Designing Moxy Tromsø around mountains and the Northern Lights
Moxy Tromsø was designed to encourage guests to look up and out – towards Norwegian mountains and fjords. Editor Hamish Kilburn explored the hotel’s immersive hospitality vibes on the latest episode of Travel By Design, a podcast brought to you by Marriott Bonvoy Traveler, when he spoke with the hotel’s interior designer, Mette Fredskild…
Known globally as one of the best places to see and experience the Northern Lights, Tromsø puts nature first. For interior designer Mette Fredskild – who, since childhood, has spent her downtime exploring mountains – being appointed as lead interior designer to create Moxy Tromsø was an opportunity to blend together Norwegian culture with Moxy’s vibe. The result is a hotel that, so effortlessly, embraces mother nature with a single vista.
On the podcast, Travel By Design, by Marriott Bonvoy Traveler, I spoke with Fredskild to understand exactly how she and her team achieved creating a naturally contemporary interior design scheme, which started with one photo taken from a drone. I also wanted to know how she used personalised lighting to enhance a spectacular vantage point for those lucky enough to see the Northern Lights.
“When we start to plan this hotel, we got a drone up to the height of the 11th floor,” the designer told me on the podcast. “We got some pictures taken, and then there was just no doubt that this view should be for everybody.” It was at this point in the design of Moxy Tromsø when Fredskild suggested to flip the hotel on upside-down so that the lobby and lounge then sat on the 11th floor. She added: “And when the elevator doors open, in front of you, you will see, like, a big fire stove chimney with the amazing view of the mountain.”
Image credit: Marriott International
During our conversation, Fredskild gave reference to the ‘hierarchy of design’, which, in the case of Moxy Tromsø, meant to put nature first. To magnify the view in a way that was subliminally received by its guests, Fredskild decided to ‘go dark’ in the interior design scheme. “Because of these big windows, everything is so bright in front of you, so by doing the interior a bit darker, you respect the hierarchy of the experience,” she said. “[It’s another reminder] that nature is just the biggest thing there.”
Image credit: Marriott International
For any traveller visiting Tromsø, the possibility of seeing the Northern Lights is never far away. While this natural phenomenon is never guaranteed, it was a significant focus point of the design narrative. “So we also thought it was interesting to work with the Northern Lights as a theme in our lighting concept, she said. “So we have one long big [snake-like] lighting rod [running] through the whole lobby which actually imitate, a little, bit the Northern Lights.” Fredskild explained that when the Northern Lights appear, the hotel dims the lighting so that guests can vividly capture the Northern Lights.
The full 12-minute interview between Mette Fredskild and Editor Hamish Kilburn is available listen to on Travel By Design, wherever your get your podcasts from.
HIX Preview: Laufen focusses on connectivity and creativity
Hotel design is all about creating memorable experiences, and this is exactly what Laufen aims to showcase at HIX 2023 where, along with everything else, visitors will be able to see a pre-launch preview of the MEDA collection…
Using the concept of ‘A new era of connectivity’, Laufen recognises that connectivity goes beyond designing ‘smart’ bathroom products. It is about creating a space that connects with the people who use it. At HIX 2023, Laufen intends to explore this connectivity through emotionally intelligent, human-centric bathroom designs that will enrich the user experience for any hotel guest.
Image credit: Laufen
For the first time in the UK, Laufen will be presenting elements of its new MEDA collection, part of a series of solutions for hotel bathrooms. Created by Swiss designer Peter Wirz for the bathroom brand, MEDA perfectly embodies the functionality and attention to detail that is reminiscent of Swiss design. The washbasins, for example, have right angles and straight lines on the outside, but inside feature softly rounded corners. This makes them both pleasing to the eye and easy to clean.
Another highlight of the collection, is that its wall-mounted WC is the first model to incorporate the new Silent Flush technology from Laufen. This technology utilises vortex flushing to create a powerful whirlpool action that effectively removes waste from the bowl. Silent Flush consumes less water than traditional flushing systems and, as the name implies, it operates virtually silently. This is a perfect solution for hotel bedrooms, as guests are less likely to disturb their partner if using the bathroom in the middle of the night. MEDA’s complete collection of ceramics, baths, brassware and furniture will be launched in the UK and Ireland in Q1 2024.
Image credit: Laufen
Laufen has a long and successful partnership with German designer Konstantin Grcic, who created the iconic circular Val bath among other designs. Now, they have joined forces again to design a new version of the Val bath that harnesses the power of light and colour to promote well-being and bring chromotherapy – traditionally offered by hotel spas – into the guest bathroom to enhance the user’s experience.
The redesigned model, which will be on display at HIX, has a translucent structure, through which an LED panel projects different light settings according to mood. By using the remote control, the bather can easily select from nine different pre-set moods, such as desert, ocean and forest, or adjust the intensity and colour of the light according to their preference.
Show visitors will also have the rare opportunity to view a product in development, as Laufen presents the prototype of its new shower system. Designed in collaboration with Andreas Dimitriadis of Platinum Design, the shower system offers the ultimate spa experience to hotel guests thanks to a 12-inch touchscreen display, which is integrated into the shower for the first time. Guests can use the touchscreen to easily select their preferred temperature, pressure and flow of water and choice of shower head. The screen sits within a horizontal wall panel containing a display of tile lights and an illuminated storage niche. What’s more, developers are planning an option for hotel operators that would allow them to display information on the screen.
HIX 2023 takes place 16-17 November at London’s Business Design Centre, Islington, where you will find Laufen at Stand 6.
Laufen is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
ME Guangzhou is set to open in 2027, becoming, what Meliá describes as, “a benchmark hotel for modernity and luxury in China…”
Meliá Hotels International, a hotel group that has actioned an aggressive growth plan in recent years, has announced ME Guangzhou, a collaboration between ME by Meliá and Guangzhou Aocheng Investment Company Ltd, set to open in 2027. The opening of this property signifies a milestone for ME by Meliá as it makes its highly anticipated debut in the Asia Pacific region. Set to open its doors in 2027, ME Guangzhou will welcome guests from around the world to experience the vibrant city of Guangzhou.
ME Guangzhou will be located at Guangzhou Macau Place, within Huangpu Bay Business Circle, boasting a prime location set to become the second central business district of the city. The region is on a path of growth and progress, with the construction of the Guangzhou-Shenzhen Express Rail Link next year connecting Guangzhou to other key cities in southern China including Dongguan, Shenzhen, and Hong Kong. Upon its completion, the Yuzhu Tunnel will bridge the Pazhou Economic Development Zone and Yuzhu Port, essential to the development of business in Guangzhou.
Image credit: Meliá Hotels International
The property’s ideal central location also offers breathtaking views of the Pearl River, just steps away from Guangzhou’s most iconic landmarks such as the Dan Jia Watery Region and Huangpu Military Academy. Perfectly blending the city’s rich history with the hotel’s contemporary charm, ME Guangzhou will offer unforgettable luxury stays with immersive city experiences.
ME Guangzhou will feature 120 rooms and suites, with personalized services ensuring every aspect of guests’ stays are custom to their needs, offering an elevated luxury experience. The hotel will boast a number of diverse dining options, including an all-day dining restaurant, specialty venues, a Mediterranean-style bistro, and rooftop bar with iconic city views. The property will feature state-of-the-art facilities, versatile event spaces including ballrooms and meeting rooms, a rejuvenating spa, and a fitness centre, catered to the needs of both business and leisure travellers. ME Guangzhou will celebrate contemporary culture, curating unique cultural and artistic experiences by intertwining avant-garde art, design, fashion and music.
“The signing of ME Guangzhou represents an exciting new chapter for our brand,” said Ignacio Martín, Managing Director Asia Pacific at Meliá Hotels International. “As we continue to expand our footprint in China, we are honoured to introduce the ME concept to the Chinese market, where we believe it will revolutionise the hospitality industry. We look forward to working closely with Guangzhou Aocheng Investment Company Ltd. to curate exceptional products and services for the modern luxury travellers in China.”
“The agreement with Meliá Hotels International represents a significant step towards elevating the Guangzhou International Financial City-Huangpu Bay Business Circle to a world-class landmark business district,” said He Jinglin, the Managing Director of Guangzhou Aocheng Investment Company Ltd. “The business circle is expected to attract more foreign investments, augment its international commercial and trading functions, and establish itself as an integrated gateway. The emergence of this business circle is a clear indication of the Macau Centre’s capability to undertake international cooperation and comply with global standards.”
Image caption: Interior render of Ngorongoro Lodge. | Image credit: Meliá Hotels International
In addition to ME Guangzhou, the ME by Meliá brand will open at least four more hotels in 2023 and 2024 in Malaga (Spain), Malta, Lisbon (Portugal) and Guadalajara (Mexico), extending the footprint of a collection of designer hotels. Currently, the brand boasts a remarkable presence across the globe, captivating travellers in some of the most prestigious destinations like London, Barcelona, Madrid, Ibiza, Dubai, and more. From vibrant city centres to exotic beachfront retreats, the brand’s properties offer guests unrivalled access to the best each destination has to offer.
A luxurious hotel bathroom designed to promote wellbeing is increasingly an essential for sophisticated travellers – Bagnodesign delivers on both style and comfort…
Design that successfully combines standout form and function is the minimal expectation for the hotel bathroom, particularly in the context of today’s increasingly crowded and competitive marketplace. The quality and amenities of the bathroom have long been considered an important indicator of a hotel’s rating and with the current consumer preoccupation with wellness, a hotel room that comes with a luxurious spa-like bathroom is more important than ever to boost customer satisfaction scores.
Image credit: Bagnodesign
Bagnodesign believes that a luxurious hotel bathroom designed to promote wellbeing is increasingly an essential for sophisticated travellers and are able to provide the products to elevate the design. Must-haves include freestanding or oversized bathtubs, invigorating showers and lighting that can be easily adjusted to suit the mood.
Biophilic design principles add to the upscale ambience, bringing the outdoors in with carefully curated organic materials, natural textures and a relaxing colour palette inspired by the local environment. A new design twist is to blur the boundaries between living, sleeping and washroom spaces to promote an enhanced sense of flow; clever use of sliding panels, doors and glass allows guests to close off the bathroom as and when they require privacy.
A statement piece in the hotel bathroom, the Bristol Bathtub from Bagnodesign delivers, both in style and comfort, using every inch of its required floor space to maximum effect. Following the trend for unusual materials and eclectic styling, the Bristol Bathtub is made from resin. Comfortable to bath in, durable and simple to care for, the material is also easy to sculpt, resulting in a luxurious oval shape that gives a contemporary twist on a classic freestanding design. In striking Galaxy Black, the Bristol Bathtub measures 1683 x 803 x 550 mm, giving ample room for bathing in comfort. The bath was launched alongside the collection’s basins in the same material and finish, to form part of the Bristol collection.
Image credit: Sanipex Bagnodesign
Material choice is important in the luxury stakes too. Acrylic bathtubs, for example are warm to the touch and offer good insulation to ensure that hot water doesn’t cool quickly, it is also the lightest option with the average acrylic tub weighting in at around 50kg. Freestanding is preferred for a hotel luxe feel, yet inset options with bath-over-shower cater to all visitor preferences when space is tight in rural or historic buildings.
Increasingly popular is Bagnoquartz, a composite stone is manufactured from a specialised compound of natural minerals. Offering all the benefits of natural stone, Bagnoquartz has a velvety smooth feel, is easily maintained and incredibly durable, and looks simply stunning.
Formed steel bathtubs with a porcelain-enamel coating have long been a favourite of the hospitality industry, being cost-effective and having plenty of scope for production in different sizes and shapes. Enamelled steel is also highly durable and resistant to acid, corrosion and abrasion, making it easy to clean with low maintenance required.
Sanipex is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
The latest chapter in the Grand Hotel Kronenhof Pontresina renovation
The newly-renovated guestrooms and Kronenhof Suite by designer Pierre-Yves Rochon, represent the latest chapter of a multi-year renovation process which has seen the reimagination and restoration of this historic hotel…
Grand Hotel Kronenhof has recently unveiled a collection of newly-designed guestrooms and suites, including its largest suite, the Kronenhof Suite. The renowned interior design firm, Pierre-Yves Rochon (PYR), known for their award-winning work, was once again responsible for this project, which included ten rooms.
Image credit: Grand Hotel Kronenhof
PYR has been spearheading this redesign since 2016, with the aim of integrating solid modernity into the existing historical surroundings. Starting with just 13 guestrooms and suites, the combination of classic elements with contemporary accents now creates a uniquely inviting atmosphere.
In 2019, the design studio built the Fumoir, renovated the Salon Julier and introduced new colour harmonies: a black and white theme complemented by taupe and blue tones. In the third phase which lasted until the end of 2020, the firm redesigned another 16 rooms in a timeless style, introducing new geometric motifs that blended perfectly with the black and white colour scheme.
Image credit: Grand Hotel Kronenhof
As the 2021 summer came around, the magnificent lobby, the fireplace room, the Kronenhof Bar and the reception received new, elegant elements, while preserving the original ceiling and its frescoes. In keeping with the location, different shades of blue were used to harmonise the spaces and reflect the colour of the Engadin sky at different times of the day – complemented by the building’s panoramic windows.
Today, strong blue and red tones dominate in the Kronenhof Bar alongside leather covers and velvet coverings lining the walls and bar counters. The art seen throughout the hotel was carefully selected in collaboration with the Parisian Galerie Durst and Swiss artists in particular were invited to create exclusive pieces that add a touch of elegance and local flair to the Kronenhof’s luxurious ambience.
Image credit: Grand Hotel Kronenhof
The completed guestrooms and suites have been redesigned with residential sensibilities in mind from the spacious walk-in closets to the warm and inviting fabrics and tones. The largest suite is set on the fifth-floor and has been transformed into a two-bedroom apartment-feel space. Sliding doors in the living room open up to direct outdoor views and the facade is now equipped with three French windows allowing sunlight to beam through. The modern reimagining continues into the primary bedrooms with statement art pieces behind the bed and touches of gray in the contemporary furniture and a synthetic pattern rug.
Image credit: Grand Hotel Kronenhof
The character of the Kronenhof has always been shaped by its location in the middle of a natural paradise, and PYR’s choice of soft materials further enhances the overall sense of timeless living within the hotel. The result is an inviting and comfortable ambiance that appeals to all the senses, providing guests with a genuine feel-good environment where they can unwind and appreciate the beauty of both the surroundings and the carefully curated interior design. The firm’s attention to detail and their ability to infuse the spirit of the Engadine region into the hotel’s aesthetic make the Grand Hotel Kronenhof a truly exceptional destination for travelers seeking both luxury and an authentic connection to nature.
The recently renovated 540-room resort, in the heart of Cancun’s vibrant Hotel Zone, features spacious ocean view guestrooms and beachfront suites, eight diverse culinary offerings, adult-only and family-friendly pools, and a spa with signature wellness treatments- all inspired by the turquoise waters of the Caribbean Sea.
Image credit: Hilton
“Hilton is committed to operating best-in-class hotels in Mexico, and we are thrilled to welcome travellers to the newly unveiled Hilton Cancun Mar Caribe All-Inclusive Resort,” said Jorge Giannattasio, senior vice president and head of operations, Caribbean and Latin America, Hilton. “The resort is an important addition to our rapidly expanding footprint in the Mexican resorts and all-inclusive market and demonstrates Hilton’s ability to deliver an unparalleled experience and superior stay to guests from around the globe.”
Image credit: Hilton
Mexico is home to one of Hilton’s largest portfolios with 90 hotels open and welcoming guests. The company’s expansion in the country is slated to continue with nearly 30 additional hotels in various stages of development. With the debut of Hilton Cancun Mar Caribe All-Inclusive Resort, the company’s 14th all-inclusive resort, Hilton continues to solidify its leadership in this competitive category.
“Hilton has redefined all-inclusive hospitality, elevating the category to satisfy the demands of travelers seeking the perfect mix of extraordinary service, superior amenities and ultimate ease and relaxation,” said Nicole Tilzer, vice president, all-inclusive & resort strategy, Hilton. “Hilton Cancun Mar Caribe All-Inclusive Resort marks an important milestone in the organic growth of our all-inclusive portfolio, and we are excited to continue offering guests and Hilton Honors members an extraordinary all-inclusive experience in the heart of Cancun’s Hotel Zone.”
Trend watch: Hyperion Tiles celebrates gold in the bathroom
Gold tiles have made a grand entrance, transforming spaces with their luxurious touch and opulent allure. As this trend continues to gain momentum, Hyperion Tiles explores the versatile world of gold, looking at how it can elevate a hotel or spa aesthetic…
Gold tiles are no longer the brash, bright designs of the past; contemporary gold surfaces are available as versatile solutions, adapting to a variety of spaces and design styles. Hyperion Tiles have a curated collection, in different types, formats and finishes, ensuring the perfect fit for a golden project. Whether you are looking to create a bold floor statement in your bathrooms or add luxury to your swimming pool or spa area, gold tiles can provide the ideal solution.
Image credit: Hyperion Tiles
Bathrooms can be transformed into luxurious retreats when adorned with gold, whether used as the primary material or as an accent to enhance other elements. The delicate glimmer of gold mosaics, for example, adds texture and depth to a design without being excessively ostentatious.
Image credit: Hyperion Tiles
Besides bathrooms, gold tiles are also useful for interior accents, from feature walls through to swimming pool tiles. Ranges of gold tiles available include wall tiles in different size formats, mosaics,and both gloss and matt finishes, allowing you to customise your space according to your preferences.
Autumn and winter seasons, when gold palettes gain popularity, are the perfect times to incorporate gold tiles into your design. However, gold tiles can also be used year-round, pairing well with other autumnal hues, minimalistic room schemes, and natural materials like stone and marble, creating a welcoming atmosphere for your guests.
Image credit: Hyperion Tiles
If you are thinking about adding a touch of gold to a hotel project, there are tiles available at various price points, offering affordable design solutions, while hitting the high notes of luxury. With so many options available, there’s no better time to opt for adding gold tiles and elevate your property’s aesthetics. Embracing the allure of gold will let your creativity shine and elevate your hotel or spa to new heights of sophistication.
Hyperion Tiles is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
Kinsfolk & Co set to launch its portfolio with The Newman
Sitting on its namesake Newman Street in Fitzrovia, The Newman, one of 2024’s most anticipated openings, is the first hotel from new international hospitality management company Kinsfolk & Co. Here’s what we know…
Fitting effortlessly into the creative village of Fitzrovia in central London, where the culture of Bloomsbury meets the style of Soho, The Newman will be a grown-up, but fun experience, where people can enjoy thoughtful excellence across design, service, food, and wellness. The contemporary hotel with 81 guestrooms and suites, European brasserie, cocktail bar, and wellness floor, is set to be an instant new destination for the neighbourhood.
Image credit: Kinsfolk & Co
The Newman has been created by a team of like-minded hoteliers and restaurateurs, who have all spent decades working in London and the UK and have a great love for the capital. Together, their joint expertise covers a selection of the most respected names in the hospitality scene, including Corbin and King, Firmdale Hotels, The Standard, The Beaumont, The Goring and Milsom Hotels & Restaurants. The hotel, which embodies Kinsfolk & Co’s commitment to thoughtful excellence, where people and place are the focus, is designed to celebrate, connect and contribute to this local community, operating conscientiously to always add and never detract.
Image credit: Kinsfolk & Co
“We are delighted to announce The Newman as our first hotel, here in Fitzrovia, where Kinsfolk & Co began,” said Paul Brackley, Founder & CEO of Kinsfolk & Co. “The Newman will be a grown-up and elevated but fun experience, where people can enjoy thoughtful excellence across design, service, food, and wellness – all sewn seamlessly into Fitzrovian life.”
The Newman has an elegant and refined surface underpinned by stylish, unfussy touches and eccentric quirks throughout. Every space within the hotel carries the distinct essence of Fitzrovia. With an aesthetic personality nodding to the area’s inspiring character and characters, such as Nancy Cunard, once Fitzrovia’s bohemian queen, whose iconic bangles and polka dots subtly permeate the design narrative. The hotel is designed by Pernille Lind and Richy Almond of Lind + Almond, known for creating spaces with an understated yet worldly eclecticism.
Refined and timeless, The Newman has 81 spacious and well-appointed guestrooms, suites and apartments, some with private balconies. All rooms showcase a contemporary Art Deco aesthetic. The rooftop floor comprises a signature suite with private terrace and when taken as a whole, offers exclusive use of the floor as a beautifully appointed and spacious four-bedroom suite.
The hotel’s modern European brasserie, seating 120 guests, is bathed in natural light and includes a separate street entrance, along with an outdoor terrace and a menu prioritising seasonal great British ingredients. The lower ground exposes a bolder and even more luxurious edge, with a cocktail bar featuring small plates, handcrafted cocktails, and a selection of craft beers. Also on this floor are two private event and dining rooms.
The spa at The Newman embraces Nordic simplicity, blending minimalism with innovation and functionality. This whole floor is dedicated to luxury wellness and includes a range of hot and cold experience cabins, an active salt therapy room and a hydrotherapy pool. For residents and locals, the day spa offers treatment rooms and fitness services including yoga, personal training, a meditation studio and a gymnasium. It’s a haven for guests to discover, immerse and rejuvenate.
Marriott International will expand its luxury portfolio in Vietnam with the signings of JW Marriott, the Luxury Collection and Ritz-Carlton Reserve Resorts. Editor Hamish Kilburn shares everything we know…
The signings mark the expected debut of two new brands into Vietnam – Ritz-Carlton Reserve and The Luxury Collection on the tropical paradise of Hon Thom Island in Phu Quoc. Additionally, Marriott also announced Vietnam’s third JW Marriott Hotel set for Trang An, the serene UNESCO World Heritage destination in northern Vietnam.
The agreements were signed by President and CEO of Marriott International Anthony Capuano during a recent visit to the country. He was joined by President for Asia Pacific (excluding China) of Marriott International, Rajeev Menon, and Area Vice President for Thailand, Vietnam, and Cambodia, Jakob Helgen. Chairman Vu Quang Hoi from BITEXCO Group and Chairman Dang Minh Truong from Sun Group also oversaw the signings during two ceremonies that took place in Hanoi and Phu Quoc.
“We are delighted to continue expanding our portfolio in Vietnam, particularly in the luxury space,” said Rajeev Menon, President for Asia Pacific (excluding China) of Marriott International. “Vietnam is a growing market for luxury travel, with rising demand from both international and domestic sectors. For overseas guests, Vietnam’s status as a destination with many natural and cultural wonders makes it ideal for visitors seeking one-of-a-kind experiences. The country’s domestic market interested in luxury travel is driving a rise in demand for global luxury brands. These signings further underscore our commitment to the future of hospitality and luxury in Vietnam.”
JW Marriott Trang An Resort & Spa
Slated to open in 2028, JW Marriott Trang An Resort & Spa is being developed by BITEXCO Group, which also owns the JW Marriott Hotel Hanoi.
Nestled amid lush wetlands and verdant hills, this luxury retreat includes plans for 150 spacious rooms and suites, plus a collection of 35 one- and two-bedroom villas, with options for private pools. Plans for the resort also include two restaurants, a café, lobby lounge and two bars, while leisure facilities are expected to include two pool zones, the brand’s signature Spa by JW with six treatment rooms and a fitness area. In addition, the hotel is slated to feature 850-square metres of event space, comprising a 500-square meter ballroom and two meeting rooms.
JW Marriott Trang An Resort & Spa
Owned by Sun Group, The Luxury Collection Resort, Hon Thom Island, on Hon Thom Island, will be part of The Luxury Collection brand and is slated to open in 2029.
Located on the northwest coast of Hon Thom Island, this luxury resort expects to feature 305 rooms and suites, ranging from 50 to 250 square meters and includes family accommodations. Plans call for two pool areas, a kids’ club, activity centre, fitness centre and a spa with seven treatment rooms, whirlpools, saunas and steam rooms. Six restaurants and bars will offer diverse dining options, and 1,690 square meters of flexible event space includes a 900-square-metre ballroom and three smaller function rooms.
JW Marriott Trang An Resort & Spa
Anticipated to open in 2028 and slated to be designed by Bill Bensley, Ritz-Carlton Reserve, Hon Thom Island is set to offer a complete escape and immerse visitors in a private world of luxury and natural beauty.
Located on an intimate estate close to the south tip of Hon Thom Island, with stunning sea views of Phu Quoc’s southern archipelago, the resort expects to offer a curated collection of 40 pool villas. Plans also include two resort pools, a spa, salon, fitness centre, three restaurants, three bars and Jean-Michel Cousteau’s Ambassadors of the Environment educational program for kids, which will feature a two-storey activity centre and garden. The resort, also owned by Sun Group, is also slated to feature a 300-square-metre event space suitable for beach front weddings.
These signings add to Marriott’s robust pipeline in Vietnam, accounting for more than 50 properties in the country. Today, Marriott operates close to 20 properties in the country, across eight brands and 10 destinations.
In conversation with: Wei Xiao (萧威), Founder of Zhengyin Art
Zhengyin Art has been dedicated to creating original, elegant artworks that elevate a space. We sat down with its founder, Wei Xiao (萧威), to find out a little more about its creative journey…
Zhengyin Art works closely with interior designers in providing bespoke art work and installations. From briefing to concept and delivery to installation, every step is involved in the creative process to ensure each piece of artwork is uniquely created and perfectly fitted for each project. Under the leadership of Founder Wei Xiao, the artists construct customised art solutions, selecting the most suitable craft and materials while staying mindful of feasibility of production and installation.
Image credit: Zhengyin Art
Hotel Designs: Can you begin by explaining the meaning of ‘Zhengyin’?
Wei Xiao: Zhengyin (正印) ‘Zheng’ means genuine, main and proper object, ‘Yin’ means seal, stamp and authority. There is a saying in Chinese ancient books that one who born with Zhengyin means in this person’s life he or she will have many meaningful encounters that help them grow and guide their ways. I hope as Zhengyin Art progress, we can also have many meaningful encounters and grow with our clients and partners.
HD: How have you, or your vision, changed since you start creating public art?
WX: I have to say that our heart didn’t change from the beginning, the idea to pursue innovation in art, to dive into the material applications and artistic expression itself had remain the same. However, our mindset has become more open. Thirty years ago when we started to do art projects, people had many doubts. The acceptance (in China) of contemporary art was low, it was quite hard to try new artistic expression in our projects. This forced us to see art from the public’s perspective and try to find something that suits both refined and popular tastes. By changing this mindset, we were able to better communicate our ideas and visualise the concept to our clients.
HD: It has been a few decades since you started working in the public arts field – what in particular do you like about the arena of public art?
WX: By working on public and installation art, me and my team had the chance to get to know more craftsmanship and materials. These projects provided us with many opportunities to try new visual expressions and techniques. Nothing can excite an artist more than finding a new artistic expression with different materials. We also learned a lot during our collaborations with different designers. In those collaborations, we communicate our ideas and created many great projects. And I think this is the meaning of ‘Zhengyin’, beautiful encounter, where we both learn from each other and learn as we progress.
Image credit: Zhengyin Art
HD: Do you still remember how it was when you first started the company and what have you learned in the process?
WX: Of course I remember, but it was more a failure with frustrations. About twenty years ago, we reserved a kiln to create artworks. Even though we had a very limited budget, we were very excited, therefore we drafted many styles and shapes of artwork that we want to actualise with porcelain. However, when we bring our design to the craftsmen, they told us the designs were all unusable, all the designs were far away from the craftsmanship. I can still deeply remember the disappointment from that day. With this experience, I understood that a good design requires the creator to have a deep understanding of the material and craftsmanship in order to make it come true. And this was why we put so much emphasis on the importance on craftsmanship and materials.
In the early days, I found that sometimes the drawing was beautiful but not as good when it came out of the kiln. However, sometimes when we were not so thrill about some sketches the kiln showed us great works. Actually half of the creative process was not controllable. First experience was often an experience of failure. As we progress, we started to feel the mysteriousness within craftsmanship itself, after we discover the pattern, we were able to do deeper experiments. From each failure, we learn something different and this is the foundation of creativity.
Image credit: Zhengyin Art
HD: Besides the difficulty in combining the design and materials, did you also face other obstacles during your creative process?
WX: Yes, at that time, the environment was still a bit conservative. Many craftsmen have lived by their existing craftsmanship for years. They were unfamiliar with new ideas and designs. Many of them often have this mindset that change will only destroy the artistic effect. For example, at that time there were just a few available glazing to choose. If we want to try special kiln-change glazing we need to look for the materials ourselves. I remembered that we even waited outside of the blacksmith’s shop to ask for some slag for an experiment. I remember once after we gathered around and had some beer, we threw the empty bottle into the kiln to see what would happen. Till this day, I still remember how it looked like in the kiln. It was like a bowl of clear water. This was the charm in the materials and creativity!
Image credit: Zhengyin Art
HD: Have you seen a lot of changes in the artisanal craft and creative arts production over the years?
WX: There is a very big difference. Nowadays, when I look back to the experiment we did few decades ago, I think we did create some ripples to the local craftsmanship. At that time, the local craftsmen thought we were wasteful. As the time goes by, they slowly approved our experiments. Now if you go to Jingdezhen, you will see hundreds of glazing colours. However, back in the time when we were there, there were only a few glazing colour to choose. Nowadays the environment is definitely more open for the artistic creation.
HD: You mentioned about the charm in finding the innovative characteristic of materials – as a creator, how do you discover and work with different materials?
WX: As a creator, I want to try all the materials I can see, I want to explore its capability of expression. In my early experiments, I was constantly trying to improve the expressiveness of Xuan paper and looking for ways to create artworks that have better texture. Talking about the relationship between creator and materials, I think it is more like an emotion communication. This is why we like original handmade artworks. If you ever try to place our hand on the clay, we can sense the change of feeling that spreads out from your palm. As the graver lefts traces on the clay, your feelings also change as you move. This is the reason why we emphasise the relationship between materials and designers. Just like when you use a brush to create a stroke on the paper, the sensation is different depends on whether brush was wet or dry. This is the kind of feedbacks that the materials give you and you can only feel it through your body. The more your body feels, the more dynamic the artwork will be.
HD: Where do you see Zhengyin Art progress in the future?
WX: Zhengyin Art is dedicated to create artworks that suits both refined and popular tastes. We hope our artworks can approach more people and can bring joy to the public. Through these years of experiences, we see the artworks that we adored can also be accepted by the public, it is possible to reach the balance between different tastes. We hope we can create more and more interesting public arts and tell each story vividly through our artworks.
> Since you’re here, why not check out our latest VIP arrivals?
Zhengyin Art is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
3 is a magic number – extraordinary new collections from Sekers
In the lead up to HIX, Sekers is thrilled to present its new collections – Fiora II, Rochelle and Zapotec – each promising a unique blend of style, innovation and practicality…
First on the list, Zapotec is a collection of four exquisitely woven textured jacquard designs: Bernal, Puebla, Taxco, and Zincantan. Drawing pattern and colour inspiration from Sekers vintage archive, each design possesses its own charm whilst seamlessly complementing one another to create truly eye-catching interiors.
Embracing a classic elegance, Bernal is a timeless woven jacquard that introduces a modern twist to the Goose Eye pattern. With its bold lines and intricate detailing, this design serves as a focal point that effortlessly elevates any room. Step into a world of bold geometric shapes with Zincantan, putting a contemporary spin on retro interiors. Meanwhile, Taxco and Puebla add an additional touch of texture to the collection with the two-tone semi-plain woven jacquard of Puebla and the striking boucle of Taxco. Further inspired from Sekers vintage archive, each design is available in six colours, from shades of mustard and forest greens to bold blues and modern monochromes.
The Zapotec collection is supplied crib 5 and meets all relevant UK standards for upholstery and accessories contract application. Embrace the modern twist on bold retro designs with Zapotec and create beautiful interiors suitable for hospitality and leisure markets
Image credit: Sekers
Fiora II marks the exciting expansion of Sekers cherished Fiora collection with the introduction of 18 new colours. Breathing new life into an already beloved collection, the new addition exudes luxury with its plush polyester velvet, complete with a subtle printed texture that adds a contemporary touch. What sets it apart is its innovative FibreGuard technology, an advanced finish that provides unparalleled protection against tough stains and spills. Bid farewell to worries about accidental food and beverage mishaps in busy environments, or pesky permanent marker accidents as the FibreGuard finish ensures furnishings stay in pristine condition without having to resort in specialist cleaning.
With 18 fresh and vibrant colours, from soft sage to bold rusted orange, the Fiora Collection receives a rejuvenating transformation. Boasting an impressive Martindale abrasion of 100,000 rubs and supplied with a crib 5 flame retardant backing, this collection is designed not just for style but to withstand the test of time. Its versatility makes it ideal for upholstery and accessory application, allowing interior designers to craft harmonious and stylish ambiences with ease.
Image credit: Sekers
Completing the new collections, Sekers has unveiled the Rochelle blackout drapery collection – a stunning semi-plain woven textured jacquard designed to ensure a restful and peaceful sleep experience. Named after the French word for ‘rest’, Rochelle lives up to its name, delivering tranquil nights with its exceptional blackout qualities. Featuring a wide palette of 30 colours, from soft beige to refreshing blues and sophisticated greys, Rochelle offers the perfect palette to transform any interior space. This exquisitely crafted semi-plain blackout drapery combines style with practicality, being easily washable at 30 degrees. Moreover, the collection complies with Oeko-Tex standards, as well as being REACH and POP compliant.
Sekers is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
In the spirit of the theme around The Brit List Awards 2023, ‘creativity’ was not only ‘unlocked’ last night at the awards ceremony, it was celebrated in style. From a punchy red carpet arrival experience to cabaret and clubbing – and everything in between – here are the official photographs that capture the spirit of the awards campaign…
This year Hotel Designs shifted gear, as it hosted The Brit List Awards live from Circa Embankment starting as it was meant to go on, with judges, hosts and special guests arriving in what is quintessentially British icons of style, Aston Martins, which were provided by Escapade Silverstone.
Designer wheels aside, the event, true to form, was host to a crowd of creative makers and shakers in the hospitality industry as we celebrated the winners, as well as the teams and collaborations behind them. With more than 500 architects, hoteliers, designers, developers and brands from across the globe crossing that fabulous red carpet and gathering for the awards ceremony, it was truly an event that celebrated the hospitality community in all its multi-faceted and creative diversity.
On the night, The Brit List 2023 was handed out, which contains the profiles of the leading 75 interior designers, architects and hoteliers in Britain. Read the The Brit List 2023 below:
The theme for The Brit List Awards 2023, headline sponsored by Crosswater, has been ‘Creativity Unlocked’, focussing the spotlight on the energy that has characterised the design and hospitality sector over the course of the year.
Key to this has been a broadening of our understanding around creativity, as concepts of wellness and wellbeing have been placed firmly on the agenda, at all levels. If there is a single standout thread running through the design year, it does feel as if a deeper understanding of wellness has been developed, which has in turn become such an integral element to hotel design, its people and its places.
But back to last night. In between the audience being kept on a knife edge of anticipation with swords being swallowed, fire was handled and the stage was taken over by a drag opera singer, teams and individuals were toasted when the winners of the 12 categories were announced. From grand gestures, to bespoke and boutique, we’ve seen it all in this year’s campaign – well maybe not quite all, as the hotel development pipeline looks stronger then ever for the next few years.
Scroll down to see the rest…
Image caption: The Brit List Awards 2023 took place on November 2.
Image caption: The awards were held inside Circa Embankment.
Image caption: Beverly and Dereck Joubert, winners of the International Award with Charlotte Rous.
Image caption: Team pic! The team at G.A Design.
Image caption: Editor Hamish Kilburn holding the coats during his fellow judges’ photo opportunity.
Image caption: The Brit List Awards 2023 aimed to bridge the gap between suppliers, designers, hoteliers and arcihtects.
Image caption: Team Utopia Projects.
Image caption: Nicholas Oakwell, Founder of NO Uniform was selected as this year’s ‘wildcard judge’.
Image caption: Team Independent Hotel Show London.
Image caption: The scene for the evening was set with a show-stopping burlesque performance.
Image caption: Katy Phillips and Hamish Kilburn, hosts of The Brit List Awards 2023.
Image caption: The venue provided many striking backdrops for teams to have group shots.
Image caption: The moment Jessica Morrison was named Interior Designer of the Year.
Image caption: Team Forum Events glamming it up on the ‘green’ carpet.
Image caption: Maninder Choda from Balson and a number of interior designers.
Image caption: Oscar Brooks from LXA Projects won The Rising Star Award
Image caption: The Schlüter-Systems photobooth proved a popular area of the venue.
Image caption: Things got heated during the various performances
Image caption: Charlotte Raffo from Monkey Puzzle Tree at The Brit List Awards 2023.
Image caption: The team from Escapade Silverstone.
Image caption: Geoff Hull from EPR Architects scooped Architect of the Year.
Image caption: Andreas Christodoulou and Pauline Dellemotte celebrating after winning Public Area of the Year for Ember Locke Kensington.
Image caption: Among the eight performances throughout the night was a dynamic act from a contortionist.
More than 500 interior designers, architects, hoteliers and suppliers attended The Brit List Awards 2023.
Image caption: The venue came alive with one of two burlesque performances.
Image caption: Designers, architects, hoteliers and suppliers were still smiling (and dancing) until the early hours of the morning.
Image caption: Richard Stone, represented by Artiq, won Best in British Product Design.
Image caption: David Harte from Studio Moren speaking to Richard Goodier from Utopia Projects.
Image caption: Team Escapade Silverstone and number of designers unlocking their creativity at the Schlüter-Systems photobooth.
Image caption: Interior designer Kirstin Fordyce won Hotel Concept of the Year.
Image caption: Dream team! Team Hansgrohe.
Image caption: Luxury travel journalist Caroline Lewis with Emily Wade from NO Uniform.
Image caption: It was a fabulous evening for LEVEN. Not only did Tim Griffin win Hotelier of the Year, but the brand also won Best In Tech.
Image caption: A handful of the winners from The Brit List Awards 2023.
Image caption: Michael Bonsor was this year’s winner of the Outstanding Contribution award.
Image caption: After the awards presentation and performances, the dancefloor was claimed by designers, architects, hoteliers and suppliers.
Image caption: Members from EPR Architects, Franklite and Hotel Designs were seen on the dance floor.
Image caption: Ashley Sinclair from Sanipex enjoying the evening with friends and clients.
Image caption: The Brit List Awards 2023 went on until the early hours of the morning.
Image caption: The Brit List Awards 2023 provided a number of fabulous backdrops.
Image caption: Editor Hamish Kilburn with Charlotte Rous.
Image caption: The Brit List Awards 2023 was on fire, quite literally.
HIX Preview: GROHE throws the focus on design and innovation
For the third consecutive year, GROHE is returning to HIX to exhibit its premium range of bathroom products, where, under the event theme ‘a room with a point of view’, it will be offering guests an exclusive preview of two new luxury finishes due to launch in 2024…
Catering to the increasing demand for personalisation within bathroom design, GROHE will be showcasing its new Phantom Black finish from its Professional portfolio. Alongside this, the customisable Private Collection of taps and handles and the state-of-the-art 3D printed tap collection, ICON 3D, from the premium sub-brand, GROHE SPA, will also be displayed.
In addition, for those attending the event, GROHE’s full spectrum of 11 PVD colour finishes with the colour swatch will be on display.
Image credit: GROHE
“Once again, we’re delighted to be returning to HIX this year, following two triumphant shows” said Ebru Bircan, Leader, Marketing Activation UK, LIXIL EMENA and GROHE UK. “This year we’ll be highlighting our Professional Portfolio and our premium sub-brand, GROHE SPA, with emphasis on bathroom design concepts that evoke individuality, personalisation and customisation. Luxury bathroom design is becoming more and more steeped in personalisation and bespoke requirements and the hotel bathroom provides users with a truly unique experience, one of ultimate relaxation and enjoyment, but also inspiration.”
Entering into the spirit of the event and to encourage visitors to relax and unwind while taking in the exhibition, GROHE will have a working barista-style coffee bar for guests to enjoy complimentary hot drinks throughout the day. Additionally, an exclusive prosecco bar will open at 4PM on Thursday 16th in celebration of the debut day.
GROHE (along with that caffeine and those bubbles) will be on Stand 5 at HIX.
GROHE is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
The winners of 12 individual categories, including Interior Designer of the Year, Architect of the Year and Hotelier of the Year, were crowned last night at The Brit List Awards 2023. Editor Hamish Kilburn writes…
For six years, The Brit List Awards has been championing the best in British – and international – hotel design and hospitality. On November 1 at Circa Embankment, the 2023 campaign came to a colourful climax when this year’s winners were announced.
Following the unveiling of more than 150 shortlisted finalists, selected across 12 categories, The Brit List Awards 2023 gave a lively performance for this year’s awards ceremony. As well as dramatically crowning 12 individual winners, the team at Hotel Designs officially published The Brit List 2023, a publication that includes the full profiles of the top 75 interior designers, architects and hoteliers in Britain.
After the hefty publication was released, it was time to announce the individual winners. And they are…
1 Hotel Mayfair opened a few months ago to rave reviews – it is unlike anything Mayfair has seen before. The hotel shelters a multi-layered, sensory enriching hospitality experience that transports guests away from the polluted noise of the capital and into a cosy sanctuary, surrounded by earthy materials and deep design narratives. Congratulations Jessica Morrison who led the design of this project with her team at G.A Design.
This year, the judges were on the edge of their seats as they read Geoff Hull’s entry, which climaxed with the completion of The Old War Office, one of London’s most complex architectural and structural hospitality projects – eight years in the making – that now shelters Raffles’ debut London hotel as well as private residences and no fewer than nine restaurants and three bars, all of which had different interior design studios working on them. Congratulations Geoff Hull and his whole team at EPR Architects.
Timothy Griffin, the former Managing Director for North America for Ennismore, along with two of his former colleagues (PJ Kenny and Shanthan Balakrishnan), set out to challenge the status quo. The three visionaries came together to create new hospitality experiences under Wellbrook Hospitality, and LEVEN was born.
LEVEN Manchester, if you are not familiar with it, opened in 2021 and, has since, become a leading lifestyle hotel experience in the city. Griffin and his team have not been afraid to take risks, launching the brand’s second hotel in the Metaverse. We are excited to see what comes next from the man who is always smiling and who, with his team, is encouraging the British hospitality industry to think beyond possibilities. Congratulations, Tim Griffin and his entire team at LEVEN and Wellbrook Hospitality.
What makes this win truly exceptional is the lack of experience both Atelior Orchre and House of Dré had in the hotel design arena prior to winning this project, to bring East London vibes of Locke to West London. The aim from Locke was to take over and transforming a tired and dated hotel with a hospitality concept that was embraced by the local community as well as modern travellers. And this meant creating a punchy public area that could stand the test of time and demands from those using its space.
