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    surface design

    Parkside unveils “most sustainable tile material on the market”

    730 565 Hamish Kilburn
    Parkside unveils “most sustainable tile material on the market”

    To kickstart Hotel Designs’ month with ‘Sustainability’ under the spotlight, we investigate Parkside’s Sequel Vibe, a material from yesterday made for tomorrow…

    While the company settles in to its new design studio in the Cotswolds, Parkside has launched Sequel Vibe, the most waste-efficient and sustainable tile readily available to designers and architects to date.

    Answering a demand for sustainable and stylish tile solutions without compromise on design and aesthetics, Parkside was keen to include a collection that lived up to sustainable credentials while appealing to the creative spirit of designers and architects.

    Sequel Vibe is the work of the team at Alusid, a creator of eco-friendly surfaces. Alusid started its life as a research project at the University of Central Lancashire by Dr Alasdair Bremner and Professor David Binns that aimed to explore the ways waste and low value materials could be reused rather than ending up as landfill. It was also important that the process used to manufacture would use less energy and added chemicals than conventional tile manufacturing.

    This research led to Sequel Vibe, created using 98 per cent recycled materials from post-consumer glass and pre-consumer vitrified ceramic carefully bound during a low-impact, ingenious manufacturing process. The glass element is sourced from bottles, windows and car windscreens that have reached the end of their useful life cycle, while the porcelain is sourced from sanitaryware and fine china tableware manufacturers.

    Since its launch at Clerkenwell Design Week 2019, the range has continued to endear the design community it was aimed at. With its unique subtle nuances in colour and texture, the finished tile is a perfect companion for designers and architects wanting a modern, contemporary twist for interiors. During the manufacturing process, tiles take on a unique shade and patina making each one an individual work of ceramic art.

    There are three glossy organic shades available; Greenwich Green, Paddington Pink and Shoreditch Blue, each bringing a contemporary twist to design schemes. Three size options are available: square (100x100mm), metro (200x100mm) and large metro (300x75mm). The colours chosen are a step ahead of palette trends predicted for the design market for 2020 and work as a great companion for multiple design schemes and styles. If designers are looking at alternative colour options, then these will be considered for large scale orders.

    “Sequel Vibe was a great addition to our tile offering, with sustainability and aesthetics at its core,” comments Sarah Holey, the marketing manager for Parkside. “The collection would be a great option for feature walls in reception areas or would look stunning as a bar front but its adaptability as a wall tile is enormous, and ready to take on the most creative of architects and designers on commercial and hospitality focused projects.

    “As well as being sustainable products themselves, when Sequel Vibe tiles come to the end of their useful life they themselves can be recycled within the very same process used to create them.”

    The Sequel Vibe collection can be seen at all four Parkside design studios in Chelsea, Clerkenwell, Leicester and the recently opened Cotswolds location, where the Parkside team will be able to provide help and advice.

    Main image credit: Parkside

    EXCLUSIVE ROUNDTABLE: Adding personality in hotel public areas

    730 565 Hamish Kilburn
    EXCLUSIVE ROUNDTABLE: Adding personality in hotel public areas

    In partnership with Arte Wallcoverings, editor Hamish Kilburn invited some of the leading hotel designers and architects to Design Centre Chelsea Harbour for a live debate on how to add sustainable personality in the ever-evolving arena of public areas. In addition to being involved in the engaging conversation, the designers, directors and principals were also the first to see Arte’s five new collections, which were officially launched a few days later at Focus19 during London Design Festival… 

    Design experts around the table:

    Regardless of style, size or star-rating, recent hotel openings suggest that public areas are evolving, and fast. No longer an empty air pocket in the building’s structure, the lobbies that are being created or renovated today are unconventional active spaces, designed to flexibly accommodate all guests whether they are checking in for business, for leisure or in many instances, for both.

    Hamish Kilburn: How have the ways in which consumers use public areas changed?

    Fiona Thompson (FT), Principal, Richmond InternationalGenerally, how guests behave in hotels has changed. The demographic is completely different. At one point, hotels were quite intimidating places, and not very accessible. That’s been one of the most significant changes I have seen. Hotels have become much more outward-looking and much more accessible to everyone. People now use spaces how they want to use them. Therefore, public areas, in general, have a greater sense of informality.

    Vitalija Katine (VK), architect, Jestico + WhilesOne of the largest changes I have noticed is the accent of activation points in lobbies. The activation point of, for example, pop-up bars and pop-up receptions can be positioned and adapted easily in the lobby. I think the public space of a hotel has been the highlight of the last four years, because people are lounging in the lobby as opposed to using it simply as transitional space.

