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Lighting

Case study: lighting InterContinental Park Lane hotel

730 565 Hamish Kilburn
Case study: lighting InterContinental Park Lane hotel

Located in the heart of London’s prestigious Mayfair, the InterContinental Park Lane hotel delivers elegant natural interiors, award-winning restaurants and bars, and unrivalled views of the Royal Parks…

Alongside designers RPW Design, Heathfield & Co were delighted to supply both bespoke and standard lighting from their product range, as part of the development of the hotel’s exclusive Mayfair Collection.

This luxurious range of guestrooms and suites are said to be ‘a refinement of the timeless elegance for which we are loved.’ With a careful attention to fine and subtle details, materials such as wood, leather and brass set the natural and comforting tone. Heathfield’s experienced team worked on a series of bespoke bedside ceiling fittings, inspired by their classic ‘Derwent’ design.

image credit: IHG/Heathfield & Co

The solid brass framework and Dandelion satin lampshades reflect in the panelled mirrors behind, perfectly framing the centre of the room. The Derwent Large cube pendant and Vivienne Clear glass table lamp create decorative features in the suites, enhancing the soft and elegant design.

To see the project in full visit Heathfield’s website.

Heathfield & Co is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here.

Main image credit: IHG/Heathfield & Co

Lighting product watch: Eltham Collection by Vaughan

730 565 Hamish Kilburn
Lighting product watch: Eltham Collection by Vaughan

Vaughan has launched Eltham Collection, a selection of products, based on early 20th Century design…

Featuring four new table lamps, and five pieces of faux shagreen furniture, Eltham Collection continues Vaughan’s longstanding theme of creating products rooted in antiques, but then given a contemporary flair.

Lucy Vaughan, chairman and co-founder of Vaughan Designs, recalls how the collection came into existence: “From admiring my grandmother’s monogrammed boxes, to professionally taking an interest in my time as an antique dealer, shagreen has a particularly special place in my heart. Paired with the lights, it encapsulates all that I love about early 20th century design, with its emphasis on simplicity, purity of line and subtlety of form.”

The Eltham Collection includes :-

Hudson Table Lamp

A contemporary shape, reminiscent of American skyscrapers, this table lamp has an appealing crisp line to it. The decorative applied lines on the sides add a more ‘statement’ feel to the piece. The monumentality and decoration have an affinity to Axumite obelisks from 4th Century Ethiopia.

Wyndham Table Lamp

Based on an early 20th Century original, this vase is decorated with flowing swirl motifs to give it a wonderful textured feel. The non-uniform color adds a Modernist element to the aesthetic.

Shoreham Table Lamp

Based on an antique original, this playful design takes its inspiration from the work of the mid-20th Century. Its bright pop of color makes it a wonderful, statement piece.

Fairmont Table

A neat and satisfying design, this side table has a classic hexagonal shape to it, which is given a contemporary twist thanks to the addition of faux shagreen.

Vaughan is one of our recommended suppliers. To keep up to date with supplier news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: Vaughan

Product watch: Facet lighting by Studio Waldemeyer

730 565 Hamish Kilburn
Product watch: Facet lighting by Studio Waldemeyer

Hotel Designs learns how lighting designer Moritz Waldemeyer bent glass to its will in order to create FACET…

In all its beauty and variety, glass is essentially an amorphous material with no regular crystalline structure.

Yet through a design vision and mastery in glassmaking craft, the material can come to mimic its opposite, creating highly organised and consistent structures.

As if trying to systematise the chandelier-making tradition, Moritz took the geometrical shape of the Classic chandelier outline and turned it into a diamond-like hexagonal glass building block. On its own, with just single pendant, or in combination of multiple items into a large chandelier, the FACET modules stand out as clear, disciplined and geometrical.

The light source included inside every block allows the FACET system to be universal and almost unlimitedly extendable.

Moritz Waldemeyer is an internationally renowned London based designer who’s work occupies a diverse range of creative spaces. 2004 saw his debut into the design world with an interactive chandelier for Swarovski. With a forward thinking approach and a philosophy of playful experimentation Studio Moritz Waldemeyer is forging links between technology, art, fashion and design.

Led by Waldemeyer, the studio has taken on projects for Audi, Intercontinental Hotels, Rinacente and Wallpaper Magazines 2014 Handmade issue. Studio Moritz Waldemeyer has also created bespoke light studded costumes for Will.I.AM, Rihanna, Take That and the 2012 London Olympics handover Ceremony performers. Under Moritz’s direction the studio strive to create innovative concepts incorporating his signature aesthetic into each piece.

Studio Waldemeyer is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here.

Main image credit: Studio Waldemeyer

“Fit is the new sexy,” and it’s here to stay in hospitality!

730 565 Hamish Kilburn
“Fit is the new sexy,” and it’s here to stay in hospitality!

In an exclusive editorial to celebrate the upcoming ‘WELLNESS’ concept coming to ‘ACCOR by Bergman Interiors, Hotel Designs takes a look at the future of wellness in hospitality…

A few years back, gyms were a place where you trained, lost weight or gained muscle. Today, gyms are part of our lifestyles. And with that lifestyle comes community. Whether the gym has a nightclub style with beaming lights, or is an industrial shell, we all seek a gym with the lifestyle and community that speak to us.

This lifestyle is getting us stronger, not just physically but also mentally – such an awakening calls for mind, body and soul.

Within the luxury market, wellness is not an expectation; it’s a dominant consumer value that is essential to the future hotel experience. This demand has inspired the collaboration between ACCOR and Bergman Interiors, in order to design wellness for tomorrow’s consumers.

Image credit: ACCOR

How hotels are changing regarding fitness in general?

Within the exercise world, fitness methods and training techniques have changed however these methods and concepts have been slow to be embraced within the hospitality industry.

What was once seen as an amenity for guests is being recognised as a key facility within luxury hospitality. 66 per cent of Gen X’ers say they actively participate in self-care to improve their physical wellbeing. What’s more, 76 per cent of millennials exercise at least once per week – exercise has become a vital part of our hotel customers lifestyle and our concepts need to meet this heightened expectation.

With this key demand in mind ACCOR has brought the fitness concept centre stage for the Pullman brand with our newly created Pullman Power Fit concept. Working with Bergman Interiors was a natural choice with their strong experience in creating innovative exercise and fitness concepts coupled with a depth of experience within luxury hospitality.

Image credit: ACCOR

Pullman Power Fitness replaces the stale one-size-fits-all hotel gym environment with a bold, artful, social approach to contemporary fitness. Pullman Power Fitness defines and explores our ambition to energise bodies and inspire minds. In-touch with today’s traveller and their fitness goals, we offer much more than a gym. We provide a community where guests can have fun while challenging themselves to take their performance to the next level within a stylised interior design, energetic branding and the latest on Video on Demand exercise technology.

A collaborative partnership with Bergman, the Pullman brand, Wellbeing and ACCOR design departments the concept was developed over 12 months and the result is a vibrant fitness space that makes a statement, beckons interaction, and energises the body while inspiring our guests. Our spaces and programming tap into an exciting new era of training diversity, integrated technology, and embracing the spirit of friendly competition.

Wellness mentally and physically?

“When it comes to wellness consumer research confirms a fundamental societal shift underway, feeling healthier as a lifestyle goal has well and truly entered the mainstream,” Albin Berglund, co-founder and managing director of Bergman Interiors, told Hotel Designs. “Because the modern luxury travellers of now- and the future- is on a journey: to find purposeful new travel experiences that speak to their inner self and to personal fulfilment. And they’re willing to pay a premium for it.”

Image credit: Engine Room

Broadly, we have defined five areas – nutrition, holistic design, movement, spa, and mindfulness – that we view as essential to the overall wellness experience within hospitality. We then customise the delivery and tactics in these areas to suit each brand and its unique guest preferences, demographics, psychographics, brand positioning, culture and locations.

Changes to wellness within the hotel industry after Covid-19

It is important to separate the temporary impact such as heightened sanitation measures, social distancing and impact on travel versus the longer term impact on consumer attitudes and behaviour.

Image credit: BXR

These push factors are the relentless pressures on our health, such as less physically active work, the prevalence of processed food, air quality concerns, light and noise pollution – all of which create malaise, illness and stress. Covid-19 has been a “super-accelerator” to these “push factors” globally, with a cross generational embrace of the need to invest in ones well being and a clear reminder of the benefit of leading a “preventative” lifestyle.

Then we have the pull factors. Wellness is a highly appealing touch point among consumers, a desirable draw that promises unique, enriching, relaxing experiences that help us define and express ourselves. Wellness helps us move away from the push factors and embrace the highly attractive lifestyle that is so integral to luxury hospitality and again this desire to combine wellness with travel will blossom.

In conclusion, we are expected to see an increase in the demand for healthy food within our restaurants, for outdoor exercise and access to nature, exercise will move from inside the gym to outside or a greater demand for in room or video driven options.

Main image credit: Bergman Interiors

Product watch: Maria Teresa chandelier by Masiero

740 565 Hamish Kilburn
Product watch: Maria Teresa chandelier by Masiero

The Maria Teresa chandelier by Masiero is an iconic product that comes from Venice’s historical tradition and each piece is characterised by uniquely shaped crystal glass pendants…

The precious classical style of the Maria Teresa chandelier maintains its original, iconic look but adopts a new personality thanks to the fascinating creativity of colour and a varied range of lighting effects achieved by the latest control systems.

Image credit: Masiero

Each Masiero’s Maria Teresa is available in three different lighting technology: the classic, the Dynamic White LED that allows you to customise light temperature and the RGB_W Led that allows you to transform light in colours.

In Touquet Paris la plage, for its renovation, the Grand Hôtel Le Touquet specified the brand’s red Maria Teresa chandelier, made with Murano glass, as the decorative fulcrum of its atrium.
More recently, the bar of the Hotel, “Le Menko”, has been adorned with 10 black Maria Teresa chandeliers that gently illuminate the room and reinforce the Gatsby / art deco style of this new space.

Masiero is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here.

Main image credit: Masiero

Case study: a bespoke approach to lighting two hotels

730 565 Hamish Kilburn
Case study: a bespoke approach to lighting two hotels

To showcase Heathfield & Co’s bespoke approach to lighting design, Hotel Designs explores how the brand designed unique lighting schemes for two well-known hotels in London… 

From cruise ships and shared working spaces, to five star hotels and restaurants across the world, Heathfield & Co’s bespoke portfolio showcases more than 40 years of knowledge and experience in commercial projects. Here are just two examples that illuminate the brand’s creative approach to lighting.

The Curtain

Located in the heart of Shoreditch, The Curtain is a 120-key go-to for London creatives.

Starting with the client’s initial brief, Heathfield & Co’s bespoke team worked closely with U.S. based Duncan Miller Ulmann to design unique lighting to suit the sophisticated urban city aesthetic.

From an initial project review, through to final delivery and site support, Heathfield’s dedicated project managers led every stage of the process, ensuring the budget was met and final designs were perfectly executed.

Adjustable bedside wall lights, perforated ceiling pendants and picture desk lamps were among the bespoke products designed, developed and manufactured exclusively for this stylish hotel.

Kimpton Fitzroy

Combining contemporary interiors with the original features of its 19th century building, the Kimpton Fitzroy in Bloomsbury is a London hotel like no other.

Collaborating with the creative teams at Tara Bernerd and Russell Sage Studio, Heathfield’s dedicated team of product designers and engineers created a series of extravagant chandeliers and sleek wall lights to complement the hotel interior. Specialist finishes and materials were developed and produced for the project to achieve a truly unique design.

Heathfield Lighting is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here

Main image credit: Heathfield & Co

5 minutes with: the founders of Avenue Interior Design

730 565 Hamish Kilburn
5 minutes with: the founders of Avenue Interior Design

Following the completion of a handful of luxury hospitality projects in the States, Avenue Interior Design has become known for its refusal to be defined by any one style, as editor Hamish Kilburn learns when he interviews the firm’s founders…

Avenue Interior Design, led by founders Andrea DeRosa and Ashley Manhan, has positioned itself as a small yet mighty powerhouse in an industry full of giants.

Most recently, the firm spearheaded the design for Palms Casino & Resort’ renovation ‘From Dust to Gold’, and brought their skills to boutique properties such as The Ramble in Denver, La Serena Villas in Palm Springs as well as SLS Baha Mar.

With the world of hospitality slowly re-opening, there remain concerns and hesitations among operators and travellers on what will become of the industry. I speak to DeRosa and Manhan, two level-headed designers who understand and respect how design evolves around cultural shifts, in order to explore how the pandemic has affected hotel design decisions.

Hamish Kilburn: Let’s dive straight in, how will public areas look in the post-pandemic world?

Ashley Manhan: Business and convention travel will likely lag compared to leisure travel as we see safer at home orders lift. Convention travel has been a critical component for many hotels as occupancy and F&B revenue are strongly tied to properties located near convention venues or for properties that have large meeting facilities.

A luxury F&B interior area with plants and cute seating

Image credit: SLS Baha Mar

Andrea DeRosa: Accommodating large groups and conventions may require smaller breakout rooms with improved air circulation and potentially live streaming speakers to these smaller rooms. On the F&B front, buffets and family-style plating will likely be put aside for individual plates or packaged meals.

HK: What new/different materials might go into hotel builds now?

AD: Given that COVID-19 transmission has found to be primarily airborne, much consideration is going into upgraded air filtration systems. Increased ventilation and better filtration will be essential components of healthy building strategies. Additionally, we may see the use of mobile and handled UV disinfection systems for sterilisation and disinfecting of high use spaces. In terms of interior finishes and materials, and those selected for FF&E, designers will face the added challenge of selecting materials that can withstand more frequent cleaning and disinfecting.

AM: In terms of lobbies, our current clients are requesting short-term solutions for partitions and countertop shields at transaction points, check-ins, and other places social distancing may not be feasible.

Fitness spaces will likely decrease in size- a trend for some properties already in major urban areas with access to specialised gyms and studios. Look for more in-room fitness options and equipment like yoga mats and lightweight dumbbells.

Restaurants face some of the largest obstacles in terms of social distancing and the use of PPE by diners. Restaurants will surely seat fewer guests to accommodate for social distancing protocol. Menus may go digital or restaurants may offer apps to place orders from your own device. Larger service counters for pickups or extended “grab and go” options maybe also be more prevalent as people warm up to the idea of eating out again.

Modern interior design in a clean open bar area

Image credit: SLS Baha Mar

AD: In the short term, we are seeing many hotel brands unrolling programs to build guest confidence and implementing quick, sometimes temporary solutions now while permanent solutions are analyzed and explored. Long term, we anticipate pandemic related measures to be modifiable to give operators the option of adjusting to meet current health risk levels. Such modifications may include digital occupancy signage, movable partitions, and digital projections indicating recommended social distances in queuing areas. A large part of the equation is understanding guests’ demands, expectations, and associations with these changes. There will certainly be varying levels of concern depending on where in the country/world the guest is traveling from. Those guests from the hardest-hit areas are likely to expect greater measures than those traveling from areas less affected. Ongoing observation of guest behavior will inform decisions owners and operators make for long term modifications to their properties.

HK: How can hotels shelter these new hygiene protocols without disrupting the design or the experience?

AM: Taking into consideration that guest safety and wellbeing is, and always has been, a top priority for any property, the next priority remains firmly rooted in good design. Ownership teams require that our commitment to creating a hospitality quality experience remains the top priority just as it was pre-pandemic. Modifications to properties should be subtle, flexible and well-intentioned. This includes careful consideration to the function of the space, the circulation of guests through the space as well as more obvious elements like materials, furnishings and even wayfinding. Creating more space for guests to comfortably, and naturally, socially distance may be as simple as removing a few clusters of lounge chairs in a lobby or replacing a communal table with a series of smaller, movable tables that can be situated individually or easily paired together.

AD: Incorporating decorative, movable screens or drapery also allows for social distancing flexibility while providing a thoughtful, well-designed element to the space. Graphics, signage, and font styles can be utilised in a way that provides informative guidance on precautions or protocol in a way that is consistent with the design language of the brand or property. For new build properties, especially food and beverage venues, you will likely see more fluid floor plans with fewer permanent features to allow for flexibility in furniture layouts and the function of a space.

A blue interior scheme inside a junior king room

Image credit: The Ramble Hotel

HK: Have you already begun incorporating any changes into the hospitality projects you’re working on?

AD: Many of the modifications we’ve made for our current projects have been temporary or short term solutions that will allow our clients to adhere to guidelines as outlined by local jurisdictions. Before making more costly or broad-sweeping modifications, our clients are waiting to gauge guests’ expectations and behaviours to ascertain what long term modifications should look like. For instance, the addition of automated faucets and hand soap dispensers seem like a logical move, however, for many properties that have been without revenue for the last few months, the expense of a modification requiring any construction or electrical work may be out of the budget. Scale is a monumental consideration as well. The cost of making such a change in a hotel with 50 keys is likely more feasible than making that change in a hotel with more than 1,000 keys.

HK: Have you made any changes to guestrooms in the projects you are working on?

AM: Guestroom size, function, and programming have also been a hot topic amongst designers and Ownership teams. In recent years the emphasis was on creating public spaces so dynamic and engaging it drew people out of their rooms and into the lobby, restaurant, bar, pool, etc. Guestroom sizes were generally shrinking and the furnishings were becoming paired down and multi-purpose in their design. It will be interesting to see if guestroom sizes increase to become more of a mini-sanctuaries that offer personalised guest experiences.

Hotel Designs will be discussing topics such as adding personality in public areas and reassuring the post-corona consumer at Hotel Designs LIVE on October 13. If you are a designer, architect or hotelier, click here to participate for free.

Main image credit: Avenue Interior Design

Case study: Bentley & Studio Waldemeyer’s fresh approach to lighting design

730 565 Hamish Kilburn
Case study: Bentley & Studio Waldemeyer’s fresh approach to lighting design

To celebrate its 100 year anniversary, Bentley Motors approached Studio Waldemeyer to help the brand create all aspects of illumination on the most sophisticated concept car in the company’s history…

The vehicle Bentley Motors showcased to mark its 100 anniversary displays the future of luxury craftsmanship with seamless fusion of materials and intelligent curation of technology, whilst introducing light as a new luxury material – all highly relevant when centering the focus back to lighting solutions for tomorrow’s hotels.

Bentley, which is a brand that has flirted with hotel design for many years with a handful of luxury hotel brands sheltering ‘Bentley Suites’, approached Studio Waldemeyer to join their design team and help design and engineer all aspects of illumination on the show car.

The car manufacturer’s challenging design brief required a completely new approach to light design and engineering. Studio Waldemeyer created an innovative tool chain, seamlessly merging the latest in parametric design tools from the world of computational architecture with electronic circuit design software. This approach not only allowed the perfect 3D integration of light in the complex surfaces of the car, but also the turnaround of the project in record time.

Close up of the centre console of the Bentley car

Image credit: Bentley Motors

The Bentley EXP 100 GT is by far the most complex and challenging project for Studio Waldemeyer up to date and represents the perfect combination of artistic expression and technical innovation the studio is know for.  Entering a new creative discipline the studio has yet again helped to raise the bar of innovation, in this case producing the most sophisticated illumination in the history of vehicle design.

Starting at the very prominent front grill, the illumination continues along the central spine into the interior space and finishes off with the sophisticated treatment of the rear horseshoe panel and 3D rear light clusters. While the approach to the project was that of a holistic 3D body of light, each area had its own challenges – be it the exotic materials, complex curvatures and the interaction with specialist design teams and craftspeople.

Attention to detail was paramount – the flying B logo required a weeks worth of hand polishing before receiving the tiny bespoke LED component that illuminates its wings. Different approaches were taken for every material – be it the hand woven silk or the 5000 year old river wood. The interior contains two hand blown crystal pieces that visualise the inner workings of the car’s AI. Collaborating closely with Cumbria Crystal, Studio Waldemeyer worked on the 3D design, implementation and illumination of this central feature.

The champagne cream interior with led lighting of the car

Image credit: Bentley Motors

The biggest research effort went into the external illumination. Starting from the sculpted surfaces of the car’s exterior, thousands of LEDs had to be placed at precise locations, requiring large numbers of different bespoke circuit board designs. This is a unique problem for an industry that is normally geared to make large numbers of a single design. Since no design tools existed for this task, the studio created their own: merging parametric 3D software with PCB design programmes. The manufacture of these unique pieces of electronics was done in Italy – a country famous for its long tradition in fine craftsmanship.

The concept car created a splash far beyond the automotive world and continues to receive praise in the press – garnering coverage in publications such as Wallpaper and Forbes – whilst collecting some of the most prestigious design awards in the process.

Studio Waldemeyer is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here.

Main image credit: Studio Waldemeyer

PRODUCT WATCH: LED neon strip lighting in the spa

730 565 Hamish Kilburn
PRODUCT WATCH: LED neon strip lighting in the spa

To understand the creative possibilities and boundaries of lighting design, Hotel Designs asks Timage Architecture to share why LED neon strip lighting should be considered in the spa and wellness area…

We have long promoted the benefits of buying a marine-grade product for architectural application and have a dedicated Timage Architecture side to our business which focuses our product range for this specific audience.

The quality of materials and design consideration that goes into a product originally destined for yacht application is generally much greater than its architectural counterpart.  The materials not only offer a better overall aesthetic but also are very durable and can sustain a more aggressive installation environment.  These characteristics sit well with those looking to source sustainable product solutions for the hospitality sector.  Our products are more suited to clients looking to buy once, perhaps paying a small premium over an alternative product but being sure that they will not have to revisit the item once again after a season or two of use.

Nowhere in a hospitality setting is the above situation truer than in a spa.  The humidity levels, use of chemicals and temperatures can all culminate in poor product performance or failure, especially with regards to lighting.  Too often steam rooms have failed strip lighting under the seating or showers have fittings with a few diodes out.  These maintenance issues can have a negative impact upon the customer’s experience and overall perception of the spa.  Our marine-grade lighting can help resolve this problem, offering the hospitality sector a reliable and beautiful solution.

Our range of neon flexible LED strips is one of the best examples of these transferable products.  The neon strip lights are produced to the length required for each installation and the connectors are then injection moulded to ensure a safe IP68 underwater rating.  Lengths up to 20 metres can be specified if powered from both ends and a 24Vdc low voltage input makes them a safe product should any of the outer skin be breached.  The strips are available in a huge variety of colour temperatures as well as fixed colours.  In addition, RGB, RGBW and RGB pixel chasing versions can also be specified.  The RGBW models can be supplied in several white colour temperatures to sit alongside the coloured chips.  RGBW offers the ultimate flexibility for a lighting plan allowing the user to select custom blended colours or run colour sequences whilst still maintaining the option of a high-quality white light.  This year sees the addition of CCT technology or Correlated Colour Temperature to the range which allows users to adjust the strip from warm through to cool white at the touch of a button.  CCT is a great choice for spaces that may have a dual function requiring different ambient lighting styles or simply for those who like to tweak and change their lighting settings from time to time.

We have a large range of spa lighting solutions in addition to the neon strip lighting mentioned above and can supply luminaires for swimming pools, communal areas, shower enclosures and exterior zones.  Our lighting is always made from marine-grade materials and features the latest LED technology, rigorously tested for harsh environment application.  Please contact us for further product information or advice on spa lighting.

Timage is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here.

Main image credit: Timage

Lighting & furniture: raw materials in extraordinary essentials

730 565 Hamish Kilburn
Lighting & furniture: raw materials in extraordinary essentials

Buster + Punch’s love for working with rare, solid metals in lighting and furniture has led the brand to transform everyday functional fittings into extraordinary essentials…

From the light bulb, the dimmer switch and the pendant lamp, to the door handle and the cupboard knob, Buster + Punch has created an innovative collection of unexpected design details.

All of its hardware, lighting and accessories are made from solid metal and feature a signature diamond cut knurling. This ensures all our products can be paired within the space, creating a visual, and unified design throughout any space.

The lighting ranges are designed to work in harmony to create a smooth transition between spaces.

CAGED lighting takes a simple design and transforms it into a series of extraordinary building blocks. This light can be mounted as a wall or ceiling light and can work on its own in various rooms and spaces or in a linear procession for maximum impact, such as adding caged lights in a hotel hallway.

This all-time favourite classic Heavy Metal light features a single light pendant made from 450g solid metal and finished with a matt black rubber cord. A light that adds a refined touch in any room. Accent a single Heavy Metal light over a coffee table in a hotel room, or several Heavy Metal lights over a lounge.

Buster + Punch introduced the world to the beauty of cross-knurling and changed the way people felt about their forgotten home fittings. And in 2020 Buster + Punch launched LINEAR – a range of elegant, small-scale, cabinet handles inspired by fashion accessory hardware.

Diamond-milled from rare solid metals, the range features our new signature linear knurl pattern and machined torx screws.  LINEAR features new products such as the L-Bar and Precious Bar,  and new finishes Gun Metal and Burnt Steel. The hardware range can be fitted to a bedside table for a unique finish, on a dresser, or even a bathroom vanity.

Buster + Punch also launched a new door stop range featuring wall-mounted and floor-mounted door stops. The perfect final detail when entering and exiting a room. The signature diamond knurling can also be found, and comes in a range of finishes- brass, steel, smoked bronze, and brass.

Buster + Punch is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here.

Main image credit: Buster + Punch

FEATURE: nautical lighting trends in 2020

730 565 Hamish Kilburn
FEATURE: nautical lighting trends in 2020

On or off the water, lighting technology is evolving rapidly. Voltra Lighting explores this year’s most prominent nautical lighting trends…

Every summer, discerning guests seek out the thrill of sailing away on luxury vessels to explore breathtaking far-flung destinations around the world.

In order to meet the sky-high expectations of these jet-setters, yacht owners and luxury cruise liners invest in the most sophisticated decor elements from custom linen and drapes to designer furniture and premium cutlery. But, what is often forgotten is that to enhance your charter vessel’s interior design composition and experience, creative lighting schemes are a must.

That’s why designer lighting brands, such as Voltra Lighting, offer just the right visual and chromatic accents to enhance the look and feel of your stylish marine vessel. Crafted to deliver homogeneous illumination throughout the luxe spaces of yachts and superyachts, its hallmark design is sure to compliment your vision of hi-tech and intimate lighting.

According to designer and naval architect Adam Voorhees, “lighting plays such a critical role in how we understand a space..and how we can control and direct an experience in that space.” Mirroring this thought, especially over the last few years, superyacht lighting has grown to become an essential piece of the yacht design or refit process. From stunning chandeliers, wall lights, and decorative lamps to floor and furniture inlays, there are so many innovative solutions that are mushrooming when it comes to lighting up yachts.

If you are considering using high-end lighting to create the perfect atmosphere within the cabins and lounging areas of your yacht, then here are some upcoming trends to keep in mind:

  • Natural stone lamps: Unique and modish, lighting fixtures fabricated from naturally occurring rock are increasingly being considered a statement decor accessory. These lamps evenly illuminate the surroundings without dazzling the eyes; thus enabling guests to navigate safely over to the deck for a relaxed evening of stargazing.
  • Smart lighting: These intuitive and connected vessels of light are programmed to respond to movement, external environmental conditions, or direct user input; making for an advanced way to light spaces up.
  • Marine light sculptures: Many lighting designers, simply through creative placement, turn tasteful lighting fixtures into works of art. This ensures that the installation remains the focal point of the yacht’s interiors.
  • Charging bays: Particularly useful considering the space restrictions in private yachts, Voltra has bay chargers that charge up to eight lamps simultaneously. It is easy to put anywhere on a flat surface and requires only one power-point per bay.
  • LEDs grow in popularity: Not only are LEDs less sensitive to vibrations of the yacht but also incredibly flexible (can be adjusted to the mood or time of the day) and provide the same (or better) quality of light as incandescent lamps.

Iconically cordless

The right mood lighting can offer the perfect backdrop for a candlelight dinner or a late evening aperitif, on the front deck of your luxury boat. But most yachts and superyachts do not have wired electricity on the deck, upfront.

Enter the ambiance-setting manna from heaven – advanced cordless lighting.

