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Lighting design: guests’ demands come first

730 565 Hamish Kilburn
Lighting design: guests’ demands come first

Following the industry emerging from the pandemic, lighting brand Franklite explains how guests are at the heart as the hospitality industry enters unchartered waters…

It’s important to understand how the right light can be used in different environments. For instance, in a hotel, light can be used to create an ambience and welcoming feel when paired with the right decor and natural light.

The right light can create a warm and friendly atmosphere; however, the wrong light can easily detract from a nicely decorated room.

Lighting in hotels should be installed with guests at the heart. The entire guest experience starts as soon as you arrive at the front desk of a hotel. If you are arriving late at night, the lighting should be warm and welcoming, helping you to feel relaxed and comforted. This is in contrast to when arriving in the morning, where there should be plenty of daylight or if not possible, bright white lighting, to help you feel energised and awake.

Image credit: Franklite

It’s important to make the best use of light in each space, to create a relaxing atmosphere throughout the entire hotel. For example, the lighting in the restaurant will require different lighting at different times of the day. During the day, where natural light changes are more noticeable, different scenes make it easy to adapt and maintain the right light level. At night, the lighting may be needed to assist in creating a romantic setting.

Understanding these nuances has been the key to Franklite’s success, having manufactured and distributed decorative lighting products from our purpose-built premises for more than 45 years. The brand is renowned, both in the U.K. and abroad, for the quality and versatility of its lighting, a reputation built on using only the finest components in the manufacturing process.

The lighting brand has evolved into a company offering a diverse range of decorative LED lighting products for both interior and exterior, domestic and contract applications, including all areas of hospitality and especially in hotels.

Franklite was one of the first manufacturers of energy saving chandeliers within the U.K. lighting industry. The brand understands the importance of keeping up to date with changes in regulation, the development of super-efficient light sources, and changing interior design trends.

Along with its constantly updated catalogue range, Franklite is able to offer bespoke LED lighting solutions for special projects, ensuring your design is ahead of the game and adding that ‘WOW’ factor when required. The company has dedicated contract sales and technical teams with many years of experience in lighting to assist with all your requirements.

If you would like any assistance or advice on using our products in your next project, please contact us on 01908 691818 or visit the website.

Main image credit: Franklite

 

PRODUCT WATCH: Shower spaces from Ambiance Bain

730 565 Hamish Kilburn
PRODUCT WATCH: Shower spaces from Ambiance Bain

Bathroom brand Ambiance Bain is continually striving to deliver new, innovative, exciting products, has succeeded again with a comprehensive range of shower trays and wall panels…

Manufactured in its own factories, Ambiance Bain’s new collection of shower spaces is created from a unique solid surface material SMO.

Developed by Ambiance Bain, SMO is a mixture of natural stone powders and low-density mineral granules from recycling and a binder, which is then coated with a 1mm thick protective gel coat for durability and strength. This material can be cast in one single piece with no seals or bonding to deliver an easy to clean, hygienic finish.

Image credit: Ambiance Bain

Meticulously finished by hand down to the last detail, we have developed a manufacturing process which enables us to produce individual shower trays and panels within bespoke configurations as well as small and large runs for our collections and major projects.

If you already have a bath and want to replace it with a shower space, Ambiance Bain SMO shower trays and wall panels are the ideal choice.  Considerable costs can be saved by installing a shower in the space left behind by a bath.  Existing drain lines and water supplies will already be in place and this will significantly reduce plumbing costs.  Our comprehensive range of shower trays and wall panels can transform your bath area into a beautiful, accessible shower space, which will use less water and is easier to clean.

Image credit: Ambiance Bain

Choose from four adjustable shower trays, Origin, Oka, Altima and Altimax or two made to measure options Universal and Elegance, all with co-ordinating shower wall panels, which complement our SMO worktops for a completely harmonious design.

Available in an array of beautiful gloss, matt and sparkly colours, you can be sure there is an option for every style of hotel design. You can even choose your own RAL colour if you need a completely bespoke look.

All our shower trays and wall panels can be cut to size as per your specification or easily adjusted on site and are quick and easy to install.

With hygiene and deep cleaning on the top of everyone’s priority list at the moment, it makes sense to choose products which are robust and easy to maintain. Ambiance Bain SMO shower trays and wall panels, with no grout lines, make cleaning a pleasure whilst helping protect the environment, without the need for cleaning agents, they can be maintained merely with a lint free cloth and mild soapy water.

Ambiance Bain is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here

Main image credit: Ambiance Bain

UPDATE: Sleep & Eat goes virtual for 2020

730 565 Hamish Kilburn
UPDATE: Sleep & Eat goes virtual for 2020

This year’s Sleep & Eat, which was due to physically take place at Olympia London in November, will now happen in a virtual format…

The highly anticipated Sleep & Eat event, which year-on-year welcomes designers, architects and suppliers from across the UK and Europe, has announced that the 2020 event will go ahead, but in a slightly different format.

Instead of being sheltered inside Olympia London, the event will now be rebranded as Sleep & Eat Virtual 2020, following the Covid-19 coronavirus outbreak.

In a statement, the organisers said: “For 15 years Sleep & Eat has been the place where the hospitality design community connects, and we understand the importance of this in the current climate. With Sleep & Eat Virtual we are excited to create an event which will enable the industry to continue to gain inspiration, source new products, expand their knowledge and network with contacts old and new.” 

Uniquely, Sleep & Eat Virtual 2020 will also co-locate virtually with Decorex with the aim to bring the industry together on November 3 – 5. This co-location is said to offer new and exciting opportunities for both events, which will attract new audiences.

“For the industry to bounce back quickly there is a real need for us to come together in 2020 and discuss our future,” said Sleep & Event Director, Mark Gordon. “There is still a huge desire for the industry to be united, to be inspired, share knowledge, and spark planned and ad-hoc conversations. Sleep & Eat Virtual will give all the opportunity to achieve this and we are very excited.”

Main image credit: Sleep & Eat

CASE STUDY: a bespoke lighting scheme for The St. Regis Venice

730 565 Hamish Kilburn
CASE STUDY: a bespoke lighting scheme for The St. Regis Venice

Bespoke lighting solution provider Inspired by Design was approached by interior design firm Sagrada to assist in sourcing lighting for just under 200 guestrooms and suites inside The St Regis Venice…

The St Regis Venice, designed by London-based design firm Sagrada, captures unmatched vistas that stretch over the building’s luxurious gardens, as well as the Grand Canal.

When it came to lighting, here’s how the designers created the appropriate ambiance in both the public areas and guestrooms.

“It was a difficult project to achieve as it required our extensive knowledge of manufacturers worldwide to produce a bespoke floor light reminiscent of the 1950s,” explains Simon Shuck from Inspired by Design. “As always, we rose to the challenge and found a factory that still had the molds available.” The factory then provided sample finishes with slightly colour variation to ensure we could match the clients exacting finishes. To finish the floorlight there was a shade manufactured to the interior designers choice of fabric and detailing.

However, the involvement did not stop there.

The next item was to produce a bespoke triptych mirror for the bathrooms. It had an exquisite sandblasted detailing to be produced on either side, backlit and to a very specific size and shape. The factory worked closely with the design team as numerous drawings and revisions were made until all the finer details of their designs were achieved before the triptych went into production.

Image credit: St Regis Venice/Marriott Hotels

Within the nearly 200 guestrooms and suites, the company’s expertise was tested again to produce both the bedside and vanity pendants . These required a facetted design to the glass, produced by Venetian master glass blowers to replicate the ceiling details. At the same time the faceting enabled the light to to cast a shadow onto the headboards to mimic the detailing on the ceiling and drapes.

Many samples had to be produced to ensure that the overall design intent would be achieved and as always the Venetian artisans lived up to their reputation.

The completed lighting creates a perfect ambience in the guestrooms, which compliments the history of the building. Shuck adds: “We are confident that when the guests arrive into their room they will be greeted by a beautifully and tastefully designed bedroom creating a luxurious stay in a very relaxed atmosphere.”

Inspired By Design is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here

Main image credit: St Regis Venice/Marriott Hotels

Technology talk with Technological Innovations Group

730 565 Hamish Kilburn
Technology talk with Technological Innovations Group

Following lengthy debates regarding technology that took place at Hotel Designs LIVE, editor Hamish Kilburn caught up Technological Innovations Group’s Director of Hospitality, Leisure and Retail (EMEA) Christophe Malsot…  

Technological Innovations Group (TIG) was the headline sponsor of Hotel Designs LIVE, the new one-day virtual conference that was born out of the idea to keep the industry connected and talking during the pandemic.

Following my address to the audience of designers, architects, hoteliers and developers, I took five minutes ahead of going live to the first seminar of the day to speak to the brand’s Director of Hospitality, Leisure and Retail (EMEA), Christophe Malsot. In the quick-fire interview, I wanted to know more about the TIG ‘ecosystem of solutions’, understand how its meeting new demands of modern travellers and users as well as understanding Malsot’s view on where technology in hospitality is heading.

Hamish Kilburn: Christophe, in a sentence, what does Technological Innovations Group (TIG) do?

Christophe Malsot: We are an EMEA sales agency offering an ecosystem of brands at the forefront of leading-edge technology development – we provide a full range of AV, UC, IT and control solutions that work together to create superior smart spaces that transform your future!

HK: Your vision is to create smart spaces that transform the future. Define a smart space?

CM: Smart Spaces connect people and technology in new ways: they add real value and are created with the latest AV/UC solutions that work together seamlessly to provide a convenient, efficient and secure user experience. 

The term refers to a space that uses Internet of Things to connect every device with a simple, intuitive and user-friendly control solution. This significantly enhances the customer experience, and increases their loyalty to you.

For example, hosting a large group seminar or conference is easier than ever before. Guests will be impressed by the ease with which they can run their presentation and control the technologies in the room. Wireless presentation systems offer flexibility, enabling guests to stream uncompressed video from any laptop or mobile device, with just the touch of a button. Hosts can enjoy full control over the lighting, shades, temperature, and audio volume in the room through a simple touch screen. With cost-effective and energy-efficient technologies such as occupancy sensors and room scheduling software, the lighting and AV systems automatically shut down when the room is empty. And any system troubles can be remotely solved.

HK: On your website, you mention that TIG is an eco-system of solutions for smart spaces, can you explain what you mean by this?

CM: At TIG, we work hard to push the boundaries of technological integration for Smart Spaces. We offer a solutions-based approach to your current and future needs. There is no ‘one size fits all’, so our portfolio includes solutions that complement one another to create bespoke experiences. Our biggest technology provider is Crestron, and Crestron always sits at the heart of our ecosystem. But the other brands we represent work together to perfectly complete the desired user experience!

To help people understand how our ecosystem works, we have actually just launched a new Virtual Experience Space on our website, where visitors can see smart space examples, which demonstrate how the technologies integrate.

Our portfolio includes beautiful control hardware, AV and electricity remote management, applications and software, room booking, and furniture designed to fit in perfectly with specific technologies, making meeting rooms sleek and stylish.

“Technology will be a game changer for the hotel industry in a post-pandemic world.” – Christophe Malsot, Director of Hospitality, Leisure and Retail (EMEA), TIG.

HK: How has tech become more relevant since Covid-19?

CM: Technology will be a game changer for the hotel industry in a post-pandemic world, as it helps to cater to new habits and a different user experience.

“Customers will expect more technology to reduce the risk of contamination.” – Christophe Malsot, Director of Hospitality, Leisure and Retail (EMEA), TIG.

The hospitality industry will need to offer more contactless, but still very personalised, experiences for guests. For instance, their own smartphones will be used to manage most things, such as check in and check out, to open their room, control their environment and entertainment (Audio/Video), and get in touch with the staff or the concierge… with or without app downloading! Crestron uses QR code flashing to provide a beautiful HTML 5 layout on the phone or tablet.

Hotels need to review their existing service offerings so as to adapt to the changes in customer experience. Customers will expect more technology to reduce the risk of contamination. In order to maintain social distancing, virtual hotel tours will help to introduce the different spaces, and solutions will indicate the occupancy, availability and cleanliness status of the common areas such as gyms, restaurants, bars… For example, in meeting rooms and lobbies, expect to see fewer chairs and digital information about the last time they were used/cleaned.

Restaurants in hotels may start using contactless delivery for in-room-dining and digital menus… Paper will disappear!

HK: From a tech perspective, what will be the biggest change/evolution post-pandemic?

CM: The move to contactless control. For example, upon entering the hotel, the doors may open automatically, before you enter the elevator, you might tell it where you’d like to go with your voice, rather than pressing the many buttons. When you reach your room, you can enter with your smartphone instead of a key and sensors will turn the lights on…

Also, inside the guestrooms the learning curve must be close to zero… if you spend the whole evening understanding how the room works, you become frustrated. It needs to be quick and touchless for the guest to remain loyal.

These are just the changes the guest will see. Less noticeable in the post-coronavirus hotel would be more frequent cleaning policies, antimicrobial properties woven into fabrics and materials, amped-up ventilation systems, or even the addition of UV lights for more thorough disinfecting of the common areas at night.

Due to the reduction of travel and the increased usage of videoconferencing, the meeting rooms will have to provide an element of remote communication as well. TIG offers advanced remote collaboration tools from Hoylu.

HK: In a sentence, what’s the biggest innovation in technology in hotel design right now?

For a long period guests were able to find services they did not have in their home like international channels. Nowadays, hotel clients and international travellers have everything they need at home and they want to find the same experience in the guestroom. This means that BYOD connection is especially important. Hoteliers have to provide guests with the capacity to use their own devices to control the TV, to manage presentations in the meeting room, to connect to playlists for music, and communication apps such as Zoom, Teams… this is now a must have!

The perfect user experience will come from ergonomics and, to provide a perfect integration, the technology systems need to be built into the hotel’s design from the very beginning. Having the right networks (Electricity and IP) in place is hugely important! This is the only way to guarantee the perfect guest and staff experience.

Main image credit: Technological Innovations Group

IN PICTURES: inside the new Villa Copenhagen

730 565 Hamish Kilburn
IN PICTURES: inside the new Villa Copenhagen

The 390-key luxury hotel, Villa Copenhagen, has officially opened. Hotel Designs takes a peek inside…

It has been one of the most anticipated openings of 2020, with architecture and design from award-winning studios such as Universal Design Studio and Goddard Littlefair, Villa Copenhagen has officially opened its doors.

Housed in the century-old Danish Post and Telegraph office, adjacent to Tivoli Gardens, Villa Copenhagen is a Grande Dame hotel for the 21st century, offering approachable, conscious luxury through a commitment to the UN Sustainable Development Goals and meaningful experiences that connect guests to the landscape, culture, and energy of the city.

Exterior of the building in Copenhagen

Image credit: Villa Copenhagen

To ensure that the new interiors matched the grandeur of the 1912 Neo-Baroque architecture, and to keep the building at the forefront of Scandinavian design for another hundred years, the hotel appointed several design and architecture firms. The overall look and feel is credit to Universal Design Studio, which was appointed to create 381 guestrooms across the hotel’s five floors and Goddard Littlefair, which, following a number of recent award-winning projects, was responsible for the design of no less than five F&B areas sheltered within the hotel, as well as the wellness areas and meeting areas and conference rooms.

light modern room inside Villa Copenhagen

Image credit: Villa Copenhagen

Evoking the ambiance of a sophisticated Danish residence, rooms feature high ceilings, herringbone floors, restored original windows, gold accents, and muted colour palettes that pay homage to paintings by 19th century Danish master Vilhelm Hammershøi. Thoughtful touches include keyless entry and remote check-in, virtual check-out, and an optional white glove service.

The two-storey Universal Penthouse Suite features a grand walnut and steel spiral staircase leading up to lounge space and a master bedroom. Other contributors include Danish architect Eva Harlou, who designed the sought-after Earth Suite, a fully sustainable suite entirely comprised of recycled materials and textiles with eco-friendly furniture by Mater Design; and Shamballa Jewels, a Danish fine jewellery brand that designed the remaining seven suites, including The Shamballa Master Suite, which is the most expensive suite in Denmark at US$8,100 per night, as well as two other spaces within the hotel, specifically The Courtyard and Old Boardroom.

Image caption: The Courtyard | Image credit: Villa Copenhagen/Stine Christiansen

Image caption: The Courtyard | Image credit: Villa Copenhagen/Stine Christiansen

Villa Copenhagen is also home to the city’s finest private art collection valued at more than US$2 million. With celebrated art curator Sune Nordgren at the helm, current artworks on display include pieces by local talent and celebrated international artists, including Jaume Plensa, Per Kirkeby, and Ian McKeever.

The new luxury address features ample outdoor and interior green spaces, including a generous rooftop pool, to promote a sense of wellbeing and tranquillity across its public areas, going above and beyond current government health and sanitation regulations while maintaining its vision of delivering an inspiring and playful ambiance.

Rooftop pool on top of Villa Copenhagen

Image credit: Villa Copenhagen/Stine Christiansen

Executive Chef Tore Gustafsson is responsible for Villa Copenhagen’s sustainable food profile, which focuses on ‘carbon-free’ dining and zero food waste. He worked with Epicurean, an F&B design studio from celebrated interior design house Goddard Littlefair, to develop all five of the hotel’s food and beverage outlets.

Located on the ground floor in the former sorting room of the Post House, the Public and Rug Bakery outlets make up a spacious breakfast and flexible event space with an open kitchen, where guests are provided with personalised options for fresh bread, pastries, and coffee, including individually sealed to-go ‘FIKA’ bags, as well as à la carte options that can be served via in-room dining.

The T37 Bar & Lounge offers a menu of tongue-in-cheek aesthetic, craft cocktails, and light dishes in a beautifully restored corner with original marble columns.

Image caption: Kontrast | Image credit: Villa Copenhagen/Stine Christiansen

Next door, the Playroom is stocked with table and board games, books, and plush furniture for laidback evenings. Kontrast brasserie has its own street entrance facing Central Station, and provides a cosy all-day restaurant open to city residents with contemporary takes on mid-century décor. Fresh, flavourful dishes made with organic ingredients from the hidden garden and local suppliers are served by Gustafsson and his team from a bustling open kitchen.

Image caption: The Brasserie inside Villa Copenhagen

Image caption: The Brasserie | Image credit: Villa Copenhagen

Opening in the post-pandemic world, in this new era for hospitality, the 390-room hotel has developed its health and hygiene policies in tandem with operational procedures to ensure travellers and local visitors enjoy a seamless guest journey, finding comfort in every corner– from the private sanctuary of the guestrooms and suites, to social hubs and dining outlets.

Main image credit: Villa Copenhagen/Stine Christiansen

Sleep & Eat launches three-day virtual event

730 565 Hamish Kilburn
Sleep & Eat launches three-day virtual event

The new virtual event, Designscape, will take place August 11 – 13…

From the creative minds behind Sleep & Eat, Designscape aims to bring together those at the forefront of residential, hospitality and retail at a time when physical networking and deal-making is unfeasible.

The three-day programme will look into the future of design, combining virtual discussions, educational and topical symposiums, global matchmaking, speed networking as well as a product directory. 

Image credit: Designscape

The exclusive content programme will focus beyond forecasts, instead digging deeper into how behavioural changes and outside influences are transforming the design landscape as we know it. The event promises to deliver a diverse line-up of discussions and symposiums from trailblazers in business and design to innovators in science and technology and we would love you to be a part of it.

Crafted to stimulate every corner of the industry, ‘Day 1 [Retail]’ of our programme will examine physical spaces becoming experience driven, the intersection of retail and digital, the progression of the everyday kitchen and the shop window as the ultimate storyteller. ‘Day 2 [Residential]’ will focus on new criteria and considerations governing the design of the home, the evolving and uncomfortable notion of luxury, the emergence of modern primitive styles and the current state of the residential market. ‘Day 3 [Hospitality]’ will host a line-up of talks around the alignment of sustainability and safety, AI’s impact on customer experiences and future-proofing expansion and investment plans.

For more information, and to secure your virtual seats in the audience, head over to the website.

Main image credit: Designscape

Decorative panel in lift

PRODUCT WATCH: Mother of Pearl decorative panels by Siminetti

730 565 Hamish Kilburn
PRODUCT WATCH: Mother of Pearl decorative panels by Siminetti

Siminetti’s Mother of Pearl decorative panels have been described as the next generation in Mother of Pearl surface finishes…

The ‘Imperial Whisper’ decorative panels, which are handcrafted by Siminetti’s team of artisans, capture the stunning natural beauty of Mother of Pearl that has, for centuries, been associated with luxury, sophistication and elegance. 

Decorative panel in lift

Utilising a combination of Siminetti’s Saltwater Mother of Pearl, every panel carries its own bespoke appeal.

Close up of the decorative panels

Image credit: Siminetti

Produced from fully sustainable Freshwater and Saltwater Pearl, each decorative panel is assembled to the clients exacting dimensions and can be produced in almost any shape up to maximum size of 240cm x 120cm. The individual Mother of Pearl pieces are hand placed onto a lightweight, robust, honeycomb backing which ensures they are also fully waterproof, making the decorative panels suitable for feature walls, elevators, splashbacks and furniture inlays but equally wet-room and shower environments. When covering larger surfaces where multiple decorative panels are required, the design is laid in a pattern match format, ensuring an almost seamless connection between each panel. Alternatively, colour co-ordinating panel strips can be used when looking to define each panel.

Smooth to the touch, installation is kept to a minimum as there is no grouting required and the panels can simply be wiped clean for day to day hygiene. Fully sealed to prevent ingress of oils and soaps, the decorative panels are truly one of the most luxurious surface finishes available. 

Siminetti decorative panels are the luxurious alternative to tiles and are available in more than 30 stunning designs. Siminetti also offers a bespoke design service, allowing Designers, Architects and Specifiers to develop their own unique style.

Siminetti is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here.

Main image credit: Siminetti

Inside IHG’s debut Hotel Indigo property in Cyprus

730 565 Hamish Kilburn
Inside IHG’s debut Hotel Indigo property in Cyprus

The 40-key Hotel Indigo Larnaca marks IHG Hotels & Resorts first Hotel Indigo and the second IHG property in Cyprus…

Days after announcing its arrival in Verona, IHG Hotels & Resorts opens Hotel Indigo Larnaca, which is the first and only Hotel Indigo in Cyprus. 

Each of the hotel’s 40 guestrooms are all uniquely designed and inspired by Cyprus’s craft heritage with balconies overlooking the picturesque city of Larnaca. Just a five-minute drive from the airport, the hotel is centrally located in one of Larnaca’s most historic areas, near the church of St. Lazarus and close to Finikoudes and Mackenzie beaches.

Image credit: Hotel Indigo

Within walking distance to the beach, the hotel combined two traditional Cypriot beach homes into a new hotel, marrying design elements from both old and new. The guestrooms have a modern yet contemporary feel by merging raw concrete with locally – made, brightly – coloured traditional textiles and light wooden furnishings. The en-suite bathrooms have spa-like rain showers, with brushed concrete flooring and original Cypriot tiling. All the balconies are fitted with traditional Mediterranean yellow shutters, reminiscent of old Cyprus, and mimicking the sunset amongst the surrounding mountains.

Hotel Indigo Larnaca also offers a stunning rooftop pool and Kampana Pool Bar with breathtaking views of the sea. The regionally inspired onsite restaurant, Avli, and the Oinotelia wine bar, are conveniently situated on the ground floor and are a destination for locals, tourists, and guests.

Image credit: Hotel Indigo

Mr. Savvas Kakos, President and CEO of Quality Group, said: “At Quality Group we are extremely happy and proud to welcome one of the most renowned hotel groups to the city of Larnaca. Unique and intriguing by definition, and one of the world’s largest boutique brands, Hotel Indigo is now part of the wider area of Saint Lazarus and a perfect addition to the heart of the city. On behalf of Quality Group, I convey my strong faith and certainty that this brand-new and organic collaboration with IHG and Hotel Indigo will leave its mark on the hotel industry in Cyprus.”

Inspired by the neighbourhood around each property, just as no places are alike, no two Hotel Indigo properties are the same. Each Hotel Indigo property features thoughtful design touches and vibrant restaurants and bars connected to the spirit of the local neighbourhood. Hotel Indigo Larnaca takes in the rich history of the Agios Lazaros area and is ideal for romantic getaways and caters to the most seasoned traveller. 

Hotel Indigo Larnaca will operate under the international agreement between IHG (InterContinental Hotels Group), one of the largest hotel groups in the world, Sunnyseeker Hospitality which is the fastest growing hotel management company and Quality Group, one of the largest companies of land development and investment on the island.

There are currently 119 Hotel Indigo properties open globally including the recently opened Hotel Indigo Verona – Grand Hotel Des Arts, with another 104 in the pipeline to open in the next three to five years. 

Main image credit: Hotel Indigo/IHG

PRODUCT WATCH: Aqualisa zones into the smart bathroom

730 565 Hamish Kilburn
PRODUCT WATCH: Aqualisa zones into the smart bathroom

The use of technology as part of the hotel bathroom experience has taken a giant leap forward with Aqualisa, the showering innovation brand…

Personalisation is the mantra and while bespoke services surely must lie at the heart of the modern hotel offering, the bathroom has lagged behind in terms of an enhanced personal experience, which is surprising when showering and bathing have always been such significant differentiators when it comes to  guest evaluation of hotel quality.

Of course, coronavirus too has accelerated the need for technology solutions that will give guests greater peace of mind in terms of personal safety and control, especially when it comes to zero touch facilities.

With the introduction of the first truly smart shower, Aqualisa has developed a genuinely contactless shower and bath fill solution that will completely change the hotel bathroom experience. Full wifi connectivity that allows activation from anywhere and a smart app menu to control flow, temperature and duration at last aligns the hotel bathroom experience to what consumers are increasingly demanding in their daily lives. “Turn on my shower” will be heard more and more in a hotel environment that will have to focus on private rather than communal areas to provide the premium customer experience.

Aqualisa’s leadership in digital showering, based on groundbreaking touch technology, dates back to 2001 and now takes showering forward into the smart revolution based on mobile and the IoT. Two smart ranges, the Quartz and Q Collections, both offer a full menu of shower settings which can be individually selected and managed from a smart device. A variety of modern and compact product design options, all connected and voice activated via Google Home and Amazon Alexa, will look good in all types of room style.

Image credit: Aqualisa

As well as the sheer convenience and indulgence, there are some clear commercial advantages of smart showering in terms of both installation and running costs. The intelligent Aqualisa SmartValve, which is the brains of the system, is sited away from the showering area for easy access but also freeing up more space in the showering area itself. It makes retrospective upgrades easy and straightforward as well as improving the design aesthetic. Perhaps even more compelling in the post Covid economy is the ability of hotel management to centrally monitor water usage and costs, if necessary, adjusting the water flow through hotel bathrooms

If millennials expect smart technology, future generations won’t know anything different and the hotel bathroom, always the litmus test for comfort and well-being, is where the opportunity lies to create an experience zone which plays to the increasingly personal needs of paying guests.

If you would like to talk more about smart showers contact Colin Sinclair on 07801 579958. For further information on Aqualisa’s smart shower collections visit the website or email projects@aqualisa.co.uk.

Main image credit: Aqualisa

PRODUCT WATCH: Boost Pro, the new collection from Atlas Concorde

730 565 Hamish Kilburn
PRODUCT WATCH: Boost Pro, the new collection from Atlas Concorde

The new Boost Pro collection from Atlas Concorde is designed with urban chic spaces in mind…

In line with the latest trends in contemporary living with an urban chic style, Atlas Concorde presents Boost Pro, a collection of porcelain floors tiles and white body wall tiles designed to decorate indoor and outdoor spaces with a metropolitan appeal.