The judges described the lighting design inside 1 Hotel Mayfair as both innovative and inviting. What sets it apart is the designers’ skilled use of indirect lighting on natural materials, bringing out their best features. This lighting doesn’t just brighten a room; it creates a warm and homely feel. Congratulations, Visual Energy and the whole team who were involved in creating 1 Hotel Mayfair.
It’s worth noting that Kirstin Fordyce originally entered in the Rising Star category, but the judges felt that her entry was so strong, showing so much research into the potential of existing buildings, that it deserved to be a contender in the Hotel Concept of the Year category. The Sorting Room concept is a boutique hotel that occupies the former Post Office building in the heart of Dundee. The hotel’s interior design is a reflection of the building’s fascinating history within the UK postal system. The guest’s user journey experience is inspired by the journey of a letter and the hidden operations within the postal service. Congratulations Kirstin Fordyce.
BEST IN BRITISH PRODUCT DESIGN
Winner: Richard Stone, represented by Artiq | Product: Sculpture commissioned for The OWO Highly Commended: Phillip Watts Design | Product: Starburst
Richard Stone is an established British artist and maker whose practice explores stillness and movement. Reconfiguring historical themes in art, he urges reflection on the current moment while raising the possibility of a reflexive transcendence.
Art consultancy, Artiq, had the pleasure of discovering Stone when searching for London-based makers ahead of developing an art collection for key areas of The OWO. Built on the historic royal site of Whitehall Palace and witness to world-shaping events of the 20th century, Britain’s Old War Office is opening this summer with the UK’s first Raffles Hotel, which with the help of Artiq, commissioned eight sculptures by Stone, now installed in the unique Corner Suites.
The judges were intrigued how a brand that launched its first hotel to be so tactile and residential in style could then open its next hotel in the metaverse. Pioneering hospitality in the Metaverse, LEVENverse is one of the first hotels in this arena, embracing the potential of this emerging digital space. By being an early adopter, LEVEN has clearly demonstrated its forward-thinking approach and appetite to explore new technological frontiers.
Naturalmat is not only approaching its business in a sustainable and healthy manner but the team, led by Mark Tremlett, are also engaged in charitable partnerships. And this year, Naturalmat became a B-Corp company that truly embodies the three pillars of ‘ESG’.
RISING STAR AWARD
Winner: Oscar Brookes, Junior Interior Designer, LXA Projects Highly Commended: Isabella Johns, Mid-Weight Designer, David Collins Studio
Based on the entry, the judges really felt Oscar Brookes’ love and passion for what he does at LXA. He gets involved in many aspects of the project. In such a short period of his carrier Brookes has shown hunger to learn. “Unfortunately,” added one of the judges, “nowadays these are very rare qualities.”
This award win is testament to the tireless work that both Beverly and Dereck Joubert do. The wildlife photographers and videographers for National Geographic raise awareness around wildlife conservation though luxury safari hospitality– and just being, to be honest, really good and pure human beings. I have spoken to their team, and I have heard incredible stories, including Beverly being attacked by a buffalo, and while fighting for her life in hospital she set up a charity to help the women who were looking after her.
Hotel Designs’ decision to name Michael Bonsor this year’s winner came from looking back as well as focusing on the future. This year marks Rosewood London’s 10th year. It is a milestone to celebrate. It’s remarkable that throughout this time, which feels like a minute to be honest, the hotel has not just remained relevant, it has also remained leading with its socially driven initiatives and collaborations and solid leadership. I have had the pleasure to speak to many people who do and have worked with Bonsor over the years, and every person I have spoken to has said how refreshing and inspiring Bonsor’s leadership style is.
Thank you to our sponsors:
Headline Partner: Crosswater
Showcase Partner: Hamilton Litestat
Showcase Partner: Schlüter Systems
Award Partner: Atlas Concorde
Award Partner: hansgrohe
Award Partner: Faucets
Award Partner: Independent Hotel Show London
Event Partner: Duravit
Showcase Partner: Utopia Projects
Red Carpet Partner: Balsan
Entertainment Partner: BECK
Experience Partner: Escapade Silverstone
Official Videographer: CUBE
Podcast Partner: DESIGN POD
Main image credit: Hotel Designs / The Brit List Awards 2023
Everything we know about Rosewood’s debut hotel in Greece
Rosewood Hotels & Resorts embraces Mediterranean living by announcing that the hotel group will open its first hotel in Greece in 2025. Hamish Kilburn, Editor of Hotel Designs, shares everything we know, including which island Rosewood Blue Palace will be located on and who has been appointed as interior designer…
Known in Greek mythology as the birthplace of both Europe and the thunder god Zeus, Crete’s captivating legacy has lived on through the centuries. Today, the island’s crystal-clear waters, stunning white pebble beaches, and impressive mountainscapes continue to enchant visitors with their timeless beauty and allure.
Marking Rosewood Hotels & Resorts’ entrance into Greece, and following Rosewood’s recent development in Munich, Hawaii and laying down foundations in Seoul and the Maldives, the brand is expanding with the introduction of Rosewood Blue Palace.
A reincarnation of a beloved resort, Crete’s distinguished Blue Palace will reopen as part of the Rosewood portfolio in 2025 following a reimagination of the celebrated property. Owned by Phāea (Golf Residences S.A.), the new resort will be meticulously designed to reflect Rosewood’s guiding A Sense of Place philosophy, with the entire resort experience inspired by the elegance of the Greek Islands.
Nestled between the small fishing village of Plaka and the elegant port of Elounda, Rosewood Blue Palace will be seamlessly integrated into its surroundings, offering an oasis that connects guests to Crete’s culture and history. With a charming combination of eclectic boutiques, bright blue waters, and heartfelt hospitality, this coastal retreat has been intentionally selected for the brand’s entrance into this highly coveted destination, offering a backdrop that is both chic and timeless. Set into the picturesque hillside and overlooking a private beach, Rosewood Blue Palace’s spirit will be augmented by the brand’s intuitive approach to bespoke service and experiential programming.
“With a compelling landscape that has fascinated explorers for centuries, we are delighted to mark our entrance into Greece with this stunning resort,” said Sonia Cheung, CEO of Rosewood Hotel Group. “Crete is an ideal location for creating meaningful connections that bring out guests closer to the soul of the destination and take them far beyond their expectations.”
A seaside sanctuary, the resort will feature 154 rooms and suites, 85 of which will be accentuated with private pools for those seeking elevated seclusion. Rosewood Blue Palace’s comprehensive renovation will feature interiors designed by the acclaimed Grecian firm, K-Studio, with a vision informed by Cretan tradition and identity. To help bring the resort’s culinary program to new heights, the property has tapped renowned Greek-born, London-based interior designer Afroditi Krassa, to create the spaces that house the resort’s six restaurants and bars.
Image caption: A guestroom inside Kona Village, A Rosewood Resort that reopened earlier this year. | Image credit: Rosewood Hotels & Resorts
The dining program will be operated through these diverse outlets, which include several specialty restaurants and a beach club. The property’s well-appointed bar will offer travellers expansive views of the stunning Spinalonga Island off the Gulf of Elounda and an all-day restaurant will source fresh produce from local purveyors and the property’s on-site organic garden. The resort will serve as a luxury wellness escape, featuring an Asaya, Rosewood’s holistic well-being concept, alongside a fitness center, movement studio, yoga pavilion, and dedicated areas for guests to explore hydrotherapy treatments. Three outdoor pools, including those designated for adults and children, will all feature panoramic deep-blue ocean views that will allow guests to experience the majestic tranquility of the island.
A destination long admired by affluent travellers seeking natural beauty and authentic offerings, Crete is a natural fit for Rosewood’s entrance into Greece. The re-imagination of the esteemed Rosewood Blue Palace is also the latest demonstration of the brand’s ongoing evolution and growth approach that involves elevating existing and established properties to new heights. Rosewood Blue Palace will join a highly esteemed collection of European properties including Rosewood London, Rosewood Castiglion del Bosco, Hôtel de Crillon, A Rosewood Hotel, Rosewood Villa Magna, Rosewood Vienna and Rosewood Munich, with Rosewood Amsterdam and Rosewood Schloss Fuschl set to open over the next year.
In conversation with: Tim Rundle, Creative Consultant for Morgan
We recently caught up with with designer Tim Rundle to talk about his work with Morgan along with the broader conversation on British furniture design, collaboration and craft…
Industrial designer Tim Rundle and British furniture designer and manufacturer Morgan, have a relationship that encompasses not only the two furniture collections on which they have collaborated, but is also about a creative synergy involving all aspects of the process from concept to delivery.
The first collaborative collection, Rakino, launched in 2019 is a reflection of Rundle’s eye for detail and Morgan’s passion for precision manufacturing and hand-crafted finish. More recently, pushing the boundaries of the upholstery process, the production team at Morgan have brought Rundles’ Bilbao design to life, gracing the showroom with its generous and curvaceous lines.
Image credit: Morgan
Hotel Designs: What do you get out of being a product designer over an interior designer?
Tim Rundle: I had originally wanted to be an architect, but on arriving at design school I discovered Industrial Design and realised that was what I wanted to do. I think the main aspects I love about designing at object level are the ability to test ideas with physical prototypes and to spend time on the details. The scale and pace of an interior design project means some things just need to be allowed to develop organically without a strict definition from the start. We do from time to time take on interior design projects, such as the Glasshouse salon in East London, but my reluctance to let go of spending time on those details means they’re often not the most profitable projects for the studio! They do however offer great insights into how furniture and lighting pieces work within a space, which for me is a critical consideration.
HD: How does your research on technology, transport, lighting and homeware influence your creative decisions when designing furniture?
TR: I think I have always approached furniture design from quite the technical and problem solving viewpoint of an industrial designer. I naturally tend not to separate the sectors too much and most of the designers I admire work across a broad range of categories. The way things are made and how they work comes into play very early on in my process no matter what the brief is. It’s a truly symbiotic process jumping between these disciplines, which really share more similarities than differences when it comes to design. All of the objects within those categories really exist in the context of the relationship between humans and the space they occupy.
Image credit: Morgan
HD: Can you explain your role at Morgan, because it certainly goes beyond just being a guest designer?
TR: The role I play at Morgan, aside from designing collections for them, is actually quite a common practice for the leading European brands, where they appoint the head of a design or architecture studio as Art Director to help guide their design strategy and creative output. Notable, and somewhat more high profile, examples would be Patricia Urqiola for Cassina, or Vincent van Duysen for Molteni&C. My role is highly collaborative, working alongside Katerina Zachariades, Founding Creative Director, Erin Johnson, Design Director and the internal team – it involves everything from setting out the product strategy to briefing internal and external designers and offering creative direction throughout the design process; as well as creating the concept for and directing photo shoots.
Image credit: Morgan
HD: Both your recent designs – Bilbao and Rakino – push boundaries in manufacturing. What were the major challenges when designing both collections?
TR: I think due to my industrial design background and fascination for manufacturing, I see pushing the boundaries of production capabilities as an opportunity rather than a challenge. It allows us to create something that is truly unique, and importantly, is very hard to copy cheaply. In both the cases you mention it was about discovering and really bringing the spotlight to those skills that were already there.
For Rakino, it was taking timber detailing that in the past would have been very labour intensive and finding the perfect balance of manual craftsmanship and CNC technology to make them commercially feasible with UK manufacturing. In the case of Bilbao it was about highlighting the way the skilled upholsterers truly sculpt with foam and can wrap seemingly impossible forms in fabric.
Image credit: Morgan
HD: You may not have a signature style, but is there a thread that connects your design in, say, your creative approach?
TR: I think it’s difficult and potentially counterproductive, to have too strict a ‘signature style’ when you work with multiple brands, but there is certainly a common thread in terms of approach. I always design with context in mind, considering how an object relates to both its user and its environment – I guess this comes from my interest in architecture and my odd foray into interior design. I also try to maintain a sense of aesthetic legibility in my work, where people can look at a product and understand how the elements and forms come together to create the whole object. I guess this results in work that leans towards the minimal, yet rational, while avoiding shouting too loudly for attention.
HD: What advice would you give to designers who are thinking about setting up their own studio?
TR: I would say learn the whole business that surrounds design first. Use that time to not only gain knowledge, but to build a strong point of view. My years spent at Tom Dixon, as a designer in the product development team were invaluable in understanding how products come into existence, from production, via logistics to sales and end up in the hands, or homes, of their end users. I got to spend a lot of time in factories and at tradeshows, which gave me a great understanding of the designers’ role and the vital contributions of all the other people involved in the process of making ideas into real things.
Morgan is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
Regent Hong Kong makes a landmark return to Victoria Harbour. Contributor Katha Nauriyal checks in for its swanky new interiors and swoon-worthy vistas. Designer Chi Wing Lo chats with Hotel Designs about the vision behind…
In the ’80s Regent ruled the roost in Hong Kong’s hospitality scene, graciously hosting royalty and eminent celebrities. In 2001, however, the hotel was acquired by InterContinental, and many would agree that it lost its original charm as it entered a new era, which naturally felt less glamourous as the hotel industry became saturated with lifestyle hotels and the meaning of ‘luxury’ was arguably left behind.
Today, though, Regent has rekindled its allure, re-emerging in its original home. Located smack on the promenade in Tsim Sha Tsui, the hotel becomes the latest entrant in the rush of luxury hotels, joining neighbours such as, Rosewood and The Peninsula.
Image credit: Regent
Majestic castle-inspired wooden doors with metal bolts proclaim the king-size sojourn that awaits. Doormen extend a warm welcome, as soothing ripples of a feng shui fountain alleviate the bustle of downtown Kowloon.
“A key part of the design vision was to craft a sequenced journey from outside the hotel to inside as the dramatic harbour view unfolds. Here, one leaves behind the franticness and anxiety of a pulsating city, and is welcomed by the serenity of the Regent domain,” shares Hong Kong-born design visionary, Chi Wing Lo.
Image credit: Regent
18 golden domes hover above the Porte Cochère. The Regent Hong Kong logo is backlit against a wall of dark bronze patina with shimmering glass bricks, creating an illusion of green trees indoors.
Setting foot, you’re captivated by the Golden Illusion Passageway, a striking symphony of vertical hand-stacked glass brick screens made to resemble floor-to-ceiling crystal chandeliers.
The check-in desk, one of the longest in the city I’m told, makes for an arrival that is both sumptuous and regal. The reception is a block of softly-lit translucent onyx, generous in length. Behind, a wall is dedicated to a 15-metre-long LED screen with digital art that encapsulates the spirit of ‘rebirth’, commemorating the hotel’s grand return.
The deep-tone granite-floor gallery is an amalgam of lights, finished with intricate Chinese elements and LiuLi glaze art, an ancient coloured glass once used by royal families.
Image credit: Regent
The adjoining Lobby Lounge is a meeting place for afternoon tea. It’s kitted with plush semi-circular sofas, revolving armchairs, and curved glass frames with the harbour and island skyline cradling them. Avenue of Stars, Art Museum, Exhibition Center and Space Center are all part of its picture-perfect cityscape.
A distinctive basket-like weaving pattern is a running motif – from guest rooms and elevators to ceilings and staircases. “Weaving is ancient. The woven pattern symbolises a tightly knotted collective effort for this refurbishment project which would have been impossible without the contribution of every individual”, explains Lo.
The lobby’s Spirit of Regent Retrospective montage is a beautiful piece of custom art – an elongated scroll-like screen paying homage to the hotel’s storied legacy. From abstract compositions to elaborate brushwork, all curated from fragments of the hotel’s original art collection. This includes the glow-like round canvas, known as Lyrical Brush Strokes, placed near the elevator. “By recalling the past in the context of the present, the history of Regent finds its continuity and the legend lives on,” he adds.
A Caclacatta white marble staircase sits elegantly in the extended lobby. It’s meticulously preserved, holding a special space in the hearts of guests who once celebrated weddings and milestones in the Regent Ballroom.
I’m escorted to my harbour-view room, situated on one of the higher floors. It’s a cocoon of calm, away from the noise. Beautifully appointed, it oozes a warm, tranquil ambiance that envelopes you as soon as you walk in. Airy, immaculate spaces feature muted carpets, soft-hued furnishing, and acoustics that effortlessly reflect the estate’s special location. “The ultimate balance is to achieve a unity that the Regent Hong Kong is an integrated part of Hong Kong, and the Hong Kong harbour is very much a part of every guest room,” Lo explains.
Image credit: Regent
The wonders of Victoria Harbour and the city’s iconic skyline are brought to life through mesh-patterned mirrored sliding doors and grand glass frames. The window-front daybed ensures you can fully appreciate the views.
Decadent and brightly lit, it’s fitted with glossy wooden details, leather-coated fabric, and rhythmic vaulted ceilings. The décor is stylishly minimalist, equipped with a well-stocked minibar. A sumptuous double-sized bed comes with an exclusive pillow menu for a restful night’s sleep. Lo’s designs draw inspiration from local Chinese traditions, where squares signify the Earth and sky, and circles depict perfection.
Image credit: Regent
The Oasis Bathroom stays true to its name. Bask in the views from the luxurious curved free-standing soaking tub. Granite fixtures with natural oak imbue a sense of peace. Calacatta vanity counters, lighted make-up and shaving mirrors, and AXOR overhead shower, all make for a comfortable powder room to get ready in for a fun night out.
The resort-like pool terrace is a haven in the midst of the city. It features infinity spa pools, cosy parasols and daybeds with views of the harbour, K-11 mall, and other hotels that abound on the property. Also, a 24-hour fitness centre, an inviting spa, restaurants and bars adorned with exquisite Chinese-inspired motifs much like the rest of the property.
Regent Hong Kong promises an opulent experience never far from the city’s best attractions. Expect a gift that keeps on giving and a visit that’s second to none.
Sanderson and Salveson Graham design new collection
Salvesen Graham, the inimitable design duo, has come together with Sanderson to curate a beautiful edit of fabrics, wallpapers and paint, including designing a soon-to-be revealed, brand new collection of British made trimmings…
Cherry-picking from an array of explosive botanicals and iconic florals from past and present collections, Mary Graham and Nicole Salvesen, the design partners behind Salvesen Graham, have explored the Sanderson archives to present a thoughtfully curated collection of designs that sit at the intersection of curiosity and comfort, with dramatic prints and classic colours meeting in a power play of design.
Image credit: Sanderson Design Group
Salvesen Graham is a studio known for its warm, inviting interiors that offer a retreat from the hustle and bustle of life. This exciting collaboration with Sanderson is set to offer up some of its most charming designs in a new light. With a quintessentially British edge, a flair for florals and Salvesen Graham’s love of Georgian England styles, colour, texture and character combine in this exquisite edit, to reveal inspired new looks for home interiors. This is Sanderson revisited.
Image credit: Sanderson Design Group
Image credit: Sanderson Design Group
The edit is made up from 49 fabrics, five wallpapers and 30 paint colours, which have been selected from past and present collections, bringing together a new and exciting edit that layers exquisite textures, iconic florals and beautiful classic colours, for a wonderfully warm and inclusive series of looks that hint at just a touch of eccentricity, with a quintessential British nod to our restful rural landscapes.
Image credit: Sanderson Design Group
Chosing just a few of the many hero pieces of this edit, Mary Graham’s own home has become the setting of a reinvention, where rooms transform under the skillful hands of the Sanderson and Salvesen Graham teams. Graham’s Yorkshire abode has thrown open the doors to specially selected prints, wallcoverings and paints from Sanderson classics to the new, woodland inspired Arboretum and Pinetum prints collections. With divine new trimmings to adorn and embellish upholstery and drapes, the bathroom, living room and bedroom will reveal the curated edit and new trimmings range in all its glory; taking the old and blending the new to create a visual feast of some of the most splendid of Sanderson prints, patterns and colours.
Image credit: Sanderson Design Group
Image credit: Sanderson Design Group
With over 10 years passed since the last trimming designs from the fabric house, this collaboration will mark a triumphant return for trimmings to the Sanderson aesthetic. From classic fringes to fan braids, the Salvesen Graham team have lent their creativity to creating seven exquisite trimming designs across 10 colourways, a total of 36 pieces. These detailed creations take interiors to the next level, as adornments in loops, stripes and braids create a sense of nostalgia in the designs, while elevating fabrics and wallpapers. All will be revealed soon…
Sanderson Design Group is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
Hotel Per La has joined Marriotts Autograph Collection of independent hotels, handpicked for their unique attributes and distinct character, while located in the most desirable destinations. This partnership marks a significant milestone for the hotel, as it will further enhance both its offerings and elevated guest experiences…
Located in Downtown Los Angeles, Hotel Per La is a lifestyle hotel housed in the former Giannini Building built in 1922, originally the headquarters of the Bank of Italy. Reimagined by HN Capital Partners and Sage Hospitality Group, the property features 241 rooms and suites as well as grand public spaces for guests and locals alike – including over 900 square metres of event space, a bustling restaurant and bar, a daytime café and a rooftop bar offering poolside drinks and dramatic views of the LA skyline.
Image credit: The Ingalls
“We are thrilled to be part of the Autograph Collection portfolio,” said Adrienne Craig-Aziz, acting General Manager of Hotel Per La. “The reputation Autograph Collection has for outstanding dedication to its experience-seeking guests is a perfect fit with our own bespoke approach to service. We look forward to showcasing our unique hotel to a wider dynamic audience and offering guests Hotel Per La’s special amenities, values and experiences that surpass expectations.”
Image credit: The Ingalls
A nod to the building’s storied beginning as a bank for the people, the ‘Per La’ name translates to ‘for the’ in Italian. Its founder, Amadeo Pietro Giannini, believed in the dignity and abilities of those commonly overlooked, signifying the hotel’s inclusive spirit and name, essentially meaning ‘for Los Angeles, and people like you’. Today, the 12-story property retains the building’s signature architectural features, while enhancing the guest experience through grand, yet playful public spaces and new food and drink concepts designed to encourage communal environment in the midst of the city’s bustling downtown.
Much of the building’s Neoclassical style, such as its Doric columns, ornate golden and blue ceiling and marble floors, have been preserved in Hotel Per La’s public spaces and incorporated alongside a new playful and approachable design reflective of the city’s diversity of cultures and characters. Reimagined by local Los Angeles interior designer, Jaqui Seerman, contemporary furnishings, airy linens, amorphic lighting and pops of bright colours that feel distinctively LA are woven throughout the open public spaces and flooded by California sunshine.
Image credit: The Ingalls
Hotel Per La features 241 guestrooms and suites that look to Italy for inspiration. Designed by French architect and designer Jacques Garcia, the guestrooms’ colour palette is drawn from the property’s fully restored gold and blue Italianate ceiling located in the lobby. Each room is appointed with custom-designed furnishings such as antique Persian rugs in saturated, vibrant colours and artwork from Paris/New York-based design studio be-poles, sourcing vintage art pieces from antique stores throughout the globe. The rooms also feature a marble writing desk with settee, Tivoli Bluetooth radios and large flat screen televisions, while the European-style bathrooms are complete with terrazzo floored walk-in showers with luxury bath amenities from Argan Perfume d’arganier, with many rooms also featuring freestanding pedestal bathtubs.
Image credit: Hotel Per La / The Ingalls
With over 4,000 bespoke pieces, the hotel art program goes on to celebrate the building’s Californian, Italian and Mediterranean heritage. Modern-style photography seen through a vintage lens allows guests to explore contemporary visions of the world and city in ways that go beyond conventional tourist attractions and clichés. Featured art also includes vintage artwork sourced from antique stores throughout Italy, various collections from Portraits de Villes and original photography from four different commissioned artists. As a result, each guestroom’s art selection is unique, while also showcasing a harmonious and consistent display journey throughout.
Hotel Per La is also home to multiple restaurants and bars – Ristorante Per L’Ora, its neighborhood restaurant thoughtfully expressing Italian cuisine through a lens of Los Angeles culture and flavors; Bar Clara, a more casual rooftop bar offering poolside drinks and Mediterranean-inspired fare with sweeping cityscape views; and Café Ora, a welcoming coffee shop and market with rotating local roasters, pastries, LA-made snacks, and an approachable wine shelf.
In addition, the property offers a generous amount of creative meeting and event spaces ranging from boardroom settings, lush courtyard dinners, to rooftop pool soirées with Downtown skyline views and grand parties in the historic lobby set under the preserved majestic cathedral ceiling.
Rediscovering W New York – Union Square with David Rockwell
Hamish Kilburn, Editor of Hotel Designs and the host of Travel By Design, a podcast by Marriott Bonvoy Traveler, spoke to renowned designer and architect David Rockwell about the new design narrative of W New York – Union Square, which he originally conceived 23 years ago…
It is the ultimate compliment for a designer or architect; to be invited back on the project they originally created and asked to transform it into its next chapter. For David Rockwell, the praise was personal when he was asked back to redesign W New York – Union Square, as the area has been the home of his studio since the ‘80s.
On the podcast, Travel By Design, by Marriott Bonvoy Traveler, I spoke to the designer to grasp the significance of transforming the hotel, which he originally designed in 2000. I wanted to know how the hotel would look and, more importantly, feel different. In addition, I wanted to understand how Rockwell has seen the area of Union Square develop over the years, and what, if anything, was different when it came to his inspiration on the milestone project.
Before understanding the design of today’s hotel, I first had to learn about what the destination was like when he first started working on the project. “At that time, Union Square was being used for a kind of beautiful green space; it’s the destination at the end of Broadway, so it’s a seminal place geographically in New York,” Rockwell told me. “The building is a phenomenal landmark building, built in 1911. And fashion was focused in this neighbourhood.
Image caption: Rockwell Group were asked to redesign W New York – Union Square, the same hotel the studio originally designed in 2000. | Image credit: Marriott International
“But [from then to now], it has become a place that more replicates what it was historically. Originally, Union Square was a place for celebrations, for protests, and I feel like it has become, now, so much more fluid.”
Guests will only have to enter the lobby area to appreciate the scale of its transformation. Prior to the recent design shift, a large welcome desk underneath a staircase dominated the room. It was very much, on the surface, a conventional check-in experience.
Now, the space have been somewhat softened – it is less angular – and everything feels more fluid. It’s as if the shoulders of the hotel have relaxed and it is ready to have a conversation with its guests. “Well, that’s absolutely true,” Rockwell added, “because, in fact, it’s a much more explosive use of colour and form. When we started the hotel, we knew we wanted that staircase to be a central, featured, dynamic element.”
Image caption: The F&B scene inside the hotel is about ‘giving the space back’ to the local community. | Image credit: Marriott International
Rockwell and his team have played with boundaries and volume in the public areas. A runner from the stairs, now spills into lobby, which draws guests’ attention towards the architectural structure of the building, and invites people to look up and around. “So, it really is like a kind of river that moves up, with the carpet flowing down, and then the carpet and the banister and the flowers really feel like almost a gravitational spill down to the ground, to pull you up,” commented Rockwell.
Aside from the initial welcoming experience, the overall public area inside the hotel has been, in Rockwell’s words, “given back” to the community. And that, in its simplest form, is how I would best describe the new design inside W New York – Union Square; accessible, dynamic and, just like the square its perched on, a thriving social hub that is forever evolving in time.
Image caption: The interior design scheme of the room is noticeably softer, with more of a luxury feel. | Image credit: Marriott International
The full 13-minute interview between David Rockwell and Hamish Kilburn on Travel By Design dives into the original creative approach of the hotel as well as another project that Rockwell created with the help of a choreographer.
Here are the landmark Voco hotels arriving between now and 2025
First launched in 2018, voco hotels is one of IHG’s fastest-growing brands with more than 100 properties signed and opened globally and now maintains growth momentum with new signings, recent and forthcoming openings…
With recent signings and openings in France, Spain, the UK and Ireland, Austria, Portugal and Belgium, these additions take Europe’s voco hotels total number of opened and signed properties to 37, up from 28 at the end of 2022, marking more than a 25 per cent increase in ten months. The incoming flurry of properties will bring the brand closer to its global ambition of reaching 200 properties in leading urban and leisure locations by 2028.
Image credit: voco
“Each voco hotels property that gets added to our portfolio is a real sign of the confidence from our owners across multiple markets in the brand,” said Willemijn Geels, VP Development, Europe at IHG Hotels & Resorts. ” voco hotels proves popular due to its design and operational framework conducive to conversion, empowering owners to carry through their own unique visions for their property. Guests enjoy the individual character and local charm of each hotel, and the speed at which the brand is growing in these popular markets is great proof of its successful formula.”
Ending the 2023 pipeline in Portugal, voco Algarve Formosa Park, is set to open by the end of the year. This hotel marks the voco hotels brand’s debut property in Portugal and promises an idyllic getaway on the Algarve. Guests can expect a full-service restaurant, bar, exclusive access to two golf courses, and a luxurious outdoor pool. Set within the beautiful Ria Formosa Nature Park, and next to the white sand Ancão Beach, guests will wake in one of the 61 elegant suites to views and the soothing sounds of the Atlantic Ocean.
Image credit: voco
Marking a significant milestone in the brand’s expansion, voco Belfast will be a brand debut into Northern Ireland. The hotel is scheduled to open its doors in early 2024 in partnership with Cliste Hospitality. voco Belfast will feature 120 guestrooms and enjoys a prime location in the city centre. The hotel is set to be perfectly positioned for a break in the city, with quick access to Belfast’s historic landmarks, museums, shopping, and entertainment venues.
Also slated for Q1 of 2024 is voco Letchworth Hall. Said to have been built by Sir William Lytton around the year 1620 and set across eight acres of grounds overlooking Letchworth Golf Club in the Hertfordshire countryside, the 87 key property promises to be a breathtaking stay in the British countryside.
IHG’s first lifecycle net zero carbon hotel is scheduled to open in early 2025. voco Zeal Exeter Science Park has been designed to align with the Net Zero Carbon Buildings Framework Definition of the UK Green Building Council – the membership-led industry network. The 142-key hotel will be situated close to the picturesque southwest English city of Exeter and offer leisure and business guests facilities including a restaurant, bar, gym, gardens, meeting space and numerous car charging points.
Scheduled for late 2025, voco Granada is set to be a top choice for travellers owing to its location. Adjacent to the Convention Centre of Granada, the communication highway and the city’s largest shopping mall, the 166-key hotel will be the perfect basecamp for guests to explore the nearby Alhambra, the Generalife Gardens, and the Albayzin, whilst enjoying full food and beverage on site.
voco hotels has 55 properties open around the world with a further 51 in the pipeline. In its Europe market, IHG has 783 open hotels and a further 167 in the pipeline, across 12 of its brands, including Six Senses Hotels Resorts Spas, Regent Hotels & Resorts, InterContinental Hotels & Resorts, Vignette Collection, Kimpton Hotels & Restaurants, Hotel Indigo, voco hotels, Crowne Plaza Hotels & Resorts, Holiday Inn Hotels & Resorts, Holiday Inn Express, Staybridge Suites and Iberostar Beachfront Resorts.
Banyan Tree retreats to the river with new hotel in Java
Following hotel openings in China, Japan and Thailand last year, Banyan Tree Group’s new minimalist brand Garrya is continuing its global expansion with the launch of Garrya Bianti Yogyakarta on Indonesia’s island of Java…
Located on the banks of Denggung River in Gabugan Village, a serene village located in Yogyakarta’s Sleman Region, Garrya Bianti Yogyakarta encapsulates the area’s rich traditions and draws design inspiration from Javanese culture and from Yogyakarta’s iconic temple. Inspired by Asian sensibilities and natural elements, Garrya promotes beauty in simplicity by offering serene spaces designed for simplified living, cultural immersion and authentic experiences.
Image credit: Banyan Tree
Connecting guests to the storied past of ancient Javanese architecture, Arte Architect and Associates centered pyramid-like structures in a magnificent inner courtyard, complementing a joglo-style lobby clad in recycled wood. Meanwhile, a dedication to sustainable design has guided green building practices and the selection of eco-friendly materials such as terracotta bricks and teakwood to create intricate carvings.
Image credit: Banyan Tree
The resort will feature 24 modern villas, a residential two-bedroom villa with a full-size swimming pool, gazebo, jacuzzi and a spacious living room, as well as a signature Wellbeing Sanctuary Villa for the ultimate rejuvenating experience. With clean lines, private plunge pools and décor that merges the charm of Javanese heritage with contemporary sensibilities, the villas will suit travellers seeking peace on a solo getaway or reconnection on a trip with loved ones.
Image credit: Banyan Tree
Reflecting the resort’s focus on mindfulness and wellbeing, Garrya Bianti Yogyakarta’s four-room 8lements Spa will specialise in indigenous wellness therapies rooted in Asian wisdom. Guests will also be able to join group wellbeing activities ranging from poolside yoga at the riverside deck to dance workshops in the dedicated Movement Studio, or workouts in the gym.
Image credit: Banyan Tree
Meanwhile, culinary offerings at Garrya Bianti Yogyakarta will be a celebration of Yogyakarta’s rich and flavourful cuisine. A variety of traditional Javanese dishes made from locally sourced ingredients will be offered at the resort’s ‘Refresh’ all-day dining venue, ‘Kopi Zop’ lounge and bar and a private dining room. Guests will also have a chance to purchase handmade arts and crafts commissioned from local artisans at the on-site shop, while a dedicated event space will provide a refreshing setting for meetings immersed in nature.
Image credit: Banyan Tree
“Following the success of our first minimalist resorts under the Garrya brand, we are excited to bring our holistic approach to wellbeing and relaxation to the beautiful island of Java with the opening of Garrya Bianti Yogyakarta,” said Philip Lim, Senior Vice President, Head of Regional Operations and Group Specialist Services at Banyan Tree Group. “We look forward to welcoming travellers seeking a sense of seclusion and immersion into nature, with a keen curiosity about the rich cultural heritage and vibrant arts scene of Yogyakarta.”
Image credit: Banyan Tree
In Yogyakarta, guests can explore traditional arts and crafts or visit the Sultan’s Palace with its numerous open-air pavilions that host classical Javanese dance shows and concerts of gamelan music. Kotagede, an upmarket suburb of Yogyakarta and the hub of the silver industry, is another must-visit.
In keeping with the current expansion pace, by 2025 Banyan Tree Group’s fast-growing Garrya brand is poised to open four resorts in Vietnam – in Mu Cang Chai, Da Nang, Hoi An and Hoa Binh, and two in China – in Xianju and Yangcheng Lake.
Woods Bagot has restored and reinterpreted the historic Cypriot village of Stavros Tis Minthis as a luxury Mediterranean mountain resort, comprising residences, villas and suites that balance tradition and antiquity with contemporary splendour…
Stavros Tis Minthis sits outside the community of Tsada in the wine-producing region of Paphos, Cyprus, located in a mountainous valley context nestled among the vineyards. Legend has it that the site was created after a villager in their dreams saw a large cross in a mint bush with a candle lit next to it. The monastery and its courtyard were founded in 1520 after monks discovered the twelfth-century cross beneath a mint bush, presumed to have been concealed there after the original monastery was forcibly occupied by invaders (‘Stavros tis Minthis’ literally translates to ‘Cross of Mint’). This cross now rests on the iconostasis, or the wall of icons, separating the nave from the sanctuary – the place of holy connectivity.
Image credit: Woods Bagot
The 16th-century monastery and accompanying existing structures are built from locally-sourced limestone in an example of the architecture of the Byzantine era. As the most recent custodians of the site, the Woods Bagot project team has revived the existing buildings while introducing ten new village square premises, 50 hotel suites and 2,400-square-metres of wellness that sit sympathetically within the historic context.
Image credit: Woods Bagot
Woods Bagot Chief Executive Officer and Project Leader Nik Karalis said the redevelopment was informed by the concept of the “modern relic”, celebrating the anachronisms of a bygone era while boasting the latest in world-class amenity.
Pitched rooves, terracotta tiles, cypress timber, sandstone bricks are reinterpreted from the traditional Cypriot architecture in a timeless expression of simplicity and functionality. The design of the new masterplan community with its associated villa clusters, new village square or ‘Plateia’ and adjunct wellness building, leans on centuries of courtyard tradition and the connection to the ideal of sequential layering of spatial sanctuary.Revolving around a central body of water, this planning concept is believed to lead to a deep restorative and spiritual connectivity to cleansing water derived from a well or spring considered holy.
Image credit: Woods Bagot
The Minthis experience is deeply rooted in resistance to modernity, revelling in the benevolence of subtlety and sensitivity to history. The varying scale and clustering of the numerous buildings that surround the newly created village Plateia harks back to the distant and centuries-old traditional planning principles.
Image credit: Woods Bagot
Image credit: Woods Bagot
The task of recreating a village aggregation of buildings is inspired by principles of community assembly. For a viable village to function, the components usually include a central water well; a village church around which rituals and celebrations occur; various trading buildings with essential food offerings; and, in some cultures, communal bathing amenities.
Image credit: Woods Bagot
The Minthis village buildings revert to the past, subverting the influence of 21st-century influence and amenity. However, the master-planning re-interprets the tradition of the church structure as the tallest building in the village, in its place flaunting a bar and alfresco dining area. It demarcates the boundary of the hidden central courtyard square defined by a central plane tree.
Image credit: Woods Bagot
This Plateia is flanked by art and crafts galleries, fashion boutiques, a fine wine “cava” or cellar, a providore, and restaurant where authentic Greek food is served indoors or outside under a covered cross-laminated timber beam trellis.
The mythology of the cross is resurrected in the cruciform planning of the double-height spa building, concealed under a planted wild grass roof. At its epicentre is a verdant courtyard defined by another deep well and surrounded on all four sides by staggered and elevated potted herb planters, each containing aromatic mint, geranium and other local species, selected for their essential oil extraction.
Image credit: Woods Bagot
Emanating from this core are cruciform circulation corridors around which various treatment amenities are contained within articulated cantilevering timber boxes, hovering over the surrounding valleys. These treatments range from an internal lap pool, yoga studio, gym, hydrotherapy, various therapeutic and beauty applications, and treatment rooms.
Image credit: Woods Bagot
Every treatment room incorporates an indoor massage bed zone and an outdoor foot massage space, each defined with a different species of tree ranging from citrus, pomegranate or fig, exuding intoxicating scents and considered in in medieval iconography to represent rebirth. This ritualist circuit begins and ends through an oversized staggered concrete planter wall-scape, planted with creeping Bougainvillea, leading to an outdoor performance amphitheatre.
Image credit: Woods Bagot
This five-million-square-metre mountain community embraces the old to re-imagine the future and our place in a constantly changing landscape of epic scale. The final centrepiece, the main new village and spa building, is now settled and the project will evolve graciously over the next centuries to establish itself overtime as a destination that has emerged out of sensitive contextual positioning, tradition and pathos.
The Brit List Awards 2023 takes place on November 1 at Circa Embankment, where 12 individual winners will be crowned and 75 individuals will be officially profiled as The Brit List interior designers, architects and hoteliers…
For the third consecutive year, The Brit List Awards 2023 has sold out. Just days ahead the awards ceremony, which will take place at Circa Embankment on November 1, the awards campaign has officially hit its venue capacity.
Recognised as Hotel Designs premium awards campaign, The Brit List Awards 2023 is expected to put on a performance on a level never been seen before in the campaign’s history, with eight acts waiting the wings to deliver a spectacular experience around hosts Katy Phillips, Publisher of Hotel Designs and Hamish Kilburn, Editor of Hotel Designs entertaining the crowd while unveiling this year’s winners.
In addition to announcing the individual winners, across 12 categories, the award ceremony will also be where The Brit List 2023, the official publication that, year after year across three categories, includes the profiles of the top 75 interior designers, architects and hoteliers. “There is a lot of excitement around this year’s awards,” said Phillips. “Not only are we taking the awards to a new venue, but we have also worked closely with our sponsors to create a number of unexpected activations throughout the night, with the aim to add meaning to the popular event.”
Kilburn added: “2023 has been a year unlike any other on the British hotel design and hospitality scene. It is our pleasure to bring the industry’s community together to celebrate how individuals and teams have unlocked creativity in unconventional ways.”
If you are not attending the awards ceremony, the winners of The Brit List Awards 2023 will be announced on Hotel Designs on November 2, the day after the awards ceremony.
Sparcstudio has worked alongside Center Parcs own spa experts to help create and design the new ‘Forest Spa’ concept for Center Parcs. This is the fourth ‘Forest Spa’ concept to launch, designed by the team…
Following a £6.5 million investment and a large-scale re-development project, Aqua Sana Longleat Forest has finally and fully opened to guests. The spa, which has undergone the biggest refurbishment in Aqua Sana’s history, has been completely transformed by Sparcstudio into a multi-sensory forest escape – inspired by natural environments, from volcanos and hot springs to forest glades and mineral caves.
Image credit: Aqua Sana Elveden Forest
“As designers we welcome the opportunity to evolve the design with fresh new concepts and experiences which are unique to each site and give a ‘sense of place’,” said Neil Fairplay, Director, Sparcstudio.
The spa, which has undergone the biggest refurbishment in Aqua Sana’s history, has completely transformed into a multi-sensory forest escape – inspired by natural environments, from volcanos and hot springs to forest glades and mineral caves. Aqua Sana Elveden Forest boasts a large range of steam rooms and saunas, a heated outdoor pool, an ice cave and a selection of relaxation rooms. The spa has also introduced three new experiences, which are exclusive to Aqua Sana Elveden Forest – The Nest, Sole Therapy and Forest View.
Image credit: Aqua Sana Elveden Forest
“The concept behind the project was to create a forest inspired spa journey with each thermal forest zone inspired by different geological and geographical locations,” explained Fairplay. “For example, there is a cold Nordic Forest, Japanese Onsen inspired Hot Springs to the Volcanic Forest, all designed to encourage spa guests to enjoy a different experience each time they visit.”
Image credit: Aqua Sana Elveden Forest
The Nest sauna space reflects the forest canopy and the feeling of being in a nest. Surrounded by natural cedar wood, guests can recline on a body contoured lounger as they look out above the treetops at the natural woodland. “One of the most unique features is The Nest, a bespoke designed panoramic sauna which has seven individual, semi reclined wooden loungers all orientated towards a large picture window providing first floor views across the forest,” continued Fairplay.
Image credit: Aqua Sana Elveden Forest
The ground floor of the spa houses the majority of thermal experiences, with Sole Therapy foot spa bathing at the entrance, a large outdoor ‘forest bathing’ pool in the central double height space which is open to the elements and access to the Hot Springs Garden, the Japanese tranquility garden with hot tubs and Nordic Garden with Snug room. The first floor is focused on rest, mediation, sleep, relaxation and treetop views and vistas of the forest.
