Hotel Designs

    NEWS AND ANALYSIS FOR HOTELIERS, DESIGNERS AND INDUSTRY SUPPLIERS

    How conscious design studio Harris & Harris was born

    730 565 Hamish Kilburn
    How conscious design studio Harris & Harris was born

    Harris & Harris has earned Hotel Designs’ stamp of approval as an environmentally and socially responsible interior and product design studio…

    Founded in 2014 by husband and wife team Alexander and Sharon Harris, Harris & Harris emerged onto the design scene as a sustainable breathe of fresh air. Working internationally, the studio creates chic yet playful designs focusing on craftsmanship and quality whilst minimising the impact on the planet – and it was this unique blend that caught our editorial attention.

    The dynamic duo met in 2007 whilst working for an architecture practice in Melbourne, Australia. They moved to London in 2010 and later married and started a family whilst growing their dream design studio.

    Prior to founding Harris & Harris, Alex worked for some of the biggest names in design; Terence Conran’s furniture company Benchmark, David Collins, Kelly Hoppen and Yoo, co-founded by Philippe Starck.

    Sharon has a truly international perspective having worked as an interior designer in Singapore, Melbourne and London for blue-chip clients including China Construction Bank, Citigroup, Molton Brown and Goldman Sachs as well as the Dubai property developer Emaar.

    In 2019, the team boldly stepped into a new territory by unveiling the conscious bedroom for the Independent Hotel Show London. The guestroom set that was designed sensitively challenged conventional hotel design from every angle.

    The Harris & Harris team now creates inspiring and innovative designs for clients that include hospitality brands, interior designers and developers such as The Arts Club, Conran, Finchatton, Four Seasons, Hakkasan, The Hoxton and Soho House as well as private individuals. Products and projects reach far across the globe including Monaco, The Hamptons, Miami, Seoul, Munich, Limassol, Macau and Paris.

    The studio’s Product Collection features more than 100 pieces of furniture, lighting, outdoor furniture and interior accessories, all designed in-house by the studio. The designs are influenced by the founders European and Asian heritage, together with their love of modernism, art deco, mid century and 1960s pop design.

    Each product is handmade to order by skilled artisans and workshops and are named after the places Alex and Sharon have frequented around Singapore, Australia and Great Britain.

    Image caption: The Raffles seating range, named after the iconic hotel, is a refined family that injects refined glamour into an interior space. The pieces are influenced by art deco style of designers, including Eileen Gray and Charlotte Perriand.

    Aside from being a studio that shelters awe-inspiring design, Harris & Harris strives to be environmentally and socially responsible wherever they can and in all areas of the company. The studio developed the Product Collection to include as many of their self-initiated ‘Responsible Factors’ as possible:

    1) Designed For Life Foundation

    The studio established the ‘Designed For Life Foundation’ to donate a percentage of every sale from the product collection to charity. Their furniture and lighting is predominantly specified for luxurious hotels, bars, restaurants and high end private homes and the founders felt it was important to help balance this. So for every product sold from the Collection their clients are automatically donating to the following three charities concerned with providing those without the basic needs of food, water and shelter: FareShare – the UK’s national network of charitable food re-distributors, WaterAid – providing clean water and hygiene solutions worldwide and ShelterBox – an international disaster relief charity, providing emergency shelters.

    2) Made in the UK

    Most of the collection is manufactured in the UK. Being a London-based company, this helps reduce transport energy consumption, particularly when a project is also UK based. Producing in the UK also helps support local industry and communities.

    3) Sustainable upholstery option

    Most of the upholstered seating is designed to have the option of being manufactured with natural materials including coconut fibre, natural latex, wool & cotton wrap and feathers. This minimises the impact on the environment by reducing the use of harmful chemicals, plastics and oils as well being biodegradable at the end of the product’s life. Natural materials are also far better for the health and well being of those using the seating.

    4) Made from recycled materials

    Recycled materials have been introduced into many of the products. This includes working with the German manufacturer Magna to provide their ‘Glaskeramik’ material for table tops in the collection, which is produced from 100% recycled waste glass. Harris & Harris also works with London stone specialist Diespeker to provide their terrazzo material which includes crushed recycled glass and marble off-cuts. A selection of the products are produced from clay and terracotta which create very little waste as off-cuts and unused material can be easily reused in future production

    5) Made from renewable, low-embodied energy and natural materials

    Most of the products are made from abundant and sustainable materials. Harris & Harris uses timbers including Ash and bamboo, which is very fast growing and requires no fertiliser or pesticides. They use natural stone, glass, clay and terracotta on many of the products which have a very low embodied energy (the total energy within the material from extraction to finished product). The natural upholstery option minimises the impact on the environment as highlighted above and Harris & Harris work with UK based Alma Leather to provide their natural cow hides that have a sustainable 100 per cent vegetable tan finish. The studio will also be introducing a vegan option as an alternative to the current leather selection very soon

    6) Made from FSC or PEFC-certified timber

    Harris & Harris ensures its factories and craftsman only ever use sustainably sourced timber that has been given either FSC or PEFC certification. The studio will never use exotic tree species from non-renewable forests

    7) Supplied with Low Energy LED Bulbs

    The Azzero and Kyoto lighting ranges utilise efficient LED G9 bulbs. For the Wharf, Siloso and Chalford lighting ranges Harris & Harris works with the UK based lighting brand Tala to provide their long lasting and low energy LED bulbs. Tala bulbs look fabulous thanks to their old filament style design but with using the latest LED technology. Tala are committed to reducing carbon emissions in the atmosphere and support reforestation programmes around the world

    8) Built for longevity and durability

    Harris & Harris work with well respected craftsman, factories and workshops who use high quality production methods, together with durable and premium materials, to ensure the product collection is created for a long life span. The team is passionately against a throw away culture and design all of their products to be resilient and long lasting that can be handed-down over generations rather than thrown away

    9) Easily disassembled and recycled at end of life

    Many of the products are easily disassembled and can be taken apart by hand (or are single-material) so they can be separated into their individual materials to be recycled, biodegraded or reused.

    Harris & Harris was a PRODUCT WATCH pitch partner for Hotel Designs LIVE, which took place on October 13, 2020.

    Image credit: Harris & Harris

    EXCLUSIVE: Space Copenhagen appointed to design revolutionary wellness hotel

    730 565 Hamish Kilburn
    EXCLUSIVE: Space Copenhagen appointed to design revolutionary wellness hotel

    Danish designers Peter Bundgaard and Signe Bindslev Henriken of Space Copenhagen will mastermind the complete interiors for new wellness and eco hotel in Norway, Svart

    Svart, which will become the world’s first energy positive hotel, has appointed award-winning Danish design firm Space Copenhagen to lead the property’s interior design.

    Image credit: Svart

    The 99-key hotel, which Hotel Designs first unveiled the concept of last year, will be located in Arctic Norway at the base of the Svartisen glacier and will house an indoor-outdoor spa, four restaurants, an education centre and a design laboratory. Developed by Miris and archtiecture by Snøhetta, the glass-fronted, circular property will float on stilts above the Holandsfjorden fjord. Following my hype already, the hotel is slated to open to guests in late 2022, and aims to be fully off-grid, carbon neutral and shelter zero waste within the first five years of operation.

    The Denmark-based design studio Space Copenhagen, founded by Peter Bundgaard and Signe Bindslev Henriken in 2005, has been charged with masterminding the entire interior vision for the new hotel. The duo will draw on their years of creative collaboration, with past projects including 11 Howard, Geist 2.0 and The Stratford London, to create an aesthetic which will reflect the project’s core values of sustainability, innovation and holism.

    “It was essential for us to find a design partner that shared our vision, with the ability to create a truly stunning aesthetic that both complements and emphasises the natural beauty of the destination, without distracting from it,” said Ivaylo Lefterov, Svart’s Development Director and judge for The Brit List Awards 2020. “Longevity, human connection and a distinctly Scandinavian quality – themes which run through Bundgaard and Bindslev Henriken’s award-winning work – will be at the heart of the Svart experience. We could not have found a better fit for us in Space Copenhagen and we are thrilled to have them on board.”

    “The design aesthetic does not seek to mimic or filter the magnificence of the Norwegian landscape, but to be a humble backdrop to it.” – Peter Bundgaard and Signe Bindslev Henriken, founders, Space Copenhagen.

    Image credit: Space Copenhagen

    Providing Hotel Designs with an insight into their vision, founders Bundgaard and Bindslev Henrikson said: “The four elements’ intrinsic connection to Norse mythology has provided the design aesthetic, poetically and holistically bringing together the tactile materials of stone and wood from the earth, the transparency and fluidity of water, the magic warmth of fire and the ephemeral intangible qualities of air. The design aesthetic does not seek to mimic or filter the magnificence of the Norwegian landscape, but to be a humble backdrop to it. The building itself – an unbroken, seamless circle – will become a portal dedicated to enhancing human connection to nature, the seasons, and to time itself.”

    With an approach they call ‘Poetic Modernism’, Space Copenhagen seeks to forge new paths by balancing opposites within their work. For the team, curiosity is a fundamental human condition and it is this transformative curiosity they will bring to Svart.

    While you’re here: click here to read more about Ivaylo Lefterov, Development Director at Miris and judge for The Brit List Awards 2020.

    Main image credit: Svart/Space Copenhagen

    Dernier & Hamlyn updated and improved under new ownership

    730 565 Hamish Kilburn
    Dernier & Hamlyn updated and improved under new ownership

    Bespoke lighting manufacturer Dernier & Hamlyn has moved to new, premium premises in Chessington…

    Dernier & Hamlyn’s new HQ incorporates a state-of-the-art studio where clients can work with the company’s design team to progress their lighting designs from concept to reality.

    Significant investment is also being made in manufacturing and finishing capabilities including the latest technology and 3d printing, to ensure that the company’s reputation for the highest quality lighting is maintained and improved.

    Experienced experts who previously worked for Dernier & Hamlyn are still part of the team including Head of Production Mark Pye, project manager Lyn Newcombe and Design Manager Adam Coare. Strategic and operational management of the company will be greatly enhanced with the appointment of Michael Mulhall as Director of Sales. Michael was previously head of major projects for Dernier & Hamlyn’s new owners NVC UK where he oversaw large lighting programmes for hospitality and luxury residential clients.

    Mulhall says: “We were attracted to Dernier & Hamlyn by the strength of its brand and reputation in the lighting industry. Feedback from our research with designers and others has shown that the quality of the products manufactured was second to none, but there have been frustrations in the past with lead times and flexibility of delivery.

    “Dernier & Hamlyn will operate as a totally autonomous company, but one that is part of a global organisation which made sales of more than $600 million in 2019. This gives us access to varied technical, engineering and design resources that complement our own, backed by sound financial support from shareholders including Schneider Electric. We will continue to deliver the high- quality lighting that Dernier & Hamlyn has always excelled in, but in ways that meet the needs of designers and clients in today’s markets.”

    Dernier & Hamlyn is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

    Main image credit: Dernier & Hamlyn

    Gessi’s new showroom lands in London

    730 565 Hamish Kilburn
    Gessi’s new showroom lands in London

    Gessi’s new showroom, Casa Gessi London, is a celebration of Italian design for a wellness experience in the most private and intimate space of the hotel, the bathroom…

    Located in the heart of Clerkenwell – a thriving design district that houses many of the world’s leading contemporary design and architectural innovators – Casa Gessi London is the bathroom brand’s latest showroom that welcomes professionals in the architectural and design community.

    Hosted in the Old Sessions House, an 18th-century Palladian-style Grade II listed, the Casa Gessi London showroom spans a grand space of 725m2. The three-story building, with its vaulted ceilings and original brick walls, pays homage to its past whilst embodying Gessi’s passion for beauties, architectures and creation skills that transcend time, which the Company infuses into its contemporary design, style and wellbeing concepts.

    Presenting an exhilarating sensorial journey, the London showroom seeks to embody the philosophy, the history, and the identity of Gessi to engage visitors in a palpable emotive experience. Combining contemporary design technology with traditional Georgian and Victorian architectural features, the Casa Gessi showroom presents a bold and ambitious juxtaposition, showcasing products at the forefront of innovation within the historical infrastructure of the Old Sessions House. The building’s long, storied history is carefully integrated into the present-day design, including the prison-cell structure which extends across the ground floor and now hosts product display exhibitions.

    Image credit: Gessi

    Gessi boasts an extraordinary client base of architects, interior designers, and lifestyle enthusiasts, who are invited to explore the ‘Libertà’ bar and lounge within the showroom, in addition to working and networking from the numerous dedicated spaces. The Architectural Wellness space features a spectacular performance of light and water, and to conclude the showroom, the Gessi Wellness Tailor Atelier Dressing Room offers guests a chance to explore their wellness dreams, by hand-selecting novel new combinations of Gessi products and finishes.

    Image credit: Gessi

    Recognised globally for its ‘Made in Gessi’ bathroom concept and design, Gessi presents ‘design to be experienced’ a forward-thinking approach to wellbeing, manufactured with the utmost respect for both the environment, and the user. Gessi strives to make people’s lives better, designing products with people in mind, making bespoke private spaces.

    Casa Gessi London is the most recent international opening by the brand following the Gessi showroom in the cities of Milan, Singapore, Dubai and Shanghai.

    Gessi is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

    Main image credit: Gessi

    Main image credit: Gessi

    (Video exclusive) In conversation with: Simon Whittaker, Architect of the Year 2019

    730 565 Hamish Kilburn
    (Video exclusive) In conversation with: Simon Whittaker, Architect of the Year 2019

    Simon Whittaker, architect and Associate Director at Orms, joined editor Hamish Kilburn to exclusively reveal details of the firm’s latest project: to redesign the former Central St Martins building in London…

    Lover of retro-buildings, Simon Whittaker is a modest architect with a modern vision. Partly responsible for designing the impressive building that now shelters The Standard London – a hotel that in many ways challenges conventional hospitality in London – Whittaker was rightfully crowned Architect of the Year at The Brit List Awards 2019.

    With this year’s awards ceremony imminently approaching, Whitaker joined me to launch the Interior Design & Architecture Summit (IDAS). In an exclusive interview, the award-winning architect revealed for the first time the mix-used development plans for an iconic site in London. Over the years, Central St Martins Building in Holborn sheltered significant moments in time for legendary figures in design and fashion, such as Alexander McQueen, John Galliano, Christopher Kane and Stella McCartney.

    Nearly a decade after University of Arts London moved out of the site, Orms is currently working with a world-renowned team to sensitively restore the building and give it a new lease of life as a mixed-used development site, which will include a new lifestyle hotel.

    “We were very conscious that had to be more than just a hotel.” – Simon Whittaker, Associate Director, Orms.

    At a pinnacle moment in the project’s development – having just secured planning permission – Whittaker reveals all, as well as discussing The Standard London’s statement and architecture in a pandemic world.

    Watch the full interview below.

    > While you’re here: check out our review of The Standard London.

    Orms were approached last year to, through the power of architecture, secure consent for a hotel on the iconic site. The plot within the Holborn area includes the Grade II listed building, formerly Central St Martins, that fronts Southampton Row as well as a collection of 60s buildings behind. “We were very conscious that it had to be more than just a hotel,” Whittaker told Hotel Designs. “As a result, we have developed the concept for a new neighbourhood that happens to include a hotel.”

    The ‘new neighbourhood’ has Whittaker describes it will include a new lifestyle hotel, exhibition spaces, a refurbished lecture theatre, a screening room, various F&B outlets, a library, a series of function rooms and co-working spaces. “There’s a huge variety which will offer real benefits to the local area,” Whittaker adds.

    Orms and the wider team have recently been granted the necessary planning permission they need, with a unanimous consent from the committee, in order start work on the new urban development.

    About the Interior Design & Architecture Summit (IDAS)

    The Interior Design & Architecture Summit (IDAS) is Hotel Designs’ premium meet-the-buyer event for designers, architects and suppliers.

    “Couldn’t fault the organisation and we also got some decent opportunities.” – Schlüter Systems (supplier)

    “I thought the calibre of delegates was high and all seemed open to discussion.” – The Soho lighting Company (supplier)

    “It was great to meet new people and the meetings were largely a success.” – Anglepoise (supplier)

    “Fast-paced event with quality contacts and lots of opportunities for new work.” – Vivid Hospitality (supplier) 

    If you are interested in learning more about the event, please contact our team. For all supplier enquiries, please speak to Jennie Lane on 01992 374098, or email j.lane@forumevents.co.uk. If you are a senior designer and/or architect, please contact Victoria Petch on 01992 374082, or email v.petch@forumevents.co.uk.

    Main image credit: Orms/The Standard London

    Weekly briefing: arriving in Miami, a cave retreat and going LIVE with Bensley

    730 565 Hamish Kilburn
    Weekly briefing: arriving in Miami, a cave retreat and going LIVE with Bensley

    Only got a minute? Our editorial team have compiled the top design stories that they have published this week, including a live chat with Bill Bensley, an exclusive review of Kent’s most luxurious hotel and news of a new boutique gem arriving in Miami…

    We appreciate you may not have time to read all the content that Hotel Designs has published this week. Therefore, here is our ‘editor’s pick’ of the juiciest stories that have been covered this week.

    Going LIVE with Bill Bensley

    To kickstart Hotel Designs LIVEon October 13, editor Hamish Kilburn discussed sustainability and purposeful eco solutions for the post-pandemic world with designer Bill Bensley.

    The award-winning designer, who never fails to deliver innovative solutions when designing sustainable spaces, joined Kilburn to discuss how design, architecture and hospitality can coincide with nature. In this session, which was sponsored by Silentnight Group, Bensley and Kilburn discussed whether or not the Covid-19 crisis – which resulted in global daily emissions of CO2 to fall by 17 per cent – had effectively balanced the scales, and debated if hotel design could ever be completely sustainable.

    Read more.

    Exclusive hotel review: The Cave Hotel Canterbury

    Image credit: The Cave Hotel

    In a sea of standard ‘luxury’ hotel offerings in Kent, The Cave Hotel in Canterbury, which opened late last year, has certainly made a statement. Editor Hamish Kilburn checks in to The Penthouse to discover the warm design scheme inspired by multiple hotels around the world.

    Read more.

    White Elephant Palm Beach to open this November

    The layout of the property takes advantage of the South Florida sunshine and features a U-shaped outdoor courtyard that is the social heart of the hotel – a place to relax and recharge, whether lounging on the patio or around the pool. The landscaping features mature, local flora whose lush colours and tropical fragrances envelop guests.  Previews of what’s to come started earlier this year, when White Elephant Palm Beach’s signature restaurant Lola 41– a Nantucket staple – began serving its globally inspired dishes and local seafood specialties.

    Read more.

    Loft bathroom spaces with industrial flair with Duravit

    Products from the Luv series by Duravit showcased in an urban ambience. The “Walzmühle” former mill in Frauenfeld, Switzerland, has a long tradition as an industrial manufacturing location. Mia Kepenek (Kepenek GmbH) has breathed new life into the former factory hall in the form of eight generously proportioned, expressively styled lofts, each fitted with Duravit products from the Luv series.

    Read more.

    In Conversation With: Dale Atkinson, Founding Director, Rosendale Design

    Editor Hamish Kilburn catches up with Dale Atkinson, Founding Director of Rosendale Design, to understand more about his latest project inside The Stafford London as well as how F&B design on the luxury scene is changing.

    Read more.

    Spotlight on: November features (sustainability and art)

    730 565 Hamish Kilburn
    Spotlight on: November features (sustainability and art)

    Hotel Designs’ November editorial features have landed, which are Sustainability and Art…

    A meeting of two relevant and engaging topics, this November Hotel Designs will position both Sustainability and Art under the editorial spotlight in order to continue  defining the point on international hotel design.

    In lockdown, global daily emissions of CO2 fell by 17 per cent. And yet during this time, sustainability was temporarily removed off the agenda in order to make room for people to focus on cleanliness and hygiene. Next month, Hotel Designs will reach out to its Recommended Suppliers and key designers, architects, hoteliers and developers in an attempt to balance the scales. This follows editor Hamish Kilburn speaking to the eco warrior himself Bill Bensley at about eco solutions for tomorrow’s hospitality world.

    In addition, following our catch up with Elegant Clutter about the power of art, Hotel Designs will investigate how art, which is not always restrained inside a frame, can effectively add personality in all areas of the hotel.

    If you wish to find out more about Recommended Supplier packages, or know of a product that we should be talking about, please email Katy Phillips

    Main image credit: Villa Copenhagen

    White Elephant Palm Beach to open this November

    730 565 Hamish Kilburn
    White Elephant Palm Beach to open this November

    From one holiday destination to another, Nantucket’s White Elephant resort will welcome a sister boutique property in Palm Beach, which will open on November 4, 2020…

    The 32-key White Elephant Palm Beach is housed in the former Bradley Park Hotel – originally constructed in 1924 as one of the first resorts on Palm Beach’s Main Street. During its century-long history, it was initially owned by Colonel Edward R. Bradley, who ran a private and celebrated Beach Club casino on land that is today Bradley Park. For more than 20 years, the hotel served as a magnet for business tycoons and high rollers who frequented the salon. Over the decades that followed, the hotel remained a mainstay for seasonal visitors. In 1980, in part to its architectural significance, the hotel was listed with the Landmark Preservation Commission.

    The footprint of the structure and the facade remains, while the interiors have been stripped to the bones and rebuilt by Boston-based Elkus Manfredi Architects. The nationally recognised firm, known for its projects with The Peninsula Chicago and Four Seasons Residences, Boston, worked closely with the Town of Palm Beach to create a new hotel that showcases the history of the existing building while incorporating a contemporary interpretation of Mediterranean-revival architecture. White Elephant Palm Beach will maintain the welcoming feel of a private residence with 13 rooms and 19 suites spread across four stories.

    The hotel stands one street north of Royal Poinciana Way, Palm Beach’s original Main Street, less than two blocks from the Atlantic Ocean and one block from the Intracoastal Waterway.

    The layout of the property takes advantage of the South Florida sunshine and features a U-shaped outdoor courtyard that is the social heart of the hotel – a place to relax and recharge, whether lounging on the patio or around the pool. The landscaping features mature, local flora whose lush colours and tropical fragrances envelop guests.  Previews of what’s to come started earlier this year, when White Elephant Palm Beach’s signature restaurant Lola 41– a Nantucket staple – began serving its globally inspired dishes and local seafood specialties.

    Image caption: In the lobby parlor, guests face a row of arched windows looking out onto the courtyard and outside restaurant seating. Sheer drapery filters the natural light and offers slight opacity, lending a sense of privacy and separation from the activity outside. | Image credit: Chi-Thien Nguyen/Elkus Manfredi Architects

    The design captures the spirit of a grand home while maintaining the ambiance of a landmarked boutique hotel. Breaking from the bright pinks and greens that dominate the Palm Beach aesthetic, the White Elephant Palm Beach features a neutral colour palette with sleek metal accents and vibrant pops of colour. The hardwood floors, Carrara marble, elegant tiles and woven rugs are all interpreted with contemporary style.  Outside, the Mizner-style facade is painted a light, creamy-white colour with classic black-and-white striped awnings, terracotta roof tiles, and black trim to bring a fresh, sophisticated look to the classic structure. Guests will be welcomed onto the property by a seven-foot white elephant statue by Santa Fe-based artist Fredrick Prescott.  (A “sister” elephant statue, Trunket, is on the grounds of White Elephant in Nantucket .)

    The statue is just one of 120 original pieces of colourful modern and pop art personally curated by the owners and Elkus Manfredi. The museum-worthy collection will be on display throughout the rooms and common spaces. Featured artists include Robert Rauschenberg, whose early creations in the 1950s anticipated the pop art movement, and Jennifer Bartlett, known for her small, square steel plates that are combined in grid formations to create large-scale works. Several pieces by painter Kenzo Okada, the first Japanese-American artist to receive international acclaim using abstract expressionist style, will be on display, as will works by Donald Baechler, part of the East Village, New York 1980s art movement. A 54-inch round acrylic work by Orit Fuchs was specifically created for the hotel and is a focal point of the lobby; while six prints by Yinka Shonibare, who will unveil a new public sculpture installation in West Palm Beach in 2021, will be found on the second-floor corridor. Doodle Boy, a 10-year-old British artist, was also commissioned to create 30 exclusive pieces for the powder rooms. Using clean black lines hand drawn with a thick marker, he incorporated a hidden signature elephant in each of his drawings.

    Guestrooms and suites range from 510- to 3,000-square feet featuring custom-designed furniture. King-size beds will be outfitted with Pratesi by Rivolta linens with upholstered backboards accented in a colourful palm and flower print. The same fabric will be found on the back of the desk chairs and on the throw pillow piping.

    Other noteworthy pieces include console tables by Selamat Designs in collaboration with the heritage brand, Morris & Co, which are wrapped inside and out with authentic William Morris “Strawberry Thief” covering. The pattern was originally created in 1883. Each of the suites will be furnished with plush grey and cream armchairs and couches. The custom-designed wooden arches that frame the entrance to some of the rooms are a defining architectural element of the hotel. Other decorative accents such as bronze elephant door knockers, bold patterned throw pillows, rattan ceiling light fixtures, and black and white striped side tables are sprinkled throughout. The bathrooms feature marble tiles, double sinks crafted from stone, a dry vanity and glass-enclosed walk in showers with L’Occitane bath amenities.

    Image caption: The master bedroom in the Park Suite is the largest of the suite’s three bedrooms and includes a seating area at the foot of the bed. Behind us, double doors lead to the master bathroom. | Image credit: Chi-Thien Nguyen/Elkus Manfredi Architects

    The two penthouse suites are ideal for those who want to entertain, with large living rooms, fully equipped kitchens, and terraces ranging between 800- to 1,200-square-feet. With views of Bradley Park, the Park Suite is a three-bedroom that can be expanded into four, and the ocean-facing Palm Suite is a two-bedroom that can be expanded into three.

    Image caption: All the hotel’s exterior furniture is by Janus et Cie, all in black-and-white to keep in tune with the graphic quality of the architectural language of the exterior. | Image credit: Chi-Thien Nguyen/Elkus Manfredi Architects

    “Our main mission is to combine our vision of hospitality with the ethos and style of casually elegant Palm Beach,” comments Douglass Karp, President of New England Development. He notes, “We are pleased to combine our promise of service excellence with the exciting tradition of hospitality in this legendary resort destination. We feel right at home in Palm Beach.”

    Main image credit: Chi-Thien Nguyen/Elkus Manfredi Architects

    Checking In: The Cave Hotel, Canterbury – Kent’s tech-savvy luxury pad

    730 565 Hamish Kilburn
    Checking In: The Cave Hotel, Canterbury – Kent’s tech-savvy luxury pad

    In a sea of standard ‘luxury’ hotel offerings in Kent, The Cave Hotel in Canterbury, which opened late last year, has certainly made a statement. Editor Hamish Kilburn checks in to The Penthouse to discover the warm design scheme inspired by multiple hotels around the world…

    Before humans had yet understood the concept of a home – let alone a hotel – we sheltered in caves for warmth, comfort and safety. They were practical and offered natural protection from the harsh elements and predators on the outside. The original hotel, one could argue, and once a fire was lit, these territories became sanctuaries.

    Positioned on the outskirts of Canterbury, in Kent, and attached seamlessly to Boughton Golf Club, a new unexpected hotel has emerged. The Cave Canterbury is not really like a cave at all. Instead, it is a well-designed luxury hotel that cleverly removes all who check in from the stress of modern life. It shelters an authentic design scheme – from the room layouts right down to the technology that works behind the scenes – that was inspired by owners James Tory and Jonathan Callister’s own experiences during their many years of checking in and out of some of the world’s finest hotels. “We have lived hospitality for years,” Callister told Hotel Designs. “Having travelled the world, we have injected the best design and architecture that we have experienced into this hotel.” The result is a well-rehearsed and well-timed arrival onto the luxury hospitality scene.

    Image credit: The Cave Canterbury

    On the outside, the 41-key boutique hotel is an isolated gem, surrounded only by undulating hills in the county that is known as the Garden of England. But inside, the hotel shelters a very different vibe, one that challenges conventional hospitality and hotel design in Kent and beyond.

    The arrival experience creates a powerful first impression with a modern take on the nomadic lifestyle (times have evolved since caves were our homes). Walk past the heavy curtained entrance, and the lobby becomes a comfortable den that features a high-vaulted ceiling and dark warm tones – a secluded sanctuary far away from the outside world with an atmosphere that is automatically muted and relaxed. It is complete with low-level furniture and contemporary shelving, which provides textured décor as well as clever boundaries between spaces.

    Image credit: The Cave Canterbury

    An exposed elevated walkway above – accessible via lift or stairs – leads to the ‘Firepit’, a sleek bar and restaurant, which serves up a contemporary sharing-plate experience. A burst of flavours of world cuisine meet and fuse together in the fresh, re-imagined menu. The smokey, barbecue aromas of the American west combine with the delicate spiced tastes of the far east to create ambitious dishes that excite.

    Image credit: The Cave Canterbury

    Upstairs, the 41 guestrooms and suites are serene havens, and further reveal intuitive design features inspired by the owners’ travels. The lighting, for example, is set simply via moods (chill, romance and blaze), which automatically adjusts the temperature and harshness of the light in the room, allowing guests to simply personalise their own hotel experience from a touch of a button.

    Image credit: The Cave Canterbury

    With no expense spared – and leading its market in terms of using 21st century technical innovation – the hotel puts emphasis on guests’ digital needs and demands. Each room is complemented with state of the art Wi-Fi, super-fast internet, bespoke 65″ Smart LED televisions with music, digital art and connectivity for laptops and smart phones. 

    Even the function of the bed has been carefully considered from concept through to completion, with there even being an area under its structure where guests can store their luggage. “It was a a big bugbear of mine,” said Callister, “checking in to a hotel where there was no where to put my suitcase after I had unpacked. It was therefore an important element to include when designing the bed, and was it was only achievable by designing everything bespoke.”

    “I have never slept in such a comfortable bed and mattress in my life.” – Hamish Kilburn, editor, Hotel Designs.

    In addition to the beds being functional and stylish, the mattresses are also unique to the hotel. They have been designed bespoke by manufacturer Harrison Spinks. The brief from the owners was to create a mattress that guests would sink into but also felt secure on. “This idea came from sleeping on so many hotel mattresses that didn’t offer the right level of support or comfort,” Callister explained. “I was yet to find a mattress that met my two demands [as a modern traveller].”

    Image credit: The Cave Canterbury

    “We provided Johnathan and his team the opportunity to sample a range of hospitality beds, each with its own unique look and feel,” said Stephen Truswell, Hospitality Sales Director at Harrison Spinks. “Once we had established the look and specification, we moved on to feel. Because we have the facility to provide different tensions, our showroom allowed them to select the tension that would deliver their guests the ultimate night’s sleep.”

    In my editorial opinion, although bed and mattress preference differs from person to person, it was the most comfortable sleep experience I have ever had in a hotel, which is a testament to both the hotel and the manufacturer.

    While the guestrooms offer their corner of luxury and unparalleled comfort, the jewel in the crown is the custom-build penthouse, which is located on the fifth floor at the end of the architecturally lit corridor and offers more than a bed for the night – it is an experience; a unique space and an opportunity to explore a cutting-edge smart hotel in style. Framing what are unreservedly the best views of the gold course and surrounding landscape of rolling hills, the expansive suite, at just under 3,000 sq ft, features a unique space that is layered with technology to enhance and enrich the consumer journey.

    The living area is flooded in tech – from the Gallo acoustic speakers to the personalised Lutron lighting and blinds. To add personality into the space, a distressed leather bar from Timothy Oulton provides the perfect minibar. Adjacent to it is a large dining table, which filters into the suite’s private kitchen. A separate work area in the lounge plays well into the new ‘workcation’ travel trend that has emerged in recent months. Once the work emails are answered, guests can sink into what the hotel describes as “the most comfortable sofa in the world”, which was imported in from America.

    The style of the bedroom within The Penthouse is similar to other rooms within the hotel, but the bathroom is an open-planned area of indulgent luxury. Complete with a freestanding bath, a large shower and dark, moody and textured stone surfaces (giving a nod to the inside of a cave, perhaps), this area further provides laid-back character and seductive design.

    Meanwhile, downstairs on the ground floor the spa and wellness area may be small but it is fit for purpose. Complete with a sauna, steam room, hydro-pool and a gym, the wellness facilities are there to cater to modern demands of luxury ‘bleisure’ (business/leisure) travellers.

    Image credit: The Cave Canterbury

    The hotel recently appointed award-winning hotelier Robert Richardson to take the helm as General Manager, who believes The Cave Hotel’s independent status gives it an advantage in a post-pandemic world. “As an independent hotel we can be boundlessly creative in our approach to providing a memorable guest journey,” he said. “The natural beauty of the stunning Garden of England, our close proximity to London, and the singular vision of the hotel owners has all been combined to create a destination venue never before seen in Kent.”

    What makes the hotel that much more interesting – other than it just being a superb luxury countryside hotel with an urban personality – is its expansion plans. It may well be an independent hotel at the moment, but the aim is for The Cave Hotel in Canterbury to be the first of what is said to be many hotels that will open in the portfolio in and outside of the UK.

    As I come back down to earth to check out of The Penthouse, I can see how The Cave Hotel’s effortless style and thoughtful design would work in metropolis’ around the world. It’s refreshing to immerse myself in a hotel that answers to the hefty demands of modern luxury travellers. With its luxe contemporary design and laid-back atmosphere throughout, the hotel in many ways erases conventional hospitality and replaces it with a completely new hotel experience that makes a lot of sense in the tech-fuelled ‘new normal’ world we live in today.

    Main image credit: The Cave Canterbury

    Hansgrohe becomes Event Partner for The Brit List Awards 2020

    730 565 Hamish Kilburn
    Hansgrohe becomes Event Partner for The Brit List Awards 2020

    Manufacturer of long-lasting quality bathroom produces, Hansgrohe has become an Event Partner for The Brit List Awards 2020 for the second consecutive year…

    Quality bathroom brand Hansgrohe has become an Event Partner for The Brit List Awards 2020.

    As one of the UK’s leading sources of luxury design for the hospitality and architectural sectors, Hotel Designs consistently delivers inspirational and informative content for hoteliers, suppliers and developers,” commented James Murray, Director of Sales – Global Projects, Hansgrohe Group. “Hotel Designs has adapted incredibly well to the current climate, delivering unparalleled virtual events whilst maintaining a thriving network. As an existing recommended supplier, we have seen tremendous value in our partnership and are delighted to be sponsoring The Brit List Awards 2020 which seeks to identify and celebrate those leading the way in the hospitality industry.”

    The Brit List Awards is Hotel Designs’ annual nationwide search to find the top designers, architects, hoteliers and suppliers who are operating in Britain. You can read the shortlist, which is made up of more than 120 individuals and projects across eight categories, by clicking here.

    Attend The Brit List Awards 2020, free of charge, by clicking here.

    As well as selecting the the top 25 designers, architects and hoteliers who will be profiled in The Brit List 2020, the campaign also selects individual winners of the following categories:

    • Interior Designer of the Year
    • Architect of the Year
    • Hotelier of the Year
    • Best in Tech
    • The Eco Award
    • Best in British Product Design
    • Outstanding Contribution to the Hospitality Industry

    How to attend the virtual award ceremony

    If you are a designer, architect, hotelier or developer and would like to attend the virtual award ceremony, which will take place at 14:00 (GMT) on November 12 2020, click here.

    If you are a supplier and would like to attend the virtual award ceremony, which will take place at 14:00 (GMT) on November 12 2020, click here.

    If you would like to discuss various sponsorship packages available, please contact Katy Phillips via email, or call 01992 374050. Tickets to both the virtual event and the winners party will be available to secure soon.

    Loft bathroom spaces with industrial flair with Duravit

    730 565 Hamish Kilburn
    Loft bathroom spaces with industrial flair with Duravit

    Products from the Luv series by Duravit showcased in an urban ambience…

    The “Walzmühle” former mill in Frauenfeld, Switzerland, has a long tradition as an industrial manufacturing location.

    Since 2013, the site has been home not only to a range of businesses and studios, but also residential spaces. The design and construction by the team around Mia Kepenek (Kepenek GmbH) has breathed new life into the former factory hall in the form of eight generously proportioned, expressively styled lofts, each fitted with Duravit products from the Luv series.

    The smart spatial design is finished with high-quality materials, and the residential concept combines family homes with lofts and a nearby recreational area. To preserve the industrial flair of the site, the natural brick façade was retained.Two-story buildings, each with a floor area of 180 m2, feature room heights of up to six meters. They each have their own inner courtyards and terraces, and sawtooth roofs ensure the lofts enjoy ample daylight.

     

    Three basic loft types were created to meet the varying needs of future residents. The style of each loft type is underscored by the different materials used in the bathrooms. With its proximity to the city and cultural amenities, the “Variable” loft is an elegant contemporary living space that offers flexibility for young families with one or two children. The eye-catching feature in this bathroom is the Luv back-to-wall bathtub with its matt optics, which set it apart from the tiled blue wall.

    The second basic variant, the “Structured” loft, is geared towards middle-aged couples. This living space is arranged in a manner that is both classic and forward-looking and impresses with high levels of comfort. A visual highlight is the dark tiled wall in the bathroom that frames the minimalistic design of the Luv above-counter basin. The micro- mosaic used for the wall consists of shredded TV screens – an extraordinary detail with an iridescent effect.

    Image credit: Luca Zanier

    The “Lofty One” offers young people who place equal importance on their career and leisure a generous living area in an urban style. This creates a place of retreat far from the hustle of everyday working life. The open style of the lounge area is designed for convivial living. In the bathroom, the generously proportioned Luv bathtub overlooking the panorama window offers pure relaxation.

    The Walzmühle site is a strong demonstration of the variability of the Luv series. The simple elegance of the products fits unobtrusively into the different styles, creating countless design opportunities.

    Duravit is one of Hotel Designs’ recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.

    Image credit: Duravit/Luca Zanier

    In Conversation With: Dale Atkinson, Founding Director, Rosendale Design

    730 565 Hamish Kilburn
    In Conversation With: Dale Atkinson, Founding Director, Rosendale Design

    Editor Hamish Kilburn catches up with Dale Atkinson, Founding Director of Rosendale Design, to understand more about his latest project inside The Stafford London as well as how F&B design on the luxury scene is changing…

    It is arguably more important now than ever before to support those who are leading our industry forward with purpose; the solution-driven individuals who with each project they complete are challenging conventional design while meeting new demands of modern travellers – often ahead of time.

    It may be too early to predict the long-term impact the pandemic will have on hospitality, but it is clear that main cities will be quieter territories in the near future. Therefore, hotels have to work harder to meaningfully attract tomorrow’s travellers and guests.

    In this new and unwritten era, the power of F&B will play a major role. And to understand more, I met with Dale Atkinson, former Foster + Partners designer who is now Founding Director of Rosendale Design. Shortly after he had completed his latest project – The Park Suite and guestrooms inside The Stafford London – I wanted to know more about how his studio is gearing itself up for a post-pandemic world.

    Hamish Kilburn: Can you tell us about your latest project?

    Dale Atkinson: We were originally tasked with the redesign for the Game Bird, the Stafford’s main F&B offering and due to its success we were then asked to look at the redesign of their destination bar, the American Bar. We were able to redesign and optimise the main bar to ensure that the bartenders were able to send out more orders at once increasing turnover. The redesign was more of an evolution than revolution due to the devout following it already boasted.

    “As the Stafford is seen as a quintessential British hotel, we wanted to celebrate that by employing, predominantly, British brands.” – Dale Atkinson, Founding Director, Rosendale Design.

    Following the American Bar’s success, we were then asked to look at designing the rooms of the main house. As the hotel boasts and a very high occupancy rate, it was decided to redesign the rooms floor by floor, so not to lose revenue. Our latest rooms that we have handed over include the Park Suite, a maisonette suite with the bedroom and bathroom on the lower floor, and the sitting room and feature terrace, with stunning views over the London skyline towards the London Eye, on the upper floor. As the Stafford is seen as a quintessential British hotel, we wanted to celebrate that by employing, predominantly, British brands (ie. Morris and Co, Perrin and Rowe, Brintons as well as British artisan craftsmen.

    Image caption: The Park Suite inside The Stafford London | Image credit: The Stafford London

    Image caption: The Park Suite inside The Stafford London | Image credit: The Stafford London

    HK: Have you pivoted the Rosendale Design business model since the Covid-19 crisis hit?

    DA: There is no doubt that the hospitality sector has been one of the hardest hit. Luckily, as a studio, we have always been quite malleable to hardships and obstacles. As designers it is up to us to be creative not only in our designs for our clients but also in business and how we deal with these hardships. We have always taken on residential work as well, albeit this has been less of a focus, but due to people spending more time at home due to the lockdowns and also being asked to work from home, many are now seeing this as an opportune moment to change their space due to new ways in which they live and use their homes. We have also looked to start a new line of furniture and lighting products that we feel exude the design principals that we have become known for, timeless, contemporary, and refined.

    HK: F&B is your core pillar. Are you noticing that your luxury clients are requesting any specific design features, such as booth seating and utilising outdoor spaces?

    DA: We are still seeing a lot of interest in spaces despite everything that is happening, so we know there are lots of projects waiting to happen because we often are asked to accompany clients when seeing potential sites to get our views.

    Image credit: Norma Restaurant, designed by Rosendale Design

    Image credit: Norma Restaurant, designed by Rosendale Design

    One aspect that is now more prevalent than ever before is outdoor/terrace spaces. In light of the recent pandemic, people want to be reassured they are in safe spaces, and outdoor seating areas can provide this confidence. Once terraces and outdoors spaces were a nice to have, now they have become a must have, which is also quite hard to come across in a condensed city such as London.

    We believe that booth seating is here to stay, where tables can feel more segregated but still feel a part of a buzzing atmosphere. It is the designer’s job to use creative ways to create divisions, whilst not killing the atmosphere of any F&B outlet, whether it be a stand-alone restaurant or within a hotel.

    Another new expectation is that people will, for some time at least, feel uneasy sitting so close to another table. So, restaurants, bars, and hotels will need more space which will be very difficult for many smaller London restaurant where the whole business model was based on getting in as many tables as possible.

    HK: Are there any interesting or quirky ways that you can make spaces fit into a world with Covid-19?

    DA: There will be many ways to take designs forward in this ’new normal’ we are experiencing, and copper is an excellent example of antimicrobial materials that are proven to kill bacteria within a couple hours. We are also seeing that brass also has similar properties so these will, most likely, be materials that pop up even more at various touch points. New microbial sprays are being used that will last a few months, and there will be a lot of fabrics that will be produced with antimicrobial properties.

    We have seen fabrics impregnated with pure silver to help stop bacteria multiplying and creating odours and I believe there will be more fabrics produced with copper or similar ores imbedded into the threads to help kill bacteria and stop the spread of viruses.

    Image caption: The American Bar inside The Stafford London. | Image credit: Rosendale Design

    Image caption: The American Bar inside The Stafford London. | Image credit: Rosendale Design

    HK: How will the typical dining experience change for a luxury consumer?