    David Mason (DM), Director of Hospitality, Scott BrownriggThere’s a lot more awareness now about the ecological message that hotels are trying to amplify. Also, with the appeal to millennials, there’s much more awareness on the public areas. I imagine there will be a lot more focus on some kind of hotel standard where we really start to look into what is going into hotels, and that will come from hotels aiming to achieve an environmental space. Although hotels are already acting to be more eco-friendly, I think it will become even more of a focus.

    Caroline Cundall (CC), Director of Interior Design IHG – Europe: How people work and specifically how people hold meetings has changed massively. That has had a large affect on our lobby spaces. More and more people are roaming around with small laptops and lobbies are much less formal than they used to be. Hotels are recognising the value in attracting more than just the guests staying at the hotel, and the current boutique influence is a catalyst in all of this.

    Sam Hall (SH), Global Head of FF&E, GA GroupI have seen more awareness in hotel operators in understanding how space is used. There are many examples of hotels that use every inch of the space as a revenue generator. CitizenM, for example, feels very intimate because the space is broken down. The grand volume of entering a hotel is behind us, perhaps not in Asia or the Middle East, but in Europe and elsewhere for sure. Space is at a premium and every inch of it has to make money. Designers are using the materiality to make spaces feel softer and warmer. These grand areas full of marble are not really where it’s at anymore. Instead, designers are trying to make these soft and reduced acoustics, so it feels more comfortable.

    “It doesn’t matter what word you throw on it, what people want is a well-designed space.” – Arianne Steinbeck, Managing Director, RPW Design

    Arianne Steinbeck (AS), Managing Director, RPW DesignThe launch of W New York on Lexington Avenue in 1998, designed by David Rockwell, was a pivotal moment. Before that, it was unheard of to serve drinks in the hotel [public areas] and play music. And now everyone is doing it. That was the start of this boutique look and feel that we see today. It doesn’t matter what word you throw on it, what people want is a well-designed space. I think that everyone in the industry has upped their game across all brands, which is a result of consumer demands. To be honest, I’m surprised it took so long.

    HK: Are you saying that there is less of a space for grand and open lobbies on the international hotel design scene?

    AS: I think there will always be a space for this style of hotel. Personally, I love hotels that remind you that they are a hotel, where the service element absolutely completes the overall experience.

    SH: I agree with you, and it’s about the coming together of quality and luxury, working as one.

    FT: But even some of the smaller luxury resorts capture that feeling of grand luxury. It all comes down to that amazing sense of service, but it is perhaps delivered in a more modern way.

    “All these hotels that feature over decoration to differentiate from others will disappear.” – Fiona Thompson, Principal, Richmond International

    HK: Trends is a sensitive term in hotel design. But do what extent do emerging trends come into your decisions when selecting wallcoverings on a project?

    AS: It’s come full circle. When I started in the ‘80s there were a lot of patterns on the wall. And then it washed out to a symphony of beiges. Now we seem to be coming back to a little bit more colour and pop. In a few years’ time we might perhaps look at this ‘greyeige’ situation again. That’s why we have all these different brands, because there is room in this industry for individuality.

    FT: There is going to be a move away, for sure, of this extraneous design for the sake of it. All these hotels that feature over decoration to differentiate from others will disappear. The young generation want something that is a bit more meaningful. All these words get thrown around: timeless, authentic, and I’m not really sure what they all mean. There is going to be this move away and everything will have more of a purpose.

    Hotels are typically big environmentally bad beasts that use power and electricity and decimate environments. Therefore, I predict there will be a call for them to be more responsible, and this filters down to the materials being used to design them.

    HK: From a product point of view, how does Arte select trends?

    Siobhan Kannenberg, Commercial Manager UK & EIRE, Arte Wallcoverings: As a brand, we don’t really have a specific style. You can always recognise Arte by the quality, but we try to cover all basis. Trend-wise, sustainability is becoming more and more important for our customers, so we are using more natural materials and that is certainly what is called for. Also, I am really excited to see tactile patterns are coming back around.

    CC: The fashion industry has always had a huge influence on design. There’s so much talk about recycling in the fashion industry at the moment. Like for example reusing materials, and this is already something that hotels are looking at.

    FT: The fashion industry is always half a season ahead. However, things are going to change because they are being challenged. It will be interesting to see how this will filter down into the design sector.