Image credit: Aqua Sana Elveden Forest
Inspired by Ashiyu Japanese foot baths, Sole Therapy includes free-flowing water to stimulate reflex zones on the bottom of the feet, which calms the body and prepares the mind for relaxation. Surrounded by natural daylight and natural forest sounds, it’s the perfect way to begin your spa journey. Forest View is an immersive spa experience, offering guests a unique journey for meditation as they observe a scene slowly transitioning through all four seasons of the year, while surrounded by aromatic scents of the woodlands.
Image credit: Aqua Sana Elveden Forest
The spa is split across five ‘zones’ – Nordic Forest, Hot Springs, Volcanic Forest, Forest Immersion and Treetop Nesting – each designed to improve mental and physical wellbeing, taking inspiration from the sights, sounds and scents of the natural world.
In addition to the transformation of the spa, Vitalé Café Bar has received a £1.2m investment to give it a complete redesign, bringing the outside in with decorative foliage large windows that allow in natural daylight while overlooking the woodland setting.
Planning permission secured for one of London’s largest new hotels
Studio Moren was part of the team that secured planning consent on behalf of Frogmore and C1 Capital for one of London’s largest new hotel projects – a 905-key hotel for Hilton…
The new hotel for Hilton from the boards of Studio Moren, will be replacing the existing 404-room Hilton London Olympia on Kensington High Street, London. Working with Elliott Wood, Applied Energy, Phil Allen Design, DP9 and Gardner Theobold, the design which retains part of the existing structure on site, is sustainability and biodiversity led. The concept offers an innovative flexible hotel room model which allows multiple connecting rooms to meet guest requirements and changing seasonal demand.
“The proposed hotel takes inspiration from the mansion blocks that are a typology that feature strongly throughout the royal borough and the design of the façades are a contemporary interpretation of the mansion block,” discussed Herbert Lui, Project Partner. “The use of red brick is an appropriate choice on the hotel along the Kensington High Street frontage transitioning to buff tonality in response to the terraces along the side roads. A strong repetition of windows together with light stone base, surrounds and banding in a contemporary manner further accentuate and reflect the local character. The scalloped facia to the upper floor façades brings a sense of movement and creates a dynamic roofscape. Proposed engraved stone panels draw inspiration from the metal work of the historic Olympia London roof structure, adding subtle embellishments to the façade design.”
Image credit: Studio Moren
The existing hotel evolved from linking three separate buildings, with consequent accessibility issues and compromised guest and servicing experience. With the client and the design team keen to pursue a strategy to retain as much of the existing structure as possible, all options to preserve embodied carbon and maximise operational energy efficiency were considered and integrated with the retained concrete structure of the largest building component.
Aside from the environmental benefits of the publicly accessible roof garden, the comprehensive planting scheme will transform a grey, urban, built-up series of roofs into a green and verdant urban landscape.
“This approach will provide privacy for hotel guests within bedrooms and enhance the site’s biodiversity credentials and adding natural elements to the neighbours’ gardens by way of bee bricks and bird nests in the flank walls,” added Teodoro Mastrantonio, Project Architect.
Image credit: Studio Moren
“This is an exciting and ambitious project that will help regenerate this part of the borough,” said Dexter Moren, Founding Partner, Studio Moren. “Together with the completion of the Olympia London Masterplan’ which will attract an estimated 12 million visitors per year, the new hotel will be a key contributor to the vibrancy of the area. It is an opportunity to give this hotel a much-needed facelift, enhance its sustainability credentials, marking the gateway into Royal Borough of Kensington and Chelsea.”
The planning committee report positively praised the proposal stating that “The scheme is well considered and provides a high-quality building which would positively contribute to the wider townscape when compared to the existing building, which has little architectural merit. Overall, the development would respect the existing context, character and appearance of the surrounding townscape and would contribute positively through the architecture and general urban form of the building. The development would be of the highest architectural quality and has been designed to be functional, robust, attractive, inclusive, and secure. The building responds well to the architectural style of the surrounding area …and would achieve the highest standards of architecture and design.”
Made up of a collection of luxurious velvet designs inspired by original archive patterns, each Wardle Velvet coordinates beautifully with one of the twelve inaugural Morris & Co. plains…
One of William Morris’s most admirable qualities was his diligent understanding of every art offered by his company, Morris & Co. From tapestry weaving to fabric dyeing, he ensured that before his firm manufactured anything, he could make it himself. One way Morris kept adding to his brimming skillset was by persuading makers to adopt him as their student. One such maker was Thomas Wardle. A second-generation fabric manufacturer from Leek in Staffordshire, Morris frequently lodged with the Wardles between 1875-1878, writing of his learnings that he was “taking in dyeing at every pore.”
The designers behind the collection have been inspired by Morris’s ability to learn and master new crafts through creative collaboration, while engaging in constant dialogue with a vast craft history and utilising the Sanderson toolkit of UK factories and craftspeople in elevating velvet design to a level of astonishing quality.
Image credit: Sanderson Design Group
Featuring the same glorious, boldly scaled artichoke heads of J.H. Dearle’s 1898 original, this highly ornamental design receives some of the richest colour treatment of any Morris & Co. velvet. Printed at its Grade II listed factory in Lancashire, a darkly dyed backdrop dramatically foregrounds Dearle’s virile Artichoke pattern. Ideal for use in upholstery and drapery.
Image credit: Sanderson Design Group
Originally imagined as a wallpaper available for the low price of 4 shillings and sixpence in 1879, Sunflower has been translated onto sumptuous velvet fabric. In no less than seven colour choices, Sunflower’s radiant pattern of flowerheads and flowing vine forms offer an irresistible decorating story for the home. Ideal for use in upholstery and drapery.
Image credit: Sanderson Design Group
A work of exquisite craftspersonship involving skilled artisans from across the world, the Bluebell Velvet Embroidery sparkles with jewel-like colour and detail. Featuring gradient stitching for a high degree of realism, this remarkable fabric is a contemporary reinvention of William Morris’s 1876 Bluebell. Perfect for use in upholstery and most drapery projects.
A staple plain of undeniable quality and versatility, the Wardle Velvet instils confidence in any upholstery and drapery project. Available in a range of 12 colour possibilities, the collection presents endless decorating stories as a coordinate fabric or leading textile. Each colourway is made to coordinate with the namesake hue in the Morris & Co. Paint range.
Sanderson Design Group is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
VIP arrivals: hottest hotels opening in November 2023
Hamish Kilburn, Editor of Hotel Designs, takes the industry on a worldwide adventure to discover the hottest hotels that will open in November 2023…
While November is a time for us on the editorial design at Hotel Designs to celebrate the real influencers of the hotel design industry – with The Brit List Awards 2023 coming to its climax – it is also a time for us to look ahead to identify what’s next on the global hotel development scene.
November is jam-packed full of VIP arrivals, from new brands emerging in Japan to a new diva arriving in London’s Soho district – we have also thrown in a few boutique from Mexico into the mix.
Here are what we believe are the hottest hotels opening in November 2023…
Janu Tokyo
Image credit: Janu Tokyo
Translated as ‘soul’ in Sanskrit, Janu will deliver an elevated guest experience akin to Aman, while providing a spirited social scene in contrast to Aman’s whisper-quiet seclusion. Through Janu’s appreciation of cuisine, art, design and service, Janu Tokyo will reflect and celebrate the city’s rich, cultural fabric.
Claiming 13 floors in total, from the ground up, Janu Tokyo is located in the B-2 District Tower designed by Pelli Clarke & Partners with interiors by long-term Aman collaborator Jean-Michel Gathy of Denniston Architects. All 122 light-filled guest rooms will feature floor-to-ceiling windows with the majority having private balconies with views of the iconic Tokyo Tower or surrounding greenery. Ranging from 55 square metre Deluxe Rooms to the 284 square-metre Janu Suite, there will be an abundance of connecting rooms encouraging travel with family and friends.
Boca de Agua, Bacalar
Image credit: Boca de Agua
Think of Boca de Agua as a poetic habitat. The 22-key property with suites has been designed by architect Frida Escobedo, who was recently tapped for the contemporary art wing at the Museum of Modern Art in NYC. The boutique hotel., which nestles in the Laguna de Bacalar, shelters a number of rooms, villas and treehouses that have been designed, with local materials, and an aesthetic that feels luxurious and contemporary.
Angama Amboseli, Kenya
Image credit: Angama Amboseli
Angama Amboseli will present a brand-new intimate lodge in the heart of the private 5,700-acre Kimana Sanctuary, Kenya – think neutral, earthy colours, reflective of the lodge’s surroundings with elegant, understated textures including canvas, concrete and rattan.
The country’s first community-owned conservancy, working in partnership with the Big Life Foundation, the Sanctuary is framed by verdant landscapes, an abundance of wildlife and sweeping vistas of Mount Kilimanjaro. Offering guests an idyllic East African oasis with high level, warm Kenyan service and well-considered guest experiences, Angama Amboseli is set within a fever tree forest where some of Africa’s last Super Tuskers roam. Offering 10 tented guest suites, including two sets of connecting family units, featuring a contemporary take on African design, the high-end lodge has been designed with consideration to animals and nature throughout.
XELA, Tulum
Image credit: XELA
Hidden among the swaying palms on the shores of Tulum Beach lies XELA, a serene haven of laid-back luxury featuring 12 spacious en-suite rooms poised at the threshold of the wild and authentic. A secluded retreat that echoes the essence of a private coastal villa, the boutique luxury hotel emanates an atmosphere of effortless calm and exclusivity.
XELA’s design aesthetic effortlessly merges organic architecture with beach house minimalism. The common spaces embody chic tranquillity, where seamless indoor / outdoor transitions create an atmosphere of relaxed living.
Broadwick Soho
Image credit: Broadwick Soho
Broadwick Soho, is a hotel that was born from a vision between a group of friends. The 57-key hotel, with interiors by Martin Brudnizki Design Studio, promises a ‘captivating and characterful’ experience in London’s vibrant Soho area.
The hotel’s design blends 1920s opulence with a dash of English eccentricity. Each guestroom, layered with texture and materials, has its own design. The rooms feature bespoke furniture, handpicked artwork, geometric patterns and vibrant prints that complement a muted colour scheme.
The Standard Singapore
Image credit: The Standard Hotels
Ever since the opening The Standard London, the brand has popped up in various locations, including Ibiza, the Maldives and Bangkok. The latest hotel to join the slightly dysfunctional family is The Standard Singapore, which, we expect will be open in November – we have been told, at least, that the hotel will open by the end of the year.
In addition to making its appearance in Singapore, The Standard is also planning on opening properties in Melbourne, Lisbon, Dublin and Brussels.
One&Only One Za’abeel, Dubai
We will leave you with the news of One&Only opening its first vertical hotel, which of course will be in the Middle East. Although the hotel is not slated to open until December 1, it’s worth getting excited about the 299-key arrival, which, if rumours are to be believed, will shelter some of the largest rooms in Dubai.
VIP Arrivals is a dedicated editorial series, that drops monthly, to explore the hottest hotels opening around the globe. Please contact the editorial desk if there is a hotel that you think should be on our radar for future features.
Panel discussion: fusing creativity through design collaboration
Hamish Kilburn, Editor of Hotel Designs, shares his takeaways from a recent panel discussion he hosted, inside the Poltrona Frau showroom in London. On the sofa with him was Marie Soliman, Co-Founder of Bergman Design House and Jessica Morrison, Senior Associate at G.A Group. The topic? Fusing creativity through meaningful collaborations…
Design collaboration in the interiors arena is not a new concept. Like fashion and retail, interior designers have long seen the value of putting two (or more) heads together to take an idea from being an empty concept to being a marketable product. Take Poltrona Frau, for example. In the past, the Italian furniture brand, renowned for its exquisite craftsmanship, has partnered with iconic figures like Jean-Marie Massaud, Roberto Lazzeroni and Ozwald Boateng as well as acclaimed architects such as Renzo Piano and Norman Foster.
Beyond just the notion of working together to create a statement product that sells, though, in recent years there has been a louder demand for the design community to come together to create deeper narratives in interiors. To highlight the value of socially and craft-driven partnerships, Hotel Designs put the topic in front of a live audience for its recent panel discussion.
Image caption: Marie Soliman, Hamish Kilburn and Jessica Morrison catching up ahead of the panel discussion. | Image credit: OL Visual
Hamish Kilburn: How has a more transparent relationship between client and designer impacted the overall project, from concept to completion?
Jessica Morrison: That relationship you build, on hotels, is a minimum of three years – often much longer. You have to build that trust. We always try to challenge the client. We want to meet their desires but obviously challenge them to do more. This works both ways, of course, and the client also challenges us when, for example, they don’t accept the first idea.
At the end of the day, if both the client and the designer want to achieve the same end result then I think the process of challenging each other is really important.
Image caption: Jessica Morrison, Senior Associate at G.A Group, discussing the various design collaborations inside 1 Hotel Mayfair. | Image credit: OL Visual
Hamish Kilburn: Marie, since setting up your own studio with Albin Berglund, have you gained more respect from clients?
Marie Soliman: The client is always right. Albin and I learned a lot working in a studio setting as senior designers. I have to say, though, since setting up our own studio, we are able to put more of our personalities into our client relationships – and sometimes we can be blunt around what will work and what will not. From my experience, clients respect that honesty.
The clients we attract at Bergman Design House know already that I will not just say ‘okay’. I think as long as you have a solid reason and, more importantly, a solution, then this feedback is constructive.
Image caption: Marie Soliman, Co-Founder, Bergman Design House, discussing the value of honest client relationships. | Image credit: OL Visual
HK: Clients need boundaries, though. How do you set these so that the working relationship continues to be balanced?
MS: You have to learn to be uncomfortable to be comfortable. If you are expecting that a client relationship over five years will be seamless throughout then you are delusional. You have to learn not to take things personally and to leave your ego out of meetings. Essentially, it is about listening.
JM: The ideal client will make decisions early on, stick to them, adhere to the program – you don’t always have to agree, but on the whole everyone will stay aligned to the process so that the hotel gets built. However, the reality is that the client can change their mind at every stage of the project.
Image caption: Interior designers were invited to Poltrona Frau’s London showroom to watch the panel discussion live. | Image credit: OL Visual
HK: Let’s talk about celebrating local craft. This is certainly more apparent in recent hotels that have opened. Where do you start when finding these local talents?
JM: Taking a step back, the people we chose to collaborate with on these projects need to be good at their craft – we are not collaborating for the sake of it. You need to find someone who is at the top of their game or someone who is obsessed with their craft. In 1 Hotel Mayfair, for example, we researched British heritage crafts, and one of those was dry-stone walling. It wasn’t an artist, or someone who had exhibited, it required us to call around Yorkshire stone yards. For me, it was important that we were tapping into something authentic, which I think comes across in the design.
Image caption: The lobby inside 1 Hotel Mayfair. | Image credit: Jon Day
Design collaborations don’t have to be local in my eyes. For the same hotel, guests will notice an oversized living chandelier when they walk in to the lobby. I love the narrative behind that piece. We attended a famous garden exhibition in France where we met a studio that created these small dome elements. The artistic and design collaboration took off from there. For us, we wanted to challenge them to produce their work on a larger scale and for it to be more refined, because the hotel is situated in Mayfair.
HK: Is this movement, to establish these deep collaborations, translating in other sectors where budget it less of an obstacle?
MS: Adding sense of place in marine projects is difficult because these vessels are not designed to be in the same place for very long. Also, in luxury yachts, budget is rarely an issue. With these projects, it’s about designing something that feels very personal for the client.
Image caption: The members’ lounge inside The Other House South Kensington credit: The Other House
I think there is a misconception around the word ‘budget’ in hotel design. For The Other House in South Kensington, for example, we were on a tight budget, but the guest would never know. I am so proud that we achieved a playful design narrative that was also conscious (there is a lack of marble and we used a lot of British manufacturers throughout). The word budget is a myth. If you are a good interior architect who knows how to layer – and you know where to spend the money – then there are options.
HK: Often with this topic, we talk about crossing boundaries into new territories for inspiration. What can interior designers learn from the fashion arena?
JM: We always draw from culture, whether that’s fashion, art, theatre or travel. That has always been the case. I think collaborations between manufacturers and fashion designers are really interesting because they will bring different experience and detailing forward. As a designer, you try to be sensitive to everything.
MS: These types of collaborations are special – they mean something. They are the result of real conversations and the designer researching into brand.
Poltrona Frau is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
The key to intelligent integration and control in hotels
Vidar Thomassen, Director, Zennio, delves deeper into how the company exploits the power of the KNX standard to enable seamless communication between different systems and devices within a hotel building…
In the fast evolving hotel design industry, the implementation of automation systems has brought a revolution in the way we interact with spaces and services.
The quest for efficient intelligent integration and control has led to the emergence of the KNX standard as a fundamental element in this domain. By offering a centralised and integrated control system known as the Guest Room Management System (GRMS), Zennio transforms the way hotels manage and control their operations.
Image credit: Zennio
The KNX standard serves as a communication protocol that seamlessly connects various elements within a hotel, including lighting, HVAC (Heating, Ventilation, and Air Conditioning), access control, energy management, and more. Zennio’s expertise focuses on managing and integrating these diverse systems into a single, centrally controlled GRMS. By doing so, they empower hotels to adopt a great approach to managing and controlling their operations, eliminating the need for separate control interfaces for each system. This consolidation simplifies the overall management process and enhances efficiency.
One of the standout advantages of the KNX standard is its exceptional ability to achieve interoperability between different systems. In practical terms, this means that devices from various manufacturers can intercommunicate and work seamlessly together, irrespective of their individual specifications. This level of interoperability provides hotel owners and operators with the freedom to select devices and systems that best suit their unique needs, without being locked into a specific vendor or technology. And Zennio ensures compatibility, promoting flexibility and choice for hotels.
Flexibility and adaptability are further reinforced by the KNX standard’s scalability. Zennio’s automation solution is specifically designed to accommodate expansion and adaptation over time. As hotels evolve and their needs change, new devices and functionalities can be easily added to the existing system. This scalability ensures that the automation system can grow alongside the establishment, catering to the evolving requirements of the hotel. Owners and operators can customise and tailor the functionality of the system to match the specific needs of each project, allowing for optimal performance and efficiency.
By connecting all systems and devices in a hotel to a centralized management and control platform, Zennio empowers owners and operators with complete control over every aspect of room or área automation within the building. Through a user-friendly interface, authorized personnel can easily monitor and manage these systems, ensuring optimal guest experiences, operational efficiency, and sustainability. The ability to have a comprehensive view and control of the entire hotel automation system enhances decision-making and improves overall operational performance.
In addition to centralized control, Zennio’s automation system leverages sensors and actuators to collect real-time data and automatically adjust environmental parameters such as lighting and temperature. This intelligent control capability optimises guest comfort and energy efficiency, further enhancing the overall guest experience. For example, the system can detect occupancy in a room and adjust the lighting and temperature accordingly, creating a personalized and comfortable environment for guests. This level of automation reduces the need for manual intervention, streamlines operations, and improves resource management.
Image credit: Zennio
Moreover, the owner can use de GRMS data to improve his operation. They are now able to read their efficiency attending the “Make up room” demands from guests, knowing when the guests make their request and when this request is attended by the cleaning service. Or they can know if average guest temperature setpoint in the rooms is lower or higher than expected, so the hotel can reduce the energy waste in the engine room lowering the consumption.
In conclusion, the Zennio hospitality solution, built on the foundation of the KNX standard, emerges as the key to achieving efficient intelligent integration and control in hotels. The interoperability and flexibility afforded by the KNX standard enable the seamless integration of diverse devices and systems into a centralized platform. Zennio’s focus on intelligent control and adaptability empowers owners and operators to create customised, efficient, and secure environments that attend to the unique requirements of each hotel. By embracing the power of automation and intelligent integration, hotels can elevate the guest experience, drive operational efficiency, and contribute to a sustainable future.
Zennio is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
During this year’s HIX, Ligne Roset will be presenting a selection of outdoor products, each showcasing the characteristic aesthetic of the historical French brand…
LAPEL, Murtoli and Serpentine, are three outdoor collections, which Ligne Roset will be shining the brand spotlight on at HIX next month. In this sneak-peek product preview, we take a look at the collections – each with different elements of quality and comfort, all underlined by the Ligne Roset aesthetic.
Image credit: Ligne Roset
The LAPEL Collection is designed by Italian designers Busetti Garuti Redaelli and offers a full range of outdoor products as it includes an armchair, side chair, stool and table. The braiding of the Lapel armchair, side chair and stool, is made in Indonesia and is extremely complex, as it has to be perfectly taut. All the sitting options give an impression of comfort and lightness, thanks to the aluminium frame and backrest with synthetic rattan fibre cuff. More specifically, they have an aluminium structure finished in carbon-coloured lacquer, a back in woven synthetic resin and a seat pad in 24 kg/m3 polyurethane foam covered in a beige-coloured polyester fabric. At the same time, the top of the Lapel outdoor table is combined with an aluminium base which makes it an example of lightness and functionality.
Image credit: Ligne Roset
The Murtoli Collection is designed by Christian Werner and merges the lines between indoor and outdoor design by bringing the Ligne Roset indoor expertise to the outside. The collection is an example of true contemporary craftsmanship and consists of a large settee made from fibreglass slats and ultra-flexible foam, mounted on a matt black aluminium base and covered in a water-repellent cover. The seat cushions, foam and wood, protected by a water-repellent liner and a non-slip outdoor fabric, have a particular shape, with two different slopes, which makes possible a ‘lounge’ position or a more ‘seated’ one.
Image credit: Ligne Roset
The relaunched version of the Serpentine outdoor chair is characterised by two major innovations: the structure is now in aluminium, a light, easy-to-move material which is impervious to poor weather; the armchair-bridge is complemented with a settee. When combined, the settee and armchair create an attractive outdoor seating set ideal for the garden or patio, whilst the armchair by itself offers a refined, comfortable seating solution when placed around an outdoor dining table. The collection is designed by French designer Eléonore Nalet.
Ligne Roset is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
Perle is born out of the ‘Haute Culture’ concept from Gessi, which, in its shapes and materials, celebrates the natural world and exalts the quality of design at the highest level…
The new Perle collection from Gessi, encapsulates the meanings and characteristics of jewellery, which represents both elegance and refinement. Just as the pearl is the most perfect and rare shape in nature, the sphere that punctuates each element of the collection is an emblem of purity and the fruit of profound research.
The same research that has led Gessi, through more than two years of studies, to explore the best Made in Italy materials to enhance its creations, with the aim of increasingly personalising and customising the most important element of the most intimate space for living.
Image credit: Gessi
To exalt these fine materials, it could only be the perfect shape of the pearl. The sphere has conditioned the birth of this new collection that, inspired by the qualities of the worn jewel, wants to transfer the same tactile and aesthetic pleasure in everyday life, to an ergonomic and functional use.
The Haute Culture Gessi approach has led the company’s in-house designers to confront architecture, art, fashion and craftsmanship in this exercise of design experimentation, translating Italian know-how into a new cultural approach that transmits into the future the high skills that are otherwise in danger of being lost. From the timeless craftsmanship of Murano glass to the manual working of marble, from synthetic materials taken from bijoux and fashion accessories to semi-precious stones and to the metals proper to the manufacturing industry.
The spheres, always different, are enhanced by a real pedestal, also perfectly shaped, inspired by different currents of Italian design – a sculptural form that interacts with the pearl in a game of sections and spherical and hemispherical elements combined with each other in a harmony and balance almost indescribable if not seen and touched in person. Because Gessi, in its experimentation, always puts the person at the centre.
This is what Haute Culture Gessi is all about – recovering, renewing and experimenting with all the skills and craftsmanship typical of the Italian way of life, in order to protect this culture, which is otherwise in danger of fading out, while at the same time, taking it to the next level.
Gessi is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
With design inspired by Warsaw’s unique blend of art, culture and architectural styles, sweeping glass walls on the ground floor will blur the line between hotel and city, while dramatic curved balconies offer a subtle nod to the arches of Baroque architecture found in the city.
A grid of uniform square windows will help the building feel at home in its neighbourhood, with interior design and artwork paying homage to the history and culture of Warsaw’s city centre.
Image credit: Hilton Hotels
“With five new hotels opening in the past year alone, Hilton’s growth in Poland continues at pace and destinations like Krakow, Warsaw and Wrocław present new opportunities for our world-class brands,” said Patrick Fitzgibbon, Senior Vice President, Development, Europe, Middle East and Africa. “We see great opportunity for our lifestyle brands across Europe and Canopy by Hilton Warsaw will join locally inspired hotels in cities including Reykjavik, Zagreb and most recently Cannes. We’re excited to work with TFG hotels on this latest development and look forward to welcoming guests.”
Canopy by Hilton Warsaw’s features include an expansive roof terrace boasting views across the city and will be a refuge where visitors can enjoy a coffee or cocktail alongside a menu of delicious, locally-inspired dishes. The hub of the hotel, Canopy Central, will bring together both guests and Warsaw residents in comfort, providing a space for relaxation, work or socialising. Canopy Central is a one-of-a-kind space that adapts to guest’s needs while feeling like an extension of the neighbourhood. For business or social events that require larger or more private spaces, the hotel will offer meetings and events space.
“We are thrilled to work with Hilton to introduce the Canopy by Hilton brand to Poland’s capital,” added Anna Fijalkowska, TFG Hotels. “Warsaw is a centre of commerce within the Central and Eastern European region and a city rich with history and culture, making it a hotspot for business and leisure travellers alike. Following an approximately 30 million Euro investment, this newly developed hotel is certain to become a favourite for visitors and locals and we look forward to welcoming guests in 2025.”
Nestled in a central location known for its high-end offices and extensive dining and nightlife, Canopy by Hilton Warsaw will be a 10-minute walk from the Palace of Culture and Science and Warsaw Central Station. Guests at Canopy by Hilton Warsaw will also be able take advantage of complimentary Canopy bikes, helping them see more of what Warsaw has to offer and explore the city like a local, while Warsaw’s extensive train, bus and tram network means guests will easily be able to reach other parts of the city.
Duravit brings a bold a splash of colour into the bathroom
Duravit, in collaboration with product designer Christian Werner, is introducing a new curated colour palette for the Vitrium and Millio series…
Vitrium from Duravit is a unique series that puts bold colour onto the bathroom agenda. It includes furniture such as vanity units, a tall cabinet and washbasins and can be combined with toilets and bathtubs from other series.
The colour concept with its six nuances is curated by Christian Werner, who was also responsible for the formal design of the Vitrium bathroom furniture and washbasins. There are six colours in total, which create presence without dominating the space and form a matt, warm contrast complementing wood, stone, concrete or matching tiled surfaces.
Image credit: Duravit
Image credit: Duravit
Christian Werner’s design studio spent three months developing the final colour palette. The designer, who enjoys working on a tactile as well as a visual level, created collages in his studio made from things that inspire him including the living world and various colours. These helped him find a direction for the design.
What value does a colour communicate? What impact does it have on furniture and washbasins? How does it work in the room? How does it match with Duravit’s brand identity?
“Colour also determines how we perceive a product, ” discussed Werner. “It’s an emotion because everyone responds to it differently. Multiple colours create a kind of colour resonance, something that ideally creates harmony. And colours for an interior should never be considered in isolation, but rather in the context of the entire space.”
Image credit: Duravit
Image credit: Duravit
For Werner it is important that the colours work on their own and that they also harmoniously interact with each other. This means they can be used as an accent and to create an interior theme. The final colour palette consists of three neutral shades; Light Gray Matt, Dark Gray Matt, and White Matt as well as the three rich shades Greenblue Matt, Parlour Blue Matt, and Cinnamon Matt. The products are ideal for architecture ranging from minimalist rooms right through to rustic country houses, they can create accents in a private bathroom, or make a statement in office, hotel and restaurant bathrooms.
Used alone as a focal point, the furniture and washbasins have the aesthetic effect of an artistic sculpture, and when used tone-on-tone they create a balance between harmony, tranquility and a bold statement.
“The idea behind Vitrium is to help transform the bathroom into a favourite room,” summarised Werner.
Image credit: Duravit
The design language of the objects is as clean and unfussy as the colour palette. The series takes its inspiration from fundamental geometric shapes such as a circle and cube. The minimalist console vanity unit can be combined with a round above-counter basin made from DuroCast UltraResist or a square washbasin, which guarantees that the washbasin and furniture work perfectly together, thanks to the c-shaped process developed by Duravit.
The storage furniture was also developed by Werner for Duravit and is available as a mid-height cabinet and wall-mounted vanity unit in a range of widths, while the 1420mm unit is also available as a double washbasin. Its elegant design language makes it an ideal addition to the range of delicate (finer) washbasins.
The two surfaces – lacquered wood and the cast mineral material DuroCast UltraResist developed by Duravit – appear as one thanks to the advanced technical expertise deployed in their manufacture. The extra layer of lacquer lends the washbasins yet more outstanding material qualities.
Image credit: Duravit
In addition to the two round and rectangular washbasins, Duravit also supplies the DuraSquare bathtub and a wall-mounted toilet in the new colours. The DuraSquare free-standing bathtub, made from DuroCast Plus, with its rectangular external shape and precise edges is a perfect match. Its flowing interior contours create an aesthetic link to the round Vitrium washbasin.
The Millio toilet with matching toilet seat, designed by the Italian designer Antonio Bullo, not only reflects the colours, but is also available with two surface textures – a grooved and a patterned relief – in addition to the standard smooth version, offering even more choice. It is made from two pieces that are seamlessly connected to one another: a ceramic toilet body and a panel made from DuroCast Smooth that is pleasantly tactile. The antibacterial glaze of the interior basin with the glossy white surface is extremely hygienic. After just six hours, 90 per cent of bacteria (e.g. coli bacteria) are inhibited and after 24 hours 99.9 per cent – an unprecedented level.
A special option is available for order quantities of 16 units and above. Ordered in such numbers, Millio can be manufactured in any colour, which is of particular interest to the commercial sector, for instance integrating the colour of a brand identity into a building concept. The Tulum faucet range by Philippe Starck is a great accompaniment, with its geometric design language combining round and rectangular shapes.
Duravit is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
The signing of Gran Meliá Dubai Jumeirah completes the group’s Dubai hotel portfolio. The resort will be located in Port de La Mer, a new luxury destination located in the Jumeirah One Beach area…
The signing of Gran Meliá Dubai Jumeirah completes the group’s Dubai hotel portfolio. The resort will be located in Port de La Mer, a new luxury destination located in the Jumeirah One Beach area…
Built directly on the seafront on a beautiful beach with white sand and turquoise water, Gran Meliá Dubai Jumeirah is a perfect example of a 360o urban resort, including all the attributes that leisure travellers expect to find, along with a privileged location close to the DIFC that also makes it attractive for the corporate and events segment.
Image credit: Meliá Hotels International
Located on one of Port de la Mer’s peninsulas, the hotel will feature 380 luxurious rooms and suites with exclusive ocean and iconic city skyline views, standing out for its design and personalised services. The complex will also have direct marina access, event facilities to host up to 1,000 people and wellness and fitness facilities endorsed by first-class international partners.
With regards to gastronomy, Gran Meliá Dubai Jumeirah aspires to be a reference in the city, inviting diners to enjoy a selection of the best experiences and brands in the world, with iconic restaurants and bars.
Image credit: Meliá Hotels International
The development boasts a wide range of leisure and lifestyle options, with the taste of Mediterranean luxury that the Meliá brand conveys. The hotel’s excellence and experiences, spectacular location and the beauty of the architectural and landscape project (signed by MOMA, desertINK & Lagranja) help the Gran Meliá Dubai Jumeirah aspire to become the very definition of Mediterranean luxury and ‘good living’, perfectly representing the Gran Meliá brand throughout the region.
“The signing of this fantastic hotel gives us a new opportunity to demonstrate our proven excellence in Dubai’s luxury segment,” stated Gabriel Escarrer, President and CEO of Meliá Hotels International. “Our Group is already firmly committed to this market. Port La Mer – Jumeirah is the perfect place to bring the exclusive interpretation of our iconic Gran Meliá brand’s Mediterranean luxury to a key market like Dubai.”
Gran Meliá Dubai Jumeirah will be the country’s first hotel of this brand, representing a milestone in its growing international expansion and scheduled to open in the fourth quarter of 2025. The brand is already present in 10 countries, bringing the concept of Spain’s lifestyle and its culinary avant-garde to the world’s leading destinations.
With 17 hotels currently operating and seven more in the pipeline, the Gran Meliá brand continues to lead the group’s luxury openings in Europe and the Middle East.
At the heart of this journey in today’s competitive landscape of hospitality, lies the world of custom-tailored FF&E furniture from Wood Couture, meticulously curated to cater to the discerning tastes of hotel guests who have grown accustomed to nothing less than the finest luxuries…
Bespoke FF&E furniture by Wood Couture embodies the perfect fusion of comfort, aesthetic appeal and functionality. These meticulously crafted pieces boast cutting-edge ergonomics, designed to enhance the well-being, comfort and overall contentment of guests. The unparalleled ergonomics and comfort offered by bespoke FF&E furniture, work in harmony to create a welcoming ambiance, seamlessly aligned with the hotel’s distinctive aesthetic theme.
However, in the pursuit of aesthetic excellence, functionality sometimes takes a back seat. Guests often find themselves grappling with a myriad of overlooked nuances, from the user-friendliness of furniture to the availability of storage solutions. Bespoke FF&E steps in to empower hoteliers with the ability to prioritise furniture utility without compromising on style or design finesse.
Image credit: Wood Couture
Wood Couture recognises that the trifecta of comfort, aesthetic appeal and functionality serves as the cornerstone for creating an unforgettable hospitality experience. In close collaboration with hoteliers and designers, it pioneers unique, tailor-made furniture solutions that seamlessly align with the hotel’s brand identity and desired atmosphere. Whether it’s a classic, timeless design or a bold, contemporary statement piece, Wood Couture’s skilled artisans bring the vision to life, transcending the realm of furniture to craft an immersive experience that becomes an integral part of the hotel’s narrative.
While aesthetic appeal is unquestionably pivotal in the realm of hospitality, a hotel’s FF&E must never falter when it comes to functionality or ergonomics, as these elements wield profound influence over the overall guest experience. Regardless of a hotel’s commitment to impeccable service or its architectural grandeur, subpar FF&E has the potential to cast a shadow over the entire hospitality experience. The finest bespoke FF&E, exemplified by the meticulous craftsmanship of Wood Couture, strikes a harmonious balance between ergonomics, functionality, and aesthetic appeal. This synergy elevates the guest experience to one of unparalleled comfort and luxury, ensuring that patrons eagerly anticipate their return for yet another memorable stay.
In this fiercely competitive landscape of the hospitality industry, where every detail matters, prioritizing the harmony of comfort, aesthetics, and functionality through bespoke FF&E furniture has become the hallmark of delivering an extraordinary guest experience.
Wood Couture is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
Inspired by nature – Marvel Onyx from Atlas Concorde
The original inspiration for the Marvel Onyx collection from Atlas Concorde stems from slabs of fine natural onyx, characterised by a particular luminosity and precise details such as light, delicate shaded veins…
Choosing a stone means recognising the answer to a contemporary need in a history, dating back thousands of years. Atlas Concorde draws inspiration from onyx to create Marvel Onyx: a collection for creating welcoming, evocative spaces thanks to the lightness and depth of luminous colors in impalpable shades, harking back to the protective power that legend and tradition ascribe to this unique material.
Image credit: Atlas Concorde
In keeping with the style of all Marvel World collections, Marvel Onyx combines elegance and sophistication and hints at an ethereal dimension manifested in the colour palette. The aesthetic, decorative potential of this collection finds full expression in the large-format slabs, capable of enveloping those who inhabit the space by offering an experience of hospitality, comfort and wellbeing.
Image credit: Atlas Concorde
Marvel Onyx brings to Marvel World – the project dedicated to the exploration of the finest marbles – the luminosity of onyx and the unique vibe this stone generates when struck by light, further enhanced by a high-gloss polished finish. The stylistic potential of stone finds its fullest expression in the details of the very fine veining, subtle splits, inclusions and variations in tone that lend themselves to an infinity of combinations, multiplying the aesthetic and design possibilities.
Image credit: Atlas Concorde
Lighter tones embrace Marvel Onyx White, with a warm white base with tone-on-tone crystalline veins enhanced by hazelnut shades that produce a profound three-dimensional effect. Marvel Onyx Alabaster, inspired by golden onyx, with a refined champagne-colored body adorned with delicate hazelnut nuances and surmounted by subtle white and gold veins. Marvel Onyx Pearl, where the background and shading play on tones of pearl gray broken up by faint white streaks.
Image credit: Atlas Concorde
Marvel Onyx Noir on the other hand features a fine siliceous onyx with an intense, compact black field furrowed by very fine white veins that are also found in Marvel Onyx Sky, with a light blue background enriched by indigo shading. Finally, Marvel Onyx Quartz was inspired by a natural stone from the Orient with a distinctive soft pink color traversed by elegant white lines.
Image credit: Atlas Concorde
Contemporary design, timeless elegance and understated luxury are the traits that best define the style of the Marvel World family and Marvel Onyx fits right in. A collection capable of transforming spaces into refined settings, enhanced by the large sizes (120×278 cm) that highlight the monolithic dimensions of the large slab and coordinate with the modular formats measuring 60×60, 60×120, 120×120 and 120x240cm.
Image credit: Atlas Concorde
Atlas Plan, a brand of Atlas Concorde specialised in large slabs for kitchen countertops, tables and furnishings, explores the potential of Marvel Onyx in a 162×324 format in a White version. To complete the Atlas Concorde product system, Marvel Onyx is transformed into a surface used for bathroom fixtures made by Atlas Concorde Habitat, in the form of beautiful natural onyx washbasins.
Atlas Concorde is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
The first Mövenpick hotel in the Baltic countries has opened its doors, introducing a new level of its Swiss hospitality to the Estonian market…
Formerly known as L’Embitu Hotel and situated on Lembitu Street in Tallinn, the hotel was renowned for its stylish design and excellent location. Earlier this year, Accor announced the launch of the Mövenpick brand in Estonia where, as Mövenpick Hotel Tallinn, it will offer elevated service, unique touches to the guest experience and opportunities to savour life’s pleasures. The brand is expected to expand further in the region, adding to its global portfolio of hotels.
The hotel is managed by Duco Hotels, who began operating L’Embitu Hotel Tallinn and L’Ermitage Hotel Tallinn this year, in addition to managing ibis Tallinn Center since 2019.
Image credit: Mövenpick
“We are bringing Swiss hospitality to Estonia with this outstanding globally-renowned brand,” said Madis Laid, Managing Director of Mövenpick Hotel Tallinn and Duco Hotels. “It is an important step for us as we now adhere to strict guidelines that raise service standards at the hotel and in the Estonian market overall. The hotel has been upgraded under the new brand, with exquisite touches that invite our guests to an exceptional experience.”
Mövenpick Hotel Tallinn provides an opportunity to indulge in life’s simple pleasures, whether it’s a great night’s sleep, delicious food, or relaxation. The updated property offers 125 modern, beautifully designed guestrooms with large comfortable beds, with some rooms offering a terrace or private sauna. Guests can also enjoy the expansive spa facilities, including a 12-metre-long pool with hydromassage, a Japanese pool, a cold water pool, a steam sauna and a Finnish sauna.
Mövenpick has inventive culinary excellence at its heart and with that, guests visiting the new hotel can enjoy a full-course meal at the ROOF restaurant, featuring a mix of Mediterranean cuisine and signature Mövenpick dishes. In addition, a wine and tapas bar in the cellar offers a selection of small bites and drinks by a fireplace for a memorable experience.
Guests are invited to Mövenpick’s daily ritual of chocolate hour in the lobby to try chocolate desserts and indulge themselves in daily pleasures the Swiss way. Chocolate Hour is a creative and immersive chocolate experience that takes place in every Mövenpick hotel lobby each day and represents the brand’s heritage and Swiss origins.
Mövenpick Hotel Tallinn is also suitable for business travelers and events. The property boasts a unique conference and celebration centre on the top floor of the building, providing a panoramic view of Lembitu Park and the city. The space features three halls with a total capacity of up to 220 people.
Mövenpick is committed to sustainability and reducing its environmental footprint through a wide range of eco-friendly solutions and initiatives. Mövenpick Hotel Tallinn has eliminated all guest-related single-use plastic items and is actively working towards its Green Globe certification.
Case study: Laufen contributes to the design cohesion of Wilmina
Wilmina Hotel is a captivating space for art and culture in Berlin’s vibrant Charlottenburg district and with Laufen in place, its commitment to meticulous design extends to the en-suite bathrooms…
Originally a 19th century courthouse and women’s prison, Wilmina has been thoughtfully reimagined by Grüntuch Ernst Architects, transforming it into a haven of tranquillity and creativity. The hotel’s interior design embraces a minimalist aesthetic, exuding elegance with a serene palette of whites, greys and pale greens. Plenty of natural light floods every room, thanks to numerous windows, some of which extend from floor to ceiling. Warm light fixtures create a cosy and inviting ambience, making guests feel at home.
Image credit: Robert Rieger
Set amidst lush gardens and interconnecting courtyards, this secluded gem thrives with a range of offerings including the Amtssalon for pop-up art events and the hotel with its exquisite restaurant Lovis. From the tranquil gardens and courtyards to the minimalist elegance of the rooms, every aspect of Wilmina exudes a sense of serenity and creativity.
Image credit: Wilmina
The en-suite bathrooms, which feature an exquisite selection of Kartell – LAUFEN products, continue the calm design narrative running through the property. The inclusion of the Cleanet Navia shower toilet and Libertyline accessible wall-mounted basin reinforces the overall simplicity of the scheme. These carefully selected bathroom fittings effortlessly complement the architectural features of the historic ensemble and add a touch of elegance to each room.
Wilmina is a the hidden oasis in the heart of Charlottenburg, Berlin, which invites you to experience a seamless fusion of history, art and culture. The en-suite bathrooms reflect the overall architectural coherence and design excellence of the property. Step into Wilmina and immerse yourself in a world where art, culture and tranquillity come together to create an unforgettable experience in the heart of Berlin.
Laufen is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
Northern Lights flicks the switch on timeless lighting at The OWO
Leaders in bespoke artisan lighting, Northern Lights reveals its considered approach to developing its bespoke lighting solutions for such an iconic venue…
Hailed as one of the most eagerly anticipated hotel openings of the last decade, Raffles London at The OWO remains a talking point across the industry, as it emerges from its phenomenal six-year transformation.
Bespoke lighting to enhance the 120 guestrooms formed an integral part of the renovation vision, led by The Office of Thierry W Despont. It’s no surprise that Northern Lights’ rich 35-year heritage and British craftsmanship was called upon to develop 18 bespoke lighting designs across the exquisite Heritage Suites and guestrooms.
