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BREAKING: Salone del Mobile postponed until 2021

730 565 Hamish Kilburn
BREAKING: Salone del Mobile postponed until 2021

The 2020 edition of the Salone del Mobile.Milano has been suspended to 2021 due to the COVID–19 pandemic…

Just weeks after Salone del Mobile.Milano was postponed from April until June of 2020, due to the outbreak of COVID–19, the organisers of the event have now announced that the event has been further suspended until April of 2021. 

Salone del Mobile.Milano, which is the world’s largest and arguably most visible furniture fair in the international design calendar, will now take place between April 13 – 18 2021.

The decision to postpone was made by the Board of the Salone del Mobile.Milano in light of the ongoing coronavirus pandemic that is spreading to almost every country in the world.

In a statement, the show’s organisers said: “Although we were determined to keep to the June date, to allow the annual event to take place as planned, the present, unprecedented circumstances and medium-term uncertainties now mean that this year’s Salone can no longer go ahead.

“The 2021 edition, which will celebrate the 60th anniversary of the Salone, will be a special event for the entire sector. For the first time ever, all the biennial exhibitions will be held in conjunction with the Salone Internazionale del Mobile, the International Furnishing Accessories Exhibition, Workplace3.0, S.Project and SaloneSatellite. This means that EuroCucina, FTK – Technology For the Kitchen and the International Bathroom Exhibition will also take place next year, along with Euroluce, which was already scheduled for 2021.” 

The sector-wide trade fair is said to represent a fresh opportunity to pull together to revitalise our businesses, the entire supply chain that works in synergy with the Salone, and Milan. 

This is breaking news, more to follow…

Main image credit: Salone del Mobile.Milano/Andrea Mariani

In Conversation With: Interior Designer of the Year 2019, Jo Littlefair

730 565 Hamish Kilburn
In Conversation With: Interior Designer of the Year 2019, Jo Littlefair

Securing her place in the history books, Jo Littlefair came out on top last year at The Brit List Awards 2019, spectacularly winning the coveted title, Interior Designer of the Year. A few months later, she welcomes editor Hamish Kilburn into the Goddard Littlefair HQ to give him a glimpse into studio life…

“Jo, can I borrow you for just a second,” says senior associate and architect David Lee Hood as Jo Littlefair and I walk through the studio. “This archway,” he says pointing to a life-like rendering on his monitor, “what are your thoughts on adding in a line of colour here?” As he shows the before and after, it is a game of ‘spot the difference’ to the untrained eye. But for the multi-layered studio Goddard Littlefair, where the devil is so often in the detail, it could be the difference between winning a pitch or losing it, as any design practice operating on today’s international scene will confirm.

“We have made a few changes to encourage people to come and talk to us more.” – Jo Littlefair, co-founder, Goddard Littlefair

The short but important moment is proof, if ever I needed it, that Littlefair likes to naturally lead from within her team. And as we walk through the open-planned office that is flooded with natural light towards her workstation, I notice also that there is no door, and no boundary, between herself and everyone else in the building.

Image caption: The Lowry Presidential Suite, designed sensitively by Goddard Littlefair

Image caption: The Lowry Presidential Suite, designed sensitively by Goddard Littlefair

“We got to the point last year when, as we reached 60 employees, we decided Goddard Littlefair was too big as a studio,” she confesses. “We have made a few changes to encourage people to come and talk to us more, because I would rather know about something – and be able to comment at a point where it is possible to comment – rather than get further down the line and it be too late. At the end of the day, leading this design studio with Martin Goddard has always been a collaboration, not just between himself and I but also our team.” As the designer is explaining, I notice that there’s a cordial and relaxed atmosphere in the Clerkenwell studio, and the strong relationship between the co-founders and their team is apparent.

Image caption: The bar inside Hilton Imperial Dubrovnik, designed by Goddard Littlefair

“We look at the finer details, as you have just seen, that perhaps make a space look and feel more residential,” the designer explains. “Things like tabs on the curtain pole having a little leather strap and a metal rivet, and it’s those elements that give it quality and detail. It’s important that someone has thought about it in that much detail, and there is a reason why it’s leather and why it’s embossed, or whatever.”

“What’s most important is that it has to be right for our client, the property and the location every time.” – Jo Littlefair, co-founder, Goddard Littlefair

Recently completed projects within the studio’s portfolio include The Biltmore Mayfair  London, Hilton Imperial Dubrovnik , Sheraton  Grand Warsaw , the new F&B areas inside Hilton Munich City, The Lowry in Manchester and the Kimpton Charlotte Square. Having followed many, if not all, of these projects from concept through to completion, it’s fair to say that the studio believes that variety is the spice of life. “We don’t like being pigeon-holed,” explains Littlefair. “We have a great variety of style, which is fantastic. Also, we are not divas when it comes to our personal taste. What’s most important is that it has to be right for our client, the property and the location every time.”

Modern award-winning bar

Image caption: The award-winning Juliet Rose at Hilton Munich, designed by Goddard Littlefair, has become the city’s new destination bar.

Despite the studio clocking up the air miles with unavoidable trips abroad for site visits and account management, in order for the team to understand the culture and fabrics of new destinations, the studio’s HQ is positioned slap-bang in the epicentre of the design community in London, just a few streets behind some of the city’s major design showrooms in Clerkenwell. “There is always a corner of London that you can find a narrative to that is really individual,” says Littlefair. “Whether  When? you are living, working and breathing in London, like many of our designers, the city becomes a fantastic place. I think that’s because it is made up of villages that have, over time, morphed together. As a designer working on a project here, the identity of what those villages were can really shine through.”

“I literally had to work my way around the world, and it made me a different person.” – Jo Littlefair, co-founder, Goddard Littlefair

Despite London having its place in the designer’s heart, Littlefair mostly finds inspiration in design from nature, and decompresses daily from city life, after a hefty commute, in Buckinghamshire where she lives. “It’s a very open community, close enough to London for work, but full of fresh air,” she explains. “My kids love it there, and so do I!”

But where was Littlefair’s inquisitive nature born, I wonder? “When I left university and went travelling, technology as we know it now didn’t exist; email had just come out for crying out loud,” she admits. “I used to pay to sit in a café to type an email home to say I’m alive. For me, that was about really cutting off from the world. My mum didn’t think I was going to come back,” she laughs, “I did some crazy things; I worked out on boats and I threw myself into experiential travel, albeit on a shoestring. I literally had to work my way around the world, and it made me a different person. Experiencing places and learning about people and cultures.”

Image caption: The Principal York's luxe, residential look and feel was designed by Goddard Littlefair

Image caption: The Principal York’s luxe, residential look and feel was designed by Goddard Littlefair

QUICK-FIRE ROUND

Hamish Kilburn: What trend do you hope will never return?
Jo Littlefair: Rag-rolled walls and transitional furniture.

HK: What’s next on your travel bucket list?
JL: Chile , Argentina and Egypt.

HK: What would you say is the number-one tool for success?
JL: Hard work, and you can’t teach taste. I learn something new every day, nobody can know everything!

HK: Who was your inspiration growing up?
JL: The reason I made it into interiors is because I used to work on super yacht designed by Terence Tisdale. I couldn’t believe that somebody got paid to put this together and design with  all those beautiful timber veneers and mirrors everywhere, which I had to clean! I spent four months in the Med working on this 64m Feadship  . It had everything and gave me an insight into luxury and interior design.

HK: What is the one item you cannot travel without?
JL: This is ridiculous but my cashmere jumper, which is so not me. You will always find a lightweight cashmere jumper in my flight bag!

HK: What is the last item that will show up on your bank statement?
JL: Whole beans for my coffee machine. Always buy a small bag because you want the freshest roasted beans for your coffee.

HK: What has the last year taught you?
JL: To keep everyone in the studio on one floor, so that we are working together. Also that quality far outweighs quantity.

“Think of it as the destination’s answer to The Ned.” – Jo Littlefair, co-founder, Goddard Littlefair

Back to today, and the studio is currently hard at work with a number of projects on the drawing boards. The studio is currently working on designing four restaurants and bars inside the soon-to-open 360-key Villa Copenhagen. “Think of it as the destination’s answer to The Ned,” Littlefair teases. “But it’s so not about men and women in suits. Instead, the whole project has been about understanding the Danish vernacular, the locals’ way of life.”

Other projects that the studio is working on include five star resorts on the Mediterranean coast line, the repurposing of a beautiful Viennese building to a 150 plus bedroom five star hotel and what may be the future best spa in London.

Image credit: The atmospheric restaurant Cucina Mia inside Shertaton Warsaw, designed by Goddard Littlefair

Image credit: The atmospheric restaurant InAzia restaurant in Sheraton Warsaw, designed by Goddard Littlefair

As two people who are, parallel to others in the industry, so thoughtfully leading interior design forward in terms of meaningful innovation, Goddard and Littlefair both feel pressure to adapt sensitively with the times while also maintaining a fundamental quality. And their approach to evolution is enlightening.  “Someone once told me that everything in life is a phase,” explains Littlefair. “I have learned to embrace change and see it as a positive. It is intrinsically scary to human nature, but when you learn that it is necessary to be a little bit cathartic about things, life runs smoother.” I would argue that it is this breath-of-fresh-air attitude that led the designer to win The Brit List Awards’ Interior Designer of the Year 2020.

“You have no idea how much the award means to me.” – Jo Littlefair, co-founder, Goddard Littlefair

“I just can’t believe it,” she said fresh off stage at the event in November when her new-found title was revealed in front of a sea of leading designers, architects, hoteliers and developers. Months later, and the reality of ‘that win’ hasn’t quite sunk in. “You have no idea how much the award means to me,” she says now. “The line-up of people you had there was fantastic, they are my peer group and I am very respectful of what everyone else is doing. So, that people within this industry consider what we are doing here to such high regard means everything!”

Image caption: Interior Designer of the Year, Goddard Litterfair's Jo Littlefair with editor Hamish Kilburn at The Brit List Awards 2020

Image caption: Interior Designer of the Year, Goddard Litterfair’s Jo Littlefair with editor Hamish Kilburn at The Brit List Awards 2020

In a recent roundtable discussion that Littlefair attended, it was mentioned that all designers are having to work harder than ever before in order to differentiate from other styles and common motifs. As I sit around the table in the hub of her studio, I wonder how Littlefair and her team approach this topic when it comes to designing future hotels. “We are getting to the point where people have not seen a beautifully letter-pressed card before,” she says. “The ‘tech revolution’ has changed everything that we do and the way our work is perceived, but we can’t lose touch of humanity in the process.”

“We crowned a really worthy winner,” I can’t help by think to myself after I’ve said my goodbyes to the  Goddard Littlefair team. For me, it’s not necessary  necessarily? Littlefair’s work that is the most inspiring thing about but  the designer, but more her incredible journey, which was fuelled by hard-work, passion and determination, that I believe every single designer can learn from – or at least be energised by.

Main image credit: Goddard Littlefair

Hotel Designs launches new initiative to help businesses through uncertain times

730 565 Hamish Kilburn
Hotel Designs launches new initiative to help businesses through uncertain times

The industry’s leading online platform, Hotel Designs, has launched a three-month introductory offer for companies, as the leading international hotel design website continues to support the hospitality industry…

In direct response to the COVID–19 pandemic, Hotel Designs has launched an ‘Industry Support Package’ to help brands to engage with the hospitality sector spanning designers, architects, hoteliers, developers and those that supply to the industry during the testing months that lie ahead.

“The aim of this three-month package is to simply support businesses that have been effected by the COVID–19 outbreak and that require a springboard of support,” explained publisher Katy Phillips. “While the hospitality market adapts, the ‘Industry Support Package’ will enable brands from all sectors of the market to share their latest news to our highly engaged readers via our various online platforms.”

The Industry Support Package, which is just £99 + VAT, includes: 

  • A comprehensive company profile page on Hotel Designs website to include full company details, contact information, product imagery etc.
  • Editorial coverage on the Hotel Designs website for a three-month period
  • Contribution to Hotel Designs’ ‘Spotlight On’ monthly editorial features
  • Social media support across all social channels – reaching more than 20,000 users
  • Exposure within Hotel Designs weekly e-newsletter sent to more than 12,000 recipients

The package is only available to new clients, and to take advantage of the offer, companies will need to be book by EOP on Friday, April 3, with activity commencing no later than Monday, April 13. 

If you would like to take advantage of this offer, please email Katy Phillips or call +44 (0)1992 374050.

Taylor’s Classics unveils new furniture for 2020

730 565 Hamish Kilburn
Taylor’s Classics unveils new furniture for 2020

Contract furniture company Taylor’s Classics has launched a number of new chairs into its Modern seating collection…

Recommended Supplier Taylor’s Classics has launched a number of new chairs into its Modern Seating collection.

New products include Benchairs 700 armchair (Benchairs collection), Sunburst dining chair (available in two different options: Straight leg and turned leg – Collection: Traditional Classics) and the Alex armchair (available in two options: Beech and Oak.

Selection of cut outs of seating

Image credit: Taylor’s Classics’ selection of new seating

The full list of products are below:

Max Side Chair

Based upon a classic design of the 1930’s our Max chair has a chrome frame with upholstered seat & back. Ideal for restaurant or bar seating it is a great combination of style and comfort.

Max Armchair

The Max armchair is based upon a classic design of the 1930’s. It has a chrome frame with upholstered seat, back and arms. Ideal for restaurant or bar seating, it is a great combination of style and comfort.

Max High Stool

The Max high stool is based upon a classic design of the 1930’s. It has chrome frame with upholstered seat & back. Ideal for restaurant or bar seating, it is a great combination of style and comfort.

Luna Side Chair

Our oak framed Luna chair provides a really comfortable seating option for restaurants, lounge areas & bars. The chair can be upholstered in a fabric or leather of your choice and the frame polished in one of the standard Taylor’s Classics stains.

Sol Tub Chair

The Sol Tub chair is manufactured in oak and provides a really comfortable seating option for restaurants, lounge areas and bars. This chair can be upholstered in a fabric or leather of your choice and the frame polished in one of the standard Taylor’s Classics stains.

Benchairs 700 Armchair

Our new Benchairs 700 armchair has a beech frame and upholstered seat. It is a really comfortable chair with a relatively small footprint which means that it could be used for dining, bar or lounge areas. The chair is not a Benchairs original but we feel it fits in with the rest of the collection. The chair was designed by Kasper Meldgaard of design studio ‘Says Who’ in Denmark.

Manufactured to meet with contract furniture standards makes this chair suitable for dining or bar locations with heavy day to day use. This piece is one of many from our retro pub chairs collection and is available in a choice of finishes.

Alex Armchair

The Alex chair is available in two different frame options: Oak or Beech. The armchair has a small footprint but provides great comfort and is ideal for use in bars, cafes or restaurants.

Sunburst Dining Chair

We love Art Deco so are very pleased to introduce the Sunburst chair. We think a restaurant full of these chairs could look wonderful. It is a very comfortable dining chair and is available with either straight or turned front legs.

Taylor’s Classics is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.

Main image credit: Taylor’s Classics

PRODUCT WATCH: QUADRADO modular seating by Minotti Outdoor

730 565 Hamish Kilburn
PRODUCT WATCH: QUADRADO modular seating by Minotti Outdoor

The Quadrado range sits in the Lifescape Collection by Minotti Outdoor, which reflects a new approach to outdoor living without compromising on comfort, quality and aesthetics…

Each piece of furniture in Minotti’s Lifescape Collection is characterful and elegant, and ties in with natural settings, with unexpected patterns and colours creating a landscape in dialogue with the architecture, in the name of pure relaxation.

Collection after collection, Minotti’s vast outdoor selection offers a range with an increasingly versatile international style, taking design motivation and inspiration from leading designers and architects, interpreters of diverse styles and features. As unique outdoor solutions of guaranteed quality in increasingly high-performing materials, they not only fit their natural residential context, including smaller urban outdoor spaces, but are also perfect for exclusive hotels, spas and yachts: spaces characterised by an approach to interior design that references the domestic one.

Living wall behind the outdoor furniture collection

Image caption: A range of the QUADRADO range of furniture pieces within the Minotti Outdoor collection

Designed to perfectly complement each other stylistically, in order to meet the needs of different spaces with originality and versatility, the various furnishings stand out for their formal details and refined aesthetic, as well as finish and texture.

Colelction of furniture above striking views of a lake

Image caption: The collection of generous sized furniture is stylish, original and versatile to many luxury interior schemes

In this regard, the design interpretation of Marcio Kogan / studio mk27 with the Quadrado modular seating system, launched in 2018, offers generously sized seating with modules of 102x102cm that can be assembled together, to furnish large open spaces. Floating bases in natural teak, backrests enveloped in a special woven fibre and soft cushions mark this out as an extremely appealing seat.

Inspired by the classic teak duckboard used in the yachting industry to facilitate the outflow of water, the Brazilian architect Marcio Kogan developed Quadrado, a modular system consisting of suspended square platforms that furnish outdoor spaces with exceptional lightness and flexibility.

Twi backs of armchairs

Image caption: The furniture pieces include floating bases in natural teak, backrests enveloped in a special woven fibre

A flexible and dynamic furnishing, of undisputed quality and comfort, which perfectly dialogues with the surrounding environment: a young and contemporary proposal that invites informal and original solutions.

The wooden bases welcome comfortable padded cushions with backrests in a special fibre woven with wicker-effect, available in Mud colour or plain Liquorice colour. The sitting elements are interspersed with wooden surfaces that feature trays or candle holders, that can be arranged as desired with a surprising interlocking effect. A circular armchair joins this outdoor landscape characterised by its broad compositional freedom.

For the concept, Kogan was inspired by the Japanese Metabolist architecture of the Fifties and Sixties, defined by modular volumes. Originally conceived for large living areas with 102×102 cm modules, Quadrado now integrates within its range a new, more compact version with 87×87 cm modules that can be combined together to adapt to more limited urban, residential and Hospitality contexts.

Minotti, which is exclusive style partner at MEET UP London, is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Amp by the side of white bed

Ruby Hotels to open second Swiss hotel

730 565 Hamish Kilburn
Ruby Hotels to open second Swiss hotel

The 220-key hotel, which is yet to be named, will bring the Ruby Hotels brand’s ‘Lean Luxury’ philosophy to a central Geneva location…

In the wake of the brand’s loud debut in London with the opening of Ruby Lucy, Ruby Hotels will launch its second Swiss property in early 2022 in Geneva.

Amp by the side of white bed

The new 220-room hotel will follow the launch of Ruby’s Zurich hotel in 2021 and forms part of an ambitious expansion plan to unveil a total of seventeen new properties by 2023.

The new Ruby Hotel will be located right in the heart of the city, between the rue du Rhône and the rue du Marché – the two biggest shopping streets in Geneva. The hotel entrance will be in the famous Malbuisson Passage, with the Lake Geneva promenade just 200m away and the Geneva Old Town reachable on foot within a few minutes.

“We will be able to exploit a previously unfilled niche in Geneva, one of the most stable hotel markets in Switzerland.” – Ruby Hotels’ CEO Michael Struck

“This works because we base our design on the model of modern luxury yachts and confine our luxury to a relatively small area, simply omitting non-essentials,” explained Ruby Hotels’ CEO Michael Struck. “Our management methods are also quite different from the usual practice in the industry as we utilise our own technical solutions. We plan and construct in modular form, adopt a more centralised approach and make a consistent effort to automate procedures behind the scenes. This helps us to make a luxurious and unique hotel experience affordable for our guests. In this way, we will be able to exploit a previously unfilled niche in Geneva, one of the most stable hotel markets in Switzerland.”

The hotel will be created from three existing buildings, one of which has a historic facade. The seventh floor will feature a roof terrace with an atrium at the centre, which will also be accessible from the public areas. The Molard tram station and bus stop is located in the immediate vicinity, which will provide the hotel with ideal access to local and long-distance public transport options.

The property will house 220 rooms, ranging in size from cosy ‘Nest’ rooms (14-15 m²) to expansive ‘Loft’ rooms (21-23 m²), a stylish 24-hour bar, a communal work station and a library. All guest rooms will showcase Ruby Hotels’ sleep-scientist-approved formula for a peaceful night’s sleep, with full soundproofing, blackout curtains, high-quality linen and extra-long and wide custom mattresses.

Just like the group’s other houses, the new hotel in Geneva will follow Ruby’s ‘Lean Luxury’ philosophy: a top location, high-quality fittings, and outstanding design. All of this is offered at an affordable price by rigorously cutting out the superfluous and focusing on the essential. 

Main image credit: Ruby Hotels

7 interior trends to emerge from London Design Week 2020

730 565 Hamish Kilburn
7 interior trends to emerge from London Design Week 2020

During London Design Week 2020, Design Centre Chelsea Harbour is sheltering many of the product launches, teasers and conversations that are expected to make a noise on the design scene this season. Editor Hamish Kilburn identifies some of the prominent styles, colours and trends to look out for… 

“We champion creative excellence,” said Becky Metcalfe, Head of Content at Design Centre Chelsea Harbour (DCCH). “And we have certainly seen a move towards inform choices.”

Now that there is more demand among consumers for conscious and meaningful designs to compliment seamless service, hotel designers are widening their lenses to understand the narrative, craft and creative vision of new collections launched.

It is this change in behaviour that is enforcing most, if not all, of the strong styles that I discovered during my time at London Design Week 2020.

1) Botanical paradise on earth

With biophilic design being put front and centre at the moment around the world, conversations and the products that are launching are finding the balance between indoor space and the great outdoors – think exotic gardens where fragrance and sound are depicted in patterns and colours. Sanderson’s floral showroom, which houses hundreds of new designs this week, highlighted the creative possibilities that can emerge when designers open the door to outdoor influence with purpose. Other brands to leverage nature in design include Pierre Frey’s enriched wallcoverings, Abbott & Boyd’s capture of birds and Bec Brittain’s Taxonomy collection seen in the Tai Ping showroom that explores unexpected paradoxes inspired by the minutiae of insect anatomy and pleating techniques.

Offer with pink and black textured rug

Image credit: Taxonomy collection by Bec Brittain/Edward Fields Carpet Makers/Tai Ping

2) Land of the rising sun – everyone is talking about Japan

Considering the incredible oriental principles – not to mention the in-depth culture, heritage and authentic craftsmanship – it’s hardly surprising that many designers and brands are finding inspiration in Japan. There are parallels between the demand for simple, elegant luxury and the minimalist aesthetics of design in Japan (take a look at Muji to see this in action). Wallcovering brands such as Arte are exploring Japanese techniques and diverse styles, such as the Kimono pattern motif, to create new textured layers to their collections.

Intricate Kimono pattern detail in wallcovering

Image credit: Arte Wallcovering

Taking the theme in a different direction, Arteriors’ Trapeze Sconce is an effortless example of how Japanese influence can be balanced delicately in elegant lighting. With so much yet to explore, we expect more designers and brands to delve into the archive of Japan’s design heritage to invest in timeless practice and precious pieces.

3) Embracing imperfections

Admittedly, this isn’t anything new. In fact, designers, consumers and brands alike have been championing and demanding one-off products that can’t be replicated for as long as time. But recently, with timelessness and narrative playing so much importance in any design scheme – and while designers become more adventurous with materials – this look is everywhere. Lighting brand Vaughan is celebrating a proud authentic look and feel with its Chalk White collection, while wallcoverings brand Harlequin is keeping in touch with nature by using natural materials and creating an interesting weave structure.

Chalk-like chandelier

Image credit: Vaughan’s Chalk White collection is a curation of six products

Meanwhile, Parkside Architectural Tiles are showcasing their fantastical imperfect Spectre collection of tiles, which have proved a hit with designers and architects looking to add personality onto the walls of new and existing spaces.

Spectre collection by Parkside Architectural Tiles

Image caption: Spectre collection by Parkside Architectural Tiles

A relatively new brand thats DNA is very much focused on creating this look is Ilala, curated by Miranda Vedral, which proudly presented its idiosyncratic handwoven  furniture and lighting during the event.

4) Amplifying craftsmanship in all areas

There are more and more brands out there that are willing to collaborate with experts to produce the highest quality and the most interesting designs. With a digital overload from social media and a move to challenge the disposable mindset, brands such as Porta Romana have enhanced tactility in products and styles, which is putting momentum behind the sustainable movement.

Image credit: Porta Romana

5) Take a walk on the wild side

As we have identified before, the eco-conscious world is allowing for more adventurous influences to emerge to the surface. During the showrooms in Chelsea, there was a clear and defined theme of endangered species being used in wallcoverings, fabrics and soft furnishings. Some of the brands that are mastering this with style include Altfield, Anthology, Harlequin and Andrew Martin.

Image credit: Harlequin’s Mirador Collection

6) Warm colours are in!

Finally, in the doom and gloom of the current economic climate, designers and brands are discovering the warmer end of the colour spectrum. Designs from Edelman Leather, Vaughan and Zoffany are all setting their style compass to rosy red, which suggests there is a new confidence in the air. Grasping the statement-like benefits of using primary colours, British brand David Hunt Lighting has recently opened up its archives to find unique techniques and craft that has inspired their latest collections of pendants and chandeliers. In the Design Avenue – a hotspot for talent and unmatched styles – there was arguably no brand more colourful and bold than Timorous Beasties, but with their intricate signature of styles, would you really expect anything less?

Red, yellow and blue pendents

Image credit: David Hunt Lighting/Instagram

7) Home Heritage

An interesting theme to explore on the international hotel design scene – and one that no doubts divides the industry – there seems to be a move towards home-from-home comforts, but not perhaps as you would expect. We know that lobbies are becoming more lounge-like, but in addition there is an interest to explore storied providence. Brands such as Zimmer + Rhode, Samuel & Sons and Holland & Sherry are all using this to drive their latest designs, and I suspect more brands will keep this in mind when innovating new products in the future to add further meaning in design.

If you identified anything at the show that you believe we should be sharing our readers, please tweet us @HotelDesigns.

Main image credit: Design Centre Chelsea Harbour

Zannier Hotels opens property atop boulders in the Namib desert – built on stilts

730 565 Hamish Kilburn
Zannier Hotels opens property atop boulders in the Namib desert – built on stilts

Comprising of ten luxury tents, Zannier Hotels Sonop has been cleverly constructed atop a group of boulders, affording spectacular, unmatched 360-degree views of the Southern Namib desert…

Arnaud Zannier’s inspiration for the hotel’s design was conceived during his very first trip to the site and first view from the top of the boulders. Arnaud recognised that he had been fortunate enough to discover somewhere very special, likening the feeling to an old explorer discovering a destination for the first time – hence the property was designed to resemble a 20th Century tented camp for explorers.

The construction process was challenging due to the hotel’s remote location and protected surroundings. All building materials and interiors were manually transported up the huge boulders, by expert craftsmen from Namibia. Zannier Hotels only used a limited number of existing roads to the site, to ensure the human impact on the fragile flora was minimal. In addition, each piece of furniture, including twelve 30kg handcrafted four-poster beds, had to be carried by hand over the rocks and boulders thereby avoiding the use of disruptive machinery.

Built entirely on stilts connected through sturdy elevated wooden decks, Zannier Hotels Sonop’s tents are covered by an elegant canvas, designed to harmonise perfectly with the surrounding environment. Shaped in an oval formation facing out towards the spectacular landscape, the tents offer comfort to cater for today’s discerning travellers whilst also avoiding soil erosion and ensuring the preservation of the insects, fauna and flora that make up the Namibian desert dune ecosystem.

Each tent has been devised to invite guests to live the life of intrepid explorers from the early 20th Century, whilst the materials and colour palette have been selected to complement the surrounding desert and blend into the boulders. Zannier Hotels Interior team only worked with natural textures and materials including dead wood, rocks, mud and thatch to ensure that nature remained at the forefront of the design. Not to mention, the spa at Sonop has been designed to resemble the rich traditions of the Owambo tribes in terms of its interiors, its construction and the materials used. The Owambo are admired for their respectful attitude towards nature – values that Zannier Hotels maintain.

“Rather than buying new furniture, Zannier Hotels endeavoured to reuse as much as possible – preference was always given to antiques.”

All tents feature a large bedroom, living room area and a separate bathroom with a large bathtub and rain shower. Furnishings include dressing tables with ornate objects, such as tiny flasks and antique combs. Moreover, the ceiling to floor windows allow guests to experience a taste of living in complete isolation, immersed in the surrounding landscape. The bedrooms feature handcrafted king size four-poster beds, an airy living area with comfortable armchairs, and a telescope to look out into the distant surroundings or gaze into Namibia’s dark sky reserve.

Explorer suite with dark interiors to reflect landscape

Image credit: Zannier Hotels

Complete with private terraces that extend out across large wooden decks, the tents offer magnificent views of the desert. Rather than buying new furniture, Zannier Hotels endeavoured to reuse as much as possible – preference was always given to antiques. Zannier Hotels sourced more than 550 antiques for Zannier Hotels Sonop, including binoculars, maps, mirrors, magnifying glasses, bedside tables, carpets, trunks, armchairs and picture frames, as well as unique ornaments such as gramophones, 19th Century explorer boots, vintage walking sticks and historical Pith helmets. Any new furniture was specifically made from Namibian materials by local architects, carpenters and construction suppliers, native to Namibia.

Main image credit: Zannier Hotels/Oyen-Rodriguez

Boutique aparthotel, The Gate, debuts in East London

730 565 Hamish Kilburn
Boutique aparthotel, The Gate, debuts in East London

With a Banksy in the lobby, Maple & Co café, 360-degree views of the city and quality suppliers specified throughout, aparthotel The Gate shelters the best of a hotel with a home-from-from look and feel throughout…

The Gate is a boutique aparthotel opening in Aldgate East, which offers the service and style of a hotel with the privacy of a self-service apartment.

Modern travellers’ needs and taste in accommodation are changing – people desire more choice than a traditional hotel versus self-catering apartments, and The Gate aims to bridge the gap between the two. The new aparthotel feels like an elevated version of your own home, with full-service amenities and flexible stay periods where guests can stay for one night or up to three months.

Situated in Whitechapel, just a one-minute walk from Aldgate East tube station, The Gate is directly influenced by the style and culture of the vibrant London streets it overlooks, connecting guests with its surroundings and the local East London community.

With 20 floors and 189 rooms, The Gate offers unparalleled 360° views of The Gherkin, The Shard and Brick Lane appealing to guests no matter the length of their stay. Partners include Maddox Gallery, who have curated the artwork around the hotel including a Banksy in the lobby and Retna, Bradley Theodore and The Connor Brothers pieces displayed in the private members lounge, making the property their new East London Gallery.

Apartments feature include cooking facilities, quality and comfortable Hypnos beds, Soundbars with Bluetooth connectivity, Nespresso machines, walk-in showers and rainfall shower heads, washing machines and dishwashers.

Yellow headboard, with luxe bed

Image credit: David Cleveland | Caption: Each of the 189 rooms feature Hypnos Beds.

Guests checking in for days or weeks can enjoy rooms designed to be modern and functional, but with artistic flourishes to create a distinctly homely feel. There are nine room categories each with a bedroom, fitted kitchen and living area, and some featuring a separate living space with a sofa bed. Room types include one and two bed apartments, accessible rooms, interconnecting family rooms and rooms with skyline views. No two rooms are the same with unique art and bespoke upholstery and new mid-century furniture designed in Europe.