Timeless both in form and function, Voltra’s range of portable lamps are excellent design objects for your yacht’s open-air spaces. Here are some of the many reasons why our portable lamps are found in some of the finest locations across the world:

  • Battery-powered: Voltra’s future-proof light installations are an incredibly customizable and intelligent way to incorporate lighting into any design project. Being battery-operated it does away with design limitations relating to the location of available electrical outlets.
  • Rated IP 65: No need to worry about damage due to water spit and harsh winds, as our lamps are incredibly dust and water-resistant. Voltra’s iconic range is also made from materials that are anti-corrosive in the face of high humidity.
  • Customisable lighting: Voltra’s exquisite lamps feature power, light modes, and the freedom to change lumières, placing the power in the hands of the guests to set the ambiance they prefer.
  • Adherence: All Voltra lights have a silicone border on the bottom, which ensures that they adhere to any surface. And since each of our handcrafted lamp units weighs upwards of a solid 609g, it is unlikely to “slide” or fall easily during oceanic turbulence.

Ultimately, be it a private yacht charter or a corporate event at sea, if you wish to create an intimate ambiance for your onboard guests, think Voltra cordless ambient lamps.

Voltra Lighting is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here.

Main image credit: Voltra Lighting

PRODUCT WATCH: Chandelier by Buster + Punch

730 565 Hamish Kilburn
PRODUCT WATCH: Chandelier by Buster + Punch

With lighting playing a vital role in all first impressions, Hotel Designs takes a closer look at the modern interpretation of Chandelier by Buster + Punch

Designers and architects are often willing to think outside the box in order to evoke a lasting first impression.

When it comes to lighting in public areas, however, often opting for a simple, clean and striking design scheme can make the brightest statement. A pendant chandelier, for example, will complement a modern and contemporary interior design style.

Chandelier by Buster + Punch is an eye-catching lighting display that can work in many lifestyle and luxury settings. Designers can choose from classic diamond or cascade formation, as well as a 19-pendant drop or a 31-pendant drop.

The dimmable lighting product aims to immediately set the tone by allowing users to personalise the brightness so that they can achieve the right ambience in all public areas. As well as the lobby and dining areas, designers may wish to add the pendent chandelier in the stairwell in order to add a new layer while acting as a decorative feature that also provides much needed functional lighting.

The bespoke heavy metal chandelier is a stylish LED light for large stairwell spaces or living areas.  The chandelier is teamed with the brand’s critically acclaimed LED Buster bulbs available in gold, smoked or crystal finishes. The brand’s heavy metal solid metal pendants are available in smoked, bronze, steel or brass.

Buster + Punch is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here.

Main image credit: Buster + Punch

Lighting

INDUSTRY INSIGHT: Human-centric lighting in hotels

730 565 Hamish Kilburn
INDUSTRY INSIGHT: Human-centric lighting in hotels

Never has it been a better time for a new lighting brand with a plethora of experience and a fresh ethos to enter the international hotel design arena. Cue the launch of humanlumen

Lighting

Coronavirus has swept through the world causing a trail of destruction to everyday lives everywhere – how and where we work, live, play and learn has been reimagined on an unprecedented scale.

Wellbeing has been high on the agenda for a good few years now, and as the human race begins to emerge cautiously from lockdown, the health and safety of individuals will be even more critical.

Designers of the built environment have always built spaces for people to thrive and flourish however now it is more overt in the integration of biophilia through green walls, as well as the technology enabled tuneable lighting which can impact on the circadian rhythm of humans.

As we all begin to inhabit public spaces such as airports and hotels once again, I believe that customers will increasingly seek experiences that have their wellbeing at heart. Increased assurance that operators are adhering to the highest standards of hygiene for example and the guarantee of todays most valuable asset in the health currency right now  – sleep.

Jet lag can be a debilitating condition for frequent flyers but imagine if the lighting in your hotel room could accelerate the adjustment to a new time zone?

This is how it would work: as you enter your hotel room, your key card tells the control system where you have arrived from and the lights then change to the ideal colour temperature to adjust your body to the new time zone. The lighting prescribed by the system would differ depending on where in the world you were, and where you had travelled from.

For example, if you are travelling east from London across more than eight time zones, you need to avoid morning light and actively seek out afternoon light for the first three or four days because dusk light delays the circadian clock, while morning light advances it.

There is an increasing body of evidence to suggest that the right light – at the right time – can stabilise hormonal rhythms, enhance night-time melatonin secretion, improve sleep quality, increase day-time vigilance and raise our resilience to stress.

The rule of thumb for alertness is that 30 minutes before you want to go to bed, you should minimise light exposure. But what’s the last thing most of us do before we go to bed? We stand in the most brightly lit room, the bathroom, looking into the mirror cleaning our teeth! A dial by the bathroom mirror which could change the lighting from blue-enriched to red-enriched before you go to bed, may help many of us sleep far more soundly.

Human centric lighting: benefits for hotels

The human-centric lighting system has plenty of benefits which hotels and restaurants.

Helps in Setting the Mood

The ideal lighting temperature and colour is very subjective, using HCL the lighting experience can be customised.

With the human-centric lighting system, you can easily adjust the brightness level of lights as per your every customer needs and offer a comfortable experience to everyone.

Cost-Effective 

HCL is incredibly energy-efficient, light is focused around where the user is and will automatically shut off and on when sensors detect human presence around them.

Stimulating environment

HCL allows for the creation of stimulating environments for all guests, operators can design bespoke decorative and ambient settings in accordance with the mood of customers.

Increase Productivity 

Conclusion: lighting has a well-documented impact on productivity, which hotel owners and staff can benefit from.

Humanlumen, which is based in Clerkenwell, is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here.

Main image credit: I-Stock

The Flame of mori.london by Studio Waldemeyer

730 565 Hamish Kilburn
The Flame of mori.london by Studio Waldemeyer

Lighting expert Mortiz Waldemeyer’s innovative collection was born from the simple act of playing with fire. Hotel Designs learns more…

As far back as the collective memory of mankind goes, the flame has been the first and only light source, guiding our ancestors through history from the moment we dared to differentiate ourselves from the animal kingdom. The fascination with the movement and warmth of this light source is hardwired into our brains thanks to millions of years of this most special of relationships. The advent of electric light has done nothing to diminish our love for candle light, if anything it has helped to emphasise, just how special it’s effect is to us.

A few years back a playful experiment with a small LED matrix at Studio Waldemeyer produced a surprising result. Despite it’s very low resolution, the digital circuit managed to perfectly reproduce the complex motion of a flame. But the surprise was less in the technical ability but in people’s response to it. As if by magic we had captured the essence of everything a flame means, and added some intrigue. The tiny circuit had its own soul and captured peoples imagination unlike anything we had created up to this point or since.

After an encouraging debut with Ingo Maurer, London based Studio Waldemeyer launched their own brand mori.london on Kickstarter in 2017 while simultaneously showing the new line during Milan Design Week.

Studio Waldemeyer

Image credit: Studio Waldemeyer

mori.london sets out to define a completely new category of LED lighting: playful, emotional, atmospheric and elegant, always innovative and always low power and low impact on the environment. mori.london creates the perfect balance of beautifully crafted objects with a sprinkling of tech. We use inspiration from the past to re-invent the future.

The response to the concept has been incredible: thumbs up from design heroes     such as Ingo Maurer, Philippe Starck and Tom Dixon and a place in MoMA’s permanent collection. The London Design Museum shows the history of light inventions starting with Edison’s light bulb and finishing with the mori.london LED candle.

The versatility of the concept perfectly lends itself to beautiful bespoke installations. Bicester village trusted Studio Waldemeyer two years in a row with gigantic Christmas installations based on LED flames. Thousands of oil lamps and flying lanterns magically transformed their UK, French and German retail villages.

Nobu Hotel’s minimalist Christmas tree made it onto every single list of London’s best Christmas trees in 2018 while mori.london chandeliers started appearing at Rossana Orlandi Gallery during Milan design week.

Studio Waldemeyer

Image Credit: Studio Waldemeyer

The product range is growing further, currently, new wall lights and XL flames are in the works with higher resolution and more detailed animation, while the studio has taken on new commissions of the largest installations yet to be seen.

Studio Waldemeyer is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here.

Main image credit: Studio Waldemeyer

Lighting design: guests’ demands come first

730 565 Hamish Kilburn
Lighting design: guests’ demands come first

Following the industry emerging from the pandemic, lighting brand Franklite explains how guests are at the heart as the hospitality industry enters unchartered waters…

It’s important to understand how the right light can be used in different environments. For instance, in a hotel, light can be used to create an ambience and welcoming feel when paired with the right decor and natural light.

The right light can create a warm and friendly atmosphere; however, the wrong light can easily detract from a nicely decorated room.

Lighting in hotels should be installed with guests at the heart. The entire guest experience starts as soon as you arrive at the front desk of a hotel. If you are arriving late at night, the lighting should be warm and welcoming, helping you to feel relaxed and comforted. This is in contrast to when arriving in the morning, where there should be plenty of daylight or if not possible, bright white lighting, to help you feel energised and awake.

Image credit: Franklite

It’s important to make the best use of light in each space, to create a relaxing atmosphere throughout the entire hotel. For example, the lighting in the restaurant will require different lighting at different times of the day. During the day, where natural light changes are more noticeable, different scenes make it easy to adapt and maintain the right light level. At night, the lighting may be needed to assist in creating a romantic setting.

Understanding these nuances has been the key to Franklite’s success, having manufactured and distributed decorative lighting products from our purpose-built premises for more than 45 years. The brand is renowned, both in the U.K. and abroad, for the quality and versatility of its lighting, a reputation built on using only the finest components in the manufacturing process.

The lighting brand has evolved into a company offering a diverse range of decorative LED lighting products for both interior and exterior, domestic and contract applications, including all areas of hospitality and especially in hotels.

Franklite was one of the first manufacturers of energy saving chandeliers within the U.K. lighting industry. The brand understands the importance of keeping up to date with changes in regulation, the development of super-efficient light sources, and changing interior design trends.

Along with its constantly updated catalogue range, Franklite is able to offer bespoke LED lighting solutions for special projects, ensuring your design is ahead of the game and adding that ‘WOW’ factor when required. The company has dedicated contract sales and technical teams with many years of experience in lighting to assist with all your requirements.

If you would like any assistance or advice on using our products in your next project, please contact us on 01908 691818 or visit the website.

Main image credit: Franklite

 

CASE STUDY: a bespoke lighting scheme for The St. Regis Venice

730 565 Hamish Kilburn
CASE STUDY: a bespoke lighting scheme for The St. Regis Venice

Bespoke lighting solution provider Inspired by Design was approached by interior design firm Sagrada to assist in sourcing lighting for just under 200 guestrooms and suites inside The St Regis Venice…

The St Regis Venice, designed by London-based design firm Sagrada, captures unmatched vistas that stretch over the building’s luxurious gardens, as well as the Grand Canal.

When it came to lighting, here’s how the designers created the appropriate ambiance in both the public areas and guestrooms.

“It was a difficult project to achieve as it required our extensive knowledge of manufacturers worldwide to produce a bespoke floor light reminiscent of the 1950s,” explains Simon Shuck from Inspired by Design. “As always, we rose to the challenge and found a factory that still had the molds available.” The factory then provided sample finishes with slightly colour variation to ensure we could match the clients exacting finishes. To finish the floorlight there was a shade manufactured to the interior designers choice of fabric and detailing.

However, the involvement did not stop there.

The next item was to produce a bespoke triptych mirror for the bathrooms. It had an exquisite sandblasted detailing to be produced on either side, backlit and to a very specific size and shape. The factory worked closely with the design team as numerous drawings and revisions were made until all the finer details of their designs were achieved before the triptych went into production.

Image credit: St Regis Venice/Marriott Hotels

Within the nearly 200 guestrooms and suites, the company’s expertise was tested again to produce both the bedside and vanity pendants . These required a facetted design to the glass, produced by Venetian master glass blowers to replicate the ceiling details. At the same time the faceting enabled the light to to cast a shadow onto the headboards to mimic the detailing on the ceiling and drapes.

Many samples had to be produced to ensure that the overall design intent would be achieved and as always the Venetian artisans lived up to their reputation.

The completed lighting creates a perfect ambience in the guestrooms, which compliments the history of the building. Shuck adds: “We are confident that when the guests arrive into their room they will be greeted by a beautifully and tastefully designed bedroom creating a luxurious stay in a very relaxed atmosphere.”

Inspired By Design is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here

Main image credit: St Regis Venice/Marriott Hotels

TREND ALERT: Natural stone in hotel design lighting

730 565 Hamish Kilburn
TREND ALERT: Natural stone in hotel design lighting

With designers and architects looking for new innovative ways in which to inject biophilic design, Voltra Lighting takes a look at beneficial properties of natural stone…

Cappadocia, an ancient district in Turkey, never fails to capture the imagination of discerning travellers with its high-end rock-cut hotels that exude pure elegance and character. Everything from the hotel fireplace to floating shelves and even the bathroom fittings tend to transport visitors into the lap of luxury, by virtue of being carved out of timeless and all-natural stone.

Be it luxe beach stays in Greece or heritage hotels in India, there are many such examples where floor-to-ceiling natural stone designs add a distinctly tasteful texture to the interiors. So much so that avant-garde designers are increasingly considering richly patterned accent walls of stone to be works of art in itself; doing away with the need for additional wall hangings and paintings.

Oftentimes, even a few accent pieces fashioned from natural stone can transform ordinary spaces into extraordinary interior marvels. One such decor essential is the precision-cut alabaster lamp by luxury cordless lighting brand Voltra. This vessel of light is designed to create an ambience of heightened intimacy and sophistication.

The allure of natural stone explained

Hotels can choose to adorn their interiors with the likes of stylish Italian marble, delicately polished granite, or beautifully layered slate – each of which has an inherently unique appeal.

But, here are the features that make natural stone decor elements universally captivating:

Sustainable: Luxury hotel properties that have an environmentally conscious bent will find ethically sourced natural stone decor pieces to be great for the triple-bottom-line – being extremely recyclable and fabricated in a zero-waste industry.

Classic and timeless: At a time when trends and forecasts dominate, handmade stone decor pieces will always be an elegant choice. Especially when it’s just the right balance between design and craft, stone is perfectly suited for both traditional and contemporary decor themes.

Easy to maintain: Being able to resist rot, mold, extreme temperatures and water damage, makes natural stone particularly great for high-end bathrooms, outdoor spaces and kitchens.

Incredibly durable: Trust mother nature to produce some of the most resilient and exquisite building materials there is. Classy natural stones materials such as granite and quartz are known for their durability and longevity.

Unique: Just like a snowflake, the intricate designs and colors of no two stones occurring in nature can ever be exactly alike. You may choose from variants that have delicate golden sparkles, different colors, subtle textures and complex veins. This natural diversity of form makes it possible for you to design your hotel interiors to be exclusive and distinctive.

Keeping it trendy with natural stone

The versatility of natural stone has ensured that it remains a symbol of luxury and refinement for decades now. To help your hotel interiors to stand out from the crowd, here are the latest stone-based trends for 2020:

Source local: Hotels in Brazil can use local quartz, those in Italy can choose Calacatta marble, while Lundhs Larvikite can be the stone of choice for Norwegian properties. These indigenous stone varieties, if used with vernacular architecture as inspiration, will not only tick the sustainability box but really add to the cultural richness of your space.

Super-size the tiles: The latest trend is to have large tiles, on flooring, walls or even centre tables; at sizes starting from 60x60cms. This is ideal for creating that modern, sleek look.

Experiment with stone statement pieces: Eye-catching yet understated designs of table lamps, showerheads and planters, made of natural stone, can establish tasteful imagery. Even one exquisite stone art installation can help create a one-of-a-kind look for your interiors.

Luxuriously distressed: Gone are the days when the stone had to be polished to be ready. Nowadays, a well-worn rustic look is in vogue. These distressed materials, with stunningly life-like details, are a classic choice to really suit your garden and outdoor design.

Aim for earthy vibes: Natural stone intimately connects your interiors with nature and the earth to generate versatile and old-fashioned opulence. Unify your decor by pairing your stone decor feature with plants, soil, wood, water and fire.

Voltra Lighting is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here.

Main image credit: Voltra Lighting

Lighting Case Study: Designing The Bristol

730 565 Hamish Kilburn
Lighting Case Study: Designing The Bristol

The 65-key hotel The Bristol, designed by Earl Swensson Associates (ESa), has a unique lighting story that includes specified pendants and chandeliers by Hudson Valley Lighting Group

The Bristol was born in 2015 when a commercial office building with historical character was marked for demolition. The Charlestowne Hotels group acquired it, hiring ESa (Earl Swensson Associates) to redesign and restore it, developing the eight-story brick building into a 65-key hotel.

Bristol is a town on the border of Virginia and Tennessee, and is commonly recognised as the birth place of country music: In 1927, Ralph Peer of Victor Records went out there to record some folks by the names of The Carter Family and Jimmie Rodgers. The rest is history. That’s why the address of the The Bristol is 510 Birthplace of Country Music Way. With such an eclectic location and history, The Bristol was going to have to incorporate those influences into its design.

Luxury lighting in a residential style suite

Image credit: The Bristol Hotel/HVLG

The designers from ESa gathered together various pictures and mood boards that evoked the look and feel they were hoping to achieve and shared them with their HVLG source. The brand’s dedicated contract and hospitality representative in the area had a long-standing relationship with the lead designers, as well as a deep familiarity with the product.

As one of the standard products selected, Hudson Valley Lighting’s Humphrey pendants and chandeliers adorn many of the rooms. HVL’s contemporary classic feel meant these fixtures look as at home in the brand new rooms as they may have in the flourishing Art Deco period when the building was first constructed. Providing the ambient layer of light, these exquisite fixtures also contributed to a higher level of decorative sophistication for the space.

Corbett fixtures also enhance visitors’ experience; with their impressive scale and hand-applied leaf finishes, which the brand often says of its Corbett pieces that they have to be seen in person to be believed.

Additionally, the HVLG Contract Custom team got to work on designing a few special pieces, such as pendants for The Bristol’s awesome rooftop hangout, chandeliers for its banquet room, and a series of sconces for its conference room area. ESa reviewed initial drafts of the designs and made some adjustments. Once they were completely happy with the plan, the lighting brand proceeded to build these one-of-a-kind fixtures on time and on budget.

Sitting eight stories up in a town without a lot of high-elevation buidings, The Bristol’s special rooftop relaxation zone, Lumac, has a beautiful view of the surrounding environs — the painted brick sides of old buildings, the nearby hills, twinkling downtown lights, and the town’s charming entry gate. Originally built in the twenties, the whole thing feels almost like something out of a Baz Luhrmann film, with a distinct slice of heartwarming Americana. HVLG designed a custom outdoor pendant for this beautiful rooftop bar area, adding to its singular charm.

The Bristol Hotel is a good example of how HVLG can be your one-stop shop for a hospitality lighting project. Combining world-class standard product from across its four distinct brands (Corbett and Hudson Valley in this case) with custom pieces, the lighting specialists were able to satisfy this project’s requirements while providing lighting that elevated the environment.

Hudson Valley Lighting Group is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here.

Main image credit: Hudson Valley Lighting Group

IN PICTURES: OKKO Hotels’ new design-led guestroom concept

730 565 Hamish Kilburn
IN PICTURES: OKKO Hotels’ new design-led guestroom concept

On July of 2019, in the heart of Paris, along the platform No. 2 at Gare de l’Est, OKKO Hotels unveiled its second generation guestroom concept, designed by Studio Catoir, which chose two models from the Ligne Roset Contract collection as testimonies of a strongly claimed design ambition…

The concept of OKKO Hotels’ second generation guestroom is adapted to the use for a single person, as well as the use for a couple. Concretely, this means separated toilets, more storage space and redesigned ergonomics. The sleeping area has also been re-thought. Many changes had been made in line with sustainable development: choice of materials, implementation of sorting and recycling, use of water fountains. The wish to use natural materials, sometimes raw materials, has been kept. The idea of integrating the codes of interior design into hotel language also remains, by the choice of iconic pieces that are no longer used to being discovered in a nice apartment or a hotel. The choice of the Andrey lamp, design by the Studio Catoir and edited by Ligne Roset, with it design all in finesse and elegance is a great example.

Like most of the international luxury brands, the history of Ligne Roset is rooted in the French craft heritage. In 160 years, the brand has become the symbol of an elegance if life, the imprint of a luxury signed by the greatest contemporary design talents around the world. Ligne Roset, the leading creator-manufacturer-distributor of contemporary French furniture showcases nowdays a whole art of living through its full collection of seats, cabinet, decorative items, lightings, rugs, fabrics and know how to decline, adapt and blend in the bespoke décor imagined by architects and interior designers. It is the expertise of Ligne Roset Contract which is expressed today in the drawings of the Studio Catoir for Okko Hotels. For Okko Hotels, collaborating with a French brands which has an expertise that brilliantly combines craftsmanship and technicality is a strong guarantee of quality.

You will find in the bedrooms the Audrey light, the Rocher chair and Nubo desk.

The hats of the actress Audrey Hepburn inspired Studio Catoir for this lamp which combines great sophistication and resolutely design. A true piece of design, which brings a touch of refinement to the sleeping area of the hotel bedroom.

Image credit: Ligne Roset/OKKO Hotels

Iconic piece by the Berlin duo Hertel & Klarhoefer, manufactured by Ligne Roset, the chair Rocher adopts a fractal design, characterised by a faceted construction. The surface of the shell (seat / back and armrests) seems cut like a diamond. On four white lacquered legs, it brings a feeling of lightness as well as comfort and elegantly complements the office space.

With Nubo, designed by GamFratesi, aesthetic astonishment is provided by the unexpected meeting of the ‘déjà vu’ and a surprising new element: the simple spacesaving wall shelf metamorphoses into a treasure box, evocative of a suitcase such as the Air France blue fabric travelling case of the 1960s. Its rounded cloud shape and luminous yet warm association of natural oak and sky blue wool fabric also fall into the same vintage Scandinavian register.

Ligne Roset is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here.

Main image credit: Ligne Roset/OKKO Hotels

CASE STUDY: Lighting The Hoxton Southwark

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CASE STUDY: Lighting The Hoxton Southwark

A stone’s throw from the River Thames and London’s South Bank, the Hoxton Southwark opened its doors in September last year. The design team at Ennismore specified lighting products from Heathfield & Co to create a vibrant interior design scheme…

Hoxton Southwark, which opened last year, became the eighth property in the brand’s series.

The new-build hotel contains 192 rooms, various meeting and events spaces, and its two popular restaurants; Albie, an all-day dining spot and Seabird, a rooftop seafood restaurant with spectacular views across the capital.

Alongside owners Ennismore, Heathfield & Co’s experienced team of project managers, product designers and engineers worked on this incredible project for a year, supplying bespoke lighting across the hotel’s public areas. Aimed at creating a vibrant and welcoming space, the clients brief included vintage references and classic styles, which the team designed, developed and manufactured, resulting in 22 completely bespoke pieces, from table lamps and wall lights, to multiple ceiling fittings and pendants.

Unique materials and specialist finishes come together in the production of this beautiful collection of bespoke lighting, each manufactured and assembled in Heathfield’s UK warehouse. A custom brass finish created specifically for the project will organically develop over time, harnessing the natural antiquing process.

Heathfield Lighting is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here

Main image credit: Hoxton Southwark/Ennismore

 

INDUSTRY INSIGHT: The ‘anything is possible’ approach in interior design

730 565 Hamish Kilburn
INDUSTRY INSIGHT: The ‘anything is possible’ approach in interior design

Timothy Oulton is a British designer who has mastered the ‘anything is possible’ approach greater than most when it comes to interior and product design. Hotel Designs gets comfortable in the Apollo to learn its secrets… 

Nothing epitomises the ‘anything is possible’ ethos that Timothy Oulton Studio is famous for better than Apollo.

It is a unique environment modelled to scale on the Apollo 11 spacecraft, encapsulated in a polished stainless steel shell and featuring luxurious, fully customisable interiors created in-house and by hand by the brand’s skilled cohort of makers and craftspeople.

Image caption: Apollo by Timothy Oulton Studio

Recent research points to just 16 per cent of holiday goers now considering trips abroad, yet the urge to escape the new normal is a powerful force. For the luxury and ultra-luxury hotelier the question of how best to create an experience capable of satisfying this desire, wherever in the world, is more pertinent than ever.

As a commercial interior design studio serving the hotel and hospitality industry, this question is one the Timothy Oulton Studio team has considered from its own perspective. Since the global Covid-19 pandemic took hold, studio founders Timothy Oulton and Simon Laws have been asking themselves what the changed future looks like for a market as vital as the travel and hospitality industry, and for the individual businesses that operate within it.

“Marry the impulse to be transported to another world with a sensitivity to the needs of this one.”

The practice is responsible for delivering unforgettable design concepts that enable its clients to attract, engage and wow visitors – impacting revenue streams by offering unmatched experiences. A potential answer to the question of what next? Marry the impulse to be transported to another world with a sensitivity to the needs of this one. 

An outdoor iteration of the Apollo is something Timothy Oulton Studio has been asked for on numerous occasions. Now, after a year of research, development and prototyping, it is ready to be bought to market and – when the ability to be outdoors in small numbers holds great influence over decisions about where we go and how – the launch seems appropriately timed.

“A design like Apollo can pivot existing businesses in so many ways.”  – Simon Laws, co-founder, Timothy Oulton Studio

For hotels with surrounding land or existing glamping facilities the outdoor Apollo creates a phenomenal point of difference in the luxury market, while larger businesses can use it is an attention-grabbing centrepiece inside or out. At Gordon Ramsey’s Bread Street Kitchen the Apollo is used as a private dining space, enabling small group to drink and eat separately within the buzzy atmosphere of the wider restaurant – this is something that the studio team is expecting more of, as Laws explains. “Now more than ever people want to get away, both physically and metaphorically, and I think perhaps hoteliers are seeing an opportunity to facilitate that for people within their own countries, removing the need to jump on a plane,” he says. “A design like Apollo can pivot existing businesses in so many ways. 

“Being so unique and visually impactful also helps clients understand the value of this particular design – Instagrammability is front of mind for almost everyone in the industry. If it was prevalent before the pandemic it can only be more so now our circumstances have changed and we are out and about less frequently. You only have to take a glance at the breadstreetkitchen hashtag to see what a difference this kind of design makes to the popularity of a business.”

The Apollo can be viewed and bought at Timothy Oulton, Bluebird, 350 King’s Rd, Chelsea, London SW3 5UU.

Timothy Oulton Studio is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here

Main image credit: Timothy Oulton Studio/Image caption: Apollo by Timothy Oulton Studio

Exploring what makes design unique through the rich theatre of life

730 565 Hamish Kilburn
Exploring what makes design unique through the rich theatre of life

With ‘Finding your lane’ being a topic that Hotel Designs will explore in the first episode of DESIGNPOD, we asked Samantha Crockett, Director of Harris Jackson Interior Design Studio, what makes her design unique…

Very recently an acquaintance of mine Jacqueline Goddard of Atticus Arts wrote an article for her blog & LinkedIn asking, “What was our USP?”.

It struck a chord with me as, while in lockdown, I have been trying to find a way to differentiate myself from other small Hospitality design studios out there.

What makes me unique in an industry that is saturated by designers that have been through the design school/University system? What can I offer my client that makes me differ from all the rest?

Jacqueline states: “What differentiates us from another is our life’s experiences”. Undoubtedly these experiences will be unique to every individual.  My instinct is that no client can decide whether they want to take on my services unless they can resonate with what I have to say. And by that, I mean, what is behind my passion for hospitality design? Why do I do what I do and how did I get here? What makes me? What makes me an informed designer that will create & inspire. Why should a hotelier approach me to design their hotel, members club, Golf club, show home to name but a few?

Firstly, my love on interiors and design stems back to when as a young child l would build Lego models of my ideal home which then shifted into creating my own interior design projects in sketchbooks, tracing textile designs from Colefax & Fowler and drawing differing scales of pattern to place into a space. This was usually my then minuscule bedroom in my family home in West London. I constantly had my head in a sketchbook drawing and sketching what I saw around me. I wish to this day I had the time to still do this.

However, alongside this love of anything design related was my passion for live performance, theatrical arts and film. I would devour the old black and white films from “To kill a Mockingbird “ to “12 Angry men” to Some like it hot”. I would sing and dance & memorise all the routines from the Hollywood film musicals such as “Oklahoma”, “Oliver “& “Cabaret”. My family would spend spectacular evenings in London to see the latest big musical show that had hit the West End. Even to this day I remember the feeling of excitement as, sitting on those plush red velvet seats, the lights dimmed, and the curtains drew back to reveal stunning sets and characters while the orchestra launched into their overture. Those days of peering over the seat in front, chin resting on hands, stays with me to this day.  That feeling of need to distance my actual surroundings and the story unfolding and the sheer joy that was beheld in that proscenium arch in front of me.