Image credit: Northern Lights / Raffles London
“It was a privilege to be involved in such an iconic restoration project,” commented Donna Bruce, Managing Director, Northern Lights. “It has truly been worth the wait, and I’m proud that Northern Lights have been able to be a part of such a historically significant transformation.”
The timeless appeal of materials such as wood and brass are heightened with sumptuous custom finishes, classically complemented by porcelain and off-white tones. Each individual design displays meticulous attention to detail, celebrating the understated characteristics of enduring and refined style through exquisite craftmanship. The team at Northern Lights developed a bespoke rich bronze finish for the brass components to seamlessly tie the different designs together in a carefully considered yet subtle way.
Image credit: Northern Lights / Raffles London
Throughout the Heritage Suites, three table lamp designs bring soft illumination to the rooms. The Obelisk table lamp, featuring wood veneer with a glossy wenge finish and striking metalwork accents, immediately captures attention. Continuing the wood and metal theme, a rectangular wooden pillar base with brass detailing is finished with a rich red lacquer and custom fabric shade in that further exaggerates its shapely silhouette.
Image credit: Northern Lights / Raffles London
Three-tier conical steel pendants house triple lamps within and are topped with frosted acrylic to beautifully diffuse the light. The steel is finished in a high gloss cream, with contrasting metalwork detailing in bespoke bronze.
Throughout the guest rooms, various table, floor and pendant lights create beautifully soft pools of light, gently emphasizing the interiors. Red leather, glass and blackened steel offer a sense of charm and comfort. A star-shaped bowl pendant, fashioned out of concrete and finished in a white powder coat, projects light on to the ceiling above, whilst telescopic wooden floor lamps with their rich mahogany gloss invite guests to relax and unwind throughout their stay
Northern Lights is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
Main image credit: Northern Lights / Raffles London
Ennismore and Banyan Tree Group, have inked a landmark deal with Dubai Holding, to introduce a unique luxury lifestyle experience in the emirate…
The multi-staged project on Bluewaters will welcome new brands to Dubai, starting with the opening of Banyan Tree Dubai slated for November 2023. Banyan Tree Dubai will replace the existing Caesars Palace Dubai and following a phased stage of brand related upscaling improvements, the repositioned resort will feature 179 guestrooms, including 30 suites and a brand-new four-bedroom villa with its own private entrance, pool and beach.
A key focal point of the resort will be its wellness offering with the signature Banyan Tree Spa featuring its own reception, relaxation area, gym, indoor and outdoor yoga spaces, dedicated F&B space, private mini rainforests, hydrotherapy pools and treatment rooms.
In addition, the resort will shelter five restaurants and bars, each carefully curated through a collaboration between Ennismore’s in-house F&B concept studio, Carte Blanched and Banyan Tree Group, to offer guests a diverse culinary experience. Banyan Tree Dubai will also include 96 private residences comprising one-, two-, three- and four-bedroom units with a dedicated lobby, outdoor swimming pool and access to the hotel’s facilities.
As part of a long-term strategic partnership agreement between Accor and Banyan Tree Group signed in 2016, Banyan Tree Dubai will be co-operated by Banyan Tree Group and Ennismore, following a similar operational model applied in Banyan Tree La Cigale Doha, Qatar and Banyan Tree AlUla, Saudi Arabia.
Image credit: Banyan Tree AlUla
“We are thrilled to be at the beginning of a promising development partnership between Accor and Dubai Holding,” said Sébastien Bazin, Chairman and Chief Executive Officer Accor. “The announcement of the opening of a stunning Banyan Tree Dubai on Bluewaters is the first of many projects involving our brands in the pipeline to further develop and grow our presence in Dubai and globally.”
“Bluewaters has always been a destination for major projects that redefine luxury and cement Dubai as a global beacon of the tourism industry,” said Amit Kaushal, Group Chief Executive Officer, Dubai Holding. “Our collaboration with market leaders like Accor, Ennismore and Banyan Tree Group marks an important milestone in our ongoing journey of elevating the rich hospitality landscape in Dubai. The breadth and excellence of hospitality experiences in the Emirate is an inspiration for the industry worldwide, and we are confident that the relaunch of this unique resort will enrich that even further. In line with our vision of operating For the Good of Tomorrow, we will continue to unlock opportunities that strengthen the position of Dubai as a leader in the global hospitality sector and a major tourism hub.”
The resort sits at the heart of the unique, vibrant waterfront lifestyle destination, Bluewaters Dubai, where the charm and exclusivity of island living meets the exuberance of a sophisticated urban retreat. Bluewaters by Dubai Holding boasts a wide range of hospitality, lifestyle, residential, leisure and entertainment opportunities, with more than 150 retail and dining concepts.
In the factory with: Gessi, the jewellers of private wellness
Hamish Kilburn, Editor of Hotel Designs, spent 48 hours with Gessi, in Milan and its headquarters at the foot of the Italian Alps, and now doesn’t see the brand as a bathroom manufacturer at all…
The bathroom and wellness industry has been saturated with innovation, practical solutions and competition for quite some time. Gessi, a somewhat newcomer on the scene compared to its German rivals, was launched in 1992 with the unapologetic aim to think and design differently. Driven by its Italian DNA, to celebrate beauty in all forms, the brand has always looked outside the parameters of the bathroom arena to create new wellness solutions. Inspired by fashion, architecture, design and even jewellery if recent product launches are anything to go by, Gessi has achieved its goal to showcase private wellness beyond practicality – and here’s how.
Image caption: Gessi has earned world recognition as the ‘designer of water’. | Image credit: Gessi
Defined, one would argue, as the fashionista of the wellness industry, Gessi is all about creating lasting experiences in product form. These experiences are felt with full impact in the brand’s various showrooms, or ‘casa’, which translates to ‘home’ in Italian. Each casa shelters its own personality – amplifying a different strand of its adolescent attitude, if you like. Just like the interior design of a hotel, the casas tell their own narrative, looking beyond obvious stereotypes to not just inject as well as amplify a captivating and true sense of place. Casa Gessi Milan, for example, feels like it will at any moment make a quick-change into a nightclub, which of course it does during Milan Design Week each year.
Image caption: Casa Gessi Milan shelters a plethora of wellness experiences. | Image credit: Gessi
The guest experience – and I say ‘guest’ because all designers are made to feel warmly welcome – is more of a conversation than a showcase. For example, there’s a ‘jewellery’ station inside – the Project Boutique, for ad hoc consulting with a sartorial approach – that allows designers and clients to select and customise elements of their taps and even a ‘fitting room’ style shower unit that, using magnets, can be designed to replicate a particular design scheme. At no point, in fact, does this feel gimmicky. And that, I believe, is due to the concept being conceived around the products – and not the other way around.
Image credit: Gessi
‘Doing things differently’ extends beyond the company’s immersive showroom experiences and into the innovation and creativity in each product. Cue the arrival of Jacqueline and Perle, two little divas that have arrived to mark the presence of ‘Haute Culture’, a concept created by Gessi that so clearly defines its approach, to stand out with purpose and celebrate the people behind the design.
In its own boudoir-style showroom, overlooking the main building on the other side of the courtyard, is where Jacqueline and Perle currently reside. The window display is reminiscent of a luxury handbag store. It is the inspiration behind both these ranges, one directly from fashion and the other from the jewellery industry, that depict the ‘Haute Culture’ term in product form.
The Jacqueline collection, inspired from fashion and accessories, encapsulates the essence of style and lifestyle in a timeless concept. The collection uses the hollow roots of bamboo for a totally unique look and feel, which is handcrafted: the roots are selected one by one, by diameter and pitch between the knots. The water dispensing levers, inspired in shape by the fastenings of handbags and fashion accessories, are available in metal with leather-effect details or in a material that simulates horn with contrasting metal details.
Meanwhile, the Perle collection, is as the name suggests a rare find, which has been created following profound research around raw materials. The creations of the collection allow, through endless combinations of unique shapes, colours and finishes, to interpret the personality of the person who inhabits the space, in a path of true tailoring in order to achieve a result that gives well-being to the individual, a tailormade wellbeing. Currently, there are five ‘materic worlds’ for Perle, including Murano hand blown glass spheres, which utilises the skill and knowledge from master glassmakers, handed down from generation to generation, and is expressed on the pure form of the pearl.
Image caption: Introducing Perle from Gessi. | Image credit: Gessi
Together, Jacqueline and Perle mark a new era for the wellness brand, suggesting that it will continue to design products and solutions that centre the bathroom as the hero.
The latest Casa to join showrooms in Milan, Singapore, London, Dubai, Riyadh, Tokyo and Lohne, is in New York. Casa Gessi New York will be located slap-bang in the middle of Soho, and will feature no less than five floors of wellness experiences, including, we are told, an indoor pool.
Image caption: Inside Casa Gessi London. | Image credit: Gessi
Given its products and unique style, it’s hard not the think that Gessi was not born out of the fashion industry. However, its founder, Umberto Gessi, who established the company alongside his son, Gian Luca, was a mechanic before he decided to launch a brand that approached wellness through an architect’s lens. The vision was to reintroduce the tap in a different way; to view bathroom instruments beyond their practical use and instead see bathroom products as jewels over practical objects. Aside from the motorbikes that now line the entrance of the factory, designers will only appreciate the brand’s mechanical heritage when they start to learn about the process of design.
Image caption: The Gessi HQ is situated, in between nature, at the base of the Italian and Swiss Alps. | Image credit: Gessi
Gessi’s headquarters is located about 50 miles from the heart of Milan. Rather aptly given the brands innate approach to design consciously, it is nestled in nature under the striking vista of the Italian and Swiss Alps. In a site that spans 800,000 square metres, the factory itself occupies just 60,000 square meters, with development plans to add a further 40,000 square metres. The structure of the factory is made from local stone and features solar panels on the roof. It has a organic feel, with horizontal lines designed so that the building does not impact its backdrop – it’s somehow grounded to the earth, inherently conscious as much as it is efficient in its construction.
Image credit: Gessi
Inside, the space feels vast, but look closer and you will notice each section of the manufacturing line – the overall flow of the factory has been carefully conceived to maximise efficiency.
Adding value and longevity, Gessi is proud to layer the product with five coats of finish (the average among the industry is two to three coats).
Integral to each part of the manufacturing process is quality care. In addition to the final product being tested using air as well as water (hot and cold), Gessi also takes it upon itself to X-ray test components, using, in some areas of the factory, the same machines that have been used in the aviation industry and automotive brands such as Lamborghini. This, I am told, is a totally unique machine used in the bathroom industry.
When it comes to the commercial sector, new finishes being launched from bathroom manufacturers are usually met with a concerned eyebrow raised. That’s because, unless opting for the more expensive PVD (Gessi introduced its first PVD machine in 2020), the coating can become compromised when cleaned with any cleaning product. The advice remains from any bathroom manufacturing company to clean these painted products with warm soapy water only, but that is far from a realistic expectation for housekeeping staff adhering to modern traveller demands for hygiene. Adding value and longevity, Gessi is proud to layer the product with five coats of finish (the average among the industry is two to three coats).
Witnessing the manufacturing process puts into perspective the scale of Gessi’s demand, but also its procession when it comes to assembly as well as design. The showerhead nozzles, for example, are not manufactured as one plastic sheet – they are, instead, individual silicone nozzles, which create a better private wellness experience, which, after all, is what Gessi has always pioneered.
What impresses me, perhaps, most about Gessi’s approach is that through its innovation and risks it has taken to be perceived differently, the quality of its production and technical layers has never once been compromised. And that, I believe, is why is has become a leader, in all sectors, for redefining wellness in the most refreshing of ways.
Gessi is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
Roundtable: exploring the hybrid model in hotel design
With so much emphasis on the the need for flexible design solutions and the blurring of boundaries in the process of creating a hybrid hospitality, Editor Hamish Kilburn sat down with leading designers at the Tarkett showroom in Clerkenwell, London, to dig a little deeper and uncover the content behind the concept…
Identifying the core trends that define hybrid hospitality, Hotel Designs, in association with Tarkett, took on the task, along with the designers around the table, of getting to grips with co-working spaces, the changing face of luxury and both maximising space and understanding how the demands being made on hotel design is changing and evolving, to embrace the concept of hybrid hospitality.
The conversation started by broadly defining the touchpoints of what hybrid hospitality means and then looking at how the concept is being translated, in both different sectors and different countries. While concepts like flexible co-working spaces have traditionally been the realm of the lifestyle sector, are these ideas starting to trickle both up and down into other models, blurring boundaries not only within the hotel but across hospitality sectors as well?
Image credit: edyn
Hamish Kilburn: Drawing on projects you are working on globally, is this concept of hybrid hospitality translating into other territories?
Toni Black: From our experience at Blacksheep, working on a luxury brand like St Regis in America, where we changed the ground floor layout, introducing co-working space felt like a revolutionary move. Getting rid of dead points and changing the use of a space to make it more multi-functional certainly challenged brand norms, but has been successful in allowing the entire space to work.
Image credit: Marriott International / St Regis
Hitch Derras: Nobu Hotel in Portman Square is a luxury brand where the fundamental design principles of ‘breaking barriers’ and ‘connecting spaces’ play a pivotal role in its design. Successful illustrations of these concepts can be found in open-plan layouts that smoothly transition from a lobby to a lobby bar or a co-working area. The transition between the lobby, with its abundant glass, light and the darker lobby lounge and bar, with its jewel-toned decor, is flawlessly seamless. Despite this seamless connection, both spaces are distinctly defined by their unique materials and the distinctive mood they each convey.
Image credit: David Collins Studio / Nobu Hotels
With the increased emphasis on multi functional public spaces and imaginative use of space, Kilburn asked the question if this was impacting on the very first steps in the process, the process of property procurement when developing a hotel, before the design details even reach the boards.
HK: Are developers looking at properties with different requirements and visions with the demand for more flexible working spaces and larger public areas?
Ilya Tabachinskiy: While The Social Hub as a brand is, in many ways, defined by the concept of hybrid hospitality and co-working space, it is a question of extent – we are still always debating the extent of what is defined as hybrid and how far to take it to ensure that space is being optimised. It comes down to creating that balance between optimising space and creating a revenue stream.
Alex Bauman-Lyons: While revenue is always in the forefront of a development, in theory, creating buzzing and activated public spaces that are about delivering design, do in fact drive up revenue and room value. Because this is often less tangible than other streams, it can make it more difficult to justify. Often it is these intangibles, the ancillary spaces, which create a destination that ultimately impacts positively on the broader hotel concept.
TB: The hybrid model is not just about co-working, it is about creating activations and delivering a more multi-functional approach to an entire space. It is about branding as much as purpose of a space and identifying how to maximise a space at all times of the day, to keep a steady activation.
Image credit: Blacksheep
Image credit: Blacksheep
Bringing the conversation back to design, Kilburn asked if perhaps the lack of boundaries, or the blurring of boundaries between spaces allowed the design to be bolder and less function driven?
HD: The most significant design challenge in accommodating hybrid hospitality demands is finding the right balance between flexibility and functionality. Spaces must be adaptable while still offering comfort and style. Achieving this balance can be quite complex, particularly in smaller spaces.
ABL: In Locke hotels we have tried to move away from traditional co-working design with the standard desks, chairs etc. The basics are certainly there on a functional level, but stylistically it is definitely more hybrid, more relaxed.
Image credit: Locke Hotels
HK:Still focussing on the design element, why do you think that travellers and guests are wanting a hotel to look less like a hotel, less like a co-working space, as they walk in and experience the space?
Tom Thorogood: People are looking for the perfect mix of comfort along with an elevated level of service – in addition there is a much stronger appreciation for design in general and design expectations within the hotel experience are high.
TB: People want creature comforts but within an elevated hotel experience. This can, I feel, still be related back to Covid-19 and how that has changed what people are looking for in a hotel experience. Guests want to feel like they belong, while at the same they want to have experienced a destination. Design needs to be more tactile as well as aspirational, delivering a bit of theatre but still comfortable. Increasingly it is about the experience of a space, how it feels rather than how it looks.
Image credit: Studio Moren
HK:How as a designer do you allow a space to be hybrid and flexible but still have its own personality and defining touchpoints?
TT: That can be one of the hardest parts of a design to get right – when clients want you to mix functions and create that hybrid space, there is a danger of diluting the design purpose. They want a space to be a bar, co-working, private dining – potentially weakening the original design narrative.
ABL: There is the temptation, if you allow the hybrid pendulum to swing too far, to build in capability for a space to do too many things – you need to find a balance between a strong design narrative and space trying too hard to be multi-functional, or it can feel like a transient space.
HD: The most significant design challenge in accommodating hybrid hospitality demands is often in finding the right balance between flexibility and functionality. Spaces must be adaptable while still offering comfort and style. Achieving this balance can be quite complex, particularly in smaller spaces.
Image credit: David Collins Studio / Nobu Hotels
While looking at the big picture, it also became clear that increasingly spaces are being required to work harder and be more fluid, presenting designers with the challenge of differentiating spaces without the traditional landmarks of walls and doors. Surface design, colour, texture, lighting are just a few tools in the designer kit that facilitate this process and are part of the process of creating spaces that function across boundaries of time and task.
HK: As designers, how are you using different elements like flooring, to either define or soften boundaries in these spaces?
TT: Flooring can certainly be used to introduce shifts of space in more subtle ways, using elements like pattern direction and infills. The challenge with these spaces is to create a sense of design and purpose without as strong an individual identity as might have been the case previously. Flooring can be key to introducing subtle variation within a concept where spaces need to make a strong design statement while also being able to shift gear and work as a cohesive and flexible space.
Image credit: Tarkett
HK: While co-working spaces are usually top of the hybrid agenda, what about other influences and spatial shifts, such as the addition of retail into hospitality design?
IT: An enormous amount of energy and creativity can be seen in the retail sector in terms of design and creating statements and the lifestyle hospitality sector can definitely learn from this. We need to be translating the creativity from the retail experience into ground floor and public spaces that need to evolve and be exciting, which is exactly what retail does on a shop floor or in a window.
ABL: At Locke retail is quite an important element – primarily on a practical level, but increasingly it is an opportunity to introduce elements of aesthetic intrigue and variation that retail and art allows us, into a design. This can make a space less static and the design takes on its own life as the hotel team nurtures relationships with local artists and creatives.
TB: It is also a great opportunity to collaborate and bring in that sense of place that is so key to a successful design now – retail showcasing local makers and experiences, pop-up shops – all makes a space dynamic, which in the bigger picture then contributes to its longevity.
Image credit: Tarkett
HK: Have products developed in recent years changed or shifted emphasis to cater to this demand of hybrid hospitality?
Georgia Lalakou: There is of course a focus on the aesthetic, the design process of what you see, but there is also a focus on these elements that are less visible. Collaborating with designers to develop products that are about inclusivity, innovation and developing products that give designers the tools to create the spaces that work for everyone is at the heart of everything we do. In addition to innovating and working with designers on changing trends on an aesthetic level, sustainability runs parallel to everything we do. Again it is about the elements that are less visible, the method of production, the longevity of a product.
HK: Are we seeing interesting design solutions coming through as a result of these collaborations between designers and suppliers, specifically around the challenge of designing sustainably?
TB: The collaboration between manufacturer and designer is increasingly valuable when looking at questions of sustainability and can allow the design to be deeper and more meaningful, often giving the designers the information to justify a sustainable design decision.
HD: Sustainable design solutions are becoming increasingly prominent in the hospitality industry and is no longer just a trend, but is becoming a necessity as designers and manufacturers strive to reduce the environmental footprint while maintaining aesthetics and functionality.
ABL: Manufacturers are ultimately the experts and the process has definitely become more symbiotic between designer and producers. What is important within the conversation of hybrid spaces, is for the design and hospitality community to ensure that flexibility is not confused with disposability. There is an opportunity to create adaptable spaces, that are flexible, which ultimately work towards increasing the longevity of a design.
GL: Tarkett has also uniquely embraced the cradle to cradle philosophies into our manufacturing. While other manufacturers are resting their sustainability efforts on off-setting, to reduce their carbon footprint we have gone the other way, focusing on making sure that whatever material that is used in our products, can be separated and refined at the end of life to be used in new flooring. This is not just saving the flooring from incineration or landfill, but significantly reducing the carbon footprint in a natural way, and minimising the amount of virgin material needed to create a floor. For Tarkett, sustainability is not just marketing and nice words – it’s about changing our entire supply chain and manufacturing processes to radically reduce our impact on nature.
Tarkett is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
5 minutes with: Simon Hill, on five years of faucets by Duravit
Hotel Designs caught up with Simon Hill, Head of Product Management Group Faucets and Showers, Duravit AG to find out more about the trends and technology behind the taps…
Duravit has recently expanded its product portfolio with three new tap collections, allowing for greater interior design opportunities and offering a wider range with alternative combination options with its various ceramic series. In the light of this, Simon Hill answers some questions on the facts and features of the Duravit faucet collection.
Image credit: Duravit
Hotel Designs: You are responsible on the development side for the key area of faucets and showers at Duravit. What trends are you currently observing in the field of bathroom faucets?
Simon Hill: Our customers’ wishes for environment friendly features have come very much to the fore in recent years. Beyond distinctive and individual design, this calls for smart, energy and watersaving features – but without any compromises on performance and comfort. The strong demand for our sustainable FreshStart feature affirms this trend. With FreshStart, only cold-water flows when the handle of the washbasin mixer is in its central position, ensuring that the energy-intensive production of hot water is largely limited to situations in which it is actually required.
Image credit: Duravit
The MinusFlow feature, which reduces the flow rate by up to 40 per cent, also bears witness to customers’ growing appreciation of details which are kind on the environment while bringing real cash savings. These sustainability credentials have been confirmed by independent bodies: The Duravit hand shower with the MinusFlow feature and a flow rate of only nine litres/minute came top in a comparison test conducted by the German Stiftung Warentest consumer organization in 2023, for example.
Design is also a particularly important aspect, of course. The design variety offered by our broad range means that existing bathrooms can be upgraded and personalised with a minimum of effort. Special surface finishes are very much in vogue at present: Along with Chrome and Matt Black, metallic PVD finishes such as Bronze and Brushed Stainless Steel or Polished Gold are also in demand. PVD surfaces are less sensitive to detergents and more scratch-resistant than other surfaces. This enables faucets, showers and accessories to retain their original appearance for many years.
Image credit: Duravit
HD: What are the benefits of purchasing bathroom ceramics and faucets from a single source?
SH: There is a clear trend towards ordering complete one-stop bathroom solutions whose designs and surfaces are perfectly matched throughout, from ceramics through faucets to accessories. Customers wish for a coherent design idiom across all products which at the same time leaves them a degree of scope for individualisation. Functionality is an equally crucial aspect of our all-in-one solution: Duravit has developed the Best Match Test to assess how washbasin mixers and ceramics interact, for example. This ensures that the intensity and focus of the water jet are matched perfectly with the ceramics, to avoid undesired splashing.
HD: How important is the faucets segment within Duravit’s portfolio as a whole?
SH: Faucets and showers have developed into an important mainstay of our overall portfolio. This segment fulfils Duravit’s ambitious aim of offering the most customer oriented solutions possible in its role as a complete bathroom supplier. This is also reflected in the way business is developing in this area, with our latest product category showing substantial growth.
Image credit: Duravit
HD: Where precisely is the distinctive design of Duravit bathroom faucets developed and what quality assurance measures are applied?
SH: Design and development take place at the site in Hornberg, either in-house or in close collaboration with internationally renowned design firms. Examples here include Kurt Merki jr. for the C.1 faucets range, Philippe Starck for Tulum and Bertrand Lejoly for D-Neo – all winners of recognised design prizes such as the German Design Award, the IF Award or the Dot Award. Duravit has assigned actual production to experienced international faucet and shower specialists. We carry out comprehensive inspections of incoming and outgoing goods as well as regular supplier audits to ensure that the manufacture and quality of all products always meet our high-quality standards.
Prior to the sales launch, our faucets and showers undergo extensive endurance tests to ensure full functionality throughout their entire lifecycles. This results in products which play their part day in, day out in comfortable and convenient bathroom routines for our customers.
Duravit is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
Located in a dramatic curved structure rising over Darling Harbour, W Sydney is set to become a coveted destination for travellers and Sydneysiders alike, bringing new energy and a modern take on luxury to the city and harbour waterfront…
Located within The Ribbon and designed by acclaimed Australian architectural firm, Hassell, W Sydney rises above the roadways to hug Darling Harbour. Its exceptional interiors are designed by London-based Bowler James Brindley, who conceived W Sydney through the authenticity of the city’s history, spirit, and lore; from the marine-inspired rooms and suites to the distinctive restaurant and bars. At the heart of the hotel’s design story is ‘the larrikin,’ a quintessentially Australian character whose strong spirit informs and inspires the hotel’s luxe yet unconventional interiors.
image credit: Marriott International
“W Sydney marks our W Hotels brand’s triumphant return to Sydney, a long-awaited addition to our robust portfolio in Australia, following our recent debuts in Melbourne and Brisbane,” said George Fleck, Vice President and Global Brand Leader of W Hotels. “W Sydney will cultivate a new cultural and social hub in the vibrant Darling Harbour precinct. It is the perfect canvas for a non-conformist approach to the luxury hospitality landscape with W’s bold and energetic ‘Whatever/Whenever’ service ethos, dynamic design, and immersive programming as we celebrate Sydney through a new lens.”
From the moment guests step past the W sign, inspired by the Australian Waratah flower, they are on a design-led journey. The copper-clad entry pays homage to subterranean Sydney and its disused railway tunnels and an illuminated vertical promenade sweeps guests up into Living Room, a vivid blue space that reinvents the conventions of a traditional lobby by turning it into a social hub. Embracing a ‘Future Noir’ theme, Living Room is punctuated by an electric blue circular bar and nest-like seating that reference the Australian Bowerbird, a larrikin of the bird world.
W Sydney’s 588 guestrooms, including 162 exceptional suites, draw inspiration from the hotel’s harbourside location and nearby beaches, exuding marine-chic in their nautical white and navy-blue palette and undulating walls that echo the sails of yachts in the marina below. Bathrooms are rendered in deep oceanic blue and walk-in wardrobes feature a burst of graphic, inflorescent red and pink Waratah flowers for a playful touch.
Image credit: Marriott International
Across all its spaces, W Sydney channels the boundless energy of the Harbour City and its culture of inclusivity with a tuned-in, curious attitude, amplified through always-on programming. Electrifying the city’s culinary and nightlife scenes, W Sydney brings four new dining and bar venues across three exciting levels. BTWN embraces its unique setting adjacent to the flyover, drawing on its urban surroundings and weaving the iconography of night food markets into its spaces. Leading the culinary adventures at BTWN is Head Chef Chris Dodd, an alumnus of Aria and Blue Door, whose menus hero the produce of New South Wales. Just as other restaurants in town are winding down, BTWN comes alive with 2AM: dessertbar, a late-night hotspot created in collaboration with Singaporean dessert guru Janice Wong.
Living Room’s menus embrace the hotel’s location on the edge of Asiatown with a focus on Sake and Soju, as well as Asian small bites. 29/30 is a two-level bar with uninterrupted harbour views, the perfect place to celebrate Sydney. A beacon at the apex of Darling Harbour, the WET Deck (pool) level bar evokes an underwater world with coral-inspired lighting and is a great spot for casual tapas and cocktails. Meanwhile, Level 30 above takes things up a notch with elevated cocktails, a menu of vintage Champagnes by the glass, and the above-sea-level décor of a superyacht.
Image credit: Marriott International
Switching the mood, AWAY Spa is an oasis of concrete calm designed to leave guests feeling rested and recharged in an idiosyncratic but nevertheless deeply restorative space. The five treatment rooms and connecting spaces are gently enclosed by the meditative, geometric art of Bradley Eastman (aka Beastman). In addition to unique circular pods for beauty treatments, the spa features a bar for those who like to socialise while they decompress. The hotel’s FIT Gym is complete with Technogym equipment, whereas WET Deck is a place to chill poolside with stellar views of Darling Harbour. The 30-metre open-air infinity pool showcases a giant jellyfish motif crafted from vivid glass mosaic tiles, a further nod to the hotel’s joyful eccentricity.
Whilst W Sydney is destined to be Sydney’s newest playground, it also means business. Located just steps from Sydney’s International Convention Centre, the hotel features 1300-square-meters of exceptional event space across eight versatile rooms. Set on level five, W Sydney’s 592-square-meter pillarless Great Room features floor-to-ceiling windows that afford extraordinary views of the city. The design connects to the lively Darling Harbour setting, with light fittings and a graphic carpet that explode in a creative tribute to Sydney’s famous fireworks.
Marriott International signs on plans for three properties in Indonesia’s new capital city
Marriott International has announced it has signed a Hotel Management Agreement with Indonesian real estate developer, PT. Pakuwon Jati Tbk. to open three properties in Indonesia’s new capital city, Ibu Kota Negara Nusantara…
Meaning “archipelago” in ancient Javanese, Nusantara is a symbol of national identity and planned as a smart forest city, in line with Indonesia’s commitment to achieve zero carbon emissions and 100per cent new and renewable energy by 2060. With the agreement, Marriott expects to debut three brands – Four Points by Sheraton, Westin Hotels & Resorts and Tribute Portfolio – in the highly anticipated destination, featuring transformational experiences and destination-rooted authenticity.
“We are thrilled to be working with PT. Pakuwon Jati Tbk. on this landmark agreement,” said Ramesh Jackson, Area Vice President, Indonesia and Malaysia, Marriott International. “This milestone signing underscores our commitment to strategically expand our footprint in Indonesia, and we are pleased to also support the local government’s efforts to accelerate the country’s economic transformation especially with the designation of Indonesia’s new capital city in Nusantara.”
Slated to be the first of these three openings, Four Points by Sheraton in Nusantara is expected to boast 300 guestrooms with facilities that range from an outdoor pool, function spaces with natural daylight and a gym with state-of-the-art equipment. Designed for the smart independent traveller, Four Points offers a casual and relaxed ambiance where classic and industrial elements meet modern design, creating spaces that are sophisticated and carefree in character.
The Westin in Nusantara is anticipated to have 200 guestrooms and suites featuring the brand’s iconic Heavenly Bed. Plans also call for three restaurants, three bars & lounges, function spaces, meeting rooms, swimming pool, WestinWORKOUT Fitness Studio, Heavenly Spa by Westin, and The Westin Kids Club. Guided by Westin’s six pillars of well-being, the brand continues to evolve and deliver its signature wellness programs to adapt to the needs of the modern traveller and deliver industry-leading experiences designed to empower guests to be the best version of themselves.
Third in the pipeline is Tribute Portfolio in Nusantara. Plans for the hotel include 150 guestrooms and suites, including a signature destination dining venue, a café, pool bar and lobby lounge. The property amenities expect to feature an outdoor swimming pool, gym and spa. Tribute Portfolio is a growing global family of independent hotels drawn together by their individuality, passion for captivating design, and their drive to create distinct, vibrant social settings for guests and locals alike.
Creating a longer lasting outdoor flow using extruded vitrified porcelain, Exadeck is the raised access technical flooring system exclusively available from Parkside Architectural Tiles…
A new addition to the Parkside portfolio, Exadeck is a long-lasting vitrified porcelain alternative to external composite, wood and aluminium decking systems. Bringing speed of installation thanks to a customised clip fitting system, Exadeck is resistant to extreme weather conditions and can withstand heavy traffic locations. It is the ideal solution for external decking and terraces within commercial and residential projects.
Frost proof and 100 per cent colourfast, as well as resistant to heat and staining, the hardwearing porcelain surface is easy to maintain and comes with R11 slip-resistance. It has been successfully used in a wide range of projects including two luxury residential developments at The Dumont at Embankment, London and a 128 square metre ground level installation at Nine Elm, Battersea, London.
With an A1 non-combustible status, the product can also be used in Highrise buildings as an alternative to aluminium and cement fibre decking. Thanks to the optional pedestal/rail system, it is ideal for used on flat roofs and is a good way of overcoming uneven surfaces. The system also provides easy access to pipe and cabling with individual planks quickly lifted and clicked back into place, making it ideal for use in commercial buildings and outdoor swimming pools.
“Exadeck expands our range of technical tile solutions with a system that brings numerous advantages to outdoor and rooftop terraces, decking areas and outdoor swimming pool surrounds,” discussed Jonathan Wiles, Director of Commercial Sales, Parkside. “With fast and easy click fitting that allows for easy access, as well as a rail that can be bonded or screwed in place, the system is a project-proven alternative that comes with a much longer life than composite or wood-based decking systems.”
Available exclusively from Parkside Architectural Tiles, Exadeck provides six authentic wood-effect designs to choose from, including oak, maple, teca, antico, natural and grey. The planks can be installed linear or staggered for a range of decorative woodgrain looks that bring a high-quality appearance to outside spaces.
“I am delighted to be partnering up with the people at Parkside,” added Wayne Barrett, Sales Director, Exadeck. ” Our Exadeck porcelain decking has revolutionised the construction sector and is becoming the best alternative to conventional decking thanks to its extreme resistance to wind, fire, non-stain, and non-fade properties.”
Unlike wood-based and composite systems, Exadeck isn’t susceptible to movement with changes in humidity, doesn’t absorb moisture or fade in sunlight; helping it to maintain performance and appearance throughout its lifetime.
Parkside Architectural Tiles is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
The latest collections from Newmor Wallcoverings provide endless possibilities for interior designers looking to create exceptional and distinctive spaces…
With a commitment to quality and creativity, Newmor remain at the forefront of wallcovering design innovation. This autumn sees the introduction of three new fabric-backed vinyl collections: Oxford, Piazza, and Raffia – specifically designed to endure the demands of commercial spaces. For ultimate flexibility, all designs are made and stocked in the facility in mid-Wales. At the same time, Newmor are also taking the opportunity to add new designs to its digital design portfolio with the introduction of the new Industrialis Collection.
“Each design has been created to embody a unique blend of style, versatility, and sophistication,” explained Rose Campbell, Head of Design and Marketing at Newmor. “The inspiration for all four collections comes from what we are best known for – skilled craftsmanship. We wanted to celebrate the craftsmanship in all fields, whether its architecture, weaving, sculpting, tailoring and manufacturing.”
Image caption: Oxford | Image credit: Newmor
The Oxford design pays homage to the timeless Oxford cloth, a hallmark of classic tailoring. With its basket-weave structure and lustrous aspect, this collection exudes the meticulous craftsmanship and precision synonymous with London’s Savile Row. The fabric effect design boasts a sharp and clean aesthetic, elevated by the inclusion of micas and metallics, which add a further touch of refinement.
“Oxford has a high-end tailored look,” continued Campbell. “The colour palette is muted and elegant, featuring a broad selection of neutrals, accentuated by the rich tones of copper, moss and indigo.”
Image caption: Piazza | Image credit: Newmor
Piazza captivates with sleek lines and a subtle metallic finish which glistens like the windows overlooking a bustling town square. This emboss is a masterpiece of intricate detail, capturing light from various angles. The geometric linear pattern offers a subtle, all-over urban effect.
“The refined linear detail enhances the cosmopolitan vibe of this architectural inspired design,” said Campbell. “Warm and sophisticated tones with accents of steel grey, chocolate brown copper, olive and rich gold add to this understated luxury look.”
Image caption: Raffia | Image credit: Newmor
Raffia pays tribute to the time-honoured craft of raffia weaving, rooted in the rich traditions of Madagascar. This design encapsulates the essence of this ancient art form, infusing warmth and authenticity of natural craftsmanship into interior spaces. Inspired by dried raffia palm leaves, Newmor’s Raffia design blends tradition with contemporary design in a tactile matte finish enhanced by a deep woven emboss.
“We managed to capture the essence of this natural weave with a deep woven emboss and drew inspiration for the six colourways from the raffia palm,” said Campbell. “Our matte finish makes it difficult to differentiate this robust wallcovering from an original raffia weave, making it a viable option for commercial spaces embracing biophilic design.”
Image caption: Makina | Image credit: Newmor
Industrialis (meaning industrial in Latin), is a three-dimensional design collection that is the epitome of hushed opulence. This collection boasts striking and refined designs, elevated by textured and mylar bases, which blend intrigue and elegance, all with a distinct industrial flair. Featuring wood, stone, concrete and metal elements, this striking collection pays homage to raw materials and artisanal craftsmanship. “We carefully selected bases to compliment and amplify the essence and 3D quality of the six designs in this collection,” added Campbell.
Image caption: Argento | Image credit: Newmor
The six new digital designs are: Makina, which translates to ‘machine’ in several languages, offers a detailed examination of the inner workings of industrial machinery. Printed on a mylar base, its high-shine metallic base accentuates the burnished textures of raw metal.
Rosa, known as ‘The One and Only,’ is a hybrid tea rose bred in France. This beautifully sculpted and impactful stone wall mural is enriched by the rough sandstone emboss, adding to the appearance of artisanal hand carving.
Argento, meaning ‘silver’ in Italian, showcases a faux metal tile design that creates a remarkable three-dimensional effect on the wall, so enticing that you’ll want to touch it! The mylar base adds an extra layer of sophistication to this industrial-inspired design.
Image caption: Beton | Image credit: Newmor
Tessellate, features hexagonal tiles with weathered textured details, forming a honeycomb pattern with warm metallic tones layered onto a metallic mylar base.
Beton, which means ‘concrete’ in French, consists of concrete blocks that appear to protrude from the wall. The heavily textured stipple embossing adds tactile depth to this visually striking design.
Image caption: Treen | Image credit: Newmor
“The introduction of three stocked collections and a new digital design collection is a testament to our commitment to service our commercial clients,” said David Johnson, MD at Newmor. “As well as our commercial vinyl wallcovering manufacturing operation, our digital production facility, design studio, and warehouse are all located in one place in mid-Wales. This makes us extremely agile to service our UK and global commercial clients.”
The final design in the portfolio, Treen, dates to the Old English meaning of ‘made of wood’. The triangular wooden blocks are layered to create shadows and depth which is further enhanced by the brushed steel emboss base.
Newmor is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
Sneak peek: Fincadelica Xarraca from The Fincadelica Collection
The Fincadelica Collection has announced the launch of a new luxury villa for 2024 on the shores of Cala Xarraca, where it plans to take barefoot luxury to the next level…
The Fincadelica Collection is group of Ibiza’s most extraordinary homes whose singular design aesthetic, intuitive service and laidback effortless grace have redefined northern Ibiza as the home of authentic bohemian luxury. New for 2024 is Fincadelica Xarraca, a magnificent eight-bedroom 3000 square metre coastal estate overlooking the shores of Cala Xarraca Bay, a hidden gem of a beach on the northwest side of the island.
Image credit: Fincadelica Collection
Surrounded by fragrant pines and crystal-clear waters, the property is one of the largest beach-side properties on the island and with every window looking out over the sea, you could almost believe you were on a beautiful yacht. The property also has direct access to the beach via a private gate which leads to a coastal path, a secret cove with fisherman’s huts and a local restaurant.
With arguably the most privileged waterfront location on the island, Fincadelica Xarraca defines authentic Ibiza barefoot luxury. With fluid indoor-outdoor living, light flooded all-season salons, its own soundproofed club room and far-reaching ocean views from every angle, the house exudes the very essence of authentic Mediterranean luxury.
Image credit: Fincadelica Collection
The Fincadelica Collection has been designed for – and by – the world’s most visionary creatives, fusing lavish and sumptuous interiors with vast, versatile grounds, limitless entertaining spaces and a level of attentive service found nowhere else in the Balearics. The team behind The Fincadelica Collection are Mati Rachminov, business owner of one of the most prestigious diamond suppliers in the world and Serena Cook, founder and owner of Deliciously Sorted, Ibiza’s legendary concierge company for the luxury market. Their mission is to reinterpret high end hospitality.
“For us exclusivity, soul and seamlessness are the new luxury for the world´s most discerning travellers,” explained Cook, Co-Founder of Fincadelica. “We have taken iconic heritage properties and created discreet and decadent worlds within worlds, using sumptuous, unique furniture and design. Yet from a service point of view, we have created a villa where our guests will have a hassle free experience similar to a five star hotel.”
Image credit: Fincadelica Collection
Image credit: Fincadelica Collection
“The extraordinary scope, privacy, and attentive service that our two properties provide will ensure a stress-free villa holiday,” continued Cook. “The ultimate summer party place, where you can dance ’til dawn, an immersive wellbeing or work-away retreat, or simply the opportunity to surrender to glorious solitude. And crucially to our location and the spirit of bohemian Ibiza, both of our properties offer an authentic standard of soulful hospitality.”
Image credit: Fincadelica Collection
Reimagining the interiors was the task of Carmen Straatsma, also responsible for the upscale luxe, yet eclectic interiors at Fincadelica San Lorenzo. Using a mix of one-off vintage pieces and design icons and an unpretentious, yet super stylish level of comfort and sophistication, she has created houses with tons of personality, which also feel like home from home. Straatsma describes Cala Xarracca as “Slim Aarons vibes but here and now, with some extra Ibiza spice!”
Image credit: Fincadelica Collection
Fincadelica Xarraca offers nine elegant and airy suites all with beautiful sea views and terraces. Each is completely unique. All rooms have fireplaces for cozy winter stays with huge bathrooms and are completely light filled. Showstopper bedroom suites include an enormous 110 square metre penthouse, with wrap around sea views from its terraces. Making a statement are the bath tub and sinks in black clay by Studio Loho, a freestanding custom bed and two Valentine Schlegel inspired fireplaces.
Two more bedrooms are housed in a magical ancient fairytale tower, with winding stairs up to a large terrace. Both bedrooms in the tower are half-moon shaped, with arched windows facing the sea with fireplaces and Juliet balconies, separate living rooms and huge bathrooms with Calacatta Marble sinks. Deluxe beds are made with 1000 thread count bedlinen and soft lighting is by Milanese designer Mirei Monticelli. The downstairs tower has an extra living room with kitchenette and ensuite bathroom – the perfect family room.
Image credit: Fincadelica Collection
The hub of Fincadelica Xarraca is a spacious open plan living and dining room. Ancient terracotta amphorae flank a serene arched doorway. Rustic wooden doors open onto a soaring living space with double-height ceilings, metre-thick stone walls and traditional sabina beams, whose evocative pine fragrance permeates the house. Floor-to-ceiling windows flood the space with light, highlighting a cluster of rust velvet Arflex Marenco sofas. Mid-century lounge chairs and primitive stools surround a polished stone coffee table.