The healthy-eating trailblazer Maple & Co will be opening its eighth location here, Maple & The Gate café, opening to the public on the ground floor including outdoor seating. The renowned New York fragrance brand, Le Labo, supplying in-room bathroom amenities and a boutique gym with Technogym equipment including Peloton bikes, which are also available in apartments by prior arrangement.

The Gate promises to combine a lifestyle hotel with apartment amenities to cater for a modern generation of long and short-term guests providing a Gateway to the capital.

Main image credit: David Cleveland

MEET UP London announces headline speakers

730 565 Hamish Kilburn
MEET UP London announces headline speakers

MEET UP London, under the theme ‘Inspiring Creativity’, will welcome two award-winning visionaries to explore the concept of using sensory experiences in international hotel design… 

Hotel Designs has invited an award-winning sound designer and functional music innovation expert Tom Middleton and award-winning research entrepreneur Ari Peralta to become headline speakers at MEET UP London.

“The visionaries will respond to MEET UP London’s theme by immersing our audience into a sensory experience like no other before.”

The event, which takes place on May 13 at Minotti London, will be carry the theme of ‘Inspiring Creativity’, and will further bridge the gap between designers, architects, hoteliers, developers and suppliers.

Applying principles of neuroscience, behaviour and psychology, the visionaries will respond to MEET UP London’s theme by immersing our audience into a sensory experience like no other before. This will be followed by an engaging talk, entitled: “Amplifying Wellness: Using Sensory Experiences To Innovate International Hotel Design”. The talk will discuss how and why sound should be considered when designing the hotel of the future. From Jet Lag to Mindfulness solutions, their unique collaboration represents the synergy and creativity needed to future-proof hospitality.

“As the boundaries of our industry widen, designers, architects, developers and suppliers are willing to reach new depths to find innovative and meaningful ways to evolve the hotel experience,” said editor Hamish Kilburn who will host the evening’s event. “I believe it is, therefore, perfect timing to invite both Tom and Ari to share their wealth of knowledge and experience in this subject with the aim to inspire the leaders of our industry to think beyond conventional architecture and interior design.”

The pair, who in 2019 gave a powerful keynote on the ‘future of wellness’ for Innovation Day’s (ID19) at Marriott International HQ, are on a mission to engage with the hoteliers, designers and architects to highlight how the sensory experience could enhance the overall guest journey. 

About the speakers

Tom Middleton headshot

Image caption: Tom Middleton in the studio

Tom Middleton is a true polymath who literally wears many hats, including a pioneering electronic musician, award-winning sound designer, DJ and producer, a certified Sleep Science Coach, trained in Mental Health First Aid, and Co-Chair on the AFEM Health Group. He has toured the world and performed to millions observing the positive affects of sound, and has shared the stage with Mark Ronson, Lady Gaga and Kanye West.

Middleton regularly speaks on panels covering sensory customer and guest experience, immersive wellness, sound architecture, how to sleep better, workplace wellbeing and mental health.

Creator and innovator of empathic science-backed functional music and soundscapes for mental, physical and emotional health and wellbeing, relaxation, mindfulness, focus and productivity. 

His mission is to rescore the soundtrack to life with functional, transformational soundscapes, music and immersive experiences to help tackle stress, anxiety, burnout and sleep deprivation. Middleton aims to do this by applying principles of the neuroscience and psychology of sound, listening, breathing and human behaviour. 

As YOTEL’s chief Sound Architect for eight years, he developed smart and cohesive soundtracks to optimise guest experience.

His most recent work includes content for meditation and sleep app Calm, a collaboration with Nissan to create a zero-emission lullaby and Breathonics for Silentmode –  the first passive fitness platform for guided breathwork and music on the Appstore.

Middleton believes the science of sound, combined with mindful listening and conscious breathing within holistic multisensory environments can help us relax and reduce stress, be more happy, healthy and productive.

Headshot of Ari

Image caption: Ari Peralta

Ari Peralta is an international award-winning research entrepreneur working alongside a global network of scientists, immersive technologists and artists, developing wellness-led sensory initiatives across a wide range of industries.

By 2019, after two decades working in media research (Nielsen), medical marketing (ALO), immersive and strategic development (ProFix), he co-launched Arigami, an independent innovation consultancy dedicated to helping organisations design healthier and happier environments. 

Today, Peralta is a Forbes recognised provider for wellness and sensory-based strategies within hospitality, mobility, retail and healthcare. Arigami powers holistic innovation programs for startups, corporates and academic labs seeking to mitigate anxiety by developing transformative immersive and service design solutions for complex human problems within wellness, sleep and human performance. Besides leading his firm, Peralta dedicates much of his time guest lecturing at universities, speaking at international conferences and volunteering for organisations that promote STEM education for children.  

How to attend

EARLY BIRD SUPPLIER TICKETS*: £99 + VAT (expires on March 31)  | CLICK HERE to purchase your tickets.***
EARLY BIRD BUYER  TICKETS*£10 + VAT (expires on March 31) | CLICK HERE to purchase your tickets.***

Exclusive headline partner: Hamilton Litestat

Exclusive style partner: Minotti London

Event partner: Crosswater 

* Those eligible to purchase Supplier Tickets must be industry suppliers.
** Those eligible to purchase buyer tickets must prove that they are an interior designer, architect, hotelier or developer.
***Hotel Designs’ Early Bird promotion ends on March 31. After this time, tickets for designers, architects, hoteliers and developers will inflate to £20 + VAT and supplier tickets will inflate to £150 + VAT. 

CASE STUDY: Furnishing Amba Hotel Grosvenor

730 565 Hamish Kilburn
CASE STUDY: Furnishing Amba Hotel Grosvenor

The designers of Amba Hotel Grosvenor specified Curtis’ furniture pieces to create a timeless and luxurious interior feel…

Both quality of furniture and flexibility of service were crucial for the 344 bedroom refurbishment in the prestigious London hotel.

Having worked with the company for 20 years, Amba Hotel Grosvenor knew Curtis furniture was uniquely positioned to deliver on both counts.

With a dedicated Project Manager as a sole point of contact taking responsibility for the success of the project, and an Installation Manager based nearby, Curtis were always on hand to respond to changing timescales.  As is typical on a project of this scale, delivery dates shifted on a number of occasions, across all nine phases of the refurbishment.  The success story here was our ability to react to these changes to complement the good progress made on site by other contractors.

Large wide shot of the guestroom inside the hotel

Image credit: The Grosvenor Hotel

“Dealing directly with the manufacturer was the only way this project could have been so successful – we needed a partnership approach right from the start,” said Sheila Murphy from glh Hotels. “Curtis was responsive and positive, accommodating our requests and enabling timely completion of the project.”

With high quality furniture augmenting this beautiful refurbishment, room rates at the hotel have now risen, which will help secure a speedy return on investment.

Main image credit: Amba Hotel Grosvenor/Curtis

BREAKING: Salone del Mobile postpones exhibition due to coronavirus outbreak

730 565 Hamish Kilburn
BREAKING: Salone del Mobile postpones exhibition due to coronavirus outbreak

BREAKING NEWS: Salone del Mobile in Milan, which is largely considered as the leading furniture fair globally, has postponed this year’s event until June 16 – 21 in response to Italy’s coronavirus outbreak…

Salone del Mobile, which is the world’s largest and arguably most visible furniture fair in the international design calendar, was due to take place from April 21 – 26, but in response to the coronavirus outbreak, the fair this year has been forced to postpone its plans.

Days after the 2020 global press conference to give the rundown of the up-coming show, the organisers of the show released a statement. “Following an extraordinary meeting today of the Board of Federlegno Arredo Eventi, and in view of the ongoing public health emergency, the decision has been taken to postpone the upcoming edition of the Salone del Mobile,” the statement said. “Confirmation of the change of date for the trade fair – strongly supported by the Mayor of Milan Giuseppe Sala – means that the manufacturers, in a major show of responsibility, will be able to present their finalised work to an international public that sees the annual appointment with the Salone del Mobile as a benchmark for creativity and design.”

“Italy now has the highest number of coronavirus cases in Europe, with more than 280 cases that have been reported.”

The update comes after The Foreign Office in Britain updated its travel advice, warning against all but essential travel to 11 quarantined towns in Italy. The country now has the highest number of coronavirus cases in Europe, with more than 280 cases that have been reported.

A Foreign Office spokesperson told the BBC: “We advise against all but essential travel to the 10 small towns in Lombardy and one in Veneto, which are currently in isolation due to an ongoing outbreak of coronavirus.

“Any British nationals already in these towns should follow the advice of the local authorities.”

Main image credit: Salone del Mobile/Andrea Mariani | Image caption: Salone Del Mobile press conference on February 12, 2020

Yello and blue contemporary arm chairs in light chalet-style room

Checking in to review Hotel Le Coucou, Meribel

730 565 Hamish Kilburn
Checking in to review Hotel Le Coucou, Meribel

15 years after first discovering the magic of Meribel in the French Alps, editor Hamish Kilburn is back – this time to review the destination’s latest ski-in/ski-out luxury hotel

In-between snow-blanketed fir trees, more than 1,400 metres above sea level in the French Alps, Hotel Le Coucou is Meribel’s latest luxury ski-in/ski-out hotel.

Yello and blue contemporary arm chairs in light chalet-style room

Award-winning French designer/architect Pierre Yovanovitch, who was last year crowned Wallpaper*’s Designer of the Year, was presented with a blank-canvas brief with his latest hotel project. Within just three years, he managed to create a sensitive architectural shell and fill it with his signature couture approach to interior design, including more than 140 bespoke furniture and lighting pieces – think abstract, animal-like armchairs and ice-inspired chandeliers. “There was so much pressure, because three years is not long for a project on this scale,” says Yovanovitch, “but it was a good challenge and the time restraint spurred me on to create something unique for the area.”

“We were familiar of Pierre’s work and knew instantly that he was perfect for what we had in mind for this hotel.”  – Kimberley Cohen, Artistic Director of Maisons Pariente.

Image from balcony looking out onto the mountains

Image credit: Hotel Le Coucou

With a list of strict local architectural planning constraints to abide by, in regards to using only local materials and regionally-integrated styles, the 55-key boutique hotel quickly became one the of designer’s most ambitious projects to date. “Previously, hotels that opened in ski resorts made a lot of mistakes, especially new-build properties that opened in the ‘70s,” Yovanovitch adds. “It was impossible to create a striking architectural structure because of the town’s uncompromising architecture regulations.”

“We had to lose a bedroom in the design stages in order to open up space for the oval-shaped lobby.” – Pierre Yovanovitch.

Despite the hotel seamlessly blending in to the natural winter wonderland location from the exterior (literally positioned on what was previously a piste ski route), inside, Yovanovitch paints a contrasting picture. Through the blonde, wooden-framed automatic doors, an understated check-in desk sits under a large painted oval ceiling. “Originally, the ceiling in the lobby was too low,” the designer explains. “As a result, we had to lose a bedroom in the design stages in order to open up space for the oval-shaped lobby.” The now intricately painted ceiling that forms a backdrop for a chandelier that looks like a melting ice cube is also guests’ first introduction to a loose motif, which continues throughout the hotel: the theme of owls – think of it as the designer’s contemporary flair, or a well-placed obsession.

intricate dome in the ceiling shelters seating underneith

Image caption/credit: The quirky, understated hotel lobby/Hotel Le Coucou

For the owners of the hotel, Maisons Pariente, there was only ever one designer for the job. “We were familiar of Pierre’s work and knew instantly that he was perfect for what we had in mind for this hotel,” said Kimberley Cohen, Artistic Director of Maisons Pariente. Thanks to the designer’s idiosyncratic take on slope-side luxury, Hotel Le Coucou has made it onto the radar of winter luxury travellers.

As well as the property remaining sensitive to its location in order to not lose the charm and personality of the local architecture, the public areas are also a nod to Yovanovitch’s stamp in the world of interior design. Several iconic Bear Chairs from his recent collaboration with R&Company, for example, are meaningfully scattered around the public areas, which adds the designer’s signature playful and contemporary style inside the shell of what on the outside looks to be a traditional alpine hotel.

“I was inspired to ensure that every room had an amazing view.” – Pierre Yovanovitch.

Capturing what you could strongly argue, from a hotels perspective at least, to be the most striking panoramic vistas in all of the French Alps, each of the boutique jewel’s guestrooms and suites have been designed to frame postcard-perfect views of undulating mountains. “I was inspired to ensure that every room had an amazing view, that was the most important thing when I came to design these areas,” explains Yovanovitch. “Sometimes, the view itself is more important than the décor.”

The 39 suites and 16 rooms are adorned with rich, warm colours and more than 160 contemporary art pieces as well as modern technology. The snow-inspired carpets inject sense-of-place and add a new layer of character into the lodge-like spaces. Although each guestroom and suite share the same motif, each shelter individual elements and somehow still maintain a traditional alpine style.

Bear chair next to lamp and on snow-inspired carpet

Image credit: Hotel Le Coucou/Jérôme Galland

The plush en-suite bathrooms, which are layered in marble, feature quality supplier labels and are complete with Italian faucets from Stella, Duravit W/Cs with Geberit operation panels and Beurer vanity mirrors as well as discreet wash-room style shower that is simple to operate. Character is injected into these spaces with imperfect oval-shaped mirrors and Yovanovitch’s bulb lighting.

Hidden downstairs, away from the public eye, are the hotel’s two four-bedroom chalets; worlds of their own. Both expansive two-floor chalets showcase Yovanovitch’s mastery of volume and architectural angles and continue to combine five-star luxury amenities with the detailed craftsmanship found in a traditional alpine home. Each are fully equipped with en-suite bedrooms, spacious living area and a games area as well as a private ski room, pool and spa.

For the main hotel guests, the hotel’s indoor and outdoor pool also feature private moments, such as relaxation areas that are nestled poolside underneath sculpted arches. The pool areas, divided by a bay window, create a stunning, trompe-l’oeil effect with views of the postcard-perfect vista outdoors. Down the corridor, six massage treatment rooms with specialist treatments from Tata Harper and a sauna area offer a deeply relaxing experience, and above this area is a state-of-the-art fitness studio and gym.

While there are three F&B areas in the hotel, the Beefbar restaurant and the adjacent bar create equal statement, as they frame the most spectacular views through unobtrusive floor-to-ceiling windows and are deliberately placed on the ground floor to create a dramatic first impression.

The Beefbar restaurant is full of thoughtful nods to the hotel’s name, location and character of its owners. A wall of cuckoo clocks above the tables, for example, reflects the traditional decor of the region, and emoji-themed plates create humour in all the right places. In the bar, low-level furniture that, when not sat on, abstrusely depicts an owl sitting on a textured geometric carpet. Together with a pastel pink, blue and mustard palate in the walls and furniture makes this area an exciting instagrammable space that feels warm, inviting and far from stuffy. Meanwhile, the hotel’s fine-dining restaurant, Bianca Neve, is located on a lower floor and is ideal for an evening meal, once the sun has disappeared over the horizon and guests’ attention can focus inwards. Yovanovitch’s artistic mark continues with a strong choice of bold colors, rich materials and an intricate ceiling fresco for good measure.

Light and bright restaurant

Image caption/credit: Bianca Neve restaurant/Hotel Le Coucou

Hotel Le Coucou is the third opening for Maisons Pariente in 2019, following closely behind the opening of Hotel Lou Pinet, Saint Tropez in June 2019 and the reopening of the refurbished Hotel Crillon le Brave in Provence on May 1, 2019. The Pariente family have their sights set on Paris, in le Marais, for a fourth addition to the collection in 2021.

Exterior shot of the hotel

Image credit: Hotel Le Coucou

A destination as precious as Meribel, in my humble opinion, requires a meaningful design eye when it comes to redevelopment. Yovanovitch has proven that rigid architectural boundaries do not automatically limit the level of creativity. Instead, it is clear that his studio’s eccentric style was everything and more the destination was crying out for.

Image of man standing with back to camera overlooking snow-capped mountains

Image caption/Credit: Editor Hamish Kilburn saying goodbye to Meribel once more from his slope-side luxury suite at Hotel Le Coucou/hotel_design_editor

If anyone was in doubt of Yovanovitch’s credentials of being one of the great modern designers of our era, then they have only to check in to a place truly like no other, Hotel Le Coucou is open for business.

Suppliers
Bathroom: Duravit, Geberit, Stella | Furniture: Pierre Yovanovitch Studio, R&Company, Ethimo| Lighting: Pierre Yovanovitch| In-room technology: Samsung

Main image credit: Hotel Le Coucou

Image of bathroom from the ceiling

INDUSTRY INSIGHTS: Bathroom solutions for accessible spaces

730 565 Hamish Kilburn
INDUSTRY INSIGHTS: Bathroom solutions for accessible spaces

Bathroom supplier Kaldewei reminds us on some of the affordable and timeless solutions for all guests around simple bathroom renovations… 

The hotel bathroom should be a place that feels comfortable as well as practical. In recent years, the hotel industry has demanded bathrooms to be fit for purpose for guests of all ages.

Image of bathroom from the ceiling

For some individuals checking in, old age restricts their freedom of movement and poses trip hazards when negotiating their way into and out of the bath or shower.

It’s high time for a bathroom upgrade to meet the needs of advancing age. Kaldewei advises ideal solutions for a flexible bathroom – meeting the needs of both now and in the future, as well as looking stylish – without over-stretching the often limited budget in retirement.

Everyone eventually faces the challenges of advancing age, where daily life and mobility in our own home becomes increasingly difficult. This is when we need an interior that is optimised for the needs in later life, enabling us for as long as possible to live autonomous lives without assistance. The bathroom is one place in the home where privacy is paramount and it should therefore be designed to ensure independence in taking care of personal hygiene needs, regardless of age. How do we eliminate trip hazards? What can we do if getting in or out of the bath is no longer safe? How can we maximise space for more room to manoeuvre?

Kaldewei offers practical and affordable solutions that help upgrade the bathroom to a flexible bathroom which meets the needs of now and the future as well as having the feel-good factor, as seen in the below ‘before and after’ images.

XXL-size floor-level showers in place of a bath

Developers increasingly opt for a floor-level shower to replace the bath and for good reason, because floor-flush showers create a seamless transition to the floor, improving comfort, safety and visual appeal. This fusion makes the room appear bigger and provides ease of access with no edges to trip over. As a manufacturer of double steel enamel bathroom products, Kaldewei has a portfolio of more than 100,000 solutions for floor-level shower areas. Upgrades benefit particularly from large-size shower surfaces, as they can be easily and inexpensively installed in place of a bath. The position of the waste outlet eliminates the need for complicated shifting of the bathroom waste pipe. Enamelled XXL shower surfaces from Kaldewei start at around £509 for the Kaldewei Cayonoplan shower surface in size 90cm x 140cm. Shower surfaces can optionally be finished with a slip-resistant coating such as Kaldewei Secure Plus for additional safety at no extra cost for many models.

Smart washbasin design for greater freedom of movement

The Kaldewei steel enamel washbasins are the perfect match for a floor-level enamelled shower surface. They are available in a variety of sizes and designs, including several wheelchair-accessible wall-hung models. A countertop washbasin with wall-hung bathroom furniture is ideal where extra utility space is essential. Kaldewei offers countertop washbasins in four different designs.

Main image credit: Kaldewei

Authentic restaurant inside 18th century palace. Large pillars separate tables and rustic fabric hanging down from the ceiling adds charm and character

Palacio Solecio opens as Malaga’s first luxury boutique hotel

730 565 Hamish Kilburn
Palacio Solecio opens as Malaga’s first luxury boutique hotel

An inspiring transformation of an aristocratic palace, Palacio Solecio has opened as a 68-key luxury boutique hotel in 18th century building…

In the heart of old town Malaga sits Palacio Solecio, an 18th century architectural gem that now shelters the destination’s first luxury boutique hotel.

Authentic restaurant inside 18th century palace. Large pillars separate tables and rustic fabric hanging down from the ceiling adds charm and character

The palace, which was derelict for 80 years before restoration began, has been lovingly and sensitively redesigned by Antonio Obrador in order to retain its authenticity. The building, which became a masterpiece of architecture for its time, has been transformed, whilst maintaining the essence of its architecture and decorative details, creating a hotel where old meets new.

“The idea was to be authentic, but not folksy.” – Pablo Carrington, founder of Marugal Hotels.

The hotel is operated by Marugal Hotels, which specialises in the management of independent, one-off hotels. “Palacio Solecio is one of the finest examples of 18th century domestic architecture in Málaga, so our restoration has been incredibly sensitive,” said Pablo Carrington, founder of Marugal Hotels. “We’ve been able to incorporate the wonderfully decorative original architectural elements – pilasters, garlands, Tuscan columns topped by vases, the original staircase – into the design of the hotel. For the interiors, we’ve been led by old photos of the palace. The idea was to be authentic, but not folksy.”

Exterior of the palace

Image credit: Palacio Solecio

Current rules dictate that the footprint of Listed buildings in Spain must remain the same – so details such as the inner courtyard are exactly as they would have been when the palace was new. Original features – the old grills over the windows, elements of the main staircase (including the decorative arch and columns)– have been meticulously restored. The façade has been re-painted and returned to its original appearance.

Reading light on blue and cream textured wallcovering

Image credit: Palacio Solecio

In a deft and subtle acknowledgment of Andalucía’s history, the decorative details are rich with Moorish influence. Painted leatherworks – Cordobanes – which became popular in Andalucía in the 16th and 17th century adorn the walls, bringing their striking patterns and deep colour palettes to the interior. Fabrics have been reproduced from old photos of the palace interiors, such as the typical espiga fabric with its herringbone design, used in the guestrooms. Even the smallest detail – door handles, the bedside tables – are subtly redolent with local character to brilliant effect.

Image of the guestroom, which features blue and cream fabrics on bed, headbaord and led lighting in the ceiling

Image credit: Palacio Solecio

The guestrooms meld quiet sophistication and comfort with the authentic charm of the building, with parquet floors, and stunning lighting. The interiors are both rustic and modern, a combination of neutral colours with splashes of bold prints and local Andalusian artwork.

Following the initial opening, in 2021, the hotel is expected to add a further 49 rooms as well as a rooftop bar and pool.

Main image credit: Palacio Solecio

VIP ARRIVALS: Top hotels to open in February 2020

730 565 Hamish Kilburn
VIP ARRIVALS: Top hotels to open in February 2020

With the aim to cut through the noise in a contemporary tone, Hotel Designs has the scoop on which statement and game-changing hotels are expected to open in February, 2020…

The hotel industry never ceases to amaze with its ability to break through hard barriers to take design, architecture and creativity to new heights and levels.

Following Hotel Designs’ two-part series published last month, where it shared the major hotel openings of 2020, the editorial team have narrowed down the search even further to identify the hotels that will arrive onto the international hotel design scene this month. From architectural firsts in Dubai to long-awaited heritage hotels in London – and the start of a family of hotels in Manchester – the industry, in all corners of the globe, is about to display a spectacular performance of how far design and architecture briefs can be stretched.

Here’s February’s top picks…

Hotel Brooklyn, Manchester

Image credit: Bespoke Hotels/Hotel Brooklyn Manchester

As Hotel Designs prepares its troops for its annual northern networking event to take place in the city that is fast-becoming a hotel developer’s dream, Hotel Brooklyn is ready and waiting in the wings to unveil its contemporary design.

Designed by Squid Inc – the team behind the renowned Hotel Gotham – the long-awaited Hotel Brooklyn will shelter 189 rooms that are inspired by the New York Borough and chosen for its resonating similarities to Manchester, in terms of its buzzing industrial growth, as well as its strength of identity and culture.

If Hotel Gotham, its older sibling that opened in 2015, is anything to judge by, then we expect a playful hotel that is not afraid to bend, even break, the rules of hospitality for its guests.

ME Dubai

Image credit: ME Dubai/Zaha Hadid Architects

Following the opening of The Morpheus last year, and Hotel Designs’ interview with one of the lead architects behind the projectZaha Hadid Architects is preparing to celebrate yet another groundbreaking moment in architecture.

The London-based firm’s latest project, the Opus, is days away from entering onto the international hotel design landscape with arrival of ME Dubai. The 93-key hotel will feature dramatic, signature furniture in the lobby, lounges and reception area, which were either designed or personally selected by the late Zaha Hadid.

Zedwell, London

Image credit: Zedwell London

Opening it’s doors February 2020, the first Zedwell will be housed in one of central London’s most iconic venues; The London Trocadero. Holding in excess of a staggering 700 guestrooms, the flagship Zedwell will be one of the largest hotel openings in the capital within the last decade.

As well as large in size, the hotel is also clever and ahead of its time for many reasons, such as installing high-tech soundproofing, filtered air to enhance the overall guest experience.

Artist Residence, Bristol

Image credit: Artist Residence

The founder of Artist Residence, Justin Sailsbury, is known today as a true pioneer in sustainability and meaningful design who spends hours on end browsing ebay and other search engines for vintage-gem furniture and casegoods to layer into his hotels.

Following the success of the London property, the brand is expanding – and so too is his message to other independent hoteliers in the industry. Entering into tier two cities around the UK, allows the brand to stay in its unique lane of offering a residential, friendly and quirky hotel and hub. The bustling city of Bristol is the next location on the list, with the opening of Artist Residence Bristol moments away.

Arctic Bath in Lapland, Sweden

Image credit: Arctic Bath Sweeden

Situated under the northern lights in winter, and the midnight sun during the summer months, Arctic Bath is a unique hotel and spa experience that welcomes guests to immerse themselves in the elements while leaving a minimal environmental footprint behind.

The idea of a floating sauna first came to Harads resident Per-Anders Eriksson during the opening of Treehotel in 2010. At first, the vision was a glass cube on a raft. Bertil Hagström, who designed Treehotel’s The Bird’s Nest, took over the idea and in 2013 he and Johan Kauppi designed Arctic Bath’s floating, circular building.

The Guardsman, London

Image credit: The Guardsman Hotel/Tonik Associates

The Guardsman is a purpose-built luxury London boutique hotel that is expected to offer the atmosphere, discretion and personal service usually associated with a private members’ club.

Presenting guests with what is being described as “a true home away from home experience”, the 53-key hotel, which sits on Buckingham Gate, London, has been designed by Dexter Moren Associates and multi-disciplinary design practice Tonik Associates.

Hotel Designs is currently researching and writing the next article in this series, which will identify the top hotels that are opening in March, 2020. If you are working on a hotel project, or know of a hotel, that would qualify, please email the editorial team

Main image credit: ME Dubai/Zaha Hadid Architects

CASE STUDY: Furnishing London Marriott Hotel Kensington

730 565 Hamish Kilburn
CASE STUDY: Furnishing London Marriott Hotel Kensington

Recommended Supplier Curtis has recently supplied headboards, TV units, wardrobes, desks, vanity shelves and mirrors in London Marriott Hotel Kensington…

In line with the design brief to create a stylish and modern ‘bleisure’ hotel, Curtis was specified to create bespoke furniture for London Marriott Hotel Kensington.

The company supplied furniture in xylocleaf MFC, hand-selected pressed European walnut, including upholstery, and polished stainless steel.

Due to the complexity of the room design for this stunning hotel refurbishment, the client needed to find a supplier whom they could trust to work closely in partnership with the main contractor.

Having worked with the furniture company before, the client chose Curtis to supply the hotel because it is a quality UK-based supplier with large manufacturing capability, it prides itself on having a meticulous project management process, tried and tested since 1998 and its solid partnership approach with a strong customer service record.

“The effect of all these different co-ordinating materials is of a luxurious design with consideration given to every detail.”

Each room needed to be supplied over four separate visits to allow other contractors, such as decorators and electricians, in to complete their work in the correct sequence.  Curtis, already known to the client for our eagerness to be flexible and provide great customer service, worked in close partnership with the main contractor to ensure our timings fitted into the schedule perfectly.

“The initial stages had tight lead times and Curtis pulled out all the stops to ensure we could get moving as quickly as possible,” explained David Elliott from County Contractors. “We were impressed with how smoothly everything went, and with the quality of finish and fitting of the furniture.”

Curtis manufactured, supplied and installed bespoke furniture, including:

  • Upholstered headboards
  • Gladstone oak MFC TCMF trays with black powder coated legs
  • Statement hand-selected pressed walnut features on TV units, sideboards and wall panels
  • Xylocleaf MFC bedsides
  • Fenix NTM desks, with solid ash legs and mirror panelling
  • Upholstered luggage benches
  • Co-ordinating wardrobe areas with Gladstone oak drawers with leather handles, xylocleaf minibar units and black powder coated hanging rails
  • Metal-framed mirrors with integrated glass vanity shelf.

In the suites, slotted privacy walls and swivel TV units in hand-pressed walnut add to the impressive combination of beauty and function.

The effect of all these different co-ordinating materials is of a luxurious design with consideration given to every detail and how it will impact on the guests’ experience.  Thoughtful design doesn’t come better than this.

Curits is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Checking in: Heckfield Place

730 565 Hamish Kilburn
Checking in: Heckfield Place

Former senior stylist for House & Garden and The Brit List Awards 2019 judge, Florence Rolfe, checks in to the award-winning Heckfield Place to discover how the hotel is anything but ‘greenwashing’ in both its design and operation…

I recently received a dream invitation to the highly acclaimed country manor hotel Heckfield Place. Naturally, I obliged.

The Georgian Manor House, which is set within a 438-acre estate, is now a hotel that holds a substantial reputation in the market for its extremely elegant and sophisticated interior style.

Cleverly designed by Ben Thompson (a protégé of Ilse Crawford), a surveillance and understanding of the natural surroundings seem to have inspired a subtle colour palette. Not much pattern to be seen here (which I love), but instead a clever use of varying textures that combine to create a relaxing and peaceful environment for guests.

Located only one hour outside of London, I couldn’t wait to get there. As I approached the spectacular Georgian Manor House I was welcomed by the concierge dressed in a plain, rather cool looking linen pinafore and shirt (designed by cutting edge London based label Egg) who took our bags and offered to park our car for us. We were greeted again in the grand hallway by a member of staff offering a delicious welcome refresher.

Wooden staircase

Image credit: Heckfield Place

No sign of a traditional desk check-in. Instead, we were immediately given a choice of an initial tour of the building or to go straight to our room. Tempted by the sound of murmuring voices at the bar and the smell of a roaring fire, I decided to opt for the latter after arriving in darkness. Corridor walls are lined with carefully curated art works from the owner’s private collection. Windows along the corridor are decorated with delightful white lace sheers for added privacy. Over-sized decorative pots on the window-sills force you to notice their eye-catching shapes and interesting textures.

Every single design element has been so carefully considered. On the approach to our room, the concierge pulled the room key from a small envelope that had my name embossed on it. If that isn’t considered luxury attention to detail,  I don’t know what is! Whilst on the subject of details, the electronic door lock (often very unattractive) has been beautifully disguised behind a plain white linen hoop.

Mustard walls in guest room looking through into bathroom

Image credit: Heckfield Place

As our guide opened the door, an immediate warmth overwhelmed me. I was not only confronted with a few of my favourite interior design comforts, but any amenities that were waiting for us had been so carefully thought about and beautifully styled – a tray of apples and a bag of chestnuts became a work of art. A clear intention to steer away from plastics was consistent throughout the room. Any homemade treats left for us in the minibar were presented in jars (home-made Ribena) or paper bags (containing salted almonds or coconut macaroons).

