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Furniture

USM introduces its first online shop to the UK

730 565 Hamish Kilburn
USM introduces its first online shop to the UK

For the first time, customers in the UK will be able to order furniture directly from the USM website…

A carefully curated selection of beautiful pieces from USM, such as credenzas and bedside tables, can now be ordered in the UK and delivered directly in just three weeks.

USM Haller celebrates its 55th birthday in 2020 a testament to the timeless qualities of this exceptional modular furniture system. The success of USM is due to its simple yet ingenious design. From a few basic components a beautiful and iconic piece of furniture is built, USM Haller has been designed to grow with its environment ever changing needs, no matter what room it has been designed for.

It is the Swiss precision in which the components are made that give the furniture the strength, versatility and clean lines that have made USM Haller a design classic. Launched on to the market in 1965 the USM Haller system has become a watchword for timeless design all over the world. In 1988 it was decided in Germany for the first time ever that the USM Haller furniture system is a work of applied art and should be protected by copyright. Its acceptance into the Design Collection of the Museum of Modern Art (MoMA) in New York (USA) at the end of 2001 was a high distinction and confirmed the artistic character of the product. The design classic is used in offices, hospitality and public buildings and increasingly in the style conscious home.

Image credit: USM

The USM online shop offering consists of 24 built pieces of furniture, ranging from a small bedside table to a two unit wide and three unit tall credenza. All products are available in the signature 14 colours which range from monochromes to pops of colours including golden yellow and a gentian blue. The collection also features three pieces of Haller E furniture, Haller E is the newest innovation for USM integrating light and energy directly into the structure of its furniture – completely wirelessly. Dimmable lighting elements can be discreetly retracted into the moving rods to serve a wide variety of purposes: they can light shelves and display cases from the inside or effectively cover a wall in light to set the scene – choosing from a daylight glow or a warm white ambience. Light is not the only integral aspect of USM Haller E – mobile devices can also be charged directly from the structure. Just like the light sources, USB chargers can be attached wherever needed – plugged into pre-defined recesses, they are fully integrated into the rods and barely visible.

Once purchased the furniture can be reconfigured if desired with additional panels and tubes purchased through the USM London showroom.

USM Modular Furniture is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here.

Main image credit: USM Modular Furniture

IN PICTURES: OKKO Hotels’ new design-led guestroom concept

730 565 Hamish Kilburn
IN PICTURES: OKKO Hotels’ new design-led guestroom concept

On July of 2019, in the heart of Paris, along the platform No. 2 at Gare de l’Est, OKKO Hotels unveiled its second generation guestroom concept, designed by Studio Catoir, which chose two models from the Ligne Roset Contract collection as testimonies of a strongly claimed design ambition…

The concept of OKKO Hotels’ second generation guestroom is adapted to the use for a single person, as well as the use for a couple. Concretely, this means separated toilets, more storage space and redesigned ergonomics. The sleeping area has also been re-thought. Many changes had been made in line with sustainable development: choice of materials, implementation of sorting and recycling, use of water fountains. The wish to use natural materials, sometimes raw materials, has been kept. The idea of integrating the codes of interior design into hotel language also remains, by the choice of iconic pieces that are no longer used to being discovered in a nice apartment or a hotel. The choice of the Andrey lamp, design by the Studio Catoir and edited by Ligne Roset, with it design all in finesse and elegance is a great example.

Like most of the international luxury brands, the history of Ligne Roset is rooted in the French craft heritage. In 160 years, the brand has become the symbol of an elegance if life, the imprint of a luxury signed by the greatest contemporary design talents around the world. Ligne Roset, the leading creator-manufacturer-distributor of contemporary French furniture showcases nowdays a whole art of living through its full collection of seats, cabinet, decorative items, lightings, rugs, fabrics and know how to decline, adapt and blend in the bespoke décor imagined by architects and interior designers. It is the expertise of Ligne Roset Contract which is expressed today in the drawings of the Studio Catoir for Okko Hotels. For Okko Hotels, collaborating with a French brands which has an expertise that brilliantly combines craftsmanship and technicality is a strong guarantee of quality.

You will find in the bedrooms the Audrey light, the Rocher chair and Nubo desk.

The hats of the actress Audrey Hepburn inspired Studio Catoir for this lamp which combines great sophistication and resolutely design. A true piece of design, which brings a touch of refinement to the sleeping area of the hotel bedroom.

Image credit: Ligne Roset/OKKO Hotels

Iconic piece by the Berlin duo Hertel & Klarhoefer, manufactured by Ligne Roset, the chair Rocher adopts a fractal design, characterised by a faceted construction. The surface of the shell (seat / back and armrests) seems cut like a diamond. On four white lacquered legs, it brings a feeling of lightness as well as comfort and elegantly complements the office space.

With Nubo, designed by GamFratesi, aesthetic astonishment is provided by the unexpected meeting of the ‘déjà vu’ and a surprising new element: the simple spacesaving wall shelf metamorphoses into a treasure box, evocative of a suitcase such as the Air France blue fabric travelling case of the 1960s. Its rounded cloud shape and luminous yet warm association of natural oak and sky blue wool fabric also fall into the same vintage Scandinavian register.

Ligne Roset is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here.

Main image credit: Ligne Roset/OKKO Hotels

INDUSTRY INSIGHT: How to embrace the artisan revival

730 565 Hamish Kilburn
INDUSTRY INSIGHT: How to embrace the artisan revival

With the modern consumer more aware than ever before when it comes to sustainability, and clients willing to broaden their imagination when it comes to signing off new materials and products that can stand the test of time, the era of artisan is having a moment. Felicity Randolph from Cheeky Chairs explains why the demand for artisan is more than a trend…  

One of the leading interior ‘trends’ of 2020 has been a return of traditional textiles and techniques. As the world increasingly turns to a more sustainable way of living, the culture of throwaway items has begun to fade and, in its place, there’s a growing emphasis on artisanal furnishings that will last. Consumers now want products that will stand the test of time, seeking furniture and furnishings that are made from natural materials and built using traditional methods. Within the hotel industry, this celebration of craftsmanship evokes a more unique style and allows brands to tell a personalised story through interior design.

The artisanal renaissance takes inspiration from history, embracing the natural methods and materials of the past. Hotels can achieve this look in a number of ways, from opting for authentic ornaments, ceramics and wall hangings to seeking out natural upholstery fabrics and working with companies that champion bespoke designs. Handcrafted décor items play a large role in achieving this look, creating a unique style that is warm, inviting and filled with personality.

“The bland and soulless designs from mass-produced pieces are increasingly being replaced with innovative products from creative designers.” – Felicity Randolph, Cheeky Chairs.

Choose tactile furniture 

Furniture can make or break the overall look of a room, so it should be the first port of call in celebrating artisanal makers. The bland and soulless designs from mass-produced pieces are increasingly being replaced with innovative products from creative designers. As a result, the idiosyncrasies and nuances of craftsmanship has a new appeal for the public who are embracing the original and personal nature of artisanal pieces. The artisanal trend also lends itself well to tactile furniture, such as through textured fabrics, warm natural woods and soft furnishings that invite visitors to explore.

Three wooden chairs next to green plants

Image credit: Cheeky Chairs

For example, Cheeky Chairs create hand-crafted framed chairs with traditionally upholstered seats that make use of natural materials such as coir, hessian and wool. Each of the designs produced by Cheeky Chairs is made using tried and tested methods to create a product that is built to stand the test of time. These include using traditional joinery techniques. Compared to modern joinery which relies on the use of bindings, adhesives and fasteners, traditional joinery depends only on wooden elements for a strong and sturdy result. The use of natural materials helps to bring a more organic and calming atmosphere to any space – something that is of particular importance in hotels where you want your guests to feel relaxed and at home from the moment they arrive.

Historic details

Details can add unique touches to a space that are subtle yet effective. For example, architectural joinery such as well-considered skirting boards, door panel moulds or creative architraves. These details can improve the feel of a room immensely and provide a pop of individual style as well as a nod to the past. There’s also an opportunity to evoke certain eras with such detailing – for example, bobbin chairs are an example of traditional renaissance style that evokes the look and feel of this time period while also working well with modern furnishings. Using classic joinery techniques, such as those adopted by Cheeky Chairs, helps to create these more traditional finishes. For example, steam bending and hand-carved spindles such as those features on the Darwin or Elkin models, or the elegance of the smooth wooden style of the Marco chair, bring luxury to any space. The use of texture through smooth wooden spindles and backs, as well as different colour and types of wood grain, can create a warm and rustic look that pairs beautifully with cosy wools and natural materials for a welcoming ambiance.

Image caption: The Marco Armchair upholstered in Morrison’s Andean Vertical Stripe alongside Sanderson’s Linnean Indigo | Image credit: Cheeky Chairs

Image caption: The Marco Armchair upholstered in Morrison’s Andean Vertical Stripe alongside Sanderson’s Linnean Indigo | Image credit: Cheeky Chairs

Design for guests

When interior designing, it’s important to remember that you’re designing for people, so emotions play a big role. Looking to artisans and traditional crafts is a great way of achieving an emotional response in a way that can’t be attained through off-the-shelf items. The tactility of good-quality, handmade items, whether that’s a carved frame chair, ceramics or a sumptuous artisanal blanket will remind you of luxurious spaces. Much like having a bespoke item of clothing elevates an outfit, using customised pieces in interior design creates a unique environment that can’t be found elsewhere. Artisan features with a hand-crafted look and feel are great for personalising a space and helping shift the eye around the room to create a comfortable yet interesting feel.

Image caption: Darwin Pavillion Set | Image credit: Cheeky Chairs

The desire for unique, traditionally-crafted furniture and classic textiles has led to an artisanal revival, both in residential properties and in businesses around the world. The hotel sector, in particular, as adopted this trend as a way of adding character and personality, using natural materials and traditional methods to create inviting spaces that are individual, creative and deliver a sensory experience. Thanks to innovative designers, handcrafted items are enjoying a second wave and the hotel industry is perfectly positioned to embrace this wonderfully creative trend.

Cheeky Chairs is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this three-month editorial package, please email Katy Phillips by clicking here.

Main image credit: Cheeky Chairs

 

PRODUCT WATCH: Sileather – a technical revolution in sustainable faux leather

730 565 Hamish Kilburn
PRODUCT WATCH: Sileather – a technical revolution in sustainable faux leather

Robert Walton, Managing Director of The Lindhurst Group, explains a break through technology in faux leather. Sileather is a sustainable, durable solution in the post-pandemic hospitality arena…

The Lindhurst Group has more than 50 years’ experience in identifying and finding solutions for issues experienced by operators in the hospitality sector with furniture and soft furnishings.

This has led to the discovery of break-through technology in faux leather. Whilst total lockdown due to Covid–19 put a halt to real life presentations, designers, specifiers and operators who have been working from home have taken the time to look at, and understand, these new technologies. Cue the discovery of Sileather.

“Sileather breaks all the conventions in that it is constructed of 100 per cent Silicone carried on recycled polyester backing without the use of any added chemicals.”

The challenges being presented by global warming have brought about the necessity for all businesses to review their activities and consider products being used within their supply chain. When it comes to the credentials for faux leather, Sileather breaks all the conventions in that it is constructed of 100 per cent Silicone carried on recycled polyester backing without the use of any added chemicals. Silicone is a recyclable product, and even the backing cloths are made of recyclable materials.

Image credit: Gantley Hall/The Lindhurst Group

​The process for recycling silicone fabrics can be attained by separating the silicone from the cloth and recycling the two parts individually – silicone can even be reused in electronics!

​Silicone is a unique material because of its sustainable qualities – it is one of the most common elements found in nature. Not only is the material less intrusive on the environment, but the production of the silicone is less taxing on natural resources. It takes less water, raw material, and electricity to produce compared to PU and PVC.

Image credit: The Lindhurst Group

​​Sileather has been developed to create a fabric that is not only beautiful, stylish and with high performance but is also sustainable and eco-friendly. The innovative and cutting-edge techniques for designing the silicone leather fabrics to perform to high standards has allowed the use of environmentally friendly methods.

From its beginning as simple quartz sand that is found everywhere in the world, silicone is a product that has its origins from nature itself. Once it is processed, it becomes a more familiar material that is seen everywhere: baking mats, oven gloves, baby bottle nipples, and now, silicone leather. Silicone products save nine times the quantity of greenhouse gases used in production and disposal by enabling energy saving technologies and a more efficient use of energy and materials

Whilst ticking all the boxes environmentally it is important that the material works from a practical viewpoint when presented through the supply chain to include interior designers, specifiers, furniture manufacturers, operators and , importantly, the final user. The key performance characteristics listed below serve to underline the benefits of this material across the chain:

  • inherently fire retardant to Crib 5 and IMO part 8 – no additional treatments required
  • naturally stain resistant to biro, denim bleed, coffee, red wine, ketchup, suntan lotion, mascara etc. wtc
  • weather resistant – remaining cool in the sun but able to withstand temperatures down as low as -40°C without losing felxibility
  • salt water resistant – for use on Cruise Ships and by the sea
  • chlorine resistant – for use around swimming pools
  • alcohol resistant
  • non toxic – safe to use on children’s furniture
  • highly durable – resistant to scuffing from buckles and belts
  • easy clean – biro can be wiped off with just a damp cloth

Pre-coronovirus these attributes had obvious advantages for all areas of the market but now the parameters are being challenged further to ensure that premises are doing all they can to regain the confidence of the customer by practicing strict cleaning regimes using strong disinfectants that will kill the virus.

In addition to these disinfectants, which can include concentrations of ethanol up to 95 per cent and bleach solutions using up to 10,000ppm of available chlorine, there will be copious hand sanitising stations using alcohol gels. Consideration needs be given to the durability of the fabrics selected and their ability to withstand such stringent regimes. Being constructed of a very stable material, Sileather is designed to withstand these regimes and maintain it’s appearance and structure for a long time.

Prior to Coronovirus, Sileather was gaining a reputation as the “magic” material to withstand staining from biro and denim bleed whilst also being sustainable and eco-fiendly. In a Coronavirus world Sileather retains these benefits buts adds it’s durability to withstand extreme cleaning practices.

The Lindhurst Group is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this  three-month editorial package, please email Katy Phillips by clicking here.

Main image credit: The Lindhurst Group

CASE STUDY: Sourcing outdoor furniture for the award-nominated Weston

730 565 Hamish Kilburn
CASE STUDY: Sourcing outdoor furniture for the award-nominated Weston

Opened to the public in March 2019, The Weston is a new visitor centre for the Eastern entrance of Yorkshire Sculpture Park. When designing it, Feilden Fowles specified timeless outdoor furniture from Nest Contracts

Nest Contracts, which is commonly referred to as a design destination, worked closely with the project architects to source and provide the outdoor furniture for this Stirling Prize nominated project.

Nestled within the site of an old quarry, the Weston is a new £3.6million visitor centre for the YSP. Designed by award-winning architects, Feilden Fowles, the project consists of a restaurant, gallery space, public foyer and shop. This beautiful, light-filled building aims to upgrade the visitor experience at the YSP and increase the capacity at this ever-popular open-air gallery site. In recognition of its exceptional design, this building was shortlisted for the 2019 RIBA Stirling Prize.

Celebrating more than 40 years of art without walls, Yorkshire Sculpture Park is the leading international centre for modern and contemporary sculpture. An independent charitable trust, YSP is situated in the 500 acre, 18th-century Bretton Hall estate near Wakefield in West Yorkshire. Open all year round, the YSP hosts a variety of permanent and temporary exhibitions from international artists that have included Ai Weiwei, Barbara Hepworth and Joan Miró.

“Nest Contracts was delighted to source furniture for the Weston. The simple graphic lines and excellent durability of the Hay Palissade collection made it the perfect choice to complement this exceptional piece of public architecture.” – Nest Contracts

Sourcing the perfect furniture

Designed to have a minimum impact on the site, the use of pigmented concrete on the exterior of the Weston mirrors the native sandstone in the area, making the building very much a part of its surroundings. Natural materials have been used within the interiors, creating a minimal, Scandinavian inspired restaurant.

Emerging from the slope of the historical landscape, The Weston’s low profile protects it from the nearby M1 motorway and provides a sheltered, sunken terrace from which to take in the stunning views over the park. Nest Contracts provided a selection of outdoor furniture from the Hay Palissade collection to furnish this terrace.

Enabling extra outdoor seating for the Weston’s restaurant and also acting as an informal resting place for dog walkers and visitors to the open-air gallery – the terrace needed to be furnished with outdoor pieces which matched the minimal, Scandinavian aesthetic of the project and that were also extremely durable. With a lightweight, powder-coated steel construction, the Hay Palissade collection is strong without being bulky and elegant without being fragile – the perfect choice for this project.

Nest.co.uk is not just an eCommerce site anymore – now delivering a very competitive contract offering thanks to long-standing relationships with established suppliers. Account managers will look after you from start to finish, with a care service that is second to none. From the initial specification to pricing and budgeting, all the way through to delivery and after service consultations, the team are on hand to ensure that everything runs smoothly.

Nest Contracts is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this  three-month editorial package, please email Katy Phillips by clicking here.

Main image caption: YSP’s Weston visitor centre | image credit: Max Hawley

PRODUCT WATCH: Timeless outdoor furniture from Carl Hansen & Son

730 565 Hamish Kilburn
PRODUCT WATCH: Timeless outdoor furniture from Carl Hansen & Son

Hotel Designs continues to put ‘Outdoor Style’ through the editorial lens by inviting the experts at Nest to get comfortable on Carl Hansen & Son’s range of outdoor furniture…

Nest believes in forever furniture, celebrating designs that you buy once and that will serve you forever. Today, the design destination for premium furniture and lighting puts the spotlight on Carl Hansen & Son’s range of outdoor furniture to discover what makes the brand’s products so timeless.

Surrounding yourself with nature is one of the fastest ways to improve your health and happiness, something that we could all benefit from at the moment. As seen by the desire for parks, gardens and green spaces during lockdowns across the world – outdoor spaces will be key in the opening up of the hospitality industry.

With social distancing looking to be with us for the long term, the hospitality industry as we know it will most certainly change, perhaps even permanently. There will be an obvious reluctance to spend too much time close to others indoors once we emerge from lockdown. But by changing our focus on outdoor spaces, is there a way we can tempt customer back to hotels, restaurants and bars once it is safe to do so?

Gardens, patios and terraces will have a big part to play in allowing us slightly more freedom to socialise, whilst keeping a safe distance from each other. As we move our lives outside, we at Nest believe that the same care and attention given to indoor furniture designs should be translated to outdoor furniture too. By putting a focus on high quality, durable and comfortable pieces, we can curate outdoor living environments that are just as tempting as their indoor counterparts.

Today, we put the spotlight on Carl Hansen & Son’s collection of outdoor furniture. Standing out against the competition for their high-quality craftsmanship, long-lasting materials and timeless style, these pieces represent some of the best outdoor furniture on the market. Comprising of three distinct ranges by notable designers, this collection expertly balances form and function in a range of dining tables, chairs, benches, stools, lounge chairs and deck chairs.

Carl Hansen & Son

When you invest in a product from Carl Hansen & Son, you not only gain a beautiful piece of furniture but become part of a proud tradition of distinctive and beautiful craftsmanship. Providing high quality Danish design to the world since 1908, Carl Hansen’s collection includes pieces from some of the biggest names in design history, including Hans J. Wegner, Arne Jacobsen and Børge Morgenson.

Outdoor furniture by Børge Morgenson

Image caption: Carl Hansen Borge Morgenson | Image credit: Nest

Image caption: Carl Hansen Borge Morgenson | Image credit: Carl Hanson & Son

This range of designs was originally developed by Danish furniture designer Børge Morgenson in the 1960s and 70s, in his search for a range of comfortable yet space saving outdoor furniture. A collection of long-lasting designs with humans at their heart, Børge Morgenson’s functionalist approach is clearly seen in Carl Hansen & Son’s BM range.

With elegantly simple designs, based on wooden slats – dining tables, dining chairs and deck chairs, are defined by their sturdy yet lightweight frames. Versatile and practical, each piece has also been designed to fold away, make them easy to move around and store when not in use. Constructed from untreated, FSC-certified teak – the wood will beautifully patinate over time, gaining an elegant silvery hue. Cushions are available to add an additional level of comfort where needed.

Outdoor furniture by Bodil Kjær

A lesson in expert craftsmanship, Bodil Kjær’s architecturally inspired Indoor-Outdoor series is defined by its simple, cubic forms. An understated Danish design, the sleek and streamlined shapes of this collection adapt seamlessly to their surroundings, as pleasing to look at as they are to sink into.

The linear form of this reassuringly robust design is constructed from durable, dark stained teak – a material which has been designed to withstand all environments and patinate beautifully with age. Slanted backrests and seats ensure maximum comfort whilst optional cushions offer additional support where needed. Upholstered in a water-resistant Sunbrella fabric, this range is perfectly suited for comfort both indoors and out.

The Cuba Chair by Morten Gøttler

Image caption: Carl Hansen Morten Gottler | Image credit: Carl Hanson & Son

An outdoor version of an indoor classic, Morten Gøttler’s outdoor Cuba Chair swaps the traditional webbing for a synthetic flat rope, woven to create the instantly recognisable form of this chair. Introducing untreated, solid teak into the frame creates a durable and weatherproof chair which like the other Carl Hansen & Son designs, will patinate beautifully over time.

With a simple folding mechanism, this design is easily stored when not in use and effortlessly portable, ideal for utilising on balconies, terraces and transitional areas.

Nest is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this  three-month editorial package, please email Katy Phillips by clicking here.

Main image caption: Carl Hansen Bodil Kjær | Main image credit: Carl Hanson & Son

PRODUCT WATCH: Tape Cord Outdoor range by Minotti

730 565 Hamish Kilburn
PRODUCT WATCH: Tape Cord Outdoor range by Minotti

As Hotel Designs starts to place outdoor style under the editorial magnifying glass this month, editor Hamish Kilburn gets comfortable as he checks out Minotti’s Tape Cord Outdoor range of furniture, a fine example of outdoor, robust furniture meeting indoor style… 

If you are familiar with the Italian furniture brand Minotti’s timeline of product launches, you will know all about Tape, a collection of seats that were designed in collaboration with Studio Nendo, and first launched in 2018, that bring together couture detail and soft curves.

As with everything on the international design scene, meaningful furniture collections evolve – and the same can be said for the Tape collection, which in 2019 incorporated items for the outdoor environment that maintain the undeniable elegance of the forms and concepts of the design, and add a few welcome variants that embrace the concept of outdoor living.

The seats became deeper, larger and more relaxing, while the metal frame, in a new outdoor finish, was covered with the wicker-effect cords, which is available in two colours: mud and licorice.

Here, the couture detail of Tape – the piece of ribbon that holds the feet on to the body – takes the form of a light bronze-coloured metal plate. This finish is the minimal common denominator and leitmotiv of the entire 2019 Outdoor Collection.

Image credit: Minotti

The family offers many elements, ideal for creating relaxation areas also in small outdoor spaces or on urban rooftop terraces: from the armchair to the sofa, from the Paolina chaise longue to the original open couch – open at the back – from the chair to the coffee tables.

The concept of the small tables in metal with light bronze finish is inspired by the distinctive Tape detail itself, which aesthetically secures the legs to the crown, inside which the top in Silver Beola or Corian EC is inserted.

Image credit: Minotti

Minotti London, which is exclusive style partner at MEET UP London, is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: Minotti

INDUSTRY INSIGHT: The art of designing safari tents

730 565 Hamish Kilburn
INDUSTRY INSIGHT: The art of designing safari tents

For more than 16 years, and with international celebrities, boutique resorts and government departments as its customers and friends, Exclusive Tents International has become one of the leading global suppliers of safari style camps and accommodation in every shape and size. Writer Donnie Rust, the founder of Lost Executive, explores the family business…

This wonderful family business, Exclusive Tents International has reached this level by the simplest approach of style, quality and authenticity and as founder Paul Zway reveals, there is very little stopping them.

Image credit: Exclusive Tents international

That one inspiring idea

“The creative process begins with getting one solid idea and building on that,” Zway explains. “Everything else is just decoration and details until you have that one brilliant and inspiring idea that makes you want to start to build something. That is where everything begins.”

This period of the project, where ideas are harnessed, is Zway’s favourite part, and has become a fundamental part of his business around which all that Exclusive Tents offer revolves. The man is, by nature, an incredibly forthcoming and friendly person who takes the time to know his clients, his staff and suppliers on a first name basis. He is a man who loves the details of things and thrives on the challenge that an ever increasing and developing hospitality world throw at him and his company.

“Whether a project needs a tent to be constructed entirely from scratch, or if a tent style we already have meets the physical requirements, each and every project is unique because a client’s dream is unique. And dreams always come with challenges,” he adds. “Some of these challenges can be spotted and solved ahead of time. This is where experience is crucial because it allows us to spot challenges before they become problems for clients. It also makes you very able to handle issues when they pop up unexpectedly.”

Image credit: Exclusive Tents International

Living the life

Clients of Exclusive Tents International have described the company with words such as “industry leader” and “pioneer” and they have the results to back up such praise. They’ve been involved in designing and setting up tent structures for as varied a client base as glamping sites, safari lodges, five star award winning hotels and environmentally fastidious eco-lodges.  It could be argued that their “never say never” approach to challenges has helped such industries as glamping and safari to reach their lofty standards on “out-of-the-ordinary-accommodation”. An entire industry has sprouted around the idea that safe, eco-conscious and versatile accommodation can exist anywhere on the planet and one man’s inability to turn down a challenge is partly to blame.

This may seem hyperbolic, but Zway spends a great deal of time flying across the world and speaking to CEOs, hospitality moguls and millionaires who have an idea that seems impossible but they want it made into reality.

“You can never mislead a client or tell them something can be done just to make them happy,” he says, “Truth and transparency is something my whole company values. However, you have to believe that there is a way to get to the end result. It may take a bit longer than a client would like or it may be more expensive, but there is always a way.”

Zway has spent most of his adult life in or around tents. As a professional game ranger specialising in anti-poaching, a career he devoted seventeen years of his life to, he spent many nights sleeping in tents. Some would say that the founding of Exclusive Tents International was almost inevitable. His son, Zane, is also a vital part of the business which revolves around thinking differently and always looking at things from a different perspective.

“This is why we can offer revolutionary designs and superior products,” Zway explains, “We all travel extensively and I live in one of my own tents! So, call it an insider’s perspective, but while a client may be thinking of their vision we’re thinking about the material needed to survive the weather conditions, or what sort of wear and tear can be expected. How will all the details affect the final result and how well it will age?”

It’s no surprise that the company offers over sixty designs and customisable options which is one of the largest selections in the market today. Always fabricated with the finest materials, erected with the best expertise and then backed up with the best after-sales service. Something that he is proud of is that their products are not produced on a soulless conveyer belt and that he has been able to craft a business where quality and that personal touch counts for so much.

“We’ve never had a problem with aftersales service,” Zway remarks, “We treat our clients like family and every client feels that they’ve got the full strength of Exclusive Tents International behind them. Every one of our engineers, interior designers, architects, set up specialists and consultants are there for them to see their vision through.”

Image credit: Exclusive Tents International

Bringing people and nature together

“There is a romance that comes with sleeping in a luxury tent that you will not find anywhere else,” Zway says, “It can bring you right up against nature without actually dropping you in it.”

The ultimate ‘have your cake and eat it’ scenario, Paul is passionate about helping people connect with nature and to better understand their parts of the world. He reveals that a big part of his business has always been to find ways of marrying living spaces with nature and the environment. He believes that this is a fundamental human need that we naturally seek out whenever we can and that industries like glamping were destined to grow. Glamping offers peace, space, tranquility and the chance to connect with nature without being engulfed in a crowd.

Thanks to this he believes that these boutique and creativity-driven sectors like glamping and eco-camping, are in a great position to see a resurgence of popularity post Lockdown that will outclass other groups in hospitality.

“Travel is going to be centred around escaping cities and apartment buildings for a while with people wanting to get back into nature,” he says, “Glamping offers a great chance for this to happen as well as offering the freedom of space.”

Additionally, thanks to many glamping sites promoting privacy and solitude as part of their offering, Paul points out that social distancing will be able to be affected without seeming to be enforced.

“People will be able to enjoy open space, reconnect with nature and spend some precious time looking up at that massive sky and just breathe in the fresh air,” he says.

Image credit: Exclusive Tents International

New designs

Innovation as a tool to meet a client’s current needs and to predict and prepare for their future ones is important. Zway is a big advocate for natural product evolution and change based upon the research and responses from clients. He is also a big believer in making hay while the sun shines. During Lockdown they made time to innovate and craft a new family tent design that has a new look and feel. The tent, named Mabarule after one of the legendary wild African elephants will be available by the end of May and it’s going to be a gamechanger.

In the same regard as this period has all been about keeping the family safe Marabule is a continuation of that. Paul explains that they have the most robust roof frames on the market to handle snow and wind loads and the best performing acoustic and thermal insulation available. Master planning and expert interior design is available for the inside living space which also comes with a number of containerised solutions including hybrid power, kitchens, sanitation, water purification and desalination.