Living areas are lavish. For party nights guests can enjoy a soundproofed cosy club room with parquet wood flooring perfect for late night parties, lit by soft vintage Murano lighting. An enormous croissant sofa by Hans Hopfer for Wiener Werkstatte, upholstered in green chenille, echoes the sea-green marble counter tops. A chill-out salon (perfect for the morning after) contains a sumptuous round sofa bed.
Image credit: Fincadelica Collection
The dining area houses a custom-made table by Can Castello and chairs by Casa Miday with vintage burned Murano glass pendants providing atmospheric lighting above the table. The kitchen is decorated with pink checkered tiles and a red La Canche stove with a guest friendly pantry.
Fincadelica Xaracca also has a library with an Angela Damman limited edition KAU chair (an edition of 10), as well as a beautiful round vintage Swedish rug and GUBI croissant chairs to curl up and read a book in.
Image credit: Fincadelica Collection
Outside, there are sun-drenched terraces with wraparound views of the ocean and carefully considered planting schemes of succulents and cacti, dotted with huge terracotta pots. A delicious saltwater pool is fringed by tall palms where guests can lounge in shaded cabanas under Tuuci striped parasols that provide a super-stylish retro vibe. Copious terraced gardens and meandering walkways covered with purple bougainvillea abound and ancient olive trees dot the property. There is an outdoor terrace with a bar, overlooking the pool, ideal for al fresco dinner and drinks and an additional pool bar. A beautiful stone feature by artist Maria Llorente frames the large olive tree at the entrance.
Product watch: BetteSuno – a Bette and Barber Osgerby collaboration
British design studio Barber Osgerby, in collaboration with Bette, has developed the exclusive BetteSuno bathroom collection, combining elegant minimalism with sophisticated bathroom design…
The new collection from Bette includes washbasins and a bath that combine visual lightness with the strength and durability of glazed titanium steel. With BetteSuno, minimalist bathrooms can be designed in architecturally sophisticated projects, including in private homes, hotels and restaurants.
At the centre of the collection are two circular, one-piece washbasins made of glazed titanium steel: a bowl washbasin and a floor-standing washbasin. As modern interpretations of the wash bowl, they share the same 340millimetre diameter inner, in which the basin tapers conically towards the waste outlet. The design is extremely reduced and plays with the basic shapes of circle and cone. Nothing is superfluous, nothing distracts from experiencing the room architecture and the function of the bathroom products.
Image credit: Bette
“The collection has a beautiful, handcrafted character and its sculptural qualities are emphasised by the circular and conical design,” said Edward Barber, Co-Founder, Barber Osgerby.
A highlight in the BetteSuno bathroom collection is the floor-standing, 865 millimetre high ‘Pedestal’ washbasin with its graceful and sculptural appearance. A round washbasin bowl cantilevers above a narrow, conically shaped pedestal, which almost looks as if it is floating in front of the wall. The pedestal is also made of glazed titanium steel and cleverly conceals the pipework and fixings and, thanks to its small ‘footprint’, takes up minimal space. The pedestal has space for a tap, which means a conventional basin tap can be used if required, as an alternative to a floor-standing or wall-mounted tap.
The BetteSuno bowl washbasin is also ideal for minimalist bathrooms, for example in washrooms in bars or restaurants. With its round shape, it sets its own aesthetic accent without pushing itself into the foreground. One basin can be placed on a vanity unit, or a number can be installed in a row on a washbasin top. Thanks to its precisely crafted underside, it sits on the surface almost seamlessly, whether it be wood, natural stone or another flat surface. Hardly any other bathroom material is capable of being produced with such flat surfaces, straight lines and precise angles as glazed titanium steel.
“The form invites engagement, and its exactness is achieved through expert engineering and the use of enamelled steel, which is a far superior material for sanitary ware.” explained Jay Osgerby, Co-Founder Barber Osgerby.
Image credit: Bette
The pared-down design approach also characterises the freestanding oval bath that Barber Osgerby has designed for BetteSuno. The completely symmetrical design of the 1800 x 800 millimetre bath appears clear and harmonious and with its vertically running exterior and wide, outwardly projecting rim, references classic bath design.
The protruding rim is flat, so that it can be used as a comfortable head and arm rest when bathing, as well as a shelf for toiletries. When standing up or sitting down, it serves as a grab rail, if required. Ergonomically designed back slopes at each end, a generous interior and centrally positioned waste outlet ensure a high level of comfort when bathing alone or together.
With a great deal of attention to detail and understanding of material and function, Barber Osgerby and Bette have succeeded in bringing a minimalist design language into the bathroom with BetteSuno, which fits perfectly into sophisticated bathroom architecture. Complementing the range, Barber Osgerby has also designed fittings for AXOR in the same design language.
Bette is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
IHG Hotels & Resorts’ global growth continues with the signing of Kimpton Algarve São Rafael Atlántico, reinforcing the strength of the Kimpton brand as part of IHG’s Luxury & Lifestyle offering in Europe…
Signed under a franchise agreement with Highgate Portugal, The Kimpton Algarve São Rafael Atlántico is expected to open in 2025 offering 149 guestrooms, more than 1,300 square metres of meeting space and multiple restaurants and bars. The hotel will also offer a rounded wellness experience, with indoor and outdoor pools, a gym and a full-service spa. The interior design concept takes its inspiration from the area’s natural and cultural surroundings, including vibrant orange groves, azueljos (tin-glazed tileworks) and ceramics.
The southernmost area of the country, the Algarve is a major Portuguese tourist destination thanks to its sunny climate, world renowned beaches and natural beauty. The beachfront hotel is located steps from Sao Rafael beach, one of the top ten beaches in the Algarve framed by limestone cliffs, and a short distance from Albufeira – a lively and historic resort town on the coastline with whitewashed houses, 18th century churches, shops and bars.
“What a milestone to be able to sign our first Kimpton property in Portugal,” said Willemijn Geels, VP Development, Europe, IHG Hotels & Resorts. “We have focussed on building our presence in the country, especially in the Luxury & Lifestyle segment with our recently opened first Vignette Collection hotels in Lisbon and Porto which complement our three existing InterContinental properties and a Six Senses in Douro Valley. This signing shows the confidence that owners have in our Luxury & Lifestyle expertise, market knowledge and enterprise, as well as the appetite that guests have for the Kimpton brand. It promises to be a stunning hotel and we look forward to welcoming our first guests in 2025.”
“We are proud to bring the first Kimpton hotel to one of Portugal’s most popular tourist destinations together with IHG Hotels & Resorts,” added Alexandre Solleiro, CEO of Highgate Portugal. “We’ve seen the success of the brand across Europe in countries like Spain, France, Netherlands and the UK and we think this hotel will be a perfect addition to the portfolio. We are delighted to work together to realise the full potential of this property and show our continued investment in the local area.”
IHG operates 19 open hotels across six brands in Portugal, including Six Senses, InterContinental, Vignette Collection, Crowne Plaza, Holiday Inn and Holiday Inn Express. In Iberia, IHG has 66 open hotels and a pipeline of 26 properties.
Slated to open in 2025, Hyatt House South Melbourne will mark the entry of the Hyatt House brand into Australia, demonstrating Hyatt’s growth of its select service brands in the Asia Pacific region…
Purposely designed for guests seeking spacious and well-equipped living accommodations for short or long-term stays, Hyatt House hotels offer an experience that enables guests to enjoy home-like amenities through contemporary design, modern guestroom spaces, and a welcoming community atmosphere. The 97-key Hyatt House South Melbourne will be located in the bustling hub of South Melbourne, home to the South Melbourne Market and a host of multicultural food, shopping and entertainment landmarks. Close to ANZAC station, the hotel will be ideally located near the Royal Botanical gardens, the Australian Grand Prix racetrack in Albert Park, the business hubs in St Kilda Road, the Docklands, Southbank, as well as the Melbourne Convention and Exhibition Centre.
“We are proud to work with Holder East Ltd on the first Hyatt House hotel in Australia,” said David Udell, Group President, Asia Pacific, Hyatt. “The brand brings all the comforts of home to guests who do not just want to stay somewhere, but to live somewhere, even if only for two nights. That means more space for living and working, delivered with flexibility, comfort and thoughtful touches. This exciting milestone also reflects Hyatt’s continued growth of our extended-stay portfolio, enabling guests to experience our signature care in new ways”.
Image caption: Hyatt House Manchester | Image credit: Hyatt Hotels
Construction is underway on the hotel, which is part of the mixed-use Oasis Residences, an urban sanctuary designed by the renowned Hayball architects. The hotel’s 97 guestrooms will offer a mix of room types such as studios and 1-bedroom residential-styled Kitchen Suites with a kitchen island, refrigerator and stovetop, a spacious living room, a plush bed in the bedroom, and a modern bathroom, ensuring all rooms are thoughtfully designed with the comforts of home. The hotel’s all-day lounge will also house the H Bar, a central gathering spot where guests can enjoy freshly made breakfast or sip a cocktail and unwind in the evening. In addition, the hotel will offer a 24/7 fitness room and communal spaces for working, socialising or relaxing.
“Hyatt House South Melbourne will be a vibrant addition to the South Melbourne precinct,” said CJ Wu, chief operation officer of Holder East Ltd. “The brand’s focus on offering a home away from home experience will make guests feel genuinely at ease with an elevated, spacious, and stylish experience.”
Following Hyatt’s entry into the extended-stay market in 2006, Hyatt sought to create a more familiar and less hotel-like guest experience that provides a place to live, not just to stay. The Hyatt House brand was introduced in 2012, named after the very first Hyatt hotel, and reflects a deep presentation of warmth, comfort and hospitality. The growth of the Hyatt House brand reflects its continuing evolution to meet the needs of guests who today work more remotely than ever, seeking more space, more autonomy, and amenities that reflect the comforts of home. Once open, Hyatt House South Melbourne will join a global portfolio of more than 130 Hyatt House properties worldwide.
Cenizaro Hotels & Resorts unveils The Residence Douz
Serving as a gateway to the Sahara, The Residence Douz is Cenizaro Hotels & Resorts’ first desert resort and the brand’s second opening in Tunisia…
Located in southern Tunisia, surrounded by glistening golden sands and swaying palms, The Residence Douz, the newest addition to the Cenizaro Hotels & Resorts portfolio, is preparing to open its doors. The serene retreat comprises of 50 elegant villas, two gourmet restaurants and a sprawling Spa by Clarins, all set within 14 hectares of rolling dunes.
Image credit: Cenizaro Hotels & Resorts
Set within an intimate palm grove, the encampment seamlessly combines modern luxuries with timeless elegance, inviting guests to dream peacefully under a sky full of stars and disconnect from the outside world. Referencing local design and aesthetics, villas and communal areas incorporate artwork from emerging Tunisian painters and sculptors, hand-woven carpets and private terraces. Take a dip in the expansive pool before whiling away the afternoon on plush sun loungers, with refreshing beverages and sumptuous snacks served poolside to quench appetites.
Image credit: Cenizaro Hotels & Resorts
With a number of UNESCO World Heritage Sites to explore, guests are encouraged to venture outside the resort by jeep, camel or quadbike and fully immerse themselves in the destination. Guest ambassadors are on hand to arrange a variety of excursions, from day trips to the village of Matmata, famed for its troglodyte houses which once played the home of Luke Skywalker in Star Wars, to a luxury camping experience in Tembaine.
Travel across dunes in and pass through Jebil Park to spot protected Saharan species from gazelles to reptile, before arriving at camp for sunset to gather around the fire and dine under the stars. Another must-visit site is Tamerza, an abandoned village that overlooks a mesmerising mountainscape, complete with towering waterfall and canyon which guests can wander through during a full-day excursion; this includes a tour of a former Berber fortress, Ksar Beni Alssa and a visit to the mountains of Toujane.
Image credit: Cenizaro Hotels & Resorts
An amalgamation of worldwide influences and cuisines, Tunisia’s rich culture is reflected in the resort’s two dining experiences that celebrate Arabic delicacies and Mediterranean elegance, with both fine dining and comfort food on offer. The resort is also home to Cenizaro’s Earth Basket initiative , a permaculture farm and nursery where a variety of local vegetables, spices and herbs are grown. Guests can learn about sustainable farming practices at the Mud House, a cultural hub set in the heart of the resort that provides an array of workshops on ancient crafts and traditional Tunisian practices.
Image credit: Cenizaro Hotels & Resorts
After days spent basking in the desert heat, senses can be soothed at the Spa by Clarins. An elixir for the soul, the tranquil space boasts a large hammam, eight treatment rooms, two scrub rooms, an indoor pool, traditional Moorish Baths and an opulent lounge. Guests can indulge in an array of signature treatments that seek inspiration from the surrounding nature and incorporate indigenous ingredients including ghassoul clay and beldi soap.
Image credit: Cenizaro Hotels & Resorts
The Residence Douz follows in the footsteps of The Residence Tunis, which opened in 1996 and remains a firm favourite amongst luxury travellers visiting the north of the country. Cenizaro Hotels and Resorts want to continue investing in this cultural destination and is delighted to now provide travellers with two unique offerings, allowing guests to travel from the coast to the desert with ease and uncover the many treasures of Tunisia.
Arte embraces organic textures and tones in its Les Naturels collection, blurring the boundaries and inviting nature indoors…
People have always been drawn to natural materials and woven grasses in particular, have been used in and around the home for centuries. It is this very natural texture that inspires the new ‘Les Naturels’ collection from Arte, in which the warmth of raffia, subtle texture of sisal and the natural, effortless appeal of woven grass are finally given the attention they deserve. The materials’ organic roots and authentic, natural colours and shading bring a sense of calm to an interior, inviting nature indoors. They also combine beautifully with the two botanical prints in this collection.
Image caption: Reverie Tropicale | Image credit: Arte
Rêverie Tropicale is a dreamy panoramic view that takes you to higher realms, amidst the lush foliage of a gorgeous oasis. The detail in this design is impressive, but upon closer inspection the subtle woven grass print in the background suddenly catches the eye, adding a natural accent to the design and the material on which it has been printed. Rêverie Tropicale is available in two colourways.
Image caption: La Prairie | Image credit: Arte
Image caption: Le Sisal | Image credit: Arte
La Prairie is a stunning, realistic representation of woven grass with its broad, irregular bands delivering the nuances that are found in nature and is available in 12 colourways. Also focussing on woven texture, Le Sisal takes inspiration from the fibre of the same name. Sisal was first used widely at the end of the 19th century and since then, it has become a popular fibre in interior design, including on walls. This design is a natural interpretation of beautifully woven sisal in a warm, calming colour palette and is available in 14 colourways.
Image caption: Verdure | Image credit: Arte
Nobody knows exactly when the first verdures were created, but by the 16th century, these tapestries were everywhere. They were entirely filled with decorative foliage, which was often highlighted by a masterful interplay of sun and dappled shade. Verdure’s lush leaf pattern, which draws on these traditional tapestries for inspiration, has been beautifully hand-painted. Light and shadow have been rendered with the greatest care, to create a superb setting with plenty of depth. The painting was then transferred onto a luxury fil-à-fil fabric, just the perfect choice for this opulent ornamental design. Verdure is available in three colourways.
Image caption: Le Raphia Tissé | Image credit: Arte
Le Raphia Tissé is a design, which is a true-to-nature representation of open woven raffia against a coloured background. The colour palette of the background varies from subtle terracotta to striking turquoise, contrasting beautifully with the natural hues of the raffia strands, creating a wallcovering that retains its calming, natural appeal in every colour variant. Le Raphia Tissé is available in 12 colourways.
Arte is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
From design classics to seating straight off the drawing board, Fritz Hansen continues to champion the pure lines and craftmanship of its 150 year old design roots…
Paging through the Fritz Hansen Lookbook, is a bit like a crash course in the history of contemporary furniture design. The latest additions to its seating portfolio span the decades, some reimagined, some hot off the press, while maintaining the characteristic lines and attention to detail on all fronts.
A furniture design with a human approach, the Lissoni sofa has delighted design afficionados since it was first introduced in 2006. Characterised by clean lines and flawless attention to detail, the sofa’s distinct yet minimalist expression elevates and adds character to any room and from any angle. ”It is my ambition to design simple and classic furniture that radiates calmness,” commented Piero Lissoni on his design. “We are surrounded daily by so much visual noise that we need the peace.”
Fritz Hansen has now added new configurations to the sleek series, updating its sophisticated flexibility with freestanding poufs and lounge chairs in two sizes, as well as left- and right-facing corner modules that attach seamlessly to the two- and three-seater sofas. A natural extension of the streamlined series, the new additions allow for bespoke configurations in much larger spaces – in a nod to the design’s Italian roots.
Image credit: Fritz Hanson
“Lissoni Sofa emerged first of all as a large bench, then became a sofa with arms, then a sofa with dimensions that were more appropriate, comfortable and international and this year we decided to progress it even further,” continued Lissoni. “The new configurations can create an infinite variety of worlds from microscopic compositions for small Scandinavian house to innumerable compositions destined for large American lofts.”
Image credit: Fritz Hansen
Scaling down from a sofa to a stool, the new Taburet stool by Cecilie Manz reveals a versatile design highlighting beauty in precision craftsmanship. Taburet is a design that demands absolute precision. Made with uncompromising craftsmanship and a keen eye for detail, Manz’s latest design for Fritz Hansen profiles her journey as a designer, demonstrated in purist lines pared back to their essence and refined craft. The aesthetically compelling Taburet is crafted in FSC-certified solid wood with visible grain.
Carefully shaped into elliptical forms offset by angular lines that make it an intriguing and attractive addition to lounge and dining spaces, its subtly concaved seat ensures a restful seating position, while it is the attention to detail that sets it apart from its peers, with seamless joints, perfectly balanced dimensions and meticulously aligned grain patterns.
Image credit: Fritz Hansen
In addition, Fritz Hansen has introduced the PK15 chair by Poul Kjærholm, the last chair created by the revered Danish architect and furniture designer and a sculptural expression in wood. A masterpiece of craftsmanship, the PK15 was designed in 1979 and is an exemplar of the clarity and rigour of Kjærholm’s furniture pieces and his constant experimentation with materials and techniques. The chair represents a departure from his primary material steel, combining two natural elements, steam bent ash and wicker, with which Kjærholm had a long fascination.
Image credit: Fritz Hansen
For Fritz Hansen the PK15 is a tour de force, a highly complex piece of woodworking craftsmanship that results in a radically simple expression of two traditional materials. The result of an exhaustive development process that pushes steam bending to the limits, the chair is both linear and curved with one piece of solid wood forming the backrest and then turning at right angles to become the straight front legs. Another single piece of wood forms the inner arch of the backrest and back legs. The seat expresses the geometry of the structure, elliptical but opening wide to the front. The French webbing of the wicker adds a regular linear element and its open weave creates a lightness through transparency that is a central tenet of many of Kjærholm’s designs.
For the 151-year-old Fritz Hansen the PK15 marks a return to its early roots, when it explored steam bending, won the license to manufacture Thonet-Mundus in the Nordics, and then developed a Danish chair with a Scandinavian design language.
Fritz Hansen is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
Miniview: Raffles Boston Back Bay Hotel brings on the botanicals
Raffles Boston Back Bay Hotel is the first property of the luxury hotel group in North America. We step inside, where Boston’s botanical gardens have been brought to life with interior designs by New York-based firm, Stonehill Taylor…
The highly-anticipated 33-storey, $400 million+ project that is now Raffles Boston Back Bay Hotel, has opened its doors. The first North American hotel in the brand portfolio, the property includes a combination of signature hotel services, along with elegant public spaces, five distinct food and beverage venues, a three-story sky lobby perched high above Copley Square, a garden terrace and lounge and expansive meeting and pre-function spaces.
Led by Stonehill Taylor president Paul Taylor and principal Sara Duffy, the firm took a conceptual approach to designing the hotel, capturing the qualities that make Boston such an iconic destination including being home to America’s first botanical garden, the famous Arnold Arboretum Museum with 15,000 plants and the Revere Copper Company, which is North America’s first copper rolling mill made famous for its founding in Massachusetts by Paul Revere.
Image credit: Brandon Barre
On entering the hotel through grand doors, guests are beckoned across dark stone tiles, as high above hangs an undulating, floral-inspired, hand-blown glass petal chandelier. A patisserie connects to the deep wood-finished lobby via a discrete passageway and is also accessible from the street. The space features bevelled glass at the entry vestibule—evocative of the ironwork prevalent throughout the Back Bay.
Image credit: Brandon Barre
After passing a welcome desk in the ground-floor lobby, an expansive express elevator transports guests to the 17th floor ‘Sky Lobby’ that spans three stories high. Across a copper-accented herringbone-patterned floor – reminiscent of Boston’s cobbled streets – guests are greeted by the Grand Stair, a spiral staircase that ascends the three floors through an atrium of iron and glass windows with unobstructed city views. More than just a check-in area, the Sky Lobby connects residents and guests with a diversity of amenity spaces.
Framed by fluted columns akin to those in the Boston Public Library, hanging greenery spill down from the ironwork referencing the window boxes found throughout the Back Bay neighbourhood. To the left, the reception area opens into the Writers Bar – named in homage to esteemed literary personalities who frequented Raffles hotels in the past – where visitors are invited to unwind amid chic residential furnishings and a large double-backed fireplace. Books that were penned at Raffles properties across the world, as well as local and international art, are featured along intricately detailed shelving.
Image credit: Brandon Barre
For those wishing to dine-in, a special occasion restaurant, found to the right of the grand spiral staircase, offers refined eats among moody dark-lit walls and dazzling metal finishes in a double height space. Above rich brown leather banquette seating, is a custom floral wallcovering. Overhead, a massive crystal chandelier, inspired by the palm styling of the Raffles logo, illuminates diners below and catches the reflection of a large gold screen to the left; on the right, the glass and verdant atrium windows allow glimpses of happenings in the Sky Lobby beyond.
Image credit: Brandon Barre
Pulling inspiration from Boston’s Emerald Necklace – an 1,100-acre chain of parks linked by parkways and waterways in Boston and Brookline – the speakeasy at Raffles Boston radiates a botanical appeal to visitors, who ascend to the 18th floor via the Grand Stair to access the space’s entrance. Once on the 18th floor, guests will typically walk down a corridor overlooking the restaurant, entering through a discrete door. In the speakeasy, metal chandeliers hang above while its walls and ceiling are adorned with custom wallcoverings featuring blossoms and risqué figures. Nearly six-metre-tall oak wood columns stained in green create dramatic focal points in the space.
Image credit: Brandon Barre
Walking up a floral-backed staircase with warm inset lighting, guests arrive on the upper level of the two-story space to find a private lounge area and forest green bar with shelving inspired by a garden nursery. From here, one can look down on the lower level of the speakeasy to watch the comings and goings of other visitors to the hotel.
Raffles Boston also offers two full floors of meeting and entertainment spaces. The ballroom’s unique setting on the hotel’s 19th floor sets it apart from many hotel event spaces in the city, with views spanning from the Financial District to Cambridge. The floors include spacious pre-function areas and a variety of beautifully designed meeting rooms like a boardroom and smaller breakout rooms.
Image credit: Brandon Barre
The 147 guestrooms, encompassing 29 suites as well as a presidential ‘Midnight’ suite at the hotel represent an overarching eclecticism found throughout the Raffles hotel brand. The botanical inspirations are manifested in the guest room designs through a floral wall mural in the bathroom and soothing leaf illustrations on the headboard, with Asian-influence to pay homage to the founding of Raffles in Singapore. In a typical guest room, luxury finishes abound. White marble flooring with mosaic accents and white marble wall tiles with black pencil trim define the space. Freestanding polished nickel vanities with stone counters grace the bathrooms, where hand-painted wall coverings accent the freestanding baths, and crystal lamps pair with a special glass vitrine minibar in each room.
Image credit: Brandon Barre
Of the 29 suites, 14 ‘Gallery’ suites host a unique curated art collection composed of works from local artists. Drawing on the verdant motifs throughout the hotel, the additional 15 ‘Garden’ suites evoke greenhouse design language. Guests enter through a vestibule with high-gloss lacquer walls to give the sense of walking through a conservatory. Finally, the hotel’s Midnight Suite offers guests the experience of staying in a luxury presidential suite fit for a founding father. Inspired by Paul Revere, the room pays homage to the American patriot. Notable design moments like refined lighting elements, a dark moody palette, and elegant copper finishes—a nod to Revere’s accomplishments, notably bringing copper sheet manufacturing to the United States—create a rich environment for an elevated experience.
Paradis Beachcomber unveils €12 million transformation
EXCLUSIVE: Paradis Beachcomber Golf Resort & Spa in Mauritius has emerged from a €12 million renovation with a new bar, restaurant, refreshed suites and a upgraded golf course. Editor Hamish Kilburn speaks exclusively to Carina Share, Director at Design Partnership, to learn more…
Luxury travellers will struggle to find a hotel that boasts as striking vistas as Paradis Beachcomber Golf Resort & Spa offers. Tucked between the vast lagoon off the west coast of Mauritius and the characteristic relief of Le Morne Brabant Mountain, a UNESCO World Heritage site, the hotel provides an elevated yet grounded hospitality experience.
Not a group to rest on its laurels of a spectacular location, Beachcomber Resorts & Hotels decided to raise the hotels standards once more with an extensive renovation. Tasked to carry out the design project, which centred around a new F&B concept, was Carina Share, Director at Design Partnership.
There are now two restaurants and one central bar. The concept for the new Blue Marlin restaurant, perhaps the boldest change of all given that it has been an iconic F&B offering since the hotel’s opening, takes inspiration from the history of the location and the story of Blue Marlin.
Image caption: Render of Blue Marlin entrance. | Image credit: Beachcomber Resorts & Hotels
Typical to the hotel group’s approach, though, there will be various reminders of the former fine-dining restaurant. “The Blue Marlin fish that hung in the space has been deconstructed in an art installation,” Share told me. “The soft curved archways and neutral colour palette aims to create an inviting yet sophisticated space to complement the a la carte food offering.”
Replacing the existing location of where Blue Marlin performed is the ocean-facing Zest restaurant, which celebrates memories created around the sharing of food. “The space is all about togetherness, and so we aimed to created laidback environment,” added the designer. “Aesthetic inspiration was taken from the Mediterranean that also inspired the food offering.”
Image caption: Introducing Zest, the new Mediterranean F&B concept at Paradis Beachcomber. | Image credit: Beachcomber Resorts & Hotels
Meanwhile, the Bar, at the heart of the hotel, acts as and becomes a “central converging and arrival point between the two restaurants”, as Share explained.
In addition to a new F&B concept that will feel more considered and better orientated, eight of the hotel’s suites and 120 guestrooms have embraced a new signature through a playful combination of volumes, with the same levels of comfort and flexibility to suit the expectations of all guests. The room renovations were approached with the vision to create an opportunity for the hotel to define its own idea of tropical elegance: a lifestyle that is geared towards the outside, while surrendering to the generous comfort of soft interiors.
Finally, the hotel’s golf course has been upgraded in an innovative and sustainable way: 800 sprinklers are now scattered around the course to enable individual watering control while using water that has been treated and recycled to reduce wastage on the peninsula.
Image caption: The iconic postcard-perfect photograph of Paradis Beachcomber Golf Resort & Spa. | Image credit: Beachcomber Resorts & Hotels
What remains true, before and following the latest renovation, is the local feel in each Beachcomber property. The fact that the luxury operator – the first on the island in 1952 – strategically decided to keep its portfolio of now eight hotels in the parameter of Mauritius, allows properties, all dotted around the island and sheltering their own personalities, to be somewhat more rooted to their foundations, local culture and social harmony.
Restoring a national treasure: creating The Marmorosch Bucharest
Architect Indre Sangus of YES.design.architecture joined Hamish Kilburn, Editor of Hotel Designs, on Travel By Design, the podcast he hosts for Marriott Bonvoy Traveler, to share the challenges and triumphs of creating The Marmorosch Bucharest, Autograph Collection…
Naturally high ceilings, vaulted rooms, central city locations and interior design details that so elegantly answer to both the architecture and the energy of the destination: former banks often shelter exceptional hotels. For the latest episode of Travel By Design, a podcast that is brought to you by Marriott Bonvoy Traveler, I found myself in Bucharest, Romania, a travel destination that is fast-becoming a hotspot for travellers seeking culture and adventure. My goal was to meet the lead designer who can teach me why that statement resonates true.
Listen below to the full 16-minute episode of the podcast, featuring the resort and Editor Hamish Kilburn’s interview with Almeida.
The Marmorosch Bucharest, an Autograph Collection hotel, was crafted inside the Marmorosch-Blank Bank Palace, a stately building in the heart of old town Bucharest that was originally constructed in 1912. Previously critical to the modernisation of the Romanian economy, the bank building is now a protected national monument — with intricate woodwork, stained glass and marble tiling throughout.
Image credit: Marriott International
Respecting the building and the city’s heritage, architect Indre Sangus was tasked to carve out a modern hotel, confronting a series of design challenges while creating something truly exceptional that would stand at the centre of Bucharest’s hospitality scene. The bathrooms, for example, required individual attention in order to ensure they were preserved without interfering with their performance.
Image credit: Marriott International
“In one room, the wall is covered in glass, and the wooden panel is behind with a light,” the architect explained on the podcast episode. “It even looks better. But of course it’s protected from humidity, and you can freely have a shower and not damaging the wooden panel, but you can still feel the wood around you, which is quite exclusive, I would say.”
Image credit: Marriott International
Another complex aspect of the extensive restoration project was hiding the necessary above-ground plumbing. Sangus and her team answered this challenge with a confident solution, to hide the pipework inside the furniture and even the bar itself. “We used the furniture as a path for these pipes,” she said, “although nobody can see it now. When you see the final result, you will not even identify things like that, but at that time it was really a big challenge.”
Image credit: Marriott International
The other key focus for any designer and architect who is in the process of injecting a modern luxury hotel inside a heritage building is to ensure that the space feels comfortable, and full with personality. For the hotel, Sangus and her team, this led to creating a one-off experience for those who are checked in and adding drama inside the hotel’s speakeasy bar, which is located inside the former bank vault. “Everywhere you can see the deposit boxes,” explained the architect. “So it makes you feel a little bit, you know, visually, lost. We even found the old keys of these deposit boxes, so in some deposit boxes, we decided just to keep these keys, so the guests can unlock the deposit box and leave notes to friends.”
> Since you’re here, why not explore another podcast episode from Hamish Kilburn and Travel By Design?
Travel By Design is a podcast, hosted by Editor Hamish Kilburn and brought to you by Marriott Bonvoy Traveler. Search ‘Travel By Design’ wherever you get your podcasts. New episodes, which feature incredible design stories from all corners of the world, drop bi-monthly.
RAK Ceramics gives more options for picture perfect bathroom design with the stylish RAK-Picture collection…
An all-important part of any design, RAK-Picture takes this must-have bathroom accessory to a new level, combining style with technology to turn the mirror into a focal point of the space. The collection ensures the mirror is a perfect reflection of the overall style and décor of the bathroom and is a versatile option, available in a choice of shapes and frame finishes.
Image credit: RAK
In Round, Oval, Soft and Square versions, the mirror can also be chosen in a variety of frame finishes, Black, Brushed Nickel, Brushed Gold and Chrome. This makes it ideal for matching with brassware and shower hardware, for a cohesive look that maximises on the sale.
Technology comes in the form of LED lighting, a demister pad and touch-sensor activation, all discreetly built-in to the mirror to take care of the practicalities of using the bathroom. Located visibly on the mirror, the touch-sensor strip is operational with wet and dry touch, while the low energy consumption LED lighting provides more consistent light when it’s needed, while reducing the household’s carbon footprint.
RAK Ceramics is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
Boutique hotel and lifestyle brand Urban Cowboy, will plant its flag out west with the opening of Urban Cowboy Denver, transforming an ornate Gilded Age 1880s mansion into a destination for design-driven travellers…
Co-founded by Lyon Porter and Jersey Banks, Urban Cowboy Hotels began in Williamsburg, Brooklyn and has since added Nashville, Tennessee and Upstate New York to its growing portfolio. Expanding west had always been in the plans for the boutique brand but it wasn’t until Porter discovered the landmark George Schleier mansion that Denver fell into place.
Image credit: Urban Cowboy
“Our expansion into Denver marks an exciting chapter in our journey and a homecoming for my partner Jersey Banks, who grew up in Denver,” said Porter, Co-Founder of Urban Cowboy Hotels and full-service design studio, Cowboy Creative.
“To be able to bring Urban Cowboy out west is something we’ve thought about since the inception of the brand,” added Banks, the Co-Founder and matriarch of the company, “and the opportunity to reimagine this historic mansion in my hometown is a dream come true.”
Image credit: Urban Cowboy
Image credit: Urban Cowboy
Originally designed by Denver architect Frank Edbrooke for hat tycoon turned politician George Schleier, the century-old landmark mansion is primed for its next chapter as a destination for design-driven travellers and an anchor for the growing Downtown Denver community.
Working with GBX Group and Historic Denver, Porter and Banks took great care to preserve as much of the original detail and architecture as possible – from the mansion’s Queen Ann style façade, original staircase with carvings of gargoyles, Bavarian swans, and ‘onion’ tower cupola, hand-carved coffered ceilings, immaculately preserved art tile fireplaces, and old carriage house where the original owners kept their horse and buggy – while still infusing the brand’s signature design aesthetic, which thoughtfully caters to the modern traveller’s needs and desires.
Image credit: Urban Cowboy
As with every Urban Cowboy Hotel, the property is full of ‘found objects’ hand-picked from road trips across the US, ranging from an 1800s hand-carved wooden saloon bar from the Wooden Nickle in Cincinnati to a ‘honey pot’ found in Colorado filled with Western frontier period art, a horn and fur cowboy couch and of course, hand-hammered copper soaking tubs in each room – and in the penthouse Honeymoon Suite, a pair of tubs side by side. Just as well known for maximalist patterned walls as its tubs, Porter designed his first custom wallpaper for Denver inspired by a 1700s block print pattern, fusing a romantic nostalgia of the past with the Denver Frontier Cowboy aesthetic.
The property’s two-storey carriage house design was inspired by the many historic 1880s saloons that once lived on every corner in Downtown Denver. The Public House bar and restaurant will offer award-winning house cocktails and a delectable menu of wood-fired pies and small plates by Brooklyn-based Roberta’s. The upstairs will be available to reserve for private events.
The Parlor Bar, located in the main mansion, will have a carefully selected wine collection, selling wines by the glass and bottle. Menu offerings from Roberta’s will focus on locally sourced ingredients, including a rotating selection of seasonal pies, specialties from the wood oven, market vegetables and the infamous house-made stracciatella.
Chelsom manufacturing in Britain for both standard and bespoke designs
Lighting brand Chelsom has released a statement, amplifying its pride to manufacturer in Britain…
Chelsom, the lighting brand that launched its Edition 28 collection earlier this year at Clerkenwell Design Week, has released a statement, which explains why it is proud to manufacturer in the UK.
Image credit: Chelsom
It reads:
“Chelsom has spent decades as a leading supplier of British designed lighting to projects around the world and has worked hard to ensure that the company only offers the very best quality manufacturing. Chelsom manufactures and sub-contracts parts all over the world, but is especially proud of its home-grown manufacturing capabilities in the UK.
“From its headquarters in the North of England and through various local sub-contractors, Chelsom has a diverse and highly skilled team of engineers that help bring all of their design concepts to life.
“Chelsom is incredibly proud to be a member of Made in Britain, an official mark that binds the company to an incredible British manufacturing community. Throughout the company’s brand-new catalogue and website, the Made in Britain mark identifies all UK manufactured products, whilst all bespoke designs can be considered for UK production.”
The statement came after the manufacturer, which is known for supplying lighting solutions for leading hospitality projects, launched its new collection of lighting jewels – and followed the company marking 75 years of manufacturing.
Chelsom is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
Introducing Hotel Seeblick – hygge reloaded by NOA
Even a smaller redesign can create a strong project response – design studio NOA stepped up in its revamp of Apartement Hotel Seeblick to foster a more harmonious relationship with the surrounding nature…
Only a few kilometres from the Dutch border, in a privileged setting within a nature reserve, Apartement Hotel Seeblick offers guests a nature-centric holiday experience, sheltering seven flats in characteristic A-frame houses. The interiors of these houses were the subject of intervention by NOA, an architecture and interior design studio based in Berlin, Bolzano and Milan, which was tasked with giving the seven flats a common aesthetic and rethinking the spaces more effectively.
Image credit: aw-sobott / Seeblick
“The biggest challenge was to enhance such a characteristic, enveloping and comfortable volume without sacrificing surface area and space,” explained Florian Marsoner, Interior Designer and Project Leader, NOA. “Much of the furniture is custom-made, arranged to make use of the sloping walls while simultaneously preserving airiness in the rooms.”
Image credit: aw-sobott / Seeblick
The seven flats are distributed as follows across three floors – three 75 square metre ground-floor units, three 60 square metre maisonettes spanning the first floor and attic and a 120 square metre flat spanning all three floors of the northernmost house. Special attention was given to the colour scheme, with the new palette seamlessly blending soft taupe and grey tones, creating a relaxed and restrained atmosphere that harmonises perfectly with the surrounding nature.
Image credit: aw-sobott / Seeblick
These shades are echoed in the bathroom tiles, curtain fabrics, and Sofacompany sofas. A touch of colour is introduced by the mustard-yellow Barrow lounge chairs by Ethnicraft, a sustainability-oriented company. Contrasting with these are the kitchen islands’ new worktops in the ground floor flats, reminiscent of dark marble with light veins. The new lamps provide a touch of modern sophistication in all the flats, including the Align table lamp, the Dicte floor lamp and the Alton hanging lamps, all from Nordlux.
Image credit: aw-sobott / Seeblick
Custom-made furniture played a crucial role in utilising the sloped spaces, including cabinets, a TV stand that is also a multifunctional shelf, as well as bathroom furniture. In the ground-floor apartments, an oak panelling highlights the niche where the sofa is located and conceals a new space designated for the kitchen’s service areas.
Image credit: aw-sobott / Seeblick
Image credit: aw-sobott / Seeblick
The attic of the four volumes, with its floor plan in the form of a narrow rectangle and a triangular cross-section, presented one of the project’s most significant challenges. Instead of relegating this space to the background, the design team transformed it into two alcoves beneath the existing windows, offering a high level of comfort.
“The unique architecture with its sloping roofs has always exuded a certain cosiness,” commented Lorena Kleideiter, Owner, Appartment Hotel Seeblick. “We aimed to enhance this distinct character within the houses, and NOA has truly created a brand-new, inviting space here. Whether for reading or as a place to sleep with a direct view over the lake, these niches are incredibly versatile.”
Image credit: aw-sobott / Seeblick
The project succeeded in giving the apartments a new look and is the first step in a hotel transformation process that the owners are undertaking with NOA. In addition to planning, the consultancy on this project extended to styling, involving the interior designer joining the clients in the Netherlands to select vases, mirrors, cushions and other decorative items. It’s an approach where every detail is considered, one that NOA has always applied in its projects, and it leads to a compelling, high-quality end product.
Hyperion Tiles explores the story of the terrazzo tile – where to use them, how to care for them, along with a few high-quality alternatives…
Terrazzo is a composite material that tends to consist of marble chips, quartz, glass, granite or shell and can provide the perfect way to add pattern to your project. These tiles aren’t just suitable for flooring – they can also be used for walls, backsplashes and kitchen units. Certain terrazzo tiles can be used to add personality to exterior projects, such as patios and precast furniture. Hyperion Tiles offer a huge range of these tiles featuring original coloured flecks, along with terrazzo effect alternatives.
There are two types of terrazzo available: pre-cast and poured in place. Pre-cast is the most common option, while poured in place is custom created onsite for a more unique finish featuring distinctive coloured flecks. Terrazzo tiles are available in virtually unlimited colour and material options. and can be customised to create a bespoke design.
Image credit: Hyperion Tiles
“This tile style originates from 16th century Italy, however their origins date all the way back to mosaics in ancient Egypt,” explained Richard Skeoch, Director, Hyperion Tiles. “What was once a way in which to reuse and recycle marble and other material off-cuts, terrazzo has become a popular choice for an entire range of high-end tiling applications.”
The versatile Bert & May Coarse Terrazzo Tile is ideal for busy entrances, such as boutique hotel lobbies, while the Floorify Verona FO23 Terrrazzo Big Vinyl Tiles look just like the real thing and are perfect for areas with high traffic including breakfast rooms. Mimicking the appearance of perfectly poured concrete, the Minoli Viceversa Veneziano VV20 Brushed 80 x 80cm porcelain tiles feature deliciously deep multi-tone layers of colour and can be used on interior walls and floors in ensuite bathrooms.
Image credit: Hyperion Tiles
While terrazzo began life primarily as a trend for flooring, it is can be used in so many other ways. It is a versatile surface which is perfect for creating a seamless finish by laying the same terrazzo tiles on a room’s walls and floor. Experiment with a stylish feature wall, or upgrade your interiors with a statement kitchen worktop, island or backsplash.
If properly installed and, where necessary, correctly sealed, terrazzo tiles are easy to maintain. It is a durable and hardwearing surface, but still needs regular cleaning to keep it looking its best. Sweep or vacuum these floors regularly and try to use coasters and trivets to protect terrazzo countertops and surfaces. It’s good practice to clean up any spills promptly.
The highly skilled team at Hyperion Tiles are available for expert advice on terrazzo tiles, with technical know-how and in-depth knowledge and work closely with homeowners, designers, specifiers and architects. You can peruse and buy comprehensive collections of more than 15,000 types of tiles, flooring and wall panels and bathroom accessories for residential and commercial projects online or simply visit the Ascot showroom.
Hyperion Tiles is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
Hilton and Vista Hospitality Group Partner have announced plans for Next Hotel Melbourne to join Curio Collection by Hilton as the first Melbourne property in the portfolio…
The latest addition to the Curio Collection by Hilton is the flagship property for Vista Hospitality Group, Next Hotel Melbourne. The property is a 255-key premium upper upscale hotel that has received design acclaim for its interiors and is located within Melbourne CBD’s prestigious 80 Collins precinct, home to high fashion and hospitality hotspots. It offers a refined aesthetic inspired by world travel and the local neighbourhood of Collins Street couturières, China Town, and the original site for the city’s Horse Bazaar.
The elegantly understated rooms, suites and Executive Lounge have cemented Next Hotel Melbourne as a commanding city base for discerning business and leisure guests. ‘La Madonna’ – a restaurant and bar housed within the hotel – has also achieved Chef’s Hat accolades.