Boost Pro complements the range of the Boost collection, based on the “cool” tones of the concrete effect, adding five warm colours. Produced using the same surface structure, they offer a unique colour palette in terms of breadth and variety, allowing architects, interior designers, and planners to create new, personalised combinations.

Image credit: Atlas Concorde

Ideal for the renovation of former industrial buildings transformed into residential lofts, workspaces, art galleries or places for hospitality and entertainment, Boost Pro underscores the structure’s industrial character with its strong personality and soft colours developed from earthy and powdery tones, from ivory to brown, giving rooms a lived-in charm.

For the floor, the slight “spatula” effect evokes the authenticity of craftsmanship, increasingly popular in contemporary design projects where the imperfection of a “handmade” look is an expression of value and attention to detail. For walls, the accents of Mustard and Powder Blue allow for strong creative discontinuities accentuated by the availability of material and graphic decorations with a strong visual impact.

In fact, the walls can also be transformed into spectacular three-dimensional frescoes thanks to the use of large porcelain slabs covered with tropical forests, Nordic forests and metropolitan views. Of the numerous formats available, the new 37.5×75 cm takes the classic 30×60 cm to a larger size. The availability of the 20 mm thickness also allows for outdoor use, for coordinated total-look projects.

Colours

On the floor: Ivory, Cream, Clay (light tones), Taupe and Tobacco (dark tones).

On walls: Ivory, Cream, Clay (light tones), Mustard and Powder Blue.

Formats

The exceptionally wide range includes different large formats, from 120×278 cm to 160×320 cm (in the colors of the collection and in the decorative version). The different thicknesses – 6, 9 and 20 mm – allow for their application in different design settings, both indoors and out. The white-body wall tiles are available in the classic 40×80 cm format in two different versions, natural and 3D Urban relief.

Decorations

The extensive range of Boost Pro decorations makes it possible to respond to different design requirements, even in combination with numerous other Atlas Concorde collections.

  • GROVE 120×278, thickness 6 mm

A forest of beech trees designed in graphite in Clay and Taupe tones.

  • PAINT 120×278, thickness 6 mm

Spatula-effect surfaces, marked by time, with strong material contrasts.

  • LEAVES 120×278, thickness 6 mm

The watercolor technique recreates the intensity of a tropical forest for spectacular walls with a green effect.

  • HEX MOSAIC

Colored Murano glass and classic hexagonal tiles add style and depth to Boost Pro walls.

  • SHAPES MOSAIC

Tiles with different shapes and irregular shades create a surprising, original overall effect.

  • 30×30 MOSAIC

The minimalist simplicity of the classic mosaic and the warm tones are ideal for covering floors and walls of bathtubs and showers.

  • MINIBRICK 5×30.5

The rigour of the small rectangular tile for universal interior walls embellished with reflective inserts can be used in any room with all the colors of the collection.

If you want to get more information regarding our products please visit our website www.atlasconcorde.com  or contact us at projects@atlasconcorde.it .

Main image credit: Atlas Concorde

Rosewood brand to arrive in Spain in 2021 as part of European expansion

730 565 Hamish Kilburn
Rosewood brand to arrive in Spain in 2021 as part of European expansion

The iconic Hotel Villa Magna in Madrid is, in 2021, to become the first hotel in Spain to operate under Rosewood Hotels & Resorts…

Following the group’s recent announcement to take over Le Guanahani in St. Barth, Rosewood Hotels & Resorts has been selected by RLH Properties to manage the iconic Hotel Villa Magna in Madrid, Spain.

The hotel, which is situated in the heart of Madrid, on the revered Paseo de la Castellana, will  become Rosewood Hotels & Resorts’ first property in Spain and the fourth operation in Europe, where the group is sensitively expanding into other prime locations.

The beloved property will debut as Rosewood Villa Magna following a refurbishment, during which the property will remain open, that will incorporate a contemporary design, displaying an inspired interpretation of Spain’s capital city.

Exterior of Hotel Villa Magns

Image credit: Hotel Villa Magns

The hotel is centrally located, immediately neighbouring the prestigious Serrano shopping district, and other well-known nearby landmarks such as the Golden Triangle of Art, home to the Prado, Thyssen-Bornemisza and Reina Sofía Museums. Villa Magna is currently closed as a precautionary measure due to COVID-19 and will reopen on September 1, 2020 operating independently until Rosewood assumes management once the refurbishment works have come to an end towards late 2021.

“As one of the world’s most alluring cultural capitals, Madrid is an ideal destination in which to raise the Rosewood flag, and we are thrilled to have the opportunity to join together with our valued partners at RLH to breathe new life into one of the city’s most prolific properties, Villa Magna,” said Sonia Cheng, chief executive officer of Rosewood Hotel Group.  “A mecca for arts, culture and cuisine that perfectly balances the old with the new, Madrid offers the perfect canvas for our guiding A Sense of Place philosophy. We look forward to bringing our differentiated approach to ultra-luxury hospitality to Spain with this special hotel.”

With a refreshed contemporary sense of style and service that speaks to today’s travellers, Rosewood Villa Magna will feature 150 thoughtfully appointed guestrooms and suites, distinct dining experiences and an inspired Sense, A Rosewood Spa.

“The iconic Villa Magna plays an important part in Madrid’s history, and as such we are proud to embark on this new journey with our exceptional team at the Villa Magna and together with Rosewood Hotel Group towards enhancing this unique asset that enjoys an irreplaceable location and taking it to the next level of luxury. We are excited to add our third Rosewood property to the RLH portfolio, alongside sister resorts Rosewood Mayakoba in Riviera Maya, Mexico and the upcoming Rosewood Mandarina in Riviera Nayarit, Mexico,” said Borja Escalada, CEO of RLH Properties.

Rosewood Villa Magna will add to Rosewood’s network of distinctive European properties, which currently includes Rosewood Castiglion del Bosco in Tuscany, Rosewood London and Hôtel de Crillon, A Rosewood Hotel in Paris.  Additional properties set to open within the next three years include Rosewood Vienna (2022), Rosewood Munich (2023), Rosewood Venice (2023) and Rosewood Hotel, Grosvenor Square, London (TBD).

Main image credit: Hotel Villa Magna

IN PICTURES: Sneak peek of Four Seasons Hotel Madrid

730 565 Hamish Kilburn
IN PICTURES: Sneak peek of Four Seasons Hotel Madrid

Opening this September, after being on the drawing boards for nearly a decade, Four Seasons Hotel Madrid has been designed in collaboration between designers from BAMO, BG Architecture, Martin Brudnizki Design Studio, AvroKO and Luis Bustamante…

After a seven-year reconceptualisation and meticulous restoration of a collection of seven historic buildings, the new Four Seasons Hotel Madrid will open September 15, 2020.

With a soaring grand lobby welcoming guests at its heart, the hotel is located within Madrid’s Centro Canalejas, also home to 22 Four Seasons Private Residences and the Galería Canalejas luxury shopping centre. Architects Estudio Lamela led the restoration, preserving more than 3,700 artefacts throughout. Inside, interiors are by an international team of designers including BAMO, BG Architecture, Martin Brudnizki Design Studio, AvroKO and Luis Bustamante.

Exterior of the hotel

Image credit: Four Seasons Hotel Madrid

“It’s truly been a labour of passion and love as these beautiful buildings transform into a fantastic setting for a new chapter in their histories,” says Christoph Schmidinger, Four Seasons Regional Vice President and the Hotel’s General Manager. “Our owner partners OHL Desarrollos and Mohari Hospitality, and our all-star team of artisans, culinarians and hoteliers, share our vision for offering a very personalised Four Seasons experience in a truly extraordinary setting.”

In a city that is ever changing but always welcoming, visitors will discover something new with every return visit. Four Seasons is just steps from Kilómetro Cerothe central point from which all distances in Spain are measured. In this truly pedestrian-friendly city, most of the main points of interest are within a 20-minute walk, including the 125 hectare (300 acre) Retiro Park with its incredible Glass Palace and endless pathways amid trees, fountains and ponds. Three of the world’s best museums – the Prado, the Thyssen-Bornemisza and the Museo Nacional Centro de Arte Reina Sofía – form a Golden Triangle in the neighbourhood around Four Seasons.

Luxe, eclectic interiors to reference Madrid's vibrancy in public area

Image credit: Four Seasons Hotel Madrid

Spanish celebrity Chef Dani Garcia will unveil Dani, a new dining concept from the three Michelin-starred chef, with an unmatched rooftop setting envisioned by acclaimed London and New York-based designer Martin Brudnizki. Expect a bright and vivid brasserie with a sophisticated touch, where guests will savour Andalusian cuisine and panoramic views throughout the day and evening, both in the spacious indoors and out in the sunshine on the terrace.

Image credit: Four Seasons Hotel Madrid

Isa, a gastrobar located on the first floor, will continue to move forward the tapas trend that began in Spain, adding modern Asian flavours paired with cutting-edge cocktails in a space created by global design studio AvroKO.  Adjacent to the Hotel’s lobby, El Patio also invites relaxed drinks and dining.

Image credit: Four Seasons Hotel Madrid

The hotel will shelter 200 guestrooms and suites – among them an exceptional triangular Royal Suite with double-height ceilings and numerous historic details.

Staircase in Four Seasons Madrid

Image credit: Four Seasons Hotel Madrid

Elsewhere, the luxury property will also boast the largest spa in the city, offering eight treatment rooms plus a salon and 24/7 fitness centre. It will also offer more than 1,400 square metres (15,400 square feet) of flexible function spaces – including the glamorous oval-shaped Sol Ballroom – can accommodate both business meetings and social events.

Main image credit: Four Seasons Hotel Madrid

Lighting Case Study: Designing The Bristol

730 565 Hamish Kilburn
Lighting Case Study: Designing The Bristol

The 65-key hotel The Bristol, designed by Earl Swensson Associates (ESa), has a unique lighting story that includes specified pendants and chandeliers by Hudson Valley Lighting Group

The Bristol was born in 2015 when a commercial office building with historical character was marked for demolition. The Charlestowne Hotels group acquired it, hiring ESa (Earl Swensson Associates) to redesign and restore it, developing the eight-story brick building into a 65-key hotel.

Bristol is a town on the border of Virginia and Tennessee, and is commonly recognised as the birth place of country music: In 1927, Ralph Peer of Victor Records went out there to record some folks by the names of The Carter Family and Jimmie Rodgers. The rest is history. That’s why the address of the The Bristol is 510 Birthplace of Country Music Way. With such an eclectic location and history, The Bristol was going to have to incorporate those influences into its design.

Luxury lighting in a residential style suite

Image credit: The Bristol Hotel/HVLG

The designers from ESa gathered together various pictures and mood boards that evoked the look and feel they were hoping to achieve and shared them with their HVLG source. The brand’s dedicated contract and hospitality representative in the area had a long-standing relationship with the lead designers, as well as a deep familiarity with the product.

As one of the standard products selected, Hudson Valley Lighting’s Humphrey pendants and chandeliers adorn many of the rooms. HVL’s contemporary classic feel meant these fixtures look as at home in the brand new rooms as they may have in the flourishing Art Deco period when the building was first constructed. Providing the ambient layer of light, these exquisite fixtures also contributed to a higher level of decorative sophistication for the space.

Corbett fixtures also enhance visitors’ experience; with their impressive scale and hand-applied leaf finishes, which the brand often says of its Corbett pieces that they have to be seen in person to be believed.

Additionally, the HVLG Contract Custom team got to work on designing a few special pieces, such as pendants for The Bristol’s awesome rooftop hangout, chandeliers for its banquet room, and a series of sconces for its conference room area. ESa reviewed initial drafts of the designs and made some adjustments. Once they were completely happy with the plan, the lighting brand proceeded to build these one-of-a-kind fixtures on time and on budget.

Sitting eight stories up in a town without a lot of high-elevation buidings, The Bristol’s special rooftop relaxation zone, Lumac, has a beautiful view of the surrounding environs — the painted brick sides of old buildings, the nearby hills, twinkling downtown lights, and the town’s charming entry gate. Originally built in the twenties, the whole thing feels almost like something out of a Baz Luhrmann film, with a distinct slice of heartwarming Americana. HVLG designed a custom outdoor pendant for this beautiful rooftop bar area, adding to its singular charm.

The Bristol Hotel is a good example of how HVLG can be your one-stop shop for a hospitality lighting project. Combining world-class standard product from across its four distinct brands (Corbett and Hudson Valley in this case) with custom pieces, the lighting specialists were able to satisfy this project’s requirements while providing lighting that elevated the environment.

Hudson Valley Lighting Group is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here.

Main image credit: Hudson Valley Lighting Group

Renovation revealed: Marriott Cancun collection reopens

730 565 Hamish Kilburn
Renovation revealed: Marriott Cancun collection reopens

Following a recently completed interior design renovation project, The Marriott Cancun Collection (JW Marriott Cancun and Marriott Cancun) is reopening calming spaces to cater to modern travellers’ demands in the post-pandemic climate. Editor Hamish Kilburn gets a closer look inside…

Only last week, I positioned Mexico’s region of Riviera Nayarit under our editorial spotlight to focus in on the hotel development projects that will soon be completed, and how the senstive renovation of its landscape will enhance the its appeal among modern luxury travellers. 

On the completely other side of Mexico, 2,427 km east of Riviera Nayarit, you will find Cancun, a destination famous for its white sand beaches, near-perfect weather, and bright blue waters. Among of the assemblage of hotels in the city are the sister resorts Marriott Cancun and JW Marriott Cancun Resort & Spa, both of which have undergone renovations recently to their public areas, guestrooms and suites and are welcoming guests back into the refreshed spaces in the wake of the Covid-19 crisis.

Together known as Marriott Cancun Collection, the resorts have been given the green light to open their doors as a part of Quintana Roo’s phased re-opening strategy. JW Marriott Cancun opened June 8 and is already hosting guests, and Marriott Cancun Resort is trailing right behind with an expected opening date of July 1.

Large, spacious F&B area

Image credit: Marriott Hotels

Having debuted the trendy, Tulum-inspired SacBé Beach Shack last summer and its new lobby in January, Marriott Cancun Resort’s renovations, paired with JW Marriott Cancun’s extensive $40 million upgrade to all 447 ocean-facing guestrooms, set the stage for a roaring first quarter.

New renovated suites shelter stlish array of furniture and clean wooden floors

“There’s no greater feeling than welcoming our guests back with refreshed, inviting spaces that lay the foundation for an exceptional vacation experience,” said Vice President and General Manager Christopher Calabrese. “We continuously strive to elevate our offerings, and that started with JW Marriott Cancun’s design-forward room renovation. When taken in combination with Marriott Cancun’s new lobby, the final touch of an earlier renovation, it feels like two virtually new hotels.”

Image credit: Marriott Hotels

Dubbed ‘The Great Room,’ Marriott Cancun’s airy entryway complements the chic design of the resort’s 450 guestrooms. The colour palette includes marbleised beige and cream accented by shades of indigo and turquoise that are inspired by Mexico’s natural beauty. The lofty space features clean, crisp lines, modern furniture of varying textures and cream shades, along with the resort’s signature paneled windows that peer out to the palm-lined grounds and the ocean beyond.

Also in the pipeline for 2020 is Hana, a Polynesian restaurant set to replace Argentinian eatery, La Capilla. Hana, a play on the Hawaiian word for family, will feature intricate wood detailing on the ceiling and distressed brick accents, along with pops of yellow. The contemporary furniture, wall planters and Polynesian-inspired images are intended to transport guests to the most exotic corner of the world, while SacBé Beach Shack is influenced by Tulum’s bohemian atmosphere. The new beach club offers a fusion of local flavours and traditional Mexican cuisine. Here, local street food is served to guests on swinging bar stools set beneath driftwood rods and adjacent to macramé hammocks, hand-painted art and dine-in-the-sand tables.

Low tables in stylish new renovated bar/restaurant

Image credit: Marriott Hotels

Next door, JW Marriott Cancun’s stylish room interiors pay homage to the intricate textiles found in ancient Mayan garments. Meanwhile, the room’s aerial-view photographs are indicative of the region’s famous cenotes, or natural sink holes. Meticulously carved wood accents, architectural light fixtures, herringbone-patterned floors, luxe rainfall showers and free-standing soaking tubs with complimentary lavender bath salts are now standard in all guest rooms. The property also remodelled its exclusive Club 91 lounge with navy blue and olive-hued furniture in combination with coral reef ceiling décor, providing guests a glimpse into what lies beyond the hotel’s shores.

The Foreign & Commonwealth Office currently advises British nationals against all but essential international travel. This advice is being kept under constant review.

Main image credit: Marriott Hotels

CASE STUDY: Breathing new life into a ruined monastery in Naples

730 565 Hamish Kilburn
CASE STUDY: Breathing new life into a ruined monastery in Naples

Kaldewei bathroom solutions perfectly blends a stylish mix of historical and modern styles inside this restored monastery in Naples, Italy…

It took one year and two months and a handful of premium Kaldewei bathroom products to restore a ruined monastery in Naples into a stylish, modern residential abode.

From the terrace, your gaze sweeps across the mountainside vineyards, olive groves and lemon trees, across the “lower town” of Naples to Vesuvius, the harbour and the Gulf of Naples as far as the island of Capri.

In the midst of this unique landscape, on Vormero Hill, Giovanni and Janine have turned their dream home into reality. They bought the ruined 14th century monastery, completely restored it and fitted it out with a stylish mix of modern and a timeless design. For the bathroom and guest WC, the couple chose Kaldewei’s steel enamel bathroom solutions that connect the historical and modern in a very unique way.

Image caption: The exposed shell of the 14th Century monastery before its sensitive renovation

Image caption: The exposed shell of the 14th Century monastery before its sensitive renovation

Even as a teenager, Giovanni knew that one day he wanted to live with his family, right beside his parents’ home on Vormero Hill. Vormero is the 13th district of Naples and is known as the “upper town”. The houses stand on a green hill and can only be reached by cable car and, in part, only via steep stairs. This is where Giovanni grew up, and this area is still home to three generations of his family. “La famiglia” was also the reason why, after studying and working abroad, he returned to Italy. He and his wife Janine, whom he met on a trip to Rio de Janeiro, began with renting a small house next door to his parents’ home. When the hunt for a suitable property, for his own growing family produced no results, he decided to buy a ruined monastery nearby and rebuild it as a family home.

Special challenges: preservation order and logistics

After thoroughly checking the terms of the preservation order and establishing that the monastery had indeed been used as a residential property in the past, Janine and Giovanni started turning their dream into a reality. The restoration of this ancient building presented the young couple with many challenges. The strict provisions of the preservation order, for instance, specified that the same materials used to build the monastery around 700 years ago, such as chalk and regional sandstone, also had to be used for the restoration – no cement was used at all. In addition, the hilltop location, surrounded by vineyards, called for some special logistical solutions. 150 steps had to be scaled when transporting the required building materials and products. As a result, throughout the entire construction period of 15 months one person was solely employed to constantly drive up and down the hill with a tracked vehicle.

Giovanni gave up his job and devoted himself to managing the building site for a year. To help them implement their ideas, the couple called in the architect Antonio Gravagnuolo, who specialises in listed projects, and the German interior designer Stephan Poeppelmann. Together, they created a unique house that skilfully blends the past and the present.

“The colours are restrained and are reminiscent of the vineyard landscape.” – interior designer Stephan Poeppelmann

When tradition and modern collide

“We wanted to retain the character of the ruined monastery. That’s why it was particularly important for us to use traditional materials as much as possible both for the building and the internal restoration and to work with suppliers from the local region,” Janine says. The interior planning corresponded with those wishes: restrained and respectful of the ruin’s history – but at the same time incredibly brave.

Talking about the concept, Poeppelmann says: “In keeping with the building’s past life as a monastery which was now to be restored as a home and be a part of the landscape, we didn’t remove corners and niches in existing walls, for example, but used them as spaces to integrate shelves or seating. The colours are restrained and are reminiscent of the vineyard landscape. The main colours are a delicate pastel green and warm shades of brown.” Ancient floor tiles which were salvaged, undamaged during the building work were also used in the interior design concept, as were lots of little apothecary bottles made of coloured glass, some of which have been integrated into the walls, or serve as decorative elements and vases around the house.

Kaldewei bathroom solutions: perfect match between product and room design

“Today’s bathroom is a multi-purpose space with the highest standards of design. The harmonious fusion of architecture, design, functionality and perfect light produce the optimum solution in the bathroom,” adds  Poeppelmann, describing the design approach for the bathroom.

Modern, quirky bathroom

Image credit: Kaldewei Cono

In fitting out the spacious bathroom, the designer was inspired by the former monastery’s distinctive vaulting. “Naturally, we were impressed by Kaldewei’s natural and classical yet modern shapes. Since we had a round-arched ceiling in the bathroom, we wanted to pick up on that shape with the bath and the washbasin. That’s why we decided on the Centro countertop washbasin, whose interior echoes the rounded shape, and the Meisterstück Classic Duo Oval bath,” says Janine, explaining the decision behind their choice. With its seamless panelling, the bath, made of elegant Kaldewei steel enamel, is the classic archetype of the freestanding bath. The Centro countertop washbasin with its spacious surround, designed by Anke Salomon, also exudes a sense of purity and simple elegance.

luxe bath on colourful tiles

Image caption: Kaldewei Meisterstueck Classic Duo Oval bath

The Kaldewei trinity in the bathroom is completed with the floor-level Scona shower in a restrained Pearl Grey matt. This shower surface fits harmoniously into the colourfully tiled floor, while the round, centrally-positioned waste cover made of steel enamel also picks up on the round-arch shape. The space-saving wall-hung Cono washbasin works well in the guest WC. The characteristic design element of this rectangular washbasin is the square waste cover which is also enamelled. “With the Kaldewei steel enamel bathroom solutions we have created a perfect match between product and room architecture,” says Stephan Pöppelmann.

Image caption: Kaldewei Scona

Image caption: Kaldewei Scona

Whether for a new-build or refurbishment, Kaldewei shower surfaces, washbasins and baths are a hit with builders worldwide. The enamelled bathroom solutions meet high aesthetic standards and, thanks to the huge range of different designs and sizes, they fit perfectly into virtually any room. As a material, Kaldewei steel enamel is exceptionally long-lasting and low-maintenance. Poeppelmann enjoys working with Kaldewei bathroom solutions: “The products are robust. At the same time, they have smooth, seamless lines. Thanks to the wide range of colours, I can pick up on current trends, if required. In addition, high-end design with a modern look should also always take functionality and the day-to-day habits of its users into account.”

Kaldewei is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: Kaldewei

CASE STUDY: Lighting The Hoxton Southwark

730 565 Hamish Kilburn
CASE STUDY: Lighting The Hoxton Southwark

A stone’s throw from the River Thames and London’s South Bank, the Hoxton Southwark opened its doors in September last year. The design team at Ennismore specified lighting products from Heathfield & Co to create a vibrant interior design scheme…

Hoxton Southwark, which opened last year, became the eighth property in the brand’s series.

The new-build hotel contains 192 rooms, various meeting and events spaces, and its two popular restaurants; Albie, an all-day dining spot and Seabird, a rooftop seafood restaurant with spectacular views across the capital.

Alongside owners Ennismore, Heathfield & Co’s experienced team of project managers, product designers and engineers worked on this incredible project for a year, supplying bespoke lighting across the hotel’s public areas. Aimed at creating a vibrant and welcoming space, the clients brief included vintage references and classic styles, which the team designed, developed and manufactured, resulting in 22 completely bespoke pieces, from table lamps and wall lights, to multiple ceiling fittings and pendants.

Unique materials and specialist finishes come together in the production of this beautiful collection of bespoke lighting, each manufactured and assembled in Heathfield’s UK warehouse. A custom brass finish created specifically for the project will organically develop over time, harnessing the natural antiquing process.

Heathfield Lighting is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here

Main image credit: Hoxton Southwark/Ennismore

 

Monkey Island Estate opens private residences

730 565 Hamish Kilburn
Monkey Island Estate opens private residences

The six new private residences open at Monkey Island Estate in Bray amid post-pandemic luxury consumer demands expecting a surge of self-isolated escapes… 

YTL Hotels’ Monkey Island Estate, which Hotel Designs reviewed shortly after it opened last year, has unveiled six new private residences.

Endearingly named to reflect their individual nature, the residences blend classic style and the warmth of a period home with contemporary and luxury comfort, each with its own intriguing history and story to tell. Guests staying in the residences can enjoy the freedom, space and privacy of staying with loved ones, whilst taking advantage of the hospitality and services of the hotel, just a stone’s throw away.

The residences

Long White Cloud is an embodiment of homely elegance, where Edward Elgar is known to have stayed and composed some of his greatest works.  More recent residents include Formula One racing legend, Sir Stirling Moss. The magnificent 19th Century property has four large bedroom suites accompanied by an impressive kitchen and a charming garden, ideal for alfresco dining in the summer months. Sitting on the banks of the River Thames, Long White Cloud also offers a private pool and jetty, ideal for those who may wish to arrive by boat.

Brook House embodies another spacious offering with four generously sized suites, a lavish living room and a large garden with private outdoor/indoor swimming pool perfect for hot summer afternoons.

Sundial Cottage with its secluded secret garden is quaint yet spacious, steeped in the same exciting history as Monkey Island itself.  Sundial Cottage boasts three gorgeous bedrooms with a kitchen-diner and cosy living room. Those staying in Sundial Cottage will share the same four walls as the famed Sylvia Anderson, the creator of Thunderbirds.

Bray House is a bijou gem just steps away from Bray’s church, offering the ideal country bolthole for those looking to escape the city. The three-bedroom residence has undergone multiple transformations over the years from stable block to cobblers’ shop, antique centre and family home.

Dormer Cottage enchants guests with standout features including wooden beams, a welcoming open fireplace and a dramatic silk-clad wall. The 500-year-old one-bedroom residence offers guests immediate access to the heart of Bray.

Lavender House also sits in the heart of the village offering three bedrooms. With an impressive double fronted cottage façade believed to date back to the early 1700s, the impressive property was once home to several local families in three terraced cottages.

Monkey Island, with its intriguing history dating back 800 years, has been the haunt of monks, monarchs, aristocrats and writers alike. Surrounded by elegant gardens, Monkey Island is accessed only by footbridge, boat or helicopter, offering a secluded country venue, yet is conveniently located less than an hour’s drive from Central London. The addition of the Private Residences offers those who want to enjoy this historic landmark and the delightful village of Bray even more opportunity to do so, in true comfort, style and privacy.

Main image credit: YTL Hotels’ Monkey Island Estate

INDUSTRY INSIGHT: The ‘anything is possible’ approach in interior design

730 565 Hamish Kilburn
INDUSTRY INSIGHT: The ‘anything is possible’ approach in interior design

Timothy Oulton is a British designer who has mastered the ‘anything is possible’ approach greater than most when it comes to interior and product design. Hotel Designs gets comfortable in the Apollo to learn its secrets… 

Nothing epitomises the ‘anything is possible’ ethos that Timothy Oulton Studio is famous for better than Apollo.