    DA: For the luxury end of the dining experience, the issue of more space around the tables is already common place due to things such as trolley services and the like, but there will certainly be more of a shift towards not only paperless, but touches experiences. The technology has been around for years, so is nothing new, but there will be far more sensor-controlled toilettes and sinks.

    One aspect I think that we must never lose is the element of human interaction. There is no replacement for having the waiter explaining the menu and the ingredients used within the dishes, or the intricacies of the wine list. It is in our nature to crave interaction; it just needs to be in a safe environment.

    Has Covid-19 created barriers as you work with teams and suppliers around the globe?

    At the start of the lockdown, it was an extreme paradigm shift not only in the way work but the way we live. There were, what we perceived, many barriers to begin with but we learned to circumnavigate them and if anything, I believe we have learned to streamline the way we work. For example, travel to and from meetings is now seen as unproductive time that is lost, when you can now just have a Zoom chat. Of course there are certain meetings that one must be on site to see everyone and things such as snags or how the colour temperature or luminous output of certain light fittings might affect a certain space, or how certain finishes within a room affect how it is perceived, but on the whole it has forced us to re-evaluate our perception of the value of time, increasing productivity which only benefits the client team.

    HK: How do you envision for the future of hospitality and hospitality design? 

    DA: It will take time to settle again and we will all be living by a new set of values, but I do believe the industry, as a whole, will persevere and come out on top. It will have to. As one of the largest sectors of employment not only in the UK, but the world. Hospitality will respond and I believe the major changes will be in how much space we see as safe.

    Hotels and restaurants will need to provide patrons with more of it but this is easier said than done especially for those who are already operating in tight spaces. A big shift that we have already seen occur here in the UK is that people are now preferring to go to the countryside for short escapes as opposed to staying in the cities. Even after the theatres and the like reopen, I think there will be more of a celebration of the great outdoors, which will in itself, present new exciting opportunities.

    HK: How do you differentiate Rosendale Design from other design studio’s – what are your core team’s USPs?

    DA: We view each project as an individual, quite often we are designing for a client whether it be their home, or a restaurant for a chef, or for a brand for a hotel, and each project has its own concept. As a studio we never start by saying, ‘ok, so what is cool right now’. This way one ends up with a project that resembles many others of a time or epoch, and we strive, as a studio, to create timeless spaces so that they are as relevant 10 years later as the day they were built. We feel that to achieve this individuality we must tell the story of the client and their values/ personalities.

    For residential projects we develop close reports with the client and try to get to know them as best we can. They will be living in the space afterwards so they must be fully onboard with our vision. Equally with restaurants, Chefs can spend more time in the kitchen than at home so the restaurant can in effect be their second home. We do often use the menus as a base to our design concept with gives it stronger roots. With hotels we look to bridge the ethos of the brand with the vernacular materials and cultures. Research forms the bedrock of any of our projects as it is what grounds it and gives it roots, otherwise it risks becoming a fashion.

    Another USP is our extensive concept document that we produce, which includes layout options, furniture options, mood boards, and key to this document, are the 3D concept sketches (we boast a very accomplished artist) that gives clients an initial idea of how the space will look. In fact, most of our studio time goes into the first two stages of the design process, ensuring that the concept we are delivering is in line with the client’s expectations.

    “We like to think of ourselves as a personable studio and so the people we are working with will, more often than not,  be our first source of inspiration.” – Dale Atkinson, Founding Director, Rosendale Design.

    HK: Where do you look to for inspiration?

    DA: We see every project individually so our inspiration will come from different sources every time. One of our main strengths is the research we undertake to understand the culture of the area or people. We like to think of ourselves as a personable studio and so the people we are working with will, more often than not,  be our first source of inspiration, ensuring our project with be as individual as the client/brand behind the project.

    HK: What are you working on at the moment and what projects are in the pipeline?

    DA: We have a couple residential projects in the UK that we are working on and we are also in the middle of a project with the Santa Marina Resort in Mykonos, which is due to open in May 2021. This will be a very exciting project and cannot wait to see how it will be received. We are also working on a very exciting restaurant concept, in Mayfair, which, has also been put back to the end of spring 2021.

    Main image credit: Rosendale Design

    Hotel Designs LIVE: Discussing sustainability with Bill Bensley

    730 565 Hamish Kilburn
    Hotel Designs LIVE: Discussing sustainability with Bill Bensley

    To kickstart Hotel Designs LIVE on October 13, editor Hamish Kilburn discussed sustainability and purposeful eco solutions for the post-pandemic world with designer Bill Bensley

    Hotel Designs LIVE, sponsored by Technological Innovations Group, took place on October 13. The one-day conference welcomed world-renowned interior designers, architects and hoteliers to discuss the future of our industry in four engaging panel discussions, which were:

    • Discussing sustainability with Bill Bensley
    • Adding personality in public areas
    • Reassuring the post-corona consumer
    • The revival of smart technology post-pandemic

    The production of Hotel Designs LIVE took place in Technological Innovations Group’s Experience Centre in London, and was produced CUBE Video, a bold, innovative and strategic video and animation agency that believes in empowering businesses with creativity.

    The event was launched with an editor’s welcome by Hamish Kilburn, where he discussed the aim of Hotel Designs LIVE. “This event, this concept if you like, has been designed to keep the conversation flowing and the industry connected,” he said. “It is our way to position under the spotlight what we believe to be are the most relevant and engaging topics that are impacting our industry right now. It’s also an opportunity to gain access – albeit virtually – inside hotels and design and architecture studios around the globe.”

    Following this welcome, Kilburn introduced the event’s first session and speaker. In order to definitively understand sustainability in international hotel design, while also highlighting new, unconventional methodology in the process, the event invited headline speaker Bill Bensley onto the virtual sofa.

    Affectionately known as the “Willy Wonka of Design”, Bensley is a dedicated eco-warrior and a highly qualified jack of all trades – architect, interior designer, lover of all things natural, and most of all, a wide-ranging explorer of as many corners of the earth as he can.

    The award-winning designer, who never fails to deliver innovative solutions when designing sustainable spaces, joined Kilburn to discuss how design, architecture and hospitality can coincide with nature. In this session, which was sponsored by Silentnight Group, Bensley and Kilburn discussed whether or not the Covid-19 crisis – which resulted in global daily emissions of CO2 to fall by 17 per cent – had effectively balanced the scales, and debated if hotel design could ever be completely sustainable.

    Within this session, the audience heard PRODUCT WATCH pitches from Silentnight Group, Harris & Harris London and Schlüter Systems.

    Below is the recording of the full session, which starts with the PRODUCT WATCH segment and leads into our exclusive interview with Bill Bensley.

    QUICK-FIRE ROUND:

    Hamish Kilburn: What has been your favourite year in this industry and why?
    Bill Bensley: Right now!

    HK: What lesson would you teach your younger self if you were able to? 
    BB: As my folks were both English and homophobic, perhaps I would have reassured a young Bill that being gay will prove to be the happiest life positive ever!

    HK: What luxury item would you not live without? 
    BB: My dogs, I have six Jack Russells and I couldn’t live without them.

    So there you have it, sustainability doesn’t have to be a heavy burden in hotel design. Like Bensley has evidenced within this conversation, being conscious to the environment and implementing sustainable methods in design should be a playful, fun, and enjoyable process. By thinking locally yet still outside the box, we will be able to create innovative and purposeful solutions that will authentically meet the new demands of modern travellers.

    The full recordings of the other three sessions (Adding personality in public areas, Reassuring the post-corona consumer and The revival of smart tech post-pandmeic) will go live shortly. 

    SAVE THE DATE: Hotel Designs LIVE will return for a third edition on February 23, 2021. Session titles and speakers will be announced shortly. Once these have been announced, tickets for Hotel Designs LIVE will be available. In the meantime, if you would like to discuss sponsorship opportunities, focused PRODUCT WATCH pitches or the concept of Hotel Designs LIVE, please contact Katy Phillips or call +44 (0) 1992 374050.

    Skopos launches Tarim as a flexible flame-retardant fabric

    730 565 Hamish Kilburn
    Skopos launches Tarim as a flexible flame-retardant fabric

    Skopos, which has almost 50 years’ experience of developing flame-retardant fabrics and soft furnishings for the contract market, has just introduced Tarim to its portfolio…

    Tarim has been welcomed into the Skopos portfolio as a flexible plain flame-retardant fabric with the appearance of elegant slub silk.

    The new product is wide width, perfect for contract curtains, bedding and cushions, available in a range of versatile neutrals and rich, exotic tones. Designed to work well with Skopos woven and printed collections, Tarim is perfect for accessories or to create a simple elegant statement within hotel bedrooms. Seen here with our soon-to-be-launched print design, Palmyra, on our Sonno velvet blackout, Tarim reflects luxury. 100 per cent Polyester FR, Tarim is washable at 30°C. Skopos offer a full make-up, measure and installation service or the option to buy fabric only from the roll. Tarim has been tested to the high FR standards set for contract fabrics and achieves IMO bedding, for marine interiors.

    Skopos is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

    Main image credit: Skopos

    Marriott opens new Autograph Collection hotel in Japan

    730 565 Hamish Kilburn
    Marriott opens new Autograph Collection hotel in Japan

    Marriott has said that the new hotel showcases Kyoto’s culinary, cultural and community traditions to travellers visiting the gentle mountain landscapes of Takaragaike…

    Autograph Collection Hotels has announced the opening of The Prince Kyoto Takaragaike, Autograph Collection hotel in the Takaragaike area, situated in the northern section of Kyoto, Japan. The hotel joins Marriott International’s diverse and exciting Autograph Collection portfolio of more than 190 independent properties across the globe, which are each distinct in design, character and charm, and all Exactly Like Nothing Else.

    “We are excited to expand the Autograph Collection portfolio in Japan with the brand’s 3rd hotel in the country, said Rajeev Menon, President, Asia Pacific (excluding China), Marriott International. “The Prince Kyoto Takaragaike perfectly highlights Autograph Collection’s promise of showcasing experiences that are informed by unique perspectives on craft and hospitality. This opening reinforces Marriott International’s commitment to continue expanding its footprint across Japan.”

    Designed by renowned Japanese architect Togo Murano, The Prince Kyoto Takaragaike shelters an interplay between Japanese tradition and Murano’s modernist approach to architecture and design. The main building is an oval shape, with an atrium at its center. The hotel’s 310 spacious guestrooms are all appointed with thoughtful amenities including free Wi-Fi and captivating views of Takaragaike Park and its surroundings. Guests are graciously welcomed upon their arrival at the hotel with a cup of matcha, or powdered green tea, prepared in Urasenke style.

    Dining options are all designed to create an immersive experience in local as well as international culinary traditions. The hotel’s main restaurant, Ito-Zakura, serves French cuisine showcasing well-selected local ingredients from the region.

    A sophisticated dining room

    Image credit: Marriott International/Autograph Collection

    Guests are invited to visit the century-old Morita Farm in nearby Kamigamo to handpick their own vegetables, which they will later enjoy in a French-inspired meal.

    Takaragaike Japanese Restaurant presents an array of classic Kyoto cuisine and other Japanese regional favorites. At Tohen Chinese Restaurant, Beijing style cuisine is served with a touch of Kyoto essence by unique arrangements. Mizu-No-Ne is the hotel’s lobby lounge serving specialty coffees and herb teas to be enjoyed with oven-fresh baked breads, cakes and pastries.

    Bar Ascot, an English-style bar, is a cozy, convivial venue for a relaxing evening over drinks and cocktails. In an elegant Sukiya-style, a traditional wooden Japanese Tea House is set within the hotel grounds, where guests can also experience an authentic formal Japanese tea ceremony or enjoy kaiseki-style cuisine from Tsujitome, a long-established Japanese Restaurant.

    “Kyoto is the cultural capital of Japan, and for many centuries, it has welcomed visitors from all over the world who come to take in its beautiful natural scenery, fascinating culture and excellent cuisine,” said Masashi Takizawa, General Manager, The Prince Kyoto Takaragaike. “We are extremely pleased to become part of Marriott International’s prestigious Autograph Collection, and to present our very special hotel to the next generation of visitors who wish to discover authentic, one-of-a-kind experiences when they visit Kyoto.”

    Main image credit: Autograph Collection/Marriott International

    Rosewood brand to arrive in Amsterdam in 2023

    730 565 Hamish Kilburn
    Rosewood brand to arrive in Amsterdam in 2023

    Rosewood Amsterdam will open in 2023 as the ‘ultra-luxury’ group’s 11th property in Europe and first soiree in the Netherlands…

    Following several development growth announcements, Rosewood Hotels & Resorts has announced that it will open a property in 2023.

    The hotel group, which has recently announced entrance strategies in destinations such as St Barths, Madrid and Venice, has been appointed by CTF Amsterdam B.V. to manage Rosewood Amsterdam.

    Sheltered in the former Palace of Justice, a building of great architectural, historical and social significance that overlooks the Prinsengracht (the Prince’s Canal), one of the city’s most beautiful waterways, in the UNESCO World Heritage listed Amsterdam Canal District.  The hotel will be ideally situated near many of Amsterdam’s finest attractions including the museum district, the high-end shopping district on P.C. Hooftstraat and the hip De Pijp neighborhood. With its central location and befitting design carefully conceived to offer an inviting and amiable atmosphere, the property is poised to serve as an unparalleled gathering place for visiting guests and the local community alike.

    Originally constructed in 1665 and later expanded in 1836 by Dutch architect Jan de Greef, the Palace of Justice was Amsterdam’s main courthouse for over 175 years and one of the finest examples of de Greef’s classic, multi-cultural style influenced by his travels to Paris and Rome. Working closely with the Bureau Monumenten en Archeologie (BMA) and The City of Amsterdam to preserve the rich heritage and quintessential character of this iconic building, Netherlands-based architectural firm Kentie & Partners has been selected to spearhead the property’s evolution into an ultra-luxury hotel. Leading the property’s interior design is acclaimed Dutch designer Piet Boon, of Amsterdam-based Studio Piet Boon. Known for his ability to balance functionality, aesthetics and individuality, Boon will honour the property’s original elements and distinctive Dutch identity while incorporating a contemporary sense of style that captures the energetic and exciting Amsterdam of today’s times. 

    Given its esteemed reputation for being one of the leading architecture firms in the Amsterdam, it is unsurprising that Studio Concrete will have a major role in the design of the hotel. The firm has been appointed to design the hotel’s main restaurant, which will become a fresh and vibrant interior in the heart of the building, flanked by two courtyards with outdoor seating. London-based interior design firm Sagrada, led by David D’Almada, has been appointed to design an intimate bar in rich colours and high-end finishes, with stunning views overlooking the canal.

    Rosewood Amsterdam will offer 134 guestrooms and suites, with many boasting spectacular views across the two adjoining canals, quiet internal courtyards and iconic townhouse rooftops. Amenities will include three restaurants, one of which will be an Indian restaurant, and bars; Sense, A Rosewood Spa offering ayurvedic treatments; a state-of-the-art wellness and fitness centreand an indoor swimming pool. 

    In addition, multiple event spaces and meeting rooms, including a 3,000 square-foot ballroom, will offer advanced audio and visual services and natural daylight.

    Decorative details throughout the hotel’s public spaces will pay homage to the signature spirit of both the building and city while creating a selection of differentiated yet unified spaces through subtle albeit impactful means, such as contrasting colour schemes that seamlessly separate one setting from another. Notably, the lobby lounge will feature a library adorned with beautiful legal books doubling as art pieces, photographs and artifacts, as well as comfortable and stylish seating, to create an enticing enclave that will invite visitors to linger and laze.

    The library will also host an Indian Business Club which will stimulate high-level business and networking in an exclusive setting. All public spaces will overlook the three distinct, internal landscaped courtyards of the building, imagined by renowned landscape designer, Piet Oudolf. Internationally renowned for his work on the High Line and The Battery, both celebrated New York City attractions, Piet Oudolf will use his extraordinary expertise to artfully varnish the property with lush gardens and outdoor communal spaces.  

    “Through design, décor and service, Rosewood’s properties worldwide mirror their surroundings and the souls of the destinations, and Rosewood Amsterdam will be no different,” says Sonia Cheng, chief executive officer of Rosewood Hotel Group. “With a unique character and culture, Amsterdam is a fitting locale for which to bring Rosewood’s guiding A Sense of Place philosophy. We’re looking forward to combining the city’s quintessential charm with a modern sense of style to meet and exceed the latest standards of luxury hospitality.”

    As the latest demonstration of Rosewood Hotels & Resorts’ thoughtful growth strategy, Rosewood Amsterdam joins three existing European properties – Hôtel de Crillon, A Rosewood Hotel, Rosewood London and Rosewood Castiglion del Bosco. Additional European locations with Rosewood developments in the pipeline include Edinburgh, London, Madrid, Munich, Porto Cervo, Vienna and Venice.

    Main image credit: Rosewood Hotels & Resorts

    Sustainable surfaces: a playful way to connect with nature

    730 565 Hamish Kilburn
    Sustainable surfaces: a playful way to connect with nature

    3DForms by Granorte is a sustainable collection of wall tiles with three-dimensional structures that can be used in various arrays to create one-of-a-kind textured walls that also benefit from the natural properties of cork…

    Designed by Alzira Peixoto and Carlos Mendonca of SimpleFormsDesign, 3DForms takes inspiration from Portuguese ceramic wall tiles of the 1950s and 1960s, creating striking geometric pattern across the wall. Relying on the tonal contrast between shadows and highlights, 3dForms has a sculptural quality that changes emphasis as light changes throughout the course of day and night.

    Made in Portugal by cork innovator Granorte, 3DForms uses a lightweight agglomerated cork compound made from 92% post-industrial waste derived from wine stopper production and is FSC certified. Protected with Granorte’s proprietary Corkguard® water-based finish, the tiles are easy to clean and protected from marks and stains and are suitable for use in commercial and domestic interiors.

    A renewable natural resource, cork has excellent thermal and acoustic properties, helping 3DForms to contribute to improving energy performance, as well as a tangible reduction of noise within the room. The tiles are available in two sizes – 150 x 150mm and 300 x 300mm – and in three forms – Pyramid, Aztec and Ramp – allowing numerous patterns to be created. Each design is available in natural, pearl, terracotta, smoke and bluemoon colourways.

    “3DForms delivers a striking alternative aesthetic to ceramic wall tiles,” says Paulo Rocha, product and R&D manager, Granorte. “From simply rotating designs to create subtly changing, rhythmic repeating patterns to unique combinations made up of any of the three forms in any size, it’s a playful way to welcome the cork look, creating a cossetting and comfortable feel that brings you closer to nature.”

    Granorte is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here

    Main image credit: Granorte

    Bryan Adams shoots campaign for Kaldewei

    730 565 Hamish Kilburn
    Bryan Adams shoots campaign for Kaldewei

    Taking the theme “Natural Union”, rockstar and photographer Bryan Adams shot Kaldewei’s new collection of Steel Enamel Washbasins…

    New images have surfaced of Kaldewei’s Steel Enamel collection, which have been captured through the lens of legendary rockstar and photographer Bryan Adams. The campaign displays the importance of maintaining relationships combined with the increased need for hygiene awareness in these controversial times. Adams takes an intimate look at togetherness exclusively for Kaldewei: with his unique perspective he show that following simple hygiene routines we can come together and join hands—with our family, our friends, our partners.

    The unique collaboration between Bryan Adams and Kaldewei evolved into the project “Natural Union”. With his empathetic and professional vision, Adams photographed the 2021 washbasin collection; the charismatic images are emotionally charged with a strong message.

    At first stance “Natural Union” may seem at odds with the commandment of the hour for social distancing. But if we take our responsibility towards each other and our environment seriously, we can see we are closer than ever. We are all naturally connected and have a responsibility to look after each other and our planet – everyday actions such as washing your hands have never been more important,” says the photographer, highlighting the concept behind the campaign.

    In late August, six people of different gender, ages and backgrounds came together in a Berlin photo studio. Photographed under running water, these distinctive hands old, young, male and female touched. This creates a seamless link to Kaldewei; the company uses natural components to produce steel enamel products which make every surface unique.

    The Ming and Miena Steel Enamel Washbasins

    Ming is the embodiment of subtle sophistication. The convex lines form an elegant silhouette, whist the classic black-and-white colour range acts as a perfect setting for creative design. Whether for the minimalist bathroom or more imaginative spaces—the classic grace of the new Ming washbasins allows for personal creativity; making the bathroom a retreat which sparks joy. Ming comes in four different variations: matte lava black, classic lava black, matte alpine white and classic alpine white.

    Miena invigorates the bathroom with a totally new colour palette of blue and violet hues. The elegant design allows for experimentation with colours, the ability to make the bathroom a place of quiet calm or one that feels as cosy as a living room.

    The steel enamel makes the colourful washbasins an easy-to-care and durable gem that even constant use can’t dull. The new editions of Miena with their playful yet stylish colour contrast accentuate the washing area and revive the bathroom. Miena is available in „Soft Touch” mint, „Sweet Love“ pink, „Deep Dream“ petrol, „Navy-blue“ matte and 13 more colours.

    About Bryan Adams

    Apart from his musical work, Bryan Adams is an award-winning photographer with a nuanced eye. His photos are often taken within his philanthropic causes. His photographic work has won him multiple accolades and has been exhibited at Somerset House, Photokina, Kunsthalle Mainz and NRW Forum Düsseldorf. Adams has been tirelessness in standing up for people in need all over the world.

    Steel and Glass Turn into Steel Enamel

    Steel and glass are two authentic, natural materials each possessing unique properties that have been valued for millennia. When joined they blend into an immaculate fusion of steel enamel. Kaldewei products are 100 per cent Made in Germany and are the epitome of exceptional design. For generations, Kaldewei’s unique enamel formula has been a well-kept secret. Applied onto steel, a pristinely beautiful, durable, hygienic surface evolves. Steel enamel is 100 per cent recyclable and one of the most sustainable materials in the bathroom.

    Kaldewei is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

    Main image credit: Kaldewei

    Checking in to Selina Brighton – a room with a view

    730 565 Hamish Kilburn
    Checking in to Selina Brighton – a room with a view

    Following the recent opening of Selina Brighton, we sent travel journalist Sara Darling – who pre-Covid would be travelling to far-flung destinations around the world – to be one of the first to check in to the hotel, which is conveniently located on her doorstep…

    Brighton has got the best of everything. And I say that, because I am biased (it’s my home)! It’s hilly, happy and generally quite hippy! It’s also perfect for a staycation – something we have evolved to love since lockdown.

    However, with all it’s quirks, the seafront is like a mecca of swish hotels, posh apartments, restaurants and quaint squares – and very rarely do I get to frequent them. However, the opening of the latest hotel to hit the beach was a local affair, and I was happy to shimmy on down, with little more than a toothbrush and a party frock, to check it out.

    Selina Hotel is situated in a perfect tourist spot – opposite the i360 and the West Pier; the iconic landmarks have not been forgotten within the design of the redecorated rooms as many have a view of both.

    Designed to reflect Brighton’s iconic ocean-front location and the city’s creative spirit, interior designer Tola Ojuolape collaborated closely with Selina’s workshop team, using materials that represent and embrace the community, and each of the rooms has been given a quirky and whimsical twist.

    As an international nomadic lifestyle brand, Selina is renowned for its combination of co-working spaces, wellness and recreational experiences; in fact, you can find Selina Hotels in more than 70 urban, beach, jungle and mountain-side locations across 20 countries worldwide. With a plan to develop a global infrastructure for nomads and remote workers who want to make the world their classroom/office/playground Brighton is a great fit.

    Image credit: Selina

    The modern, on-site restaurant, The Old Pier, offers an uninterrupted vista for people watchers- and the constant enchantment of the bobbing tide and 360 pod will ensure anyone who doesn’t have their sea legs, feels safe cocooned in the shabby-chic, atmospheric, plant-filled bar.

    31 uniquely designed private rooms, suites and shared rooms are all tasteful, yet uncluttered; they are designed not to be lived in, as Brighton is there to be explored! I stayed in a delightful king size room, with a damn comfortable bed, and sash windows which let in a refreshing sea breeze. With a small (original natch) school desk and chair, open plan wardrobe and ensuite with quality condiments, the room led off a rickety floorboard corridor, which was miraculously un-squeaky throughout the night.

    Image credit: Selina

    But perhaps that had something to do with copious amounts of alcohol that came when celebrating the opening of the property. Both residents and non-residents are welcome to take part in the weekly bingo sesh, which is hosted by Party with Ginger and her entourage of incredible performers. If you’ve never seen Grace Jones, Lady Gaga, Britney Spears, Madonna or Kylie up close, I can only imagine it would be as much fun as this! Bingo is the name of the game, but actually takes second place to these dancers – socially distanced of course, and complemented by house line shots of tequila.

    While you’re being entertained, you can scan the menu from the table topped bar code and enjoy table service – I’d highly recommend the signature 48-hour sourdough pizza – they do a vegan one obviously this being Brighton- the Dungeon with vegan mozzarella, grated chilli seitan, red peppers and crushed green chillies, which was insanely delicious! Over the coming months, The Old Pier will also expand the menu further to include salmon sashimi poke bowls, Bajan style fish tacos and beef and vegan burgers, but I loved the sweet corn niblets and cauliflower tempura and fish tacos.

    If your first night was unexpected, it’s well worth engaging in the full Brighton experience and signing up for a rejuvenating morning yoga session in the i360. Blow away the cobwebs and set yourself up for the day with sea views from a downward dog position, before tottering back across the prom to the hotel for brunch.

    Whether you are keen to get out and explore the city, which is right on your doorstep, hang around the lobby with your laptop or peruse the products from local brands that are on display in reception, Selina is in the heart of the action. Locals will soon be able to snap up a spot in a co-working space, which will no doubt be a creative hot pot – showcasing local artist Amy Isles Freeman, whose work themes around female sexuality, freedom and joy.

    Whether you live in Brighton or just fancy a Covid friendly trip to the seaside, I’d highly recommend checking out the range of lofts, suites, family rooms that accommodate up to four, standard and micro-sized double rooms at the Selina. What’s more, the brand has a further 19 opening in 2021 including shared community rooms which fit up to six guests.

    Main image credit: Selina Brighton

    Case study: lighting Jesmond Dene House

    730 565 Hamish Kilburn
    Case study: lighting Jesmond Dene House

    In a recent development of the public areas and bedrooms, Karen Walker Design created a series of design schemes focusing on complementary texture, pattern and colour. Here we explore Heathfield & Co’s role in lighting the spaces…

    Jesmond Dene House is an independent boutique hotel located on the outskirts of Newcastle upon Tyne city centre.

    Selected to bring harmony to the 43 guestrooms and suites, Heathfield & Co’s Coupole table lamps feature on each bedside, mirroring the classic contemporary aesthetic of the hotel. Additionally, their Pierre Monochrome table lamps are presented in the suites to add a tactile and sculptural focus point to the vibrant rooms.

    Further highlights from Heathfield’s collection can be found in the public areas. A pair of Addison table lamps provide the scale required in the Great Hall Lounge, with their large smoke glass bodies and substantial brass metal details.

    Image credit: Heathfield & Co/Michael Baister

    Heathfield & Co is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here.

    Main image credit: Heathfield & Co/Michael Baister

    TIG opens new ‘Experience Spaces’ in Frankfurt and London

    730 565 Hamish Kilburn
    TIG opens new ‘Experience Spaces’ in Frankfurt and London

    Technological Innovations Group (TIG), headline partner for Hotel Designs LIVE, has opened two of its brand-new series of Experience Spaces – in Frankfurt and London…

    These innovative spaces will welcome integrators, consultants, specifiers and end-users and showcase TIG’s impressive ecosystem of AV, UC, IT and control solutions from brands at the forefront of leading-edge technology development, in a safe and socially-distanced way.

    The new Experience Spaces will serve to demonstrate how TIG’s ecosystem of world-class brands work together to form bespoke bundles that match the client’s exact brief, and help integrators deploy fully integrated, tailor-made and futureproof smart spaces in a wide range of environments including corporate, retail, residential, hospitality, education and healthcare.

    The locations of the new Experience Spaces were carefully chosen for their ease of accessibility and central positions in both Frankfurt and London. They are located in: 

    WeWork – Fifth floor
    No 1 Poultry
    London
    EC2R 8EJ
    UK

    Marienforum – Seventh floor
    Mainzer Landstr. 1
    60329 Frankfurt am Main
    Germany 

    Guests can book their personalised visit with one of TIG’s experts by going to: www.tig.eu/events#booking-form. TIG is committed to adhering to Covid-safety and strict social distancing regulations, and all meetings will be held in private with the most relevant TIG specialist on hand.

    With ISE 2021 postponed, and many other industry events being cancelled, TIG is planning to host bespoke and small-scale events in its Experience Spaces over the coming months, which will offer an intimate and safe platform to see first-hand how the technologies that TIG represents integrate. These events will see safety measures in place and virtual elements to reach those unable to travel. 

    The Experience Spaces follow the successful launch of TIG’s Virtual Experience Space back in June, when the opening of the real-life Experience Spaces had to be postponed due to the coronavirus pandemic. The Virtual Experience Space is an immersive online space as part of TIG’s new website that has been carefully designed to welcome and deliver an engaging and life-like experience for visitors. For those unable to attend the real-life Experience Spaces in Frankfurt and London, the Virtual Experience Space is still available to them.

    TIG’s ecosystem includes:

    • Collaboration and residential smart space technology from Crestron 
    • Stylish control panels for the hotel and home from Black Nova 
    • The Desk Sign and Blynclight ranges from Embrava, which display employee and workspace availability, and indicate whether desks have been disinfected before next use
    • Remote monitoring and power distribution solutions from GUDE
    • Innovative tools and software from Hoylu for remote collaboration and accessible digital group learning
    • User-friendly yet advanced meeting scheduling and management software from NFS
    • Luxury custom switches and sockets from Rhombus Europe
    • Made-to-order furniture from Salamander Designs that fits in perfectly with specific AV products
    • And, most recently, show-stopping energy efficient LED displays from SiliconCore

    Robin van Meeuwen, TIG’s CEO, comments: “The opening of our Experience Spaces in Frankfurt and London is the next big step for TIG! We have been excited about this development for a long time now. The delay due to Covid-19 has actually given us more time to plan these spaces even more carefully and ensure our fantastic brands are represented in the best way possible.

    “Whilst it has been a big investment for TIG, we believe the best way to bring our technology to the customer is by letting them experience it first-hand. Our partners and customers deserve a space that showcases how technology can transform the way we live, work and collaborate. I’d like to say to them now that our team is ready and waiting to welcome you, discuss your deployments and provide a solutions-based approach to fulfil your client’s needs.

    “This year has been a difficult one for many organisations, but we are confident that TIG can now be recognised as the place to come to help your clients overcome today’s challenges and feel prepared for tomorrow, with a focus on efficiency, adaptability, safety and security. We look forward to welcoming all our valued partners and customers to our new spaces in the UK and Germany – with Paris, Johannesburg and Moscow to follow soon!”

    Head over to the website to book a visit to the new Experience Spaces, hosted one-to-one with our expert salespeople.

    Bette unveiled ‘perfect bath for 2’ in more than 400 colours

    730 565 Hamish Kilburn
    Bette unveiled ‘perfect bath for 2’ in more than 400 colours

    The new BetteSelect Duo fitted bath has been designed to be the perfect bath for two…

    Made from glazed titanium-steel, the extremely solid and durable BetteSelect Duo bath works equally well for bathing children as it does for a romantic candlelit bath for two. Candles can even be placed on the bath itself, without fear of damaging it.

    The two seater bath has ergonomically shaped backrests on both sides, for extremely comfortable sitting. Softly rounded neck profiles, which gently merge into a wide rim, further increase the lying comfort, as they invite you to lean back and relax your head.

    Well thought-out down to the last detail

    The central position of the waste outlet means no one will have the discomfort of having to sit on it. It has also been moved slightly to the side, which not only looks stylish, but also brings practical fitting benefits.

    Image credit: Bette

    Designed for a long life

    Like every Bette bath, the BetteSelect Duo is made of glazed titanium-steel. Bette gives a 30-year guarantee on the robust material, which is not only particularly hygienic and easy to clean, but also UV-resistant so it keeps its colour, impact and scratch-proof, so it keeps its shine, and resistant to chemicals, cosmetics and bath additives.

    Colours

    The BetteSelect Duo is available in more than 400 colours, including Bette’s latest effect colours Midnight, a glittering black, and Blue Satin, a frosted shade of blue.

    Sizes

    The BetteSelect Duo is available in the spacious 170×75 cm and 180×80 cm sizes. Both versions are 42 cm deep, which is enough room to ensure warm knees.

    Sound insulation as standard

    Also included as standard is a soundproofing set that ensures more peace and quiet when running and taking a bath. There is also the option of a higher level of sound insulation that conforms to DIN 4109, to minimise sound for neighbours.

    Other practical options

    The BetteSelect Duo bath can also be ordered with a sealed wall connection, called BetteUpstand, that does away with the need for silicone, an almost invisible anti-slip surface, AntiSlip Pro, and a special dirt-repellent surface for even easier cleaning.  A practical grab handle, which makes it easier to sit down and stand up, is also available if required.

    Bette is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

    Main image credit: Bette

    Case study: Crieff Hydro Hotel creates room to breathe with hypoallergenic technology

    730 565 Hamish Kilburn
    Case study: Crieff Hydro Hotel creates room to breathe with hypoallergenic technology

    Scotland’s Crieff Hydro Hotel in Perthshire has enhanced its studio offering by developing nice studio apartments, which are all fitted with the latest hypoallergenic technology from Room To Breathe UK

    Working with Glasgow based Insite Group who create cleaner and safer indoor environments – Crieff Hydro Hotel has added ‘Room to Breathe UK’ to its studio apartments to ensure peace of mind for all guests.

    ‘Room to Breathe UK’ creates a constantly monitored hypoallergenic space using technologies which kills 99.9 per cent of viruses, eliminates bed bugs and generally boosts wellness of all guests with particular peace of mind for allergy sufferers.

    The studio rooms, located a short stroll from the main hotel reception have been boosted with the addition of a compact kitchen unit fitted with sink and microwave. These apartments are perfect for a family getaway where everyone is invited – even your four-legged companion – as these are the only dog-friendly rooms within the main hotel.

    The nine newly-fitted studio apartments, can accommodate up to four guests in two separate sleeping areas with a king bed and a set of single pull out sofa beds.

    “These plans have been in the works for some time and we’re delighted to see the studio apartments project is now complete,” said Kristian Campbell, General Manager at Crieff Hydro Hotel. “It was great to partner with Insite Group for this project and guests can see the ‘Room to Breathe’ certification on all our studio apartments.

    “We have always been an advocate for clean and safe environments at our hotel and as we offer dog-friendly accommodation, it’s extremely important that all our visitors are cared for.

    “Our existing self-catering accommodation has been extremely popular in recent months so we’re proud to expand our offering with our enhanced studio apartments.”

    Gordon Bruce Co-Founder of Room to Breathe, said: “We could not be happier than to have partnered with the Crieff Hydro Family of Hotels and look forward to a very long healthy partnership.

    “Their visionary outlook and adoption of our innovative system, which creates healthier indoor environments, for their guests is exactly what you would expect from this Iconic Scottish Brand of Hotels. It is a pleasure to be part of their future in achieving Wellness for all their guests.”

    Room to Breathe UK is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.

    Main image credit: Crieff Hydro Hotel

    5 Minutes With: Karl Lennon, Director of Architecture & Design Accounts at GROHE

    730 565 Hamish Kilburn
    5 Minutes With: Karl Lennon, Director of Architecture & Design Accounts at GROHE

    Ahead of Hotel Designs LIVE – where GROHE are sponsoring the session “The revival of smart tech post-pandemic” – Hotel Designs catches up with Karl Lennon, Director of Architecture & Design Accounts at GROHE

    Tomorrow, in an engaging panel discussion, Hotel Designs LIVE will explore the revival of smart tech post-pandemic.

    Ahead of putting the spotlight back on technology, we catch up with the session’s sponsor, GROHE, to understand how sustainability and technology can work together to create a more meaningful hotel design scene.

    Hurry! you have until 10am (BST) today in order to secure you virtual place in the audience for Hotel Designs LIVE. Click here to participate.

    Hamish Kilburn: GROHE has consistently been raising the sustainability bar in the hospitality sector for many years now but what’s one thing they are doing that sets them apart?

    Karl Lennon: Several years ago, we began our journey into 3D printing and exploring how the growing use of this technology could be applied within bathroom design. Then in March 2019, we unveiled our Icon 3D tap range, a collection of 3D printed taps produced by printing metal using a powder bed laser melting process, a unique material developed by our R&D team. In terms of sustainability, it sees us starting to move away from a make-take-waste model and begin the shift towards operating within a more circular economy. Also, 3D printing allows us to create visual spectacles and masterpieces that just simply wouldn’t be possible with traditional manufacturing methods. We completely pared back on the design of our Icon 3D taps, incorporating design details such as ultra-thin profiles and hollow interiors that would not only push the barriers of bathroom product design but significantly reduce the amount of material required in the manufacturing process too.

    Meanwhile, we’re also channelling our innovation back into the hospitality, architecture and design industry with our RIBA-approved CPD programmes. We cover topics such as 3D printing and water-saving to give tangible solutions and help hoteliers and designers realise the potential for these products in their market. I look forward to sharing more on the Icon 3D in our product watch tomorrow!

    Image caption: GROHE Atrio Icon 3D | Image credit: GROHE

    HK: How will the pandemic impact consumer’s relationships to wellness areas within hotels?

    KL: As with many areas of the hotel experience, we will of course see more movement towards touchless activation of products within wellness zones, especially as these are public areas with higher footfall. The likes of infra-red sensors for various touchpoints will become commonplace but this should only enhance the experience and complement that desired sense of wellbeing and “switching off” for guests. This technology is already familiar to most of us, namely through public bathrooms, but expansion is likely to occur across almost all areas of a project. Even some homeowners will be looking to implement touchless operation into areas of their homes so there will be a greater expectation that these developments are in place when visiting a hotel or wellness facility. However, really only time will tell! This is a constantly unfolding situation and one we are learning about and adjusting to everyday so I think we are still finding our path for the future.

    Image caption: Icon 3D printing design process | Image credit: GROHE

    HK: Are there any exciting projects championing sustainability that you’ve worked on recently?

    KL: We see more and more now that hotel operators that we are working with across the globe have made strong commitments to sustainability in the future, which is fantastic to see. We’re working closely with these partners to enable them to satisfy these goals in their new and existing projects by advising them with the right products and specifications. This of course aligns with our own sustainability objectives where we are trying to reduce our impact through carbon-neutral manufacturing processes and working towards plastic-free packaging next year. So I hope soon that there will be lots more exciting sustainable hotel projects paving the way for new standards in the industry.

    HK: We have noticed that colour is being injected back into the modern bathroom. Why is this?

    KL: Formerly a functional space that focused on personal hygiene, the bathroom has become increasingly considered as a tranquil retreat. Colours enrich our experiences and heighten our senses so the two marry well, as we seek to create more experiential hotel spaces for guests. We believe the growth potential for coloured bathrooms lies within brassware and the ability to coordinate all aspects; from taps and showers to flush plates and accessories, all perfectly coordinated in the same colour and finish. This can really add that edge of luxury which is what makes a hotel break so indulgent and appealing for guests.

    HK: What are some major pitfalls designers can avoid when adding tech into the bathroom?

    KL: I think the biggest pitfall is using tech just for the sake of using tech! There is such a thing as too much technology and it can really detract from the experience if not carefully considered. Good tech design is intuitive. Hotel guests don’t want advanced shower systems with complicated controls that they would struggle to operate without instructions – the shower is a place to unwind and refresh and guests want to take advantage of that luxury even more when enjoying a visit to a hotel. Therefore designers need to keep in mind that tech products need to be clear and easy to use for guests, in order to deliver a more enjoyable experience.

    HK: When it comes to hoteliers or designers specifying sustainable solutions for a new project, where is best to start? What simple solutions are best to implement that have the biggest impact?

    KL: Connecting with suppliers and manufacturers to fully understand what is available, and how specific solutions can meet your individual project needs, is a helpful starting point to generate ideas and knowledge of this area. In terms of solutions, a key place to start of course is water-saving products. As an example, at GROHE, all our products either come with standardised water saving features or can be adapted to reduce consumption. Subsequently, we work across a lot of LEED and BREEAM certified projects. Some key solutions to consider are dual flush plates, water-saving shower heads and also advanced thermostatic shower systems. Alongside reducing water consumption, looking at methods to refine energy usage is also an important focus area. In the guestroom bathrooms, innovations such as cool start taps that only use cold water when first activated instead of unnecessary heating of hot water are a simple yet effective strategy, as are infra-red taps.

    GROHE is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

    Main image credit: GROHE

    Weekly briefing: a London opening & the ‘new normal’ of luxe design

    730 565 Hamish Kilburn
    Weekly briefing: a London opening & the ‘new normal’ of luxe design

    Only got a minute? Our editorial team have compiled the top design stories that they have published this week, including a roundtable that targets health and wellness and luxury designers’ predictions of the ‘new normal’…

    What has become clear in recent weeks is that even with the best will in the world, we are yet to find many of the answers we require in order to design in a post-pandemic world. However, beneath this week’s Hotel Designs headlines, we have spoken to leading designers, architects and hotel experts to understand what we do know. Here is our ‘editor’s pick’ of the juiciest stories covered this week.

    How luxury hospitality designers are adapting to the ‘new normal’

    Image credit: The Mitre, Hampton Court

    To cut through the noise, Hotel Designs has teamed up with J Public Relations to ask how designers Rosendale DesignNicola HardingGoddard Littlefair and David Collins Studio are adapting to meet new demands from travellers.

    One thing that has become apparent as we stand in the eye of the pandemic storm is that no one yet has all the answers. From the number of panel discussions I have hosted recently, I have learned that designers, architects and hoteliers are adapting daily to new developments in the Covid-19 crisis, which is somewhat impossible when designing hotels that will open years from now.

    Click here to read more.

    Virtual Roundtable: health & wellbeing in hospitality and hotel design

    With a question mark on what the future of health and wellbeing will look like in tomorrow’s hotel, editor Hamish Kilburn, in collaboration with HDR | Hurley Palmer Flatt, asks industry’s experts to decipher what’s fact and what’s myth when predicting tomorrow’s wellness scene.

    Click here to read more.

    You have until 10am (BST) on Monday to secure your tickets to Hotel Design LIVE

    In order to continue to start creative conversations like no other, Hotel Designs has launched Hotel Designs LIVE, a one-day virtual conference to serve the industry during and after the Covid-19 crisis.

    Click here to participate.

    Fairfield by Marriott doubles its footprint in Japan

    Image credit: Marriott International

    Marriott International has announced the planned openings of eight new Fairfield by Marriott properties in Japan, highlighting a vast expansion that more than doubles the size of the brand in the country.

    Click here to read more.

    Parkside Tiles adds lavish colour to Arabescato

    A bold and lavish take on Arabescato marble, Pulp is the latest porcelain wall and floor tile collection from design-led tile specification brand, Parkside.

    Click here to read more.