    SH: Where brands could go wrong is using sustainability as a selling point, whereas I believe it should be the foundation of the brand and not the feature. I’m hoping that everyone will end up speaking the same language in design to use for purpose and just naturally recycle materials. One of the key benefits of wallcoverings is that it is so easy – and much more affordable – to change and update interiors.

    AS: I have no problem reusing something from a previous renovation that still looks good. You don’t always have to throw everything out. Sometimes the casegoods, for example, are on par or better than what you could buy new. And with the right wallcovering, the space will look fresh and retouched.

    SK: When we are designing our Arte collections, we like to think of wallcoverings as our showstopper. Is that accurate?

    FT: I think it hasn’t been in the past, but actually bright colours and patterns are becoming the centre stage.

    HK: In all honesty, how much of the budget, time and consideration goes on the wallcovering decisions – and can you talk me through that process?

    CC: You can never estimate these things. The fact that Arte has many wallcoverings that are quite distinctly statement pieces is interesting. If an interior designer would put that into specifications there’s no way that would be changed. It’s the one thing that would be a focal element to a scheme. And if that’s an initiative that everyone agrees on then it will go ahead.

    DM: Designs are moving massively forward. From what I remember 20 years ago, the range and difference is incredible. There are so many interesting things you can do now with the wallcoverings, and I have been introduced to such a vast range of materials.

    AS: It’s also worth mentioning how much more you get in a product these days. Digital printing changed the pace of innovation. You can have so many awesome effects with digital printing, and I expect to see more of that.

    HK: What would you say is the biggest misconception from a client’s point of view?

    ALL: That the client can do it better!

    SH: In all seriousness, all of these interior designer programmes make it look so easy.

    HK: How has the evolution of social media changed the ways in which your briefs from clients are coming in?

    FT: I don’t think it’s any different from years ago when we were asked to create ‘wow factors’. It’s just a different terminology. I ban Pinterest. It is too easy to find information these days. I really encourage our designers to go out and see hotels in person, because I don’t want them to lose that discovery process.

    AS: I always have to ask which page on Pinterest a look came from, because if it’s from the first page, I don’t want to know.

    DM: You’re right, and when they see hotels, I encourage them to find something new than what they have seen online. Too often people are looking for the same shot, the same framing that they have already seen on social media, and it is stripping creativity from the process.

    We were actually given a brief for an independent hotel which was solely to create an instagrammable hotel, which would never have happened only a few years ago.

    We were challenged quite a lot by Hard Rock International when designing the London property. The brand is American and very bold. To be fair to the client, although we did go backwards and forwards, we did manage to convince them to tone down the ‘instagram moments’ for an audience in London.

    VK: We are asked quite often by clients what we consider to be ‘our moments’ in the design. The attention that the ‘Instagram moment’ is getting is much larger and much more exposed to the general public. There is no ‘one size fits all’ solution. What works in one region does not necessarily work in others.

    HK: With the rise in demand for hotels to feel more boutique and independent, how are the materials you are using in the public areas changing?

    SK: From Arte’s point of view, there seems to be a lot of misconception that vinyl is what is asked for from the big brands. Actually, with the influence of independent and boutique hotels, hotel groups are more willing to use range of products and materials. As manufacturers, we see vinyl an essential material for corridors for obvious reasons, but it’s a different story in the lobby. People don’t really touch the walls, so there is the ability you can have more fun with a variety of materials.

    CC: Fire regulations is key for the country you are in. As long as a material and product has passed its certification, I totally agree.

    HK: How do you predict public areas further changing in the next 10 years?

    CC: More people will start to work remotely. Working in London, there isn’t anywhere comfortable to sit and have a meeting with a few people. I think that should be the next focus, to have more discreet places to have a meeting – and hotels could harness this well.

    SH: I think that there is more that can be done around connectivity. Public areas can still further become even more accessible.

    FT: It will be totally connected to how we work and live. People don’t have the formality so much of going to an office anymore. The behaviour of ‘hotdesking’ is interesting and public spaces in hotels can really respond to that.

    Following the exclusive panel discussion, the leading designers and architects were the first to browse Arte Wallcoverings’ five new collections (Expedition, Wildwalk, Essentials – Les Nuances, Velveteen and Sketch (HookedOnWalls)) before they were officially launched a few days later at Focus19.