It is a unique environment modelled to scale on the Apollo 11 spacecraft, encapsulated in a polished stainless steel shell and featuring luxurious, fully customisable interiors created in-house and by hand by the brand’s skilled cohort of makers and craftspeople.

Image caption: Apollo by Timothy Oulton Studio

Recent research points to just 16 per cent of holiday goers now considering trips abroad, yet the urge to escape the new normal is a powerful force. For the luxury and ultra-luxury hotelier the question of how best to create an experience capable of satisfying this desire, wherever in the world, is more pertinent than ever.

As a commercial interior design studio serving the hotel and hospitality industry, this question is one the Timothy Oulton Studio team has considered from its own perspective. Since the global Covid-19 pandemic took hold, studio founders Timothy Oulton and Simon Laws have been asking themselves what the changed future looks like for a market as vital as the travel and hospitality industry, and for the individual businesses that operate within it.

“Marry the impulse to be transported to another world with a sensitivity to the needs of this one.”

The practice is responsible for delivering unforgettable design concepts that enable its clients to attract, engage and wow visitors – impacting revenue streams by offering unmatched experiences. A potential answer to the question of what next? Marry the impulse to be transported to another world with a sensitivity to the needs of this one. 

An outdoor iteration of the Apollo is something Timothy Oulton Studio has been asked for on numerous occasions. Now, after a year of research, development and prototyping, it is ready to be bought to market and – when the ability to be outdoors in small numbers holds great influence over decisions about where we go and how – the launch seems appropriately timed.

“A design like Apollo can pivot existing businesses in so many ways.”  – Simon Laws, co-founder, Timothy Oulton Studio

For hotels with surrounding land or existing glamping facilities the outdoor Apollo creates a phenomenal point of difference in the luxury market, while larger businesses can use it is an attention-grabbing centrepiece inside or out. At Gordon Ramsey’s Bread Street Kitchen the Apollo is used as a private dining space, enabling small group to drink and eat separately within the buzzy atmosphere of the wider restaurant – this is something that the studio team is expecting more of, as Laws explains. “Now more than ever people want to get away, both physically and metaphorically, and I think perhaps hoteliers are seeing an opportunity to facilitate that for people within their own countries, removing the need to jump on a plane,” he says. “A design like Apollo can pivot existing businesses in so many ways. 

“Being so unique and visually impactful also helps clients understand the value of this particular design – Instagrammability is front of mind for almost everyone in the industry. If it was prevalent before the pandemic it can only be more so now our circumstances have changed and we are out and about less frequently. You only have to take a glance at the breadstreetkitchen hashtag to see what a difference this kind of design makes to the popularity of a business.”

The Apollo can be viewed and bought at Timothy Oulton, Bluebird, 350 King’s Rd, Chelsea, London SW3 5UU.

Timothy Oulton Studio is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here

Main image credit: Timothy Oulton Studio/Image caption: Apollo by Timothy Oulton Studio

INDUSTRY INSIGHT: F&B Design changes post-pandemic

730 565 Hamish Kilburn
INDUSTRY INSIGHT: F&B Design changes post-pandemic

Now that hospitality is beginning to open its doors once more, we asked Federico Schilling from Flair Studio to explore the challenges of designing F&B areas in the post-pandemic world…

With restaurants and pubs in UK set to reopen before the end of June/beginning of July, there is still a great deal of uncertainty about the measures and trends to be followed to provide a safe, yet engaging experience.

Everybody knows the Coronavirus outbreak is going to change the way we eat in restaurants but, while some of these changes will be short-lived, others will probably endure by becoming either a necessity or just good habits; In this short article I am about to explore how these challenges can change the restaurant design as well as how this can become an opportunity to generate new creative ideas through good design.

In the very short term, for those who have an outdoor space this will be highly valuable but also for those who haven’t, special initiatives so the business can spread outdoors can become very helpful.  In this direction, the temporary pedestrianisation of high streets or neighbourhoods can be seen as an occasion to enable people to socialise again while keeping safety measures into place. The Soho Summer Street Festival can be a great example. It was announced last week by Soho Estates with the aim to ban cars from entering key streets of the area and to request a relaxation from Westminster Council for the licensing of the public highways.

Now l would like to shortly explore what are the restaurant design changes which are probably here to stay by looking into space planning, technology and trends.

It is common sense that initially, the internal layout of medium to large size Restaurants will be revised by reducing the number of tables and by promoting smaller tables, which can be more easily distanced and are more flexible than large banquettes or communal tables. But it is also likely that from early 2021 the layout density will slowly revert back to the pre-lockdown arrangements level with minor changes aimed to provide a safer experience.

On the other hand, costumers will want to avoid touching things which are seen as un-necessary for a longer time: things such as menus, salt and peppers and other shared items will probably disappear and costumers will especially be reluctant to enter toilets unless these haven’t been equipped with adequate measures. If contactless solutions as well as anti-microbial materials can be easily implemented, it is desirable that human interaction with the staff will slowly come back to normal after an initial reduction. Open buffets and food sharing concepts will probably suffer the most and for a longer term, with hotels being the most affected with their large venues for breakfast and business lunches. Also, materials and finishes will change in direction to easily washable, anti-microbial surfaces, sometimes muted from the cruise ship fit-out industry, sometimes from the outdoor furniture collections.

Whether the above will become game changers or not, I believe that we as designers have a duty of care to the end user so that these measures can be implemented without compromising on the quality of the overall guest experience and the design outcome. If safety and well-being are paramount, we also shouldn’t forget that an essential part of eating out is about sharing that experience with the other dining guests, including the importance of the spaces and the atmosphere we share with them. Differentiation through design will then become even more important and this can ultimately help generate new creative ideas.

Flair Studio is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here.

Main image credit: Pixabay

FEATURE: The benefits of bespoke when designing fitness areas

730 565 Hamish Kilburn
FEATURE: The benefits of bespoke when designing fitness areas

In the post-pandemic world, hotel spas and fitness areas will need to work harder in their meaningful design schemes to meet modern travellers’ demands for safe and clean environments. The wellness designers at Gym Marine explain the benefits of designing bespoke…

Fitness facilities within the hospitality sector are often stuck between that of a commercial environment and a luxury environment.

A public area, gyms are often a prime reason people book a hotel and are particularly important if the hotel wants 5-star credentials as they need a gym. Therefore, it can’t be an area that lets the rest of the design down because the equipment is made for a 24hr gym rather than a luxurious environment. This can be a struggle for hotels, as traditional gym equipment is designed for commercial settings, where aesthetics is second to function. However, with the demand for luxury gym equipment continuously increasing, manufacturers are making equipment that is as beautiful as it is functional.

As part of their brand identity, hotels will have specific colours which form part of the property’s design. Boutique hotels are very reliant on interior design to differentiate themselves and get guests through the door. Incorporating their brand and unique interior style into their gym design will ensure a cohesive feel throughout the hotel, enhancing both their profile and guest’s experience.

One range of gym equipment that has been designed with luxury environments in mind is GM Custom. Created by the specialist wellness designer Gym Marine, their years of experience of designing and installing gyms in high-end locations gave them the insight on how to produce unique fitness equipment. First to be launched was the Classic and Diabolo Dumbbells, since then the range has been continuously expanding and now includes a Rack, Bench and Wallbars.

Each piece is bespoke, with a choice of materials to choose from such as woods and metals which are popular within many interiors and will complement the décor of the hotel. Alternatively, if there is a specific design element that features throughout the hotel, this can be featured within the GM Custom equipment as well. For that complete customisation, the kit can be branded with a hotel name or logo, adding an element of exclusivity whilst strengthening the brand.

Alongside the GM Custom range of items is the made-to-order aide of business where they undertake custom equipment designs for hotel gyms. Essential when an off the shelf solution doesn’t work. A few years ago, whilst working on the gym at the Mandarin Oriental in Hyde Park, Gym Marine were asked to incorporate a half rack and lifting platform into a space overlooking the swimming pool where there was a glass alcove. The alcove was slightly too small for a traditional half rack, in as much as you couldn’t get around the side of the frame to take the weight plates off. In this instance, they were able to create a bespoke piece which was slightly slimmer than usual and had angled weight plate holders to ensure easy access.

The principles of gym design which they incorporate across all of their projects are perhaps best suited to hotel designs – striking the perfect balance between luxury finishes and creating a functional space which has training options for everyone. GM Custom as a range helps solve this problem, as the freedom to offer bespoke pieces allows to break free of limitation to designs caused by aesthetic or space requirements.

Gym Marine is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here

Main image credit: Gym Marine

IN PICTURES: Italy’s Paragon 700 Boutique Hotel & Spa opens

730 565 Hamish Kilburn
IN PICTURES: Italy’s Paragon 700 Boutique Hotel & Spa opens

The sensitively designed 11-key boutique jewel has opened in the heart of Italy’s White City, Ostuni, Puglia…

With Covid-19 stalling its inaugural opening, the team at Paragon 700 Boutique Hotel & Spa are finally able to officially open the doors.  The elegantly restored red palace in the heart of Puglia’s White City, Ostuni, has been meticulously restored to boast 11 individually curated rooms, meaning guest numbers are naturally limited and exclusive takeovers are possible. 

Standing in stark contrast to the whitewashed buildings of Ostuni, Paragon 700’s red brick façade cocoons a lush garden and swimming pool, a rare green space in the heart of the city, offering a spacious, tranquil and exclusive oasis, just a five-minute walk from the main square. 

The Paragon 700 Boutique Hotel & Spa team painstakingly restored every inch of the former Italian palace using traditional handcrafted techniques, while injecting a splash of modern flair. French parquet flooring extends throughout all 11 rooms and suites, which feature stonewashed bed linen, cathedral ceilings, period frescos and fireplaces.

Image credit: 700 Boutique Hotel & Spa

Naturally, each guestroom is different, some offering terraces, balconies or in the case of the Paragon Suite, a sunken bathtub and private terrace with sun loungers. Guests who fall in love with the chic interiors will be delighted to discover that they can buy select furniture and décor to take home as the ultimate holiday memento. Any sold pieces will be replaced by the boutique hotel’s stylish owners, who will be happy of an excuse to indulge their passion for sourcing eclectic items.  

The hotel brings a fresh taste to Ostuni, with the opening of Restaurant 700. Head chef Giovanni Cerroni, the protégé of Michelin-starred Paulo Airaudo, offers an enticing menu that celebrates outstanding local ingredients and cuisine. Open to guests and locals alike, this new venue, including the quirky Bar 700, will offer an intimate dining experience, with impeccable service and the finest local vintages from the hotel’s impressive wine cellar.

As the only hotel in the heart of the White City to offer a swimming pool and garden, Paragon 700 Boutique Hotel & Spa will also be an unrivalled haven for guests looking to unwind and recharge. The palace’s former water chamber has been transformed into a unique spa offering a Turkish bath, Himalayan salt wall, multi-sensory shower and a natural whirlpool dug into the ground. 

Image credit: 700 Boutique Hotel & Spa

The team at the hotel have put in place a full range of cleanliness and safety measures in light of Covid-19, including daily temperature checks for staff and for guests on arrival, to ensure the safety and wellbeing of all those who wish to enjoy this exciting new boutique hotel. 

Main image credit: Paragon 700 Boutique Hotel & Spa

CASE STUDY: Creating the art scheme for Great Scotland Yard Hotel

730 565 Hamish Kilburn
CASE STUDY: Creating the art scheme for Great Scotland Yard Hotel

Months after it’s official opening, Hotel Designs gains access inside London’s Great Scotland Yard Hotel for an ‘Unbound’ look into what it took art consultancy firm Elegant Clutter to complete a bespoke artwork scheme…

Most people associate Scotland Yard with the London Metropolitan Police. For some, the words are almost interchangeable.

This is explained by the fact that the original Metropolitan Police Headquarters in Whitehall Place had a rear entrance on a street called Great Scotland Yard. This became the public entrance to the police station and over time the street and the Met Police became synonymous.

It may come as a surprise that Scotland Yard is no longer technically in Scotland Yard. It is less of a surprise that the original 1820’s Grade II listed building, situated only three minutes walk from Trafalgar Square, has been turned into a luxury hotel. It is now proudly the first UK hotel in Hyatt’s Unbound Collection. The renovation has been dramatic and art has played a big part in the hotels development. We take a look behind the scenes at what was involved in creating, curating, handling and finally placing the extensive artwork collection on the walls of this striking hotel.

Image credit: Elegant Clutter

Elegant Clutter was appointed to be part of the team responsible for the transformation of this iconic building. Discussions on how best to deliver the artwork strategy were ongoing for more than two years. The team at Elegant Clutter were required to survey, scope, cost and re-cost in order to help the client plan budgets, feasibility and time scales. With such an iconic London landmark at the heart of the project everyone was focussed on ensuring the content was perfectly matched to the venue and its many backstories.

The first thing to mention is that no two of the 152 bedrooms are the same. And then there are the 15 individually appointed suites that were to be marketed as ‘enjoying a bespoke art selection that celebrates the historical element of your memorable stay’. Whilst this contributes to the hotels appeal and makes the guest feel they are staying somewhere truly unique is poses many challenges to the artwork company. (image – no 2 rooms the same)

The gauntlet was well and truly cast down. Whilst relaxing on their bed, taking in the sumptuous surroundings the guests will have no idea the lengths to which Elegant Clutter went, to make sure the artwork selection and positioning was ‘just so’. The rooms and suites benefit from a collection of investment art from artists such as Belinda Frikh and Nicola Green, bespoke framed by Elegant Clutter as well as custom made and designed artworks by Elegant Clutter themselves.

Image credit: Elegant Clutter

One of the bedroom artworks was inspired by Richard Hamilton’s renowned 1950s pop art piece crafted from painted and layered timber to create a 3D relief. Elegant Clutters highly stylised version picked on references from the period of Robert Peels premiership to create an imaginary London street scene – with a humorous twist. The traditional ‘bobby on the beat’ being replaced by a modern security camera in partnership with the emblematic blue police box. It perfectly fitted the brief from the hotel to fuse its rich history and tradition with modern luxury.

The subtle colours of the various artworks needed to be considerately paired together so that each room had its own mini-collection that worked as one. With all the rooms being so different the artwork selection had to be sympathetic to the colours, shape and layout of each one.

Elegant Clutter developed luxury feel frames for limited edition art and their relationship with the Tate enabled them to print Graham Southerland originals onto luxury silk scarves to be presented in acrylic boxed frames. The spreadsheet required to manage the accurate installation would have been more at home in an accountants office than a fine art studio. The invisible, behind the scenes work is just as important a part of the process as creating the art itself.

Image credit: Elegant Clutter

A key appeal of the hotel is that its historic and cherished buildings hold more hidden stories than any other kind in London. The role of the artwork in the public spaces was also to expose some of those stories but had to remain highly bespoke with a luxury finish.

Elegant Clutter was granted access to the London Metropolitan Polices historical records and memorabilia. These were used to help create story filled installations to give a contemporary museum like experience around the main entrance. Intriguing artefacts were carefully curated and floating display cases were designed and hand made to house them. The feature was brought together by using a metallic digital mural background made up of a rogues gallery of past ‘guests’ of The Yard. What you see as a result is an opulent history wall with multiple layers of interest. What you don’t see is the work involved with making a completely different sized box to house a different item requested by the client at the eleventh hour.

Equal care was taken in the framing of the collectable originals to the same part of the hotel. Pride of place on the ground floor is an imposing Belinda Frikh portrait. Its impact has been boosted with a hand-made frame, non-reflective glazing and a gold leafing to ensure an authentic luxury feel. Gold leafing is sometimes perceived as dying art but Elegant Clutter have painstakingly taken the time to hand gilt frames and even the artwork itself for a variety of luxury hotels. The result is impressive but very few would be aware of the time and diligence taken in the studio to achieve it.

Image credit: Elegant Clutter

With artwork this valuable and unique the Elegant Clutter art handlers insist on a white glove service. It’s an important detail for a project such as Great Scotland Yard where the artwork must be protected at all costs. And it’s not just the art that needs protecting. A 200 year old building must be respected too so an understanding of the walls themselves and the most appropriate fixing solutions is imperative. No one wants to accidentally drill into a lath and plaster wall for a grade II listed building because they haven’t done their homework. An art consultancy needs to be trusted for what they don’t do as well as what they do do. It may not be visible – but its all part of the service.

Image credit: Elegant Clutter

Elegant Clutter is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this  three-month editorial package, please email Katy Phillips by clicking here.

Main image credit: Great Scotland Yard Hotel

How hotels are keeping sustainability front and centre

730 565 Hamish Kilburn
How hotels are keeping sustainability front and centre

To celebrate sustainability in practice, Hotel Designs asks Paisley Hansen to investigate what hotels are doing today in order to preserve tomorrow…

Everyone strives to be as kind to the environment as they can and hotels are no exception. As a matter of fact, with the amount of traffic they receive, hotels going green has been a significant inspiration for other businesses to follow suit.

To keep up with changing times, hotels have implemented many environmentally-friendly practices.

Utilising the power of the sun

There’s no doubt about it–solar energy is hot. If you’ve ever received a money-saving solar quote, or switched over yourself, you know how well it works. Hotels have made the same choice and decided it’s worth their while to invest in eco-friendly energy sources. Solar power is a no-brainer and it’s smart business to implement it now.

Image credit: Pixabay

Doing less laundry

Years ago when you’d book a hotel, you would get clean sheets and towels each day. Many hotels are now frowning on this wasteful practice, unless you specifically request it. Towels can be left to dry and reused the next day. This uses less water, detergent and saves the hotel money.

Lathering up in Bulk

Remember when you were a kid and hotels had all those fun little amenities? Although people loved to collect miniature bars of soap and tiny shampoo bottles, many hotels have opted to install bulk shampoo and soap dispensers. This is popular in Europe where each shower contains a press container that releases gel to be used as shampoo and body wash. These containers mean less packaging and plastic waste.

Economical lighting solutions

Hotels are changing the way they provide lighting to reduce their carbon footprint. Many have decided to install LED lighting throughout the property. You may also come across motion sensor lights that turn on as you walk down a hallway, much like what you see in a supermarket freezer section. You may even find these upon entering your room, which is a big help if you check in after hours.

Image credit: Pixabay

Watching waste

Many hotels offer a continental breakfast and the patrons love the money they save on a meal. In the past, a lot of trash was generated by the use of paper cups and plates, so now, many hotels use glass dishes and coffee mugs with a tub to collect dirty dishes. This reduces an incredible amount of trash. Hotels are also placing recyclable bins around the property to collect plastic, metal and glass items, so don’t throw them in your regular trash can!

Going Chameleon

In many parts of the world, you’ll find hotels that are virtual chameleons. What this means is that they blend in seamlessly with their surroundings for many specific reasons. These hotels have made a conscious decision not to mar the landscape and instead, keep the area looking pristine. This practice is also animal-friendly as it doesn’t disturb, or interfere, with the rhythm of wildlife in the area.

Recycling water

Along with doing less laundry, more hotels are opting to save water through a process called greywater recycling. This procedure allows lightly used water, such as that used in showers or sinks, to be reused again for non-drinking purposes like irrigation or toilet flushing. Other hotels worldwide also collect and reuse rainwater in much the same manner.

Cleaning with a conscience

All these improvements sound wonderful, but what happens at the hotel when you’re not there? Green practices are now taking place at hotels behind the scenes, as well. That’s where environmentally-friendly cleaning products come into play. Hotels no longer feel that they need to use harsh, caustic chemicals when cleaning rooms. Many products have been developed that are made of lemon, vinegar and plant-based sources that still kill germs and sanitise rooms.

It’s everyone’s responsibility

Environmentally-friendly practices in hotels are becoming the norm, as they well should. From solar energy, to water recycling and protecting natural habitats, looking for better options is everyone’s responsibility. Using hotels as an example, find out how you can live greener in your own home.

Main image credit: Pixabay

Exploring what makes design unique through the rich theatre of life

730 565 Hamish Kilburn
Exploring what makes design unique through the rich theatre of life

With ‘Finding your lane’ being a topic that Hotel Designs will explore in the first episode of DESIGNPOD, we asked Samantha Crockett, Director of Harris Jackson Interior Design Studio, what makes her design unique…

Very recently an acquaintance of mine Jacqueline Goddard of Atticus Arts wrote an article for her blog & LinkedIn asking, “What was our USP?”.

It struck a chord with me as, while in lockdown, I have been trying to find a way to differentiate myself from other small Hospitality design studios out there.

What makes me unique in an industry that is saturated by designers that have been through the design school/University system? What can I offer my client that makes me differ from all the rest?

Jacqueline states: “What differentiates us from another is our life’s experiences”. Undoubtedly these experiences will be unique to every individual.  My instinct is that no client can decide whether they want to take on my services unless they can resonate with what I have to say. And by that, I mean, what is behind my passion for hospitality design? Why do I do what I do and how did I get here? What makes me? What makes me an informed designer that will create & inspire. Why should a hotelier approach me to design their hotel, members club, Golf club, show home to name but a few?

Firstly, my love on interiors and design stems back to when as a young child l would build Lego models of my ideal home which then shifted into creating my own interior design projects in sketchbooks, tracing textile designs from Colefax & Fowler and drawing differing scales of pattern to place into a space. This was usually my then minuscule bedroom in my family home in West London. I constantly had my head in a sketchbook drawing and sketching what I saw around me. I wish to this day I had the time to still do this.

However, alongside this love of anything design related was my passion for live performance, theatrical arts and film. I would devour the old black and white films from “To kill a Mockingbird “ to “12 Angry men” to Some like it hot”. I would sing and dance & memorise all the routines from the Hollywood film musicals such as “Oklahoma”, “Oliver “& “Cabaret”. My family would spend spectacular evenings in London to see the latest big musical show that had hit the West End. Even to this day I remember the feeling of excitement as, sitting on those plush red velvet seats, the lights dimmed, and the curtains drew back to reveal stunning sets and characters while the orchestra launched into their overture. Those days of peering over the seat in front, chin resting on hands, stays with me to this day.  That feeling of need to distance my actual surroundings and the story unfolding and the sheer joy that was beheld in that proscenium arch in front of me.

With a mother & grandmother, ballerinas in large scale Ballet productions pre and post war Europe accompanying Anna Pavlova & several other family members working as empresarios, my love of theatre and spectacle was entrenched in my psyche.

Rather than follow the traditional route into Interior design by studying at University or one of the established private schools such as KLC or Inchbald. I followed my heart by studying Set & Costume design combining my 2 passions design & theatre. Whilst studying, my Saturdays were spent working my way round every department of what was then Terence Conran’s Habitat. The interiors bug re-awakened.

What my studies taught me was that at every moment theatrical design has to resonate with the audience, to create an emotional reaction, depict a story, which in turn allowed for a longstanding memory. We had to work with the script to develop the character through setting, costume, texture, colour, sound & light. Create the world in which these characters lived & breathed. I can still recall so many details of the sets from the various productions I saw through the 80’s & 90’s down to the intricate detailing in the handmade period or contemporary costumes created for individual characters. My professional career took me to the worlds of Cole Porter & Bob Fosse musicals as well as French restoration comedies through to 1950’s American comedic theatre. They all have contributed over the years to this wealth of reference and the attention to detail stands me in good stead to this day when specifying the FF&E for projects I have worked and collaborated on.

Theatre is all about working as a team, it is a collaboration. One cannot work without the other. Just like in hospitality interiors. The designer cannot create without the client, the brand, the contractors and ultimately without the final experience that the hotelier/group want to impact on the guest. I learnt how to deal with personalities from directors to lead actors recently moved over from LA to tread the boards after decades of Hollywood film work. One cannot underrate the nerves that even the highest paid performers experience when stepping out onto that stage again. We had to reassure, understand & above all, listen. A skill often forgotten.

So, in hotel design how can we create these memories & experiences that will last a lifetime inspiring the guest to come back for more and how do we translate them into the hotel interior? We, the designer, have to tap into that unseen, sometimes un-describable reaction that we get from a given environment, location or atmosphere. Once we have succeeded, we are creating long lasting memories for hundreds of end users who we hope to entice back for another unforgettable stay.

Image caption: The Clubhouse Shanghai

Not only was my background in design and theatre a pre-cursor to my now passion for hospitality environments. But after graduating a stint in the Sales & marketing of luxury interior products instilled me with a desire to keep learning about innovative products & manufacturing. I learnt about the procurement process, what can be achieved by working alongside suppliers, manufacturers & crafts people to create a given look within a budget. It taught me how to design beautifully bespoke details that run through my work today. A move into Interior design in the early 00’s brought a number of years designing high end residential interiors, but it was always the hotels that drew my attention.

Image caption: The lobby inside St Regis Dubai

With this product knowledge came a sound sense of style and design history. I can be given any brief placed throughout time and place and produce an interior that demonstrates both a correct historical reference point but also empathy. Just imagine walking into a Lobby area where the whole effect takes your breath away! This is not just interior design but pure theatre!

One cannot realistically expect to understand what the client wants in a brand/Interior unless you understand human emotion, desires, ambitions, history, religion and culture. I often write about how important the locality and community are for a boutique hotel brand. Maximising on what is local to the property both geographically and naturally as well as culturally. My many travels and experience of living and working both in the Middle East (Dubai) and Asia (Hong Kong) have introduced me to many distinct and different design styles and cultures. How can I design an authentic space if I have no point of reference? How will my design be believed or resonate with the guest if I have not travelled to or experienced the culture? While designing luxury hotels across Asia I was called on to draw on my expertise in classical European interiors & architecture for a palatial project in Dubai. Whether right or wrong it was my heritage and European education that benefited this collaboration.

Image caption: Conclusion? This is me!

So, when considering what is “my” USP within this exceptional industry and what makes me distinctive, I quote another acquaintance Clare Farthing, business strategy coach, who I have had the pleasure of working with over the last few years: “You are your business”. My USP is my life’s journey and everything that is encompassed within that. No other individual will build on the same training, life experiences and responses. So, when I look back at what I have accomplished it is definitely with a sense of uniqueness that I am what I am and bring to the table a “rich theatre of life”.

Harris Jackson Design is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this  three-month editorial package, please email Katy Phillips by clicking here.

Main image credit: Harris Jackson Design

Hotel Designs LIVE: Technology’s role in tomorrow’s hotel with Jason Bradbury

730 565 Hamish Kilburn
Hotel Designs LIVE: Technology’s role in tomorrow’s hotel with Jason Bradbury

On June 23, Hotel Designs hosted its first ever virtual conference. To kickstart Hotel Designs LIVE, sponsored by Technological Innovations Group, editor Hamish Kilburn welcomed tech influencer and the former presenter of The Gadget Show Jason Bradbury to discuss technology’s role in tomorrow’s hotel…

Following a warm welcome from editor Hamish Kilburn to officially launch Hotel Designs LIVE – and quick-fire Q&A round with the event’s headline partner, Technological Innovations Group – Jason Bradbury made a dramatic entrance, on a hover board (we wouldn’t expect anything less). The former presenter of The Gadget Show, who has built an international career as a futurology and tech-trends corporate speaker, took the microphone to start the conference’s debut session entitled: Technology’s role in tomorrow’s hotel.