    Fairfield by Marriott doubles its footprint in Japan

    730 565 Hamish Kilburn
    Fairfield by Marriott doubles its footprint in Japan

    The Fairfield by Marriott brand is increasing its portfolio in Japan with eight hotels stated to open across four prefectures…

    Marriott International has announced the planned openings of eight new Fairfield by Marriott properties in Japan, highlighting a vast expansion that more than doubles the size of the brand in the country.

    Sekisui House, a renowned Japanese developer, has partnered with Marriott International to further enhance their ‘Trip Base’ initiative – a project seeking to revitalize local sightseeing spots – with the opening of hotels alongside ‘Michi-no-Eki’ roadside stations. The Michi-no-Eki rest stop system was created over two decades ago to provide comfortable stop-over rest facilities for road trip travelers in Japan, situated close to national parks and UNESCO World Heritage Sites.

    As part of the Marriott Michi-no-Eki project, Fairfield by Marriott Gifu Seiryu Satoyama Park, Fairfield by Marriott Gifu Mino, Fairfield by Marriott Tochigi Utsunomiya, Fairfield by Marriott Kyoto Kyotamba, Fairfield by Marriott Gifu Gujo and Fairfield by Marriott Mie Mihama are slated to open this month, followed by Fairfield by Marriott Tochigi Motegi in November and Fairfield by Marriott Kyoto Miyazu in December.

    “Following its Japan debut in Sapporo earlier this year, we are thrilled for the Fairfield by Marriott brand to continue its expansion in the country,” said Rajeev Menon, President, Asia Pacific (excluding China), Marriott International. “These new openings underscore Marriott International’s commitment to growing our presence in Japan to serve travellers here. The new hotels will deliver the brand’s principles of friendly service and family treatment, giving travelers access to inspiring natural destinations across the country.”

    Image credit: Marriott International

    Fairfield builds upon its strong heritage of warm hospitality and the belief in the beauty of simplicity, creating a place where every moment is an inviting and effortless experience for its guests. The experience is backed by The Fairfield Promise™ – from the hotel’s level of service to accommodations, if a guest is ever not satisfied with their stay, Fairfield will make it right.

    Upon arrival, a welcoming lounge with a relaxed seating area provides a smart and flexible space for guests. Designed for both rest and productivity, each guest room averages about 25 square meters and offers a comfortable bed for a great night’s sleep, as well as fast complimentary Wi-Fi. The hotels also offer optional breakfast take-away in bento boxes for guests to enjoy at the hotel or while on the road.

    Fairfield by Marriott Gifu Seiryu Satoyama Park (85 rooms, opened October 6)

    This hotel is a great starting point for family holidays exploring Gifu Seiryu Satoyama Park, an urban park designed to emulate the rural landscape of Japan’s Showa era (1926-1989). The park features the nostalgic Satoyama Café, a foot spa corner and a charming morning market. Along the nearby Nakasendo Highway, guests can visit charming streetscapes of post-station towns, as well as historical temples and shrines.

    Fairfield by Marriott Gifu Mino (54 rooms, opened October 6)

    Surrounded by breathtaking views of the great Nagara River and emerald-green mountains, guests can explore Mino’s ancient buildings and streetscapes that date back to Japan’s Edo period (1603-1867) and discover the beauty of Mino Washi, the artisanal handmade paper with a history dating back 1,300 years. Visitors can also savor the delicious Ayu sweet fish caught in the pristine waters of the river, served with fresh seasonal vegetables from the surrounding countryside.

    Fairfield by Marriott Tochigi Utsunomiya (87 rooms, opening October 7)

    Conveniently located near the Utsunomiya Romantic Village, this hotel makes an ideal base for sightseeing around the beautiful rural countryside. Guests get to enjoy hands-on experiences with local farming, strawberry picking, forest hikes and traditional hot springs. This area is famous for its delicious gyoza dumplings, which can be found at many popular restaurants nearby.

    Fairfield by Marriott Kyoto Kyotamba (75 rooms, opened October 8)

    This hotel is located at the gateway of the Kyotamba region, characterized by its rolling green hills. The climate of the Tamba plateau produces treasure troves of specialty produce famous throughout Japan, such as Tamba chestnuts and Tamba black beans. Food lovers will enjoy discovering local delicacies throughout the year here, such as Ayu sweet fish in early summer, botan-nabe or boar meat hot pot in the winter, as well as dishes made with sansai or wild mountain vegetables in the springtime.

    Fairfield by Marriott Gifu Gujo (87 rooms, opened October 9)

    For fans of Japanese history and culture, Gujo is a not-to-be-missed destination. Guests can explore nearby Gujo Hachiman Castle and the old-world charm of the castle town, surrounded by beautiful rural Japanese countryside. In Gujo, the Kokin Denju no Sato Field Museum features classical waka poetry readings, and thermal spring-filled ceramic baths and foot spas to soothe and relax travel-weary limbs. Guests can also discover the delicacies of this region, including salt-grilled Ayu sweet fish and keichan, a traditional chicken dish.

    Fairfield by Marriott Mie Mihama (63 rooms, planned opening October 12)

    The Hamakaido is the main coastal route of the World Heritage-listed Kumano Kodo, Japan’s 1,000-year-old pilgrim’s route. This hotel is located next to the Michi-no-Eki Park Shichiri-Mihama roadside station, right in front of the Hamakaido. With the year-round warm and pleasant weather, guests can also explore nearby Shichiri Mihama Beach, selected as one of Japan’s “100 Great Beaches”, and enjoy the wealth of regional produce, including the many different varieties of mandarin oranges and the freshest seafood.

    Fairfield by Marriott Tochigi Motegi (52 rooms, planned opening November 20)

    This hotel is located next to Michi-no-Eki Motegi, near the Mooka Railway station and tracks, famous for its majestic steam locomotives which run on weekends, attracting crowds of children and adults alike. Motor racing fans will also enjoy visiting the famous international racing circuit nearby, Twin Ring Motegi, which also houses the Honda Fan Fun Lab featuring next-generation technologies such as robotics and electric vehicles.

    Fairfield by Marriott Kyoto Miyazu (93 rooms, planned opening December 15)

    This hotel is located in the ancient Japanese capital of Kyoto, offering panoramic views of the beautiful clear waters of Miyazu Bay. Guests can enjoy refreshing ocean breezes, explore the charming ancient streets of Kyoto, and discover classic Japanese cuisine at Osakana Kitchen Miyazu, including its popular kaisen-don, rice bowls topped with selections of fresh seafood. Guests can also take a pleasure cruise to see the beautiful Amanohashidate sandbar, voted as one of the three most scenic views in Japan.

    “Japan has a variety of breathtaking destinations and experiences for visitors, from beautiful countryside to ancient historical sites and some of the most wonderful and varied cuisine in the world,” said Masahiro Taguchi, Project Director of Fairfield by Marriott’s Michi-no-Eki portfolio. “Fairfield by Marriott Michi-no-Eki Hotels will welcome guests with the beauty of simplicity, and offer comfortable start points for travelers to explore local destinations and hidden gems.”

    Main image credit: Marriott International

    Virtual Roundtable: health & wellbeing in hospitality and hotel design

    730 565 Hamish Kilburn
    Virtual Roundtable: health & wellbeing in hospitality and hotel design

    With a question mark on what the future of health and wellbeing will look like in tomorrow’s hotel, editor Hamish Kilburn, in collaboration with HDR | Hurley Palmer Flatt, asks industry’s experts to decipher what’s fact and what’s myth when predicting tomorrow’s wellness scene…

    One of the major challenges that hotel designers and architects are facing globally at the moment is how much emphasis to put on Covid-19 when making decisions that will impact the future look and feel of hospitality. The pandemic has no doubt changed the demands of modern travellers, no more so arguably than in what will be expected in the wellbeing and wellness areas of tomorrow’s hotels.

    In an attempt to define realistic solutions, we speak to leading designers, architects and developers from around the world – and ask about the future of health and wellbeing in hospitality and design.

    On the panel: 

    Hamish Kilburn: We have never seen this before; every single hotel around the world putting together a reopening strategy. How has the pandemic, and the reopening of these hotels, changed the mindset of operators when it comes to health and wellbeing?

    Chris Lee: Any operator will say that guest safety is their first priority. Obviously with Covid-19, that’s paramount. In times like these, the majority of travellers are leaning towards brands they can trust.

    Wyndham Hotels & Resorts set up a working party back in March. We looked across the whole spectrum of the business, including all brands and hotels, to identify what we needed to do to get ahead of this pandemic, all the time with the aim to keep our guests in a place where they trust us, whilst feeling safe and comfortable.

    As a result, we launched an initiative called ‘Count on Us’, which is a long-term initiative with the emphasis being on additional cleanliness to address the characteristics of Covid-19 . We have had to adapt certain procedures, but that’s not necessarily a bad thing and it has allowed us to enter into partnerships with new suppliers. For example, Ecolab is supplying the EPR-approved cleaning chemicals and products for our hotels across the region. As part of that deal, they have offered product training to our staff. These team members are, bit by bit, becoming ‘Covid safety officers’.

    HK: How will Covid-19 impact how hotels are designed?

    Mark Bruce: The truthful answer to that is that our clients are all trying to figure that out themselves, which is why this discussion is very timely.

    Six Senses arriving in London is a good example, with its core focus being wellness. What I will say, strictly architecturally, is that there is a wider emphasis on indoor/outdoor spaces, which I think makes sense to us. On the luxury end, customers want things to be the same but with more space. On the more lifestyle and budget end of the scale, travellers want confidence.

    Image caption: Rendering of Six Senses London, slated to open in 2023

    Working closely with our mechanical and engineering suppliers to understand the practical aspects, such as air conditioning systems and finding ways to bring in natural air, has been fundamental in order to understand our limits as architects.

    Matthew Voaden: We are finding that working more closely with architects from early stages of design is beneficial in not only addressing the concerns of enhanced ventilation to the space, but also to the architecture/interior design as integrating the services from outset does not later compromise the initial concept.

    Tom Bishop: From a project management perspective, we usually get operator and design feedback far too late (usually during stage three or four). Do you reckon that this support system will bring forward when we are able to have these discussions?

    MB: Yes, I think it’s a good point. 50 per cent of our clients are owner/operators, developers, which means from day one you can have good conversations about it. This is a huge challenge for operators – and you’re right, these conversations do not currently happen early enough.

    HK: Covid-19 has amplified the need for service and design to work in harmony, something that the lifestyle sector was already very good at. What are the new challenges in lifestyle hotels? 

    TB: Ruby Hotels is a great example of a lifestyle hotel that shelters design working with service. Typically, guests checking in to a Ruby hotel are looking for a bed for the night. You check in to ‘lean luxury’ ­– it’s clean and well designed and you are not spending that much time in your room. The public area space is minimal, cool and trendy while the F&B offering is limited – so they are almost already designed for the post-pandemic world and naturally cater to new demands from travellers. It will be interesting to see what the hotel group does next. I know the brand is looking for sites still, and it’s an exciting time for them.

    Image caption: A playful interior design scheme inside Ruby Lucy, London

    There is definitely a difference in demand from guests checking in to a five-star hotel than travellers checking in to a three-star hotel. On the luxury end, the question is now how to create the same atmosphere pre-pandemic in a space that now limits how many people are in that area.

    “We are trying too hard at the moment and, dare I say it, over reacting.” – Ivalyo Lefterov, Hotel Development Director, Miris.

    HK: Ivaylo, talk to us about SVART. How is this project challenging conventional methods of wellbeing and wellness?

    Ivaylo Lefterv: That’s a very wide question, I have to say. I’m addressing this situation having worked on both the design and operational side. From my perspective at least, we are trying too hard at the moment and, dare I say it, over reacting.

    First of all, we have no idea how things will evolve six months from now, so making any assumptions or drastic changes could be quite damaging. But equally, with SVART in particular, sustainability and wellness were already key pillars of that project. So, Covid-19 has somewhat brought attention to what we were already trying to achieve, which is a positive.

    Image caption: SVART, which is slated to open in 2022 as the world’s first ‘energy-positive’ hotel

    The building itself, sheltering a new F&B concept, is part of the wellness journey. We have been discussing how we activate the building, and our conclusion is that we want the guest to be in control. We are talking about touchless without losing human interaction. That is an important balance. We are trying to allow the customer to be guided intuitively but also using technology as a tool to allow us to measure the condition of their stay and be able to adjust their experience accordingly. I do believe that lighting will become much more of a focus in the post-pandemic world.

     MV: I agree, having worked recently with a number of clients on integrating smart technologies into new and existing buildings, we are trying to strike a balance between introducing technology that benefits the development and not just an innovation that is an immediate reaction to the current Covid-19 situation, which ultimately might not be required.

    HK: It’s a given that hygiene is creeping – no, leaping – up on the agenda for hoteliers. When it comes to Value Engineering though, what will fall off in its place?

    Dan Curtis: We have seen a move towards less cluttered space. When you walk into a hotel room there is now more clean space with natural materials, focusing on the light and scenery.

    “Value Engineering should not be a factor when considering safety” – Kobi Karp, Founder, Kobi Karp Architecture and Design.

    Kobi Karp: I agree. Value Engineering should not be a factor when considering safety. Traditionally we have used copper pipes in buildings before we discovered the properties in PVC. I now see a movement that is drawing designers and architects back to raw materials, such as copper. In my firm we design a lot of restoration projects, and it’s very easy to convert those hotels into sustainable hubs as a result of Covid-19.

    Over the last few months the focus has also switched to technology – it is evolving rapidly! To date, we have not felt the need to implement this. Now, we are taking another look at it technology’s role in a post-pandemic world.

    HK: We can have all the best will in the world, but let’s realistic and talk about scalability – change is very expensive for global hotel brands that need to maintain branding across all hotels. Chris, how are you making these decisions?

    CL: It’s such a difficult call! If I was in a developer’s position, and it was my money, I still wouldn’t know what to do.

    We’ve had numerous discussions internally about reviewing our design standards. At the moment, we have to stay where we are because no one has the answers on timing. Like Tom said, if you double the size of your lobby then you are doubling the size of your real estate, which naturally reduces your ROI. I don’t think we are yet in a position to fix these financial and design issues.

    Image caption: Wyndham Introduces new hybrid meeting concept at Dolce Hotels in Europe

    TB: Let me explain this from a refurbishment approach. An owner has an asset. It was worth X in January 2020 and it’s now worth Y. If they are trying to loan against the asset, that value has reduced. This means your refurbishment budget has reduced along with occupancy levels (for example, from 85 per cent to 65 per cent) and a lower room rate. Ultimately, you are going to see, I believe, more QS-led design in the four-star and below market because ultimately there is more of a budget constraint that has to be adhered to. There is a delicate balance between health, design (to ensure that the hotel is competitive within its market), increasing room rates and overall yield.

    Image caption: Minimalist design-led guestrooms inside Ruby Hotels’ properties

    Veronica Givone: In the last six months, I have been talking with a lot with investors. My conclusion is that the last decade has already seen a shift in what brands wanted to provide. 10 years ago they were designing for their brands. Now they are designing for the people checking in to the hotel.

    “We now need to avoid designing hotels that look like hospitals.” Veronica Givone, Managing Director, IA Interior Architects.

    I believe that the pandemic will just amplify this. People are more aware when it comes to wellness and wellbeing. We now need to avoid designing hotels that look like hospitals. It’s the balance the find when applying tech and keeping service fresh. We need to understand how to make our staff feel confident and comfortable to use the space. We need to make short-term solutions, and I hope that social distancing will not be a long-term hurdle. In 15 years from now, who will be the guest? That’s what we now need to think about.

    HK: Matthew, HDR | Hurley Palmer Flatt Group has its ear to the ground when it comes to identifying and utilising new innovations that will improve building quality. What have you seen emerge recently?

    MV: When cultural changes happen, it always results in a lot of discussions around new innovations and products.

    UVC Lighting, and air purification systems are really interesting, but would be better and easier to cost, if they were disguised in the foundations of a new build. Upgrading filters in maintenance, CO2 monitoring, modification to the Building management system to extend fan runtimes etc and other factors are constantly being analysing as part of our teams initial response to the pandemic.

    I would say, it is easier to integrate new innovations into budget hotels. It’s more challenging for luxury properties and brands in order to not disrupt the familiar luxury guest experience and journey.

    IL: I can see the industry moving forward towards the guest designing their experience before check in. That will allow the actual hotel stay – take the arrival experience for example – to be more like a performance, a theatre if you like. The guestroom itself would become your butler to make it more personal without removing the human factor. Your reception becomes your living room, as opposed to being purely a practical and frankly unenjoyable element.  

    “Gen Z want to be in control – they like choices.” – Chris Lee, Director of Architecture, Design & Construction, Wyndham Hotels & Resorts.

    CL:Hotels have changed in the last decade. Lifestyle didn’t really exist much 10 years ago. Gen Z want to be in control – they like choices. What better way to make a choice: on your phone, you have everything you need. But, regardless of the evolution of tech, hospitality is about people and you can get that interaction in all hotels. I just hope the pandemic doesn’t adjust the people factor in our industry, because that is so important.

    VG: The key is balance all possible demands and offer flexibility, allowing the guest to decide.

    HK: Can sound offer solutions in the post-pandemic world?

    MB: I was really pleased that this came up as a topic. I have never really spoken about sound in a roundtable discussion, but it’s important to consider. Like many of the sub topics we have explored in this session, we were analysing sound in hospitality before Covid-19 was a thing. The pandemic has allowed us to refocus on new ways to create atmosphere, and one of the most impactful ways to subconsciously evoke a mood in pursuit of wellness is to consider sound.

    A great example is Six Senses, and it is an absolute joy working with the brand. They talk about anti spaces, the moments in between moments. I believe that the spaces in between create the emotion and memories. We have been helping Six Senses to transfer their look and feel and their renowned focus on wellness into an urban environment, and sound has been a massive part of that.

    The minute you walk in, sound from the outside is­ muted –  the perception of the city gets left behind and the focus turned to the naturally aerated lobby. As you move further towards the spa, the way sound is treated is going to be a very exciting part of the project. To see a leading brand like Six Senses embrace sound to elevate the experience is very exciting! I think it will add a lot of value to hospitality in the future.

    Thanks to HDR | Hurley Palmer Flatt and all of our international experts, we have started the conversation around health and wellbeing in hospitality in hotel design. Now it’s over to you. Have your stay by tweeting us @HotelDesigns.

    How luxury hospitality designers are adapting to the ‘new normal’

    730 565 Hamish Kilburn
    How luxury hospitality designers are adapting to the ‘new normal’

    To cut through the noise, Hotel Designs has teamed up with J Public Relations to ask how designers Rosendale Design, Nicola Harding, Goddard Littlefair and David Collins Studio are adapting to meet new demands from travellers. Editor Hamish Kilburn writes…

    One thing that has become apparent as we stand in the eye of the pandemic storm is that no one yet has all the answers. From the number of panel discussions I have hosted recently, I have learned that designers, architects and hoteliers are adapting daily to new developments in the Covid-19 crisis, which is somewhat impossible when designing hotels that will open years from now.

    In one discussion that took place during lockdown, Michael Bonsor, Managing Director of Rosewood London, said: “The concept of hospitality, which is third largest employer in the UK, has stopped. We are now questioning how long this will last for.”

    In another more recent discussion, Mark Bruce, Director at EPR, gave a raw reflection of the international hotel design landscape. He said: “The truthful answer to that is that our clients are all trying to figure that [the impact of Covid-19] out themselves, which is why this discussion is very timely,” he said. “On the luxury end, customers want things to be the same but with more space. On the more lifestyle and budget end of the scale, travellers want confidence.”

    While we can predict that the pandemic will change consumers views on health and wellness, there is not one solution that fits all. One conclusion that is fixed however is that it will be more of a challenge to implement social distancing in luxury hotels than it will be to adapt lifestyle hotels for the new demands of modern travellers.

    Ahead of putting many of these questions forward at Hotel Designs LIVE, we asked a handful of hospitality luxury designers how the pandemic will impact the industry from a design perspective.

    Rosendale Design (Norma, The Stafford Hotel, Jason Atherton’s restaurants and more…) 

    Image credit: The Stafford Hotel, London

    “Terraces and outdoor spaces are now highly requested,” said Dale Atkinson, Founding Director of Rosendale Design. “This was once a ‘nice to have’ due to the unreliable weather in the UK, but now people feel safer eating and drinking outdoors. 

    “One material that will see a resurgence is copper, this is due to its anti-bacterial properties; it has a very warm appearance and used correctly can look quite refined, so can be easily detailed into various spaces.

    “Internally, we must look to divide group of tables into their own ‘pods’ whilst still maintaining the buzz that people want to be a part of. Booth seating works well.”

    Nicola Harding & Co(The Mitre Hampton Court, The Rose at Deal, Beaverbrook & more)

    Image credit: The Mitre Hampton Court

    “Now, I’m even more determined to create somewhere intoxicating, a place that will transport people from the stress and sadness of the last few months,” said designer Nicole Harding. “I’m thinking about more mini-bar provisions, more comprehensive room service offerings – e.g. we are designing little hampers for cocktails/breakfast/movie nights.

    Goddard Littlefair — Jo Littlefair & Martin Goddard, Co-Founders — (The Mayfair Townhouse, Villa Copenhagen, Hans’ Bar & Grill, Principal Hotels and more)

     

    Image credit: The Mayfair Townhouse

    “We may consider planning of spaces more,” says Jo Littlefair, Co-Founder of Goddard Littefair. “For example, so that pendants are positioned at heights that then don’t dictate where a table should sit, giving operators more flexibility to reposition furniture without looking out of place. 

    “Spa within a spa is a whole conversation around whether a spa is hygienic — whether people will want to embrace them,” adds Martin Goddard, Co-Founder of Goddard Littlefair. “I think we feel that health is something people are going to really concentrate on, and therefore wellness, and spas, and the facilities that they can offer, all strengthen that appeal.”

    David Collins Studio — Simon Rawlings, Creative Director — (Nobu Hotel Portland Square, The Carriage House and Tack Bar at Adare Manor, Gleneagles & more)

    Image credit: Adare Manor

    “I think that we are going to see social and cultural attitudes and behaviours changing, rather than changes to the physicality of restaurants,” explains Simon Rawlings, Creative Director at David Collins Studio. “The times and places that people visit restaurants will change, for example, if people are working from home, perhaps they will clock off earlier for an early-evening dinner to fall in line with local curfews. They will likely stay local, meaning that neighbourhood restaurants will flourish whereas city centre restaurants may not garner the footfall they need – which I think very sadly is what we are seeing happen at the moment here in London.”

    If you are a designer, architect or hotelier and would like to have your say on how the industry should prepare for the ‘new normal’, you can tweet us @HotelDesigns.

    Main image credit: The Mayfair Townhouse

    Opening of The Mitre, Hampton Court marks debut of The Signet Collection

    730 565 Hamish Kilburn
    Opening of The Mitre, Hampton Court marks debut of The Signet Collection

    Recently announced, a new boutique luxury hotel brand The Signet Collection has launched in conjunction with the unveiling of its first hotel The Mitre, Hampton Court…

    The Signet Collection, which was founded by former COO of Longshot; owners of Beaverbrook and Bel & the Dragon Group. Hector Ross and his team are set to create meaningful stays in time honoured places and will be made up of several destination-defining properties throughout the UK.

    The Signet Collection, a home-grown and hands-on brand, is passionate about all aspects of the craft of hospitality and champions the belief that a hotel is only as good as the people in it. With a focus on experiences, history and informality of design, food and service – each of The Signet Collection hotels will be highly individual and will centre around preserving and restoring authenticity.

    Image credit: The Mitre, Hampton Court

    “We start with a special place. Our hotels have history, stories to tell,” said Ross. Each one is imbued with generations of tales, legacies, myths and legends. We unearth this history, these stories. We restore them, reimagining them, passing them on for our guests to enjoy, layered with a British sense of humour, top-notch F&B and memorable experiences”

    The first hotel in the collection, The Mitre, has debuted. Sheltered within a Grade II-listed property dating back to 1665, the now hotel was originally used as ancillary accommodation for guests of King Henry VIII at Hampton Court Palace. Set on the banks of the River Thames, the 36-key hotel includes a 60-cover riverside all day dining and wine bar, a 70-cover brasserie and bar, an 60-cover Orangery, a large riverside terrace, meeting rooms and private dining areas.

    Food & beverage has pride of place for the new hospitality brand headed up by culinary and operations director Ronnie Kimbugwe, whose background includes time with the Gordon Ramsay group at Claridges and a decade with the Bel and Dragon Country Inns.

    “Through design we aim to connect our guests with the history and the location of each hotel.” – Designer Nicola Harding

    Interior designer Nicola Harding is the creative lead behind The Signet Collection and transformation of The Mitre, which combines quirky British sensibility with elegant authentic luxury.

    Known for her work on the Garden House at Beaverbrook and The Rose Hotel in Deal, Nicola draws inspiration from Hampton Court and the surrounding neighbourhood, accentuating the character of the building and creating spaces that feel effortlessly evolved. “The Signet Collection hotels will blend the old with the new, the refined with the comfortable, and the local with the worldly,” she said. “Through design we aim to connect our guests with the history and the location of each hotel, providing characterful bedrooms, and playful lively public spaces where people quickly feel at home.”

    Main image credit: The Mitre, Hampton Court

    Less than 1 week until Hotel Designs LIVE

    730 565 Hamish Kilburn
    Less than 1 week until Hotel Designs LIVE

    Calling all designers, architects, hoteliers and developers: Hotel Designs LIVE is a free one-day conference that takes place on October 13…

    On October 13, designers, architects, hoteliers and developers will virtually gather to attend Hotel Designs LIVE, sponsored by Technological Innovations Group in association with Crestron.

    Whether you are in need of a guide to hotel design or you simply want to keep up to date with the latest conversations that are happening in the industry, Hotel Designs LIVE promises to keep the conversation flowing throughout and beyond the Covid-19 crisis.

    As well as broadcasting thought-provoking interviews and panel discussions, the one-day virtual conference will also frame a number of dynamic PRODUCT WATCH segments throughout the day in order to identify the latest product launches and innovations within each of the four topics areas that will be explored.

    “When we first launched Hotel Designs LIVE in June, we made a pledge that the event will cut through the noise in order to broadcast what we believe are the most relevant conversations happening in the industry right now,” explains editor Hamish Kilburn who will host the event. “We have worked incredibly hard over the last few months to ensure that our next broadcast of Hotel Designs LIVE does the concept justice. This has included filming a segment with our new videography partner CUBE Video, working closely with our sponsors and suppliers and inviting relevant leaders and visionaries from around the world to sit on the virtual sofa in order to add value to the conversations we are airing.”

    Here’s what’s coming up:

    09:20 – 09:30: EDITOR’S WELCOME

    Editor Hamish Kilburn will open by acknowledging the success and highlights from the inaugural virtual conference, which took place on June 23. In addition, he will discuss the rationale behind the four sessions that Hotel Designs LIVE will position under the spotlight for the second edition of Hotel Designs LIVE.

    09:30 – 10:30: Discussing sustainability with Bill Bensley
    (Sponsored by Silentnight Group)

    In order to definitively understand sustainability in international hotel design, while also highlighting new, unconventional methodology in the process, Hotel Designs LIVE will welcome Bill Bensley as the event’s headline speaker.

    Affectionately known as the “Willy Wonka of Design”, Bensley is a dedicated eco-warrior and a highly qualified jack of all trades – gardener, fisherman, architect, interior designer, lover of all things natural, and most of all, a wide-ranging explorer of as many corners of the earth as he can.

    The award-winning designer, who never fails to deliver innovative solutions when designing sustainable spaces, will join Kilburn to discuss how design, architecture and hospitality can coincide with nature.

    Click here to participate.

    11:00 – 12:00: Adding personality in public areas
    (Sponsored by Falcon Contract Flooring)

    Following on from the inaugural Hotel Designs LIVE, where the panel questioned the very existence of lobbies in the wake of Covid-19, this session will move away from pure sterile solutions and instead inject design back into the public areas. Kilburn will ask a handful of leading designers and architects how we, as an industry, can authentically create purposeful areas that evoke interesting first impressions.

    Click here to participate.

    12:30 – 13:30: Reassuring the post-corona consumer
    (Sponsored by Room To Breathe UK

    The industry may well be re-opening its doors, but recent studies suggest that the post-corona consumer is hesitant to re-explore the hospitality scene. In an engaging panel discussion, Kilburn will ask a number of leading hoteliers from all corners of the globe how tomorrow’s hospitality arenas can effectively and sensitively reassure modern travellers that hotels are safe spaces.

    Click here to participate.

    14:00 – 15:00 BST: The revival of smart tech post-pandemic
    (Sponsored by GROHE)

    To kickstart the debut Hotel Designs LIVE, tech-influencer Jason Bradbury, the former presenter of The Gadget Show, took us on a wild journey to understand the boundless possibilities when it comes to technology in hospitality. One of the main takeaways from the session was the importance of making technology invisible for the modern consumer.

    Ahead of putting the spotlight back on technology, Kilburn checked in to a completely contactless hotel experience to understand tech’s role in tomorrow’s hotel. The full feature will be broadcasted to the audience attending ‘The revival of smart tech post-pandemic’. Here’s a teaser filmed and edited by CUBE Video.

    Continuing this quest, but also grounding it in the context of hotel design in the wake of Covid-19, Kilburn will invite a number of expert designers to discuss, in detail, whether or not the hotel experience will ever be truly contactless, as well as asking how to authentically and meaningfully inject smart technology into a modern hotel.

    Click here to participate.

    TREND ALERT // Black moves into the bathroom

    730 565 Hamish Kilburn
    TREND ALERT // Black moves into the bathroom

    We love a trend alert at Hotel Designs, especially one that challenges conventional design aesthetics. Here, UK Bathrooms identifies how and why black is back in the modern bathroom…

    As we enter the shorter months, we’re embracing dark tones and welcoming them into the wash space as we mirror the early nights and moody skies on the horizon.

    “Black is a wonderful shade to meditate to and allows overtaxed minds a moment of tranquillity.” – Graeme Borchard, Managing Director at UK Bathrooms.

    Why black?

    One of the biggest changes in bathroom design in recent years has been its evolution from a functional space, designed with efficiency rather than aesthetics in mind, into a room for enjoyment and wellbeing. The surge in time spent in the bathroom in 2020 especially, saw the bathroom become a place to unwind and enjoy moments of peace in; as other areas of the home became spaces to work, teach and multitask, the bathroom took on the role of a sanctuary. “Black has moved into the bathroom as homeowners are seeking a space for privacy and relaxation as busy lives get busier,’ explains Graeme Borchard, Managing Director at UK Bathrooms. “Black is a wonderful shade to meditate to and allows overtaxed minds a moment of tranquillity, which is what today’s bathroom is all about.”

    How to style a black bathroom

    This trend is all about maximum darkness – for the greatest effect, opt for black across as many surfaces and objects in the space as possible to create a calming, cave-like cocoon that’s impactful without overstimulating the senses. Pay attention to textures; mix in different black finishes and materials, from glossy glazes to matt and brushed metals, to create a space which is indulgent and immersive while maintaining the feeling of shelter and protection.

    Black fixtures and fittings

    The newest launches from a host of luxury brands have been doused in darkness. Shower heads, taps, mixers, screens, panels and all of the fittings in-between, it’s clear that the finish of the moment is deepest black. Be it Matt Black, hansgrohe’s biggest finish of the year which covers the Metropol mixer range, and 53-piece Talis E collection, or the extensive range of Matt Black brassware and bathroom accessories of Crosswater’s MPRO range. Most of Abacus’s range can be covered in black via its Colour My Bathroom offering, and Saneux and Roper Rhodes both have extensive dark collections.

    Large black bathroom pieces

    Chunkier bathroom objects of all styles are also being coated in rich black. Victoria and Albert’s freestanding baths take on an edgy yet sensuous feel when their soft curves are realised in black. Along with its brassware, much of VitrA’s ceramicware and storage pieces comes in a slick black finish which transforms them into giant sculptural objects. Villeroy and Boch’s ultra-modern Avento vanity units are finished in glossy Crystal Black, the brand’s Antheus unit brings natural texture in black ash, and UK Bathroom’s Essentials Black Square Edge Bath Screen is a whimsical take on the trend, a semi-transparent slice of shadow hovering over the shower. In the traditional sphere, the Sarah Georgian basin and washstand by Burlington is composed of decorative black aluminium and black marble.

    “Black is incredibly versatile, contemporary and chic,” says Borchard. “Black elements in the bathroom create an edge, making a statement while remaining timeless and enduring.” Finish the look with as much black flooring, tiling and paint as you dare, or try a black feature zone around either the sink, bath or shower to add more subtle wow factor.

    UK Bathrooms is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

    Main image credit: UK Bathrooms

    Product watch: Parkside Tiles adds lavish colour to Arabescato

    730 565 Hamish Kilburn
    Product watch: Parkside Tiles adds lavish colour to Arabescato

    A bold and lavish take on Arabescato marble, Pulp is the latest porcelain wall and floor tile collection from design-led tile specification brand, Parkside…

    Pulp from Parkside Architectural Tilers takes the rich veining of this exquisite marble and adds a contemporary flavour in five bold colours – gold, black, green, blue and red  – for a look that becomes strong, dynamic and surreal.

    Available in matt, polished and raw (high slip-resistance) finishes, Pulp brings a marble look with a contemporary twist through floors and walls, inside or out. The rectified porcelain tiles are available in 600 x 1200mm, 100 x 600mm, 75 x 600mm (polished only), 300 x 300mm and 75 x 1200mm skirting, meaning the collection is ready to provide an all-over marble look that adds to its luxurious feel.

    “Marble is definitely a timeless and demanding look that’s adored for its sense of unadulterated luxury,” explains Sarah Holey, marketing manager at Parkside. “There are few other interior finishes that quite so eloquently summarise their intent, but its high cost and natural variance make it a difficult one to introduce successfully into a project, particularly on large surface areas, so step up Pulp.

    “The controlled colour and look of the marble veining brings a contemporary overtone that pays homage to genuine Arabescato marble but without falling into the trap of feeling like a direct copy. Pulp brings the instant luxury aesthetic of marble but in an accessible tile that celebrates the joy of colour and features the performance of today’s best porcelain.”

    Pulp is exclusively available in all five colours from Parkside, with samples available from the website.

    Parkside Architectural Tiles is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

    Main image credit: Parkside Architectural Tiles

    Weekly briefing: remembering Sir Terence, lighting launches & a Bath debut

    730 565 Hamish Kilburn
    Weekly briefing: remembering Sir Terence, lighting launches & a Bath debut

    Only got a minute? Our editorial team have compiled the top design stories that they have published this week, including an editor’s letter that remembers a legend, Chelsom unveiling Edition 27 and Hotel Indigo entering new territory…

    And just like that we are in October. With the industry busy trying to navigate itself into more familiar settings – where hotels are open and in demand, – we appreciate that you may not have time to read all the content that Hotel Designs has published this week. Therefore, here is our ‘editor’s pick’ of the juiciest stories that have been covered this week.

    Editor checks in: will design ever be the same again?

    Weeks ahead of celebrating the best British designers, architects, hoteliers and suppliers in The Brit List Awards 2020, editor Hamish Kilburn warmly remembers a design legend, Sir Terence Conran, in his monthly column.

    Click here to read more.

    Two years in the making, Chelsom launches Edition 27

    Image caption: The Hybrid set | Image credit: Chelsom

    Image caption: The Hybrid set | Image credit: Chelsom

    Every two years on the international hotel design scene, something incredible happens. The industry becomes temporarily blinded by new lighting designs that are created with tomorrow’s luxury hospitality projects in mind. The brand behind this much-awaited artificial phenomenon is, of course, Chelsom.

    Click here to read more.

    Hotel review: Villa Copenhagen

    Image credit: Villa Copenhagen

    A much-anticipated addition to the Danish capital city, Copenhagen, transforms an iconic architectural landmark into a modern oasis of cool. Writer Collette Swindells explores the hidden gems – including the country’s most luxurious penthouse and a sully sustainable ‘Earth Suite’ – that are sheltered inside.

    Click here to read more.

    Guide To Hotel Design (Part 50): how to design for social distancing

    The hospitality sector has been deeply impacted by the coronavirus pandemic. As lockdown eases, hotels are navigating the effects of social distancing and new safety guidelines for their design and guest experience. Giles Fuchs, owner of Burgh Island Hotel, safely guides us through what to consider when designing for social distancing.

    Click here to read more.

    Confessions of a lighting designer – what is lighting design?

    Throughout October we are, for the second time this year, putting the spotlight on lighting. To kickstart this series, we reach out to Gary Thornton, senior project designer at neolight global, to understand lighting design from the inside.

    Click here to read more.

    AQATA joins iconic shower brand AQUALUX

    730 565 Hamish Kilburn
    AQATA joins iconic shower brand AQUALUX

    Private investment business Intrinsic Equity, has acquired shower brand AQATA Limited

    Based in Hinckley, Leicestershire, AQATA one of the UK’s most respected luxury shower enclosure manufacturers now joins Intrinsic Equity’s family of KBB and design related brands.

    The iconic shower brand Aqualux was acquired from Dutch bathroom giant Fetim in late 2019 and early 2020 the company obtained the online hardware brand Ironmongery and More.

    Commenting on the acquisition, Group CEO Steve Lee stated “We are delighted to be able to take this bold, strategic move during such unprecedented times. Aqata has been part of the fabric of the British shower industry since it was established by Peter Brown in 1986. We are proud to have the opportunity to continue the great work of MD and owner Jayne Barnes who headed up Aqata for over 15 years following her father’s retirement in 2005”.

    Lee continues; “For many years we have admired what the Aqata brand represents to the independent bathroom retail market, the products are excellent and backed by a world class service. The position of the brand perfectly complements Aqualux, which has been synonymous with the large scale merchants and retailers for more than 40 years.”

    Lee explains “Aqata shower enclosures are British designed and hand crafted in its modern factory in Leicestershire. Whilst 2020 has seen major changes and uncertainty for the UK following Brexit and Covid-19, this acquisition offers great flexibility for our customers: a British manufacturing facility combined with the long established global sourcing model of Aqualux, this will ensure we can continue to provide a dynamic, speed to market offering with competitive pricing; all backed by a market leading service and significant inventory throughout our supply chain.”

    AQATA is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

    Main image credit: AQATA

    Confessions of a lighting designer – what is lighting design?

    730 565 Hamish Kilburn
    Confessions of a lighting designer – what is lighting design?

    Throughout October we are, for the second time this year, putting the spotlight on lighting. To kickstart this series, we reach out to Gary Thornton, senior project designer at neolight global, to understand lighting design from the inside.

    The profession of architectural lighting design is a relatively young industry, even though the practise of what we do in determining where there is light and where there isn’t has been around for centuries.

    Of course back then this was simply people deciding where to put candles or, as far back as the 9th century, where to locate oil lamps.  But architectural lighting design as a more formal profession really only goes back to around the 1950s with the likes of Richard Kelly pioneering the practice, followed by people like Derek Phillips and Jonathan Speirs.

    So what is lighting design and what is it that lighting designers actually do?  I’ve lost count of the times I’ve tried to explain this to my friends who think we “choose where to put light bulbs”!

    It can be easily forgiven that it is not a widely known profession.  There is no formal educational pathway and many people stumble into the profession from a semi-related field of design and find themselves “doing lighting design” before they even realise what it is (myself included!).

    As an example, our office comprises lighting designers with backgrounds in product design, interior design, electrical engineering, film and television, photography, sculpture and architecture.  There are indeed well-established Masters degrees, or undergraduate courses in Theatrical Lighting Design, but this is not the case for Architectural Lighting Design.  Something that has been brought up again recently in our industry.

    Lighting

    Lighting concerns itself with how people perceive their environment, yet because light is intangible it has an intrinsic, and often underestimated, role in all aspects of visual design.

    Working in a medium which remains invisible until it strikes a physical surface means that we lighting designers must be as concerned with the nature of the surface and the biology behind the human eye as with the light which strikes it.

    Ambient illumination, direct light, reflected light, the use of colour, areas of relative darkness and contrast all contribute to how a space looks and how it feels, resulting in designs made up of layers of light.  The better lighting schemes consider what should be left unlit as much as what should be lit, so maybe we are just as much “darkness designers” as we are lighting designers.

    Because of the immateriality, great lighting is rarely lauded.  If you walk through a space and it looks and feels great then chances are it is because of the lighting. Not to take away from the interior designer, architect, or landscape designer that has typically designed more of the physical environment, but certainly in how the colours appear, how the material textures catch your eye, whatever the mood it prompts or the visual aesthetic it provides, it is because of the lighting.

    Poor lighting on the other hand gets no end of complaints.  Lighting that is overly bright or dark, too much glare, or feels cold and uninviting can make spaces feel uncomfortable so people don’t want to visit and spend time there.  Even the best interior design schemes can be marred by bad lighting, and at the extreme bad lighting can even be bad for your health depending on the time of day or the tasks required of the people using it.

    Lighting for hospitality

    At the core of neolight’s work is the hospitality sector, and one of my favourite spaces to illuminate is the All Day Dining restaurant within a hotel.  This is largely because it’s such a transformative space and great way to demonstrate the power of lighting.  An All Day Dining restaurant needs to be able to provide a bright and fresh environment for breakfast, right through to the warmth and relaxing ambience of an evening meal.

    When you get this right, the space will look and feel like a different restaurant to the guests from morning to night.

    Lighting experiences

    Architectural lighting design really started an accelerated upward curve with the mainstream adoption of LED.  Since then light sources have been getting smaller and more efficient, and the fixtures themselves are increasingly packed full of technology.

    Alongside this evolution of lighting technology has been an evolving expectation of the role of the lighting designer.  No longer are we providing simple scene-setting schemes with smooth dimming to meet the client expectations, now clients are looking for more engaging and dynamic schemes concealed within the fabric of the building, with light that entrains and supports your circadian rhythm, they want an experience.

    Yes the experience is framed by the architecture, or informed by the interior design, or the service that you receive, but transcending across all of those to make it a good experience is good lighting design.

    Lighting design = experience design.  And if that helps become popular on social media, then all the better.

    To this end we are not just designers anymore.  We have to be artists and scientists, knowledgeable in Bluetooth and LiFi, experts in daylight and green building codes, understanding biology of the human eye, of the physics of light, and all manner of material properties.

    And this is all before we even mention the Internet of Things, where we are suddenly being asked about the limitations of LoRaWAN as a protocol to control light fixtures with.

    Lighting is digital

    There is an underlying expectation to all of this that we are digitally savvy.  Lots of industries are going through change and digitisation, but lighting is changing right up there with them.  In order to keep meeting the expectations of a modern day lighting design, we have to be able to understand and design with all these evolving elements.

    One particular attribute that I’ve taken on is learning to code due to the increasing overlap with disciplines that do require this, and at the very least we need to be able to coordinate with them. For example, this is a prototype app written in Python that communicates with light fixtures in a hotel room to automatically adjust the colour temperature and brightness based on personal circumstances, such as jet lag.

    Internet of Things

    We have gone through the exponential growth of LED and now we have even further miniaturisation of technology so there is virtually nowhere that LEDs cannot be integrated, and conversely almost anything, like a sensor or a camera, that can’t be put back into light sources.