“Marabule really is a masterpiece, and a credit to the incredible resilience and flexibility of the Exclusive Tents team,” Zway says, “There is an endless list of innovation that has gone into this new design which has made it easier to erect yet more secure. The metal components are even more rust resistant yet still being aesthetically pleasing. The material is completely flame retardant and, using unique sandwiching techniques is extra insulated to keep out the elements and keep the comfort in. It is a marvellous accomplishment by a team I am very proud to be involved with.”

Exclusive Tents International is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this three-month editorial package, please email Katy Phillips by clicking here.

Main image credit: Exclusive Tents International

CASE STUDY: Furnishing Sofitel Mexico City Reforma

730 565 Hamish Kilburn
CASE STUDY: Furnishing Sofitel Mexico City Reforma

Interior architecture firm Wilson Associates and designer Isabelle Maffre specified Ligne Roset furniture when designing the modern Sofitelo Mexico City Reforma

Located on Paseo de la Reforma, one of the most emblematic avenues in the world, Sofitel Mexico City Reforma is the first Sofitel-branded hotel to open its doors in Mexico City.

Offering a blend of French art of living with the vibrant essence of Mexico, this sophisticated and elegant address is ideal for travellers looking for adventure, and so the design of the hotel – and all its elements inside – had to reflect this.

The sumptuous property has 275 guestrooms –219 superior rooms as well as 56 suites – two elegant dining experiences and three bars, a Sofitel Spa with L’Occitane, state-of-the-art fitness centre and indoor pool, and more than 7,000 square feet of meetings and events space – all with a breathtaking view of the city.

Guests are welcomed by sweeping views of the Mexico City skyline on the lobby level on the 14th floor, where they can proceed to the next floor via an impressive sculptural staircase. Notably the tallest hotel in the Paseo de la Reforma corridor, guests will enjoy unrivalled city views from every corner of the property. 

Guestrooms are modern and spacious, dressed in serene and cool hues with playful touches of pink and blue, and complemented by contrasting materials, including textured walls, wood paneling and marble finishes.

Ligne Roset Contract delivered the following iconic products to the hotel:

Ligne Roset is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this three-month editorial package, please email Katy Phillips by clicking here.

Main image credit: Ligne Roset/Sofitel

MINIVIEW: Equinox Hotel, New York – the world’s ‘fittest’ hotel

730 565 Hamish Kilburn
MINIVIEW: Equinox Hotel, New York – the world’s ‘fittest’ hotel

The luxury fitness and wellbeing brand Equinox opened its debut hotel to sit proudly in the epicentre of New York City’s Hudson Yards, an iconic architectural marvel that reflects a new style of neighbourhood. Editor Hamish Kilburn explores… 

Until recently, the Equinox brand was limited to the cluster of exceptional fitness and wellbeing clubs in major cities dotted around the world.

However, in June of 2019, the affluent brand hit a major milestone by opening its first ever hotel –not a surprising move considering the link between wellbeing, fitness and hospitality that has strengthened over the years.

The hotel is sheltered within a 14-storey limestone and glass skyscraper designed by architecture firm SOM, and is situated in the heart of Hudson Yards, a major up-and-coming neighbourhood along Manhatten’s westside that is arguably most known for Thomas Heatherwick’s The Vessel, an elaborate honeycomb-like structure that rises 16 stories. Adjacent to the giant public space, Equinox’s new hub has settled in and is setting standards.

Designed by David Rockwell and Joyce Wang to evoke comfort, creativity and focus, the ‘world’s fittest hotel’, as Hotel Designs labelled it ahead of its opening, is an ideal hub to meet, eat, sleep and connect. Extraordinary environments, such as a co-working community space, and thoughtfully chosen elements come together in order to reimagine how people move, eat, sleep, work, and live.

Sunset pool

Image credit: Equinox Hotels

From the moment guests arrive at the 212-key hotel, and throughout their stay, they are immersed in a world that the brand describes as “infinite possibilities”.

When it come to specifying the luxury elements inside, selecting products and materials that fit perfectly with the Equinox aesthetic was paramount. In addition to Zaha Hadid Design sofas in the public areas, all guestrooms feature the brand’s proprietary sleep system that ensures the best quality sleep. Complete with total soundproofing, a total-blackout window system, the areas also include CocoMat all natural fibre mattresses and Scandinavian-style duvets that allow temperature regulation. In true Equinox fashion, each guestroom and suite comes with a foam roller, yoga mat, blocks and straps, whilst the mini bar contains a juice press and magnesium-based sleep supplements.

Image credit: Equinox Hotels

Elsewhere, in the presidential suites, British brand Lusso Stone was chosen by the nominated interior designer to supply its Vetrina stone bath. With an ergonomic design, smooth contours and matte black finish, the timeless piece complements the hotel’s vision of performance and regeneration. “The Equinox project is something we are incredibly proud to be a part of as it allows us to showcase our designs in a truly unique setting in the beautiful and exclusive project in New York,” said Mike Manders from Lusso Stone. “We’re constantly evolving as a company and we make sure that we know exactly what we want to develop next. Whether it’s a new design, expansion or the latest bathroom collection, we want to be leading the charge in design and innovation.”

Image credit: Equinox Hotels

Fresh, seasonal flavours, market-driven menus and dynamic social spaces work in harmony to create modern and clean F&B areas. On the menu, as well as in the architectural design aesthetic, discipline and decadence merge.

The modern and contemporary bar area

Image credit: Equinox Hotels

Upstairs, the iconic rooftop bar operates in an open-air casual setting, and all activity happens around the dramatic Jaume Plensa sculpture, a startling monolith on the terrace’s infinity-edge water feature.

Large structure that sits on rooftop at the edge of an infinity water feature

Image credit: Equinox Hotels

The hotel’s immersive 27,000 square foot spa area, which was the brainchild of Joyce Wang Studio and spa design and consultancy firm TLEE, maximises the most valuable commodity, time. The luxury wellness facilities include tailored treatments, an indoor salt water pool, hot and cold plunge pools, and our E.scape Pods — private relaxation areas that capture unparalleled views of the Hudson River.

Light and bright pool area in the spa

Image credit: Equinox Hotels

The overall design of the brand’s debut hotel transcends hospitality and elevates the art and science of fitness – it is clear why the hotel has been described as an ideal place to meet, connect, train and sleep, with all four of these elements playing a vital role in the overall performance of the design and service.

The arrival of the Equinox Hotel New York, along with a number of luxury boutiques and high-end restaurants that have opened, has given the Hudson Yards life as the neighbourhood continues to evolve and take shape.

Main image credit: Equinox Hotels

PRODUCT WATCH: The Amphora furniture collection by Desforma

730 565 Hamish Kilburn
PRODUCT WATCH: The Amphora furniture collection by Desforma

The eye-catching new furniture collection by Desforma was inspired by the Neolithic period, which began 12,000 years ago…

The idea of the Amphora Collection by Desforma was to follow the shapes of  a traditional amphora container. The grace and elegance of this historical piece has been adapted to create the most exclusive pieces.

Despite the dynamic design, the collection has a backrest that was shaped to fulfil the human back curves, making the furniture not only aesthetically pleasing but also comfortable. Each piece of the collection can be used as a striking centrepiece that compliments extraordinary interiors.

Image credit: Desforma

Every step of making these furniture pieces requires the highest quality craftsmanship; to achieve these sculptural shapes, every detail has to be made extremely precise.

Interestingly, achieving the iconic, gracefully curved back within each piece’s structure would have been impossible without the brand’s exclusive spheric construction technology. Created by the founder of Desforma, the technology has been the company’s best kept secret.

Desforma is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this  three-month editorial package, please email Katy Phillips by clicking here.

Main image credit: Desforma

INDUSTRY INSIGHT: Oh, how the check-in desk has changed

730 565 Hamish Kilburn
INDUSTRY INSIGHT: Oh, how the check-in desk has changed

Today’s lobby, as well as its check-in desk, has to be a multi-functional area in order to live up to modern travellers’ demands. Hotel Designs asks USM Modular Furniture how its latest commercial desk system is suitable for tomorrow’s modern hotels…

A lobby is one of the first thing that guests will see when arriving at the hotel. This means that the reception area presents an opportunity: to shape how guests see your company with an environment that represents your company’s brand, style and ethos.

The design of the USM Haller modular system is the perfect piece of furniture to build a unique reception desk that can be designed for the hotels specific needs and can also be reconfigured if the needs of the reception area changes.

The check-in/reception desk has to fulfil a number of functions: workstation, point of contact for members of staff, and a scene setter for new visitors. The USM Haller system lets you build a reception desk that performs each of these functions for your business flawlessly. Design a completely unique reception desk with built-in storage or display features, tailored to the environment of your reception area.

Image credit: USM Modular Furniture

Colour is one important factor: choose from the 14 classic USM colours to set the tone for the area. Cool grey or dramatic black is ideal for contemporary spaces; minimalist pure white suits fresh, clean settings; bolder yellows, reds and oranges give a more playful introduction.

Shape and structure are also important – and completely customisable. Choose a rigid, closed front for a more traditional set-up, or open the piece up a little with front-facing display modules for magazines, pieces of art, or your company’s own products. For even more playful and welcoming designs, let your imagination run wild: incorporate more open shelves, glass display pieces, or a mixture of different colours.

Bring a stylistic unity to the reception area with a full suite of furniture built on the same principles of elegant simplicity as your reception desk. The USM collection includes a hugely versatile range of surfaces from which you can build bespoke coffee tables and magazine display stands with a beautiful colour-and-chrome finish, mirroring that of the reception desk.

You can also use the USM Haller system to design additional storage and display pieces for the area: freestanding pedestals for documents and stationery; display cases for awards, art and your products; shelving for reading material or any other kind of piece to meet the specific requirements of your business.

The design of the USM Haller system is fantastically simple, however it is the Swiss precision in which the components are made that give the furniture the strength, versatility and clean lines that have made USM a design classic. Launched on to the market in 1965 the USM Haller system has become a watchword for timeless design all over the world. Its acceptance into the Design Collection of the Museum of Modern Art (MoMA) in New York (USA) at the end of 2001 was a high distinction and confirmed the artistic character of the product. The design classic is used in offices, the home, public buildings as well as hospitality.

USM Modular Furniture is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this  three-month editorial package, please email Katy Phillips by clicking here.

Main image credit: USM Modular Furniture

CASE STUDY: Furnishing Hilton Cobham

730 565 Hamish Kilburn
CASE STUDY: Furnishing Hilton Cobham

As a supplier to Hilton Hotels, Jameson Seating has completed many projects across the UK and Europe, providing both upholstery and window treatments. Here, Hotel Designs understands what went in to furnishing one of its latest projects, Hilton Hotel Cobham…

In early 2018, Hilton hotels quoted Jameson Seating to supply curtains and sofa beds for the 152-key refurbishment project, Hilton Hotel Cobham, which was expected to be completed during 2019/2020.

The brand has built up a strong relationship with the Hilton Supply Team over the years and has also worked closely with the Quantity Surveyors Barton Minty.

Two colour schemes were used on this project, an Indigo for the standard rooms and Teal for the Suites, with the curtains being blackout lined as the usual Hilton standard. The Daytona sofa beds supplied by Jameson’s are one of their best selling products and are manufactured in their factory in Birmingham. They come in a range of sizes to suit almost any space and are fully knockdown eliminating any access issues and can be easily assembled on site.

Image credit: In-situ image shot of the Daytona sofa | Image credit: Jameson Seating

Image caption: In-situ image shot of the Daytona sofa bed | Image credit: Jameson Seating

The seat cushions are attached to the mechanism so there are no storage issue as they are hidden under the bed once the mattress is folded out, there is enough storage space for pillows too. Due to the nature of the Daytona sofa bed, if any part becomes damaged or soiled it can easily be replaced. The 100mm deep quality mattress is fully pocket sprung and the action folds in and out so takes no effort to operate making it easier for housekeeping staff. There are a range of styles available and if there is limited to space the armless option is ideal.

Jameson Seating Ltd has an experienced Project Management team to oversee both the curtain and furniture installations. Working with the client from quotation stage right through to installation is all part of the service. They pride themselves on supplying high quality furnishings manufactured right here in the UK.

Jameson Seating is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this  three-month editorial package, please email Katy Phillips by clicking here.

Main image credit: Jameson Seating

Cheeky collaborations in Britain’s material world

730 565 Hamish Kilburn
Cheeky collaborations in Britain’s material world

When it comes to collaborations between designers and furniture brands, British suppliers are arguably in a league of their own. To celebrate the industry working together, Hotel Designs takes a closer look at some of Cheeky Chairs’ most meaningful partnerships…

The British textile industry is thriving, and its success is driven by a range of factors, one of which is todays eco-conscious zeitgeist that has triggered a desire to buy sustainable, local and authentically sourced materials.

More significantly, there is an emerging renaissance in traditional British manufacturing skills and techniques.

This artisan revival has led to an abundance of traditionally crafted textiles and natural textures. Raw weaves with pronounced warps and wefts, stubby fabrics in rustic checks and bouclés that resemble cloth cut from an artisan weaver’s loom. Traditionally block-printed fabrics featuring abstract art with loose brushstrokes and playful daubs or ikats and motifs. Richly embroidered weaves and tapestries on all manner of natural fabrics including linens velvets and wool.

But the real driving force behind the resurgence in British textiles is a new crop of British textile artists creating vibrant and distinctive prints and weaves forinteriors. This new breed of designers is not only creative, but tech and marketing savvy and so able to run their own businesses, heavily driven by social media. They have skilfully incorporated the unique strengths of British textiles such as heritage, quality and traditional skills to create innovative fabric collections for today’s interiors obsessed consumer seeking a story and provenance behind their purchase.

Cheeky Chairs’ designer fabric collection showcases some of the best British designers. Their stunning and luxurious creations are central to the beauty of the chairs and stools the brand create. Here are four of our favourites.

Kit Kemp – Winner of Outstanding Contribution to the Hospitality Industry at The Brit List Awards 2019

Image caption: Marco Chairs upholstered in Hippie Green and Chubby Check by Kit Kemp

Image caption: Marco Chairs upholstered in Hippie Green and Chubby Check by Kit Kemp | Image credit: Cheeky Chairs

Award-winning interior designer Kit Kemp has been developing inspiring, vibrant interiors for almost three decades. With a background in graphic design, this self-taught creative has created her own quintessential British style.

Kemp is the creative force behind the hugely successful Firmdale Hotel group, a boutique collection of hotels renowned for their unique character and stylish use of colour. Her distinctive quirky designs have led her to collaborate with big names including Christopher Farr Cloth to create an inspiring range of totally unique fabrics and wallpapers.

Cheeky Chairs’ selection of Kit Kemp Weaves and prints draws on her whimsical style. It is a carefully curated collection of colourful eclectic patterns and joyful textured weaves to create luxurious chairs and bar stools that are as beautiful as they are comfortable.

Penny Morrison

Image caption: The Marco Armchair upholstered in Morrison’s Andean Vertical Stripe alongside Sanderson’s Linnean Indigo | Image credit: Cheeky Chairs

Image caption: The Marco Armchair upholstered in Morrison’s Andean Vertical Stripe alongside Sanderson’s Linnean Indigo | Image credit: Cheeky Chairs

Penny Morrison is one of the most sought-after Interior Designers in Britain and around the world. Penny is renowned for creating unique designs through seemingly clashing combinations. Pairing unexpected patterns and palettes, her designs are a visual feast brimming with colour and exuding spontaneity and sophistication in equal measure.

Her collection of luxury prints and weaves is a rich accumulation of inspiration from cultures around the world, from Turkish embroidery and Japanese textiles to Anglo-Indian symbols and Ancient Greek motifs.

Andean Vertical Stripe and Anni Orange are stunning colourful designs that ensure the brand’ chairs and bar stools will make a statement in any space.

Margo Selby

Image caption: The Chloe Chair upholstered in Margo Selby’s Motown | Image credit: Cheeky Chairs

Image caption: The Chloe Chair upholstered in Margo Selby’s Motown | Image credit: Cheeky Chairs

Margo is a world renowned British textile designer. Her Jacquard woven textiles have pushed the boundaries of weaving to create contemporary upholstery fabrics that are brimming with colour and style.

Cheeky Chairs’ selected weaves from her Memphis collection brings together a diverse and distinctive range of woven fabrics that are both decorative and luxurious. These jacquard weaves in harmonious but contrasting colours sit beautifully against a multitude of fresh paint colours to create chic and stylish chairs and bar stools to make a vibrant addition to any interior.

Korla

Image caption: Aquamarine Chloe upholstered in Korla’s iconic Kyoto Koi | Image credit: Cheeky Chairs

Image caption: Aquamarine Chloe upholstered in Korla’s iconic Kyoto Koi | Image credit: Cheeky Chairs

Korla, named after a town in China on the Silk Road, create gorgeously graphic fabrics mixing bold colours with strong patterns. All their fabrics are designed, woven and printed to the highest quality entirely in the UK.

Their collection of colourful and contemporary textiles is bold, fun and cheerful. Korla designs feature geometric shapes, small patterns, zigzags and scallops that are wonderfully light-hearted and frivolous. Their colour palette of bright, summery and cool shades is as striking as it is original.

The brand’s pair of signature Korla prints with their eye-catching paint finishes is effortlessly cool and will bring a fresh contemporary look to any style of interior.

Cheeky Chairs is a boutique collection of beautifully crafted wood framed chairs and bar stools that have naturally soft seats upholstered in luxury fabrics. Each Cheeky Chair is made to order and a unique combination of model, designer fabric and colour to create a truly original statement piece.

The brand’s sustainably sourced frames are carefully selected for their design and quality; each seat is meticulously upholstered using natural materials for supreme comfort; its designer fabrics are of the highest quality. The company offers an array of colour and luxury fabric combinations but will also work with customers’ own fabric selection and Cheeky Chairs’ specialist polishing team can create any finish to match a chosen interior.

Main image credit: Cheeky Chairs

CASE STUDY: Furnishing InterContinental Lyon – Hotel Dieu

730 565 Hamish Kilburn
CASE STUDY: Furnishing InterContinental Lyon – Hotel Dieu

Architect Jean-Philippe Nuel specified Ligne Roset furniture when sensitively converting a former paupers hospital into the luxury hotel that is InterContinental Lyon – Hotel Dieu…

In order to successfully convert such an historic and emblematic site (it was originally a paupers hospital) into a hotel, Jean-Philippe Nuel drew on the dichotomy between the sobriety of the building’s interior and the richness of its architecture.

And he chose furniture with this in mind, working with Ligne Roset Contract. For this spectacular renovation project which demanded six years of collaboration, the company manufactured, using semi-artisanal methods, almost 600 pieces of furniture in its factories in Briord, which are only 60 km distant from Lyon.

Image caption: The lobby inside InterContinental Lyon – Hotel Dieu

The encounter between Ligne Roset and Nuel started in the 1980s, when the architect imagined his first hotels. It was also during this period that Ligne Roset began a strategic turning point by opening up to the equipment of high-end hotel establishments.

Together, they imagine tailor-made furniture that will equip a large number of hotels and establishments in France: Hôtel Duo (Paris), Radisson Hotel (Nantes), Intercontinental Marseille, The Ponant ships, MGallery Paris Molitor and Trouville.

From the Long Island chair and armchair in the bedrooms to the Tessa chair in the restaurant and the Luca Soft bridge and armchair in the ‘conciergerie’, there is a clear, dynamic link between the quality of manufacture and the restrained design of each of these models, which were dressed by Nuel in contemporary, sober yet nuanced coverings. Specifying Ligne Roset furniture throughout the hotel allowed Nuel to covert a treasured historical icon into a welcoming luxury hotel.

Related Products:

Long Island chair
Long Island armchair
Tessa chair
Exclusif settee
Andy settee
Vik high chair
Luca Soft bridge
Luca Soft armchair
Tadao bridge (wooden legs)
Feng large 1-arm settee
Mobidec footstool
Stricto Sensu settee

Ligne Roset is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this three-month editorial package, please email Katy Phillips by clicking here.

Main image credit: InterContinental Lyon – Hotel Dieu

Morgan puts new spin on furniture with classic materials

730 565 Hamish Kilburn
Morgan puts new spin on furniture with classic materials

Natural materials such as cane and terrazzo are now available in Morgan’s latest furniture collections…

Morgan, one of the UK’s most respected contract furniture designer and manufacturers, has announced new material options, terrazzo and cane, available for the Modena, Rakino and Kaya collections.

In 2020 and beyond, traditional, natural materials are experiencing a renaissance as designers reimagine and reinvigorate these beloved styles, embracing feelings of nostalgia while adding a contemporary twist. Morgan’s latest introductions directly correlate to this movement.

Terrazzo has experienced a resurgence. Over the past few years, sustained popularity from the European design community has seen the development of more variations, many offering the potential to have a customised colour palette.

Now available, a terrazzo tabletop in the Rakino and Modena collections, is made of recycled marble chip materials, offering a new, sustainable option.

Collection of white tables and benches

Image caption: The 70’s are back! Morgan’s Modena and Rakino collections are now available in terrazzo

“Originally seen in Renaissance Italian architecture, terrazzo has always had a ‘Mediterranean’ feel,” explained Katerina Zachariades, Morgan’s Design Director. “Since the 70s when it was last popular, terrazzo had lost its appeal and glamour. Not anymore… it is now back on trend as it is environmentally sustainable, it can be cast as well as poured and as a surface, it is extremely hardwearing. We have opted for two standard colourways that work well with timber. Both have a neutral background, but different marble chip composition.”

A return to natural and sustainable materials has also created a new popularity for rattan and cane in interior settings. These materials are tactile, warm and relink contemporary design to traditional artisanal techniques. Launched in November 2019, the Kaya lounge seating range is also available with a cane back. Featuring in Morgan’s Goodwood collection as well, the delicate texture juxtaposes beautifully with both collections’ distinctive timber frames.

Main image credit: Morgan

Duravit presents world exclusive “c-shaped” technology

730 565 Hamish Kilburn
Duravit presents world exclusive “c-shaped” technology

Bathroom manufacturer Duravit has unveiled its new patent-pending c- shaped technology…

The brand-new c-shaped technology from Duravit has been created as an extension of the Happy D.2 Plus series by sieger design.

This evolution of the patented c-bonded process guarantees that the ceramic washbasin and furniture run in perfectly parallel lines with no overhang or recess and a precise gap of 4mm. Made entirely of DuraCeram and specially finished, c-shaped has all the benefits of a ceramic glaze, it’s robust and easy to, whilst at the same time offering new scope for bathroom design within the wet environment.

Happy D.2 Plus is available in two new versions and is a continuation of the elegant, expressive style of the collection which offers a lighter or darker mood.

c-shaped is available with a ceramic, glossy white outer edge in combination with a vanity unit or metal console in chrome. c-bonded now comes with a new, rounded outer edge in the same colour as the vanity unit or to match the metal console in Black Matt. In each case they are based on basins with a narrow, typically flat edge and harmoniously integrated tap platform. The basins are available in three widths (575, 775 and 975mm). A white acrylic cover conceals the fittings beneath the basin, guaranteeing perfect aesthetics from any angle.

Image caption: Happy D.2 Plus bathtub in Graphite Super Matt (80), c-bonded vanity unit and metal console in Black Matt, furniture unit in Brushed Walnut (69), mirror in Radial finish and C.1 faucets | Image credit: Duravit

The floor-standing, height-adjustable metal consoles with integrated towel rail can be delivered with an optional shelf or built-in drawer.

A further option is a seat (width 625 mm) featuring an integrated drawer that can be added as a practical extension of the console on the left or right. Duravit also offers a cushion in matching greige made from a woven fabric suitable for wet rooms.

Wall-mounted vanity units with two drawers provide additional storage space. These are available in a total of eleven carcass surfaces, one can choose between luxury wood or matt surfaces in light or dark. The Graphite Super Matt variant also comes with an anti- fingerprint coating. A high-class interior furnishing system in Maple or Walnut can be selected as an option.

The new washing area variants can be ideally combined with all elements from the Happy D.2 and Happy D.2 Plus design series, ensuring a consistent design for the all bathroom furnishings. Happy D.2 Plus offers a consistent colour concept with toilets and bidets in Anthracite as well as bathtubs with seamless panelling in Graphite Supermatt – harmonising perfectly with the black metal console and dark furniture surfaces.

Earlier this year Duravit was due to unveil the stunning new additions to its Happy D.2 Plus series. As trade shows and exhibitions have been postponed, Duravit is presenting a preview of the products that will now available in the UK from July this year.

Duravit is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.

Main image credit: Duravit

BREAKING: Salone del Mobile postponed until 2021

730 565 Hamish Kilburn
BREAKING: Salone del Mobile postponed until 2021

The 2020 edition of the Salone del Mobile.Milano has been suspended to 2021 due to the COVID–19 pandemic…

Just weeks after Salone del Mobile.Milano was postponed from April until June of 2020, due to the outbreak of COVID–19, the organisers of the event have now announced that the event has been further suspended until April of 2021. 

Salone del Mobile.Milano, which is the world’s largest and arguably most visible furniture fair in the international design calendar, will now take place between April 13 – 18 2021.

The decision to postpone was made by the Board of the Salone del Mobile.Milano in light of the ongoing coronavirus pandemic that is spreading to almost every country in the world.

In a statement, the show’s organisers said: “Although we were determined to keep to the June date, to allow the annual event to take place as planned, the present, unprecedented circumstances and medium-term uncertainties now mean that this year’s Salone can no longer go ahead.

“The 2021 edition, which will celebrate the 60th anniversary of the Salone, will be a special event for the entire sector. For the first time ever, all the biennial exhibitions will be held in conjunction with the Salone Internazionale del Mobile, the International Furnishing Accessories Exhibition, Workplace3.0, S.Project and SaloneSatellite. This means that EuroCucina, FTK – Technology For the Kitchen and the International Bathroom Exhibition will also take place next year, along with Euroluce, which was already scheduled for 2021.” 

The sector-wide trade fair is said to represent a fresh opportunity to pull together to revitalise our businesses, the entire supply chain that works in synergy with the Salone, and Milan. 

This is breaking news, more to follow…

Main image credit: Salone del Mobile.Milano/Andrea Mariani

In Conversation With: Interior Designer of the Year 2019, Jo Littlefair

730 565 Hamish Kilburn
In Conversation With: Interior Designer of the Year 2019, Jo Littlefair

Securing her place in the history books, Jo Littlefair came out on top last year at The Brit List Awards 2019, spectacularly winning the coveted title, Interior Designer of the Year. A few months later, she welcomes editor Hamish Kilburn into the Goddard Littlefair HQ to give him a glimpse into studio life…

“Jo, can I borrow you for just a second,” says senior associate and architect David Lee Hood as Jo Littlefair and I walk through the studio. “This archway,” he says pointing to a life-like rendering on his monitor, “what are your thoughts on adding in a line of colour here?” As he shows the before and after, it is a game of ‘spot the difference’ to the untrained eye. But for the multi-layered studio Goddard Littlefair, where the devil is so often in the detail, it could be the difference between winning a pitch or losing it, as any design practice operating on today’s international scene will confirm.

“We have made a few changes to encourage people to come and talk to us more.” – Jo Littlefair, co-founder, Goddard Littlefair

The short but important moment is proof, if ever I needed it, that Littlefair likes to naturally lead from within her team. And as we walk through the open-planned office that is flooded with natural light towards her workstation, I notice also that there is no door, and no boundary, between herself and everyone else in the building.

Image caption: The Lowry Presidential Suite, designed sensitively by Goddard Littlefair

Image caption: The Lowry Presidential Suite, designed sensitively by Goddard Littlefair

“We got to the point last year when, as we reached 60 employees, we decided Goddard Littlefair was too big as a studio,” she confesses. “We have made a few changes to encourage people to come and talk to us more, because I would rather know about something – and be able to comment at a point where it is possible to comment – rather than get further down the line and it be too late. At the end of the day, leading this design studio with Martin Goddard has always been a collaboration, not just between himself and I but also our team.” As the designer is explaining, I notice that there’s a cordial and relaxed atmosphere in the Clerkenwell studio, and the strong relationship between the co-founders and their team is apparent.

Image caption: The bar inside Hilton Imperial Dubrovnik, designed by Goddard Littlefair

“We look at the finer details, as you have just seen, that perhaps make a space look and feel more residential,” the designer explains. “Things like tabs on the curtain pole having a little leather strap and a metal rivet, and it’s those elements that give it quality and detail. It’s important that someone has thought about it in that much detail, and there is a reason why it’s leather and why it’s embossed, or whatever.”

“What’s most important is that it has to be right for our client, the property and the location every time.” – Jo Littlefair, co-founder, Goddard Littlefair

Recently completed projects within the studio’s portfolio include The Biltmore Mayfair  London, Hilton Imperial Dubrovnik , Sheraton  Grand Warsaw , the new F&B areas inside Hilton Munich City, The Lowry in Manchester and the Kimpton Charlotte Square. Having followed many, if not all, of these projects from concept through to completion, it’s fair to say that the studio believes that variety is the spice of life. “We don’t like being pigeon-holed,” explains Littlefair. “We have a great variety of style, which is fantastic. Also, we are not divas when it comes to our personal taste. What’s most important is that it has to be right for our client, the property and the location every time.”