With a mother & grandmother, ballerinas in large scale Ballet productions pre and post war Europe accompanying Anna Pavlova & several other family members working as empresarios, my love of theatre and spectacle was entrenched in my psyche.

Rather than follow the traditional route into Interior design by studying at University or one of the established private schools such as KLC or Inchbald. I followed my heart by studying Set & Costume design combining my 2 passions design & theatre. Whilst studying, my Saturdays were spent working my way round every department of what was then Terence Conran’s Habitat. The interiors bug re-awakened.

What my studies taught me was that at every moment theatrical design has to resonate with the audience, to create an emotional reaction, depict a story, which in turn allowed for a longstanding memory. We had to work with the script to develop the character through setting, costume, texture, colour, sound & light. Create the world in which these characters lived & breathed. I can still recall so many details of the sets from the various productions I saw through the 80’s & 90’s down to the intricate detailing in the handmade period or contemporary costumes created for individual characters. My professional career took me to the worlds of Cole Porter & Bob Fosse musicals as well as French restoration comedies through to 1950’s American comedic theatre. They all have contributed over the years to this wealth of reference and the attention to detail stands me in good stead to this day when specifying the FF&E for projects I have worked and collaborated on.

Theatre is all about working as a team, it is a collaboration. One cannot work without the other. Just like in hospitality interiors. The designer cannot create without the client, the brand, the contractors and ultimately without the final experience that the hotelier/group want to impact on the guest. I learnt how to deal with personalities from directors to lead actors recently moved over from LA to tread the boards after decades of Hollywood film work. One cannot underrate the nerves that even the highest paid performers experience when stepping out onto that stage again. We had to reassure, understand & above all, listen. A skill often forgotten.

So, in hotel design how can we create these memories & experiences that will last a lifetime inspiring the guest to come back for more and how do we translate them into the hotel interior? We, the designer, have to tap into that unseen, sometimes un-describable reaction that we get from a given environment, location or atmosphere. Once we have succeeded, we are creating long lasting memories for hundreds of end users who we hope to entice back for another unforgettable stay.

Image caption: The Clubhouse Shanghai

Not only was my background in design and theatre a pre-cursor to my now passion for hospitality environments. But after graduating a stint in the Sales & marketing of luxury interior products instilled me with a desire to keep learning about innovative products & manufacturing. I learnt about the procurement process, what can be achieved by working alongside suppliers, manufacturers & crafts people to create a given look within a budget. It taught me how to design beautifully bespoke details that run through my work today. A move into Interior design in the early 00’s brought a number of years designing high end residential interiors, but it was always the hotels that drew my attention.

Image caption: The lobby inside St Regis Dubai

With this product knowledge came a sound sense of style and design history. I can be given any brief placed throughout time and place and produce an interior that demonstrates both a correct historical reference point but also empathy. Just imagine walking into a Lobby area where the whole effect takes your breath away! This is not just interior design but pure theatre!

One cannot realistically expect to understand what the client wants in a brand/Interior unless you understand human emotion, desires, ambitions, history, religion and culture. I often write about how important the locality and community are for a boutique hotel brand. Maximising on what is local to the property both geographically and naturally as well as culturally. My many travels and experience of living and working both in the Middle East (Dubai) and Asia (Hong Kong) have introduced me to many distinct and different design styles and cultures. How can I design an authentic space if I have no point of reference? How will my design be believed or resonate with the guest if I have not travelled to or experienced the culture? While designing luxury hotels across Asia I was called on to draw on my expertise in classical European interiors & architecture for a palatial project in Dubai. Whether right or wrong it was my heritage and European education that benefited this collaboration.

Image caption: Conclusion? This is me!

So, when considering what is “my” USP within this exceptional industry and what makes me distinctive, I quote another acquaintance Clare Farthing, business strategy coach, who I have had the pleasure of working with over the last few years: “You are your business”. My USP is my life’s journey and everything that is encompassed within that. No other individual will build on the same training, life experiences and responses. So, when I look back at what I have accomplished it is definitely with a sense of uniqueness that I am what I am and bring to the table a “rich theatre of life”.

Harris Jackson Design is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this  three-month editorial package, please email Katy Phillips by clicking here.

Main image credit: Harris Jackson Design

Hotel Designs LIVE: Technology’s role in tomorrow’s hotel with Jason Bradbury

730 565 Hamish Kilburn
Hotel Designs LIVE: Technology’s role in tomorrow’s hotel with Jason Bradbury

On June 23, Hotel Designs hosted its first ever virtual conference. To kickstart Hotel Designs LIVE, sponsored by Technological Innovations Group, editor Hamish Kilburn welcomed tech influencer and the former presenter of The Gadget Show Jason Bradbury to discuss technology’s role in tomorrow’s hotel…

Following a warm welcome from editor Hamish Kilburn to officially launch Hotel Designs LIVE – and quick-fire Q&A round with the event’s headline partner, Technological Innovations Group – Jason Bradbury made a dramatic entrance, on a hover board (we wouldn’t expect anything less). The former presenter of The Gadget Show, who has built an international career as a futurology and tech-trends corporate speaker, took the microphone to start the conference’s debut session entitled: Technology’s role in tomorrow’s hotel.

“The last 10 weeks have defined the next 10 years of innovation.” – Jason Bradbury

Sponsored by Hamilton Litestat, the session started by Bradbury suggesting that the current coronavirus crisis  – and indeed all cultural changes in the past – opened up an opportunity for new technology to be utilised in the hotel experience. Using the case study of Bainland Park, which is a luxury escape just a few miles from his home in Lincoln, Bradbury explained how the resort is redesigning its concept to dissolve the conventional public areas altogether. “Bainland Park is completely self-sufficient, ideal for the post-corona consumer, and the architecture and design really does set the scene,” he said. “Before lockdown, the owners were intending to renovate the public areas. However, as a result of the pandemic, and the change of consumer demands, they are now eliminating the the communal areas completely. What’s most interesting is that this change has been driven in the last 10 weeks alone.”

“Technology that offer peace of mind and wellbeing are going to be central to the buying experience from consumers.” – Jason Bradbury

Another case study that Bradbury referred to when predicting technology’s role in the future hotel experience was Eccleston Square, a tech-savvy  boutique gem that sits in the heart of London. With the aim being to understand where technology is heading in hotel design, in 2019, Hotel Designs asked Bradbury to review the hotel 30 years in the future. “The technology in Eccleston Square is almost invisible, if you exclude the media lounge,” he explained, “which results in a seamless experience for the guests. However, post-pandemic, I wonder if in the future we are going to see more overt instances of technology [when it comes to cleaning], because that will make us feel safer as consumers.

During the seminar, Hotel Designs LIVE featured a PRODUCT WATCH segment, which allowed the audience to hear from key-industry suppliers within within the technology sphere to ultimately find out about the latest innovations and products that have appeared on the hotel design scene recently.

Below is the full seminar (in two parts), with PRODUCT WATCH pitches from Hamilton Litestat, Technological Innovations Group, NT Security, Air Revive and Aqualisa.

In part two (see below), Bradbury continued to explore, through technology lenses, what he believes will likely be the hotel of the future. In addition, he answered some tough questions on which piece of technology he believes should never have been invited, what tech item he simply cannot live without and how long he could go living without technology…

Born in the chaotic realms of the coronavirus crisis, Hotel Designs LIVE, sponsored by Technology Innovations Group, is Hotel Designs’ way to simply, meaningfully and virtually keep the industry connected while keeping the conversation flowing. Bradbury’s future-gazing session, where he predicted technology’s evolution in the hotel experience, kickstarted a full day of insightful talks and panel discussions on topics such as Public Areas, Sleep and Wellness, which will all be published shortly.

Designing bespoke feature lighting for public spaces (part 2)

730 565 Hamish Kilburn
Designing bespoke feature lighting for public spaces (part 2)

Following on from part one of Inspired By Design’s bespoke lighting series, the company’s Simon Shuck focuses part two on materials used to create one-off lighting pieces…

In every type of project whether hospitality, residential or commercial and any space where there is a large ceiling void, a bespoke lighting feature is often commissioned to both illuminate the space and complete the design.

The question that faces designers is what type of feature light will match the design and complete the space.

The choice of material is particularly critical as its impact needs to be both visually stunning and work aesthetically in its surroundings.

The most common material used for large lighting features is crystal, which has the benefit of being available in a multitude of shapes, For example: octagons, triedri, rods, droplets, almonds, diamonds, alberts and spheres. The crystals can be either facetted or non-facetted and are available in every colour imaginable.

Crystals vary not only in shape and colour but in quality grades ranging from K9 (a Chinese crystal) at the lowest end of the price spectrum to Asfour and Swarovski at the high-end.

Image credit: Inspired By Design

Beyond crystal, there are many other materials that can achieve the desired effect. For example:

Blown glass spheres are very popular. These differ in size depending on the glass blowers’ capabilities; the finishes can be transparent, frosted or coloured (either solid colour or with streaks) or designed to mimic other materials such as alabaster.

Image credit: Inspired By Design

Alabaster itself is a popular choice as its gives warmth to the design but does have some dimensional limitations.

Textured glass is a good choice as artists can fuse colours to blend in with the finishes that are being used. Glass lengths can vary greatly depending on specification.

Acrylic is an under-utilised material and with a greater choice of finishes shapes and sizes it can provide a very satisfactory result. Worth considering if within the public area the fitting is sited close to the entrance where weather conditions could affect it.

Image credit: Inspired By Design

Laser cut is extremely popular at present. This enables other fixtures in the design to be replicated into a light fitting. Generally produced in metal and with a choice of finishes can match the metalwork used in the rest of the project. Laser cut can also be used with ceramic or porcelain.

Engineered solutions. This approach allows any type of metalwork to be manipulated to produce large or small fittings that run horizontally or vertically through the space.

Wood is an ideal material to use especially if the finish of the joinery element is very needed to be replicated. Finishes can be in Vermeer, laminate or solid wood.

As always our team is on hand to advise and assist you in the development of the light to suit your project and budget.

Inspired By Design is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this three-month editorial package, please email Katy Phillips by clicking here.

Main image credit: Inspired By Design

INDUSTRY INSIGHT: Visualising the future of F&B spaces in hotel design

730 565 Hamish Kilburn
INDUSTRY INSIGHT: Visualising the future of F&B spaces in hotel design

Hospitality will awake from the pandemic to face new challenges when it comes to designing F&B spaces. Hotel Designs turns to the CGI experts at North Made Studio to try and visualise the future of these public-facing outlets…

With the industry on a hiatus due to the COVID-19 pandemic, there will be some important future choices to make for hoteliers.

These choices will need to be made in all areas, but may become most stark within the F&B spaces of their hotels.

Until government guidelines are released, exactly how this sector of the hotel industry will proceed is a mystery. Dictating dates for reopening and the easing of certain measures will be crucial to define how the industry needs to adapt.

Should measures not be eased enough and distancing remain in place for the foreseeable future, questions will need to asked about profitably for certain spaces in a ‘socially-distanced’ world. Within the hotel sector F&B spaces may not be deemed a profitable use of available space.

From a visualisation perspective there may be more focus put on the finer details of a F&B space. Viewpoints centred around individual seating areas, up-selling the attributes of the table setting, rather then focusing on the overall aspect of the whole F&B interior area.

Some hoteliers my choose to get ahead of the game and move F&B spaces outdoors, allowing the potential for these spaces to open sooner. Over the last few years interior design for the luxury F&B sector has tried to bring the outdoors in, with Biophilia becoming a growing trend. This potential move of F&B spaces from indoor to outdoors would switch this around. Visually this could allow for outdoor F&B spaces to be depicted with extensive greenery, using the current trend and taking it beyond what was capable within an indoor environment. Or the alternative could happen, and a drive to bring the indoor aesthetic to outdoor spaces could become a trend.

The visualisation sector is geared up to work with both interior and exterior spaces, minimising any differentiation between the CG imagery produced in terms quality or realism.

Another possibly trend for F&B spaces within the hotel sector may be to move more than just the seating/eating areas outdoors. With the popularity of street food kiosks, van and trailers, There is the potential to move the complete catering service outside. Providing an innovative feature to the hotel experience that also opens up the F&B space to the general public, increasing potential custom.

Another great possibility of this is that the catering trailer/van can easily be switched out, to provide customers will different food and drink offerings on a regular basis. Incredible engaging visualisation can be produced for these kinds of external spaces. Creating the scene is just the start, population elements can be embedded within the scene to built a complete visual that includes food trailers, tables, chairs, different demographic of people. Finer details can also be added such as drinks on tables, litter bins. The more detailed the space is visualised, the more realistic and engaging it can be.

To further explore the future of F&B spaces in hotel design, we need to take things back to a pre-COVID stage. Many companies are simply waiting out the Coronavirus pandemic, putting projects on hold, in the hope that things will return to some semblance of normality. For these type of businesses the visual aspects of their F&B spaces will continue to follow current trends.

Experiential

Customers need to be enticed to utilise the F&B facilities within the hotel, creating engaging design with attractive styling is key. Sell these experiences during the early phases of a project with 360 degree viewpoints and visual reality tours can be a great way of boosting interest and getting designs approved.

Convenience

A core factor for F&B spaces in hotels is their convenience. Ensuring the spaces are easily accessible and positioned close to heavy footfall areas, will help to increase their usage. Positioning and ‘eye-catching’ features can be showcased via traditional still CG images, assisting the planing and development phases.

Variety

No two hotel customers are the same, with hotel spaces being used for both business and pleasure, the needs of specific customers will vary. Offering a variety of services with a F&B space will accommodate for ‘on the go’ customers as well as those customers who have more time to sit down and have a full meal. Showcase these innovative features via the use of cameo shot visuals.

Adaptability

The ability for a F&B space to be multi-purpose is vital. Catering for breakfast, lunch, snacks, dinner and drinks allows for the capture of more customers throughout the day.

With the core features of the space remaining the same, the F&B space can be created in CGI for visualisation purposes, and redressed several times to show the adaptability of the space.

Image credit: North Made Studio

Overall F&B spaces within hotels are facing some challenging times. But whatever happens in the future regarding reaction to COVID, these spaces will always be required  in some form. And the visualisation sector will be there to assist with what changes to the design ethos are needed. If new ways to communicate a space are required, the technological advancements in virtual reality could be the key to creating ongoing engagement in the future.

North Made Studio is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this three-month editorial package, please email Katy Phillips by clicking here.

Main image credit: North Made Studio

PRODUCT WATCH: Vegas lighting by MASIERO

730 565 Hamish Kilburn
PRODUCT WATCH: Vegas lighting by MASIERO

Italian artisanal manufacturer MASIERO has collaborated with industrial designer Marc Sadler to create a glamorous new contemporary yet classic lighting collection called Vegas…

The Vegas collection by MASIERO is all about luxury and high-end design. The striking pieces are very in tune with the contemporary yet also emanates a timeless quality.

As the name suggests, it was inspired by the bold, eye-catching styles and flamboyant energy of Las Vegas.

The Vegas collection is the result of a collaborative effort between lighting design firm MASIERO, and industrial designer Marc Sadler. Sadler is a French citizen who was born in Austria, and currently resides in Milan. Having graduated in 1968 from the ENSAD in Paris, he is an industry veteran whose career has taken him across Europe, Asia and North America. Sadler’s eclectic background and technical design prowess mean that today he works as a design consultant for a variety of companies across numerous industries. His work has been recognised with many international design awards, including four times being the recipient of the Compasso d’Oro ADI.

Image credit: The Vegas collection by MASIERO

The lighting collection brings together the two materials which are key for MASIERO: glass and metal. Rows of transparent glass strips are perfectly positioned and attached around a metal structure. The creation of invisible eyelets and an ultraviolet gluing process allows the strips to be held in place without the need to drill the glass or use visible screws. The bases, stems, and internal structure are made from metal which has been beautifully gilded in champagne gold leaf. Customers can also order other metal finishes to suit the look they desire. Illumination comes from LED strip lights that run along with the frame and sit behind plexiglass to ensure it is easy to clean. Most models have dimmable LED lights.

This is an opulent and refined collection. The use of soft gold and a clear textured glass succeeds in giving it the desired classical feel. The strips of glass look much like ice, but also precious and jewel-like when lit. It is sculptural and there is a sense they are suspended delicately on the exterior of the lights.

The band of the inner metal structure provides the lights with a clean geometric form. Seen through the glass strip the metal has a lovely rippled gold effect, which adds depth. This is most striking on the curved vertical wall lights where the light shines from behind on both sides.

Each individual glass strip is completely unique. The ‘rock’ effect is created using a special process that deliberately deforms the thick glass pieces using heat. They each have a similar feel with imprisoned bubbles of air, yet no two will deform in precisely the same manner. It is a technique which the designer says gives the glass “an emotional allure that refers to the workings of the great glass masters.”

The Vegas collection boasts an extensive range of individual pieces. The design of the overall collection is strictly unified through materiality and the repeated use of curved rows of the glass strips nestled over a gold band.

Pendant styles are available in single lights as well as circular clusters of three or five lights. The single pendants range from 12cm all the way up to 60cm in diameter, and the largest cluster is 80cm in diameter. Rows of pendant lights in rectangular alignment come with three, five, or seven drops. There are also variations with multiple vertical tiers. The longest piece is 175cm in height, with a fine and elegant 27cm diameter.

To stretch the length of dining tables or for use in billiard rooms, choose from sweeping oval shapes with vertical glass strips, or long tubular forms that run horizontally and echo the tiered drops. The collection also includes curved vertical wall lights and ceiling variations, plus an oval table lamp.

Experimentation and commitment to the design concept allowed this collection to be developed into an array of very refined shapes. This makes the range extremely versatile for use in both commercial and residential settings.

Masiero is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this three-month editorial package, please email Katy Phillips by clicking here.

Main image credit: Masiero

FEATURE: When architecture and lighting design collide

730 565 Hamish Kilburn
FEATURE: When architecture and lighting design collide

Hotel Designs learns the story and latest lighting collection from Buster + Punch, a British home fashion label, founded in 2012 by Architect Massimo Buster Minale…

It all started in a garage in East London, building custom motorbikes. Buster + Punch innovates with solid metals, to transform ordinary functional fittings into extraordinary interior details for residential, hotels and commercial projects.

The brand is deep rooted in London’s fashion, music and sub-culture scene and harnesses this energy to elevate the products.The horizontal range of products comes in a limited palette of unique finishes to help designers specify with confidence and ensure a perfect match.

Exhaust is a new collection of the trailblazing interior spotlights inspired by motorbike exhaust just launched. The range features four new products; a fixed, an adjustable and a track spotlight, alongside a pendant light. Decorative yet functional, Exhaust is designed to elevate task lighting to a new level, providing directional illumination to interior surfaces and architectural detailing.

Image credit: Buster + Punch

Each Exhaust spotlight is fitted with a beautifully machined, solid metal baffle designed to capture and diffuse light. The unique baffle design features Buster + Punch’s unmistakable new linear knurl pattern and signature torx screws, alongside a precision-cut honeycomb grill, engineered to create a delicate metallic glow whilst also emitting a precise, non-glare, directional light.

“Exhaust finally puts functional lighting back in the spotlight,” explained Massimo Buster Minale, founder and creative director. All too often forgotten as back- ground lighting, we wanted to create a compelling range of decorative task lights that would fit seamlessly into any home or hospitality space, whilst remaining memorable – much like the roar of a motorbikes exhaust.”

Developed by the Buster + Punch design studio, Burnt Steel is an innovative/ fashion-forward finish first launched in Spring 2020. When a motorbike exhaust runs lean, the excessive heat turns the metal into a stunning rainbow of blue, purple and yellow. Harnessing an oxide effect, when applied to marine-grade stainless steel the result is a highly original and unique metal effect. Burnt Steel leads the way in new metallics and unlike an applied finish, the cutting-edge process means that no two finishes are ever the same.

Buster + Punch is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this  three-month editorial package, please email Katy Phillips by clicking here.

Main image credit: Buster + Punch

CASE STUDY: Creating statement lighting for Orlando World Center Marriott

730 565 Hamish Kilburn
CASE STUDY: Creating statement lighting for Orlando World Center Marriott

With industry casting a spotlight on public areas, Hotel Designs explores how designONE studio created the statement lighting inside Orlando World Center Marriot…

At the Orlando World Center Marriott, Stephanie Head, Design Principal of designONE studio, teamed with Cameron Coxworth Adler of BP Lighting to meet the project’s lighting needs.

Hudson Valley Lighting Group Contract (HVLG) combined custom with standard pieces to make another standout hospitality space, tailored to Head’s vision and the hotel’s needs.

That vision had a name: “Undulating Rhythm.”

Providing a focal point for the lobby bar while adding much-needed sparkle at night, these staggering fireworks fixtures tied in to the Troy Odyssey pendants over the bar and satisfied the “undulating rhythm” requirement in three ways:

  • The arms of the fixture undulated
  • The metal shade cup for one of the class shades had an undulating pattern
  • And the large circular fixtures were hung in an undulating manner

Getting there was an easy collaborative process. Our team met several times with the designer as well as maintained good communication via multiple conference calls and emails to refine Head’s original concepts. The designer had some inspiration images of a massive single fixture to fill the space.

Due to the engineering that would be involved with a single fixture, we decided to create a large cluster of fixtures which would still be quite vast in scale instead.

Head wanted a variety of glass “orbs” to create interest. Exploring the deep reserves of the HVLG standard offering, she and our team pulled inspiration from the Troy Odyssey collection for one of the glass elements. This of course added to a sense of design unity throughout the space, as the bar is lit with Odyssey pendants.

HVLG Contract created models of the three glass “shades” for review, and once approved, the fixtures went into production. The end result is a dynamic and incredibly large-scale lighting display that perfectly fits the soaring ceilings of the lobby bar.

Hudson Valley Lighting is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this  three-month editorial package, please email Katy Phillips by clicking here.

Main image credit: Hudson Valley Lighting

INDUSTRY INSIGHT: Shining light on cordless luxury for 2020

730 565 Hamish Kilburn
INDUSTRY INSIGHT: Shining light on cordless luxury for 2020

While new technologies are coming to the surface as the industry starts to emerge from lockdown, Hotel Designs asks Voltra Lighting to explain why designers are switching their attention to cordless luxury…

What is it about a luxury hotel that makes it so desirable to the discerning traveller? Be it the Six Senses, Waldorf Astorias or Four Seasons of the world, all of them exude a distinct aura – an elegant mix of ambience, design and attention to detail.

Design experts will agree that it takes strategically designed light installations to effectively tie all these elements together and truly elevate the hotel experience.

This is why high-end brands are constantly innovating to deliver more exclusive and advanced luxury lighting options. Currently, there is a big focus on fast-tracking a wireless lighting future. As legendary designer Philippe Starck puts it: “Everything that can disappear has to disappear [sooner or later].”

Designer brands that fabricate new-age portable lights, such as Voltra Lighting, can be found in some of the finest hotels in the world. Their iconic lamps are intelligently engineered and carefully crafted to enhance the ambience of the space. Inspired by the gentle flickering of a candle-light, Voltra’s elegant range of lamps are perfectly suited to deliver an atmosphere of intimacy and richness.

Insight into a new generation of luxury cordless lamps

As with most things in the world of design and technology, the wireless lights too will be constantly reimagined to enthrall the new generation of hotel patrons.

According to Voltra’s team of master designers, here are the cordless lighting trends that will feature in many a luxury hotel premises in 2020 and beyond:

  1. Soft colors for added opulence: Ambient light diffusers in brushed gold, muted nickel and antique bronze are shades that are seen to work really well in delivering a rich glamorous look.
  2. Go all natural : Increasingly, elegant and intimate cordless light-sources are being fashioned out of naturally available materials such as wood, bamboo and cork. Voltra’s Totem range is unique in its use of precision cut alabaster stone that offers a handcrafted look and creates even illumination.
  3. The future is outdoor: Battery-operated outdoor lighting needs to be able to brave the elements and yet sport a slick design. Spearheading this trend is Voltra’s range of IP65-rated lamps that are resistant to both water and dust damage.
  4. Circular lighting: Be it lighting up your bathroom vanity or hotel lobby, these circular vessels of light tend to also stand out as a central decorative object owing to their unique design.

Journey from a world of wired to battery-powered

The cordless movement began way back in the late 1980s. In those times, wireless lights came in rudimentary designs and delivered low power output – making them unlikely candidates to grace living spaces of luxury properties. But, today, since these lamps have evolved to deliver higher lumen output per watt; the status quo has completely changed.

Especially when seamlessly and tastefully integrated into the property’s architectural and interior design, the right lighting is seen to transform hotel spaces into an oasis of comfort and splendour.

So, when adding new lighting fixtures into the hotel suite or speciality restaurant, what must designers and hoteliers keep in mind?

For one, the lighting fixture should be a joy to behold – both for its form and function. Thoughtfully and intelligently curated and situated, it can create a strong impression in the minds of discerning travellers. Secondly, it needs to be able to adapt to the ever-changing luxury hotel interiors.

On both counts, high-end cordless lighting can deliver. The sheer mobility offered by ambient wireless lights also creates a flexible atmosphere and mood that can be hyper-personalised to each high-net worth guest.

Voltra Lighting is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this three-month editorial package, please email Katy Phillips by clicking here.

Main image credit: Voltra Lighting

CASE STUDY: Lighting the facade of Radisson Blu Hotel, Larnaca

730 565 Hamish Kilburn
CASE STUDY: Lighting the facade of Radisson Blu Hotel, Larnaca

The Radisson Blu, Larnaca was to be illuminated externally with dynamic lighting supplied by illumination Physics, and designed by Archtube, to draw attention, as well as provide a sense of arrival, which was critical to the marketing of the property…

The pace of development in Cyprus is rapid. The influx of ex-patriot investment and the opening of casinos for the first time has created an exciting yet competitive market.

Developers must therefore make strong visual statements if they are to stand out in the rapidly changing business landscape.

The Radisson Blu, Larnaca was no exception, and a statement was required. Therein lay the genesis of the lighting design that was conceived of by Cypriot lighting designers Archtube.

Image credit: UNSEEN VIEWS (Charis Solomou Architectural Photography)

The property consists of two towers connected by a podium. The façade containing the main entrance is entirely populated with guestroom windows and other balconies. This face of the building would be naturally illuminated and did not require external treatment other than signage. It was the slab sides of the building that required illumination as well as the façades of the main tower and secondary tower that face each other across what would be otherwise very dark space. Illumination Physics’ instruction was to produce a synchronised dynamic display of indirect illumination that would be as homogeneous as possible given the limited locations that could be used to mount the light fixtures.

The dimensions of the building are modest; it does not exceed 18-storeys in height for the main tower and four less for the secondary tower. This meant that even the tallest façades would fall into the range of two new illumination Physics light fixtures – the IP Circular Wash Quattro (a 270-watt RGBW wash light) and the IP Rectangular Wash Mono (a 220-watt RGBW wash light).

The new powerful circular wash light uses heat pipe technology to cool the LEDs and represents a significant step forward for a powerful light fixture in such a compact and attractive package. Where appropriate rather than using a powerful circular fixture, illumination Physics choose rectangular fixtures producing a rectangular beam to add to the overall illumination.

Mounting the luminaires was illumination Physics’ greatest challenge, particularly for the two banks of twelve 270-watt lights that would illuminate the two prominent façades of the main tower.

The lights would be mounted into a frame designed by illumination Physics so that the grouping and spacing were fixed according to their optimal calculations.

The lighting of these two façades was complicated by the fact that the achievable and very shallow set-back was different on one side to the other and two focusses were required. To achieve this, overlapping beams of light with different lens angles were used.

In addition to the façade lighting, illumination Physics supplied the flag pole lights in white light. The IP Circular Series – Quattro 3-6 (25-watt) was ideal. Flag poles are a standard requirement of Radisson for all their hotels worldwide.

Martin Opolka, illumination Physics’ European manager, and illumination Physics partner and Technical Director, Peter Kemp, attended the on-site testing and commissioning, accompanied by illumination Physics’ own programmer who commissioned and programmed the control system. Illumination Physics’ work also included testing and the rectification of all data connections, including the aiming/focusing of all lights and the installation and setup of the complete control system.