    Lighting is a prime choice for the IoT to piggy back onto as it has an already existing ubiquitous infrastructure of power and data.  This means that light fixtures can be used for monitoring space occupancy, improving shopping experiences, reporting crimes, and more.

    But in order to be able to implement this we have to understand it, and that means lighting designers becoming experts in something else that isn’t traditionally “lighting”.  It’s becoming experts in data, cloud servers, and Bluetooth meshes as part of the whole IoT network.

    And this isn’t a trend that’s going away. At a macro level Smart Cities are well underway around the world (we are working on a Smarty City strategy for a brand new city in KSA at the moment), and on a micro level it’s using your voice to control the lighting in your own home. Lighting is a key part of the future of connected services.

    Covid-19 will undoubtedly accelerate the demand for contact-free environments. Why carry a physical ID or ticket and have to touch door handles, when AI could verify you and open the door automatically?  Why touch any number of surfaces and interfaces to check-in to a hotel, when facial recognition could automate this as you walk through the lobby and give you a “key” on your mobile phone?

    In assessing these expected trends we see that lighting is well placed to provide this as part of the IoT. Retrofitting sensor-embedded light fixtures becomes much easier than ripping out ceilings, pulling cables, and installing new networks.

    As part of this learning curve affecting lighting, designers are no longer just visiting project sites, but also visiting data centres that test these sensor embedded light fixtures and the data points that they capture to understand it first hand in order to be able to implement it as part of a lighting scheme.

    Misunderstandings

    As lighting becomes more understood it’s great to now be reading comments like this, highlighting the importance of lighting to a space.

    But for every moment of understanding, we still work with wider design teams who still misunderstand what we do. Consultants that have heard of ZigBee or BLE, and so that’s how they want their lighting controlled – when in reality all they really need is a simple control plate.

    Part of our role is taking a step back from the technology and really understanding the project needs. We won’t use technology for the sake of it, especially if it’s not needed and likely to end up not being used.  How often have you struggled with a fancy lighting control system in a hotel guestroom when a simple rotary dimmer switch would have been just perfect?

    As lighting design finds its way into mainstream vocabulary, more buzzwords like “human centric lighting” have come to the fore, which is another misconception to overcome.

    Human centric design is human focussed design. At the heart of this notion is what we have been doing for many years now.  Designing for humans.  Lighting for humans.  Lighting for, and with, people at the centre.

    The future

    Who knows what the limits are to where lighting will reach – even a few years ago we were barely imagining what we have today of subscription models offering Lighting as a Service, secure wireless data through light in LiFi, and even highly secretive LED spectrum recipes used in horticulture to maximise crop yield!

    Of what I have no doubt is that as lighting design continues to advance and evolve, so will the humble lighting designer along with it.

    Main image credit: neolight

    Editor checks in: will design ever be the same again?

    730 565 Hamish Kilburn
    Editor checks in: will design ever be the same again?

    Weeks ahead of celebrating the best British designers, architects, hoteliers and suppliers in The Brit List Awards 2020, editor Hamish Kilburn warmly remembers a design legend, Sir Terence Conran, in his monthly column…

    I have procrastinated long enough over writing this month’s Editor’s Letter. Perhaps it was a case of word block. More likely it was the anticlimax I experienced after my previous column didn’t achieve the level of engagement I had hoped it would. That’s not to say it wasn’t read – it was, and its context has emerged in many conversations since – but it seems people were afraid to ‘like’ and ‘comment’ on a topic that carries such heavy stigma in a desperate and lonely landscape. Not only that, but we are all operating with fatigued resources while not having the faintest clue about what tomorrow will bring – and yet our role in all of this is to offer solutions.

    “He, the man who founded Habitat, the Design Museum and Conran and Partners, was very much that: a visionary.”

    Just when we thought we had reached the pit of all lows – locked away from each other, and somehow busier than ever – our phones light up with a newsflash from the BBC. The headline reads: Sir Terence Conran ‘visionary’ designer dies at 88. He, the man who founded Habitat, the Design Museum and Conran and Partners, was very much that: a visionary; a legend in every sense of the word who during his near 70-year career revolutionised design in Britain and Europe. And we have everything to thank him for, whether we knew him personally or not.

    Image caption: Sir Terence Conran (1931 – 2020)

    Architect Thomas Heatherwick said it best in Dezeen. “For me, Sir Terence Conran was one of a small handful of amazing people who dragged Great Britain out of the post-second world war gloom and modernised the country by revolutionising how we think about our homes, the products we buy for them and even the food we eat and how we eat it,” he wrote. “His impact and influence is around us every day and has been so successful that we don’t even realise where it came from. Without Terence, there would have been no Habitat. Without Terence, there may still not be excellent food in the United Kingdom. And without Terence, there certainly wouldn’t be any Design Museum in London.”

    Conran’s passing, especially in a year that has shaken the hotel design and hospitality industry on a global scale, begs the pertinent yet terrifying question which (let’s face it) is on all of our minds at the moment: will British design ever be the same again?

    ‘Yes’ and ‘no’ – not what you wanted to hear, I understand, but it’s the only honest answer we have at the moment. One could rightly argue that nothing will ever be the same as it once was. The industry will evolve as it always has done. And people, brilliantly talented and authentically charismatic people, will come forward to offer real-life solutions for the challenges we are currently facing.

    “I think it’s safe to say that British design and hospitality is resilient and evolving quickly to meet new demands of modern travellers.”

    There are no boundaries, and we can literally reimagine the world to design better and healthier cities, like WATG has done for the new New York concept it unveiled recently, transforming the concrete jungle into, well, a jungle!

    GIF credit: WATG

    In many ways, now is the perfect time to celebrate such innovative forward thinkers. Last week we opened the floodgates to unveil the shortlist for The Brit List Awards 2020. With more than 120 individuals and projects selected across eight categories, I think it’s safe to say that British design and hospitality is resilient and evolving quickly to meet new demands of modern travellers. We will proudly reveal and celebrate this year’s top designers, architects, hoteliers and suppliers in our virtual awards ceremony, which takes place on November 12 at 2pm (GMT).

    Aside from building up to our annual awards, Hotel Designs has also sheltered some thought-provoking conversations this month. In an exclusive roundtable discussion that will be published shortly, we heard from a developer who has become a distant friend of mine during the pandemic. He said that he can envision the day when travellers will design their own hotel experiences on their smartphones before they have even checked in. This will, he hopes, eliminate public areas being seen as clinical, functional and at times unwelcoming spaces, which they have unexpectedly become since the pandemic emerged onto the scene. Instead, this design concept will allow lobbies to be filled with personality once more and become, if you like, a sort of lounge area where guests can relax and unwind in.

    “This month I had the opportunity to physically check in to a completely contactless hotel experience.”

    Don’t underestimate technology’s role in the post-pandmeic world, is certainly a lesson I have learned during this turbulent time. As well as zooming in and out of virtual roundtable discussions, this month I had the opportunity to physically check in to a completely contactless hotel experience (the novelty was almost overwhelming). Following an opportune tech overhaul, Bloc Hotel Gatwick has been able to reimagine the hotel journey. With software from SymbiOT and hardware from Crestron, the hotel’s guests are now able to check in and operate their entire stay – everything from lift calls to light and temperature adjustment – by using their smartphones without even having to download an app. The video feature we filmed will be broadcast at Hotel Designs LIVE on October 13, and will kickstart our panel discussion on the revival of smart technology in the post-pandemic world.

    Yet again, it has been an unstable and explosive month on the editorial desk at Hotel Designs. On behalf of the entire team, I would like to send our condolences to Sir Terence Conran’s family and friends. We have lost a British and world design icon, and his legacy lives on through those who were inspired by his immeasurable talent and class.

    Editor, Hotel Designs

    Main image credit: Dale Southfield Portraiture

    Checking in to Villa Copenhagen, a new brand of conscious luxury

    730 565 Hamish Kilburn
    Checking in to Villa Copenhagen, a new brand of conscious luxury

    A much-anticipated addition to the Danish capital city, Copenhagen, transforms an iconic architectural landmark into a modern oasis of cool. Writer Collette Swindells explores…

    It is not often that a space of more than 25,600 square metres becomes available in the centre of a European capital – least of all in a city like Copenhagen, where it is often considered something of a luxury to have a separate shower and toilet in your downtown apartment.

    Instantly recognising the tremendous potential of the site, Nordic Hotels & Resort, a member of Preferred Hotels & Resorts, sought to transform the imposing old-world grandeur of the five-floor, Neo-Baroque former headquarters of the Danish Post and Telegraph into a fresh expression of what it means to be Scandinavian.

    Combining an impressive roll-call of talents including award-winning London architecture and interiors firm Universal, award-winning design studio Goddard Littlefair, specialist F&B design studio Epicurean, Danish architect Eva Harlou and Nordic jewellery designers Shamballa Jewels, the reconstruction weaves together three key themes of contrast, conscious luxury and happiness.

    The arrival experience

    Entering the somewhat unassuming frontage, adjacent to the Copenhagen Central Station, guests are immediately greeted with an expansive, light-filled, glass-roofed atrium lobby – appropriately named The Square – centrally adorned by a tongue-in-cheek ‘Whispering’ sculpture from Spanish artist Jaume Plensa.

    A large lobby with glass ceiling and modern furniture

    Image credit: Stine Christiansen

    Cleverly designed to be a multi-functional space that welcomes both locals and foreigners, it artfully mixes classic Danish design elements with contemporary flourishes and finishes that unite the functions of the hotel boutique, lounge area, bar, self-service check-in and reception. It is a space that comes alive at night too, with live music and DJs cementing its vibrant personality, and other day-time pop-ups including a mobile piercing station from jeweller Maria Black.

    Direct access to most of the hotel’s F&B and public areas is available from The Courtyard, ensuring it is continually an animated, lively thoroughfare and meeting point for all.

    Relaxed public areas for all occasions

    To the city side of this, The Playroom acts as a further extension of the lobby lounge space, with even more intimate spaces and cosy pockets that encourage visitors to have fun with friends while playing board games, foosball and other table games on custom-made tops. Part grand parlour part secluded den, the space is also perfect for hosting large groups, with Epicurean ensuring a relaxed, cultivated atmosphere with its Carl Hansen furniture, vintage tiling, antique-style woodwork and panelling and patina mirrored walls.

    Image caption: The Playroom | Image credit: Villa Copenhagen

    On the alternate side of The Courtyard, Kontrast, a contemporary brasserie, offers an equally smart take on mid-century styling, with subtle tributes to its former tenant. Replica carvings and window details from the original posthouse inspire wood panelling details, with reused and recycled materials cleverly woven in where possible.

    A diner style F&B area with tiled floors and globe like chandeliers

    Image caption: Kontrast | Image credit: Stine Christiansen

    Curved booth seats in warm brown leather tones are complimented with custom high chairs in striking hues that fill out the main dining area inside, allowing guests the chance to gaze into the large, open kitchen and bar. Bespoke tables are inlaid with brass, showcasing the level of craftsmanship and attention Epicurean brings to each fit-out, while also adding something new and fun to the traditional Scandinavian styling visitors might come to expect elsewhere in town.

    On the terrace, overlooking the main station, more contemporary woven textile furniture sits outside, alongside Tore Gustafsson’s menu of fresh, local and seasonal produce. Taking inspiration from the south of Europe and North Africa, Gustafsson – known for previously steering the helm of Copenhagen Meatpacking favourite Paté Paté – has built an impressive sustainable food profile across all the F&B outlets, with a focus on providing a ‘carbon-free’ experience.

    Sustainable hospitality solutions

    Part of the overall commitment by the hotel to four of the UN Sustainable Development Goals – Decent Work and Economic Growth; Sustainable Cities and Communities; Responsible Consumption; and Production and Partnerships for the Goals – meat consumption at each outlet has been reduced, alongside overall food waste, with an innovative technology converting this into green energy. Fresh herbs and spices are also handpicked from the hidden rooftop garden, which sits next to a beehive from Bybi and the famed lapping pool.

    F&B areas

    Designed by Goddard Littlefair to reflect the local community’s relationship with food, drink and socialising, there are a plethora of options when it comes to F&B in the hotel. Breakfast is served daily in the former postage sorting room, Public, located on the lower floor which is accessed via a neon light-filled stairwell off The Courtyard. Descending into what feels like the belly of the grand building, you can hear the hum of the nearby train station, which provides a steady memory of its previous life.

    Image caption: Public | Image credit: Stine Christiansen

    Indeed Epicurean drew heavily from archival photos of the space in its former glory, invoking its archways, lighting, brickwork and paneling in their redesign. The expansive area, filled with rows of bespoke banquette seating and commanding repurposed copper arches, can also host larger functions and groups and extends onto the sunken garden, containing the entrance to the almost completed Rug Bakery.

    The original arrival point for the mail, the impressive terrace space is somewhat of a hidden gem for the hotel – exposed when the roof was removed from the loading dock – and a perfect place to enjoy the freshly baked local pastries Denmark is known for.

    The guestrooms and suites

    In contrast to the lively public and F&B areas, Universal took their starting point for the design of the guestrooms and suites from the art of Danish master painter Vilhelm Hammershøi – known for his understated composition, elegant lighting, muted palette and study of secluded moments and spaces.

    Mapping out the building’s original interior, the studio restored and reinstalled many of the key period features like the impressive windows, herringbone flooring, cornices, architraves and wood paneling. Each room and suite has been treated like a grand Danish residence, housing a sophisticated collection of custom-designed classic and contemporary furniture, alongside original pieces from known Danish designers Hans Wegner, Finn Juhl, Nanna Ditzel, Niels Otto Møller, Ole Wanscher and Borge Morgensen. Warmth and softness is key, with bespoke textiles, lighting and ceramics amplifying the comfort to create a calm refuge with more than a few touches of brilliance. Materials are locally and sustainably sourced where possible, with Kvadrat’s Sahco brand providing natural wool textiles that sit next to other highlights including biodegradable and recyclable linen headboards produced by Scandinavian interior textile studio Astrid.

    Image caption: Delux guestroom | Image credit: Villa Copenhagen

    Image caption: Delux guestroom | Image credit: Villa Copenhagen

    Each of the rooms has its own typography – there are 50 in total – with sprawling four metre-high ceilings on the lower levels and near floor-to-ceiling windows that give you various views of the city surrounds. The converted attic, with its exposed timber beams, differs only because of its unique character and obvious height limitations – but its roof-lit views of the city more than compensate for this.

    Of course all the usual five-star modern conveniences apply, with keyless entry, remote check-in, virtual check-out, and an optional white glove service available in each of the 381 rooms. In-room facilities are on-point too, with a considered range of local favourites that includes Mikkeller beer and chocolate, Great Dane Rum, Nordic winegums, Harahorn Norwegian gin, and ELG vodka.

    Image caption: Guestroom | Image credit: Villa Copenhagen

    Sustainability stays top of mind, with custom in-room guest amenities provided by Skandinavisk in a signature range that pays homage to the smell of wood-laden northern forests. Gone are the plastic-wrapped pairs of slippers, replaced instead by slides that can be bought in the hotel’s boutique store, together with a collection of other local, sustainable and notable designers.

    But if you really want to experience something different, then check-in to the ‘Universal Penthouse Suite’ which was designed across two floors with a central walnut and steel spiral staircase connecting the upper master bedroom with the lounge space on the lower floor.

    Added to this next-level option is the completely sustainable suite, the Earth Suite, designed by Eva Harlou using eco-friendly furniture and recycled materials and textiles. Denmark’s most expensive suite, the Shamballa Master Suite was designed by Shamballa Jewels and takes in 110sqm that includes the former Postmaster’s office and the best view of the adjoining main station.

    Sitting in a collection of seven other Shamballa suites, these exclusive retreats are due to be completed by the end of 2020 – a small casualty of the Covid-19 lockdowns.

    Luckily though, if you can’t afford the additional extravagance of the Shamballa suites, the lapping pool, with its centralised cooling system using excess heat from the hotel to keep it at a steady 34 degree, provides a welcome space to relax and unwind. Adjacent to the 24-hour fitness centre, sauna and wellness area, it is a colourful, secluded spot that sits beside the rooftops of Copenhagen and offers a cabana service from its Pool Bar.

    a rooftop pool overlooking Copenhagen

    Image credit: Stine Christiansen

    You might also like to take a walk through the five floors to check out the private collection of artwork – valued at more than US$2 million – that includes local and international artists like Per Kirkeby, Ian McKeever and Bent Stokke. Norwegian Stokke produced 383 unique charcoal artworks to be featured in each room, as well as along the many hallways and restored stairways.

    But perhaps the real jewel of the hotel is the Old Boardroom, available to be hired as a private function space for intimate dinners and gatherings, and still proudly displaying the plaque bestowed to the building by both Kings Frederick III and Christian X who both ruled the year it was inaugurated. Its restored tapestry-and-chandelier adorned space, with adjoining bar, sits in stark, refined contrast to the other over 2,000sqm of meeting and event room spaces that are decorated with more than 850 conference chairs produced using 2.75kg of upcycled plastic ocean waste and fishing nets. It is just another example of how the hotel holds dual respect and reverence for the past and the future – carefully balancing respect for each in the present.

    And like a home that becomes more of itself every day new memories are created within it, Villa Copenhagen, in all its imposing glory, is sure to become a welcomed part of the city’s new landscape: a reinvigorated icon that stands even taller than its predecessor.

    Main image credit: Villa Copenhagen

    Light it up: Chelsom officially launches Edition 27

    730 565 Hamish Kilburn
    Light it up: Chelsom officially launches Edition 27

    More than two years in the making, Chelsom’s brand new lighting collection, Edition 27, has official launched. Hotel Designs celebrates by selecting some of its favourite pieces. Editor Hamish Kilburn writes…

    Every two years on the international hotel design scene, something incredible happens. The industry becomes temporarily blinded by new lighting designs that are created with tomorrow’s luxury hospitality projects in mind. The brand behind this much-awaited artificial phenomenon is, of course, Chelsom.

    The launch of a new ‘Chelsom Edition’ becomes a precious moment etched in modern design history, usually marked in a grand setting with no expense spared to introduce the A + D community with the brand’s latest dynamic and timeless designs. And although, this year, suppliers are prevented from hosting live events, this, by no means, makes Chelsom’s unveiling of Edition 27 any less sensational. In fact, some would go as far to argue that the pandemic has created a catalyst for brands like Chelsom to launch their latest products with a deeper meaning for the sake and sanity of tomorrow’s hospitality landscape.

    As expected, the collection reflects Chelsom’s brand image, showcasing a plethora of beautifully designed lighting products specifically created for the international hospitality and marine interior design arenas. More than 40 per cent of the collection is entirely new and all pieces are available with LED light sources to accommodate the latest developments in technology and energy efficiency.

    “I believe that our clients will not only appreciate the refinements we have made to our product collection in terms of even sharper product designs, higher quality levels and strong focus on value engineering, but also the continued evolution of our brand image as international market leader,” said Will Chelsom, Managing Director at Chelsom. “Both the catalogue and website illustrate this perfectly and have been carefully designed with our clients’ requirements as a priority.”

    “Edition 27 has been a fantastic collection to produce and it’s our most ground-breaking to date.” – Robert Chelsom, Chairman at Chelsom.

    Edition 27 is a truly eclectic harmony of lighting that harnesses and refines the latest trends in finishes and materials. Striking brass tones, textured Venetian glass and cutting-edge LED pieces are just some of the elements that dominate the bold and exciting new collection, offering designers creative lighting solutions for any interior space from guestrooms, to corridors, through to restaurants and other public spaces. Amongst many things, Edition 27 offers the widest collection of LED reading lights in the company’s history including the LED Eye range which moves on the aesthetics of your standard bedside reading light whilst maintaining all the successful features of function and light output.

    Robert Chelsom, Chairman at Cheslom, added: “In all my years working within the industry never has there been a more challenging yet exciting time to be designing lighting products. Triggered by fashion cycles, interior trends are moving increasingly faster and in doing so constantly stimulate new design directions when it comes to finishes and materials, which is something we have given careful consideration to. Edition 27 has been a fantastic collection to produce and it’s our most ground-breaking to date. Will and I are proud to be able to say that all product has been designed in- house to create this diverse lighting collection that truly caters for all levels of the hospitality and marine sectors.”

    Here are some of our editor’s picks:

    LED EYE

    Image caption: LED EYE | Image credit: Chelsom

    Image caption: LED EYE | Image credit: Chelsom

    When Chelsom designed the iconic bedside reading light LED Dock, the design intent came with years of experience in successfully lighting hotel guestrooms. Trying to mix being inconspicuous and striking at the same time was a large design challenge, little did they know it would become the company’s most successful product ever enhancing hotel schemes in more than 30 countries worldwide.

    In the new collection, Chelsom moves on the aesthetics of a bedside reading light whilst maintaining all the successful features of function and light output. The starting point was to create a product that was inconspicuous in that it nestled successfully into a headboard with minimum projection and yet was cool and stylish to look at when guests first entered the room. Development led to compact and slim outer vessel  which surrounded the ‘eye’, a sculptured cast metal piece which invites the hotel guest to open the eyelid thereby illuminating the light and allowing a full range of movement to create the perfect light spill. Much time and engineering skill went into prototype development ensuring that the cast centrepiece revolve and rotates wit the lightest of touch and can be easily opened to operate the microswitch and closed to extinguish the light.

    The highly tactile moulded centrepiece still remains extremely slim with a subtle curve at the bottom edge. Once opened the warm white LED light passes through a high-quality focusing lens to create perfect reading light.

    Hybrid

    Image caption: The Hybrid set | Image credit: Chelsom

    Image caption: The Hybrid set | Image credit: Chelsom

    The main concept of this striking collection of wall, floor and table lamps centres around the over-scaled cylindrical head, creating ambient room light through the matt opal glass top dome and directional task light from below. The head swivels from left to right with a mechanical stop to prevent over rotation.This sleek and contemporary range is available in an assortment of finish options and is the perfect fusion of design aesthetic and technological refinement making it the perfect addition to any interior space.

    Crook

    Crook features a stepped column supporting a shepherd’s crook-styled arm, which allows a good spread of downlight. The base on this product has a rounded stepped detail, while the lampholder cover features interesting knurled detailing.

    Shield

    On the wall, the perforated metal tapered half shield emits a warm glow and throws light onto the oval backplate, which creates a halo effect around its concave-curved perimeter. On the ceiling, the chandelier ha conical, perforated shades with opal acrylic liners giving a warm glow.

    Glass Effect

    Image caption: Glass Effect | Image credit: Chelsom

    Image caption: Glass Effect | Image credit: Chelsom

    The main concept of this striking range of wall lights centres around how light effect can be created on the wall and within different types of glass so that the fittings were not just about achieving ambience but also about the projection, pattern and play of light on surface and the refraction of light through different coloured and shaped glasses. Traditional components have been used in unique applications to achieve a powerful light effect suited to any environment with one of the key features being that the glasses can be fully interchangeable to create totally different results.

    Cheslom is one of Hotel Designs’ recommended suppliers. To keep up to date with supplier news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.

    Main image credit: Chelsom

    GROHE receives nomination for the German Sustainability Award 2021

    730 565 Hamish Kilburn
    GROHE receives nomination for the German Sustainability Award 2021

    Going further than other brands in its quest to design a sustainable future – with its 360-degree sustainability approach – GROHE is a candidate for the 13th annual German Sustainability Award…

    Bathroom brand GROHE has once again been nominated for the German Sustainability Award following last year’s successful top 3 ranking in the category “Germany’s Most Sustainable Big Companies 2020”. The brand, which is one of the leading manufacturers of integrated bathroom solutions and kitchen fittings, is now looking forward with excitement to this year’s award ceremony on December 4th, 2020 in Düsseldorf.

    For the 13th year running, the German Sustainability Award Foundation will honour companies that combine economic success with social responsibility and environmental protection in an exemplary manner. “We are really very pleased with the nomination and the recognition it brings. We have been pursuing our sustainability goals for many years with high pressure and full conviction,” says Thomas Fuhr, COO Fittings LIXIL International and CEO Grohe AG. “This year we have again been able to reach important milestones. It encourages us to constantly scrutinise and improve our internal processes in the interest of a better environment.”

    CO2-neutral production at GROHE since April 2020

    As one of the first leading manufacturers in the sanitary industry, GROHE switched to CO2- neutral production in April 2020. Since July 2019, GROHE has been using green electricity at all five LIXIL EMENA production sites, which produce exclusively for the global brand, and in the German logistics centres.

    In addition, the brand is also investing in solar technology, combined heat and power plants and innovative, manufacturing processes such as 3D metal-printing that conserve materials to ensure a value chain that conserves resources.

    In order to offset CO2 emissions that could not be reduced in the past, GROHE is also supporting two compensation projects. However, the brand’s commitment does not stop there: By 2021, GROHE wants to make its sales offices climate-neutral and increase its energy efficiency by its own means in order to reduce the share of compensation.

    Since 2018, GROHE has also been actively engaged in avoiding plastic with its “Less Plastic Initiative” which aims to replace plastic packaging with more sustainable alternatives. This initiative has to date already saved around 10 million items of product packaging made of plastic. By 2021, this figure is to be increased significantly to up to 35 million.

    For GROHE, sustainability is an integral part of its corporate strategy alongside quality, technology and design and it is therefore deeply rooted in the brand’s DNA. GROHE sees itself on a continuous journey in terms of its sustainability initiatives – looking to the future, but also motivated by the numerous successes in recent years. In addition to repeated top rankings in the German Sustainability Award, the sanitaryware brand was awarded the CSR prize of the German Federal Government in 2017 whilst GROHE CEO Thomas Fuhr was also honoured with the B.A.U.M. Environmental and Sustainability Award by the B.A.U.M. corporate network in September 2019.

    GROHE is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

    Main image credit: GROHE

    Hotel Indigo debuts in the historic city of Bath

    730 565 Hamish Kilburn
    Hotel Indigo debuts in the historic city of Bath

    IHG Hotels & Resorts has further expanded its boutique footprint with the opening of the highly anticipated Hotel Indigo Bath

    Set in a honey coloured Georgian terrace built in the 18th century, the 166-key Grade I listed building, which now shelters Hotel Indigo Bath, has hosted famous figures from history including Sir Walter Scott, William Wilberforce, and the Duke of York.

    Just as no two neighbourhoods are alike, no two Hotel Indigo properties are alike. Each is designed to uniquely reflect the local culture, character, and history of the surrounding area.

    Exterior of the hotel

    Image credit: IHG/Hotel Indigo

    Taking its design cues from the city’s surrounding Georgian architecture and the history of the local neighbourhood, Hotel Indigo Bath creates a truly memorable experience by artfully combining modern design and historical architecture. Guests will have five different room types to choose from, reflecting the surrounding neighbourhood of Bath:

    ‘Romance & Mischief’ rooms – Taking inspiration from the infamous Debutant Season in Bath, where grand evenings of gambling and frivolity mixed with afternoon tea and whispers of romantic promises. The rooms have dark green headboard wooden panelling combined with vibrant luscious red velvet soft furnishings. Nodding to the old gambling culture, there are playing card side tables. The artwork on the walls plays on the theme of romance with love birds and portraits that have been vandalised by ex-lovers.

    ‘Literary Hideaway’ rooms – Reflecting Bath’s abundance of famous authors, these rooms are designed to be cosier and reflect a getaway for creative writers. The walls behind the bed are covered in a montage of novels by many of Baths authors and the desk is a traditional writer’s bureau with a captain’s chair. There is a slightly more muted colour pallet of browns and mustard yellows.

    Image caption: Literary Hideout Room | Image credit: IHG/Hotel Indigo

    ‘Georgian Architecture’ rooms – With the back wall of the bed lined with ornate ceiling sconce covers and grand high ceilings, this room amplifies the grand Georgian residence feel. Bold, symmetrical, geometric patterns favoured by Georgian architecture of that time, are visible with a deep and rich colour pallet – designed to accentuate the period features.

    Image caption: Image caption: Georgian Architecture Room | Image credit: IHG/Hotel Indigo

    Image caption: Image caption: Georgian Architecture Room | Image credit: IHG/Hotel Indigo

    ‘Garden’ rooms – Moving through the design periods, these rooms are a newly built modern extension. With a more contemporary, light and youthful modern design, these rooms are reflective of the garden in which they sit. 

    Image caption: Image caption: Garden Room | Image credit: IHG/Hotel Indigo

    Image caption: Image caption: Garden Room | Image credit: IHG/Hotel Indigo

    Underground Vault’ rooms – Built in the 18th century the vaults are an amazing example of historical architecture and house the hotel Suites. Designed with soft lighting, black timber finishing, vaulted bath stone ceilings, underfloor heating and high-end crafted furniture, these rooms are offer something raw and authentic.

    Image caption:Vault Suite | Image credit: IHG/Hotel Indigo

    All rooms are equipped with comfy Hypnos beds with luxury Egyptian cotton linen, spa-inspired bathrooms, Nespresso coffee machines, high speed Wi-Fi and a variety of channels on a 40” flat screen TV.  

    The sensitively designed bathrooms, which include top-quality brands, were specified by bathroom consultancy brand Utopia Projects.

    Hotel Indigo Bath is also home to “The Elder”, a new and exciting restaurant from multi-award-winning West Country restaurateur Mike Robinson, co-owner of the only Michelin-starred London pub, the Harwood Arms in Fulham. He also opened The Woodsman restaurant and bar at Hotel Indigo® Stratford on Avon last year, winning the Good Food Guide Best New Entry 2020. 

    The Elder is the place to enjoy authentic, honest and timeless British cooking, with a focus on sustainability, seasonality, and locally sourced produce and is open for lunch and dinner with an à la carte menu.  In the bar and the south facing terrace, visitors can enjoy small plates alongside cocktails and Somerset ciders.

    There are currently 121 Hotel Indigo properties open globally including the recently opened Hotel Indigo® Verona – Grand Hotel Des Arts and Hotel Indigo® Larnaca, with another 102 in the pipeline to open in the next three – five years. The first Hotel Indigo in the Arabian Gulf, Hotel Indigo® Dubai Downtown is also set to open later this year.

    Main image credit: IHG/Hotel Indigo

    Product watch: Overclay tiles by Casa Ceramica

    730 565 Hamish Kilburn
    Product watch: Overclay tiles by Casa Ceramica

    The inspiration for the Overclay tile series by Casa Ceramica comes from the earth, the authentic material par excellence and from the architectural marvels of the past…

    From the ziggurats of Mesopotamia to the terracotta army of Xi’an: raw clay is the oldest and most alluring construction material, found again today in both ambitious and innovative architectural projects.

    The enveloping dusky colours of the desert and the charm of the Mediterranean kasbahs provide the inspiration for Overclay by Casa Ceramica, a series of porcelain stoneware floor and wall tiles, with an authentic yet sophisticated flavour. Making this collection perfect for bringing character to both indoor and outdoor residential and commercial settings.

    This collection of floor and wall tiles, is available in seven colours, all of which are inspired by the authenticity of earth and the heat of the desert. Among the nuances selected are Rose and Cotto, two incredibly expressive, on-trend accents. Paired with these are five more muted tones off; Ecru, White, Grey, Taupe and Dark.

    The decorative study underlines the sophisticated character of the series through Petra, innovative shades of colour with graceful, material waves. Available in both cool and warm versions, in the 60x120cm and 30x120cm sizes, these shaded surfaces are perfect for bringing an engaging touch to any interior. These innovative and fascinating decorations are available in the of 60x120cm and are suitable even for floor installation.

    Casa Ceramica is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here

    Main image credit: Casa Ceramica

    Product watch: Sphero urinal range by Armitage Shanks

    730 565 Hamish Kilburn
    Product watch: Sphero urinal range by Armitage Shanks

    Armitage Shanks, the expert provider of commercial washroom solutions, has launched Sphero, its new collection of intelligent urinals…

    The elegant and comprehensive Sphero range by Armitage Shanks has been designed with features which allow for greater levels of cleanliness, easier installation and maintenance, as well as water saving benefits for all commercial spaces.

    The bathroom brand worked with design studio, Studio Levien, to create the innovative Sphero collection which incorporates unique features to meet the current and future needs of installers and their customers. The range comprises three different sized urinals, Mini, Midi and Maxi with multiple installation options, all of which complement the modern washroom. The electronic Maxi e-hybrid model has built in smart technology (mains supply), which detects levels of salinity, optimising the urinal’s water usage by adjusting flushing according to usage patterns. Another key feature of the electronic models is the innovative spreader light which senses blockages and other maintenance issues.

    Sphero’s unique circular, concave shape has been designed to minimise splashing while also improving the cleanliness, durability and efficiency of the urinals. The new rimless design adheres to contemporary trends, as well as helping to retain liquids within the bowl, aiding hygiene and cleaning regimes.

    The Sphero Maxi model comes with an installation template with an incorporated rubber seal which eliminates the need to use sealant when fitting the product. The template includes a levelling slot, pre-holes and markings for ease of installation. The model also has an innovative, patented hinged maintenance bracket so installers can easily access the inner workings of the urinal.

    Easy to specify, the Sphero range comes with all the key components expected from a urinal, under one product code. Its pioneering spreader nozzle delivers a hygienic flush which covers most of the urinal bowl. The top fixed waste feature allows for quick and easy access when using the supplied service key, making for effortless on-wall maintenance.

    Tony Rheinberg, Senior Sector Marketing Manager, Armitage Shanks commented: “We believe in designing for people, but also innovating for the planet. This was the thinking behind our easy to install Sphero offering, which brings hygiene, user comfort and easy maintenance together thanks to intelligent designs and smart technology. Design and performance often seem incompatible, but this new collection features stylish aesthetics allowing for greater levels of cleanliness, and water saving capabilities. Water is our most precious resource and our next generation of products will help address the growing global challenge of climate change.”

    Ideal Standard is one of our recommended suppliers. To keep up to date with supplier news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

    Main image credit: Armitage Shanks

    BIID becomes Industry Partner for The Brit List Awards 2020

    730 565 Hamish Kilburn
    BIID becomes Industry Partner for The Brit List Awards 2020

    The British Institute of Interior Design (BIID) has become the official industry partner for The Brit List Awards 2020 for a third year running…

    The British Institute of Interior Design (BIID), a brand committed to encouraging and supporting creativity and competence in the field of British interior design, has become an Industry Partner for The Brit List Awards 2020.

    The BIID are delighted to partner with The Brit List Awards again in 2020,” said Charlotte Davies on behalf of BIID. “The event is always popular with our members and is excellent opportunity to showcase some of the amazing design within the hotel industry. Our President Lester Bennett is excited to be invited to judge this year’s entries and we are all looking forward to what will undoubtedly be a different Brit List to what we are used to, but equally enjoyable.” 

    The Brit List Awards is Hotel Designs’ annual nationwide search to find the top designers, architects, hoteliers and suppliers who are operating in Britain.

    As well as selecting the the top 25 designers, architects and hoteliers who will be profiled in The Brit List 2020, the campaign also selects individual winners of the following categories:

    • Interior Designer of the Year
    • Architect of the Year
    • Hotelier of the Year
    • Best in Tech
    • The Eco Award
    • Best in British Product Design
    • Outstanding Contribution to the Hospitality Industry

    “We have always felt that there is a natural synergy between The Brit List Awards and the BIID, and we are therefore extremely excited that the brand has become our Industry Parter for the third year running,” said editor Hamish Kilburn. “As well as helping us promote the event, including the applications process, the BIID have also been paramount to the quality of this year’s judging panel, with both President Lester Bennett and Past President Harriet Forde being on the international judging panel.”

    How to attend the virtual award ceremony

    If you are a designer, architect, hotelier or developer and would like to attend the virtual award ceremony, which will take place at 14:00 (GMT) on November 12 2020, click here.

    If you are a supplier and would like to attend the virtual award ceremony, which will take place at 14:00 (GMT) on November 12 2020, click here.

    If you would like to discuss various sponsorship packages available, please contact Katy Phillips via email, or call 01992 374050. Tickets to both the virtual event and the winners party will be available to secure soon.

    Weekly briefing: A sensational shortlist & the secret to a good night’s sleep

    730 565 Hamish Kilburn
    Weekly briefing: A sensational shortlist & the secret to a good night’s sleep

    Only got a minute? Our editorial team have compiled the top design stories that they have published this week, including the shortlist of The Brit List Awards 2020 and an exclusive interview with designer Lisa Haude about tomorrow’s design challenges…

    With the industry re-strategising following further constrictions to social distancing, we appreciate that you may not have time to read all the content that Hotel Designs has published this week. Therefore, here is our ‘editor’s pick’ of the juiciest stories that have been covered this week.

    EXCLUSIVE: Shortlist unveiled for The Brit List 2020 

    This year, more than 120 individuals and projects were selected across eight categories. The winners will be announced at the virtual award ceremony on November 12. Now in its fourth year, The Brit List Awards is Hotel Designs’ the nationwide search to find the most influential designers, architects, hoteliers and suppliers operating in Britain.

    Click here to read the story | Click here to secure your seats in the audience at the virtual awards ceremony.

    1 in 3 Brits want to replace shower with modern system, survey reveals

    A survey carried out by GROHE has revealed British showering behaviours and consumer attitudes towards their bathroom. As indicated in the debut broadcast of Hotel Designs LIVE, bathroom and wellness demands have shifted as we look ahead towards a post-pandemic world.

    Read more.

    In Conversation With: interior designer Lisa Haude

    A storyteller in her own right, designer Lisa Haude creates one-of-a-kind spaces that breathe a new level of authenticity into the projects she touches. Working predominantly with the larger brands, such Hilton Hotels & Resorts, Hyatt Hotels & Resorts and Marriott International, Haude’s style is to celebrate the history of each hotel’s destination, which is channeled through an meaningful design narrative that is sheltered inside each project. 

    Read more.

    Bathroom goals: when sustainability meets design

    Sustainability meets design in Austria’s Winzendorf-Muthmannsdorf municipality. Surrounded by grapevines, and set on a sloping plot of around 1,600 square metres, is a detached house in harmony with nature. The distinctive and nature-loving architecture is in evidence outside, in the form of the charred larch cladding used on the façade. The client requested elegance and eco-conscious design everywhere, including the bathroom.

    Read more.

    New speakers announced for Hotel Designs LIVE

    Calling all designers, architects, hoteliers and developers: you can secure your complimentary seats in the audience for Hotel Designs LIVE, which takes place on October 13, by clicking here

    Industry insight: a special sleep experience during Covid

    Chris Ward, Group Marketing Director at Hypnos Contract Beds, looks at how in addition to having Covid-compliant practices, hotels can offer a more discernible experience to guests by providing premium experiences that have sustainability at their heart.

    Read more.

    Industry insight: a special sleep experience during Covid

    730 565 Hamish Kilburn
    Industry insight: a special sleep experience during Covid

    Chris Ward, Group Marketing Director at Hypnos Contract Beds, looks at how in addition to having Covid-compliant practices, hotels can offer a more discernible experience to guests by providing premium experiences that have sustainability at their heart…

    As most people in the UK and around the world are remaining at, or closer to home in ‘the new norm’, how can hospitality businesses continue to attract guests and encourage them to return?

    Accommodation providers have always sought to deliver the right experience to guests. Even now in the midst of the Covid pandemic, this hasn’t changed. So, although it is imperative to make every operational aspect Covid-compliant, guests still want to experience all the perks that make their stay special and memorable. This of course includes a comfortable, beautiful and sustainably-made bed that will provide the best possible night’s sleep.

    Instill confidence

    The need to ensure the highest levels of hygiene has meant that hoteliers have had to rework all communal areas to enable social distancing. From lifts to lobbies and restrooms to restaurants, place markers, reduced touchpoints, hand sanitising stations and more frequent cleaning regimes are all becoming common sights. Changes to how services are delivered to and inside guest bedrooms are also in the frame too, including the provision of a clean and hygienic – yet comfortable and durable – bed. Indeed, the bed is the foundation to the perfect sleep environment, so bed and mattress hygiene needs to be prioritised without compromising on the touch of luxury and comfort that discerning guests will expect.

    This is why hoteliers should use fine-quality beds and mattresses that have in-built anti-bacterial, anti-allergy and anti-bed bug treatment in the fabric of all its sleeping surfaces. All durable and supremely comfortable Hypnos Contract Beds come with these features so that guests can feel reassured that they will have a healthy, restful and luxurious stay – thereby helping hoteliers to secure all important positive reviews and repeat visitors.

    Image credit: Monet Garden Hotel

    The green touch

    Before Covid emerged, having sustainability credentials was already a key requirement for any reputable organisation to meet and satisfy increasing consumer expectations for a more ethical lifestyle. The hospitality industry is no exception, and hotels wishing to attract discerning guests have been continually looking for ways to operate more sustainably. Whether it’s eliminating single-use plastics or reducing their carbon footprint, the drive to become more environmentally-friendly could be seen in well-known chains as well as smaller boutique operators.

    Although companies are now needing to balance environmental goals with survival, it doesn’t mean that hoteliers should abandon the ‘green’ agenda altogether, especially if the retention of sustainable practices enables them to offer customers the hospitality experience they are looking for. In fact, those who don’t continue to assess how they can lower the impact of their operations on our planet could simply lose guests who feel they have failed to meet their high environmental standards.

    It’s one of the reasons why Hypnos prides itself on creating comfort with integrity.  All our beds focus on low-carbon sustainable designs, meaning our mattresses and beds are recyclable and need never go to landfill.

    Working together

    The current pandemic has brought into focus the fact that ‘we’re all in this together’. This way of thinking can also be applied to help accommodation providers to deliver sustainable services to guests. By working together with suppliers, they can ensure that not only are they doing the utmost to operate sustainably on their own premises, but that the products and services supplied to them truly support their efforts to meet environmental goals.

    As a family-run British business, Hypnos works closely with its hospitality partners of all sizes across the world to provide beds that have been made adhering to the very highest environmental and ethical standards. Only natural, sustainable fibres are used in all of its mattresses, with no nasty chemical-based foams, making them recyclable at the end of their life and boosting the circular economy. These kind of sustainable sleep solutions allow Hypnos’ hospitality partners to bolster their own green credentials which are vitally important to modern, discerning guests.

    All over the world, hospitality accommodation providers are facing the prospect of operating in a brand new way for the short and medium term at least. As the sector looks at adjusting to a new type of ‘normal’, there’s no doubt that building confidence and trust for guests will be of paramount importance. By providing a safe, comfortable and sustainable night’s sleep, hospitality businesses can go a long way to ensuring a safe and rich guest experience and meeting their expectations.

    Hypnos is one of Hotel Designs’ recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.

    Main image credit: Hypnos

    Case study: lighting InterContinental Park Lane hotel

    730 565 Hamish Kilburn
    Case study: lighting InterContinental Park Lane hotel

    Located in the heart of London’s prestigious Mayfair, the InterContinental Park Lane hotel delivers elegant natural interiors, award-winning restaurants and bars, and unrivalled views of the Royal Parks…

    Alongside designers RPW Design, Heathfield & Co were delighted to supply both bespoke and standard lighting from their product range, as part of the development of the hotel’s exclusive Mayfair Collection.