Image credit: Next Hotel Melbourne
“We are thrilled to partner with Vista Hospitality Group for the first time to bring Next Hotel Melbourne into our unique Curio Collection by Hilton brand,” said Guy Phillips, Senior Vice President, Development, APAC ex Greater China, Hilton. “Curio Collection by Hilton is a global collection of hotels that are hand-picked to offer guests one-of-a-kind experiences, each with personalities unique to the city they call home. This signing is testament to our belief in ensuring we have a variety of brands in our key destinations that suit the divergent needs of today’s travellers and showcases our commitment to growing our portfolio of hotels in Australasia.”
Image credit: Next Hotel Melbourne
The addition of Next Hotel Melbourne to Curio Collection by Hilton will mark the third Hilton brand to enter the Melbourne market, joining Hilton Melbourne Little Queen Street and DoubleTree by Hilton Melbourne Flinders Street. In addition, it will be the second Curio Collection by Hilton property in Australia, joining West Hotel Sydney, Curio Collection by Hilton and a trading portfolio of 29 Hilton branded properties across Australasia.
Image credit: Next Hotel Melbourne
“Our renowned Next brand has allowed us to establish a unique business-meets-boutique property and joining the esteemed Curio Collection by Hilton is validation of Next Hotel Melbourne’s distinct style of hospitality,” commented Jordan Rodgers, VP Operations & Development, Vista Hospitality Group. “It also heralds an exciting new chapter for Next’s story, giving us the ability to leverage Hilton’s global loyalty program, Hilton Honors as well as Hilton’s powerful commercial engine.”
Vista Hospitality Group is a joint venture between Pro-invest Group and Next Story Group with Pro-invest the managing partner of a seven brand portfolio across 15 properties including luxury brand ‘Next’, and its flagship Melbourne hotel. Its market leading approach to hotel management provides for partnering with best fit global brands to bring operational advantages.
Sneak peek inside the latest room2 opening in Belfast
Sustainable design meets awe-inspiring art in the highly-anticipated eco hometel room2 Belfast, the latest property from real estate investor and developer Lamington Group. We stepped inside for a closer look and to meet the sustainable design teams and artists behind the hometel…
With sustainability at the forefront of the room2 brand ethos and in line with Lamington Group’s unwavering commitment to become net zero by 2030, room2 Belfast will boast a unique design, supporting and celebrating the best of local creative talent and eco-conscious, yet striking design practices from innovative artists and producers.
Image credit: room2
Continuing to showcase a commitment to circular economy principles, which includes eliminating waste and pollution and circulating products and materials – room2 Belfast will open with a variety of progressive, artistic design features. Highlights include a café bar made with recycled glass, a standout reception desk created with plastic bottles from room2 Southampton and room2 Chiswick – the world’s first net zero hometel to open in 2021 – carpets made from recycled fishing nets and more. There will also be occupancy-enabled rooms, two lab rooms and state-of-the-art solar panels, as well as a 100 per cent renewable energy tariff, ensuring a minimum carbon footprint.
Image credit: room2 Belfast
Image credit: room2 Belfast
In addition to supporting the local environment, honouring the local neighbourhoods each room2 hometel is in, alongside supporting local talent and mindful craftsmanship, is at the heart of room2’s ethos. At room2 Belfast, the property has worked with several local suppliers and up-and-coming designers to create the thought-provoking and homely design of the city’s most exciting new opening for 2023.
Image credit: room2 Belfast
An exciting collaboration that aims to challenge the notion of waste within the hotel industry, room2 Belfast has partnered with start-up brand Spared® to breathe new life into waste materials, including transforming plastic shampoo bottles into a statement reception desk which will be visible from the moment you enter room2 Belfast. The reimaged waste as beautiful furniture and thought-provoking art can also be seen on the tabletops for the café.
Image credit: room2 Belfast
Dodds & Shute is a sustainable, design-led furniture and lighting procurement company where production leftovers are recycled or sent to energy schemes to ensure a zero landfill policy. It has supplied 90 per cent of the furniture within room2 Belfast including bespoke sofas, headboards and tables. A registered B-Corp and long-term partner of room2 hometels, Dodds & Shute adhere to the highest environmental, social and governance standards including setting a new standard for responsible materials, low-impact delivery strategies and championing circular economy design, which is in perfect synergy with room2 Belfast.
Image credit: room2 Belfast
A Northern Irish illustrator and well-known, influential figure on the Belfast social scene, Jamie Beard’s work is primarily centred around portraiture. Beard was commissioned to create a special portrait within the wardrobes of room2 Belfast that conveys the richness of Irish mythology and folklore, bringing it to life and acting as a surprise moment for guests when they reach inside the wardrobe rail, adding another unique feature to the bedrooms. As well as this, room2 has used this unique print in branded collateral, such as for notebooks and postcards available for guests.
Image credit: room2 Belfast
Another Northern Irish artist specialising in fine art paintings, Rebecca O’Doherty’s work aims to evoke emotion and spark the imagination. O’Doherty has created a mural for the backdrop of room2 Belfast’s reception that has truly captured the spirit of the hometel, inspired by her original ‘Sitting Room’ painting. This evokes the memories that build up in a home over time, which is what room2 Belfast wanted to bring to the space in line with the hometel concept.
Image credit: room2 Belfast
A local Northern Irish lighting company, Mullan, designs and manufactures custom light fixtures with a focus on premium design and quality products. With a team of craftspeople that make everything by hand in Mullan Village, this local Irish company has supplied 350 organic ceramic wall lights for the guest rooms, all made just 50 miles from room2 Belfast itself. Inspired by the rural surroundings in the Irish countryside, the ceramic designs reflect the company’s organic roots and sustain the centuries-old tradition of Mullan as a village of makers.
Image credit: room2 Belfast
Designer and sustainability enthusiast Jill Gurney launched Linen Lane, specialising in lamps, shade and homeware, with a vision to bring eco-friendly fabrics to the modern home. Linen Lane has provided beautiful handmade linen lampshades throughout room2 Belfast, made locally in Northern Ireland.
Other great sustainable designers and artists involved in the opening of room2 Belfast include Alana McDowell, Illustrator and Designer responsible for painting every bedroom alongside Obin Specialist Joinery, Potters Thumb, PLANQ, Kenosis, Merchant and Found, Biohm, Felix Lighting Specialists, Dyke and Dean, Sansho Ltd, Clayworks Ltd, Resillca, Ege, Baux, Mosaic Factory, Mourne Textiles, Camira Fabrics, Kirkby, Yarn Collective and Tibor Fabrics.
Marriott International has announced it has signed an agreement with NEOM to open two luxury properties in Trojena, NEOM’s mountain destination located in the north-west region of Saudi Arabia. The agreement includes Saudi Arabia’s first W Hotel and a JW Marriott property…
NEOM, set in northwest Saudi Arabia by the Red Sea is being built from the ground up as a living laboratory, with claims of building a new model for ‘livability’. Trojena, the mountains of NEOM, is one of the flagship developments within the portfolio, which is being developed and positioned as a year-round adventure sports destination that will include activities such as skiing, water sports, hiking and mountain biking. Along with the proposed developments, it will now include a W Hotel and JW Marriott property.
Image credit: Marriott International
“We are excited to work with NEOM to develop these two exciting properties in one of the most highly anticipated developments in the world,” said Chadi Hauch, Regional Vice President, Lodging Development, Middle East, Marriott International. “W Hotels continues to redefine the luxury hospitality sector and NEOM is an ideal fit with its vision centered around innovation, creativity, design and exploration, while JW Marriott, one of our flagship brands, will bring its legacy of extraordinary hospitality, thoughtful design and enriching experiences.”
The W Hotel in Trojena is anticipated to feature 236 guestrooms, including 47 suites, with uninterrupted views of the mountains and a freshwater lake. Design plans for the property comprise signature brand spaces including a Living Room, WET Deck, W Lounge, AWAY Spa and FIT fitness centre. The hotel is also expected to offer four dining destinations and retail space. The property will be situated within the region’s Lake Village which aims to deliver exclusive residential, hospitality and commercial experiences directly at the water’s edge. At almost three kilometres long, the architectural lake will be a destination that is expected to feature an enchanted forest and adventures on the waterfront. The Lake Village will also be home to a range of retail and dining offerings, fresh food and shopping markets and entertainment areas.
“JW Marriott and W Hotels are two powerful and purpose-driven brands, carefully tailored to meet the expectations of the next generation luxury traveller,” said Chris Newman, Executive Director of NEOM Hotel Development. “The JW Marriott will be paramount in positioning Trojena as a class-leading venue for major global conferences and exhibitions, as well as high profile events, while W Hotels will transform the way visitors of our mountain destination enjoy entertainment, culture and culinary experiences. Marriott International shares our vision for shaping a new frontier for the industry and we look forward to strengthening our relationship by bringing two of its renowned hotel brands to Trojena.”
Rooted in sophistication, the JW Marriott Hotel in Trojena will be a haven for luxury travellers who seek an ultra-premium escape paired with exceptional service and well-being experiences. The property will be situated in The Bow which is anticipated to be a futuristic water world which will combine nature with technology to make for a unique living environment. Immersed inside The Lake and surrounded by a mountainscape, the substructure will be designed to withstand the weight and pressure of the surrounding water while remaining spaces will be easily adaptable to allow for multi-season use including an atrium capable of hosting largescale events. Plans for the hotel include 500 luxury guestrooms and suites and extensive entertainment and recreational offerings including a ballroom, meeting spaces, five dining venues, a fitness club, a kids club, swimming pools and a spa.
Kimpton ‘breaks ground’ on new hotel in North California
The new hotel, Kimpton Pacific Grove Hotel, which is expected to ’embrace the coastal city’s bespoke neighbourhood vibe’, will open in 2025. Here’s what else we know…
Exuding ‘elevated, laid-back vibes’, Kimpton Pacific Grove Hotel has hit a milestone this month, breaking ground, with plans to open in 2025. The property, which will be operated by Kimpton Hotels & Restaurants, will be located in the Northern California coastal community of Pacific Grove, on the storied Monterey Peninsula. Marking the boutique hotel brand’s first property in the market, Kimpton Pacific Grove Hotel will serve as a premier destination featuring locally inspired restaurant and bar concepts.
Owned and developed by Cypress 16, LLC in conjunction with Interport Capital, LLC, and L&B Realty Advisors, Kimpton Pacific Grove Hotel will be a newly built, Mission-style boutique hotel featuring 101 elegant guestrooms, including six suites and a hospitality parlour equipped with its own private outdoor terrace.
Rooms situated on the third and fourth floors will provide guests with sweeping views of the Monterey Bay, a breathtaking sight that is sure to promote a feeling of blissful relaxation. The hotel’s expansive 340-square-metre courtyard and breathtaking fireplace, all set against a bounty of native trees, will provide travellers a perfect California setting to host meetings and events or a beautiful celebration.
Aptly inspired by the dreaminess of the California coastline, the four-storey hotel is set to become a culinary go-to for guests and locals alike thanks to its restaurant and bar venue’s focus on local cuisine, fresh seafood and locally grown produce.
“California has always been home to the Kimpton brand, and we’re thrilled to continue to thoughtfully grow our footprint in this important market,” said Mike DeFrino, Managing Director, Luxury & Lifestyles Americas at IHG Hotels & Resorts. “Not only is Pacific Grove located on the beautiful Monterey Bay, offering visitors spectacular views of the coastline, but it’s also home to many historic and charming homes and businesses, making it a truly one-of-a-kind destination.”
Situated between the city of Monterey and legendary Pebble Beach, this picturesque Victorian town – often called the ‘Butterfly Town U.S.;’ ‘The Most Romantic City in the U.S.,’ and ‘A Dreamy California Destination’ – has become a sought-after location for those seeking pure California relaxation. In addition to the city’s spectacular views and quaint neighbourhoods, guests can also enjoy unique boutiques, local art galleries and specialty shops all found within Pacific Grove’s four shopping districts. The new hotel sits within this quadrant and is close to the Pacific Grove Museum, Pacific Grove Library and within walking distance to the beloved Lover’s Point Beach.
“Partnering with IHG Hotels & Resorts to create such a beautifully distinct hotel in the Pacific Grove neighbourhood is an exciting venture,” said Gary Roffe, Managing Partner, Cypress 16, LLC. “There’s nothing like this hotel in the area, and we’re looking forward to building a place that honors this idyllic beachfront city and can become a great contributor to the fabric of the local community.”
When it opens in 2025, Kimpton Pacific Grove will become the 10th Kimpton hotel in California. The brand currently has 75 open hotels globally and 50 projects in the pipeline.
Statement to signature: lighting ACCOR’s MGallery hotel in Liverpool
Accor has opened the doors to its latest UK hotel – The Municipal Hotel Liverpool, MGallery – and Northern Lights was chosen to craft its bespoke lighting magic across the historic listed location…
Each venue and carefully curated space in The Municipal Hotel tells a unique story inspired by the location – from bespoke authentic design to sensorial mixology, MGallery hotels focus on creating a lavish travel experience. British lighting innovators Northern Lights are no stranger to ACCORS’s visions for their brands, having crafted bespoke lighting across a string of previous projects.
Image credit: Northern Lights
Northern Lights were chosen to collaborate on this project with award-winning interior designers KONCEPT ID and Luke Artingstall of Artin Light to develop bespoke lighting for the array of public areas and guest suites throughout the hotel. Items from the Signature Collection were also specified to complement the design and work fluidly with the custom installations and finishes.
Image credit: Northern Lights
The lighting brief required over twenty-four individual fittings to be fabricated and distributed throughout the hotel. Guests are greeted from the moment they first enter the hotel with an intricate fretwork of antique brass and frosted acrylic from the feature chandelier suspended above the entrance. The immense framework measures over a metre-and-a-half long, wide and deep with five laser-cut brass layers that have been joined to form a cube. The fixture contains six individual reeded glass lamp holders suspended at differing heights.
Image credit: Northern Lights
Image credit: Northern Lights
In the Palm Court, ten decagonal chandeliers suspend from the ceiling above creating pools of light below. Laser-cut antique fretwork contrasts against the matt opal ‘windows’ to create an atmospheric ambience that perfectly complements the purpose-built skylight above. Moving further through the hotel, a Deco-inspired brass and frosted glass chandelier brings real extravagance to its surroundings. Within the hand-finished frame sit 73 bespoke formed glass pieces, culminating in a floral likeness when viewed from beneath to create an immersive experience.
Image credit: Northern Lights
A hand-applied, medium antique brass finish features on the majority of the lighting solutions – including several pendants, chandeliers, table and wall lamps throughout the venue – to tie the lighting scheme together effortlessly. Lighting from the brand’s Signature Collection also features throughout. The Linton wall lamp combines delicately crafted Old English brass and faux alabaster to create a dramatic veining pattern unique to each fixture. Deco-inspired Scala wall lamps offer soft illumination in the restaurant, and the hand-applied tarnished brass finish pairs beautifully with the fixture’s warming bidirectional aura.
Northern Lights is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
The second edition of Sustainable Design Summit is just around the corner and, as a proud media partner of the event, Hotel Designs is able to unveil this year’s complete agenda…
There is nothing more the design community wants more than an event that not only unites the hospitality sectors, but also cuts through the noise to expose clear solutions when it comes to designing consciously. Cue the arrival of Sustainable Design Summit that, following last year’s successful inaugural event, takes place on November 28 at Museum of London Docklands.
The full agenda of the summit has been released – the world’s only forum to unite the cruise, hotel, and aircraft interiors sectors. The thought-leadership event serves as a catalyst for change in interior design across these three chosen industries.
With a strong focus on collaboration and innovation, interior designers, specifiers, sustainability specialists and suppliers alike meet to share insights and explore the new era of sustainability goals.
Highlighted sessions and headline speakers:
The one-day Summit tackles today’s biggest challenges with designing and sourcing responsibly. The pivotal opening keynote ‘Progress, leadership, and transparency through the supply chain’ unites decision makers across each sector, including Joshua Wilkie, Manager, Waste Management and Circularity Programs at Air Canada; Mathieu Petiteau, Newbuilding and R&D Director at Ponant and Sam Hall, Director of Interior Design, Europe at IHG Hotels & Resorts.
Hosted by Darian Stibbe, Global Leader, Partnerships for Sustainable Development; Executive Director at The Partnering Initiative, delegates will be guided through a CPD-certified programme of keynotes and topic-specific breakout sessions focussing on case studies and companies that are at the forefront of sustainable design. Stand-out sessions include ‘Understanding your emissions: what are your numbers really telling you?’, ‘Materials innovation and collaboration in the supply chain’ and ‘From collaboration to impact: developing approaches and next steps’.
Image credit: Sustainable Design Summit
The revered speaker line-up features interior designers, both highly specialised and those who work cross-industry, lead specifiers, and sustainability specialists. Brands leading the conversation include Hilton, Royal Caribbean Group, Air Canada, IHG Hotels & Resorts, Holland America Group, Bombardier, Hurtigruten Norway, Winch Design and PriestmanGoode. Certification and sustainability advisory companies such as Lloyds Register, TU Delft, and Mind Click will also be sharing their knowledge and what the delegates as brand owners require from the supply chain.
Speaker Mirja Rasi-Mäki, Sustainability Specialist at Meyer Turku emphasises the importance of seeking cross-disciplinary solutions to sustainable design obstacles: “Product Development Partnering and collaboration in sustainability issues are essential in addressing the unique challenges of the maritime industry; bringing together diverse expertise, ensuring regulatory compliance, maximising resource efficiency, adopting innovative technologies, and promoting a positive passenger experience while minimising environmental impact. Through collaboration, the different stakeholders can contribute to making the cruise industry more sustainable and environmentally responsible.”
Included in the day’s agenda is the zero-waste product showcase of intrinsically green materials and solutions, and numerous opportunities to network allowing delegates to expand their knowledge, discover the latest innovations, and create new relationships across the sectors.
Sustainable Design Summit was created to make sustainable choices easier for those working within cruise, hotel, and aircraft interiors. Designers, decision-makers, and trusted suppliers join to challenge existing practices and together create practical solutions. The Summit is organised by Elite Exhibitions, organisers of Cruise Ship Interiors Design Expo Americas and Cruise Ship Interiors Design Expo Europe.
The first Janu hotel prepares to make its mark on Tokyo
Pioneering a new direction in luxury hospitality, Aman’s sister brand Janu is set to open its first hotel, Janu Tokyo, this autumn. Here’s what we know…
Translated as ‘soul’ in Sanskrit, Janu will deliver an elevated guest experience akin to Aman, while providing a spirited social scene in contrast to Aman’s whisper-quiet seclusion. Through Janu’s appreciation of cuisine, art, design and service, Janu Tokyo will reflect and celebrate the city’s rich, cultural fabric.
Image credit: Janu Tokyo
Presenting a soulful setting in Tokyo’s much anticipated ‘Modern Urban Village’, Azabudai Hills, the hotel will feature 122 spacious guestrooms, a vibrant dining scene, one of the largest wellness facilities in the city, as well as invigorating and restorative experiences to rekindle the soul.
Thirty years in-the-making, Azabudai Hills is an 8.1-hectare hub created and managed by Japan’s leading developer Mori Building Co. Ltd. This new dynamic heart of the city will thrive in perfect synergy with the values of Janu, which seeks to nurture purposeful connection and to bring people together. Imbuing an energy that appeals to those desiring greater purpose and inner contentment – Janu provides a balance between personal fulfillment and relaxation – all underpinned by Aman’s DNA and commitment to guest experience with timeless design, intuitive service and deep roots in each destination.
Image credit: Janu Tokyo
Claiming 13 floors in total, from the ground up, Janu Tokyo is located in the B-2 District Tower designed by Pelli Clarke & Partners with interiors by long-term Aman collaborator Jean-Michel Gathy of Denniston Architects. All 122 light-filled guest rooms will feature floor-to-ceiling windows with the majority having private balconies with views of the iconic Tokyo Tower or surrounding greenery. Ranging from 55 square metre Deluxe Rooms to the 284 square metre Janu Suite, there will be an abundance of connecting rooms encouraging travel with family and friends.
Bringing a contemporary and creative zest for life to Azabudai Hills’ hospitality scene, Janu Tokyo will be home to six restaurants as well as a bar, lounge and garden terrace. Each will exude the brand’s signature energy inspired by connection, balance and exploration, including a patisserie, a vibrant Italian food emporium and a grill restaurant complete with an open kitchen and bar. The property will be home to two Japanese restaurants, the first serving the finest and freshest sushi and the second a sumibiyaki menu. This is in addition to a Chinese restaurant with a host of private dining venues.
Image credit: Janu Tokyo
The Janu Wellness Centre, spanning over 4,000sqm, will be one of the largest wellness facilities of any luxury hotel in Tokyo. Entirely rethinking the idea of balance, and with a social wellness and goal setting concept at its core, the space goes above and beyond the common notions of spa with a contemporary take on traditional wellness beliefs.
On property, group classes and shared experiences will be realised through a range of facilities including five movement studios offering spinning, boxing, yoga, Pilates and simulated golf training, this is in addition to seven treatment rooms and a large gym featuring functional and circuit training equipment. An extensive hydrotherapy and thermal area, centred around a 25-metre heated lap pool, will also have a separate Lounge Pool, traditionally a place for socialising in Japan, as well as two Spa Houses.
Image credit: Janu Tokyo
“The development and creation of Janu has been born from Aman Group’s long-term strategic vision, responding to the demand from our wider cohort of guests and the luxury traveller for the hallmarks of the Aman offering in terms of service and excellent design, but with a different pace and spirit,” discussed Vlad Doronin, Chairman and CEO of Aman and Janu. “There is great appetite in the market for experiences and destinations which encourage connection, adventure, and memorable interactions. Janu has been designed to cater to this increasing demand, seeking pioneering destinations which have an energy and vibrancy reflecting the values of the brand for our first outpost. Being part of the Azabudai Hills project sets the benchmark for the brand and all other Janus to come and, with Janu Tokyo a fitting flagship, we can connect to the heart of this vibrant community and an inspirational ‘new world’ hub of culture and art.”
The capital’s newest landmark, Azabudai Hills, in the heart of Tokyo, reflects Janu’s purpose of nurturing kindred spirits and collective moments. This visionary lifestyle district, centred around green spaces and wellbeing, is planned for completion this year. Led by Mori Building Co. Ltd, Azabudai Hills has one of the world’s leading architects Thomas Heatherwick at the helm, who seamlessly weaves offices, residences, a hotel, international school, shops, restaurants and cultural facilities into the fabric of everyday life, attracting multi-generations for both work and leisure.
The development will also be home to Aman Residences, Tokyo, located in a separate building from Janu Tokyo. Set to complete in 2023, the urban residences, designed by Yabu Pushelberg, will offer just 91 exclusive homes, as well as lifestyle services and a residents-only 1,400sqm Aman Spa with panoramic city views, providing owners with a sanctuary literally and figuratively at the pinnacle of city life.
Janu Tokyo’s pre-opening and launch have been entrusted to Noriko Tanaka, who will serve as Janu’s first General Manager. The ideal hospitality professional with her wealth of knowledge in the destination, Noriko’s experience includes spending the past four years as General Manager at Amanemu, in Japan’s Ise Shima region.
Roundtable: embracing residential style in hospitality design
Ahead of Focus 2023, Hamish Kilburn, Editor of Hotel Designs, in close collaboration with Dedar, invited a handful of interior designers for a roundtable to the Dedar Milano showroom at Design Centre Chelsea Harbour to discuss the blurring boundaries between residential and commercial styles…
If we learned anything from London Design Festival 2023, it was measuring creativity in design – through its process and form – on its ability to tell a story. Perhaps this is why there has been an increase in noise around hotel clients wanting to shelter a residential style in hospitality and why, meanwhile, guests checking in want to take a little bit of their hotel experience home with them.
This, as well as Dedar dropping its latest collection of sophisticated sheers, fabrics and matching wallcovering made with the most refined materials, including linens, silks and FR-rated technical fibres suitable for hospitality projects, was the reason why Hotel Designs put the topic around ‘embracing’ these meeting of styles out on display for its latest roundtable. “The constant dialogue between residential and hospitality design is a very important topic for us,” explained Matteo Martini, General Manager for Dedar UK. “Whilst the residential market has always been our core business, our journey in the hospitality industry began almost 30 years ago, in 1995, when we launched our first FR range but, most importantly, we supplied the first hotel project (Hotel Costes in Paris, designed by Jacques Garcia). That project really put Dedar on the map and was a turning point in the history of our brand.
“Since then, we’ve always tried to merge beauty with performance and comfort with practicality and the new 2023 September collection is a prime example.’’
The conversation on what hospitality can learn from residential, and vice-versa, by ‘sheer’ coincidence, also became the publication’s first ever all-female panel.
Hamish Kilburn, Editor of Hotel Designs chaired the roundtable. | Image credit: Mel Yates Photography
Hamish Kilburn: How, in your projects, are you seeing residential style being embraces in hotel design?
Natalia Miyar: In The Twenty Two, which was my first hotel design project, guests checking in love to have the comfort and luxury that you have at home in a hotel. For me, it’s about having tactile materials. I think, for example, that’s why people love going back to a place where you can sink into a comfortable armchair.
Image credit: The Twenty Two, designed by Natalia Miyar Atelier. | Image credit: The Twenty Two
Louise Lythe: Achieving the residential style is very much referenced from our clients. For us, we work on both residential and commercial projects, it’s about details, materiality, the hand-feel of the fabrics. It’s about selecting things that are not obviously hospitality grade fabrics but also keeping in mind that it is a commercial project and you need to meet FR regulations and rub count. It’s taking the best elements of residential and bringing those into the hotel sphere.
Image caption: The roundtable was the perfect setting for designers to get an exclusive sneak peek of Dedar’s latest collection of sheers. | Image credit: Mel Yates Photography
Laura Sutherland: We are working on a project right now where we have more of a pantry element to an area of the public areas, so that guests can have a self-catering element to their hospitality experience. It allows guests to have a break-away space, which is removed from their rooms. I would say that lobbies are not sterile spaces anymore. They are comfortable and the boundaries are certainly being blurred between public and private spaces of a hotel.
Image caption: A residential-style lobby area, designed by Blacksheep
GraceChihane: When working on a project, it is very much narrative-led. There is a lot research that needs to take place on the context, its location and what the hotel stands for. We create authenticity and a stronger brand identity. Take Ruby Zoe, for example, which is located in Notting Hill, London. We looked at the local carnival, and the Caribbean island influence, which inspired the design of the vibrant public areas, knowing that the guestrooms had to follow strict guidelines.
HK: Is this topic weighted more towards hospitality injecting residential style, or does it work both ways?
Laura Fielding: It’s interesting because we are working on UK residential projects at the moment where we are introducing elements like bars and speakeasys even. That suggests that there is a demand for people in the luxury arena to be entertaining a lot more at home, which is something that is coming out of hotels.
Image caption: Statement public areas inside Palais de le Plage, designed by Spinocchia Freund and construction by J.B Pastor & Fils. | Image credit: Kate Martin
Abi Kendler: Another area where residential and commercial styles collide is in the bathrooms and wellness spaces. I think residential clients take inspiration from hotel bathrooms and spas a lot. We are seeing the bathroom as an area between home and hotels.
In terms of materiality, I think clients are more prepared to be bold and perhaps unconventional in the walls, for example. I think it is because materials evoke memories, especially from traveling.
WOW!house 2023 House of Rohl Bathroom, designed by Studio Mica. | Image credit: James McDonald
NM: Private clients have a difficult time articulating what they want, and hotels provide a common vernacular where you can reference styles and preferences.
LS: We are also exposed so much more these days to digital and social media – it’s easier than ever to research styles.
HK: In terms of materiality, colours and textures – how unconventional can you afford to go as a hotel designer?
LS: I think you can afford to push the boundaries, but it always comes back to the narrative and story, but it is also very dependent on the location. If you have a client who understands their vision, then you are able to push the project through design. If you are in a fast-paced city, for example, you have to soak in the environment and that dictates the choice of fabrics and finishes.
We are really excited about the development of fabrics in hospitality. Even as soon as six years ago you would be restricted on the fabrics that achieved the rub count and had crib-five rating. Whereas now, it has really progressed.
Image caption: The roundtable touched on sustainability, design trends, collaboration and breaking rules. | Image credit: Mel Yates Photography
NM: The Twenty Two was a reflection of a very open-minded client. To be honest, we had fun working together to select the right materials. It was inspired by 18th century French interiors but interpreted in a modern and playful way. It wasn’t trying to be a historical or accurate approach – just inspired by that era and location. All aspects are found in some design book in France or where I remember as a child. This is why we over-scaled some of the patterns and had interesting colour combinations. There is something playful about working with that memory narrative over a factual one.
Clare McDonald: On a recent project for Accor, we took inspiration from the fort – the geometric shapes. Essentially, we were able to design our own fabrics that reflect the colours of fort. We chose more muted tones in the guestrooms and then created the shapes to subtly represent the location. Then we were able to add a layer of fabric to reflect the glimmer of the water. It’s a feeling that you are there but it is not literal.
HK: What is the difference, in design, between luxury hotel and private residential?
AK: We are working on a project in Marble Arch, and from day one the client wanted the guestrooms to feel residential – this was a big part of our brief from the start. We are challenging each other – they want to see rich fabrics that they seem domestically, that in a hotel might not work. This is where the collaboration between designer and client is most important to ensure the space feels a certain way and keeping it practical.
Image cation: Collegiate AC Student Accommodation – Lisbon Portugal, designed by Design Command. | Image credit:
CM: It think this is most interesting in F&B spaces – there is a real blur. We have a client, at the moment, where the client invited us to his house to show us how he wanted his restaurant to look and feel. We ended up specifying a chair that was similar, but we had to put a different spin on a lot of the surfaces and materials for the restaurant. I love how this project has been born out of his style that he has at home.
LL: I also think F&B spaces are becoming smaller in scale. The client of a restaurant we are currently working on wants to be able to screen off areas of big parties. I think the idea of the main restaurant with a private dining room is perhaps a bit dated. Clients would prefer to be able to move the furniture around and adapt the space that it is not stuck to the original floorplan.
Image caption: The Velvet, designed by David Collins Studio, inside Corinthia London. | Image credit: Alex Upton
HK: How has the emphasis on sustainability helped you as a designer to unlock deeper design narratives?
LS: We are finding with our research, through branding, that they want to have the connection with the local community – giving back to the local community. And actually, design needs to work hard in order to be able shelter these authentic connections. I love how this has allowed us to work with local artisans and creative-minded people.
GC: When designing a space, we have to think about how a space can be adapted without extensively changing it. There are a lot of things we can do to make projects more timeless – focusing on long-lasting materials. We are investigating freestanding furniture and modular designs. We are looking at sustainability beyond looking at local materials. This is also where, in fabric design, starting with a neutral palette and adding accents comes in.
Image caption: The Broadway, designed by Squire & Partners. | Image credit: Jack Hobhouse
LF: On the whole, I do feel like manufacturers are doing a good job in offering products and materials that are sustainable and it is encouraging to see the cost actually coming down. Manufacturers are moving a long way forward. This also allows us to have regular conversations between designer and manufacturer to share research and ideas.
CM: There needs to be an educational element with hotels – to design hotels so that new brands coming in wouldn’t feel like they need to rip out the entire design and start fresh.
NM: One hindrance to sustainability is regulations. We are automatically restricted to what we can specify in a hotel – things are getting better, but it is a frustration, particularly for fabric suppliers, I’m sure when it comes to this very topic.
Dedar is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
When it comes to sourcing sheer and voile fabrics for a hospitality or hotel project, the quality and selection offered by Edmund Bell Fabrics stand out – offering a wide range of materials that cater to the latest design trends along with a brand commitment to innovation and sustainability…
In the ever-evolving world of interior design, one thing remains constant – the pursuit of elegance and sophistication. Hospitality and hotel spaces, in particular, demand an atmosphere that exudes luxury and comfort, setting the stage for unforgettable guest experiences. The considered use of sheer and voile fabrics, which play a key role in the Edmund Bell portfolio, can add the delicate layers that help to achieve these objectives.
Image credit: Edmund Bell
Sheer and voile fabrics can add an element of the ethereal to a design scheme. These fabrics allow just the right amount of light to filter through, creating a luminous and airy ambiance. For the hospitality industry, they offer a unique opportunity to craft spaces that are both inviting and visually stunning. One of the key benefits of using sheer and voile fabrics in hotel design is the ability to maintain privacy without sacrificing natural light, adding an element of translucent privacy. These materials diffuse light beautifully, creating a soft glow that bathes the room in warmth. Guests can enjoy both the view outside and a sense of seclusion within, striking a perfect balance between openness and privacy.
Image credit: Edmund Bell
Beyond their traditional use in window treatments and drapery, sheer and voile fabrics have found a new role as versatile room dividers in modern hotel interior design. These lightweight fabrics offer a seamless and stylish way to create private nooks or partition larger spaces without compromising on the flow of natural light. Whether employed in open-concept lobbies, restaurant dining areas, or within the guest suites themselves, sheer and voile room dividers add an element of sophistication and flexibility, allowing designers to transform spaces on a whim to meet the ever-changing needs of guests and events. Their translucent nature maintains an airy feel while defining distinct zones, enhancing the functionality and aesthetics of the hotel’s interior layout.
Image credit: Edmund Bell
Image credit: Edmund Bell
Sustainability is no longer an afterthought but a guiding principle in interior design. Hoteliers are increasingly seeking eco-friendly materials and sheer and voile fabrics fit the bill. Many options are made from sustainable materials, such as organic cotton or recycled fibres, aligning seamlessly with the sustainability movement. Edmund Bell’s two latest sheers LINK and SWAY are made from 100 per cent recycled content using Repreve yarns, meaning they can be traced back to source and verified for being made from recycled plastic bottles.
Image credit: Edmund Bell
In recent years, there has been a shift towards natural and earthy colour palettes in hospitality design. Sheer and voile fabrics beautifully complement this trend. Soft greens, sandy neutrals, and tranquil blues create a harmonious backdrop for these materials, evoking a sense of serenity reminiscent of nature. Mixing and layering textures is another trend that’s gaining momentum. These fabrics can be used in conjunction with heavier drapery or blinds to create depth and visual interest.
This layering effect adds a touch of opulence to guest rooms and common areas alike. In some instances, sheer and voile fabrics take centre stage as statement pieces. Large, flowing panels or intricate patterns can become focal points in the room, providing a touch of drama and elegance that leaves a lasting impression. Using a sheer fabric as a print base for one of Edmund Bell’s PrintLab prints can be one such way to make a stunning focal point within a room.
Image credit: Edmund Bell
In a world where interior design constantly evolves, sheer and voile fabrics remain a timeless choice for creating spaces that are both inviting and chic. As the hospitality industry continues to embrace these materials, the possibilities for crafting unforgettable guest experiences are limitless. Edmund Bell Fabrics is proud to be at the forefront of this design movement, helping you transform your vision into reality, one exquisite fabric at a time.
Sheer and voile fabrics are making a triumphant return to the forefront of hospitality and hotel interior design. Their ability to infuse spaces with elegance, tranquillity, and natural light makes them indispensable in the pursuit of luxurious and inviting atmospheres. By staying attuned to the latest design trends and harnessing the versatility of these materials, designers and hoteliers can create memorable experiences for their guests that stand the test of time.
Edmund Bell is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
Bunkhouse announces Hotel Daphne’s debut in Houston
Bunkhouse, the Austin-based hospitality group, continues its path of expansion with this second project in Houston…
Known for its commitment to design, music, and authentic community-driven experiences, Bunkhouse has unveiled its plans for its latest boutique property, Hotel Daphne, slated for 2025 and set to open in a new build that reflects the architecture of the historic Heights neighbourhood. This addition marks Bunkhouse’s second hotel project in Houston, following the highly anticipated opening of Hotel Saint Augustine in Montrose’s Museum District in the fall of 2024.
Image credit: Bunkhouse
Centrally located, the hotel will be nestled within the historic Houston Heights neighbourhood near the bustling 19th Street shopping district, known for its locally-owned businesses and curated retail shops. Hotel Daphne will comprise 47 guestrooms and suites, an all-day restaurant, a ground-floor bar and lounge, a picturesque courtyard, a refreshing pool with a pool bar, a library and a lobby retail shop – all embodying the signature Bunkhouse experience.
“We are very excited to be expanding our presence in Houston with the Hotel Daphne, our second project in the works,” said Amar Lalvani, Executive Chairman, Bunkhouse Hotels. “The hotel will be a sophisticated yet relaxing gathering place for visitors and the local community alike, in a neighbourhood that we adore. The exact type of place Bunkhouse is renowned for creating. One that is reflective of the city’s diversity, history and culture.”
Image credit: Bunkhouse
“Bunkhouse wrote the book on doing cool boutique hotels in Texas, and ever since I stayed at Hotel San José many years ago, I have dreamed of helping bring Bunkhouse to Houston,” said Ben Ackerley, one of Hotel Daphne’s owners. “Our new hotel, Hotel Daphne, will be the first of its kind in the Heights and is only going to add to the momentum that the neighbourhood already has going as it grows into one of the premiere destinations in the city.”
Hotel Daphne takes inspiration from the architectural charm of the Heights, which is one of Houston’s oldest neighborhoods that was founded as a utopian society in the 1890’s, seamlessly blending into the neighbourhood’s recycled industrial style. In partnership with developing partner RGA Ventures LLC, Bunkhouse has enlisted Blanchard A+D, based in Massachusetts, and Darwin Architecture, based in California, as the architects of record for this five-story new build, which will feature painted brick, stepped parapets and steel windows.
The name ‘Daphne’ draws inspiration from Greek mythology, where Daphne, the daughter of the river god Peneus, transformed herself into a laurel tree to escape Apollo’s romantic obsessions. This mythological tale encapsulates the hotel’s essence, mirroring the delicate, sweet and spicy nature of the laurel plant. Bunkhouse is keeping Hotel Daphne’s interior design and creative direction in-house, which will result in a harmonious blend of the Heights’ diverse styles, fusing Arts and Crafts with Folk Victorian influences. Expect inviting and luxurious spaces where the familiar meets the far out.
Bunkhouse, currently operating six of its ten hotels in Texas, including five in Austin and one in San Antonio, is eager to contribute its unique brand of hospitality to the vibrant Houston community.
VIP arrivals: hottest hotels opening in October 2023
From bold brand statements to bijoux boutique offerings – writer Pauline Brettell rounds up an eclectic list of the hotel openings on our radar this month…
A few of the names on this list, have been teasing us for a while with pipelines and impending openings and it is always exciting to see those architectural renders transformed into living, breathing designs. Scrolling down through this month’s hottest hotel openings, it is clear that the hotel design industry remains as eclectic and design-driven as ever. While some bold new architectural statements swing open the doors this month, it is as wonderful to see the trend of re-design making equally bold marks on the hotel landscape.
LUX* Belle Mare, Mauritius
Image credit: LUX* Belle Mare
The spirited, forward-thinking resort on the east coast of Mauritius, LUX* Belle Mare, has reopened with a striking new design where minimalism meets tropical island living. The property, situated on the island’s wild east coast, tucked away in lush tropical gardens near the quaint village of Belle Mare, has unveiled a refreshed look after more than a year of extensive renovations. The reimagined resort with its timeless architecture designed by renowned Mauritian architect Jean-Francois Adam, has been elevated with a striking new design whilst retaining its celebrated family ethos.
Taking the resort to new heights, the interiors have been conceived by internationally acclaimed Mauritian designer, Jean-Marc Tang, dedicated to creating a revitalised vision of hospitality in the region. With a fresh feel, look and style, Tang brings soothing shades of pastels, coral, greens and sand white to LUX* Belle Mare, taking cues from the surroundings.
One&Only Aesthesis
Image credit: One&Only Aesthesis
One&Only Aesthesis, the brand’s second hotel in Europe, is finally slated to open this month on the Athenian coast and the seafront of Glyfada. With a design that embodies the glamour of the Aegean, the 127 guestrooms, breathtaking suites and private villas, have all been designed to frame the natural beauty of the Grecian coastline. The architecture pays homage to mid-century design with high ceilings, woven leather, muted tones and accent patterns that embody the inherent beauty of a cosmopolitan Riviera.
The hotel is positioned in a 21-hectare seafront estate, within a six-hectare forest reserve, all only a short distance from the capital and its most iconic sites, such as the Acropolis, the Parthenon, Syntagma Square and Cape Sounio. In addition, the resort, overlooking a 1,600-metre shoreline, offers a statement beach club where guests and residents alike can gather and enjoy priceless views from sunrise to sunset. Like all the One&Only properties, the hotel will guarantee maximum privacy, offering most of the accommodation in independent villas, all with private pools, perfect for couples or families. Among the accommodation solutions available, the iconic Villa One has set new standards in terms of exclusivity.
The Radical
Image credit Matt Kisiday
The Radical has transformed a once abandoned 1920s’warehouse into Asheville’s newest destination, introducing 70 unmistakable guestrooms and suites alongside ambitiously original culinary concepts. Owned by Hatteras Sky and operated by Lark Hotels, the property has been designed as an unexpected collection of spaces, uses, businesses, offerings and of course, hotel rooms to reflect the fiercely independent and artistic communities of Asheville. The hotel is breathing new life into a once abandoned building while preserving beautiful evidence of its past lives — from a 1920s breakfast cereal factory to a graffiti artists’ vacant paradise. With rebel luxe interiors by Suomi Design Works, the hotel’s richly layered design effortlessly melds with towering raw concrete pillars, exposed brick walls and original street art, including work from decades past as well as modern additions.
W Sydney
image credit: Marriott International
The W Sydney is finally ready to make its debut in the city this month, making it the third W hotel in Australia, following the W Brisbane and the W Melbourne. The hotel marks the re-entry of W Hotels into Sydney and is part of ‘The Ribbon’ development. The 25 storey build designed by HASSEL, shelters 539 guestrooms, serviced apartments, along with an infinity pool, all with stunning views of the harbour.
Rising over Darling Harbour, there is no question that W Sydney instantly captures the eye. From the undulating lines of its exterior, to striking interiors that challenge the status quo and pay homage to its Sydney and NSW locale, W Sydney is daring and original. Seamlessly melding the tuned-in, luxury liberated W Hotels DNA with Sydney and Australia’s cultural touchstones, to create an all-encompassing day-to-night dining and social destination and a sleek retreat.
Mondrian Hong Kong
Image credit: Mondrian Hong Kong
In Mondrian Hong Kong, as with all the properties in the portfolio, design is at the centre of the experience, as the hotel is preparing to open its doors and poised to redefine hospitality in the region with a singular blend of design, art, performance and imagination. The Mondrian brand has always transformed and defined the neighbourhood in which it is found through a commitment to creativity, art and the unexpected. The Hong Kong incarnation continues in this tradition, arriving with a promise to shake things up. Its immersive, gallery-like interiors belong amid this landscape, featuring designs from the wild imagination of Karin Krautgartner. Each of its 324 rooms serve as a personal outlook for the guest, perched high above the bustling waters of Victoria Harbour.