“The last 10 weeks have defined the next 10 years of innovation.” – Jason Bradbury

Sponsored by Hamilton Litestat, the session started by Bradbury suggesting that the current coronavirus crisis  – and indeed all cultural changes in the past – opened up an opportunity for new technology to be utilised in the hotel experience. Using the case study of Bainland Park, which is a luxury escape just a few miles from his home in Lincoln, Bradbury explained how the resort is redesigning its concept to dissolve the conventional public areas altogether. “Bainland Park is completely self-sufficient, ideal for the post-corona consumer, and the architecture and design really does set the scene,” he said. “Before lockdown, the owners were intending to renovate the public areas. However, as a result of the pandemic, and the change of consumer demands, they are now eliminating the the communal areas completely. What’s most interesting is that this change has been driven in the last 10 weeks alone.”

“Technology that offer peace of mind and wellbeing are going to be central to the buying experience from consumers.” – Jason Bradbury

Another case study that Bradbury referred to when predicting technology’s role in the future hotel experience was Eccleston Square, a tech-savvy  boutique gem that sits in the heart of London. With the aim being to understand where technology is heading in hotel design, in 2019, Hotel Designs asked Bradbury to review the hotel 30 years in the future. “The technology in Eccleston Square is almost invisible, if you exclude the media lounge,” he explained, “which results in a seamless experience for the guests. However, post-pandemic, I wonder if in the future we are going to see more overt instances of technology [when it comes to cleaning], because that will make us feel safer as consumers.

During the seminar, Hotel Designs LIVE featured a PRODUCT WATCH segment, which allowed the audience to hear from key-industry suppliers within within the technology sphere to ultimately find out about the latest innovations and products that have appeared on the hotel design scene recently.

Below is the full seminar (in two parts), with PRODUCT WATCH pitches from Hamilton Litestat, Technological Innovations Group, NT Security, Air Revive and Aqualisa.

In part two (see below), Bradbury continued to explore, through technology lenses, what he believes will likely be the hotel of the future. In addition, he answered some tough questions on which piece of technology he believes should never have been invited, what tech item he simply cannot live without and how long he could go living without technology…

Born in the chaotic realms of the coronavirus crisis, Hotel Designs LIVE, sponsored by Technology Innovations Group, is Hotel Designs’ way to simply, meaningfully and virtually keep the industry connected while keeping the conversation flowing. Bradbury’s future-gazing session, where he predicted technology’s evolution in the hotel experience, kickstarted a full day of insightful talks and panel discussions on topics such as Public Areas, Sleep and Wellness, which will all be published shortly.

Rosewood Hotels & Resorts to manage Le Guanahani St. Barth

730 565 Hamish Kilburn
Rosewood Hotels & Resorts to manage Le Guanahani St. Barth

The iconic Caribbean resort on St. Barth will reveal a comprehensive refurbishment under the Rosewood flag, which is expected to be completed and revealed in Spring 2021…

Rosewood Hotels & Resorts will manage St. Barth’s renowned retreat, Le Guanahani, which is set to reopen in Spring 2021 following an extensive restoration of the fabled property.

Closed since 2017 due to the effects of Hurricanes Irma and Maria, the property will reopen as Rosewood Le Guanahani St. Barth with a property-wide rebuild and refurbishment that preserves the unique spirit of the resort and perfectly embodies Rosewood’s A Sense of Place philosophy, wherein the local sensibilities of the destination inspire the resort’s many offerings. Rosewood Le Guanahani St. Barth will mark the growing ultra-luxury brand’s third property in the Caribbean and first in the French West Indies.

Ideally situated over eighteen lush and secluded acres on a private peninsula overlooking two stunning beaches, Marigot Bay and Grand Cul-de-Sac, Le Guanahani originally opened in 1986 and quickly established itself as one of the most iconic resorts in the world celebrated by both families and couples for its incredible beaches and relaxed style that complements St. Barth’s chic ambience. With stunning architecture by David M. Schwarz Architects and unique interior design by Luis Pons Design Lab, the new Rosewood Le Guanahani St. Barth will evoke the rich and authentic French Caribbean heritage of the island with its signature colorful style featuring vibrant design hues of turquoise inspired by the Caribbean water, yellow reflecting the tropical sun and lavender as a nod to the South of France.

“We are honored to steward Rosewood Le Guanahani as it sets a new standard of luxury on St. Barth and around the world.” – Sonia Cheng, chief executive officer of Rosewood Hotel Group.

“A legendary resort cherished for its rich offerings, memorable service and captivating landscape, Le Guanahani is a jewel within the Caribbean and an idyllic destination for Rosewood’s affluential explorers,” said Sonia Cheng, chief executive officer of Rosewood Hotel Group. “We are honored to steward Rosewood Le Guanahani as it sets a new standard of luxury on St. Barth and around the world.”

Upon opening, Rosewood Le Guanahani St. Barth will debut with the complete renovation of all 66 guestrooms, suites and villas, many with new private pools. As the only full-service resort on St. Barth, the property will offer a range of updated amenities including a distinct beachfront dining concept and new pool, a Rosewood Explorers children’s club, fitness center, tennis court, Sense, A Rosewood Spa and dedicated event spaces. Surrounded by two beautiful beaches, including a reef-protected lagoon, and just a short distance from the dynamic downtown, Rosewood Le Guanahani St. Barth will further deliver endless opportunity for guests to discover all St. Barth has to offer through a myriad of watersports, hiking, and sea and town excursions.

Rosewood Le Guanahani St. Barth will continue to operate under the leadership of Managing Director Martein van Wagenberg, who has managed the property for the past six years. This marks the return to the Rosewood family for van Wagenberg, who previously held Managing Director positions at Rosewood Little Dix Bay and Las Ventanas al Paraíso, A Rosewood Resort.  “For more than 30 years Le Guanahani has been renowned for its unique guest experiences and sustainable approach to hospitality – a true reflection of the destination,” said van Wagenberg. “Rosewood Hotels & Resorts is the perfect partner and one that shares our core values through their A Sense of Place philosophy, demonstrated through an unwavering commitment to our associates and community. This is an extraordinary opportunity for the Le Guanahani team to join Rosewood’s global network and stand alongside sister properties such as the iconic Hôtel de Crillon, A Rosewood Hotel in Paris, Las Ventanas al Paraíso in Los Cabos and The Carlyle, A Rosewood Hotel, in New York City. We are delighted to launch a new chapter of Le Guanahani’s storied legacy with Rosewood by our side.”

Rosewood Le Guanahani St. Barth will join Rosewood’s portfolio of distinguished Caribbean and Atlantic properties, which currently includes Rosewood Baha Mar in The Bahamas, Rosewood Bermuda, and Rosewood Little Dix Bay in Virgin Gorda, British Virgin Islands. Additional projects underway in the region include Rosewood Half Moon Bay in Antigua, set to open in 2023.

Main image credit: Rosewood Hotels & Resorts

Designing bespoke feature lighting for public spaces (part 2)

730 565 Hamish Kilburn
Designing bespoke feature lighting for public spaces (part 2)

Following on from part one of Inspired By Design’s bespoke lighting series, the company’s Simon Shuck focuses part two on materials used to create one-off lighting pieces…

In every type of project whether hospitality, residential or commercial and any space where there is a large ceiling void, a bespoke lighting feature is often commissioned to both illuminate the space and complete the design.

The question that faces designers is what type of feature light will match the design and complete the space.

The choice of material is particularly critical as its impact needs to be both visually stunning and work aesthetically in its surroundings.

The most common material used for large lighting features is crystal, which has the benefit of being available in a multitude of shapes, For example: octagons, triedri, rods, droplets, almonds, diamonds, alberts and spheres. The crystals can be either facetted or non-facetted and are available in every colour imaginable.

Crystals vary not only in shape and colour but in quality grades ranging from K9 (a Chinese crystal) at the lowest end of the price spectrum to Asfour and Swarovski at the high-end.

Image credit: Inspired By Design

Beyond crystal, there are many other materials that can achieve the desired effect. For example:

Blown glass spheres are very popular. These differ in size depending on the glass blowers’ capabilities; the finishes can be transparent, frosted or coloured (either solid colour or with streaks) or designed to mimic other materials such as alabaster.

Image credit: Inspired By Design

Alabaster itself is a popular choice as its gives warmth to the design but does have some dimensional limitations.

Textured glass is a good choice as artists can fuse colours to blend in with the finishes that are being used. Glass lengths can vary greatly depending on specification.

Acrylic is an under-utilised material and with a greater choice of finishes shapes and sizes it can provide a very satisfactory result. Worth considering if within the public area the fitting is sited close to the entrance where weather conditions could affect it.

Image credit: Inspired By Design

Laser cut is extremely popular at present. This enables other fixtures in the design to be replicated into a light fitting. Generally produced in metal and with a choice of finishes can match the metalwork used in the rest of the project. Laser cut can also be used with ceramic or porcelain.

Engineered solutions. This approach allows any type of metalwork to be manipulated to produce large or small fittings that run horizontally or vertically through the space.

Wood is an ideal material to use especially if the finish of the joinery element is very needed to be replicated. Finishes can be in Vermeer, laminate or solid wood.

As always our team is on hand to advise and assist you in the development of the light to suit your project and budget.

Inspired By Design is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this three-month editorial package, please email Katy Phillips by clicking here.

Main image credit: Inspired By Design

In (Lockdown) Conversation With: Dean Winter, Managing Director, Swire Hotels

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In (Lockdown) Conversation With: Dean Winter, Managing Director, Swire Hotels

Following his recent appointment as Managing Director of Swire Hotels, Dean Winter sits down (virtually) with editor Hamish Kilburn to explain the brand’s change of direction…

Swire Hotels, which shelters luxury and lifestyle brands The House Collective and EAST, has recently announced a new Managing Director.

Dean Winter, who first started working with the hotel group in 2006, has more than 25 years’ experience as a hotelier and restaurateur in destinations such as London, Hong Kong and Singapore. Taking over from Toby Smith, who will now sit as Deputy Chairman for the group, Winter’s new role is part of a wider internal restructuring of management for the group with the aim to continue to inspire teams across the brands.

Following his appointment, I caught up with winter.

Hamish Kilburn: Dean, congratulations on your new role! What are you most looking forward to as Managing Director at Swire Hotels?

Dean Winter: People are central to what we do at Swire Hotels – both our guests and our dedicated team members – and their personal satisfaction is a main priority for me. By training our team and then empowering them to make decisions, we enable them to exceed expectations and build personal relationships with guests and other team members.

This dedication to service is core to our ethos at The House Collective and EAST, Hotels and I couldn’t be more excited to continue to support the people and guide the beliefs of a company that I’ve been part of for over a decade.

woman walking down modern staircase

Image credit: The Middle House, Shanghai

HK: How much does the design of the hotel affect the guest experience of Swire Hotels?

DW: Design lies at the heart of Swire Hotels and its brands. First impressions matter to our guests. When you walk into a hotel, its interior design can affect the way you feel and can influence your mood.

Each hotel within The House Collective all have their own identity, which boast some of the best design signatures in the industry. For example, behind The Opposite House’s unique design as an art gallery-inspired hotel there is visionary architect Kengo Kuma, who made our hotel one of Beijing’s hottest spots to visit.

HK: What are the key characteristic differences between Swire Hotels’ brands, The House Collective and EAST?

DW: All our hotels provide an extremely personalised service with each guest treated as a valued individual. The House Collective is all about design-led homes away from home, each with its own identity rooted in the destination, and a spirited, cultural soul. EAST is adapted to the new business traveller experience in destinations like Hong Kong, Beijing and Miami, blurring the line between business and leisure and enabling authentic experiences through art and design. At EAST, creating spaces that effectively accommodate guests at various points of life or of their day is also and important element. Examples of this would be the Domain spaces at our EAST hotels which function as cafés, meeting spaces, co-working zones and early evening bars; Sugar the rooftop bar is a popular nightspot for guests as well as locals and BEAST with well equipped gym, pool and wellness programmes helps keep our guest fit.

HK: Can you give us an overview of Swire Hotels’ commitment to sustainability?

DW: Swire Hotels is committed to making a positive impact on the environment and in order to manifest this change, we start from our people. What we envision is creating a healthy ecosystem of people who embody our values and care about our impact on the environment. We’re always looking to create meaningful initiative across our properties focusing on reducing water wastage, energy savings and better waste management. Some of these initiatives include removal of single-use packaging, amenities made of recyclable or biodegradable materials, paperless check-in and at EAST Miami, we have a smart pump that regulates water pressure throughout the hotel in order to reduce water usage. We are determined to find new ways to improve the sustainability of our properties, for our guests and the community around us. This way, we can continue delivering wonderful experiences not just for right now, but for many years to come.

“We have been taking advantage to accelerate some planned projects for both in terms of rooms and restaurants enhancements or systems development.” – Dean Winter, Managing Director, Swire Hotels

HK: What does 2021 look like for Swire Hotels?

DW: Overall I think everyone will have a more positive attitude towards travelling given how 2020 has unfolded. This year we’re celebrating the 10th Anniversary of EAST Hong Kong with new packages available to book directly from the hotel’s website and The Opposite House exciting new relaunch with the completion of an extensive renovation of the restaurant and bar spaces will have the celebration continue into the new year.

During the recent downtime, we have been taking advantage to accelerate some planned projects for both in terms of rooms and restaurants enhancements or systems development. So there will be more new spaces to reveal in 2021. We have also embarked on an expansion plan to grow both our brands, The House Collective and EAST, through management contracts throughout Asia Pacific and hope to have some announcement in 2021.

HK: Are you able to give us an insight into any new openings?

DW: We do have some evolving plans for new restaurant spaces next year. I’m excited by these opportunities and how we can continue to demonstrate our creativity on what is a core competency for the group.

QUICK-FIRE ROUND

HK: Where’s next on your travel bucket list?
DW:
Montenegro; I’m facinated by the history and the architecture. Followed by a drive along The Adriatic; ideally in a classic sports car!

HK: What’s one item you cannot travel without? 
DW: A great novel!

HK: Can you describe the Swire Hotels ethos in three words?
DW: Innovation, design, people.

HK: How have Swire Hotels and its two brands been preparing to welcome guests back following the health crisis?

DW: The relationship between The House Collective and EAST, Hotels and our guests have always been centred around trust – we are dedicated to providing the best for our guests, and will continue to uphold our standard of service moving forward from this pandemic. We have already been hosting guests from neighbouring cities to our destinations and are looking forward to welcoming guests from all over the world again. We have introduced various prevention and control measures since the very beginning of the health crisis, such as temperature and travel history checks for all guests upon arrival including our staff members, increased frequency of deep cleaning as well as preparing care kits for our guests with hygiene wet wipes, hand sanitiser and face masks.

Main image credit: Swire Hotels

GROHE achieves carbon-neutral production

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GROHE achieves carbon-neutral production

Achieving carbon-neutral production is an important milestone in GROHE’s 360-degree sustainability strategy, and is now working to ensure that all sales offices are climate-neutral by 2021…

As one of the first leading manufacturers for full bathroom solutions and kitchen fittings, GROHE has now achieved carbon-neutral production, achieving its pledge the brand announced in November 2019, a pivotal milestone in its long-term commitment to sustainability.

“The initiative ties in seamlessly with the numerous measures in our plants that promote the reduction of the carbon footprint and conserve resources. We are very proud to be a pioneer in our industry with GROHE goes ZERO,” said Thomas Fuhr, COO Fittings LIXIL International and CEO of Grohe AG. “And we are directly aiming for the next step: by the end of 2021 we want to make all our sales offices worldwide climate-neutral.”

The initiative also contributes to a central goal of parent company LIXIL’s sustainability strategy, of which GROHE has been a part of since 2014: by 2050, achieve net-zero carbon emissions from housing and lifestyle solutions as well as operations.

In order to achieve its goal of carbon-neutral production, GROHE has been using green electricity since July 2019 at all five LIXIL EMENA production sites, which produce exclusively for the global brand, and in the German logistics centres. In addition, the brand is investing in solar technology, combined heat and power plants, and innovative manufacturing processes such as 3D metal-printing that save materials to ensure they are creating a value chain that conserves resources. In addition, its state-of-the-art dedicated testing laboratory in Hemer coupled with increased recycling of materials is also helping contribute to the steady reduction of its carbon footprint. As a result, GROHE has been able to reduce its greenhouse gas emissions by around 40% since the introduction of its 2014 sustainability programme, while at the same time increasing its energy efficiency by 24%. As a result, the original targets of 20% respectively by 2021 have been significantly exceeded ahead of schedule.

To offset any CO2 emissions it has not yet been able to reduce, GROHE provides significant investment into two global compensation projects: operational support of a hydroelectric power plant in India, which eliminates the need for coal-fired power plants, and a project in Malawi, which involves the repair and maintenance of boreholes used for drinking water abstraction.

As part of its carbon strategy, the sanitary brand intends to pursue the proven three-pronged approach of “avoid, reduce, compensate” and increase its energy efficiency every year by its own means, thereby reducing the share of compensation.

GROHE’s approach for a reduction of CO2 in consumers’ everyday lives

GROHE always strives to increase sustainability, not only with regard to its own production but through its intelligent technologies which can also help consumers to minimise their personal carbon footprint:

#1: Saving energy starts at the wash basin

Eco-conscious products designed for the family bathroom not only save energy but can also be easy on the wallet. Technologies such as GROHE SilkMove ES allow solely cold water to flow from the tap when the lever is positioned in the middle. Unnecessary hot water consumption can therefore be prevented and, for a four- person household, save approx. 279kg CO2 and around 31,412 liters of water per year.

#2 Sustainable showering

For many, a refreshing shower in the morning is a great way to start the day. However, people often wait unnecessary lengths of time to start their shower until they have found the ‘perfect’ shower temperature – hence valuable energy and water are then wasted in the process. GROHE thermostats equipped with its TurboStat technology provide a more sustainable showering experience, delivering the desired shower temperature within a fraction of a second and maintaining this for the duration of the shower.

#3 Filtered drinking water straight from the kitchen tap

Bottled water is ubiquitous in everyday life, but it is certainly harmful to the environment. Up to 600g CO2 are emitted during the production and transport process of one litre of bottled mineral water. One solution for consuming water more sustainably is the investment of water systems for the home such as GROHE Blue Home, a kitchen tap that supplies you with filtered and chilled water in still, medium or sparkling options. A family of four using a Blue Home water system can save up to 800 plastic bottles each year and reduce their CO2 emissions by up to 61 per cent.

GROHE is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: GROHE

FEATURE: The ever-growing importance of biophilic design

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FEATURE: The ever-growing importance of biophilic design

While sustainability remains high-up on the agenda, and following editor Hamish Kilburn’s panel discussion at the Surface Design Show on biophilic materials in surface design, Nest explores the importance of bringing nature in…

If there’s one thing we’ve noticed over the past few months, it’s been how much people have been connecting with nature.

In times of stress, we crave a relationship with the natural world – whether this be walking through our local park, filling our homes with houseplants or being able to relax in our gardens. Exposure to nature and the colour green has been shown to provoke the release of good endorphins; it can even help people heal faster. Mental health charities across the world also recommend spending more time outdoors to combat problems such as anxiety and depression.

So, with nature’s proven impact on our mental health and physical wellbeing, could biophilic design principles hold the key to creating sustainable and inviting spaces in the post-pandemic landscape?

How biophilic design can be applied in a hospitality setting

Wellbeing is huge industry that will only continue to grow. Spaces that can improve our health and wellness will play an ever bigger part as the hospitality sector looks to entice people back to international travel.

Biophilic design principles suggest that humans have an innate connection with the natural world. Through bringing elements of nature into our interiors, we can elevate the well-being of those inhabiting the space.

“Oliver Heath suggests that guests are willing to pay 23 per cent more for rooms with views of biophilic elements.”

As shown in many studies show, biophilia has the potential to be very powerful within a hospitality setting. A cost-effective way of improving the experience for guests, Oliver Heath suggests that guests are willing to pay 23 per cent more for rooms with views of biophilic elements. This is something that can be clearly seen in the link between the price of hotel rooms and whether they have a sea view.

But biophilic design is not just about views or introducing plants to your spaces. Materials, textures, colour, shape, lighting and ventilation all combines in well-designed biophilic spaces to create an environment which is calming and inviting.

We’ve picked out a few key ways in which you can start to introduce biophilic design principles into your interiors:

Directly introduce nature into a space

Whether this be through framing a striking view out of the window or simply displaying a bunch of fresh flowers in a statement vase, bringing the great outdoors inside is easier than you may think. Layer up your greenery to create a statement feature or even invest in dried flowers if keeping plants watered is too much to handle. This is an easy and often affordable way to introduce biophilic design principles into a space.

Image caption: Nest’s Fritz Hansen Lily Chair | Image credit: Nest

Make it easy for people to access the outdoors

As well as providing glimpses of nature within your interiors, consider how your building allows people to access the outdoors. Could you introduce outdoor seating onto a patio to create a place of refuge outdoors? Does your courtyard encourage people to spend time in it? An inviting outdoor space may well be key in a socially distanced future.

Introduce natural motifs

A pattern in the wallpaper, the form of a vase or the curves in a chair – organic forms that suggest shapes from nature are a great way to introduce another nod to nature into your interiors.

Make the most of natural materials

Textures that tempt our fingertips – combining materials such as cork, rattan, wool and wood in a space creates a natural material palette which can put us at ease. Tactile stimulation has been shown to help reduce our cortisol levels (which cause stress) and trigger the release of oxytocin (the love hormone) helping us to feel happier and more relaxed.

Consider the colour temperature of your lighting

Lighting can have a huge impact on our mood and alertness. There are now a number of circadian lighting systems on the market which mimic natural daylight through colour-changing LEDs. By subtly removing the stimulating blue spectrum of light in the mornings and evenings, these lighting systems help to improve both alertness and sleep quality by creating a more adaptable space.

As many of us continue to spend more time indoors, spaces that support us both physically and mentally will only continue to grow in importance.

Nest is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this  three-month editorial package, please email Katy Phillips by clicking here.

Main image caption: Nest’s Hashira Table Lamp | Image credit: Nest

SPOTLIGHT ON: The role of landscape architecture in ‘glamping’ resorts

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SPOTLIGHT ON: The role of landscape architecture in ‘glamping’ resorts

A Glamping resort is usually sited within a picturesque location whether forest, beach, lake, mountain, botanical or even an urban rooftop with a primary focus of ‘back to nature’ experience. Bushtec Safari Asia explores landscape architecture…

As a designer we have come across seven main landscape typologies (however there are probably more or even subsets):

  • Traditional Resort compound with highly ornamental plantings, flexible lawns spaces, sculptures with drop-off, restaurant and lobby
  • Natural Aesthetic to blend with or be part of the natural surrounds
  • Animal reserves and Zoological parks providing the time past safari experience
  • Themed Landscapes – most recently we have been developing a pet focused tented resort with agility course, dog pool, sand hill and even a cat climbing gym
  • Botanical which typically focusses on organic farming practices, wellness lifestyle choices and communal gatherings
  • Urban settings such as on rooftops with spectacular views
  • Pop-up Glamping which responds to short term events and festivals where tents are stored and reused year on year.

Image credit: Bushtec Safari Asia

There is as much skill, if not more, to touch the ground lightly and create a landscape aesthetic which looks part of natural surrounds however even more important, landscape architecture critically allows the tents to sinuously bring the outdoors indoors through 4 of the senses

  • sight-siting of tents to maximise vista’s and even lighting for nighttime effects,
  • touch-directing natural breezes through the tents,
  • smell-carefully selection of aromatic scents of flora and
  • sound-bird attracting plants, flowing water elements and selecting rustling trees.

Image credit: Bushtec Safari Asia

To enable a greater understanding of the role of landscape in glamping resorts a case study has been selected – Tiarasa Escape.

The site is located in Janda Baik, Mukim Bentong. Janda Baik (incidentally means good widow) is a small village about 50 km from Kuala Lumpur, capital of Malaysia.

The site included existing fruit trees (durian, rambutan, jackfruit and mangosteen), fish farm and located adjacent to a small river, Sungai Nerong and surrounded by vegetable gardens owned by the local villagers.

Image credit: Bushtec Safari Asia

Our approach is to take advantage of its special qualities, not imposing on the setting but enhancing and directing attention to the features of the landscape. The path, tents & buildings are sculptured fit into the site with minimum disturbance and embrace the rocks and slopes and trees, not see them as obstacles. The beauty and integrity of the landscape and its special qualities shine through each tent location. We have created the design for Glamping and treehouse within as an integrated construction process, adjusting pathway design as we discovered each rock and preserve the beauty of the natural site.

Creating places

As more travelers explore the world so does the expectation to create unique local experience. Our approach to any site is to take advantage of its natural qualities, not imposing on the setting but enhancing and directing attention to the landscape features. The buildings fit into the site with minimum disturbance and embrace the rocks, slopes and trees, not see them as obstacles. The beauty and integrity of the land and its special qualities shine through each concept. Tiarasa Escape resort is intended to “touch the earth” lightly, “teach the stories of the forest” and “discover the life withing a traditional kampung setting” all within a modern luxury escape.

Integrated within the site

Each of our glamping resorts has a design vision.  We take the basic elements we know make resorts work and mix them with unique elements as well as specific client requests to create one overall feeling through the landscape and outdoor spaces. The landscape is designed at multiple scales so a guest will get a certain feeling upon arrival and continue discovering special features throughout their stay. Private spaces and large scale gathering areas both envelop the guest in the landscape which surrounds.

Immerse in nature

We subscribe to the belief that plants make the space. Our planting design is based on extensive understanding of the local environments and the desire to enhance native communities while inviting human inhabitation and enjoyment. Native fruit trees, productive planting and a focus on endangered species create places and enhance the environmental significance.

The planting design at Tiarasa Escapes glamping, pictured here, is based on the concept of the ‘Rainforest Orchard.’ Previously a kampung orchard, the site has mature Durian, Longan and Mangosteen trees which were all protected during construction. Further planting of native rainforest fruiting trees supports the enjoyment of the guests as well as ecological benefits for the other floral and fauna communities.

Landscape is a sensory element and critical to a glamping resort’s design aesthetic. It is about curating a holistic outdoor experience and landscape must always have a purpose. It’s more than just eye candy. It’s important that it looks beautiful but it must also convey a story, an underlining purpose and make a great contribution to physical environments by emphasising the protection of natural character and cultural identity.

Bushtec Creations is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this  three-month editorial package, please email Katy Phillips by clicking here.

Main image credit: Bushtec Safari Asia

Avani Kalutara Resort unveils full renovation

730 565 Hamish Kilburn
Avani Kalutara Resort unveils full renovation

Originally designed by Geoffrey Bawa in collaboration with furniture designer Rico Taravella, Avani Kalutara Resort in Sri Lanka has completed an impressive renovation, revealing new facilities and refreshed guestrooms and suites, and F&B areas…

Avani Kalutara Resort has emerged from the pandemic with a new look, which includes fully-renovated suites and lobby, refreshed outdoor spaces as well as introducing brand new pool suites and dining venues and a 360-degree grand ballroom with panoramic views.

Originally designed in 1994 by Geoffrey Bawa, one of Sri Lanka’s most significant architects, in collaboration with furniture designer Rico Taravella, the vision of the entire Resort was to define a spacious amphitheatre which is achieved through a triton-like layout, as the accommodation wings expand off at angles from the centre. The 105-key resort sits where the Kalu Ganga (River) diverges into a lagoon and the Indian Ocean. The surrounding scenery amplifies the new look of the Resort, which stays true to the tropical modern aesthetic while refreshing the property with crisp, bright touches.

A completely revitalised look and vibe awaits guests at the Avani Ocean View Suites with their tropical airy layout, the brand new Avani Ocean View Pool Suites equipped with private plunge pool and two spacious terraces, and the Avani Deluxe Ocean View Rooms with views of the Indian Ocean and lagoon.