    This luxurious range of guestrooms and suites are said to be ‘a refinement of the timeless elegance for which we are loved.’ With a careful attention to fine and subtle details, materials such as wood, leather and brass set the natural and comforting tone. Heathfield’s experienced team worked on a series of bespoke bedside ceiling fittings, inspired by their classic ‘Derwent’ design.

    image credit: IHG/Heathfield & Co

    The solid brass framework and Dandelion satin lampshades reflect in the panelled mirrors behind, perfectly framing the centre of the room. The Derwent Large cube pendant and Vivienne Clear glass table lamp create decorative features in the suites, enhancing the soft and elegant design.

    To see the project in full visit Heathfield’s website.

    Heathfield & Co is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here.

    Main image credit: IHG/Heathfield & Co

    Miniview: Inside WILDES Chester, a northern boutique jewel

    730 565 Hamish Kilburn
    Miniview: Inside WILDES Chester, a northern boutique jewel

    Northern design studio Spaceinvader, with architecture by EDGE Architect, has created a rich, layered and luxurious interiors scheme for the new WILDES Chester boutique hotel…

    With interiors by hospitality and workplace designers Spaceinvader and architecture by EDGE Architects, WILDES Chester will be housed in a Grade-II listed building in The Rows, Chester’s famous historical centre.

    The hotel property, on the corner of Bridge and Watergate Streets, was originally developed in 1892 by architect Thomas M Lockwood and is made up of three townhouses.

    Today, it shelters a hotel that aims to become a go-to destination for business and leisure travellers.”Our focus is to delight our guests’ senses through innovative food and service with a real aim to redefine hospitality within the city’, said Paul Wildes, CEO of the hotel group. ‘Original features include huge fireplaces, stone windows and original beams and the hotel will be sensitively refurbished to retain these period features while introducing an interior design that takes influence from key venues in London and around the world.”

    Liverpool-based Edge Architects have been commissioned to extend the building to the rear, as well as creating a new roof terrace with plunge pool, with the proposals currently awaiting planning permission. The new layout of the black-and-white-fronted building, where the existing fabric is partly redbrick Victorian and partly Jacobean, will encompass 16 en suite bedrooms, each featuring a unique design. Free-standing furnishings in the bedrooms allow the original building to breathe, whilst quirky elements, from free-standing bathtubs and skylights for guests to enjoy the night sky to the four-seater cinema in one of the rooms, add character.

    “The new hotel will become a fantastic luxury destination for visitors to Chester,” SpaceInvader Senior Interior Designer Izzy Eling said, “embodying a rich, sensual and flamboyantly-decorated immersion in the heart of the city, with a design scheme inspired by a number of historical threads, coupled with contemporary services and styling.”

    The interiors concept takes its initial influence from the site’s history, having originally been built for the Duke of Westminster as a base for his country pursuits, including horse racing and deerstalking. References to horse racing saddlery, from leather straps to diamond stitching details, are incorporated throughout, whilst the logo for Benedict’s and the feature layered bulkhead over the bar are inspired by the racecourse tracks, making it the perfect place to visit before or after a trip to Chester races. The new identity work on the scheme is by Natural Selection Creative Studio.

    A second inspirational source was Chester’s medieval market heritage, with Bridge Street having played host to a market trading in leather, cotton and wine and the site itself said to have been used as a corvisor (leather works), producing leather harnesses, gloves and riding boots.

    The third thread of the concept is the architecture’s mostly Victorian origins, which finds form in opulent styling in the interiors scheme, from the use of decorative tiling and floral patterns to deep rich jewel tones and exaggerated details. The Victorian era also saw a rise in trade with the East and the importation of new exotic materials from India and China, including luxurious, hand-painted silk wallpapers, woven rattan furniture and highly-decorated porcelain. This aspect of the era’s eclectic tastes forms the final styling inspiration, in the form of large, patterned rugs and the jewel tones used for the bedroom design palette, whilst silk wallpapers and patterns influenced by India and China line the corridors.

    ‘Playful, hidden quirks and memorable styling will feature throughout,” Eling added. “This will definitely be an Instagramm-able venue when it completes and opens, with any number of details visitors will notice over multiple visits!”

    The lobby

    Upon arrival, the lobby’s bespoke new Victorian-style mosaic floor tiles feature the new hotel branding inset at their centre. The concierge area features horse-racing details to the timber reception desk design, including leather straps and branded leather tabs for the room keys. The main stair at the rear has been finished in a bespoke carpet, with dark edging detail and an ornate banister. A seating arrangement, with velvet chairs immediately suggesting the scheme’s opulence, sits directly beneath the stair, whilst a door leading away from reception takes visitors directly into Benedict’s bar and restaurant.

    F&B

    The 45-person-capacity Benedict’s bar features a rich colour scheme of golds and deep tones, with a design influence taken from horse racing. An opulent gold-coloured bulkhead over the bar, for example, is structured to imitate the form of racetracks, whilst feature tiling wraps around the bar itself, which is edged with gold detailing before it cedes to the main dark timber floor.

    The bar has a dark marble front and a lighter marble top with WILDES branding etched into its front face. A bespoke wallpaper, developed with a specialist designer, includes subtle horse-riding illustrations. Furniture is rich and luxurious, upholstered in velvet and leather, with quilted detailing throughout.

    Image credit: The WILDES Hotel Group

    Two adjacent snug areas are dark and cosy with feature jewel tones of emerald green and ruby pink. The wallpaper here is detailed with wildlife images, including rabbits and deer, with set dressing including faux taxidermy in a nod to the Duke of Westminster’s love of country pursuits. The connecting spaces feature artwork referencing horse-racing and country life, with a quirky, full-sized horse lamp greeting visitors en route to the toilets.

    The 30-cover indoor section of Benedict’s restaurant showcases a more feminine, romantic feel, inspired by the Victorian love of floral patterns and motifs and including bright velvet fabrics, patterned wallpaper and petal-shaped lamps. The external terracing has both a 12-person bar area overspill and a 26-cover restaurant seating area, dressed in striking black-and-white-striped wicker furniture, referencing the building’s Jacobean architectural elements, with gold cushion highlights and upholstery.

    Private Dining Room

    The first floor Benedict’s private dining room is an opulent space, perfect for entertaining, and inspired by traditional Victorian drawing rooms.

    Image credit: The WILDES Hotel Group

    A bespoke timber table for 16 guests is its central focal point, with design features including striking chandeliers, opulent velvet drapes and a floral ceiling finish.

    Restrooms

    Taking inspiration from Victorian powder rooms, the ladies’ toilets feature pink Victorian metro tiles and gold swan taps, whilst the men’s are in darker tones, with green tiling and black swan taps. Both are tied together through the use of wallpaper featuring giant fern leaves, referencing a plant that was particularly popular in Victorian times, along with metal-plated cisterns embellished with the Benedict’s logo.

    Spa

    The Spa area boasts a super-feminine, indulgent scheme. Predominantly pink, its motifs include a feature raised peacock motif against the dove-grey wall panelling and faux cherry blossom dressing, nodding to the Orient and the Victorian taste for Chinoiserie. Plush pink velvet banquette seating sits below pink wall panelling, with neon ‘Blooming Fabulous’ wall signage adding to the space’s indulgent feel.

    Guestrooms

    Although each room is unique in terms of proportion, layout and views, design treatments broadly follow two paths. The first is fresh, elegant and airy with a British country pursuits influence.  Parquet timber floors and light wall panelling provide a backdrop to green velvet window dressing, large-scale foliage rugs and rattan-style furniture and headboards. Leather detailing, quilted stitching embellishment and gold lighting elements tie the scheme together.

    Image credit: The WILDES Hotel Group

    The second treatment features a richer and moodier colourway, with dark wall panelling and black rattan headboards. The windows and grand double beds are in ruby velvets, whilst the parquet flooring is layered with a large-scale floral rug.

    Both bedroom types have connecting details, such as bespoke bedside tables, which are inspired by horse-racing and particularly The Champion’s Chest, where cups and medals are held, whilst also featuring WILDES branding. Each room type also has a feature coloured sink, marble wall panels and timber panelling as well as freestanding baths engraved with the hotel’s branding.

    The upper floor features a number of skylighted ‘Stargazing Rooms’, allowing guests to gaze up into the night sky, whilst one additionally features a mezzanine level, which is accessed by a spiral stair and leads up to a private cinema and bar. This space features green velvet reclining armchairs, gold lighting and burnt orange velvet curtains framing the screen, combining to deliver a cosy-but-luxurious cinematic experience.

    Main image credit: The WILDES Hotel Group 

    Schlüter Systems becomes Showcase Partner for The Brit List Awards 2020

    730 565 Hamish Kilburn
    Schlüter Systems becomes Showcase Partner for The Brit List Awards 2020

    Known for providing innovative surface and bathroom solutions, Schlüter Systems has become Showcase partner for The Brit List Awards 2020

    Following the unveiling of the shortlist, where more than 120 individuals and projects were selected, Schlüter Systems has become Showcase Partner for The Brit List Awards 2020.

    Lee Rowland, Head of Sales at Schlüter Systems commented on the announcement: “Being part of an industry facing its fair share of challenges in 2020, it is imperative that the talent, motivation, and drive which keeps businesses pushing forward, whether individual or as an entire company, are celebrated.

    “The Brit List Awards identifies the leading interior designers, architects, hoteliers and suppliers operating in Britain and Schlüter-Systems are proud to support this.

    “As a manufacturer of tile and stone accessories, we work alongside many different areas of the architectural industry and have seen first-hand how practices have pulled together within the current climate and we wish the best of luck to all nominees.

    The Brit List Awards is Hotel Designs’ annual nationwide search to find the top designers, architects, hoteliers and suppliers who are operating in Britain.

    As well as selecting the the top 25 designers, architects and hoteliers who will be profiled in The Brit List 2020, the campaign also selects individual winners of the following categories:

    • Interior Designer of the Year
    • Architect of the Year
    • Hotelier of the Year
    • Best in Tech
    • The Eco Award
    • Best in British Product Design
    • Outstanding Contribution to the Hospitality Industry

    How to attend the virtual award ceremony

    If you are a designer, architect, hotelier or developer and would like to attend the virtual award ceremony, which will take place at 14:00 (GMT) on November 12 2020, click here.

    If you are a supplier and would like to attend the virtual award ceremony, which will take place at 14:00 (GMT) on November 12 2020, click here.

    How to attend The Brit List Winners’ Party/MEET UP London

    If you are a designer, architect, hotelier or developer and would like to attend The Brit List Winners’ Party/MEET UP London, which will take place at Minotti London on January 28 2021, click here.

    If you are a supplier and would like to attend The Brit List Winners’ Party/MEET UP London, which will take place at Minotti London on January 28 2021, click here.

    If you would like to discuss various sponsorship packages available, please contact Katy Phillips via email, or call 01992 374050. Tickets to both the virtual event and the winners party will be available to secure soon.

    Product watch: Carioca by Granote brings colourful new meaning to walls

    730 565 Hamish Kilburn
    Product watch: Carioca by Granote brings colourful new meaning to walls

    Designed by famed Italian interior designer Marco Carini to bring a colourful new meaning to walls, Carioca is a striking cork tile concept from Granorte

    Offering two extra-large formats (900 x 150mm and 900 x 300mm), Carioca is a range of bold colour infused cork tiles that can be mixed at will for a strikingly different wall. Each tile is made in Portugal using cork from the country’s carefully protect forests and which is already recycled from waste of the wine stopper industry.

    Available in 15 shades from Bluemoon and Dove Blue through Forest, Terracotta and Safrron to Purple, Blush and Pearl; Carioca also comes in eight multi-colour designs of complementing hues coordinated to the monochrome options. Each tile features a machined edge to give a pronounced, thick join that reveals the almost-black cork base layer, adding depth and making the wall even more captivating.

    Bringing a modern graphical edge to cork’s timeless natural aesthetic, Carioca expresses the liveliness and energy of cork as a contemporary surface material. FSC-certified, the tile uses cork’s inherent sound absorption and thermal regulation benefits to improve acoustics and energy performance. A water-based Aquadur® matt finish fights off marks and makes maintenance easy, ensuring that despite it light weight, Carioca has the performance needed for today’s commercial interiors.

    Paulo Rocha, product and R&D manager, Granorte, says, “Carioca’s beauty is in its fusion of modern graphic design and natural material to provide a more sustainable alternative to man-made surfaces. Marco’s clever use of bold colour and strong graphic lines on top of cork’s individual and intrinsic beauty, produces a powerful aesthetic that’s hard to ignore.”

    Natural, renewable, recyclable, bio-degradable, PVC-free, lightweight, high-performance and strikingly good to look at, Carioca is another example of Granorte pushing the boundaries of possibilities with cork.

    Granorte is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here

    Main image credit: Granorte

    Bathroom goals: when sustainability meets design

    730 565 Hamish Kilburn
    Bathroom goals: when sustainability meets design

    Leading Austrian Architectural firm STEINBAUER architektur+design used natural materials to design a family home, and specified Kaldewei products to create a bathing experience unlike any other…

    Sustainability meets design in Austria’s Winzendorf-Muthmannsdorf municipality. Surrounded by grapevines, and set on a sloping plot of around 1,600 square metres, is a detached house in harmony with nature. The distinctive and nature-loving architecture is in evidence outside, in the form of the charred larch cladding used on the façade. The client requested elegance and eco-conscious design everywhere, including the bathroom.

    Image credit: Kaldewei

    Sustainable building methods are demonstrated throughout the light-filled, open-plan house all the way through to the bathroom: this is where, in keeping with the overall eco-friendly concept; architect Oliver Steinbauer, owner of the firm STEINBAUER architektur+design, in Vienna’s Neustadt, installed a Kaldewei Conoduo bathtub, made from sustainable steel enamel. Thanks to its natural raw materials, steel enamel is 100 per cent recyclable and exceptionally long-lasting.

    The lower levels inside the new-build family home are dominated by sandblasted concrete ceilings, steel, exposed screed and large windows. The private rooms feature white Corian, naturally oiled oak and discreet east-facing light slits. All of the built-in furnishings have been crafted from brushed wild oak, these are combined with individual pieces made of Engelsberg marble from the nearby quarry. The wine-cellar is another design highlight, sunk deep into the earth for optimum temperature control.

    “Because the plot is a vineyard that has been family-owned for generations, creating a building that was timeless and in harmony with nature was paramount right from the start,” says architect Oliver Steinbauer.

     

    The bathroom is located on a mezzanine floor. At its heart is the sunken Conoduo bathtub from Kaldewei which has a framed view towards the Engelsberg mountain to the northwest. Here too, the focus on eco-friendly building methods is evident from the material used for the bathtub. The Conoduo is made of Kaldewei steel enamel, an exquisite symbiosis of steel and glass. Steel enamel is manufactured by Kaldewei from natural raw materials. At the end of its useful life it can be fully recycled. The glazed surface of the bathtub is extremely robust, hygienic and easy to clean. Kaldewei backs up its exceptional longevity with a 30-year guarantee. “The steel enamel bathtub goes perfectly with the open but varied spatial layout and the property’s reduced natural materiality,” added Steinbauer.

    The design of the bathtub fits seamlessly into this home. Conoduo’s hallmarks are its minimalist design and timeless elegance – rounded off by a flat waste outlet and a discreet overflow, both enamelled in the same colour as the bathtub. This allows the bathtub, in keeping with the property overall, to meet the highest standards of design and aesthetic. The home’s owners can thus enjoy a relaxing bath while feeling that they are sitting in the middle of a wine terrace. This superbly soothing setting make this the perfect spot for them to savour a fine wine made from their own grapes.

    Kaldewei is one of our recommended suppliers. To keep up to date with supplier news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

    Main image credit: Kaldewei

    1 in 3 Brits want to replace shower with modern system, survey reveals

    730 565 Hamish Kilburn
    1 in 3 Brits want to replace shower with modern system, survey reveals

    A survey carried out by GROHE has revealed British showering behaviours and consumer attitudes towards their bathroom…

    As indicated in the debut broadcast of Hotel Designs LIVE, bathroom and wellness demands have shifted as we look ahead towards a post-pandemic world.

    The demands on bathroom design have risen significantly, with the shower gaining a lot more attention, being preferred over bathing by 64 per cent of UK participants surveyed in a recent study by global market research institute, Explorare, commissioned by GROHE.

    As many as 43 per cent are now viewing the bathroom as an indulgent space for wellness and relaxation with 48 per cent using the shower to help them relax, the survey found.

    Whatever our reasons for showering; whether it’s an invigorating way to start the day, a quick freshen up after working out or for pure relaxation, our needs vastly differ from person to person and even day by day, and showers need to be able to meet this demand.

    Alongside flexibility in design and functionality, the survey results revealed that safety and sustainability are two key factors consumers take into consideration when it comes to showering. 78 per cent said that having a shower surface that doesn’t get hot whilst they’re showering was a priority and similarly, 61 per cent deemed a thermostat that can balance out fluctuations in temperature an important factor in their shower’s performance. Meanwhile, around half (51 per cent) of Britons are actively trying to save water with 54 per cent seeking additional sustainable functions from their shower to help them live more eco-consciously in their day-to- day lives.

    The combined results of the study provide in-depth insights into consumer behaviour around showering and help bring to light some key customer profiles:

    • The “Hygiene Pragmatist”, who showers after exercise like 55 per cent of those surveyed, does not spend much time in the bathroom and favours a practical shower system that keeps water consumption to a minimum.
    • The “Wellness Lover”, who is looking for intelligent shower systems with lots of innovative features for a truly luxurious water experience
    • The “Freshness Enthusiast”, who prefers a shower system with comfortable user-centric features and high design standards.

    The bathroom is no longer a purely functional room used exclusively for personal hygiene. Expectations have risen considerably which has been accompanied by the increasing complexity of bathroom design and furnishing.

    Retailers, designers and installers can really build an understanding of their customer’s needs by exploring individual customer behaviour and combining this with their product and industry knowledge to make informed, relevant recommendations. At a time when 40 per cent of us are using the bathroom for some much-needed space and me-time, conveying the emotional added value of a product can create plenty of upsell opportunities, and ultimately result in a higher level of positive customer satisfaction.

    GROHE is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

    Main image credit: GROHE

    New speakers announced for Hotel Designs LIVE

    730 565 Hamish Kilburn
    New speakers announced for Hotel Designs LIVE

    Calling all designers, architects, hoteliers and developers: you can secure your complimentary seats in the audience for Hotel Designs LIVE, which takes place on October 13, by clicking here

    With just a few weeks to go until Hotel Designs LIVE on October 13, new speakers have been announced for the one-day virtual conference.

    Click here to read the agenda for Hotel Designs LIVE. | Click here to participate in Hotel Designs LIVE.

    Hotel Designs LIVE, sponsored by headline partner Technological Innovations Group, was born out of the idea to keep the industry connected and the conversation flowing during the lockdown period following the spread of Covid-19 coronavirus. However, considering the noise the virtual conference created, the team at Hotel Designs have decided to return with part two. “The aim of this event on October 13 is to look beyond today’s pandemic in order to find real solutions for designers, hoteliers, architects and developers,” explains editor Hamish Kilburn who will host the virtual event. “To do this meaningfully, we have invited industry experts from around the world to sit on our virtual sofa.”

    Confirmed speakers include:

    • Bill Bensley, Founder of BENSLEY
    • Erik Nissen Johansen, Founder of Stylt
    • Erica Pritchard, Associate at HBA London
    • Eric Jafari, Chief Development Officer at Locke
    • Constantina Tsoutsikou, founder of Studio LOST
    • Sara Gardiner, co-founder of Matetsi Victoria Falls
    • Karolin Troubetzkoy, Executive Director of Anse Chasanet & Jade Mountain
    • Ari Peralta, CEO of Arigami
    • Fiona Thompson, Principal at Richmond International
    • Therese Virserius, Founder of Virserius Studio
    • Olivier Delaunoy, Technology Director at SymbiOT

    In addition to the live interviews and panel discussions with handpicked industry experts – and to ensure that the event is bridging the gap between hospitality suppliers and designers, architects, hoteliers and developers – the conference also included structured ‘PRODUCT WATCH’ pitches around each session, allowing suppliers the opportunity to pitch their products and services in a ‘live’ environment to the hospitality buyers that are tuned in.

    If you are a designer, architect, hotelier  or developer and would like to secure your complimentary seats in the audience, click here.

    If you are a supplier to the hotel design industry and would like to promote your latest product or services to the Hotel Designs LIVE audience, please contact Katy Phillips via email or call +44 (0)1992 374050.

    Product watch: wall hanging mirrors, made in London

    730 565 Hamish Kilburn
    Product watch: wall hanging mirrors, made in London

    Alguacil & Perkoff was created with the aim to help create distinctive, beautiful and harmonious interiors through the design and careful selection of original and exquisite collections of mirrors.

    The importance of mirrors in hospitality is undeniable in a great number of ways. Obviously crucial in every room and bathroom for use by guests, they are also extremely valuable elements for the design of all spaces in the building. Equally important is the selection of the right partner to create and supply those mirrors.

    Mirrors not only bring light into a room and a greater sense of space, but they also provide designers with a wide range of unique and original decorative options to create beautiful feature points that reflect, complement or enhance the interior design.

    Mirrors used as unique feature points have a great aesthetic impact and require unique and at times minimalist or very dramatic designs, always with impeccable finishes.

    Although their design is important in their selection, mirrors in guest rooms and bathrooms often fulfil more practical requirements and are often required in larger volumes.

    Whichever the case may be, there are three key qualities that the supplier of such mirrors needs to possess:

    • Original designs and complete flexibility to customise them
    • High Quality with an understanding of budget constraints
    • Reliability and remarkable customer service

    Alguacil & Perkoff was created by founding directors Jose Luis Alguacil Rodriguez and Serge Perkoff with the aim to help create distinctive, beautiful and harmonious interiors through the design and careful selection of original and exquisite collections of mirrors.

    The team design and manufacture in London, UK . They have developed their own collections of modern and high quality hand-crafted wall hanging mirrors that proved rapid successes. Offering a variety of traditional or more modern shapes, their mirrors are either frameless or elegantly embellished with brass, copper, stainless steel or powder coated frames.

    Each mirror is fully customisable, including size, mirror tint, frame style / finish / colour, and backing material. They also create and/or fabricate bespoke mirrors on demand.

    Perkoff says: “We founded our workshop with an appetite for design, creativity and hand-crafting. We were not driven by trends but followed our instincts to create often minimalist, but always high quality, elegant and beautiful mirrors.

    Moving to source our components locally not only gave us complete control over quality and flexibility in design, but also allowed us to customise each and every one of our mirrors still maintaining reasonable delivery times and without ramping up costs or compromising quality.”

    Alguacil & Perkoff is building trust every day among the design community, placing a strong emphasis on reliability and customer service. They are today working on a daily basis with interior designers, architects or individuals who are seeking to acquire hand-crafted mirrors that fulfil their specific requirements to make their interiors more unique.

    Alguacil says: “Although attention to details is paramount to our work, our designs do possess a hand-crafted feel to them which is a signature of our work and our quality, and that makes each mirror unique. We have kept true to our original intentions and stayed away from finishes that make a mirror look like it has been mass-produced.

    We however love our work with designers, and do adapt and listen to the needs of our customers. It has lead for example to the development of a highly successful collection of ceiling suspended mirrors. Each is custom made and possesses a high quality finish both at the front and at the back of the mirror. Those can also be double sided if required.”

    Alguacil & Perkoff mirrors are safely shipped worldwide on a daily basis. They are today a reliable supplier of mirrors for all hospitality projects, with the capacity to supply large volume pieces from existing collections, or fully customised creations for more unique designs.

    Alguacil & Perkoff is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here

    Main image credit: Alguacil & Perkoff

    Supplier insight: the indispensability of hygiene

    730 565 Hamish Kilburn
    Supplier insight: the indispensability of hygiene

    For commercial interiors, the Covid-19 pandemic will leave a lasting legacy in the demand for surface finishes that can contribute to improved hygiene, says UNILIN

    More often only thought about in sensitive environments, hygiene has quickly become a factor in the specification of materials where before it wasn’t considered a concern. Now everywhere demands surfaces that can fight off bacteria or that are easy to disinfect.

    Fortunately, the need for a hygiene friendly finish doesn’t mean that interior projects have to compromise on design, at least not when it comes to laminated boards and HPL materials from UNILIN panels. These surfaces can be cleaned several times a day by 70 per cent alcohol solutions without fear of damage, helping in the ongoing maintenance and daily hygiene of commercial environments.

    In everywhere from schools and shops to offices and hotels and on everything from desks, tables and walls to doors and cupboards; UNILIN panels can provide a hygienic surface without sacrificing aesthetic integrity. With the UNILIN Evola collection, specifiers can bring the feel and look of natural materials, brushed metals and terrazzo, explore the crisp ‘clean’ colours of pure white and bright fresh green, or embrace the soft-touch effect of Super Matt Black; creating surfaces that are at once beautiful and hygienic. With more than 190 options, there’s really no limit to creativity.

    Bringing perfection in the details, UNILIN develops its surfaces in-house, experimenting with the depth of emboss and level of gloss to develop harmonious and lifelike designs, all without affecting the surface’s ability to be cleaned. So, whether creating a natural ambience for hotel guest rooms or a bold, graphic design for corporate offices; designers can offer customers universally simple maintenance in a finish designed to cope with busy commercial spaces.

    Jurgen Plas, marketing manager, UNILIN panels, says: “Undoubtedly, Covid-19 has accelerated change in commercial environments, not only in terms of how we use and engage with the space, but also in what that particular environment demands from its finishes. It’s been a dramatic and rapid shift, yet one that is set to last and we’re ready to rise to the challenge of hygiene with our melamine faced panels, HPL and innovative Clicwall system.”

    UNILIN is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

    Main image credit: UNILIN

    The Brit List Awards 2020: Shortlist announced

    730 565 Hamish Kilburn
    The Brit List Awards 2020: Shortlist announced

    The shortlist for The Brit List Awards 2020 has been announced, with more than 120 individuals and projects selected across eight categories…

    Known as the industry’s most widespread search to identify the leading designers, architects, hoteliers and suppliers, The Brit List Awards 2020 has unveiled this year’s shortlist.

    The finalists, listed below, have been invited to attend The Brit List Awards’ annual award ceremony – taking place virtually on November 12. At the event, The Brit List 2020 (a publication that profiles the top 25 designers, architects and hoteliers) as well as the individual winners will be announced. In addition, Hotel Designs is hosting a ‘Winners’ Party’ for the industry on January 28, 2021, which will be aptly sheltered inside Minotti London’s Fitzrovia showroom.

    Click here to attend the virtual awards. | Click here to attend the Winners’ Party.

    Now in its fourth year, The Brit List Awards is Hotel Designs’ the nationwide search to find the most influential designers, architects, hoteliers and suppliers operating in Britain. This year’s meticulous process began months ago when Hotel Designs opened up nominations and applications to its loyal readers.

    “Now more than ever, we should recognise and celebrate the leading individuals who are consistently and meaningfully at the forefront of British design, architecture and hospitality.” – Hamish Kilburn, editor, Hotel Designs.

    Since then, an independent panel of expert judges gathered to discuss and select this year’s individual award winners and also to confirm the 75 individuals who have made it into The Brit List 2020. “Now more than ever, we should recognise and celebrate the leading individuals who are consistently and meaningfully at the forefront of British design, architecture and hospitality,” said editor Hamish Kilburn. “Although, on record, 2020 has been one of the most challenging periods for the industry, I have faith that the individuals we have shortlisted, together, have the skills and experience to create meaningful solutions for hospitality and hotel design in the post-pandemic world.”

    Adding an extra layer to this year’s event will be the currently confirmed 2020 sponsors and partners. They are: Crosswater (Headline Partner), Hamilton Litestat (Event Partner), Duravit (Event Partner), Aqualisa (Award Partner), Hansgrohe (Award Partner), Schlüter Systems (Showcase Partner), British Institute of Interior Design (Industry Partner), HIX Event (Networking Partner).

    The shortlisted finalists for The Brit List 2020 are: 

    Interior designers

    StudioDesigner
    1508 LondonHamish Brown
    Areen DesignAndrew Linwood
    B3 DesignersMark Bithrey
    Bergman InteriorsMarie Soliman
    Bergman InteriorsAlbin Berglund
    Beyond DesignGeraldine Dohogne
    Conran and PartnersTina Norden
    David Collins StudioSimon Rawlings
    Dennis Irvine StudioDennis Irvine
    DesignLSMEmma Farren
    Dexter Moren AssociatesLindsey Bean-Pearce
    EnnismoreCharlie North
    Fran Hickman Design & InteriorsFran Hickman
    G.A. GroupEdward Davies
    Goddard LittlefairMartin Goddard
    Hirsch-Bedner AssociatesDavid T’Kint
    Holloway LiAlex Holloway
    IHGClinton Freeman
    IHG Interior Design DeptHenry Reeve
    Kai InteriorsMichaela Reysenn
    Marriott International (in-house)Michael Bories
    MBDSMartin Brudnizki
    MotionspotEd Warner
    Patrick LeLarge StudioPatrick LeLarge
    Project OrangeJames Soane
    Rachel Laxer InteriorsRachel Laxer
    Rosendale DesignDale Atkinson
    RPW DesignElizabeth Lane
    Scott BrownriggDavid Mason
    Squid Inc.Oliver Redfern
    Studio Mica LimitedCarolynne Shenton
    The Waterside Inn (in-house)Laura Roux
    Twenty2DegreesJoe Stella
    Wimberly InteriorsDamien Follone
    Yasmine Mahmoudieh StudioYasmine Mahmoudieh

    Architects

    Studio Architect
    3D ReidGordon Ferrier
    BACA ArchitectsRichard Coutts
    Ben Adams ArchitectsBen Adams
    Conran and PartnersSimon Kincaid
    Dawson Design AssociatesMetehan Apak
    Dexter Moren AssocaitesMark Wood
    EPR ArchitectsMark Bruce
    EPR ArchitectsGeoff Hull
    Foster + PartnersLuke Fox
    GA GroupTerry McGinnity
    HGP ArchitectsMatthew Salter
    Hilton EMEAChristopher Webb
    Holland Harvey ArchitectsRichard Holland
    Holloway LiNa Li
    Holloway LiAlex Holloway
    Jestico + WhilesJames Dilley
    jmarchitectsGraham Barr
    LDS ArchitectsCatarina Pina-Bartrum
    NAME ArchitectureNathalie Rozencwajg
    ODOS ArchitectsDavid O’Shea
    Orms
    PLP Architecture
    Simon Whittaker
    Mark Kelly
    ReardonSmith ArchitectsJonny Sin
    Red DeerCiarán O’Brien
    RPP ArchitectsSimon Robinson
    RPP ArchitectsHarry McConnell
    RPP ArchitectsPeter McGirr
    RPP ArchitectsAlan Shields
    SIRSManuel Irsara
    WATGDan Hinch
    Zaha Hadid ArchitectsChristos Passas

    Hoteliers

    Hotel/groupHotelier
    45 Park LaneJohn Scanlon
    Bespoke HotelsRobin Sheppard
    BirchChris King
    Brown’s HotelStuart Johnson
    Carbis Bay Hotel & EstateStephen Baker
    Cheval CollectionGeorge Westwell
    COMO Metropolitan LondonJavier Beneyto
    Corinthia LondonThomas Kochs
    Eccleston Square HotelOlivia Byrne
    GleneaglesConor O’Leary
    Ham Yard HotelLaura Sharpe
    Hastings Hotels GroupHoward Hastings
    Heckfield PlaceOlivia Richli
    Hotel Café RoyalGuillaume Marly
    Hotel Indigo Stratford-upon-AvonCarl Davies-Phillips
    Lime Wood Group & Home Grown Hotels (The Pig)Robin Hutson
    Nobu Hotel Portman SquareGrant Campbell
    Ruby HotelsMichael Struck
    Sofitel London St JamesMarie-Paule Nowlis
    Stock Exchange Hotel (Manchester)Gary Neville
    The Apartment GroupDebrah Dhugga
    The Artist ResidenceJustin Salisbury
    The BeaumontJannes Soerensen
    The Cave Hotel & Golf ResortRobert Richardson
    The GallivantHarry Cragoe
    The Lanesborough, LondonMarco Novella
    The Prince Akatoki LondonRay Goertz
    The Rosewood LondonMichael Bonsor
    The Standard LondonElli Jafari
    Treehouse Hotel LondonAyo Akinsete

    Best in Tech

    Aqualisa (Quartz Touch)
    Hamilton Litestat (Perception CFX Decorative Wiring Accessories)
    ReMake by Panaz
    Safeology UVC
    SleepAngel Barrier Bedding
    The Cave Hotel & Golf Resort
    XR SmartStudio (Royal Lancaster London)

    The Eco Award

    Focus EcoDesign Fireplaces
    Granorte Cork
    Heckfield Place
    Room To Breathe
    Silentnight Group Hospitality
    The Chamberlain by Sibley Grove

    Best in British Product Design 

    ALMAR
    AMMIQUE
    Aqualisa (Quartz Touch)
    Button-Fix
    Chelsom Edition 27
    Fitzroy of London (Accessible Washroom Package)
    Hamilton Litestat
    Monkey Puzzle Tree (‘Hit the North’ real cork wallpaper)
    Parkside (Sequel Principle collection by Alusid)
    Phillip Watts Design (Shoe Pull)
    Safeology
    Focus SB (Kelly Hoppen collection)
    SMD Textiles (Houndstooth)
    Splinterworks (Hamaca)
    Style Library (Anthology Volume 07)
    Vaughan (Coldstream Picture Light)

    There is no shortlist for the award for Outstanding Contribution to the Hospitality Industry, which will be the final award presented at the exclusive ceremony.

    To attend The Brit List 2020 Awards, click here. To attend The Brit List Awards Winners’ Party, click here. If you would like to discuss various sponsorship packages available, please contact Katy Phillips via email, or call 01992 374050.

    #TheBritListAwards2020

    In Conversation With: interior designer Lisa Haude

    730 565 Hamish Kilburn
    In Conversation With: interior designer Lisa Haude

    Interior designer Lisa Haude, founder of PDG Studios, is known for her creative and unique approach to design. Editor Hamish Kilburn sits down with the storyteller to understand why she is considered one of the industry’s finest…

    A storyteller in her own right, designer Lisa Haude creates one-of-a-kind spaces that breathe a new level of authenticity into the projects she touches. Working predominantly with the larger brands, such Hilton Hotels & Resorts, Hyatt Hotels & Resorts and Marriott International, Haude’s style is to celebrate the history of each hotel’s destination, which is channeled through an meaningful design narrative that is sheltered inside each project. 

    One of her recent projects – among many others – is AC Hotel by Marriott Washington D.C. Downtown, a hotel in the heart of the city that’s design marries together the architectural relevance of Washington D.C. with a modern twist.

    Image credit: AC Hotel by Marriott Washington DC Downtown

    “The one-of-a-kind light fixture that spans from the bar through the lobby space is actually a replica of the Potomac River from an aerial viewpoint.” – Lisa Haude, founder of PDG Studios.

    To learn more about the project, and the designer who brought it to life, I caught up with Haude, the founder of PDG Studios.

    Hamish Kilburn: What inspired you to be a designer? 

    Lisa Haude: I’ve always loved being creative. Thinking outside of the box and bringing a vision to life is such a rewarding experience and one that I treasure the most.

    HK: One of your recently completed projects was the AC Marriott DC. Can you explain for us the design scheme and what the challenges were for this project? 

    LH: With this project, we wanted to take the iconic, historical architectural elements of Washington DC and reinvent them with a modern interpretation. This was done by juxtaposing strong structural lines (which the building already had) and incorporating softer curves and fluid movement via furniture and unique, yet focal, point details. For example, the one-of-a-kind light fixture that spans from the bar through the lobby space is actually a replica of the Potomac River from an aerial viewpoint, which was reinterpreted in an artistic light form to provide soft, fluid lines and movement throughout the space.  

    Our biggest challenge with this space was working within a very small building that had many structural constraints. Although difficult at times, these challenges are what really allow us to expand our creativity and bring something truly unique to life! 

    HK: As well as high-end luxury you have also completed some recent budget hotels. How do you achieve adding personality on a budget? 

    LH: With a small budget, we focus on being strategic with how the funds are allocated, paying attention to every little detail and having a very strong design story that can be implemented from start to finish. This requires some flexibility and creativity as you work through the execution of the design with the contractor to ensure that the design intent is carried through and will make the most  out of the budget you are working with. 

    Image credit: Hilton Garden Inn Bozeman

    HK: Can you explain to us more about the projects you have on the boards? 

    LH: We are currently working on a historic/adaptive reuse property, a modern mountain get-away, and another very fun project that will be a nod to history but with a modern twist, among a few others! 

    HK: In your work, there seems to be a lot of emphasis on art. What is your secret to persuade the client to allocate enough budget for artwork? 

    LH: We believe that art is part of the design story and we are very intentional with the placement and selection of the pieces we use. We work closely with our owners to make sure we have some money carved out to include some unique pieces in the spaces, as they are the necessary cherry on top that helps complete the design. 

    Image of an art exhibition

    Image credit: Hilton Garden Inn Sunnyvale

    QUICK-FIRE ROUND

    HK: What is one trend that you wish will never return?

    LH: Wallpaper borders! This may be dating me slightly, but when I started in the design industry, a guestroom or residential project was not complete unless you had a wallpaper border in the space.

    HK: What items during lockdown could you not have lived without? 

    LH: Computer, iPhone and wine (and, of course, my daughter and dog!)

    HK: What makes a good design team? 

    LH: A team of like-minded individuals who respect each other and truly value each other’s input and love to collaborate.

    HK: Who is your interior design hero? 

          LH: I have so many people in the industry that I look up to, but today, the people I admire the most are those working around the clock to find safe alternatives and vaccines so that we may all soon be able to travel freely and be inspired by the people and places around us.

    HK: Describe PDG Studios in three words…

        LH: storytellers, authentic and collaborative! 

    “It’s important to plan for and design zones that allow for individual space.” – Lisa Haude, founder of PDG Studios

    HK: How have the challenges of the pandemic allowed you to challenge conventional design? 

    LH: We now need to be more adaptive and creative with how we approach design. In our current designs, we encourage the incorporation of more green and outdoor space (i.e. rooftop  terraces, balconies and courtyards), the use of larger windows/natural light sources and less toxic materials, such as natural materials and plants. It’s important to plan for and design zones that allow for individual space, where one can work and be conscience of the materials that are being used. Moving forward, it will be imperative to source materials that do not harbour germs and can be easily cleaned—and those people spending time in these spaces will want to know that! 

    Image credit: AC Hotel by Marriott Washington DC Downtown

    HK: How will smart tech evolve in the hotel guestroom post-pandemic? 

    LH: Easy/quick access to tech will become even more of a necessity. From the ability to work from your room via teleconferencing to the ease of being able to fully automate your room via your smart device, tech is most likely going to continue to evolve and become more mainstream and expected.  For example, the ability to turn on/off lights, control the AC /heat, open/close the door, etc., without contact (using voice activation instead) will be very desired and important to many people. The technology is already there for many of these items, but I believe there will be a greater push to make it more affordable and mainstream to the greater public in a hospitality-type setting.

    HK: Has sustainability slipped off the agenda in hospitality? 

    LH: I don’t think so. I feel like it is now even more important that we use products that are sustainable, locally sourced and easy to clean and maintain. I believe that this period of time has taught us all to take a step back and appreciate the people in our life and our surroundings. We have also become more conscience about our choices and how products are used and/or disposed of. 

    Main image credit: PDG Studio/Hilton Garden Inn Bozeman/AC Hotel by Marriott Washington DC Downtown

    Bette shortlisted in SBID Product Design Awards 2020

    730 565 Hamish Kilburn
    Bette shortlisted in SBID Product Design Awards 2020

    Bette has been shortlisted in the SBID (Society of British and International Interior Design) Product Design Awards 2020…

    The company’s new freestanding, circular, glazed titanium-steel bath, the BettePond Silhouette, has been shortlisted in the ‘Sanitaryware’ category.

    Considered one of the most prestigious accolades in interior design, success in SBID’s awards programme is achieved purely for design, innovation and functionality of the entries, with finalists demonstrating the highest standards of design excellence for interior products.

    Each entry undergoes a two-tier judging process, with leading industry professionals evaluating the entries, followed by a public vote, that makes up 30 per cent of the results. Bette’s BettePond Silhouette was shortlisted by this year’s jury for both its technical standards and creative delivery.

    Bette is now encouraging votes in the final stage at www.sbidawards.com with voting closing on Wednesday September 30 at 5pm.

    You can find out more and vote here.

    The winning entry in each category will be announced on Friday October 23.

    Bette is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

    Main image credit: Bette

    Weekly briefing: safe design, A+D post-pandemic and Hyatt at new heights

    730 565 Hamish Kilburn
    Weekly briefing: safe design, A+D post-pandemic and Hyatt at new heights

    Only got a minute? Our editorial team have compiled the top design stories that they have published this week, including an exclusive report into safe design, an interview about A+D post-pandemic and Hyatt making another debut…

    We appreciate you may not have time to read all the content that Hotel Designs has published this week. Therefore, here is our ‘editor’s pick’ of the juiciest stories that have been covered this week.

    FEATUE: safe design & emotional guest wellness

    For article two in the Hotel Designs LAB series, Hotel Designs and Arigami move past sound in design. Founder of Arigami Ari Peralta and editor Hamish Kilburn compile the thoughts of neuroscientist at NASA Human Research Program and a neurofeedback technologist at MuArts to dive beneath the surface of safe design and emotional wellness.

    Read more.

    Hotel Designs LIVE adds new speakers to event

    The next Hotel Designs LIVE, which is free to attend for designers, architects, hoteliers and developers, will take place on October 13.

    In addition to the live interviews and panel discussions with handpicked industry experts – and to ensure that the event is bridging the gap between hospitality suppliers and designers, architects, hoteliers and developers – the conference also included structured ‘PRODUCT WATCH’ pitches around each session, allowing suppliers the opportunity to pitch their products and services in a ‘live’ environment to the hospitality buyers that are tuned in.

    Click here to secure your place in the audience.

    In Conversation With: architecture and design in a post-pandemic world 

    Image caption: A render of a new wellness experience that will be sheltered inside Pan Pacific London

    With the world the way it is at the moment, the conversation in the industry has steered sharply towards how architecture and design will be affected in the post-pandemic world. Looking ahead, we sat down with Mark Kelly, Partner at PLP Architecture, to understand how to build a meaningful hotel landscape.

    Read more.

    Parkside collaborates with brassware brand Rutland

    The Parkside x Rutland London collaboration has brought together the two companies for a series of photographs showing off the latest ceramic tiles and brassware. With Parkside sourcing tiles from the world’s best manufacturers and Rutland London manufacturing its luxury brassware in Hampshire, the project demonstrates the ability of global and local design influences to work in unison.

    Read more.

    Hyatt Regency Lanzhou Opens as “new architectural landmark”

    Image credit: Hyatt Hotels

    Hyatt Hotels has announced the opening of Hyatt Regency Lanzhou, Hyatt’s debut hotel in the city of Lanzhou, China. Located in a city that is considered a gateway to China’s west region, the hotel is designed for productivity and peace of mind through its anticipatory service for which the Hyatt Regency brand is known.