This was no ordinary minibar: a dark and mysterious, rather chic looking kettle sat on the top with a secret drawer beneath. It cleverly pulls out of the minibar with a connector to hold the kettle.

Coat hooks have been styled with woven baskets that hang ready and waiting for you take to the spa (or to collect any items that you might have foraged from around the grounds). Vases of dried flowers (grown and dried on site) are dotted around the room amongst carefully considered clientele coffee table books – ready for you to fall into a large, comfortable sofa and indulge.

Soft pastel colours on bed and on armchair

Image credit: Heckfield Place

The addition of the Fiddle leaf fig plants are something that I don’t always see in hotel rooms. Effective, as it is now considered that house plants are thought to be a calming influence in a space. A contemporary natural rush woven headboard runs across the width of the bed, creating a back drop that highlights the antique bedside tables on either side. Overall, the bedrooms feel stylish and homely. Everything from the furniture to the lighting to the styling has been carefully thought about with detailed consideration and most importantly with the guest in mind. I really didn’t want leave!

After an extremely peaceful nights sleep, breakfast was only a short walk away. An impressive dining room with full panoramic views of the grounds means that you can sit, relax and enjoy your eggs (collected fresh from the farm earlier) just the way you like them!

After breakfast I took a walk around the ground floor as I was intrigued to explore during the day. Daylight floods in through the main hall and along the corridors bouncing off the grand interior architecture throughout. Two enormous airy yet cosy drawing rooms still adhere to the muted colour palette. Thompson has stuck to linens in soft greys and neutrals on both the curtains and chairs, adding punch here and there with pastel coloured velvet cushions. Fires are lit throughout the day during the winter, making this an ideal spot to sit and enjoy a cuppa after a long country walk.

A wood panelled private dining room with a grand marble fireplace also has full views of the estate. It also hosts an array of beautifully arranged floral arrangements by florist Kitten Grayson, including a stand out dried floral wreath that hangs over an enormous oak dinning table.

I jumped at the chance when I was offered to go on a tour of the farm. Heckfield Place has become well known for its contribution to sustainability and the farm follows biodynamic principles. Guests are advised to wear willies, which are provided for by the hotel –  downstairs you are spoilt for choice with black Hunter wellies laid out for you, in every size possible.

In my opinion good hotel interior design is about creating a home away from home: to feel that you can walk in somewhere and simply fall into bed or onto an extremely comfortable sofa – a peaceful retreat. Heckfield Place seems to have got it just right. The aspirational photography featured on its website and Instagram account is only a hint of the true inspirational experience this place so effortlessly shelters.

Main image credit: Heckfield Place

EARLY RELEASE tickets open for Hotel Designs’ premium networking events

730 565 Hamish Kilburn
EARLY RELEASE tickets open for Hotel Designs’ premium networking events

For limited time only, Hotel Designs has opened discounted EARLY RELEASE tickets to Meet Up London (May 13) and Meet Up North (July 6)…

After hosting a hat-trick of successful and meaningful premium networking events up and down the country last year, Hotel Designs is offering designers, architects, hoteliers, developers and suppliers to purchase discounted EARLY RELEASE tickets to Meet Up London and Meet Up North.

Until January 31, tickets to both Meet Up London and Meet Up North are available to purchase for designers, architects, hoteliers, developers and those who supply to the hospitality industry. The regional events, which last year bridged the gap between more than 400 design and hospitality professionals, are regarded as two of the industry’s most established networking events. “We are fully committed to host our networking events in locations and venues that are at the heart of the hotel design community,” said editor Hamish Kilburn. “We hope that Meet Up London and Meet Up North, which include relevant themes and talks at both, help to build seamless relationships as well as inspire the industry to further push boundaries in design and hospitality.”

About Meet Up London 
Date: May 13, 2020 | 6pm – 10pm
Venue: Minotti London | Theme: Inspiring Creativity
Headline Partner: Hamilton Litestat | Partner: Crosswater

Following the success of last year’s spring networking eventHotel Designs is delighted to return to Minotti London for Meet Up London 2020, the publication’s first networking event of the year. The London Fitzrovia showroom, which recently played host to an exclusive roundtable, will shelter an evening like no other around the theme of Inspiring Creativity, with the concrete aim to further bridge the gap between designers, architects, hoteliers, developers and key-industry suppliers.

EARLY RELEASE SUPPLIER TICKETS*: £99 + VAT (expires on January 31)  | CLICK HERE to purchase your tickets.
EARLY RELEASE BUYER TICKETS**: £10 + VAT (expires on January 31) | CLICK HERE to purchase your tickets.

Sponsors for Meet Up London (so far): 

About Meet Up North 
Date: July 6, 2020 | 6pm – 10pm
Venue: Central Manchester (venue to be announced shortly)| Theme: Manchester On The Boards
Headline Partner: Hamilton Litestat | Partner: Crosswater

Considering the vast amount of hotel projects currently on the boards in the north – many of which are slated to complete in Manchester and open this year – Hotel Designs will be returning to the city of Manchester for Meet Up North 2020. The city, which has hosted the concept since its launch in 2018, will once again welcome leading designers, architects, hoteliers, developers and key-industry suppliers for the market’s leading networking event in the north of England.

EARLY RELEASE SUPPLIER TICKETS*: £99 + VAT (expires on January 31) | CLICK HERE to purchase your tickets.
EARLY RELEASE BUYER TICKETS**: £10 + VAT (expires on January 31) | CLICK HERE to purchase your tickets.

Sponsors for Meet Up North (so far):

If you would like to discuss various sponsorship packages available, or if you have any enquires regarding tickets, please contact Katy Phillips via email, or call 01992 374050.

Early Release offer strictly ends January 31, 2020.

* Those eligible to purchase Supplier Tickets must be industry suppliers.
** Those eligible to purchase buyer tickets must prove that they are an interior designer, architect, hotelier or developer.

close up of wall partition in the restaurant

How twenty2degrees redesigned Budapest Marriott Hotel

730 565 Hamish Kilburn
How twenty2degrees redesigned Budapest Marriott Hotel

Hotel Designs follows twenty2degrees, which has just completed a two-phase refurbishment of Budapest Marriott Hotel…

Whenever a project completes from The Brit List 2019 accredited design firm twenty2desgrees, you know that its design is going to do three things: 1) stand out from the crowd, 2) be full of personality and 3) have meaning. The team’s latest project, Budapest Marriott Hotel, is no exception of that unwritten, yet widely known, rule.

close up of wall partition in the restaurant

Phase one of the renovation began with the brand’s signature ‘greatroom’ concept, which harmonises reception, lobby lounge, bar and restaurant in a single open space, followed by the hotel’s function and meeting rooms. The result not only aligns with brand expectations but, thanks to the designers’ introduction of local context and artistic provenance, feels absolutely at home in this historic and creative city.

Large contemporary partition in lobby/f&B area

Image credit: Marriott International/twenty2degrees

Tucked along the banks of the Danube River, the hotel overlooks some of the capital’s most iconic landmarks including the Chain Bridge and Buda Castle. The 50-year old building belongs to the Brutalist mid-twentieth style of architecture, and the designers pay homage to the concrete façade with a new stone sculptural relief in the lobby. Beyond this, however, the interiors are now modern and tactile with numerous residential-style details to ensure guests feel at their ease from the moment they arrive. The firm, headed up by Nicolas Stoupas and Joseph Stella, has also introduced Marriott’s first ‘disruptive bar’ – a free-standing island bar in the lounge designed to evolve through the day, from morning coffee and pastry service, to cocktails and snacks in the evening.

Large and comfortable lobby/lounge area

Image credit: Marriott International/twenty2degrees

“While addressing all the ‘Marriott Modern’ touchpoints, we felt it was important to also capture the rich essence of Budapest, a vibrant European city with a tremendous amount of history and a vast number of creative individuals, both past and present, from whom to draw inspiration,” explained Stella, Creative Director of twenty2degrees. “Whenever we begin a new project, we first look to the brief in order to form the bare bones of the design. Then we explore the locality in order to added layered design elements”.

The work of Hungary’s renowned Bauhaus designer, Marcel Breuer, and artist, Laszlo Moholy-Nagy, was the inspiration for the specially designed carpets and the refined-yet-elaborate decorative screens throughout the Greatroom. Integrated as an artistic and architectural element, they also serve to zone the space without shutting off any areas. These areas include: The Individual Zone for guests to relax, read, work and enjoy a coffee or a light snack, The Social Zone that is centred on the Liz and Chain Bar, and The Guest Service Zone where customers check in. Zones are defined by varying colour palettes as well as by different seating, tables and lighting options. The multi-functional, open plan scheme is designed to reflect our modern lifestyle where the opposing demands for privacy and human connection, work and socialising need to be met within a flexible space.

large island in the middle of modern F&B area

Image credit: Marriott International/twenty2degrees

Together with cubist shapes and Bauhaus curves, twenty2degrees’ celebration of the local is continued through a collaboration with contemporary local artists, Janos Huszti, Petyka, and Stefan Osnowski. Their pieces, as well as a collection of traditional paintings and prints and integrated artworks compliment the colour scheme and provide an impressive gallery feel to some of the areas.

The meeting and banqueting spaces boast stunning views of the city. Together they represent 17,000 square feet of versatile space that includes Grand Budapest Ballroom, Ballroom Terrace, and a number of flexible meeting rooms. The redesigned spaces display similar aesthetic values to the Greatroom, echoing Bauhaus principles, favouring functionality over ornamentation and asymmetry over symmetry. They too are modern and tactile, combining cubist inspired forms with a contemporary design style.

Main image credit: Marriott International/twenty2degrees

PARIS PREVIEW: What to expect at MAISON&OBJET and Deco Off 2020

730 565 Hamish Kilburn
PARIS PREVIEW: What to expect at MAISON&OBJET and Deco Off 2020

As Paris prepares to welcome designers from around the world for Maison&Objet and Deco Off, editor Hamish Kilburn previews what he expects to be the most significant products to launch at both shows… 

Maison&Objet and Paris Deco Off never fail to attract and engage a large international crowd, and with just days until this year’s shows open, 2020 is going to be no exception.

Despite the two events contrasting in style – one dominating the volume of Parc des Expositions de Paris Nord Villepinte on the outskirts of the city with a variety of brands, and the other spilling out into the streets of Saint-Germain-des-Prés – together they work harmoniously. As a pair, they are undoubtably two of the hottest events in the design calendar, intriguing more than 80,000 design enthusiasts to descend onto the streets and trawl through the exhibition halls of Paris.

Many would argue, myself included, that both shows have become the go-to destinations to garner and guage the product launches and new styles from leading suppliers that are expected to dominate the market over the course of the rest of the year. It is for that reason, and the fact that there sea of interior design trends flooding the market, why Paris a quality trip worth taking in January if you are looking to cut through the noise for interior inspiration.

However, as someone who has walked the six halls and the narrow streets, it’s wise to approach Maison&Objet and Paris Deco Off as a marathon, and not a sprint. In order to give you a headstart, here are just some of the product launches and new collections that we expect will create the most noise this month.

Zaha Hadid Design: Hall 6 — Stand P38 (M&O)

Image of abstract glass plate

Image credit: Zaha Hadid Design

Interpreting the ordinary into something unexpected. Referencing Zaha Hadid’s process with each new project – ZAHA HADID DESIGN (ZHD) continues to examine its significance within the dialogue of contemporary design by interpreting both the present and the future, and by continuing to share Hadid’s story.

ZHD, which has been led by co-directors Maha Kutay and Woody Yao since 2013, has an extensive cross-disciplinary portfolio which includes design in fashion; jewelry; limited edition furniture; interiors; exhibitions, installations, sculpture, and set-design.

NANOLEAF: Hall 1 — Stand G49 (M&O)

Image of lounge funky lights above comfy sofa

Image Credit: Nanoleaf

Founded in 2012, but only recently exciting the hotel industry with its modular lighting design, is NANOLEAF. The lighting company prides itself on creating innovative lighting solutions that are smarter by design. By infusing artistic design and technological innovations in their products, NANOLEAF brings excitement, convenience, and joy to the way people experience light. NANOLEAF is a green technology and “IoT company” changing the world with innovative lighting solutions.

The newly introduced Unified Light Panels Line with interconnectivity will give users complete design freedom to create all new creative configurations, from abstract geometric layouts to perfect replicas of their favorite characters and shapes. The Unified Hexagons invite users to truly tap into their imagination to personalize their lighting designs.

NARDI: Hall 6 — Stand M111

Birdseye view of pink outdoor furniture

Image credit: Nardi

NARDI Italian manufacturer of outdoor furniture 100 per cent Made in Italy that is furiously waving the sustainability flag. The company, which was founded in 1990 and based in Italy, is specialised in designing and producing high-quality designer furniture in resin for outdoor use in the residential and hospitality sectors. All of its products, designed for people’s wellbeing and relaxation, are made in a production chain that is entirely “Made in Italy” and are eco-friendly. High-quality resin processed using cutting-edge systems is combined with aluminium, synthetic fabrics, padded elements and glass to make products with a design that is original and almost completely recyclable.

OGO Furniture: Hall 6 — Stand C80 (M&O)

An aray of quirky seatsOGO is a brand with roots that comes from the Spanish islands. The mild temperatures have marked the serene and peaceful character of the company’s products, so that guests can enjoy the open air.

Nacho Timón and Ana Llàcer, both Valencian designers, together with the OGO creative team have developed an original collection created to be practical and useful. A key aim for OGO is to not limit designers when decorating a space. Exhibited at the show, LOLA by OGO is a minimalist, versatile and unique piece that is ideal for a contemporary hotel lobby.

PEDRALI: Hall 6 — Stand J2 / K1 (M&O)

Studio image of four varying sized chairs with blue and pink background

Image credit: PEDRALI

Since 1963, PEDRALI has produced seats, tables, complements and lighting exclusively manufactured in Italy through a design process, which combines tradition and innovation, engineering excellence and creative brilliance. The latest collection, Folk, is the result of an accurate research aimed to create industrial design products made of metal, plastic materials, wood as well as upholstery.

Following the cornerstones of a 100 per cent made in Italy production philosophy, the company’s activity is joined by a profitable collaboration with numerous designers that has allowed the company to achieve an award-winning status in the international contract market.

Arte Showroom – 6 Rue de l’Abbaye (Deco Off)

Showroom with large colourful, jungle-like wall

Image credi: Arte

Following the unveiling of an army of new and adventurous collections in 2019 – as well as hosting an insightful roundtable – Arte’s showroom in Paris is preparing to lift the lid on more new wallcoverings for 2020. Arte wallcoverings adorn the walls of both residential homes and project interiors in more than 80 countries worldwide. Every year, an in-house team of experienced designers creates several new collections. All of these new products must be innovative and trendsetting while also being of superior quality. The wallcoverings vary from urbain sophistication to dramatic exuberance, but they always retain the same tasteful elegance.

If 2019’s eclectic mix of surfaces is anything to go by, then the showroom will be well worth a visit during Paris Deco Off.

Designers Guild – 4 Rue Vide Gousset (Deco Off)

Residential set with grey sofa and plants

Image credit: Designers Guild

Designers Guild is introducing a distinctive new season abundant with an elegant mellow richness. Spring 2020 examines the influence of the early twentieth century garden designers and their innovative use of natural wild planting – pushing the boundaries of style just as its artistic and literary counterparts of the Aesthetic Movement also did. Discover a decorative fabric collection of floral prints, elaborate embroideries and complex geometrics, plus versatile textured wallpapers and four new plain and essential fabric textures. Imagined in every organic hue, from earthy sepia, birch and hemp, to celadon, emerald and topaz with hints of azalea and turmeric. With beautiful new home accessories too, a new paint collection inspired by the soft, soothing shades of nature and new collections from the company’s brands.

Jab Anstoetz – 25 Rue du Mail (Deco Off)

Yellow and pastel coloured chairs around white modern table

Image credit: Jab

Since 1946, Jab Anstoetz has been showing its true colours in textile furnishings at the highest level of quality. The Bielefeld-based group of company’s portfolios is continuously growing, setting new trends in interior decoration with a sure instinct. Among its range: textile furnishings, wallpapers, flooring lines (carpets, wall-to-wall carpets, LVT), high-quality curtain rods, blinds and panels, upholstered furniture as well as exclusive accessories.

Jean Paul Gaultier – 325 Rue Saint-Martin (Deco Off)

Colourful chair and curtain in front of leaves

Image credit: Jean Paul Gaultier

This time the influences in Jean Paul Gaultier’s new collections are taken from the pop universe, where the fortune teller and the work of the macrame makers blend naturally into magical landscapes of floral opulence and the third dimension and other graphic waves. The introduction of the first two outdoor fabrics continue the mix of playing with nature, but still with a nod to the influence of pop and even rock.

Kobe – (Deco Off)

Modern furniture with glass windows

Image credit: Kobe

Kobe is a successful editor of soft furnishing fabrics and wall-coverings for domestic and contract interior markets and will be among the leading suppliers exhibiting in the neighbourhood during Paris Deco Off. Kobe has showrooms and offices in major European cities and has a passion for interior design is paramount, with a strong focus on innovative high-quality products.

Rubelli – 11 Rue de l’Abbaye (Deco Off)

Catering for all contract needs, Rubelli is keeping tight-lipped around the launch of its new textile and wallcovering collections in Paris later this month. The company is, however, promising us new textures and new colours that are both smart and iconic, timeless as well as contemporary. The collection will be one to be seen, to be touched, to be experienced, to be loved. Following last year’s show, where the company launched a colourful display of new textiles, wallcoverings and partnerships, the showroom is expected to be among one of the most popular during Paris Deco Off 2020.

Zimmer + Rhode (Deco Off)

Green and yellow armchair in front of red backdrop

Image credit: Zimmer + Rohde

Raising the curtain on the ZR autumn collection – CIRCUS. The CIRCUS collection combines spectacle with precision and skill, whisks you away to a magical world, and shows that a great passion lies behind every true virtuoso.

If you or a company you know of are launching a new product or collection in Paris later this month, and you would like it featured on the Hotel Designs website, then please contact the editorial desk with description and high-res images.

Main image credit: Kobe

A new chapter: Fabiia’s showroom opens in Chiswick, London

730 565 Hamish Kilburn
A new chapter: Fabiia’s showroom opens in Chiswick, London

Furniture brand Fabiia has opened its doors to a new London showroom just in time for Sleep & Eat 2019… 

Marking a significant milestone for the furniture company, Fabiia has opened its doors to a new showroom on the doorstep of the quaint yet thriving neighbourhood of Chiswick, London. The new showroom’s strategically placed location has become the company’s first base in the UK, and will shelter brands such as Miniforms, Lightyears, Normann Copenhagen, Schneid, Delightfull, Fast, Labbate and Sika.

“When we first decided to make the move from Dubai back to the UK, we were keen to pick out a prime location for what would become the Fabiia Showroom,” said Fabiia’s creative director Shija Walia. “Three months scouring the streets of London led us to The Light Box, a studio set two minutes from Chiswick Park and a stone’s throw away from the Chiswick train station.

“To put things in perspective, most of the last year was spent pouring over Fabiia’s signature line of furniture. The team divided its time traveling around Europe identifying the choicest manufacturing units alongside juggling multiple projects in the Middle East. We sure have kept ourselves busy, but the results are most definitely worth it!”

A heady mix of indoor and outdoor furniture, designer lighting, plus a signature Fabiia flair alongside our architectural Norse LED lighting invites visitors into a showroom that lives and breathes design.

Image credit: Fabiia

“What was once a pipeline dream has now finally taken shape in a one-stop location for all your contract furniture/lighting requirements,” added Walia.

The brand’s timely entrance to unveil a UK showroom unfolds as one of Europe’s largest and most talked-about hotel design trade show, Sleep & Eat prepares to get underway – of which Hotel Designs is a proud media partner of.

Main image credit: Fabiia

Conrad Maldives Rangali Island debuts redesigned villas

730 565 Hamish Kilburn
Conrad Maldives Rangali Island debuts redesigned villas

Conrad Maldives Rangali Island, the luxury destination resort located on the picturesque setting of Rangali Island in the Maldives, is redesigning a unique set of villas available on the property…

Just more than year after Hotel Designs interviewed the designers and architects behind the world’s first underwater hotel suite, the same hotel, Conrad Maldives Rangali Island has unveiled the design details of its new mix of villas.

By next month, the resort will introduce five new room types including the Two-Bedroom Deluxe Beach Villa, Grand Water Villa with Pool, Grand Water Villa, Two-Bedroom Grand Water Villa with Pool and Two-Bedroom Grand Water Villa, encouraging all travellers – groups, families and couples alike – to find the room best suited to fit their every need and desire.

Yuji Yamazaki, principal of Yuji Yamazaki Architecture PLLC, NYC and design collaborator on the underwater THE MURAKA residence will apply his signature style of simple paired back luxury to the updated accommodations. The design of the villas will feature a clean and minimalist aesthetic, giving the space a natural, bright and airy feel intended to focus on the beauty just outside of the villa. The new design will promote a sense of harmony with the surrounding environment, awakening but not overwhelming the senses and providing absolute privacy and exclusivity.

“Our pioneering innovative hospitality to cater to the passion points and needs of our guests is the cornerstone of this resort,” said Stefano Ruzza, General Manager of Conrad Maldives Rangali Island.“We are thrilled to debut new villa categories to discerning travellers, marking the beginning of the next chapter of Rangali history and our commitment to driving the evolution of travel to the Maldives.”

The Deluxe Beach Villas were refurbished throughout 2018 and 2019. A selection of villas have recently been converted into new luxury Two-Bedroom Deluxe Beach Villas to offer the ideal space for any Maldivian holiday. The Two-Bedroom Deluxe Beach Villas will feature a new design with a private garden and pool, indoor state of art bathroom, a private outdoor rain-shower and floor-to-ceiling glass windows that illuminate the villa with natural light. Set amongst the tropical greenery, the standout feature of the newly designed villa is the addition of the second bedroom adjacent to the main villa, which has been purposely designed to accommodate a twin bedroom with luxurious floor-to-ceiling glass windows.

Image credit: Conrad Maldives Rangali Island

In addition to the Two-Bedroom Deluxe Beach Villas, Conrad Maldives Rangali Island is reinventing the Retreat Water Villas into two villa types – Grand Water Villa and Grand Water Villa with a pool. A popular room category, the Water Villas are set on stilts above the gentle ocean waves where guests can discover the true meaning of indoor-outdoor living. The redesigned villa will greet guests with a large living room, which can be converted into a second bedroom, along with views of the outdoor deck complete with a Jacuzzi or pool. Featuring clean lines and muted natural tones, the villas are located in the Spa Retreat, 100 meters off of the tip of the main island Rangali Finolhu, with vistas across the Indian Ocean to the resort’s second island, Rangali.

The in-demand Family Water Villa will also be transformed into two villa types and renamed Two- Bedroom Grand Water Villa and Two-Bedroom Grand Water Villa with pool. The design of the Two- Bedroom accommodation will be similar to the Grand Water Villas, but will offer two bedrooms, instead of one and can host any group of guests. Set on stilts over the Indian Ocean, the villas offer views of either the lagoon or ocean and a sunset or sunrise view and can sleep a maximum of four persons – two adults and two children, or four adults.

Set across two islands connected by an open-air overwater path, Conrad Maldives Rangali Island plans to announce additional enhancements in 2020 offering guests a Maldivian playground full of possibilities.

Main image credit: Conrad Maldives Rangali Island

EXCLUSIVE ROUNDTABLE: Meaningfully differentiating luxury in hotel design

730 565 Hamish Kilburn
EXCLUSIVE ROUNDTABLE: Meaningfully differentiating luxury in hotel design

To continue Hotel Designs’ series of articles to put sustainability under the spotlight, editor Hamish Kilburn chairs an exclusive editorial roundtable, in collaboration with Minotti London, to understand how today’s leading designers are sensitively working to create a more meaningful luxury hotel design landscape. Joining us on the Minotti sofa to discuss this topic:

With the aim to conceive and design meaningful luxury hotels, there is undoubtedly a question mark on how designers and architects can differentiate their projects to stand out as timeless jewels. With the rise in technology and social media, competition for hotel operators and developers is no longer limited to a single neighbourhood; we have very much entered a global arena. But how are today’s leading designers confronting the evolving hospitality landscape, and just how significant is sense of place when approaching sensitive luxury projects? We invited a handful of the industry’s most distinguished innovators to Minotti London‘s alluring showroom in Fitzrovia to find out more.

Hamish Kilburn: What are the largest misconceptions when it comes to designing luxury?

Jo Littlefair, Director and Co-Founder, Goddard Littlefair: Travelling globally, and understanding global attitudes towards luxury is so important. We have clients that have huge misconceptions to whatever project they are developing. We still struggle when clients associate harsh golds and marbles with luxury, for example. I find it really disheartening, because for me, a non-material object like ‘time’ is a luxury. When approaching the design of any luxury hotel, it’s really important to keep in mind the attitude you are trying to create.

Hamish Brown, Partner, 1508 London: There are a few buzzwords that keep coming up in the studio. We don’t have a ‘house style’ as such, therefore we are really trying capture and create sense of place within each projects. It’s not about fashion but about style. If you look at the great Hollywood movie stars now and compare them to images of themselves 30 to 40 years ago, quite often they will look as relevant now as they did then. That is certainly to do with style over fashion. We look at ways in which classical details and proportions can manifest themselves within a design.

David Mason, Head of Hospitality, Scott Brownrigg: The definition of luxury is not the same for everyone. Some may see luxury in technology, while others believe it is in the foundations of a hotel. In our studio, we don’t necessarily design the ultra six-star luxury hotel, but many of our clients are interested in ‘luxury’, which can come from anything from the service down to the attention to detail. What is luxurious to one person is different to another.

Constantina Tsoutsikou, Creative Director, HBA London: I think luxury is also about being generous as a designer. You always give more than what is expected and make sure that the spaces are comfortable and also have longevity. Where I can, I try to avoid anything too shiny. It’s becoming more apparent that the days of clients wanting to the interiors to show off wealth are behind us. Instead, well-designed luxury interiors are more honest and truthful. That in itself is a luxury mindset.

“We have realised that clients want luxury but almost on a shoestring budget.” – Constantina Tsoutsikou, Creative Director, HBA London

Image caption: (centre) Hamish Brown, (right) Jo Littlefair

HK: When did your clients start accepting a shift in consumer demands when it comes to luxury?

HB: I think it massively goes back to what that hotel means within its location as well as the characteristics of the building. There is certainly more of an acceptance from both sides. Some clients believe that what they want is a grand, sweeping entrance, whereas to really differentiate themselves and to make their hotel work within its location and to be relevant to the building, we suggest to park pre-conceived ideas and think about what would work for that particular hotel.

CT: We have realised that clients want luxury but almost on a shoestring budget. If you compare it to a good few years ago, budget expectations are certainly getting lower. Perhaps it is a sign of the times. At the same time, palettes are becoming more concise, that’s a good thing because designs are cleaner. There’s still a layering there, but the money that was being spilled into a hotel project before the 2008 crisis is not there anymore. However, the expectation certainly is. So, as designers, we have to work out how to manage that.

JL: Also, you cannot ignore the noise and influence of social media – it has a lot to answer for. That inaccurately convinces clients and developers that design is easy and disposable, and that it doesn’t take five minutes to produce a moodboard. But in reality, especially when considering sense of place, you’re thinking about a building and a brand. Putting these elements together requires a real curation of things. Otherwise, I have seen it when people go off on tangents and throw details into the canvas. Nothing ends up gelling and it becomes a messy clash of ideas.

“Trying to get the balance between the soft, the elegant while making these spaces feel comfortable places to work, sit and socialise is a challenge.” – David Mason, Head of Hospitality, Scott Brownrigg

HK: One of the most obvious changes in hotel design, and in the demand from guests, is in the public areas. How has this changed the way in which you specify furniture?

CT: Everybody is working from everywhere. We have a beautiful resort project, which is currently on the boards. As a result of the direct demand from modern travels, we are thinking about putting USB charging sockets on the day beds next to the pool. Generally, I think this is a positive step forward for hotels, which have a life on their own. I think it’s wonderful – and a real stamp of approval from the community – when the neighbourhood becomes part of the life inside a hotel. After all, nobody likes a dead public space.

“All of our furniture is designed at a deliberate height so that each piece can gel with other elements. As opposed to creating one iconic piece, we wanted to create a design DNA.” Digby Summerhill, Director, Minotti London

DM: It’s a hard balance to strike. When our commercial interior designers get asked create these multifunctional spaces, the way in which they design is very task oriented. Trying to get the balance between the soft, the elegant while making these spaces feel comfortable places to work, sit and socialise is a challenge.

Digby Summerhill, Director, Minotti London: We’ve always had modular systems that are flexible. All of our furniture is designed at a deliberate height so that each piece can gel with other elements. As opposed to creating one iconic piece, we wanted to create a design DNA; something that runs through an interior design scene. It’s not a coincidence that no individual item stands out in our collections. One thing I think is interesting is that we didn’t design any of these pieces with hospitality necessarily in mind. Instead we very looked at consumer behaviour and understood the demands of consumers within public areas.

HB: We are often trying to design public spaces to not look like public areas. The idea of a lobby/lounge going against what people would expect in a conventional hotel, to shelter intimate spaces, private nooks where people can work, is very appealing to me. I agree that idea of the community coming in and using the hotel is huge, but perhaps this is something that London has not got right in the past. In other cities there is much more fluidity and it works beautifully. Allowing furniture to adapt to how people are using is a big part of this, and an idea that is really exciting.

Image caption: (Left) David Mason, (Right) Jo Littlefair

HK: Let’s talk about sustainability. A study recently showed that 76 per cent of guests believe that hotels could be greener. Is consciousness the new luxury, as I suggested in my recent editor’s letter?

JL: We’ve been really encouraged recently to have had two projects come to us with sustainability at their hearts. Absolutely every decision has to have a sustainability angle. What we hope is that it continues through to the final touch points, because there will be financial implications along the way. Having filter taps in the room so that hotel guests can refill water bottles is a fresh approach that I love. The design utilities recycled parts of the existing building, giving a whole new meaning of injecting life back into a hotel. We are really thinking about those elements, including timelessness. I agree that it is about style. For us, it’s not about having a hemp interiors, it’s about creating luxury that has a slight assured sense of elegance and quality that has a higher purpose.

DM: The best way to differentiate luxury when it comes to sustainability is to be clever. Having a brief like this is rare, let alone working on two. So, designers, it is our responsibility to educate our clients and specify materials and items that don’t harm the environment or the end user. Behind this, it’s therefore so important that we understand the products and materials and what sets them apart from others in the market.

“Luxury is not just about design, it is about service as well and so many other things that are intrinsically layered on top.” – Hamish Brown, Director, 1508 London

HK: To me it’s very transparent when hotels use words without actions when it comes to sustainability. Is it the designer’s responsibility to ensure clients avoid greenwashing?

CT: You have to remember, we are designing spaces that will open in three years time. It’s a long time, and things change very quickly. You have to be ahead of the game and lead in that way so that the hotel is relevant when it opens. You have to ensure that the strategy you have in place is looking ahead and avoids the need for significant last-minute changes. On the other hand, as designers, we have a responsibility to influence the clients. But I think soon, it will become a necessity across the entire industry. I predict this will happen faster than we think, and it’s already started with wider conversations with local suppliers.