Bringing colour and cool to Sri Lanka’s southwest coast, Avani Kalutara offers a few culinary hotspots; Karadiya Bar provides a picture-perfect backdrop with a new pool bar experience, Miridiya Bar serves up refreshing drinks and bites by the riverside, the Mangrove Restaurant continues to feature the freshest, locally sourced ingredients brimming with local and international delights, along with the brand’s signature deli concept Pantry by Avani for visitors on the go, which offers freshly brewed coffee cold-pressed juices, artisanal sandwiches, and local tea flavours that the country is renowned for. For a more exclusive dining experience, resort chefs are ready to create in-room seafood feasts with Sri Lankan flair.

The brand new Ganga Ballroom, with an ode to its name, features stunning 360-degree views which encompass the Indian Ocean, Kalu Ganga and lagoon. Designed to cater up to 300 guests, a dedicated events planner oversees décor, catering, and logistics to ensure every wedding, party, meeting, or seminar runs smoothly and successfully. 

Recreational facilities include a swimming pool surrounded by coconut palms, the 24-hour AvaniFit inspired gym, a Glider Adventure Tower for ziplining, climbing and abseiling, and water sports on the lagoon. Guests can also access adjacent sister property Anantara Kalutara Resort, including the award-winning Anantara Spa with Ayurvedic treatments.

Main image credit: Avani Kalutara Resort

“You can’t touch this” – handsfree sensor taps by GESSI

730 565 Hamish Kilburn
“You can’t touch this” – handsfree sensor taps by GESSI

Bathroom brand GESSI has injected hygienic and antibacterial electronic hi-tech technology into its taps to cater to evolving modern traveller demands…

Inciso by David Rockwell, Rilievo by HBA, the gleaming steel of Gessi 316, Anello&Ingranaggio and Goccia, are all the latest multi-award winning creations from Gessi.

The sophisticated minimalism of the design by Gessi acquires an advanced technology that combines the beauty of the lines with the functionality of “no touch” electronics. The water supply doesn’t need to be handled or touched as it can be switched on by a movement as simple as the passage of the hand before the sensor.

Thanks to Gessi no-touch system, the beauty of the shape is pure and anti-fingerprint, achieving a better hygiene and avoiding possible damages to the tap.

For the first time, Gessi sensor taps bring the refined elegance of a sophisticated design in public space, where aesthetically simple electronic taps are used to be installed, providing endless finishings with the possibility to choose among a wide range of nuances never seen before. Splendid Gessi Sensor Taps suit also private environments, of course.

Here’s a closer look at some of GESSI’s products, which now feature touchless tech…

GESSI316

Image caption: The GESSI 316 range | Image credit: GESSI

Woven steel

Gessi’s Creativity and style infuse a total new perceptibility into steel itself, giving a material which is usually “technical” and cold, an unprecedented heat, and a special furnishing capacity. Gessi has indeed enriched the body of the faucet with aesthetic and decorative details, such as textures and patterns with different tastes; the steel seems thus “dressed” by the texture. Handles and distinguishable reed valves, finishes of contemporary charm, and an innovative

New technology

Gessi electronic taps are in the vanguard and come available with different technological solutions. The sensor can be incorporated into the tap body or into the very spout, otherwise it can fit into a proper remote plate. In the first two cases the water flow is automatically switched on or off by bringing the hands towards the spout. In the case of the remote detector, the flow is activated or turned off simply by the hand crossing over the detector: it’s almost like a magic move.

Aesthetic and smart

The technology of the electronic taps by Gessi not only makes life easier but it’s also environmental friendly. Thanks to the automatic activation of the flow, water is delivered only for the time it is actually needed. Without any waste.

The warm modern style of New York design

From surface and floor coverings to lighting and furniture, the firm celebrates pro-duct design as a natural extension of its immersive environments. Drawing on an encyclopedic knowledge of design, Rockwell Group creates flexible, transformable products that support new ways of living, working, and communicating. The collaboration with Gessi on the firm’s first-ever line of bath fittings and accessories was a thrilling challenge for David Rockwell. Defined by simplicity and possibility, the Inciso Collection weds modern style with heritage details and finishes that invite tactile discovery.

Pure beauty

Thanks to its no touch system, the beauty of shapes is pure and free from prints, guarantying the hygiene and avoiding tap’s damages. Gessi electronic taps first provide the refined elegance of most sophisticated design to public settings, where electronic devices have usually simply aesthetics. What is more they are available in many finishings, giving the possibility to choose different nuance for the first time in this field. Of course, these beautiful taps are suitable also for private space.

Subtle and elegant industrial details

The bathroom interior fit with the Inciso Collection was not intended to feel unapproachably minimal, but rather calmly chic and warmingly inviting. The goal was to create a design that be both timeless and timely.

RILIEVO

Image caption: The Rilievo range by GESSI | Image credit: GESSI

A concept of tidiness and harmony

If harmony, based on order, is dictated by a mathematical/geometric ratio between parts, the maximum expression of purity of form is probably the enrolment of a circle into a square. This geometric and architectural figure has been greatly evocative through time and across continents and cultures. The circle evokes eternal movement; the square symbolises eternity and immutability.

Discreet and low-impact

The electronic detector can be connected to the normal electricity network or to a lithium battery, ensuring in both cases a minimum water consumption. The electronic technology fits in a graceful way to the tap, preserving the perfect shapes of its studied design, or even better enhancing its essential and simple beauty.

Inspiration meets with innovation

A circle inscribed into a square is the theme that RILIEVO brilliantly brings to life. This design gives gracing touch and sight and it evokes that body and soul equilibrium take center-stage in the bathroom. A new balance between style, emotion and functionality.

GOCCIA

The brilliant beauty of water

Goccia demonstrates how creativity and innovation, together with a content of poetry and respect for the world can turn dreams into objects. This is all Gessi’s accomplishment, a company different by nature

Not only is Goccia a style and a product philosophy, it’s also an eco-friendly creation. All of the Goccia taps are equipped with a technology allowing for a 50% saving of water without compromising the functionality of the tap itself. Goccia is indeed the epitome of a more intimate feeling for luxury, one attentive to the elegance and glamour of the objects as well as to their impact on the environment.

Matter, shape, function

Goccia is not a mere complement, it’s the very distinguishing feature of the design of an interior. It’s an original concept that induces new gestures, new interactions with water, living space and the person. Goccia makes the beauty and usefulness of water available wherever it is needed or desired, with charming and fresh solutions.

ANELLO & INGRANAGGIO

Gessi succeeds in developing its own distinctive and characteristic design language: pure lines with an emphatic recall to primary shapes, like the suggestive ring shape. Symbol of continuity and perfection, Anello evokes the most sober and elegant pledge of a deep blend.

The precious mark of metal

Gessi offers new options to choose and finishing combinations that boost the strong design peculiarity with colours and materials through different architectural effects. As a result, the new living design trends will be conveyed in bathroom spaces, creating also innovative and original creative solutions. The new deep and warm polished brass version and the fascinating and elegant rough burned brass finishing represent a surprising change respect the typical metallic surface of taps. Anello gives also the opportunity to realize innovative look thanks to a prestigious velvet opaque black, besides chrome, copper, black metal, and brushed ones.

Beyond its time

Anello concept meets the desire of freedom in décor and customisation of the bathroom, even more than other Collection before.

RETTANGOLO

Image caption: Rettangolo by GESSI | Image credit: GESSI

Original and iconic

To bring to life this unprecedented aspiration – moving the flow of water to wherever we desired – Gessi thought up a radical design based on the purity of an absolute, strong and rigorous form: abstraction in its essence, like parallel lines traced on a designer’s sketchbook, in any form.

The sign

Rettangolo was born from an expression of creative freedom, from the original and ironic exploration of iconic symbols, in simple yet evocative forms. The rectangle is a surprising and unusual geometric shape for taps, a perfect demonstration of how design, with its ability to infuse art and liveability in consumer and everyday products, can enrich the spaces in which we live, transforming simple, everyday actions and places into something special.

Visionary innovation

With a long-standing, 100-year history of brass castings and round taps, Gessi created the world’s first tap built of solid brass, providing it with a square, almost sharp body; an explosive concept of innovation.

GESSI is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: GESSI

TOTO Washlet: The hygiene powerhouse

730 565 Hamish Kilburn
TOTO Washlet: The hygiene powerhouse

Incorporating more hygiene in our everyday lives makes sense right now. Toto‘s Washlet is an ideal option for bringing greater hygiene into the bathroom…

Ensuring the greatest possible hygiene is essential during a pandemic. We accept this as a reality of our times, but are unaccustomed to it in many instances.

At the same time, we are slowly becoming aware of the fact that this situation will not change any time soon. Toto is here to show us that incorporating more hygiene actually enriches our everyday lives,  and is beneficial to our overall wellbeing.. The Japanese bathroom supplier has developed a true hygiene powerhouse with its shower toilet, known as Toto Washlet. It is easy to clean, reduces germs to a minimum, and is as touch-free as possible. Many people who have switched to Toto Washlet describe it as “life-changing”. You can learn more about Toto’s innovative technologies on the Toto microsite.

Recently, we have all been forced to learn just how important prophy­lactic hygiene actually is – and not just in clinical settings, but in our everyday lives. According to the latest research*, most germs can survive only a few hours or a few days at most on surfaces. In contrast, dirt and other micro-organisms are capable of sticking around for several months and multiplying during this time. This presents a risk of infection, especially for people with compromised immune systems.

Invest in a higher standard of hygiene for the long-term

As many of these relevant facts and findings suggest, it makes sense to invest in products that contribute to a higher standard of hygiene over the long term. This is the exact focus of Toto’s sanitary products. The Japanese market leader has decades of expertise in the producing shower toilets, making Invest in a higher standard of hygiene for the long term

As many of these relevant facts and findings suggest, it makes sense to invest in products that contribute to a higher standard of hygiene over the long term. This is the exact focus of TOTO’s sanitary products. The Japanese market leader has decades of expertise in the producing shower toilets, making TOTO Washlets an outstanding solution.

Image credit: TOTO

A power-packed hygiene product

A Toto shower toilet has outstanding hygiene features at many levels. The special Cefiontect glaze is easy to clean, extremely smooth, and as hard as glass. This es­sentially prevents dirt from accumulating on the surface. One of the major innovations that Toto developed in conjunction with the shower toilet is the rimless toilet bowl and especially powerful, efficient flush. Hygiene medicine specialist Prof. Dr. med. Klaus Dieter Zastrow confirmed the following about Toto toilets in 2014: “…using a rimless toilet equipped with the Toto Tornado Flush (with circling water) essentially rules out the spread of gram­negative bacteria (intestinal germs).”

Using products that are touch­ free is also becoming increasingly impor­tant including taps and dryers.

Image credit: TOTO

Auto Taps for enhanced hygiene

TOTO automatic faucets no longer need power from the electrical outlet. The energy from the flowing water is used to charge a battery that powers the faucet, making an external power source unnecessary. A generator converts the energy from the flow of water to supply the microsensor with power. The integrated sensor registers hand-movement in order to dispense the exact amount of water needed. The sensor-based automatic system means that users no longer need to touch the faucets in order to use them. This keeps public washrooms in particular more hygienic.

Hand dryers offer a number of advantages over paper towels in public facilities. They are touch-free, and therefore very hygienic, especially for busy washrooms. Heavily used washrooms with hand dryers are far easier to keep clean. They have a better environmental balance and considerably lower operating costs.

TOTO is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this  three-month editorial package, please email Katy Phillips by clicking here.

Main image credit: TOTO

5 Minutes With: F&B talk with Mark Bithrey, Founder & Creative Director, B3 Designers

730 565 Hamish Kilburn
5 Minutes With: F&B talk with Mark Bithrey, Founder & Creative Director, B3 Designers

There is a serious question being put to the industry on whether public areas will ever be the same again. In an exclusive interview with Hotel Designs, Mark Bithrey, the Founder and Creative Director of B3 Designers sits down virtually with editor Hamish Kilburn to discuss F&B design in a post-pandemic world…

In just a few days time, Hotel Designs will go live to the world with its debut virtual conference. The topics we will explore during Hotel Designs LIVE will include technology, sleep, wellness and whether public areas will ever be the same again. In order to understand the role of F&B areas, while also getting an access-all-areas deeper look into the inner workings of the studio, I caught up with Mark Bithrey, the Founder and Creative Director of B3 Designers. The award-winning studio has transformed many F&B hospitality projects, such as The Prince Akatoki, Marriott Hotel Budapest and Ritz-Carlton Geneva among many others.

Hamish Kilburn: Thanks for joining me, Mark. How are you feeling right now as a hospitality interior designer?

Mark Bithrey: The world has been through really tough times, but this one has definitely knocked the hospitality industry for a six. I have always believed in 2 things: that hospitality will forever have a strong place in the world in some form or other, and two, that design plays a pivotal role in shaping a changing world. So I’m feeling a mix of anxious and eager.

HK: When restaurants do eventually open up, we are still looking at reduced covers and therefore revenue. What are your thoughts there?

MB: We have been helping clients redesign their restaurants for social distancing, with beautiful screens and additional features like plants and cushions. But you are right, it can mean reduced revenue. Some of our clients have been really creative and opened up whole new streams of revenue.

Image caption: Design in F&B has spilled into the marketing and packaging of products with a rise in demand for deliver/takeaway service. | Image credit: B3 Designers

HK: There is obviously a lot of focus on takeaways at the moment. How can F&B businesses be more creative when adapting to the times?

MB: Quick service has immense potential. Think about kiosks where you are able to churn out dishes quickly. Our clients at Mei Mei are doing just that, with Michelin star winning Chef Elizabeth Haigh at its helm. Also consider Itsu/Pret style shops, with impactful branding and graphics on the floor. You can look into takeaway/delivery-only kitchens with creative food packaging. Extra brownie points for eco-friendly packing! We are working with a Vietnamese restaurant in London at the moment to use clever packaging to build out loyalty, repeat orders, and engagement.

Image caption: Mei Mei has adapted its offer during the pandemic to focus on takeaway service | Image credit: B3 Designers

HK: Speaking of food delivery, it does mean that restaurants are reliant on the large delivery services that eat into their revenue considerably. How can they move away from using the shared delivery systems?

MB: Yes, indeed! Have you heard of Mumbai’s dabbawalas? It’s an incredible concept. Think localised kitchens, subscription meals, and your own fleet of delivery folk racing food on bicycles. Typically, a kitchen will cook a few hundred meals a day. The subscription lunch will include food that can be batch cooked – so a lentil dish, a curry, rice, and perhaps some bread. This is then packed into stainless steel “tiffin” boxes, and delivered quickly, while the food is still hot. Because the kitchens are localised, nobody is travelling more than a couple of kilometers and they are often the service teams themselves. The previous day’s box is picked up and brought back – no packaging waste!

Food trucks are another way to circumvent delivery commissions. With all the right permissions, you could set up in a park/outdoor space and serve up anything you want to, really. Think also about drive-throughs or walk-past counters for food pick up. You can even offer an interesting experience (graphics/games) while they wait in line.

Image caption: Gourmet takeaway food truck | Image credit: B3 Designers

Image caption: Gourmet takeaway food truck | Image credit: B3 Designers

HK: What about fine dining, how can businesses integrate social distancing into this concept?

MB: Without a doubt, fine dining is going to change for a while. Restaurants that get very crowded are going to have to give customers more room – which can be quite cool if you think about it.

Smaller restaurants however, are quite fortunate and can use their spaces to offer truly caring experiences. We have worked with Michelin star winning Chef Tom Aikens in the past, whose restaurant Muse spans 950 sq ft. “Muse is very unique in that it is for guests not only looking for great food in a very special restaurant, but welcomes them as if they were in their own home. Guests will always get special care and now more than ever, of being looked after and pampered,” said Aikens.

If you have outdoor space, however small, milk it. Erect pods or beautiful temporary structures. Adapt for weather changes with fans and space heaters. You could also think about bringing your restaurant completely outside – are you on a street that could be pedestrianised, or do you have parking space that could be converted?

For indoor spaces, think gorgeous on-brand free standing folding screens. In hotels, use your banquet rooms as restaurants so you can offer more space between tables.

If you want to be really creative, as the rules relax more, consider catering services for small gatherings, or even a fine dining experience that you can take to people’s homes. We may follow off where you mention that Muse is small, and say that it is massive in experience.

HK: Is there a way for F&B professionals to go where customers already are?

MB: Supermarkets and the internet! This is a great time to consider creating your own line of sauces/pastas/food kits. Paired with solid branding and graphics, it could open up a whole new stream of revenue. Could you create barbecue kits for example, with recipes and ingredients?

We are spending a ridiculous amount of time on the internet now. Host cooking lessons and sell kits after. And remember to up your digital presence – it is the only way people will learn of your restaurant/hotel’s F&B offerings.

Main image credit: B3 Designers

INDUSTRY INSIGHT: Visualising the future of F&B spaces in hotel design

730 565 Hamish Kilburn
INDUSTRY INSIGHT: Visualising the future of F&B spaces in hotel design

Hospitality will awake from the pandemic to face new challenges when it comes to designing F&B spaces. Hotel Designs turns to the CGI experts at North Made Studio to try and visualise the future of these public-facing outlets…

With the industry on a hiatus due to the COVID-19 pandemic, there will be some important future choices to make for hoteliers.

These choices will need to be made in all areas, but may become most stark within the F&B spaces of their hotels.

Until government guidelines are released, exactly how this sector of the hotel industry will proceed is a mystery. Dictating dates for reopening and the easing of certain measures will be crucial to define how the industry needs to adapt.

Should measures not be eased enough and distancing remain in place for the foreseeable future, questions will need to asked about profitably for certain spaces in a ‘socially-distanced’ world. Within the hotel sector F&B spaces may not be deemed a profitable use of available space.

From a visualisation perspective there may be more focus put on the finer details of a F&B space. Viewpoints centred around individual seating areas, up-selling the attributes of the table setting, rather then focusing on the overall aspect of the whole F&B interior area.

Some hoteliers my choose to get ahead of the game and move F&B spaces outdoors, allowing the potential for these spaces to open sooner. Over the last few years interior design for the luxury F&B sector has tried to bring the outdoors in, with Biophilia becoming a growing trend. This potential move of F&B spaces from indoor to outdoors would switch this around. Visually this could allow for outdoor F&B spaces to be depicted with extensive greenery, using the current trend and taking it beyond what was capable within an indoor environment. Or the alternative could happen, and a drive to bring the indoor aesthetic to outdoor spaces could become a trend.

The visualisation sector is geared up to work with both interior and exterior spaces, minimising any differentiation between the CG imagery produced in terms quality or realism.

Another possibly trend for F&B spaces within the hotel sector may be to move more than just the seating/eating areas outdoors. With the popularity of street food kiosks, van and trailers, There is the potential to move the complete catering service outside. Providing an innovative feature to the hotel experience that also opens up the F&B space to the general public, increasing potential custom.

Another great possibility of this is that the catering trailer/van can easily be switched out, to provide customers will different food and drink offerings on a regular basis. Incredible engaging visualisation can be produced for these kinds of external spaces. Creating the scene is just the start, population elements can be embedded within the scene to built a complete visual that includes food trailers, tables, chairs, different demographic of people. Finer details can also be added such as drinks on tables, litter bins. The more detailed the space is visualised, the more realistic and engaging it can be.

To further explore the future of F&B spaces in hotel design, we need to take things back to a pre-COVID stage. Many companies are simply waiting out the Coronavirus pandemic, putting projects on hold, in the hope that things will return to some semblance of normality. For these type of businesses the visual aspects of their F&B spaces will continue to follow current trends.

Experiential

Customers need to be enticed to utilise the F&B facilities within the hotel, creating engaging design with attractive styling is key. Sell these experiences during the early phases of a project with 360 degree viewpoints and visual reality tours can be a great way of boosting interest and getting designs approved.

Convenience

A core factor for F&B spaces in hotels is their convenience. Ensuring the spaces are easily accessible and positioned close to heavy footfall areas, will help to increase their usage. Positioning and ‘eye-catching’ features can be showcased via traditional still CG images, assisting the planing and development phases.

Variety

No two hotel customers are the same, with hotel spaces being used for both business and pleasure, the needs of specific customers will vary. Offering a variety of services with a F&B space will accommodate for ‘on the go’ customers as well as those customers who have more time to sit down and have a full meal. Showcase these innovative features via the use of cameo shot visuals.

Adaptability

The ability for a F&B space to be multi-purpose is vital. Catering for breakfast, lunch, snacks, dinner and drinks allows for the capture of more customers throughout the day.

With the core features of the space remaining the same, the F&B space can be created in CGI for visualisation purposes, and redressed several times to show the adaptability of the space.

Image credit: North Made Studio

Overall F&B spaces within hotels are facing some challenging times. But whatever happens in the future regarding reaction to COVID, these spaces will always be required  in some form. And the visualisation sector will be there to assist with what changes to the design ethos are needed. If new ways to communicate a space are required, the technological advancements in virtual reality could be the key to creating ongoing engagement in the future.

North Made Studio is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this three-month editorial package, please email Katy Phillips by clicking here.

Main image credit: North Made Studio

GROHE’s digital shower wins German Innovation Award 2020

730 565 Hamish Kilburn
GROHE’s digital shower wins German Innovation Award 2020

The innovative head shower GROHE Rainshower 310 SmartConnect was awarded a German Innovation Award 2020in the category “Excellence in Business to Consumer – Heating & Bathroom”…

The interdisciplinary jury of the German Innovation Award 2020 has named GROHE Rainshower 310 SmartConnect “Winner” in the category “Excellence in Business to Consumer – Heating & Bathroom”, believing it to be an innovation advancing the industry through its originality, implementation and effectiveness.

GROHE Rainshower 310 SmartConnect offers innovative water control. The head shower is connected via Bluetooth to a battery-powered, round remote control which enables users to select different spray patterns. Users can choose from the ActiveRain spray which is a powerful jet perfect for rinsing away shampoo or loosening tense muscles; and PureRain which delivers larger, softer droplets for a more luxurious, relaxing shower experience. Each spray can be activated by pushing the relevant pictograph on the control, with a third icon allowing you to combine both sprays at once. The wireless remote control can be conveniently positioned in an easily accessible place, either inside the shower enclosure or just outside, up to 10m, and can be screwed or glued onto the wall. The head shower is available in a round and a square design, has a comfortable diameter of 310mm and can be easily and quickly mounted on an existing standard size shower arm. GROHE Rainshower 310 SmartConnect impresses with flexibility and comfort and is a technical highlight in every modern bathroom.

Digitisation has fundamentally changed many areas of public and private life in recent years. As a result, digital solutions are increasingly finding their way into private living spaces, merging physical and digital dimensions. This development does not exclude the bathroom. Consumers are specifically looking for smart technologies with intuitive operation that enrich everyday bathroom routines. “Intelligent technologies are not a solution in themselves, but should be seen as ‘enablers’,” emphasises Thomas Fuhr, COO Fittings LIXIL International and CEO Grohe AG. “Whenever we develop new technologies or product innovations, we ask ourselves: What is the purpose? How will it affect consumers’ lives? Will it solve a problem and make life easier? For us, users and their needs are clearly the focus of attention. Because only with this customer-focused mindset we can develop technologies and products that offer real added value.”

GROHE is one of Hotel Designs’ recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.

Main image credit: GROHE

INDUSTRY INSIGHT: ‘Togetherness’ is the new luxury post-pandemic

730 565 Hamish Kilburn
INDUSTRY INSIGHT: ‘Togetherness’ is the new luxury post-pandemic

‘Togetherness’ is a new phrase emerging as self-contained serviced apartments are in high demand as old friends and extended family seek to reconnect as lockdown eases…

As travel restrictions begin to relax, serviced apartment brands have seen a spike in bookings as the demand for self-contained apartment hotels increases. As a result, a new trend is starting to emerge: “togetherness”, which is being seen as the new luxury.

One of these brands that are seeing their bookings rise in the wake of the pandemic is SKYE Suites, developed by Crown Group. The group’s Chief Operating Officer, Pierre Abrahamse said the emergence of the “togetherness as the new luxury” trend would replace the focus on experiential travel that had prevailed in the luxury hotel market over the past decade. “Togetherness is emerging as the biggest trend for 2020 and beyond,” he said. “People want to reconnect with those they have been separated from for the past few months and hotels are responding.

“Guests are calling to ask can they book co-joining apartments so that they can enjoy a holiday with their kids and the grandparents in the one place, or so they can have friends who live in regional areas finally able to join them in the city for restaurant or gallery outings,” he said.

Image credit: SKY Suites

SKYE Suites offer spacious one-bedroom and two-bedroom hotel apartments sized from 43sqm to 80sqm, in Sydney, Green Square and Parramatta, each with open-air balconies or courtyards to take in fresh air. Guests can do their own cooking and washing with SMEG appliances and Vittoria or Nespresso coffee machines, or head out to the array of restaurants that have opened their doors again in the city.

There are ‘virtual concierge’ tablets in each suite for guests to access hotel services. Guests can also catch a movie or watch Netflix by streaming their own content to huge in-room TV screens. Sleeping Duck bedding allows them to choose mattress firmness on each side of the bed.

SKYE Suites opened its third hotel above Green Square train station in April 2020, which offers 90 luxurious apartments in a precinct designed by globally renowned Koichi Takada Architects and offering 18 retail and dining offerings including Butcher & The Farmer, Nam2 pho, Bashan noodles, KFC, McDonalds and Gong Cha bubble tea.

Image credit: SKY Suites

The SKYE SUITES brand first launched in August 2017 with the opening of the stunning SKYE Suites Parramatta, part of a mixed-use residential, retail and hotel development, V by Crown Group.

The building was designed by Allen Jack + Cottier and Koichi Takada Architects and Crown Group’s signature resort facilities including a beautiful outdoor pool area, well-equipped gym and expansive foyer.

The second SKYE Suites opened in October 2018 as part of the stunning Arc by Crown Group residential tower at 300 Kent St. This luxe and inviting enclave in the heart of the city was also designed by Koichi Takada Architects whose “ice cave” themed lobby and lap pool have become one of Sydney’s most Instagrammed spaces.

The building has become known for its eye-catching brickwork and glass and steel towers that soar dramatically into the city skyline. It has 73 plush and inviting hotel apartments.

The Sydney and Parramatta hotels have earned accolades at the HM Awards two years running, for Best Serviced Apartment Property and Best Tech Hotel.  

Main image credit: SKY Suites

The Backhausen Bespoke Service – the fabrics dreams are made of

730 565 Hamish Kilburn
The Backhausen Bespoke Service – the fabrics dreams are made of

The Backhausen Bespoke Service allows designers to explore a world of fabric possibilities. Hotel Designs explores…

Backhausen, as highlighted in previous articles, is renowned for its luxurious fabrics which are immersed in heritage, craftsmanship and quality.

Its dedication to innovation, individuality and exclusivity is represented by its venture into research and development for innovative technologies, as well as for its flexibility and capacity provided by the company’s exclusive bespoke service.

Backhausen offers designers and creative artists the opportunity to develop and produce custom-made fabrics together with its design team and expert weavers, translating any particular vision into unique, high-quality fabrics.