Oaga Art Resort
Image credit: Oaga Art Resort
Situated in North Malé Atoll, Oaga Art Resort is an authentic all-inclusive art hotel in Maldives, tailored for curious travellers seeking to experience Maldivian history, art and culture. The resort is spearheaded by a young team with the vision to merge Maldivian artistry and creativity in the hotel industry. The art resort focuses on elevating the collective story of the Maldives islands with a platform especially made to cater for local artists and craftsmen, while embracing the tranquillity offered by the surrounding sun, sand and beaches.
The design incorporates the largest local art collection in the Maldives, tastefully displayed on the walls of its villas, as well as having the largest swimming pool mural in the region. The team is 90 percent Maldivian and passionate about travellers exploring a side to the Maldives beyond the ordinary. As an open community, each islander belonging to the team offer their own genuineness and insight, welcoming travellers to foster authentic connections. Oaga as a concept revolves around the philosophy of organic community growth and the resort is dedicated to its sustainability promise, with measures in place to protect the environment around them.
The Fifth Avenue Hotel
Image credit: The Fifth Avenue Hotel
Finally, ending on that aforementioned ‘bright and bijoux’ note, is The Fifth Avenue Hotel, is housed in one of New York City’s architectural masterpieces. The 153 jewel-like guestrooms and suites span two uniquely contrasting buildings – a 24 story silver tower with sweeping views of the skyline and an historic mansion designed by renowned architectural firm McKim, Mead and White. The interiors of both were at the work of Martin Brudzinski Design Studio and thoughtfully curated down to every detail.
The dazzling mirror-clad lobby welcomes you into the enchanting world of The Fifth and whether it’s the visionary design by Martin Brudnizki or the evocative art installations; a nightcap in The Portrait Bar or dancing in The Ballroom, the design ensures that every guest will come away with memories to cherish.
Award-winning Swedish design agency, Stylt, has designed Hotel Draken by drawing inspiration from its natural ties to local culture…
Situated in the classic cultural quarter near Gothenburg’s harbour, Stylt has designed Clarion Hotel Draken as the new cultural amplifier of Gothenburg. This connection is most evident in its homage to film, epitomised by the iconic Draken (The Dragon) cinema, an integral part of the hotel. It also pays tribute to the Gothenburg Film Festival and the city’s status as the cinematic capital of the Nordic region. The neighbouring Folkteatern, one of Gothenburg’s most vibrant theatres, and Folkets Hus, a cornerstone of the city’s labour movement, further ignite the concept. The hotel also taps into the area’s rich music and performing arts scene.
Image credit: Erik Nissan Johannsen
Stylt has developed this concept and interior design for Strawberry’s – formerly Nordic Choice – highly anticipated flagship Clarion Hotel Draken. The 474-key hotel is set to serve as a hub of local culture, encompassing film, theatre, music, fashion, art and design. “The hotel’s ambition to become one of the country’s most dynamic cultural and entertainment hubs aligns perfectly with the cultural vibrancy of the area,” commented Erik Nissen Johansen, the Founder of Stylt who has also served on the Board of the Gothenburg Film Festival.
Image credit: Erik Nissan Johansen
The hotel itself comprises a striking juxtaposition – a new built high-rise seamlessly connected to a historic building housing the classical cinema and theatre. Stylt’s conceptual design shines through in the public areas, multiple bars and restaurants, a cinematic spa, screening room, library, a meeting space with breathtaking views, and a glowing 20-metre-long beast crowning the top-floor restaurant, overlooking the city from the 33rd floor.
Image credit: Erik Nissan Johansen
After more than 30 years in the hospitality industry, Stylt has projects all around the world and with Clarion Hotel Draken, it is now making a significant impact in the design agency’s hometown. “The blend of local culture and extensive hospitality makes Draken a truly unique project,” said Anneli Soumalainen, Lead Interior Architect, Stylt. “Additionally, our design studio is the hotel’s closest neighbour, so this also becomes our new living room.”
Strawberry, formerly Nordic Choice, was founded 25 years ago by Petter Stordalen as a rebel with a warm heart within the hotel industry. Today, the group run more than 200 hotels in Sweden, Norway, Denmark, Finland and the Baltics. Clarion Hotel Draken is its 13th hotel in the Gothenburg area.
Bali but not as you know it: designing Renaissance Bali Nusa Dua
Editor Hamish Kilburn spoke to Carl Almeida, Principal at p49 Deesign, to understand how he used local dance as his primary reference point when designing Renaissance Bali Nusa Dua Resort. Listen to the full episode of Travel By Design, a podcast by Marriott Bonvoy Traveler, in the article below…
Renaissance Bali Nusa Dua Resort is unlike the typical, large beachside resorts that I’m used to visiting in Southeast Asia. Arriving at the resort is a pivotal part in the overall guest experience. That’s because to get there, guests head away from the coast, towards the hills, and travel through a small Balinese village before meeting immaculate, triangular roofs that emerge from an idyllic walled garden.
The hotel, designed by interior designer Carl Almeida, Principal of P49 Deesign, is, in many ways, an exhale for modern travellers, and here’s why. Listen below to the full 15-minute episode of the podcast, featuring the resort and Editor Hamish Kilburn’s interview with Almeida.
The design of the resort, which rests secluded in nature, is a nod to Balinese architecture and culture. “I want to give them [guests] a more cultural experience,” the designer explained.
Image credit: Marriott International
The architecture itself is set into the hills, reminiscent of a villa, with traditional pitched roofs perched around a courtyard of peaceful walking paths and walled gardens. The space feels naturally calming. “A lot of the materials used in Balinese design are this charcoal lava stone,” Almeida explained. “So the architecture of all these buildings uses a charcoal stone as a reference to the traditional stone used in the temples.”
Image credit: Marriott International
Meanwhile, the interiors have been inspired by Almeida’s deep appreciation for Balinese theatre and dance, which he’s cultivated by visiting the island over the course of 18 years. As guests walk through each space, the design scheme subtly evolves, reflecting different aspects of Balinese dance. In the lobby, for example, Almeida was inspired by a dance called the Pendet. “It’s a welcoming dance, and at the end of the dance, they actually throw flower petals over the guests to welcome you,” he said. “But we’ve interpreted that in how we use lighting effects. So we can shine lights and then they kind of flicker on the walls, off the ceiling, and that creates the effect that it’s, it feels like petals falling down, so it was really a way of interpreting the movement of dance in a very contemporary way; nothing’s literal in this project. But it’s symbolic.”
Image credit: Marriott International
Another dance, explored in the R Bar through materials and clever lighting, is the principle of the Barong dance, which is a performance between good versus evil, which allowed the designer to explore juxtaposing design elements to create meaningful layers and energy. “Where we’ve got traditional carvings on one side, if you look at the ceiling, it turns itself into metal panels, which has still got the carvings of the headgear that the Balinese dancers use,” he said. “But then we’ve interlinked that with LED screens. So you get this total contradiction of modern material and modern kind of presentation within the LED.”
Image credit: Marriott International
> Since you’re here, why not explore another podcast episode from Hamish Kilburn and Travel By Design?
Travel By Design is a podcast, hosted by Editor Hamish Kilburn and brought to you by Marriott Bonvoy Traveler. Search ‘Travel By Design’ wherever you get your podcasts. New episodes, which feature incredible design stories from all corners of the world, drop bi-monthly.
Designing the ‘stages’ for Independent Hotel Show 2023
Editor Hamish Kilburn sits down with Hannah Lohan, Creative Director at New Heritage Design, who talks through the studio’s history and the design concepts for the Social Business Space and the Innovation Stage, in partnership with eviivo, at Independent Hotel Show 2023…
The interiors TV producer is making a name for herself – and carving out her own storyline in this exciting chapter hospitality design – after launching New Heritage Design, which a studio and vintage shop where ‘the old meets the new to create the extraordinary’.
Ahead of unveiling her designs of the stage sets she has created for the upcoming Independent Hotel Show in London on October 16 – 17, I was keen to learn more about the studio values, as well as what the audience can look forward to feeling and seeing in both the Social Business Space and the Innovation Stage.
Hamish Kilburn: Can you tell us a bit about New Heritage Design – how did the business start and what do you do?
Hannah Lohan: As you know, I began my career as a TV producer working on interiors programmes for the BBC and Channel 4, that’s where my passion for interior design started! I then went into event production and styling and had my own company, Fabled Events.
Having built a reputation for orchestrating creative events with design at the forefront, I decided to get some formal training, at the Interior Design School in London, so I could pivot and use all my combined skills to launch my own interior design studio.
After years of exposure to the world of luxury hotels through my brother, James Lohan, the founder of Mr & Mrs Smith, I knew I wanted to focus on designing hotels, bars and restaurants. I really enjoy the challenge of working through operational considerations and the guest experience, combined with the aesthetic. I think this is what makes us different from other interior designers.
Image caption: ‘Shop Suite’ from The Collective at Woolserye. | Image credit: New Heritage Design
HK: Why did you choose to partner with the Independent Hotel Show?
HL: We were thrilled to be asked to come on board as a design partner at this year’s Independent Hotel Show. We’ve thoroughly enjoyed designing the Innovation Stage and Social Business Space.
The show is such an important event in the hotel industry calendar and we are really proud to be an extended part of the brilliant team behind it, and to further enhance visitors’ experience of the show.
HK: What do you enjoy about working with hotels and hospitality businesses?
HL: Every project we do is so different. We look at the architecture of the building and its history as a starting point. We also spend time with our clients and get to know them and understand their background and how they want their hotel, bar or restaurant to feel. With all this information we then like to create a script like brief that is the springboard for creative ideas. I really enjoy this process and how all these factors weave together to create a unique design story.
Image caption: A cosy cottage living room inside The Old Smithy at The Collective at Woolsery | Image credit: New Heritage Design
HK: Can you outline the concept for your designs for the Innovation Stage and Social Business Space at this year’s show?
HL: Sure! We want to celebrate independent hoteliers from across the UK and their diverse locations, from the countryside to coastal destinations and cities – we therefore thought it would be fun to reflect this by styling the Innovation Stage sets differently across the two days, and for Monday night’s prestigious awards show.
Expect stunning flamboyant floral wallpaper from the House Of Hackney and a chic, seaside inspired print by renowned British illustrator Katie Scott for ‘Ferm Living’, combined with sumptuous furniture from George Smith and some vintage pieces to add character and a hint of our signature style, which is all about mixing the old with the new to create unique interior design schemes.
We are going to have a quick turnaround for Monday night’s awards, where the daytime audience seating will be transformed in to a jazz club vibe with black clothed tables, bistro lamps from Pooky Lighting and wild British, sustainable, autumnal flowers. The stage set will feature a striking cork wallcovering from The Monkey Puzzle Tree, with an edgy architectural print by artist Drew Millward, called ‘Hit The North’, which shows a very cool, cityscape design.
“The furniture in the Social Business Space will reflect how we approach interior design, by weaving in key vintage pieces that blend seamlessly with modern furniture.” Hannah Lohan, Creative Director, New Heritage Design.
The Social Business Space is going to be a really lovely, cosy, welcoming place with reclaimed, half-height wall cladding from The Main Company and a stunning, hand-printed wallpaper, celebrating British botanicals, from artist Flora Roberts for ‘Hamilton Western wallpapers’. We’re a huge fan of Flora’s work and have commissioned her to do a bespoke mural for a hotel in Devon that we’re designing, ‘Wulfheard Manor’, for ‘The Collective At Woolsery’.
The furniture in the Social Business Space will reflect how we approach interior design, by weaving in key vintage pieces that blend seamlessly with modern furniture. We love to be eclectic in our approach to every project, and work with many different suppliers who all share our core value of sustainability – whether it’s a reimagined or repurposed flea market find, or high-end, handmade piece, we strive to work with mindful traders who we get to know and trust.
For the Social Business Space we felt it important to show a range of furniture and how it can all work together with careful curation, hopefully encouraging hoteliers to introduce some vintage pieces in to their own properties. With that in mind we approached our friends at George Smith, who make a stunning collection of handmade furniture by craftsmen and women in the UK. We wanted to mix this with more budget-friendly furniture from Andy Thornton, a well-known supplier to the hospitality industry. And finally, we approached a smaller, less well-known supplier, ‘Vintage French’ who have gone above and beyond to help customise some of their lovely pieces so it fits with our scheme.
To add some drama and promote a sense of wellbeing we have also asked Twilight Trees to give us some of their stunning trees that are made from reclaimed timber, and finally for the floor we are including some stunning vintage Persian rugs from The Rug Shed.
I hope that the space feels very nurturing and inspiring for guests at this year’s show and reflects the passion for interior design and hospitality by everyone involved.
Main image credit: Independent Hotel Show / New Heritage Design
Skopos achieves Carbon Neutral Organisation status
Believing that we all have a responsibility to reduce our carbon footprint and thereby minimise a business’ impact on climate change, Skopos is proud to have been awarded this standard and be able to fly its sustainable, carbon neutral flag…
Skopos has undertaken a series of investigations to measure and assess its carbon usage across the company’s entire operation. Understanding where the emissions are at their highest levels, will enable the company to rethink many future choices, such as energy sources, fuel types, travel, waste disposal and working from home policies.
Knowing its carbon footprint has allowed Skopos to effectively invest in future-proofing initiatives which can offset its emissions and give something back to the environment. Believing that it is all about balance, as a business it is setting its goals high in order to substantially reduce carbon emissions over the next two decades. It recognises that, while there are many steps which can be taken, it remains important to find the balance in managing the carbon that is emitted. The measures of its current position help to find initiatives which balance out the effect, while taking full responsibility for its operations.
Image credit: Skopos
Skopos has chosen to support two different schemes to invest in nature and tackle Carbon emissions. The ArBolivia Project, Cochabamba Community Forest supports tree planting in Bolivia. It is a true partnership with the smallholders and farmers, as net revenues from the sustainably managed timber are shared equally between the project developers and the farmers, with the former providing investment capital and the latter providing land and labour. Arbolivia has been recognised for its role not only in mitigating the impact of climate change, but also in providing quantifiable benefits both for the communities in which it operates and for biodiversity in the regions.
In addition it has chosen to support a local initiative, Tom’s Wood, in North Yorkshire. The vision for this initiative is to create new native woodland that supports local biodiversity and improves woodland habitat connectivity in the surrounding area.
Skopos is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
Dernier & Hamlyn throws a light on Raffles London at The OWO
In a Hotel Designs exclusive, we take a look at how Dernier & Hamlyn have utilised its broad range of skills to recreate historic lighting for Raffles London at The OWO…
Bespoke British lighting specialists Dernier & Hamlyn used archive photography taken in the building before WWII to recreate beautiful George IV chandeliers for Raffles London, at The OWO’s grand Churchill suite for The Office of Thierry Despont.
Image credit: EPR Architects / Raffles London
Formerly the Army Council Room, this 190square metre, two-bedroom suite is where critical decisions were made by Britain’s top military leaders during the Second World War. It is a truly exceptional suite that features rich wood panelling, grand fireplaces, floor-to-ceiling windows offering views over Horse Guards Avenue and two stunning brass chandeliers produced by artisans in Dernier & Hamlyn’s factory.
Utilising the company’s 135 years of producing bespoke lighting for hotels, luxury residences, heritage buildings and superyachts, Dernier & Hamlyn’s design team used the 80-year-old image to create sketches to present their ideas. Once approved these were worked up to high quality rendered images to enable the client to further appreciate the design and high-quality workmanship that Dernier & Hamlyn would deliver.
Image credit: EPR Architects / Raffles London
“It was an honour to be involved in the transformation of the Grade-II listed OWO and to help it to develop from a vitally important Government building to a destination venue in the heart of the capital,” commented Michael Mulhall, Director, Dernier & Hamlyn.
Cast in solid brass, the chandeliers are almost two metres high and two metres wide. Each has 12 intricately detailed arms and 24 candle-lights. A solid brass decorative urn forms the centre piece of this work of lighting art adorned with acanthus leaf finials to echo the heritage features on the ceiling of this grand room and ensure period appropriateness.
The Dernier & Hamlyn team employed a combination of traditional engineering and metalworking skills alongside the latest technology to create these stunning chandeliers. This included 3D printing patterns of the decorative features for casting the brass and a variety of welding techniques to achieve the very highest quality finishes.
Due to the size of these magnificent chandeliers, the installation team had to assemble them on site as they were too large to fit through the Churchill suite’s doors. Once assembled the team installed them to the five metre high ceiling of their forever home!
Dernier & Hamlyn is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
Main image credit: EPR Architects / Raffles London
Meet the Outstanding Contribution winner for The Brit List Awards 2023
One month prior to the hotel design community gathering for The Brit List Awards 2023, Hotel Designs has selected Michael Bonsor, Managing Director, Rosewood London as this year’s winner of the Outstanding Contribution to the Hospitality Industry. Editor Hamish Kilburn explains why…
Nestled in the heart of London – sheltered inside a 1914 Edwardian, Grade II-listed building – Rosewood London has offered a timeless blend of elegance and modern sophistication for 10 years, and counting.
A decade of hospitality later, Michael Bonsor who was promoted from Hotel Manager to Managing Director of Rosewood London in 2017, has earned a reputation for delivering unparalleled service, to the community as well as his guests, while creating exceptional guest experiences.
Image credit: Rosewood Hotels & Resorts
Bonsor, who is this year’s deserving winner of the Outstanding Contribution to the Hospitality Industry award from The Brit List Awards 2023, has a leadership style that is characterised through his pioneering hospitality initiatives. Concepts like the Scarfe Bar and the Macallan Manor House have kept the hotel at the forefront of desirable destinations in the capital.
The hotelier has consistently sought to elevate the standards of the hospitality industry, emphasising personalised service and attention to detail. His passion for hospitality and his ability to lead and inspire his team have made him a respected figure in the field.
Throughout his career, which includes four years as F&B Manager and then Hotel Operations Manager at Claridge’s and more than four years at Four Seasons Hotel New York, Bonsor has fostered a culture of excellence within every hotel he has worked in.
Giving back has always been a significant approach for Rosewood London. An example of this, among many other charitable initiatives, is the 10-year collaboration the hotel has had with its local Great Ormond Street Hospital, since the inception of Rosewood London. This long-standing campaign has raised hundreds of thousands of pounds, which has had a profound impact on the lives of so many children.
Image credit: Adrian Houston
As Rosewood Hotels & Resorts prepares to double its London footprint, with the upcoming arrival of The Chancery Rosewood, Bonsor has certainly set and consistently raised the standards when it comes to creating an authentic sense of place, where the performance of luxury hospitality plays daily but is never quite the same.
Bonsor and his team will join the more than 500 designers, architects, hoteliers and suppliers at The Brit List Awards 2023.
How to attend the award ceremony of The Brit List Awards 2023
All designers, architects and hoteliers that have been shortlisted will receive an email asking them to confirm their complimentary ticket to attend the awards ceremony on November 1 at Circa Embankment.
Outside of the shortlist, designers, architects, hoteliers and developers can purchase tickets here. Suppliers, and anyone else wishing to attend, can click here to purchase their tickets.
Headline Partner: Bathrooms Brands Group / Crosswater
As people seek to live more mindfully, using fewer resources, Duravit explores the sustainable bathroom and focuses on products that directly reduce water and energy consumption. In particular, the potential savings in the reduced use of toilet paper, which has a poor environmental footprint overall…
Believing that going without doesn’t mean doing without, Duravit is making a case for the shower-toilet. The shower-toilet cleans more gently, thoroughly and sustainably than toilet paper. Additionally, it improves physical hygiene, is soothing on the skin and leaves a feeling of pure freshness, while providing a clear alternative to the poor environmental footprint of toilet paper.
According to the WWF, some 26,000 trees around the world are destroyed every day to make toilet paper. Producers rely on fresh pulp to give consumers the high levels of comfort they demand. Made from spruce, birch, and eucalyptus trees it involves the clearance of large forested areas of Brazil, Chile, Canada, Russia and Uruguay.
Chemicals are added during the water-intensive manufacturing process (approx. 50 litres of fresh water per kg of toilet paper) to make the paper especially soft and fragrant, or for patterns to be printed on the surface. After disposal, these substances pollute the water and the additives make them less recyclable.
Moist toilet paper is even worse as it doesn’t dissolve well and causes significant problems for sewage works. Some moist wipes contain micro-plastics, preservatives containing formaldehyde, and other chemical additives that both affect the environment, and can cause skin irritation. It is all compounded by issues from plastic waste from packaging, pollutants, and CO2 from transportation.
Image credit: Duravit
The shower-toilet is a contemporary and sustainable alternative to toilet paper. More practical than bidets, it combines the toilet and cleaning function in one and models with a dryer enable drying afterwards. Saving a huge quantity of toilet paper in the long term, which benefits both the environment, your skin and your wallet. Cleaning with water is a more thorough and hygienic option than using paper. Conversely, the water consumption of one cleansing with a shower-toilet is just 0.35–0.6 litres per minute (depending on which intensity has been set). The system Duravit uses to warm the water is particularly energy efficient as warm water is only provided as demand requires.
Simultaneously iconic and minimalistic, the SensoWash Starck f shower-toilet is a synonym for contemporary, gentle and flawless toilet hygiene. It can be individually configured and optionally controlled using a remote control with the associated SensoWash app. Individual user profiles can be loaded at any time. The temperature of the water and the intensity of the shower flow can be fine-tuned to users’ specific requirements. Maximum comfort is guaranteed thanks to technical finishing touches such as the motion sensor for automatic cover opening, user recognition in the seat, a range of configuration options for the seat heating and the controllable warm-air dryer plus integrated nightlight. In addition, it offers added-value for people with restricted mobility.
Duravit is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
Short-stay apartment operator Bob W has entered prime London, merging tech with tradition with its latest opening in Knightsbridge designed to showcase its ability to offer better value, premium stays than traditional providers…
The brand, well known for its advanced use of technology to deliver a superior guest experience, has secured the luxurious Gulaid House. The expansive townhouse sits in Beaufort Gardens, a quiet oasis directly off Knightsbridge and just a five-minute walk from Harrods and a 10-minute stroll from Hyde Park. Gulaid House Knightsbridge by Bob W is the operator’s latest London property, expanding the reach of its pioneering approach to 21st century hospitality. The building was acquired by Saudi-based real estate private equity partner Gulaid Group Holding and is being leased to Bob W as its chosen operator.
Image credit: BobW
Providing accommodation to stay in style for days, weeks or months, Gulaid House Knightsbridge by Bob W has undergone a complete refurbishment, taking the building back to its shell, before restoring the property to the highest standard. Apartments range from deluxe studios to a grand apartment with four bedrooms.
Each apartment includes a fully-fitted kitchen with some benefiting from terraces, balconies and views of the inner courtyard or the quiet enclave of Beaufort Gardens. The design, finish and fully-digitised guest experience set this accommodation apart from local competitors, many of which suffer from dated furnishings, layouts and finishes. Guests at Gulaid House will enjoy a five-star, contactless service, bringing together the branded consistency, quality and scale of hotels with the practicalities of short-term rentals.
Image credit: Bob W
Bob W’s own tech platform and a suite of web apps provides a seamless digital front desk experience that is backed by robust digital customer service and other fail safes, so guests always feel looked after. Super-early check-in or late check-outs can be instantly and automatically guaranteed based on live availability. The in-app, chat-based perfect host ‘Bob W’ has been designed to be attentive enough that guests feel like they’re receiving the best customer service with a human touch, even though there are no staff on site. Bob W’s local ‘marketplace’ also connects guests to local cafes, gyms and facilities.
“It’s so exciting to be working with CIT to deliver a tech-led hospitality offering in a part of prime London that has not really seen this kind of thing before,” said Niko Karstikko, Co-founder and CEO of Bob W. “A lot of our competitors in Knightsbridge are exceedingly traditional but times have changed and there’s a massive appetite for authentic, host-driven experiences that are better value and lighter touch. We know we’re going to make an impact in this prestigious neighbourhood, which will serve as proof that Bob W can add value for owners in any market.”
Image credit: Bob W
“We wanted a development partner who could help us elevate the current short-term rental offering in Knightsbridge and provide a product worthy of its setting,” added Nuh Gulaid, CEO of Gulaid Group Holding, which owns Gulaid House. “There’s actually quite a number of low quality accommodation operators in Knightsbridge and it’s surprising the state that some of those buildings are in. There’s a temptation for owners not to invest in buildings just because they’re in prime locations. They don’t think they need to but there’s a growing refurbishment trend in Knightsbridge which will force owners to up their game. Bob W’s design credentials and tech-savvy, guest-centric hospitality approach deliver an experience that allows guests to live like a local and appreciate the surroundings to their fullest,” continued Gulaid. “We’re delighted to be working with them on this project and look forward to collaborating on other schemes”.
Gulaid Group Holding chose Bob W because the company is able to achieve higher revenues per available rental (revPAR) than traditional operators. The partnership is their first and will serve as a trial that it hopes to roll out at other high-value sites as it acquires them, first in London and then in Europe.
Premium British bed and mattress brand, Sleepeezee, has started its centenary year celebrations, due to be in full swing come its 100-year anniversary in December 2024, with a very ‘Zzzen’ event…
To kick off the celebrations, Sleepeezee held an event – Zzzen by Sleepeezee – hosted by the brand’s ambassador and former Olympic champion, Dame Jessica Ennis-Hill. Having partnered with the brand for over three years, Jessica Ennis-Hill has been a close ambassador, with the Jessica mattress range and partnership with The Children’s Hospital Charity seeing huge success.
The very Zzzen event took place at Wild by Tart in London and gave interiors and fitness journalists and influencers the chance to enjoy a mindful yoga class, brunch and Q&A on sleep with Dame Jessica Ennis-Hill and Sleep Expert for Mattress Online, James Wilson.
Image credit: Sleepeezee
“It was fantastic to host the Zzzen by Sleepeezee event and educate our guests about the important link between a good mattress and healthy sleep,” commented Dame Jessica-Ennis Hill. “Throughout my life, sleep has played such a crucial role in my performance as an athlete and as a working mum and I loved sharing my stories and experiences with our guests. Testing out the new Sleepeezee Centurial mattress and listening to James Wilson’s sleep tips was also a real highlight and I hope our audience learnt as much as I did from his expert advice.”
The relaxing morning event began with a mindful yoga session with athlete and yoga instructor, Lina Nielsen followed by a delicious healthy brunch. During the brunch, guests had the opportunity to hear from Sleepeezee’s Managing Director, Steve Warren on the brand, Sleepeezee’s 100-year anniversary and the new Centurial range.
Image credit: Sleepeezee
The new Centurial range has been developed and manufactured to celebrate Sleepeezee’s centenary year. One of the mattresses from the range, the Centurial 03 mattress, was available for guests to test themselves at the event. The Centurial 03 mattress is made with 100 per cent natural fillings such as natural talalay latex, alpaca and British wool and comes with a 10-year guarantee. Featuring 7,000 pocket springs and a luxuriously soft pillow top, this mattress provides edge to edge comfort and support whilst supporting heat regulation.
Image credit: Sleepeezee
Image credit: Sleepeezee
Following this, attendees listened and took part in a discussion with Jessica-Ennis Hill and James Wilson. The discussion spanned Jessica’s career and fitness routine, her lifestyle and experiences with sleep and the inspiration behind creating a mattress range with Sleepeezee. The Q&A provided crucial takeaways for attendees on how having a good mattress is crucial for a good night’s sleep, the link between sleep and exercise and how to combat a bad night’s sleep.
Sleepeezee is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
Designer Bethan Laura Wood gives Kaldewei a swirl of colour
With her ‘Avocado Dreams’, designer Bethan Laura Wood has given four key and iconic pieces from Kaldewei a new look with a strong statement…
Referencing the ubiquitous bathroom of the 1970’s, the unique signature of the British designer is immediately noticeable in this Kaldewei collection. Wood was inspired by the organic contours of the Meisterstück Oyo Duo bathtub and the purist simplicity of the Meisterstück Centro Duo Oval, the straight-lined Superplan Zero shower surface and the delicate Miena washbasin bowl, all of which, now make up the Bethan Laura Wood Avocado Dreams collection.
Image credit: Kaldewei
This outstanding product line features three, almost psychedelic-looking pattern and colour variations. ‘Avocado Swirl in shades of green, ‘Avocado Sea’ in blue and purple tones and the expressive colour mix ‘Avocado Disco’. The characteristic lines and silhouettes of Kaldewei bathroom objects are preserved within Wood’s interpretations.
Image credit: Kaldewei
With the Oyo Duo, Wood enchants a true masterpiece from Kaldewei. This freestanding bathtub is reimagined, as it becomes immediately apparent that luxury and sustainability, circularity and design can go hand in hand. The double-walled bathtub, inspired by Japanese porcelain manufacture, is made of 100 per cent recyclable and therefore sustainable steel enamel. Its precise shaping is only made possible by the highest German engineering skills. Wood’s ‘Avocado Disco’ design for the Oyo Duo quite literally allows you to dive into other spheres.
Image credit: Kaldewei
In addition, the Meisterstück Centro Duo Oval freestanding bathtub with its ‘Avocado Swirl’ colour swirl guarantees more than 15 minutes of fame. Kaldewei’s earlier collaboration with the design icon Ettore Sottsass resulted in the classic, linear form of the Meisterstück which particularly impressed the British artist.
Wood has designed further eye-catching creations for the bathroom with the Miena washbasin bowls. The single-walled washbasins combine purist design with a unique, almost filigree touch and their soft contours add an extraordinary air of lightness. The incomparably diverse pattern of the Avocado Dreams design now metaphorically clothes the Miena in an extravagant and highly dramatic garment.
Image credit: Kaldewei
The fourth design object in the Wood collection is the Superplan Zero floor-level shower surface. The enameled shower surface is impressive with its relaxed style and sustainable properties. Installed flush with the floor, the shower surface in turn becomes part of the bathroom floor. Characterised by its elegant and precise lines, it can be walked on from three sides without a threshold and in collaboration with the ‘Avocado Sea’ interpretation, promises an even more exhilarating showering experience.
These Kaldewei products are united by a common thread – they are plastic-free and made of 100 per cent recyclable steel enamel. Giving each an elegant, gleaming surface, plus an exceptionally long service life. As such the products in the Bethan Laura Wood collection fit perfectly into Kaldewei’s Luxstainability world.
Kaldewei is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
ALTIDO transforms Westminster Fire Station into design-led living units
Property management company ALTIDO has transformed the historic Westminster Fire Station into a premium accommodation option for visitors to London…
ALTIDO, one of Europe’s largest property management companies and part of international living platform DoveVivo, has secured a 10-year lease for the Westminster Fire Station building, which was constructed in 1906 and sits in the heart of Victoria. The rent-to-rent agreement represents ALTIDO and DoveVivo’s most substantial property acquisition to date.
Image credit: ALTIDO
The pre-existing renovation of the property, which previously offered residential apartments for sale, saw it developed into 19 design-led units including a mix of one, two and three-bed apartments with custom fixtures and fittings used to complement its unique architectural features. This original conversion was sympathetic to the building’s heritage and a selection of original features remain, although the fireman’s pole is no longer in place.
Image credit: ALTIDO
A selection of the apartments boast panoramic views of the London skyline and Big Ben. The enclosed courtyard, which was once a turning circle for fire trucks and an exercise yard for the firemen, now provides calm and secluded respite for visitors, from busy city life.
Image credit: ALTIDO
Image credit: ALTIDO
Under ALTIDO’s management, Westminster Fire Station will provide accommodation for days, weeks or months with a concierge service on hand. This will be the company’s flagship property in London sitting alongside other landmark properties in the portfolio including Gilmerton House in Scotland and Galleria in Milan.
Since being acquired in 2022 by international living platform DoveVivo, ALTIDO has been on a significant growth trajectory. The company manages thousands of properties across Europe, with a diverse portfolio of apartments, townhouses, aparthotels and serviced apartments. The operator prides itself on outstanding customer service and won the Property Manager of the Year Award 2022 for Scotland at the UK Short Term Accommodation Association Awards, recognising its dedication to providing exceptional stays for guests and management for homeowners.
Checking in to the new suites at The Dorchester, London
Editor Hamish Kilburn checks back in to The Dorchester to understand how its latest renovation has enhanced the overall guest experience while redefining ‘luxury hospitality’ in London…
The most powerful metaphor one can use when describing the impact of the design transformation inside The Dorchester is ‘taking a walk in a quintessentially English garden’ – one on the doorstep of the hotel, in fact, in Hyde Park. Like any stroll, the journey through the hotel, capturing the landscape as well as the experience, feels authentic, relaxed and connected with nature. Put simply, The Dorchester, post-renovation, is as modern luxury hotels should feel in 2023, and here’s why.
Image credit: Mark Read
From the friendliest and most heartfelt welcome I have ever received on London’s ‘hotelscape’, which is effortlessly made in between two art pieces by British artists Sophie Coryndon and Christian Furr that hang on either sides of the lobby, to subtle design moments that pop with personality throughout all areas, The Dorchester has emerged from its extensive design haul with character while retaining its ability to stray away from fashion to shelter more of a timeless style that answers confidently to its past as well as present modern traveller demands.
Image credit: The Dorchester
Image credit: The Dorchester
A few years and a pandemic after I first checked in to The Dorchester, the luxury hotel that stands proudly on London’s Park Lane has unveiled a fresh, vibrant and upbeat interior design scheme – and, all of a sudden, my journey becomes less about identifying style and more just sitting back to allow the design to naturally play its role in taking each guests on their own mini adventure of escapism.
With its commitment to reinventing and reinterpreting traditions for a new era, the hotel’s interiors seamlessly blend the 1930s glamour that runs deep in its DNA of the property with a contemporary authority. Yet, the interior designer, Pierre-Yves Rochon (PYR), has deliberately opted to depict a whimsical, dare I say it romantic, interpretation of the era over a textbook accurate reflection.
Image credit: The Dorchester
The design aptly draws inspiration from the hotel’s prized position in Mayfair, situated on the fringe of Hyde Park. The hotel’s charming eccentricities are playfully imitated through a fresh elixir of colours and materials to enhance the heritage of the property.
The first phase of the property’s head-to-toe renovation was unveiled in December 2022, and included the entire forecourt, entrance, lobby, The Promenade and Artists’ Bar – all designed by PYR, while the legendary and glamorous James Bond-inspired Vesper Bar (formerly The Bar at The Dorchester) was transformed by Martin Brudnizki Design Studio, and now shelters a atmospheric and inviting bar for both guests and locals alike.
Image credit: The Dorchester
While select design studios were tasked with reimaging the interiors, ReardonSmith Architects, led by Director Jonny Sin, took on the role of overseeing all aspects of the design, architecture and construction. Sin described the hotel to me recently as ‘one of London’s greatest hotel gems’ – I have to agree. In an interview with Hotel Designs at the tail end of last year, the architect aired the importance of design in the hotel’s future. “A hospitality survey that was undertaken in Q4 [2021] revealed that investors considered architecture and design to be a priority service over the next 12 months,” he said. “This is very promising.”
One of the major transformations in the public areas, aside from the whole space being opened up, is the artwork, exclusively created by British artists. The art selected to hang on the walls has been blown up to create a more relaxed experience. As a result, The Promenade, which is adorned by vibrant masterpieces and is complete with cornered blue sofas and flavescent yellow and deep pink chairs that sit neatly around dark oak wood tables, now feels inviting to walk through – it simply spills out from the lobby.
Image credit: The Dorchester
While the first phase of the design generated a wave of noise, I have been patiently waiting until now for BECK, the contractors on the project, to complete the first cluster of newly designed guestrooms and suites, so that I can fully immerse myself back into the luxury hotel and understand the relationship between private and public areas. Having understood the ‘before’ through a clear lens, I was keen to explore exactly how, through the power of design, collaboration and craftsmanship, The Dorchester has protected its legacy and status while also ushering in a new contemporary air into its interiors.
Considered to many as the highlight as well as the most sensitive part of the overall renovation, the redesign of both guestrooms and suites includes new furnishings, technology enhancements and the even splash of colour. The design elements that have been added preserve the hotel’s luxurious reputation, but allow it also to, if you like, play as well as perform as a modern hotel that has an iconic status. The suites especially feel more like luxury apartments than part of a hotel.
Image credit: Mark Read
Guests enter to be greeted into a striped corridor, which is a subtle nod to the hotel’s iconic canopies seen from the street. Each guestroom and suite feature light-filled spaces, which have been thoughtfully designed in various colourways – leaf green, rose fog pink, heather blue and lemon yellow – all inspired, again, by an English garden. Spanish Alarwool custom woven carpets adorn both the rooms and corridors, and are in keeping with the hotel’s signature carpet style. Despite being sensitive to the building’s legacy and style, there is no detail that feels restraint from creativity, which is largely due to the quality materials and products specified throughout.
Image credit: Mark Read
Recognised for its classic English appeal, Colefax and Fowler’s floral fabrics, for example, enhance the walls and headboards in all guestrooms, while soft furnishings from Dedar give each room a layer of exclusivity and a residential feel.
Meanwhile, the bathrooms, which still feature the ‘deepest baths in London’, are as I remembered them; large, cladded with marble and warmly inviting, complete with ‘his-and-hers’ basins and oversized showers.
Image credit: Mark Read
There is no doubt about it, the latest renovation sheltered inside The Dorchester marks a significant milestone for Dorchester Collection, which is about to welcome its 10th property in its global portfolio, debuting its first hotel in Dubai.
In London, the design team’s ability to balance both 1930s glitz with modern touches has, if anything, enhanced the overall guest experience immeasurably to feel both residential in style and comfort, whilst embracing the defining elements of the property’s past, including British stage designer Oliver Messel’s signature lavish style. It is this balance that sets the hotel apart from its neighbours and futureproofs its style for many years to come.
Launching two new collections, which include an elevated blackout drapery and a luxurious polyester upholstery velvet, Sekers has all the fabric bases covered…
Sekers Fabrics has launched Esme, an exquisite 4 pass FR blackout drapery collection that draws inspiration from the breathtaking Arctic Ocean. This exceptional collection features two distinct designs, Kimora and Polar, mirroring the crisp whites, icy blues and shades of taupe and shadow blacks found in this breathtaking landscape. The name ‘Esme’ itself, meaning esteemed, highlights the distinguished qualities of these blackout fabrics, adding an air of sophistication into any space.
Image credit: Sekers
Kimora presents a sleek and smooth design that beautifully complements the textured design of Polar. With a palette of eight exquisite hues, Kimora includes frosty whites and sophisticated ash taupe. Polar captures the essence of the Arctic with shades of glacier blue, stormy grey and crisp snow, delivering a harmonious blend of nature’s elements.
Woven in 100 per cent polyester, Esme is washable and suitable for all aspects of the contract market. Both designs meet all relevant UK & USA standards for curtains. Additionally, the collection provides unmatched light-blocking capabilities, ensuring privacy and tranquillity to the interior.
Image credit: Sekers
Image credit: Sekers
Additionally, Sekers has announced the launch of Palazzo, a lush 100 per cent polyester velvet collection suitable for upholstery and accessory application. This deluxe collection is available in a spectrum of 26 colours from lavish jewel tones to sophisticated neutrals.
Palazzo benefits from an Aquaclean advanced nano technology finish that helps protect the fabric against the toughest stains and spills. From red wine to muddy paw prints, the Aquaclean finish prevents the need for specialist cleaning. Additionally, Palazzo enjoys the added benefits of anti-bacterial and anti-microbial protection.
Crafted to endure the most demanding upholstery applications, Palazzo boasts a remarkable Martindale abrasion performance of 100,000 rubs and is supplied crib 5. Making it the perfect choice for commercial hospitality, leisure, and marine markets.
Sekers is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
Panel discussion: using design as a force for good
In the heart of London Design Festival, Hart Shoreditch sheltered an art and ceramic installation around its hotel inspired by breaking down the elements in design. Hamish Kilburn, Editor, Hotel Designs, chaired a panel discussion at the hotel to speak to the designers and other creatives about using design for good. Here are the takeaways…
Creatives and members of the design community were invited to a live panel discussion at Hart Shoreditch to watch an inspiring conversation on the journey of interior design in hospitality and how it can be used as a positive force for good.
Chairing this discussion was always going to be a balancing act. As well as hearing from the masters of the installation – meet James Daw (Illustrator) and Will Martin (Ceramic Artist) – I wanted to also open up this conversation to an outside designer – meet Jessica Morrison (Senior Associate at G.A Group), a spokesperson from London Design Festival – say hi to Rachael Hymas – and, of course, here from Lina Zakzeckyte, the General Manager at Hart Shoreditch.
To set the scene, Hart Shoreditch partnered with Daw for the ‘Fundamentals of Caring’ exhibition for London Design Festival 2023. The artist wanted to break down the fundamentals of the hotel’s design by creating hundreds of small objects in simple, basic designs and rebuilding these components back up again. This is where Daw brought Martin in to collaborate on this project by creating ceramics.
Image credit: Hart Shoreditch
Zakzeckyte is a General Manager who really understands the value of design and collaboration, which is hugely inspiring. She felt a connection and understanding when she met James and knew he would be the right artist for this commission. Supporting local artists and designers is of the utmost importance to Lina – to provide a platform for those who may not have previously been given the opportunity. Finding local artists in East London is highly important as it is an opportunity to give back to the neighbourhood and local community – a value incredibly significant to Hart Shoreditch.
Morrison, who led the interior design of 1 Hotel Mayfair, another hotel that has opened to redefine the area, spoke of the importance of partnering with craftspeople who can help to find the right pieces for the project, which ultimately helps with the whole design narrative.
Image caption: The lobby inside 1 Hotel Mayfair. | Image credit: Jon Day
During the project, the interior designer went out to local craftsmen and women to really bring out the flavour of the neighbourhood through materials which she found was an easy sell as the hotel understood the importance of creating a particular narrative through its design. Daw added that the narrative for his project for LDF was incredibly important and to make the journey multisensory – sounds, smells and impressive animations all coming together to create a sensory explosion.
Supporting up and coming artists became the overarching topic of conversation across the panel. Hymas explained LDF’s platform – the Launch Pad – which aims to empower designers who encounter obstacles, such as financial boundaries, when wanting to participate in LDF’s partnership program which comes at a fee. The spokesperson for the festival agreed with Lina on the importance of celebrating artists who haven’t had the opportunity to showcase their work and enabling talented artists to emerge onto the design scene.
Martin added that working on this project with Hart Shoreditch allowed him to research deeper into his craft and found the time to improve his skillset and as a result his capabilities on the wheel have improved. Inspiring artists to do exactly what they do and continue their vision certainly allows the commissioner to get the best result.