Prior to the system being installed, an illumination Physics representative attended the site to instruct the installers on the installation of the data network and other requirements for their systems.

The control system illumination Physics set up provides a very useful control for a hotel client. Preprogramed scenes/sequences can easily be manually selected by the client via the large buttons on the laptop touch screen, which can be labelled with specific names and colours for easy identification. The standard sequence is programmed in consultation with the client and automatically runs every day, activated by the time of day or sunrise/sunset using Quadcore’s astronomical clock function.

This level of care is typical of illumination Physics’ inclusive project management in which they can guarantee a perfect outcome by controlling all aspects of the work.

The lighting effect exceeds the promise of the initial design and the ambition and intent of the lighting designer and their client. The value is such that plans have already begun for the illumination of the second Cypriot hotel of the same brand, currently under construction.

Illumination Physics is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here

Main image credit: UNSEEN VIEWS (Charis Solomou Architectural Photography)

PRODUCT WATCH: Horo by Masiero

730 565 Hamish Kilburn
PRODUCT WATCH: Horo by Masiero

Taking cues from vintage style, Horo by Masiero is a striking new lighting collection featuring glass discs and brushed brass…

The sun is an ancient and enduring source of inspiration. Tapping into this, the design for Horo took the depiction of the sun as a circle and related icons like the Sun god Ra as its starting point.

The distinctive illuminated discs form a perfect archetypal representation of the sun and give this collection an eternal and graphic quality.

Horo is part of the Dimore Collection by MASIERO, and designed by Paris based interior designer Pierre Gonalons. In 2002 he graduated from École Camondo, which offers a five-year program in interior architecture and object design.

MASIERO is committed to the use of high-quality materials and material innovation. Horo is no exception.

The main diffuser is a sandwich construction, which comprises two circles of prismatic glass held together by an outer brass metal frame. An LED strip is placed inside the frame and shines between the two layers of glass. The diameter of each diffuser is 30cm.

To increase the luminance, Horo also features a second light source. This sits within a smaller brushed brass circle perpendicular to the main form.

The overall design is sleek and modern, whilst the finishes feel more vintage. Despite the very slim profile, Horo has a remarkably three-dimensional quality. Illuminated more brightly at the edges, the disc can appear almost globe-like.

The double light sources of Horo give it a unique look – a diffused glow as well as a soft directed light.

The glass itself is textured with a diamond pattern. This gives it a “vintage flavor that I like so much,” says Gonalons. The collection is available in various glass colors: transparent, green, powder pink, light blue and smoke. Gonalons explains that the colors reflect a desire for a contemporary palette, yet also take inspiration from the 1950s Italian style.

The design of Horo features two materials which are particularly important for MASIERO: glass and metal. The firm has extensive experience and a strong skill base in metalwork. Glass is an iconic material which is historically linked to nearby Venice and also widely sought after in lighting.

The material choices support and enrich the design concept.

Horo is a stunning collection that will sit equally well in domestic as well as commercial contexts. As a simple design that effectively balances the decorative with the functional, it could easily become a sought after classic fixture which interior designers readily incorporate into their projects.

The range includes wall, table, floor and hanging lights and it is available in several glass colors: transparent, pink, green, light blue and smoke.

Masiero is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this three-month editorial package, please email Katy Phillips by clicking here.

Main image credit: Masiero

VIRTUAL ROUNDTABLE: The role of UV lighting in hotel design

730 565 Hamish Kilburn
VIRTUAL ROUNDTABLE: The role of UV lighting in hotel design

With the industry’s attention focused towards possible solutions following the Covid-19 crisis, Hotel Designs, in collaboration with the human-centric lighting brand humanlumen, has brought together a handful of industry experts to discuss UV lighting’s role in the post-pandemic world. Editor Hamish Kilburn moderates… 

On the panel: 

Recently, humanlumen switched on our attention at Hotel Designs to focus our editorial gaze, during pandemic paralysis, towards the possibilities and boundaries of architectural lighting design. The launch of the brand’s Clean Air Series inspired us to investigate how figureheads of the industry are reacting to UV Lighting.

No question was off limit as the panel of interior designers and lighting designers put humanlumen through its paces to understand Clean Air Series and UV lighting’s role on tomorrow’s hygienic hospitality scene.

Hamish Kilburn: Andrew, so that everyone can familiarise themselves with the product, can you briefly explain humanlumen’s Clean Air Series?

Andrew Boydell: We have invested a lot of time and money in the new technology around UV lighting and its effects on bacteria in the workplace as well as in hospitality spaces. We believe that UV lighting in these areas is going to be fairly revolutionary going forward. From a hospitality point of view, we have developed Clean Air Series, a purification product that integrates a high level of UV light within the system. This allows up to 300 cubic-metres of air to be cleaned in four hours – think of it as a remote AC unit with multiple UV light chambers. 

Image caption: humanlumen’s Clean Air Series UV Lighting unit.

Mark Elliott: There has been a lot of research around the risks attached to UV lighting around eyesight and artwork, for example. One of the benefits of using LED lights over halogen lights is that the reduced UV prevents issues such as degrading artwork/finishes. How have you considered this in Clean Air Series?

AB: The product that has gone to market is a completely sealed unit. There are nine high intensity UV bulbs within a purification unit, which is basically an aluminium housing. Within that unit is a motor, a cooling unit and a number of chambers. The air is passed through the chambers, and no UV light is exposed to the outside world. It has been a major consideration of ours, as well as an engineering challenge.

“As manufacturers and designers, we all need to start looking and thinking outside the box now!” – Chris Peach, Principal lighting designer, FUTURE Designs.

HK: Mark, has UV Lighting been on your radar as a lighting designer?

ME: From our perspective, to be honest, it’s not something we have been investigating, which is probably because our focus as lighting designers is the beautification of spaces while enabling task-based solutions. However, it’s interesting to hear how lighting is being used to create more sterile environments.

Chris Peach: As manufacturers and designers, we all need to start looking and thinking outside the box now! With the ability to integrate the UV element within a luminaire could have major benefits. UV lighting is used throughout hospital environments, and there has to be a way of integrating that in hospitality.

Ariane Steinbeck: I want to continuously led by science. What I know that has been proven is that the detectability of the Covid-19 virus continues for between two and three hours in an aerosol format. What scientists don’t know yet is how much virus is needed to make you sick. From a practical standpoint, when this lighting is switched on out of hours, and the virus has settled on different surfaces, what does your product do to eliminate it?

AB: There are three elements: airborne particulates, surface particulates and particulates carried on the person. Airborne has been tackled with a continuous clean air unit that will run 24/7. Essentially, you will leave that in a hospitality space throughout the day. The surface element is different. The exposed UV light’s role, to be used when someone is not in that space, will help to clean the surfaces, and be used in harmony with the cleaners. We have been investigating an exposed UV product that will clean 25 square-metres of space. Of course, there would have to be a very clear protocol of use and we are looking at this to be linked to a control system so it can be activated when the room is not active. For a typical hotel room, we are estimating that this process will take an hour.

HK: What are the pitfalls in today’s lighting design?

Dylan Wills: Across the board, everyone would value in being more educated in lighting technology. Too often is lighting an afterthought behind the interior design itself.

David Mason: A lot of clients realise the benefits of lighting designers. There was a time where we would only ever use lighting designers in high-end projects. Now, though, we collaborate with lighting designers for most of the hotel projects we work on. 

“As soon as we all started to save energy and technology advanced, lighting design became a lot more convoluted.” – Mark Elliott, Global Creative Director, FPOV.

Neil Andrew: I worked on a project once where they didn’t have a lighting consultant. When I had won the argument to bring one on, they ended up removing 30 downlights, which of course saved a lot of money.

ME: As soon as we all started to save energy and technology advanced, lighting design became a lot more convoluted. As a lighting designer, keeping up-to-date with tech every day is very complex. That has driven designers to realise that they are not experts in that area.

HK: From a wellbeing perspective, how is lighting climbing up on the agenda in hospitality?

ME: I think we can take inspiration from the aviation industry. There have been studies carried out on how significant lighting can be to help combat jet lag. I’m not sure about UV lighting, but there are certainly applications at the moment on lighting being used to enhance wellbeing in hospitality.

NA: In terms of mental health, it’s hard to know the impact of Covid-19 right now, but I guess in general the big one for me is circadian lighting systems. The research and technology that will allow a room to intuitively adjust the lighting to where you have travelled from in order to aid jet lag is pretty impressive.

DM: We were working with a hotel chain to design windowless rooms. The idea behind the lighting was so that you could adjust the lighting to time zones. This also worked around your circadian rhythms.

HK: In these sessions, we always try to look at these new innovations and conversations with clients and budgets in mind. How realistic is it therefore for you to pitch these new innovations to clients?

DW: In this exact moment in time, the focus should be on the businesses that are having to reopen hotels in cost-effective ways. Adding new products that will incorporate expenditure will be a big focus. We have been speaking to hotel operators who are just moving furniture around and changing the lobby configuration because they simply don’t have the money to spend.

I can see UV lighting being integrated into new-builds. However, with existing buildings it will be difficult considering the financial positions of developers and operators at the moment.

ME: I believe there are two sides in this. On the one side there are people who are trying to cut corners, while others are trying to find a unique sales point. Also, the more a piece of technology gets adopted, the cheaper it becomes. When that happens, the benefits are then able to be used on a wider scale.

AS: I believe, at this point, everyone is trying to ‘out market’ their cleaning protocols. Personally, I doubt it will inspire the consumer to choose one brand over the other. There was a big opportunity missed to do something unanimous across all brands in all countries to inspire confidence. In terms of mandating improvements, it will be difficult because hotel owners are struggling to pay the bills.

HK: So Andrew, is the product better suited to new-builds?

AB: Not necessarily. We were approached yesterday by a boutique chain with nine hotels. They were looking for us to fit the UVC light units and the centric lighting units in their existing properties

DW: There is another sector of the market that we should highlight, and that’s distressed assets. As we move forward, we will see hotel operators purchasing those struggling hotels and rebranding them to become new products. There, I see the UV lighting working and it will instil security in consumers’ minds.

AS: What is the cost of one of these units?

AB: It’s variable depending on the volume. But if you work between the parameter of 1,200 – £1,700 per unit.

NA: How visible are these units?

AB: The best way I can describe them is similar to a free-standing water dispenser. The unit is mobile and will sit in the corner of the room.

Matthew Voaden: I’m assuming that you are looking at exposed UV units in guestrooms and the purification in public areas?

AB: The exposed UV will benefit the turnaround, for sure. The air purification unit will give a constant purification of the space.

HK: Where do you see lighting in hospitality going in the future?

“One of the main elements I see being a focus of innovation in the future is control systems.” – David Mason, Director and Head of Hospitality, Scott Brownrigg.

DM: The margin between too much lighting and not enough lighting is very small. Most guests, I would argue, checking into a hotel want something simple.

ME: David’s right, people want flexibility. They want it to be intuitive. It’s a challenge to operate all those functions and not have a complex control system as a result. It’s a mass quandary. One of the main elements I see being a focus of innovation in the future is control systems. I can see these systems using tech that is embedded in each fitting so that the consumer can control each light from one device.

DM: That, as well as Covid-19, will steer more things being operational from your own device.

ME: Lighting is a constant; it is everywhere. Development of lighting will be multiple carriers of different things, which as a result simplifies ceilings. A good lighting solution is tailored to work around any space.

DW: Lighting design and interior design have to work hand-in-hand. Decisions have to be communicated throughout the entire process.

DM: This is going to be a catalyst in a lot of industries. I believe there is going to be a lot more collaboration between other industries to discover purposeful solutions.

HK: What lighting solutions are you integrating into the projects you are working on at the moment?

ME: David and I are working on a hotel where in the public spaces there will be a focus on day to night technology.

DM: We wanted to create a particular experience in the corridors, which are currently long and bland. Together with FPOV, we developed and prototyped a light fitting and it will now be manufactured and installed. Together we were able to get the client on board with this and it really does come down to designers working closely together to produce the best solution.

AS: Making things simpler is our objective. If we can add benefits that are automatic then that’s even better and I am looking forward to seeing what added value UV lighting can bring to the table.

HK: So there you have it, collaborations between designers, manufacturers and specialists are allowing the industry to navigate a clean path forward in hospitality for a post-pandemic world. In case there was any doubt, UV lighting is now on the agenda as today’s hotel designers are looking for new ways to functionally adapt spaces so that they meet the hygienic demands of tomorrow’s travellers with the ever-evolving demands for characterful, design-led spaces. If you would like to have your say on UV Lighting and other lighting solutions, please tweet us @hoteldesigns.

humanlumen, which is based in Clerkenwell, is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this  three-month editorial package, please email Katy Phillips by clicking here.

Is UVC lighting on your design agenda for the post-pandemic world?

730 565 Hamish Kilburn
Is UVC lighting on your design agenda for the post-pandemic world?

Lighting brand humanlumen has introduced Clean Air Series, UVC lighting that actively reduces bacterial and viral charge. Hotel Designs investigates…

humanlumen, a lighting brand that prides itself for having a uniquely human-centric approach, has introduced the Clean Air Series, a range of UVC Air Sterilisation Units.

The Clean Air Series is a range of efficient UVC lighting devices that actively reduce the bacterial and viral charge of the air in closed environments, such as offices, classrooms, hotel rooms and healthcare environments.

The International Ultraviolet Association (IUVA) believes that UV disinfection technologies can play a role in a multiple barrier approach to reducing the transmission of the virus causing COVID-19 and SARS-CoV-2, based on current disinfection data and empirical evidence.

Image credit: humanlumen

UVC Air Purification Unit

The powerful UVC radiation is totally isolated inside the Air Filtration System (AFS) as exposure of UV light, of any type, in high dosage to the naked eye will cause potential long-term health issues.

The system draws in contaminated air and removes all bacteria through a series of integral filters and then delivers clean air back into the space. Each unit cleanses up to 3,000 cubic square metres of open office space and is a simple plug and play system with no integration into the existing mechanical systems.

The clean air units work like an air purifier, but instead of filters it uses the UVC technology to eliminate the viruses. The fan located in the bottom of the fitting sucks in the air of the room and channels it through a series of UVC light canals that have the UVC lights. The UVC kills the viruses and the clean air is released in the room through a carbon filter.

The carbon filter’s main purpose is to clean the odours from the air, with an additional dust filter at the entrance of the fan, neither is essential to kill bacteria, this is the role of the UVC light.

humanlumen, which is based in Clerkenwell, is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this  three-month editorial package, please email Katy Phillips by clicking here.

Main image credit: humanlumen

CASE STUDY: Lighting the iconic Britannia Hotel

730 565 Hamish Kilburn
CASE STUDY: Lighting the iconic Britannia Hotel

Following an extensive three-year renovation, the iconic Britannia hotel reopened in April 2019 as a luxury five star hotel and member of The Leading Hotels of the World. The complete refurbishment was designed by leading interior architects Metropolis, working with renowned lighting designers Stokkan Lys

Metropolis’ clear attention to detailing and use of quality materials have resulted in 22,000 square metres of contemporary classic style, dressed with continental and local references.

Selected to deliver highlights in the contemporary classic aesthetic, key Heathfield lighting can be found throughout the 257 hotel rooms. Junior, Superior and Deluxe suites feature Amelia or Antero bedside table lamps in their bestselling Antique glass finish, completed with an Andro desk lamp in each room.

Heathfield  & Co’s Czarina Old Gold chandelier forms the central feature of the high-end Signature suite, whilst a pair of Herzog Champagne table lamps draw focus in the inviting conference centre lounge.

Image credit: Britannia/Heathfield Lighting

Heathfield Lighting is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this three-month editorial package, please email Katy Phillips by clicking here.

Main image credit: Britannia/Heathfield Lighting

IN PICTURES: New photography emerges of ME Dubai at the Opus

730 565 Hamish Kilburn
IN PICTURES: New photography emerges of ME Dubai at the Opus

Photographer Laurian Ghinitoiu has shared new images of Opus, an innovative glass-façade building that was designed by Zaha Hadid Architects…

Home to newly opened ME Dubai, the Opus, which conceptualised in 2007 by Zaha Hadid Architects, explores the balance between solid and void, opaque and transparent, interior and exterior.

The late Zaha Hadid herself presented this project as the only hotel in which she created both its architecture and interiors, which gives it a special significance among the architecture firm’s portfolio of work.

“The cube has been ‘eroded’ in its centre, creating a free-form void that is an important volume of the design in its own right.”

Spanning 84,300 square metres (907,400 square feet), the Opus was designed as two separate towers that coalesce into a singular whole – taking the form of a cube. The cube has been ‘eroded’ in its centre, creating a free-form void that is an important volume of the design in its own right. The two halves of the building on either side of the void are linked by a four-storey atrium at ground level and also connected by an asymmetric 38 metre wide, three-storey bridge 71 metres above the ground.

Striking architecture of the cube like building

Image credit: Laurian Ghinitoiu

“The precise orthogonal geometries of the Opus’ elemental glass cube contrast dramatically with the fluidity of the eight-storey void at its centre,” explained Christos Passas, project director at Zaha Hadid Architects.

The cube’s double-glazed insulating façades incorporate a UV coating and a mirrored frit pattern to reduce solar gain. Applied around the entire building, this dotted frit patterning emphasises the clarity of the building’s orthogonal form, while at the same time, dissolving its volume through the continuous play of light varying between ever-changing reflections and transparency.

Image credit: Laurian Ghinitoiu

The void’s 6,000 square metre façade is created from 4,300 individual units of flat, single-curved or double-curved glass. The high-efficiency glazing units are comprised of 8mm Low-E glass (coated on the inside), a 16mm cavity between the panes and two layers of 6mm clear glass with a 1.52mm PVB resin laminate. This curved façade was designed using digital 3D modelling that also identified specific zones which required tempered glass.

During the day, the cube’s façade reflects the sky, the sun and the surrounding city; whilst at night, the void is illuminated by a dynamic light installation of individually controllable LEDs within each glass panel.

Furniture by Zaha Hadid Design is installed throughout the hotel, including the ‘Petalinas’ sofas and ‘Ottomans’ pods in the lobby that are fabricated from materials ensuring a long lifecycle and its components can be recycled. The ‘Opus’ beds are featured in each guestrooms, while the ‘Work & Play’ combination sofa with desk are installed in the suites. The bathrooms incorporate the ‘Vitae’ bathroom collection, designed by Hadid in 2015 for Noken Porcelanosa, continuing her fluid architectural language throughout the hotel’s interiors.

Modern, angular guestroom

Image credit: Laurian Ghinitoiu

The ME Dubai hotel incorporates 74 rooms and 19 suites, while the Opus building also houses offices floors, serviced residences and restaurants, cafes and bars including ROKA, the contemporary Japanese robatayaki restaurant and the MAINE Land Brasserie.

modern bathroom

Image credit: Laurian Ghinitoiu

Sensors throughout the Opus automatically adjust the ventilation and lighting according to occupancy to conserve energy while ME Dubai follows Meliá Hotels International initiatives for sustainable practices. Hotel guests will receive stainless-steel water bottles to use during their stay with drinking water dispensers installed throughout the hotel. With no plastic bottles in guest rooms, and a program to become entirely plastic free in all areas, the hotel is also reducing food waste by not serving buffets and has composters to recycle discarded organics.

Main image credit: Laurian Ghinitoiu

CASE STUDY: Designing the lighting for the Al Munz Mall, Oman

730 565 Hamish Kilburn
CASE STUDY: Designing the lighting for the Al Munz Mall, Oman

The Al Munz Mall is without doubt the premier shopping mall in Oman. Masiero, the leading high-end decorative lighting company, whose hallmark is great flexibility thanks to its in-house production and project management capabilities, had a key role in making the Al Munz Mall even more unique…

Lighting brand Masiero approached the project of Al Munz Mall in Oman with the LIBE model in the Dimore catalogue, which is a round wooden pendant with a dramatic light effect emanating from the opaque crystal lozenges on its diffusers.

The lighting company developed a cascade composition reaching down from a large ceiling plate with a shiny finish, which creates wondrous reflections and plays of light. The ceiling plate is a key feature, in that its entire structure hangs from the glass ceiling. Masiero’s technicians had to assess and deal with the impact of the whole structure in terms of weight, compatibility of materials and reflectiveness of the glass.

The result was a great success: Masiero managed to create a ceiling plate which is functional, aesthetically pleasing and at one with the central structure of this cascade of light.

One notable feature of this installation is the magical effect as you look up into the ceiling: the reflections of the lights create a starry sky on the glass ceiling.

Masiero is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this  three-month editorial package, please email Katy Phillips by clicking here.

Main image credit: MASIERO

SPOTLIGHT ON: Lighting public areas in Radisson Blu Hotel Cyprus

730 565 Hamish Kilburn
SPOTLIGHT ON: Lighting public areas in Radisson Blu Hotel Cyprus

As Hotel Designs conclude putting ‘Public Areas’ under the spotlight, Illumination Physics shares how it gave Radisson Blu Hotel Cyprus’ arrival experience a new meaning with innovative lighting solutions…

Illumination Physics is famous for integrated façade lighting, however that is not all we do. Radisson Blu Hotel’s Chandelier in Cyprus shows a different side of our activities, albeit with the same focus of project specific custom design.

The hotel opened its doors to the public in October 2018. One of the new breed of hospitality venues in the rapidly expanding Cypriot leisure market, this Radisson is actually the first business hotel set in an evolving economy. The influx of ex-patriot investment and the opening of casinos in Cyprus for the first time has created an exciting but competitive market in which the developers must make strong visual statements if they are to stand out in the rapidly changing business landscape.

The Radisson Blu is illuminated externally with dynamic lighting by illumination Physics to draw guests’ attention, as the sense of arrival is critical to their experience. Like most modern hotels, the Radisson Blu has an integrated shopping mall. To succeed, this mall needed a point of difference, both in spectacle and personality.

“There are 4,032 pendants in total descending out of a matt black sky.”

A big statement was required

Therein lay the genesis of the grand chandelier that was conceived of by local architects Fluid Design and Cypriot lighting designers Archtube.

Grand in concept and dimension, the chandelier occupies five hundred square metres in two vast displays that occupy the entire ceiling of the mall, surrounding the elevator core and, in turn, surrounded by the retail hub.Bold in vision, the chandelier is comprised of pendant polished hardwood elements protruding downwardly from the plane of the ceiling in five variable lengths from 0.3 metres to 1.1 metres. The display is comprised of groups of 16 pendants which are repeated. Approximately 10 per cent of the pendants are self-illuminated rods of light in lengths of 700mm lit and 700mm lit + 400mm unlit, specially created for the project by illumination Physics. There are 4,032 pendants in total descending out of a matt black sky. The chandelier occupies five hundred square metres.

Since the geometric design of the chandelier was set, the challenge was to design and manufacture the illuminated pendants. Our challenge was to design the pendants so that their elegance and function befitted their purpose. To meet the challenge, we proposed the following:

  • All fixtures should use white light only with a colour temperature of 2700K.
  • All fixtures were to be 50mm in diameter.
  • A gradient in the illumination level over the length of the fixture was desirable (some early tests had been done with continuous linear LED illumination, but the result resembled the homogenised image of a fluorescent tube, which was entirely the wrong image.
  • No shadows should occur within the pendant.
  • The majority of the fixtures should have an illuminated section of 700mm, contiguous from the plane of the ceiling to the bottom of the pendant.
  • A lesser quantity of the pendants would have an illuminated length of 700mm PLUS an unilluminated section length of 400mm.
  • Both types were to terminate into the ceiling with no visible fixings.
  • A diameter of 50mm should be chosen.
Close up of the lighting installation on the ceiling

Image credit: UNSEEN VIEWS (Charis Solomou Architectural Photography)

With regards to drivers and dimming, there were several options that were discussed. The most elegant solution presented itself to us, namely that we could create 63 groups of fixtures and have individual dimming control over each group. Further, illuminated pendants could be allocated to these groups in such a way so that a sea of slow motion could be created – this option is what we eventually selected.

With regard to the driver protocol, the client requested DALI to interface them with their in-house KNX control system. The first task was to get the optical design and illuminator working perfectly.

Since the illuminated pendant must provide a perfect shadowless view from any angle, the only way to achieve this was to illuminate the 50mm cylinder axially using a single point of illumination. This could only be done from the top end of the pendant so that the light source could be completely concealed either within the non-illuminated section of the pendant or above the plane of the ceiling. It became apparent that none of the commercially available lenses would be good enough so a custom composite optic was designed for the project. This was crucial because we needed to manage the gradient of intensity precisely. We specified an obvious gradient but with maximum and minimum levels of luminance. The LED lens was designed to interact with a reflector which closed the lower end of the tube. With the aesthetics solved, we moved on to practical issues.

Complex yet totally practical, maintenance for function is simple, and cleaning (always a challenge with chandeliers) is facilitated by the bayonet mount that allows a pendant to be taken down in seconds. The downlights that augment the overall lighting level in the mall are neatly concealed amongst the forest.

Now that the decision had been made to have dynamic dimming, some fundamental choices were required. illumination Physics already manufactures a range of LED driver options. Our choice would be influenced by practical considerations.

The space above the ceiling would be effectively inaccessible so the notion of placing drivers and data in the void was not an option that provided practical maintainability. We dismissed the idea of incorporating an individual driver for each pendant. It was far better to centralise the location of larger drivers capable of controlling many pendants in an easily accessible location away from the ceiling void.

Close up of lighting installation

Image credit: UNSEEN VIEWS (Charis Solomou Architectural Photography)

This decision had a consequence because the ELV cables would be long and we would need to manage any losses. The LED engines required constant current supply so voltage drop was manageable with correctly dimensioned cables. The perfect solution presented itself – the 24V illumination Physics HP-LED Driver 12. Twelve groups of five luminaries could be controlled from one rack-mounted driver. These were to be installed in multiple locations to minimise the cabling. We make both a DMX and a DALI version of this unit and since DALI was being used elsewhere at the Radisson, we went with that protocol.

The lighting effect fulfils the promise of the initial design. Like a vast inverted forest, the timber and illuminated pendants both add great interest to a grand space, providing an aspirational design looking to the future.

Illumination Physics is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this  three-month editorial package, please email Katy Phillips by clicking here.

Main image credit: UNSEEN VIEWS (Charis Solomou Architectural Photography)

Hudson Valley Lighting collaborates with designer Becki Owens

730 565 Hamish Kilburn
Hudson Valley Lighting collaborates with designer Becki Owens

Designers can create a fresh interior style with the new collection from Hudson Valley Lighting and designer Becki Owens, which combines modern design with Californian bohemian influences…

The new collection by Hudson Valley Lighting is inspired by the unconventionality of bohemianism found in designer Becki Owen’s Californian hometome of San Clemete, as well as her love of contemporary clean lines blended with coastal, mid-century shapes.

Each piece is adaptable and timeless, giving a new lease of life to everyday spaces and providing a focal point to the room that lures you in.

From a young age, popular designer, blogger and trendsetter Owens had her sights set on being an interior designer. Owens was inspired by her parents, who she watched remodel homes, leading her to getting her degree and designing model homes for large developments.

Now she can be found working on projects in residential design, creating simple, clean and elegant environments that she is passionate about, from kitchen makeovers to new builds. Her large social media following is tangible evidence that people are captivated by her designs, and so they have every right to be deemed “Pinterest-dream-home-worthy.” In her collaboration with Hudson Valley Lighting, she brings her well-loved signature style to a collection of modern and sophisticated pieces; the perfect accompaniments to any space or style.

Key Pieces from the Exclusive Collection

Ivy Pendant (Small)

The smallest of the Ivy Pendants features a large clear piece of glass in a simple yet powerful teardrop shape. Three pins strongly hold together the expertly-crafted curve of the shade. Complemented with a choice of a stylish chain or classy gooseneck arm to fix Ivy in place and give the pendant that smart and sleek finish. Available in three sizes, and two finishes: Aged Brass and Polished Nickel.

Ivy Pendant (Large)

Making its presence known loud and clear is the large Ivy Pendant. Regardless of its impressively large size, it completes the room without being aggressive as the simple and sophisticated glass teardrop design naturally brings balance to the room. The pendant is complete with three pins which grasp the finely-crafted bulb. Effortlessly finished with a modern hanging chain or an ageless gooseneck arm, allowing the large Ivy Pendant to become the elegant focal point of any room. Available in three sizes, and two finishes: Aged Brass and Polished Nickel.