Modern award-winning bar

Image caption: The award-winning Juliet Rose at Hilton Munich, designed by Goddard Littlefair, has become the city’s new destination bar.

Despite the studio clocking up the air miles with unavoidable trips abroad for site visits and account management, in order for the team to understand the culture and fabrics of new destinations, the studio’s HQ is positioned slap-bang in the epicentre of the design community in London, just a few streets behind some of the city’s major design showrooms in Clerkenwell. “There is always a corner of London that you can find a narrative to that is really individual,” says Littlefair. “Whether  When? you are living, working and breathing in London, like many of our designers, the city becomes a fantastic place. I think that’s because it is made up of villages that have, over time, morphed together. As a designer working on a project here, the identity of what those villages were can really shine through.”

“I literally had to work my way around the world, and it made me a different person.” – Jo Littlefair, co-founder, Goddard Littlefair

Despite London having its place in the designer’s heart, Littlefair mostly finds inspiration in design from nature, and decompresses daily from city life, after a hefty commute, in Buckinghamshire where she lives. “It’s a very open community, close enough to London for work, but full of fresh air,” she explains. “My kids love it there, and so do I!”

But where was Littlefair’s inquisitive nature born, I wonder? “When I left university and went travelling, technology as we know it now didn’t exist; email had just come out for crying out loud,” she admits. “I used to pay to sit in a café to type an email home to say I’m alive. For me, that was about really cutting off from the world. My mum didn’t think I was going to come back,” she laughs, “I did some crazy things; I worked out on boats and I threw myself into experiential travel, albeit on a shoestring. I literally had to work my way around the world, and it made me a different person. Experiencing places and learning about people and cultures.”

Image caption: The Principal York's luxe, residential look and feel was designed by Goddard Littlefair

Image caption: The Principal York’s luxe, residential look and feel was designed by Goddard Littlefair

QUICK-FIRE ROUND

Hamish Kilburn: What trend do you hope will never return?
Jo Littlefair: Rag-rolled walls and transitional furniture.

HK: What’s next on your travel bucket list?
JL: Chile , Argentina and Egypt.

HK: What would you say is the number-one tool for success?
JL: Hard work, and you can’t teach taste. I learn something new every day, nobody can know everything!

HK: Who was your inspiration growing up?
JL: The reason I made it into interiors is because I used to work on super yacht designed by Terence Tisdale. I couldn’t believe that somebody got paid to put this together and design with  all those beautiful timber veneers and mirrors everywhere, which I had to clean! I spent four months in the Med working on this 64m Feadship  . It had everything and gave me an insight into luxury and interior design.

HK: What is the one item you cannot travel without?
JL: This is ridiculous but my cashmere jumper, which is so not me. You will always find a lightweight cashmere jumper in my flight bag!

HK: What is the last item that will show up on your bank statement?
JL: Whole beans for my coffee machine. Always buy a small bag because you want the freshest roasted beans for your coffee.

HK: What has the last year taught you?
JL: To keep everyone in the studio on one floor, so that we are working together. Also that quality far outweighs quantity.

“Think of it as the destination’s answer to The Ned.” – Jo Littlefair, co-founder, Goddard Littlefair

Back to today, and the studio is currently hard at work with a number of projects on the drawing boards. The studio is currently working on designing four restaurants and bars inside the soon-to-open 360-key Villa Copenhagen. “Think of it as the destination’s answer to The Ned,” Littlefair teases. “But it’s so not about men and women in suits. Instead, the whole project has been about understanding the Danish vernacular, the locals’ way of life.”

Other projects that the studio is working on include five star resorts on the Mediterranean coast line, the repurposing of a beautiful Viennese building to a 150 plus bedroom five star hotel and what may be the future best spa in London.

Image credit: The atmospheric restaurant Cucina Mia inside Shertaton Warsaw, designed by Goddard Littlefair

Image credit: The atmospheric restaurant InAzia restaurant in Sheraton Warsaw, designed by Goddard Littlefair

As two people who are, parallel to others in the industry, so thoughtfully leading interior design forward in terms of meaningful innovation, Goddard and Littlefair both feel pressure to adapt sensitively with the times while also maintaining a fundamental quality. And their approach to evolution is enlightening.  “Someone once told me that everything in life is a phase,” explains Littlefair. “I have learned to embrace change and see it as a positive. It is intrinsically scary to human nature, but when you learn that it is necessary to be a little bit cathartic about things, life runs smoother.” I would argue that it is this breath-of-fresh-air attitude that led the designer to win The Brit List Awards’ Interior Designer of the Year 2020.

“You have no idea how much the award means to me.” – Jo Littlefair, co-founder, Goddard Littlefair

“I just can’t believe it,” she said fresh off stage at the event in November when her new-found title was revealed in front of a sea of leading designers, architects, hoteliers and developers. Months later, and the reality of ‘that win’ hasn’t quite sunk in. “You have no idea how much the award means to me,” she says now. “The line-up of people you had there was fantastic, they are my peer group and I am very respectful of what everyone else is doing. So, that people within this industry consider what we are doing here to such high regard means everything!”

Image caption: Interior Designer of the Year, Goddard Litterfair's Jo Littlefair with editor Hamish Kilburn at The Brit List Awards 2020

Image caption: Interior Designer of the Year, Goddard Litterfair’s Jo Littlefair with editor Hamish Kilburn at The Brit List Awards 2020

In a recent roundtable discussion that Littlefair attended, it was mentioned that all designers are having to work harder than ever before in order to differentiate from other styles and common motifs. As I sit around the table in the hub of her studio, I wonder how Littlefair and her team approach this topic when it comes to designing future hotels. “We are getting to the point where people have not seen a beautifully letter-pressed card before,” she says. “The ‘tech revolution’ has changed everything that we do and the way our work is perceived, but we can’t lose touch of humanity in the process.”

“We crowned a really worthy winner,” I can’t help by think to myself after I’ve said my goodbyes to the  Goddard Littlefair team. For me, it’s not necessary  necessarily? Littlefair’s work that is the most inspiring thing about but  the designer, but more her incredible journey, which was fuelled by hard-work, passion and determination, that I believe every single designer can learn from – or at least be energised by.

Main image credit: Goddard Littlefair

Hotel Designs launches new initiative to help businesses through uncertain times

730 565 Hamish Kilburn
Hotel Designs launches new initiative to help businesses through uncertain times

The industry’s leading online platform, Hotel Designs, has launched a three-month introductory offer for companies, as the leading international hotel design website continues to support the hospitality industry…

In direct response to the COVID–19 pandemic, Hotel Designs has launched an ‘Industry Support Package’ to help brands to engage with the hospitality sector spanning designers, architects, hoteliers, developers and those that supply to the industry during the testing months that lie ahead.

“The aim of this three-month package is to simply support businesses that have been effected by the COVID–19 outbreak and that require a springboard of support,” explained publisher Katy Phillips. “While the hospitality market adapts, the ‘Industry Support Package’ will enable brands from all sectors of the market to share their latest news to our highly engaged readers via our various online platforms.”

The Industry Support Package, which is just £99 + VAT, includes: 

  • A comprehensive company profile page on Hotel Designs website to include full company details, contact information, product imagery etc.
  • Editorial coverage on the Hotel Designs website for a three-month period
  • Contribution to Hotel Designs’ ‘Spotlight On’ monthly editorial features
  • Social media support across all social channels – reaching more than 20,000 users
  • Exposure within Hotel Designs weekly e-newsletter sent to more than 12,000 recipients

The package is only available to new clients, and to take advantage of the offer, companies will need to be book by EOP on Friday, April 3, with activity commencing no later than Monday, April 13. 

If you would like to take advantage of this offer, please email Katy Phillips or call +44 (0)1992 374050.

Taylor’s Classics unveils new furniture for 2020

730 565 Hamish Kilburn
Taylor’s Classics unveils new furniture for 2020

Contract furniture company Taylor’s Classics has launched a number of new chairs into its Modern seating collection…

Recommended Supplier Taylor’s Classics has launched a number of new chairs into its Modern Seating collection.

New products include Benchairs 700 armchair (Benchairs collection), Sunburst dining chair (available in two different options: Straight leg and turned leg – Collection: Traditional Classics) and the Alex armchair (available in two options: Beech and Oak.

Selection of cut outs of seating

Image credit: Taylor’s Classics’ selection of new seating

The full list of products are below:

Max Side Chair

Based upon a classic design of the 1930’s our Max chair has a chrome frame with upholstered seat & back. Ideal for restaurant or bar seating it is a great combination of style and comfort.

Max Armchair

The Max armchair is based upon a classic design of the 1930’s. It has a chrome frame with upholstered seat, back and arms. Ideal for restaurant or bar seating, it is a great combination of style and comfort.

Max High Stool

The Max high stool is based upon a classic design of the 1930’s. It has chrome frame with upholstered seat & back. Ideal for restaurant or bar seating, it is a great combination of style and comfort.

Luna Side Chair

Our oak framed Luna chair provides a really comfortable seating option for restaurants, lounge areas & bars. The chair can be upholstered in a fabric or leather of your choice and the frame polished in one of the standard Taylor’s Classics stains.

Sol Tub Chair

The Sol Tub chair is manufactured in oak and provides a really comfortable seating option for restaurants, lounge areas and bars. This chair can be upholstered in a fabric or leather of your choice and the frame polished in one of the standard Taylor’s Classics stains.

Benchairs 700 Armchair

Our new Benchairs 700 armchair has a beech frame and upholstered seat. It is a really comfortable chair with a relatively small footprint which means that it could be used for dining, bar or lounge areas. The chair is not a Benchairs original but we feel it fits in with the rest of the collection. The chair was designed by Kasper Meldgaard of design studio ‘Says Who’ in Denmark.

Manufactured to meet with contract furniture standards makes this chair suitable for dining or bar locations with heavy day to day use. This piece is one of many from our retro pub chairs collection and is available in a choice of finishes.

Alex Armchair

The Alex chair is available in two different frame options: Oak or Beech. The armchair has a small footprint but provides great comfort and is ideal for use in bars, cafes or restaurants.

Sunburst Dining Chair

We love Art Deco so are very pleased to introduce the Sunburst chair. We think a restaurant full of these chairs could look wonderful. It is a very comfortable dining chair and is available with either straight or turned front legs.

Taylor’s Classics is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.

Main image credit: Taylor’s Classics

PRODUCT WATCH: QUADRADO modular seating by Minotti

730 565 Hamish Kilburn
PRODUCT WATCH: QUADRADO modular seating by Minotti

The Quadrado range sits in the Lifescape Collection by Minotti, which reflects a new approach to outdoor living without compromising on comfort, quality and aesthetics…

Each piece of furniture in Minotti’s Lifescape Collection is characterful and elegant, and ties in with natural settings, with unexpected patterns and colours creating a landscape in dialogue with the architecture, in the name of pure relaxation.

Collection after collection, Minotti’s vast outdoor selection offers a range with an increasingly versatile international style, taking design motivation and inspiration from leading designers and architects, interpreters of diverse styles and features. As unique outdoor solutions of guaranteed quality in increasingly high-performing materials, they not only fit their natural residential context, including smaller urban outdoor spaces, but are also perfect for exclusive hotels, spas and yachts: spaces characterised by an approach to interior design that references the domestic one.

Living wall behind the outdoor furniture collection

Image caption: A range of the QUADRADO range of furniture pieces within the Minotti Outdoor collection

Designed to perfectly complement each other stylistically, in order to meet the needs of different spaces with originality and versatility, the various furnishings stand out for their formal details and refined aesthetic, as well as finish and texture.

Colelction of furniture above striking views of a lake

Image caption: The collection of generous sized furniture is stylish, original and versatile to many luxury interior schemes

In this regard, the design interpretation of Marcio Kogan / studio mk27 with the Quadrado modular seating system, launched in 2018, offers generously sized seating with modules of 102x102cm that can be assembled together, to furnish large open spaces. Floating bases in natural teak, backrests enveloped in a special woven fibre and soft cushions mark this out as an extremely appealing seat.

Inspired by the classic teak duckboard used in the yachting industry to facilitate the outflow of water, the Brazilian architect Marcio Kogan developed Quadrado, a modular system consisting of suspended square platforms that furnish outdoor spaces with exceptional lightness and flexibility.

Twi backs of armchairs

Image caption: The furniture pieces include floating bases in natural teak, backrests enveloped in a special woven fibre

A flexible and dynamic furnishing, of undisputed quality and comfort, which perfectly dialogues with the surrounding environment: a young and contemporary proposal that invites informal and original solutions.

The wooden bases welcome comfortable padded cushions with backrests in a special fibre woven with wicker-effect, available in Mud colour or plain Liquorice colour. The sitting elements are interspersed with wooden surfaces that feature trays or candle holders, that can be arranged as desired with a surprising interlocking effect. A circular armchair joins this outdoor landscape characterised by its broad compositional freedom.

For the concept, Kogan was inspired by the Japanese Metabolist architecture of the Fifties and Sixties, defined by modular volumes. Originally conceived for large living areas with 102×102 cm modules, Quadrado now integrates within its range a new, more compact version with 87×87 cm modules that can be combined together to adapt to more limited urban, residential and Hospitality contexts.

Minotti London, which is exclusive style partner at MEET UP London, is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Amp by the side of white bed

Ruby Hotels to open second Swiss hotel

730 565 Hamish Kilburn
Ruby Hotels to open second Swiss hotel

The 220-key hotel, which is yet to be named, will bring the Ruby Hotels brand’s ‘Lean Luxury’ philosophy to a central Geneva location…

In the wake of the brand’s loud debut in London with the opening of Ruby Lucy, Ruby Hotels will launch its second Swiss property in early 2022 in Geneva.

Amp by the side of white bed

The new 220-room hotel will follow the launch of Ruby’s Zurich hotel in 2021 and forms part of an ambitious expansion plan to unveil a total of seventeen new properties by 2023.

The new Ruby Hotel will be located right in the heart of the city, between the rue du Rhône and the rue du Marché – the two biggest shopping streets in Geneva. The hotel entrance will be in the famous Malbuisson Passage, with the Lake Geneva promenade just 200m away and the Geneva Old Town reachable on foot within a few minutes.

“We will be able to exploit a previously unfilled niche in Geneva, one of the most stable hotel markets in Switzerland.” – Ruby Hotels’ CEO Michael Struck

“This works because we base our design on the model of modern luxury yachts and confine our luxury to a relatively small area, simply omitting non-essentials,” explained Ruby Hotels’ CEO Michael Struck. “Our management methods are also quite different from the usual practice in the industry as we utilise our own technical solutions. We plan and construct in modular form, adopt a more centralised approach and make a consistent effort to automate procedures behind the scenes. This helps us to make a luxurious and unique hotel experience affordable for our guests. In this way, we will be able to exploit a previously unfilled niche in Geneva, one of the most stable hotel markets in Switzerland.”

The hotel will be created from three existing buildings, one of which has a historic facade. The seventh floor will feature a roof terrace with an atrium at the centre, which will also be accessible from the public areas. The Molard tram station and bus stop is located in the immediate vicinity, which will provide the hotel with ideal access to local and long-distance public transport options.

The property will house 220 rooms, ranging in size from cosy ‘Nest’ rooms (14-15 m²) to expansive ‘Loft’ rooms (21-23 m²), a stylish 24-hour bar, a communal work station and a library. All guest rooms will showcase Ruby Hotels’ sleep-scientist-approved formula for a peaceful night’s sleep, with full soundproofing, blackout curtains, high-quality linen and extra-long and wide custom mattresses.

Just like the group’s other houses, the new hotel in Geneva will follow Ruby’s ‘Lean Luxury’ philosophy: a top location, high-quality fittings, and outstanding design. All of this is offered at an affordable price by rigorously cutting out the superfluous and focusing on the essential. 

Main image credit: Ruby Hotels

7 interior trends to emerge from London Design Week 2020

730 565 Hamish Kilburn
7 interior trends to emerge from London Design Week 2020

During London Design Week 2020, Design Centre Chelsea Harbour is sheltering many of the product launches, teasers and conversations that are expected to make a noise on the design scene this season. Editor Hamish Kilburn identifies some of the prominent styles, colours and trends to look out for… 

“We champion creative excellence,” said Becky Metcalfe, Head of Content at Design Centre Chelsea Harbour (DCCH). “And we have certainly seen a move towards inform choices.”

Now that there is more demand among consumers for conscious and meaningful designs to compliment seamless service, hotel designers are widening their lenses to understand the narrative, craft and creative vision of new collections launched.

It is this change in behaviour that is enforcing most, if not all, of the strong styles that I discovered during my time at London Design Week 2020.

1) Botanical paradise on earth

With biophilic design being put front and centre at the moment around the world, conversations and the products that are launching are finding the balance between indoor space and the great outdoors – think exotic gardens where fragrance and sound are depicted in patterns and colours. Sanderson’s floral showroom, which houses hundreds of new designs this week, highlighted the creative possibilities that can emerge when designers open the door to outdoor influence with purpose. Other brands to leverage nature in design include Pierre Frey’s enriched wallcoverings, Abbott & Boyd’s capture of birds and Bec Brittain’s Taxonomy collection seen in the Tai Ping showroom that explores unexpected paradoxes inspired by the minutiae of insect anatomy and pleating techniques.

Offer with pink and black textured rug

Image credit: Taxonomy collection by Bec Brittain/Edward Fields Carpet Makers/Tai Ping

2) Land of the rising sun – everyone is talking about Japan

Considering the incredible oriental principles – not to mention the in-depth culture, heritage and authentic craftsmanship – it’s hardly surprising that many designers and brands are finding inspiration in Japan. There are parallels between the demand for simple, elegant luxury and the minimalist aesthetics of design in Japan (take a look at Muji to see this in action). Wallcovering brands such as Arte are exploring Japanese techniques and diverse styles, such as the Kimono pattern motif, to create new textured layers to their collections.

Intricate Kimono pattern detail in wallcovering

Image credit: Arte Wallcovering

Taking the theme in a different direction, Arteriors’ Trapeze Sconce is an effortless example of how Japanese influence can be balanced delicately in elegant lighting. With so much yet to explore, we expect more designers and brands to delve into the archive of Japan’s design heritage to invest in timeless practice and precious pieces.

3) Embracing imperfections

Admittedly, this isn’t anything new. In fact, designers, consumers and brands alike have been championing and demanding one-off products that can’t be replicated for as long as time. But recently, with timelessness and narrative playing so much importance in any design scheme – and while designers become more adventurous with materials – this look is everywhere. Lighting brand Vaughan is celebrating a proud authentic look and feel with its Chalk White collection, while wallcoverings brand Harlequin is keeping in touch with nature by using natural materials and creating an interesting weave structure.

Chalk-like chandelier

Image credit: Vaughan’s Chalk White collection is a curation of six products

Meanwhile, Parkside Architectural Tiles are showcasing their fantastical imperfect Spectre collection of tiles, which have proved a hit with designers and architects looking to add personality onto the walls of new and existing spaces.

Spectre collection by Parkside Architectural Tiles

Image caption: Spectre collection by Parkside Architectural Tiles

A relatively new brand thats DNA is very much focused on creating this look is Ilala, curated by Miranda Vedral, which proudly presented its idiosyncratic handwoven  furniture and lighting during the event.

4) Amplifying craftsmanship in all areas

There are more and more brands out there that are willing to collaborate with experts to produce the highest quality and the most interesting designs. With a digital overload from social media and a move to challenge the disposable mindset, brands such as Porta Romana have enhanced tactility in products and styles, which is putting momentum behind the sustainable movement.

Image credit: Porta Romana

5) Take a walk on the wild side

As we have identified before, the eco-conscious world is allowing for more adventurous influences to emerge to the surface. During the showrooms in Chelsea, there was a clear and defined theme of endangered species being used in wallcoverings, fabrics and soft furnishings. Some of the brands that are mastering this with style include Altfield, Anthology, Harlequin and Andrew Martin.

Image credit: Harlequin’s Mirador Collection

6) Warm colours are in!

Finally, in the doom and gloom of the current economic climate, designers and brands are discovering the warmer end of the colour spectrum. Designs from Edelman Leather, Vaughan and Zoffany are all setting their style compass to rosy red, which suggests there is a new confidence in the air. Grasping the statement-like benefits of using primary colours, British brand David Hunt Lighting has recently opened up its archives to find unique techniques and craft that has inspired their latest collections of pendants and chandeliers. In the Design Avenue – a hotspot for talent and unmatched styles – there was arguably no brand more colourful and bold than Timorous Beasties, but with their intricate signature of styles, would you really expect anything less?

Red, yellow and blue pendents

Image credit: David Hunt Lighting/Instagram

7) Home Heritage

An interesting theme to explore on the international hotel design scene – and one that no doubts divides the industry – there seems to be a move towards home-from-home comforts, but not perhaps as you would expect. We know that lobbies are becoming more lounge-like, but in addition there is an interest to explore storied providence. Brands such as Zimmer + Rhode, Samuel & Sons and Holland & Sherry are all using this to drive their latest designs, and I suspect more brands will keep this in mind when innovating new products in the future to add further meaning in design.

If you identified anything at the show that you believe we should be sharing our readers, please tweet us @HotelDesigns.

Main image credit: Design Centre Chelsea Harbour

Zannier Hotels opens property atop boulders in the Namib desert – built on stilts

730 565 Hamish Kilburn
Zannier Hotels opens property atop boulders in the Namib desert – built on stilts

Comprising of ten luxury tents, Zannier Hotels Sonop has been cleverly constructed atop a group of boulders, affording spectacular, unmatched 360-degree views of the Southern Namib desert…

Arnaud Zannier’s inspiration for the hotel’s design was conceived during his very first trip to the site and first view from the top of the boulders. Arnaud recognised that he had been fortunate enough to discover somewhere very special, likening the feeling to an old explorer discovering a destination for the first time – hence the property was designed to resemble a 20th Century tented camp for explorers.

The construction process was challenging due to the hotel’s remote location and protected surroundings. All building materials and interiors were manually transported up the huge boulders, by expert craftsmen from Namibia. Zannier Hotels only used a limited number of existing roads to the site, to ensure the human impact on the fragile flora was minimal. In addition, each piece of furniture, including twelve 30kg handcrafted four-poster beds, had to be carried by hand over the rocks and boulders thereby avoiding the use of disruptive machinery.

Built entirely on stilts connected through sturdy elevated wooden decks, Zannier Hotels Sonop’s tents are covered by an elegant canvas, designed to harmonise perfectly with the surrounding environment. Shaped in an oval formation facing out towards the spectacular landscape, the tents offer comfort to cater for today’s discerning travellers whilst also avoiding soil erosion and ensuring the preservation of the insects, fauna and flora that make up the Namibian desert dune ecosystem.

Each tent has been devised to invite guests to live the life of intrepid explorers from the early 20th Century, whilst the materials and colour palette have been selected to complement the surrounding desert and blend into the boulders. Zannier Hotels Interior team only worked with natural textures and materials including dead wood, rocks, mud and thatch to ensure that nature remained at the forefront of the design. Not to mention, the spa at Sonop has been designed to resemble the rich traditions of the Owambo tribes in terms of its interiors, its construction and the materials used. The Owambo are admired for their respectful attitude towards nature – values that Zannier Hotels maintain.

“Rather than buying new furniture, Zannier Hotels endeavoured to reuse as much as possible – preference was always given to antiques.”

All tents feature a large bedroom, living room area and a separate bathroom with a large bathtub and rain shower. Furnishings include dressing tables with ornate objects, such as tiny flasks and antique combs. Moreover, the ceiling to floor windows allow guests to experience a taste of living in complete isolation, immersed in the surrounding landscape. The bedrooms feature handcrafted king size four-poster beds, an airy living area with comfortable armchairs, and a telescope to look out into the distant surroundings or gaze into Namibia’s dark sky reserve.

Explorer suite with dark interiors to reflect landscape

Image credit: Zannier Hotels

Complete with private terraces that extend out across large wooden decks, the tents offer magnificent views of the desert. Rather than buying new furniture, Zannier Hotels endeavoured to reuse as much as possible – preference was always given to antiques. Zannier Hotels sourced more than 550 antiques for Zannier Hotels Sonop, including binoculars, maps, mirrors, magnifying glasses, bedside tables, carpets, trunks, armchairs and picture frames, as well as unique ornaments such as gramophones, 19th Century explorer boots, vintage walking sticks and historical Pith helmets. Any new furniture was specifically made from Namibian materials by local architects, carpenters and construction suppliers, native to Namibia.

Main image credit: Zannier Hotels/Oyen-Rodriguez

Boutique aparthotel, The Gate, debuts in East London

730 565 Hamish Kilburn
Boutique aparthotel, The Gate, debuts in East London

With a Banksy in the lobby, Maple & Co café, 360-degree views of the city and quality suppliers specified throughout, aparthotel The Gate shelters the best of a hotel with a home-from-from look and feel throughout…

The Gate is a boutique aparthotel opening in Aldgate East, which offers the service and style of a hotel with the privacy of a self-service apartment.

Modern travellers’ needs and taste in accommodation are changing – people desire more choice than a traditional hotel versus self-catering apartments, and The Gate aims to bridge the gap between the two. The new aparthotel feels like an elevated version of your own home, with full-service amenities and flexible stay periods where guests can stay for one night or up to three months.

Situated in Whitechapel, just a one-minute walk from Aldgate East tube station, The Gate is directly influenced by the style and culture of the vibrant London streets it overlooks, connecting guests with its surroundings and the local East London community.

With 20 floors and 189 rooms, The Gate offers unparalleled 360° views of The Gherkin, The Shard and Brick Lane appealing to guests no matter the length of their stay. Partners include Maddox Gallery, who have curated the artwork around the hotel including a Banksy in the lobby and Retna, Bradley Theodore and The Connor Brothers pieces displayed in the private members lounge, making the property their new East London Gallery.

Apartments feature include cooking facilities, quality and comfortable Hypnos beds, Soundbars with Bluetooth connectivity, Nespresso machines, walk-in showers and rainfall shower heads, washing machines and dishwashers.

Yellow headboard, with luxe bed

Image credit: David Cleveland | Caption: Each of the 189 rooms feature Hypnos Beds.

Guests checking in for days or weeks can enjoy rooms designed to be modern and functional, but with artistic flourishes to create a distinctly homely feel. There are nine room categories each with a bedroom, fitted kitchen and living area, and some featuring a separate living space with a sofa bed. Room types include one and two bed apartments, accessible rooms, interconnecting family rooms and rooms with skyline views. No two rooms are the same with unique art and bespoke upholstery and new mid-century furniture designed in Europe.

The healthy-eating trailblazer Maple & Co will be opening its eighth location here, Maple & The Gate café, opening to the public on the ground floor including outdoor seating. The renowned New York fragrance brand, Le Labo, supplying in-room bathroom amenities and a boutique gym with Technogym equipment including Peloton bikes, which are also available in apartments by prior arrangement.

The Gate promises to combine a lifestyle hotel with apartment amenities to cater for a modern generation of long and short-term guests providing a Gateway to the capital.

Main image credit: David Cleveland

MEET UP London announces headline speakers

730 565 Hamish Kilburn
MEET UP London announces headline speakers

MEET UP London, under the theme ‘Inspiring Creativity’, will welcome two award-winning visionaries to explore the concept of using sensory experiences in international hotel design… 

Hotel Designs has invited an award-winning sound designer and functional music innovation expert Tom Middleton and award-winning research entrepreneur Ari Peralta to become headline speakers at MEET UP London.

“The visionaries will respond to MEET UP London’s theme by immersing our audience into a sensory experience like no other before.”

The event, which takes place on May 13 at Minotti London, will be carry the theme of ‘Inspiring Creativity’, and will further bridge the gap between designers, architects, hoteliers, developers and suppliers.

Applying principles of neuroscience, behaviour and psychology, the visionaries will respond to MEET UP London’s theme by immersing our audience into a sensory experience like no other before. This will be followed by an engaging talk, entitled: “Amplifying Wellness: Using Sensory Experiences To Innovate International Hotel Design”. The talk will discuss how and why sound should be considered when designing the hotel of the future. From Jet Lag to Mindfulness solutions, their unique collaboration represents the synergy and creativity needed to future-proof hospitality.

“As the boundaries of our industry widen, designers, architects, developers and suppliers are willing to reach new depths to find innovative and meaningful ways to evolve the hotel experience,” said editor Hamish Kilburn who will host the evening’s event. “I believe it is, therefore, perfect timing to invite both Tom and Ari to share their wealth of knowledge and experience in this subject with the aim to inspire the leaders of our industry to think beyond conventional architecture and interior design.”

The pair, who in 2019 gave a powerful keynote on the ‘future of wellness’ for Innovation Day’s (ID19) at Marriott International HQ, are on a mission to engage with the hoteliers, designers and architects to highlight how the sensory experience could enhance the overall guest journey. 