Image credit: Backhausen

The Backhausen bespoke service is exclusive, but most importantly it offers a high level of flexibility to accommodate key partners expectations, requirements and desires; before, during and after the fabric creation process. This personalised service is dedicated to exploring a new world of textiles, where the experience and craftsmanship of Backhausen is combined with the unique requests of its customers, in a coordinated and straightforward process, which is unusual in the world of textiles.

At the same time, the mission of Backhausen’s bespoke service is to strengthen and highlight the important, major role that fabrics play in different industries, as well as in our daily life.

Image credit: Backhausen

Selecting the right fabrics can add numerous technical characteristics to every design –textiles can be used as insulation tools, they can control and absorb humidity, they optimise acoustics and also bring ultimate comfort. Fashion is another industry hugely influenced by fabrics — this raw material is one of the most important elements when designing a new piece of apparel. In addition, fabrics have a strong influence on movies, as set designers carefully choose the right fabrics to communicate and create an exceptional mood via the screen.

Throughout various industries, fabrics also need to comply with specific strict regulations and certifications to be used for interiors. For these industries, among other certified fabrics on their collections, Backhausen has created a wool-viscose FR fabric. This natural fabric is specifically for curtains that gives the possibility for designers to maintain the aesthetics and quality of the wool, while still being high-performance. In addition, this innovative product has passed with great result the strict EASA aviation burning vertical test.

Right from the start of the bespoke service process, the expert design team and the advice of our experienced weavers are at the disposal of the client. The bespoke service involves a detailed approach and specifications to provide solutions encompassing quality standards, budgets, designs and time. Furthermore, the Backhausen’s bespoke service also focuses on sustainability, by offering its customers a choice from a range of natural fibres and materials such as silk, wool, cotton, and linen, as well as viscose.

The possibilities are endless with the Backhausen bespoke service and every request for bespoke fabrics varies depending on the customer, industry and design.

The Bespoke service process explained:

1) The customer interested in the service shares his/her ideas and visions for the bespoke fabric with the design team.

2) The design will then be reviewed to make sure that it is technically possible to proceed with the production of the fabric. Consequently, a form is filled out by the customer with further specifications and details – quantity (50m minimum), colors and materials.

3) If necessary, the design team advises on design development and improvements. The first sample is developed, which is then sent to the customer for approval and reviewing (approximately 1-3 weeks).

4) If further development is needed, the sample will be re-done according to the new information given, and the new sample will be sent again for approval and reviewing.

5) Once the customer approves and orders the fabric, the production operation starts and finishes (4-6 weeks) and the fabric is ready for shipment.

The development of individual fabric designs, and the support of the Backhausen team from the beginning of the process right to the final stage of shipping is enabled thanks to the flexibility of Backhausen’s own mill, located in north-eastern Austria.

Furthermore, the impressive archive owned by Backhausen, which dates back to the 19th century, opens up unlimited design and pattern possibilities. This incredible resource, composed of over 5,000 original patterns and designs from the Art Nouveau and the Wiener Werkstätte era, is also at the customer’s disposal as a reference for their custom projects.

The goal is to achieve a design which is unique to each customer, developing their vision, ideas and creativity into fabric while combining functionality and high- performance.

This flexible service is perfect for designers that are looking to create their individual designs and translate their visions into fabrics, also creating a unique experience for their clients.

Backhausen itself takes advantage of its own flexibility. This year Backhausen was able to produce a fabric made of 100 per cent ÖKO-TEX cotton for its sustainable, reusable non-medical masks during the COVID-19 pandemic. Furthermore, Backhausen is going back to its roots with a contemporary twist by bringing back old, heritage fabrics that were designed by renowned artists of the 19th and 20th centuries. These fabrics are being converted into sustainable art, by being manufactured once again, but this time using natural fibres and materials following the brand’s recent shift and focus.

Backhausen is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this  three-month editorial package, please email Katy Phillips by clicking here.

Main image credit: Backhausen

Geberit launches premium flush plates for maximum design flexibility

730 565 Hamish Kilburn
Geberit launches premium flush plates for maximum design flexibility

Bathroom supplier Geberit has launched a new selection of flush plate finishes, offering hotels an even wider choice for enhanced design flexibility in hotel washrooms…

The new colourways of Geberits new flush plates will expand into four of its flush plate collections – the Sigma 21, Sigma 50, Sigma 20 and Sigma 30 – offering a range of different styles to suit every taste and space. 

An industrial-inspired concrete and natural wood finish has been added to the Sigma21 and Sigma50 collections, allowing developers designers to incorporate the latest interior trends in the washroom.

Both new flush plates will also be available with a choice of brass, red gold and black chrome metal detailing. 

With a host of sleek colourways available in addition to its latest launches, the black, white, mustang slate and customisable designs can be personalised with the new metal features. 

Geberit has also expanded its Sigma20 and Sigma30 flush plate collection to include stylish matt black and matt white, combining aesthetics with a unique texture.

These new finishes join nine existing colourways, including white gloss chrome, black gloss chrome, matt chrome, gloss chrome and brushed stainless steel. 

Geberit’s Head of Product Management, Peter Davis, said: “We are delighted to introduce Geberit’s new flush plate finishes, created with the latest interior trends in mind. Whether developers designers are specifying for hotels featuring a contemporary or traditional style, each elegant model brings a luxurious finishing touch to help transform the bathroom washroom into a sanctuary space. 

“With more than 34 flush plate finishes available, Geberit flush plates are renowned for uncompromising functionality and high-quality craftmanship, meaning developers designers can be rest assured that whichever style or finish of flush plate they opt for, they offer unrivalled reliability as well as trendsetting style,” he added.

Geberit’s extensive range of flush plates complement its leading bathroom washroom innovations, including the revolutionary AquaClean shower toilet which is found in some of the UK’s top hotels, the Sigma concealed cistern and Duofresh odour extracting extraction technology. 

Geberit is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: Geberit

PRODUCT WATCH: ‘popham design’ by Casa Ceramica

730 565 Hamish Kilburn
PRODUCT WATCH: ‘popham design’ by Casa Ceramica

The idea for popham design was simple: to celebrate and maintain a traditional artisan craft, while updating it with modern patterns and colour combinations….

Founded in 2007 by Americans Caitlin and Samuel Dowe- Sandes, popham design is a design studio and bespoke tile workshop based in Marrakech, Morocco.

The company designs and manufactures handmade concrete tiles that are exported throughout the world, adorning luxury hotels, restaurants and residences from San Francisco to Sydney. The idea for popham design was simple: to celebrate and maintain a traditional artisan craft, while updating it with modern patterns and colour combinations. The collection draws inspiration from Morocco and its rich history of pattern, along with influences as diverse as the pattern of raindrops cascading down a windowpane, the shadow cast by a palm tree under the blazing African sun, or a delicate crescent moon aloft in a velvety sky.

Concrete tiles are part of the cultural and artistic heritage of Morocco. popham design is fortunate to have an enviable team of master artisans, many of whom have 20+ years experience in their craft. Each tile is lovingly hand made to order (three to five minutes per tile). Each tile is unique with subtle variations in colour and line. These “imperfections” distinguish a handmade product from a mass-produced one, lending depth, movement and character to installations. Tucked away in an olive grove on the road to the Atlas Mountains, the popham design workshop aims to respect the Moroccan countryside, treading as lightly as possible on the earth, and strives to implement eco-friendly policies wherever possible. This includes water filtration and rainwater reclamation systems, over 95 per cent locally sourced materials, recycled packaging, and solar-heated showers for the team.

Image credit: popham design/Casa Ceramica

popham design tiles are pressed in a hydraulic press, not kiln red like ceramic tile, so very little energy goes into their production. The tiles are cured and then air dried, and contain no lead or other harmful toxins. They are suited for commercial and residential applications – walls and floors – and perform very well partnered with radiant heat. The tiles are durable, functional, and easy to care for, and can be used indoors and out.

All patterns are available in any colour combination from the popham design palette, and all shapes are available in a single colour. Please note that custom colour tiles do have longer lead times.

Casa Ceramica is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this  three-month editorial package, please email Katy Phillips by clicking here.

Main image credit: Casa Ceramica/popham design

It’s a hat-trick! Ruby Hotels announces third hotel in London

730 565 Hamish Kilburn
It’s a hat-trick! Ruby Hotels announces third hotel in London

Ruby Hotels, which only recently entered into the UK hospitality market, has announced that it will open a 173-key property in London’s Notting Hill area in 2023…

Just months after making its London debut with the launch of Ruby Lucy on London’s Southbank, and while construction is underway to open a 153-key hotel in Clerkenwell next year, Ruby Hotels has announced that its third property in London will be based in Notting Hill.

Ruby Zoe, which is being built in conjunction with UK investor and developer Frogmore, will shelter 173 rooms.

Led by founder and CEO Michael Struck, Ruby Hotels has set its sights on further international expansion with a third hotel planned for London. The new-build, 173-bed property will be in the heart of colourful Notting Hill and will include a spacious street-front public area combining retail and hotel elements.

“Based on the model of modern luxury yachts, we accommodate our luxury in a relatively small area and simply leave out the unimportant,” explains Struck. “We also organise ourselves using our own technical solutions in a very different way to the rest of the industry. We plan and build in a modular way, centralise more, and automate consistently behind the scenes. As well as helping us to make a luxurious and unique hotel experience affordable for our guests, this approach gives us a leaner and more adaptable cost structure and means lower risks for our real estate partners. This combination of advantages helps us especially in these unpredictable times.”

After the successful opening of Ruby Lucy on the South Bank earlier this year and Ruby Stella set to open in 2022 in Clerkenwell, expanding to the west of the city is the next logical step for Ruby in the thriving London hotel market.

Jo Allen, Chief Executive of Frogmore commented: “We are delighted to have secured Ruby Hotels as an occupier on our Notting Hill Gate Estate. When we asked Gerard Nolan and Partners to market the hotel opportunity in our West Block we received 13 bids from 10 different hotel operators. We really love Ruby’s approach and vision for the project which we believe will complement the area. The Ruby Team have been fabulous to work with, have convincing development and construction competence together with the financial resources to deliver something special which I hope will be enjoyed by many.”

Ruby Zoe follows Ruby Group’s Lean Luxury philosophy: a top location, high-quality fittings, and outstanding design. All of this is offered at an affordable price by rigorously cutting out the superfluous and focusing on the essential.

Main image credit: Ruby Hotels

Velvet, patterned curtain

PRODUCT WATCH: Skopos’ luxe blackout velvet basecloth

730 565 Hamish Kilburn
PRODUCT WATCH: Skopos’ luxe blackout velvet basecloth

Introducing Sonno from Skopos…

Skopos has almost 50 years’ experience of developing flame-retardant fabrics and soft furnishings for the contract market.

Velvet, patterned curtain

Sonno velvet is a recent addition to the Skopos base-cloth offer for all of Skopos’ beautiful print designs and will be the base-cloth  for the (soon to be launched) Palmyra print (pictured). With a soft kitten touch and blackout lining, the Sonno quality is a popular choice to achieve blackout as a curtain in hotel bedrooms. 100 per cent Polyester, with FR backcoating, Sonno is also washable at 30°C. Adding a touch of luxury, but aiding a good night’s sleep, Sonno provides something completely different.

Skopos also offer a full range of antimicrobial fabrics and antimicrobial print base cloths, for added assurance during these times.  Search the fabrics on our website for more detail. Free samples of all of our fabrics are available via our website, or by calling the sales team on 01924 436666.

Skopos is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: Skopos

INDUSTRY INSIGHT: How to embrace the artisan revival

730 565 Hamish Kilburn
INDUSTRY INSIGHT: How to embrace the artisan revival

With the modern consumer more aware than ever before when it comes to sustainability, and clients willing to broaden their imagination when it comes to signing off new materials and products that can stand the test of time, the era of artisan is having a moment. Felicity Randolph from Cheeky Chairs explains why the demand for artisan is more than a trend…  

One of the leading interior ‘trends’ of 2020 has been a return of traditional textiles and techniques. As the world increasingly turns to a more sustainable way of living, the culture of throwaway items has begun to fade and, in its place, there’s a growing emphasis on artisanal furnishings that will last. Consumers now want products that will stand the test of time, seeking furniture and furnishings that are made from natural materials and built using traditional methods. Within the hotel industry, this celebration of craftsmanship evokes a more unique style and allows brands to tell a personalised story through interior design.

The artisanal renaissance takes inspiration from history, embracing the natural methods and materials of the past. Hotels can achieve this look in a number of ways, from opting for authentic ornaments, ceramics and wall hangings to seeking out natural upholstery fabrics and working with companies that champion bespoke designs. Handcrafted décor items play a large role in achieving this look, creating a unique style that is warm, inviting and filled with personality.

“The bland and soulless designs from mass-produced pieces are increasingly being replaced with innovative products from creative designers.” – Felicity Randolph, Cheeky Chairs.

Choose tactile furniture 

Furniture can make or break the overall look of a room, so it should be the first port of call in celebrating artisanal makers. The bland and soulless designs from mass-produced pieces are increasingly being replaced with innovative products from creative designers. As a result, the idiosyncrasies and nuances of craftsmanship has a new appeal for the public who are embracing the original and personal nature of artisanal pieces. The artisanal trend also lends itself well to tactile furniture, such as through textured fabrics, warm natural woods and soft furnishings that invite visitors to explore.

Three wooden chairs next to green plants

Image credit: Cheeky Chairs

For example, Cheeky Chairs create hand-crafted framed chairs with traditionally upholstered seats that make use of natural materials such as coir, hessian and wool. Each of the designs produced by Cheeky Chairs is made using tried and tested methods to create a product that is built to stand the test of time. These include using traditional joinery techniques. Compared to modern joinery which relies on the use of bindings, adhesives and fasteners, traditional joinery depends only on wooden elements for a strong and sturdy result. The use of natural materials helps to bring a more organic and calming atmosphere to any space – something that is of particular importance in hotels where you want your guests to feel relaxed and at home from the moment they arrive.

Historic details

Details can add unique touches to a space that are subtle yet effective. For example, architectural joinery such as well-considered skirting boards, door panel moulds or creative architraves. These details can improve the feel of a room immensely and provide a pop of individual style as well as a nod to the past. There’s also an opportunity to evoke certain eras with such detailing – for example, bobbin chairs are an example of traditional renaissance style that evokes the look and feel of this time period while also working well with modern furnishings. Using classic joinery techniques, such as those adopted by Cheeky Chairs, helps to create these more traditional finishes. For example, steam bending and hand-carved spindles such as those features on the Darwin or Elkin models, or the elegance of the smooth wooden style of the Marco chair, bring luxury to any space. The use of texture through smooth wooden spindles and backs, as well as different colour and types of wood grain, can create a warm and rustic look that pairs beautifully with cosy wools and natural materials for a welcoming ambiance.

Image caption: The Marco Armchair upholstered in Morrison’s Andean Vertical Stripe alongside Sanderson’s Linnean Indigo | Image credit: Cheeky Chairs

Image caption: The Marco Armchair upholstered in Morrison’s Andean Vertical Stripe alongside Sanderson’s Linnean Indigo | Image credit: Cheeky Chairs

Design for guests

When interior designing, it’s important to remember that you’re designing for people, so emotions play a big role. Looking to artisans and traditional crafts is a great way of achieving an emotional response in a way that can’t be attained through off-the-shelf items. The tactility of good-quality, handmade items, whether that’s a carved frame chair, ceramics or a sumptuous artisanal blanket will remind you of luxurious spaces. Much like having a bespoke item of clothing elevates an outfit, using customised pieces in interior design creates a unique environment that can’t be found elsewhere. Artisan features with a hand-crafted look and feel are great for personalising a space and helping shift the eye around the room to create a comfortable yet interesting feel.

Image caption: Darwin Pavillion Set | Image credit: Cheeky Chairs

The desire for unique, traditionally-crafted furniture and classic textiles has led to an artisanal revival, both in residential properties and in businesses around the world. The hotel sector, in particular, as adopted this trend as a way of adding character and personality, using natural materials and traditional methods to create inviting spaces that are individual, creative and deliver a sensory experience. Thanks to innovative designers, handcrafted items are enjoying a second wave and the hotel industry is perfectly positioned to embrace this wonderfully creative trend.

Cheeky Chairs is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this three-month editorial package, please email Katy Phillips by clicking here.

Main image credit: Cheeky Chairs

 

Judges announced for Surface Design Awards 2021

730 565 Hamish Kilburn
Judges announced for Surface Design Awards 2021

Steve Webb of Webb Yates Engineers and Basha-Franklin’s Creative Director, Nicola Osborn, have been appointed as Co-Chairs of the  Surface Design Awards for 2021

Steve Webb and Nicola Osborn have joined the judging panel of the Surface Design Awards 2021, and will be joined by a multi-disciplinary team of fellow judges selected from the architecture and design communities.

The Co-Chairs invite their own team of design industry colleagues to join them on the judging panel. Steve Webb has invited Sarah Castle from IF_DO; Joseph Henry of GLA’s Regeneration Team and Architecture Initiative’s Lee Mainwaring.

“I am delighted that Sarah, Joseph and Lee have joined my team of judges, they bring a wealth of design knowledge and skill,” comments Steve Webb. “I know from being part of the 2020 judging team that they face an exciting and challenging task!”

Nicola Osborn has drawn on her contacts in the interiors world to bring together Nic Fallows of BNF Capital; Simona Auteri and Sofia Steffenoni from Matter of Stuff and Kresse Wesling MBE from Elvis + Kresse.

“I really enjoyed my experience of judging the Awards in 2015,” said Nicola Osborn. “I wanted to bring together a diverse team, so have invited a design-led property investor, a contemporary design & manufacturing consultancy and an environmental entrepreneur…judging day should be fun!”

For the 2021 Awards, greater emphasis will be paid both on the selection process for the different surface materials used in the entries and on their sustainability credentials with each entry being accompanied by a statement and calculation for the carbon footprint kgCO2/m2 of the cladding/material surface.

London’s Business Design Centre will be Sponsoring the 2021 Supreme Award – the project selected by the judges as being ‘the winner amongst winners.’

“The Awards Presentation is taking place at the Business Design Centre on Thurs 11 Feb next year and we are delighted once again to be sponsor of the Supreme Award,” said Max Bull, Executive Director of Venue Sales at the BDC. “The BDC is home to many design-led businesses and we are keen to support the sector.”

The 2021 Surface Design Awards will open for entries in June 2020 with a closing date of Friday 25 September 2020. The Awards Presentation ceremony will be on Thursday 11 February 2021 as part of the annual Surface Design Show taking place in London’s Business Design Centre from 9-11 February.

The Supreme Winner of the 2020 Surface Design Awards went to the Krushi Bhawan building in Bhubaneswar, India by Studio Lotus.

Other winners included Sterling Prize winner Goldsmith Street by Mikhail Riches with Cathy Hawley; Nobu Hotel in London by Ben Adams Architects; CF Toronto Eaton Centre Bridge by WilkinsonEyre and Zeidler Architecture and University of Sheffield Concourse by Arup Lighting.

Entries are now OPEN! Head over to the website to read more.

Main image credit: Surface Design Awards

FEATURE: When architecture and lighting design collide

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FEATURE: When architecture and lighting design collide

Hotel Designs learns the story and latest lighting collection from Buster + Punch, a British home fashion label, founded in 2012 by Architect Massimo Buster Minale…

It all started in a garage in East London, building custom motorbikes. Buster + Punch innovates with solid metals, to transform ordinary functional fittings into extraordinary interior details for residential, hotels and commercial projects.

The brand is deep rooted in London’s fashion, music and sub-culture scene and harnesses this energy to elevate the products.The horizontal range of products comes in a limited palette of unique finishes to help designers specify with confidence and ensure a perfect match.

Exhaust is a new collection of the trailblazing interior spotlights inspired by motorbike exhaust just launched. The range features four new products; a fixed, an adjustable and a track spotlight, alongside a pendant light. Decorative yet functional, Exhaust is designed to elevate task lighting to a new level, providing directional illumination to interior surfaces and architectural detailing.

Image credit: Buster + Punch

Each Exhaust spotlight is fitted with a beautifully machined, solid metal baffle designed to capture and diffuse light. The unique baffle design features Buster + Punch’s unmistakable new linear knurl pattern and signature torx screws, alongside a precision-cut honeycomb grill, engineered to create a delicate metallic glow whilst also emitting a precise, non-glare, directional light.

“Exhaust finally puts functional lighting back in the spotlight,” explained Massimo Buster Minale, founder and creative director. All too often forgotten as back- ground lighting, we wanted to create a compelling range of decorative task lights that would fit seamlessly into any home or hospitality space, whilst remaining memorable – much like the roar of a motorbikes exhaust.”

Developed by the Buster + Punch design studio, Burnt Steel is an innovative/ fashion-forward finish first launched in Spring 2020. When a motorbike exhaust runs lean, the excessive heat turns the metal into a stunning rainbow of blue, purple and yellow. Harnessing an oxide effect, when applied to marine-grade stainless steel the result is a highly original and unique metal effect. Burnt Steel leads the way in new metallics and unlike an applied finish, the cutting-edge process means that no two finishes are ever the same.

Buster + Punch is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this  three-month editorial package, please email Katy Phillips by clicking here.

Main image credit: Buster + Punch

INDUSTRY INSIGHT: Getting ready to reopen your hotel

730 565 Hamish Kilburn
INDUSTRY INSIGHT: Getting ready to reopen your hotel

To start the week with a positive mental attitude, Hotel Designs understands more about how The Fine Cotton Company is looking at the practical aspects to consider – beyond the lobby and public areas – when it comes to re-0pening hotels after the pandemic…

It’s not a case of ‘if’, but ‘when’ the hotel industry can reopen its doors to guests.

Smart hoteliers who are ready to hit the ground running are taking a strategic view on reopening, and are looking for ways to redefine cleanliness while supporting guests’ personal wellbeing to give both their staff and guests confidence to return to their hotels.

Hospitality linen experts, The Fine Cotton Company are using their textiles expertise to support their boutique hotel clients by advising on specially selected products that offer guests confidence and reassurance as they return to enjoy your hotel.

So if, like many of their hotel clients, you’re hoping to welcome back guests as soon as possible, we asked them to share their recommendations to help you to ease back into business. 

1) Protecting the guestroom on arrival

 Naturally, you’ll want your staff and guests to feel safe, confident and protected during their stay with you.

 So look for products that are designed to improve guest room cleanliness to reassure you and your team as you welcome them back. 

 Jane Robson, founder of The Fine Cotton Company says: “ The luxury experience guests expect from hotels will always be key. So it’s important that guests feel that you’ve thought about their every need for safety during this new season. It can be an opportunity for hoteliers to really review their guests’ experience”

Washable reusable three-layer face masks

Offering reusable three-layer certified face masks to guests to use is one way to enable them to feel secure in your hotel. The masks can be a gift left for them to take home and reuse. The Fine Cotton Company’s face masks can be made in any colour and even be branded with your hotel logo, which means they make a professional-looking option for spa staff and your cleaning team too. 

Slippers to greet them at their door

Encourage your guests to remove their shoes as they enter their room with a shoe bag and slippers that greet them as they enter their guest room. Not only will they stop dirt from shoes being trailed around your room and protect your flooring, but it’s a thoughtful gesture that won’t go unnoticed.

Luggage mats to protect your bed linen

How many of your guests put their suitcase or overnight bag on your beautifully made bed to unpack? It’s probably a high number, often with dirty wheels that can mark and more worryingly, transfer bed bugs to your bed. Fortunately The Fine Cotton Company has a simple solution. A luggage mat. There’s are heavy-duty cotton sateen and washable at 60°C . Adding luggage mats to your housekeeping routine is reassuringly easy too, simply place on your beds as guests check-in, launder after unpacking then on check out day place a clean luggage mat back on the bed for packing.  

2) Protecting your beds and mattresses

 Large or small, Mattresses and bedding are huge investments for any hotel, it pays to ensure they are protected.

 Choose encasement mattress protectors

Image credit: The Fine Cotton Company

These are waterproof, dust mite proof and bed bug proof and zip around the whole mattress to form a complete protective barrier. Be sure to look for a quality product though, The Fine Cotton Company’s encasement mattress protectors are made with a patented allergen barrier fabric and have just been certified to block viruses.

Protect your mattress, duvet and pillows with moisture-proof protection

If mattress and pillow protection makes you think of sweat-inducing, plastic crinkly feeling products you’ll be relieved to hear that The Fine Cotton Company’s team have sourced a collection of mattress, duvet and pillow made of Tencel with a breathable waterproof backing. Tencel is a super soft and naturally hygienic fibre that wicks away moisture to keep guests cool. It is more absorbent than cotton making it ideal as a waterproof layer between your bedding and linens.

The Fine Cotton Company recommend using zip-fastening pillow and duvet protectors to keep your pillows and duvets clean and fresh. Mattress protectors are like a waterproof fitted sheet, which simply need covering with your regular sheets, all can then easily be removed and laundered after each guests’ stay.

Washable duvets and pillows

If you wish to give your guests that extra reassurance with freshly cleaned duvets and pillows for each stay, look for light weight easily laundered products such as the Microfibre Duvet from The Fine Cotton Company to keep your laundering and drying costs down.

Opt for cotton throws you can wash at 60°C

Image credit: The Fine Cotton Company

With good reason, guest will look for every reassurance that their room and furnishings are clean. Heavy eiderdowns or blankets aren’t the best choice right now, opt for easy to clean, yet stylish cotton throws that can be laundered quickly and easily. The Fine Cotton Company have responded to their client’s requests and introduced a range of washable cotton waffle cotton throws that are easy to care for and come out the dryer ready to use.

3) In the bathroom

Image credit: The Fine Cotton Company

 Lighter-weight towels and bath robes

Opt for lighter-weight cotton towels and bath robes which are designed to launder more regularly and cut down drying time. Consider offering smaller size guest towels for general hand washing in your bedrooms too instead of full-size hand towels with faster drying capabilities.

Image credit: The Fine Cotton Company

The last few months have been the most challenging our industry has ever known. We can now work together to build our reputation and kickstart the season with enhanced levels of cleanliness and hygiene to attract guests again. With unchartered territory ahead it’s reassuring that experts like The Fine Cotton Company are here to help and support you as you take steps to reopen.

The Fine Cotton Company is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this  three-month editorial package, please email Katy Phillips by clicking here.

Main image credit: The Fine Cotton Company

CASE STUDY: How Page8 Hotel has made its air cleaner

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CASE STUDY: How Page8 Hotel has made its air cleaner

The ‘new normal’ in hospitality and hotel design will largely revolve and evolve from a demand for clean environments, which goes beyond wipe-clean surfaces, as Page8 Hotel has learned after installing Blueair purifiers…

In a YouGov survey commissioned by leading air purification brand Blueair, it was found that there is consumer demand for clean air hotels, with 54 per cent of Brits considering air quality to be important when choosing a hotel.

Prior to the government-stipulated lockdown, Page8 had begun its soft launch and was on the front foot thanks to its status as the first ‘clean air’ hotel in central London, a title it claimed by placing a Blueair air purifier in all 138 rooms.

Experts from the Swedish brand Blueair tested the difference in air quality before and after using an air purifier in the rooms of Page8 Hotel. Thanks to the efficiency of Blueair’s unique HepaSilent™ filtration technology, airborne particles were reduced by 96 per cent after using an air purifier for only one hour, making the air in the hotel rooms as pure as the Swedish Archipelago.