Interior shot of chandelier above dining table

Image credit: Hudson Valley Lighting

Ivy Sconce

A little bit different from the rest is the Ivy Sconce. Despite it usually being found around the edges of a room rather than in the apparent centre, it demands to be seen and radiates subtle elegance and charm. A perfectly curved arm cradles an immense teardrop shaped glass which is mounted sturdily by three pins. Owens and Hudson Valley Lighting bring a touch of fresh modern design to the sconce; a type of fixture that is essentially an antique, and was historically found with candles and oil lamps. A classy way to bring light to any space. Available in one size, and two finishes: Aged Brass and Polished Nickel.

Hudson Valley Lighting is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this  three-month editorial package, please email Katy Phillips by clicking here.

Main image credit: Hudson Valley Lighting

LAUNCHING: a new lighting brand with a human-centric approach

730 565 Hamish Kilburn
LAUNCHING: a new lighting brand with a human-centric approach

Hotel Designs has the industry scoop of a new, innovative lighting brand that has launched with the aim to create striking architectural lighting solutions for hotel and hospitality market… 

humanlumen is a nouveau lighting brand with a difference. Led by a collective of lighting professionals and experts with a broad range of experience, the company is on a mission to create effective and efficient lighting solutions that are as positive for people as they are for the environment and businesses.

Spanning a distinct range of sectors, including hospitality, residential, education, health care, retail and leisure, the brand understands the structural form of lighting and takes a mindful approach to provide creative concepts.

The concept of the company came about from a need to do things in a different way; with an aim to change the landscape in which interior designers and consultants approach their lighting concepts. It is driven by a desire to provide human- centric lighting design and products.

Image credit: humanlumen

“With the use of innovative software design, alongside the vast range of products that we design and manufacture, we will offer relevant and creative solutions.” – Andrew Boydell, Humanlumen

At the helm is Andrew Boydell, a principal with more than 24 years experience working within the construction sector on high-profile interior projects both in Europe and the Middle East. His most recent role was Regional Director for Future Designs in the UAE, a designer and manufacturer of high quality luminaires and bespoke lighting solutions. Prior to that he was General Manager at The Nordeon Group UAE, global architectural lighting specialists.

Image credit: humanlumen

Boydell has ambitious plans for the brand. “Our creative team is based in Clerkenwell in the heart of London’s design scene, the obvious choice with all the experience we have collectively in the local and international lighting market and our aim is to develop the brand globally,” he explains. “With the use of innovative software design, alongside the vast range of products that we design and manufacture, we will offer relevant and creative solutions.”

The humanlumen product portfolio encompasses more than 3000 lighting designs including a high-specification downlight, track and spot and linear pendant range. The mix also accounts for both indoor and outdoor use to serve a vast range of lighting schemes.

Humanlumen, which is based in Clerkenwell, is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this  three-month editorial package, please email Katy Phillips by clicking here.

Main image credit: Humanlumen

FEATURE: Renovating public areas with stylish lighting

730 565 Hamish Kilburn
FEATURE: Renovating public areas with stylish lighting

To round-off our weeks putting ‘Public Areas’ under the spotlight, we are focusing our lens on the opportunities of lighting. Recommended Supplier Vaughan compares the different ambiances its lighting products can create…

Public areas are one of the key spaces to set the tone of a hotel. As soon as a visitor walks through the doors, it is important that they are met with a certain ambience and style that reflects the rest of the hotel.

At Vaughan, we are grateful to be included in numerous hotel projects and renovations – including Grantley Hall, The Langham and Le Bristol Paris.

Grantley Hall is a Grade II listed building, built by Thomas Norton and his son Fletcher Norton, 1st Baron Grantley in the mid-18th century. It has an eclectic history, not just physically – with extensions added in both the 19th and 20th centuries – but also in terms of its use.  Initially a family home, it was turned into a convalescent home during World War II. Then between 1947 and 1974, it was under the ownership of the West Riding County Council where it was used as an adult education residential college.  In 1974, it was transformed once again into a training and conference centre thanks to the North Yorkshire County Council in 1974.  Finally, Valeria Sykes bought the house in 2015, and went on to establish Grantley Hall as the hotel it is now known to be.

The downstairs hallway of Grantley Hall undoubtedly showcases the tone of the rest of the hotel: refined and elegant, with rich, red velvet lined chairs, pleated shades and brass tones throughout. The defined lines of the Georgian architecture are mirrored and maintained in the candlestick table lamps, as well as in the geometric forms of our Regency Hall Lanterns. A sleek combination of brass and glass, the lanterns work well in this space – the glass actively reflecting light across the space and the brass adding to its warmth. Their even separation and display straight down the centre of the hallway echoes the uniformity of Georgian architecture, while marrying with the antique frames, table lamps and picture lights.

The Palm Court at The Langham is very different in style to Grantley Hall, but has an equally beguiling history. Built between 1863 and 1865, it was opened on 10th June, 1865 by the Prince of Wales. The largest and most modern hotel in London at the time, it went on to entertain the likes of Mark Twain, Oscar Wilde, Toscanini and Sibelius, as well as provided the set for the Sherlock Holmes story ‘A Scandal in Bohemia’. In World War II, it was used in part by the Army until it suffered damage by bombs, and after the war it was purchased directly by the BBC. Since then, it has seen two further owners, and two renovations, with its most recent one thanks to the Hong Kong based Great Eagle Holdings.

Image caption: Langham Palm Court/Vaughan

Decidedly more contemporary in feel, this image of the Palm Court shows two chandeliers hanging either side, almost reaching the floor, and brass pieces attached to the wall to create a floral-themed, decorative display. Studded armchairs arc around a table, behind which is a high-backed sofa, and to each side of the sofa is a side-table upon which sits our Woodville Table Lamps. Similar to Grantley Hall, the brass elements neatly come together and create cohesion: the Woodville Table Lamps appear strikingly similar to the salt and pepper shakers on the table, and work well with the brass installation behind.  Cushions on the sofa similarly reflect the floral themes on the wall, while the glass chandeliers add a further sense of drama and light.  Indeed, it is these chandeliers that provide the brightest, most white light in the room, and create a satisfying contrast against the balmy glow of the table lamps.

Le Bristol Paris, like Grantley Hall and The Langham, also has a history to it. Named after Bishop Frederick Hervey, 4th Earl of Bristol, who was an 18th century traveller known for his love of comfort and unwavering standards, it remains one of the most treasured hotels in Paris. Recently refurbished during a six-year stint from 2012 to 2018, it now contains additional Vaughan pieces such as the Saltwood Tripod Table Lamps shown here. A traditional lamp, cast in bronze by a father-son duo in England, it works well in this scene, with the pair neatly framing the painting. Neither predominantly traditional, like Grantley Hall, nor contemporary, like The Langham, Le Bristol Paris appears to combine and weave different styles together – whether that be with a fringed sofa against a historic oil painting, or an antique-inspired lamp on a glass table.

Although Grantley Hall, The Langham and Le Bristol Paris are assuredly different in style, what they share in common is their success in establishing an ambience and theme the moment a visitor walks through their doors.  Whether that be maintaining a traditional, Georgian feel as in the Grantley Hall hallway, a glittering, intimate space as in The Langham, or a fusion of both modern and traditional as in Le Bristol Paris, they all establish this in their public areas, as a reference and precursor to the rooms hidden within.

Vaughan is one of Hotel Designs’ recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.

Main image caption: Le Bristol | Image credit: Vaughan/Claire Cocano

PRODUCT WATCH: The Linden collection from Heathfield & Co

730 565 Hamish Kilburn
PRODUCT WATCH: The Linden collection from Heathfield & Co

Inspired by the purity of spring and botanical forms, Heathfield & Co’s Linden Collection references natural textures throughout…

This considered curation of table and floor lamps, wall lights and ceiling fittings in the Linden Collection from Heathfield & Co come together to deliver a harmonious and fluid range of striking pieces with a contemporary edge.

Each unique piece combines organic shapes with soft sculptural lines and tactile surfaces. Ripples, flutes, scalloped edges and subtle crackle patterns feature in a delicate palette of muted greys, neutral greens and off whites.

Delicate sweeping arms lead to seed shaped convex glass shades in both the four and six arm Mila round pendants. Inspired by a blossoming flower bud, each glass shade is gently fluted from the edge towards a central point, allowing the directional light to shine through.

Finished in pure white, the petal like structures of the Elder table lamp is beautifully tapered from the base and has a deeply tactile form. Each soft ridge runs vertically, allowing light to fall and create unique contrasts and shadows across the ceramic.

Image caption: Fero and Aster in the Linden Collection | Image credit: Heathfield & Co

The refined curves and soft edges of the Aster table lamp make it one of the most organic forms in the collection. Echoing the symmetry of Aster in a slightly taller form, the Fero table lamp combines the same soft edges with an additional angular section. Aster and Fero both draw inspiration from subtle textures in natural minerals, rocks and stone. The lightly grained surface enhances the depth of each lamp, adding a distinctive and tactile finish.

Heathfield & Co is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this  three-month editorial package, please email Katy Phillips by clicking here.

Main image caption: Ivy, Alba, Camellia and Laurel in the Linden Collection | Image credit: Heathfield & Co

Designing bespoke feature lighting for public spaces

730 565 Hamish Kilburn
Designing bespoke feature lighting for public spaces

Continuing to focus the editorial spotlight on ‘Public Areas’, Hotel Designs asks lighting design studio Inspired By Design how bespoke feature lighting can take a hotel’s communal areas to the next level…

In all types of projects whether hospitality, residential or commercial – and especially where there is a large ceiling void – a bespoke lighting feature is often commissioned to both illuminate the space and to complete the design.

Assuming the design of the feature light is decided, the following factors should be addressed in order to ensure the project is a success:

Dimensions

The first requirement for the design is knowing floor to ceiling height and the overall dimensions you require the fitting to be to best suit the area. Length and width are critical as you’ll need to decide how much of the void you wish to fill. Do you want a long and slim fitting or a more expansive fitting?

Synthesis

Since the fitting is such an important feature for the space, although it may be a dramatic statement piece, it also needs to synthesise with the overall design of the scheme.

Generally, if working with metal structures, it is important to either match or complement the finishes used in the design. Therefore, we would request a control sample finish or RAL colour that we can work with. The same applies to shade material finishes or even coloured crystal if used in the design.

Weight

With the design, materials and dimensions in place, it’s important to consider how much the light will weigh.

Can the ceiling hold the weight of the fitting? We will provide an accurate weight at quotation stage to ensure at first fix stage that the ceiling is suitably reinforced. It is very important at this point, if the building has a glazed atrium then you need to discuss with our team appropriate methods of hanging and fixing the chandelier.

Alternatively, in a public space you may want to consider a winch. The advantages of a winch are that if fitted at the first fix stage it enables installation to be quicker and more efficient. The added advantage is that a winch enables you to change light bulbs or clean the fitting in the future with lower down time for that area.

Level of visual impact

For many larger fittings especially in lobbies, the fitting will be visible from multiple levels, it’s important to ensure that it remains aesthetically pleasing from all visible angles to ensure that if viewed from a higher point that they are not just seeing wiring or fixing chain and also to ensure that the lights are not shining directly in people’s faces at any point.

Design concept

Armed with this information and an approval of quotation we can then work to issue drawings showing our interpretation of your design concept. This stage tends to take the longest time as there is usually a lot of back and forth involved to get the final concept ready for sign off.

Production and delivery

Once everything is approved and signed-off, we can start production on the piece according to the agreed timeline and provide regular updates to keep you in the loop.

Included in the quotation, we would generally account for transport depending on the location, mode of delivery and also if any special installation is required. If necessary, relevant certification can be provided during the production stage.

Finally, the piece is securely installed and the vision is made a reality to be admired for years to come.

Inspired By Design is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this three-month editorial package, please email Katy Phillips by clicking here.

Main image credit: Inspired By Design

In Conversation With: Interior Designer of the Year 2019, Jo Littlefair

730 565 Hamish Kilburn
In Conversation With: Interior Designer of the Year 2019, Jo Littlefair

Securing her place in the history books, Jo Littlefair came out on top last year at The Brit List Awards 2019, spectacularly winning the coveted title, Interior Designer of the Year. A few months later, she welcomes editor Hamish Kilburn into the Goddard Littlefair HQ to give him a glimpse into studio life…

“Jo, can I borrow you for just a second,” says senior associate and architect David Lee Hood as Jo Littlefair and I walk through the studio. “This archway,” he says pointing to a life-like rendering on his monitor, “what are your thoughts on adding in a line of colour here?” As he shows the before and after, it is a game of ‘spot the difference’ to the untrained eye. But for the multi-layered studio Goddard Littlefair, where the devil is so often in the detail, it could be the difference between winning a pitch or losing it, as any design practice operating on today’s international scene will confirm.

“We have made a few changes to encourage people to come and talk to us more.” – Jo Littlefair, co-founder, Goddard Littlefair

The short but important moment is proof, if ever I needed it, that Littlefair likes to naturally lead from within her team. And as we walk through the open-planned office that is flooded with natural light towards her workstation, I notice also that there is no door, and no boundary, between herself and everyone else in the building.

Image caption: The Lowry Presidential Suite, designed sensitively by Goddard Littlefair

Image caption: The Lowry Presidential Suite, designed sensitively by Goddard Littlefair

“We got to the point last year when, as we reached 60 employees, we decided Goddard Littlefair was too big as a studio,” she confesses. “We have made a few changes to encourage people to come and talk to us more, because I would rather know about something – and be able to comment at a point where it is possible to comment – rather than get further down the line and it be too late. At the end of the day, leading this design studio with Martin Goddard has always been a collaboration, not just between himself and I but also our team.” As the designer is explaining, I notice that there’s a cordial and relaxed atmosphere in the Clerkenwell studio, and the strong relationship between the co-founders and their team is apparent.

Image caption: The bar inside Hilton Imperial Dubrovnik, designed by Goddard Littlefair

“We look at the finer details, as you have just seen, that perhaps make a space look and feel more residential,” the designer explains. “Things like tabs on the curtain pole having a little leather strap and a metal rivet, and it’s those elements that give it quality and detail. It’s important that someone has thought about it in that much detail, and there is a reason why it’s leather and why it’s embossed, or whatever.”

“What’s most important is that it has to be right for our client, the property and the location every time.” – Jo Littlefair, co-founder, Goddard Littlefair

Recently completed projects within the studio’s portfolio include The Biltmore Mayfair  London, Hilton Imperial Dubrovnik , Sheraton  Grand Warsaw , the new F&B areas inside Hilton Munich City, The Lowry in Manchester and the Kimpton Charlotte Square. Having followed many, if not all, of these projects from concept through to completion, it’s fair to say that the studio believes that variety is the spice of life. “We don’t like being pigeon-holed,” explains Littlefair. “We have a great variety of style, which is fantastic. Also, we are not divas when it comes to our personal taste. What’s most important is that it has to be right for our client, the property and the location every time.”

Modern award-winning bar

Image caption: The award-winning Juliet Rose at Hilton Munich, designed by Goddard Littlefair, has become the city’s new destination bar.

Despite the studio clocking up the air miles with unavoidable trips abroad for site visits and account management, in order for the team to understand the culture and fabrics of new destinations, the studio’s HQ is positioned slap-bang in the epicentre of the design community in London, just a few streets behind some of the city’s major design showrooms in Clerkenwell. “There is always a corner of London that you can find a narrative to that is really individual,” says Littlefair. “Whether  When? you are living, working and breathing in London, like many of our designers, the city becomes a fantastic place. I think that’s because it is made up of villages that have, over time, morphed together. As a designer working on a project here, the identity of what those villages were can really shine through.”

“I literally had to work my way around the world, and it made me a different person.” – Jo Littlefair, co-founder, Goddard Littlefair

Despite London having its place in the designer’s heart, Littlefair mostly finds inspiration in design from nature, and decompresses daily from city life, after a hefty commute, in Buckinghamshire where she lives. “It’s a very open community, close enough to London for work, but full of fresh air,” she explains. “My kids love it there, and so do I!”

But where was Littlefair’s inquisitive nature born, I wonder? “When I left university and went travelling, technology as we know it now didn’t exist; email had just come out for crying out loud,” she admits. “I used to pay to sit in a café to type an email home to say I’m alive. For me, that was about really cutting off from the world. My mum didn’t think I was going to come back,” she laughs, “I did some crazy things; I worked out on boats and I threw myself into experiential travel, albeit on a shoestring. I literally had to work my way around the world, and it made me a different person. Experiencing places and learning about people and cultures.”

Image caption: The Principal York's luxe, residential look and feel was designed by Goddard Littlefair

Image caption: The Principal York’s luxe, residential look and feel was designed by Goddard Littlefair

QUICK-FIRE ROUND

Hamish Kilburn: What trend do you hope will never return?
Jo Littlefair: Rag-rolled walls and transitional furniture.

HK: What’s next on your travel bucket list?
JL: Chile , Argentina and Egypt.

HK: What would you say is the number-one tool for success?
JL: Hard work, and you can’t teach taste. I learn something new every day, nobody can know everything!

HK: Who was your inspiration growing up?
JL: The reason I made it into interiors is because I used to work on super yacht designed by Terence Tisdale. I couldn’t believe that somebody got paid to put this together and design with  all those beautiful timber veneers and mirrors everywhere, which I had to clean! I spent four months in the Med working on this 64m Feadship  . It had everything and gave me an insight into luxury and interior design.

HK: What is the one item you cannot travel without?
JL: This is ridiculous but my cashmere jumper, which is so not me. You will always find a lightweight cashmere jumper in my flight bag!

HK: What is the last item that will show up on your bank statement?
JL: Whole beans for my coffee machine. Always buy a small bag because you want the freshest roasted beans for your coffee.

HK: What has the last year taught you?
JL: To keep everyone in the studio on one floor, so that we are working together. Also that quality far outweighs quantity.

“Think of it as the destination’s answer to The Ned.” – Jo Littlefair, co-founder, Goddard Littlefair

Back to today, and the studio is currently hard at work with a number of projects on the drawing boards. The studio is currently working on designing four restaurants and bars inside the soon-to-open 360-key Villa Copenhagen. “Think of it as the destination’s answer to The Ned,” Littlefair teases. “But it’s so not about men and women in suits. Instead, the whole project has been about understanding the Danish vernacular, the locals’ way of life.”

Other projects that the studio is working on include five star resorts on the Mediterranean coast line, the repurposing of a beautiful Viennese building to a 150 plus bedroom five star hotel and what may be the future best spa in London.

Image credit: The atmospheric restaurant Cucina Mia inside Shertaton Warsaw, designed by Goddard Littlefair

Image credit: The atmospheric restaurant InAzia restaurant in Sheraton Warsaw, designed by Goddard Littlefair

As two people who are, parallel to others in the industry, so thoughtfully leading interior design forward in terms of meaningful innovation, Goddard and Littlefair both feel pressure to adapt sensitively with the times while also maintaining a fundamental quality. And their approach to evolution is enlightening.  “Someone once told me that everything in life is a phase,” explains Littlefair. “I have learned to embrace change and see it as a positive. It is intrinsically scary to human nature, but when you learn that it is necessary to be a little bit cathartic about things, life runs smoother.” I would argue that it is this breath-of-fresh-air attitude that led the designer to win The Brit List Awards’ Interior Designer of the Year 2020.

“You have no idea how much the award means to me.” – Jo Littlefair, co-founder, Goddard Littlefair

“I just can’t believe it,” she said fresh off stage at the event in November when her new-found title was revealed in front of a sea of leading designers, architects, hoteliers and developers. Months later, and the reality of ‘that win’ hasn’t quite sunk in. “You have no idea how much the award means to me,” she says now. “The line-up of people you had there was fantastic, they are my peer group and I am very respectful of what everyone else is doing. So, that people within this industry consider what we are doing here to such high regard means everything!”

Image caption: Interior Designer of the Year, Goddard Litterfair's Jo Littlefair with editor Hamish Kilburn at The Brit List Awards 2020

Image caption: Interior Designer of the Year, Goddard Litterfair’s Jo Littlefair with editor Hamish Kilburn at The Brit List Awards 2020

In a recent roundtable discussion that Littlefair attended, it was mentioned that all designers are having to work harder than ever before in order to differentiate from other styles and common motifs. As I sit around the table in the hub of her studio, I wonder how Littlefair and her team approach this topic when it comes to designing future hotels. “We are getting to the point where people have not seen a beautifully letter-pressed card before,” she says. “The ‘tech revolution’ has changed everything that we do and the way our work is perceived, but we can’t lose touch of humanity in the process.”

“We crowned a really worthy winner,” I can’t help by think to myself after I’ve said my goodbyes to the  Goddard Littlefair team. For me, it’s not necessary  necessarily? Littlefair’s work that is the most inspiring thing about but  the designer, but more her incredible journey, which was fuelled by hard-work, passion and determination, that I believe every single designer can learn from – or at least be energised by.

Main image credit: Goddard Littlefair

FEATURE: Chelsom’s bespoke approach to lighting

730 565 Hamish Kilburn
FEATURE: Chelsom’s bespoke approach to lighting

Launching new lighting collections every two years is a challenge, but it also allows Chelsom to explore the industry’s trends and needs in order to create products that are relevant for the design community’s variety of projects. The company’s Will Chelsom explains… 

Within our business the design ethos leads and we are constantly buzzing with new ideas and new design directions.

I hope that our ranges have a cohesive feel and have the Chelsom handwriting on them no matter which space they are designed for, which country they go to or for whatever price level. It’s a wide design brief given that we supply the marine industry as well as the hospitality sector and we export to 70 countries around the world winning hotel projects from three-star to six-star.

Image credit: Chelsom

Along with all our standard product, a huge amount of sales come from the design and manufacture of bespoke lighting products. We are fortunate to have close working relationships with many of the world’s leading interior design practices and for most of them, product design is a part of their skill set. They constantly want to push the boundaries and are always looking for unique lighting to enhance their latest stunning scheme. We massively respect the breadth of their design skills meaning that whereas we as a company focus purely on lighting, they must work with every aspect of interior furnishings and decoration.

Image credit: Chelsom/The Alex

I believe that many interior designers come to Chelsom just because we are so focussed on our own field. We have worked in hospitality lighting for more than 70 years and so we understand not only the aesthetics of a product but its need for perfect and long-term functionality in what can often be a tough environment. The role of someone like us is to understand in the greatest depth the designer’s aesthetic product concept and its relationship with the space in which it sits. It’s also imperative to understand the balance between ambience and light output. The manufacturers’ role must be that of adding technical lighting expertise and manufacturing know how so that the three crucial aspects of design, function and cost come together perfectly.

Saying ‘no’ is not something that comes naturally to us. However, if we are the lighting manufacturer working collaboratively with a designer, we must sound the warning that a design concept will not meet the functional standards required or will be way outside budget constraints. For example we will say no if we know a light source in a confined space will overheat, a portable luminaire will tip over due to insufficient base weight, light output will be insufficient for the task required or compatibility with existing dimming systems is a problem.  Of course we will always find an alternative solution and that’s our duty in the whole scope of the project. On the budget side we have become experts in the value engineering process. There are so many manufacturing tweaks that can be made in order that little or no aesthetic difference can be seen but sometimes as much as 30 per cent can be saved in costings. This is absolutely NOT about reducing quality- it’s just about having the manufacturing skills to know-how the same look is achieved at less cost.

Whether it be hundreds of pieces of a black ceramic bulldog table lamp for guestrooms or a one off five-metre diameter chandelier that drops down three decks on a cruise ship, the skill set and infrastructure to deliver such custom product is paramount and hard earned through experience. Remember every custom piece of lighting is a prototype in that it’s never been manufactured before. It therefore needs all the experience of design drawings, technology skills, engineering capabilities, manufacturing prowess and finish detailing to bring that unique piece to a successful conclusion. Of course that means as a company we are tested and challenged daily but it also brings great pride when a piece of lighting that has never been seen before achieves the intended wow factor and does its job for years to come.

Chelsom is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.

Main image credit: Chelsom

INDUSTRY INSIGHT: Sensitively lighting the bathroom

730 565 Hamish Kilburn
INDUSTRY INSIGHT: Sensitively lighting the bathroom

The lighting experts at Vaughan talk us through how the brand successfully lit the bathrooms in prestige projects such as Gleneagles, The Ned and St. Ermins…

Lighting brand Vaughan was one of the first companies to provide bathroom lighting that was both functional and refined when they began designing lights for this purpose more than 15 years ago.

Although bathroom lights need to be equipped with an IP44 rating, the company recognise that clients require a product that kept in line with their visual aesthetic.

Throughout the past 15 years, Vaughan’s bathroom lights have been featured in numerous hotel projects – from the Soho House Group to Firmdale Hotels, as well as stand-alone projects including Claridge’s and Grantley Hall. In the past year alone, Vaughan have provided lighting for more than 50 hotels across the United Kingdom and Europe. And here are just a a handful of them.

Nestled in the centre of London, the Ned is architecturally more than 100 years old – and was originally known as the Midland Bank building. Now renowned for being a hotel, the Ned is the shared project of Nick Jones, founder of Soho House & Co., and Andrew Zobler, CEO of New York’s Sydell Group. Thanks in part to its longstanding relationship with the Soho House Group, Vaughan supplied the Ned with the Sudbury Wall Light for a number of their bathrooms.

Made from solid cast brass, decorated with a scalloped edge and given an antique brass finish, it is one of Vaughan’s early designs – one which is more traditional in style yet still stands the test of time. Featuring a distinctive, ribbed, scroll-shaped arm, and beaded detailing, it showcases the variety of texture that is made possible thanks to the lost wax casting process.  Placed on each side of the whimsical oval-shaped mirror, the Sudbury Wall Light subtly complements the brass accents that Jones has implemented – from the door handle, to the bathroom taps, and the towel rack too.

Located in Perthshire, Scotland, Gleneagles formally opened its doors in 1924. Described as “a Riviera in the Highlands”, it was initially conceived thanks to the vision of Donald Matheson, General Manager of the Caledonian Rail Company, whose railway line ran through its picturesque terrain.

Following a refurbishment from 2015 – 2017, Hotel Designs reviewed the hotel, and noticed  Vaughan’s Seaton Storm Wall Lights feature in a number of suites.

Based on a traditional ‘hurricane lamp’ that was originally designed for candles, it comes with an elegant glass shade and is pictured here with an antique brass finish.  A delicate combination of hot forged brass and glass, the Seaton is a simple design, with minimal decoration, yet is executed with precision and care.  Similar to the bathroom interior at the Ned, the Seaton Wall Lights continue the theme of brass, and neatly unite themselves to the taps, mirrors, and drawer handles to create a cohesive room set.

The bathroom at St. Ermin’s offers a departure from the brass theme previously discussed, in a decidedly more contemporary interior with pink wallpaper, mother-of-pearl mirrors and sleek, black marble. Situated just around the corner from St. James’s Park in London, St. Ermin’s is an independent hotel yet is also part of Marriott International’s ‘Autograph Collection’.

Image caption: Vaughan’s Norfolk Wall Light can be found in the bathrooms at St. Ermins Hotel

For this bathroom, Vaughan provided the Norfolk Wall Light in a sleek chrome finish. Placed either side of each mirror, the wall lights are topped with a square fabric shade which softly diffuses the light.  Like the Seaton Wall Light, the Norfolk is a simple design and form – featuring a rectangular backplate, square candleholder and angular arm.  When combined with the oval sinks, cylindrical worktop legs, and rectangular mirrors, it creates a satisfying, playful interior – one that is predominantly focused on the relationship between different geometric shapes.  Made with a base metal of hot forged brass, the Norfolk is available in a number of finishes – from the chrome one pictured here to antique brass and nickel too.

Variety, as well as quality, are two central components to Vaughan. Product design is meticulously developed and lead by Lucy and Michael Vaughan, co-founders of the company, and their shared background as antique dealers is without a doubt an underlying influence in their creative process. “Our creative process is very much cyclical, updating and reflecting on products we’ve already made and antiques, which we have seen throughout our time as dealers,” said Lucy Vaughan.