About the speakers

Tom Middleton headshot

Image caption: Tom Middleton in the studio

Tom Middleton is a true polymath who literally wears many hats, including a pioneering electronic musician, award-winning sound designer, DJ and producer, a certified Sleep Science Coach, trained in Mental Health First Aid, and Co-Chair on the AFEM Health Group. He has toured the world and performed to millions observing the positive affects of sound, and has shared the stage with Mark Ronson, Lady Gaga and Kanye West.

Middleton regularly speaks on panels covering sensory customer and guest experience, immersive wellness, sound architecture, how to sleep better, workplace wellbeing and mental health.

Creator and innovator of empathic science-backed functional music and soundscapes for mental, physical and emotional health and wellbeing, relaxation, mindfulness, focus and productivity. 

His mission is to rescore the soundtrack to life with functional, transformational soundscapes, music and immersive experiences to help tackle stress, anxiety, burnout and sleep deprivation. Middleton aims to do this by applying principles of the neuroscience and psychology of sound, listening, breathing and human behaviour. 

As YOTEL’s chief Sound Architect for eight years, he developed smart and cohesive soundtracks to optimise guest experience.

His most recent work includes content for meditation and sleep app Calm, a collaboration with Nissan to create a zero-emission lullaby and Breathonics for Silentmode –  the first passive fitness platform for guided breathwork and music on the Appstore.

Middleton believes the science of sound, combined with mindful listening and conscious breathing within holistic multisensory environments can help us relax and reduce stress, be more happy, healthy and productive.

Headshot of Ari

Image caption: Ari Peralta

Ari Peralta is an international award-winning research entrepreneur working alongside a global network of scientists, immersive technologists and artists, developing wellness-led sensory initiatives across a wide range of industries.

By 2019, after two decades working in media research (Nielsen), medical marketing (ALO), immersive and strategic development (ProFix), he co-launched Arigami, an independent innovation consultancy dedicated to helping organisations design healthier and happier environments. 

Today, Peralta is a Forbes recognised provider for wellness and sensory-based strategies within hospitality, mobility, retail and healthcare. Arigami powers holistic innovation programs for startups, corporates and academic labs seeking to mitigate anxiety by developing transformative immersive and service design solutions for complex human problems within wellness, sleep and human performance. Besides leading his firm, Peralta dedicates much of his time guest lecturing at universities, speaking at international conferences and volunteering for organisations that promote STEM education for children.  

How to attend

EARLY BIRD SUPPLIER TICKETS*: £99 + VAT (expires on March 31)  | CLICK HERE to purchase your tickets.***
EARLY BIRD BUYER  TICKETS*£10 + VAT (expires on March 31) | CLICK HERE to purchase your tickets.***

Exclusive headline partner: Hamilton Litestat

Exclusive style partner: Minotti London

Event partner: Crosswater 

* Those eligible to purchase Supplier Tickets must be industry suppliers.
** Those eligible to purchase buyer tickets must prove that they are an interior designer, architect, hotelier or developer.
***Hotel Designs’ Early Bird promotion ends on March 31. After this time, tickets for designers, architects, hoteliers and developers will inflate to £20 + VAT and supplier tickets will inflate to £150 + VAT. 

CASE STUDY: Furnishing Amba Hotel Grosvenor

730 565 Hamish Kilburn
CASE STUDY: Furnishing Amba Hotel Grosvenor

The designers of Amba Hotel Grosvenor specified Curtis’ furniture pieces to create a timeless and luxurious interior feel…

Both quality of furniture and flexibility of service were crucial for the 344 bedroom refurbishment in the prestigious London hotel.

Having worked with the company for 20 years, Amba Hotel Grosvenor knew Curtis furniture was uniquely positioned to deliver on both counts.

With a dedicated Project Manager as a sole point of contact taking responsibility for the success of the project, and an Installation Manager based nearby, Curtis were always on hand to respond to changing timescales.  As is typical on a project of this scale, delivery dates shifted on a number of occasions, across all nine phases of the refurbishment.  The success story here was our ability to react to these changes to complement the good progress made on site by other contractors.

Large wide shot of the guestroom inside the hotel

Image credit: The Grosvenor Hotel

“Dealing directly with the manufacturer was the only way this project could have been so successful – we needed a partnership approach right from the start,” said Sheila Murphy from glh Hotels. “Curtis was responsive and positive, accommodating our requests and enabling timely completion of the project.”

With high quality furniture augmenting this beautiful refurbishment, room rates at the hotel have now risen, which will help secure a speedy return on investment.

Main image credit: Amba Hotel Grosvenor/Curtis

BREAKING: Salone del Mobile postpones exhibition due to coronavirus outbreak

730 565 Hamish Kilburn
BREAKING: Salone del Mobile postpones exhibition due to coronavirus outbreak

BREAKING NEWS: Salone del Mobile in Milan, which is largely considered as the leading furniture fair globally, has postponed this year’s event until June 16 – 21 in response to Italy’s coronavirus outbreak…

Salone del Mobile, which is the world’s largest and arguably most visible furniture fair in the international design calendar, was due to take place from April 21 – 26, but in response to the coronavirus outbreak, the fair this year has been forced to postpone its plans.

Days after the 2020 global press conference to give the rundown of the up-coming show, the organisers of the show released a statement. “Following an extraordinary meeting today of the Board of Federlegno Arredo Eventi, and in view of the ongoing public health emergency, the decision has been taken to postpone the upcoming edition of the Salone del Mobile,” the statement said. “Confirmation of the change of date for the trade fair – strongly supported by the Mayor of Milan Giuseppe Sala – means that the manufacturers, in a major show of responsibility, will be able to present their finalised work to an international public that sees the annual appointment with the Salone del Mobile as a benchmark for creativity and design.”

“Italy now has the highest number of coronavirus cases in Europe, with more than 280 cases that have been reported.”

The update comes after The Foreign Office in Britain updated its travel advice, warning against all but essential travel to 11 quarantined towns in Italy. The country now has the highest number of coronavirus cases in Europe, with more than 280 cases that have been reported.

A Foreign Office spokesperson told the BBC: “We advise against all but essential travel to the 10 small towns in Lombardy and one in Veneto, which are currently in isolation due to an ongoing outbreak of coronavirus.

“Any British nationals already in these towns should follow the advice of the local authorities.”

Main image credit: Salone del Mobile/Andrea Mariani | Image caption: Salone Del Mobile press conference on February 12, 2020

Yello and blue contemporary arm chairs in light chalet-style room

Checking in to review Hotel Le Coucou, Meribel

730 565 Hamish Kilburn
Checking in to review Hotel Le Coucou, Meribel

15 years after first discovering the magic of Meribel in the French Alps, editor Hamish Kilburn is back – this time to review the destination’s latest ski-in/ski-out luxury hotel

In-between snow-blanketed fir trees, more than 1,400 metres above sea level in the French Alps, Hotel Le Coucou is Meribel’s latest luxury ski-in/ski-out hotel.

Yello and blue contemporary arm chairs in light chalet-style room

Award-winning French designer/architect Pierre Yovanovitch, who was last year crowned Wallpaper*’s Designer of the Year, was presented with a blank-canvas brief with his latest hotel project. Within just three years, he managed to create a sensitive architectural shell and fill it with his signature couture approach to interior design, including more than 140 bespoke furniture and lighting pieces – think abstract, animal-like armchairs and ice-inspired chandeliers. “There was so much pressure, because three years is not long for a project on this scale,” says Yovanovitch, “but it was a good challenge and the time restraint spurred me on to create something unique for the area.”

“We were familiar of Pierre’s work and knew instantly that he was perfect for what we had in mind for this hotel.”  – Kimberley Cohen, Artistic Director of Maisons Pariente.

Image from balcony looking out onto the mountains

Image credit: Hotel Le Coucou

With a list of strict local architectural planning constraints to abide by, in regards to using only local materials and regionally-integrated styles, the 55-key boutique hotel quickly became one the of designer’s most ambitious projects to date. “Previously, hotels that opened in ski resorts made a lot of mistakes, especially new-build properties that opened in the ‘70s,” Yovanovitch adds. “It was impossible to create a striking architectural structure because of the town’s uncompromising architecture regulations.”

“We had to lose a bedroom in the design stages in order to open up space for the oval-shaped lobby.” – Pierre Yovanovitch.

Despite the hotel seamlessly blending in to the natural winter wonderland location from the exterior (literally positioned on what was previously a piste ski route), inside, Yovanovitch paints a contrasting picture. Through the blonde, wooden-framed automatic doors, an understated check-in desk sits under a large painted oval ceiling. “Originally, the ceiling in the lobby was too low,” the designer explains. “As a result, we had to lose a bedroom in the design stages in order to open up space for the oval-shaped lobby.” The now intricately painted ceiling that forms a backdrop for a chandelier that looks like a melting ice cube is also guests’ first introduction to a loose motif, which continues throughout the hotel: the theme of owls – think of it as the designer’s contemporary flair, or a well-placed obsession.

intricate dome in the ceiling shelters seating underneith

Image caption/credit: The quirky, understated hotel lobby/Hotel Le Coucou

For the owners of the hotel, Maisons Pariente, there was only ever one designer for the job. “We were familiar of Pierre’s work and knew instantly that he was perfect for what we had in mind for this hotel,” said Kimberley Cohen, Artistic Director of Maisons Pariente. Thanks to the designer’s idiosyncratic take on slope-side luxury, Hotel Le Coucou has made it onto the radar of winter luxury travellers.

As well as the property remaining sensitive to its location in order to not lose the charm and personality of the local architecture, the public areas are also a nod to Yovanovitch’s stamp in the world of interior design. Several iconic Bear Chairs from his recent collaboration with R&Company, for example, are meaningfully scattered around the public areas, which adds the designer’s signature playful and contemporary style inside the shell of what on the outside looks to be a traditional alpine hotel.

“I was inspired to ensure that every room had an amazing view.” – Pierre Yovanovitch.

Capturing what you could strongly argue, from a hotels perspective at least, to be the most striking panoramic vistas in all of the French Alps, each of the boutique jewel’s guestrooms and suites have been designed to frame postcard-perfect views of undulating mountains. “I was inspired to ensure that every room had an amazing view, that was the most important thing when I came to design these areas,” explains Yovanovitch. “Sometimes, the view itself is more important than the décor.”

The 39 suites and 16 rooms are adorned with rich, warm colours and more than 160 contemporary art pieces as well as modern technology. The snow-inspired carpets inject sense-of-place and add a new layer of character into the lodge-like spaces. Although each guestroom and suite share the same motif, each shelter individual elements and somehow still maintain a traditional alpine style.

Bear chair next to lamp and on snow-inspired carpet

Image credit: Hotel Le Coucou/Jérôme Galland

The plush en-suite bathrooms, which are layered in marble, feature quality supplier labels and are complete with Italian faucets from Stella, Duravit W/Cs with Geberit operation panels and Beurer vanity mirrors as well as discreet wash-room style shower that is simple to operate. Character is injected into these spaces with imperfect oval-shaped mirrors and Yovanovitch’s bulb lighting.

Hidden downstairs, away from the public eye, are the hotel’s two four-bedroom chalets; worlds of their own. Both expansive two-floor chalets showcase Yovanovitch’s mastery of volume and architectural angles and continue to combine five-star luxury amenities with the detailed craftsmanship found in a traditional alpine home. Each are fully equipped with en-suite bedrooms, spacious living area and a games area as well as a private ski room, pool and spa.

For the main hotel guests, the hotel’s indoor and outdoor pool also feature private moments, such as relaxation areas that are nestled poolside underneath sculpted arches. The pool areas, divided by a bay window, create a stunning, trompe-l’oeil effect with views of the postcard-perfect vista outdoors. Down the corridor, six massage treatment rooms with specialist treatments from Tata Harper and a sauna area offer a deeply relaxing experience, and above this area is a state-of-the-art fitness studio and gym.

While there are three F&B areas in the hotel, the Beefbar restaurant and the adjacent bar create equal statement, as they frame the most spectacular views through unobtrusive floor-to-ceiling windows and are deliberately placed on the ground floor to create a dramatic first impression.

The Beefbar restaurant is full of thoughtful nods to the hotel’s name, location and character of its owners. A wall of cuckoo clocks above the tables, for example, reflects the traditional decor of the region, and emoji-themed plates create humour in all the right places. In the bar, low-level furniture that, when not sat on, abstrusely depicts an owl sitting on a textured geometric carpet. Together with a pastel pink, blue and mustard palate in the walls and furniture makes this area an exciting instagrammable space that feels warm, inviting and far from stuffy. Meanwhile, the hotel’s fine-dining restaurant, Bianca Neve, is located on a lower floor and is ideal for an evening meal, once the sun has disappeared over the horizon and guests’ attention can focus inwards. Yovanovitch’s artistic mark continues with a strong choice of bold colors, rich materials and an intricate ceiling fresco for good measure.

Light and bright restaurant

Image caption/credit: Bianca Neve restaurant/Hotel Le Coucou

Hotel Le Coucou is the third opening for Maisons Pariente in 2019, following closely behind the opening of Hotel Lou Pinet, Saint Tropez in June 2019 and the reopening of the refurbished Hotel Crillon le Brave in Provence on May 1, 2019. The Pariente family have their sights set on Paris, in le Marais, for a fourth addition to the collection in 2021.

Exterior shot of the hotel

Image credit: Hotel Le Coucou

A destination as precious as Meribel, in my humble opinion, requires a meaningful design eye when it comes to redevelopment. Yovanovitch has proven that rigid architectural boundaries do not automatically limit the level of creativity. Instead, it is clear that his studio’s eccentric style was everything and more the destination was crying out for.

Image of man standing with back to camera overlooking snow-capped mountains

Image caption/Credit: Editor Hamish Kilburn saying goodbye to Meribel once more from his slope-side luxury suite at Hotel Le Coucou/hotel_design_editor

If anyone was in doubt of Yovanovitch’s credentials of being one of the great modern designers of our era, then they have only to check in to a place truly like no other, Hotel Le Coucou is open for business.

Suppliers
Bathroom: Duravit, Geberit, Stella | Furniture: Pierre Yovanovitch Studio, R&Company, Ethimo| Lighting: Pierre Yovanovitch| In-room technology: Samsung

Main image credit: Hotel Le Coucou

Image of bathroom from the ceiling

INDUSTRY INSIGHTS: Bathroom solutions for accessible spaces

730 565 Hamish Kilburn
INDUSTRY INSIGHTS: Bathroom solutions for accessible spaces

Bathroom supplier Kaldewei reminds us on some of the affordable and timeless solutions for all guests around simple bathroom renovations… 

The hotel bathroom should be a place that feels comfortable as well as practical. In recent years, the hotel industry has demanded bathrooms to be fit for purpose for guests of all ages.

Image of bathroom from the ceiling

For some individuals checking in, old age restricts their freedom of movement and poses trip hazards when negotiating their way into and out of the bath or shower.

It’s high time for a bathroom upgrade to meet the needs of advancing age. Kaldewei advises ideal solutions for a flexible bathroom – meeting the needs of both now and in the future, as well as looking stylish – without over-stretching the often limited budget in retirement.

Everyone eventually faces the challenges of advancing age, where daily life and mobility in our own home becomes increasingly difficult. This is when we need an interior that is optimised for the needs in later life, enabling us for as long as possible to live autonomous lives without assistance. The bathroom is one place in the home where privacy is paramount and it should therefore be designed to ensure independence in taking care of personal hygiene needs, regardless of age. How do we eliminate trip hazards? What can we do if getting in or out of the bath is no longer safe? How can we maximise space for more room to manoeuvre?

Kaldewei offers practical and affordable solutions that help upgrade the bathroom to a flexible bathroom which meets the needs of now and the future as well as having the feel-good factor, as seen in the below ‘before and after’ images.

XXL-size floor-level showers in place of a bath

Developers increasingly opt for a floor-level shower to replace the bath and for good reason, because floor-flush showers create a seamless transition to the floor, improving comfort, safety and visual appeal. This fusion makes the room appear bigger and provides ease of access with no edges to trip over. As a manufacturer of double steel enamel bathroom products, Kaldewei has a portfolio of more than 100,000 solutions for floor-level shower areas. Upgrades benefit particularly from large-size shower surfaces, as they can be easily and inexpensively installed in place of a bath. The position of the waste outlet eliminates the need for complicated shifting of the bathroom waste pipe. Enamelled XXL shower surfaces from Kaldewei start at around £509 for the Kaldewei Cayonoplan shower surface in size 90cm x 140cm. Shower surfaces can optionally be finished with a slip-resistant coating such as Kaldewei Secure Plus for additional safety at no extra cost for many models.

Smart washbasin design for greater freedom of movement

The Kaldewei steel enamel washbasins are the perfect match for a floor-level enamelled shower surface. They are available in a variety of sizes and designs, including several wheelchair-accessible wall-hung models. A countertop washbasin with wall-hung bathroom furniture is ideal where extra utility space is essential. Kaldewei offers countertop washbasins in four different designs.

Main image credit: Kaldewei

Authentic restaurant inside 18th century palace. Large pillars separate tables and rustic fabric hanging down from the ceiling adds charm and character

Palacio Solecio opens as Malaga’s first luxury boutique hotel

730 565 Hamish Kilburn
Palacio Solecio opens as Malaga’s first luxury boutique hotel

An inspiring transformation of an aristocratic palace, Palacio Solecio has opened as a 68-key luxury boutique hotel in 18th century building…

In the heart of old town Malaga sits Palacio Solecio, an 18th century architectural gem that now shelters the destination’s first luxury boutique hotel.

Authentic restaurant inside 18th century palace. Large pillars separate tables and rustic fabric hanging down from the ceiling adds charm and character

The palace, which was derelict for 80 years before restoration began, has been lovingly and sensitively redesigned by Antonio Obrador in order to retain its authenticity. The building, which became a masterpiece of architecture for its time, has been transformed, whilst maintaining the essence of its architecture and decorative details, creating a hotel where old meets new.

“The idea was to be authentic, but not folksy.” – Pablo Carrington, founder of Marugal Hotels.

The hotel is operated by Marugal Hotels, which specialises in the management of independent, one-off hotels. “Palacio Solecio is one of the finest examples of 18th century domestic architecture in Málaga, so our restoration has been incredibly sensitive,” said Pablo Carrington, founder of Marugal Hotels. “We’ve been able to incorporate the wonderfully decorative original architectural elements – pilasters, garlands, Tuscan columns topped by vases, the original staircase – into the design of the hotel. For the interiors, we’ve been led by old photos of the palace. The idea was to be authentic, but not folksy.”

Exterior of the palace

Image credit: Palacio Solecio

Current rules dictate that the footprint of Listed buildings in Spain must remain the same – so details such as the inner courtyard are exactly as they would have been when the palace was new. Original features – the old grills over the windows, elements of the main staircase (including the decorative arch and columns)– have been meticulously restored. The façade has been re-painted and returned to its original appearance.

Reading light on blue and cream textured wallcovering

Image credit: Palacio Solecio

In a deft and subtle acknowledgment of Andalucía’s history, the decorative details are rich with Moorish influence. Painted leatherworks – Cordobanes – which became popular in Andalucía in the 16th and 17th century adorn the walls, bringing their striking patterns and deep colour palettes to the interior. Fabrics have been reproduced from old photos of the palace interiors, such as the typical espiga fabric with its herringbone design, used in the guestrooms. Even the smallest detail – door handles, the bedside tables – are subtly redolent with local character to brilliant effect.

Image of the guestroom, which features blue and cream fabrics on bed, headbaord and led lighting in the ceiling

Image credit: Palacio Solecio

The guestrooms meld quiet sophistication and comfort with the authentic charm of the building, with parquet floors, and stunning lighting. The interiors are both rustic and modern, a combination of neutral colours with splashes of bold prints and local Andalusian artwork.

Following the initial opening, in 2021, the hotel is expected to add a further 49 rooms as well as a rooftop bar and pool.

Main image credit: Palacio Solecio

VIP ARRIVALS: Top hotels to open in February 2020

730 565 Hamish Kilburn
VIP ARRIVALS: Top hotels to open in February 2020

With the aim to cut through the noise in a contemporary tone, Hotel Designs has the scoop on which statement and game-changing hotels are expected to open in February, 2020…

The hotel industry never ceases to amaze with its ability to break through hard barriers to take design, architecture and creativity to new heights and levels.

Following Hotel Designs’ two-part series published last month, where it shared the major hotel openings of 2020, the editorial team have narrowed down the search even further to identify the hotels that will arrive onto the international hotel design scene this month. From architectural firsts in Dubai to long-awaited heritage hotels in London – and the start of a family of hotels in Manchester – the industry, in all corners of the globe, is about to display a spectacular performance of how far design and architecture briefs can be stretched.

Here’s February’s top picks…

Hotel Brooklyn, Manchester

Image credit: Bespoke Hotels/Hotel Brooklyn Manchester

As Hotel Designs prepares its troops for its annual northern networking event to take place in the city that is fast-becoming a hotel developer’s dream, Hotel Brooklyn is ready and waiting in the wings to unveil its contemporary design.

Designed by Squid Inc – the team behind the renowned Hotel Gotham – the long-awaited Hotel Brooklyn will shelter 189 rooms that are inspired by the New York Borough and chosen for its resonating similarities to Manchester, in terms of its buzzing industrial growth, as well as its strength of identity and culture.

If Hotel Gotham, its older sibling that opened in 2015, is anything to judge by, then we expect a playful hotel that is not afraid to bend, even break, the rules of hospitality for its guests.

ME Dubai

Image credit: ME Dubai/Zaha Hadid Architects

Following the opening of The Morpheus last year, and Hotel Designs’ interview with one of the lead architects behind the projectZaha Hadid Architects is preparing to celebrate yet another groundbreaking moment in architecture.

The London-based firm’s latest project, the Opus, is days away from entering onto the international hotel design landscape with arrival of ME Dubai. The 93-key hotel will feature dramatic, signature furniture in the lobby, lounges and reception area, which were either designed or personally selected by the late Zaha Hadid.

Zedwell, London

Image credit: Zedwell London

Opening it’s doors February 2020, the first Zedwell will be housed in one of central London’s most iconic venues; The London Trocadero. Holding in excess of a staggering 700 guestrooms, the flagship Zedwell will be one of the largest hotel openings in the capital within the last decade.

As well as large in size, the hotel is also clever and ahead of its time for many reasons, such as installing high-tech soundproofing, filtered air to enhance the overall guest experience.

Artist Residence, Bristol

Image credit: Artist Residence

The founder of Artist Residence, Justin Sailsbury, is known today as a true pioneer in sustainability and meaningful design who spends hours on end browsing ebay and other search engines for vintage-gem furniture and casegoods to layer into his hotels.

Following the success of the London property, the brand is expanding – and so too is his message to other independent hoteliers in the industry. Entering into tier two cities around the UK, allows the brand to stay in its unique lane of offering a residential, friendly and quirky hotel and hub. The bustling city of Bristol is the next location on the list, with the opening of Artist Residence Bristol moments away.

Arctic Bath in Lapland, Sweden

Image credit: Arctic Bath Sweeden

Situated under the northern lights in winter, and the midnight sun during the summer months, Arctic Bath is a unique hotel and spa experience that welcomes guests to immerse themselves in the elements while leaving a minimal environmental footprint behind.

The idea of a floating sauna first came to Harads resident Per-Anders Eriksson during the opening of Treehotel in 2010. At first, the vision was a glass cube on a raft. Bertil Hagström, who designed Treehotel’s The Bird’s Nest, took over the idea and in 2013 he and Johan Kauppi designed Arctic Bath’s floating, circular building.

The Guardsman, London

Image credit: The Guardsman Hotel/Tonik Associates

The Guardsman is a purpose-built luxury London boutique hotel that is expected to offer the atmosphere, discretion and personal service usually associated with a private members’ club.

Presenting guests with what is being described as “a true home away from home experience”, the 53-key hotel, which sits on Buckingham Gate, London, has been designed by Dexter Moren Associates and multi-disciplinary design practice Tonik Associates.

Hotel Designs is currently researching and writing the next article in this series, which will identify the top hotels that are opening in March, 2020. If you are working on a hotel project, or know of a hotel, that would qualify, please email the editorial team

Main image credit: ME Dubai/Zaha Hadid Architects

CASE STUDY: Furnishing London Marriott Hotel Kensington

730 565 Hamish Kilburn
CASE STUDY: Furnishing London Marriott Hotel Kensington

Recommended Supplier Curtis has recently supplied headboards, TV units, wardrobes, desks, vanity shelves and mirrors in London Marriott Hotel Kensington…

In line with the design brief to create a stylish and modern ‘bleisure’ hotel, Curtis was specified to create bespoke furniture for London Marriott Hotel Kensington.

The company supplied furniture in xylocleaf MFC, hand-selected pressed European walnut, including upholstery, and polished stainless steel.

Due to the complexity of the room design for this stunning hotel refurbishment, the client needed to find a supplier whom they could trust to work closely in partnership with the main contractor.

Having worked with the furniture company before, the client chose Curtis to supply the hotel because it is a quality UK-based supplier with large manufacturing capability, it prides itself on having a meticulous project management process, tried and tested since 1998 and its solid partnership approach with a strong customer service record.

“The effect of all these different co-ordinating materials is of a luxurious design with consideration given to every detail.”

Each room needed to be supplied over four separate visits to allow other contractors, such as decorators and electricians, in to complete their work in the correct sequence.  Curtis, already known to the client for our eagerness to be flexible and provide great customer service, worked in close partnership with the main contractor to ensure our timings fitted into the schedule perfectly.

“The initial stages had tight lead times and Curtis pulled out all the stops to ensure we could get moving as quickly as possible,” explained David Elliott from County Contractors. “We were impressed with how smoothly everything went, and with the quality of finish and fitting of the furniture.”

Curtis manufactured, supplied and installed bespoke furniture, including:

  • Upholstered headboards
  • Gladstone oak MFC TCMF trays with black powder coated legs
  • Statement hand-selected pressed walnut features on TV units, sideboards and wall panels
  • Xylocleaf MFC bedsides
  • Fenix NTM desks, with solid ash legs and mirror panelling
  • Upholstered luggage benches
  • Co-ordinating wardrobe areas with Gladstone oak drawers with leather handles, xylocleaf minibar units and black powder coated hanging rails
  • Metal-framed mirrors with integrated glass vanity shelf.

In the suites, slotted privacy walls and swivel TV units in hand-pressed walnut add to the impressive combination of beauty and function.

The effect of all these different co-ordinating materials is of a luxurious design with consideration given to every detail and how it will impact on the guests’ experience.  Thoughtful design doesn’t come better than this.

Curits is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Checking in: Heckfield Place

730 565 Hamish Kilburn
Checking in: Heckfield Place

Former senior stylist for House & Garden and The Brit List Awards 2019 judge, Florence Rolfe, checks in to the award-winning Heckfield Place to discover how the hotel is anything but ‘greenwashing’ in both its design and operation…

I recently received a dream invitation to the highly acclaimed country manor hotel Heckfield Place. Naturally, I obliged.

The Georgian Manor House, which is set within a 438-acre estate, is now a hotel that holds a substantial reputation in the market for its extremely elegant and sophisticated interior style.

Cleverly designed by Ben Thompson (a protégé of Ilse Crawford), a surveillance and understanding of the natural surroundings seem to have inspired a subtle colour palette. Not much pattern to be seen here (which I love), but instead a clever use of varying textures that combine to create a relaxing and peaceful environment for guests.

Located only one hour outside of London, I couldn’t wait to get there. As I approached the spectacular Georgian Manor House I was welcomed by the concierge dressed in a plain, rather cool looking linen pinafore and shirt (designed by cutting edge London based label Egg) who took our bags and offered to park our car for us. We were greeted again in the grand hallway by a member of staff offering a delicious welcome refresher.

Wooden staircase

Image credit: Heckfield Place

No sign of a traditional desk check-in. Instead, we were immediately given a choice of an initial tour of the building or to go straight to our room. Tempted by the sound of murmuring voices at the bar and the smell of a roaring fire, I decided to opt for the latter after arriving in darkness. Corridor walls are lined with carefully curated art works from the owner’s private collection. Windows along the corridor are decorated with delightful white lace sheers for added privacy. Over-sized decorative pots on the window-sills force you to notice their eye-catching shapes and interesting textures.

Every single design element has been so carefully considered. On the approach to our room, the concierge pulled the room key from a small envelope that had my name embossed on it. If that isn’t considered luxury attention to detail,  I don’t know what is! Whilst on the subject of details, the electronic door lock (often very unattractive) has been beautifully disguised behind a plain white linen hoop.

Mustard walls in guest room looking through into bathroom

Image credit: Heckfield Place

As our guide opened the door, an immediate warmth overwhelmed me. I was not only confronted with a few of my favourite interior design comforts, but any amenities that were waiting for us had been so carefully thought about and beautifully styled – a tray of apples and a bag of chestnuts became a work of art. A clear intention to steer away from plastics was consistent throughout the room. Any homemade treats left for us in the minibar were presented in jars (home-made Ribena) or paper bags (containing salted almonds or coconut macaroons).

This was no ordinary minibar: a dark and mysterious, rather chic looking kettle sat on the top with a secret drawer beneath. It cleverly pulls out of the minibar with a connector to hold the kettle.