Philip Chan, Project Development Manager of Butterfly Hospitality Group explains why Page8 has opted for air purifiers and the importance of clean air for both guests and hoteliers alike.

Every little thing we do is to improve the experience of our guests – even if this is invisible.

Air quality is directly related to the quality of our health and environment. After a long day of activities, Page8 which is located in the heart of London, welcomes urban explorers back to the hotel with the purest air, detoxing them from the pollution of the city and providing a hygienic, clean environment for a quality night’s sleep. All 138 rooms, from single to family rooms, are equipped with a Blueair air purifier to ensure our guests are breathing the purest air throughout their stay.

Our urban explorers travel with a health-concerned state of mind.

By partnering with the best air purifier brand in the world, Page8 promises to provide the best indoor air quality for guests. A cozy well-designed hotel room is essential for a pleasurable trip, while breathing clean air in the room is an added value which is not commonly offered to guests of a hotel. Given now the world’s pandemic, we wish to provide the best confidence to our guests that we are dedicated to providing sanitised rooms with the best possible air quality resulting in less germs. Using a Blueair air purifier that removes airborne pollutants will go a long way towards helping our guests stay healthy by breathing cleaner air.

A great night’s sleep is everything.

Breathing pure air definitely improves your sleep quality and helps you to relax in a new sleeping environment. Blueair works so quietly that you can enjoy the best air quality without even hearing it. We aim to provide every guest with the best night’s sleep in the heart of London.

Page8 Hotel opted for Blueair’s Blue Pure 411 air purifiers. Based on Blueair’s proprietary HepaSilent™ technology, these air purifiers remove at least 99.97 per cent of airborne particles as small as 0.1 microns in size from the air. These compact air purifiers effectively clean the air while taking up little space and the colourful pre-filters can be changed to suit the décor of any hotel room!

Blueair is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this  three-month editorial package, please email Katy Phillips by clicking here.

Main image credit: Blueair

Why luxury spa linens need a lighter touch to be sustainable

730 565 Hamish Kilburn
Why luxury spa linens need a lighter touch to be sustainable

With less than two weeks until it explores ‘wellness post-pandemic’ in Hotel Designs LIVE, Hotel Designs asks The Fine Cotton Company to explain what hoteliers and spa managers should consider when purchasing sustainable linens…

When choosing linens for luxury hotel spas, there’s a lot more to consider than just colour and quantity.

In an environment with oils and creams, pool water and frequent washing requirements it’s crucial to select the right towels and blankets that will perform well and last. That’s why leading luxury hotel spas like The Newt in Somerset Spa and The Spa at Carden come to  hospitality linen suppliers The Fine Cotton Company to source sustainable bath robes, towels, throws and blankets that work for the demands of a spa environment.

The challenges when choosing spa linens

The linens used in spas need to be practical, as well as sustainable, but crucially for luxury hotels, emulate the same qualities as the luxury bath robes and towels found in their suites. No mean feat when they have to go through far more rigorous use in a spa than a bathroom.

And with aesthetics key to many hotel spas’ guest experience, hotels will often want linens in a bespoke darker colourway to match their brand, so when washed regularly at high temperatures, must retain their colour for as long as possible.

The solution

1) Lighter-weight cottons to save energy and laundry time

Bearing in mind the high turnover and use of spa linens, The Fine Cotton Company’s team recommend a lighter-weight robe and towels. For The Newt in Somerset Spa this was engineered to match the design of the towels and robes they supplied to the hotel guest rooms for a consistent guest experience.

A huge cost and time saver, the specially designed lighter-weight robes mean laundry time is reduced as the laundry team can fit more robes into a single wash and a lighter-weight product will dry quicker too meaning less stock is required with faster turn-around times.

2) Washable coloured linens at higher temperatures

Traditionally, coloured bath robes and towels generally can only be washed at 40°C to keep them colour safe.

Working with their expert dye house in Portugal, The Fine Cotton Company used a newly formulated dye which had been specially engineered for use in Spas in Europe to enable spas to wash towels and bath robes at 90°C

In a spa environment, where linens are exposed to treatment oils and creams being able to wash them at a higher temperature from time to time will help remove residual oils and keep the towels feeling fresh, soft and looking good for far longer.

The products

Bath Robes designed to last

Image credit: The Fine Cotton Company

The Dark Grey Rimini cotton velour robes The Fine Cotton Company supply luxury spas are the same design as the company’s Luxury Ravenna 420gsm robes used in boutique hotel rooms, but specifically created in a lighter 380gsm.

These robes are a generous fit, mid-calf length  with a shawl collar and an  integrated towelling lining which offers great absorbency and a gorgeous cosy feel.

All seams are  flat-felled welted which give a very neat finish and adds to the strength and durability of the garment, which is especially important when investing in linens for any business.

Treatment towels that stand up to regularly hot washes

From jumbo spa towels for the treatment beds, bath mats to spa mitts, Th e Fine Cotton Company team supply lighter weight Amalfi 100% Cotton Spa Collection towels for spas which have been designed and engineered to withstand the rigours of spas use.

A simple narrow edge border design and lighter 450gsm weight contribute to a faster drying time and double stitched side seams strengthen and maximise durability in industrial laundering.

Light-weight spa pool towels

So that the design of pool towels match the rib detail of The Fine Cotton Company’s Como towels that are used in hotel bathrooms the team created a bespoke pool towel range, as they needed to be a lighter-weight than the Como 700gsm hotel towels, and are available in a popular dark grey colour which is forgiving in a spa environment.

The Como 550gsm pool towel with  the rib edge is  a combed 550gsm cotton with double stitched side seams for extra durability and are soft, strong and made to last.

Supplied together with a Como Dark Grey 800gsm bathmat they give pool and spa areas a consistent feel and are easy to maintain.

Cotton throws for treatment couches

For treatment couches, comfort and quality are at the forefront of hotelier’s requests when it comes to blankets. The Fine Cotton Company team create bespoke sizes of their white Kensington Floral Trail Matelasse designs, a light-weight and reassuringly tactile cotton blanket.

Made in Portugal, stonewashed for extra softness, they are pre-shrunk and washable to 60°C which reassuringly is the recommended temperature to wash hospitality linens to kill dust mites and allergens.

Portofino washable cotton throws

A popular new addition to The Fine Cotton Company’s spa range are their cotton waffle stone washed throws. These lightweight blankets have been designed specifically for use in Spa’s and Hospitality relaxation areas like The Spa at Carden.

Image credit: The Fine Cotton Company

Made with a fine cotton yarn to guard against snagging and designed with neat hemmed edges, these are no fuss throws that can be folded and put straight back into use as they come out of the dryer.

Being washable means it doesn’t matter if they get wet so they are ideal for use around pools, outdoor hot-tubs, or for use in relaxation areas both indoors and out.

“The Portofino waffle throws are an absolute joy to have in the Spa,” said Stephanie Parry, spa manager at The Spa at Carden. “Our clients love the soft cosy feel of the stone washed waffle and because the throws are washable it doesn’t matter if they get wet so they are ideal for use around the swimming pools, vitality pools as well as our outside seating areas, in the pods or around the firepit.

“The throws are wonderfully easy to care for.  There is no creasing and they maintain their shape so can be folded and put straight back into use as they come out the dryer.”

The Fine Cotton Company is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this  three-month editorial package, please email Katy Phillips by clicking here.

Main image credit: The Fine Cotton Company

PRODUCT WATCH: 8 new upholstery ranges from Edmund Bell

730 565 Hamish Kilburn
PRODUCT WATCH: 8 new upholstery ranges from Edmund Bell

Are you sitting comfortably? Hotel Designs takes a close look at Edmund Bell’s latest upholstery product launches…

So far, 2020 has witnessed eight new upholstery ranges launched by Edmund Bell. But not one to rest on its laurels, the fabrics supplier has made sure that these are no ordinary upholstery ranges.

The brand has also launched the ultimate solution offering unrivalled technology and protection for upholstery fabric: Enduracare.

Benefitting from enhanced performance features including anti-microbial, waterproof, stain resistant and flame retardant properties – furniture covered in an Edmund Bell Enduracare upholstery fabric will perform well for prolonged use.

There may have been a time when it was considered only a healthcare environment would need an upholstery fabric with anti-microbial properties, but reflecting on the current climate we find ourselves in, it is apparent that every sector will benefit from these additional performance features, especially the hospitality industry.

Here’s a detailed look at the brand’s latest products:

Elegance

Image credit: Edmund Bell

Characterised by luxury and evoking confident glamour, this velvet speaks volumes for perfect upholstery. It can command status in a modern warehouse location as well as a traditional townhouse. The entire spectrum of 42 colours is captivating and inspires full freedom of expression.

Elite

Image credit: Edmund Bell

A sophisticated yet chunky look basket weave and a mastery of cross colour combination. The threads weave a story of artisan making and the dry warp and matt chenille, mix effortlessly in this colour woven substrate. An exciting mix of 12 colours and contrasting tones are sure to update every piece of upholstery.

Meridian

Image credit: Edmund Bell

More than just a plain, Meridian has a smart cross colour structure and subtle texture of a chic marled wool look. City greys and neutrals serve as useful basics, however punctuated with contemporary accents of mustard, blush, chilli, fuchsia, teal and navy.

Virtue

Image credit: Edmund Bell

A plush and radiant chenille Virtue has a durable structure with a matt and texture like structure. There is a generous range of 14 warm and cool neutral tones as well as heavenly blush, gold, ochre denim and teal.

Aspen

Image credit: Edmund Bell

Steeped in tradition and historic culture Aspen generously takes on a smart country tailored look with its engineered herringbone structure and wool look textured surface. A comprehensive selection of 25 warm and cool neutrals together with an admirable mix of stylish on trend shades.

Eclipse 

Image credit: Edmund Bell

Capturing that rough and ready texture so necessary in a successful upholstery substrate, the textured yarns weave a story of modern country ideal for all moods and seasons. Of the 12 colours available, straw, stone, ash, grey and mercury are the perfect answer to those necessary neutrals, whilst rose, chilli, teal and emerald punctuate as the new season’s highlights.

Inspire 

Image credit: Edmund Bell

A basket like structure were the threads weave distinctively in a very handcrafted way, Inspire works to create a very natural looking fabric. The yarns work effortlessly fashioning a very handwoven look, organic in character and rich in performance. A great palette of 12 colours ranging from subtle yet earthy tones as well as chilli, teal and denim to give it a more modern look.

Lustre

Image credit: Edmund Bell

With a refined sense of luxury and elevated quality, Lustre captures a vintage metallic feel so elegant yet contemporary. The lustrous chenille yarns weave their magic with the matt warp to truly capture and enhance the old beaten metallic look. All 26 colours regardless remain harmonious yet maintain their luxurious appeal and add a perfect finishing touch.

Edmund Bell is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this  three-month editorial package, please email Katy Phillips by clicking here.

Main image credit: Edmund Bell

In (Lockdown) Conversation With: Design legend Jean-Michel Gathy

730 565 Hamish Kilburn
In (Lockdown) Conversation With: Design legend Jean-Michel Gathy

If the renders on the boards are anything to go by, Jean-Michel Gathy, who is widely considered as one of the industry’s finest, has embarked on one of his most ambitious hospitality projects to date, to design Amaala Island. Editor Hamish Kilburn learns more…

There is not a hotel designer or architect alive today who has not heard of the name Jean-Michel Gathy, and for good reason. The creative mastermind, who doesn’t just design but more reinvents hotel experiences, has been repainting the backdrop of luxury for what is coming up to three decades.

Not shy of his ambition – he once stated that he wanted to be the first person to design a hotel on the moon – Gathy’s approach to a project is all-encompassing, allowing him to further push (and at times break through) conventional barriers.

Arrival experience, luxury

Image credit: Capella Sanya, designed by Jean-Michel Gathy/Denniston

His latest project, Amaala Island will be an ultra luxury resort destination spanning three sites, a first for the region of Saudi Arabia. Designed to evolve and elevate the very best in travel, the island is an ultra-luxury destination that focuses on curating transformative personal journeys inspired by arts, wellness and the purity of the Red Sea.

To find out more about the project, and in homage to the designer’s award-winning career, I managed to speak to the architect/designer.

Hamish Kilburn: Jean-Michel, how will the ultra-luxe Amaala Island – aka the “Diamond of the Red Sea” – challenge conventional island developments?

Jean-Michel Gathy: The development of ‘The Island’ will be an immersive and interactive art-inspired jewel. Its lifestyle components, its landscaping, the museums, and art installations together with the art community will transform this island into the “Diamond of the Red Sea”. It will feature many different venues for permanent installations or temporary exhibitions and artistic performances. The graphic layout of its spine will be distinctive from the air and will be recognised internationally as an iconic landmark. The project features all elements programmed and reflects the areas, numbers and facilities. This is truly unique, nothing like it has ever been planned before.

“It’s not a matter of a specific place; it is the fact that when you travel, your mind is continually challenged by the happenings around you.” – Jean-Michel Gathy

HK: How does your approach differ when designing a destination from you’re designing a hotel?

JMG: Constant travel is a huge part of the job. It allows me to observe and to be constantly inquisitive about my surroundings. Travelling builds a subconscious library of ideas, which are expressed in my work and helps my ideas remain innovative and fresh. It’s not a matter of a specific place; it is the fact that when you travel, your mind is continually challenged by the happenings around you. It’s not about where you travel, either – what counts is that you explore. No matter where you are, every country has something new to offer in terms of inspiration.

Luxury spa area that frames unspoilt view through rustic blinds

Image credit: Image credit: The Chedi Muscat, Oman, designed by Jean-Michel Gathy/Denniston

HK: What have been some of your design highlights in your career?

JMG: Perhaps the one for which I am most renowned is the overwater hammocks or ‘basking nets’, which I initiated in the Maldives at the One&Only Reethi Rah in 2000. Until then, you would find balustrades around the terraces of villas. I decided to alter that – if anyone was going to fall off the terrace, they could fall on to the nets. And I put scatter cushions on them.

Image credit: One&Only Reethi Rah Maldives, designed by Jean-Michel Gathy/Denniston

Today, just about every hotel uses this idea. Another pioneering step was turning standalone tents for safari-style camps into a commodity. The accommodation at these hotels used to be basic but this started to change after I designed luxurious tents for the Amanwana in 1990. I am also known for my oversized, dramatic swimming pools such as the one on the roof of Marina Bay Sands in Singapore.

Large, oversized swimming pool

Image credit: The Setai Miami, designed by Jean-Michel Gathy/Denniston

QUICK-FIRE ROUND

HK: What has been the most demanding request you have received from a client to date?

JMG: I guess I take every client that I work with as a challenge more than a demanding request.

HK: Where’s next on your travel bucket list?

JMG: I would love to travel to Iceland to see its rugged landscapes, glaciers, rough seas, hot springs and volcanoes. I’d also like to visit the south of Chile and the peninsula of Kamchatka in Russia, which has extraordinary wildlife and endless forests.

HK: What’s your biggest indulgence when travelling?

JMG: Collecting art – I like to collect and invest in local artwork whilst on my travels.

HK: What lesson would you teach to your younger self?

JMG: The pathway to success is never easy, it takes hard work, dedication and passion.

HK: If you could design a hotel anywhere in the world, where would it be?

JMG: I’d love to design a hotel in Antarctica. There’s an ice hotel in Sweden, but that’s only open four months a year, so I want to do one that permanently remains ice.

HK: What’s been your favourite year on the international design scene?

JMG: To be honest, every year working with my team at Denniston has been and is special to me.

HK: What’s one item you cannot travel without?

JMG: I travel light, but I always ensure I have a cashmere scarf for the plane, and a sweater (I’m a big cashmere fan). I also travel with my camera, a Canon EOS 5D Mark III.

“The hotels where you arrive and lay on the beach and do nothing have progressively disappeared.” – Jean-Michel Gathy.

HK: How is the perception of luxury changing – and how is this evolving the way in which you create spaces in the luxury arena?

JMG: Before, hotels were just a place where you go and relax. Today, guests are connected: they want spas, they want food and beverage, they want activities, they want things to do. The hotels where you arrive and lay on the beach and do nothing have progressively disappeared, because life is such that people have become more and more active. I think luxury property clients are now asking for more than simply great rooms. They want retail facilities, a cinema, an extraordinary spa, award-winning F&B offerings and outdoor activities all integrated into the hotel.

“In terms of reliability, price strategy, and brand positioning, Toyota is a fantastic commercial car – but I prefer a Bentley.” – Jean-Michel Gathy.

HK: What’s the value of having designers and architects in your practice?

JMG: There are many good architects, but we have a specific niche. I’m going to compare us to branding: thousands of people buy Toyotas, but few people buy Bentleys. I believe that we are more Bentley than Toyota. This doesn’t mean that a Toyota is not a good car. In terms of reliability, price strategy, and brand positioning, Toyota is a fantastic commercial car – but I prefer a Bentley. Designers are the same; many prefer commercial projects and properties, because their interest is financial. They just want to make money, which means they’re not romantic about their projects. Then you have other designers, which is where I belong, who are more interested in the success of the project, the excitement of the journey of designing a hotel, and having the pride of making something fantastic, even though you earn less money.

Restaurant overlooking ocean in the Maldives

Image credit: One&Only Maldives, designed by Jean-Michel Gathy/Denniston

HK: Has the way in which you source inspiration changed over the years?

JMG: I’m someone who designs from the heart so my style is one that’s charismatic. It’s not an ego trip like the architects who design for themselves. I design elements that are a composition of dramatic effect; I create large and dramatic space, in opposition to intimate areas, so the space is always dynamic. Secondly, I design for the sensation you get out of it. I want every space in the hotel to be comfortable and for my clients to come back and say, I like this space. Sometimes they don’t know why they like it, but if they walk in and feel good, I know I’ve succeeded.

And succeeded Gathy has in widening the path of innovative hotel experiences in far-flung destinations around the world. While his past hotel projects have firmly etched his name into the architecture, design and luxury hospitality history books, his latest ideas and concepts that are currently on the boards highlight Gathy and Denniston’s ambitions. Inspired by his worldly perspective of design and architecture, I believe that Gathy’s aspiration is yet to peak as he continues to think big with the future landscape of luxury international hotel design patiently waiting in his sketchbook for its cue to emerge.

Main image credit: Jean-Michel Gathy/Denniston

TIG becomes headline partner for Hotel Designs LIVE

730 565 Hamish Kilburn
TIG becomes headline partner for Hotel Designs LIVE

Technological Innovations Group (TIG) has been confirmed as the headline partner for Hotel Designs LIVE, which takes place on June 23…

With less than two weeks until Hotel Designs goes live to the world on June 23 with its first ever virtual conference, TIG, which offers technology solutions from world-class brands such as Crestron, Black Nova, Embrava, Gude, Hoylu, Oblong, NFS and Salamander Designs, has been announced as the event’s headline partner.

Headed up by industry stalwart Robin van Meeuwen, TIG is an EMEA sales agency offering an ecosystem of compatible AV, UC, IT and control solutions from brands at the forefront of leading-edge technology development. The company specialises in engaging customers across all verticals including consultants, integrators and specifiers, to deploy fully integrated, tailor-made and future-proof smart spaces in any environment. With a hugely experienced leadership team and staff in locations across Europe, the Middle East and Africa, partnering with TIG gives organisations – whether in corporate, marine, education, residential or other smart spaces – a real edge over the competition.

During Hotel Designs LIVE, TIG will face editor Hamish Kilburn for a Quick-fire Q&A. “Considering that TIG is relevant for all of our four seminars that we have planned for Hotel Designs LIVE, it feels very fitting to welcome the technology company as our headline partner,” explained Kilburn. “I am excited for the quick-fire Q&A, which will allow the audience to understand more about TIG, while aptly serving as a warm-up during my editor’s welcome ahead of our first live seminar that is entitled: Technology’s role in tomorrow’s hotel.”

TIG is respected within the hotel design industry for pushing the boundaries of technological integration for Smart Spaces and, as a result, is able to create amazing experiences for the designer to integrate into the consumer journey.

Click here to see the line-up of Hotel Designs LIVE | Click here to secure you seats in the audience.

“TIG is excited to attend Hotel Design Live as the solutions TIG represents touch on every aspect of Hospitality,” said Petra van Meeuwen, Director of Media Relations at TIG. ” Innovation is key at TIG and with its ecosystem of world-class solutions from high tech brands combined with a long standing experience in the sector, TIG brings true innovation, collaboration, efficiency, security and safety to create smart hospitality spaces. 

“TIG has just launched a virtual experience space to give visitors an engaging, life-like experience showcasing all its solutions whilst we are working hard to open our real Experience Spaces in London, Frankfurt, Paris, Jo’burg and Moscow when it is safe to do so.”

The Virtual Experience Space is an immersive online space as part of TIG’s new website that has been carefully designed to welcome and deliver an engaging and life-like experience for consultants, integrators, specifiers and end-users. By embarking on a ‘walk-through’ tour of the virtual space, accompanied by vocal explanations, visitors will understand how the ecosystem of solutions available from TIG integrate to transform smart spaces in any corporate, residential, hospitality, education or healthcare environment.

If you are a designer, architect, hotelier or developer and would like to join the live conversations on June 23, click here to secure your virtual seats in the audience.

Main image credit: TIG

Helping hotels heal: The service bringing re-opening advice directly to the door

730 565 Hamish Kilburn
Helping hotels heal: The service bringing re-opening advice directly to the door

In the wake of editor Hamish Kilburn interviewing Katie McCarthy, the founder and design director of Design Equals, Hotel Designs asks the firm to explain more about its Design= in a box

In the absence of government guidance Design Equals, an agency network of creative experts for the hotel industry, has launched a new support service which will provide on-going business advice to the industry as it navigates the roadmap of re-opening.

The recovery package consists of initiatives – including a monthly subscription service to expert advice – to aid recovery of the hospitality industry, helping independents and small chains to rebuild their business, attract high-value guests and optimise cash flow.

Katie McCarthy, founder and design director at Design Equals, is behind some of the North’s most well-known hotel interiors, including the Lake District’s Storrs Hall and Cheshire’s boutique Ryland’s Hotel.

Image credit: Design Equals

She said: “The industry has unexpectedly evolved, almost overnight, due to Covid-19. The way our customers must experience hotels and short breaks will not be the same for some time, maybe never even the same again. We are working with our community, our partners, leading experts and from our European and are cascading that information to businesses in a simple, creative way – through Design= in a box.”

With a recent survey from Design Equals finding that 72 per cent of businesses saw increased footfall and 54 per cent saw a rise in profits following a refurbishment it’s now more important than ever to ensure that whilst hotels are adhering to new social distancing rules, they are retaining an appealing interior.

“There is no ‘one-size-fits-all’ solution for recovery.”

Image credit: Design Equals

There is no ‘one-size-fits-all’ solution for recovery, however with their eclectic team of creatives the company are able to offer a tailored approach to businesses, ensuring their unique core values are met and creative concepts of venues aren’t compromised.

There are three options for businesses to choose from, each offers different levels of guidance and addresses the main areas of priorities such as safety, space and style.

The most popular option is the ‘Back to Business’ subscription box which retails at £59.99 per month and will keep you up-to-date of the latest guidance and advice regarding Covid-19. It will also share details of design ideas, products and discounts to help you prepare for your re-opening. As well as interior design advice you will also receive operational guidance and insights into individual business’ plans, the Back to Business subscription box will ensure you’re well informed and prepared for the big open day.

‘The Essentials’ support box (RRP £180) is a one-off purchase which provides an extensive guide on preparing and prioritising your space for re-opening.

This includes a one to one consultation with a designer to discuss space, cost effective solutions such as revised use of seating arrangements, flow of operation safe spaces and flexible partitions for creating safe distancing.

The full-service ‘Invest In Your Future’ support kit (RRP £999) is a fully personalised business solution which is developed with you by a team of experts. Customers will receive three meetings with a dedicated DESIGN=creative team specifically selected with skill sets considered to the venue type.

The five biggest benefits seen by the hospitality industry from an interior design refurbishment have been revealed as:

  1. Increased footfall (72 per cent)
  2. Increased turnover/ profits (54 per cent)
  3. Ability to increase prices/ improve margins (37 per cent)
  4. Attracting a new, more desired customer base (36 per cent)
  5. Attracting competitors customers (33 per cent)

The team are set to reveal the latest addition to their support package with their ‘S is for Safety Book’ in the coming weeks. The documents will explore how businesses can meet new safety measures while not compromising on style.

Katie added: “We wanted to launch a solution that would help hotel owners prepare for re-opening, including being ready to open their doors whilst adhering to new guidelines. We need to act now to be ready to successfully re-open. Our message to outlets is whilst your doors are closed be open to change.

“We have an army of creatives who are working together to provide sensible, educated and affordable ideas for the industry which will arm them with the knowledge and products to a successful re-opening.

“These Design Equals packages are the first step in our long journey to rebuild a more resilient, inclusive and sustainable hotel industry. We are all incredibly eager to return to this new normality awaiting us but we have to be responsible to protect yet survive to thrive once more.”

Design Equals is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this three-month editorial package, please email Katy Phillips by clicking here.

INDUSTRY INSIGHT: Shining light on cordless luxury for 2020

730 565 Hamish Kilburn
INDUSTRY INSIGHT: Shining light on cordless luxury for 2020

While new technologies are coming to the surface as the industry starts to emerge from lockdown, Hotel Designs asks Voltra Lighting to explain why designers are switching their attention to cordless luxury…

What is it about a luxury hotel that makes it so desirable to the discerning traveller? Be it the Six Senses, Waldorf Astorias or Four Seasons of the world, all of them exude a distinct aura – an elegant mix of ambience, design and attention to detail.

Design experts will agree that it takes strategically designed light installations to effectively tie all these elements together and truly elevate the hotel experience.

This is why high-end brands are constantly innovating to deliver more exclusive and advanced luxury lighting options. Currently, there is a big focus on fast-tracking a wireless lighting future. As legendary designer Philippe Starck puts it: “Everything that can disappear has to disappear [sooner or later].”

Designer brands that fabricate new-age portable lights, such as Voltra Lighting, can be found in some of the finest hotels in the world. Their iconic lamps are intelligently engineered and carefully crafted to enhance the ambience of the space. Inspired by the gentle flickering of a candle-light, Voltra’s elegant range of lamps are perfectly suited to deliver an atmosphere of intimacy and richness.

Insight into a new generation of luxury cordless lamps

As with most things in the world of design and technology, the wireless lights too will be constantly reimagined to enthrall the new generation of hotel patrons.

According to Voltra’s team of master designers, here are the cordless lighting trends that will feature in many a luxury hotel premises in 2020 and beyond:

  1. Soft colors for added opulence: Ambient light diffusers in brushed gold, muted nickel and antique bronze are shades that are seen to work really well in delivering a rich glamorous look.
  2. Go all natural : Increasingly, elegant and intimate cordless light-sources are being fashioned out of naturally available materials such as wood, bamboo and cork. Voltra’s Totem range is unique in its use of precision cut alabaster stone that offers a handcrafted look and creates even illumination.
  3. The future is outdoor: Battery-operated outdoor lighting needs to be able to brave the elements and yet sport a slick design. Spearheading this trend is Voltra’s range of IP65-rated lamps that are resistant to both water and dust damage.
  4. Circular lighting: Be it lighting up your bathroom vanity or hotel lobby, these circular vessels of light tend to also stand out as a central decorative object owing to their unique design.