HK: What are you all doing at the moment to try and differentiate your luxury projects from others?

CT: I am always asking myself, how do I position this hotel in the current market, or in a wider sense, how do I position this hotel for an international clientale? This is because the competition is no longer just the hotel’s neighbour, it’s a global arena.

DM: I suppose it is now about experience. People desire luxury experiences. A hotel group has just bought the Fort of India. How incredible would that be; to stay and experience something totally unmatched like that. Travellers want authenticity and they consider that to be luxury.

HB: Sense of place cannot be underestimated. The definition of luxury differs from place to place and demographic to demographic, and you have to respond, beneath the surface, to understand what is happening in those locations. Luxury is not just about design, it is about service as well and so many other things that are intrinsically layered on top. When those elements and concepts interlock, that’s when you have a seamless luxury experience when service and design sit side by side and are harmoniously linked.

HK: Consumer demands of public areas have spilled out into outdoor spaces. Has this changed the way in which you design these areas together?

JL: We love integrating the outdoor areas so that they becomes a seamless flow where we can. I would say this is especially the case in food and beverage sector. We have recruited designers that only specialise in those areas so that we can get the operational flow right. That connection to the outdoor is integral to our overall wellbeing. Humanity is an element of luxury that we have not touched upon, because our disassociation with human relationships is becoming more enforced by our use of technology. I feel that human touch – it can be as simple as eye contact, and/or just being understood in a different country – is really important that we deliver with hospitality. And first and foremost, design and architecture should enable this.

“Usually I will use the sustainability angle as an added value and not the primary reason why we are specifying, unless the brief has an eco-friendly thread in its core.” – Jo Littlefair, Director and Co-Founder, Goddard Littlefair.

HK: Sustainability is becoming a buzzword that some would argue is losing its meaning. What makes a piece of furniture sustainable for you?

JL: At the end of the day we, as designers, have to ensure that the furniture looks fantastic – and it meets all the needs and demands from our clients as well as regulations. But it really does come down to how we communicate this with the client. We do have to choose our words carefully, but that’s the same as when pitching any idea to the client. Usually I will use the sustainability angle as an added value and not the primary reason why we are specifying, unless the brief has an eco-friendly thread in its core.

DM: Different cultures are going to be more interested than others, that is for sure. It is all about baby steps, and we do as much as we can.

Technology and manufacturing has been a massive help. Sustainable products and materials are now at a price point that works for a client and a luxury brief. To then specify a product that is eco-friendly and longer lasting than another becomes a no-brainer. I really believe it is changing. Clients are more aware of the value of reclaimed or reupholstered furniture. Having said this, it is also a balancing act. I am working on a hotel at the moment with the aim to reupholster the casegoods and the beds, and sadly it is actually almost as expensive as buying new pieces.

“I think if you can justifiably explain how a decision adds value, then cost can sometimes be reconsidered.” – Hamish Brown, Director, 1508 London.

HK: In regards to luxury, do you believe value outweighs cost?

HB: It’s a lovely idea, and my view is that value does outweigh cost. If you look at today’s market and the economy, there is a huge sense of getting value. It’s not always about cost. I think if you can justifiably explain how a decision adds value, then cost can sometimes be reconsidered.

JL: We get closer to understanding the deal that the developer has struck and the budget that has driven the deal, which underpins the whole project. Basically, our client has a figure that they cannot deviate from. So yes, it is common sense, and I do value beautiful furniture, and we do have to be ambassadors that push for quality so that these pieces don’t end up in landfill, but there is a bottom line figure discussion. As a designer, you are the piece of magic in the middle having to constantly and consistently value engineer the project.

HB: The most successful projects that we work on are the ones where everyone involved is upfront and honest with cost and there is a real transparency there.

HK: Has the weight on where the budget is spent in the hotel changed?

DM: It’s always in the ceiling!

CT: I have seen that generally, not enough budget is left for the finishing touches.

JL: For me, it’s artwork.

Following the exclusive panel discussion, the leading designers and architects were able to browse the showroom, which showcased, in an apt setting, Minotti’s 2019 collection of timeless indoor and outdoor furniture.

Minotti London will be the venue of Hotel Designs’ Meet Up London, which will take place in Spring 2020. More details will follow.

If you are interested in hosting our next editorial roundtable, please email Katy Phillips or call +44 (0)1992 374050. 

Morgan to unveil a stripped-back sustainable furniture at Sleep & Eat 2019

730 565 Hamish Kilburn
Morgan to unveil a stripped-back sustainable furniture at Sleep & Eat 2019

Morgan will unveil the Kaya lounge furniture collection next week at Sleep & Eat on stand C60…

Taking its name from sacred forests spread along 200 km of the Kenyan coast, Morgan’s new Kaya lounge collection finds its roots in the openness, honesty and purity of trees. The crafted timber frames, gentle curve and soft upholstery are designed to provide relaxed luxury.

Simplicity is further embodied in the upholstery, which features only the most essential elements, sculpted and fitted to provide enveloping comfort. Juxtaposing soft informality with timber’s clean geometry required a precise balancing act.

With an emphasis on space and light, the collection evokes an atmosphere of ‘komorebi’, the Japanese word for the sunshine filtering through leaves. As with a lush woodland, Kaya’s serene frame finds strength in numbers. Individual timber sections have been kept small with multiple lightweight supports in place of a single, larger component.

While Kaya draws inspiration from nature, technology played a crucial role in its production. The frame’s smooth, curving lines were made possible with Computer Numerical Control (CNC). Morgan uses any timber which is removed to help heat its manufacturing facility with a biomass boiler.

“Relying on trends in the design world means whatever you produce will be bound by the tastes of a certain point in time,” Katerina Zachariades, Morgan’s design director, commented. “At Morgan, we like to look to things which have stood the test of time, from artwork of various styles to elements of the natural world.

“With Kaya, we wanted to look beyond the heavy materials and density of the built environment, peeling back the surface to reveal the pure form within.”

The Kaya collection is versatile, intended for interiors from hospitality through to the workplace. While the smaller lounge chair caters to projects requiring a smaller footprint, the larger lounge and high back chairs maintain a greater presence and impact within spacious environments such as lobbies, breakout areas and gallery spaces.

Main image credit: Morgan

FIRST LOOK: Inside Riggs Washington D.C., a new level of unrivalled luxury

730 565 Hamish Kilburn
FIRST LOOK: Inside Riggs Washington D.C., a new level of unrivalled luxury

Ahead of the highly anticipated opening of the 181-key luxury hotel in Washington D.C., Hotel Designs takes a closer look inside…

Lore Group, the international hospitality company behind renowned hotels, such as Sea Containers London and Pulitzer Amsterdam, has released model images of Riggs Washington D.C.. The new luxury hotel is the latest hotel development to hit the headlines, and is the brainchild of The Brit List 2019 judge Jacu Strauss, designer, architect and Lore Group’s creative director.

In concepting and designing the property, Strauss, invoked the spirit of the former bank while preserving and restoring much of the property’s original design features to reimagine the storied building for the modern traveller. The 181-room property features playful nods to the building’s rich past, drawing on the parallels between the activities that take place in banks and at hotels to offer something personal and serendipitous around every corner.

The hotel’s development, which was first explored by Hotel Designs in a exclusive interview Strauss when he described the Washington D.C. as: “a city with a particularly strong and quirky evolving hotel and F&B market.” As such, the design of Riggs has paid particular attention to the public areas of the hotel, with the aim to add sensitive statement on the hotel design scene in the US capital. In the original barrel-valuted lobby and cafe, restored expansive ceilings, corinthian columns, classic stonework and custom furniture set the scene for an eye-catching arrival experience. A medallion of Juno Moneta, the Goddess of Money, presides over the room, while original features have been given a new lease of life and the grandeur of the building embraced to create a welcoming and inspired hotel that is deeply rooted in D.C. and its impressive history.

Image credit: Lore Group/Riggs Washington DC

Upstairs, the 181 guestrooms – including 15 bespoke-designed suites – are full with flair and personality. While all the stylish lighting in the hotel was provided by Chelsom, the marble-patterned headboards and wall coverings by Vousta blend together to create a thoughtful motif in each room. The interiors, balanced to create a romantic, sophisticated and calming oasis, have been inspired no doubt by Strauss’ love for travel.

Image credit: Lore Group/Riggs Washington DC

Catering to Washington DC’s ever-evolving social scene, the hotel’s 2,500 soft rooftop will offer panoramic views over the capital, and also feature a number of meeting, dining and events space.

“Lore Group continues to explore ways to deliver inspired and approachable hospitality concepts to interesting places around the world,” said Billy Skelli-Cohen, group CEO. “With Riggs Washington D.C., we have created a hotel and F&B concepts that celebrate both the legacy of the building – and the history of the city – through unexpected details and a thoughtful approach to guest experience.”

The arrival of Riggs comes an interesting time for Penn Quarter, which has been rejuvenated over the last two years. The new hotel is expected to further raise the level of luxury, creativity and innovative hospitality in the area – and Hotel Designs is keen to follow its progress.

Main image credit: Lore Group/Riggs Washington DC

Five emerging AW/19 interior trends to keep an eye on

730 565 Hamish Kilburn
Five emerging AW/19 interior trends to keep an eye on

Now that autumn has arrived, and winter is fast approaching, all eyes of the international hotel design world are focused on trends and new products as we gear up towards awards season and prepare to wind down for another year. Recommended Supplier Bisque has taken this opportunity to shine the spotlight on emerging AW trends to bookmark… 

Leading radiator supplier Bisque has taken note of a few key A/W interiors trends on the rise.

Trend: Tranquil Dawn

Dulux’s Colour of the Year has been revealed for 2020 as Tranquil Dawn. A cool and calming tone selected by a panel of experts from around the world, this lusciously soft green works for all rooms in the house, no matter how big or small.

Trend: Brown is the new black

Image credit: Bisque

Step aside black, brown is back! A versatile shade that ranges from beige to copper these brown hues – this doesn’t make sense? – it is time to bring these earthy tones back into your home to create a warm and welcoming feel.

Trend: Dusky pastels

Image credit: Bisque

Adding pops of colour into your home, not only is a great way to put a stamp of your personality on a room but adds a statement piece to the room.

Trend: Soft minimalism

Keep it simple with soft neutral colours, creating a calming tone throughout your space. Also perfect for those renting out their homes, as it’s a theme that everyone can complement with accessories and soft furnishings.

Trend: Maximalism  

Image credit: Bisque

Electric glamour and indulgent dual tones gives off a sense of power and strong personality. These bold schemes will fit in both traditional and modern homes and great for those also wanted a transitional look.

Main image credit: Bisque

Conran and Partners designs spin on flexible working spaces

730 565 Hamish Kilburn
Conran and Partners designs spin on flexible working spaces

Design firm Conran and Partners has completed new flexible working spaces within the lobby that are sheltered inside Crowne Plaza Paris – République…

Conran and Partners has completed a significant redesign of the lobby spaces at Crowne Plaza Paris – République. The launch marks the first step in a wider roll-out of a new concept-design blueprint for the brand in Europe, aiming to deliver a distinctive guest experience globally.

The lobby has been reinvigorated as the brand’s exible work and meeting concept, ‘Plaza Workspace.’ This contemporary hub was developed to meet the changing needs of modern business travellers seeking more comfortable public and semi-public spaces in which to work and relax. Regarded as the largest design innovation in the brand’s history, Crowne Plaza Paris – République is the first hotel to launch the Plaza Workspace in Europe.

Throughout Plaza Workspace there is an abundance of tech savvy elements: tables feature integrated wireless phone chargers and high-speed Wi-Fi is available to address the growing trend in flexible work and life preferences and people’s desire to work from anywhere. Plaza Workspace also includes The Studio, a bookable-by-the-hour meeting space to cater for private meetings and events, complete with its own bar counter and break-out lounge seating. The studio’s design maximises the flow of guests through the spaces, allowing them to transition seamlessly between work and down time.

The former main entrance of the hotel has been relocated from the Place de la République to one side of the building, giving the arrival experience a more private feel with access via a courtyard in the style of a traditional Parisian apartment block. The signature bar is now in a more prominent position closer to the outside terrace, which runs along the hotel’s principal façade.

In contrast to a conventional arrival experience, guests are initially welcomed by a centrally-located monument wall. This wall – referencing the original Haussmann-era architecture of the area – serves to orientate the guest, dividing the space between the ‘plaza’ (the informal and relaxed bar spaces) and the ‘gallerie’ (the refined and elegant recep on and studio spaces). Among the book selection adorning the shelves of the lounge and Plaza Workspace are titles on Haussmann’s contribution to the remodelling of Paris.

Conran and Partners have also completed the design of the European adaptation of the ‘WorkLife’ concept guestroom, a design patented in the United States, which will serve as the basis for the wider redesign of rooms and other non-public facing areas of the hotel in the future.

The Place de la République is famous as the site of the statue of Marianne – the personification of the French Republic – commemorating the founding of the First Republic of France in 1792. The square is important as one of the key locations where Parisians congregate during times of national significance.

The hotel occupies an exceptionally attractive and restored Haussmann building, formerly a department store, Les Magasins Réunis. It is located at the point where three different arrondissements (3rd, 10th and 11th) of the city meet. A couple of original Haussmann features are s ll visible, including the staircase, wrought-iron balustrade and doors onto the original caged lifts at higher levels. Conran and Partners’ design also responds to the different – yet complementary – feel of each adjoining arrondissement (‘Fashionable’ (3rd), ‘Bohemian’ (10th) and ‘Modern’ (11th).

“Within the individual elements of a project there are always opportunities to work with manufacturers to create distinctive furniture commissions and bespoke materials,” said Simon Kincaid, Partner at Conran and Partners and a shortlisted finalist for The Brit List 2019. “For each new development, we study the locale and create a narrative, drawing on our experience of blurring the boundaries between work and leisure to create strong, characterful places.”

Image credit: Anna Stathaki

Conran and Partners’ approach was based on a thorough analysis of Crowne Plaza’s success in the Americas as well as among its European target market. The practice developed an architectural strategy focusing on key elements within a typical guest stay. A series of seating typologies and a hierarchy of signature elements was created which enabled key functional elements to be located, while defining specific design features and focal points. This has given hotel guests and visitors a wider variety of spaces to encourage more dwell time.

The approach has also sought to reinterpret the idea of a ‘plaza’ as a place where people can meet and relax and applied this to the various spaces within the hotel, encouraging guests to move between different types of spaces. The design also responds to changing consumer behaviour, in particular exible working and the ‘always on’ and ‘on-demand’ workplace culture. Spaces and services have been created to facilitate more business- related functions within the plaza workspace, both formal and informal, as well as helping to bring people into the hotel.

“The spaces in Place de la République are tech savvy, while acknowledging the need to embed humanity in the design to create a comfortable place to work and relax,” continues Kincaid. “The narrative we created for Crowne Plaza Paris- Republique is based on the concept of ‘New Modern’. It seeks to demonstrate that business hotels can be exciting by offering guests kind, personal touches, while introducing new, meaningful experiences for them to share and – above all – to appeal to the senses as far as possible.

“Our design narrative has informed the choice of furniture and accessories and even the rug design and the artwork selection (developed in collaboration with Double Decker Artwork Consultants), which seek to reference the various key art movements and ar sts closely associated with Paris since the mid-nineteenth century. Materiality and palette are central to our design thinking.”

Libby Escolme, Global Vice President, Crowne Plaza, commented: “I have always loved travel and staying at an inspiring hotel is o en why I am excited about a business trip. Today’s traveller wants to stay somewhere that inspires them, where innova ve design creates great spaces that work well. We have collaborated on this project with Conran and Partners, a best-in-class design rm, and I feel genuinely excited about how our new hotel spaces will enhance a guest’s stay with us.”

Main image credit: Anna Stathaki

 

 

Knightsbridge poised and ready for 80th Birthday celebrations at Sleep + Eat 2019

730 565 Hamish Kilburn
Knightsbridge poised and ready for 80th Birthday celebrations at Sleep + Eat 2019

2019 marks the 80thanniversary of Knightsbridge, the award-winning British furniture manufacturer. In order to mark this landmark the company they will celebrates its extraordinary history on stand number E92 at Sleep & Eat, Olympia London (November 19 – 20, 2019)…

If you are planning on attending Sleep & Eat 2019, then make sure you head over to the Knightsbridge stand (E92) where the team will be celebrating 80 years strong as one of the leading British furniture design and manufacturing companies.

Committed to British market-led design, Knightsbridge is one of the very few British contract furniture companies to invest in an in-house design and development team – and new collections for 2019 pay homage to its history taking inspiration from archive pieces.  

Wellbeing has long been established as a benchmark in workplace design, with forward thinking companies providing biophilic, sustainable design that creates healthier environments for their employees. The properties of wellness and biophilic design are now being seen more and more in hospitality and hotel environments; indoor spaces are inspired by nature whilst furniture is designed to be ergonomic aswell as stylish. Knightsbridge will be reflecting this trend on its stand with furniture covered with beautiful fauna & flora designs.

As hotel, bar and restaurant suppliers, Knightsbridge’s hospitality collection contains furniture designed to suit a variety of styles, needs and tastes. Crafted using timber from renewable sources, the company’s portfolio embraces a collection of style-forward products that are ideal for a wide range of environments such as waiting rooms, foyers, dining rooms and lounges.

New to 2019, Knightsbridge will be exhibiting its Caravelle collection which was redeveloped to celebrate Knightsbridge’s 80thanniversary and its rich history, taking influence from a past mid-century piece of furniture. The Caravelle collection consists of an armchair, two-seater and three-seater settee that have the clean lines and organic curves that the period became renowned for. It’s deep seat cushion provides a luxurious seat whilst the beautiful clean styling allows it to be specified into workplace, hospitality and care sectors. The collection is covered with exquisite fabric featuring jungle creatures and foliage from visionary textile designers Timorous Beasties.

Hotel Designs is a long-standing proud media partner for Sleep + Eat, and will at this year’s show to identify key product launches, emerging trends while catching the engaging talks and discussions that will be sheltered in one of Europe’s leading hospitality events.

Main image credit: Knightsbridge

Top furniture looks to come out of London Design Festival

730 565 Hamish Kilburn
Top furniture looks to come out of London Design Festival

Are you sitting comfortably? Here is Hamish Kilburn’s editor’s pick of the most innovative furniture pieces that were exhibited at London Design Festival 2019…

With the design world watching, London Design Festival (LDF) once again delivered a spectacular performance full of colour, shapes and thoughtful design. Full of twists and turns – and too many highlights to mention – the nine-day festival included events, talks and installations that all explored how product design is changing to cater to the evolving behaviours and demands of modern consumers.

For the purpose of this article, I have selected my top picks from four of LDF’s leading exhibitions that made the most noise – and they were: Focus19, 100% Design, designjunction and London Design Fair.

Winch Design’s Arc Collection for Summit Furniture – weaving new design directions 

Winch Design and Summit Furniture introduced Arc, their debut collaboration, at Focus19. The two companies collaborated to create “the ultimate exterior furniture range”, which is inspired by the sea and the sky.

A signature feature of the range is laminated teak, which is woven between maritime-grade brushed stainless steel rods, alternatively undulating, they arc around the back of the seats in gentle rows. The final result is reminiscent of the woven rope traditionally used on sailing yachts. Winch Design is inspired by the patterns, colours and textures of the natural world, and every design that leaves the studio is imbued with its own unique spirit, identity and story. With dedication to storytelling underpinning their fastidious attention to detail and commitment to design perfection, Arc was brought to life. The name ‘Arc’ is visually evocative and brings to mind the long arcing lines of latitude and longitude, the curve of the horizon, of a full sail, and of the shapes in the sky made by sailors when navigating by the stars using the arc of the marine sextant.

Each piece in the collection complements the other, enabling the client to enjoy a unified, contemporary exterior look. Arc by Winch Design features a lounge chair, dining chair, bar chair, low coffee style table, sun lounger, bar cart, dining table and occasional table.

The low, deep seating style encourages a laid back and relaxed atmosphere, creating the perfect environment to enjoy a drink at sunset. The curve of the woven teak contrasts with the straight, smooth edges and clean lines of the cushions, keeping the overall impression fresh and contemporary. The fabric on any of the soft furnishings is completely customisable.

Ligne Roset – adaptable by nature

Creative and pioneering by nature, Ligne Roset’s bold and contemporary stamp was imprinted on Focus19 and left a lasting impression. The brand presented its iconic ‘Prado’ settle, which adjusts freely with weighted cushions that can easily be moved from sofa to floor. The result is a comfortable, non-conformist piece of furniture that can adapt as quickly as the travel trends and guest behaviours within modern, design-led hotels around the globe.

Andrew Martin – taking a walk on the wild side

Unveiling a multi-layered theatrical approach design, Andrew Martin – in try Andrew Martin style – let the leash off his new collections in his own jungle-covered installation, which was entitled: The Lost City of Ozymandias.

The new collections that were hidden in an enclave of treasure and travel included the Evans side table and Retrospective, in collaboration with Kelly Hoppen, which is a statement collection of more than 40 designs, which includes everything from furniture to lighting.

Benchmark – architecture meets biophilic furniture design

Image credit: Benchmark

Benchmark presented a new collection of furniture by award-winning American architect David Rockwell at 100% Design. The Sage Collection, designed for office and commercial environments as well as the home, has a specific focus on human health and well-being within the built environment and meets the standards required for WELL certified buildings. The tenets of biophilic design inspired the collection, with its natural materials, colours and textures, rounded profiles and inviting ergonomic shapes. These elements are intrinsic in the work of both Benchmark and David Rockwell, which, together with an interest in transformation and mobility, have resulted in a collection that offers moments of both refuge and prospect.

sixteen3 – recycled quality

 

Image credit: sixteen3

Exhibiting at designjunction, sixteen3 unveiled a number of contract furniture pieces that stood out for their eco qualities. Claiming that the product is made from 92 per cent recycled material and is 100 per cent recyclable, the Pop stools has been designed with purpose and is ideal for contemporary urban public areas. Another product launched at the show was Reece are armchairs that have been made from 83 per cent recycled materials and are 100 per cent recyclable.

Inspired by the evolution of the workplace to a more relaxed, social and mobile interior, the brand’s product portfolio offers a softer approach to working, with an extensive collection of seating ranges, stylish cafe chairs and modular space division systems.

Kolho Series by Matthew Day Jackson

Image credit: Made by Choice

As hotel public areas become less defined by hotel branding, and more attuned with the behaviour of guests, there is a opening for suppliers to become more daring with their designs; to take a practical item, like a piece of furniture for example, and bring it to life to make a bold statement. Cue the launch of Kolho Series by designer Matthew Day Jackson. Sheltered at London Design Fair, the new range of tables and chairs take their inspiration from the Apollo landing and a small town called Kolho in Finland.

“The serpent represents temptation and chaos which supports the flat plane of reason,” said Day Jackson. “The space between reason chaos is that of play. This is the space where our human animal truly shows its greatest self.

Hotel Designs’ official LDF round-up will be published shortly.

Main image credit: Made by Choice

Carlton Tel Aviv reveals new public area interior scheme

730 565 Hamish Kilburn
Carlton Tel Aviv reveals new public area interior scheme

Award-winning hotel Carlton Tel Aviv speaks to bleisure trend with infusion of new, contemporary art, stylish lightning schemes, and a circular beachfront lobby bar and beyond…

Carlton Tel Aviv, a The 268-key luxury property that was voted “Israel’s Leading Business Hotel 2019” by World Travel Awards, today officially reveals its newly designed lobby, corridors, business lounge, work spaces and lobby bar.

With the aim to offer guests an infusion of new and artistic decor, lighting schemes, public areas and workspaces, the hotel commissioned interior design studio Yaron Tal to manifest new and fresh renovations as Tel Aviv continues to excel as one of the world’s most attractive destinations for both leisure and business travel.

To make walking through the corridors a more meaningful experience, the new design exists of deep, warm and rich materials. Warm colors such as deep blue and copper are used, and rich materials such as copper and brass. Wallpaper printed with copper accents are to be found throughout the corridors. The unique and reflective, yet romantic lights, gives a sense of lightness in the historic Brutalist building.

The concept in the lobby was to make a lighter, less heavy feel to the lobby that is a blend between business and pleasure. Materials such as oak wood, rich fabrics, glass and brass, allow a more formal atmosphere to mix with young and sophisticated, and with the feeling of a luxury vacation.

In the old floor plan, the bar was somewhat hidden in the back of the lobby. By bringing the bar to the front of the lobby it becomes more inviting, and a central meeting point at the hotel. The design, with ceramic tiles of which both colour and shape complement the view, the bar is now a central area, offering a relaxing environment for breakfast, lunch, dinner and cocktails with a view over the Mediterranean Sea.

Main image credit: Carlton Tel Aviv

Mkira exhibiting at 100% Design

730 565 Hamish Kilburn
Mkira exhibiting at 100% Design

Mkira has been selected as one of the UK’s emerging brands and will be showcasing its beautiful and unique collection of fabrics and furniture at Olympia from the September 18 -21…

Mkira products have been inspired by nature’s canvas and crafted using age old traditions. The collection includes; daybeds, headboards, cushions, throws, fabrics, lampshades, footstools and shelving.

All the pieces are created using raw, natural materials such as British linens and tweed from Donegal and have been sustainably sourced from around the British Isles the perfect counterbalance to the modern ‘throwaway’ culture.

Charlotte England is the designer behind Mkira, she spent time travelling around the globe, during the early part of her career, which enabled her to try her hand at a wide variety of alternative arts and crafts.

This included studying pottery in Japan with a renowned sensei; traditional paper-making in the Japanese mountains; basket weaving among the Tepuis in the Amazonian basin and life-drawing in Miami.

These wide ranges of inspiring experiences shaped her personal style and design objectives and led her to create Mkira. As part of the creative process, England teamed up with a number of small, authentic, family-run businesses all using traditional methods to expertly craft these beautiful enduring pieces.

Mkira will be exhibiting on stand number E20C.

Goa is about to welcome a 17-key luxury hotel designed to shelter holistic wellbeing

730 565 Hamish Kilburn
Goa is about to welcome a 17-key luxury hotel designed to shelter holistic wellbeing

Slated to open in early 2020, Kings Mansion, Goa will combine heritage, architecture, design, Ayurvedic philosophies, state-of-the-art medical aesthetics and a global approach to holistic wellbeing…

Located in northern Goa, an area rich in tropical forests, historic Portuguese architecture, avenues of Banyan Trees, and vast, unpopulated sandy beaches, King’s Mansion will open early next year.

Recognising that today, wellness refers to a holistic state of being, where one’s mental, physical, spiritual and emotional health are in balance, the defining experience of King’s Mansion will be one of mindfulness, transformation, recovery and wellbeing.

Modern yet sympathetic architecture and interior design are key elements at the boutique hotel that not only honour Goa’s legacy and culture, but also serve as a welcoming nod to the growing international interest in India as an exciting and evolving luxury and wellness destination.

Image credit: Red Architects

The Indian entrepreneur and Bollywood star, Sachiin Joshi, bought the property in 2017. He is also the Chairman of corporate company, Viiking Ventures, a multi-faceted business working across various industries including film production, fin-tech and charter aviation; Moss Wellness, a leading spa consultancy with experience developing international five-star brands including Aman resorts and Four Seasons. Responsible for the overall design is Indian film producer and interior designer Gauri Khan and Rajiv Parekh, founder of Red Architects, who is bringing a new energy to a modern day India with his past and future projects on the boards.

The 17 luxury suites, which are set over 2,800m2, are being designed as private retreats. Each room will utilise the natural light with floor to ceiling windows, which will stretch out to views of private lush gardens. The large ensuite bathrooms will continue to balance a timeless and luxurious look and feel with the renderings showing a strong use of marble as well as statement matt-black fittings.

Covered pavilions and thickets of Frangipani Trees create pockets of rest and shade in the landscaped gardens, which are set against 50 metres of unspoiled golden coastline and the Arabian Sea.

Five dining and social areas offer guests the chance to explore India’s Ayurvedic culinary culture and international fusions. The hotel’s chefs will create daily menu plans for internal health and harmony, but with an understanding that food and satisfaction are not mutually exclusive. Continuing the theme, food will be cooked using fresh, locally sourced produce.

At the heart of the wellbeing experience will be the spa, which will open as a hidden oasis within the property. With five luxury spa suites, a large hydrotherapy pool, and indoor and outdoor relaxation areas, guests will discover a safe space to surrender, gain awareness and achieve conscious rest and peace.

Image credit: King’s Mansion

Designed to offer personalised, results-focused wellness programmes, the hotel will aim to further help travellers rejuvenate, reset and recover.

Main image credit: King’s Mansion

Roca inspires with new Escuadra brassware range

730 565 Hamish Kilburn
Roca inspires with new Escuadra brassware range

Roca has added to its brassware offering with its latest collection, Escuadra. With its contemporary single lever design, Escuadra creates a stylish impression in any bathroom space…

A versatile choice, Escuadra is available in a range of brassware options, including basin, bidet, bath and shower mixer styles. “When it comes to brassware, there is now more choice than ever before. Many homeowners are moving away from the traditional mixer in favour of something more contemporary”, comments Claire Gay, Marketing Manager at Roca.

“Escuadra meets that demand, its sleek and minimalist design complements a range of basin shapes, making it a functional yet sophisticated choice for homeowners, installers, specifiers and retailers.”

Escuadra features many of Roca’s latest innovations, including the exclusive Roca EverShine® finish. The hardwearing coating ensures the tap retains its shine, along with discouraging limescale build up and preventing stains. Additionally, the ceramic disc cartridge has been thoroughly tested with over one million movements to assure customers that their brassware will continue to function for many years to come.

The basin and bidet mixers are equipped with Roca’s Cold Start technology; this prevents unnecessary energy consumption by only activating the boiler when the handle is turned to hot, this conserves energy and provides a cost-effective solution for homeowners.

To further enhance the sustainability of the range, Roca has utilised many water-saving functions. Soft Turn technology provides the highest levels of precision and puts the homeowner in complete control, with the ability to set the desired water flow and temperature. Furthermore, the integration of flow limiters restricts the water flow, which prevents wastage.

Roca is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.

Main image credit: Roca

Hotel bathroom trends that guarantee to make a statement

730 565 Hamish Kilburn
Hotel bathroom trends that guarantee to make a statement

Ahead of London Design Festival 2019, bathroom manufacturer Crosswater identifies some of the major emerging design trends in international hotel bathrooms… 

Hospitality is one of the biggest industries in the world as well as being one of the most important branches of commercial design. Acting as a fundamental factor, hotel décor can increase customer satisfaction immensely.

It also acts as a benchmark for the levels of service, quality and comfort that a guest expects. Unlike most businesses, hotels rely almost entirely on aesthetics, which only proves how difficult the design aspect actually is. While travellers often choose a hotel based on five-star dining, luxurious spas, convenient locations or even dreamy beds, the bathroom is one amenity that is often overlooked, so we have put together five of the most popular hotel bathrooms across the UK that focus on the key interior trends for creating a high-end bathroom scheme.