Coat hooks have been styled with woven baskets that hang ready and waiting for you take to the spa (or to collect any items that you might have foraged from around the grounds). Vases of dried flowers (grown and dried on site) are dotted around the room amongst carefully considered clientele coffee table books – ready for you to fall into a large, comfortable sofa and indulge.

Soft pastel colours on bed and on armchair

Image credit: Heckfield Place

The addition of the Fiddle leaf fig plants are something that I don’t always see in hotel rooms. Effective, as it is now considered that house plants are thought to be a calming influence in a space. A contemporary natural rush woven headboard runs across the width of the bed, creating a back drop that highlights the antique bedside tables on either side. Overall, the bedrooms feel stylish and homely. Everything from the furniture to the lighting to the styling has been carefully thought about with detailed consideration and most importantly with the guest in mind. I really didn’t want leave!

After an extremely peaceful nights sleep, breakfast was only a short walk away. An impressive dining room with full panoramic views of the grounds means that you can sit, relax and enjoy your eggs (collected fresh from the farm earlier) just the way you like them!

After breakfast I took a walk around the ground floor as I was intrigued to explore during the day. Daylight floods in through the main hall and along the corridors bouncing off the grand interior architecture throughout. Two enormous airy yet cosy drawing rooms still adhere to the muted colour palette. Thompson has stuck to linens in soft greys and neutrals on both the curtains and chairs, adding punch here and there with pastel coloured velvet cushions. Fires are lit throughout the day during the winter, making this an ideal spot to sit and enjoy a cuppa after a long country walk.

A wood panelled private dining room with a grand marble fireplace also has full views of the estate. It also hosts an array of beautifully arranged floral arrangements by florist Kitten Grayson, including a stand out dried floral wreath that hangs over an enormous oak dinning table.

I jumped at the chance when I was offered to go on a tour of the farm. Heckfield Place has become well known for its contribution to sustainability and the farm follows biodynamic principles. Guests are advised to wear willies, which are provided for by the hotel –  downstairs you are spoilt for choice with black Hunter wellies laid out for you, in every size possible.

In my opinion good hotel interior design is about creating a home away from home: to feel that you can walk in somewhere and simply fall into bed or onto an extremely comfortable sofa – a peaceful retreat. Heckfield Place seems to have got it just right. The aspirational photography featured on its website and Instagram account is only a hint of the true inspirational experience this place so effortlessly shelters.

Main image credit: Heckfield Place

EARLY RELEASE tickets open for Hotel Designs’ premium networking events

730 565 Hamish Kilburn
EARLY RELEASE tickets open for Hotel Designs’ premium networking events

For limited time only, Hotel Designs has opened discounted EARLY RELEASE tickets to Meet Up London (May 13) and Meet Up North (July 6)…

After hosting a hat-trick of successful and meaningful premium networking events up and down the country last year, Hotel Designs is offering designers, architects, hoteliers, developers and suppliers to purchase discounted EARLY RELEASE tickets to Meet Up London and Meet Up North.

Until January 31, tickets to both Meet Up London and Meet Up North are available to purchase for designers, architects, hoteliers, developers and those who supply to the hospitality industry. The regional events, which last year bridged the gap between more than 400 design and hospitality professionals, are regarded as two of the industry’s most established networking events. “We are fully committed to host our networking events in locations and venues that are at the heart of the hotel design community,” said editor Hamish Kilburn. “We hope that Meet Up London and Meet Up North, which include relevant themes and talks at both, help to build seamless relationships as well as inspire the industry to further push boundaries in design and hospitality.”

About Meet Up London 
Date: May 13, 2020 | 6pm – 10pm
Venue: Minotti London | Theme: Inspiring Creativity
Headline Partner: Hamilton Litestat | Partner: Crosswater

Following the success of last year’s spring networking eventHotel Designs is delighted to return to Minotti London for Meet Up London 2020, the publication’s first networking event of the year. The London Fitzrovia showroom, which recently played host to an exclusive roundtable, will shelter an evening like no other around the theme of Inspiring Creativity, with the concrete aim to further bridge the gap between designers, architects, hoteliers, developers and key-industry suppliers.

EARLY RELEASE SUPPLIER TICKETS*: £99 + VAT (expires on January 31)  | CLICK HERE to purchase your tickets.
EARLY RELEASE BUYER TICKETS**: £10 + VAT (expires on January 31) | CLICK HERE to purchase your tickets.

Sponsors for Meet Up London (so far): 

About Meet Up North 
Date: July 6, 2020 | 6pm – 10pm
Venue: Central Manchester (venue to be announced shortly)| Theme: Manchester On The Boards
Headline Partner: Hamilton Litestat | Partner: Crosswater

Considering the vast amount of hotel projects currently on the boards in the north – many of which are slated to complete in Manchester and open this year – Hotel Designs will be returning to the city of Manchester for Meet Up North 2020. The city, which has hosted the concept since its launch in 2018, will once again welcome leading designers, architects, hoteliers, developers and key-industry suppliers for the market’s leading networking event in the north of England.

EARLY RELEASE SUPPLIER TICKETS*: £99 + VAT (expires on January 31) | CLICK HERE to purchase your tickets.
EARLY RELEASE BUYER TICKETS**: £10 + VAT (expires on January 31) | CLICK HERE to purchase your tickets.

Sponsors for Meet Up North (so far):

If you would like to discuss various sponsorship packages available, or if you have any enquires regarding tickets, please contact Katy Phillips via email, or call 01992 374050.

Early Release offer strictly ends January 31, 2020.

* Those eligible to purchase Supplier Tickets must be industry suppliers.
** Those eligible to purchase buyer tickets must prove that they are an interior designer, architect, hotelier or developer.

close up of wall partition in the restaurant

How twenty2degrees redesigned Budapest Marriott Hotel

730 565 Hamish Kilburn
How twenty2degrees redesigned Budapest Marriott Hotel

Hotel Designs follows twenty2degrees, which has just completed a two-phase refurbishment of Budapest Marriott Hotel…

Whenever a project completes from The Brit List 2019 accredited design firm twenty2desgrees, you know that its design is going to do three things: 1) stand out from the crowd, 2) be full of personality and 3) have meaning. The team’s latest project, Budapest Marriott Hotel, is no exception of that unwritten, yet widely known, rule.

close up of wall partition in the restaurant

Phase one of the renovation began with the brand’s signature ‘greatroom’ concept, which harmonises reception, lobby lounge, bar and restaurant in a single open space, followed by the hotel’s function and meeting rooms. The result not only aligns with brand expectations but, thanks to the designers’ introduction of local context and artistic provenance, feels absolutely at home in this historic and creative city.

Large contemporary partition in lobby/f&B area

Image credit: Marriott International/twenty2degrees

Tucked along the banks of the Danube River, the hotel overlooks some of the capital’s most iconic landmarks including the Chain Bridge and Buda Castle. The 50-year old building belongs to the Brutalist mid-twentieth style of architecture, and the designers pay homage to the concrete façade with a new stone sculptural relief in the lobby. Beyond this, however, the interiors are now modern and tactile with numerous residential-style details to ensure guests feel at their ease from the moment they arrive. The firm, headed up by Nicolas Stoupas and Joseph Stella, has also introduced Marriott’s first ‘disruptive bar’ – a free-standing island bar in the lounge designed to evolve through the day, from morning coffee and pastry service, to cocktails and snacks in the evening.

Large and comfortable lobby/lounge area

Image credit: Marriott International/twenty2degrees

“While addressing all the ‘Marriott Modern’ touchpoints, we felt it was important to also capture the rich essence of Budapest, a vibrant European city with a tremendous amount of history and a vast number of creative individuals, both past and present, from whom to draw inspiration,” explained Stella, Creative Director of twenty2degrees. “Whenever we begin a new project, we first look to the brief in order to form the bare bones of the design. Then we explore the locality in order to added layered design elements”.

The work of Hungary’s renowned Bauhaus designer, Marcel Breuer, and artist, Laszlo Moholy-Nagy, was the inspiration for the specially designed carpets and the refined-yet-elaborate decorative screens throughout the Greatroom. Integrated as an artistic and architectural element, they also serve to zone the space without shutting off any areas. These areas include: The Individual Zone for guests to relax, read, work and enjoy a coffee or a light snack, The Social Zone that is centred on the Liz and Chain Bar, and The Guest Service Zone where customers check in. Zones are defined by varying colour palettes as well as by different seating, tables and lighting options. The multi-functional, open plan scheme is designed to reflect our modern lifestyle where the opposing demands for privacy and human connection, work and socialising need to be met within a flexible space.

large island in the middle of modern F&B area

Image credit: Marriott International/twenty2degrees

Together with cubist shapes and Bauhaus curves, twenty2degrees’ celebration of the local is continued through a collaboration with contemporary local artists, Janos Huszti, Petyka, and Stefan Osnowski. Their pieces, as well as a collection of traditional paintings and prints and integrated artworks compliment the colour scheme and provide an impressive gallery feel to some of the areas.

The meeting and banqueting spaces boast stunning views of the city. Together they represent 17,000 square feet of versatile space that includes Grand Budapest Ballroom, Ballroom Terrace, and a number of flexible meeting rooms. The redesigned spaces display similar aesthetic values to the Greatroom, echoing Bauhaus principles, favouring functionality over ornamentation and asymmetry over symmetry. They too are modern and tactile, combining cubist inspired forms with a contemporary design style.

Main image credit: Marriott International/twenty2degrees

PARIS PREVIEW: What to expect at MAISON&OBJET and Deco Off 2020

730 565 Hamish Kilburn
PARIS PREVIEW: What to expect at MAISON&OBJET and Deco Off 2020

As Paris prepares to welcome designers from around the world for Maison&Objet and Deco Off, editor Hamish Kilburn previews what he expects to be the most significant products to launch at both shows… 

Maison&Objet and Paris Deco Off never fail to attract and engage a large international crowd, and with just days until this year’s shows open, 2020 is going to be no exception.

Despite the two events contrasting in style – one dominating the volume of Parc des Expositions de Paris Nord Villepinte on the outskirts of the city with a variety of brands, and the other spilling out into the streets of Saint-Germain-des-Prés – together they work harmoniously. As a pair, they are undoubtably two of the hottest events in the design calendar, intriguing more than 80,000 design enthusiasts to descend onto the streets and trawl through the exhibition halls of Paris.

Many would argue, myself included, that both shows have become the go-to destinations to garner and guage the product launches and new styles from leading suppliers that are expected to dominate the market over the course of the rest of the year. It is for that reason, and the fact that there sea of interior design trends flooding the market, why Paris a quality trip worth taking in January if you are looking to cut through the noise for interior inspiration.

However, as someone who has walked the six halls and the narrow streets, it’s wise to approach Maison&Objet and Paris Deco Off as a marathon, and not a sprint. In order to give you a headstart, here are just some of the product launches and new collections that we expect will create the most noise this month.

Zaha Hadid Design: Hall 6 — Stand P38 (M&O)

Image of abstract glass plate

Image credit: Zaha Hadid Design

Interpreting the ordinary into something unexpected. Referencing Zaha Hadid’s process with each new project – ZAHA HADID DESIGN (ZHD) continues to examine its significance within the dialogue of contemporary design by interpreting both the present and the future, and by continuing to share Hadid’s story.

ZHD, which has been led by co-directors Maha Kutay and Woody Yao since 2013, has an extensive cross-disciplinary portfolio which includes design in fashion; jewelry; limited edition furniture; interiors; exhibitions, installations, sculpture, and set-design.

NANOLEAF: Hall 1 — Stand G49 (M&O)

Image of lounge funky lights above comfy sofa

Image Credit: Nanoleaf

Founded in 2012, but only recently exciting the hotel industry with its modular lighting design, is NANOLEAF. The lighting company prides itself on creating innovative lighting solutions that are smarter by design. By infusing artistic design and technological innovations in their products, NANOLEAF brings excitement, convenience, and joy to the way people experience light. NANOLEAF is a green technology and “IoT company” changing the world with innovative lighting solutions.

The newly introduced Unified Light Panels Line with interconnectivity will give users complete design freedom to create all new creative configurations, from abstract geometric layouts to perfect replicas of their favorite characters and shapes. The Unified Hexagons invite users to truly tap into their imagination to personalize their lighting designs.

NARDI: Hall 6 — Stand M111

Birdseye view of pink outdoor furniture

Image credit: Nardi

NARDI Italian manufacturer of outdoor furniture 100 per cent Made in Italy that is furiously waving the sustainability flag. The company, which was founded in 1990 and based in Italy, is specialised in designing and producing high-quality designer furniture in resin for outdoor use in the residential and hospitality sectors. All of its products, designed for people’s wellbeing and relaxation, are made in a production chain that is entirely “Made in Italy” and are eco-friendly. High-quality resin processed using cutting-edge systems is combined with aluminium, synthetic fabrics, padded elements and glass to make products with a design that is original and almost completely recyclable.

OGO Furniture: Hall 6 — Stand C80 (M&O)

An aray of quirky seatsOGO is a brand with roots that comes from the Spanish islands. The mild temperatures have marked the serene and peaceful character of the company’s products, so that guests can enjoy the open air.

Nacho Timón and Ana Llàcer, both Valencian designers, together with the OGO creative team have developed an original collection created to be practical and useful. A key aim for OGO is to not limit designers when decorating a space. Exhibited at the show, LOLA by OGO is a minimalist, versatile and unique piece that is ideal for a contemporary hotel lobby.

PEDRALI: Hall 6 — Stand J2 / K1 (M&O)

Studio image of four varying sized chairs with blue and pink background

Image credit: PEDRALI

Since 1963, PEDRALI has produced seats, tables, complements and lighting exclusively manufactured in Italy through a design process, which combines tradition and innovation, engineering excellence and creative brilliance. The latest collection, Folk, is the result of an accurate research aimed to create industrial design products made of metal, plastic materials, wood as well as upholstery.

Following the cornerstones of a 100 per cent made in Italy production philosophy, the company’s activity is joined by a profitable collaboration with numerous designers that has allowed the company to achieve an award-winning status in the international contract market.

Arte Showroom – 6 Rue de l’Abbaye (Deco Off)

Showroom with large colourful, jungle-like wall

Image credi: Arte

Following the unveiling of an army of new and adventurous collections in 2019 – as well as hosting an insightful roundtable – Arte’s showroom in Paris is preparing to lift the lid on more new wallcoverings for 2020. Arte wallcoverings adorn the walls of both residential homes and project interiors in more than 80 countries worldwide. Every year, an in-house team of experienced designers creates several new collections. All of these new products must be innovative and trendsetting while also being of superior quality. The wallcoverings vary from urbain sophistication to dramatic exuberance, but they always retain the same tasteful elegance.

If 2019’s eclectic mix of surfaces is anything to go by, then the showroom will be well worth a visit during Paris Deco Off.

Designers Guild – 4 Rue Vide Gousset (Deco Off)

Residential set with grey sofa and plants

Image credit: Designers Guild

Designers Guild is introducing a distinctive new season abundant with an elegant mellow richness. Spring 2020 examines the influence of the early twentieth century garden designers and their innovative use of natural wild planting – pushing the boundaries of style just as its artistic and literary counterparts of the Aesthetic Movement also did. Discover a decorative fabric collection of floral prints, elaborate embroideries and complex geometrics, plus versatile textured wallpapers and four new plain and essential fabric textures. Imagined in every organic hue, from earthy sepia, birch and hemp, to celadon, emerald and topaz with hints of azalea and turmeric. With beautiful new home accessories too, a new paint collection inspired by the soft, soothing shades of nature and new collections from the company’s brands.

Jab Anstoetz – 25 Rue du Mail (Deco Off)

Yellow and pastel coloured chairs around white modern table

Image credit: Jab

Since 1946, Jab Anstoetz has been showing its true colours in textile furnishings at the highest level of quality. The Bielefeld-based group of company’s portfolios is continuously growing, setting new trends in interior decoration with a sure instinct. Among its range: textile furnishings, wallpapers, flooring lines (carpets, wall-to-wall carpets, LVT), high-quality curtain rods, blinds and panels, upholstered furniture as well as exclusive accessories.

Jean Paul Gaultier – 325 Rue Saint-Martin (Deco Off)

Colourful chair and curtain in front of leaves

Image credit: Jean Paul Gaultier

This time the influences in Jean Paul Gaultier’s new collections are taken from the pop universe, where the fortune teller and the work of the macrame makers blend naturally into magical landscapes of floral opulence and the third dimension and other graphic waves. The introduction of the first two outdoor fabrics continue the mix of playing with nature, but still with a nod to the influence of pop and even rock.

Kobe – (Deco Off)

Modern furniture with glass windows

Image credit: Kobe

Kobe is a successful editor of soft furnishing fabrics and wall-coverings for domestic and contract interior markets and will be among the leading suppliers exhibiting in the neighbourhood during Paris Deco Off. Kobe has showrooms and offices in major European cities and has a passion for interior design is paramount, with a strong focus on innovative high-quality products.

Rubelli – 11 Rue de l’Abbaye (Deco Off)

Catering for all contract needs, Rubelli is keeping tight-lipped around the launch of its new textile and wallcovering collections in Paris later this month. The company is, however, promising us new textures and new colours that are both smart and iconic, timeless as well as contemporary. The collection will be one to be seen, to be touched, to be experienced, to be loved. Following last year’s show, where the company launched a colourful display of new textiles, wallcoverings and partnerships, the showroom is expected to be among one of the most popular during Paris Deco Off 2020.

Zimmer + Rhode (Deco Off)

Green and yellow armchair in front of red backdrop

Image credit: Zimmer + Rohde

Raising the curtain on the ZR autumn collection – CIRCUS. The CIRCUS collection combines spectacle with precision and skill, whisks you away to a magical world, and shows that a great passion lies behind every true virtuoso.

If you or a company you know of are launching a new product or collection in Paris later this month, and you would like it featured on the Hotel Designs website, then please contact the editorial desk with description and high-res images.

Main image credit: Kobe

A new chapter: Fabiia’s showroom opens in Chiswick, London

730 565 Hamish Kilburn
A new chapter: Fabiia’s showroom opens in Chiswick, London

Furniture brand Fabiia has opened its doors to a new London showroom just in time for Sleep & Eat 2019… 

Marking a significant milestone for the furniture company, Fabiia has opened its doors to a new showroom on the doorstep of the quaint yet thriving neighbourhood of Chiswick, London. The new showroom’s strategically placed location has become the company’s first base in the UK, and will shelter brands such as Miniforms, Lightyears, Normann Copenhagen, Schneid, Delightfull, Fast, Labbate and Sika.

“When we first decided to make the move from Dubai back to the UK, we were keen to pick out a prime location for what would become the Fabiia Showroom,” said Fabiia’s creative director Shija Walia. “Three months scouring the streets of London led us to The Light Box, a studio set two minutes from Chiswick Park and a stone’s throw away from the Chiswick train station.

“To put things in perspective, most of the last year was spent pouring over Fabiia’s signature line of furniture. The team divided its time traveling around Europe identifying the choicest manufacturing units alongside juggling multiple projects in the Middle East. We sure have kept ourselves busy, but the results are most definitely worth it!”

A heady mix of indoor and outdoor furniture, designer lighting, plus a signature Fabiia flair alongside our architectural Norse LED lighting invites visitors into a showroom that lives and breathes design.

Image credit: Fabiia

“What was once a pipeline dream has now finally taken shape in a one-stop location for all your contract furniture/lighting requirements,” added Walia.

The brand’s timely entrance to unveil a UK showroom unfolds as one of Europe’s largest and most talked-about hotel design trade show, Sleep & Eat prepares to get underway – of which Hotel Designs is a proud media partner of.

Main image credit: Fabiia

Conrad Maldives Rangali Island debuts redesigned villas

730 565 Hamish Kilburn
Conrad Maldives Rangali Island debuts redesigned villas

Conrad Maldives Rangali Island, the luxury destination resort located on the picturesque setting of Rangali Island in the Maldives, is redesigning a unique set of villas available on the property…

Just more than year after Hotel Designs interviewed the designers and architects behind the world’s first underwater hotel suite, the same hotel, Conrad Maldives Rangali Island has unveiled the design details of its new mix of villas.

By next month, the resort will introduce five new room types including the Two-Bedroom Deluxe Beach Villa, Grand Water Villa with Pool, Grand Water Villa, Two-Bedroom Grand Water Villa with Pool and Two-Bedroom Grand Water Villa, encouraging all travellers – groups, families and couples alike – to find the room best suited to fit their every need and desire.

Yuji Yamazaki, principal of Yuji Yamazaki Architecture PLLC, NYC and design collaborator on the underwater THE MURAKA residence will apply his signature style of simple paired back luxury to the updated accommodations. The design of the villas will feature a clean and minimalist aesthetic, giving the space a natural, bright and airy feel intended to focus on the beauty just outside of the villa. The new design will promote a sense of harmony with the surrounding environment, awakening but not overwhelming the senses and providing absolute privacy and exclusivity.

“Our pioneering innovative hospitality to cater to the passion points and needs of our guests is the cornerstone of this resort,” said Stefano Ruzza, General Manager of Conrad Maldives Rangali Island.“We are thrilled to debut new villa categories to discerning travellers, marking the beginning of the next chapter of Rangali history and our commitment to driving the evolution of travel to the Maldives.”

The Deluxe Beach Villas were refurbished throughout 2018 and 2019. A selection of villas have recently been converted into new luxury Two-Bedroom Deluxe Beach Villas to offer the ideal space for any Maldivian holiday. The Two-Bedroom Deluxe Beach Villas will feature a new design with a private garden and pool, indoor state of art bathroom, a private outdoor rain-shower and floor-to-ceiling glass windows that illuminate the villa with natural light. Set amongst the tropical greenery, the standout feature of the newly designed villa is the addition of the second bedroom adjacent to the main villa, which has been purposely designed to accommodate a twin bedroom with luxurious floor-to-ceiling glass windows.

Image credit: Conrad Maldives Rangali Island

In addition to the Two-Bedroom Deluxe Beach Villas, Conrad Maldives Rangali Island is reinventing the Retreat Water Villas into two villa types – Grand Water Villa and Grand Water Villa with a pool. A popular room category, the Water Villas are set on stilts above the gentle ocean waves where guests can discover the true meaning of indoor-outdoor living. The redesigned villa will greet guests with a large living room, which can be converted into a second bedroom, along with views of the outdoor deck complete with a Jacuzzi or pool. Featuring clean lines and muted natural tones, the villas are located in the Spa Retreat, 100 meters off of the tip of the main island Rangali Finolhu, with vistas across the Indian Ocean to the resort’s second island, Rangali.

The in-demand Family Water Villa will also be transformed into two villa types and renamed Two- Bedroom Grand Water Villa and Two-Bedroom Grand Water Villa with pool. The design of the Two- Bedroom accommodation will be similar to the Grand Water Villas, but will offer two bedrooms, instead of one and can host any group of guests. Set on stilts over the Indian Ocean, the villas offer views of either the lagoon or ocean and a sunset or sunrise view and can sleep a maximum of four persons – two adults and two children, or four adults.

Set across two islands connected by an open-air overwater path, Conrad Maldives Rangali Island plans to announce additional enhancements in 2020 offering guests a Maldivian playground full of possibilities.

Main image credit: Conrad Maldives Rangali Island

EXCLUSIVE ROUNDTABLE: Meaningfully differentiating luxury in hotel design

730 565 Hamish Kilburn
EXCLUSIVE ROUNDTABLE: Meaningfully differentiating luxury in hotel design

To continue Hotel Designs’ series of articles to put sustainability under the spotlight, editor Hamish Kilburn chairs an exclusive editorial roundtable, in collaboration with Minotti London, to understand how today’s leading designers are sensitively working to create a more meaningful luxury hotel design landscape. Joining us on the Minotti sofa to discuss this topic:

With the aim to conceive and design meaningful luxury hotels, there is undoubtedly a question mark on how designers and architects can differentiate their projects to stand out as timeless jewels. With the rise in technology and social media, competition for hotel operators and developers is no longer limited to a single neighbourhood; we have very much entered a global arena. But how are today’s leading designers confronting the evolving hospitality landscape, and just how significant is sense of place when approaching sensitive luxury projects? We invited a handful of the industry’s most distinguished innovators to Minotti London‘s alluring showroom in Fitzrovia to find out more.

Hamish Kilburn: What are the largest misconceptions when it comes to designing luxury?

Jo Littlefair, Director and Co-Founder, Goddard Littlefair: Travelling globally, and understanding global attitudes towards luxury is so important. We have clients that have huge misconceptions to whatever project they are developing. We still struggle when clients associate harsh golds and marbles with luxury, for example. I find it really disheartening, because for me, a non-material object like ‘time’ is a luxury. When approaching the design of any luxury hotel, it’s really important to keep in mind the attitude you are trying to create.

Hamish Brown, Partner, 1508 London: There are a few buzzwords that keep coming up in the studio. We don’t have a ‘house style’ as such, therefore we are really trying capture and create sense of place within each projects. It’s not about fashion but about style. If you look at the great Hollywood movie stars now and compare them to images of themselves 30 to 40 years ago, quite often they will look as relevant now as they did then. That is certainly to do with style over fashion. We look at ways in which classical details and proportions can manifest themselves within a design.

David Mason, Head of Hospitality, Scott Brownrigg: The definition of luxury is not the same for everyone. Some may see luxury in technology, while others believe it is in the foundations of a hotel. In our studio, we don’t necessarily design the ultra six-star luxury hotel, but many of our clients are interested in ‘luxury’, which can come from anything from the service down to the attention to detail. What is luxurious to one person is different to another.

Constantina Tsoutsikou, Creative Director, HBA London: I think luxury is also about being generous as a designer. You always give more than what is expected and make sure that the spaces are comfortable and also have longevity. Where I can, I try to avoid anything too shiny. It’s becoming more apparent that the days of clients wanting to the interiors to show off wealth are behind us. Instead, well-designed luxury interiors are more honest and truthful. That in itself is a luxury mindset.

“We have realised that clients want luxury but almost on a shoestring budget.” – Constantina Tsoutsikou, Creative Director, HBA London

Image caption: (centre) Hamish Brown, (right) Jo Littlefair

HK: When did your clients start accepting a shift in consumer demands when it comes to luxury?

HB: I think it massively goes back to what that hotel means within its location as well as the characteristics of the building. There is certainly more of an acceptance from both sides. Some clients believe that what they want is a grand, sweeping entrance, whereas to really differentiate themselves and to make their hotel work within its location and to be relevant to the building, we suggest to park pre-conceived ideas and think about what would work for that particular hotel.

CT: We have realised that clients want luxury but almost on a shoestring budget. If you compare it to a good few years ago, budget expectations are certainly getting lower. Perhaps it is a sign of the times. At the same time, palettes are becoming more concise, that’s a good thing because designs are cleaner. There’s still a layering there, but the money that was being spilled into a hotel project before the 2008 crisis is not there anymore. However, the expectation certainly is. So, as designers, we have to work out how to manage that.

JL: Also, you cannot ignore the noise and influence of social media – it has a lot to answer for. That inaccurately convinces clients and developers that design is easy and disposable, and that it doesn’t take five minutes to produce a moodboard. But in reality, especially when considering sense of place, you’re thinking about a building and a brand. Putting these elements together requires a real curation of things. Otherwise, I have seen it when people go off on tangents and throw details into the canvas. Nothing ends up gelling and it becomes a messy clash of ideas.

“Trying to get the balance between the soft, the elegant while making these spaces feel comfortable places to work, sit and socialise is a challenge.” – David Mason, Head of Hospitality, Scott Brownrigg

HK: One of the most obvious changes in hotel design, and in the demand from guests, is in the public areas. How has this changed the way in which you specify furniture?

CT: Everybody is working from everywhere. We have a beautiful resort project, which is currently on the boards. As a result of the direct demand from modern travels, we are thinking about putting USB charging sockets on the day beds next to the pool. Generally, I think this is a positive step forward for hotels, which have a life on their own. I think it’s wonderful – and a real stamp of approval from the community – when the neighbourhood becomes part of the life inside a hotel. After all, nobody likes a dead public space.

“All of our furniture is designed at a deliberate height so that each piece can gel with other elements. As opposed to creating one iconic piece, we wanted to create a design DNA.” Digby Summerhill, Director, Minotti London

DM: It’s a hard balance to strike. When our commercial interior designers get asked create these multifunctional spaces, the way in which they design is very task oriented. Trying to get the balance between the soft, the elegant while making these spaces feel comfortable places to work, sit and socialise is a challenge.

Digby Summerhill, Director, Minotti London: We’ve always had modular systems that are flexible. All of our furniture is designed at a deliberate height so that each piece can gel with other elements. As opposed to creating one iconic piece, we wanted to create a design DNA; something that runs through an interior design scene. It’s not a coincidence that no individual item stands out in our collections. One thing I think is interesting is that we didn’t design any of these pieces with hospitality necessarily in mind. Instead we very looked at consumer behaviour and understood the demands of consumers within public areas.