    Read more.

     

    5 minutes with: Paul Zway on ‘The Private Collection’

    730 565 Hamish Kilburn
    5 minutes with: Paul Zway on ‘The Private Collection’

    To understand The Private Collection by Exclusive Tents, editor Hamish Kilburn sits down with the brand’s founder, Paul Zway…

    Built with couples, families or small groups in mind – as well as for poolside, day beds and beach use – The Private Collection of innovative tents by Exclusive Tents are designed for tomorrows travellers.

    Uniquely, these small-scale tents are created to be placed close to each other and still be able to maintain the social barrier that will allow for safety and luxurious comfort.

    To understand more about the collection – and the man behind the Exclusive Tents brand – I caught with Paul Zway.

    “In this Post-Covid world, only glamping offers the security of a natural form of social distancing.” – Paul Zway, Founder, Exclusive Tents.

    Hamish Kilburn: In 16 years, why do you believe the demand for luxury tented accommodation has increased the way it has?

    Paul Zway: There has been an ever-enlarging segment of people who want to get back closer to nature not only to find harmony but to also find freedom in space which Glamping naturally offers.

    There is also an element of wellness and comfort that comes to those willing to experience living in a luxury tent whilst being immersed in and connected with/to nature. In this Post-Covid world, only glamping offers the security of a natural form of social distancing.

    HK: What makes these new tents ideal for social distancing?

    PZ: These are relatively compact tents of which the two smallest are five-sided (pentagon) and the other two are respectively rectangular and hexagonal tents. All have the luxury features of our larger Exclusive Collection of tents but they are small and private enough to be placed close to each other and still be able to maintain the social barrier.

    All wall panels can be raised or lowered based on how they are spaced and placed in a grouping which will allow for privacy as well for any views where applicable. All windows have screens and roll-up canvas flaps as well as clear PVC window overlays which creates privacy and security and allows natural light to flow in.

    Image credit: Exclusive Tents

    Provision is also made for a ceiling fan/light mount and the curtains and inner ceiling liner finish the interior off with elegance. The two smaller five-side pentagon tents and also be arranged side by side or back to front for different views either separately or as a combination. These Private Collection Tents were designed for couples, family or small groups as well as for poolside, day beds and beach.

    HK: From your vantage point over the industry, will public areas in hotels ever be the same again?

    PZ: Most certainly public areas, particularly in new developments, will evolve and change with these changed times but some older establishments will have difficulties, be it budgetary or structurally, trying to evolve. This evolution, I believe, is only in its infancy but will find a more of a natural evolution in the glamping sector of hospitality.

    HK: What were the design challenges when creating these new social distancing tents?

    The entire idea was to create a compact tent using our existing superior frame structure along with our high-quality fabrics. Various designs and shapes were explored, but we finally settled on the pentagram because of its uneven shape and that it could be reversed to give an alternative view so it was based both on vision in and vision out.

    Most of the design effort went into the two smaller tents in the Private Collection of tents, the largest being a hexagonal shape and 142 sq ft in area. The tents can be treated  with fire retardant are rated for strong winds and can be insulated and are truly four-season tents.

    Image credit: Exclusive Tents

    HK: How have you ensured that luxury and comfort is not scarified in the design of this product?

    Every effort was made to ensure that all the luxury features from the Exclusive Collection was included into these new tents with the only difference being that all sides can be rolled up to create a gazebo if required.

    The Private Collection tents can also be insulated and have the same various colour options as the Exclusive Collection.

    HK: Can you tell us more about the materials you use and how long they are expected to last?

    PZ: We use only the best quality materials be it the steel or the fabrics and we also use the best thermal/acoustic insulation available for this kind of application. With the correct maintenance our tents have a longevity of at least 15-20 years.

    HK: How do these tents challenge conventional tented accommodation in their design?

    PZ: Our tents are fully “All Season” tents with a 4-layer roof and can be used in extreme heat down to bitterly cold conditions. Our roof framing system is very unique and robust making our tents do extremely well in very strong winds and heavy snow. The load bearing capabilities from the interior roof is also incredibly good for heavy fittings. We also have a range of insulation options and all tents can me made with fire retardant. We also offer a rainwater collection system along with a solution for fire suppression sprinklers.

    HK: We loved your ‘biography through tents’ piece that we published recently. What advice would you give your younger self if you could?

    PZ: I have always had to reinvent myself and have battled the odds on many occasions without any formal business education but always prevailed. I don’t regret much because I seldom look back and am always looking and moving forward. That being said, the only advise I would have given myself back then in the day was to tread way more carefully when stepping through the bush with snakes around it.

    HK: Some would argue that your products are limited to safari regions. What would you say to that?  

    “Our Exclusive Collection of tents are not typical safari tents.” – Paul Zway, Founder, Exclusive Tents.

    PZ: Granted, our Safari Collection which includes the Serengeti, Savanna and Livingston tents are all typical traditional Safari tents however we have these style tents standing in regions all over the world.

    Our Exclusive Collection of tents are not typical safari tents but they too crossover well into typical safari regions. Our tents are built to specific requirements and this is most commonly related to climate. We are working currently on a tent that must weather cold conditions down to -45C which is the type of challenge that we excel in. Our tents are designed to be functional all year round and do not need to be winterised.

    Exclusive Tents International is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here

    Main image credit: Exclusive Tents

    Product watch: Bow from CTD Architectural Tiles

    730 565 Hamish Kilburn
    Product watch: Bow from CTD Architectural Tiles

    Inspired by the typical roofs found in Mediterranean cities, BOW by CTD Architectural Tiles is a collection of large curved tiles in a range of on-trend colourways…

    Measuring at 150 x 450mm, the BOW collection by CTD Architectural Tiles stands out for its relief pattern and characteristic volume, offering a modern new take on traditional roof tile design to create standout feature walls in residential, commercial and hospitality spaces.

    Ideal for adding depth and interest to walls, the curved tiles reflect light and shade in a distinctive manner. Available in five glossy colourways from crimson red to minty green, and a matte finish Clay colour, the BOW range provides designers, specifiers and architects with a versatile tiling solution ideal for projects of all styles and sizes.

    Part of the Saint-Gobain family, CTD Architectural Tiles specialises in the supply of high quality ceramic tile finishes and tiling solutions across all sectors in the UK commercial specification market. With clients in a variety of sectors including the leisure, retail, hospitality industries, CTD Architectural Tiles is committed to bringing customers the latest innovations in product and in service. With unparalleled expertise and technical knowledge, the team works with industry leading, innovative manufacturers to offer a complete portfolio of ceramic and porcelain tile ranges to suit the architect, interior designer, developer and specification professional.

    CTD Architectural Tiles is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here.

    Main image credit: CTD Architectural Tiles

    In Conversation With: Mark Kelly, Partner at PLP Architecture

    730 565 Hamish Kilburn
    In Conversation With: Mark Kelly, Partner at PLP Architecture

    Looking ahead, past the pandemic, editor Hamish Kilburn sits down with Mark Kelly, Partner at PLP Architecture, to understand how to build a meaningful hotel landscape…

    With the world the way it is at the moment, the conversation in the industry has steered sharply towards how architecture and design will be affected in the post-pandemic world.

    PLP Architecture is a firm behind some of the world’s smartest and most sustainable buildings, which will soon include Pan Pacific London. Expected to be completed in 2021 – and already being described as an ‘architectural marvel’ – the project’s vision is to balance a design that is sensitive to the Asian heritage of the brand whilst creating an ultra-modern, timeless hotel and complex that challenges conventional architecture.

    As a result of the firms sustainable mission, the building will shelter mix of 42 native wildflower and some sedum species populate levels 34 and 42 – 44, protruding above the structure’s rooftop, seeking to create a sense of continuity between the tower and the outdoor public spaces and gardens on the ground floor. 

    Representing a number of firsts for London, such as being the first tower development in the City of London to harmoniously fuse private apartments with a luxury hotel, PLP Architecture’s collaborative approach with Yabu Pushelberg and developers UOL and Stanhope ensures the delivery of an integrated and seamless design at every level of building, helping to bring to life a bold, emblematic and creative new embodiment of urban expression for the capital. Most importantly, though, it has been built with tomorrow’s consumers and travellers in mind.

    So how are architects evolving to meet the hefty demands of modern travellers and budget conscious clients in the post-pandemic world? I spoke to Mark Kelly, Partner at PLP Architecture, to find out.

    Hamish Kilburn: How will coronavirus reshape architecture?

    Mark Kelly: Architecture is an inherently flexible process – always evolving while constantly questioning and reinventing itself. As such, it is well placed to respond to the current and seemingly ever-changing Covid crisis and, for that matter, other current and future global concerns such as the climate emergency. Covid has specifically put extra focus on the health of the architectural spaces we inhabit – not just in the way they operate, but in the way they make occupants behave and feel.

    We are already seeing a shift towards greater implementation of technology to reduce levels of contact. There is also now a greater recognition of the benefits of architecture enhancing a state of health and wellbeing – achieved through more natural lighting and ventilation, improved climate control, larger areas of personal space more robust and cleanable surfaces, increased sizes and more options for circulation, clearer signage and better management of wayfinding – as well as more pragmatic inclusions like well-designed and integrated places for washing / sanitising hands and select use of screens and shields where required in areas of frequent interaction.

    “The current environment is a perfect opportunity for hotels to think creatively about ways to not just reconsider and reactivate their existing spaces.” – Mark Kelly, Partner, PLP Architecture.

    HK: How should the hospitality industry prepare for post-pandemic work in terms of architecture and design?

    MK: Though we are in very challenging times at the moment, we see opportunities for an exciting future across the industry – one that addresses the requirements of a post-pandemic world and also reinvents itself into a more dynamic, safe and inclusive environment for people to use and enjoy. Ultimately hospitality, as a service-based industry, has the goal of accommodating and providing comfort – not just for guests, although they are a clear priority – but for staff as well. Everyone involved has a right to feel safe and protected at all times.

    Image caption: Final mock-up room inside Pan Pacific London

    During the pandemic, we have seen some creative uses for hotels being implemented – including people using them as remote offices, exercise studios and other support for a newly mobile workforce. This has not only helped to counteract the problems associated with lower occupancy levels but started to address other issues that were present before the pandemic. The current environment is a perfect opportunity for hotels to think creatively about ways to not just reconsider and reactivate their existing spaces, but transform their business models to help further diversify and futureproof their assets.

    We see a real need to shift towards the inclusion of more local target groups, with a new and expanded reliance on the local population to add authenticity and ensure year-round activation and use of hotels. The pandemic has provided, and in some cases necessitated, an opportunity for the industry to expand from a more straightforward offering of overnight accommodation with perhaps a restaurant and gymnasium, into a truly community-minded hub where locals, tourists and business men and women alike interact and intermingle in an environment that entices each.

    Premium hospitality can remain a core function in hotels, but it will need to be flexible enough to adapt to take advantage of this exciting and beneficial adaptation into a Hospitality Integrated Business that brings together the workplace, wellness and placemaking.

    HK: What kinds of spaces will we be willing to live, travel and work in now?

    MK: Everyone’s goal is and will be to avoid contamination with the virus. As a whole, many of the types of spaces we will be willing to live, travel and work in already exist in limited quantities and going forward their designs will become more widespread through the adaptation and retrofitting of existing spaces and the creation of new ones.

    Image caption: Render of the hotel entrance at Pan Pacific London

    Density control is easier than ever now, and in hotels we believe that good design for the management of arrivals and departures in a reception space, for instance, can be easily integrated with new goals for sustainability to achieve environments that actively help prevent the spread of the virus and, ultimately, are healthier and more invigorating for everyone.

    The inclusion of more natural light, better ventilation, clearer wayfinding, more generous sizing, and adaptable personal spaces – all things we as a practice have been incorporating into our designs for many years – have become crucial visual indicators of safety that allow us to feel comfortable and protected at our homes, in our places of work, and while moving around outside of both.

    “No longer a futuristic dream, loop circulation systems with horizontal movement will help optimise people movement across levels.” – Mark Kelly, Partner, PLP Architecture.

    HK: How can architecture mitigate pathogenic risks in an interconnected world?

    MK: Architecture will play a crucial role in supporting our control of pathogenic risks in our increasingly globalised world. Natural ventilation and better air management, including the use of HEPA filters, for instance, are already recognised for their ability to reduce infection rates and virus spread. Easy-to-clean materials, such as high-pressure laminates and other smooth, anti-microbial surfaces, enabling efficient management of contagion mitigation measures.

    Spatial use and organisation are also important, including the ways in which shared spaces (corridors, lounges, lobbies, dining areas) are activated. New developments in vertical circulation are poised to be a game-changer for taller structures in our cities. No longer a futuristic dream, loop circulation systems with horizontal movement will help optimise people movement across levels, spaces, and even buildings and reduce risk associated with unnecessary interaction.

    Crucially, we believe that changes in architecture can be carried out subtly and effectively, preserving a sense of design identity and uniqueness, accommodating luxury and comfort, while embracing risk reduction and contagion prevention to ensure we can get back to close to what we define as our normal lives as possible.

    Main image credit: PLP Architecture/Pan Pacific London

    Hyatt Regency Lanzhou Opens as “new architectural landmark”

    730 565 Hamish Kilburn
    Hyatt Regency Lanzhou Opens as “new architectural landmark”

    The 711-foot-tall (217-metre-tall) landmark, which shelters the first Hyatt hotel in Lanzhou, is located beside the city’s famous Yellow River and becomes the brand’s debut property in the Lanzhou…

    Hyatt Hotels has announced the opening of Hyatt Regency Lanzhou, Hyatt’s debut hotel in the city of Lanzhou, China.

    Located in a city that is considered a gateway to China’s west region, the hotel is designed for productivity and peace of mind through its anticipatory service for which the Hyatt Regency brand is known.

    Welcoming guests into a revitalising sanctuary above the bustling city, the 300-key hotel has been designed to enhance productivity and peace of mind. The spacious guestrooms and 15 suites, feature contemporary decor in soothing tones of blue and soft grey, with expansive views through floor-to-ceiling windows.

    To promote wellbeing for guests and the environment, the hotel utilises smart, eco-friendly systems. Infrared sensors automatically activate control settings when guests enter or leave the room, and smart sunshades auto-adjust for a comfortable environment and power savings.

    Hyatt Regency Lanzhou’s creative dining scene caters to Lanzhou’s multi-ethnic community as well as domestic and international travellers with three superb halal restaurants and a lounge. The all-day Market Café serves East-West-themed buffet selections showcasing seasonal ingredients, including made-to-order Lanzhou beef noodles. Xiang Yue is a contemporary Chinese restaurant specialising in authentic Gansu and Cantonese cuisines, with 10 private dining rooms. YUN – Hot Pot Restaurant offers personal seafood hot pots highlighting premium delicacies and nutritious slow-cooked broths. On the 16th floor, the lounge is an inviting urban retreat for meetings, socialising or relaxing over elegant high teas and light refreshments.

    Image credit: Hyatt Hotels

    Two floors of the hotel are dedicated to recreational and wellbeing facilities. In the pool sanctuary, the indoor, temperature-controlled swimming pool uses a leading glass-fibre quartz sand filter system for a natural, eco-friendly swimming experience enhanced by sixth-floor city views.

    Elsewhere, the hotel also shelters creative event space. More than 16,145 square feet (1,500 square metres) of sophisticated spaces comprise a ballroom, eight multifunction meeting rooms and three VIP lounges. State-of-the-art technology includes HD high-speed cameras and 65-inch gesture-control smart screens supporting full-scene video synchronisation, rebroadcasting and live-streaming. Natural light and river views create a refreshing and inspiring ambience, with meetings and events supported by experienced hotel event planners.

    The Hyatt Regency brand has more than 200 conveniently located urban and resort properties locations in more than 30 countries around the world. The opening of Hyatt Regency Lanzhou is part of the brand’s ongoing efforts to expand its presence globally in places that matter.

    Main image credit: Hyatt Hotels

    Lighting product watch: Eltham Collection by Vaughan

    730 565 Hamish Kilburn
    Lighting product watch: Eltham Collection by Vaughan

    Vaughan has launched Eltham Collection, a selection of products, based on early 20th Century design…

    Featuring four new table lamps, and five pieces of faux shagreen furniture, Eltham Collection continues Vaughan’s longstanding theme of creating products rooted in antiques, but then given a contemporary flair.

    Lucy Vaughan, chairman and co-founder of Vaughan Designs, recalls how the collection came into existence: “From admiring my grandmother’s monogrammed boxes, to professionally taking an interest in my time as an antique dealer, shagreen has a particularly special place in my heart. Paired with the lights, it encapsulates all that I love about early 20th century design, with its emphasis on simplicity, purity of line and subtlety of form.”

    The Eltham Collection includes :-

    Hudson Table Lamp

    A contemporary shape, reminiscent of American skyscrapers, this table lamp has an appealing crisp line to it. The decorative applied lines on the sides add a more ‘statement’ feel to the piece. The monumentality and decoration have an affinity to Axumite obelisks from 4th Century Ethiopia.

    Wyndham Table Lamp

    Based on an early 20th Century original, this vase is decorated with flowing swirl motifs to give it a wonderful textured feel. The non-uniform color adds a Modernist element to the aesthetic.

    Shoreham Table Lamp

    Based on an antique original, this playful design takes its inspiration from the work of the mid-20th Century. Its bright pop of color makes it a wonderful, statement piece.

    Fairmont Table

    A neat and satisfying design, this side table has a classic hexagonal shape to it, which is given a contemporary twist thanks to the addition of faux shagreen.

    Vaughan is one of our recommended suppliers. To keep up to date with supplier news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

    Main image credit: Vaughan

    Parkside collaborates with brassware brand Rutland

    730 565 Hamish Kilburn
    Parkside collaborates with brassware brand Rutland

    Working to inspire interior designers with combinations of classic brassware and contemporary tile designs, Parkside and Rutland London have released a capsule photography series…

    The Parkside x Rutland London collaboration has brought together the two companies for a series of photographs showing off the latest ceramic tiles and brassware. With Parkside sourcing tiles from the world’s best manufacturers and Rutland London manufacturing its luxury brassware in Hampshire, the project demonstrates the ability of global and local design influences to work in unison.

    With the lavish green marble effect tiles of Pulp and the ultra-glossy green Lenton brick tiles from Parkside teamed with Rutland London’s classic brushed brass, Parkside x Rutland London Palazzo showcases a timeless look grounded in high luxury hotel interiors. For Parkside x Rutland London Elysium, the dusk of Fauve Pink, bold tropical print of Orta Flora and terrazzo-effect, high slip resistant Durali tiles are teamed with polished brassware for a look inspired by key interior trends.

    Taking Rutland London’s polished nickel finish, Parkside x Rutland London Samarkand brings fresh meaning to Mediterranean style with the backdrop of Parkside’s crackle gloss Fauve Yellow brick wall tile and Fusion Blu pastel floral pattern. In Prism, we see an ultra-modern look with Rutland London’s brassware in antique brass, paired with a striking vertical installation of Spectre in the Milk hologram and Durali terrazzo wall and floor tiles.

    Mark Williams, sales and design director, Parkside, explains the collaborative partnership: “A meeting of chance in Chelsea, where we both have showrooms, saw a conversation about bringing our complementing products together to create a series of inspirational bathroom locations. While we may have different approaches – our international sourcing of tiles and Rutland London’s made in England brassware – we share surprisingly similar end results, beautiful products at the forefront of design, and so the partnership is not as unusual as one might first think.”

    Parkside x Rutland London features some of the latest introductions from both companies in a series of bathroom looks that demonstrate depth, versatility and the appeal of enduring quality.

    “The tapware, towel rails, shower enclosures and vanity units in the collaboration represent the quality and timeless style synonymous with Rutland London,” said Rupert Harris from Rutland London. “Manufactured from solid brass with ceramic disc cartridges, our brassware is available in over 20 finishes, including variations of bronze, copper and gold. Alongside, it is WRAS approved for commercial interiors, making it a natural partner to Parkside’s architectural tiles.”

    Parkside will be presenting its latest tile additions to the London design community at Focus/20 between 14 and 18 September. Visitors to the London Design Centre, Chelsea Harbour event are invited to “The Sanctuary” a bathroom setting inspired by wellbeing and health and featuring products from Rutland London and Botanique Workshop.

    Parkside Architectural Tiles is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

    Main image credit: Parkside Architectural Tiles

    Hamilton Litestat becomes Event Partner for The Brit List Awards 2020

    730 565 Hamish Kilburn
    Hamilton Litestat becomes Event Partner for The Brit List Awards 2020

    For the third consecutive year, Hamilton Litestat has become an Event Partner for The Brit List Awards 2020…

    Hamilton Litestat, a British electrical solutions provider that designs, develops and manufactures innovative electrical accessories of the highest quality, has become an Event Partner for The Brit List Awards 2020

    “The hotel industry has always been important for Hamilton, and it continues to grow in its prominence for us as a business,” Gavin Williams, Head of Marketing at Hamilton Litestat, told Hotel Designs. “We’re pleased to be celebrating the achievements of the sector together with Hotel Designs through our support of The Brit List 2020. This recognised platform allows us to build upon our relationships with decision makers, from interior designers and architects through to hoteliers.

    “We’ve proudly supported the sector with quality wiring accessories for more than 50 years from our headquarters in Bristol – whether that’s meeting the high volume needs of a large chain of hotels or delivering against bespoke and eclectic briefs for unique boutique hotels. Following such an unsettled year, we look forward to celebrating success and exceptional talent at this virtual event.”

    The Brit List Awards is Hotel Designs’ annual nationwide search to find the top designers, architects, hoteliers and suppliers who are operating in Britain.

    As well as selecting the the top 25 designers, architects and hoteliers who will be profiled in The Brit List 2020, the campaign also selects individual winners of the following categories:

    • Interior Designer of the Year
    • Architect of the Year
    • Hotelier of the Year
    • Best in Tech
    • The Eco Award
    • Best in British Product Design
    • Outstanding Contribution to the Hospitality Industry

    “The support that Hamilton Litestat has shown our brand since the start of my editorship is immeasurable,” editor Hamish Kilburn added. “Especially this year, when everything around us is changing and we are being forced to adapt in order to meet new guidelines, we are so excited to have Hamilton and the team on board as an Event Partner.”

    How to attend the virtual award ceremony

    If you are a designer, architect, hotelier or developer and would like to attend the virtual award ceremony, which will take place at 14:00 (GMT) on November 12 2020, click here.

    If you are a supplier and would like to attend the virtual award ceremony, which will take place at 14:00 (GMT) on November 12 2020, click here.

    How to attend The Brit List Winners’ Party/MEET UP London

    If you are a designer, architect, hotelier or developer and would like to attend The Brit List Winners’ Party/MEET UP London, which will take place at Minotti London on January 28 2021, click here.

    If you are a supplier and would like to attend The Brit List Winners’ Party/MEET UP London, which will take place at Minotti London on January 28 2021, click here.

    If you would like to discuss various sponsorship packages available, please contact Katy Phillips via email, or call 01992 374050. Tickets to both the virtual event and the winners party will be available to secure soon.

    Product watch: The Coastal Collection by Timage

    730 565 Hamish Kilburn
    Product watch: The Coastal Collection by Timage

    Hotel Designs takes a closer look at the the bulkhead lights in the Coastal Collection by Timage

    It may be no surprise to hear that the classic Timage range of bulkhead lights has been on the scene for decades.

    The brand has an enduring appeal and has been a dependable fitting across many markets for some 40 years. This is testament to a timeless Italian design that seems to fit in so many situations, whether indoors or outside in the worst that the sea air can throw at them. And that’s the Timage USP coming to the fore again: all our products are marine grade and have their design and engineering roots in the world of boat design.

    This is the reason for the bulkhead lights being grouped under the Coastal Collection of lights. In truth, it is many-a-year since this style of light was used on board a pleasure yacht. However, Timage saw that clients admired the aesthetics of lights made for yachts and readily appreciated the build quality, and so these lights came to be specified for non-marine applications. The nautical theme has remained a strong styling cue and hotels, restaurants, bars, homes and building approaches all seem to be adorned with these lights today.

    Whereas lights from the current Coastal Collection are still being fitted to cruise liners and even navy vessels where no compromise is tolerated, the brand has developed newer generations of lights for yachts. These new lights use the absolute latest engineering for peak LED performance and efficient low voltage battery power: essential criteria for the modern superyachts and workboats that we furnish on a daily basis. These, of course, are again highly suitable for low voltage installations on land-based projects or for recreational vehicles and motor homes.

    The bulkhead lights have not been forgotten in this ongoing development exercise. New shapes of lamp body and lenses are available. The classic look has carried the nautical theme of lens protection bars, showing an industrial style. This of course still makes sense for both resistance to knocks and for the aesthetic appeal. We now have what is regarded as a more contemporary style where the lens is more open without shielding the bulb. They give perhaps a cleaner look and can be mixed more freely with spotlights or other modern complimentary lights we offer. It is now an even wider range to satisfy the customer.

    The bulkhead lights are typically available in a choice of finishes and electrical specification. Normal options include conventional screw light bulb holders or LED modules. By choosing whether to have a clear or frosted lens, the look can further be varied by the type of feature light bulb you may prefer. The bodies of these lamps are mostly made from high pressure die-cast brass and their substantial weight is certainly one of their appeals. There is nothing flimsy about the construction of these lamps and that is what brings such longevity. In choosing the brass finish you equally have the opportunity to enjoy the patina and character that can develop over years of continued use. It is a chance to see the age develop within the environment, tempered by your desire to polish and restore the finish. For a brighter more stable look, the chrome plating option will fix the shine. Certain models are available in a wider choice of aluminium, bronze or nickel and note that for special orders, we can do custom plating for other finishes such as antiqued bronze or brushed brass.

    Timage is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here.

    Main image credit: Timage

    Product watch: N.A.P (Neuron Activation Pod) by WellTek

    730 565 Hamish Kilburn
    Product watch: N.A.P (Neuron Activation Pod) by WellTek

    WellTek, the leading London-based furniture company, has introduced N.A.P (Neuron Activation Pod) to the UK from Lo0ok Industries, a ground-breaking Finnish technology company…

    The N.A.P pod uses Neurosonic technology to increase the user’s wellbeing by helping to improve sleep quality, reduce migraine problems, relieve stress and many more ailments both physical and mental.

    N.A.P is not simply a silent capsule or traditional nap pod. The science behind this pod affects human natural relaxation and recovery mechanisms. The N.A.P technology guides the human body and mind mechanically to a meditation-like state that minimises and prevents stress-related symptoms. Sleep mechanisms are restored, and at the same time, many other stress triggers in the body and mind are corrected.

    The Neurosonic technology is based on sensory tissue stimulation, built-in elements transmit a very low-frequency (20-100 Hz) sinusoidal vibration, which is targeted simultaneously to the whole body. As a natural mechanism, vibration affects your body calmly via the autonomic nervous system and the mind. The treatment brings a new dimension to fixing stress-based symptoms and is used to enhance quality of sleep, to ease stress, muscle tensions and swelling. It activates metabolism and assists in both physical and mental recovery.

    Marco Kärkkäinen – Neurosonic Founder, Psychotherapist explains: “What does a zebra do when it has managed to escape the lion? It shakes itself. The purpose of this natural mechanism is to calm and relieve the stress reaction. Neurosonic produces this same natural effect – and thus takes relaxation and recovery to a completely new level.”

    There are four key effects on the human body and mind, all linked to the influence the technology has on the Autonomic Nervous System, i.e the part of the nervous system responsible for control of bodily functions not consciously directed, such as breathing, heartbeat and digestive processes.

    Sleep Quality: N.A.P has a calming effect on the human body. The production of stress hormones is reduced and sleep mechanisms are restored. You calm down and fall asleep more easily. Nightly awakening decreases, and sleep becomes more restful and effective. 

    Pain Alleviation:  The neural network calms down, lymphatic circulation becomes more active and pain alleviates. Your body feels more relaxed and sleep mechanisms return to a more normal state, which causes many other things in the body and mind to be corrected.

    Stress Relieving:  Positive changes take place in the neurotransmitter action and the neural pathways in the alarm state calm down. Stressed people are able to fall asleep more easily and at night, the wake-ups that are being monitored are reduced or completely gone.

    Recovery:  Neurosonic relaxes your body effectively, by balancing the autonomic nervous system. At the same time, muscle circulation and metabolic restoration are restored at a faster pace. On average people report a 50 per cent reduction in recovery time from a strenuous run, work out etc.

    Neil Jenkins, Managing Director of Office Blueprint says: “Our product portfolio is committed to supporting healthy and stress-free office environments and N.A.P is an inspiring addition. When your mind is full, it is difficult to find the mental capacity to help relieve the stress from hectic lifestyles. A research based proven and safe treatment with no side effects, N.A.P is a truly remarkable product with transformative effects that will help employee wellbeing whether mental or physical”.

    WellTek is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here.

    Main image credit: WellTek

    Weekly briefing: a London review, ‘fit’ design & the power of art

    730 565 Hamish Kilburn
    Weekly briefing: a London review, ‘fit’ design & the power of art

    Only got a minute? Our editorial team have compiled the top stories that they have published this week, including news on Moxy’s development, an exclusive review and our feature on the power of art…

    We appreciate you may not have time to read all the content that Hotel Designs has published this week. Therefore, here is our ‘editor’s pick’ of the juiciest stories that have been covered this week.

    “Fit is the new sexy,” and it’s here to stay in hospitality!

    Image credit: ACCOR

    In an exclusive editorial to celebrate the upcoming ‘WELLNESS’ concept coming to ‘ACCOR’ by Bergman Interiors, we took a closer look at the future of wellness in hospitality.

    Within the luxury market, wellness is not an expectation; it’s a dominant consumer value that is essential to the future hotel experience. This demand has inspired the collaboration between ACCOR and Bergman Interiors, in order to design wellness for tomorrow’s consumers.

    Read more. 

    EXCLUSIVE REVIEW // Checking in to No.5 Maddox Street, London

    Image credit: No5. Maddox Street

    Nestled between high-end art galleries and luxury boutiques – conveniently tucked behind Bond Street and metres away from Regent Street – is the discreet entrance to No.5 Maddox Street.

    Sheltering just 12 luxury apartments – all of which were renovated last year by the owner herself, Tracy Lowy – No.5 Maddox Street is part of the Living Rooms collection, which also includes The Laslett and Weymouth Mews. Offering what it claims is ‘the best of apartment living and hotel service’, it’s almost as if the collection was unconsciously designed for the post-pandemic world.

    Read more.

    Moxy makes it a hat-trick in Japan!

    Image credit: Marriott International/Moxy Hotels

    Moxy has opened its third hotel in Japan. Located in one of the main hubs of Osaka City, the new Moxy hotel will provide guests with what Marriott is describing as “a fun and playful experience” through lively communal spaces.

    “We are thrilled to be opening Moxy Osaka Shin Umeda, which marks the third Moxy branded hotel to open in Japan,” said Rajeev Menon, President, Asia Pacific (excluding Greater China), Marriott International. “This opening is a testament to Marriott International’s commitment to continue expanding its footprint across Japan and Asia Pacific with the experiential lifestyle portfolio catering to the next generation of travellers.”

    Read more.

    TRENDING // bathroom tap trends emerging in 2020

    According to UK Bathrooms, taps in a range of metallics and subtle brushed finishes are trending in the bathroom for 2020 and beyond.

    Taps with matt or brushed finishes are flooding into the most contemporary bathrooms in a varied palette of muted metallics and monochromes, transforming pieces of brassware into elegant design statements.

    Read more.

    Feature: the power of art in hotel design

    Image caption: Cocktail series – tequila sunrise | Image credit: Michelle Lucking

    Image caption: Cocktail series – tequila sunrise | Image credit: Michelle Lucking

    More than ever before, there is a demand among modern travellers for hotel operators have to create destinations we feel a connection with; a place we want to spend time in. Interiors, therefore, need to captivate, inspire, and resonate with us. Art can do that and so much more; art has the power to stir our emotions and leave a lasting impression.

    That’s why, in a search for creativity post-lockdown, we decided to catch up with Clare Howlett, artwork design manager at Elegant Clutter, to see how the brand is engaging new artists and the process it applies when pairing artists to projects.

    Read more.

    Product watch: The Arena Collection by Crosswater

    730 565 Hamish Kilburn
    Product watch: The Arena Collection by Crosswater

    The Arena Collection by Crosswater has been specifically developed to complement the most popular elements of modern bathroom design…

    Crosswater’s Arena Collection uses state-of-the-art manufacturing technology and the essential characteristics of traditional Scandinavian design.

    It excels in both form and function with a focus on slender space-saving proportions, ample storage and clean simple lines. From the beech wood effect of Modern Oak to the sleek finish of Pure White Gloss, the new 500, 600, 800 and 1000mm console units added to the Arena range will sit cohesively within bathrooms of all styles.

    Steel

    Embracing a subtle brushed texture with a linear grain, the Steel finish provides a modern twist on a natural finish. The blend of silver, grey and white gives a unique look, completed with an easy-clean anthracite finish drawer box. For a striking twist, pair the Steel designs with brushed brass detailing, wood accents and hints of greenery for a beautifully tied together scheme.

    Modern oak

    The wood-like finish of Modern Oak creates a warm and inviting aesthetic. Each piece features authentic elements including knots, inclusions and chalky-limed accents, with matching edging and a birchwood drawer set to finish. Modern Oak pairs effortlessly with Scandinavian influences, herringbone style backdrops and soft grey colour palettes – delivering a scheme that exudes charm and sophistication.

    Pure white gloss

    Take white bathrooms to a new level with the Pure White Gloss finish. Sleek and impactful, this classic colour reflects and maximises natural light into the bathroom. It has also been finished with an additional UV coating technology – meaning the surfaces will remain more resistant to scratches, heat, impact and yellowing, retaining the beautiful finish for longer. Complete the look with wicker accents, greenery and a soft tonal colour palette for an ultra modern interior.

    Portland grey matt

    Silky smooth, the Arena Matt Grey finish is the perfect option for family bathrooms. Thanks to its anti-fingerprint properties and scratch and impact resistance, it makes for a truly stylish yet practical choice. Portland is a medium, cool grey and its simple internal accents act as the perfect match for any colour brassware, handle or accessory. The furniture comes complete with a long-lasting and easy-to-clean textured anthracite melamine drawer box for added appeal.

    Combining form and functionality, each piece across the Arena Furniture collection is designed to look beautiful and be as efficient as possible in today’s contemporary bathroom.

    Crosswater is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

    Main image credit: Crosswater

    Checking in to No.5 Maddox Street, London

    730 565 Hamish Kilburn
    Checking in to No.5 Maddox Street, London

    Embracing change – and predicting a rise in demand for luxury apartments post-pandemic – editor Hamish Kilburn checks himself in review No.5 Maddox Street

    It was the first time since the start of lockdown I had made the trip into the capital, but certain things were not how I remembered.

    For starters, not a single person on the train journey had demanded for me to move my bag on the empty seat next to me. Pre-Covid, not standing on the commute would have been seen as a miracle. Five months after the government put us into a forced hibernation, the empty carriage felt lonely. I disembarked the train at St Pancras International, checked my watch – it was 08:59 on a Wednesday – I could hear the echo of an barren terminal in what was supposed to be ‘rush hour’.

    On my walk from the station to Maddox Street in Mayfair, the stark reality hit: most of London’s iconic hotels were closed and lifeless. And yet, while the majority of hotels in the city were shaking up re-opening strategies and not cocktails, other accommodation offerings – like for example No.5 Maddox Street – were able to open fully because of their design scheme being friendly to social distancing.

    I launched the Living Rooms concept in 1999 after recognising the modern traveller’s desire for privacy and independence.” – Tracy Lowy, owner, Living Rooms.

    Nestled between high-end art galleries and luxury boutiques – conveniently tucked behind Bond Street and metres away from Regent Street – is the discreet entrance to No.5 Maddox Street.

    Sheltering just 12 luxury apartments – all of which were renovated last year by the owner herself, Tracy Lowy – No.5 Maddox Street is part of the Living Rooms collection, which also includes The Laslett and Weymouth Mews. Offering what it claims is ‘the best of apartment living and hotel service’, it’s almost as if the collection was unconsciously designed for the post-pandemic world. “I launched the Living Rooms concept in 1999 after recognising the modern traveller’s desire for privacy and independence,” Lowy told Hotel Designs. “From concept through to the finished product, we sought to create the best of both worlds; design-led apartments that combine the services of a luxury hotel, complete with the privacy, space and the comfort of home.”

    Image credit: No5. Maddox Street

    The arrival experience at No.5 Maddox Street is unlike any hotel I have ever stayed in – there is no lobby, for example, which immediately creates an understated entrance with no room for drama. With no lift, meaning that No.5 Maddox Street is not accessible for everyone, I climbed the industrial-like stairs to check in.

    While each apartment sheltered within the building is different, all of them are competitively spacious. In fact, the smallest apartment, at 27 sqm, is almost double the size of a typical London hotel guestroom, which adds to the home-from-home setting that Lowry has created. In addition, and something of a rarity in the city where space is a premium, many of the apartments feature decked terraces, balconies and open fire places.

    A luxe masculine bedroom

    Image credit: No5. Maddox Street

    The property was given a refurbishment last year to mark its 20th anniversary. Impressively, No.5 Maddox Street remained open throughout. “As the refurb was mostly cosmetic, we remained open for guests and blocked apartments out in groups  – it was a bit of a game of Tetris,” explained Lowy.

    “We sourced a lot of vintage design pieces which come with their own set of challenges.” – Tracy Lowy, owner, Living Rooms.

    Although Living Rooms decided not to hire in a design firm for the project, Lowry carefully selected items that she believed would create an apt homely environment in the centre of the action. “We sourced a lot of vintage design pieces which come with their own set of challenges,” she said. “But we are lucky to have some great partners in that area that we can always count on to help us come up with the goods.” 

    The apartments have been refreshed, nipped, tucked and brightened with modernised interiors. As well as vintage rugs by Larusi, the spaces feature one-of-a-kind furnishings from Les Couilles Du Chien and a curated selection of photography and artwork that reflects the rich history of the local area.

    With as much emphasis on service as well as design, guests of No.5 are encouraged to ‘live like a local’. Those checking in can explore the city by using the constantly updated neighbourhood guide, as well as tapping up the knowledgable and friendly concierge service.

    an open light kitchen

    Image credit: No5. Maddox Street

    As I checked out of No.5, following a relaxing and comfortable nights sleep, I am intrigued to understand from Lowy’s perspective whether or not the demand for this style of accommodation has increased following the pandemic. “Travellers, both leisure and business, are really seeing the benefit of the personal space we can offer,” she explained. “In this part of London, where hotel rates can be very high, we can often offer an entire apartment for the price of a hotel room.”

    In conclusion, I agree with the term ‘hotel alternative’ when describing No.5 Maddox Street. Although I am not fully won over by apart-hotels stealing the limelight in hospitality completely, the apartments at No.5 Maddox Street are smartly designed to offer a discreet urban pad, suitable for one or two nights. They are warm and inviting but, in my opinion, feel more like you are staying in someone else’s home-from-home – similar to a stylish, well-stocked and well-hosted AirBnB, if you like.

    Main image credit: No5. Maddox Street

    Product watch: Facet lighting by Studio Waldemeyer

    730 565 Hamish Kilburn
    Product watch: Facet lighting by Studio Waldemeyer

    Hotel Designs learns how lighting designer Moritz Waldemeyer bent glass to its will in order to create FACET…

    In all its beauty and variety, glass is essentially an amorphous material with no regular crystalline structure.

    Yet through a design vision and mastery in glassmaking craft, the material can come to mimic its opposite, creating highly organised and consistent structures.

    As if trying to systematise the chandelier-making tradition, Moritz took the geometrical shape of the Classic chandelier outline and turned it into a diamond-like hexagonal glass building block. On its own, with just single pendant, or in combination of multiple items into a large chandelier, the FACET modules stand out as clear, disciplined and geometrical.

    The light source included inside every block allows the FACET system to be universal and almost unlimitedly extendable.

    Moritz Waldemeyer is an internationally renowned London based designer who’s work occupies a diverse range of creative spaces. 2004 saw his debut into the design world with an interactive chandelier for Swarovski. With a forward thinking approach and a philosophy of playful experimentation Studio Moritz Waldemeyer is forging links between technology, art, fashion and design.

    Led by Waldemeyer, the studio has taken on projects for Audi, Intercontinental Hotels, Rinacente and Wallpaper Magazines 2014 Handmade issue. Studio Moritz Waldemeyer has also created bespoke light studded costumes for Will.I.AM, Rihanna, Take That and the 2012 London Olympics handover Ceremony performers. Under Moritz’s direction the studio strive to create innovative concepts incorporating his signature aesthetic into each piece.

    Studio Waldemeyer is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here.

    Main image credit: Studio Waldemeyer

    “Fit is the new sexy,” and it’s here to stay in hospitality!

    730 565 Hamish Kilburn
    “Fit is the new sexy,” and it’s here to stay in hospitality!

    In an exclusive editorial to celebrate the upcoming ‘WELLNESS’ concept coming to ‘ACCOR by Bergman Interiors, Hotel Designs takes a look at the future of wellness in hospitality…

    A few years back, gyms were a place where you trained, lost weight or gained muscle. Today, gyms are part of our lifestyles. And with that lifestyle comes community. Whether the gym has a nightclub style with beaming lights, or is an industrial shell, we all seek a gym with the lifestyle and community that speak to us.

    This lifestyle is getting us stronger, not just physically but also mentally – such an awakening calls for mind, body and soul.

    Within the luxury market, wellness is not an expectation; it’s a dominant consumer value that is essential to the future hotel experience. This demand has inspired the collaboration between ACCOR and Bergman Interiors, in order to design wellness for tomorrow’s consumers.

    Image credit: ACCOR

    How hotels are changing regarding fitness in general?

    Within the exercise world, fitness methods and training techniques have changed however these methods and concepts have been slow to be embraced within the hospitality industry.

    What was once seen as an amenity for guests is being recognised as a key facility within luxury hospitality. 66 per cent of Gen X’ers say they actively participate in self-care to improve their physical wellbeing. What’s more, 76 per cent of millennials exercise at least once per week – exercise has become a vital part of our hotel customers lifestyle and our concepts need to meet this heightened expectation.

    With this key demand in mind ACCOR has brought the fitness concept centre stage for the Pullman brand with our newly created Pullman Power Fit concept. Working with Bergman Interiors was a natural choice with their strong experience in creating innovative exercise and fitness concepts coupled with a depth of experience within luxury hospitality.

    Image credit: ACCOR

    Pullman Power Fitness replaces the stale one-size-fits-all hotel gym environment with a bold, artful, social approach to contemporary fitness. Pullman Power Fitness defines and explores our ambition to energise bodies and inspire minds. In-touch with today’s traveller and their fitness goals, we offer much more than a gym. We provide a community where guests can have fun while challenging themselves to take their performance to the next level within a stylised interior design, energetic branding and the latest on Video on Demand exercise technology.