For Vaughan, bathroom lighting is no exception – with a variety of styles, finishes, metals and shapes available to both retail and the trade, and a clear alignment with the brand’s existing lines. Ranging from the more subdued Beverley Wall Light to the more ornate, glass-art beauty of the Morillon Wall Light, Vaughan offers a wide selection of bathroom lighting to choose from, while remaining committed to their pursuit of quality and craftsmanship.

Vaughan is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image caption: Bathroom lighting by Vaughan inside The Ned

Elevating the bathroom experience with decorative wiring accessories

730 565 Hamish Kilburn
Elevating the bathroom experience with decorative wiring accessories

You’ve thought of every detail to ensure a guest’s stay is as comfortable and enjoyable as possible… almost! In the bathroom, decorative wiring accessories are often an after-thought. There are a vast range of options on the market that can add the finishing touch to a design scheme, while smart controls ensure your guests have the most luxurious and convenient stay. Hamilton Litestat’s Gavin Williams explains…

Guests expect a lavish, indulgent environment when staying in high-end hotels. One of the first experiences they have when entering a room is reaching for the light switch. Decorative wiring accessories can add to, or unfortunately detract from, a design scheme and the guest experience.

The bathroom is a key area where the right wiring accessories can help add a luxurious finishing touch. Today’s eye-catching trend for bold colours, patterns and a mixture of materials can be perfectly complemented by the huge variety of finishes available in wiring accessories. One particularly luxe trend is that of dark, traditional wall colours, such as Pantone’s Colour of the Year 2020, Classic Blue. These deep and moody shades are lifted by warm metallic finishes, such as bronzes and brasses. At Hamilton, we’ve seen an upturn in interest for our contemporary designs in elegant finishes, such as the Hartland CFX and Sheer CFX plates in Connaught, Copper, Etrium, Richmond Bronze or Antique Brass, which add the perfect finishing touch.

In order to get a coordinated look, switches and shaver sockets that come in high-shine metals to match taps and heating solutions are also popular and add a chic feel to the bathroom. Hamilton provides a vast array of contemporary and traditional plate designs in materials and finishes to complement the fittings, with Bright and Satin finishes in Stainless Steel, Chrome and Nickel favoured choices. This year, we’re also seeing a trend towards Matt White and Matt Black within monochrome design schemes.

“Hamilton’s Vogue range offers a contemporary slant on the traditional and minimalist white plastic plate, with rounded corners giving it an updated and stylised look.”

Guests delight at a quirky feature, so adding a ‘pop’ of contrasting colour with a wiring accessory can be very effective. Hartland CFX Colours comes in white, red and black gloss finish with both white or black inserts. Or, at the other end of the scale, you can make the switches and sockets almost disappear with Perception CFX, which is supplied in a transparent finish to allow a wall colour or paper design to show through.

If your guest bathrooms are of a clean and classic design, there are still options to avoid reverting to dated wiring accessories. Hamilton’s Vogue range offers a contemporary slant on the traditional and minimalist white plastic plate, with rounded corners giving it an updated and stylised look.

Getting the look and feel of the bathroom right is important, but adding more to the guest experience can really upgrade their stay. Smart lighting control helps create a better-than-home experience at the flick of a switch or swipe of a finger. A poll by interior design outfit Houzz indicated that a luxury bathroom experience is in high demand, with good lighting and a relaxing space top considerations.

Hamilton’s plug-and-play Smart Lighting Control solution can be programmed with different lighting scenes for varying tasks.Bright scenes make shaving or make-up application easier, while dimmed scenes help create are relaxing environment that’s perfect for a soak in the bath. Red, green or blue mood lighting can be added with DMX lighting control, or RGBWW delivers a ‘warm white’ light in a cost-effective way rather than the often stark white light typical of LEDs.

As people look to make their homes and bathrooms more luxurious, hotels can utilise designer wiring accessories along with smart lighting and audio control to provide an outstanding guest experience as only a hotel stay can.

Hamilton Litestat, which is headline partner at MEET UP London and MEET UP North, is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: Hamilton Litestat

7 interior trends to emerge from London Design Week 2020

730 565 Hamish Kilburn
7 interior trends to emerge from London Design Week 2020

During London Design Week 2020, Design Centre Chelsea Harbour is sheltering many of the product launches, teasers and conversations that are expected to make a noise on the design scene this season. Editor Hamish Kilburn identifies some of the prominent styles, colours and trends to look out for… 

“We champion creative excellence,” said Becky Metcalfe, Head of Content at Design Centre Chelsea Harbour (DCCH). “And we have certainly seen a move towards inform choices.”

Now that there is more demand among consumers for conscious and meaningful designs to compliment seamless service, hotel designers are widening their lenses to understand the narrative, craft and creative vision of new collections launched.

It is this change in behaviour that is enforcing most, if not all, of the strong styles that I discovered during my time at London Design Week 2020.

1) Botanical paradise on earth

With biophilic design being put front and centre at the moment around the world, conversations and the products that are launching are finding the balance between indoor space and the great outdoors – think exotic gardens where fragrance and sound are depicted in patterns and colours. Sanderson’s floral showroom, which houses hundreds of new designs this week, highlighted the creative possibilities that can emerge when designers open the door to outdoor influence with purpose. Other brands to leverage nature in design include Pierre Frey’s enriched wallcoverings, Abbott & Boyd’s capture of birds and Bec Brittain’s Taxonomy collection seen in the Tai Ping showroom that explores unexpected paradoxes inspired by the minutiae of insect anatomy and pleating techniques.

Offer with pink and black textured rug

Image credit: Taxonomy collection by Bec Brittain/Edward Fields Carpet Makers/Tai Ping

2) Land of the rising sun – everyone is talking about Japan

Considering the incredible oriental principles – not to mention the in-depth culture, heritage and authentic craftsmanship – it’s hardly surprising that many designers and brands are finding inspiration in Japan. There are parallels between the demand for simple, elegant luxury and the minimalist aesthetics of design in Japan (take a look at Muji to see this in action). Wallcovering brands such as Arte are exploring Japanese techniques and diverse styles, such as the Kimono pattern motif, to create new textured layers to their collections.

Intricate Kimono pattern detail in wallcovering

Image credit: Arte Wallcovering

Taking the theme in a different direction, Arteriors’ Trapeze Sconce is an effortless example of how Japanese influence can be balanced delicately in elegant lighting. With so much yet to explore, we expect more designers and brands to delve into the archive of Japan’s design heritage to invest in timeless practice and precious pieces.

3) Embracing imperfections

Admittedly, this isn’t anything new. In fact, designers, consumers and brands alike have been championing and demanding one-off products that can’t be replicated for as long as time. But recently, with timelessness and narrative playing so much importance in any design scheme – and while designers become more adventurous with materials – this look is everywhere. Lighting brand Vaughan is celebrating a proud authentic look and feel with its Chalk White collection, while wallcoverings brand Harlequin is keeping in touch with nature by using natural materials and creating an interesting weave structure.

Chalk-like chandelier

Image credit: Vaughan’s Chalk White collection is a curation of six products

Meanwhile, Parkside Architectural Tiles are showcasing their fantastical imperfect Spectre collection of tiles, which have proved a hit with designers and architects looking to add personality onto the walls of new and existing spaces.

Spectre collection by Parkside Architectural Tiles

Image caption: Spectre collection by Parkside Architectural Tiles

A relatively new brand thats DNA is very much focused on creating this look is Ilala, curated by Miranda Vedral, which proudly presented its idiosyncratic handwoven  furniture and lighting during the event.

4) Amplifying craftsmanship in all areas

There are more and more brands out there that are willing to collaborate with experts to produce the highest quality and the most interesting designs. With a digital overload from social media and a move to challenge the disposable mindset, brands such as Porta Romana have enhanced tactility in products and styles, which is putting momentum behind the sustainable movement.

Image credit: Porta Romana

5) Take a walk on the wild side

As we have identified before, the eco-conscious world is allowing for more adventurous influences to emerge to the surface. During the showrooms in Chelsea, there was a clear and defined theme of endangered species being used in wallcoverings, fabrics and soft furnishings. Some of the brands that are mastering this with style include Altfield, Anthology, Harlequin and Andrew Martin.

Image credit: Harlequin’s Mirador Collection

6) Warm colours are in!

Finally, in the doom and gloom of the current economic climate, designers and brands are discovering the warmer end of the colour spectrum. Designs from Edelman Leather, Vaughan and Zoffany are all setting their style compass to rosy red, which suggests there is a new confidence in the air. Grasping the statement-like benefits of using primary colours, British brand David Hunt Lighting has recently opened up its archives to find unique techniques and craft that has inspired their latest collections of pendants and chandeliers. In the Design Avenue – a hotspot for talent and unmatched styles – there was arguably no brand more colourful and bold than Timorous Beasties, but with their intricate signature of styles, would you really expect anything less?

Red, yellow and blue pendents

Image credit: David Hunt Lighting/Instagram

7) Home Heritage

An interesting theme to explore on the international hotel design scene – and one that no doubts divides the industry – there seems to be a move towards home-from-home comforts, but not perhaps as you would expect. We know that lobbies are becoming more lounge-like, but in addition there is an interest to explore storied providence. Brands such as Zimmer + Rhode, Samuel & Sons and Holland & Sherry are all using this to drive their latest designs, and I suspect more brands will keep this in mind when innovating new products in the future to add further meaning in design.

If you identified anything at the show that you believe we should be sharing our readers, please tweet us @HotelDesigns.

Main image credit: Design Centre Chelsea Harbour

INDUSTRY INSIGHT: Finding balance in bathroom mirror lighting

730 565 Hamish Kilburn
INDUSTRY INSIGHT: Finding balance in bathroom mirror lighting

Advancements in meaningful technology is allowing designers to be more creative when it comes to lighting spaces. But when it comes to bathroom lighting, a sensitive approach is best, as Electric Mirror explains… 

Lighted mirrors began appearing in five-star luxury hotel bathrooms more than 20 years ago.

As their popularity has increased, so too has their presence – today you can find lighted mirrors in millions of hotel rooms worldwide. So what’s new?

Today’s lighted mirrors come in virtually unlimited styles, from on-trend radius corners to custom designs that include asymmetrical shapes and added functionality such as built-in shelves.

The once-ubiquitous rectangular frosted-light window has given way to new light shapes and patterns, allowing designers to create lighted mirrors that match or complement anything from wall coverings to furniture.

Lighted mirror technology has continued to evolve as well. For example, Electric Mirror’s Savvy™ Smart Mirror, chosen for Marriott Autograph Collection’s Sinclair Hotel – America’s most technologically advanced hotel – includes Pro:Idiom and is PoE compatible.

And finally, lighted mirrors aren’t just for the bathroom vanity any more. Designers can offer hotel guests the beauty, convenience and luxury of a lighted mirror as a mirrored cabinet, a fog-free shower mirror, a makeup mirror, even a wardrobe mirror.

Electric Mirror is a Hotel Designs’ Recommended Supplier. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: Electric Mirror

Le Méridien Hotels arrives in South Florida’s design destination

730 565 Hamish Kilburn
Le Méridien Hotels arrives in South Florida’s design destination

Le Méridien Hotels & Resorts, along with national real estate developer Charles S. Cohen, has announced the opening of Le Méridien Dania Beach at Fort Lauderdale Airport…

Taking cues from the brand’s mid-century design aesthetic, the top-to-bottom conversion of the property that now shelters Le Méridien’s latest hotel brings to life Le Méridien’s distinctive French heritage and the allure of the Côte d’Azur to South Florida.

Located just steps from the city’s famed The Design Center of the Americas, the 12-story hotel, designed by David Ashen of dash design, features 245 thoughtfully designed guestrooms and suites. Throughout the exterior and interior of the hotel guests will find references to the sky and sea with design details such as a grand oculus in the lobby that frames the sky to pay homage the glamorous era of air travel, allowing guests to stargaze and view planes passing over. The guestrooms are minimal and modern in design with touches of blue and grey to reflect the destination, features custom-made headboards with mappings of the city inlaid into the wood veneer, and local photography captured by Elizabeth Gill Lui that celebrates the diverse architecture and environment of Fort Lauderdale.

“It was a true pleasure for us to partner with real estate developer Charles Cohen and Le Méridien Hotels & Resorts,” says David Ashen, the founder of dash design, the interior design and brand consulting firm for Le Méridien. “The design we created supported the tenets of Le Méridien brand as well as the lifestyle that is emblematic for South Florida, both for its residents and visitors. Every detail was thought out: form, function, as well as beauty. The concept sets a standard that we are proud to have contributed.”

“With a nostalgic nod to the glamour of the French Riviera in the 1960s, Le Méridien inspires travellers to explore the world in style, savour the good life and enjoy experiences that offer something more than meets the eye,” said George Fleck, Vice President of Global Brand Marketing & Management. “The debut of this hotel is part of the brand’s significant growth strategy and further reinforces our brand’s commitment to ensuring that guests experience destinations around the globe through the lens of its European spirit”

Guests will have the opportunity to indulge in five culinary outlets throughout the hotel including the brands signature Latitude/Longitude Bar serving light fare at Le Méridien Hub and Cabana, as well as Toro Latin Kitchen, serving up a South American menu, La Bibloteca de Tequila which is an exclusive tequila bar and lounge, Constellation Café serving daily French fare, and the hotel’s outdoor bar offering Caribbean-style fare poolside.

For meetings and events, the hotel offers 25,000 square feet of state-of-the-art flexible meeting space within a prime location, in the epicenter of South Florida. Conveniently located minutes from Fort Lauderdale-Hollywood International Airport (FLL) and Fort Lauderdale Everglades Cruise Port, the new hotel also neighbors Las Olas Boulevard, downtown Fort Lauderdale and the evolving Dania Pointe.

Le Méridien Dania Beach at Fort Lauderdale Airport will also offer guests a sensorial environment through the brand’s signature scent, which was developed with MALIN+GOETZ. Aptly named LM002 for airplane tail numbers, the alluring scent will be featured in the public spaces, as it is at all of Le Méridien’s properties globally. Paying homage to its French roots, the brand also has a signature soundtrack that will fill the Hub and public spaces, curated by French Bossa Nova band Nouvelle Vague.

“Being able to bring the Le Méridien brand to South Florida has been an exciting venture,” said Mr. Charles Cohen, developer and owner of Le Méridien Dania Beach at Fort Lauderdale. “We’ve curated a team of esteemed professionals to bring the brand’s French flair to life while paying homage to the maritime spirit of Fort Lauderdale. The hotel’s design-centric appeal stands at the forefront – a visual story beautifully told by David Ashen with dash design, and the Pentagram team – and will be complemented by elevated dining experiences, innovative meetings and event spaces, and unrivalled service.”

In addition, Le Méridien Dania Beach at Fort Lauderdale Airport will offer guests a variety of amenities including a signature Club Lounge with views of Fort Lauderdale-Hollywood International Airport, a fully equipped state-of-the-art 1,200-square-foot fitness centre and yoga room, an 82-foot zero-entry pool and an outdoor terrace called the “Water Club.”

Main image credit: Marriott International

Dorchester Collection unveils first foray into branded residences

730 565 Hamish Kilburn
Dorchester Collection unveils first foray into branded residences

Mayfair-based developer Clivedale London has unveiled Dorchester Collection’s first branded residences in London…

With interiors by acclaimed Parisian design duo Patrick Jouin and Sanjit Manku from Jouin Manku and fully serviced by neighbouring hotel, 45 Park Lane, Mayfair Park Residences are Dorchester Collection’s first foray into branded residences and set a new benchmark for the London super-prime market.

Located in south-west Mayfair, adjacent to Hyde Park and opposite the world-famous hotel, The Dorchester, ‘Townhouse One’ – a 3,334 sq. ft, three-bedroom duplex townhouse – offers the first glimpse inside this collection of 24 residences in the form of apartments, townhouses and a penthouse all fully serviced by Dorchester Collection. The eight-storey residential development seamlessly integrates the building’s Grade II listed façades on two traditional Mayfair Streets. Lee Polisano of PLP Architecture designed the residences, taking a scholarly approach to the refurbishment of historic Georgian façades whilst creating a contemporary counterpart, blending effortlessly into Mayfair’s eclectic patchwork of architectural styles.

Clean and spacious bedroom

Image credit: Clivedale London/Dorchester Collection

Accessed through its own private Georgian portico on Stanhope Gate, ‘Townhouse One’ features capacious Georgian proportions that exude a refined luxury. Marking the first time the innovative Parisian designers Patrick Jouin and Sanjit Manku have created interiors for a residential development project, the practice has created a luxurious, yet liveable space inspired by the fusion of classic and contemporary elements. The resulting design is one that exudes a strong sense of place – where historical references of English heritage and the period grandeur of the building’s Georgian origins are blended with exquisitely considered, custom interior architecture to create sumptuous interior spaces that are organic, elegant and evocative.

“We are thrilled to be part of the creation of Mayfair Park Residences and to work with Dorchester Collection again,” said Sanjit Manku, Founding Partner at Jouin Manku. “We’ve endeavoured to create a high-end interior with a sense of ease, relaxation, warmth and comfort with a little bit of sizzle and dazzle; a little bit of sparkle. A focal point of the new home is the blending of both natural and warm light throughout with coffered backlit ceilings illuminating the space and a six-metre-high bespoke light installation which extends down to the lower ground floor, melding the two levels together.”

Beyond the ornate décor of ‘Townhouse One’ lies a hidden gem; a 1,280 sq. ft vaulted garden filled with decadent alcoves, that span the length of the residence and is accessible from the kitchen and the bedrooms.

Tarun Tyagi, CEO at Clivedale London, commented: “Mayfair Park Residences marks a significant moment for Clivedale, and we are thrilled to be the first residential developer globally to partner with Dorchester Collection to create one of London’s most sought-after addresses. Our residents will become the first people in the world to enjoy the renowned services of a Dorchester Collection hotel in the comfort of their own home and we are excited to set a new benchmark for private residential developments. We are overjoyed how ‘Townhouse One’ reflects the unprecedented standard that will be seen throughout the wider scheme and hallmark quality that is synonymous with both Clivedale London and Dorchester Collection.”

Dorchester Collection’s 45 Park Lane will provide exclusive access to a tailor-made array of services including housekeeping service, 24/7 concierge services, 24-hour in-residence dining, a Rolls-Royce town car and chauffeur service, sommelier expertise as well as secure valet underground car parking, all helping to facilitate every and any aspiration of a resident. Indulgent in both service and amenities, Mayfair Park Residences 10,000 sq. ft Health Club will comprise a state-of-the-art gym, 20m pool, sauna and steam rooms, hydrotherapy pool, two private treatment rooms and residents lounge, all fully managed by the team at Dorchester Collection.

“Our first venture into private residences is a pivotal moment in the history of our company,” added Christopher Cowdray, Chief Executive Officer of Dorchester Collection.” We have partnered with Clivedale as they are known for their pursuit of outstanding design excellence in prime locations. Mayfair Park Residences will offer its residents the best combination of a spectacular home close to Hyde Park with the highly personalised services offered by 45 Park Lane.”

Main image credit: Clivedale London/Dorchester Collection

Hospitality Tech & Innovation Forum unveils the hospitality professionals attending

730 565 Hamish Kilburn
Hospitality Tech & Innovation Forum unveils the hospitality professionals attending

Hospitality Tech & Innovation Forum, which falls under the Forum Events hospitality portfolio, takes place on January 27 at Hilton London Canary Wharf…

Forum Events, the parent company of Hotel Designs, is beginning the new year with the opportunity to start conversations like no other by hosting the Hospitality Tech & Innovation Forum, a highly focused meet-the-buyer event that brings together hospitality professionals and suppliers.

The Forum consists of one-to-one business meetings, interactive seminars and valuable networking opportunities throughout – all to enable attendees to create lasting business relationships.

With a combined annual budget of more than £200 million among the hospitality professionals attending, Hospitality Tech & Innovation Forum, which takes place on 27 January at Hilton London Canary Wharf, is regarded as the go-to event for suppliers to extend their contacts in the ever-changing landscape of technology in the hospitality market.

audienceThe premium meet-the-buyer event will be attended by hospitality professionals from the following companies:

  • Accor
  • Atlas Hotels
  • Hotel Café Royal
  • Hilton
  • Apex Hotels
  • Best Western
  • Crowne Plaza London Docklands
  • DoubleTree by Hilton London Excel
  • Sloane Square Hotel
  • Grayshot Hotel
  • The Goodenough on Mecklenburgh Square
  • MARC Ltd
  • Old Thorns Hotel
  • Reset Hotels & Resorts
  • InterContinental The 02
  • Millennium Hotels and Resorts
  • Valor Hospitality
  • JKS Restaurants
  • The Arora Group
  • Trivelles Hotels
  • Ashley Hotels
  • Roseacre Pub Company
  • Your Space Apartments
  • Lester Hotels
  • Mils Hotels & Resorts
  • Circadian Trust
  • Knights Care
  • Hillbrook Hotels
  • Blue Orchid Hotels
  • Make Venue
  • Belmont Le Manoir aux Quat’Saisons
  • Sara Management Company
  • The Deckers Group
  • Cave Hotel & Golf Resort
  • Bills
  • MSC Cruises
  • Champneys
  • YOTEL
  • Wagamamas
  • Dorsett Hotels
  • Bulgari Hotel
  • Whitbread
  • Marstons
  • Pizza Express
  • Fullers
  • G1 Group Plc
  • Rank Group
  • McDonalds
  • Rileys
  • Fulham Football Club
  • Lucky Voice Karaoke
  • STAY Worldwide
  • Ambassadors Bloomsbury
  • Centennial Hotel
  • Canary Wharf Riverside Park Plaza
  • Costa
  • The Lodge Duxford
  • The Lodge Hotel
  • The Wesley Hotel
  • Waterfront Seaport
  • Zebrano

How to attend

If you are a supplier and would like to attend, please email Toby Ward or call 07930 402303.
If you are a delegate and would like to attend the event, please email either Emily Gallagher or Lucia Guilesano or call 01992 37485/94.

Editor’s round-up of Sleep & Eat 2019

730 565 Hamish Kilburn
Editor’s round-up of Sleep & Eat 2019

Rounding off this year’s show season, editor Hamish Kilburn attends Sleep & Eat 2019 on the search for new product launches, sensational design concepts and more brands under one roof than in any other hotel design trade show in Europe…

It is often said that the sequel is never as impactful as the prequel. And although that may well be the case in the film industry, design is different. For the second year running, Sleep & Eat 2019 went west to found shelter at Olympia London, a hotly debated venue but a popular one no doubt during show season.

The show opened its doors on November 19 to offer designers, architects, operators and owners a unique chance to learn from the game-changers, while discovering new products and expand their thinking.

On the surface Sleep & Eat’s success from last year was matched with many of the same exhibitors taking the same positions as in 2018. The most significant statement from the 2019 show, however, took place in the lecture theatre, where a mix of interesting and colourful insights and debates became the highlight for many.

Amar Lalvani, CEO of Standard International, opened day one by sharing his experience oftransforming an ‘ugly’ and unloved building in London into a hotel that is now headline news around the world. Christoph Hoffman, CEO of 25Hours Hotels, opened day two and, in conversation with Conference Moderator, Heleri Rande, talked about the importance of “soul”. While his group has so notably charted its own course, hedeclared himself inspired by the great luxury hotels of the world. “It’s about keeping the stories alive,” he said. Josh Wyatt, CEO of NeueHouse, also delivered a captivating keynote. “More than ever before,design is essential to survive as the world becomes more crowded. Design is a defensive necessity,” he told the audience. “In NeueHouse, we are forging places where commerce and creativity collide, where new enterprises that will shape our futures will be conceived by our users.”

Image credit: Rob Jones

Panel topics were diverse and layered, from hotel F&B trends to managing and designing flexible public spaces and the meaning of eco in the luxury hotel experience, but all with an eye not just to the hospitality scene today but in the future. Architect, Richard Coutts, and engineer, Ben Fitzgerald, took the audience to the under- and above-water frontiers of their work, presenting a project destined for Hobart Harbour – an underwater hotel with public park on top – and the Under restaurant off the Norwegian coast. The knowledge, skills, vision and technology exist to harness our lakes, rivers and oceans for greater hospitality experiences, claimed the duo Design maverick and disrupter, Johannes Torpe, considered the future of hospitality in space but, despite his collaborations with NASA and his passion for space movies, he argued that there was still much work to do before space could be accessible for most of us. Instead, he called on the audience to create unearthly places on Earth, citing his Red Mountain resort project in Iceland, a spa and wellness retreat that will offer complete escape into Icelandic nature.

Sleep, Eat and Party in this year’s Room Sets

This year’s event theme of “Social FlexAbility” explored the power of hospitality to stimulate human interaction in our age of digital isolation. It proved to be just the challenge that six international architectural and design firms needed to create concept guestrooms, a bar and a restaurant which were inspiring in vision, intriguing in detail and astonishing in execution.

Yuna Merge, unveiled the VIP Area entitled ‘Gather’. The designer transformed Olympia Club Room into a whimsical flora and fauna-inspired space.

London-based hotel design practice twenty2degrees designed a concept guestroom to explore hospitality’s power to stimulate human interaction in our age of digital dislocation. Complete with a fully retractable bed and a tap that poured chilled negroni, the set utilised space, senses and colour.

“The process of designing the concept guestroom has been fascinating,” says Joe Stella, Creative Director and Partner of twenty2degrees. “Essentially, we were our own client freed from the usual constraints of commercial hotel design. We followed certain paths of thought, then found new sources of inspiration and were able to flip the aesthetic. We hope that the result of this creative license will be ideas that operators, owners and other visitors to our pop-up will want to take away with them and adapt for real-life projects.”

Other Set designers were HAT Design (guestroom), SpaceInvader (bar) and NAME Architecture (restaurant).

In the exhibition hall

Image credit: Rob Jones

More than 160 design-led suppliers – established and up-and-coming manufacturers, artisans and fit-out companies – chose Sleep & Eat 2019 to showcase their products and launch new collections. Some highlights included:

GROHE returned to Sleep & Eat for the 14th year and presented its most eclectic and diverse product offering yet, including its ground-breaking Icon 3D metal-printed taps on their first official UK outing.

Image credit: Rob Jones

Following Hotel Designs’ interview with designer Marcel Wanders one day prior, the team from Laufen unveiled the curtain on its latest collection, The New Classic.

Ammique, the world’s most technologically advanced bed, was at Sleep & Eat for the first time. The company launched its Platinum limited edition bed with a choice of three sensual fabrics created in collaboration with textile designer, Hannah White. Marlene Greenhalgh, Co-Founder of Ammique,says: “Having thought long and hard about taking space, we are utterly delighted that we decided to. We would unequivocally recommend anyone in the industry to consider investing in a stand at Sleep & Eat. It really is a show that delivers.”

Hansgrohe, which was an Event Partner at The Brit List Awards 2019 later in the week, launched its Rainfinity range and Sunbury Design launched Perception Collection in collaboration with renowned print designer, Amelia Graham. Meanwhile, both Bette and Kaldewei gave visitors the opportunity to test their materials themselves, with wire brushes, hammers, nail varnish and naked flames.

Morgan, which has just won Product of the Year at the FX Awards, unveiled a new stripped-back sustainable furniture collection, Kaya, which finds its roots in the openness, honesty and purity of trees.

Showing the design world it’s place as a premium shower supplier was Aqualisa, which was also an Event Partner at The Brit List Awards 2019. The company, which was the first to launch the digital shower to the hospitality market, was making noise with a range of new high-tech products.

There were cause of celebrations on the Knightsbridge stand as the British furniture company announced its 80th anniversary. In apt fashion, the brand displayed its design-led Caravelle collection, which was redeveloped to celebrate theanniversary and its rich history, taking influence from a past mid-century piece of furniture.

Also new to Sleep & Eat, Marie Martin, the range of exclusive lighting by the Dutch company Lumière, presented its lush and extravagant lighting fixtures. Stemming from a passion for interiors, this collection arose from the desire to unite a love for antiques, Paris, colour and fully decorated spaces.

Bette’s new Red Dot award-winning basin and luxurious circular bath made their UK debut at the show.

Image credit: Rob Jones

Other familiar brands at the show included: Astro Lighting, Roca, Interna UK, Chelsom, Grok, Northern Lights and Perrin & Rowe. Newcomers included Eichholtz, ILIV Contract Textiles and Absolute Lifestyle.