HB: We are often trying to design public spaces to not look like public areas. The idea of a lobby/lounge going against what people would expect in a conventional hotel, to shelter intimate spaces, private nooks where people can work, is very appealing to me. I agree that idea of the community coming in and using the hotel is huge, but perhaps this is something that London has not got right in the past. In other cities there is much more fluidity and it works beautifully. Allowing furniture to adapt to how people are using is a big part of this, and an idea that is really exciting.

Image caption: (Left) David Mason, (Right) Jo Littlefair

HK: Let’s talk about sustainability. A study recently showed that 76 per cent of guests believe that hotels could be greener. Is consciousness the new luxury, as I suggested in my recent editor’s letter?

JL: We’ve been really encouraged recently to have had two projects come to us with sustainability at their hearts. Absolutely every decision has to have a sustainability angle. What we hope is that it continues through to the final touch points, because there will be financial implications along the way. Having filter taps in the room so that hotel guests can refill water bottles is a fresh approach that I love. The design utilities recycled parts of the existing building, giving a whole new meaning of injecting life back into a hotel. We are really thinking about those elements, including timelessness. I agree that it is about style. For us, it’s not about having a hemp interiors, it’s about creating luxury that has a slight assured sense of elegance and quality that has a higher purpose.

DM: The best way to differentiate luxury when it comes to sustainability is to be clever. Having a brief like this is rare, let alone working on two. So, designers, it is our responsibility to educate our clients and specify materials and items that don’t harm the environment or the end user. Behind this, it’s therefore so important that we understand the products and materials and what sets them apart from others in the market.

“Luxury is not just about design, it is about service as well and so many other things that are intrinsically layered on top.” – Hamish Brown, Director, 1508 London

HK: To me it’s very transparent when hotels use words without actions when it comes to sustainability. Is it the designer’s responsibility to ensure clients avoid greenwashing?

CT: You have to remember, we are designing spaces that will open in three years time. It’s a long time, and things change very quickly. You have to be ahead of the game and lead in that way so that the hotel is relevant when it opens. You have to ensure that the strategy you have in place is looking ahead and avoids the need for significant last-minute changes. On the other hand, as designers, we have a responsibility to influence the clients. But I think soon, it will become a necessity across the entire industry. I predict this will happen faster than we think, and it’s already started with wider conversations with local suppliers.

HK: What are you all doing at the moment to try and differentiate your luxury projects from others?

CT: I am always asking myself, how do I position this hotel in the current market, or in a wider sense, how do I position this hotel for an international clientale? This is because the competition is no longer just the hotel’s neighbour, it’s a global arena.

DM: I suppose it is now about experience. People desire luxury experiences. A hotel group has just bought the Fort of India. How incredible would that be; to stay and experience something totally unmatched like that. Travellers want authenticity and they consider that to be luxury.

HB: Sense of place cannot be underestimated. The definition of luxury differs from place to place and demographic to demographic, and you have to respond, beneath the surface, to understand what is happening in those locations. Luxury is not just about design, it is about service as well and so many other things that are intrinsically layered on top. When those elements and concepts interlock, that’s when you have a seamless luxury experience when service and design sit side by side and are harmoniously linked.

HK: Consumer demands of public areas have spilled out into outdoor spaces. Has this changed the way in which you design these areas together?

JL: We love integrating the outdoor areas so that they becomes a seamless flow where we can. I would say this is especially the case in food and beverage sector. We have recruited designers that only specialise in those areas so that we can get the operational flow right. That connection to the outdoor is integral to our overall wellbeing. Humanity is an element of luxury that we have not touched upon, because our disassociation with human relationships is becoming more enforced by our use of technology. I feel that human touch – it can be as simple as eye contact, and/or just being understood in a different country – is really important that we deliver with hospitality. And first and foremost, design and architecture should enable this.

“Usually I will use the sustainability angle as an added value and not the primary reason why we are specifying, unless the brief has an eco-friendly thread in its core.” – Jo Littlefair, Director and Co-Founder, Goddard Littlefair.

HK: Sustainability is becoming a buzzword that some would argue is losing its meaning. What makes a piece of furniture sustainable for you?

JL: At the end of the day we, as designers, have to ensure that the furniture looks fantastic – and it meets all the needs and demands from our clients as well as regulations. But it really does come down to how we communicate this with the client. We do have to choose our words carefully, but that’s the same as when pitching any idea to the client. Usually I will use the sustainability angle as an added value and not the primary reason why we are specifying, unless the brief has an eco-friendly thread in its core.

DM: Different cultures are going to be more interested than others, that is for sure. It is all about baby steps, and we do as much as we can.

Technology and manufacturing has been a massive help. Sustainable products and materials are now at a price point that works for a client and a luxury brief. To then specify a product that is eco-friendly and longer lasting than another becomes a no-brainer. I really believe it is changing. Clients are more aware of the value of reclaimed or reupholstered furniture. Having said this, it is also a balancing act. I am working on a hotel at the moment with the aim to reupholster the casegoods and the beds, and sadly it is actually almost as expensive as buying new pieces.

“I think if you can justifiably explain how a decision adds value, then cost can sometimes be reconsidered.” – Hamish Brown, Director, 1508 London.

HK: In regards to luxury, do you believe value outweighs cost?

HB: It’s a lovely idea, and my view is that value does outweigh cost. If you look at today’s market and the economy, there is a huge sense of getting value. It’s not always about cost. I think if you can justifiably explain how a decision adds value, then cost can sometimes be reconsidered.

JL: We get closer to understanding the deal that the developer has struck and the budget that has driven the deal, which underpins the whole project. Basically, our client has a figure that they cannot deviate from. So yes, it is common sense, and I do value beautiful furniture, and we do have to be ambassadors that push for quality so that these pieces don’t end up in landfill, but there is a bottom line figure discussion. As a designer, you are the piece of magic in the middle having to constantly and consistently value engineer the project.

HB: The most successful projects that we work on are the ones where everyone involved is upfront and honest with cost and there is a real transparency there.

HK: Has the weight on where the budget is spent in the hotel changed?

DM: It’s always in the ceiling!

CT: I have seen that generally, not enough budget is left for the finishing touches.

JL: For me, it’s artwork.

Following the exclusive panel discussion, the leading designers and architects were able to browse the showroom, which showcased, in an apt setting, Minotti’s 2019 collection of timeless indoor and outdoor furniture.

Minotti London will be the venue of Hotel Designs’ Meet Up London, which will take place in Spring 2020. More details will follow.

If you are interested in hosting our next editorial roundtable, please email Katy Phillips or call +44 (0)1992 374050. 

Morgan to unveil a stripped-back sustainable furniture at Sleep & Eat 2019

730 565 Hamish Kilburn
Morgan to unveil a stripped-back sustainable furniture at Sleep & Eat 2019

Morgan will unveil the Kaya lounge furniture collection next week at Sleep & Eat on stand C60…

Taking its name from sacred forests spread along 200 km of the Kenyan coast, Morgan’s new Kaya lounge collection finds its roots in the openness, honesty and purity of trees. The crafted timber frames, gentle curve and soft upholstery are designed to provide relaxed luxury.

Simplicity is further embodied in the upholstery, which features only the most essential elements, sculpted and fitted to provide enveloping comfort. Juxtaposing soft informality with timber’s clean geometry required a precise balancing act.

With an emphasis on space and light, the collection evokes an atmosphere of ‘komorebi’, the Japanese word for the sunshine filtering through leaves. As with a lush woodland, Kaya’s serene frame finds strength in numbers. Individual timber sections have been kept small with multiple lightweight supports in place of a single, larger component.

While Kaya draws inspiration from nature, technology played a crucial role in its production. The frame’s smooth, curving lines were made possible with Computer Numerical Control (CNC). Morgan uses any timber which is removed to help heat its manufacturing facility with a biomass boiler.

“Relying on trends in the design world means whatever you produce will be bound by the tastes of a certain point in time,” Katerina Zachariades, Morgan’s design director, commented. “At Morgan, we like to look to things which have stood the test of time, from artwork of various styles to elements of the natural world.

“With Kaya, we wanted to look beyond the heavy materials and density of the built environment, peeling back the surface to reveal the pure form within.”

The Kaya collection is versatile, intended for interiors from hospitality through to the workplace. While the smaller lounge chair caters to projects requiring a smaller footprint, the larger lounge and high back chairs maintain a greater presence and impact within spacious environments such as lobbies, breakout areas and gallery spaces.

Main image credit: Morgan

FIRST LOOK: Inside Riggs Washington D.C., a new level of unrivalled luxury

730 565 Hamish Kilburn
FIRST LOOK: Inside Riggs Washington D.C., a new level of unrivalled luxury

Ahead of the highly anticipated opening of the 181-key luxury hotel in Washington D.C., Hotel Designs takes a closer look inside…

Lore Group, the international hospitality company behind renowned hotels, such as Sea Containers London and Pulitzer Amsterdam, has released model images of Riggs Washington D.C.. The new luxury hotel is the latest hotel development to hit the headlines, and is the brainchild of The Brit List 2019 judge Jacu Strauss, designer, architect and Lore Group’s creative director.

In concepting and designing the property, Strauss, invoked the spirit of the former bank while preserving and restoring much of the property’s original design features to reimagine the storied building for the modern traveller. The 181-room property features playful nods to the building’s rich past, drawing on the parallels between the activities that take place in banks and at hotels to offer something personal and serendipitous around every corner.

The hotel’s development, which was first explored by Hotel Designs in a exclusive interview Strauss when he described the Washington D.C. as: “a city with a particularly strong and quirky evolving hotel and F&B market.” As such, the design of Riggs has paid particular attention to the public areas of the hotel, with the aim to add sensitive statement on the hotel design scene in the US capital. In the original barrel-valuted lobby and cafe, restored expansive ceilings, corinthian columns, classic stonework and custom furniture set the scene for an eye-catching arrival experience. A medallion of Juno Moneta, the Goddess of Money, presides over the room, while original features have been given a new lease of life and the grandeur of the building embraced to create a welcoming and inspired hotel that is deeply rooted in D.C. and its impressive history.

Image credit: Lore Group/Riggs Washington DC

Upstairs, the 181 guestrooms – including 15 bespoke-designed suites – are full with flair and personality. While all the stylish lighting in the hotel was provided by Chelsom, the marble-patterned headboards and wall coverings by Vousta blend together to create a thoughtful motif in each room. The interiors, balanced to create a romantic, sophisticated and calming oasis, have been inspired no doubt by Strauss’ love for travel.

Image credit: Lore Group/Riggs Washington DC

Catering to Washington DC’s ever-evolving social scene, the hotel’s 2,500 soft rooftop will offer panoramic views over the capital, and also feature a number of meeting, dining and events space.

“Lore Group continues to explore ways to deliver inspired and approachable hospitality concepts to interesting places around the world,” said Billy Skelli-Cohen, group CEO. “With Riggs Washington D.C., we have created a hotel and F&B concepts that celebrate both the legacy of the building – and the history of the city – through unexpected details and a thoughtful approach to guest experience.”

The arrival of Riggs comes an interesting time for Penn Quarter, which has been rejuvenated over the last two years. The new hotel is expected to further raise the level of luxury, creativity and innovative hospitality in the area – and Hotel Designs is keen to follow its progress.

Main image credit: Lore Group/Riggs Washington DC

Five emerging AW/19 interior trends to keep an eye on

730 565 Hamish Kilburn
Five emerging AW/19 interior trends to keep an eye on

Now that autumn has arrived, and winter is fast approaching, all eyes of the international hotel design world are focused on trends and new products as we gear up towards awards season and prepare to wind down for another year. Recommended Supplier Bisque has taken this opportunity to shine the spotlight on emerging AW trends to bookmark… 

Leading radiator supplier Bisque has taken note of a few key A/W interiors trends on the rise.

Trend: Tranquil Dawn

Dulux’s Colour of the Year has been revealed for 2020 as Tranquil Dawn. A cool and calming tone selected by a panel of experts from around the world, this lusciously soft green works for all rooms in the house, no matter how big or small.

Trend: Brown is the new black

Image credit: Bisque

Step aside black, brown is back! A versatile shade that ranges from beige to copper these brown hues – this doesn’t make sense? – it is time to bring these earthy tones back into your home to create a warm and welcoming feel.

Trend: Dusky pastels

Image credit: Bisque

Adding pops of colour into your home, not only is a great way to put a stamp of your personality on a room but adds a statement piece to the room.

Trend: Soft minimalism

Keep it simple with soft neutral colours, creating a calming tone throughout your space. Also perfect for those renting out their homes, as it’s a theme that everyone can complement with accessories and soft furnishings.

Trend: Maximalism  

Image credit: Bisque

Electric glamour and indulgent dual tones gives off a sense of power and strong personality. These bold schemes will fit in both traditional and modern homes and great for those also wanted a transitional look.

Main image credit: Bisque

Conran and Partners designs spin on flexible working spaces

730 565 Hamish Kilburn
Conran and Partners designs spin on flexible working spaces

Design firm Conran and Partners has completed new flexible working spaces within the lobby that are sheltered inside Crowne Plaza Paris – République…

Conran and Partners has completed a significant redesign of the lobby spaces at Crowne Plaza Paris – République. The launch marks the first step in a wider roll-out of a new concept-design blueprint for the brand in Europe, aiming to deliver a distinctive guest experience globally.

The lobby has been reinvigorated as the brand’s exible work and meeting concept, ‘Plaza Workspace.’ This contemporary hub was developed to meet the changing needs of modern business travellers seeking more comfortable public and semi-public spaces in which to work and relax. Regarded as the largest design innovation in the brand’s history, Crowne Plaza Paris – République is the first hotel to launch the Plaza Workspace in Europe.

Throughout Plaza Workspace there is an abundance of tech savvy elements: tables feature integrated wireless phone chargers and high-speed Wi-Fi is available to address the growing trend in flexible work and life preferences and people’s desire to work from anywhere. Plaza Workspace also includes The Studio, a bookable-by-the-hour meeting space to cater for private meetings and events, complete with its own bar counter and break-out lounge seating. The studio’s design maximises the flow of guests through the spaces, allowing them to transition seamlessly between work and down time.

The former main entrance of the hotel has been relocated from the Place de la République to one side of the building, giving the arrival experience a more private feel with access via a courtyard in the style of a traditional Parisian apartment block. The signature bar is now in a more prominent position closer to the outside terrace, which runs along the hotel’s principal façade.

In contrast to a conventional arrival experience, guests are initially welcomed by a centrally-located monument wall. This wall – referencing the original Haussmann-era architecture of the area – serves to orientate the guest, dividing the space between the ‘plaza’ (the informal and relaxed bar spaces) and the ‘gallerie’ (the refined and elegant recep on and studio spaces). Among the book selection adorning the shelves of the lounge and Plaza Workspace are titles on Haussmann’s contribution to the remodelling of Paris.

Conran and Partners have also completed the design of the European adaptation of the ‘WorkLife’ concept guestroom, a design patented in the United States, which will serve as the basis for the wider redesign of rooms and other non-public facing areas of the hotel in the future.

The Place de la République is famous as the site of the statue of Marianne – the personification of the French Republic – commemorating the founding of the First Republic of France in 1792. The square is important as one of the key locations where Parisians congregate during times of national significance.

The hotel occupies an exceptionally attractive and restored Haussmann building, formerly a department store, Les Magasins Réunis. It is located at the point where three different arrondissements (3rd, 10th and 11th) of the city meet. A couple of original Haussmann features are s ll visible, including the staircase, wrought-iron balustrade and doors onto the original caged lifts at higher levels. Conran and Partners’ design also responds to the different – yet complementary – feel of each adjoining arrondissement (‘Fashionable’ (3rd), ‘Bohemian’ (10th) and ‘Modern’ (11th).

“Within the individual elements of a project there are always opportunities to work with manufacturers to create distinctive furniture commissions and bespoke materials,” said Simon Kincaid, Partner at Conran and Partners and a shortlisted finalist for The Brit List 2019. “For each new development, we study the locale and create a narrative, drawing on our experience of blurring the boundaries between work and leisure to create strong, characterful places.”

Image credit: Anna Stathaki

Conran and Partners’ approach was based on a thorough analysis of Crowne Plaza’s success in the Americas as well as among its European target market. The practice developed an architectural strategy focusing on key elements within a typical guest stay. A series of seating typologies and a hierarchy of signature elements was created which enabled key functional elements to be located, while defining specific design features and focal points. This has given hotel guests and visitors a wider variety of spaces to encourage more dwell time.

The approach has also sought to reinterpret the idea of a ‘plaza’ as a place where people can meet and relax and applied this to the various spaces within the hotel, encouraging guests to move between different types of spaces. The design also responds to changing consumer behaviour, in particular exible working and the ‘always on’ and ‘on-demand’ workplace culture. Spaces and services have been created to facilitate more business- related functions within the plaza workspace, both formal and informal, as well as helping to bring people into the hotel.

“The spaces in Place de la République are tech savvy, while acknowledging the need to embed humanity in the design to create a comfortable place to work and relax,” continues Kincaid. “The narrative we created for Crowne Plaza Paris- Republique is based on the concept of ‘New Modern’. It seeks to demonstrate that business hotels can be exciting by offering guests kind, personal touches, while introducing new, meaningful experiences for them to share and – above all – to appeal to the senses as far as possible.

“Our design narrative has informed the choice of furniture and accessories and even the rug design and the artwork selection (developed in collaboration with Double Decker Artwork Consultants), which seek to reference the various key art movements and ar sts closely associated with Paris since the mid-nineteenth century. Materiality and palette are central to our design thinking.”

Libby Escolme, Global Vice President, Crowne Plaza, commented: “I have always loved travel and staying at an inspiring hotel is o en why I am excited about a business trip. Today’s traveller wants to stay somewhere that inspires them, where innova ve design creates great spaces that work well. We have collaborated on this project with Conran and Partners, a best-in-class design rm, and I feel genuinely excited about how our new hotel spaces will enhance a guest’s stay with us.”

Main image credit: Anna Stathaki

 

 

Knightsbridge poised and ready for 80th Birthday celebrations at Sleep + Eat 2019

730 565 Hamish Kilburn
Knightsbridge poised and ready for 80th Birthday celebrations at Sleep + Eat 2019

2019 marks the 80thanniversary of Knightsbridge, the award-winning British furniture manufacturer. In order to mark this landmark the company they will celebrates its extraordinary history on stand number E92 at Sleep & Eat, Olympia London (November 19 – 20, 2019)…

If you are planning on attending Sleep & Eat 2019, then make sure you head over to the Knightsbridge stand (E92) where the team will be celebrating 80 years strong as one of the leading British furniture design and manufacturing companies.

Committed to British market-led design, Knightsbridge is one of the very few British contract furniture companies to invest in an in-house design and development team – and new collections for 2019 pay homage to its history taking inspiration from archive pieces.  

Wellbeing has long been established as a benchmark in workplace design, with forward thinking companies providing biophilic, sustainable design that creates healthier environments for their employees. The properties of wellness and biophilic design are now being seen more and more in hospitality and hotel environments; indoor spaces are inspired by nature whilst furniture is designed to be ergonomic aswell as stylish. Knightsbridge will be reflecting this trend on its stand with furniture covered with beautiful fauna & flora designs.

As hotel, bar and restaurant suppliers, Knightsbridge’s hospitality collection contains furniture designed to suit a variety of styles, needs and tastes. Crafted using timber from renewable sources, the company’s portfolio embraces a collection of style-forward products that are ideal for a wide range of environments such as waiting rooms, foyers, dining rooms and lounges.

New to 2019, Knightsbridge will be exhibiting its Caravelle collection which was redeveloped to celebrate Knightsbridge’s 80thanniversary and its rich history, taking influence from a past mid-century piece of furniture. The Caravelle collection consists of an armchair, two-seater and three-seater settee that have the clean lines and organic curves that the period became renowned for. It’s deep seat cushion provides a luxurious seat whilst the beautiful clean styling allows it to be specified into workplace, hospitality and care sectors. The collection is covered with exquisite fabric featuring jungle creatures and foliage from visionary textile designers Timorous Beasties.

Hotel Designs is a long-standing proud media partner for Sleep + Eat, and will at this year’s show to identify key product launches, emerging trends while catching the engaging talks and discussions that will be sheltered in one of Europe’s leading hospitality events.

Main image credit: Knightsbridge

Top furniture looks to come out of London Design Festival

730 565 Hamish Kilburn
Top furniture looks to come out of London Design Festival

Are you sitting comfortably? Here is Hamish Kilburn’s editor’s pick of the most innovative furniture pieces that were exhibited at London Design Festival 2019…

With the design world watching, London Design Festival (LDF) once again delivered a spectacular performance full of colour, shapes and thoughtful design. Full of twists and turns – and too many highlights to mention – the nine-day festival included events, talks and installations that all explored how product design is changing to cater to the evolving behaviours and demands of modern consumers.

For the purpose of this article, I have selected my top picks from four of LDF’s leading exhibitions that made the most noise – and they were: Focus19, 100% Design, designjunction and London Design Fair.

Winch Design’s Arc Collection for Summit Furniture – weaving new design directions 

Winch Design and Summit Furniture introduced Arc, their debut collaboration, at Focus19. The two companies collaborated to create “the ultimate exterior furniture range”, which is inspired by the sea and the sky.

A signature feature of the range is laminated teak, which is woven between maritime-grade brushed stainless steel rods, alternatively undulating, they arc around the back of the seats in gentle rows. The final result is reminiscent of the woven rope traditionally used on sailing yachts. Winch Design is inspired by the patterns, colours and textures of the natural world, and every design that leaves the studio is imbued with its own unique spirit, identity and story. With dedication to storytelling underpinning their fastidious attention to detail and commitment to design perfection, Arc was brought to life. The name ‘Arc’ is visually evocative and brings to mind the long arcing lines of latitude and longitude, the curve of the horizon, of a full sail, and of the shapes in the sky made by sailors when navigating by the stars using the arc of the marine sextant.

Each piece in the collection complements the other, enabling the client to enjoy a unified, contemporary exterior look. Arc by Winch Design features a lounge chair, dining chair, bar chair, low coffee style table, sun lounger, bar cart, dining table and occasional table.

The low, deep seating style encourages a laid back and relaxed atmosphere, creating the perfect environment to enjoy a drink at sunset. The curve of the woven teak contrasts with the straight, smooth edges and clean lines of the cushions, keeping the overall impression fresh and contemporary. The fabric on any of the soft furnishings is completely customisable.

Ligne Roset – adaptable by nature

Creative and pioneering by nature, Ligne Roset’s bold and contemporary stamp was imprinted on Focus19 and left a lasting impression. The brand presented its iconic ‘Prado’ settle, which adjusts freely with weighted cushions that can easily be moved from sofa to floor. The result is a comfortable, non-conformist piece of furniture that can adapt as quickly as the travel trends and guest behaviours within modern, design-led hotels around the globe.

Andrew Martin – taking a walk on the wild side

Unveiling a multi-layered theatrical approach design, Andrew Martin – in try Andrew Martin style – let the leash off his new collections in his own jungle-covered installation, which was entitled: The Lost City of Ozymandias.

The new collections that were hidden in an enclave of treasure and travel included the Evans side table and Retrospective, in collaboration with Kelly Hoppen, which is a statement collection of more than 40 designs, which includes everything from furniture to lighting.

Benchmark – architecture meets biophilic furniture design

Image credit: Benchmark

Benchmark presented a new collection of furniture by award-winning American architect David Rockwell at 100% Design. The Sage Collection, designed for office and commercial environments as well as the home, has a specific focus on human health and well-being within the built environment and meets the standards required for WELL certified buildings. The tenets of biophilic design inspired the collection, with its natural materials, colours and textures, rounded profiles and inviting ergonomic shapes. These elements are intrinsic in the work of both Benchmark and David Rockwell, which, together with an interest in transformation and mobility, have resulted in a collection that offers moments of both refuge and prospect.

sixteen3 – recycled quality

 

Image credit: sixteen3

Exhibiting at designjunction, sixteen3 unveiled a number of contract furniture pieces that stood out for their eco qualities. Claiming that the product is made from 92 per cent recycled material and is 100 per cent recyclable, the Pop stools has been designed with purpose and is ideal for contemporary urban public areas. Another product launched at the show was Reece are armchairs that have been made from 83 per cent recycled materials and are 100 per cent recyclable.

Inspired by the evolution of the workplace to a more relaxed, social and mobile interior, the brand’s product portfolio offers a softer approach to working, with an extensive collection of seating ranges, stylish cafe chairs and modular space division systems.

Kolho Series by Matthew Day Jackson

Image credit: Made by Choice

As hotel public areas become less defined by hotel branding, and more attuned with the behaviour of guests, there is a opening for suppliers to become more daring with their designs; to take a practical item, like a piece of furniture for example, and bring it to life to make a bold statement. Cue the launch of Kolho Series by designer Matthew Day Jackson. Sheltered at London Design Fair, the new range of tables and chairs take their inspiration from the Apollo landing and a small town called Kolho in Finland.

“The serpent represents temptation and chaos which supports the flat plane of reason,” said Day Jackson. “The space between reason chaos is that of play. This is the space where our human animal truly shows its greatest self.

Hotel Designs’ official LDF round-up will be published shortly.

Main image credit: Made by Choice

Carlton Tel Aviv reveals new public area interior scheme

730 565 Hamish Kilburn
Carlton Tel Aviv reveals new public area interior scheme

Award-winning hotel Carlton Tel Aviv speaks to bleisure trend with infusion of new, contemporary art, stylish lightning schemes, and a circular beachfront lobby bar and beyond…

Carlton Tel Aviv, a The 268-key luxury property that was voted “Israel’s Leading Business Hotel 2019” by World Travel Awards, today officially reveals its newly designed lobby, corridors, business lounge, work spaces and lobby bar.

With the aim to offer guests an infusion of new and artistic decor, lighting schemes, public areas and workspaces, the hotel commissioned interior design studio Yaron Tal to manifest new and fresh renovations as Tel Aviv continues to excel as one of the world’s most attractive destinations for both leisure and business travel.

To make walking through the corridors a more meaningful experience, the new design exists of deep, warm and rich materials. Warm colors such as deep blue and copper are used, and rich materials such as copper and brass. Wallpaper printed with copper accents are to be found throughout the corridors. The unique and reflective, yet romantic lights, gives a sense of lightness in the historic Brutalist building.

The concept in the lobby was to make a lighter, less heavy feel to the lobby that is a blend between business and pleasure. Materials such as oak wood, rich fabrics, glass and brass, allow a more formal atmosphere to mix with young and sophisticated, and with the feeling of a luxury vacation.

In the old floor plan, the bar was somewhat hidden in the back of the lobby. By bringing the bar to the front of the lobby it becomes more inviting, and a central meeting point at the hotel. The design, with ceramic tiles of which both colour and shape complement the view, the bar is now a central area, offering a relaxing environment for breakfast, lunch, dinner and cocktails with a view over the Mediterranean Sea.

Main image credit: Carlton Tel Aviv

Mkira exhibiting at 100% Design

730 565 Hamish Kilburn
Mkira exhibiting at 100% Design

Mkira has been selected as one of the UK’s emerging brands and will be showcasing its beautiful and unique collection of fabrics and furniture at Olympia from the September 18 -21…

Mkira products have been inspired by nature’s canvas and crafted using age old traditions. The collection includes; daybeds, headboards, cushions, throws, fabrics, lampshades, footstools and shelving.

All the pieces are created using raw, natural materials such as British linens and tweed from Donegal and have been sustainably sourced from around the British Isles the perfect counterbalance to the modern ‘throwaway’ culture.

Charlotte England is the designer behind Mkira, she spent time travelling around the globe, during the early part of her career, which enabled her to try her hand at a wide variety of alternative arts and crafts.

This included studying pottery in Japan with a renowned sensei; traditional paper-making in the Japanese mountains; basket weaving among the Tepuis in the Amazonian basin and life-drawing in Miami.

These wide ranges of inspiring experiences shaped her personal style and design objectives and led her to create Mkira. As part of the creative process, England teamed up with a number of small, authentic, family-run businesses all using traditional methods to expertly craft these beautiful enduring pieces.

Mkira will be exhibiting on stand number E20C.

Goa is about to welcome a 17-key luxury hotel designed to shelter holistic wellbeing

730 565 Hamish Kilburn
Goa is about to welcome a 17-key luxury hotel designed to shelter holistic wellbeing

Slated to open in early 2020, Kings Mansion, Goa will combine heritage, architecture, design, Ayurvedic philosophies, state-of-the-art medical aesthetics and a global approach to holistic wellbeing…

Located in northern Goa, an area rich in tropical forests, historic Portuguese architecture, avenues of Banyan Trees, and vast, unpopulated sandy beaches, King’s Mansion will open early next year.

Recognising that today, wellness refers to a holistic state of being, where one’s mental, physical, spiritual and emotional health are in balance, the defining experience of King’s Mansion will be one of mindfulness, transformation, recovery and wellbeing.

Modern yet sympathetic architecture and interior design are key elements at the boutique hotel that not only honour Goa’s legacy and culture, but also serve as a welcoming nod to the growing international interest in India as an exciting and evolving luxury and wellness destination.