    A collaborative partnership with Bergman, the Pullman brand, Wellbeing and ACCOR design departments the concept was developed over 12 months and the result is a vibrant fitness space that makes a statement, beckons interaction, and energises the body while inspiring our guests. Our spaces and programming tap into an exciting new era of training diversity, integrated technology, and embracing the spirit of friendly competition.

    Wellness mentally and physically?

    “When it comes to wellness consumer research confirms a fundamental societal shift underway, feeling healthier as a lifestyle goal has well and truly entered the mainstream,” Albin Berglund, co-founder and managing director of Bergman Interiors, told Hotel Designs. “Because the modern luxury travellers of now- and the future- is on a journey: to find purposeful new travel experiences that speak to their inner self and to personal fulfilment. And they’re willing to pay a premium for it.”

    Image credit: Engine Room

    Broadly, we have defined five areas – nutrition, holistic design, movement, spa, and mindfulness – that we view as essential to the overall wellness experience within hospitality. We then customise the delivery and tactics in these areas to suit each brand and its unique guest preferences, demographics, psychographics, brand positioning, culture and locations.

    Changes to wellness within the hotel industry after Covid-19

    It is important to separate the temporary impact such as heightened sanitation measures, social distancing and impact on travel versus the longer term impact on consumer attitudes and behaviour.

    Image credit: BXR

    These push factors are the relentless pressures on our health, such as less physically active work, the prevalence of processed food, air quality concerns, light and noise pollution – all of which create malaise, illness and stress. Covid-19 has been a “super-accelerator” to these “push factors” globally, with a cross generational embrace of the need to invest in ones well being and a clear reminder of the benefit of leading a “preventative” lifestyle.

    Then we have the pull factors. Wellness is a highly appealing touch point among consumers, a desirable draw that promises unique, enriching, relaxing experiences that help us define and express ourselves. Wellness helps us move away from the push factors and embrace the highly attractive lifestyle that is so integral to luxury hospitality and again this desire to combine wellness with travel will blossom.

    In conclusion, we are expected to see an increase in the demand for healthy food within our restaurants, for outdoor exercise and access to nature, exercise will move from inside the gym to outside or a greater demand for in room or video driven options.

    Main image credit: Bergman Interiors

    Product watch: Maria Teresa chandelier by Masiero

    740 565 Hamish Kilburn
    Product watch: Maria Teresa chandelier by Masiero

    The Maria Teresa chandelier by Masiero is an iconic product that comes from Venice’s historical tradition and each piece is characterised by uniquely shaped crystal glass pendants…

    The precious classical style of the Maria Teresa chandelier maintains its original, iconic look but adopts a new personality thanks to the fascinating creativity of colour and a varied range of lighting effects achieved by the latest control systems.

    Image credit: Masiero

    Each Masiero’s Maria Teresa is available in three different lighting technology: the classic, the Dynamic White LED that allows you to customise light temperature and the RGB_W Led that allows you to transform light in colours.

    In Touquet Paris la plage, for its renovation, the Grand Hôtel Le Touquet specified the brand’s red Maria Teresa chandelier, made with Murano glass, as the decorative fulcrum of its atrium.
    More recently, the bar of the Hotel, “Le Menko”, has been adorned with 10 black Maria Teresa chandeliers that gently illuminate the room and reinforce the Gatsby / art deco style of this new space.

    Masiero is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here.

    Main image credit: Masiero

    TRENDING // bathroom tap trends emerging in 2020

    730 565 Hamish Kilburn
    TRENDING // bathroom tap trends emerging in 2020

    According to UK Bathrooms, taps in a range of metallics and subtle brushed finishes are trending in the bathroom for 2020 and beyond…

    Gone are the days when your choice of tap colour was high shine chrome or high shine chrome.

    Taps with matt or brushed finishes are flooding into the most contemporary bathrooms in a varied palette of muted metallics and monochromes, transforming pieces of brassware into elegant design statements.

    “A wide range of tap finishes are emerging as part of the trend for statement bathrooms.” – Graeme Borchard, Managing Director, UK Bathrooms.

    Metallic finishes in gleaming hues ranging from copper to bronze have moved into the bathroom over the recent years, as brassware became more experimental – and #bathroomselfie started trending on Instagram. Now it’s the turn of subtler, more gentle shades, as brushed and matt finishes are launched across taps of every tone. “A wide range of tap finishes are emerging as part of the trend for statement bathrooms,” explains Graeme Borchard, MD at UK Bathrooms. “There’s a real desire for spaces which are bold and luxurious, but also unique and personal.”

    Adding a tap – or other brassware – with a brushed, matt or textured finish to the bathroom instantly creates a sophisticated, tranquil feel, thanks to their delicate and understated nature. Due to the wide variety of shades which have recently become available, there’s now a tone to harmonise with every bathroom scheme. Brushed nickel, for example, is a mellow version of classic chrome, the soft silvery colour working beautifully with bathrooms in cool, watery hues that have blue, green, turquoise or white bases. For bathrooms decorated with warmer colours like pink, coral or yellow, muted brass and bronzes will blend in with the dusky, sunset feel of the space.

    As well as their chic appearance, taps lacking the traditional high shine have practical benefits too, accumulating fewer watermarks and finger prints, and requiring minimal polishing, so are joyfully low maintenance.

    Want to make more of a statement? Matt black and white taps have also taken hold of 2020, the striking shades packing more of a punch than brushed metallic tones, but with a minimal texture that doesn’t reflect light at all.

    Matt monochromes work in any bathroom setting. A matt black tap absorbs light, forming a shadowy silhouette against the surface behind it – team it with matching brassware to create a pared-back take on the industrial, New York loft-style bathroom trend. Matt white taps speak of elegance and crispness, a point of difference against other glossy white ceramics in the room, while also working alongside them. Against surface materials like marble or tiles, white taps let the walls take centre stage, while black taps add a shapely focal point.

    Matt textures work best on taps which have simple, modern shapes, so the material is emphasised and can be fully appreciated; a bevy of new releases from key bathroom brands combine brushed or matt finishes with clean, contemporary styling.

    Taking influence from modern architecture, hansgrohe has added Matt White and Matt Black to its FinishPlus range, which also includes Brushed Bronze and Brushed Black Chrome, and can be applied across the sleek Metropol and Talis E ranges. Crosswater’s MPRO collection is also all about minimal shine finishes, its basin taps – as well as other coordinating showers, valves and accessories – can be coated in Matt Black, Matt White and Brushed Stainless Steel or Brass. Colour Your Bathroom by Abacus has the option to apply on trend Matt Black, Brushed Bronze and Brushed Nickel across its entire collection of taps and more, while VitrA’s angular Origin range carries Matt Black and Brushed Nickle on more than 150 products.

    Finding a tap with a finish that will complement but not overpower your bathroom has never been easier – choose a single piece for a sculptural statement or use textured metal across the entire space to fully embrace this year’s hottest bathroom trend.

    UK Bathrooms is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

    Main image credit: UK Bathrooms

    Industry insight: the power of art in hotel design

    730 565 Hamish Kilburn
    Industry insight: the power of art in hotel design

    At Hotel Designs we have always championed the value of art, but in this feature we explore the power of art. Editor Hamish Kilburn speaks to Clare Howlett, artwork design manager at Elegant Clutter, to learn more…

    More than ever before, there is a demand among modern travellers for hotel operators have to create destinations we feel a connection with; a place we want to spend time in. Interiors, therefore, need to captivate, inspire, and resonate with us. Art can do that and so much more; art has the power to stir our emotions and leave a lasting impression. It’s no wonder that so many designers turn to art to inject personality into an installation but commissioning the right piece of art for your project is a craft in itself.

    That’s why, in a search for creativity post-lockdown, I have decided to catch up with Clare Howlett, artwork design manager at Elegant Clutter, to see how the brand is engaging new artists and the process it applies when pairing artists to projects.

    “We go on a creative journey with our clients. We start by drawing out the narrative to reveal the story and spirit of a place.” – Clare Howlett, artwork design manager at Elegant Clutter.

    “One of the biggest advantages of being an art consultant is that we are not constrained by a house-style,” explains Howlett. “At Elegant Clutter we go on a creative journey with our clients. We start by drawing out the narrative to reveal the story and spirit of a place. We’re not about finding a theme; we are about how we amplify  character through artistic collaboration.”

    As well as a strong in-house artwork studio, Elegant Clutter has a growing portfolio of artists they are working with. Having nurtured creativity in others throughout her career, Howlett is particularly passionate about the process of discovering new talent. Her years of experience as a  judge on international under-graduate design competitions is a distinct advantage when researching new collaborations. “We are art lovers as well as art curators,” she adds, “so I get an enormous amount of joy in supporting emerging artists as well as introducing established artists to new sectors.”

    Quite often, Elegant Clutter is able to provide an already established local artist a brand new platform to showcase their work. The brand is currently working with swiss artist Etienne Krähenbühl to install one of his famous “Bing Bang” sculptures in the lobby of the new Hyatt Regency Hotel, which is directly connected to the Circle convention centre at Zurich airport. Working closely with Krähenbühl, Elegant Clutter will complete the installation using its own craftspeople to present the art in a way that integrates perfectly to the hotel’s specific situation. The sculpture is created with hard crafted oak, which honours the Butzenbüel, a small hill in parkland created as place of reflection near the airport buildings and the Circle complex.

    Art piece showing sculpture of a circle

    Image caption: A sculpture by Etienne Krähenbühl, which honours the Butzenbüel | Image credit: François Busson

    In addition to installing bespoke artwork in hotels across Europe, Elegant Clutter’s influence can be found in all sorts of installations. A good example is inside the American Express lounge at Heathrow airport. Here the brand is working with Minty Sainsbury, a London based artist specialising in architectural pencil drawings. Having studied architecture at the University of Cambridge, graduating top of her year in 2013, she went on to work in a London architectural practice. But she soon discovered that the drawing board no longer has a place in the modern architectural office, so returned to the pencil with the intention of keeping the art of architectural drawing alive. Sainsbury’s work can be found in iconic hotels such as Gleneagles but having the opportunity to display her drawings where they will be seen by travellers from the world over was a first. She explains the inspiration behind this commission.

    “Elegant Clutter wanted to capture London’s personality in two pictures that travellers from around the globe could relate to,” the artist explains. “So, I was asked to draw St Pauls which I have done many times and the Walkie Talkie, which was a first and a building I wouldn’t have thought of drawing if it hadn’t been for this commission. The two illustrations convey the classic and the contemporary side of  London perfectly.”

    “I discovered Michelle’s Instagram account during lockdown and was captivated by her beautiful seascapes.” – Clare Howlett, artwork design manager at Elegant Clutter.

    Howlett is constantly on the lookout for artists to collaborate with. This can be driven by the project brief, for example, researching local artists to tell a specific story with the art narrative, or discovering someone who has established a unique style and wants to extend their reach. Michelle Lucking is one such artist. She specialises in creating beautiful seascapes and underwater portraits. Her art explores the contrasting raw power and calm serenity of the differing states of water, and the technical challenge of capturing both its translucency and movement. In 2017, she won the prestigious Annie Longley Award at the annual British Pastel Society exhibition. She is also brand ambassador for the internationally acclaimed pastel company Unison Colour and now Elegant Clutter’s most recent artist signing.

    Howlett explains how she connected with Lucking during lockdown: “I discovered Michelle’s Instagram account during lockdown and was captivated by her beautiful seascapes. We spoke on the phone and had an instant connection. She has an established following within the residential sector, so I can see the potential for her work being displayed in beautiful boutique hotels. It’s really exciting and rewarding to introduce new artists to the commercial sector.”

    An art piece showing girl swimming in turquoise and orange bikini

    Image caption: Cocktail series – tequila sunrise | Image credit: Michelle Lucking

    Lucking’s work can already be found in private collections around the world. She told us why it was the right time to broaden her reach and why Elegant Clutter is the right fit for her: “I wanted to share my work with more people, but it was essential that I collaborated with a company who valued and supported independent artists. Elegant Clutter are true art custodians. I feel confident they have the skill in placing my work to enhance an interior space where it can connect to a new audience.”

    Celebrating artist talent is something close Hotel Designs’ heart. Elegant Clutter is in a unique position where it can use its project management, installation skills and its knowledge on the fine art of storytelling to introduce new artists into the world of contract interiors – a precious responsibility to keep art alive in hospitality design.

    Elegant Clutter is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here.

    Main image credit: Tim Perceval

    Siminetti shortlisted for SBID Product Design Awards 2020

    730 565 Hamish Kilburn
    Siminetti shortlisted for SBID Product Design Awards 2020

    Surface brand Siminetti is among the impressive global design talent to have become a finalist in the SBID Product Design Awards 2020, for its entry into the Surfaces and Finishes category…

    Luxury surface brand Siminetti has been shortlisted for the SBID Product Design Awards 2020 in the Surfaces & Finishes category.

    Respected by the industry at large, success in SBID’s GOLD-rated awards programme is achieved purely for design, innovation and functionality of the entries. The finalists in each category therefore demonstrate the highest standards of design excellence for interior products within their field, spanning the commercial and residential design sectors.

    Consistent in its quest to recognise, reward and celebrate global interior design, this year’s SBID Awards has been the most globally represented edition to date; receiving entries from 49 countries around the world.

    Each entry undergoes an exhaustive two-tier judging process, where leading industry professionals evaluate essential elements such as compliance with the brief, budget, health & safety and fit-for-purpose design. Siminetti‘s product “Golden Pearl Drop” was shortlisted by this year’s revered international jury for both its technical standards and creative delivery.

    The Judges decisions are finalised by the third and final stage of judging, where the public are invited to vote for their favourite projects at www.sbidawards.com. Accounting for an influential 30 per cent of the results, the public and ultimate end-users of design have the final say in which products have what it takes to take home a prestigious SBID Award. With previous years seeing an astounding 225,000 unique voters, the voting will close on September 30 at 5pm (BST).

    You can show your support and vote for Siminetti‘s project by visiting the website.

    The Surfaces & Finishes category is for architectural and interior surfaces and finishes. These include but are not limited to panels, wallcoverings, stone, veneers, ceramics, wood, acrylic, glass, mouldings, paint and tiles.

    Siminetti’s Mother of Pearl Decorative Panels are the next generation in Mother of Pearl surface finishes. Handcrafted by Siminetti’s team of artisans, the ‘Golden Pearl Drop’ Decorative Panels capture the stunning natural beauty of Mother of Pearl that has for centuries been associated with luxury, sophistication and elegance. Utilising a combination of Siminetti’s ‘Bianco’ and ‘Golden Promise’ Mother of Pearl, every panel carries its own bespoke appeal.

    Founder and CEO of SBID, Dr Vanessa Brady OBE says: “Business has been disrupted for many during the pandemic, but I’m pleased to confirm that the interior design practice has remained relatively steady. The SBID Awards received submissions from more countries this year than in any other year, demonstrating the strength of SBID and the industry as a whole. We are thrilled to be the award that industry professionals want to win and for that, we are particularly proud and honoured, as an interior design body for trading standards, to continue showcasing the world’s best interior and product designs during these difficult days.”

    The winning entry in each category will be announced on October 23 and be awarded with a bespoke trophy as this year’s prestigious SBID Awards Winners. An Overall Winner will also be awarded for the product that scored highest overall from both the judges shortlists and public votes combined.

    Main image credit: Siminetti

    Custom-made furniture for a bespoke world

    730 565 Hamish Kilburn
    Custom-made furniture for a bespoke world

    DOMINGO has been making upholstery since 1973, when three craftsmen friends decided to start their own company. Today their sofas, armchairs, banquettes showcase in hotels, restaurants, spas, cruise liners, yachts, and residences around the world…

    The three friends still go to work although they have now trained the second generation of upholsterers, making sure that their legacy is passed on and their skills continue.

    DOMINGO’s stylish product are handcrafted according to the best Italian tradition in their workshops in Italy. The company only uses solid hard wood for their frames whilst the foams chosen for their sofas are designed for intense usage.

    Technology has been integrated into the process in the form of laser guided cutting tables. This guarantees precision and reduces fabric waste.

    DOMINGO’s standard product offering is vast given the several lines produced under the DOMINGO and also the stylish models produced and distributed with the ADRENALINA line (a label by DOMINGO).

    For many years DOMINGO has been working in partnership with designers and/or fit out companies across the globe on a wide variety of commercial projects. DOMINGO knows by now that every space presents its own individual features, therefore the company allow their clients the option to make alterations on their standard products or even to create bespoke pieces starting from as little as a sketch.

    Each standard product by DOMINGO can be modified in width, length and depth, can be realised in COM (customer’s own material), can be integrated with accessories such as plugs, USB ports and Phone chargers when the structure allows it.

    Making each product in house, by hand allows DOMINGO to deliver the highest possible quality whilst being able to manage client’s individual requests.

    DOMINGO operates a NO MINIMUM policy. They will make and ship just one armchair, if this is what your project requires. It goes without saying, the same care and attention is used to make one sofa for a family living room or hundreds of sofa bed for a hotel project.

    The company has turned an area of their workshop into a PROTOTYPING ROOM, staffed with a few of their most experienced craftsmen. This is the room where new shapes are invented, new lines are tried and new styles are tested in terms of structure and balance.

    The in-house team of designers at DOMINGO can provide 2D and 3D files of catalogue standard products (all available upon request). They can also help with the placement of products in 2D and 3D files should your designers be too busy or under deadline.

    DOMINGO can help design practices with their FR standards and certifications, studying ad hoc solutions when required.

    The experience gained by being creatively challenged on their own “upholstery turf”, turns DOMINGO and its staff the ideal partner for architects and designers of interiors as they are not just makers but they act more as project consultants. This collaboration between creatives and craftsmen over the years have produced some outstanding products.

    Adrenalina (the design label by DOMINGO) is also the outcome of this collaboration between creatives and artisans in DOMINGO.

    When architect and product designer SIMONE MICHELI came to see us with an “explosive idea”, the BOMB was born.

    When Swarosky launched their new crystal collection (2012) they turned to ADRENALINA to find a way to embed their gems to celebrate the event.

    When another client requested a sofa to be made from an ALFA ROMEO car, a real one (he added), DOMINGO contacted a famous car maker in Italy to negotiated the purchased of a red car shell so they could place their sofa in it.

    Image credit: DOMINGO

    When a restaurant owner insisted in wanting a nine-metre Chester Sofas for his restaurant all in one piece, DOMINGO embraced the challenge. Not only did they make the couch as per their client’s specification, but they also arranged for an extra-long truck to deliver it and rented an industrial machine to lift and move it to the assigned area.

    Image credit: DOMINGO

    When the AQUADOME spa turned to DOMINGO to add a new take on soft seating in their wellness centre, the solution delivered was some vibrant padded loungers with polystyrene microbeads, covered in waterproof, antibacterial material.

    DOMINGO SALOTTI is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here.

    Main image credit: DOMINGO

    Inside Moxy Hotels’ third property to open in Japan

    730 565 Hamish Kilburn
    Inside Moxy Hotels’ third property to open in Japan

    Located in one of the main hubs of Osaka City, the new Moxy hotel will provide guests with what Marriott is describing as “a fun and playful experience” through lively communal spaces…

    In a city that is buzzing with an attitude that does not always follow the rules, the 288-room Moxy Osaka Shin Umeda has officially opened its doors. As Marriott International’s bold experiential brand, the new hotel features fun, playful and stylish experiences, designed to give guests everything they want and nothing they don’t.

    Render of outside of the Moxy hotel

    Image credit: Marriott International/Moxy Hotels

    “We are thrilled to be opening Moxy Osaka Shin Umeda, which marks the third Moxy branded hotel to open in Japan,” said Rajeev Menon, President, Asia Pacific (excluding Greater China), Marriott International. “This opening is a testament to Marriott International’s commitment to continue expanding its footprint across Japan and Asia Pacific with the experiential lifestyle portfolio catering to the next generation of travellers.”

    Creating an environment that appeals to today’s modern traveller as well as locals,  the hotel’s chic design pays homage to the vibrant city of Osaka. The aesthetics of the hotel are inspired by a combination of the fashionable art of Umeda and the unique expressions of local Fukushima, known as the “mechanical arcade” that once supported the development of Japan’s electronic industry.

    Upstairs, the 288 guestrooms are cleverly designed to maximise space and allow guests the flexibility to adapt the room to their needs. Each room is equipped with the latest technology featuring a 55-inch flat screen television with screen casting ability, furiously fast and free Wi-fi, abundant USB ports, motion activated LED guidelight and backlighted glass panels to add ambience.

    The hotel also features several of the Moxy brand’s cheeky lifestyle touches. The signature Bar Moxy doubles as the hotel’s check-in counter, where guests are greeted upon arrival with a complimentary ‘Got Moxy’ cocktail. Buzzing with high-energy is The Terrace, an outdoor area where ‘Fun Hunters’ can eat, drink and socialise. The Lounge calls its charms through its graffiti art walls, modern furniture and ambient lighting, ideal for gatherings, special events or crafted cocktails, while Grab and Go allows guests to satisfy their cravings day or night. Guests can plug in and tune out in the Library or re-energise using the pink Moxy punching bag in the hotel’s 24-hour fitness centre that also features gymnastic equipment, spinning bikes and a full-circuit gym.

    With the opening of Moxy Osaka Shin Umeda, the animated brand, which now has more than 60 experiential hotels open across North America, Europe, and Asia Pacific, continues to make design-led hotel experiences accessible and affordable.

    Main image credit: Marriott International/Moxy Hotels

    Product watch // AXOR MyEdition: bathroom design that’s personalised

    730 565 Hamish Kilburn
    Product watch // AXOR MyEdition: bathroom design that’s personalised

    With modern travellers demanding more personalised hotel experiences, Hotel Designs takes a look at MyEdition range of taps by AXOR, which have been designed in collaboration with Phoenix Design…

    For more than 25 years, AXOR has been a pioneer in the development and production of avant-garde design objects for luxury bathrooms and kitchens. This legacy is continued with AXOR MyEdition, a collection of taps created in collaboration with the Stuttgart-based design studio, Phoenix Design. The design is independent and recognisable, supporting the brand maxim “Form follows Perfection”.

    Image credit: AXOR

    Conceived as an expression of personality, self-realisation and individual creativity, the range features a variety of surface colours and patterns that enable the tap to be customised for an individual look.  The exclusive plate materials can be chosen from 15 AXOR FinishPlus special finishes, two glass plates and five special materials: metal, wood, marble and leather. This monolithic design makes individualisation possible by allowing more room for personal creativity.

    Image credit: AXOR

    This demand for personalisation has been furthered by AXOR with the recent launch of MyEdition 2.0. Offering maximum freedom in the choice of materiality for the mounting plate, it is now possible for designers to create their own plates to perfectly match wider bathroom schemes. Using approved specification templates for the designs and local craftsmen for the manufacture, personalised plates can be secured onto the existing tap and fitted as normal.

    In addition to its innovative aesthetic, the collection also offers a superior water experience. MyEdition is available with the innovative PowderRain spray – a first for washbasin mixers. With the advantage of micro spray technology, this new water method has six fine openings per nozzle (instead of one), transforming the spray into thousands of micro droplets that envelop hands in a gentle cocoon of water.

    AXOR MyEdition comprises nine products in total, including products for washbasins, bidets and bathtubs. It represents the next stage in AXOR’s journey in developing innovative ways to experience water.

    hansgrohe is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here

    Main image credit: hansgrohe

    The complete bathroom solutions from Ambiance Bain

    730 565 Hamish Kilburn
    The complete bathroom solutions from Ambiance Bain

    With more than 60 years’ experience in developing inspirational bathroom furniture and shower spaces, Ambiance Bain works closely with customers to understand their needs to deliver solutions…

    Ambiance Bain’s hotel furniture collection with a comprehensive range of shower trays and wall panels in co-ordinating or contrasting colours, offers a package which is not only functional, but stunning and hygienic too.

    Cleanliness has always been important in the hotel sector, but now even more so with the current Covid-19 crisis. Using Ambiance Bain SMO™ washbasins and worktops, then co-ordinating with shower trays and wall panels, all moulded in a single piece, leaves nowhere for the germs to hide.

    Image credit: Ambiance Bain

    Tiled areas and seals between basins and units can be difficult to clean and maintain. Using SMO™ instead gives a much better finish which looks fantastic and allows a much better hygiene regime, making cleaning a pleasure.

    SMO™ is an exclusive material particularly suitable for hotel spaces.  Moulded from a single piece, the products are completely seamless and it’s also possible to repair SMO™ products using our repair kit should they become damaged, ensuring the longevity of the facilities.

    Available in an array of beautiful gloss, matt and sparkly colours, you can be sure there is an option for every style of hotel design.  You can even choose your own RAL colour if you need a completely bespoke look.

    The durable range of sizes and a choice of ceramic or SMO™ vanity basin worktop, provides choice and affordability.  Whilst the ceramic basin offers a slightly more competitive solution, the SMO™ basin worktop, complete with upstand to protect the wall from splashes, allows much more flexibility in design with a choice of matching shower trays and wall panels to add a touch of luxury.

    The innovative hotel vanity units have an open shelving feature combining high storage capacity with ease of maintenance and all units are delivered fully assembled ready to install.  Then choose from four adjustable shower trays, Origin, Oka, Altima & Altimax or 2 made to measure options Universal and Elegance, all with co-ordinating shower wall panels, which complement our SMO™ worktops for a completely harmonious design.

    Available in a range of colours to suit your style, Ambiance Bain hotel bathroom furniture together with our shower spaces offers the ideal solution to every style and design.

    Ambiance Bain is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here

    Main image credit: Ambiance Bain

    DESIGN CONCEPT// A vision for a new New York City

    730 565 Hamish Kilburn
    DESIGN CONCEPT// A vision for a new New York City

    Design and architecture firm WATG has shared its urban planning solution that shapes a new vision for a greener New York City – one that underscores the unforeseen positives revealed during the pandemic…

    While the Covid-19 crisis and lockdown took force of major metropolises, an unusual thing happened across the world’s best cities: the sounds of taxi horns hushed, the skies cleared and the gloomy haze of pollution lifted – there were even reports of city dwellers waking up to the song of birds, rain pouncing on windows, and the rustling of leaves.

    As New York City begins to emerge from its forced hibernation – unlocking bodega doors, flipping open blinds, and turning around its “Open for Business” signs – there are obvious unintended positives that almost instantaneously took hold of the city that never sleeps. New Yorkers should not forget what a cleaner city looks like, and fight to find a way to adopt new ways of living that contribute to a healthier, safer, more breathable way of life.

    It is that spirit that fueled WATG, the multidisciplinary global design firm, to “roll out” a new vision for New York City’s streets. The concept, titled Green Block, led by John Goldwyn, WATG’s London-based master planner and landscape architect, was an internal innovation competition focused on how its team of leading urban planners, landscape architects and designers could use their skills, and lessons learned from the pandemic, to transform urban spaces in a post-pandemic world for the better. The concept at once allows for a green, carless, alfresco-hopping, streetscape vision for New York’s streets.

    “Our cities have long been overdue for transformation and, as some people flee for greener landscapes in the wake of COVID-19, Green Block proves that you don’t need to sacrifice one for the other – we actually can, in fact, have both the urban and the green lifestyle,” said Goldwyn.

    Focusing on the intersection of Manhattan’s Flatiron Building, an iconic symbol for the city itself, Green Block claws back space from the roads and reclaims it for the people and environment.

    Green Block is built using a modular program that transforms city streets into green spaces using a kit-of-parts system that is maintenance-free and created from 100 per cent recyclable materials. Green Block not only adds greenery to existing cafes and shop fronts but it creates untapped revenue opportunities for retail, commerce, and restaurants, and helps clean and filter city air while beautifying streetscapes.

    Green Block brings limitless value to cities and destinations – serving as a living, breathing solution to air filtration; reducing car noise, impact and pollution; providing homes for the world’s decreasing bee population; and increasing the amount of space for people to exercise and leisure. The solution provides greater opportunity for cyclists and walkers, replacing paved footpaths with lush plants; and increasing street appeal for restaurants and retail – providing untapped opportunities for outdoor dining and shopping. Restaurant operators can also use the new outdoor space to grow vegetables, herbs or fruits to serve on their menus.

    “People who are all too often disconnected from nature should be allowed respite on their streets. The pandemic tapped into an underrepresented desire in urban dwellers to connect with nature. That desire is a human right, and the city needs to address it. Green Block is in the best interest of New Yorkers and New York City’s standing in the world,” finished Goldwyn.

    “As planners and designers, we have to help communities become more self-reliant. We have to make sure we’re creating systems that help ourselves and future generations thrive,” continues Goldwyn. “Communities that are resilient with strong, built-in systems of support become even stronger during times of crisis.”

    WATG is currently working with confidential land owners in the United Kingdom to deploy Green Block on select streets of London, and the concept has been recognised by Urban Design Forum, based in New York, as a solution for their “City Life After Coronavirus”call for entries, which focuses on organisations advancing a just and equitable recovery for communities most impacted by the crisis.

    Main image credit: WATG

    Inside Hart Shoreditch, London’s latest lifestyle hotel

    730 565 Hamish Kilburn
    Inside Hart Shoreditch, London’s latest lifestyle hotel

    The 126-key hotel, which is in the heart of Shoreditch, has been designed by Fabled Studio and draws inspiration from East London’s past as a centre of craftspeople and makers. Hotel Designs takes a peek inside…

    East London lifestyle hotel, Hart Shoreditch Hotel London from Curio Collection by Hilton, which has recently opened, was designed in collaboration with London-based interior design consultancy Fabled Studio. The 126-key property seamlessly blends the vibrant heritage and modern-day creativity of East London, through its thoughtfully designed spaces.

    “Gone is the tired aesthetic of exposed graffitied brick walls, filament lightbulbs and mis-matched furniture to create a bright, fresh and life-affirming space.” – Steven Saunders, co-founder and director of Fabled Studio.

    Image credit: Hart Shoreditch/Gary Edwards

    Drawing inspiration from East London’s past as a centre for craftspeople and makers, the hotel’s design narrative is deeply rooted in showcasing the industries that thrived there including furniture makers, metal workers and silk weavers. In keeping with the Curio Collection by Hilton portfolio, the hotel will give visitors to London the chance to experience one of the city’s most sought-after neighbourhoods and discover its unique history.

    Image caption: The lobby | Image credit: Hart Shoreditch/Gary Edwards

    “We set out to create a brand-new identity for a Shoreditch hotel and restaurant/ bar by delving deeper into the stories and history that the East End has to tell,” said Steven Saunders, co-founder and director of Fabled Studio. “Gone is the tired aesthetic of exposed graffitied brick walls, filament lightbulbs and mis-matched furniture to create a bright, fresh and life-affirming space. Natural textures and a muted architectural colour palette create a crisp canvas which we have dressed with soft sage velvets, woven linens and Kilim patterns to offer an elegant and mature space to enjoy.”

    Luxe guestroom

    Image credit: Hart Shoreditch/Gary Edwards

    Hart Shoreditch takes its name from one of the building’s previous occupants, The Harts, who were cabinetmakers in the 1800’s. The distinctive space encapsulates East London’s rich industrial and artisan past. Design details including a steel re-bar and copper staircase, and contemporary, bespoke mahogany lights have been designed to replicate cabinetmaker’s boxes and pay homage to the building’s earlier artisan life.

    Soft textures, furnishings and warm lighting will guide guests through to Tavla, the hotel’s bar where guests and locals alike will be encouraged to relax and spend time throughout the day and into the evening. Here, textured woven stools are mixed in with lounge chairs in muted tones and softened textures giving the space a modern, residential feel. The restaurant BARBOUN, boasts an industrial-luxe aesthetic with rattan and Thonet-style chairs and partitions inspired by the Victorian furniture makers workshops of Great Eastern Street. Warmth and softness is brought into the space through natural linen café curtains, drapery in deep oxblood and upholstery in nude leather; as well as the asymmetric architecture of the vast timber ceiling replicating the beamed structure of a factory warehouse. A striking steel re-bar and copper staircase sits towards the back of the space along with a central cascade of moon chandeliers.

    Guests can choose from nine room and suite categories, all of which feature a soft and elegant colour palette of white and grey with striking burnt orange and deep green accents. Predominantly contemporary in style with copper mirror detailing and simplistic modern furnishings, the guestrooms are warm and inviting with subtle design details throughout such as saddle-stitched leather strapping and copper rendered marmorino textures. Copper leafed bedside mirrors are embossed with woven lace etchings in a nod to the deep-rooted Huguenot history of nearby Spitalfields. Bathrooms feature a combination of materials which come together to create a sophisticated, urban space. Luxurious marble showers and rolltop baths with impressive views across Shoreditch are complimented by contrasting concrete vanities, herringbone flooring, bold geometric tiling and paired back brass detailing.

    Hart Shoreditch is also home to two unique meeting spaces which have been designed to emulate the look and feel of 18th century Huguenot townhouses synonymous with East London and its silk weaving past. A classic London aesthetic intertwined with modern textures and details set against soft green walls.

    Image credit: Hart Shoreditch

    Located in the heart of Shoreditch on Great Eastern Street, the hotel is conveniently situated just a moment’s walk from Shoreditch High Street underground station and within walking distance of the neighbourhood’s independent boutiques, vibrant bars, restaurants and famous markets such as Brick Lane and Spitalfields.

    Main image credit: Hart Shoreditch

    Bathoom wellness // How to take a wet room project to the next level

    730 565 Hamish Kilburn
    Bathoom wellness // How to take a wet room project to the next level

    One of the most apparent changes in the post-pandemic world will emerge from the shifting demands regarding wellness. Schlüter Systems explains how its Schlüter-KERDI-BOARD can take the wet room to a new level…

    When it comes to designing wet rooms, getting the perfect finish right is an absolute must. This can only be achieved by creating a completely level and tile-ready substrate prior to installation of the covering material.

    The recently BBA certified Schlüter-KERDI-BOARD is the ideal solution to give you full peace of mind. The lightweight backerboard is a proven multifunctional product whilst also being flat and even.

    Consisting of an extruded hard foam core panel with a special reinforcement material on both sides and waterproof fleece faces to finish, KERDI-BOARD is also an eco-friendly alternative to fibreglass or cement-faced backerboards. The absence of a cementitious layer means that it costs less to transport and produces no dust when cut, making for healthier working conditions and avoiding the release of toxins into the wider environment.

    Using various sealing bands, adhesives, and pre-fabricated corner pieces available from the Schlüter-KERDI range, the seams between individual boards are quickly and robustly sealed. This will create a complete CE marked bonded waterproofing assembly upon which tiling can commence without delay.

    The versality of the product is why we see it being a key player in the creation or renovation of hotel spas and bathrooms going forward. Available in a range of seven thickness ranging for 5-50mm, KERDI-BOARD can be used to create shelves, niches, partition walls and even seats within a bathroom area. This can help to create a relaxing and spa-like experience for guests and, in a time when luxury and wellness is at the forefront of the hospitality industry, these further considerations can make all the difference.

    When looking to introduce some tranquillity into your bathroom, wet room or spa project, KERDI-BOARD will provide both a reliable substrate to tile onto, and the flexibility to create the wow-factor when considering any additional features.

    Schlüter Systems is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

    Main image credit: Schlüter Systems

    Stylish emerald green and golden poster above comfortable king size bed with headboard and pillows in dark green bedroom

    Upcycling: “Revamp, don’t replace,” says surface brand Architextural

    730 565 Hamish Kilburn
    Upcycling: “Revamp, don’t replace,” says surface brand Architextural

    The trend for upcycling shows no sign of abating; businesses are increasingly looking to upgrade their interiors on a budget and without the upheaval of ripping out and replacing furniture, explains surface brand Architextural

    Stylish emerald green and golden poster above comfortable king size bed with headboard and pillows in dark green bedroom

    Upcycling taps into the trend for sustainability that continues to be big news; it is better for the environment for venues to make use of what they already have and give it a new lease of life, rather than replacing it wholesale and sending old furniture and fittings to landfill.

    This is where vinyl wrapping processes come into their own, providing a fresh new look in a multitude of styles, quickly and easily.

    Wrapping is a simple process, whereby an existing surface is covered with a self-adhesive film. Architectural finishes are highly engineered, durable films, designed to look and feel like real-life materials. The films are applied with heat, by skilled installers, to provide a realistic hardwearing finish. This allows clients to create bespoke furniture using less expensive materials, wrapping them to look like authentic marble, wood or concrete. With thousands of finishes available, the possibilities are vast.

    Modern loft living room with black steel slats 3d render.There are concrete floors , Decorate wall with pattern of black steel slats.Furnished with dark gray fabric chair.

    Image credit: Architextural

    Diverse applications

    Architectural films can be used on a wide range of surfaces, including walls, lifts, doors and FF&E.

    Such films are conformable for 3D applications, meaning their use is not limited to flat surfaces. Almost any surface can be wrapped, making films ideal for the commercial environment. What’s more, they can even be applied over existing substrates.

    As the surface finishes are conformable, they can be applied to curved structures to create eye-catching designs. This provides a key advantage over laminates that require edge banding, whereas films offer the opportunity to wrap fully over edges to completely seal them.

    “Wrapping is also highly durable – lasting for an average of 12 years on interior surfaces.”

    Environmental benefits

    On average, it costs seven times more to rip out and replace interiors. Refurbishment with architectural films is a way to upcycle existing fixtures and fittings, rather than send to landfill.

    It’s a budget-friendly option for architects when costs are being squeezed, allowing businesses to refresh a venue more frequently or at a lower cost. Wrapping is also highly durable – lasting for an average of 12 years on interior surfaces – meaning it can work out more cost effective over the lifetime of the product, when compared to fabric, paint or veneer.

    a clean living room with black wallcovering

    Image credit: Architextural

    Less day-to-day disruption

    It’s also easier for businesses, as vinyls are applied in situ, with no noise, mess or waste – allowing the venue can stay open throughout. Little equipment is needed, with minimal prep, meaning less downtime and inconvenience.

    All finishes are fire tested and meet building regulations. And as the product is a PVC solution, it is fully water and heat resistant, as well as and hygienic, all of which are important in high-traffic venues such as gyms, bars and restaurants.

    With a world of possibilities at their fingertips, companies looking to reduce costs and improve their sustainability would be wise to look at upcycling using self-adhesive finishes to refresh spaces with minimal disruption to the business.

    Architextural is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

    Main image credit: Architextural

    Case study: a bespoke approach to lighting two hotels

    730 565 Hamish Kilburn
    Case study: a bespoke approach to lighting two hotels

    To showcase Heathfield & Co’s bespoke approach to lighting design, Hotel Designs explores how the brand designed unique lighting schemes for two well-known hotels in London… 

    From cruise ships and shared working spaces, to five star hotels and restaurants across the world, Heathfield & Co’s bespoke portfolio showcases more than 40 years of knowledge and experience in commercial projects. Here are just two examples that illuminate the brand’s creative approach to lighting.

    The Curtain

    Located in the heart of Shoreditch, The Curtain is a 120-key go-to for London creatives.

    Starting with the client’s initial brief, Heathfield & Co’s bespoke team worked closely with U.S. based Duncan Miller Ulmann to design unique lighting to suit the sophisticated urban city aesthetic.

    From an initial project review, through to final delivery and site support, Heathfield’s dedicated project managers led every stage of the process, ensuring the budget was met and final designs were perfectly executed.

    Adjustable bedside wall lights, perforated ceiling pendants and picture desk lamps were among the bespoke products designed, developed and manufactured exclusively for this stylish hotel.

    Kimpton Fitzroy

    Combining contemporary interiors with the original features of its 19th century building, the Kimpton Fitzroy in Bloomsbury is a London hotel like no other.

    Collaborating with the creative teams at Tara Bernerd and Russell Sage Studio, Heathfield’s dedicated team of product designers and engineers created a series of extravagant chandeliers and sleek wall lights to complement the hotel interior. Specialist finishes and materials were developed and produced for the project to achieve a truly unique design.

    Heathfield Lighting is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here

    Main image credit: Heathfield & Co

    Editor Checks In: the price tag eliminating diversity in design

    730 565 Hamish Kilburn
    Editor Checks In: the price tag eliminating diversity in design

    An independent investigation on diversity in design, carried out by Hotel Designs, has highlighted the potentially ‘unethical’ lengths that studios are willing to go to in order to win projects on the international hotel design scene. Editor Hamish Kilburn writes…

    Traditionally – as well as recently – in the international hotel design and hospitality arena, the word ‘unethical’ and the phrase ‘dirty money’ was targeted largely towards the abusers of power; a handful of hotel owners, for example, have used money laundering to fund ostentatious and, quite frankly, outrageous development projects in luxury addresses.

    However, it turns out that even some design firms have also been sheltering their fair share of unethical methods when it comes to business development, and I believe it is having a dramatic impact on equality within the industry – something that I was once proud of, but as I scratch beneath the surface, I am beginning to realise that we are at risk of this being nothing but a façade.

    In new supporting evidence, there have been an increased number of design firms that have been exposed of deliberately undervaluing the proposed cost of a project in what has been described as “a desperate bid” to win the client’s commission. And especially in these challenging times that lie ahead, it is apparent that the scales are no longer level and the playing field is no longer fair.

    “These allegations could drastically disrupt the design industry’s performance, as well as put several question marks on how ethical and diverse the industry is becoming.” – Hamish Kilburn, editor, Hotel Designs.

    It is understood that for some design firms, certain prestigious projects – or more accurately all projects won during these unstable economic times – are considered more valuable within a portfolio now that we are are heading into a recession. As a result, firms are strategically pitching to clients with a significantly lower cost on the table – eliminating any possibility to make a profit – in order to drastically further the chances of winning the account.

    One anonymous business development manager from a design studio, who Hotel Designs spoke to, described how he/she lost a commission for a recent project after a competitor allegedly undervalued the development by roughly 80 per cent to what he/she believed the project should achieve in design fees.

    Furthermore, another anonymous leading designer reached out to Hotel Designs with a claim that he/she has witnessed projects being won by competitors at up to 75 per cent lower than what he/she believed was a reasonable professional fee to complete the hotel project.

    In addition, other designers have come forward and claimed that they have witnessed situations whereby even suppliers have agreed to pay the design studio separately in order to be specified in a particular project, again this is with the understanding that being specified in the project’s design will generate positive PR around the brand as a result – effectively out-valuing the fee to the design studio.

    Although not directly linked, these drastic methods of securing new business have circled back towards further inquiries regarding how design firms are actually funding their existence in the already competitive market.

    If proven correct, these allegations could drastically disrupt the design industry’s performance, as well as put several question marks on how ethical and diverse the industry is becoming, especially, for example, if mystery backers are then funding the project on behalf of the design firm.

    What’s more, the risk design studios are willing to take in order to secure these projects rings deafening alarm bells in my head, because it will inevitably be the talented individuals – often juniors on low-pay packages – who will be working on the project and who will ultimately suffer the most.

    “Fees have seriously been trending lower after every recession when clients demand from firms.” – Anonymous designer.

    There are also concerns among the industry that Covid-19 – and the pressures that are attached to the pandemic regarding a lack of new business opportunities on the horizon – will create further desperation between design studios that are responding to client briefs.