As tradition, Sleep & Eat presented two awards for best-designed stands, this year judged by designers, Constantina Tsoutsikou, Yasmine Mahmoudieh and Ben Webb together with architect, Angela Dapper and event director, Mark Gordon. Hospitality artwork suppliers, Verdigris Art, with artist in residence, Marcus Aitken, was awarded Best Stand, and luxury wallcoverings manufacturer, Arte, was the recipient of the Best Space-Only Stand Award.

Following the two-day event, industry experts gathered for an after-party style awards ceremony, The Brit List Awards 2019, which is where this year’s winners of seven individual awards were crowned, as well as where The Brit List 2019 was unveiled.

With rumours circulating, it is down to interpretation whether or not Sleep & Eat’s second year at Olympia London was as or more successful than its first year. Whether or not the show ‘hit the mark’ in your opinion, there was no denying that it was a engaging two-days of talks, networking opportunities and interesting product launches.

Have your say by tweeting us as @HotelDesigns. What was your highlight of Sleep & Eat 2019?

Main image credit: Rob Jones

Chelsom to exclusively preview Edition 27 at Sleep & Eat 2019

730 565 Hamish Kilburn
Chelsom to exclusively preview Edition 27 at Sleep & Eat 2019

Chelsom will once again be exhibiting at the annual Sleep & Eat event, which takes place at Olympia London on November 19 -20, 2019…

Lighting manufacturer Chelsom will be at Sleep & Eat 2019, Europe’s leading trade events for interior hospitality products providing an annual meeting for those at the forefront of hotel design, development and architecture.

This will be Chelsom’s2ndconsecutive year at the eventand this year they will be exhibiting a selection of stunning products from the latest collections, Edition 26, created specifically for the international hospitality and marine sectors.

In addition, Chelsom will also be providing an exclusive preview of brand-new pieces from the upcoming collection, Edition 27, as designed entirely in-house by Robert and Will Chelsom and will be available from May 2020 onwards.

“Sleep & Eat is the numberone UK show in terms of interior design for the hospitality market and we are very pleased to be back again,” said Will Chelsom, Managing Director of Chelsom. “Being able to see what the wider market is up to is really inspirational and it’s a great environment for companies to showcase their latest product designs and innovations. The show has become a key date in the diaries of many leading hospitality professionals so it’s exciting for us to be promoting a selection of new pieces from what is undoubtedly set to be our most eclectic collection to date.”

Chelsom is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

‘Must see’ brands at Sleep & Eat 2019

730 565 Hamish Kilburn
‘Must see’ brands at Sleep & Eat 2019

With less than three weeks until Sleep & Eat 2019, here are just a few brands and products to look out for… 

More 160 design-led suppliers are now confirmed to be exhibiting at Sleep & Eat 2019, which takes place on November 19 – 20 at Olympia London. For many years now, the exhibition has been the place where both established and up-and-coming manufacturers not only choose to launch their collections, but where business is done and opportunities to network and socialise are numerous.

Reflecting the growing convergence between hotel, restaurant and bar design, the exhibitor line-up includes many international companies which supply all three sectors, as well as cruise ships and spas.

Following our sneak peek inside the doors of the company’s new UK headquarters, Laufen will launch The New Classic collection by Dutch designer Marcel Wanders. Utilising Laufen’s innovative SaphirKeramikmaterial, the designer created a collection combining gentle, feminine curves with angular, masculine elements. “For the first time, the ultra-modern SaphirKeramik has been moulded into a classic and iconic form,” commented Wanders. “This lightweight yet resilient material gave us the unique opportunity to celebrate the beauty of ceramics with our elegant, soft lines.”

Dramatic view of the full The New Classic collection

Image credit: Laufen/Marcel Wanders

Morgan, the British designer and manufacturer of contemporary furniture, will be introducing its new Kaya lounge collection. Taking its name from sacred forests spread along the Kenyan coast, Kaya finds its roots in the openness, honesty and purity of trees. Morgan will also exhibit The Rakino collection of lounge chairs and tables designed by Tim Rundle, and The Goodwood collection designed by Katerina Zachariades in collaboration with artist Mark CcClure.

A Sleep & Eat newcomer, Prestigious Textiles, will be debuting with a range of prints, jacquards and velvets alongside a rich diversity of plains, semi-plains and sheers. The company will also present its new bespoke service, giving customers the freedom to take their design of choice and translate it onto any print ground using the latest digital printing technology.

Also new to Sleep & Eat, Marie Martin, the range of exclusive lighting by the Dutch company Lumière, will present its most popular lighting fixtures. Stemming from a passion for interiors, this collection arose from the desire to unite the love for antiques, for Paris, for colour and fully decorated spaces. Marie Martin’s range will feature lush materials – bronze, silk, brocade, and velvet – as well as abundant attention to detail and extravagant colour schemes.

Spanish architectural and design surfaces producer and distributor Cosentino will be showing a range of its brands. These include Dekton ultra-compact surfaces, Silestonequartz and Sensa by Cosentino natural protected stone.

German bathroom manufacturer, Bette, will exhibit its award-winning glazed titanium-steel baths, shower floors and washbasins, all of which come with a 30 year warranty. Available in an extensive range of sizes and colours, they are finished in BetteGlaze;  a durable, non-porous, scratch-resistant and easy to clean surface.

Muted coloured washbasins

Image credit: Bette

AHK, the Turkish supplier of joinery and fit-out contractor, will feature its indoor and outdoor loose furniture range and latest case goods collection. AHK will also reveal the AW Simulator – the game-changing meeting room pod that immerses users in a unique experience. Its advanced technologies include a panoramic digital view, exclusively designed expanding table, state-of-the-art AV system, and unparalleled acoustics and soundproofing.

Chelsom will showcase some of the dynamic and trend-driven designs within its extensive Edition 26 collection. Among the products are The Orb, The Icicle and Roma.

GROHE will be returning to Sleep & Eat for its 14th year. This year, the brand will showcase its most eclectic and diverse product offering yet. This will include its ground-breaking Icon 3D metal-printed taps, taking pride of place on the stand for its first official showcasing in the UK. “Sleep & Eat is a key event for us, one which has helped us to build very strong industry contacts over the years and where we continue to push the boundaries of innovation,” said Raj Mistry, Marketing Director of GROHE UK.

Image credit: Grohe

Terratinta – manufacturer of high-end Italian porcelain stoneware, inspired by Scandinavian design enriched with fresh and unusual aesthetic effects – will display its newest ranges of ceramic tiles, including Sartoria Artigiana, Sartoria Romanza, Hexa Mosaics, and Ceppo.

The Exhibition will also see the event debut of family-owned Irish manufacturer and fit-out specialist, Abbey Upholsterers, which works with numerous luxury hospitality brands as well as in luxury residential. At Sleep & Eat, the brand will be highlighting its hotel guestroom furniture collections.

Omexco – the Belgian manufacturer of high-end wallcoverings, specializing in sophisticated printing and embossing techniques – will feature its latest designs, Arubaand Portfolio. Aruba collection, inspired by the exotic Caribbean isle, recognises craftsmen who respect natural materials such as weaves of waterlily and raffia with a range of linen yarns and ecological non-woven wallcoverings, whereas Portfolio collection pays tribute to Omexco’s heritage and features a variety of natural yarns including pure linen, multi-coloured silky cotton and viscose.

Other familiar names exhibiting at Sleep & Eat will include Astro Lighting, Arte, Camira, Knightsbridge Furniture, Quasar, Roca and VitrA. An array of newcomers this year will include Absolute Lifestyle, Article London, Eichholtz, ELG Solutions, Iconic Images, ILIV Contract Textiles, Kaufmann Ceramics, Sahrai, Tarkett, and VICALVI Contract.

The event also encompasses a complimentary Conference, Development Roundtables and nine specially designed pop-ups including concept guestrooms, restaurant and bar Sets, The Hub – a co-working space, the VIP Lounge and the Sleeper Bar.

Sleep & Eat, November 19 – 20 in the National Hall, Olympia London. The show will be open from 10am on Tuesday 19 with an evening drinks reception until 8.30 pm, and from 10am-6pm on Wednesday 20. Click here to register.

Main image credit/caption: Sleep & Eat/Abstract forms, texture and objects study

One month until The Brit List Awards 2019

730 565 Hamish Kilburn
One month until The Brit List Awards 2019

Calling all hotel designers, architects, hoteliers, developers and suppliers: Tickets are selling out fast for The Brit List Awards 2019, which is just one month away… 

There is just one month to go until Hotel Designs announces the winners of The Brit List 2019. The awards, which will be sheltered at Patch East London on November 21, is the climax of the publication’s nationwide search to find the UK’s top interior designers, architects, hoteliers and suppliers.

Supplier tickets (£150 + VAT) can be purchased here.
Delegate tickets (£20 + VAT) can be purchased here.

Among the leading designers who have already confirmed are design directors and principals from Richmond International, Project Orange, Sibley Grove, Harriet Forde Design, Harris + Harris, RPW Design, Scott Brownrigg, David Collins Studio and IHG.

In regards to architects attending The Brit List Awards 2019, Hotel Designs will welcome associates and directors from the likes of Zaha Hadid Architects, WATG, Jestico + Whiles, Holland Harvey Architects, EPR Architects and Dexter Moren Associates.

Hoteliers confirmed to attend the annual awards ceremony include, among others, Heckfield Place, Good Hotel London, Limewood Group and Homegrown Hotels, Rosewood London, Cliveden House, The Athenaeum Hotel & Residences London, The Dixon, Bespoke Hotels, Great Scotland Yard Hotel, Eccleston Square, Inhabit London and Hotel Gotham.

The nationwide search to find the most influential designers, architects and hoteliers operating in Britain began months ago when Hotel Designs opened up nominations and applications to readers.

Since then, an independent panel of expert judges have gathered to select this year’s individual award winners and also to confirm the 75 individuals who have made it into The Brit List 2019.

How to attend

Suppliers:
Click here if you are a supplier to the industry to secure your ticket for £150 + VAT.

Designers, architects, hoteliers and developers:
Click here if you are either a designer, hotelier, developer or architect to secure your ticket for £20 + VAT.

If you would like to discuss various sponsorship packages available, please contact Katy Phillips via email, or call 01992 374050.

#TheBritListAwards2019

Headline Partner: Crosswater

Event Partner: Hamilton Litestat

2019 Industry Partner: BIID

In Conversation With: Britain’s design legend Martin Brudnizki

730 565 Hamish Kilburn
In Conversation With: Britain’s design legend Martin Brudnizki

Last year’s crowned Interior Designer of The Year at The Brit List Awards, Martin Brudnizki, invites editor Hamish Kilburn to his Chelsea London studio to explain some of the major milestones in his career as well as how he logistically manages his time in a truly international market…

Design gems are not hard to come by on the British hotel design scene. You have only to open the pages of last year’s edition of The Brit List – and this year’s shortlist for that matter – to find the top 75 influential designers, architects and hoteliers.

However, design legends are less common. It’s not a question of talent or ability, but more a reflection of style, class, personality and being about to really set oneself aside from others in the heavily congested international hotel design market.

There is only – and will only ever be – one Martin Brudnizki, for example. Last year, Hotel Designs’ The Brit List crowned the acclaimed visionary as its Interior Designer of the Year – and for good reason. “Brudnizki is an international leader, standing as an icon as well as inspiration to so many young aspiring designers,” commented last year’s expert judging panel. “His recent work in University Arms Cambridge is a credit to his studio’s ability to give a building a new lease of life in the most sensitive and creative way.”

Image caption/credit: The Library designed by MBDS/University Arms Cambridge

Almost one year later, while the editorial team at Hotel Designs are gearing up for yet another spectacular awards ceremony, I aptly caught up with the Brudnizki in his Chelsea studio in London to find out more about our ‘poster boy’s’ journey to become one of the world’s most celebrated interior designers of the moment.

“I grew up in Stockholm; my mother was a stylist and my father an engineer and I think this blend of approaches to living and design, in particular, rubbed off on me,” Brudnizki explains. “My mother is incredibly stylish and filled our home with beautiful colours, patterns and objet. My father on the other hand, worked in a very precise and thought-through way. Both aspects of their personality has certainly informed the way I work today.”

Brudnizki’s early career in design saw him working at the likes of David Gill Gallery and David Collins Studio before branching off and putting his own practice in 2000, Martin Brudnizki Design Studio (MBDS) in 2000. “I learned a lot during my time in other places,” he adds, “which has served me well when establishing my own studio.”

“We have a number of up-coming projects that I also hope shape our studio’s story. It’s an exciting time.” – Martin Brudnizki

Since then, MBDS has become one of the leading international design studios, with bases in London and New York and projects including The Beekman, University Arms and Four Seasons Athens. But, like all designers, Brudnizki remembers the milestone moments; the hotels and buildings that captured his and his team’s incredible imagination, usually sheltered in iconic shells. “All the projects we work on are exciting and help shape the future of the studio however, there are a few that really stick out as being pivotal,” the designer explains. “Scott’s in Mayfair presented us with the opportunity to design our first fine dining restaurant, it also cemented our relationship with Caprice Holdings, who have since become important clients of ours. Working with Nick Jones on Soho Beach House Miami was exciting as this saw us introduce the successful Soho House brand to a new region. The Beekman in New York opened in 2016 and helped stamp our mark on New York. It’s located in a beautiful building and we were lucky to garner a lot of attention from it. Finally, Annabel’s in London has proved incredibly popular for us. It’s such an iconic club so we felt very honoured to be asked to redesign its incarnation. We have a number of up-coming projects that I also hope shape our studio’s story. It’s an exciting time.”

Dividing his time between both London and New York has given Brudnizki the unique freedom to position himself in two of the world’s most respected design hubs. “Both cities have very unique identities,” Brudnizki explains. “They are both are melting pots of culture and excitement and whilst very different, they both present wonderful opportunities to mark your mark.”

“Luxury travel to me is being able to combine a sense of curated experience with spontaneity; finding new places but also the having the flexibility to be adventurous and go off piste.” – Martin Brudnizki

From the outside looking in, the luxury market in hotel design may look like a desirable place to start when setting out to build a reputation as being a leading designer, but it also comes with risk to cater to the ever-changing demand of the modern luxury traveller. For Brudniki, the true art of luxury travel is a reflection of his own experience and personality. “Luxury travel to me is being able to combine a sense of curated experience with spontaneity; finding new places but also the having the flexibility to be adventurous and go off piste,” he defines.

Since winning at The Brit List 2018, Brudnizki’s vision on a new hotel brand has come to life in the shape of Mr C Hotels, which opened in Miami earlier this year – and has, as a result, put him in the running for the second consecutive year for this year’s awards. “Mr C is situated in a modern new build in the green surroundings of Coconut Grove,” he explains. “New builds have many benefits, including up-to-date technology and no listed statuses to content with however, new builds often lack the characterful details of older properties. With this in mind, we often have to dig deeper to find a strong narrative to wrap the hotel’s design in. For Mr. C we looked to the landscape of the region and the glamorous boating heritage and incorporated elements of this into our scheme.”

As well as technology, another area that has peaked recently in popularity among developers as well as designers and architects is the value of sustainability and designing consciously. “I think it depends on the project and the client, Brudnizki admits. “We are working with Six Senses on their new hotel and resort in Kitzbuehel Alps and the whole design is focused on sustainability and using organic and local materials. This is to mirror the brand’s values so we’ve had an interesting time researching new materiality and local artisans who can help reduce the hotel’s carbon footprint and up their sustainability accreditation.”

Quick-fire round

Hamish Kilburn: Where is next on your travel bucket list?
Martin Brudnizki: Portugal.

HK: What is the number one item you simply cannot travel without?
MB: A silk eye mask.

HK: What is the last item that will show up on your bank statement?
MB: Probably food from Bayley & Sage.

HK: What is your favourite place to unwind in London?
MB: My home in Parsons Green. As a travel so much, it’s nice to just come home and relax in the peace and quiet.

HK: What trend do you hope will never return?
MB: International Beige.

HK: Where are you travelling to next?
MB: My New York Studio next week.

Before I leave the designer in peace to create with his team the hotel interiors of the future, which include hotels in London, Austria, LA and Cape Town (among others), I am interested to explore, on the surface at least, new materials that have emerged on the designer’s radar. “I am really interested in straw marquetry at the moment; it’s such a beautiful natural fibre that can be used in the most unusual of places, such as walls and furniture,” Brudnizki says.

MBDS itself is incubating a strong network of talented designers that will further position Britain as a globally regarded leading design hotspot. With his name on the door of two dynamic studios – and also in the minds of I would argue all aspiring interior designers – Brudnizki is leading the ever-evolving industry into new territory.

The shortlisted finalists this year’s The Brit List have been invited to The Brit List Awards 2019, which takes on November 21 at Patch East London (Aldgate). To purchase limited tickets, click here

Main image credit: Luca Marziale

Lighted mirror, mirror on the lobby wall

730 565 Hamish Kilburn
Lighted mirror, mirror on the lobby wall

While it has become common to specify a lighted mirror in the hotel bathroom, Hotel Designs turns to new Recommended Supplier Electric Mirror to understand how the product can also be utilised in public areas… 

In conclusion to Hotel Designs’ time putting lighting in public areas under the spotlight, we have noticed one company is looking to disrupt the conventional idea that the lighted mirror is reserved for the hotel bathroom.

Electric Mirror, which is leading a clean and innovative path in lighting and mirror technology on the international hotel design scene, has taken the accessories to entirely new places and spaces, creating a memorable experience from the moment the guest enters the hotel.

An Electric Mirror Savvy SmartMirror in the lobby connects guests with hotel features, nearby attractions, and airport schedules. A custom Cameo lighted mirror in the restaurant or lounge brings light and life to the room’s décor theme.

Image credit: Electric Mirror

Lighted mirrors suspended from the ceiling of the hotel’s salon provide optimal lighting to let stylists help their clients look their very best. Dimmable lighted mirrorsin the spa create a peaceful, tranquil space. Corridor lightingon the guestroom floors help guide the way to the guests’ rooms.

Electric Mirrors are one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, email Katy Phillips by clicking here.

For general enquiries, contact the team at +1 425.776.4946 or sales@electricmirror.com. For the Director of Sales, Europe, call +46.790195074 or email gelareh@electricmirror.com.

Main image credit: Electric Mirror

Solar-powered solution for exterior waymarking

730 565 Hamish Kilburn
Solar-powered solution for exterior waymarking

Combining the best in technology and sustainable design, Recommended Supplier Signbox has just unveiled the Smartscape Solar bollard… 

With greenwashing being the hot topic of this week following new research that was published at the Independent Hotel Show, leading sign manufacturer Signbox has unveiled a sustainable and creatively designed waymarking product that will help to create a more conscious hotel exterior.

The uniquely-designed solar system comprises; four integrated PV panels to ensure light is captured from all angles, an intelligent lithium-ion battery, two motion-detecting PIR sensors and two LED lights. One LED runs continuously at a low level to ensure that the bollard itself can be seen from a distance, and the other, a downlight reflector, is activated within 5m close proximity on each side of the unit by one of the PIR sensors which illuminates the pathway.

As the bollard is solar powered by it’s own integrated PV panels, trenching (installation) and running costs associated with mains powered solutions are eliminated and maintenance costs are drastically reduced.

The bollard is available in three housing material options to suit a range of applications; extruded aluminium, sustainable hardwood and performa-cast polymer. With both the aluminium and polymer versions offering a vast range of colour options, as well as the option of embossing the polymer housing, this versatile solution is perfect for any modern green sustainably focussed project.

The SmartScape Solar Bollard is designed, developed and manufactured in a UK-based, ISO 9001:2015 accredited production facility.

The standard product has a base plate mounting but there is an option on the aluminium finish and the polypropylene finish for a more cost effective root mounting fixing that can be buried and possible minded in place. We can send a technical specification on this if required.

This product does comply with the new requirements for “bat friendly lighting”. Bats can not feed at night with light pollution in an upwards direction.

Signbox are one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, email Katy Phillips by clicking here.

Vaughan wins “most stylish stand and product” at Decorex 2019

730 565 Hamish Kilburn
Vaughan wins “most stylish stand and product” at Decorex 2019

Vaughan exhibited at Decorex this year and become House & Garden’s most stylish stand and product… 

The Vaughan stand at Decorex 2019 was created in-house by the company’s talented design team showcasing new sculptural wall and table lamps and ceiling lights in cast brass and selected new art pottery.

The product display was set against a background wall colour of dark grey/green with accents of gold, highlighting beautifully the quality of each product. Applied cast brass leaves on a branch flowed across the back wall together with a cluster of Arden wall lights with a spray of applied leaves continued the naturalistic theme throughout the stand.

The dramatic effect of the lit sculptural pieces against the dark backdrop, in particular the Wyvern wall light, received a very positive reaction from all the visitors to our stand and Vaughan were thrilled and honoured to be awarded the most stylish stand and product at Decorex by Ruth Sleightholme at House & Garden magazine.

The company has since taken the stand to the Independent Hotel Show, showcasing its latest product collections at the entrance of the event.

Vaughan is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: Vaughan

INTERACTIVE HOTEL REVIEW: Monkey Island Estate, Bray-on-Thames

730 565 Hamish Kilburn
INTERACTIVE HOTEL REVIEW: Monkey Island Estate, Bray-on-Thames

Unearthing eight centuries of history, editor Hamish Kilburn checks in to Bray-on-Thames’ Monkey Island Estate to interactively review a new kind of private countryside luxury…

Travel upstream from London and you eventually arrive in the quintessentially British surroundings of Bray-on-Thames, a quiet suburban village that is arguably most for harbouring two of the UK’s five restaurants that hold three Michelin stars.

But before the existence of award-winning gourmet F&B establishment, some 800 years prior, there quietly sat an empty island, which went on to soak up interesting eras. It was firstly an ideal setting for monks seeking peace on the banks of the river. It is said that after the Great Fire of London in 1666, materials from Oxfordshire, such as stone and brick, were transported down the river for rebuilding the city. On the vessels’ return, rubble would be spread around some of the Thames islands, which greatly reduced erosion and helped to strengthen the foundations.

A few decades later, in 1738, the land was purchased by Charles Spencer, 3rdDuke of Marlborough, who was rumoured to have paid palladian architect Robert Morris £2,277 to erect the first two buildings on the island in order to indulge his hobby of fishing. It took Morri three years to complete, but his work marks an important milestone in the property and island’s history – and it is arguably here where the narrative of what is now known as Monkey Island Estate really begins. But it was only recently when the story took on a new narrative, complete with the introduction of new characters, to become a completely unique boutique hotel.

In 2016, YTL Hotels acquired the land, and work began to restore the property into a modern and relaxed countryside abode. Inspired by the haunts of monks, monarchs, aristocrats and writers alike, New York-based Champalimaud Design was responsible to sensitively orchestrate the interior design of the hotel. Having completed the interior design of YTL’s debut UK property, The Gainsborough Bath and Spa, and more recently The Academy in London, the studio, while also sensitively restoring Raffles Singapore, was well-poised to develop the relationship further.

Unlike any hotel project that lead designer Jon Kastl has faced before, the geography of Monkey Island Estate presented its own unique set of challenges. “You have no idea how difficult it is to work on a island that has no direct car access,” he explains. “Everything had to be carried over the footbridge onto the island. And then, the other challenge was the age of the buildings, and dealing with the neglect of the building. They were in pretty rough shape, almost falling into disrepair.”

Guests’ first impression of the hotel is an understated – almost camouflaged – lobby area in a cosy ‘boathouse’ – the feeling of being taken away from the daily grind does not get much stronger than this so close to the centre of London. “The hotel is relatively small,” adds “

The short walk over the footbridge from the unassuming lobby to the public areas is one of wonder. Architectural landscape designer AV Design has created a majestic garden that compliments the various buildings.

Framing what should be in my opinion the postcard picturesque views of the River Thames, the pavilion building, which shelters the majority of the public areas, sets a relaxing setting – and echoes, on a balmy summer afternoon at least, the same peaceful scene that I imagine was once enjoyed by monks centuries ago.

Caption: The Restaurant | Image credit: ACT Studios

Although the bar and restaurant is, on the surface, seemingly conventional, the building has a few hidden gems. The Monkey Room, for example, stands true to its original form and structure – and even design. “The only thing we changed was the purple paint colours on the ceiling and add the furnishings,” says Kastl. The eye-catching murals on the panelling is all original which has been there from since when the building was first built.

Caption: The Monkey Room | Image credit: ACT Studios

Up the spiral staircase, The Whiskey Room is the latest area that has opened. Designed with the winter months in mind, the cosy and home-from-home atmosphere, complete with tactile wallcoverings, is an expected treat.

It is because of the fact that the 41 guestrooms and one originally restored suite are sheltered in a grade I-listed building that makes the design story even more fascinating. The design of each and every one of the guestrooms utilises the entire space, with some stretching out onto terraces which look over the river, while carefully blending in a modern style that becomes timeless.  “We just had to accept the smallness of the rooms when designing them,” Kastl explains. “We did things like designing miniature shelves and additional service space. We designed rails that lined the rolls for guests to hang items from. Because there is such a limited closet space, we had to rely on these rails.” The furniture is scaled appropriately so that it fits in the limited space neatly. Meanwhile, the blinds and curtains, supplied by Concept Contract Furnishings are deliberately not heavy, and instead naturally flood the rooms with light to make them look and feel more expansive.

INTERACTIVE tour of The Wedgwood Suite | Image credit: ACT Studios

Despite the guestrooms being impressive – and adding to the overall interior design story (and challenges) – the masterpiece of the hotel is perhaps sheltered upstairs in the Wedgewood Suite. “The room, from the panelling to the ceiling, was very much intact,” explains Kastl. “One of the challenges was that it has windows on three sides, so from a layout point of view it created a few headaches.” The ensuite bathroom has been re-gutted and given a fresh and modern look. “ The suite is the coming together of old heritage design and the new.

Moored on the river bank, the hotel’s spa is unlike any other in or around London. The facilities have been curated by Melissa Mettler who took inspiration from its riverine surrounds, past inhabitants in the form of royalty, liturgy and literary stars, as well as elegant architecture. The floating spa, which features two treatment rooms that are uniquely sheltered within a renovated barge, is a celebration of the power of water blended together with natural wellbeing and wellness.

Image credit: ACT Studios

I’m sure, for the designers as much as the operators, that the thought of completing Monkey Island Estate and opening again to the public was a distant day dream. But, considering the drastic rise in demand for wellbeing as well as wellness, the timing of YTL hotel’s countryside retreat could not have been more perfect. Checking out of Monkey Island feeling fully restored in mind, body and spirit myself, following a short by sweet trip to the floating spa before departure, the hotel locks in so many unique and thoughtful moments – and exceeds expectations to become one of the UK’s premium countryside retreats.

Main image credit: ACT Studios

LIGHTING WATCH: Berkley Collection from Christopher Hyde

730 565 Hamish Kilburn
LIGHTING WATCH: Berkley Collection from Christopher Hyde

Christopher Hyde Lighting beautiful Berkeley table lamp was recently supplied in the lobby area of a luxury hotel in Moscow…

The stunning and imposing table lamp allows the interior designer to put the finishing touches into their own five-star project. The design of the Berkeley collection features delicate cast brass details. Available in many different finishes from the ever popular french gold and antique silver to polished rose gold and soft bronze. Complimented by Christopher Hyde’s hand crafted silk lampshades the Berkeley table lamp is sure to brighten up any lobby.

The Berkeley range is on display at the company’s showroom at the Design Centre in Chelsea Harbour, London.

Christopher Hyde’s new catalogue is released soon and is available to order.

Christopher Hyde is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: Christopher Hyde

The Standard London, Camden’s new kid on the block

730 565 Hamish Kilburn
The Standard London, Camden’s new kid on the block

In search of a new standard in design, creativity and urban hotels, editor Hamish Kilburn checks in to London’s most talked-about hotels this year to explore another world. The Standard London has opened, making a bold statement on the capital’s new hospitality scene… 

Something significant is happening in London’s King’s Cross area. It’s been brewing for some time now, but it has only recently erupted.

During London Design Festival and London Fashion Week, the area was the backdrop of a scene of celebrities, models and the odd design editor or two falling out of parties and onto pavements. Soho and Shoreditch were desolate deserts in comparison. It’s the power of real estate like you have never seen before. Selecting its opening date carefully, The Standard has disrupted everything – and it’s about time too!