Image credit: Red Architects

The Indian entrepreneur and Bollywood star, Sachiin Joshi, bought the property in 2017. He is also the Chairman of corporate company, Viiking Ventures, a multi-faceted business working across various industries including film production, fin-tech and charter aviation; Moss Wellness, a leading spa consultancy with experience developing international five-star brands including Aman resorts and Four Seasons. Responsible for the overall design is Indian film producer and interior designer Gauri Khan and Rajiv Parekh, founder of Red Architects, who is bringing a new energy to a modern day India with his past and future projects on the boards.

The 17 luxury suites, which are set over 2,800m2, are being designed as private retreats. Each room will utilise the natural light with floor to ceiling windows, which will stretch out to views of private lush gardens. The large ensuite bathrooms will continue to balance a timeless and luxurious look and feel with the renderings showing a strong use of marble as well as statement matt-black fittings.

Covered pavilions and thickets of Frangipani Trees create pockets of rest and shade in the landscaped gardens, which are set against 50 metres of unspoiled golden coastline and the Arabian Sea.

Five dining and social areas offer guests the chance to explore India’s Ayurvedic culinary culture and international fusions. The hotel’s chefs will create daily menu plans for internal health and harmony, but with an understanding that food and satisfaction are not mutually exclusive. Continuing the theme, food will be cooked using fresh, locally sourced produce.

At the heart of the wellbeing experience will be the spa, which will open as a hidden oasis within the property. With five luxury spa suites, a large hydrotherapy pool, and indoor and outdoor relaxation areas, guests will discover a safe space to surrender, gain awareness and achieve conscious rest and peace.

Image credit: King’s Mansion

Designed to offer personalised, results-focused wellness programmes, the hotel will aim to further help travellers rejuvenate, reset and recover.

Main image credit: King’s Mansion

Roca inspires with new Escuadra brassware range

730 565 Hamish Kilburn
Roca inspires with new Escuadra brassware range

Roca has added to its brassware offering with its latest collection, Escuadra. With its contemporary single lever design, Escuadra creates a stylish impression in any bathroom space…

A versatile choice, Escuadra is available in a range of brassware options, including basin, bidet, bath and shower mixer styles. “When it comes to brassware, there is now more choice than ever before. Many homeowners are moving away from the traditional mixer in favour of something more contemporary”, comments Claire Gay, Marketing Manager at Roca.

“Escuadra meets that demand, its sleek and minimalist design complements a range of basin shapes, making it a functional yet sophisticated choice for homeowners, installers, specifiers and retailers.”

Escuadra features many of Roca’s latest innovations, including the exclusive Roca EverShine® finish. The hardwearing coating ensures the tap retains its shine, along with discouraging limescale build up and preventing stains. Additionally, the ceramic disc cartridge has been thoroughly tested with over one million movements to assure customers that their brassware will continue to function for many years to come.

The basin and bidet mixers are equipped with Roca’s Cold Start technology; this prevents unnecessary energy consumption by only activating the boiler when the handle is turned to hot, this conserves energy and provides a cost-effective solution for homeowners.

To further enhance the sustainability of the range, Roca has utilised many water-saving functions. Soft Turn technology provides the highest levels of precision and puts the homeowner in complete control, with the ability to set the desired water flow and temperature. Furthermore, the integration of flow limiters restricts the water flow, which prevents wastage.

Roca is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.

Main image credit: Roca

Hotel bathroom trends that guarantee to make a statement

730 565 Hamish Kilburn
Hotel bathroom trends that guarantee to make a statement

Ahead of London Design Festival 2019, bathroom manufacturer Crosswater identifies some of the major emerging design trends in international hotel bathrooms… 

Hospitality is one of the biggest industries in the world as well as being one of the most important branches of commercial design. Acting as a fundamental factor, hotel décor can increase customer satisfaction immensely.

It also acts as a benchmark for the levels of service, quality and comfort that a guest expects. Unlike most businesses, hotels rely almost entirely on aesthetics, which only proves how difficult the design aspect actually is. While travellers often choose a hotel based on five-star dining, luxurious spas, convenient locations or even dreamy beds, the bathroom is one amenity that is often overlooked, so we have put together five of the most popular hotel bathrooms across the UK that focus on the key interior trends for creating a high-end bathroom scheme.

Timeless & Traditional

Fine finishes, elegant fittings and timeless accessories combine to create exquisite bathroom décor in London’s Laslett Hotel. Nestled into Notting Hill, The Laslett is a boutique hotel that comprises 51 guestrooms; meticulously designed by award-winning London based architecture and design studio Waldo Works. A refined palette of grey, black and white has been used to create a seamless continuation of style from hotel suite to bathroom. Although the overall design is traditional, elements of understated contemporary style have been subtly integrated into each space – the porcelain checkerboard tiles add an edgy look whilst the contemporary pendant lighting projects a flattering light across the room, adding a final modern touch. Complete with Crosswater Belgravia brassware, the Laslett hotel bathrooms are the perfect example of how to create a timeless and traditional design scheme suited today’s style-conscious, discerning hotel guest.

“With the demand for more luxurious bathrooms on the rise, hotel designers are opting for a more minimal design aesthetic.”

Refined Luxury

A sophisticated Grade II Listed building situated in the heart of Shepherds Bush, The Dorsett Hotel underwent a stunning transformation by architects Flanagan Lawrence from an old cinema into an elegant eight-storey building. With the demand for more luxurious bathrooms on the rise, hotel designers are opting for a more minimal design aesthetic when it comes to achieving a contemporary bathroom interior. The smaller amenities and touches can often be the deciding factor for a winning hotel bathroom scheme. For hotel designers, choosing the right bathroom suite and bathroom products is vital for reflecting the hotel décor. A seamless blend of luxurious surfaces and chrome detailing, the sleek, smooth edges of the brassware work effortlessly with the marble splashbacks to deliver a truly sought-after bathroom aesthetic that is the epitome of refined luxury.

Monochrome

Seen throughout many hotel interiors across the UK and Europe, monochrome is a timeless trend that continues to be favoured by designers and specifiers. Whether incorporated through subtle hints or fully embraced from floor to ceiling, there are numerous ways that monochrome can create a truly standout hotel bathroom scheme. The Ampersand Hotel is a stunning example of how to create a striking bathroom using a monochromatic palette. Designed by Dexter Moren Associates, the 111-bedroom luxury boutique hotel in the heart of London provides an exquisite Art Deco theme across all of its bathroom interiors. The classic black tiling creates a statement aesthetic and combines flawlessly with contrasting white walls and crisp white ceramics. Working closely with Crosswater, Dexter Moren Associates incorporated complementary contemporary brassware to give the bathroom suites a luxurious finishing touch.

Texture & Pattern

Working as key elements in interior décor, texture and pattern have become popular interior trends used within modern hotel design. The use of these two components has been incorporated in varied ways throughout all style spaces, keeping the concept and project brief in mind. Deep in the Hertfordshire countryside, family-run hotel Sopwell House, is a hidden sanctuary for customers looking for a natural sense of freedom. The combination of the textured wood surfaces with the eye-catching geometric patterned tiles works nicely to create a harmonious and calming aesthetic.  The lighting enhances the tiles, adding texture and creating a relaxing environment for customers. The bathrooms in the hotel guestrooms are complete with Crosswater MPRO rainfall showers and the Crosswater MPRO Brushed Brass Basin Taps, adding a high-quality finish to the overall décor.

Brutalist Glamour

Eclecticism, luxury details and refined finishes make up the bathroom interiors of the Mondrian London Hotel located on the banks of the River Thames. Decorated by award winning designer Tom Dixon, each room features a truly glamorous aesthetic. The hotel embodies the elegance of a transatlantic 1920s liner. Built with 359 guestrooms and furnished with custom designed furniture; the interior features rich colour palettes contrasted against standout metallic finishes, providing a brutalist nautical theme. The use of marble surfaces and black basins within the en-suites works seamlessly to create luxe finish, whilst the public washrooms deliver a high quality appeal featuring porthole mirrors and metallic detailing usually found on board a ship.

For hoteliers looking to achieve the perfect high-end hotel look it is essential to design spaces that offer functionality as well as a deluxe finish. Hotel bathrooms have the capacity to showcase significant design statements, they serve as a sanctuary providing the comforts of home and as such are a key factor when creating a luxurious décor scheme.

Crosswater is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: The Laslett

Editor Checks In: Home comforts in hotel design

730 565 Hamish Kilburn
Editor Checks In: Home comforts in hotel design

In August 2019, editor Hamish Kilburn concludes that trends are overrated when a project close to his heart reaches its highly anticipated conclusion…

I can’t quite believe it has been almost one year since we first started following the award-winning designer Nicky Dobree on her journey to complete her debut hotel design project. Before now, her undisputed talent was recognised for designing the interiors of 007-esqe luxury mountain retreats (Kevin McCloud’s words, not mine unfortunately).

But this year, she has injected her effortless style to restore a 19thcentury building in Vejer, Spain, which is known as Plaza 18 – and Hotel Designs has been there every step of the way.

Now that the season has ramped up to reach its peak, there’s no better time to put down the measuring tape, take a step back and reward Dobree’s “labour of love” as we cut the ribbon. More than 1,300 miles from Andalucia, the team in the London office are gathered around my computer screen as they impatiently wait for the folder to download, of which contains the final images of the new boutique hotel. Until now, you see, we have had to settle for shakey behind-the-scenes, unquestionably raw, photographs taken on location, as well as renders and sketches, which merely tease the luxury home-from-home concept in the making.

You’d be wrong to assume it’s an easy task working on a project of this scale. What the hotel lacks in the number of guestrooms (six to be precise) it makes up for in personality. And if anyone could sensitively re-establish the heritage property in order to give it a new lease of life, it would be Dobree.

“All that is missing is a luxury design-led hotel,” I think to myself as I run past the colourful beach huts (place your bids).

‘Home comforts’ feels like an appropriate theme for this month’s column. Four years after capturing my first solo metropolis memory, which then drove me to chase my career in a number of cities in the UK, I’ve hit a crossroads and have decided to take the right-hand turn, which has result in me hurtling back towards my hometown of Whitstable in Kent. Nestled on the north-east tip of the Garden of England, where home comforts – think sea views that stretch over the horizon and unparalleled sunsets – are never in short supply, this feels like ‘home’ to me. “All that is missing is a luxury design-led hotel,” I think to myself as I run past the colourful beach huts (place your bids).

It seems I am not alone in chasing home comfort. Last year, a study published by Forbes showed that in the 10 cities with the largest Airbnb market share in the US, the entry of Airbnb resulted in 1.3 per cent fewer hotel nights booked and a 1.5 per cent loss in hotel revenue. But as damning as this statistic may seem, hotels are fighting back to offer more home-from-home comforts married together with one-off experiences to capture travellers’ attention.

Examples of this can be found all over the Hotel Designs website this month, from our Miniview of room2’s ‘hometel’ concept in Southampton to a new ‘private members’ bar’-styled hotel that will open in London next year – and not forgetting the exceptional Plaza 18. Perhaps subconsciously, my year-long project with Dobree has led me to positively seek comfort in timeless style as opposed to chasing the short-term thrills of seasonal trends.

Main image credit: ACT Studios

Empty room with various styles of seating

In Conversation With: Matthew Balon at Ruby Leni’s first showing

730 565 Hamish Kilburn
In Conversation With: Matthew Balon at Ruby Leni’s first showing

Ruby Hotels has re-entered the stage to take a second bow in Dusseldorf, Germany. The 170-key Ruby Leni, which takes shelter in a former 1950s theatre, is the hotel group’s seventh hotel to harness ‘lean luxury’. Editor Hamish Kilburn travels just south of the city’s fashion district to meet the group’s lead designer, Matthew Balon, the morning after the night before’s launch party to discuss design details, the significance of paper puppets and the brand’s highly anticipated 2020 arrival in London…

Empty room with various styles of seating

They say that to make any act truly memorable, the performer must enter the stage armed with a spectacular encore up his or her sleeve. In the case of Ruby Hotels in Dusseldorf, the main performance took place last year with the arrival Ruby Coco. The dynamic property is a contemporary urban hub that is nestled within the city’s main shopping district, just off Königsallee – AKA a fashionista’s heaven. The interiors inside are sharp, considered and give more than an apt nod to the fashion quarters that surround it.

[CURTAIN UP]

If Coco was used in the opening scene, engaging its captivated audience with the allure of couture costumes, then the encore is Ruby Leni, which is situated a mere 10 minutes down the road. Although the neighbourhood may feel quieter, its entrance certainly isn’t: a large marquee sign with the words ‘make it your own stay’ frames an appropriate first impression.

Exterior shot of the hotel, showing a colourful courtyard

Image credit: Ruby Leni

[PUBLIC AREAS ENTER FROM STAGE RIGHT]

With large, expansive public spaces that filter into plush private break-out areas, the hotel is designed for both locals and guests checking in. The character and soul has been channelled into the lobby/lounge, where the real story of the iconic 1900s building, which sheltered the Düsseldorfer Schauspielhaus theatre, comes to life. “We looked at the materials, shapes and forms that you would associate to a theatre of that era,” says Lead Designer Matthew Balon. “We then separated that into front-of-house and back-of-house. We wanted to challenge that idea by merging those areas. For example, we have included stage cases in the lobby to really create an authentic feeling of being part of the production, behind the scenes.”

[GUESTROOMS ENTER FROM STAGE LEFT]

Upstairs, the sharp and stylish guestrooms have been designed around the original peculiar structure of the building, creating an interesting layout in each. The design and general make-up of the room, though, is a reflection of the others in the entire hotel group’s portfolio: crisp white beds, refillable toiletries and eco-friendly rain showers to match. The brand calls it ‘lean luxury’, which is posh for ‘uncomplicated, laid-back comfort’ – and it works, especially for bleisure travellers.

White, bright and contemporary guestroom

Image credit: Ruby Leni

Although you would recognise the rooms as ‘Ruby Rooms’ guests with eagle eyes will notice subtle differences, like the wood panelling for example.  “It’s been designed to also reference the story of the hotel,” explains Balon. “I looked into how sets were built and was inspired by the fact that guests in the theatre only ever see the pretty side. I wanted to show the back of the sets, the flats. I was interested to know how these things stood up and how they were constructed. That provided the inspiration for the wall panelling and the reinforced corner detailing.

Another quirky touch that sensitively helps set the theatrical scene is the art above the beds. Bolan initially wanted to do something with shadow puppets, which evolved into creating an immersive and playful paper puppet stage. “I really love introducing interior design elements that are fun and interactive,” says Balon. “We like to have fun with it and make an interesting element to guests’ stay.”

[APPLAUSE]

Image caption: Editor Hamish Kilburn (left) dragged the Lead Designer for Ruby Hotels, Michael Bolan (right), out on ‘stage’ the morning after the launch party before…

Quick-fire round:

Hamish Kilburn: What can you not travel without?
Matthew Bolan: My Darth Vader suitcase. I just love it!

HK: Where’s next on your travel bucket list?
MB: Japan.

HK: What’s your biggest bugbear when checking in to a hotel?
MB: Queuing!

HK: What is the number-one tool for success?
MB: You have to create an emotional connection.

HK: What is the last thing that showed up on your credit card transactions?
MB: A round of drinks I bought last night. It’s your round at the next launch, I’m told…

Most hotel designers are working with many several brands and brand standards, and so it is interesting how Bolan, within his creative realms, can piece together many different stories with the same Ruby strand running through each. “It is all-encompassing,” he says. “What the brand stands for in regards to design is something I can really get behind. When I think about Ruby, I think of all the people who bring the brand to life.”

[CURTAIN CALL]

The brand’s design is spilling out of the seams and leaving a permanent stain on new destinations. The next hotel design hotspot to welcome the arrival of Ruby Hotels is London – to the Southbank to be more specific. “We have done a lot of research into the location, which is a really interesting corner of London,” Balon explains. “I can tell you that Ruby Lucy is going to be fun, colourful, unexpected and I am really looking forward to the opening party!”

Ruby Hotels first unveiled its unique concept with Vienna hotel Ruby Sofie in 2014, before opening two further hotels in Vienna, Ruby Marie and Ruby Lissi, as well as Ruby Lilly in Munich, Ruby Coco in Dusseldorf and most recently Ruby Lotti in Hamburg. In response to the success of these properties, the brand plans further openings including Ruby Lucy in London’s bustling Southbank in early 2020, as well as hotels in Zurich, Cologne, Frankfurt and Shanghai before the end of 2020.

[CURTAIN CLOSED]

Eco bed to be unveiled inside The Conscious Bedroom at IHS London 2019

730 565 Hamish Kilburn
Eco bed to be unveiled inside The Conscious Bedroom at IHS London 2019

To launch its Spotlight On ‘beds’, Hotel Designs learns more about Naturalmat’s eco partnership with Harris & Harris for The Conscious Bedroom, which will be unveiled at Independent Hotel Show London 2019… 

Naturalmat, which is the leading supplier of eco, organic beds and mattresses to the hotel trade, is partnering with Harris & Harris on an eco showcase at the upcoming Independent Hotel Show London 2019.

The design firm was invited by the organisers of Independent Hotel Show to curate ‘The Conscious Bedroom’, a mock hotel room pieced together using products and suppliers with strong eco credentials. The centrepiece of the room will be a bespoke Superking Prideaux bed, handmade by the craftsmen at Naturalmat from sustainable materials and upholstered in teal fabric, colour matched to other elements of Harris & Harris’s room scheme. The bed will stand on cylindrical tapering feet made of FSC approved wood with a walnut stain.

“The eco sleep experience will be completed with Naturalmat’s own organic wool duvet and pillows.”

The bed will be topped with Naturalmat’s signature Lambswool mattress, made from entirely natural materials from sustainable sources. Thick coconut fibre is layered with a slightly thinner slice of natural latex, finished off with lambswool sourced from organic sheep farms in Devon and the surrounding areas. The eco sleep experience will be completed with Naturalmat’s own organic wool duvet and pillows.

“We have been attendees of the Independent Hotel Show since its inception, and have found it to be a lively and valuable place to build business relationships and introduce our organic, sustainable hotel product range to new contacts in the industry,” said  Mark Tremlett, Co-owner of Naturalmat. “When Alex Harris approached us to invite Naturalmat to contribute to The Conscious Hotel Room it seemed a natural fit! Our ethos has always been about using organic and natural materials from sustainable sources to create luxurious and long lasting beds and mattresses, so we are delighted to create the centrepiece of the room in collaboration with Harris & Harris, and bring their vision to life in a way that is completely eco friendly.”

Organic mattresses and beds, made from sustainable materials in Britain, have been Naturalmat’s business for over 20 years.

Everything is made by hand in Naturalmat’s purpose-built factory in Topsham, on the banks of the River Exe, Devon. They believe that people, not machines, make a superior, longer lasting product. The team of craftspeople ensure every stitch, every fibre, every tufting button and every cover is painstakingly created, teased and checked.

Naturalmat’s hotel clients include Six Senses Resorts, Hoxton Hotels, River Cottage, Chewton Glen, Z Hotel Group and over 50 more iconic hotels globally.

Naturalmat  is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: Naturalmat

Hotel Indigo arrives in Italy’s fashion capital – Milan

730 565 Hamish Kilburn
Hotel Indigo arrives in Italy’s fashion capital – Milan

Hotel Indigo Milan – Corso Monforte becomes the hotel brand’s third hotel in Italy… 

Milan, known as the birthplace of some of the world’s most recognised high-end fashion designers including Prada, Armani and Dolce & Gabbana, has welcomed Hotel Indigo Milan – Corso Monforte to the mix of hotels in the area. The new design-led hotel is centrally located close to the notable fashion district – the perfect location for those looking to explore one of the world’s fashion capitals.

Hotel Indigo properties offer a gateway to discover some of the world’s most inspiring neighbourhoodsand locations. Each hotel brings the outside in; drawing from the local area to inspire every aspect of each hotel, from intriguing design to locally inspired menus.

Hotel Indigo® Milan – Corso Monforte takes inspiration from the surrounding neighbourhood, mixing elements from 1950’s Italian vintage fashion with contemporary cues intrinsically weaved into one seamless interior design theme of fashion through the ages. Throughout the hotel’s 75 rooms, bold prints and colour splash the walls and feature artwork and sketches from Biki, one of the most notable names of the Milan fashion scene in the 30s, 40s and 50s. Opening her first atelier (studio) in 1934 in Milan, Biki paved the way in the development of prét-a-porte fashion (ready-to wear). Her style wastypically classic Italian, specially made for the Milanese ‘vita’ – the high life. Throughout the hotel you can see nods to this through elements such as the large vintage leather-bound classic trunks embossed with the hotel’s initials.

“The hotel boasts unique design features that are recognisable to the fashion connoisseur.”

From ‘hat box’ bedside tables, bowler hat lamps and sewing machines desks, the hotel boasts unique design features that are recognisable to the fashion connoisseur whilst ensuring they blend with thebuilding’s original architecture. Throughout the historic palace, intricately detailed classically coffered ceilings and panelled walls can be seen, lending to the classical era of the hotel. Large arches dominate throughout and surround the interior courtyard, making it the perfect place for an afternoon coffee or drink.

“Set to double its portfolio over the next three to five years, Hotel Indigo continues its strong growth as one of the largest boutique brands in this fast-growing segment,” said Eric Viale, Managing Director Southern Europe, IHG. “The brand is now at home in over 100 different and vibrant neighbourhoods globally, which is an incredibly exciting milestone. We provide guests with the best of both worlds – the promise of a design-led hotel and the reassurance of a consistently upscale experience with the IHG name behind it.” 

There are more than 109 Hotel Indigo properties open globally with more than 103 in the hotel pipeline, including Japan’s first Hotel Indigo, Hotel Indigo® Hakone Gora due to open later this year. In Europe alone, there are 32 hotels open in key neighbourhoods with a further 19 due to open in the next three – five years, depending on forecasts.

Recently, IHG opened the highly anticipated Hotel Indigo® Venice – Saint’Elena, the first IHG branded property on the island of Venice and Hotel Indigo® Stratford upon Avon, in the heart of Shakespeare’s home town. 

Main image credit: IHG

In Conversation With: Unidrain’s Kenneth Waaben on modern bathrooms

730 565 Hamish Kilburn
In Conversation With: Unidrain’s Kenneth Waaben on modern bathrooms

Hotel Designs exclusively sits down with innovative head designer at Unidrain, Kenneth Waaben, to understand more about the process behind the brand’s design of the modern bathroom… 

With the aim to “create aesthetic and functional designs that enhanced the company’s existing portfolio,” Kenneth Waaben started working for Unidrain in 2014. Since then, his clear methodical way of thinking when it comes to balancing practicality and good design has led to the launch of many of Unidrain’s hero products, including the dynamic Reframe Collection. 

For Waaben, who graduated from the Royal Danish Academy of Fine Arts, design is an iterative process that is based on a specific problem, as we find out in our exclusive Q&A.

Hamish Kilburn: What made you want to take on the challenge of designing for Unidrain?

Kenneth Waaben: In my view, good design has to be durable, a design that makes a difference, both aesthetically and functionally. Unidrain wished for products that stood out and solvedproblems in amore elegant and intelligent ways than other products in the market. I was able to design these products, so it was a fine match.

As a designer it is my mission to improve what already exists. Unfortunately, these days many new products are created with no real focus and are not designed to improving anything.

In these days of eco awareness and sustainability this is neither an interesting nor effective approach to product development. As a designer I feel we have to do everything we can to make a positive difference.

“One should dare to be critical of general practice, see possibilities and be open and brave enough to try new things.” – Kenneth Waaben, Unidrain

HK: What is your motto?

KW: Improve the existing – the devil is in the detail!  One should dare to be critical of general practice, see possibilities and be open and brave enough to try new things.

HK: What is the process behind your designs?

KW: I like to look at the things we use and find out where there is room for improvement, and then generate ideas around this.  It can be a challenge to connect the aesthetic with the functional. The process requires repeated tests and adjustments, it’s important to be aware of even the smallest details, since it is often these that make all the difference.

The road towards the goal, the actual design process, is to a great extent an iterative process where inspiration, the idea, the form and function is developed in a constant interactionbetween mind and hands.

It is all collaboration between drafts in 2D and 3D on paper and drafts shaped in cardboard and foam,as well as 3D printing and CAD. Through the entire process it is extremely important to use your experience and intuition.

HK: What was your most recent project?

KW: The Reframe Collection has been taking up my thoughts most recently.  One of the designs that have been under the design microscope is the Reframe corner shelf. I wanted to give new life to an everyday product, improve on the design.

Two other products in the Reframe Collection,the toilet brush and shower wiper, were also being re-framed and re-designed.    We looked at each item; the new toilet brush has been designed with a splash collar that eliminates the accumulationof bacteria between the inner and outer containers.

There is a small, integrated handle, so that you can easily empty the container without coming into contact with any bacteria.  The actual brush head has also been designed to collect as little water and paper as possible, to reduce unwanted dripping.

The shower wiper is a difficult product to keep tidy in the shower space so we designeda way of integrating the shower wiper with the soap shelf.  It is held in place by hidden magnets, which avoids having the wiper standing on the floor or hanging on the mixer tap.

HK: Do you design your products to be long lasting?

KW: Products have to be durable, this is important, plus time has proven that well-designed, long lasting products are also often the most popular.

As a designer, it’s important not to focus on what’s popular right now, as you risk designing a product that quickly becomes irrelevant.  It’s far more interesting to take a long-term approach. Many of the design products that are now celebrated around the world were often created many years ago and not on the basis of contemporary fads and trends.

Unidrain is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

CASE STUDY: Furnishing Hard Rock Hotel London

730 565 Hamish Kilburn
CASE STUDY: Furnishing Hard Rock Hotel London

Curtis Furniture explains its role on the first ever Hard Rock Hotel in the UK to bring the brand back to its British London roots…

When Curtis Furniture was tasked to work on the UK’s first ever Hard Rock Hotel, we had to understand the heightened importance of accuracy in order to bring to life the designer’s vision. Key to this was our ability to clarify accurately the requirements in advance, working as partners to the architects, Unwin Jones Partnership as we developed an on-site sample room and rolled this out through the whole hotel.

Benjamin Harvey, Category Buyer at glh Hotels explains: “Shipping supplies from outside the UK carries a risk to the quality of materials and timings of deliveries. To avoid these risks, we wanted to select a British Manufacturer, and Curtis are one of the few with the capacity to supply bespoke case goods for 1,000 rooms over a 12-month project.

Our relationship with them goes back more than 20 years. We needed to choose an expert partner we could trust to turn around the room refurbishments in a timely manner and with minimal disruption, as the hotel remained fully operational throughout.”

“The newly refurbished rooms buzz with the energy associated with the Hard Rock brand.”

Ultimately the success of the project was due to the accuracy and quality of materials supplied by a responsive, client-focused team. The newly refurbished rooms buzz with the energy associated with the Hard Rock brand. Hard Rock Hotel London is no longer simply somewhere to stay while experiencing all that London has to offer, it is now part of the London experience.

Main image credit: Hard Rock Hotel London/ ROBERTO LARA PHOTOGRAPHY

Rosewood Washington D.C. reopens with new F&B and public areas

730 565 Hamish Kilburn
Rosewood Washington D.C. reopens with new F&B and public areas

Rosewood Washington D.C., which is widely regarded as Georgetown’s leading luxury hotels, has reopened with new distinct dining concepts, including a new rooftop lounge, CUT Above…

With interiors led by Jacques Garcia, Rosewood Washington D.C. has reopened its doors to unveil a new public area and F&B spaces. Instilling a sense of conviviality at the very start of the guest journey, the hotel’s new public spaces include a reimagined lobby and library.

Elegant design and architectural details, such as wood paneling, antique mirrors and marble fireplaces, line the lobby and its corridors, evoking the environment of a private home. The signature residential style is further reflected in the library, where a double height ceiling, deep velvet sofas and armchairs and a stunning chandelier invite guests to visit with friends or relax on ones own.

“We are thrilled to reopen our doors and welcome back our neighbors and visiting guests alike,” said Gabor L. Vida, managing director of Rosewood Washington, D.C. “Created to complement the historic charm of the neighborhood, the new CUT D.C. is characterized by regionally sourced cuisine that celebrates the best of the area’s local farms and purveyors, marking a new chapter for the brand, hotel and local community. Combined with our new rooftop lounge, CUT Above, the restaurant reinforces Rosewood Washington, D.C. as an inviting gathering place for all of our guests.”

Destined to quickly become the most sought-after dining venue in the city, CUT D.C., debuts a new and unique take on Wolfgang Puck’s famed CUT concept through a highly evolved vegetable- and seafood-centric menu. Helmed by Executive Chef Andrew Skala, a veteran of the Wolfgang Puck brand who has spent the last 13 years working across its restaurants in Las Vegas, Los Angeles and New York City, the hotel’s restaurant features a locally inspired menu that brings a fresh flair to the district’s vibrant dining scene. The venue combines essential elements of American architecture with those of European interiors to produce a refined yet relaxed setting that invites guests to return time and time again.