Image caption: Ceramic artist Will Martin brought James Daw’s illustrations to life, creating artefacts that were dotted around the hotel. | Image credit: Will Martin
The conversation delved into luxury and how this is defined today. Rachael began by highlighting the environment and finding a way to use materials to improve the space is the key. Experiences and how you feel in a particular space now holds much more value when looking at design.
Daw brought the conversation to a close by highlighting that he draws inspiration from everyday life, which I think is a reminder to us all – find beauty in simplicity, in the fundamentals of design, which is an apt lesson to learn from this hearty discussion.
Four Seasons announces plans for the Dominican Republic
Four Seasons and Cisneros Real Estate have announced plans for the development of Four Seasons Resort and Residences Dominican Republic at Tropicalia, a sustainable luxury destination located along the pristine beachfront of Playa Esmeralda in northeastern Dominican Republic…
Featuring a tropical modernist design by Brazilian architect Isay Weinfeld, Four Seasons Resort and Residences Dominican Republic at Tropicalia plans to set a new standard of natural, sustainable elegance. The property will include a 95-key resort and 25 Private Residences of three- and four-bedroom units, all located steps off the beach. A site of breathtaking natural beauty, Tropicalia is the private estate of the Cisneros family, featuring a diverse ecosystem of white-sand beaches, aquamarine water and coral reefs, mountains, forests, mangroves, lagoons and rivers along with a working coconut plantation and an organic farm.
The Cisneros company’s nonprofit Fundación Tropicalia has dedicated more than a decade to the region’s well-being through an array of educational, socioeconomic and community programs. “Tropicalia reflects our family’s cultural values, stated Adriana Cisneros, Chief Executive Officer of Cisneros. “More than 10 years ago, we embarked on a journey to support social sustainability through innovative projects in agriculture, gender equality, education, environment, entrepreneurship and microfinance. Our goal was to create a new kind of luxury destination that is in balance both with nature and with the local community. We’re pleased that Four Seasons shares our vision, both for Tropicalia and the future of tourism.”
Image credit: Four Seasons Hotels & Resorts
“We are thrilled to expand Four Seasons global portfolio in the Dominican Republic, a market that we have long been focused on as a luxury travel destination,” added Alejandro Reynal, President and CEO of Four Seasons Hotels and Resorts. “We are proud to bring this project to life with our partners at Cisneros, who share our values of supporting the environments and communities in which we operate, and who we deeply admire for their work with Fundación Tropicalia. Together, we will remain focused on these values as we welcome guests and residents alike in 2026 and become stewards of this beautiful destination.”
In addition to the 95 rooms and suites, the Resort will include a spa, fitness and wellness facilities including a yoga pavilion; a variety of beach activities and watersports; racquet sports such as tennis, paddle and pickleball; a Kids For All Seasons children’s club; and event spaces. The onsite culinary offerings will include numerous restaurants and bars including a specialty restaurant, beachside grill, poolside bar, ceviche bar, juice bar, marketplace and sundry shop, coffee shop and rum bar.
The design of Four Seasons Resort and Residences Dominican Republic at Tropicalia is slated to qualify for Leadership in Energy and Environmental Design (LEED) certification, one of the world’s most respected standards for ‘green’ buildings and the first of its kind in the Dominican Republic. Environmental and social management systems are guiding the Resort’s design, construction and operation, from biodiversity to waste and water management, air quality and greenhouse gas emissions.
Isay Weinfeld’s design for Tropicalia is innately low-impact and draws inspiration from the island’s native materials and colonial-era towns. Coralina limestone, brick and stucco echo the country’s history, harmonising with the surroundings and conveying a sense of authenticity. His timeless, sophisticated modern design reflects a tropical touch. The nonlinear format encourages guests to continuously discover the Resort, as the buildings integrate with the lush landscape to give the sense of being immersed in nature.
The project’s modernist design will transition easily from indoors to outdoors, inspiring guests to engage with the natural environment. The low-density Resort will feature open spaces, passive cooling and lush landscaping using curated, non-invasive native species. Guest and residential buildings will be located along the beachfront of Playa Esmeralda with views of Samaná Bay. Guest rooms will be spacious and designed with Four Seasons guests in mind, including private terraces and state-of-the-art technology, with green space and interior gardens prioritised throughout the rooms and common spaces.
Image credit: Four Seasons Hotels & Resorts
In addition to Isay Weinfeld’s architecture and interior design, luxury development firm Sinergo has been named project manager, international design firm Gensler as executive architect and Bouygues Construction of France as general contractor. The project’s master planner and landscape architect is EDSA, who has been working closely with former Dominican botanical garden curator Ricardo Garcia, ensuring holistic development and landscaping with primary native species. These development and design experts are known for their expertise in bringing environmentally sound and sustainable luxury resort projects to life in remote locations.
With a focus on socioeconomic inclusion and sustainable development practices, Tropicalia will seek to share and inspire local cultural experiences by inviting guests and residents to participate in activities that help sustain the surrounding community and environment. They include PROTORTUGA, a sustainability initiative to care for leatherback turtles in the coastal area of Miches where guests will be able to observe and participate in habitat preservation. Tropicalia also offers a range of volunteer opportunities, such as visits to after-school programs connected to the foundation’s Soy niña, soy importante program, which is focused on gender equality and inclusion. Each of these initiatives gives visitors the opportunity to immerse themselves into the local culture and to take part in positive change.
Tropicalia’s guests and residents will also enjoy a symbiotic relationship with land and sea, working closely with the Cisneros family’s sustainable organic farm, Estancia La Querencia. The farm is certified in organic cacao production, providing local farmers with year-round food and training in organic agricultural practices as well as supplying produce to local markets and food suppliers. Estancia La Querencia offers residents unique farm-to-table experiences and an in-depth look at local ingredients and gastronomy.
Adriana Cisneros drew on the legacy of her father, Gustavo, and her mother Patricia Phelps de Cisneros, to build Tropicalia on a foundation of social responsibility and leadership. In 2008, more than a decade before the first shovels would break ground at the luxury resort, Cisneros Real Estate created the nonprofit Fundación Tropicalia to build a sustainable tourism destination in partnership with the local community of Miches.
In 2010, Tropicalia committed to the United Nations Global Compact and has aligned its business strategy with fundamental concepts of human rights, labour, the environment and anti-corruption. Accordingly, Fundación Tropicalia has invested millions of dollars and sponsored a broad range of programs promoting education and addressing hunger, climate change, diversity and gender equity.
Launched 22 years ago, the iBox universal was a revolution in concealed installation – now, hansgrohe has revealed the next generation of pioneering concealed technology , the iBox universal 2…
Simplified installation steps and new technical refinements mean the new iBox universal 2 from hansgrohe is more convenient and faster to install, with added safety improvements. The product has also been manufactured with the highest quality in mind, giving installers security in the product’s longevity and performance.
“Installers are facing more demand and daily time pressures on the job than ever before,” explained Axel Meissner, Product Manager, Hansgrohe SE. “To support them in installing the best, high-quality products aligned with customer expectations, we designed the new iBox universal 2 with the installer’s needs top of mind. The new generation iBox is designed to simplify the everyday lives of installers, efficiently improving their workflows, and supporting them in obtaining excellent customer satisfaction.”
Image credit: hansgrohe
Designed with flexibility in mind, the iBox universal 2 gives installers a range of installation options. For example, the basic body can be adapted to any standard wall depth between 80 and 108 millimetres and an extension rosette enables convenient installation even in the case of wall constructions being too flat, making it the right solution for any installation.
The installation process has been considered at every stage of product design. The integrated circular spirit level makes the first alignment of the iBox universal 2 simple, with alignment indicators located on the expanded polypropylene box, as well as a pictorial representation to support with easy installation. A cleaning cap also protects the concealed unit from dust and damage during installation and transport.
The iBox universal 2 saves time and nerves. Thanks to pre-assembly, the function block forms a unit with the adapter. This eliminates the need to shorten the screws and the adapter must no longer be measured, cut and calibrated. Moreover, the use of tools is minimised. It is also equipped with a new sliding sleeve for deep installation, meaning the product can be easily installed without cutting, regardless of the depth in which the flush-mounted body is installed. A pre-mounted sealing sleeve is also tightly connected to the sliding sleeve, meaning the unit is automatically fitted with essential watertight installation.
Finally, thanks to an all-new mounting ring, the new unit can easily be installed in a concealed fashion within, or alternatively in front of the wall. When considering the installation of hansgrohe hand and overhead showers into the iBox universal 2, four Rp ½ connection threads mean installation is simple, regardless of the showers flow rate. The threads also enable precision-fit installation, particularly of resource-saving showers that more customers are now looking to have installed, without compromising on shower experience. Rigorous testing has also guaranteed reliable protection against backflow, for example with bath inlets, outlets, and overflow fittings, to ensure the customers showering experience remains a luxury.
Image credit: hansgrohe
In terms of materials, the iBox universal 2 is manufactured with expanded polypropylene (EPP) – a sustainable material providing sound absorption and thermal insulation, supporting installers with providing high-performance products that meet the growing sustainability demands of customers.
More customers seek their bathroom to be a feel-good space of tranquillity, so minimising noise disruption is important. Hansgrohe have considered this within the design, with all water-bearing product parts being designed to reduce flow noises within the bathroom. The product also works in conjunction with new prefabricated sets for both showers and bathtubs, which comply with noise class 1, to support continued noise reduction in the bathroom.
Individualisation has also grown in importance, with select finishes, personalised experiences, and innovative functions in demand. To support this, the iBox universal 2 can be combined with all hansgrohe prefabricated sets, giving customers complete design freedom in the bathroom. To support installers who may be working on older bathrooms, an adaptor plate can be bought to fit the new unit to any hansgrohe shower installation.
For those installers working in the public sector or on specific projects, the iBox universal 2 complies with current global standards and is compatible with a range of different installation systems, connection types and fittings. In line with the usual hansgrohe quality standards the product meets the technical standards, reliability and durability expectations of all installers working across a range of jobs.
With many customers gravitating towards concealed fittings for a seamless bathroom aesthetic, the iBox universal 2 has been designed to make bulky pipes a thing of the past, with the new design revealing only slim and elegant concealed piping. To continue a seamless bathroom look, hansgrohe has developed two new shower and bath mixer solutions to match.
Image credit: hansgrohe
Firstly, the ShowerSelect Comfort thermostat brings both visual appeal and technical function to the bathroom, designed to appear as though it is floating in front of the wall. The thermostat’s full surface Select buttons allows for easy alteration of temperature and water flow, including an integrated flow control with the ’stop’ function to ensure the sustainable use of water, and their metal composition ensures the product not only stands the test of time, but is particularly easy to clean. To meet the design aesthetic of all customers, the thermostat is available in three geometric design lines (round, rounded and angular), and five FinishPlus surfaces, giving installers a wealth of options to present to the customer.
Secondly, hansgrohe has developed the DuoTurn concealed mixer, with a rosette height of only 7 millimetres and the filigree temperature handle at a height of only 40 millimetres, giving customers a high degree of both freedom and convenience in the bathroom. Operation of the mixer is also particularly intuitive, with customers now able to select the water flow and temperature via a turning mechanism that no longer requires pulling when switching. A lower handle allows users to conveniently adjust the desired temperature, while the upper handle allows users to switch from overhead to hand-shower and control the water flow, in just one turn. To match any bathroom aesthetic, hansgrohe DuoTurn is also available in a wide range of FinishPlus surfaces, including the trendy matt black, contemporary matt white, or a warmer brushed bronze.
hansgrohe is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
The Atlas Concorde and Zaha Hadid collaboration cast in stone
Atlas Concorde has presented us with a dual icon of elegance at Cersaie 2023, in the shape of its Marvel Meraviglia collection, along with its collaboration with Zaha Hadid Architects for the series’ range of decors…
Wonder – or meraviglia in Italian – is what drives you to explore the new, to experience eternal moments of beauty. The new Marvel Meraviglia collection from Atlas Concorde interprets an idea of eternal elegance, elaborating and enriching the heritage of Marvel World, a comprehensive style project, that for more than 10 years has encompassed all the Atlas Concorde surfaces inspired by the finest Italian and international marbles.
The collection is named after Calacata Meraviglia, the iconic marble that inspired it and it is designed to offer the design world the whispered elegance that encapsulates the history and future of marble-inspired aesthetic research. With neutral shades drawn from the most sought-after marbles, this collection features unique elements, from sleek, sparse veins to soft weaves, from white brushstrokes on a dark background to sumptuous blacks.
Image credit: Atlas Concorde
In addition to Calacata Meraviglia, the beauty of other marbles such as Calacata Bernini, Silver Majestic and Black Origin is rendered with an extraordinary realism, the result of Atlas Concorde research that attentively studies the design of each natural grain and faithfully replicates it in each format in perfect harmony. The completeness and variety of finishes, formats and versions for both indoor and outdoor use, contribute to its richness and identity.
Image credit: Atlas Concorde
Aiming to inspire designers and meet the increasingly sophisticated needs of contemporary interiors, Atlas Concorde offers a rich selection of diversified finishes. Hammered is a textured, marked finish that mimics one of the oldest marble processing methods, replicating the natural effect of ‘split’ marble and offering the eternal appeal of a stone cut fresh out of the quarry.
The brands constant drive for innovation is expressed here in the new patented Velvetech surface, which is inspired by the effect of polished natural stone. The results are a velvety touch and reflections reminiscent of the variations in the surface of silk fabric when struck by light, with a natural alternation of shiny and opaque areas that bring out the tiny, artfully created scratches visible in the reflected light. Elegant and discreet, Velvetech is the innovative technology that reconciles a minimalist vibe and esthetic research.
Image credit: Atlas Concorde
Atlas Concorde research has also given Marvel Meraviglia the strength of a disruptive decorative range, with the Diamond decor designed by Zaha Hadid Architects being the ultimate expression of a multifaceted meeting of styles.
“The collaboration with Atlas Concorde, led to a project in which ZHA blends a classic mosaic with a disruptive element,” said Paolo Zilli, Associate Director of ZHA. “Like an inclusion in a diamond, the insertion of a foreign body into a crystalline structure lends an unsuspected dynamism to the strict repetition of the rigid geometric structure. In the resulting design, the inclusion of new logic creates a metamorphosis of the shape of the tiles as the transition from one colour to another occurs. However, the rules of manufacturing and logistics do not bend to the pursuit of design.”
Inspired by the art of cosmatesque-style mosaics, widespread in Rome between the 12th and 13th centuries and characterised by inlays of marble and glass in continuous geometric shapes, with Diamond the mosaic is no longer the constant repetition of a pattern of geometries and colors but rather evolves and transforms as it develops across the surface. Calculated with special computational algorithms, the rigid geometry undergoes a metamorphosis. The goal is to offer designers and planners the tool to orient one’s gaze, characterising an area with a special, unique element, making the surface define the nature of the place.
The collaboration is based on the commonality of values shared by both brands and their respective stories: a strong international focus, leadership in interior design projects, innovation and pursuit of excellence, and attention to environmental sustainability issues. The result of this meeting of values and visions is a spectacular decoration that unfolds across the surface in a gradual, continuous transformation of modular shapes that, as they move towards the centre, turn into sinuous interweaving diamonds in contrasting colors. The structure of the decor was designed to combine shapes and colours, suggesting combinations of looks that constantly intertwine and re-emerge from each other, moving from Calacata Meraviglia to Black Origin to Silver Majestic in a continuous transitioning sequence that makes the surfaces dynamic and vibrant.
Atlas Concorde is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
Main image credit: Zaha Hadid Architects / Atlas Concorde
The iconic Fontainebleau brand has arrived on the Las Vegas Strip as Fontainebleau Las Vegas, the luxury resort and casino brought to life by Fontainebleau Development…
Seamlessly connecting the past, present and future, the 67-storey Fontainebleau Las Vegas – the tallest occupiable building in Nevada — is the first western expansion for the iconic brand. Reflecting the grandeur of its heritage, the resort’s 3,644 rooms and suites present an aura of timeless elegance, while incorporating a lavish splendor and distinctive amenities unique to Las Vegas.
Designed by Fontainebleau Development’s in-house design team, the rooms and suites feature a colour palette of blue and silver water tones and dashes of coral-pink, accented by mercury-glass mirrors and brass details. Custom brass bowtie shaped drawer-pulls represent both exquisite attention to detail and a nod to Fontainebleau’s history. All luxurious accommodations feature expansive floor-to-ceiling windows offering stunning views of the Strip.
Image credit: Fontainebleau Las Vegas
“For almost 70 years, the Fontainebleau brand has challenged boundaries and expectations,” said Jeffrey Soffer, Fontainebleau Development Chairman and Chief Executive Officer. “With Fontainebleau Las Vegas, we have transcended aspiration and set the stage for a new era of luxury hospitality defined by innovation, sophistication and opulence, with an inextricable link to our roots at the Fontainebleau Miami Beach. This building represents a remarkable new chapter in our storied legacy and will be a beacon for those seeking to indulge in the unforgettable.”
Image credit: Fontainebleau Las Vegas
The property shelters a 14,000-square-foot fitness centre and 55,000-square-foot Lapis Spa designed by Milan-based Lissoni & Partners. Lapis Spa, arriving in Las Vegas from Fontainebleau Miami Beach, will redefine wellness with an approach that emphasises personalisation and community. The spa offers a full spectrum of wellness-enhancing facilities, including 44 treatment rooms; a purifying salt cave; a healing infrared sauna and invigorating event sauna; rejuvenating lounge areas; men’s and women’s hydrotherapy lounges as well as a co-ed sensory room with communal healing waters; and 11 luxurious suites offering exclusive spa experiences.
“We are thrilled to introduce many of the world-class amenities we are recognised for in Miami alongside our new-to-market offerings at Fontainebleau Las Vegas,” added Soffer. “All of these concepts, infused with the dynamic spirit of the Strip, allow us to create a destination that is the best of all worlds and promises an extraordinary, one-of-a-kind experience for every guest.”
Additional resort amenities will include a 96,500-square-foot luxury boutique retail district, located on the first two levels of the resort; a six-acre pool district, 550,000-square-feet of customisable, indoor-outdoor meeting space; 150,000 square-feet of gaming space; and the forthcoming LIV and LIV Beach experiences.
David Collins Studio has designed many of the hotel’s public areas and F&B offers for Fontainebleau Development, including the showstopping Great Dome arrival space. The luxurious interiors pay subtle homage to the original Fontainebleau Miami Beach and the iconic architecture by Morris Lapidus
Fontainebleau Las Vegas resides on nearly 25 acres on the northern end of the Las Vegas Strip. The property, acquired in 2021 by Fontainebleau Development in partnership with Koch Real Estate Investments, will be solely operated by Fontainebleau Development upon its opening.
French hotel group Touriste, has thrown open the doors to Hôtel de la Boétie – the sixth Parisian hotel to join its portfolio…
Tucked away on Rue la Boétie near the Champs-Élysées, the 40-room property has been brought to life by designer Beata Heuman who brings her imaginative take on Parisian style to her long-awaited first hotel venture. Hôtel de la Boétie follows the trend of each of the group’s hotels – all of which have been designed by popular and fashionable designers, every one representing a design moment in time.
“It has been a dream for a long time to work with Beata Heuman,” said Adrien Gloaguen, Founder. “I have followed her work for many years, and I am drawn to her elegant style which we wanted to impart to our new hotel to add a little panache to the Champs Élysées area.”
Image credit: Simon Brown
Heuman follows in the footsteps of artist-designer Luke Edward Hall who designed Touriste’s Hôtel Les Deux Gares and Chloé Nègre whose flamboyant Hôtel de Beauregard opened earlier this spring. Found in the eighth arrondissement, Hôtel de la Boétie is a rare boutique offering for the Champs-Élysées area, fashionably positioned amongst some of the best shopping in the city on Avenue Montaigne. Iconic destinations such as Le Petit Palais, Le Grand Palais, l’Arc de Triomphe, Musée Yves Saint Laurent and La Galerie Dior are all in easy reach.
Image credit: Simon Brown
Touriste is a small hotel group with the simple ambition to welcome travellers and tourists in the best possible setting, where they can enjoy the best possible experience, at the fairest price. The sense of exploration and excitement of being a ‘touriste’ in Paris is instilled into each hotel’s design; Hôtel de la Boétie is no exception.
Image credit: Simon Brown
“I have really enjoyed working on our first hotel,” commented Heuman, Founder, Beata Heuman. “A hotel is about having an experience for a day or two which means that we have been able to explore a concept and a mood to a greater extent. We can treat it a bit like a stage set, which is not the approach I would take when it comes to someone’s home. When it comes to residential the client is in the centre but with commercial work it is more about our vision rather than another individual. This has opened up new paths for us creatively which has been inspiring. I also loved working on the branding of the hotel which is something we haven’t done other than for ourselves before.”
Image credit: Simon Brown
From the outside, the 19th-century architecture of the hotel is unassuming. In keeping with the spirit of the building, the designer chose to keep the interiors simple, using a limited palette of rich block colours, natural woods, stainless steel and brass. Heuman also hoped to instil a sense of mystery; once inside, guests are transported into another world, where some surfaces and materials are reflective and glossy, so guests may catch a distorted reflection of themselves.
Image credit: Simon Brown
Image credit: Simon Brown
On the ground floor, the lobby leads to a theatrical lounge room in silver wallpaper which provides the perfect setting for working or a quiet drink in the evening – where the movements of passers-by on the street are reflected dreamily on the shimmery walls. Grassy green carpets run throughout the hotel to make things ‘pop’, meanwhile the guestrooms are divided into three schemes, starting with a moody, glossy blue, moving through shades of brown and ending on a light, airy blue across the top two floors.
Image credit: Simon Brown
In the guestrooms, Heuman’s original headboards are a defining feature and an artwork in their own right. The scrolling shapes on these oversized headboards recall a medieval coat of arms and create the feeling of sleeping in a slightly warped world. Woven as rugs and then upholstered, they have a majestic, sculptural presence and take centre stage. Their design coincided with a recent trip to Florence where she took inspiration from the inlaid marble floor at Cappelle Medici – and are a nod to her love of placing historical motifs in a contemporary setting.
Image credit: Simon Brown
Image credit: Simon Brown
Heuman brings her discerning eye for offbeat art, antiques and objects to each room, including many items from her own ‘Shoppa’, a collection of original interiors products that combine form and function with personality. The bedrooms feature The Knot handles on the wardrobes as well as lighting. The Cub Chair and Lion Chair can be found in the lounge areas, as well as irreverent statement lighting such as the Dodo Egg Light and the soon-to-launch Crinkle Lights and Paper Bag Lights.
image credit: Simon Brown
While the hotel’s clean, streamlined design feels distinctly current, it has been executed to stand the test of time. The hotel’s pieces are made predominantly of natural and solid materials that will age gracefully; the desks, bedsides and breakfast tables are all made from wood that will develop a beautiful patina over time. Natural brass has been used throughout and bedroom headboards have been hand woven in wool. Existing elements of the former hotel have been preserved where possible and reworked into the new design, such as the marble entrance, lift and staircase.
The highly anticipated Bed Show from the National Bed Federation (NBF) is back again for another year with Sleepeezee in attendance and exhibiting several exciting new products…
The show, which is taking place this week in Telford, is firmly established in the trade calendar as the UK’s biggest bed exhibition. This year, as always, it will offer an exclusive look at what the many bed manufacturers that the UK and Ireland have to offer and Sleepeezee are excited to be part of such a prestigious line up of brands.
With many exciting new products coming to market, Sleepeezee will be showcasing its new Memory Ultimate, Centurial, In Motion, Fusion Pro and Little Bedz ranges to its new and existing customers.
With all key bed buyers in attendance, The Bed Show is one of the most significant shows to launch new products and innovations. “We’re excited to be attending the NBF Bed Show again in September and look forward to showing our retail partners the great new products we have on offer,” commented Amy Curtis, Head of Marketing at Sleepeezee. ” Everything we are taking to the show this year is brand new, so there is plenty for retailers to come and see, not to mention being able to grab one of our Centurian drinks from the stand!”.
Image credit: Sleepeezee
In celebration of the brand’s 100 years, the Centurial collection features some of the finest natural materials such as British wool and alpaca wool, to provide the ultimate in luxury comfort. Finished with rows of genuine hand side stitching and a chemical free soft Damask, the mattress collection offers medium or firm support for premium comfort.
Another exciting release at the show will be the Fusion Pro which features sumptuous copper infused memory foam that not only provides comfort and support during the night, but also helps reduce heat build-up for an undisturbed night’s sleep. Encapsulated for extra edge support, the Fusion Pro has also achieved a Which? Best Buy award demonstrating its superior comfort and quality finish.
Finally, Sleepeezee will be exhibiting its brand-new kids beds range, Little Bedz. As the newest member of the Sleepeezee family, the innovative kids’ beds range is carefully designed for the needs of children. With pocket spring technology that adjusts accordingly to your child’s body shape, both mattresses grow with your little ones, providing maximum support all the way up to their teenage years.
Sleepeezee is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
Hilton’s fast growing upscale brand has expanded its footprint with the opening of DoubleTree by Hilton Seoul Pangyo in South Gyeonggi…
Spanning 25 floors, DoubleTree by Hilton Seoul Pangyo is the largest full-service hotel and residences complex in southern Gyeonggi. The dual building complex comprises 432 hotel rooms and 170 residences respectively, designed in neutral tones and muted colors inspired by the lush foliage surrounding the property.
“The launch of DoubleTree by Hilton in Korea is testament to Hilton’s commitment to establishing our presence in enticing gateway cities across the region,” said Timothy Soper, Area Vice President, Head of Japan, Korea & Micronesia, Hilton. “South Korea is a dynamic destination for business and leisure with strong projected growth for the coming years. We are optimistic that DoubleTree by Hilton Seoul Pangyo will be well-positioned to meet the evolving needs of our guests”.
Image credit: Hilton Hotels
The hotel guestrooms boast modern interiors and natural lighting with stylish executive rooms that grant access to the Executive Lounge. As the first upscale residential hotel in the city of Seongnam, the residences feature spacious and comfortable studio rooms, as well as premium suites of up to two bedrooms that feature separate bedroom and living room spaces.
Image credit: Hilton Hotels
Amongst the dining offerings, Nyx offers an elevated dining experience that enables guests to take in the Pangyo skyline through panoramic windows, while the all-day dining restaurant Demeter offers international buffet spreads. The hotel also features state-of-the-art meeting and event facilities, an indoor swimming pool, a 24-hour fitness centre with a fully equipped Pilates studio, a driving range, a tennis court and a sauna.
“With a full-service hotel sitting alongside a spacious residence, we are ready to extend a double dose of comfort and care, whether to the business traveller here in town for a few days, or the leisure traveler who is looking to clock in a longer stay,” said Peta Ruiter, General Manager of DoubleTree by Hilton Seoul Pangyo.
Image credit: Hilton Hotels
DoubleTree by Hilton Seoul Pangyo operates an urban rooftop bee farm with the aim of sustainable beekeeping that helps protect and maintain viable populations of thriving colonies. With its own harvest, the hotel offers a wide spectrum of honey-infused culinary creations, ranging from cocktails with a natural honeycomb to honey cakes and ‘Bee My Honey’ afternoon tea sets. As part of DoubleTree by Hilton’s ‘Do Good, Feel Good’ program and as an extension of its CARE culture, the hotel also organises weekly workshops to help educate children to care. Helping young ones understand the importance of bees to the ecosystem aims to instill a sense of purpose that travelling with awareness can further fulfill.
The property is also amongst the first in South Korea to obtain Marine Stewardship Council (MSC) and Aquaculture Stewardship Council (ASC) Chain of Custody certifications, offering guests sustainably-sourced seafood across its restaurants.
Image credit: Hilton Hotels
DoubleTree by Hilton has made several strides towards a rapid expansion across the region. Apart from its debut in Korea, Hilton also marked its 50th DoubleTree by Hilton property in Greater China with the opening of DoubleTree by Hilton Kunming Airport in December 2022 and soon after announced the opening of its first hotel in Japan’s Hokuriku region with the debut of DoubleTree by Hilton Toyama in January 2023, and first DoubleTree by Hilton property in Kyoto with DoubleTree by Hilton Kyoto Higashiyama in August 2023.
In 2024, a bevy of openings are anticipated, including new DoubleTree by Hilton properties opening in Jakarta, as part of a mixed-use development in Bintaro Jaya; Osaka, the first DoubleTree by Hilton property in Osaka; and Vientiane, Hilton’s first property in Laos.
Case study: Wrest Point celebrates with custom carpets from Modieus
Wrest Point was Australia’s first legal casino and has never looked better, with Modieus flooring creating the beautiful custom carpet designs in each of the distinctive spaces…
Wrest Point opened its doors in 1973 in the suburb of Sandy Bay in Hobart, Tasmania. Fast-forward to 2023 and Wrest Point has marked its 50th birthday with a make-over. Sydney-based firm Altis Architecture, one of the major design groups behind the $65m renovation chose to work with Modieus flooring to create the bespoke carpet designs we see woven into the design narrative.
“I have loved working with the inspirational team at Altis Architecture,” said Leah Manwaring, Design Manager, Modieus, “Each area on this project is distinctively different, so we’ve been able to showcase the best in flooring design.”
Image credit: Modieus
No refurb would be complete without a grand entrance area. This contemporary space incorporates a three-pod arrangement. A stylish double-height suspended chain screen feature encircles a modern pendant style chandelier. The Art Deco heritage of the original building is perfectly reflected in the custom carpet and interior design, creating an impressive entry to the Wrest Point Tower and Casino.
“Altis have worked with Modieus for many years and have been greatly inspired by their collaborative and creative approach to flooring design,” added Julia Amos, Associate, Altis Architecture. “We are very proud of the final outcomes and are impressed with the unique results achieved for every space. It has been a pleasure working together with whole the Modieus team to help bring our interior visions to fruition.”
Image credit: Modieus
The Riviera Casino has been transformed into beautiful inviting space, complete with a new cocktail lounge, casino bar and gaming area. The unique and dramatic carpet design has an Art Deco influence, which is also mirrored in the superb ceiling design with sweeping curves, beaded and sheer curtain features and linear backlighting throughout.
Image credit: Modieus
The ambitious new Birdcage bar and lounge space was originally a popular nightclub in the Casino. Inspiration was derived from the existing heritage murals by famous artist, Charles Billich, featuring dancing cabaret girls wearing peacock style outfits. The bar was relocated to allow for more lounge space, whilst opening and activating the adjacent thoroughfare. The glamourous feel has been achieved through the selection of rich contrasting colours and materials. Altis commissioned artists to create bespoke decorative pieces and worked with Modieus on the distinctive carpet design, which reflects the peacock theme.
Image credit: Modieus
The $65m renovation and refurbishment also includes a complete relocation and expansion of member gaming facilities. The members only Forte space includes the creation of private VIP gaming areas including a French café, new bar and lounge. The space also features bird sculptures by Clarita Brickerhoff, tapestry artworks by US artist Leroy Neiman and bespoke carpets from Modieus.
Image credit: Modieus
The Showroom is a historic treasure, established in 1973, the world-famous Cabaret show retained at The Showroom, has been enjoyed by the Royal family and various international stars. Fittingly, the corridor has been completely transformed into a dramatic viewing and exhibition space. It commemorates and showcases the historic costumes, actors, musicians and famous visitors to the venue over the 50 years with an interchanging exhibition of the rich history of Wrest Point entertainment.
Image credit: Modieus
As well as the bar and casino areas, guests can enjoy Wrest Points hospitality at the new Longhorn Smokehouse. Bespoke Texan Longhorn sculptures are featured throughout the space by Texan artist Jim Mundorf, an inspiration for both the name and theme of the venue. Intelligent design enabled this once large area to be divided into four smaller areas, creating intimate dining zones. The Southern American inspired menu utilises the finest Tasmanian produce, including the local highly sought-after Robbins Island Wagyu. A palette of timber, aged leather, metal studs and collected antique objects work perfectly with the textured carpet design from Modieus, to create an inviting yet rustic atmosphere.
Image credit: Modieus
Wrest Point is part of the Federal Group, a family-owned business operating across the tourism, hotel and gaming industries. They are the oldest continually operating hotel group in Australia and Tasmania’s largest private sector employer with employees located right across the entire state. “Wrest Point, with Altis and Modieus, have been on this journey for a few years now, ” stated Evelyn Wong, Project Manager at Federal Group. “We started our relationship back in 2017, and it has been a joy to be working with such inspirational and talented designers at the height of their craft.”
Popular with tourists and locals alike, Wrest Point Casino and Hotel offers a wide range of facilities, including a casino, restaurants, bars, accommodation, and event spaces. Part of this impressive complex is the Riveria Building which dates back to 1939. The outstanding refurbishment reflects the buildings historical and architectural significance, as the circular Art Deco building design is echoed in the corridors and guestrooms carpets.
Modieus is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
Space Copenhagen redefines luxury in Porto inside The Largo
Editor Hamish Kilburn caught up with Peter Bundgaard Rützou and Singe Bindlev Henriksen, the Founders of Space Copenhagen, to understand the design layers inside The Largo. The new luxury hotel that has just arrived in Porto has an unconventional narrative, told largely through materials…
Six years in the making, from concept to completion, The Largo is a new luxury hotel in Porto that has been designed by Danish design studio Space Copenhagen to offer ‘something different’ on the hospitality scene in the city.
Located on the historic Largo de São Domingos, the 18-key hotel, featuring a restaurant and bar, occupies five interconnected 15th, 16th and 19th century buildings that the design studio has carefully stripped back and restored to reveal, while maintaining, many of its original features.
Image credit: Joachim Wichmann
“We have applied a refined, historically detailed design language that celebrates modernity combined with a sense of an aesthetic slowness in celebration of the city, its legacy and the local traditions of Porto,” said Peter Bundgaard Rützou, C0-Founder of Space Copenhagen. “The materials used throughout are local, subdued, warm, intimate, tactile, and natural. Where possible we have collaborated with local artisans to create an experience, an environment that is elegant, distinctly discreet, sensuous and comfortable.”
The hotel concept is the brainchild of Annassurra, a Copenhagen-based travel and hospitality group. It playfully subverts the standard notions of luxury hospitality to offer something distinctly personal and tactile. “The client really sincerely wanted to create a more in-depth [hospitality] experience,” Signe Bindslev Henriksen, Co-Founder of Space Copenhagen told Hotel Designs. “When we started the project, we realised that the interesting thing about Porto was this feeling of ‘undiscovered potential’, added Rützou. “This project was about taking chances, with the client collaboratively as well as with materials. The client initially bought two buildings facing the largo before purchasing three more. The height differences between the buildings presented certain challenges. The project felt, at times, like a three-dimensional puzzle we had to put together.”
Image credit: Joachim Wichmann
The collection of historical buildings was first lovingly restored by architect Frederico Valsassina and are situated in a prime position with views across the Douro River, which runs through the city of Porto. One of the key objectives of the renovation, which has steadily been taking shape over the last three years, has been the conservation of hundreds of years of history and preserving the crafts and traditions embedded within the architecture of the building. “On any project, you dive into a visual language that is relevant to the location, and then translate that into the project,” Henriksen said when explaining the process of the studio’s design approach. “Exploring Porto during that long start-up period was a great way to filter down the essence of what we believed was particularly beautiful about Porto. During this time, we started dialogues with the right crafts people to ensure the city felt strongly represented not just through colour but also through materials and art.”
Image credit: Joachim Wichmann
The Largo’s interiors have been conceived to inspire connection; between guests, hosts, the Portuguese community and the space itself. Through thoughtful elements of craft, materiality, texture and art, The Largo plays at the intersection of tradition and modernity; attention to detail and authenticity. Both Rützou and Henriksen created the interiors of The Largo to be soft, slightly nostalgic yet timeless, refined, historically detailed and overall orchestrated by a modern design perspective with an overarching sense of slow design and travel. “It is a mysterious and magical feeling to be inside [the hotel],” added Henriksen. “There is a juxtaposition between the city on the outside and being enveloped in the hotel, which has many layers.”
Materials have been locally sourced for their qualities of subdued, warm, intimate, tactile, and natural. As such stone, wood, brass and soft fabrics feature repeatedly throughout.
The lounge at The Largo has a secluded feel and this is where guests are greeted at ground floor level. Located towards the back of the building, there is an opportunity to interact and engage, dwell or listen to an intimate performance or talk. Guests can also enjoy the outside courtyard, which is impressively suspended between the building and rock, at five storeys deep.
Image credit: Joachim Wichmann
The suites at The Largo are all generously proportioned with thoughtfully considered layouts that consequently encourage a longer stay at a slower pace. All rooms mimic the intimacy of an apartment living room and private quarters. “There is a freedom of space in each of the rooms,” explained Rützou. “When you enter and close the door, it feels immediately intimate, and feel protected by the hotel and its surrounding natural elements.”
Throughout the hotel, there is a strong relationship between space, function and form, which is confidently defined in all areas by the design duo’s creative approach as both interior designers and product designers. “When you walk through the corridors you immediately sense that the hay day of this place was a long time ago, so the buildings have these worn-down features,” added Rützou. “Some of that essence is distilled into the bed frames, for example.” The beds are the centrepiece of the room and are framed by a renaissance feature of elaborate headboards reinterpreted in a modern way to pay respect to its origin.
Image credit: Joachim Wichmann
Ceilings bear the same level of diluted ornamentation bringing the historic context of the buildings into a new and repurposed setting. Paying homage to local craft and tradition each element has been carefully and exclusively designed for The Largo and executed by Portuguese artisans. The millwork, stone and metalwork throughout were carefully created by local artisans, as well as tiling sourced from local tile manufacturers. The wooden flooring, granite portal, entry passage and plastered walls in subdued colour tones further enhance the slow and warm pace, with the ornate ceilings preserved with the historical buildings original design.
The bathrooms feature large tile stone flooring and bathtubs carved as a singular piece in local Portuguese stone. Each room includes a lounge and table settings that facilitate the experience of luxury in room dining. The penthouses and townhouses have their own kitchens, and all suites have extensive pantry storage and wine fridges to welcome a longer stay.
Image credit: Joachim Wichmann
Adjoining The Largo are sister projects Cozinha das Flores and Flôr, a restaurant and a bar, both also under the direction of Nuno Mendes. The restaurant, Cozinha das Flores, celebrates the food, culture, wines, techniques and ingredients of Porto and the surrounding region. The adjacent 12-seat bar, Flôr, has fast become a cornerstone of the local neighbourhood.
“Our wish has been to create a soft and charming oasis in the heart of Porto – a place and destination where you can feel at home, sense the honest and genuine atmosphere of the historic buildings and the area,” concluded Rützou. “A place of discovery, and a place to recharge for new adventures in the beautiful city and surrounding nature.”
Image credit: Joachim Wichmann
With more meaning being demanded around hotel development in hotspot neighbourhoods, just like Porto, The Largo is a fresh and unexpected example of how an independent hotel can set new standards in personalised luxury hospitality while also sheltering spaces that stand as timeless reminders of the power of architecture, nature and materials when pieced together sensitively.
> Since you’re here, why not watch Editor Hamish Kilburn’s Hotel Designs LIVE session, featuring Space Copenhagen discussing ‘a new era of wellness’?
Sustainable and adaptable, the new Outdoor Living porcelain tile collection from RAK Ceramics is the ideal choice to design or revamp gardens, patios, terraces, driveways or pool areas…
Available in a range of style options, the different installation possibilities of this RAK Ceramics collection allows the material to blend in with its surrounding landscape. With a host of technical advantages that ensure the tiles are weather-proof and highly durable, the extra thick tiles are ideal for installation on any outdoor area. Able to match indoor and outdoor paving for a seamless flow, the Outdoor Living Collection is versatile and easy to install, with no special treatment needed to keep it looking clean.
Image credit: RAK Ceramics
Weatherproof, the tiles are also UV resistant so won’t discolour from direct sunlight, while their slip resistance make them a safe flooring option for all situations. The tiles also feature the award-winning Klima technology, that repels the heat from sunlight, resisting high temperatures. Even with significant sun exposure, the surface is not burning hot, and the floor remains cool and pleasant to walk on with bare feet.
Ideal for gardens, gazebos and walkways, the porcelain tiles can be installed directly on to grass, or on to gravel and sand. For terraces and high traffic areas installation can be made on to screed with adhesive.
The Outdoor Living porcelain tiles collection includes eight styles – Carmo Stone, Fashion Stone Outdoor, Gold Calacatta, Grey Calacatta, Maremma, RAK Stone 2.0, Stone Lagoon and Surface 2.0 Outdoor, with a variety of colour options to suit any setting. The tiles measure 60cm x 60cm and 60cm x 120cm, perfect for covering large areas with ease.
Rak Ceramics is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
Introducing the New Chair and Table Collection from Liang & Eimil
Not only will Liang & Eimil be exhibiting at Decorex this October after moving in to its new Shoreditch showroom recently, but the luxury furniture brand just dropped a new collection just in time for AW23. Let’s check it out…
Liang & Eimil, a name synonymous with sophistication and innovation in the world of interior furnishings, proudly introduces its latest triumph—the all-new Chair and Table Collection. With a decade of unrivalled expertise in crafting exquisite furniture, Liang & Eimil once again elevates interior design to new heights with this stunning addition to their repertoire.
Crafted to perfection, the Chair and Table Collection is a testament to Liang & Eimil’s unwavering commitment to blending style, comfort, and functionality. This collection features an array of modern yet timeless pieces, each designed to seamlessly integrate into a variety of interior aesthetics.
Here are five highlights that our editorial team have discovered about the collection:
Armchairs in Neutral Shades with Solid Wooden Legs:
The armchairs, which are available in a palette of neutral shades, embrace understated elegance. What’s more, the addition of solid wooden legs infuses warmth and sophistication into any space.
Image credit: Liang & Eimil
Image credit: Liang & Eimil
Dining chairs
Designers can choose from a selection of dining chairs, with versatile leg options, which are complete with solid wooden legs for a classic touch or steel legs for a modern twist. This versatility allows you to create a dining area that perfectly suits your style.
Bar stools with backrest
The collection’s bar stools provide not only comfort but also support with their backrest design.
Faux marble side tables and coffee tables:
The collection introduces a range of faux marble side tables and coffee tables with glass tops. These eye-catching pieces effortlessly combine luxury and practicality.
Image credit: Liang & Eimil
Upholstery in neutral shades and autumnal colours:
The chair upholstery is available in a selection of neutral shades for a timeless look. For those seeking a touch of autumnal warmth, explore hues of rust orange and ochre that evoke the spirit of the season.
Liang & Eimil is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our Recommended Suppliers, please email Katy Phillips.
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