    Excava surface product

    Surface trend alert: Caesarstone launches new industrial-themed collection

    1024 529 Hamish Kilburn

    The new Caesarstone Metropolitan Collection, launched last night in London, comprises of nine surface products that reflect the UK industrial design trend…

    Surface manufacturer Caesarstone has launched the Metropolitan Collection in the UK. The new collection welcomes five new products, which join the four already launched surfaces. Interior designers, members of the press and friends of the brand gathered last night at rough and rustic Barge House, on London’s Southbank, to celebrate the launch.

    The latest products include:

    Manufacturing on two continents, Caesarstone products are sold in more than 50 countries around the world. Now seen to be leading the industrial trend, Caesarstone’s s latest collection includes rough and unpolished, bold surfaces that form part of the revival of modernism, a rethinking of brutalism and the rekindling of industrial architecture.

    The collection launches as a response to the robust construction finishes that have become a popular choice among consumers. This trend, and the collection itself, has been inspired by factories and lofts and has been translated for residential and commercial interiors. Each energetically styled surface in the collection has been designed to reflect the authentic textures of raw manufacturing, such as oxidized steel, poured plaster and raw concrete. Via innovative cutting-edge technology, weathered patinas have been achieved in quartz for the very first time – a breakthrough that can be felt as well as seen.

    “Caesarstone continues to set surface design trends that others can only follow,” said Jon Stanley, Caesarstone’s UK Vice President of Marketing. “Last year’s reveal of 4033 Rugged Concrete was a significant hit with both commercial and residential designers; numerous projects and a number of awards followed. But what the launch really did was set the tone for the Metropolitan Collection that we are unveiling now. The brands’ deserved reputation for product design innovation continues without challenge.

    “Caesarstone works with the world’s leading trend forecasters and the in-house design team are acutely aware of what’s becoming in vogue and when. Many of our leading partners that already have display materials in their showrooms are seeing significant interest.”

    4046 Excava

    Inspired by the intriguing patinas of casting and oxidising, combining the authentic features of rust and concrete. Its beauty reflects the geological decay of stone, weathered by time and nature. Its excavated look is appreciated for its texture and depth, ranging from different layers of earth shades to copper and dark brown. Its rough concrete finish is subtly coarse to the touch, yet cleaning remains as effortless as with all Caesarstone surfaces.

    Rough industrial-style surface

    4011 Cloudburst Concrete

    Subtle. Sophisticated. 4011 Cloudburst Concrete with its white on white, tonal cloud like patina delivers a truly unique look. With its “Rough” low reflective matt surface, the design works alongside light and dark timbers, stainless steel, concrete surfaces (including 4033 Rugged Concrete) providing wide design flexibility, from industrial loft to Scandinavian through to minimal contemporary aesthetic.

    White industrial-style surface

    4044 Airy Concrete 

    The light grey base illustrates the richness that minimalism can achieve: an authentic rough concrete finish that has been refined for the home. Its airy visual textures express depth across the worktop, enriched by dark grey and white areas, providing the true feel of concrete while maintaining the easy care synonymous with all Caesarstone products.

    Authentic concrete-like finish

    4023 Topus Concrete

    Inspired by topological strata – fossilized textures built up over time in veiled layers – and combines the mineral formations found in nature with the rugged patinas of industrial materials, giving this surface movement, opacity, and depth. With a gentle hint of warm pink, its blush undertone echoes the pastels that are impacting the interiors market today.

    Soft grey surface with a hint of pink

    4601 Frozen Terra

    Fresh, modern, industrial-inspired concrete / terrazzo fusion with sparsely distributed irregular translucent aggregate and fine black basalt. Further enhancing the overall appearance of Frozen Terra is the “Concrete” matt finish which brings an authentic industrial patina, look and feel to the surface and like all Caesarstone surfaces, never requires sealing.

    Caesarstone’s Metropolitan Collection has been designed to reflect the authentic patinas of industrial materials. The variations in appearance capture real depth and movement, revealing different qualities that make each slab unique

    In addition to the Metropolitan Collection, two further products have also been added to Caesarstone’s UK range; 6011 Intense White and 4643 Flannel Grey. Both are priced in Caesarstone’s Premium Group 2 category.

    Surface with a concrete matt finish

    4643 Flannel Grey

    Grey has become a versatile neutral in the home-from-home environment. It works in contrast to complementary colours or can calm the space in monochromes, making any of its shades a reliable choice for the contemporary interior.

    versatile neutral surface

    6011 Intense White

    6011 Intense Whites brings light into the kitchen. Its evenly distributed glass flakes reflect the gentle granular nature of stone, while its truly white colour illuminates the surface and adds sophistication.

    Pure white surface

    The new Caesarstone Metropolitan Collection is available nationally now..