Dark lit restaurant with modern interiors

Image credit: Ryan Forbes/Rosewood Hotels

“I want this CUT to be different, one that is true to the location of where it is,” said Wolfgang Puck. “It’s important to me that CUT D.C. has its own soul that reflects just how unique the Mid-Atlantic is and how diners want to eat now. While guests will still be able to order the signature steaks they have come to love at CUT, we want to showcase the bounty of the region and create a menu that encourages sharing.”

Set against the capital city’s iconic skyline, the hotel’s new rooftop bar and lounge, CUT Above, emerges as the ideal destination for al fresco entertaining.

In addition to the new dining venues, lobby and library, Rosewood Washington, D.C. is set to debut six new and one-of-a-kind townhouse suites later this year. Built at the turn of the century and situated along one of Georgetown’s picturesque, tree-lined streets, the accommodations will offer an entirely residential guest experience unavailable anywhere else in the city. Each approximately 1,100 square feet in size, the accommodations will be designed by local interior designer Thomas Pheasant and will boast private entrances, dedicated living spaces, fully equipped kitchens and a private back courtyard, in addition to custom furnishings and décor created by artisans and photographers from the surrounding metropolitan area.

Main image credit: Ryan Forbes/Rosewood Hotels

 

FEATURE: Perfection in the hotel bathroom

730 565 Hamish Kilburn
FEATURE: Perfection in the hotel bathroom

Recommended Supplier UK Bathrooms explains how designers and architects can strive to create the perfect hotel bathroom experience…

As one of the leading online supplier of premium bathroom brands, UK Bathrooms knows a great deal about what makes the perfect hotel bathroom. Whatever the hotel category; wellness, luxury, business, holiday, whatever the size of hotel; hoteliers today concentrate on providing a unique environment, offering the best in comfort and ease of use to their guests.

After all, what’s the first thing a guest does after checking in to their hotel room? They inspect the bathroom, and expect it to be spotlessly clean, comfortable and relaxing, and, in many cases, different and more impressive than they have at home!

However, whilst guest experience is paramount, a hotel bathroom also needs to be easily maintainable, have durability and longevity. Design should include high quality products which combine functionality with looking great. The hotel bathroom needs to be both beautiful and functional, it should be a unique, discerning space and use materials that are robust and won’t fade.

Image credit: Jack Hardy

Hotel housekeeping teams are usually under pressure to present an impeccable bathroom, so design and products should take into consideration the ease of servicing and cleaning.

Designers, architects and hoteliers should also think about whether the bathroom fits in with the hotel’s architecture, is the design sympathetic to the building? A hotel bathroom should be apt to its environment, capturing the spirit and history of its locale and ultimately take the stress out of travelling for its guests. On trend is a space with no definition between where a bedroom ends and where the bathroom begins, not open plan which is often a step too far for guests, but a space that offers continuity and allows for a complete guest experience.

And that guest experience includes being comfortable and hassle free, with everything to hand including shampoo and soaps, luxury towels that aren’t out of reach. Nothing should be too difficult to use or hard to find. Showers must be the best available with easy controls.  Lighting is key throughout the space and this is where good design comes into its own.

Modern and clean looking bathroom with gold accents of colour in furniture and under bath

Image credit: Villeroy & Boch

UK Bathrooms supplies the hospitality industry from a huge collection of designer brands, including AXOR, Villeroy & Boch and Burlington to name but a few. As one of the leading online premium brand retailers, the company has a team of experts to assist designers, architects and hoteliers.

UK Bathrooms is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: UK Bathrooms/AXOR

16th century shell transforms to open modern boutique design hotel

730 565 Hamish Kilburn
16th century shell transforms to open modern boutique design hotel

The in-house design team at IHG, construction firm Stepnell and architecture practice Hitchman Stone Partnership have together completed a £13.2 million restoration projects on a Grade II listed building, which now sheltered the boutique 93-key Hotel Indigo Stratford-Upon-Avon

Located in the heart of Shakespeare’s birthplace, a three-storey Grade II listed building, which dates back to the 16th century, now shelters Hotel Indigo Stratford-Upon-Avon.

“It is a truly unique site, our first Hotel Indigo in a town, and what a town,” says Henry Reeve, Director of Interior Design at IHG. “We could not have picked a better site.”

Hotel Indigo Stratford-upon-Avon, formerly known as The Falcon Hotel, has upgraded its internal facilities whilst preserving the heritage of its historic exterior during a comprehensive refurbishment. “It’s been amazing to work on such an interesting project, helping to preserve a piece of history that can be enjoyed by the public,” adds Paul Fish, operations manager at Stepnell. “The work was incredibly specialist from a refurbishment perspective, so we had a real sense of achievement upon completion.”

Exterior shot of hotel

Image credit: IHG

Plans were originally laid out to refurbish the roof, but the job quickly grew in size when it was found to be beyond repair and had to be removed entirely, along with the internal plastering which was reinstated by a specialist company. Measures were also taken to preserve and replace the external beams and timber flooring in a bid to protect to the hotel’s defining features.

“We used bold contemporary botanics to reflect the surrounding flora and add a punch of drama.” – Henry Reeve, Director of Interior Design at IHG

Fish added: “We faced a few challenges during the build regarding conservation and access to the site due to the historic nature of the hotel, but the team managed to push forward with the works and the outcome is truly stunning.”

The traditional timber build is now complemented by a contemporary interior and lavish decor to give guests a unique boutique hotel experience, with three style of rooms to choose from, including the Tudor room, Georgian townhouse and contemporary rooms. The hotel features 65 custom axminster rugs and 10 luxurious hand tufted rugs supplied by Brintons that are showcased in guest rooms and public areas.”Pattern and colour is reflective of the English countryside, deep rich greens and autumnal browns work together to create a space that feels instantly comfortable, familiar and welcoming,” explains Reeve. “We used bold contemporary botanics to reflect the surrounding flora and add a punch of drama and of course as it’s Hotel Indigo we have some perhaps surprising detailing hidden across the site.”

Beautiful bar area with aimless interiors

Image credit: IHG

Newly equipped with a state-of-the-art gym, a private dining room, snug lounge, cocktail bar and modern meeting rooms, the hotel also offers a luxury dining experience for its guests. The Woodsman Restaurant has been created by restaurateur and chef Mike Robinson who has the only Michelin star pub in London. The Woodsman’s focus is on sustainable, wild British food, cooked over charcoal and wood. Customers can sit and eat delicious local produce while watching the chefs work their magic.

With the aim to bring a building back to life, and to create a hotel that in Reeve’s words: “Felt truely English and reflective of the stunning surrounding Midland countryside,” Hotel Indigo Stratford-upon-Avon is showcases the tradition of a 16th century building through a timeless contemporary lens.

Main image credit: IHG

More than 70% of Brits believe hotels can be more eco-friendly

730 565 Hamish Kilburn
More than 70% of Brits believe hotels can be more eco-friendly

A survey has revealed what Brits really think when it comes to hotels’ efforts to be eco-friendly… 

76 per cent of British holidaymakers feel hotels can play a larger role than they currently are in being ‘greener’, a study has found. The survey, carried out by Taxi2Airport, also concluded that most Brits will seek to walk, bike or use public transport to explore the destination around the hotel.

Meanwhile, 71 per cent have a strong desire to pack as light as possible. In turn, this will have an indirect positive effect on their flight, because if a plane weighs less – it increases fuel-efficiency and decreases the carbon emissions it produces. 66 per cent of the 1,468 respondents stated they will make a conscious effort to turn off the TV, lights, heating and air conditioning (AC) when not in use or present in the room.

Interestingly, since toiletries such as toothpaste, shower gels and shampoos are provided on a complimentary bases in a majority of hotels – it can be easy to use them wastefully as they are ‘free’. Bearing this in mind, 54 per cent will only throw away and/or ask for new toiletries once they have finished their existing set.

Fascinatingly, 67 per cent believed hotels should take the initiative to include a recyclableas well as non-recyclable bin, so they can separate any rubbish in their room between the two. Surprisingly, a sizeable 55 per cent of travellers would be happy if their hotel bathroom had a low flow shower head and toilet – both going a long way towards reducing water consumption.

Main image credit: Zuri Zanzibar

INDUSTRY INSIGHT: Styling a hotel for design press

1024 768 Hamish Kilburn
INDUSTRY INSIGHT: Styling a hotel for design press

With first impressions now being made before guests have even considered checking in, making a hotel’s style, personality and character pop in photographs is fundamental in any successful launch campaign. Florence Rolfe, former senior stylist at House & Garden – and judge for The Brit List 2019 – explains some of the tricks of the trade… 

The overriding question I am often asked is: “What do I have to do in order to get my brand into a leading publication?”

As we well know, the role of the journalist is to find the next big scoop, to draw the reader in with interesting content, and ultimately: to tell a story.

When it comes to creating engaging imagery, my advice is that your visuals should also tell a story. They need to express a lifestyle, and, moreover when it comes to hotels, where there is an abundance, that story needs to be aspirational. It needs to offer access to something that you wouldn’t usually experience, and conclusively to communicate this. The image should encapsulate the incredible journey you will have. What do we enjoy most about staying at hotels? For me, I like to indulge: step into my room, kick off my shoes and slip into that soft luxurious robe. I scout out the brand of miniature toiletries carefully curated in the bathroom. Perhaps run a bubble bath, then later tuck into high-thread count, Egyptian cotton sheets freshly turned down by housekeeping, before indulging in a chocolate left on the pillow.

“Whilst emulating the comfort of a home is important, the magic of hotels is also the escapist quality.”

But how can we convey this sublime experience into a photograph? Whilst emulating the comfort of a home is important, the magic of hotels is also the escapist quality. A luxurious element and impression of pampering is key. Detail shots of gorgeous bed linen, or a beautifully presented breakfast on a balcony, or a section of the bed with a thoughtfully styled bedside table, attractive looking cocktails at a beautifully stacked bar, or a good looking dish prepared by the chef. An evocative shot could also capture a neatly rolled towel pristinely perched on a sun lounger.

Are there any quirky design details around the hotel that the stylist and photographer are able to hone in on? Perhaps an interesting art collection, extensive book collection, rooftop pool with panoramic views, or an inviting private beach? Perhaps an unusual design element like a bath tub on the balcony – think The Zetter Townhouse, Marylebone. Draw your focus onto the interior design elements in a hotel, like an oversized bedhead – Kit Kemp style – or a mega chandelier, as seen in The Corinthia London’s lobby. Focus on the materials at your disposal: the tiles, upholstery, curtains, bed linen. Do they contrast with other fittings like dramatic brass door handles? The writing desk in a hotel room. Or a big beautiful armchair. These furnishings are interesting to photograph to show guests how differently the bedroom space can be used (outside the standard realm of bed and en-suite bathroom).

Consider the different mix of materials not as typical or practical in our everyday living spaces: silk curtains, bed throws, velvet armchairs. The prevailing impact that interiors trends have for press and bloggers means that in this day and age photography and styling is really important.

Think about whether you want the pictures to look as though they are ‘guest ready’, preparing for the customers arrival or whether they should encompass a natural ‘lifestyle’ quality? Do you want to create your bedroom shots with a more ‘lived in’ feel. This could be a messy bed, for example. If your shots have been commissioned purely for website purposes, I would stick to ‘guest ready’. Lifestyle are great for video and social media content. I would also always advise having a model on hand for any lifestyle imagery as the human element not only brings things to life, also helps scale in a photograph. A mix of the two works well for website, brochure and social media content. Movement can still be created in a still life image: a running bath or shower, lit candles or a barman pouring a drink or shaking a cocktail.

If the budget allows, I would suggest hiring a stylist and good photographer to bring these elements to life. My job as a stylist is to create this ‘home from home’ environment in a photograph, achieved by sourcing props in interesting shapes and sizes that I know will always photograph well.  You can never go wrong with beautiful flowers. They bring any image to life. Not only will they provide that pop of colour if needed in the photograph, but they can hugely help image proportions.

Flowers is another element I would suggest carefully considering for your branding. Take a look at your surroundings: which flowers and/or plants are native to the country or area that your hotel is based? A hotel or resort based in South Africa might decide to stick with their native flower, which in this case is the ‘Protea’, whereas a hotel or resort in Mexico might opt for succulents in their imagery. As we are all aware, flowers can be pricey and don’t always last long. This isn’t always ideal when you’re on a long shoot, as they need to look as fresh as possible for every shot. Faux flowers might be a good option. Once renowned for having a bad reputation, these days there are some beautifully crafted, really realistic ones available. A good selection of hardback books in various sizes and colours are always useful to fill a neglected area.

To create an image that not only gets you into the press, but also hooks your target market, you need to create emotion. Put yourself in the guest’s shoes. Do not simply take a cold image of a smart room, but rather bring that room to life. Allow the reader to envisage how they would feel when they walk through the door into your hotel room and sense all the wonderful things around them, which you’ve so carefully thought out for them.

Main image credit: CitzenM Kuala Lumpar

Behind the scenes: Morgan’s Rakino Collection

730 565 Hamish Kilburn
Behind the scenes: Morgan’s Rakino Collection

Post-Clerkenwell Design Week, Hotel Designs’ editor Hamish Kilburn catches up with one of the designers of the moment, Tim Rundle, in order to understand how his new collection with Morgan developed…

During this year’s Clerkenwell Design Week, Morgan launched a new furniture collection which juxtaposed soft sculpted upholstery with a strong, low line frame, the new family of lounge chairs and tables feature crisp timber detailing, emphasised by a clean linear structure.

But how did the collaboration start, and what inspired the design? We caught up with designer Tim Rundle to discover all.

Hamish Kilburn: Tell us more about the Rakino collection?
Tim Rundle: Rakino is a collection of low lounge chairs that combines soft sculpted upholstery and CNC machined timber frames with an upright, somewhat architectural, attitude. The frame is all right angles and straight lines, save for the back support rail, which is bowed slightly, as if formed by the act of leaning back in the chair. The seat, in contrast, is a soft, shell-like form with a crisp single seam running around its edge.

HK: What inspired your designs?
TR: This project started in what I believe is the ideal way; with a trip to see production, and this is what really inspired the design. In Hampshire I discovered a factory staffed by some serious experts in upholstery and timber joinery. I really wanted to make the most of these capabilities, and maybe even push them a little to see what was possible. In terms of the chairs themselves I wanted to create something that felt quiet and inviting, that could feel right in your home, while obviously being appropriate for hard working contract environments.

HK: Did you enjoy collaborating with Morgan? How was the experience/process compared to solo working?
TR: None of my projects are just me. I think that’s a misconception, maybe brought about by the fact that in our industry, designers tend to have eponymous business names. Everything I’ve ever designed have been made possible by numerous other people, from engineers to marketeers, craftspeople to logistics managers. I guess the main difference this time was geographical proximity – this is my first project with a British furniture brand! This meant we could work really closely, with numerous prototype reviews as we refined the details.

HK: Benefits of this collaboration?
TR: Working with Morgan’s dedicated prototyping team (Jonathan and Dean) was a highlight. This meant we were able to make adjustments and modifications to our prototypes, effectively on the spot – and nothing was impossible. The whole team were always keen to push the limits of timber production, and the results can be seen in a frame that perfectly blends CNC technology with expert craftsmanship, and an upholstery element that tapers to an impossibly fine edge, something not normally achievable with cut foam.

What inspired the name of the collection?
TR: As Morgan have a product code system that uses place names, it felt only right we choose a New Zealand name – being designed by a Kiwi, albeit London based. Rakino is one of a cluster of small islands in the Hauraki gulf, the body of water surrounding Aucklands East coast, where people are able to escape the busy city, a short boat ride leaving you with a pleasant sense of isolation and calm. A comfortable low lounge chair in a busy hotel or workplace could, I hope, provide the same feeling.

As Raikino is the result of a true collaboration, we asked Morgan a few questions too…

HK: How did the collaboration start? How did Tim and the Morgan team meet?
TR: We were looking to collaborate with a like-minded Designer who shares our passion for quality and integrity. Our Design Director came across some of Tim’s work and was impressed with his portfolio and the fine detail of his work. After the first meeting, it was obvious that Tim understood our brand and would be a good design partner, so we decided to give him the brief for a new product for CDW19.

HK: What makes this collection stand out?
TR: The Rakino collection stands out due to its striking timber architectural frame, with a strong, square, clean aesthetic, combined with a soft sculpted and slim line upholstered shell that is held within the frame. The frame is very open and honest and is a reflection of Tim’s eye for detail and our passion for precision CNC manufacturing and a hand-crafted finish.

Morgan is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: Morgan

Hotel Summit 2019 bridges the gap between hotel buyers and suppliers

730 565 Hamish Kilburn
Hotel Summit 2019 bridges the gap between hotel buyers and suppliers

Forum Events’ premium meet-the-buyers event, Hotel Summit, put on yet another spectacular event with guest speakers including representatives from The Lanesborough, Great Hotels Of The World and Areen Design, among many others…

Settling in a new home, located in the quintessentially British surroundings in the Oxfordshire countryside, Heythrop Park welcomed hoteliers, designers and suppliers alike for this year’s hotly anticipated Hotel Summit.

More than 60 procurement professionals from leading hotels around the UK such as The Lanesborough, The Beaumont Hotel and The Gainsborough Bath Spa and 30 supplier partners attended The Summit that was sheltered within the 18thcentury hotel, which combines both elegant heritage design with contemporary areas, making it the perfect venue for one of Forum Events’ leading meet-the-buyers concept for the hotel industry.

The two-day kicked off with an opening presentation with Rita Alves Machado, VP of sales and marketing for Great Hotels Of The World who joined editor Hamish Kilburn for a live interview on the topic of blesiure. “There should be more focus on public, intelligent areas when it comes to designing for bleisure guests,” Machado said. “For me, it’s about personalization, we look for that in our members, what they can do that will differentiate from others in an authentic way.”

Andrew Linwood, Head of Hospitality Design at Areen Design, aptly followed with a presentation entitled: How Design Adds Value To A Hospitality Brand. “Branding is not only the name above the door,” he said to the audience. “It’s about good design and good service working together.”

Meanwhile, Francisco Macedo, Operations Director for Clivedon House stood up in front of the audience to explain how to create a winning team, using personal anecdotes to explain how he has curated his army of staff in order to offer a seamless service within the hotel.

After a morning of face-to-face meetings with suppliers, delegates joined to attend a speaker session with Marco Novella, Managing Director of The Lanesborough, followed by a short live interview where Kilburn delved into what it takes to be at the helm of one of London’s most prestigious luxury hotels. “It’s been important to react to the right trends,” explained Novella. “Wellness, for example, is a very important factor for The Lanesborough, and our aim with the club and spa was very much to lead wellness and wellbeing.”

Following a lavish gala dinner and entertainment, delegates and suppliers gathered for a second day of pre-scheduled face-to-face meetings.

Partners:

ADI Trading Ltd, Airwave Europe, Alchemy House of Design, Birchall Team, Brushbox, Castrads, Discover Kangen Water, Elavon, Fortune Brands, Gallant, Good Energy, HCI, Hotel Champ, iBal Designs, Landmark Specialist Solutions, Ligne Roset Contract, Matrix Fitness, Mitre Linen, Out of Edan, Parkside, Phillip Jeffries, Portable Floormaker & Barlock Bars, Project Blinds, Riskmonitor Limited, Samsung Electronics, Tevalis Ltd, Timage, Toothbuckle, Virdor, Zennio

Next year’s Hotel Summit will take place in April 27 – 28 at Five Lakes Resort, Colechester. If you are interested in exhibiting at the 2020 event, please contact Jennie Lane on 01992 374098 or j.lane@forumevents.co.uk.

BIID announces new President

730 565 Hamish Kilburn
BIID announces new President

The British Institute of Interior Design (BIID) has announced that Harriet Forde from Forde design has stepped up to become the 2019 BIID President…

The British Institute of Interior Design (BIID) has announced its new president for 2019-20, Harriet Forde, founder of London-based practice Harriet Forde Design. Forde succeeds current president, Gilly Craft and officially took on the role at the BIID Annual General Meeting (AGM) on Thursday July 4, which took place at The Royal Institute of British Architects (RIBA).

Forde, who has recently been confirmed as a Judge for Hotel Designs’ The Brit List, is an experienced interior designer and a long-standing member of the BIID, having previously held the position of Chair of the Membership Committee. An active member of the Institute, Harriet regularly leads talks and discussions at industry events across the country, including participation at the most recent BIID Inside Knowledge Conference.

“As president, I will continue to support our members in providing a high-quality and professional service to their clients.” – Harriet Forde

Having begun her study of interior design at the London School of Furniture, Forde went on to graduate from the prestigious University Central St Martin’s with a degree in textiles.  Following more than 10 years’ experience in the hospitality design sector – working for the likes of Richard Daniels, Richmond International and Areen Design – Harriet eventually set up her own practice, Harriet Forde Design in 1999.

“I am delighted to be president of the BIID, to continue the fantastic work already established by our hard-working BIID council,” she said. “As president, I will continue to support our members in providing a high-quality and professional service to their clients, to educate consumers on the benefits of using a BIID registered designer and to ensure that our talented community of BIID members continues to thrive.”

The designer is influenced by an admiration for architecture, attention to detail and nature, and incorporates this within her designs through pattern and texture. She also has a keen interest in the influences of design on wellbeing and explores the way this can be developed within a space through the careful selection of materials, lighting and space planning.

Forde is experienced in the commercial, hospitality and high-end residential sector and is regularly commissioned to work on projects across the UK, continental Europe and the Middle East. This has allowed her to build a successful business and client base, with an approach centred on the understanding of space and translating it into original concepts and design. Harriet continues to personally lead every client project and it is this commitment that has allowed the practice to thrive, with the studio recently celebrating an impressive 20 years in business.

Main image credit: BIID

 

Four Seasons Hotel Singapore unveils botanical twist

730 565 Hamish Kilburn
Four Seasons Hotel Singapore unveils botanical twist

Four Seasons Hotel Singapore goes botanical, unveiling reinvented interiors, including luxury suites, F&B and wellness areas…

Nestled within a city/country that is widely known as a modern metropolis that is leading the way in sustainable design and architecture, Four Seasons Hotel Singapore has lifted the lid on its newly completed interior design renovation, celebrating the natural, verdant flora that the island is unmistakeably known for.

Somewhat becoming a major source of inspiration for the design team, the hotel is situated amidst lush foliage on the fringe of one of the world’s largest shopping street, Orchard Road, a mere five minutes away from the a UNESCO World Heritage Site, Singapore Botanic Gardens. With the creative direction of celebrity Floral Art Director Nicolai Bergmann since April 2019, guests are greeted fresh florals in the Grand Lobby at arrival.

“Replacing deep, rich palettes are now contemporary interiors that feature a natural colour palette of dusty cool blue tones and lime green accents.”

The guestrooms and luxury themed suites alike were revamped in the last six to twelve months in preparation for the hotel’s Silver Anniversary. Replacing deep, rich palettes are now contemporary interiors that feature a natural colour palette of dusty cool blue tones and lime green accents, inspired by the water and tropical lotus leaves of the Singapore Botanic Garden’s Swan Lake. Each room also features a mural wall composition of traditional Peranakan tiles, adding an artistic touch and reminiscent of Singapore’s rich and multicultural heritage. Peranakan culture represents the union between two or more major ethnicities of the Straits Peninsula – a result of Singapore’s historical significance as a major trading port. Large floor-to-ceiling windows provide sweeping views of the city and surrounding greenery, while white-colonial style doors and windows with plantation shutters, reminiscent of Singapore’s once-agricultural history, allowing for the natural light to brighten the rooms.

Comprising four distinctive residences – the Royal Suite, Governor Suite, Ambassador Suite and the Presidential Suite – the quartet of luxury suites unfurl Singapore’s legacy through subtle design motifs, natural textures and serene palettes of subtle sophistication that portrays and acknowledges the Garden City’s dynamic, cosmopolitan storied history.

The passion for a nature-enlivened, tropical ambiance continues from the private areas to the restaurants and bar at the Four Seasons Hotel Singapore.

Relaunched in March 2019 after a month-long revamp, One-Ninety, the breezy, botanical modern Asian brasserie teases with its Asian twist on wholesome Provençal cuisine. The adjourning resort-style alfresco Terraza is perfect for unwinding with a classic in hand and weekend tete-a-tete over a tri-terraced Floral Afternoon Tea that intrigues with flora-infused treats, launched in end-May 2019. Embodying the concept of “Xiang Le Zhu Yi,” or the principle of enjoyment and happiness, newly minted Michelin-starred restaurant Jiang-Nan Chun is not only evocative of the pastoral lifestyle of Jiang Nan region’s traditional river villages through its rustic décor, but also through its authentic Cantonese cuisine.

Main image credit: Four Seasons Hotels & Resorts

Morgan launches lounge chair and table collection designed by Tim Rundle

730 565 Hamish Kilburn
Morgan launches lounge chair and table collection designed by Tim Rundle

Contract furniture designer and manufacturer Morgan has launched Rakino, a collection of lounge chairs and tables, designed by Tim Rundle…

During Clerkenwell Design Week 2019, Morgan launched a new furniture collection, Rakino, designed by Tim Rundle.

Juxtaposing soft sculpted upholstery with a strong, low line frame, the new family of lounge chairs and tables feature crisp timber detailing, emphasised by a clean linear structure.

“It’s been a pleasure working with Tim, who brings an international perspective to Rakino,” says Katerina Zachariades, design director at Morgan. “His experience in furniture, lighting and interior design enables him to develop new product ideas with an understanding of commercial demands. We have enjoyed developing this chair and refining our production methods to achieve the light, simple structure that defines it.”

Describing his approach to the project, Rundle says, “I wanted to create something that felt quiet and inviting, that could feel right in your home, while being appropriate for hard working contract environments.” 

Morgan has a tradition of naming its collections after places, which Tim embraced. He explains: “It only felt right we choose a New Zealand name, being designed by a Kiwi, albeit London based. Rakino is one of a cluster of small islands in the Hauraki Gulf, the body of water surrounding Auckland’s east coast. There people are able to escape the busy city, a short boat ride leaving you with a pleasant sense of isolation and calm. A comfortable low lounge chair in a busy hotel or workplace could, I hope, provide the same feeling.”

Morgan is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Zoe Guerrier by clicking here.

INTERACTIVE REVIEW: Oddfellows On The Park

730 565 Hamish Kilburn
INTERACTIVE REVIEW: Oddfellows On The Park

Located on the fringes of Manchester, Oddfellows On The Park is quirky, timeless and in its own admission ‘a little bit odd’. Editor Hamish Kilburn writes about the hotel that was designed to be disobedient…

By the looks of Manchester’s hotel development pipeline, creativity in British interior design and architecture is not limited to London. Despite Brexit uncertainty, this year alone, 835 new guestrooms will be introduced into the industrial city – with a further 11 more hotels slated to open between 2020 and 2021.

The booming hotel design scene in the northern metropolis has resulted in more interest around the outskirts of the city, and it is here – less than 10 miles from the Manchester’s Piccadilly – where Oddfellows Hotels’ latest property is situated.

A lamp shining from the head of a life-sized model of a horse and a chandelier made from bicycle chains hanging above the check-in desk is the first indication that Oddfellows On The Park doesn’t like to play by the rules. Tasked with the aim to stylishly go against the grain was design firm SpaceInvader, which is dedicated to creating spaces which fulfill their true potential, while unlocking the power to enhance human behaviour.

Opened in 2017, the hotel is sheltered within an 1861 traditional Victorian Gothic building, which was named Bruntwood Hall. The shell of the now 22-key boutique hotel was designed originally by an industrialist, John Douglas, who was inspired by a Scottish home; the original ceilings in The Stud Room Bar are testimony to this with subtle thistle design. Today, the iconic structure stands in plain sight, nestled within endless playing parks which feature archery, a golf course, and even a BMX cycling track – hence the cycling chain chandelier in the lobby.

In its history, Bruntwood Hall has served many purposes – from being a town hall during the war to becoming home to a film company and fashion designer. Now, though, for the first time in its winding narrative, the building has been redecorated, reconfigured and reborn to welcome guests into a luxury boutique hotel like no other.

Katie Edgar who heads up hospitality at SpaceInvaders led the design throughout the project. She and her design team conducted thorough research into the history of the building, the location and the inhabitants of Bruntwood Hall, in order to understand how to thoughtfully reference the building’s past. “The approach focused on respecting the character and beautiful features of Bruntwood Hall,” explains Edger. “We were inspired by them, and wanted to enhance them to design a romantic scheme that celebrates the history of the building and its unique position.”

Image credit: ACT Studios

In addition to sympathetically restoring the building’s original features, the design firm worked with architect Tim Groom, in order to incorporate elements of innovative and playful design that has become a signature of Oddfellows Hotels. “The aim was to create a space that allows guests to lose themselves in their surroundings and feel that the Hall is theirs for the weekend,” adds Edgar.

“Original 1860s encaustic floor tiles were uncovered in the reception area and revived to their former glory.”

The public areas arguably give the most significant nod to the building’s heritage. While Edgar and her team were restoring the building as part of its transformation, original 1860s encaustic floor tiles were uncovered in the reception area and revived to their former glory.

The Stud Bar, which is sheltered adjacent to the lobby area, is a small and intimate space dominated by the original statement