Timeless & Traditional

Fine finishes, elegant fittings and timeless accessories combine to create exquisite bathroom décor in London’s Laslett Hotel. Nestled into Notting Hill, The Laslett is a boutique hotel that comprises 51 guestrooms; meticulously designed by award-winning London based architecture and design studio Waldo Works. A refined palette of grey, black and white has been used to create a seamless continuation of style from hotel suite to bathroom. Although the overall design is traditional, elements of understated contemporary style have been subtly integrated into each space – the porcelain checkerboard tiles add an edgy look whilst the contemporary pendant lighting projects a flattering light across the room, adding a final modern touch. Complete with Crosswater Belgravia brassware, the Laslett hotel bathrooms are the perfect example of how to create a timeless and traditional design scheme suited today’s style-conscious, discerning hotel guest.

“With the demand for more luxurious bathrooms on the rise, hotel designers are opting for a more minimal design aesthetic.”

Refined Luxury

A sophisticated Grade II Listed building situated in the heart of Shepherds Bush, The Dorsett Hotel underwent a stunning transformation by architects Flanagan Lawrence from an old cinema into an elegant eight-storey building. With the demand for more luxurious bathrooms on the rise, hotel designers are opting for a more minimal design aesthetic when it comes to achieving a contemporary bathroom interior. The smaller amenities and touches can often be the deciding factor for a winning hotel bathroom scheme. For hotel designers, choosing the right bathroom suite and bathroom products is vital for reflecting the hotel décor. A seamless blend of luxurious surfaces and chrome detailing, the sleek, smooth edges of the brassware work effortlessly with the marble splashbacks to deliver a truly sought-after bathroom aesthetic that is the epitome of refined luxury.

Monochrome

Seen throughout many hotel interiors across the UK and Europe, monochrome is a timeless trend that continues to be favoured by designers and specifiers. Whether incorporated through subtle hints or fully embraced from floor to ceiling, there are numerous ways that monochrome can create a truly standout hotel bathroom scheme. The Ampersand Hotel is a stunning example of how to create a striking bathroom using a monochromatic palette. Designed by Dexter Moren Associates, the 111-bedroom luxury boutique hotel in the heart of London provides an exquisite Art Deco theme across all of its bathroom interiors. The classic black tiling creates a statement aesthetic and combines flawlessly with contrasting white walls and crisp white ceramics. Working closely with Crosswater, Dexter Moren Associates incorporated complementary contemporary brassware to give the bathroom suites a luxurious finishing touch.

Texture & Pattern

Working as key elements in interior décor, texture and pattern have become popular interior trends used within modern hotel design. The use of these two components has been incorporated in varied ways throughout all style spaces, keeping the concept and project brief in mind. Deep in the Hertfordshire countryside, family-run hotel Sopwell House, is a hidden sanctuary for customers looking for a natural sense of freedom. The combination of the textured wood surfaces with the eye-catching geometric patterned tiles works nicely to create a harmonious and calming aesthetic.  The lighting enhances the tiles, adding texture and creating a relaxing environment for customers. The bathrooms in the hotel guestrooms are complete with Crosswater MPRO rainfall showers and the Crosswater MPRO Brushed Brass Basin Taps, adding a high-quality finish to the overall décor.

Brutalist Glamour

Eclecticism, luxury details and refined finishes make up the bathroom interiors of the Mondrian London Hotel located on the banks of the River Thames. Decorated by award winning designer Tom Dixon, each room features a truly glamorous aesthetic. The hotel embodies the elegance of a transatlantic 1920s liner. Built with 359 guestrooms and furnished with custom designed furniture; the interior features rich colour palettes contrasted against standout metallic finishes, providing a brutalist nautical theme. The use of marble surfaces and black basins within the en-suites works seamlessly to create luxe finish, whilst the public washrooms deliver a high quality appeal featuring porthole mirrors and metallic detailing usually found on board a ship.

For hoteliers looking to achieve the perfect high-end hotel look it is essential to design spaces that offer functionality as well as a deluxe finish. Hotel bathrooms have the capacity to showcase significant design statements, they serve as a sanctuary providing the comforts of home and as such are a key factor when creating a luxurious décor scheme.

Crosswater is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: The Laslett

Editor Checks In: Home comforts in hotel design

730 565 Hamish Kilburn
Editor Checks In: Home comforts in hotel design

In August 2019, editor Hamish Kilburn concludes that trends are overrated when a project close to his heart reaches its highly anticipated conclusion…

I can’t quite believe it has been almost one year since we first started following the award-winning designer Nicky Dobree on her journey to complete her debut hotel design project. Before now, her undisputed talent was recognised for designing the interiors of 007-esqe luxury mountain retreats (Kevin McCloud’s words, not mine unfortunately).

But this year, she has injected her effortless style to restore a 19thcentury building in Vejer, Spain, which is known as Plaza 18 – and Hotel Designs has been there every step of the way.

Now that the season has ramped up to reach its peak, there’s no better time to put down the measuring tape, take a step back and reward Dobree’s “labour of love” as we cut the ribbon. More than 1,300 miles from Andalucia, the team in the London office are gathered around my computer screen as they impatiently wait for the folder to download, of which contains the final images of the new boutique hotel. Until now, you see, we have had to settle for shakey behind-the-scenes, unquestionably raw, photographs taken on location, as well as renders and sketches, which merely tease the luxury home-from-home concept in the making.

You’d be wrong to assume it’s an easy task working on a project of this scale. What the hotel lacks in the number of guestrooms (six to be precise) it makes up for in personality. And if anyone could sensitively re-establish the heritage property in order to give it a new lease of life, it would be Dobree.

“All that is missing is a luxury design-led hotel,” I think to myself as I run past the colourful beach huts (place your bids).

‘Home comforts’ feels like an appropriate theme for this month’s column. Four years after capturing my first solo metropolis memory, which then drove me to chase my career in a number of cities in the UK, I’ve hit a crossroads and have decided to take the right-hand turn, which has result in me hurtling back towards my hometown of Whitstable in Kent. Nestled on the north-east tip of the Garden of England, where home comforts – think sea views that stretch over the horizon and unparalleled sunsets – are never in short supply, this feels like ‘home’ to me. “All that is missing is a luxury design-led hotel,” I think to myself as I run past the colourful beach huts (place your bids).

It seems I am not alone in chasing home comfort. Last year, a study published by Forbes showed that in the 10 cities with the largest Airbnb market share in the US, the entry of Airbnb resulted in 1.3 per cent fewer hotel nights booked and a 1.5 per cent loss in hotel revenue. But as damning as this statistic may seem, hotels are fighting back to offer more home-from-home comforts married together with one-off experiences to capture travellers’ attention.

Examples of this can be found all over the Hotel Designs website this month, from our Miniview of room2’s ‘hometel’ concept in Southampton to a new ‘private members’ bar’-styled hotel that will open in London next year – and not forgetting the exceptional Plaza 18. Perhaps subconsciously, my year-long project with Dobree has led me to positively seek comfort in timeless style as opposed to chasing the short-term thrills of seasonal trends.

Main image credit: ACT Studios

Empty room with various styles of seating

In Conversation With: Matthew Balon at Ruby Leni’s first showing

730 565 Hamish Kilburn
In Conversation With: Matthew Balon at Ruby Leni’s first showing

Ruby Hotels has re-entered the stage to take a second bow in Dusseldorf, Germany. The 170-key Ruby Leni, which takes shelter in a former 1950s theatre, is the hotel group’s seventh hotel to harness ‘lean luxury’. Editor Hamish Kilburn travels just south of the city’s fashion district to meet the group’s lead designer, Matthew Balon, the morning after the night before’s launch party to discuss design details, the significance of paper puppets and the brand’s highly anticipated 2020 arrival in London…

Empty room with various styles of seating

They say that to make any act truly memorable, the performer must enter the stage armed with a spectacular encore up his or her sleeve. In the case of Ruby Hotels in Dusseldorf, the main performance took place last year with the arrival Ruby Coco. The dynamic property is a contemporary urban hub that is nestled within the city’s main shopping district, just off Königsallee – AKA a fashionista’s heaven. The interiors inside are sharp, considered and give more than an apt nod to the fashion quarters that surround it.

[CURTAIN UP]

If Coco was used in the opening scene, engaging its captivated audience with the allure of couture costumes, then the encore is Ruby Leni, which is situated a mere 10 minutes down the road. Although the neighbourhood may feel quieter, its entrance certainly isn’t: a large marquee sign with the words ‘make it your own stay’ frames an appropriate first impression.

Exterior shot of the hotel, showing a colourful courtyard

Image credit: Ruby Leni

[PUBLIC AREAS ENTER FROM STAGE RIGHT]

With large, expansive public spaces that filter into plush private break-out areas, the hotel is designed for both locals and guests checking in. The character and soul has been channelled into the lobby/lounge, where the real story of the iconic 1900s building, which sheltered the Düsseldorfer Schauspielhaus theatre, comes to life. “We looked at the materials, shapes and forms that you would associate to a theatre of that era,” says Lead Designer Matthew Balon. “We then separated that into front-of-house and back-of-house. We wanted to challenge that idea by merging those areas. For example, we have included stage cases in the lobby to really create an authentic feeling of being part of the production, behind the scenes.”

[GUESTROOMS ENTER FROM STAGE LEFT]

Upstairs, the sharp and stylish guestrooms have been designed around the original peculiar structure of the building, creating an interesting layout in each. The design and general make-up of the room, though, is a reflection of the others in the entire hotel group’s portfolio: crisp white beds, refillable toiletries and eco-friendly rain showers to match. The brand calls it ‘lean luxury’, which is posh for ‘uncomplicated, laid-back comfort’ – and it works, especially for bleisure travellers.

White, bright and contemporary guestroom

Image credit: Ruby Leni

Although you would recognise the rooms as ‘Ruby Rooms’ guests with eagle eyes will notice subtle differences, like the wood panelling for example.  “It’s been designed to also reference the story of the hotel,” explains Balon. “I looked into how sets were built and was inspired by the fact that guests in the theatre only ever see the pretty side. I wanted to show the back of the sets, the flats. I was interested to know how these things stood up and how they were constructed. That provided the inspiration for the wall panelling and the reinforced corner detailing.

Another quirky touch that sensitively helps set the theatrical scene is the art above the beds. Bolan initially wanted to do something with shadow puppets, which evolved into creating an immersive and playful paper puppet stage. “I really love introducing interior design elements that are fun and interactive,” says Balon. “We like to have fun with it and make an interesting element to guests’ stay.”

[APPLAUSE]

Image caption: Editor Hamish Kilburn (left) dragged the Lead Designer for Ruby Hotels, Michael Bolan (right), out on ‘stage’ the morning after the launch party before…

Quick-fire round:

Hamish Kilburn: What can you not travel without?
Matthew Bolan: My Darth Vader suitcase. I just love it!

HK: Where’s next on your travel bucket list?
MB: Japan.

HK: What’s your biggest bugbear when checking in to a hotel?
MB: Queuing!

HK: What is the number-one tool for success?
MB: You have to create an emotional connection.

HK: What is the last thing that showed up on your credit card transactions?
MB: A round of drinks I bought last night. It’s your round at the next launch, I’m told…

Most hotel designers are working with many several brands and brand standards, and so it is interesting how Bolan, within his creative realms, can piece together many different stories with the same Ruby strand running through each. “It is all-encompassing,” he says. “What the brand stands for in regards to design is something I can really get behind. When I think about Ruby, I think of all the people who bring the brand to life.”

[CURTAIN CALL]

The brand’s design is spilling out of the seams and leaving a permanent stain on new destinations. The next hotel design hotspot to welcome the arrival of Ruby Hotels is London – to the Southbank to be more specific. “We have done a lot of research into the location, which is a really interesting corner of London,” Balon explains. “I can tell you that Ruby Lucy is going to be fun, colourful, unexpected and I am really looking forward to the opening party!”

Ruby Hotels first unveiled its unique concept with Vienna hotel Ruby Sofie in 2014, before opening two further hotels in Vienna, Ruby Marie and Ruby Lissi, as well as Ruby Lilly in Munich, Ruby Coco in Dusseldorf and most recently Ruby Lotti in Hamburg. In response to the success of these properties, the brand plans further openings including Ruby Lucy in London’s bustling Southbank in early 2020, as well as hotels in Zurich, Cologne, Frankfurt and Shanghai before the end of 2020.

[CURTAIN CLOSED]

Eco bed to be unveiled inside The Conscious Bedroom at IHS London 2019

730 565 Hamish Kilburn
Eco bed to be unveiled inside The Conscious Bedroom at IHS London 2019

To launch its Spotlight On ‘beds’, Hotel Designs learns more about Naturalmat’s eco partnership with Harris & Harris for The Conscious Bedroom, which will be unveiled at Independent Hotel Show London 2019… 

Naturalmat, which is the leading supplier of eco, organic beds and mattresses to the hotel trade, is partnering with Harris & Harris on an eco showcase at the upcoming Independent Hotel Show London 2019.

The design firm was invited by the organisers of Independent Hotel Show to curate ‘The Conscious Bedroom’, a mock hotel room pieced together using products and suppliers with strong eco credentials. The centrepiece of the room will be a bespoke Superking Prideaux bed, handmade by the craftsmen at Naturalmat from sustainable materials and upholstered in teal fabric, colour matched to other elements of Harris & Harris’s room scheme. The bed will stand on cylindrical tapering feet made of FSC approved wood with a walnut stain.

“The eco sleep experience will be completed with Naturalmat’s own organic wool duvet and pillows.”

The bed will be topped with Naturalmat’s signature Lambswool mattress, made from entirely natural materials from sustainable sources. Thick coconut fibre is layered with a slightly thinner slice of natural latex, finished off with lambswool sourced from organic sheep farms in Devon and the surrounding areas. The eco sleep experience will be completed with Naturalmat’s own organic wool duvet and pillows.

“We have been attendees of the Independent Hotel Show since its inception, and have found it to be a lively and valuable place to build business relationships and introduce our organic, sustainable hotel product range to new contacts in the industry,” said  Mark Tremlett, Co-owner of Naturalmat. “When Alex Harris approached us to invite Naturalmat to contribute to The Conscious Hotel Room it seemed a natural fit! Our ethos has always been about using organic and natural materials from sustainable sources to create luxurious and long lasting beds and mattresses, so we are delighted to create the centrepiece of the room in collaboration with Harris & Harris, and bring their vision to life in a way that is completely eco friendly.”

Organic mattresses and beds, made from sustainable materials in Britain, have been Naturalmat’s business for over 20 years.

Everything is made by hand in Naturalmat’s purpose-built factory in Topsham, on the banks of the River Exe, Devon. They believe that people, not machines, make a superior, longer lasting product. The team of craftspeople ensure every stitch, every fibre, every tufting button and every cover is painstakingly created, teased and checked.

Naturalmat’s hotel clients include Six Senses Resorts, Hoxton Hotels, River Cottage, Chewton Glen, Z Hotel Group and over 50 more iconic hotels globally.

Naturalmat  is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: Naturalmat

Hotel Indigo arrives in Italy’s fashion capital – Milan

730 565 Hamish Kilburn
Hotel Indigo arrives in Italy’s fashion capital – Milan

Hotel Indigo Milan – Corso Monforte becomes the hotel brand’s third hotel in Italy… 

Milan, known as the birthplace of some of the world’s most recognised high-end fashion designers including Prada, Armani and Dolce & Gabbana, has welcomed Hotel Indigo Milan – Corso Monforte to the mix of hotels in the area. The new design-led hotel is centrally located close to the notable fashion district – the perfect location for those looking to explore one of the world’s fashion capitals.

Hotel Indigo properties offer a gateway to discover some of the world’s most inspiring neighbourhoodsand locations. Each hotel brings the outside in; drawing from the local area to inspire every aspect of each hotel, from intriguing design to locally inspired menus.

Hotel Indigo® Milan – Corso Monforte takes inspiration from the surrounding neighbourhood, mixing elements from 1950’s Italian vintage fashion with contemporary cues intrinsically weaved into one seamless interior design theme of fashion through the ages. Throughout the hotel’s 75 rooms, bold prints and colour splash the walls and feature artwork and sketches from Biki, one of the most notable names of the Milan fashion scene in the 30s, 40s and 50s. Opening her first atelier (studio) in 1934 in Milan, Biki paved the way in the development of prét-a-porte fashion (ready-to wear). Her style wastypically classic Italian, specially made for the Milanese ‘vita’ – the high life. Throughout the hotel you can see nods to this through elements such as the large vintage leather-bound classic trunks embossed with the hotel’s initials.

“The hotel boasts unique design features that are recognisable to the fashion connoisseur.”

From ‘hat box’ bedside tables, bowler hat lamps and sewing machines desks, the hotel boasts unique design features that are recognisable to the fashion connoisseur whilst ensuring they blend with thebuilding’s original architecture. Throughout the historic palace, intricately detailed classically coffered ceilings and panelled walls can be seen, lending to the classical era of the hotel. Large arches dominate throughout and surround the interior courtyard, making it the perfect place for an afternoon coffee or drink.

“Set to double its portfolio over the next three to five years, Hotel Indigo continues its strong growth as one of the largest boutique brands in this fast-growing segment,” said Eric Viale, Managing Director Southern Europe, IHG. “The brand is now at home in over 100 different and vibrant neighbourhoods globally, which is an incredibly exciting milestone. We provide guests with the best of both worlds – the promise of a design-led hotel and the reassurance of a consistently upscale experience with the IHG name behind it.” 

There are more than 109 Hotel Indigo properties open globally with more than 103 in the hotel pipeline, including Japan’s first Hotel Indigo, Hotel Indigo® Hakone Gora due to open later this year. In Europe alone, there are 32 hotels open in key neighbourhoods with a further 19 due to open in the next three – five years, depending on forecasts.

Recently, IHG opened the highly anticipated Hotel Indigo® Venice – Saint’Elena, the first IHG branded property on the island of Venice and Hotel Indigo® Stratford upon Avon, in the heart of Shakespeare’s home town. 

Main image credit: IHG

In Conversation With: Unidrain’s Kenneth Waaben on modern bathrooms

730 565 Hamish Kilburn
In Conversation With: Unidrain’s Kenneth Waaben on modern bathrooms

Hotel Designs exclusively sits down with innovative head designer at Unidrain, Kenneth Waaben, to understand more about the process behind the brand’s design of the modern bathroom… 

With the aim to “create aesthetic and functional designs that enhanced the company’s existing portfolio,” Kenneth Waaben started working for Unidrain in 2014. Since then, his clear methodical way of thinking when it comes to balancing practicality and good design has led to the launch of many of Unidrain’s hero products, including the dynamic Reframe Collection. 

For Waaben, who graduated from the Royal Danish Academy of Fine Arts, design is an iterative process that is based on a specific problem, as we find out in our exclusive Q&A.

Hamish Kilburn: What made you want to take on the challenge of designing for Unidrain?

Kenneth Waaben: In my view, good design has to be durable, a design that makes a difference, both aesthetically and functionally. Unidrain wished for products that stood out and solvedproblems in amore elegant and intelligent ways than other products in the market. I was able to design these products, so it was a fine match.

As a designer it is my mission to improve what already exists. Unfortunately, these days many new products are created with no real focus and are not designed to improving anything.

In these days of eco awareness and sustainability this is neither an interesting nor effective approach to product development. As a designer I feel we have to do everything we can to make a positive difference.

“One should dare to be critical of general practice, see possibilities and be open and brave enough to try new things.” – Kenneth Waaben, Unidrain

HK: What is your motto?

KW: Improve the existing – the devil is in the detail!  One should dare to be critical of general practice, see possibilities and be open and brave enough to try new things.

HK: What is the process behind your designs?

KW: I like to look at the things we use and find out where there is room for improvement, and then generate ideas around this.  It can be a challenge to connect the aesthetic with the functional. The process requires repeated tests and adjustments, it’s important to be aware of even the smallest details, since it is often these that make all the difference.

The road towards the goal, the actual design process, is to a great extent an iterative process where inspiration, the idea, the form and function is developed in a constant interactionbetween mind and hands.

It is all collaboration between drafts in 2D and 3D on paper and drafts shaped in cardboard and foam,as well as 3D printing and CAD. Through the entire process it is extremely important to use your experience and intuition.

HK: What was your most recent project?

KW: The Reframe Collection has been taking up my thoughts most recently.  One of the designs that have been under the design microscope is the Reframe corner shelf. I wanted to give new life to an everyday product, improve on the design.

Two other products in the Reframe Collection,the toilet brush and shower wiper, were also being re-framed and re-designed.    We looked at each item; the new toilet brush has been designed with a splash collar that eliminates the accumulationof bacteria between the inner and outer containers.

There is a small, integrated handle, so that you can easily empty the container without coming into contact with any bacteria.  The actual brush head has also been designed to collect as little water and paper as possible, to reduce unwanted dripping.

The shower wiper is a difficult product to keep tidy in the shower space so we designeda way of integrating the shower wiper with the soap shelf.  It is held in place by hidden magnets, which avoids having the wiper standing on the floor or hanging on the mixer tap.

HK: Do you design your products to be long lasting?

KW: Products have to be durable, this is important, plus time has proven that well-designed, long lasting products are also often the most popular.

As a designer, it’s important not to focus on what’s popular right now, as you risk designing a product that quickly becomes irrelevant.  It’s far more interesting to take a long-term approach. Many of the design products that are now celebrated around the world were often created many years ago and not on the basis of contemporary fads and trends.

Unidrain is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

CASE STUDY: Furnishing Hard Rock Hotel London

730 565 Hamish Kilburn
CASE STUDY: Furnishing Hard Rock Hotel London

Curtis Furniture explains its role on the first ever Hard Rock Hotel in the UK to bring the brand back to its British London roots…

When Curtis Furniture was tasked to work on the UK’s first ever Hard Rock Hotel, we had to understand the heightened importance of accuracy in order to bring to life the designer’s vision. Key to this was our ability to clarify accurately the requirements in advance, working as partners to the architects, Unwin Jones Partnership as we developed an on-site sample room and rolled this out through the whole hotel.

Benjamin Harvey, Category Buyer at glh Hotels explains: “Shipping supplies from outside the UK carries a risk to the quality of materials and timings of deliveries. To avoid these risks, we wanted to select a British Manufacturer, and Curtis are one of the few with the capacity to supply bespoke case goods for 1,000 rooms over a 12-month project.

Our relationship with them goes back more than 20 years. We needed to choose an expert partner we could trust to turn around the room refurbishments in a timely manner and with minimal disruption, as the hotel remained fully operational throughout.”

“The newly refurbished rooms buzz with the energy associated with the Hard Rock brand.”

Ultimately the success of the project was due to the accuracy and quality of materials supplied by a responsive, client-focused team. The newly refurbished rooms buzz with the energy associated with the Hard Rock brand. Hard Rock Hotel London is no longer simply somewhere to stay while experiencing all that London has to offer, it is now part of the London experience.

Main image credit: Hard Rock Hotel London/ ROBERTO LARA PHOTOGRAPHY

Rosewood Washington D.C. reopens with new F&B and public areas

730 565 Hamish Kilburn
Rosewood Washington D.C. reopens with new F&B and public areas

Rosewood Washington D.C., which is widely regarded as Georgetown’s leading luxury hotels, has reopened with new distinct dining concepts, including a new rooftop lounge, CUT Above…

With interiors led by Jacques Garcia, Rosewood Washington D.C. has reopened its doors to unveil a new public area and F&B spaces. Instilling a sense of conviviality at the very start of the guest journey, the hotel’s new public spaces include a reimagined lobby and library.

Elegant design and architectural details, such as wood paneling, antique mirrors and marble fireplaces, line the lobby and its corridors, evoking the environment of a private home. The signature residential style is further reflected in the library, where a double height ceiling, deep velvet sofas and armchairs and a stunning chandelier invite guests to visit with friends or relax on ones own.

“We are thrilled to reopen our doors and welcome back our neighbors and visiting guests alike,” said Gabor L. Vida, managing director of Rosewood Washington, D.C. “Created to complement the historic charm of the neighborhood, the new CUT D.C. is characterized by regionally sourced cuisine that celebrates the best of the area’s local farms and purveyors, marking a new chapter for the brand, hotel and local community. Combined with our new rooftop lounge, CUT Above, the restaurant reinforces Rosewood Washington, D.C. as an inviting gathering place for all of our guests.”

Destined to quickly become the most sought-after dining venue in the city, CUT D.C., debuts a new and unique take on Wolfgang Puck’s famed CUT concept through a highly evolved vegetable- and seafood-centric menu. Helmed by Executive Chef Andrew Skala, a veteran of the Wolfgang Puck brand who has spent the last 13 years working across its restaurants in Las Vegas, Los Angeles and New York City, the hotel’s restaurant features a locally inspired menu that brings a fresh flair to the district’s vibrant dining scene. The venue combines essential elements of American architecture with those of European interiors to produce a refined yet relaxed setting that invites guests to return time and time again.

Dark lit restaurant with modern interiors

Image credit: Ryan Forbes/Rosewood Hotels

“I want this CUT to be different, one that is true to the location of where it is,” said Wolfgang Puck. “It’s important to me that CUT D.C. has its own soul that reflects just how unique the Mid-Atlantic is and how diners want to eat now. While guests will still be able to order the signature steaks they have come to love at CUT, we want to showcase the bounty of the region and create a menu that encourages sharing.”

Set against the capital city’s iconic skyline, the hotel’s new rooftop bar and lounge, CUT Above, emerges as the ideal destination for al fresco entertaining.

In addition to the new dining venues, lobby and library, Rosewood Washington, D.C. is set to debut six new and one-of-a-kind townhouse suites later this year. Built at the turn of the century and situated along one of Georgetown’s picturesque, tree-lined streets, the accommodations will offer an entirely residential guest experience unavailable anywhere else in the city. Each approximately 1,100 square feet in size, the accommodations will be designed by local interior designer Thomas Pheasant and will boast private entrances, dedicated living spaces, fully equipped kitchens and a private back courtyard, in addition to custom furnishings and décor created by artisans and photographers from the surrounding metropolitan area.

Main image credit: Ryan Forbes/Rosewood Hotels

 

FEATURE: Perfection in the hotel bathroom

730 565 Hamish Kilburn
FEATURE: Perfection in the hotel bathroom

Recommended Supplier UK Bathrooms explains how designers and architects can strive to create the perfect hotel bathroom experience…

As one of the leading online supplier of premium bathroom brands, UK Bathrooms knows a great deal about what makes the perfect hotel bathroom. Whatever the hotel category; wellness, luxury, business, holiday, whatever the size of hotel; hoteliers today concentrate on providing a unique environment, offering the best in comfort and ease of use to their guests.

After all, what’s the first thing a guest does after checking in to their hotel room? They inspect the bathroom, and expect it to be spotlessly clean, comfortable and relaxing, and, in many cases, different and more impressive than they have at home!

However, whilst guest experience is paramount, a hotel bathroom also needs to be easily maintainable, have durability and longevity. Design should include high quality products which combine functionality with looking great. The hotel bathroom needs to be both beautiful and functional, it should be a unique, discerning space and use materials that are robust and won’t fade.

Image credit: Jack Hardy

Hotel housekeeping teams are usually under pressure to present an impeccable bathroom, so design and products should take into consideration the ease of servicing and cleaning.

Designers, architects and hoteliers should also think about whether the bathroom fits in with the hotel’s architecture, is the design sympathetic to the building? A hotel bathroom should be apt to its environment, capturing the spirit and history of its locale and ultimately take the stress out of travelling for its guests. On trend is a space with no definition between where a bedroom ends and where the bathroom begins, not open plan which is often a step too far for guests, but a space that offers continuity and allows for a complete guest experience.

And that guest experience includes being comfortable and hassle free, with everything to hand including shampoo and soaps, luxury towels that aren’t out of reach. Nothing should be too difficult to use or hard to find. Showers must be the best available with easy controls.  Lighting is key throughout the space and this is where good design comes into its own.

Modern and clean looking bathroom with gold accents of colour in furniture and under bath

Image credit: Villeroy & Boch

UK Bathrooms supplies the hospitality industry from a huge collection of designer brands, including AXOR, Villeroy & Boch and Burlington to name but a few. As one of the leading online premium brand retailers, the company has a team of experts to assist designers, architects and hoteliers.

UK Bathrooms is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: UK Bathrooms/AXOR

16th century shell transforms to open modern boutique design hotel

730 565 Hamish Kilburn
16th century shell transforms to open modern boutique design hotel

The in-house design team at IHG, construction firm Stepnell and architecture practice Hitchman Stone Partnership have together completed a £13.2 million restoration projects on a Grade II listed building, which now sheltered the boutique 93-key Hotel Indigo Stratford-Upon-Avon

Located in the heart of Shakespeare’s birthplace, a three-storey Grade II listed building, which dates back to the 16th century, now shelters Hotel Indigo Stratford-Upon-Avon.

“It is a truly unique site, our first Hotel Indigo in a town, and what a town,” says Henry Reeve, Director of Interior Design at IHG. “We could not have picked a better site.”

Hotel Indigo Stratford-upon-Avon, formerly known as The Falcon Hotel, has upgraded its internal facilities whilst preserving the heritage of its historic exterior during a comprehensive refurbishment. “It’s been amazing to work on such an interesting project, helping to preserve a piece of history that can be enjoyed by the public,” adds Paul Fish, operations manager at Stepnell. “The work was incredibly specialist from a refurbishment perspective, so we had a real sense of achievement upon completion.”

Exterior shot of hotel

Image credit: IHG

Plans were originally laid out to refurbish the roof, but the job quickly grew in size when it was found to be beyond repair and had to be removed entirely, along with the internal plastering which was reinstated by a specialist company. Measures were also taken to preserve and replace the external beams and timber flooring in a bid to protect to the hotel’s defining features.

“We used bold contemporary botanics to reflect the surrounding flora and add a punch of drama.” – Henry Reeve, Director of Interior Design at IHG

Fish added: “We faced a few challenges during the build regarding conservation and access to the site due to the historic nature of the hotel, but the team managed to push forward with the works and the outcome is truly stunning.”

The traditional timber build is now complemented by a contemporary interior and lavish decor to give guests a unique boutique hotel experience, with three style of rooms to choose from, including the Tudor room, Georgian townhouse and contemporary rooms. The hotel features 65 custom axminster rugs and 10 luxurious hand tufted rugs supplied by Brintons that are showcased in guest rooms and public areas.”Pattern and colour is reflective of the English countryside, deep rich greens and autumnal browns work together to create a space that feels instantly comfortable, familiar and welcoming,” explains Reeve. “We used bold contemporary botanics to reflect the surrounding flora and add a punch of drama and of course as it’s Hotel Indigo we have some perhaps surprising detailing hidden across the site.”

Beautiful bar area with aimless interiors

Image credit: IHG

Newly equipped with a state-of-the-art gym, a private dining room, snug lounge, cocktail bar and modern meeting rooms, the hotel also offers a luxury dining experience for its guests. The Woodsman Restaurant has been created by restaurateur and chef Mike Robinson who has the only Michelin star pub in London. The Woodsman’s focus is on sustainable, wild British food, cooked over charcoal and wood. Customers can sit and eat delicious local produce while watching the chefs work their magic.

With the aim to bring a building back to life, and to create a hotel that in Reeve’s words: “Felt truely English and reflective of the stunning surrounding Midland countryside,” Hotel Indigo Stratford-upon-Avon is showcases the tradition of a 16th century building through a timeless contemporary lens.