Although, for years, the district has evolved with the time, it was the expansions to King’s Cross and the new St Pancras International stations adjacent to each other that started the catalyst for change. Strangely enough, my father worked on the construction of both. I remember the odd non-official ‘bring your son to work’ day, the oversized hard hat specifically, as we meandered around the expansive building site unable to imagine the finished picture. “Soon, you will be able to travel from London to Paris in just two hours, imagine that” I remember my father saying overexcitedly. “Right here, where you are standing, is going to become London’s major international train station!”

Whether or not my pops really was one of the first to envision the area’s potential is irrelevant. The station opened and almost instantly the cool, quirky neighbourhood of Camden became even more of a hotspot for the mainstream, without much – if any – loss of its bold and bohemian personality. As a result, the capital’s hotel scene – quick to follow major travel trends – moved outward to put a roof over the raw and rustic scenes that its locals had created.

And here we are, welcoming the city’s new arrival, The Standard, which has been patiently waiting in the wings for some time now. And while all hotels have a story (some more worth sharing than others), The Standards’ narrative is as unique as the interior design scheme locked within; a perfect meeting of American soul and London’s ostentatious quirk.

Housed in the former Camden Town Hall Annex in London’s thriving King’s Cross neighbourhood, the 1974 Brutalist building has been meticulously restored by the legendary ORMS Architects in collaboration, in part, with Archer Humphryes Architects.

The 266-key hotel, which shelters 42 suites, sets the perfect stage for the brand’s first arrival outside America. Uniquely overlooking the iconic St Pancras Station, from street level it’s juxtaposition of architecture that shouldn’t but does work. On the north side is the traditional 19th-century iconic neo-gothic architecture, which has stood the test of time, and two world wars for that matter, unscathed. On the south side is the ultra-modern non-conventional structure, symbolising loudly that times are changing.

“Three new storeys have been added to the top of the building,” explains Simon Whitaker from ORMS Architects. “The form of which has been derived from the host building below, and clad in new stainless steel and glass panels. Two of these floors provide hotel bedrooms, whilst the top floor is dedicated to the new restaurant and bar, with a roof terrace above.”

Image credit: The Standard Hotels

Upon entering, the lobby lounge sets the scene, with a carefully curated library that pays homage to the building’s original use. Further in, sound studio booths host weekly live music and talks. Executive Chef Adam Rawson’s street facing bar, Double Standard, designed by Shawn Hausman, the neighbourhood’s street-facing anchor for lunch, casual drinking and dining throughout the evening.

Although the colour scheme in the guestrooms and suites may not be to everyone’s taste, it is very much so mine. Not so much because of the tones used, but more so because they have been intertwined together with purpose – and unapologetically so for that matter. Complete with bespoke curved sofas and the King’s rooms featuring outdoor terrace bathtubs, the idiosyncratic charm of the hotel is certainly not limited to the public areas.

Image credit: The Standard Hotels

Before it opened, the hotel’s street level, red exterior lift was the ultimate teaser campaign. Now fully open, it shoots guests up directly to the 10th-floor where Chef Peter Sanchez-Iglesias’ restaurant showcases his live-fire cooking and where guests and visitors alike can enjoy the building’s 360-degree views of the city below all-year round thanks to the retractable awning.

No longer do party-hard followers of the brand have to travel stateside to experience The Standard’s retro maximalism. First launched in the late 90s with its debut hotel in Hollywood, which for the record remains to this day a go-to destination on the Sunset Strip, the hotel’s urban cool influence is London’s answer to keeping the Camden’s hospitality scene fresh, authentic and designed with purpose.

It’s next stop? The Maldives, next month in fact, which will be an interesting page to turn in what is an unmistakably climatic chapter for the now international hotel brand.

Main image credit: The Standard Hotels

SPOTLIGHT ON: October’s features announced

730 565 Hamish Kilburn
SPOTLIGHT ON: October’s features announced

Hotel Designs has officially dropped its October editorial features, which are Lighting in Public Areas and Art…

For the second time this year, as a result of ever-evolving LED technology and consumer demands, Hotel Designs is putting lighting under the editorial spotlight, this time specifically looking at innovative lighting schemes outside the guestrooms and suites. Lighting in public areas and art will be the main focus of conversations on the website throughout October.

Lighting in public areas

Due to popular demand, we have decided to revisit lighting as one of our Spotlight On features of 2019. Throughout October, will highlight key lighting trends that are happening in the public areas.

Art

Extremely reclined interiors with personal interiorsWorking hand-in-hand with lighting in the public areas, we will position the spotlight to focus on art in international hotel design. This continues to be one of our most popular features of the year as we understand how art in the hotel arena is changing to create even more immersive spaces.

If you wish to find out more about Recommended Supplier packages, or know of a product that we should be talking about, please email Katy Phillips

Main image credit: antonovich-design

LIGHTING TREND WATCH: Chelsom’s elegant and contemporary orb

730 565 Hamish Kilburn
LIGHTING TREND WATCH: Chelsom’s elegant and contemporary orb

Orb from Chelsom is one of the signature ranges from the latest collection Edition 26, presenting a range of elegant contemporary fittings with timeless appeal that would be an impressive addition to a wide variety of interior schemes…

The Orb ceiling fittings feature matt opal hand blown glass globes teamed with Brushed Brass cups with a decorative laser cut Prince of Wales check pattern. Arms are in contrasting Satin Black fixed to central support rings.

Chandeliers are suspended from three fine strainer wires adjustable for height during installation and are available in a variety of sizes with a wall light alterative also available.

Chelsom is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

INDUSTRY INSIGHT: The changing colour of hotel bathrooms – going greener

730 565 Hamish Kilburn
INDUSTRY INSIGHT: The changing colour of hotel bathrooms – going greener

In the second part of our colour series (click here for part one), Recommended Supplier UKBathrooms explains how and why designers should opt for greener designs in bathrooms…

Bathrooms make up a huge proportion of a hotel’s water and energy usage, which on average is 84 to 173 gallons per room per day, far higher than the average daily household usage of 66 gallons per day.

This explains why they’ve become the focus for many hoteliers looking not only to save money, but also to minimise their impact on the environment.

However, any environmental worries have to be balanced with the needs of guests. The seamless blend of sustainability and luxury, with little compromise to guest experience is the aim for hotel owners and trends show that this will be the case in the years to come. And ‘green’ considerations go way beyond the bathroom space, with materials used in bathroom products, transportation, waste produced during manufacture and subsequent biodegradable components all being important.

UK Bathrooms, is the leading, independent supplier of designer bathroom products and as such is seeing a change in trends of sales to hoteliers in the UK and internationally. “We’re seeing a trend to natural materials, as well as reclaimed and recycled, such as timber from sustainable forests and stone,” said Graeme Borchard, director of UKBathrooms. “We’re a leading supplier of premium brands. As a company they are ‘a champion of the value of water’, pioneers in environmentally friendly, luxury, bathroom products. Their ongoing research, and development in technology and design, means that hansgrohe produces superb products which are beautifully designed, highly efficient and sustainable.”

A great example of this is EcoSmart. Hansgrohe showers and taps equipped with EcoSmart technology use up to 60 per cent less water than traditional products, not only using less water, but also needing less energy to heat the water.  The Hansgrohe Raindance EcoSmart overhead shower provides guests with a relaxing and therapeutic experience whilst being eco-friendly.

By implementing greener practices, and ensuring guests are aware of these, hotels can make being eco-friendly even more attractive. Hotel bathrooms have a certain ‘luxury’ which people then like to emulate in their own homes, the choices that hotels make end up being reflected in homes around the world.

UKBathrooms is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

INDUSTRY INSIGHT: The psychology between colour in interior design and wellbeing

730 565 Hamish Kilburn
INDUSTRY INSIGHT: The psychology between colour in interior design and wellbeing

Colour has the power to raise or lower our heartbeat, impact our sleep and influence our overall wellbeing. There’s a tremendous amount of research that’s gone into the psychology of colour and the impact it has on our health. Kicking off our colour series, brand strategist Emma Potter explores how conscious consumers are of their relationship with colour, especially when checking in to a hotel…

Depending on our upbringing, gender, values, geography, and other influencing factors – colour can have very different meanings. For example, orange is often considered friendly, confident and cheerful (think Amazon and Orange); red is excitement, youthful and bold (think Coca-Cola and Lego); blue is trustworthy, dependable and strong (think Unilever and PayPal).  Colour evokes feelings and emotion, and choosing the right colours can make the difference between success of failure of a brand, business, and hotel environment – the colours that adorn and decorate these spaces will evoke feeling that make us connect.

Colour with purpose

Colour has the power to silently influence how consumers think and behave in an environment. Interior designers and hoteliers put a huge amount of effort into the hues they choose to decorate a spaced, be that a lobby, restaurant, bedroom or lounge area, as they appreciate the effect colour has on their consumers emotions. In order to create an appropriate scene for a certain target audience, it’s worth understanding the science of colour psychology and the tremendous ability it has to change entire moods.

A welcoming hotel reception and lobby has the ability to make or break a first impression when a customer walks through the doors. All sorts of creative elements are utilised to deliver the ‘Wow’ factor – this may include impressive sweeping stair cases (Plaza 18), bold curvaceous sculptures, wood-burning fire places that house a Italian marble mantel, sculptural sofas and alternative seating to make customers feel welcome and relaxed, and bold artwork – in some instances they may even look like a gallery.

Exploring colours that are timeless and evoke healthy wellbeing

Some may argue that using neutral colours (beige, cream, grey) will appeal to a broader market. While white may be a natural choice for a Greek Mediterranean style hotel (Mykonos Riviera Hotel & Spa), some people may associate white with cleanliness, whilst others may associate it with hospitals. Either way, white will significantly brighten up a room and will help to reflect light and colour.

Green typically symbolises growth and harmony, which is extremely grounding and brings us back to nature – think rolling countryside surrounded by lush leafy trees or blossoming flowers and open spaces. It is often associated with evoking a feeling of peace, trust and tranquillity, and it helps to reduce feelings of anxiety, whilst stimulating love, balance and harmony in the body. The ideal choice for rural hotels, some would argue. But it can also be injected into urban hotels, such as Nhow London, to add flair, vibrancy and electricity.

Image credit: Project Orange/Nhow

Blue symbolises trust and tranquillity, is often considered a calming colour, and goes well with grey and white to create a Scandinavian style. It’s reminiscent of flowing rivers, the ocean and the sky. The blue blossom of forget-me-nots help to stimulate mental clarity and creative expression, so floral arrangements also need to be considered from a design perspective. Perhaps the ideal choice for hotels by the sea or near water.

Oranges and reds symbolise energy, fire and passion, they resemble a sunset which represents creativity and emotion wellbeing. Mixing these colours with black would create a dramatic, mysterious ambience, perhaps lending themselves to Moroccan or Arabian interiors. However, where natural light is not in abundance, it may best to keep black to a minimum.

From the outset, a designer must work with the hotelier to decide upon the right colour palette to suit not only the style of the hotel, but the environment, ambience and setting they’re aiming to create, and the type of guest they’re aiming to attract.

Colour and the design process

There is no doubt about it, hotels are becoming more personalised – the recent renovation inside W London Leicester Square is a perfect example of this. As the saying in creative development goes: “Structure has integrity”, but designers – and guests checking in for that matter – are multi-faceted people, with multiple interests, so why just present one version ourselves? The core of our personality – or brand DNA / identity – will remain, but we give ourselves the permission to personalise aspects to make every room and space special and stand out in its own right. Be that through an aspect of design, a feature that’s maximised, lighting to create a mood, music to evoke a rhythm, technology to take us into the next millennia, temperature control to make it feel like a fresh spring morning or a hot summers day, it all plays its part in the personalisation process. I liken it to a menu in a restaurant – everything on the menu will reflect the chef behind the brand, but the choice each customer makes creates a unique, individual, memorable experience. Ideally one that each guest wants to talk about. In addition, lighting will change the atmosphere of a room or space, and this continues to be an ever-evolving trend.

Image credit: W Hotels

Design trends through the decades

I’m sure, like many of us, we’re more influenced subconsciously by colour than we realise. Thankfully 2019 has represented a year where bright new colours have returned to the trending palette.

A new word for me this year is ‘Biophilia’ meaning ‘an innate and genetically determined affinity of human beings and the natural world’. To quote Angie Lee: “Biophilia is a design driver that engages the end user by connecting them to primal instincts about the relationship between humans and nature.” As the quest with technology continues to push the boundaries to supposedly make our lives better, more efficient, smarter and more connected – in reality what we crave as ‘human beings’ is connection, and being in nature, hearing the rhythm of waves, being able to touch natural surfaces like stone are wood, is what brings us to a state of consciousness where real life flows. No longer a place to pass through whilst checking in, I love the idea that the hotel lobby has become a place to connect and congregate. Moreover, now we often see artists being commissioned to create bespoke pieces for lobby areas, which ties the concept of ‘art and wallcoverings’ much closer together.

The return of bold colours in 2019

I appreciate that multiple shades and tones of grey have been in fashion for some time now and are timeless and therefore appropriate for the international hotel design scene, but consumers are beginning to become more drawn to bold, warm, vibrate colours such as pink and orange. So, it was heart-warming to see Pantone name ‘Living Coral’ as the colour of the year, described as follows ‘an animating and life-affirming coral hue with a golden undertone that energises and enlivens with a softer edge’. It certainly adds vibrancy and a natural injection of warmth that has perhaps been missing in recent years.

“Rooms should not be put together for show, but to nourish one’s own wellbeing.” – Albert Hadley

Global growth of the wellness industry

Spanning multiple sectors including personal care, beauty and anti-aging; wellness tourism; traditional and complimentary medicine; wellness real estate; and workplace wellness, global growth has sky rocketed in recent years, and at the end of 2018 the wellness economy was dubbed to be worth $4.2 trillion.

Moreover, the projected average annual growth rate for 2017-2022 has been noted at eight per cent for wellness real estate, 6.7 per cent for workplace wellness, and a staggering 6.4 per cent for spa facilities. Perhaps this is due to the human race living longer, poor health as we age, and the increased stress levels this induces? One thing is for sure, the wellness industry is a driving dynamic force that’s converging to create a more connected experience in all areas of our lives – personal, home, work, travel.

Whilst ‘Mindfulness’ may have grown in popularity in recent years, it seems 2019 is fast becoming the year of wellbeing and consciousness – in all areas and aspects of our lives. To quote Albert Hadley: “Rooms should not be put together for show, but to nourish one’s own wellbeing.” Interior design is deeper than simply decorating, colour schemes have the ability to cleverly transform and/or evoke emotions and designing with purpose as a whole will result in space that is more functional, more inviting and more appropriate to the guests checking in.

Main image credit: Hilton Doubletree

Chelsom creates bespoke lighting scheme for chic Miami hotel

730 565 Hamish Kilburn
Chelsom creates bespoke lighting scheme for chic Miami hotel

Chelsom worked with Martin Brudnizki Design Studio (MBDS) to create a bespoke lighting scheme for the guestrooms and public areas of one of Miami’s coolest hotels, Mr.C Coconut Grove

The overall design scheme of Mr. C Coconut Grove was completely individual in its entirety as to be expected from MBDS and the lighting pieces designed for the project were no exception.

A selection of Art Deco inspired fittings were created for the public areas including the reception and lobby and Bellini’s, the main restaurant and bar area. Channelling Miami chic at its finest, fittings for the restaurant include delicate glass wall lights with Brass detailing, decorative Art Deco table lamps with domed glass shades and Brass metalwork adorn the banquet seating teamed with classic Brass picture lights to frame the artwork. Toadstool shaped Art Deco lights with perforated Brass shades adorn the main bar area with a statement pendant above the bar making a dramatic visual impact. The custom designed fitting is an oversized shade style pendant in cream with Brass trim detail suspended from a Brass canopy. Oversized floor lamps adorn the lobby area with Brushed Brass and walnut table lamps with delicately concaved domed shades specified for the reception desk.

Key pieces for the guestrooms and suites includestatement bespoke ceiling pendants in Antique Brass with six opalglass globes branching from a central stem with larger double tiered versions specified for the suites. Bespoke floor lamps in Brushed Brass with a curved arm and decorative locking key joint are teamed with tapered cylindrical shades in cream linen supplemented by Art Decotable lampsand wall lights perfectly in-keeping with both the flawless interior scheme created by the team at MBDS and the historic building itself.

Chelsom is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: Mr C Coconut Grove/James McDonald

SPOTLIGHT ON: September’s features announced

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SPOTLIGHT ON: September’s features announced

Hotel Designs has officially dropped its September editorial features, which are Lobby Design and Furniture… 

Inspired largely by the upcoming London Design Festival (LDF), Hotel Designs’ September features will delve into two areas are arguably mostly influenced by the social changes and trends in hotel design. In addition to attending the capital’s celebration of design, the editorial team will also lead an exclusive roundtable, in collaboration with Arte Wallcoverings, to public areas and the hotel lobby firmly under the spotlight.

Lobby Design 

In addition to publishing a series of editorial around the changing face of the hotel lobby, Hotel Designs has collaborated with Arte Wallcoverings to host an exclusive editorial roundtable ahead of the company unveiling its latest collection at Focus 19. The session entitled: Adding personality in public areas will be attended by leading designers and architects from the likes of Richmond International, 1508 London, IHG, Scott Brownrigg, RPW Design and GA Design among others to be confirmed.

Image credit: Image credit: Virgile Simon Bertrand

Furniture

As well as covering the latest news from its relevant Recommended Suppliers, such as Curtis Furniture, Knightsbridge, Style Library, Roundwood of Mayfield and Morgan, Hotel Designs will also be on the ground at LDF ’19 in order to publish, live and direct, the latest furniture product launches on the international hotel design scene.

If you wish to find out more about Recommended Supplier packages, or know of a product that we should be talking about, please email Katy Phillips

Main image credit: Rosewood Bangkok

The BIID announces LDF ’19 movements

730 565 Hamish Kilburn
The BIID announces LDF ’19 movements

As part of London Design Festival (LDF) 2019, The British Institute of Interior Design (BIID), which is an industry partner for The Brit List 2019, will be participating in a range of exciting talks and events across the capital…

Taking place from September 14 – 22, London Design Festival (LDF) brings together trade professionals and design enthusiasts from all over the world. The BIID is supporting some of the key trade shows that are taking place, with BIID members taking part in thought-provoking and informative discussions throughout the week.

“It’s a pleasure to be involved in London Design Festival again this year,” comments BIID President Harriet Forde. We are so excited to see our members participating in discussions, workshops and events throughout the week. This allows us not only to support our talented BIID Members, but the wider community of industry professionals and creatives working in the city.”

Focus/19 at Design Centre, Chelsea Harbour

September 15 – 20, 2019

Design Centre, Chelsea Harbour is once again hosting Focus/19. The annual event has a packed programme of engaging talks, meet the designer sessions, discovery tours and workshops.

On Friday September 20 at 4pm, BIID Member Anna Burles of Run For The Hills will be hosting a design workshop titled, ‘Designers of the World Unite’at the Espresso Design showroom. Anna will be speaking on the importance of eco-sensibility within the design sector and encouraging fellow designers to do their bit for planet earth, offering a range of practical tips and insider insight into things big and small that we can all do to make a difference, whilst still delivering exciting, unexpected and original schemes for clients.

100% Design at Olympia London

September 18 – 21, 2019

Returning to Olympia for its 25thedition, 100% Design is renowned for showcasing emerging talent in the capital, featuring a number of new projects and collaborations that celebrate the best in design and innovation.

As part of 100% Design’s four-day seminar programme, Talks with 100% Design, BIID Past President Daniel Hopwood will be chairing a panel discussion titled, ‘20 ways to achieve #DesignGoals’. Taking place on Saturday September 21 from 12:00pm – 12:45pm in the auditorium, Daniel will be joined by BIID Registered Interior Designers; Anna Burles of Run For The Hills, Dee Gibson of Velvet Orangeand Mathew Freeman of Goddard Littlefair.

The lively discussion will see panellists share their tops tips to help you achieve your #designgoals. Panellists will draw on their own personal experiences to provide design insights and advice to inspire their audience.

designjunction at London’s Kings Cross

September 19 – 22, 2019

Designjunction presents the breakthrough brands having a direct impact on the future of design. Hosted in London’s Kings Cross, the four-day event includes an exciting talks programme and over 200 exhibitors.

On Friday September 20, BIID President Harriet Forde will be hosting a BIID Members’ breakfast at Blueprint Café from 9:00 – 11:00am. The breakfast will provide members with an informal tour of the event highlights and the opportunity to network with fellow designers.

Editor Checks In: Home comforts in hotel design

730 565 Hamish Kilburn
Editor Checks In: Home comforts in hotel design

In August 2019, editor Hamish Kilburn concludes that trends are overrated when a project close to his heart reaches its highly anticipated conclusion…

I can’t quite believe it has been almost one year since we first started following the award-winning designer Nicky Dobree on her journey to complete her debut hotel design project. Before now, her undisputed talent was recognised for designing the interiors of 007-esqe luxury mountain retreats (Kevin McCloud’s words, not mine unfortunately).

But this year, she has injected her effortless style to restore a 19thcentury building in Vejer, Spain, which is known as Plaza 18 – and Hotel Designs has been there every step of the way.

Now that the season has ramped up to reach its peak, there’s no better time to put down the measuring tape, take a step back and reward Dobree’s “labour of love” as we cut the ribbon. More than 1,300 miles from Andalucia, the team in the London office are gathered around my computer screen as they impatiently wait for the folder to download, of which contains the final images of the new boutique hotel. Until now, you see, we have had to settle for shakey behind-the-scenes, unquestionably raw, photographs taken on location, as well as renders and sketches, which merely tease the luxury home-from-home concept in the making.

You’d be wrong to assume it’s an easy task working on a project of this scale. What the hotel lacks in the number of guestrooms (six to be precise) it makes up for in personality. And if anyone could sensitively re-establish the heritage property in order to give it a new lease of life, it would be Dobree.

“All that is missing is a luxury design-led hotel,” I think to myself as I run past the colourful beach huts (place your bids).

‘Home comforts’ feels like an appropriate theme for this month’s column. Four years after capturing my first solo metropolis memory, which then drove me to chase my career in a number of cities in the UK, I’ve hit a crossroads and have decided to take the right-hand turn, which has result in me hurtling back towards my hometown of Whitstable in Kent. Nestled on the north-east tip of the Garden of England, where home comforts – think sea views that stretch over the horizon and unparalleled sunsets – are never in short supply, this feels like ‘home’ to me. “All that is missing is a luxury design-led hotel,” I think to myself as I run past the colourful beach huts (place your bids).

It seems I am not alone in chasing home comfort. Last year, a study published by Forbes showed that in the 10 cities with the largest Airbnb market share in the US, the entry of Airbnb resulted in 1.3 per cent fewer hotel nights booked and a 1.5 per cent loss in hotel revenue. But as damning as this statistic may seem, hotels are fighting back to offer more home-from-home comforts married together with one-off experiences to capture travellers’ attention.

Examples of this can be found all over the Hotel Designs website this month, from our Miniview of room2’s ‘hometel’ concept in Southampton to a new ‘private members’ bar’-styled hotel that will open in London next year – and not forgetting the exceptional Plaza 18. Perhaps subconsciously, my year-long project with Dobree has led me to positively seek comfort in timeless style as opposed to chasing the short-term thrills of seasonal trends.

Main image credit: ACT Studios

Hilton Munich City completes $50 million renovation

730 565 Hamish Kilburn
Hilton Munich City completes $50 million renovation

Hilton Munich City is placing the finishing touches on a $50 million hotel transformation project, which includes a full refurbishment of the hotel, including all public areas, guestrooms, fitness centre and F&B areas…

Hilton Munich City, which opened a new F&B area called Juliet Rose earlier this year, has now been completed a full $50 million renovation. “We are thrilled to present this amazing, refreshed hotel to all our guests and clients,” said Dagmar Muhle, the general manager of Hilton Munich City.

“This way we are able to continue to innovate in the way we deliver our signature hospitality and provide our guests with an enhanced experience here at Hilton Munich City. We are also very excited to have been recognized as ‘Germany’s Leading City Hotel 2019’ at the World Travel Awards Europe 2019, a great achievement and confirmation of the services our team delivers on a daily basis.”

Juliet Rose is made up of four different seating zones, each with different stand-out features, plus two bars. The main ‘ceremony bar’ is a stunning, monolithic U-shaped design that guests coming from the hotel entrance see as soon as they enter the space, at the far end of a central approach. A second, smaller-scale coffee bar is made of the same dramatic moss-green and highly-polished granite, with the choice of material referencing the earthiness of botanical ingredients. The granite for the main bar has been book-matched to ensure dramatic textural veining from the front. Above and behind the main bar, the gantry structure is made up of brass sections, with an industrial/lab feel, underscored by an apothecary-style bottle display. The barman prepares cocktails at its centre, making full use of dry ice, bell jars and a sense of reveal.

Image credit: Hilton Hotels

“The overall design approach for the space was based on form and order, with drama, freedom and an opposing sense of randomness created by the furniture and accessorising’, architect David Lee Hood, Associate at Goddard Littlefair, explained. ‘When it came to structure, we added a number of new elements to the space to give a feeling of overall order and symmetry, whilst also ensuring playful visibility between zones via glazed screens offering varying privacy levels.”

The hotel provides a complement of services and brand amenities, including 483 guestrooms, nine meeting rooms, MONA restaurant, Juliet Rose Bar and a fitness centre.

Main image credit: Hilton Hotels

Large and expansive public area that is designed to look very residential

MINIVIEW: Discreet luxury unveiled by Nicky Dobree in the heart of Vejer

730 565 Hamish Kilburn
MINIVIEW: Discreet luxury unveiled by Nicky Dobree in the heart of Vejer

To complete the Concept to Completion series with Nicky Dobree, Hotel Designs is given the keys to finally unlock the majestic heavy doors of pure luxury inside Plaza 18… 

Up until now, the designer Nicky Dobree has been synonymous with luxury Alpine chalet design and most recently very high end residential design. Most recently she has turned her attention to Plaza 18, her debut hotel design project in collaboration with Vejer’s Hotel La Casa del Califa.

Large and expansive public area that is designed to look very residential

Set in the former 19th C merchant’s house Nicky Dobree has taken inspiration from this elegant building and brought new life back into this Grand Dame by respecting its history, but also lifting its character to provide an enriched experience for the modern traveller. Working with local trades and craftsmen, the building, which dates back to 1896 and stands on the foundations of an ancient 13th C Arab house, has been entirely restored using authentic organic building materials where ever possible.

“Meticulous care and attention to detail has been maintained throughout the refurbishment of this important historic property.”

Exterior of the hotel

Image credit: Plaza 18/Philip Vile

Dobree was determined to restore and re-use as many of its existing features as possible. The original black and white floor tiles were therefore lifted and re-laid on newly levelled floors. The Montera (large glazed roof lantern over the entrance patio) was carefully dismantled and repaired to its former glory, which now floods the entrance foyer with light. The stone staircase and balustrade were also completely restored, as was all the metal work around the entrance gate. Many of the original shutters and windows were restored along with the front door. Meticulous care and attention to detail has been maintained throughout the refurbishment of this important historic property.

Extremely reclined interiors with personal interiors

Image credit: Plaza 18/Philip Vile

The designer felt that her role was to curate this elegant old building and to bring it a new lease of life, enhancing its beauty with style and a subtle creative twist.

Plaza 18 has been a true labour of love with the inevitable obstacles of planning, working abroad and within a listed building. The trials and tribulations of restoring an old building and the rules and regulations that needed to be adhered to, to convert it into a commercial venture, has meant that the project took two years to get through planning and a further two years to compete.

The hotel is now the secret second home that one has always dreamed of, warm and welcoming with a strong sense of place, an oasis within an oasis.

Whilst the details adhere to the classical principles of the house, there is comfort and elegance through every door. Every room has a story to tell and contains pieces that have been lovingly curated by Dobree from around the world. This is evident from the moment you enter with the oversized black and white mirror by a South African artist which makes a dramatic statement in the entrance.  Dobree designed the bespoke console to sit beneath the mirror that complements the monochromatic entrance scheme.

In the patio whilst your eye is drawn up to the montera and the wonderful central staircase you cannot miss the large scale butterfly painting sourced from an antiques fair.