conferences or large events, benefitting from technology-enabled features, enviable transport connections and a sophisticated city location.
Leaflike – flying the biophilic flag in hotel design
By incorporating natural elements into the design, a hotel can both reduce its environmental impact and improve the wellbeing of its guests. Leaflike, a company with biophilic design at its core, identifies ways to help hotels achieve sustainability while improving their spaces aesthetically and functionally…
Biophilic design is all about incorporating elements of nature into the built environment – from plants and natural materials, through to views of the outdoors. The documented benefits of this design approach include improved air quality, reduced stress and increased productivity. Additionally, research indicates that hotel guests are willing to pay 23 per cent more for rooms with a view of biophilic elements, while having attractive planting displays in hotel lobbies, increases dwell time by up to 36 per cent.
Image credit: Leaflike
Biophilic design for hotels can assist in improving air quality, with plants helping to filter the air and remove pollutants which, in turn, improves the guest experience. Plants also help to regulate the temperature in a hotel, which can lead to reduced energy consumption for heating and cooling. Studies have shown that people who are exposed to natural elements are more productive, with nature and natural references helping to reduce stress and improve focus.
Image credit: Leaflike
With sustainability as a core value, Leaflike works with hotels to create sustainable planting solutions – something that has recently been recognised by receiving a gold Ecovadis award for their commitment to sustainability. Ecovadis is a global sustainability rating system that assesses the environmental, social and ethical performance of companies. Leaflike was awarded a Gold Ecovadis rating for their strong performance in all three areas.
Hotels that are committed to sustainability recognise that their supply chain and partners have a significant impact on driving sustainability. Partnering with businesses that already reach or surpass sustainability standards is a good place to start. Some of the ways that Leaflike is committed to sustainability include: Using sustainable materials in the planting solutions, such as recycled plastic and reclaimed wood. Conserving water by using drip irrigation and recycled water. Reducing its carbon footprint by using energy-efficient lighting and by offsetting its carbon emissions. Providing sustainable options including recycled planters, hydroculture planting, flower rejuvenation programmes, living biophilia, the Everleaf preserved range and natural moss walls. Providing maintenance that ensure longevity and health of plants, reducing the need for replacement and promoting sustainability.
Image credit: Leaflike
Focussing on assisting hotels to incorporate biophilic design into their spaces, Leaflike have created a biophilic checklist for hotels wanting to choose sustainable options: Use sustainable materials – when choosing plants and other materials for a biophilic design, opt for those that are sustainably sourced and produced. Consider the water needs of the plants – not all plants have the same water needs, so it’s important to choose plants that will thrive in the environment being created. Choosing plants that are drought-tolerant or that require less water, will help to conserve water resources. Incorporate designs with preserved products– these real plants that have been preserved do not require any water and last a very long time. Use natural light – natural light is a great way to bring the outdoors in, and it can also help to reduce energy consumption. And finally, incorporate water features. Water features can help to improve air quality and reduce stress levels and can also help to cool the air in your space, which can reduce your energy consumption.
Creating a space for your guests using biophilic design is both beautiful and sustainable. Leaflike provide the full service including consultation, design, installation and maintenance. The expert team is committed to helping the hospitality industry move towards a more sustainable future.
Leaflike is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
In conversation with: James Bermingham, CEO of Virgin Hotels
Rob McGibbon sits down with James Bermingham, CEO of Virgin Hotels, to discuss competition, growth strategy, fashion’s role in hotel design and the faint possibility of a Dublin arrival…
Virgin Hotels is starting to hit its stride, with eight hotels now open and many more in the pipeline. Leading this expansion is its dynamic, Dublin-born CEO James Bermingham.
Appointed in March 2021, Bermingham was tasked by Sir Richard Branson with firmly establishing the Virgin brand upon the global hotel landscape, as well its culture and, most significantly, its customer experience. Well, so far, he’s not doing too badly in what is a congested arena.
Hotels are now thriving in New York, Chicago, Las Vegas, New Orleans, Nashville, Dallas and Edinburgh, with Glasgow due to open this year. Miami and Denver follow in 2025.
Image caption: Virgin Hotels New York City. | Image credit: Michael Mundy
One of its most recent openings – and the group’s first hotel outside of the US – was in Edinburgh. The ambitious project required the company to convert the historic India Buildings on Victoria Street into a colourful and stylish boutique hotel. It has 222 rooms – or ‘chambers’ as they are known – including ‘Sir Richard’s Flat’ and ‘Eve Branson Suite’.
Image caption: Virgin Hotels Edinburgh, designed around its architecture, shelters a unique and unexpected dining experience. | Image credit: Virgin Hotels
As you would expect, there are many Virgin-style twists to the tried and tested hotel themes. This is very much in keeping with Virgin’s groove to shake things up when it enters a market. Just look what it has done to air travel and cruising.
Bermingham began his hospitality career more than 35 years ago in Dublin, followed by 10 years in London, including executive roles with Sheraton. In America, he held General Manager roles at the St. Regis in Houston and the Montage Laguna Beach in California.
Image caption: James Bermingham was appointed CEO of Virgin Hotels in March 2021. | Image credit: Virgin Hotels
Since 2008, he was EVP operations for Montage International, where he oversaw all aspects of operations for the Montage and Pendry Hotel brand’s seven hotels and resorts.