Main image credit: IHG

More than 70% of Brits believe hotels can be more eco-friendly

730 565 Hamish Kilburn
More than 70% of Brits believe hotels can be more eco-friendly

A survey has revealed what Brits really think when it comes to hotels’ efforts to be eco-friendly… 

76 per cent of British holidaymakers feel hotels can play a larger role than they currently are in being ‘greener’, a study has found. The survey, carried out by Taxi2Airport, also concluded that most Brits will seek to walk, bike or use public transport to explore the destination around the hotel.

Meanwhile, 71 per cent have a strong desire to pack as light as possible. In turn, this will have an indirect positive effect on their flight, because if a plane weighs less – it increases fuel-efficiency and decreases the carbon emissions it produces. 66 per cent of the 1,468 respondents stated they will make a conscious effort to turn off the TV, lights, heating and air conditioning (AC) when not in use or present in the room.

Interestingly, since toiletries such as toothpaste, shower gels and shampoos are provided on a complimentary bases in a majority of hotels – it can be easy to use them wastefully as they are ‘free’. Bearing this in mind, 54 per cent will only throw away and/or ask for new toiletries once they have finished their existing set.

Fascinatingly, 67 per cent believed hotels should take the initiative to include a recyclableas well as non-recyclable bin, so they can separate any rubbish in their room between the two. Surprisingly, a sizeable 55 per cent of travellers would be happy if their hotel bathroom had a low flow shower head and toilet – both going a long way towards reducing water consumption.

Main image credit: Zuri Zanzibar

INDUSTRY INSIGHT: Styling a hotel for design press

1024 768 Hamish Kilburn
INDUSTRY INSIGHT: Styling a hotel for design press

With first impressions now being made before guests have even considered checking in, making a hotel’s style, personality and character pop in photographs is fundamental in any successful launch campaign. Florence Rolfe, former senior stylist at House & Garden – and judge for The Brit List 2019 – explains some of the tricks of the trade… 

The overriding question I am often asked is: “What do I have to do in order to get my brand into a leading publication?”

As we well know, the role of the journalist is to find the next big scoop, to draw the reader in with interesting content, and ultimately: to tell a story.

When it comes to creating engaging imagery, my advice is that your visuals should also tell a story. They need to express a lifestyle, and, moreover when it comes to hotels, where there is an abundance, that story needs to be aspirational. It needs to offer access to something that you wouldn’t usually experience, and conclusively to communicate this. The image should encapsulate the incredible journey you will have. What do we enjoy most about staying at hotels? For me, I like to indulge: step into my room, kick off my shoes and slip into that soft luxurious robe. I scout out the brand of miniature toiletries carefully curated in the bathroom. Perhaps run a bubble bath, then later tuck into high-thread count, Egyptian cotton sheets freshly turned down by housekeeping, before indulging in a chocolate left on the pillow.

“Whilst emulating the comfort of a home is important, the magic of hotels is also the escapist quality.”

But how can we convey this sublime experience into a photograph? Whilst emulating the comfort of a home is important, the magic of hotels is also the escapist quality. A luxurious element and impression of pampering is key. Detail shots of gorgeous bed linen, or a beautifully presented breakfast on a balcony, or a section of the bed with a thoughtfully styled bedside table, attractive looking cocktails at a beautifully stacked bar, or a good looking dish prepared by the chef. An evocative shot could also capture a neatly rolled towel pristinely perched on a sun lounger.

Are there any quirky design details around the hotel that the stylist and photographer are able to hone in on? Perhaps an interesting art collection, extensive book collection, rooftop pool with panoramic views, or an inviting private beach? Perhaps an unusual design element like a bath tub on the balcony – think The Zetter Townhouse, Marylebone. Draw your focus onto the interior design elements in a hotel, like an oversized bedhead – Kit Kemp style – or a mega chandelier, as seen in The Corinthia London’s lobby. Focus on the materials at your disposal: the tiles, upholstery, curtains, bed linen. Do they contrast with other fittings like dramatic brass door handles? The writing desk in a hotel room. Or a big beautiful armchair. These furnishings are interesting to photograph to show guests how differently the bedroom space can be used (outside the standard realm of bed and en-suite bathroom).

Consider the different mix of materials not as typical or practical in our everyday living spaces: silk curtains, bed throws, velvet armchairs. The prevailing impact that interiors trends have for press and bloggers means that in this day and age photography and styling is really important.

Think about whether you want the pictures to look as though they are ‘guest ready’, preparing for the customers arrival or whether they should encompass a natural ‘lifestyle’ quality? Do you want to create your bedroom shots with a more ‘lived in’ feel. This could be a messy bed, for example. If your shots have been commissioned purely for website purposes, I would stick to ‘guest ready’. Lifestyle are great for video and social media content. I would also always advise having a model on hand for any lifestyle imagery as the human element not only brings things to life, also helps scale in a photograph. A mix of the two works well for website, brochure and social media content. Movement can still be created in a still life image: a running bath or shower, lit candles or a barman pouring a drink or shaking a cocktail.

If the budget allows, I would suggest hiring a stylist and good photographer to bring these elements to life. My job as a stylist is to create this ‘home from home’ environment in a photograph, achieved by sourcing props in interesting shapes and sizes that I know will always photograph well.  You can never go wrong with beautiful flowers. They bring any image to life. Not only will they provide that pop of colour if needed in the photograph, but they can hugely help image proportions.

Flowers is another element I would suggest carefully considering for your branding. Take a look at your surroundings: which flowers and/or plants are native to the country or area that your hotel is based? A hotel or resort based in South Africa might decide to stick with their native flower, which in this case is the ‘Protea’, whereas a hotel or resort in Mexico might opt for succulents in their imagery. As we are all aware, flowers can be pricey and don’t always last long. This isn’t always ideal when you’re on a long shoot, as they need to look as fresh as possible for every shot. Faux flowers might be a good option. Once renowned for having a bad reputation, these days there are some beautifully crafted, really realistic ones available. A good selection of hardback books in various sizes and colours are always useful to fill a neglected area.

To create an image that not only gets you into the press, but also hooks your target market, you need to create emotion. Put yourself in the guest’s shoes. Do not simply take a cold image of a smart room, but rather bring that room to life. Allow the reader to envisage how they would feel when they walk through the door into your hotel room and sense all the wonderful things around them, which you’ve so carefully thought out for them.

Main image credit: CitzenM Kuala Lumpar

Behind the scenes: Morgan’s Rakino Collection

730 565 Hamish Kilburn
Behind the scenes: Morgan’s Rakino Collection

Post-Clerkenwell Design Week, Hotel Designs’ editor Hamish Kilburn catches up with one of the designers of the moment, Tim Rundle, in order to understand how his new collection with Morgan developed…

During this year’s Clerkenwell Design Week, Morgan launched a new furniture collection which juxtaposed soft sculpted upholstery with a strong, low line frame, the new family of lounge chairs and tables feature crisp timber detailing, emphasised by a clean linear structure.

But how did the collaboration start, and what inspired the design? We caught up with designer Tim Rundle to discover all.

Hamish Kilburn: Tell us more about the Rakino collection?
Tim Rundle: Rakino is a collection of low lounge chairs that combines soft sculpted upholstery and CNC machined timber frames with an upright, somewhat architectural, attitude. The frame is all right angles and straight lines, save for the back support rail, which is bowed slightly, as if formed by the act of leaning back in the chair. The seat, in contrast, is a soft, shell-like form with a crisp single seam running around its edge.

HK: What inspired your designs?
TR: This project started in what I believe is the ideal way; with a trip to see production, and this is what really inspired the design. In Hampshire I discovered a factory staffed by some serious experts in upholstery and timber joinery. I really wanted to make the most of these capabilities, and maybe even push them a little to see what was possible. In terms of the chairs themselves I wanted to create something that felt quiet and inviting, that could feel right in your home, while obviously being appropriate for hard working contract environments.

HK: Did you enjoy collaborating with Morgan? How was the experience/process compared to solo working?
TR: None of my projects are just me. I think that’s a misconception, maybe brought about by the fact that in our industry, designers tend to have eponymous business names. Everything I’ve ever designed have been made possible by numerous other people, from engineers to marketeers, craftspeople to logistics managers. I guess the main difference this time was geographical proximity – this is my first project with a British furniture brand! This meant we could work really closely, with numerous prototype reviews as we refined the details.

HK: Benefits of this collaboration?
TR: Working with Morgan’s dedicated prototyping team (Jonathan and Dean) was a highlight. This meant we were able to make adjustments and modifications to our prototypes, effectively on the spot – and nothing was impossible. The whole team were always keen to push the limits of timber production, and the results can be seen in a frame that perfectly blends CNC technology with expert craftsmanship, and an upholstery element that tapers to an impossibly fine edge, something not normally achievable with cut foam.

What inspired the name of the collection?
TR: As Morgan have a product code system that uses place names, it felt only right we choose a New Zealand name – being designed by a Kiwi, albeit London based. Rakino is one of a cluster of small islands in the Hauraki gulf, the body of water surrounding Aucklands East coast, where people are able to escape the busy city, a short boat ride leaving you with a pleasant sense of isolation and calm. A comfortable low lounge chair in a busy hotel or workplace could, I hope, provide the same feeling.

As Raikino is the result of a true collaboration, we asked Morgan a few questions too…

HK: How did the collaboration start? How did Tim and the Morgan team meet?
TR: We were looking to collaborate with a like-minded Designer who shares our passion for quality and integrity. Our Design Director came across some of Tim’s work and was impressed with his portfolio and the fine detail of his work. After the first meeting, it was obvious that Tim understood our brand and would be a good design partner, so we decided to give him the brief for a new product for CDW19.

HK: What makes this collection stand out?
TR: The Rakino collection stands out due to its striking timber architectural frame, with a strong, square, clean aesthetic, combined with a soft sculpted and slim line upholstered shell that is held within the frame. The frame is very open and honest and is a reflection of Tim’s eye for detail and our passion for precision CNC manufacturing and a hand-crafted finish.

Morgan is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: Morgan

Hotel Summit 2019 bridges the gap between hotel buyers and suppliers

730 565 Hamish Kilburn
Hotel Summit 2019 bridges the gap between hotel buyers and suppliers

Forum Events’ premium meet-the-buyers event, Hotel Summit, put on yet another spectacular event with guest speakers including representatives from The Lanesborough, Great Hotels Of The World and Areen Design, among many others…

Settling in a new home, located in the quintessentially British surroundings in the Oxfordshire countryside, Heythrop Park welcomed hoteliers, designers and suppliers alike for this year’s hotly anticipated Hotel Summit.

More than 60 procurement professionals from leading hotels around the UK such as The Lanesborough, The Beaumont Hotel and The Gainsborough Bath Spa and 30 supplier partners attended The Summit that was sheltered within the 18thcentury hotel, which combines both elegant heritage design with contemporary areas, making it the perfect venue for one of Forum Events’ leading meet-the-buyers concept for the hotel industry.

The two-day kicked off with an opening presentation with Rita Alves Machado, VP of sales and marketing for Great Hotels Of The World who joined editor Hamish Kilburn for a live interview on the topic of blesiure. “There should be more focus on public, intelligent areas when it comes to designing for bleisure guests,” Machado said. “For me, it’s about personalization, we look for that in our members, what they can do that will differentiate from others in an authentic way.”

Andrew Linwood, Head of Hospitality Design at Areen Design, aptly followed with a presentation entitled: How Design Adds Value To A Hospitality Brand. “Branding is not only the name above the door,” he said to the audience. “It’s about good design and good service working together.”

Meanwhile, Francisco Macedo, Operations Director for Clivedon House stood up in front of the audience to explain how to create a winning team, using personal anecdotes to explain how he has curated his army of staff in order to offer a seamless service within the hotel.

After a morning of face-to-face meetings with suppliers, delegates joined to attend a speaker session with Marco Novella, Managing Director of The Lanesborough, followed by a short live interview where Kilburn delved into what it takes to be at the helm of one of London’s most prestigious luxury hotels. “It’s been important to react to the right trends,” explained Novella. “Wellness, for example, is a very important factor for The Lanesborough, and our aim with the club and spa was very much to lead wellness and wellbeing.”

Following a lavish gala dinner and entertainment, delegates and suppliers gathered for a second day of pre-scheduled face-to-face meetings.

Partners:

ADI Trading Ltd, Airwave Europe, Alchemy House of Design, Birchall Team, Brushbox, Castrads, Discover Kangen Water, Elavon, Fortune Brands, Gallant, Good Energy, HCI, Hotel Champ, iBal Designs, Landmark Specialist Solutions, Ligne Roset Contract, Matrix Fitness, Mitre Linen, Out of Edan, Parkside, Phillip Jeffries, Portable Floormaker & Barlock Bars, Project Blinds, Riskmonitor Limited, Samsung Electronics, Tevalis Ltd, Timage, Toothbuckle, Virdor, Zennio

Next year’s Hotel Summit will take place in April 27 – 28 at Five Lakes Resort, Colechester. If you are interested in exhibiting at the 2020 event, please contact Jennie Lane on 01992 374098 or j.lane@forumevents.co.uk.

BIID announces new President

730 565 Hamish Kilburn
BIID announces new President

The British Institute of Interior Design (BIID) has announced that Harriet Forde from Forde design has stepped up to become the 2019 BIID President…

The British Institute of Interior Design (BIID) has announced its new president for 2019-20, Harriet Forde, founder of London-based practice Harriet Forde Design. Forde succeeds current president, Gilly Craft and officially took on the role at the BIID Annual General Meeting (AGM) on Thursday July 4, which took place at The Royal Institute of British Architects (RIBA).

Forde, who has recently been confirmed as a Judge for Hotel Designs’ The Brit List, is an experienced interior designer and a long-standing member of the BIID, having previously held the position of Chair of the Membership Committee. An active member of the Institute, Harriet regularly leads talks and discussions at industry events across the country, including participation at the most recent BIID Inside Knowledge Conference.

“As president, I will continue to support our members in providing a high-quality and professional service to their clients.” – Harriet Forde

Having begun her study of interior design at the London School of Furniture, Forde went on to graduate from the prestigious University Central St Martin’s with a degree in textiles.  Following more than 10 years’ experience in the hospitality design sector – working for the likes of Richard Daniels, Richmond International and Areen Design – Harriet eventually set up her own practice, Harriet Forde Design in 1999.

“I am delighted to be president of the BIID, to continue the fantastic work already established by our hard-working BIID council,” she said. “As president, I will continue to support our members in providing a high-quality and professional service to their clients, to educate consumers on the benefits of using a BIID registered designer and to ensure that our talented community of BIID members continues to thrive.”

The designer is influenced by an admiration for architecture, attention to detail and nature, and incorporates this within her designs through pattern and texture. She also has a keen interest in the influences of design on wellbeing and explores the way this can be developed within a space through the careful selection of materials, lighting and space planning.

Forde is experienced in the commercial, hospitality and high-end residential sector and is regularly commissioned to work on projects across the UK, continental Europe and the Middle East. This has allowed her to build a successful business and client base, with an approach centred on the understanding of space and translating it into original concepts and design. Harriet continues to personally lead every client project and it is this commitment that has allowed the practice to thrive, with the studio recently celebrating an impressive 20 years in business.

Main image credit: BIID

 

Four Seasons Hotel Singapore unveils botanical twist

730 565 Hamish Kilburn
Four Seasons Hotel Singapore unveils botanical twist

Four Seasons Hotel Singapore goes botanical, unveiling reinvented interiors, including luxury suites, F&B and wellness areas…

Nestled within a city/country that is widely known as a modern metropolis that is leading the way in sustainable design and architecture, Four Seasons Hotel Singapore has lifted the lid on its newly completed interior design renovation, celebrating the natural, verdant flora that the island is unmistakeably known for.

Somewhat becoming a major source of inspiration for the design team, the hotel is situated amidst lush foliage on the fringe of one of the world’s largest shopping street, Orchard Road, a mere five minutes away from the a UNESCO World Heritage Site, Singapore Botanic Gardens. With the creative direction of celebrity Floral Art Director Nicolai Bergmann since April 2019, guests are greeted fresh florals in the Grand Lobby at arrival.

“Replacing deep, rich palettes are now contemporary interiors that feature a natural colour palette of dusty cool blue tones and lime green accents.”

The guestrooms and luxury themed suites alike were revamped in the last six to twelve months in preparation for the hotel’s Silver Anniversary. Replacing deep, rich palettes are now contemporary interiors that feature a natural colour palette of dusty cool blue tones and lime green accents, inspired by the water and tropical lotus leaves of the Singapore Botanic Garden’s Swan Lake. Each room also features a mural wall composition of traditional Peranakan tiles, adding an artistic touch and reminiscent of Singapore’s rich and multicultural heritage. Peranakan culture represents the union between two or more major ethnicities of the Straits Peninsula – a result of Singapore’s historical significance as a major trading port. Large floor-to-ceiling windows provide sweeping views of the city and surrounding greenery, while white-colonial style doors and windows with plantation shutters, reminiscent of Singapore’s once-agricultural history, allowing for the natural light to brighten the rooms.

Comprising four distinctive residences – the Royal Suite, Governor Suite, Ambassador Suite and the Presidential Suite – the quartet of luxury suites unfurl Singapore’s legacy through subtle design motifs, natural textures and serene palettes of subtle sophistication that portrays and acknowledges the Garden City’s dynamic, cosmopolitan storied history.

The passion for a nature-enlivened, tropical ambiance continues from the private areas to the restaurants and bar at the Four Seasons Hotel Singapore.

Relaunched in March 2019 after a month-long revamp, One-Ninety, the breezy, botanical modern Asian brasserie teases with its Asian twist on wholesome Provençal cuisine. The adjourning resort-style alfresco Terraza is perfect for unwinding with a classic in hand and weekend tete-a-tete over a tri-terraced Floral Afternoon Tea that intrigues with flora-infused treats, launched in end-May 2019. Embodying the concept of “Xiang Le Zhu Yi,” or the principle of enjoyment and happiness, newly minted Michelin-starred restaurant Jiang-Nan Chun is not only evocative of the pastoral lifestyle of Jiang Nan region’s traditional river villages through its rustic décor, but also through its authentic Cantonese cuisine.

Main image credit: Four Seasons Hotels & Resorts

Morgan launches lounge chair and table collection designed by Tim Rundle

730 565 Hamish Kilburn
Morgan launches lounge chair and table collection designed by Tim Rundle

Contract furniture designer and manufacturer Morgan has launched Rakino, a collection of lounge chairs and tables, designed by Tim Rundle…

During Clerkenwell Design Week 2019, Morgan launched a new furniture collection, Rakino, designed by Tim Rundle.

Juxtaposing soft sculpted upholstery with a strong, low line frame, the new family of lounge chairs and tables feature crisp timber detailing, emphasised by a clean linear structure.

“It’s been a pleasure working with Tim, who brings an international perspective to Rakino,” says Katerina Zachariades, design director at Morgan. “His experience in furniture, lighting and interior design enables him to develop new product ideas with an understanding of commercial demands. We have enjoyed developing this chair and refining our production methods to achieve the light, simple structure that defines it.”

Describing his approach to the project, Rundle says, “I wanted to create something that felt quiet and inviting, that could feel right in your home, while being appropriate for hard working contract environments.” 

Morgan has a tradition of naming its collections after places, which Tim embraced. He explains: “It only felt right we choose a New Zealand name, being designed by a Kiwi, albeit London based. Rakino is one of a cluster of small islands in the Hauraki Gulf, the body of water surrounding Auckland’s east coast. There people are able to escape the busy city, a short boat ride leaving you with a pleasant sense of isolation and calm. A comfortable low lounge chair in a busy hotel or workplace could, I hope, provide the same feeling.”

Morgan is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Zoe Guerrier by clicking here.

INTERACTIVE REVIEW: Oddfellows On The Park

730 565 Hamish Kilburn
INTERACTIVE REVIEW: Oddfellows On The Park

Located on the fringes of Manchester, Oddfellows On The Park is quirky, timeless and in its own admission ‘a little bit odd’. Editor Hamish Kilburn writes about the hotel that was designed to be disobedient…

By the looks of Manchester’s hotel development pipeline, creativity in British interior design and architecture is not limited to London. Despite Brexit uncertainty, this year alone, 835 new guestrooms will be introduced into the industrial city – with a further 11 more hotels slated to open between 2020 and 2021.

The booming hotel design scene in the northern metropolis has resulted in more interest around the outskirts of the city, and it is here – less than 10 miles from the Manchester’s Piccadilly – where Oddfellows Hotels’ latest property is situated.

A lamp shining from the head of a life-sized model of a horse and a chandelier made from bicycle chains hanging above the check-in desk is the first indication that Oddfellows On The Park doesn’t like to play by the rules. Tasked with the aim to stylishly go against the grain was design firm SpaceInvader, which is dedicated to creating spaces which fulfill their true potential, while unlocking the power to enhance human behaviour.

Opened in 2017, the hotel is sheltered within an 1861 traditional Victorian Gothic building, which was named Bruntwood Hall. The shell of the now 22-key boutique hotel was designed originally by an industrialist, John Douglas, who was inspired by a Scottish home; the original ceilings in The Stud Room Bar are testimony to this with subtle thistle design. Today, the iconic structure stands in plain sight, nestled within endless playing parks which feature archery, a golf course, and even a BMX cycling track – hence the cycling chain chandelier in the lobby.

In its history, Bruntwood Hall has served many purposes – from being a town hall during the war to becoming home to a film company and fashion designer. Now, though, for the first time in its winding narrative, the building has been redecorated, reconfigured and reborn to welcome guests into a luxury boutique hotel like no other.

Katie Edgar who heads up hospitality at SpaceInvaders led the design throughout the project. She and her design team conducted thorough research into the history of the building, the location and the inhabitants of Bruntwood Hall, in order to understand how to thoughtfully reference the building’s past. “The approach focused on respecting the character and beautiful features of Bruntwood Hall,” explains Edger. “We were inspired by them, and wanted to enhance them to design a romantic scheme that celebrates the history of the building and its unique position.”

Image credit: ACT Studios

In addition to sympathetically restoring the building’s original features, the design firm worked with architect Tim Groom, in order to incorporate elements of innovative and playful design that has become a signature of Oddfellows Hotels. “The aim was to create a space that allows guests to lose themselves in their surroundings and feel that the Hall is theirs for the weekend,” adds Edgar.

“Original 1860s encaustic floor tiles were uncovered in the reception area and revived to their former glory.”

The public areas arguably give the most significant nod to the building’s heritage. While Edgar and her team were restoring the building as part of its transformation, original 1860s encaustic floor tiles were uncovered in the reception area and revived to their former glory.

The Stud Bar, which is sheltered adjacent to the lobby area, is a small and intimate space dominated by the original statement ceiling complete with beautiful Jacobean-style decorative plasterwork. “The furniture here has been based around complementing, rather than competing with the overhead design,” said Edger. Comfortable high back chairs with fabrics supplied by Skopos and a soft approach to seating encourage guests to enjoy both the view out to the parkland and the historical building features.

Meanwhile, the corridors that are staggered over three levels feature an array of abstract art, creating fun and creative moments throughout guests’ journey to their rooms and suites. Just like the corridors, the guestrooms and suites are layered with texture and each have their own personality. The Tower Suite, for example, is a two-tiered design gem that adorns contemporary finishes such as playful wallcoverings and portraits hung with human bodies and animal heads.

The bathrooms in all 22 rooms and suites have been designed by Utopia Projects, which specified all of the sanitaryware for seven different room types and the spa facilities for the hotel. “Having worked with these designers before, and therefore having an idea of what they like, made this hotel a dream to spec,” said project consultant, Stuart Adamson. ” It’s truly genius how the designers have maintained the buildings country style but modernised it with complimentary elements like the hexagonal mirrors and tiles, although our favourite piece has to be the roll-topped, freestanding baths we supplied completely in white.”

Image credit: ACT Studio

On the top floor, the suites compliment the natural architecture of the building, featuring wooden beams and, with high ceilings, compliment natural arch shape of the roofing. The guestrooms feature over-scaled carpet designs, which are a stylish riff on the decorative plasterwork.

In a nod to the building’s Scottish heritage, the design team included thoughtful elements throughout, including new tartan upholstery, wools and tweeds, and original decorative thistles that are on display. “Heritage colours were specifically chosen to accent walls throughout the bedrooms and public spaces,” explains Edger. “Muted shades of greens, blues, purples and blacks were considered room by room and provide a back drop to conversational artwork and decorative lighting.”

The use of taxidermy would have been expected in the interior of the building’s previous iterations. And so to layer this sensitively within interior scheme was important, but as with everything in the hotel’s design, the use of taxidermy was anything by ordinary. “In a twist on this concept, we included elements such as bike handlebars mounted on elaborate wall plates,” explains Edger. “These have been utilised to provide another link to the activities that can be enjoyed within the building’s surrounding 100 acres of parkland.”

The Pigsty is the hotel’s premium spa that sits in a separate building adjacent to the rest of the hotel. Fittingly, the intimate salon features its own mudroom as well as two treatment rooms and has an engaging atmosphere within the social salon quarter.

Now managed by Bespoke Hotels, the UK’s largest independent hotel group that also owns Hotel Gotham, checking in to Oddfellows On The Park is a journey that celebrates oddities in spectacular fashion. With the combination of amplifying a unique style and through clever marketing to promote it, the Oddfellows Brand is taking its place in the northern hotel charts and it continues to push the boundaries of modern hotel design.

Main image credit: ACT Studios

Global awards launches to challenge industry standards around accessible design

730 565 Hamish Kilburn
Global awards launches to challenge industry standards around accessible design

The Blue Badge Access Awards launches and questions why accessible design is not as large a talking point as sustainability currently is. Editor Hamish Kilburn attended the launch event in London and writes…

Blue Badge Access Awards has launched raising some much-needed debates around the current industry standards around accessible design.

The launch of Blue Badge Access Awards – a combining of two major design competitions – the Bespoke Access Awards and the Blue Badge Style Awards – took place at Home Grown Club in Marylebone. The occasion explained the purpose of the new global competition, which is to celebrate thoughtful and stylish inclusive design worldwide. It aims to inspire designers, architects, operators and developers to work together in order to build exceptional business and venues that make everyone feel like a “first-class citizen.”

“No one would have dreamed that sustainability would be so high on the agenda as it is now and we want access to be high on the priority list.” – Robin Sheppard.

Speaking at the event was Robin Sheppard, Chairman of Bespoke Hotels, Hotel Sector Champion for Disabled People and in turn the winner of The Brit List 2018’s Outstanding Contribution to the Hospitality Industry. “It is important to make access a permanent addition to the agenda,” he said during a thought-provoking speech. “No one would have dreamed that sustainability would be so high on the agenda as it is now and we want access to be high on the priority list.”

With the support of charity Leonard Cheshire, the Blue Badge Access Awards aims to accelerate much-needed progress. This follows studies that show inclusive design gives businesses and venues access to a market of more than one billion people across the world, a group of more than 13 million people in the UK along with spending power of more than £250 billion.

Inclusive design has a history of inspiring great innovation, from the invention of the first typewriter, which was built to help a blind Italian countess write legibly, to the remote control, which was created to make life easier for people with limited mobility.

Categories include:

  • Arnold Fewell Award – The Most Inclusive Building/Interior Design
  • Best Hotel x 2 (Upmarket and Boutique, Bespoke Award)
  • Best Bar x 2 (Upmarket and Budget)
  • Best Restaurant x 2 (Upmarket – Conran award – and Budget)
  • Best Accessible Toilet
  • Ludicrous Loo
  • Above & Beyond (Includes Hospitality & Corporates)
  • Euan’s Guide Award
  • Best Venue in a Listed Building
  • Inclusive Employment Award (Leonard Cheshire)
  • Employee of the Year

“Nowhere can be 100 per cent accessible, but everyone can start somewhere,” said Fiona Jarvis, founder of Blue Badge Style. “There is a tremendous public interest in the area of accessible design, with a strong desire to honour and recognise businesses that go the extra mile for their customers.”

With categories ranging from Best Hotel and Best Bar, to the Leonard Cheshire Inclusive Employment Award, the Blue Badge Access Awards recognises the variety of ways that businesses can become more inclusive. The prize that nobody wants to win, ‘Ludicrous Loo’ demonstrates the challenges faced in a light-hearted manner, revealing bathrooms where accessibility is an afterthought.

Nominations of the Blue Badge Access Awards, which are open to anyone, anywhere in the world, are now open and close on June 30. Visit to website to cast your vote.

Winners will be announced at the awards ceremony on October 7.

Main image credit: Blue Badge Access Award/Bespoke Access Awards

In Conversation With: Designer Mark McClure ahead of Clerkenwell Design Week

730 565 Hamish Kilburn
In Conversation With: Designer Mark McClure ahead of Clerkenwell Design Week

Ahead of Clerkenwell Design Week 2019, Morgan shares an insight into the mind of one of its latest interior design collaborators. Mark McClure discusses how the Goodwood table came to be… 

Furniture brand Morgan is preparing to once again wow visitors who are attending Clerkenwell Design Week later this month.

As well as inviting artist David Shillinglaw to redecorate the showroom with a vibrant feature wall, the company will also unveil two new interior design collaborations – one of which is with designer Mark McClure. Ahead of CDW 2019, Hotel Designs turned the tables, asking its recommended supplier Morgan to carry out an interview with its new design collaborator.

Morgan Furniture: Why did you choose to collaborate with us specifically?
Mark McClure: I worked with you in 2017 – when you invited me to create an installation and exhibition of artworks in their showroom and I found their whole approach to creativity and crossing over of disciplines very much aligned with my own. That, coupled with the beautiful quality and style of their existing collections, made them the obvious people to approach when I was looking to collaborate on some furniture.

MF: How was the experience/process compared to solo working?
MM: The whole process has been so very much smoother than I imagined. Collaborating in general – and especially with the folk at Morgan – brings the benefit of working with experts in their own field. Their knowledge of materials and processes added a whole new thought angle to my own thought process – and Katerina’s creative ideas overlapped nicely with my own even though we were coming to it from different directions.

Image of Goodwood side table in two sizes

Image credit: Goodwood by Morgan

MF: : What sparked your interest in furniture and combining art with a contract piece of furniture?
MM: I’ve always been drawn to the blurred lines between function and creativity. I’m lucky in that my work can be applied all kinds of disciplines and mediums – whether that be a mural on the side of a building, a sculpture in a gallery, or a mosaic for a table surface. I love that change of context and the change of audience and perception that goes with it.

MF: What inspired your design?
MM: A lot of my work is originally inspired by structural and architectural forms – but I’m increasingly contrasting these shapes with more rounded forms which lend the softer, more organic feel to the designs. This addition of more natural forms definitely feels more in tune with the natural grain and colours of the wood.

MF: What was your starting point for this project?
MM: We looked at a selection of existing Morgan pieces – with a view to combining the Morgan shapes with my design – so it all started with the choice of table shape. We opted for quite an understated Goodwood base in two nested sizes. This understated shape avoids a clashing of styles but also lends a complementing elegance to my work, which can be quite bold. Once that decision was made – I had a literal and metaphorical framework to work within.

MF: What is the collection’s USP?
MM: Bold, dynamic, abstract shapes – held together by the modernist elegance of the framework. The contrasting styles balance really well together.

MF: What was the main goal for the collection?
MM: To create something contemporary but classic – a meeting of styles.