    We have heard from a number of design studios regarding this, and many have decided to reduce project costs in ratio with the cuts they have made to staffing. One firm, again which would wish to remain anonymous, has confirmed that it has made a 20 per cent cut to all current project costs, and the studio has taken this decision in full knowledge that when or if the industry ever returns to what we recognised as normal, then the studio will work at full capacity but will only receive 80 per cent of the original fee. “We have seen this continuously,” said another anonymous designer. “Fees have seriously been trending lower after every recession when clients demand from firms.”

    So, you tell me, will greed take its toll, and will meaningful and creative hospitality solutions be overshadowed by a tempting lower project cost? I certainly hope not, as I believe the industry is still made up of solution-driven individuals who understand and respect the need for thinking long-term, despite living and working in what feel like desperate times.

    This is the first article within the series of this investigation. If you would like to speak to Hotel Designs – on or off the record – about diversity in design, please email the editorial desk

    Editor, Hotel Designs

    Burlington injects art deco grandeur in new range

    730 565 Hamish Kilburn
    Burlington injects art deco grandeur in new range

    As part of our editorial series exploring the wider context of Burlington’s Bespoke Collection, Hotel Designs understands more about the 1920s and ’30s, art-deco inspired pieces that the bathroom brand has launched to the market…

    Characterised by the unmistakable shapes and colours synonymous with the 1920s and 1930s style, the Art Deco range by Burlington was inspired by architecture and vintage tableware.

    Charleston

    Drawing heavily on the linear and geometric designs of the early modern art movements, the elegant fan-like shape of the Charleston pattern creates an eye-catching focal point. Complementing the traditional silhouette of Burlington’s ceramics, the delicate monochrome illustration is ideal for those wanting to add a unique embellishment to their bathroom interior.

    feature in a basin

    Image credit: Charleston, Art Deco collection by Burlington

    Vienna

    A design that exudes confidence and charm, the vibrant appearance of the Vienna pattern blends a classic retro colour palette with the geometric shapes reminiscent of the Art Deco era. Inspired by the yellow ochre and black shades in vintage tableware, Vienna brings a playful nod of the roaring twenties into today’s bathroom.

    Vienna, Art Deco collection by Burlington

    Image credit: Vienna, Art Deco collection by Burlington

    Martinez

    Inspired by the iconic Martinez Hotel balcony in Cannes, the hand-illustrated pattern fuses both linear and circular detailing, resulting in an exquisite and attention-grabbing decoration. A subtle incorporation of gold echoes the distinctive balcony design, leaving a lasting impression.

    Burlington is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.

    Main image credit: Burlington

    Render of high-rise building

    Hotel opening // Marriott opens duel-branded hotel in Yinchaun, China

    730 565 Hamish Kilburn
    Hotel opening // Marriott opens duel-branded hotel in Yinchaun, China

    The building that shelters the duel-branded JW Marriott and Courtyard by Marriott hotel has been described as a new elegant landmark in Northwest China…

    Render of high-rise building

    Marriott International, Inc. has announced the opening of its dual-branded hotel, JW Marriott Hotel Yinchuan and Courtyard by Marriott Yinchuan in Northwest China, recognised as an oasis in China’s hinterland, a historical and distinctive destination surrounded by deserts and the Helan Mountains.

    Invested and established by Ningxia Genyuan Real Estate Development Co., Ltd., the dual-branded hotel is an architectural masterpiece depicting a grand sailing ship boasting a total of 513 rooms. The property will deliver purposeful and memorable service to guests, from the warm luxury experience signature to the JW Marriott brand to the innovative and passionate offerings from Courtyard by Marriott.

    Located in the cultural center of Yinchuan, JW Marriott Hotel Yinchuan and Courtyard by Marriott Yinchuan are adjacent to Yinchuan International Convention and Exhibition Center, Ningxia Museum and Ningxia Grand Theatre.

    We are excited to welcome JW Marriott Hotel Yinchuan and Courtyard by Marriott Yinchuan to our expanding portfolio in the northwest of China. The opening of this dual-branded hotel demonstrates the growing demand for travel as more travelers seek to discover new and emerging cities all across China,” said Henry Lee, President, Greater China, Marriott International. “This milestone opening signals a new chapter in the dynamic hospitality industry of Yinchuan, and we look forward to bringing our signature offerings to our guests through thoughtfully-curated experiences, leaving them with unforgettable memories from our brands.”

    JW Marriott Hotel Yinchuan offers 247 guestrooms and 32 suites featuring floor-to-ceiling windows with dramatic views of Yinchuan skyline. All rooms are thoughtfully decorated, equipped with the latest in-room technology and modern amenities, including a 55-inch LCD TV and capsule coffee machine. Embracing a sense of modern luxury, JW Marriott Hotel Yinchuan promises a haven designed to allow guests to focus on feeling whole – present in mind, nourished in body, and revitalised in soul.

    A luxe dining set up inside residence

    Image credit: Marriott International

    JW Marriott Hotel Yinchuan features signature offerings centred on encouraging guests to celebrate being in the present, foster connections and revitalise the mind. JW Garden, a farm-to-table program, ensures sustainable sourcing of fresh herbs and vegetables for guests. Guests who want to maintain their wellness routines during their stay will enjoy the 24-hour Fitness Centre, which is complete with an indoor heated pool and is flooded with natural sunlight.

    An indoor pool

    Image credit: Marriott International

    Designed to meet the diverse needs of business events, conferences and banquets, JW Marriott Hotel Yinchuan is able to accommodate large-scale event with the pillar-free JW Grand Ballroom. Covering a total area of 1,400 sqm and equipped with a 90 sqm LED screen, the ballroom can accommodate 1,300 guests and be divided into four independent areas. For more intimate events, the 500 sqm JW Ballroom is equipped with a 50 sqm LED screen, and can be repurposed as three independent multifunctional ballrooms. In addition, 10 multi-functional Meeting Rooms of varying sizes will meet the diverse needs of guests.

    Courtyard by Marriott Yinchuan features 234 stylish and contemporary guestrooms that cater to passion-driven guests looking to pursue their personal and professional ambitions whilst on the road. Showcasing modern design and decor, as well as a vivacious and inspiring ambience, all guestrooms are equipped with flexible work areas, high-speed Internet, and high-definition televisions for discerning business travellers.

    Main image credit: Marriott International

    BetteStarlet Oval Sihouette in matt black colour

    Bette supports hospitality with discussion on new hygiene demands

    730 565 Hamish Kilburn
    Bette supports hospitality with discussion on new hygiene demands

    Bathroom brand Bette supports the hospitality sector with HotelForum discussion on hygiene demands that have been created by Covid-19…

    BetteStarlet Oval Sihouette in matt black colour

    As a member of the European Networking Architecture, German bathroom manufacturer, Bette, has created a panel of leading design and hotel industry professionals, which will discuss whether there are ‘new guidelines for hotel design, enforced by pandemic experiences.’ The discussion will take place in English as part of the hotelforum event on October 7 and can be accessed online.

    Sebastian Noack from Bette comments: “As a result of the pandemic, the demands on hygiene safety measures in hotels have increased massively. The panel discussion will consider whether this is an opportunity to plan, design and build crisis-proof hotels to help achieve a competitive advantage through hygiene-oriented design. We hope it will also be a useful opportunity to consider whether the increased expectations on hygiene standards will also have an impact on the choice of materials, as has been the case in the health sector.”

    The panel discussion will explore the positions of developers/owners, operators and designers on investment in high hygiene standards and if and how such investment can be refinanced.

    The panelists, in alphabetic, order will be:

    • Claus Dieter Jandel, Executive Vice President & Chief Development Officer, Deutsche Hospitality
    • Emma King, Head of Design, InterContinental Hotels Group
    • Federico Toresi, Global Vice President Design – Luxury & Premium Brands, Accor
    • Kirstin King, Design Director, Bergman Interiors
    • Marcel Wanders, founder Marcel Wanders Studio
    • Monika Moser, Regional Managing Director, Wilson Associates
    • Rogier Hurkmans, Regional Director of Operations, NH / Minor Hotels

    The panel will be part of hotelforum (www.hotelforum.org) and will be held on October 7th, with the discussion starting at 3.55 CET.

    Bette is a Hotel Designs’ Recommended Supplier. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

    Main image credit: Bette

    Discussing luxury furniture design with Oki Sato, founder of Nendo

    730 565 Hamish Kilburn
    Discussing luxury furniture design with Oki Sato, founder of Nendo

    Following our official ‘first look’ of the 2020 Minotti Collection – and to mark putting furniture under the editorial spotlight this month – editor Hamish Kilburn speaks to one of the designers behind the collection; Oki Sato, founder of Nendo

    Airy with constructive details linked to Japanese tradition, the Torii modular furniture, designed by Nendo for Minotti’s 2020 Collection, plays with round-edged volumes, thin profiles and the apparent formal simplicity of an extremely detailed design.

    With an interlocking game, the horizontal elements within the furniture are laid on the vertical supports, ensuring a sophisticated visual lightness that accommodates the padded volume, characterised by couture craftsmanship.

    The Torii family includes sofas, armchairs, dining and lounge little armchairs, ottomans, coffee tables and console tables. To understand more about these pieces within the context of the timeless collection, I spoke to the visionary behind Torii’s creation; Oki Sato, the founder of designs studio Nendo.

    Luxury interiors with Minotti furniture

    Image credit: The Torii range of the 2020 Minotti Collection

    Hamish Kilburn: Can you describe the Torii range in three words?

    Oki Sato: Traditional, lightness, and secureness.

    HK: How does your design within this collection challenge conventional furniture design?

    OS: Generally, furniture legs are reinforced by connecting vertical members to horizontal members. On the contrary, the leg structure resembles a “torii,” a traditional gate of a Shinto shrine, with a horizontal member sitting on the two vertical timbers.

    Moreover, the ends of the horizontal member are designed to look like they are biting into the seat, reminding us of traditional “wood joinery” often seen in vernacular Japanese wooden architecture. The design goal was to maintain the visual lightness while expressing a sense of secureness with each component firmly locked together in unity.

    HK: In your own words, what were the major challenges when designing these pieces?

    OS: We had received a presentation from Minotti family for this project. This was our very first time to receive a presentation from the brand, despite having presented many times before. I think it was a challenge to design Nendo-like details to evolve Minotti family’s first rough concept and to exceed their expectations. 

    HK: Can you describe how the design evolved from initial sketches to the finished product?

    OS: After we received first presentation by Minotti, the initial sketch was drawn by Minotti. It was 100 per cent Minotti design at the very first moment. And then, the essence of Nendo was gradually added to the sketch through meetings and prototypes with the Minotti family.

    Minotti shared a specific image at the very beginning, which helped us to proceed prototype making faster than ever and we could devote more time to considering the details.

    HK: How long did this process take?

    OS: I believe this process took about nine months.

    HK: Can you explain more about the material you used in the upholstery?

    OS: Minotti’s high technology and extensive experience coordinated our idea to concrete shape. The brand arranged everything, including a selection of materials and the softness of the cushion.

    HK: What is it about Japanese design that attracts so many luxury brands?

    OS: I believe it is about light and shadow. Let’s say for Italians, when one says red, Italian designers can see a lot of different reds. They have hundreds of colours of reds, but not just red.

    On the other hand, I think the Japanese perceive more tones of light and shadow. I guess light and shadows are about minimalism, poetry which is one of  the values of Japanese design.

    Minotti London, which is exclusive style partner at MEET UP London, is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

    Main image credit: Minotti

    First look: the ‘different by design’ vision of Japan’s debut Aloft hotel

    730 565 Hamish Kilburn
    First look: the ‘different by design’ vision of Japan’s debut Aloft hotel

    W Design International has completed Aloft Tokyo Ginza, which is scheduled to open in October 2020. Before then, Hotel Designs got a sneak peek inside…

    Showcasing innovative creations of Japanese and international artists under the concept ‘different by design’, Aloft Tokyo Ginza, which will open in October 2020, will mark the brand’s arrival in Japan.

    W Design International (W/D/I), assigned by Sankei Building, initiated the overall design and realiastion of Aloft Ginza by combining old-school aesthetics inspired by Ginza’s social stories and industrial design. The new 16-storey boutique design hotel with rooftop bar is filled with radiant and iconic works by select artists. W/D/I curated a total of 11 artists whose installation-art was allocated to embody the ambience at Aloft Ginza.

    With more than 16 years of experience on hospitality design projects across Japan and the Asia Pacific region, W/D/I is specialist firm in the hospitality design sector, providing strategic and creative solutions for projects in Japan and beyond.

    “The guestrooms, including four suites, have been designed with a relaxing, rock-chic vibe.”

    True to its ‘Ginza Vogue’ flair, the eclectic style of the 205 loft-like guestrooms, including four suites, have been designed with a relaxing, rock-chic vibe. The hotel is the ideal accommodation for global travellers who love open spaces and stylish boutique design. “Ginza Vogue” also pays homage to Toshiro Mifune’s 100th birthday, a legendary Japanese actor who was loved by film fans internationally.

    The ‘different by design’ scheme has been achieved largely by W/D/I collaborating with lightning, audiovisual and music design by WORKTECHT to create one-off meaningful experiences. The atmosphere created was inspired by the Miyuki-Zoku movement from 1964, where Japanese teenagers expressed a cutting-edge and sophisticated style (the suffix “zoku” means “subculture” or “social club“). Meanwhile globally in 1964, pop art changed the art world. Artists like Andy Warhol and Roy Lichtenstein became superstars, and many of them collaborated. W/D/I visualised this Ivy-fashion and rock spirit for “Neo Miyuki-Zoku” in 2020.

    Aloft Tokyo Ginza is located less than a five-minute walk away from both Ginza Station and Higashi-Ginza Station, and will open aptly while the city is preparing to face the greatest sporting event in modern times, the Olympics Games, ideal for savvy international travellers who are expected to attend.

    Main image credit: Aloft Hotels/Marriott International

    Product watch: Newport Bedroom Collection by Taylor’s Classics

    730 565 Hamish Kilburn
    Product watch: Newport Bedroom Collection by Taylor’s Classics

    The Newport Bedroom Collection by Taylor’s Classics is simple yet elegant mix of bedroom furniture. Hotel Designs explores…

    A perfect complement to the brand’s other ranges of traditional chairs and tables, Newport Bedroom Collection by Taylor’s Classics is ideal for hotels and other accommodation styles.

    The range consists of two styles of wardrobe, a bedside cabinet with a choice of marble tops, a luggage rack, a bedroom desk with gilded leather insert, a selection of bedroom/ desk chairs, bedroom tables and reclaimed lighting.

    This range of contract bedroom furniture is crafted in solid and veneered European Oak and manufactured to contract quality standards. The design and detailing recalls that of the late Victorian, Arts & Crafts era, and will blend easily into the interiors of many hotels or inns of the period.

    The Newport Collection is available in either a light or medium oak stain and polished in a resistant polyurethane lacquer.

    Download our brochure here.

    Taylor’s Classics is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.

    Main image credit: Taylor’s Classics

    5 minutes with: Ian Gell, head of new product design at Aqualisa

    730 565 Hamish Kilburn
    5 minutes with: Ian Gell, head of new product design at Aqualisa

    Following the launch of Aqualisa Smart Quartz Collection of showers, Hotel Designs catches up with Ian Gell, the brand’s head of new product design…

    The recent launch of the new Aqualisa Smart Quartz Collection of showers shows that the shower brand is firmly in the driving seat for innovative shower technology in the UK. In order to understand the technology behind the new products – as well as some of the major challenges that come with driving innovation in the bathroom – we spoke to Ian Gell, Aqualisa’s head of new product design.

    Hotel Designs: As Head of New Product Design at Aqualisa, what was the initial brief when creating the latest Smart Quartz Collection of showers?

    Ian Gell: We wanted to create a first truly Smart shower that would improve the showering experience even further and offer connectivity across our Quartz Digital collection in an ever-growing IOT market. We also wanted to develop a feature rich product at an entry level price. Aqualisa are known for designing world class showers and we wanted to go that one step further making our showers that little bit more special.

    A modern shower.

    Image credit: Aqualisa

    “From a concept perspective, having a shower that can be operated via an app or having voice control abilities seems quite straight forward however, the truth is, it was extremely challenging.” – Ian Gell, head of new product design, Aqualisa.

    HD: Can you explain some of the main challenges you faced when designing these products, and the solutions you came up with to rectify these?

    IG: The development of the app was the biggest challenge for us. From a concept perspective, having a shower that can be operated via an app or having voice control abilities seems quite straight forward however, the truth is, it was extremely challenging. There is no ‘off the shelf’ solution that you can incorporate and use so we had to develop something from the ground up that could communicate with all our products. As well as developing the app, we had to develop the software and hardware in our valves and controllers. Allowing all new controllers and valves to communicate with each other was key.

    HD: What makes this collection truly unique from anything else on the market?

    IG: Aqualisa invented the digital shower back in 2001 and we have been market leaders in this area since. Having a truly connected shower to offer is the icing on the cake for our well-loved brand as it enables so many exciting and innovative opportunities to become possible.

    HD: From concept to launch, how long did this collection take to design/create?

    IG: At the back end of November 2018, the designers picked up their pens for the first time and started creating some concept sketches and schemes however, the project really didn’t pick up traction until February 2019 and was launched in March 2020 so it took roughly a year. Most of the work has been developing a connected solution with some purpose. This resulted in the app being created and the hardware and software requiring a major overhaul to allow our product to become connected which took most of the time.

    HD: Technology in hotel bathrooms has traditionally divided consumer opinions? How user-friendly is the design of the Smart Quartz Collection of showers?

    IG: A smart shower provides a personalised experience with safe and precise water control.   Our smart and digital showers are in fact easier to use than most traditional showers. We have all used showers in the past where you need to stop and analyze the controls and work out what lever turns it on and what lever controls the temperature. Sometimes it’s the same lever and takes a bit of experimenting! In most instances, the user normally gets a cold wet arm whilst trying to get the water to the correct temperature for their liking.  This is not the case with our product.

    Our product is activated by a simple on/off button so there is no confusion. Furthermore, our showers can be activated remotely by remote control, through an app also by voice command (if you a have an Alexa or Google home device), so users can turn the shower on from outside the shower. All our showers will indicate when the desired temperature has been reached giving the user confidence the shower will be at the perfect temperature before entry.

    As well as having user benefits, our smart showers are quick and simple to install. As the hot and cold water is mixed away from the showering area, there are no bulky valves to fit into the wall. Our valves can be fitted out of site in a convenient location i.e. in a cupboard, in the loft space or under the bath resulting in easy access if needed.

    “Quartz Touch also allows users to store their preferred showering profile that can be active through the controller or via the app.” – Ian Gell, head of new product design, Aqualisa.

    HD: How does the range of products enhance the bathroom experience?

    IG: Smart showers are sleek and modern devices and will compliment any bathroom interior from the more classic approach to the most contemporary design. Quartz Touch is great for tech enthusiasts out there as an LCD display is present showing the user the exact temperature. The user can also access different menus allowing full control for flow. Quartz Touch also allows users to store their preferred showering profile that can be active through the controller or via the app. You can set your preferred flow, preferred outlet and temperature with a simple touch of a button.

    Our showers are also compatible with Alexa and Google so once the Aqualisa skill has been downloaded, Aqualisa showers can be added to people’s smart routines. For example, “hey google, start my relaxing bath routine” could turn up the thermostat, dim the lights and start filling the bath from your Aqualisa controller, all via that one command. With the smart technology out there, the options are limitless.

    HD: How have you designed these products so that they are eco-friendly?

    IG: There is growing pressure to find ways to reduce water consumption per household and per person. We all understand the benefits of reducing water usage and how it effects the environment and household bills. As showers are one of the biggest contributors of wastewater, we wanted our customers to be aware of how much water they were consuming from their shower.  As a result, we have incorporated a water usage dashboard into our app that shows how much water has been consumed for each user as well as the entire house over a specific period. This could be over the last week, month or six months. The app will clearly show who is using the most water and costs associated to them.

    We also have a water saving mode on our handset that reduces flow by around 20 per cent.  Our optimised spray pattern still provides an enhanced showering experience whilst using less water.

    Our Quartz Classic and Unity controllers have a boost function. The boost option allows users to have added flow if required or users can choose to have it turned off to a lower flow rate and save water.

    Our Touch and Optic controllers have three flow settings, Eco Medium and Max. Our Eco setting reduces flow by 40% compared to the Max flow setting.

    All of our packaging used for our smart products is made from fully recyclable material. Around 70% of the packaging components we use is made from recycled material. 100% of the waste produced during the production of our packaging is collected and recycled back into paper.

    HD: For hotels looking to renovate their properties in the wake of Covid-19, why is the Smart Quartz Collection a good option?

    IG: We are continuously improving the installation features of all our products but there is a particularly good replacement and refurbishment story with smart showers around less pipework and push fit cable connection. For example, the major benefit of upgrading from a traditional shower is moving the SmartValve, the brains of the system, completely out of the showering area – and potentially away from the guest bathroom altogether which is so easy for any future adjustment and maintenance.

    Also, freeing up more space in the showering area itself opens up much more design and décor flexibility.  Perhaps even more compelling in the post-Covid economy is the ability of hotel management to monitor water usage and costs, if necessary, adjusting the water flow through hotel bathrooms.  Assurances around hygiene and safety have surely never been a higher priority in terms of the hotel guest proposition and contactless smart shower technology clearly meets that brief.

    Aqualisa is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

    Main image credit: Aqualisa

    Reasons why you might sleep better in a hotel room

    730 565 Hamish Kilburn
    Reasons why you might sleep better in a hotel room

    With new research showing that 34 per cent of Britons admitted booking trips or holidays just to catch up on sleep, Silentnight Group’s sleep expert Dr Nerina explains why this might be…

    When we’re checking out of a hotel, we often feel rested, refreshed and ready to return to our normal lifestyle.

    This is usually down to the fact we’ve had better quality sleep than we would have had in our own beds at home. According to new research, 34 per cent of Britons admit booking trips or holidays just to catch up on sleep, so guaranteeing a great night’s sleep for guests is a top priority for the hotel industry. But what exactly is it about a hotel environment that leads guests to enjoy better sleep? As the UK most trusted bed brand, Silentnight know what matters when it comes to changing how people sleep for the better.

    The perfect escape

    As a hotel guest, you’d never walk into your room and find toys, dirty washing and a cold mug of tea on the side. Hotel rooms are clean, calming and clutter-free environments that are designed for relaxation and a great night’s sleep without the constant reminders of your busy life.

    Silentnight’s Sleep Expert, Dr Nerina says “Bedrooms should equal rest and relaxation so it’s important to declutter and tidy up. When traces of work, the laundry basket or children’s toys are out of sight, you’re able to leave the day behind and enter into a deep sleep.”

    During a hotel stay, guests can fall asleep and wake up without a to-do list on their minds, allowing them to truly rest, unwind and enjoy their stay.

    Image credit: Silentnight Group

    The perfect environment for sleep

    Hotel rooms are well equipped for quality sleep. Many hotel rooms are fitted with air conditioning, and it’s been proven that rooms at a cooler temperature can help you fall asleep quicker and wake up feeling more refreshed. Lighting can also have a significant impact on sleep so many hotel rooms have black out curtains or blinds to help you drift off easily.

    “There’s an optimum temperature for good sleep and it’s around 19°C. Remember; this is all about how you feel and what you need. The same can go for darkness in the room: it’s important to be able to create a level of darkness that feels right for you.” Dr Nerina says.

    Providing these options for your guests is a great way to ensure the best possible night’s sleep away from their home environment.

    Options to rest your head

    Not only do hotels allow guests to personalise the temperature and lighting, they often provide many options for guests to rest their heads, too.

    Most hotels provide guests with a variety of pillow firmness choices so they can find the perfect solution for their sleep. Having the correct firmness rating for a pillow can help ease any aches and pains and promotes healthy spinal alignment. Replacing pillows at home when they’ve become tired and flat is often overlooked, whereas in the hotel industry, pillows are upgraded regularly which can ensure guests always have the best quality slumber.

    That fresh sheet feeling

    Everyone knows how good it feels to sleep on fresh bedding. Hotels have stringent cleaning policies, which have become increasingly important in light of the recent pandemic which means bedding is washed very regularly. That means a hotel guest will probably experience fresh sheets much more in a hotel than they might do at home.

    Replacing bedding is another task that can be easily neglected at home, and it can sometimes be the cause of a troublesome night’s sleep. Dr Nerina advises, “if you wake up feeling unrested and uncomfortable, it could be time for some new bedding. Bedding plays a massive role in the quality of sleep by providing all-important comfort.”

    Hotels should replace and clean bedding including duvets and sheets often to keep them in the best condition for their guests.

    Mattresses made for the best sleep

    People and sleep come in many forms and too many people are compromising on their sleep. Inspired by a nation of unique sleepers, Silentnight make it their mission to change how you sleep for the better. A hotel’s priority is the comfort of their guests. The best hotels will invest in top quality mattresses to form the basis of a great night’s sleep.

    Mattresses should provide both comfort and support, so guests can sink-in and drift off easily. With over 70 years of experience, Silentnight Group’s range of hospitality mattresses from the UK’s most trusted bed brands are the perfect solution for a great night’s sleep. They tick every box for quality and safety with all of our products are tested to the highest of UK standards, for complete peace of mind.

    Wake up and smell the coffee

    Surely the best part about a hotel stay is breakfast the next morning? Eating breakfast isn’t just important to stop you going hungry and giving you energy for the day ahead, it also improves the quality and quantity of your sleep.

    “Breakfast is really important because eating breakfast activates your circadian clock and allows your body to produce the sleep hormone melatonin,” Dr Nerina says. “People who eat a proper breakfast find it less difficult to fall asleep and stay asleep, wake up with more energy and are less inclined to hit the snooze button.”

    Whether it’s for a fleeting visit or a longer break, work trips or family fun, a hotel stay can be a haven in the midst of busy living for guests. A good night’s sleep is crucial so hospitality providers should pay extra attention to guaranteeing five-star sleep for their guests.

    Main image credit: Silentnight Group

    The Brit List Awards 2020: entries close this week

    730 565 Hamish Kilburn
    The Brit List Awards 2020: entries close this week

    Designers, architects, hoteliers and suppliers have until August 27 (this Thursday) to submit your free entry for The Brit List Awards 2020

    The Brit List Awards 2020 is Hotel Designs annual nationwide search to find the top designers, architects, hoteliers and suppliers who are operating in Britain.

    CLICK HERE TO SUBMIT YOUR FREE ENTRY/NOMINATION

    As well as selecting the the top 25 designers, architects and hoteliers who will be profiled in The Brit List 2020, the campaign also selects individual winners of the following categories:

    • Interior Designer of the Year
    • Architect of the Year
    • Hotelier of the Year
    • Best in Tech
    • The Eco Award
    • Best in British Product Design
    • Outstanding Contribution to the Hospitality Industry

    What’s more, the application process to enter or nominate somebody deserving is completely free – simply click here to apply/nominate.

    Unlike previous years, due to the outbreak of COVID-19, The Brit List Awards 2020 will take place as a virtual event on November 12, with a live winners party scheduled for January 28 2021 at Minotti London. Katy Phillips, publisher at Hotel Designs, explains: “While we would prefer to physically bridge the gap between all of our shortlisted finalists by hosting a live awards ceremony, we have made the sensible decision to carry out this year’s awards ceremony virtually,” she explains. “However, in order to ensure that we are offering the valuable networking element of our event, we look forward to welcoming the shortlisted finalists, the winners and key-industry suppliers to our live winners’ party celebration as part of MEET UP London in January 2021 at Minotti London.”

    Over the last three years, The Brit List Awards has becoming a significant event in the design, architecture and hospitality calendar, as Hamish Kilburn, editor of Hotel Designs, explains: “The Brit List Awards was born out of the concept to celebrate Britain as a major design and hospitality hub,” he says. “Arguably, it is more important this year than any other year before to mark that success while celebrating the talented individuals who are continuing to design innovative spaces on the international design scene. It is therefore my pleasure to host this year’s event, albeit virtually, and I cannot wait to personally congratulate the winners when we all meet again in January 2021 for the winners’ party.”

    If you would like to discuss various sponsorship packages available, please contact Katy Phillips via email, or call 01992 374050. Tickets to both the virtual event and the winners party will be available to secure soon. 

    Sponsors of The Brit List Awards 2020:

     

    IN PICTURES: W Ibiza sheltering some serious summer vibes

    730 565 Hamish Kilburn
    IN PICTURES: W Ibiza sheltering some serious summer vibes

    New images have been released of the recently opened W Ibiza, which was designed by Tel Aviv design and architecture studio BARANOWITZ + KRONENBERG. The result: a very different approach to W on an island full of soul… 

    The opening of W Ibiza, following months of teasing, has been one of the most anticipated arrivals of 2020.

    Previously a beach front Balearic structure from the 1980s, BARANOWITZ + KRONENBERG (B+K) has completely transformed the existing building into a social hub that connects with guests, sets an apt ‘W’ scene and sparks imagination, while incorporating the bold and playful theme characteristic of W Hotels. The practice has set out to design a hotel to match the relaxed pace and cosmopolitan attitude of Santa Eulalia; the result is an idyllically escape injected with the playful charm of Ibiza.

    Alon Baranowitz and Irene Kronenberg, Co-Founders of Baranowitz + Kronenberg said: “We are delighted to have had the opportunity to work with W once again. It was important to us to capture the spirit of Ibiza within this project. ‘Flower Power’ lead our design strategy; laid back, colourful, simple, transparent, engaging and letting the sun shine in are notions which flow throughout the public and private spaces of the hotel.”

    Setting foot at the W Ibiza esplanade, a field of masts welcomes the guests with a captivating sense of arrival. One cannot escape their magnetising energy, which pulls guests inside and towards the Azul water of the Mediterranean on the horizon.

    Image caption: An original sketch of the hotel's public area

    Image caption: An original sketch of the hotel’s public area | Image credit: B+K

    Inside, B+K has meticulously modified the existing structure to introduce a dramatic ascending section of the entire ground floor that follows from the main entrance esplanade to the outdoor pool and sea; a tour de force of ascending amphitheatre platforms that entice to connect and engage, celebrate life or just exist alone together. This spatial arrangement is set between a concrete floor and steel-wired hand-woven laced ceiling; two dominating features which define an inspiring stage for self-expression. Amongst these two dominating surfaces, colours and textures inspired by the Balearics and Ibiza’s culture appear and define the different platforms to connect, relax and play.

    Image credit: Marriott International/W Ibiza

    The bohemian theme which is synonymous with the island, is handled with a refined sophistication, amplified through the spatial arrangement and choice of materials and finishes. The overall impression is of a refreshing engaging simplicity expressed by a minimum of means: colour, sun and shade.

    Consisting of 162 guestrooms and suites, the hotel boasts a jaw-dropping rooftop swimming pool and picturesque sunset bar boasting spectacular views of the Mediterranean Sea, as well as a 4,000 square foot spa and gym.

    The food and beverage offerings are naturally infused as anchoring bays rather than destinations.

    A light and airy F&B area that boasts stunning sea views

    Image credit: Marriott International/W Ibiza

    The pool and rooftop bars, La LLama restaurant, Ve Café and Chiringuito Blue set on the white sands of the beach, make for cutting-edge individual F&B concepts that spark hearts and minds and bring people together. Each with its own character and mind-set, the venues cater for any mood from sunrise to sunrise.

    A red neon mix of colours inside the gym area

    Image credit: Marriott International/W Ibiza

    Through bold and innovative design, the practice has paid homage to the island’s heritage and captured the free spirit of Ibiza whilst elevating the five-star hotel experience to a new level. The state-of-the-art furnishings, expertly curated street art and spectacular lighting, combined with the subtle references to the past makes for a truly unique experience for the first International hotel brand in Ibiza.

    Main image credit: Marriott International/W Ibiza

    HIX announces postponement of debut event

    730 565 Hamish Kilburn
    HIX announces postponement of debut event

    As a result of the uncertainty that remains in the wake of the Covid-19 crisis, HIX has made the decision to postpone its debut event until 2021…

    2020 has been a painful and frustrating year for the events industry. Within the realms of hotel design, Salone del Mobile, the Independent Hotel Show, Clerkenwell Design Week and Hotel Designs’ much-loved networking events have all been indirect victims to the virus.

    While the pandemic continues to force travellers from certain regions to quarantine and while businesses are encouraged to adapt to new social distancing guidelines as measures to prevent Covid-19’s spread tighten once more, there is heavy sense of uncertainty in the air. HIX, an ever-changing design experience that was expected with high anticipation to launch this year, has released an official statement announcing that it will postpone the debut event until November 2021.

    “We made this decision based on uncontrollable factors but just one question: ‘can we guarantee a brilliant HIX experience this year?’ – HIX.

    “It hurts to write the above statement because we are still buzzing from our launch and [we] feel a huge sense of gratitude for your support in making HIX London’s only hotel design event… all in the space of six months,” the event organisers expressed in the statement. “We made this decision based on uncontrollable factors but just one question: ‘can we guarantee a brilliant HIX experience this year?’ The potential implications of the uncontrollables made it impossible to answer that question with a confident ‘yes we can!’

    “So we made the call; despite our own sense of adventurous optimism, despite the Government announcement for events to go ahead from October and despite our exhibitor’s consensus view of ‘if you guys open this year then we’ll do it with you‘.

    “And this brings us to the good news. The HIX 2020 exhibitors have pledged their support for 2021 and with 15 months before the event, we have already allocated most of the stand spaces. So we now have the time and clarity to reflect, discuss, sketch and then create the hotel design experience that the community deserves.

    “At this point in the announcement we’re supposed to provide a polished and sensible quote from us, ‘the organiser’. But we reckon that Anand from Hansgrohe summed it up pretty well on a zoom call this week:‘It’s sad not do it this year, but we’ll all build HIX 2021 to be something credible, meaningful and something for the future’. That’s exactly what we would have tried to say. Thank you Anand.”

    HIX, which is fully supported by Hotel Designs, is now scheduled to take place at the same venue, sheltered inside London’s Business Design Centre, on November 18 – 19, 2021. Watch this space, we’re with HIX.

    Main image credit: HIX

    IN RENDERS: Four Seasons Hotel Tokyo at Otemachi

    730 565 Hamish Kilburn
    IN RENDERS: Four Seasons Hotel Tokyo at Otemachi

    Legendary designer Jean-Michel Gathy infused a contemporary and traditional aesthetic in Four Seasons Hotel Tokyo at Otemachi, which is sheltered inside the city’s latest landmark building…

    Soaring above Tokyo with panoramic views of the Imperial Palace, Four Seasons Hotel Tokyo at Otemachi is poised to reach a new height of luxury in its design statement with Japanese traditions melded seamlessly with a modern European aesthetic.

    The 193-key luxury hotel is the design brainchild of Jean-Michel Gathy, legendary principal designer at the award-winning hospitality and design consultancy firm Denniston.

    On the top six floors of the new 39-storey tower plus two additional floors (Ground Floor and 3rd Floor) adjacent to the Imperial Palace–the capital’s literal and figurative heart, Four Seasons Hotel Tokyo at Otemachi will be a restful haven for travellers delivering a new level of luxury experiences at the city’s latest sky-high social scene. The hotel will feature 193 well-appointed guestrooms and suites, a prestigious spa sanctuary and a 20-metre pool on the highest floor as well as four distinct F&B concepts.

    “The cultural diversity of the country has drawn me to create a contemporary expression of the traditional values for this project.” – Jean-Michel Gathy

    Orange entrance to the hotel

    Image credit: Four Seasons Tokyo at Otemachi

    Gathy skillfully presents authentic Japanese elements throughout the design in respecting Japan’s culture, traditions and heritage, while incorporating the finest elements and absolute DNA of Four Seasons. “The cultural diversity of the country has drawn me to create a contemporary expression of the traditional values for this project without arrogance or a sense of overbearing,” the designer commented. We aim to ignite the feeling of a home away from home with an inviting, warm and welcoming atmosphere in the most dynamic city.”

    Reflecting the vibrancy of Tokyo, a traditional Japanese red-orange lacquer box featuring solid timber panels acts as the frame to the hotel entrance at the busiest district of Tokyo. Gathy has created an experience of sensory excitement from which travellers will discover the city’s intriguing blend of ancient and hypermodern.

    To replicate the Japanese aesthetic, Gathy has personally curated a defining art collection to celebrate the distinctive craftsmanship and artistry, which embodies the traditional foundations of the country. Distinct examples can be found in the combination of the Japanese floral art Ikebana, hanging natural fibre/fabric artwork and the timber panel featured at the entrance to awaken the overriding strength of connection between east and west.

    Board the lift to the reception lobby on the 39th-floor where an extraordinary view is revealed through a glass curtain wall fronted by a rock installation on a shallow pond. “To truly respect the tradition and interpret the tranquility of Japan, the water feature serves as a buffer area to deflect guests’ eyeballs as it may be considered as discourteous to look straight down into the Imperial Palace.” shares Gathy who leads his team to plan scrupulously and strike a balance between the pursuit of aesthetics and the preservation of culture and respect for traditions. The six-metre high ceiling and cosy nooks and crannies provide capacious space for the reception, while the colour theme of gold and black delivers a subtle and warm welcoming atmosphere to Four Seasons Hotel Tokyo at Otemachi.

    Render of minimalist reception overlooking city of Tokyo

    Image credit: Four Seasons Tokyo at Otemachi

    The links between contemporary West and the traditions of Japan have contributed to the reception area where guests can discover the hidden details before experiencing the dynamism of Tokyo. In response to the Four Seasons’ core value of “East meets West”, the Japanese calligraphy with the meaning of “season” is harmoniously blended in a typical European pendant chandelier and ingeniously displayed on the bottom part of the dome. The Japanese Zen garden subtly sculpted and reflected on a 3-dimensional wall by the artist Pongsatat Uaiklan (Dong) sits behind an elegant Italian cat-leg cabinet decorated with Japanese blocks.

    Distinct Japanese touches immerse guests in the local landscape, the flowing and multidimensional design can be found throughout the 193 guestrooms at Four Seasons Hotel Tokyo at Otemachi. Blending the art to the room flawlessly, Gathy appointed the Japanese award-winning photographer Namiko Kitaura to capture the bespoke fabric artwork displayed as the backdrop in each guestroom.

    A very minimalist guestroom

    Image credit: Four Seasons Tokyo at Otemachi

    All rooms and suites are tailored for intimacy with an innovative open-plan layout. The sophisticated Japanese aesthetic flows through the interiors which are illuminated by natural light during the day and with bespoke modern light fixtures to reflect the after-dark glamour of Tokyo.

    a modern suite overlooking Tokyo

    Image credit: Four Seasons Tokyo at Otemachi

    Celebrating an authentic wedding in the heart of Tokyo at Four Seasons Hotel Tokyo at Otemachi, the ballroom and the function rooms adjacent to the chapel promise magical settings for every moment of celebrations. 

    Natural light and elegant décor at the chapel invoke an ambience of romance and peace with distinctive European touches. Incorporating private rooms for the bride and officiant, and offering seamless connectivity to the Ballroom Foyer, Grand Ballroom and each of the smaller function rooms, the Chapel can host not only the ceremony but all other types of wedding events, from intimate family brunches to gala receptions.

    Image credit: Four Seasons Tokyo at Otemachi

    The Grand Ballroom’s windows draw natural light into the spacious interior. The chandeliers and cascading lights without concrete shapes echo the beauty of nature and evoke the contemporary transition of Japanese culture. Gathy shares his vision for the project: “Inspired by the hotel name, Four Seasons, we are trying to reflect the essence of traditional literature and poetry – flow of the Seasons.”

    Gathy applies his deft touch to create a serene sanctuary for THE SPA at Four Seasons Hotel Tokyo at Otemachi with the selection of a gentle and relaxing colour tone. The massive 3D natural fibre or fabric art installations in the spa lobby and pool area billow and sweep outward as if caught in a gust of wind, which offer a sanctuary of tranquility amidst bustling Tokyo for a journey of rejuvenation, relaxation and the pursuit of wellbeing.

    A minimalist spa inside the hotel

    Image credit: Four Seasons Tokyo at Otemachi

    Gathy proudly leads his team to interpret the luxury brand DNA of Four Seasons with great respect to the culture and tradition of the country while celebrating the cutting-edge creativity and contemporary design ethos of Tokyo as a dynamic city. Gathy continues his innovative design inspiration which draws upon aspects of the country’s rich culture to the brand and his previous completion – Four Seasons Hotel Bangkok at Chao Phraya River will also open on October 1 2020.

    Main image credit: Four Seasons Tokyo at Otemachi

    Product watch: Regolo by Casa Ceramica

    730 565 Hamish Kilburn
    Product watch: Regolo by Casa Ceramica

    Dreamlike, flexible, durable, and tactile, Regolo by Casa Ceramica is an essential system characterised by different colour finishes and peculiar textures, that can be arranged and rearranged in an infinite array of compositions…

    Regolo by Casa Ceramica takes a fresh clean look, creating a harmonious balance of shapes, functions and shades of colour.

    With its clearly architectural vocation, Regolo, is made of glazed stoneware in white body porcelain. Making it ideal for residential, retail, and hospitality premises. In addition to the Flat versions, with their smooth and uniform or iridescent surfaces, Regolo is also available in the Textured Domino 50 and 100, Tatami and Bamboo versions with bas-relief motifs and structures. The new colour palette with its Panno, Lunaria, Ardesia, Ossido, Ceruleo, Cipria, Mattone, Tanè and Tabacco master shades, includes 3 neutral and 6 desaturated shades in both cold and warm tones.

    Ultramatte

    The Ultramatte opaque finish highlights the structure of the flat surfaces, emphasising the value of the essential elegance, as an invitation to meditation and creative freedom. The 9 colours – Panno, Lunaria, Ardesia, Ossido, Ceruleo, Cipria, Mattone, Tanè, Tabacco – and the Iridescent version, that adds a soft touch and delicate play of light. The Ultramatte finished can even be used on the floors too.

    The Iridescent is very different from the essential opaqueness of the Ultramatte. It follows the most current trends, with the mimetic ability to fit into silent and minimal settings with a surprising shiver of colour. The light that illuminates the surface is reflected in different tones depending on the observer’s angle, creating special chromatic effects. Iridescent’s futuristic image is born from a highly refined and environmentally friendly production process.

    Domino

    Mathematical abstraction turns into beauty and timeless functionality. Domino 100’s covers the entire surface and adds movement by the bas-relief dots. Whereas Domino 50’s surfaces are only half decorated. The accurate spacing of the dots is created by perfect geometry. Domino is available in; neutral Panno, Ardesia, and Ossido shades.

    Image credit: Casa Ceramica

    Bamboo

    A simple bas-relief line marks the opaque surface. A row that scans the surface of the ceramic, emphasising its structure and resistance, showing different compositional paths. The straight line of the tile offers maximum creative freedom when combined with other tiles. The rounded geometry in relief creates relaxing and harmonious play of shadows, in a fluid and coherent expression of elegance. Bamboo is available in the Panno, Ossido and Ceruleo shades.

    Tatami

    The tactile experience offered by Regolo meets with the sublime interwoven surface of Tatami. The recurring cross pattern is created using a module that is indirectly connected to the brand. Tatami is available in the Cipria, Mattone, Tanè, and Tabacco shades.

    Casa Ceramica is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here

    Main image credit: Casa Ceramica