Soon after the exuberant and headline-grabbing Edinburgh opening, interviewer Rob McGibbon checked in with Bermingham to peak inside the Virgin Hotels brand and find out what makes it tick and what plans are in store…
Rob McGibbon: Talk us through what makes a Virgin Hotel, and how it sets itself apart from the competition…
James Bermingham: Virgin Hotels are contemporary by design, yet grounded in the local community. The aim is to be welcoming to all, with a thoughtful approach that is comfortable and playful, even daring at times, but never stuffy or over the top. We try to strike a perfect balance of form and function, but never style over substance.
Image caption: Suite life inside Virgin Hotels New York City. | Image credit: Michael Mundy
RM: Why Edinburgh, and why now?
JB: Edinburgh is a vibrant city and the opportunity to partner with the Flemyn Group to reimagine the landmark India Buildings in Edinburgh’s Old Town was too good of an opportunity to pass up. The hotel’s design incorporates key elements of Edinburgh’s history and culture, such as traditional artwork and architectural details, keeping the heritage of the India Buildings alive. This is the perfect opportunity to introduce the brand to the UK and to Europe and we hope that people can see that Virgin Hotels really want to be hyperlocal. We want every hotel that we do to reflect the history, the culture, and the people of the destination.
RM: What were the major challenges bringing the Virgin Hotels brands outside of the US – entering the hospitality market in Edinburgh and Glasgow.
JB: Virgin is such a global brand, which makes any introduction to a new market easier. The UK was an obvious choice for the first location outside of the US, given Virgin’s roots in the UK and history. I have long admired Virgin Hotels’ ability to seamlessly blend smart and innovative design with elevated service and – maybe most importantly – fun. Watching the brand grow into itself as a reliable haven for both leisure and business travellers, without sacrificing its inherent ‘cool factor’, has been exciting.
Image caption: Playful and plush. The ‘chambers’ inside Virgin Hotels Edinburgh are bursting with personality. | Image credit: Virgin Hotels
RM:The Virgin Atlantic uniform is iconic. There are lots of conversations at Hotel Designs around fashion’s role in hotel design. What role does fashion have in the Virgin Hotels brand?
JB: We support all creative entrepreneurs and take special care on the design of our uniforms to reflect the local culture and hotel spaces. One unique thing we do is work with the interior designers to concept uniforms so it’s a cohesive experience.
RM:Can you tell us a bit about your career background and what in your past jobs has prepared you best for the challenges of running Virgin Hotels?
JB: I fell in love with hospitality when I got my start working for my brother in his kitchen as a dishwasher. My career progressed from there in a number of roles in sales and marketing in London with ITT Sheraton and The Luxury Collection, eventually coming to the US and working with various luxury brands, including St. Regis and Montage International. Virgin is such a disruptive brand and delivers hospitality so uniquely in a differentiated way, that after an extensive career in the hotel business, I feel like I’m starting all over again.
Image caption: Designed to be unapologetically different, the Oculus Lounge inside Virgin Hotels Edinburgh. Image credit: Virgin Hotels
RM: What has it been like working with Richard Branson? What has he taught you and what does he bring to the hotels brand?
JB: Richard has taught me how to have fun and truly make the business fun for everyone. Fun is at the core of what we do and something that resonates with our guests – we love what we do. Richard has also taught me how important it is to take care of our people and our planet, and how that in turn is good for business. Virgin has a unique way of seeing things that challenges the creative process every step of the way, and that makes work exciting and fulfilling.
RM: What does Virgin Hotels look for in their interior designers and architects? What is the core brief they get?
JB: We look for a design firm that’s in the market so we get an inside-perspective on what resonates with locals as well as in-bound guests. We often use first-time hotel designers for a fresh take on the hotel experience.
RM: If you could choose one iconic hotel location and property anywhere in the world that you could acquire and transform into a Virgin Hotel, which would it be?
JB: I would personally love to open a Virgin Hotel in Dublin. It’s my hometown and the Virgin brand would really resonate with the Irish culture, where the ‘craic is 90’. I would target a hotel that has played a significant part in Irish history.
Image caption: Designed to be unapologetically different – think statement-red bath tubs and taps – Richard’s Flat inside Virgin Hotels Edinburgh in one of the property’s premium suites / chambers. | Image credit: Virgin Hotels
RM: Which hotel do you always look forward to staying in yourself – other than a Virgin Hotels?
JB: When I’m in Japan I love staying in a traditional Japanese Ryokan – it’s inspiring to see how they deliver traditional Japanese service and cuisine, and they are often built around hot springs.
RM: The worst hotel experience in your younger years?
JB: Thinking back, really any hotel that was overtly stuffy and boring, or hotels that felt very exclusive instead of inclusive.
RM: What, from a design perspective, makes this hotel special in the portfolio?
JB: Being a Grade 1 listed building and the historic nature of the building, coupled with its location in a UNESCO World Heritage Site, make it unique and like no other hotel in our portfolio.
Image caption: The awkward and restricted architecture of Virgin Hotels Edinburgh has become its greatest strength. | Image credit: Virgin Hotels
RM: One of the pitfalls brands fall into when ‘scaling up’ is for their hotels in the portfolio start to look uniformed. How do you inject individual personality into the hotels while also keeping the brand identity strong?
JB: We work with local design firms and much of the inspiration comes from the destination, so the hotels always have a local point-of-view… not only informing design, but also informing our culinary direction, partnering with local chefs, etc… all with the ‘red thread’ of Virgin woven through.
RM: Where’s next for Virgin Hotels?
JB: Miami and Denver are next in our pipeline, with additional locations that we are excited to formally announce soon. This feels very much like just the beginning for Virgin Hotels…
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