MF: What were the challenges?
MM: The biggest challenge was showing restraint. It’s hard not to get carried away with exciting materials and details. But the saying ‘less is more’ exists with good reason – and after exploring a much broader range of materials and colours – we naturally returned to this palette. Even this restrained version still feels dynamic and exciting.

MF: What materials were used for the project?
MM: A mosaic was made up of Beech & Walnut – both painted and untreated – finished with brass details.  This was then integrated into a walnut table framework.

MF: Where do you foresee the collection being specified? (i.e. hotels, restaurants, etc.)
MM: I’d like to think the tables would sit comfortably in hotels, receptions and workplaces. The elegance of the table shapes make them adaptable – while the tabletop design – although distinct and dynamic – isn’t overbearing.

MF: Generally, where do you find your inspiration?
MM: I like to think of my work as a landscape. I’ve always seen beauty in the architectural shapes and structure of the city and these shapes are a constant, but increasingly sparks comes from everywhere and anything – with more organic, rounder elements coming into play. So whilst the structural shapes often form the base for a work – there’s other contrasting elements creeping in that might be inspired by plants, fabrics, music, lighting. The melting pot of disciplines and styles is what makes things interesting – it all makes up the landscape that surrounds us.

MF: What’s the key to a successful collaboration?
MM: I think the key is to collaborate with people you admire and respect. Everyone comes to a solution from their own direction – depending on their background and experience. That’s the beauty of collaboration – and appreciating those different backgrounds and routes is key.

MF: What’s the most interesting trend you’re seeing for 2019?
MM: Playful, geometric tabletops combined with modernist elegance. You saw it here first.

MF: What technology has made the biggest difference to the way you work?
MM: I’m about 20 years late to the CAD party – but I’ve only just started using it as my work has become more engineered and three dimensional. I created a bar with a drinks brand last year and taking what is quite a painterly approach – and drawing it up in CAD was a challenging – but exciting next step. To become loose and instinctive within that realm of 3D CAD is pretty exciting.

Morgan is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, click here.

Hotel Designs is a proud media partner for CDW 2019. In order to arrange a meeting with the team, please tweet us @HotelDesigns

Concept to Completion: Nicky Dobree creating Plaza 18 (part three)

730 565 Hamish Kilburn
Concept to Completion: Nicky Dobree creating Plaza 18 (part three)

While Hotel Designs is exclusively following Plaza 18’s creation, editor Hamish Kilburn checks in on designer Nicky Dobree as the project is just weeks from completing…

With her sleeves rolled up, designer Nicky Dobree is on the home straight in the race to design her first hotel project. The finish line, which is getting closer and closer by the day, is nestled within Vejer, which is one of the many white towns of Andalucia.

The new six-key boutique hotel will shelter a home from home, adjacent to the palm-filled Plaza de Espana landmark. Inspired, in part, by Dobree’s travels, the authentic surrounding landscape and even the smell of orange blossom, the boutique jewel will shelter an unmatched luxury setting.

While the full details of the project are heavily under wraps (for now at least), part three of Plaza 18’s concept to completion feature focuses on the final preparations to create an unmatched home-from-home boutique hotel.

Hamish Kilburn: How does travel influence your interpretation on design? 
Nicky Dobree: Travel hugely influences my design and expands my creative perspective. I am fortunate to have travelled extensively and to have lived abroad for many years. I therefore find that I regularly draw on my love of travel to add to the layers of my design. Inspiration can come from anything and everything, be it the local smell of the orange blossom in Vejer to its moorish architectural roots.

HK: How far in the process are you with Plaza 18? 
ND: The end is in sight and we are receiving bookings for the summer.

HK: What can go wrong and what are the major challenges at this stage in the project?
ND: Hopefully not a lot can go wrong at this stage that we are not able to resolve. Timing is key. We’ve just had Easter, which the Spanish take very seriously so the team will break for a couple of weeks. On the positive, the team have returned with a fresh eye to complete the finishes ready for us to install and open.

HK:Do you ever find it difficult to leave a project behind once it’s completed? 
ND: I always find it difficult leaving a project behind and handing it over. It’s like giving birth and handing over your baby. With Plaza 18, I hope that many get to enjoy it and look after it as if were their own.

Various images of bedrooms, door fittings and art

Image caption: Moodboard for Plaza 18

HK: This is your first hotel that you have designed, will there be others? 
ND: I very much hope so. I have really enjoyed the new challenges this project has given me. I really love the art of creating a space and above all an atmosphere that will hopefully make people want to return.

Hotel Designs has been following Dobree on the completion of her first ever hotel. Click here to read part one. Click here to read part two.

BESPOKE DESIGN: Italian boutique hotel inspired by natural elements

730 565 Hamish Kilburn
BESPOKE DESIGN: Italian boutique hotel inspired by natural elements

Design studio Boxx Creative has completed the interior design of Miramonti, a 21-key boutique hotel in the Italian mountains. Editor Hamish Kilburn writes…

Inspired by its natural surroundings, Miramonti, meaning mountain view, draws its name and design from nature. A deep terracotta facade, which dates back to 1958, evokes the changing seasons and rich natural Italian colour palette.

When it first opened just over a decade after the second world war, the five-storey Albergo Miramonti was the first building in town to feature hot water in every room and it quickly gained in popularity among tourists as well as locals as a place for ultimate relaxation. The new guestrooms, which are divided into five categories over three storeys, feature – in true Miramonti spirit – calming green and blue colour schemes, punctuated with deeper accents.

Design firm Boxx Creative’s first step in its transformation was to maximise every square foot to increase guestroom numbers, providing flexibility of room use and creating defined room types for couples and families. The Deluxe Doubles provide an appealing space for couples to relax in comfort inside the room or outside on the balcony. The spacious Family Suites meanwhile have the option to connect through to en-suite bunk-bed rooms, which comfortably accommodate a family of six.

“Materials were selected for their authentic properties and link to the surrounding environment.”

The firm redesigned each floor of the hotel and created the interior schemes; drawing on the elements of: earth, fire, air, water, wood and metal. Materials were selected for their authentic properties and link to the surrounding environment and feature in the natural stone wash basins, carved wooden bedframes, solid trunk coffee tables, round metal bedside tables and soft natural fabrics.

“We always focus on quality and environmental impact in our work,” said Nicola Keenan, interior designer and Co-founder of Boxx Creative. “All design details have been fully considered across the hotel. Carpet made from recycled fibres line the corridors and is inlaid within the sustainable, hand-crafted wooden flooring. Locally sourced and sustainable materials were used wherever possible and the build contractor was chosen for his energy saving principles and employment of workers within the area.”

Understated living area of the guestroom

Image credit: Mariell Lind Hansen

The majority of the furnishings were made completely bespoke by a talented artisan in his local workshop. The bedrooms feature wooden headboard panelling, metal framed open cabinetry storage and sturdy desks, each thoughtfully hand-crafted. The unique hand-made wooden flooring with individually controlled underfloor heating system, adds warmth and grounding to each room. Beautiful reeded glass panelled doors with curved frame detailing provide privacy to each en-suite and rippled wooden under-sink cabinets hang beneath attractive natural stone basins.

“Lighting was incredibly important to the client,” added Nicola Lindsell, also an interior designer and Co-founder of Boxx Creative. “We chose Italian designed, Flos feature pendants in each of the en-suites and Scandinavian inspired adjustable wall lights to create an appealing focal point in the bedrooms.”

Soft, minalist lobby area. Natural materials, such a stone, used in the casegoods and furniture

Image credit: Mariell Lind Hansen

“When we decided to redesign the hotel we were conscious of finding a suitable partner that matched our values and design style,” said the owner of the hotel. “We loved working with Boxx Creative as they had a great knowledge of suppliers and longterm sustainable options. Throughout the redesign they presented options which reflected our sustainability goals as well as our overall artistic vision for the hotel.”

The hotel has always been within the family and today the management has passed on to the third generation, with strong hope to continue and build upon that original idea, creating an authentic escape for locals and travellers alike.

Main image credit: Mariell Lind Hansen

Leading designers and architects spoke at the inaugural IDAS

730 565 Hamish Kilburn
Leading designers and architects spoke at the inaugural IDAS

Taking place yesterday at Hilton London Tower Bridge, the Interior Design & Architecture Summit sheltered some interesting debates for designers and architects – all of which looped back to the elephant-in-the-room topic, sustainability in our hotels and cities…

The sold-out inaugural Interior Design & Architecture Summit (IDAS) took place yesterday at the Hilton London Tower Bridge.

The event, which allowed visionary designers and architects the ability to meet face-to-face with key-industry suppliers, included a speakership programme curated with the aim to put relevant topics under the spotlight.

IDAS 2019 started with an engaging presentation by Constantina Tsoutsikou, the Creative Director at HBA London, who discussed ‘Playfullness & Personality in Hospitality Design’. In addition to referencing key projects to exemplify her points, Tsoutsikou made reference to creative boundaries of modern designers. “Many designers have forgotten how to sketch by hand,” she told the audience. “If we rely on computers then we have forgotten a skill that is very valuable.”

“The reality is that the brief from hotels, investors and operators is never – or very rarely – to build a sustainable hotel.” – Constantina Tsoutsikou, the Creative Director at HBA London

Joining the visionary on the sofa, editor Hamish Kilburn followed the presentation with a live Q&A and it became clear that sustainability was to be a dominating topic to be explored throughout the day. “The reality is that the brief from hotels, investors and operators is never – or very rarely – to build a sustainable hotel,” Tsoutsikou explained. “When consumers start choosing hotels on this credential then developers will follow, and this is happening slowly.”

The designer explained how an ‘open window’ approach during projects – ensuring that the hotels on the boards evolve with ideas and themes throughout from concept to completion – has allowed her and her team to really inject each property they touch with ample personality and, of course, apt sense of place. “Take Hilton Amsterdam Airport Schiphol, for example. It has a dutch soul,” she explained. We enriched the level of comfort in the atrium by creating ‘islands’, each providing a distinct experience within the Axis Lobby: reception, lounge library, tech lounge and cocktail bar. Each area is defined by a carpet with a design inspired by the sediment-laden islands and waterways between coastal dunes on the southern coast of the Netherlands.

From one inspirational creative to another, Yasmine Mahmoudieh was invited to take the second speaker session of the day, exploring Hotels of the Future. Following extensive research into the changing behavior of modern hotel guests, Mahmoudieh explained how she has seen – from both a design and an architecture point of view – a large demand in creating intelligent flexible spaces. Mahmoudieh explained that the hotels of the future will house all facilities – for working, living and socialising – under one roof. “New ways of living and working are being developed all over the world,” she said. “Therefore, the need for social interaction has never been as prevalent. It is partly due to social media and the alienation and the loneliness, especially young people feel.”

Returning back to the theme of responsible design, Mahmoudieh, when joined on the sofa by Kilburn, started to highlight the importance of sustainability in architecture and explained the value of finding new eco-friendly materials. “I-MESH, for example, is an innovative material invented to assume a leading position in the field of solar protection indoors/outdoors,” she said. “Its physical, technological, formal characteristics together with its high aesthetical potential makes it eligible as a proper architectural material. It outclasses metallic grids for its design versatility and sustainability; it’s an easily custom made mesh in line with the architectural thought, with the story of the commissioning client, with the brand.”

Following an afternoon of face-to-face meetings with suppliers from the likes of Marco Corona, Hamilton Litestat (recommended supplier), Mitre Linen (recommended supplier), Gessi (recommended supplier), Cole & Sons and many more, the audience gathered for the final session of the day. In the panel discussion entitled ‘The Rising Ceiling of Creativity’, Kilburn was joined on the sofa by Moritz Waldemeyer (lighting designer and recommended supplier), Charles Leon (architect and Past-President, BIID), Gilly Craft (interior designer and President, BIID), Yasmine Mahmoudieh (interior designer/architect) and Robin Sheppard (CEO of Bespoke Hotels). Looking at the creative boundaries faced currently by the industry as well as ‘futuregazing’ towards the hotel room of the future, the panel debated consumer behavior, sustainability in design and how to create authentic installations within hotel design.

Following the success of yesterday’s event, details around next year’s IDAS will be announced shortly.

Media Partner: Future Constructor & Architect

Media Partner: Treniq

Former Metropolitan Police headquarters transformed into luxury hotel

730 565 Hamish Kilburn
Former Metropolitan Police headquarters transformed into luxury hotel

The historic landmark building, which was developed by Galliard Construction, has been transformed into The Great Scotland Yard Hotel, a 153-key luxury lifestyle hotel…

The former Metropolitan Police headquarters in London’s Whitehall has been converted into the 153-key The Great Scotland Yard Hotel, which is operated by Hyatt under the group’s Unbound Collection brand and was developed by Galliard Construction.

Working in association with Galliard’s in-house team along with HBA, and EPR Architects, The Deluxe Group was appointed to manufacture and fit all front of house areas, for the high-end hotel, including double height vestibule, grand entrance lounge, concierge, main cocktail bar, palm court style lounge, whiskey bar/clubroom, signature restaurant, library, gymnasium, 120-seater main conference room/ballroom, meeting rooms and function/private dining rooms. The firm also produced the luxury hotel’s sample bedroom, as part of the multi-million-pound development, which is expected to open later this year.

The bespoke joinery project, which was worth £5.5 million was completed in just six months, with all work completed on schedule and within budget.“We are delighted to have been part of the team which has sympathetically developed this building to give a classic period interpretation, reflecting the immense history of such a landmark site,” Commented Colm Connolly, Director of The Deluxe Group. “We used the highest quality, detailed joinery and luxury finishes throughout all front of house and public areas, with individually themed areas providing a stylish homage  to the crime and policing history of the building.”

“Our commitment to delivering the best in bespoke joinery with the greatest attention to detail and client servicing, ensured the finished project was a true reflection of the client’s vision.”

Luxury public area

Image credit: Great Scotland Yard Hotel

Constructed in 1910, the iconic Edwardian building served as the Royal Military Police headquarters and the British Army Recruitment Office. It later became the Ministry of Defence Library until 2004.

The famed landmark is known for its rich history, providing guests the opportunity to stay in the location where Metropolitan police pursued some of the country’s most notorious criminals, including Jack the Ripper and the 40 Elephants all-female crime syndicate. Reflecting on this, the distinct historical character of the building has been preserved throughout the renovation, including maintenance of its original façade.

Main image credit: The Great Scotland Yard Hotel

Clerkenwell Design Week 2019 launches and new designs to bookmark

730 565 Hamish Kilburn
Clerkenwell Design Week 2019 launches and new designs to bookmark

Ahead of Clerkenwell Design Week, which takes place from May 21 – 23, Hotel Designs takes a closer look at some of the major product launches and new designs to look forward to… 

Now that the sun has set on Italy’s capital following yet another successful Milan Design Week, Hotel Designs is looking ahead to identify many of the major product launches and new designs that are expected to be unveiled during Clerkenwell Design Week.

Set across seven exhibition spaces, CDW venues include Fabric, The House of Detention, St James Church and Spa Fields. Each venue reflects the unique nature of the culturally rich area, with leading UK and international companies exhibiting and launching new products between May 21 – 23. From luxury interiors to innovative lighting, emerging talent and the best of British brands, the exhibition spaces at CDW encompass every facet of design.

British Collection

British Collection is located in the Crypt of St James’s Church and showcases designers from all over the UK. For the fourth year, quality materials, design excellence and craft techniques will be championed in the striking setting. Iconic British furniture brand, ercol will exhibit its new VON collection by Icelandic designer based in New York, Hlynur V. Atlason which caters for three areas – work, home and play. Following an evident rise in apart hotels, Kitchen designers Pluck will launch Spoke, a new modular shelving unit inspired by Victorian bamboo furniture available in 11 laminate colours including a new palette of fresh yellow laminate with intense fumed oak.

Benchmark, the powerhouse of British craft will be presenting new upholstered versions of the OVO collection designed by Foster + Partners in an ebony finish. Hand & Eye Studio, meanwhilewill present the O-Beam, a highly versatile light that suits a myriad of spaces with a unique texture inspired by ceramics. Other renowned names in the British furniture industry exhibiting include Brixton-based cabinet makers West & Reid, Forest & Maker and Nathan Furniture.

Image credit: Adam Dale

Design Fields

Situated at the northern end of Clerkenwell, Design Fields in partnership with Kitchen Architecture showcases leading furniture, lighting and product design from around the world. Kitchen Architecture’s new outdoor kitchen range by Roshult’s is a unique interpretation of cooking and socialising outdoors. Italian furniture brand Tacchini has chosen to showcase PASTILLES in collaboration with Studiopepe at CDW for the UK launch. The collection comprises of small armchairs, ottomans and coffee tables, with soft, enveloping shapes that bring back childhood memories of sweets. This year sees Bauhaus taking centre stage for its 100 year anniversary and Thonet will celebrate all things Bauhaus at CDW. The company will present new interpretations of the side table series MR 515 by Ludwig Mies van der Rohe and a new colour concept for the iconic Coffee House Chair 214, both by Studio Besau Marguerre. Other exhibiting companies include Danish company True North Designs, La Cividina and Ondarreta from Spain and SilentLab, all displaying innovation and clever use of technology in their designs.

Light

The former cold-store turned nightclub, Fabric aptly hosts Light, an exhibition dedicated to top international lighting brands within its cavernous brick vaults showcasing spectacular stand-alone installations. Exhibitors include NOVE lighting, which specialises in contemporary products using only natural, sustainable materials including cork from Portugal. Award-winning British brand Bert Frank will also present new lighting designs.

Swedish company ateljé Lyktan will present new lighting for both outdoor and indoor use, whilst Austrian based company XAL will present its revolutionary MOVE IT SYSTEM. Other exhibitors include Graypants, John Hollington Design, Lomas Furniture, Syska and ARKKI by Lovi.

Two women looking at lighting stand at exhibition

Image credit: Sophie Mutevelian

Elements

Design is in the detail – and details are showcased at Elements which brings together a leading selection of ironmongery, hardware, switch plates and architectural accessories within a street-market style pavilion on St John’s Square, becoming a go-to destination for designers looking for the perfect finish.

This year, Australian brand TIRAR will showcase beautifully tactile solid timber door furniture designed and made in Sydney, whilst Harbrine will launch Geo hardware, inspired by geometric forms in classical architecture. Designer Doorware will present the multi award-winning Monte Timber Collection. English ironmongers The Beardmore Collection will showcase contemporary products, whilst their master pattern maker will demonstrate the lost-wax casting process for visitors to witness one of the oldest forms of metal working. Aston Matthews will be exhibiting for the first time, showcasing a diverse range of taps and shower fittings including the Acme collection in scuffed brass and Alto in bronze. Other exhibitors confirmed for Elements include Dowsing & Reynolds, Hamilton Litestat (Hotel Designs’ Recommended Supplier)and Carrson International among others.

Detail

For fine craftsmanship and high glamour, Detail at The Order of St. John celebrates the most prestigious names in luxury interiors. The venues crypt, cloister garden and church are the perfect setting for the finest designs. This year at Detail, Sinclair Till will present Swedish company Kasthall’s latest rugs and carpets. Bespoke wallcovering company, Muraspec will present new products including the Eternity textile and Everglades grasscloth collection. Arte have created the Vanguard collection, inspired by abstract art from the 1950s. The company has also collaborated with Moooi to create a luxurious wallcovering collection, Extinct Animals, which first launched at Maison & Objet earlier this year. Each pattern is inspired by characteristics of one extinct animal from Moooi’s Museum of Extinct Animals. Anna Hayman Designs will present maximalist, luxury homeware inspired by the Bloomsbury movement and the Biba era of the swinging sixties. Other exhibitors include Danish furniture brand Cane-Line, Samuel Heath, Artwood and Altfield.

Platform

Platform showcases new design talent in the infamous surroundings of The House of Detention, a former remand prison which opens for the public during CDW. Junction Fifteen  will make its first appearance at CDW to showcase their new Morf Collection, a contemporary furniture collection made using sustainable materials and local craftsmanship. Trouping Colour’s latest exhibtion will showcase uncovered design talent chosen by a guest curator. Gwendoline Porte Design will present a modular concept RAILS, inspired by the form of railway tracks and the concept of ‘journey’. These limited edition functional sculptures are playful, graphic and ergonomic. They can be stacked on top of one another to form a column, multiplied to form a hexagonal, or separated to become a stool, chair, coffee table or side table. INTARC Design will showcase a modular furniture solution which allows for individual or collaborative working environments within a flexible working space, whilst Takumi Woodwork takes inspiration from Japan to create  handcrafted wooden furniture. Monkey Puzzle Tree will also be presenting a selection of unique designs in collaboration with fine artists. The business has a strong social conscience, paying the artists a generous royalty and supporting British manufacturing. Other exhibitors include Arte&Stili, Olenka, Pete Hill Designs, Decimal Design and Glas Design.

Image of colourful door on a church with the numbers 66 written

Image credit: Alistair Ramage

Project

Set within the beautiful grounds of St James Church, Project brings together a leading selection of contract furniture and surface brands from around the globe.  Project’s first outing was so successful it was extended to cover two linked pavilions and will be even bigger for 2019. AllSfär, a brand dedicated to improving workplace wellbeing will showcase a new range of acoustic products including Muffle and DIFFUSE, an innovative range of modular acoustic furniture. Sixteen3 will present a carefully curated collection of upholstered seating, both new and established. Flooring company Modulyss will present a range of carpet tiles for the contract market, whilst Hawk Furniture will exhibit at CDW for the first time, launching two new products perfectly suited to modern workspace interiors. Other exhibitors include Guialmi, Burgess Furniture, aeris, Amtico and Rigg.

In addition to the pop-up appearances, there are also, as ever, an abundance of new showrooms that are expected to arrive in Clerkenwell including Optelma, Vescom, Fredericia, Workstories, Duravit, Abstracta, Piemme Industrie Ceramiche S.P.A, Haiken Ltd, Savile Row Projects, Parkside and JPMA Global. New Clerkenwell resident, Fredericia will officially launch new pieces by the Danish American designer Jens Risom, in the UK for the first time during CDW. Luxury lighting brand Bert Frank will also open its first showroom in EC1 during CDW.

Hotel Designs is a proud media partner for Clerkenwell Design Week 2019. The team will be on the ground during the event – and if you would like to arrange a meeting, please tweet us @HotelDesigns.

Main image credit: Sophie Mutevelian

Morgan’s latest art installation portrays colourful ‘confusion of the world’

730 565 Hamish Kilburn
Morgan’s latest art installation portrays colourful ‘confusion of the world’

Ahead of Clerkenwell Design Week 2019, Morgan unveiled ‘Alive in the Human Hive’, an art installation in its London showroom created in collaboration with artist David Shillinglaw… 

Last week, contract furniture design studio and manufacturer Morgan welcomed artists, interior designers, visionaries and the press to an exclusive viewing of its new art installation by David Shillinglaw at its Clerkenwell showroom.

Celebrating the spirit of collaboration and imagination, Morgan has been sharing its showroom with artists since opening in 2014, transforming the interior’s blank walls into thought provoking galleries and colourful canvasses.

Entitled ‘Alive in the Human Hive’, the new installation is a dynamic, large scale mural alongside a selection of Shillinglaw’s recent artworks.

Image credit: Morgan

“We all suffer and celebrate: appetites and desires, fears and misfortunes,” he said when describing his work. “How can I paint a picture of the world? The local and global landscape. Planet Earth is a place so strange, so full of beauty and wonder, mistakes and confusion. This confusion is very important to me, it feeds me and my work.”

The artist brings his energetic imagery to the Clerkenwell showroom for a second time, ever growing his relationship with Morgan. Since graduating from Central Saint Martins 17 years ago, he has been commissioned by Converse, The Dulwich Picture House and agnès b.

Beyond the UK, he has exhibited in galleries from Japan and China to The Gambia and Turkey. Evading categorisation, Shillinglaw’s work includes small handmade books, paintings, album covers and set design.

The installation will be on display throughout Clerkenwell Design Week, providing an eye-catching backdrop to an exciting series of events and product launches.

Morgan is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, click here.

Main image credit: Morgan

LIVE FROM MILAN: Pedrali unveils new collection

730 565 Hamish Kilburn
LIVE FROM MILAN: Pedrali unveils new collection

Pedrali has presented its latest collection at Salone del Mobile during Milan Design Week… 

Ten new products are currently being presented by Pedrali at the Salone del Mobile during Milan Design Week. The pieces are being unveiled alongside some of Pedrali’s more iconic collections, giving character to the Palace of Wonders.

Soul Outdoor – pure creativity
Design: Eugeni Quitllet

Soul Outdoor is a new, special evolution of the original version made in bent wood and launched by Eugeni Quitllet last year. The inspiration is the same that the Catalan designer defines as “a link between the concrete and the abstract, between the real world and that of dreams, between past and future… the unspoiled state of creation”. An armchair able to express an idea of uncontaminated and pure creativity, defined by its soul.
A curved aluminium tubular frame, with classical shapes but solid proportions, clasps an ergonomic seat in shaped teak slats, almost like an embrace. The contrast between the two outdoor materials and the aesthetic result of the aluminium shininess make this armchair innovative and original. The lines of Soul Outdoor are accentuated by the fluidity of aluminium, which ensures strength and lightness, while presenting a strong visual impact.
The Soul original version, suitable for furnishing elegant and refined indoor spaces, has a solid ash frame combined with an ergonomic polycarbonate seat, which appears suspended.

In January, Soul received the Special Mention of the German Design Award 2019 in the Excellent Product Design Furniture category.
Materials: Soul Outdoor with aluminium tube frame Ø30 mm and seat with teak slats. Soul with solid ash frame and polycarbonate seat.
Finishes: Soul Outdoor with polished, anodized or powder coated aluminium combined with teak seat with water-based oil treatment. Soul in bleached ash with a transparent or white seat; black ash with a transparent smoky grey or black seat; walnut stained ash with a transparent or white seat.

Colourful scene with chairs

Image credit: Pedrali Soul Outdoor

HÉRA – fluidity of shapes
Design: Patrick Jouin

Wood – the ultimate natural raw material – is the inspiration behind Héra, the new armchair designed by Patrick Jouin for Pedrali. In true respect for the material Jouin chose to preserve it by purifying this design and presenting an extremely refined, fluid form.
Available in ash or American walnut, this armchair embodies the concept of lightness, fusing it with comfort: the backrest, in three-dimensional bent plywood of 6mm thickness, has a remarkably elegant and ergonomic design, while its upholstered seat in polyurethane foam supported by elastic belts gives great cosiness.
The rectangular-section legs with round edge display an attention to detail that makes this item particularly suited for use in some of the world’s leading hotels and restaurants.

This armchair blends the Italian company’s know-how with the finest handcrafted joinery techniques; it is the result of years of interaction, research and close collaboration between the French designer and Pedrali.
The wooden elements of the ash version of Héra are FSC-certified and finished with organic water-based paints. The use of raw materials sourced from certified forests and of water-based paints made principally from plant-derived resins is a guarantee of the company’s commitment to environmental sustainability.
Materials: frame in solid ash or American walnut; three-dimensional bent plywood backrest of 6mm thickness; seat upholstered in flexible expanded polyurethane foam, with elastic belts.
Finishes: bleached ash or American walnut; upholstery in fabric or leather.

FOLK – now traditional chair
Design: CMP Design

Folk collection accentuates the quest for simplicity. Its friendly character, the warmth of ash wood, the soft and compact dimensions, human lines seamlessly convey the concept of a chair that speaks a universal language. The power of proportions is clearly evident in the time-tested forms, re-elaborated with the new possibilities offered by technology. A light, durable die-casted aluminium ring, becomes the structural and distinctive element which enables the piece to be easily disassembled for recycling purposes or to replace its components. The solid ash frame snugly embraces the aluminium ring that holds the seat, which is available in ash plywood, upholstery, or cane seat. This last version guarantees visual lightness and maximum durability thanks to the nylon yarn woven into the wicker material. The bent plywood backrest ensures total comfort and cosiness.

The collection includes a chair and a barstool in two heights (650 and 750 mm) with a footrest.
The wooden elements of Folk are FSC-certified and finished with organic water-based paints. The use of raw materials sourced from certified forests and of water-based paints made principally from plant-derived resins is a guarantee of the company’s commitment to environmental sustainability.
Materials: frame in ash, ring in die-casted aluminium. Seat in ash plywood, upholstery or natural cane seat, with grey nylon yarn woven into the wicker.
Finishes: bleached or black lacquered ash; aluminium, polished or powder coated in various colours. Fabric, leather or simil leather upholstery.

Jamaica – Italian bohème
Design CMP Design

Designed by CMP Design, the name of this collection was inspired by Bar Jamaica in Milan’s Via Brera, a legendary hub for intellectuals and artists in the twentieth century. The elegance of this chair speaks of an age in which art,
technology and the imagination came together to give a human face to the aesthetics of machines, reimagining a peaceful world with creative sociability.
The result is a modernist collection which reworks the classic forms of the past with a contemporary edge by changing the ways in which traditional materials of bent plywood and tubular metal are used. In Jamaica, the warmth of the ash plywood used on the legs, with a variable tickness, and the shell, featuring a central lumbar support, is masterfully paired with the tubular steel backrest, which adds a subtle chromatic element and is more curved in the armchair version. The shell can be fully padded and upholstered in fabric, optimising the comfort of the seat and allowing numerous customised options. The wooden elements of Folk are FSC-certified and finished with bio water-based paints. The use of raw materials sourced from certified forests and of water-based paints made principally from plant-derived resins is a guarantee of our company’s commitment to environmental sustainability.
Materials: legs and shell in ash plywood; steel tube Ø16 mm.
Finishes: bleached or black lacquered ash; powder-coated steel, antique brass, black nickel. Fabric or leather upholstery.

Image credit: Pedrali Jamaica

ELINOR TABLE – a classy hug
Design: Claudio Bellini

The Elinor collection is the result of the collaboration inaugurated last year with Claudio Bellini, leader designer of the office furniture contemporary scene. Elinor table springs from a new perception of space; the concept brings to mind the soft, curving lines of the namesake executive chair, conveying a refined yet contemporary image. The result is a product with premium aesthetic credentials that meets the needs of a constantly-changing market. Designed to furnish contemporary office spaces and domestic settings, the Elinor table has a simple yet distinctive design, with carefully refined details. The base is formed of two moulded elements of fixed dimensions, made from rigid polyurethane foam and upholstered in genuine leather; they support a table top in ultra-thin 6mm solid laminate, with rounded lacquered MDF support beneath it which conceals the steel structure. The Elinor tables can be adapted; the two elements of the base can be positioned in several ways to create different geometric arrangements, allowing a variety of aesthetic results. These moulded elements, when arranged in an asymmetric way, donates lightness to the setting thanks to the space between them, by ensuring great stability. The table tops can be square (1500 x 1500mm) or rectangular (1100 x 2000mm, 1100 x 2600mm, 1100 x 3000mm), always feature soft edges.
Also available with a central cable management for office environments.
Materials: top in solid laminate; support in MDF, structure in steel; base in rigid polyurethane foam upholstered in genuine leather.
Finishes: genuine or simil leather upholstery; tops in black, arabescato white or black marble Fenix, or in white compact full colour solid laminate.

BUDDY SOFA – friendly spirit
Design: Busetti Garuti Redaelli
The successful Buddy collection expands its horizons, enriched with a new furniture solution: a two- and three-seater sofa designed for the living room at home, but equally suitable for waiting rooms, informal office meetings, or lounge areas in the contract and hospitality sector.
While it still reflects the collection’s friendly, reassuring design, this sofa adds further comfort to the seat, thanks to a combination of four different densities of polyurethane foam supported by elastic belts, offering greater softness for a domestic environment in which one feels truly pampered.
The sofa is incredibly versatile: not only is it available with or without armrests, but several seating modules can be positioned together. Available in two sizes: 2480 x 900 x 735 mm and 1800 x 900 x 735 mm.
Version with removable covers available on request.
Materials: fireproof polyurethane foam in four different densities, upholstered in fabric, leather or simil leather; steel frame, aluminium legs Ø25 mm.
Finishes: powder coated aluminium or antique brass.

TRIBECA LOUNGE – Fasten your seatbelt!
Design CMP Design

Tribeca collection gains new elements, highlighting its fresh, dynamic, colourful and playful side. A lounge chair and a two-seater sofa which, like the chair, armchair and stool, evoke the comforting echoes of the past, offering a modern reinterpretation of the classic Sixties patio chairs made from steel and woven cord.
An outdoor icon, revisited through new materials: a webbing in vertically-woven extruded PVC with a nylon core that is truly durable, easy to clean and colourful, is combined with the solid tubular frame. Handcrafted with the highest attention to detail, this chair is incredibly soft and comfortable, and puts a contemporary twist on tradition with cutting-edge design and quality.
Materials: steel tube frame Ø20mm powder coated for outdoor use, back and seat in woven extruded PVC with nylon core, UV resistant.
Finishes: white, pink, red, terracotta, brown, blue, sage green.

REMIND – between mind & heart
Design Eugeni Quitllet

“Remind, or call back to mind – a concept rendered in Latin by the word ‘re-cordis’, meaning ‘to pass through the heart”. (Eugeni Quitllet)
Mind and heart have been both essential to create Remind: the heart in its creation and the mind in its production. While evoking the soft sinuous curves of wooden chairs from the late nineteenth century, Remind’s organic silhouette recalls “something never seen before”, a universal shape able to fit into any space and style of decor. The result is an innovative polypropylene armchair, in which each element is conceived to ensure total comfort and cosiness. The breathable texture makes it airy and even lighter. Made from injection-moulded polypropylene, the armchair is functional and versatile, perfect for both outdoor and indoor spaces.
REMIND PIXEL: It’s time for creative flair and personalisation. Now, the perforated backrest of Remind can be decorated with tiny colourful pixels made from polypropylene, so anyone can become an artist by creating infinite patterns: a number, a letter of the alphabet, an object, or simply a dash of contrasting colour.
Pedrali’s plastic furniture is made using premium raw materials and is recyclable and eco-compatible. Our polypropylene products are 100% recyclable, demonstrating the company’s commitment to environmental sustainability.
Materials: single-material chair in polypropylene charged with glass fiber; polyopropylene pixels.
Finishes: beige, sand, green, red, grey, black. Pink, red and black pixels.

TAMARA – roaring Twenties
Design Basaglia Rota Nodari

To celebrate the tenth anniversary of its lighting collection, coinciding with the thirtieth edition of Euroluce, Pedrali presents Tamara, a lamp that successfully blends style and elegance. This new suspension light takes inspiration from the shape of the headlights of early twentieth-century automobiles, paying homage to Tamara de Lempicka, modernist painter, icon of elegance and charm, who in her famous self-portrait is behind the wheel of a green Bugatti. Made from aluminium powder coated in various colours, Tamara stands out for its soft form, in which fleeting, rounded yet angular lines combine to make a versatile product. The light produced provides direct illumination of the surface beneath; however, an opening in the upper section of the shade, and the convex profile of the closer in opaline polycarbonate, allows a delicate band of light to shine onto the ceiling.

Tamara offers interesting compositions for geometric effects that give a unique look to any room.
Materials: aluminium diffuser Ø180 mm; opaline polycarbonate closer.
Finishes: powder coated aluminium with matte paint in various colours, or in satin brass or satin copper finishes; cable and ceiling rose available in black or white.

ARKI-TABLE adjustable – a perfect balance
Design Pedrali R&D

Arki-Table optimises its ability to meet the needs of flexibility and functionality of most modern working spaces, with a new version with the height-adjustable top. Suitable for meeting rooms and work stations, this table is able to adapt to his users and their needs, making real the concept of smart and dynamic office.
Two electric actuators, connected to a control unit and activated by two buttons placed under the top, move as one and allow to choose the ideal height of the top, from 740 to 1140 mm, to have maximum comfort during the workday.
Available in white or black full colour versions, Arki-Table adjustable has an ultra-thin 6mm solid laminate top with central cable management with a cover (150 x 600mm), steel trestle legs and an extruded aluminium support.

Top in solid laminate 6 mm in three dimensions: 1000 x 2000mm; 1000 x 2400mm; 1000 x 3000mm white, black or grey.
Materials: solid laminate top 6 mm; steel legs; extruded aluminium support.
Finishes: top in white full colour, black, in three different grey or in black Fenix.

LIVE FROM MILAN: First images of Swedish Design Moves’ exhibition

726 565 Hamish Kilburn
LIVE FROM MILAN: First images of Swedish Design Moves’ exhibition

The first images of Swedish Design Moves’ returning exhibition at Milan Design Week have been released…

Inspired by sustainable materials and the complex relationship between nature and technology, Swedish Design Moves’ HEMMA gone wild has launched during Milan Design Week. The exhibition, which takes place until April 14 in the Brera Design District, is a sequel to the 2018 exhibition, HEMMA – Stories of Home.

Curated and designed by Joyn Studio, HEMMA gone wild invites visitors to experience an abstract and playful vision of home, from hallway to living room and onwards through an unfolding scenography that showcases the best of Swedish design, drawn by curiosity and a mood of mystery. Home is a place of refuge and security – but it can also be a place from which to escape.

“Swedish landscape represents where we are from but it is only one element of our story. It was important to us that this dynamic flow of influence be reflected throughout HEMMA gone wild”, said Joyn Studio.

Image credit: Swedish Design Moves

The exhibition explores the complex relationship that we have with home and the influences of both nature and technology as they shape our experience of living and our connectedness with the changing world around us.

Just as a home is a reflection of a personality, all of the pieces within the exhibition have been selected for what they have to tell us and positioned with careful consideration to how they speak to each other. Among them are a number of the 82 new objects created for the Nationalmuseum’s NM& Collection – a unique collaboration between 32 Swedish designers and 20 manufacturers, unveiled late last year. These include the Curve lamp for the museum’s library designed by Front and produced by Zero, Sand dinnerware designed by Carina Seth Andersson in collaboration with Design House Stockholm, the Ateljé dining table designed by Matti Klenell (artistic director of the NM& project) and produced by Gärsnäs, and the Botero chair, also designed by Matti Klenell in collaboration with Peter Andersson and produced by Källemo.

Other featured designers include Monica Förster, one of Sweden’s most acclaimed designers who is represented with her Retreat sofa for Fogia, which also brings pieces by TAF Studio and fashion designer Lars Nilsson who has collaborated with Vandra Rugs on a number of projects including Snö & Kol which brings Vandra Rugs to exhibit at Milan Design Week this year for the first time.

“Swedish design finds its unique expression in deeply felt values of equality and accessibility paired with innovation and creativity – all reflected by the multitude of talented designers and brands invited to participate in this year’s exhibition in Milan“, said Michael Persson Gripkow, Brand & Strategic Marketing Officer at Visit Sweden and project manager for Swedish Design Moves.

Sustainability is a driving influence for Sweden’s designers and manufacturers. Two leading design brands to highlight in this regard are Bolon, which launched in 1949 with rugs produced from textile waste and today uses 33 per cent recycled materials in its flooring products, and acoustic product producer Baux, which was founded on the belief that building materials should be sustainable, surprisingly functional and remarkably beautiful.

In addition to these designers and brands, the breadth of design talent across furniture and lighting will be represented by established design brands Asplund, Blå Station, Gemla, and Tre Sekel and some of the country’s newest studios and brands: Massproductions, Myltha, Pholc and Studio Mia Cullin. Bringing Swedish design to every element of the home, other brands exhibited include Electrolux, office design brands EFG and Ogeborg, bathroom specialists Westerbergs, urban design company Nola and wood-fired bathtub manufacturer Hikki.

Emerging talents throughout HEMMA gone wild will be accentuated by the inclusion of the work of students of Beckmans College of Design and HDK Academy of Design and Crafts and the winners of the Swedish national award for young designers (Ung Svensk Form), many of whom will show graduation and prototype projects.

HEMMA gone wild is an exhibition of contrasting colour, light, material and sound as well as of feeling.

Main image credit: Swedish Design Moves

IN THE FACTORY with Knightsbridge Furniture

730 565 Hamish Kilburn
IN THE FACTORY with Knightsbridge Furniture

To stitch together how Knightsbridge makes its contract furniture, editor Hamish Kilburn travels up to Bradford in West Yorkshire to step inside the modern factory that chooses to do things the traditional way…

Priding itself on being 100 per cent British-made is something that has become somewhat of a unique selling point for contract furniture company Knightsbridge.

Giving ‘in-house’ a whole new meaning, every item that has a Knightsbridge logo on it was conceptualised, sketched, prototyped and produced in the hearty West Yorkshire town of Bradford – and has been for 80 years.

In an average week, around 700 items of furniture are made in the Victorian factory – and all pieces start as nothing more than a stacked load of timber or Birch plywood, which is imported from Russia and Europe. While many factories internationally have chosen to use automated machinery to carve their frames, Knightsbridge is among the minority that still, to this day, cuts its materials by the hands of skilled workers. “Many of our employees come through the apprenticeship scheme, which is something we are very proud of,” said Craig Weston, Operations Manager at Knightsbridge. “Because everything at Knightsbridge is handmade and hand-cut, the role in the factory therefore requires a very specific set of skills, which isn’t easy to teach just anyone.”

Stack of timber

Image credit: Knightsbridge Furniture

As we walk from process to process, I notice that an arm of a chair starting to take form. “This is one of the most difficult pieces we make,” says Weston who points to the worker on the cutter who is meticulously carving out detailed incisions. “As a strategy, we ensure that we always have a higher stock of the items that are more complex to produce.” With high demand for Knightsbridge products and limited facilities, this is a resourceful method that reduces the possibility of delays in the manufacturing process.

Contract chair in the process of being upholstered

Image credit: Knightsbridge Furniture

Once each frame is cut, sanded, assembled, tinted, polished and dried, it is then ready for the upholstery process. On average, it takes the team at Knightsbridge approximately one hour to upholster a typical sofa. As the demand in hotel interior design renovations increases, the company also offers a reupholstery service whereby it will reupholster any piece of furniture (even if it’s not a Knightsbridge product). The cluster of seamstresses working is impressive and the decision to keep a cap on fabric stock is reassuring. “To reduce waste and save space, we only stock as much material as we need in this area,” Weston explains. “What’s more, although we have colour and fabric options, we will match any colour the client wants.”

Seamstress working

Image credit: Knightsbridge Furniture

Elsewhere in the factory, away from the main production line, is the design and development team. Led by Director Jason Brown, who lives and breathes by the ethos that you can’t turn down the volume on creativity, the soul of the factory is my home-from-from during my visit. “I have every furniture designers’ dream job, right?” laughs Brown. “It’s such a privilege being able to have all the tools, kit and skills to be able to prototype products in-house.” Brown is a man after my own heart who seems to wear many hats in his role. “The most obvious element to my role is that I sketch and design the future collections,” he explains. “But what most people perhaps don’t know is that my team, which is magic by the way, also have to provide the factory workers with all the technical drawings when we start producing a new product. As you can imagine, there is no margin for error in this department. We are always looking for new ways to be innovative, while being mindful of time, quality and cost for the overall business.” For Brown, like all great designers, thinking creatively and thinking commercially are difficult plates to spin at the same time. “It’s a challenge, but that’s why I love it,” he adds.

Despite Knightsbridge having the ultimate in-house design dream team, led by a visionary who clearly leads within the pack, the company is also proud to work with outside influences when designing future products. The latest collaborations to come out the factory include the likes of John Coleman, Sean Dare, Jim Hamilton and David Fox.

Knightsbridge is a modern company like no other. Proud of its heritage and confident to push boundaries, it seems as if this British-born company has all the materials, workforce and ideas – all stored under one roof – to lead the contract furniture market into another 80 successful years of business.

Milan Design Week 2019: What’s on

730 565 Hamish Kilburn
Milan Design Week 2019: What’s on

This week, hundreds of designers from all corners of the world will descend onto Europe’s soulful design hub that is Milan for the Salone del Mobile furniture fair, the Euroluce lighting show and other events happening within the city walls. Editor Hamish Kilburn cuts through the noise to identify what to bookmark over in Milan…

Design lovers are arriving in Milan today to attend what is arguably the most significant event in the design calendar.

From April 8 – 14, the Italian city  centre transforms into a creative hub that witnesses product launches, emerging trends, which this year are expected to be themed around health and wellbeing, bringing the outdoors indoors and creating closer human interaction.

Salone del Mobile, which is arguably the main event of the week, will be split into three categories this year there are: Classic – Tradition in the Future, drawing on the values of tradition, craftsmanship and skill in the art of making furniture and objects; Design – products that transmit functionality, innovation and a great sense of style and finally xLux – the section you’ll want to spend most of your time at – the luxury section devoted to timeless objects in a contemporary key.

Meanwhile, Euroluce the International Lighting Exhibition. The show, which has run every two years since 1976, presents the most innovative solutions in the field of light for interiors and exteriors.

As the shows open their doors, here are a few events to bookmark:

Sebastian Herker – Milan man of the moment

Image credit: Sebastian Herkner/Freifrau

Hot off the heels of becoming Maison Objet’s Designer of the Year, Sebastian Herkner is moments away from launching new products in Milan. On the both upcoming shows Salone del Mobile and Euroluce in Milan, the studio will showcase new products for brands like Ames, Dedon, Emu, Freifrau, Gloster, Pulpo and Thonet as well as designs for our new partner Vibia.  The studio will also present collections for Schönbuch, Wittmann and Zanotta.

Turri – architectural furniture

Image credit: Turri

The furniture company has confirmed that it will launch a new collaboration with architect Daniel Libeskind who will be on the company’s stand at Salone del Mobile on Wednesday April 10 to discuss the new project with the company. Until then, the furniture company thats motto is ‘The Italian way to Beauty’ is keeping extremely tight-lipped about what we can expect.

Swedish Design Moves – HEMMA goes wild

Image credit: Swedish Design Moves

Swedish Design Moves returns to Milan this year with HEMMA gone wild – a sequel to the 2018 exhibition, HEMMA – Stories of Home.

Curated and designed by Joyn Studio, HEMMA gone wild invites visitors to experience an abstract and playful vision of home, from hallway to living room and onwards through an unfolding scenography that showcases the best of Swedish design, drawn by curiosity and a mood of mystery.

Humanscale – Human touch

Todd Bracher, long-time collaborator with Ergonomic leaders Humanscale, and Studio TheGreenEyl have designed an immersive, interactive experience. Bodies in Motion will invite visitors in to explore human movement, as represented through dramatic beams of light. The display can be seen in the historic vaults located under Milano Central Station, as part of the third edition of Ventura Centrale.

USM

The Swiss furniture innovator USM will be returning with their mega-structure at the Fair in collaboration with UNStudio. Visit their stand (A07/B06) in hall 20. If you’re visiting on Tuesday, CEO & Great-Grandson of USM’s founder Alex Schaerer will be on the stand, as will Ben van Berkel, UNStudio founder and Ren Yee, Head of Design/Strategies, UNStudio. If you would like an interview with Alex, Ben or Ren let us know and we will help make arrangements.

Minotti 

Returning to the fair, the Italian furniture company in familiar surroundings will launch its 2019 Collection of luxury and timeless pieces. The premium furniture brand, which was Hotel Designs’ Exclsuive Style Partner for Meet Up London, will unveil all on its stand. Minotti will premiew the new collection, coordinated entirely by Rodolfo Dordoni, which also includes some products designed by Christophe Delcourt. The collection is a return to its roots, but with a vision of the future, to innovate while staying true to our style and our traditions. The inspiration for a collection marked by an intriguing layering of influences and styles, for a timeless elegance that is nonetheless strikingly unexpected.

Brodie Neill – Plastic in the ocean

Image credit: Brodie Neill

Following the sustainable Gyro table – a circular table featuring a top made from inlaid fragments of recycled ocean plastic, designer Brodie Neill will launch yet another public statement to highlight climate change. He will unveil a contemporary hourglass filled with microplastic instead of sand during Milan Design Week in order to highlight the issue of ocean plastic pollution.

Nendo – Breeze of Light

The Japanese studio Nendo will present a new lighting display entitled Breeze of Light. This installation, in collaboration with Daikin, evokes the sensation of a comfortable breeze by the movement of light and shadows, not actual air. A virtual flower garden is illuminated using 115 individually-controlled spotlights directing light on 17,000 flower-shaped polarising films. Changes in shadow intensity of the flowers produce the effect of a breeze passing through the garden.

Tom Dixon

Going against the grain, Tom Dixon took the decision not be showcasing products at Salone del Mobile. Instead, he’s opening his own restaurant and his furniture, lighting and accessories will feature throughout the restaurant’s dynamic mise en scene.

Salone Satellite 

Exhibition hall

Image credit: Salone del Mobile

As Hotel Designs continues to support young emerging designers, the Salone Satellite is to place to be if you want to discover new talent. Back for its 22nd edition, this year’s theme ‘Food as Design Objects is aimed to challenge designers to debate climate change and

Ahead of the event, Claudio Luti, President of the Salone del Mobile, had this to say: “At this particular time of great success for Milan, it is important to consolidate the Salone del Mobile’s powersof attraction, offering its visitors not just a wide range of products, but, especially, opportunities for international interface and for reflection on the relationship between creativity and business.”

Milan, the moral capital of a thriving design hub, has opened its doors as designers, architects flood in. The small city with a large personality is ready to witness many moments that are about to written and no-doubt go down in design history.

Main image credit: Salone del Mobile

BRITISH STYLE: Questioning design like Ilse Crawford

730 565 Hamish Kilburn
BRITISH STYLE: Questioning design like Ilse Crawford

To launch the new chapter of Hotel Designs, Hamish Kilburn investigates how one woman, her editorship and her questions over convention helped to change modern international hotel design by challenging the very foundations it sits on…

Every now and then, the world is introduced to a design icon who, through making their visions into reality, helps to shift attitudes by challenging conventional forms.

For Ilse Crawford, the founding Editor-In-Chief of British Elle Decoration, the design world was somewhat lacking reference of everyday movement when she decided to step into the shoes of her designer readers.

In 1997, a decade on from founding British Elle Decoration, Crawford asked the world to “liberate your senses and change your life” when she published her first book, Sensual Home, which mapped out how the living environment can engage us sensually as well as visually from the perspective of sight, sound, taste, touch and smell. And was, for Crawford, the start of a new journey.  “Writing the book was the ‘ah-hah’ moment, because it wasn’t the current understanding of design,” she explained in the Netflix documentary, Abstract: The Art of Design. “The days of being a two-dimensional person were over.”

The defiant leap from narrator to creator came one year later after she signed off as Editor-In-Chief. Having completed her mission to launch a contemporary magazine for a wide audience, Crawford worked for Donna Karan and getting her hands dirty, she became a maker. Crawford’s first hotel interior design brief was presented to her immediately after she left Elle Decoration when she was asked to convert a stately home for Nick Jones of Soho House into what we now know of as Babington House. “Nick originally wanted this place to look and feel like a stately home, but I was very clear that that’s the last thing it should be,” Crawford explained in Abstract: The Art of Design. “My proposal was that it should be a very informal place where you could just treat as if it was your own, like a family house of a friend where the parents had gone away and left the key the drinks cabinet.” Breaking the rules of the time, Crawford’s design stole the headlines and her journey as an interior design began.

“The project saw the transformation of a former industrial building in the Meatpacking district into a 27-key design hotel.”

From the rural British countryside to the bustling scene of Manhattan, Crawford’s skillful and sensitive approach was called upon to create the first outpost of Soho House outside the UK. The project saw the transformation of a former industrial building in the Meatpacking district into a 27-key design hotel, including bars, a restaurant, cinema and rooftop pool. Soho House New York opened to become the definitive third space for the transatlantic media crowd.

Her aim as an interior designer is to put human needs and desires at the centre of all that she does. Working in commercial and residential design, and blurring the lines between both, Crawford has changed many environments for the better of those who use them. Ett Hem Hotel was a conversion project of a former arts and crafts building. The 12-key guesthouse is described by Crawford as “a place to stay for the modern traveller, a home-from-home, where flexibility of space and function is central to the hotel’s operation,” she says. “There is no division between front and back of house – anything can happen anywhere at any time.”

Residential style in the hotel

Image caption/credit: Ett Hem Hotel. Interiors by Ilse Crawford

As someone who truly lives and breathes the industry in which she used to curate on the pages of Elle Decoration, Crawford wears many hats as a modern designer. In her own admission to Interior Design magazine, she confessed that “the line between my work and life is thin to non-existent.”  Working from her London studio, which is directly below her home, Crawford’s knowledge in interiors has allowed her to extend her portfolio to include product design. The Sinnerlig Collection for IKEA includes 30 pieces of of furniture, lighting and tabletop collection. “They explore natural materials and are simple,” Crawford explains on her website. “They are helpful, background pieces, not showstoppers.” Tactile materials such as cork, ceramic, glass, seagrass and bamboo appealed in the design concept because they felt as good as they looked.

“Maison&Objet awarded Crawford the prestigious title of Designer of the Year 2016.”

The Together Table was another design that challenged existing products on the market. Confronting the design of conventional four-cornered tables, Crawford simply rounded the edges of the table, which as a result naturally invited people to move around it more freely.  The Ilse Sofa was the result of a collaboration with British furniture brand George Smith. The height and depth of the product’s arms and back were calculated and tested to ensure that the sofa supports as many sedentary habits of modern life. “We like to think of it as a room within a room,” Crawford explains when describing the tactile experience.

Beige modern, long, thin table

Image caption/credit: The Together Table by Ilse Crawford

Two years after she was awarded an MBE in recognition for her work in design, Maison&Objet awarded Crawford the prestigious title of Designer of the Year 2016. Since then, the modest designer has continued to evolve the hospitality landscape with completing projects such as The Lounge Plaza 66, Cathy Pacific’s iconic airport lounge in Hong Kong and the warm and inviting home-from-home that is Bukowskis.

Crawford’s philosophical visions to challenge the norm leaves a clear path for young designers who aspire, like her, to make a difference through design. As the founder of the department of Man and Wellbeing at the Design Academy Eindhoven, Crawford’s mission as a visionary is explained on her website as “nurturing a new generation of students to always question why and how their work improves the reality of life.” Her philosophy to improve the future through considered design is what makes her the leader she undoubtably is today. Her work – and her working style – is a simple, effortless reflection of the questions she asks of the designs of today and the possibilities that are garnered by second guessing what the future should look and feel like.

Crawford, an ever-evolving icon of British and international design, has metaphorically cut the ribbon to launch Hotel Designs’ new website by being the subject of the first editorial feature of the title’s new era. The newly launched slogan “defining the point of international design” is a pledge from the editorial team to its readers to cut through the noise to publish conversation starters that will filter into many debates on the hotel design scene that we all know and love. That conversation starts here, with a question that Crawford asks herself when confronted with a new project: “How can design strategically make things better?”

Main image credit: Ilse Crawford/StudioIlse

FEATURE: “Industrial bathrooms are here to stay,” say bathroom experts

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FEATURE: “Industrial bathrooms are here to stay,” say bathroom experts

Following ISH this month, PR and marketing firm Esprit breaks down why industrial bathrooms are not going anywhere soon in international hotel design…

Historically a 20th Century style, the industrial trend has a new look and feel.

No longer relegated to offices or loft style apartments, industrial design elements can be seen all over the home even in the bathroom.

“This somewhat harsh, gritty, uniquely urban, style has evolved.”

The original industrial trend has been around for years; but this somewhat harsh, gritty, uniquely urban, style has evolved.  The most obvious aspects such as rough textures, weathered surfaces, concrete, exposed brick and pipe work can look a little harsh in the home.  The use of muted and matt colours, such cool greys, blacks and anthracite work well, helping to achieve a “softer” Industrial look.

The use of metals including steel and aluminium, in both product design and construction, sets the scene, whilst dim lighting and brushed metal drains with matching bathroom accessories completes the industrial vibe.

Image credit: Kaldewei

The versatile, Nexsys Shower Solution is an innovative, award-winning four-in-one system which can be installed immediately, there are 17 different surface colour options including Cantania Grey Matt and City-Anthracite Matt, these can then be combined with five different waste channels variants.

The delicate filigree design of the free standing Miena washbasin made from a single layer of Kaldewei’s superior steel enamel perfectly complements an industrial style bathroom, due to its simplistic form and shape.

The industrial look in the bathroom can be further enhanced with a radiator from VASCO.  Providing a combination of energy efficiency and warmth VASCO radiators are available in variety of contemporary colours and textures; including Metallic Grey, Grey Aluminium, Anthracite Grey and Slate Grey.

Select from edgier, textured radiators such as the Bryce or the Carre which can be supplied as a curved radiator and further endorses this trend with its narrow bar design.

Image caption: Happy D2 from Duravit

Dark, industrial colour accents never fail to impress. By adding a contemporary, monochrome element, AQATA’s Matte Black Collection is a new addition to their successful Design Solutions range, available on DS400 shower screens and DS440 double entry shower screens. As well as matte black profiles and steady bars, there are also three glass patterns; grid, horizontal and border designs available.

In collaboration with sieger design, Duravit’s latest Happy D.2 Plus series reflects current industrial trends in colours, design and finishes. The above-counter washbasins striking individuality comes from the new striking two-tone colour variants of Anthracite Matt and glossy White. The colour concept of Happy D.2 Plus extends to toilets and bidets, with the interior of the toilets finished in glossy Anthracite for optimum hygiene.

Duravit’s Stonetto shower tray is designed to give the appearance of stripped back, water–worn stone, available in lighter shades, when used in anthracite or concrete gives the bathroom an edgier industrial feel.

Image of various industrial products from the range

Image credit: Unidrain

Finally, for maximum impact, Unidrain’s award-winning Reframe Collection brings together the finishing touches to an urban bathroom with their Scandinavian inspired designer accessories including; soap shelf, towel bar, toilet brush. The Reframe Collection mixes sleek design with metallic tones, available in five different colours including; Black, Copper, Brass and Brushed and Polished Stainless Steel.

Hotel Designs will be focusing the spotlight on the bathrooms this May and is currently acccepting editorial ideas. To submit your news/feature ideas, please email the editorial desk.

Main image credit: Aqata

Interior Design & Architecture summit welcomes Domkapa as event partner

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The contract upholstery company Domkapa has been confirmed as a partner for Interior Design & Architecture Summit, which takes place next month, April 29, at Hilton London Town Bridge…

With just more than one month until the event debuts, Interior Design & Architecture Summit (IDAS) has confirmed Domkapa as a partner.

IDAS is a one-day event that is designed to connect senior executives working within the sector with product and service suppliers for face-to-face meetings and business networking.

The Summit aims to support the design and architecture sector with a unique platform to help create long-lasting and mutually beneficial business connections.

As part of its partnership with the event, Domkapa will provide the furniture for the seminars and panel discussion. “As a leading upholstery supplier, we are thrilled to come on board as a partner for Interior Design and Architecture Summit,” said Barbara Neto, International Markets Manager at Domkapa. “We look forward to all the debates at The Summit and showing designers and architects our latest products.”

To view the full speaker programme for IDAS, click here.

How to attend IDAS

If you are an architect or interior designer and would like to attend the Summit, there are very limited spaces available. Please contact Kerry Naumburger on k.naumburger@forumevents.co.uk – or click here to book your place.

If you are a supplier to the hospitality industry looking to meet the top architects and interior designers, contact Victoria Petch on v.petch@forumevents.co.uk – or click here to book your place.

Click here for more information about IDAS.

Media partner: Future Contractor & Architect

CDW 19 PREVIEW: Morgan to launch new collaborative projects

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CDW 19 PREVIEW: Morgan to launch new collaborative projects

Morgan, contract furniture designer and manufacturer, will showcase two new collaborative projects at its London showroom (1 Dallington Street, EC1V 0BH) during Clerkenwell Design Week from May 21 – 23, 2019…

Morgan is gearing up for Clerkenwell Design Week where it will unveil the result of two authentic collaborations with outside designers.

The architectural Rakino lounge collection, by designer Tim Rundle, juxtaposes soft sculpted upholstery with a strong, low line frame. The clean linear structure emphasises crisp timber detailing born from a dialogue between the precision of CNC manufacturing and a handcrafted finish. The collection will offer two lounge chairs and a selection of coffee tables.

Following Mark McClure’s bold and dynamic installation at the company’s showroom two years ago, Morgan has collaborated for a second time with the artist to create a selection of new feature coffee tables for the Goodwood collection. Pushing the boundaries between furniture and art, the tables are characterised by strong geometric inlay tops with splashes of brass.

Also on display will be the recent additions to the Rio table collection. Combining skills and expertise with architect Mehran Gharleghi of studio INTEGRATE, the expanded collection of tables includes geometric 3D printed components. The first of its kind within the sector to include this cutting edge technology with a commercially viable price point, the sophisticated and singular collection is not to be missed.

The new products will sit alongside a complete showroom transformation, following the theme ‘Plant a Seed’. Morgan has invited artist David Shillinglaw back to its showroom, following the company’s first collaboration in 2015.

“Flowing across the front of the showroom will be an organic lighting installation by Tom Raffield”

‘Alive in the Human Hive’ promises to be an energetic and colourful large-scale art installation that will fill the double height main wall. The piece will be a representation of the human landscape, informed by both local and global environments and the ways we experience the planet. Recent smaller canvases by David will also be up for grabs.

Flowing across the front of the showroom will be an organic lighting installation by Tom Raffield, made up of Aram and Quill pendant and wall lights as well as a spectacular Flock chandelier, inspired by the organic shapes, movements and sequential patterns that surround us.

Launch party, live music and more

Join Morgan at its buzzing Clerkenwell showroom for a number of social and thought-provoking events throughout the week.

Tuesday will include a panel talk by Double Decker curators Wilhelm Finger and Melita Skamnaki, entitled ‘Redefining Hotel Art’, on how they challenge stereotypes in hospitality. The talk will lead into Morgan’s annual product launch party with tasty canapés and live music.

On the Wednesday, Tom Raffield himself will be giving a talk entitled ‘Taking Inspiration from Nature’. During the talk, Tom will share his passion for the organic forms and structures found in the natural world, and why they play such an important role in the brand’s designs, materials and signature curved aesthetic.

Morgan is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, click here.

Orangebox refocusing hotel smartworking at CDW 19

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Leading workplace furniture brand Orangebox is preparing to exhibit new smart workplace solutions ideal for the modern hotel at Clerkenwell Design Week 2019…

With the aim to refocus smartworking, while identifying and examining disruptive technologies, furniture brand Orangebox is using innovation to design the workplace of the future. Demand has never been higher  for flexible and adaptable public areas within the modern hotel, and Orangebox has year after year offered freshly designed furniture for the workplace that is