Journey from a world of wired to battery-powered

The cordless movement began way back in the late 1980s. In those times, wireless lights came in rudimentary designs and delivered low power output – making them unlikely candidates to grace living spaces of luxury properties. But, today, since these lamps have evolved to deliver higher lumen output per watt; the status quo has completely changed.

Especially when seamlessly and tastefully integrated into the property’s architectural and interior design, the right lighting is seen to transform hotel spaces into an oasis of comfort and splendour.

So, when adding new lighting fixtures into the hotel suite or speciality restaurant, what must designers and hoteliers keep in mind?

For one, the lighting fixture should be a joy to behold – both for its form and function. Thoughtfully and intelligently curated and situated, it can create a strong impression in the minds of discerning travellers. Secondly, it needs to be able to adapt to the ever-changing luxury hotel interiors.

On both counts, high-end cordless lighting can deliver. The sheer mobility offered by ambient wireless lights also creates a flexible atmosphere and mood that can be hyper-personalised to each high-net worth guest.

Voltra Lighting is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this three-month editorial package, please email Katy Phillips by clicking here.

Main image credit: Voltra Lighting

PRODUCT WATCH: TIG launches Virtual Experience Space for smart spaces

730 565 Hamish Kilburn
PRODUCT WATCH: TIG launches Virtual Experience Space for smart spaces

Technological Innovations Group (TIG) the EMEA sales agency offering integrated technology solutions for residential and commercial smart spaces…

On the same day the company has been announced as headline partner of Hotel Designs LIVE, TIG has launched its Virtual Experience Space to showcase the impressive portfolio of AV, UC, IT and control solutions it represents.

The Virtual Experience Space is an immersive online space as part of the company’s new website that has been carefully designed to welcome and deliver an engaging and life-like experience for consultants, integrators, specifiers and end-users.

By embarking on a ‘walk-through’ tour of the virtual space, accompanied by vocal explanations, visitors will understand how the ecosystem of solutions available from TIG integrate to transform smart spaces in any corporate, residential, hospitality, education or healthcare environment.

Visitors will also benefit from TIG’s technical specialists, who are on hand to support them as they specify futureproof deployments, by recommending the most appropriate suite of solutions. TIG’s range of solutions have been chosen to complement one another to create superior, fully integrated and tailor-made smart spaces – whatever the client’s brief.

The world-class brands that TIG represents include:

  • Collaboration and residential smart space technology from Crestron
  • Remote monitoring and power distribution solutions from GUDE
  • Innovative tools and software from Hoylu for remote collaboration and accessible digital group learning
  • Stylish control panels for the hotel and home from Black Nova
  • Multi-user, multi-screen, multi-location visual collaboration platform from Oblong
  • User-friendly yet advanced meeting scheduling and management software from NFS
  • Made-to-order furniture from Salamander Designs that fits in perfectly with specific AV products
  • And, most recently, Embrava, whose Desk Sign and Blynclight ranges display employee and workspace availability, and indicate whether desks have been recently disinfected before next use

Robin van Meeuwen, TIG’s CEO, told Hotel Designs: “Here at TIG, we have been able to bring together experience, people and innovation through a collaboration with some of the finest technologically advanced brands to create a portfolio of class-leading solutions. These brands have been carefully selected for their contribution to the creation of tomorrow’s smart spaces – whether they are in the workplace, a university, a hotel, a hospital, or any other home, leisure or business environment.

“Our Virtual Experience Space will exhibit the best AV, UC, IT and control solutions for the constantly evolving way in which we live and work. It provides a solutions-based approach to answering how we can futureproof our smart space deployments, with a focus on efficiency, adaptability, safety and security. We look forward to welcoming our valued partners and customers to this revolutionary digital space!”

Amid the Covid-19 crisis, the opening of TIG’s ‘real-life’ Experience Spaces in London and Frankfurt has been rescheduled for September 2020. To explore the new Virtual Experience Space, visit the website. Following this, visitors are invited to arrange a more detailed ‘real’ visit, hosted one-to-one by one of our expert salespeople, by emailing.

Main image credit: TIG

PRODUCT WATCH: Kaldewei Cayonoplan Multispace receives Red Dot Award

730 565 Hamish Kilburn
PRODUCT WATCH: Kaldewei Cayonoplan Multispace receives Red Dot Award

The jury at the Red Dot Awards were “won over” by Kaldewei’s certified shower surface with integrated room for manoeuvre. Hotel Designs gets a closer look…

It is not only bathroom professionals, architects and builders who are captivated by Kaldewei’s world-first for barrier-free mini bathrooms.

At the Red Dot Award: Product Design 2020 the exceptional innovation and aesthetic of the Kaldewei Cayonoplan Multispace made it the winner of one of the most important international competitions for product design and architecture. The Red Dot Award is presented annually by a 40-member expert jury for the best designs in the areas of aesthetic, chosen materials, crafting of the surface structure, ergonomics and functionality; it is one of the most prestigious quality checkmarks for outstanding design.

Image credit: Kaldewei Cayonoplan Multispace in lava black matt with Secure Plus

“By giving us this award, the jury has highlighted the design quality of our new bathroom solution. For us, it is an affirmation of a very special combination of materials. With Kaldewei steel enamel, steel and glass form a long-lasting, hygienic and sustainable bond which is what the Kaldewei brand has stood for, for decades,” says Yvonne Piu, Director Marketing at Kaldewei. “There are  a great  many  small bathrooms at last, with the Cayonoplan Multispace they too can be made into barrier-free yet design-oriented spaces – with all of the associated benefits for bathroom professionals and builders. Alongside the distinctive aesthetic, the advantages include maximum comfort and bathroom design in line with prescribed standards so grant applications for barrier-free bathroom refurbishments can be made with confidence.”

Barrier-free design for mini bathrooms

The Kaldewei Cayonoplan Multispace for floor-level installation is the first certified enamelled shower surface that meets all requirements relating to barrier-freedom; furthermore, 60 per cent of its surface area can be counted as room for manoeuvre in the bathroom. With Kaldewei’s shower system, even tiny bathrooms with an area of just four square metres can be easily equipped to meet accessibility requirements. The Cayonoplan Multispace is available in all twelve shades of the Coordinated Colours Collection and comes with the anti-slip Secure Plus finish as standard.

The Cayonoplan Multispace – truly excellent

“The winners of the Red Dot Award have proved that they have created truly excellent products that possess not only an exceptional aesthetic but are also uniquely functional. The award winners have raised the benchmark within their industry with their designs. I sincerely congratulate them on their success,” says Professor Dr. Peter Zec, initiator and CEO of Red Dot.

The Kaldewei Cayonoplan Multispace which was honoured at the Red Dot Award: Product Design 2020 will be installed on 22 June at the “Design on Stage” exhibition at the Red Dot Design Museum Essen which presents the winners selected from 18,000 entries.

Kaldewei is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: Kaldewei

INDUSTRY INSIGHT: Art in hotels – an accessory or a necessity?

730 565 Hamish Kilburn
INDUSTRY INSIGHT: Art in hotels – an accessory or a necessity?

As the industry prepares to makes its grand return, there’s a debate forming around art’s vital role in meaningful interior design in hospitality. Hotel Designs asks the consultants at Portobello Art to investigate… 

Art has always been present in hotels, but the role of art has evolved hugely over the last 20 years, possibly more so than any other element of hotel design.

In the 1990s and early 2000s hotel guests would see the same uninspired art of flower paintings and landscapes again and again in hotels all over the country. But the main reason for this wasn’t just the brands – it was also the technology.

It was poster artwork, where everything was on paper and what you saw is exactly what you got. The sole technology available 20 years ago was to buy cheap, mass-produced art from poster catalogues which were printed using offset lithography. Designers, chains and franchises would literally have to choose their images from the dozens of catalogues that were available to everybody, then hang them in nondescript frames.

But now, thanks to the digital revolution, printing pictures and customising them, is now so much more accessible. You can create any image in any colour, any size and you can print them on to a wide variety of materials. This has given hoteliers far more options for choosing artwork and tailoring it to fit their brand and location.

Art is no longer used as an accessory, nor as a way of following protocol for typical hotel design, but as a way of evoking emotion, playing a significant role in promoting the unique identity of a hotel and is recognised as being a key component of creating the feel and atmosphere and bringing colour, vitality and inspiration to all environments.

Something Angela Rawson, Director of AJ&Co Interior Design, with whom we’ve worked on several projects, wholeheartedly agrees. “The trend for personalisation, authenticity and a unique experience within hotel interior design is here to stay,” she says. “Hotels strive to create a sense of place for their guests to immerse themselves in local history, culture, and heritage. Visual art and curated pieces not only play a huge part in conveying this personalisation through the interior design but can add statement and talking point – whether it is literal or abstracted interpretation.

“Considered artwork enriches the personality and ambiance of a space and ties together the design narrative and interior design.”

So what kind of artwork can we expect to see?

Framed Prints are still very popular but with the help of digital enhancement even a group of framed images can mean so much more than a couple of pictures hanging on a wall as they used to be years ago.  The framed images above were all created from different sized local images (of Edinburgh), enlarged, then close up details were cropped out, all resized to the same size and framed in the same simple style to create an interesting but uniform collection of prints.

At Portobello, almost every hotel project is for bespoke products and the style is different every time.  Usually hoteliers or hotel designers will have a concept in mind with a particular theme, but it varies greatly depending on the hotel size, style and location.  Generally we will advise on what sort of artwork would work best to create the right look and ambience in that particular hotel, whether it be for framed or canvas prints, mirrors, digital wallpaper or bric-a-brac.

There will usually be either a theme or colour scheme that would need to be adhered to and as art consultants, Portobello have access to literally millions of images from online image banks and we are happy to source these for you and with our technical expertise and in-house design capabilities we can then adapt any image to fit your individual requirements.

A prime example of this was a project for the Cigar room at 10 Manchester Street, London, where the designer wanted a gallery wall of cigar smoking celebrities which we suggested should be oil paintings rather than framed prints.  So we asked our in-house artists for their own interpretation and were delighted with the overall effect.

Dining room with art on the walls

Image credit: Bespoke Hotels – No. Ten Manchester Street/Portobello Art

Artwork must not only have relevance to the hotel’s design and location but must also be fun and memorable, tell a story and therefore make their hotel stand out from the crowd.

Digitally printed wallpaper has been popular for years for feature walls in open spaces, but one-piece wallpaper has gone a step further.  This eradicates any previous issues, such as joining intrinsic designs seamlessly, as the ‘One Piece’ covers expansive areas eliminating the need for seams. There have always been some limitations with certain designs and images (like maps and faces) where the joins are notoriously difficult to match up but with one piece wallpaper the image is printed seamlessly up to five metres high and almost any width imaginable!  This has now given us the ability to create enormous collages made up of numerous individual images which was not previously possible with normal digitally printed wallpaper.

One example which illustrates this  is the Holiday Inn in Liverpool where they wanted to add some interest to a huge blank wall in the restaurant. This was great fun to create, first sourcing all the separate images, in a Liverpudlian theme of course, and then merging them all together to create a dramatic collage.

Image credit: Holiday Inn/Portobello Art

Visual art in hotels and their public spaces influences a visitor’s first impressions, and sets the tone for the rest of the hotel. Artwork isn’t just what hangs on the walls but also the Bric-a-brac (decorative accessories) displayed around the open spaces. One of the biggest trends over the last few years has been in hotel lobbies where it is no longer just a place for arrivals and departures.  IHG’s introduction in 2013 of the Open Lobby Concept has created a flexible environment were guests can eat, drink, work, meet, relax, socialise and have fun in one integrated space.

Portobello is delighted to have been involved in IHG’s concept from the beginning and have provided artwork and bric-a-brac for many Holiday Inns over the last few years and indeed, as this trend has taken hold, to other hotel chains who are also embracing the concept as well.

Image credit: Holiday Inn/Portobello Art

Can a hotel be updated / refurbished by changing the artwork alone?

As a hotel owner or manager, you might dread the idea of going through a renovation. After all, it’s a huge expense — one that often requires you to scale back operations for a period of time and all of the work can be an inconvenience to your guests, which in turn can have an impact on future business.

However, simply avoiding renovations isn’t a wise choice, since it can diminish the attraction and value of your property.

So updating the artwork every 2 or 3 years, with a new coat of paint on the walls, could definitely give a refreshing lift to a hotel without going through the upheaval of a full renovation and replacing all the furniture, carpets and wallcoverings etc.

Certainly for bedrooms or corridors this is entirely possible. Normally the standard bedroom artwork will be fairly understated so designers often have one large piece of artwork above the bed, and these could easily be changed every few years.

Image credit: Holiday Inn/Portobello Art

It would be a bit more challenging in the lobby and reception areas where something more dramatic and memorable is needed to create that real WOW factor but as long as existing artwork can be replaced with a new image that compliments the existing décor.

This can be seen in the images below where we provided artwork for two very different hotels. The ultra-modern Holiday Inn in the centre of Bristol wanted a local image so we suggested having a black and white image of Brunel’s S.S. Great Britain, and created it as a huge picture on multiple tiled canvas prints.  It certainly brought some drama to the contemporary reception area. And for The Langley, a luxurious 18th century manor house in Buckinghamshire, it had to be original paintings showing the opulence and timeless luxury of elegant country living.

Image credit: Holiday Inn/Portobello Art and The Langley, Marriott/Portobello Art

There has always been artwork on display in hotels but in the last 10 years art has become very on trend and in some cases is almost used as therapy; it can help inspire, console, comfort and reawaken us, and is necessary to create these emotions and lure the guest into the whole experience.  Various scientific studies show that when looking at a beautiful art piece, you feel better, so it helps in uplifting the mood of the guests and making them feel at ease in that perfectly designed space.

Another designer we’ve done work for, Joanna Knight of J K Interiors,  reinforces this. “The use of artwork in hospitality interiors is absolutely integral to the interior scheme,” she explains. “It can pull a whole scheme together, convey a deeper meaning to the guest, and invoke an emotional response that comforts, excites or stirs the inquisitive mind.

“Whatever feeling the designer is trying to elicit, can be reinforced or enhanced by the use of appropriate artwork. Conversely, poorly thought through and executed artwork can leave the guest feeling ‘flat’ and underwhelmed – which in turn can colour their judgement of the hospitality space and the time they want to spend in it.”

From boutique hotels to international chains all hotels will usually remain faithful to their brand image, simply because brand matters more than anything else in the hospitality industry. Guests will often choose the same hotel chain because they like the “feel” of it. Every aspect of the decor, including the art, needs to provide that comforting familiarity.

While artwork may not always be the first thing guests notice when they walk into a hotel, it can certainly make a big impact on the overall design and feel. When done right, artwork can be the focal point of any hotel lobby or guestroom, and should be considered as important as any other major design element.

Portobello Art is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this three-month editorial package, please email Katy Phillips by clicking here.

Main image credit: Marriott Courtyard/Portobello Art

CASE STUDY: Lighting the facade of Radisson Blu Hotel, Larnaca

730 565 Hamish Kilburn
CASE STUDY: Lighting the facade of Radisson Blu Hotel, Larnaca

The Radisson Blu, Larnaca was to be illuminated externally with dynamic lighting supplied by illumination Physics, and designed by Archtube, to draw attention, as well as provide a sense of arrival, which was critical to the marketing of the property…

The pace of development in Cyprus is rapid. The influx of ex-patriot investment and the opening of casinos for the first time has created an exciting yet competitive market.

Developers must therefore make strong visual statements if they are to stand out in the rapidly changing business landscape.

The Radisson Blu, Larnaca was no exception, and a statement was required. Therein lay the genesis of the lighting design that was conceived of by Cypriot lighting designers Archtube.

Image credit: UNSEEN VIEWS (Charis Solomou Architectural Photography)

The property consists of two towers connected by a podium. The façade containing the main entrance is entirely populated with guestroom windows and other balconies. This face of the building would be naturally illuminated and did not require external treatment other than signage. It was the slab sides of the building that required illumination as well as the façades of the main tower and secondary tower that face each other across what would be otherwise very dark space. Illumination Physics’ instruction was to produce a synchronised dynamic display of indirect illumination that would be as homogeneous as possible given the limited locations that could be used to mount the light fixtures.

The dimensions of the building are modest; it does not exceed 18-storeys in height for the main tower and four less for the secondary tower. This meant that even the tallest façades would fall into the range of two new illumination Physics light fixtures – the IP Circular Wash Quattro (a 270-watt RGBW wash light) and the IP Rectangular Wash Mono (a 220-watt RGBW wash light).

The new powerful circular wash light uses heat pipe technology to cool the LEDs and represents a significant step forward for a powerful light fixture in such a compact and attractive package. Where appropriate rather than using a powerful circular fixture, illumination Physics choose rectangular fixtures producing a rectangular beam to add to the overall illumination.

Mounting the luminaires was illumination Physics’ greatest challenge, particularly for the two banks of twelve 270-watt lights that would illuminate the two prominent façades of the main tower.

The lights would be mounted into a frame designed by illumination Physics so that the grouping and spacing were fixed according to their optimal calculations.

The lighting of these two façades was complicated by the fact that the achievable and very shallow set-back was different on one side to the other and two focusses were required. To achieve this, overlapping beams of light with different lens angles were used.

In addition to the façade lighting, illumination Physics supplied the flag pole lights in white light. The IP Circular Series – Quattro 3-6 (25-watt) was ideal. Flag poles are a standard requirement of Radisson for all their hotels worldwide.

Martin Opolka, illumination Physics’ European manager, and illumination Physics partner and Technical Director, Peter Kemp, attended the on-site testing and commissioning, accompanied by illumination Physics’ own programmer who commissioned and programmed the control system. Illumination Physics’ work also included testing and the rectification of all data connections, including the aiming/focusing of all lights and the installation and setup of the complete control system.

Prior to the system being installed, an illumination Physics representative attended the site to instruct the installers on the installation of the data network and other requirements for their systems.

The control system illumination Physics set up provides a very useful control for a hotel client. Preprogramed scenes/sequences can easily be manually selected by the client via the large buttons on the laptop touch screen, which can be labelled with specific names and colours for easy identification. The standard sequence is programmed in consultation with the client and automatically runs every day, activated by the time of day or sunrise/sunset using Quadcore’s astronomical clock function.

This level of care is typical of illumination Physics’ inclusive project management in which they can guarantee a perfect outcome by controlling all aspects of the work.

The lighting effect exceeds the promise of the initial design and the ambition and intent of the lighting designer and their client. The value is such that plans have already begun for the illumination of the second Cypriot hotel of the same brand, currently under construction.

Illumination Physics is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here

Main image credit: UNSEEN VIEWS (Charis Solomou Architectural Photography)

CASE STUDY: Designing modern interiors for Kahani

730 565 Hamish Kilburn
CASE STUDY: Designing modern interiors for Kahani

KAI Interiors were approached by Michelin starred chef Peter Joseph to design his first solo venture restaurant, Kahani…

Taking inspiration from the concept of sharing food and swapping stories, essences of Indian anecdotes and fables have been scattered around the restaurant, this led to the name ‘Kahani’ meaning stories in Hindi.

Set in the beautiful Sloane square, underneath the Phoenix House Hotel and opposite Cadogan Hall you will discover a deep green set of double doors nestled into the classic architecture of Wilbraham Place.

As you enter, you see a beautiful upholstered wall that is made of soft blush, woven leather, this leads guests down the stairs. Indian antiquities and Kavaad [Indian story boxes] line the steps. You pass a warm mustard velvet curtained private dining room that is inspired by India’s national bird, the peacock. It’s a luxurious room in deep blues and greens. Using a large deep blue leather table top with brass trim and an elegant slim brass chandelier above, this space creates a cosy environment in which guests can enjoy a unique and intimate experience.

The ceiling is filled with an imprint of millions of miniscule beads laid out in an elegant weaving pattern. The chairs are deep blue velvet with a woven leather backing. Bespoke wallpaper, beautifully hand drawn by the team at Lyons and Tigers Creative Agency hangs as a backdrop to the room. The private room overlooks the main restaurant space with a balcony style mezzanine level. From above you might be able to notice the K within the timber floor boards, laid in different angles with brass trims.

Image credit: Kahani/KAI Interiors

One of the main obstacles we had to face was that this is a lower ground floor restaurant, we wanted the space to feel indulgent and luxurious rather than like a basement. To do this the main restaurant opens out to a double height ceiling with beautiful bespoke, suede ribbon chandeliers emphasising the height and openness.

Additionally, the back wall of the restaurant is home to the extensive wine cellar, exposed through a huge wall of glass it again emphasises the scale of the space.

As you enter the main restaurant, on the left there is one of KAI’s favourite features, a beautiful mosaic wall. This involved mixing a special render to obtain the exact colour, then meticulously hand placing the small, square mosaic tiles piece by piece into a pattern that was taken from Indian architecture. Sat in line with the mosaic wall is beautiful teal velvet seating, embellished with Indian embroidered ribbon.

The room dividers give privacy to the bar area with a peacock feather embossed glass and timber panel. Sat in the back corner is the original fireplace with cosy armchairs and a traditional Indian carved table.

One of the challenges was finding a balance between making the interiors exciting and welcoming but without detracting too much from the food and drink. Peter’s food is amazing, it’s so colourful and we had to think about how it would look on the table. The edge of the tables were etched with a henna pattern which linked with the bespoke henna style wallpaper we had hand drawn. If you look closely you can follow several fables within the wallpaper. We’ve used warm colours in the upholstery that don’t detract and kept the walls quite neutral, we wanted to ensure hints of India enriched the space.

Image credit: Kahani/KAI Interiors

The toilets are intimate yet exciting spaces. Taking inspiration from a colourful wall painting in India. We developed a pattern that was filled with hands poised in different positions replicating the different Mudras (hand gestures), rich greens and soft pinks covered the walls. As you look in the mirror your reflection is engulfed in the pattern behind. Terrazzo basins echoed the colours from the walls, matched with elegant brass taps.

The bar, meanwhile, has been modelled on Chand Baori, which is a beautiful step well of 3,500 narrow steps built over a thousand years ago in the Indian state of Rajasthan. Textured wallpapers are a back drop to the brass cantilevered steps that appear to be floating whilst displaying the premium alcohol offering. Elegant tubular pendant lights glow above the bar counter which is timber with marble infill’s. The bar façade is a unique herringbone veneer to give a subtle nod to the back bar steps.

KAI Interiors is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this  three-month editorial package, please email Katy Phillips by clicking here.

Main image credit: Kahani/KAI Interiors

PRODUCT WATCH: Blueair Blue Pure 411 air purifier

730 565 Hamish Kilburn
PRODUCT WATCH: Blueair Blue Pure 411 air purifier

Compact, energy-efficient and decorated with awards, the Blueair Blue Pure 411 is the ideal air purifier for bedrooms, office spaces and travelling. Simply plug in on the go and breath clean air indoors, as Hotel Designs discovers…

Indoor air pollution can be up to five times higher than outside so it’s important to invest in an air purifier and avoid the effects of air pollution. Blueair’s compact 411 is the perfect size for smaller spaces up to 15m2.

Indoor air pollution is made up of not only dust, but also particles and gases from everyday household products such as cleaning supplies, candles, paint and varnish to floors. Airborne traffic pollution can also get inside your home and pollute your indoor air. Breathing in this fine dust or PM2.5 (also known as fine particulate matter) can penetrate deep into the lungs and cause respiratory difficulties, heart and lung problems and a host of other diseases, studies show. Particles in the air can also contribute to anything from colds and flu to determining how well you sleep.

The Blue Pure 411, thanks to Blueair’s proprietary HEPASlient™ technology, removes at least 99.97 per cent of airborne particles as small as 0.1 microns in size such as viruses, pollen, dust, pet dander, mould spores, smoke, and allergens. Blueair’s compact air purifier kills 99 per cent of the 12 most common bacteria with thanks to its high CADR (Clean Air Delivery Rate) which measures the volume of clean air that is produced by an air purifier each minute. This is a great indication of how well bacteria, viruses and pollutants are removed from the air.

Alexander Provins, Director Europe, Blueair says: “Air purifiers have so many health benefits all-year round. It’s a common misconception that air purifiers are only for allergy and asthma sufferers. Anyone and everyone can and should enjoy the wonderful effects of cleaner air.”

Thanks to its unique 360-degree air intake, the 411 draws air into the filter from all sides, making it fully efficient wherever you place it. It has optional colourful pre-filters which catch larger particles and extend the life of the main filter; you can gently vacuum it or put it in your washing machine when it requires cleaning. Blueair’s compact air purifier is simple to operate, thanks to its one button speed control and easy to change filter.

What’s more, the Blue Pure 411 can refresh even your busiest rooms thanks to the combination filter with active carbon that’s effective against odours, gases and VOCs.

Blueair is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this  three-month editorial package, please email Katy Phillips by clicking here.

Main image credit: Blueair

Europe’s hotel construction pipeline continues to expand despite pandemic

730 565 Hamish Kilburn
Europe’s hotel construction pipeline continues to expand despite pandemic

Analysts at Lodging Econometrics (LE) report that at the close of the first quarter of 2020, Europe’s hotel construction pipeline expanded to near-record highs with 1,840 projects and 294,047 rooms, a 10 per cent increase in projects and a 15 per cent increase in rooms, year-over-year (YOY)…

Projects under construction in Europe stand at 878 projects, with an all-time high of 142,185 rooms; while projects scheduled to start construction in the next 12 months stand at 522 projects with a record-high 82,229 rooms. Projects in the early planning stage have 440 projects/69,633 rooms; up significantly at 27 per cent and 44 per cent respectively, YOY. During the first quarter of 2020, Europe opened 84 new hotels with 10,469 rooms.

The United Kingdom leads the construction pipeline with 342 projects with an all-time high of 52,231 rooms, and then Germany with 323 projects/58,935 rooms. France follows with 172 projects/21,070 rooms. Next is Portugal with 120 projects and a record 13,049 rooms and then Poland with 92 projects/14,529 rooms. 

The cities in Europe with the largest pipelines are London with 96 projects and an all-time high 18,055 rooms, Dusseldorf at 58 projects/11,290 rooms, and Paris at 39 projects/6,108 rooms. Next is Hamburg, with 34 projects/7,294 rooms and then Lisbon with 33 projects/3,116 rooms. 

Accor Hotels is the leading franchise company with the largest European pipeline by projects with 238 projects/32,763 rooms; followed closely by Marriott International, with 227 projects/37,764 rooms. Hilton Worldwide is next with an all-time high of 195 projects/30,289 rooms, then InterContinental Hotels Group (IHG) with 160 projects/25,632 rooms. These four global franchise companies account for 45 per cent of all projects in Europe’s pipeline.

The leading brands for these four companies are Accor Hotel’s Ibis brands with 108 projects/13,779 rooms and then Novotel and Mercure Hotels with 25 projects/3,890 rooms and 25 projects/3,177 rooms, respectively. Marriott International’s top brands are Moxy with 75 projects/13,386 rooms, Courtyard by Marriott has 28 projects/4,892 rooms, and Autograph Collection with 20 projects, and an all-time high 1,909 rooms.

Hilton Worldwide is led by Hampton by Hilton at an all-time high of 81 projects/ 12,736 rooms, Hilton Garden Inn with 42 projects/7,093 rooms, and DoubleTree by Hilton with an all-time high 28 projects having 3,354 rooms. IHG’s top brands include Holiday Inn Express with 70 projects/10,844 rooms, Holiday Inn with 31 projects/7,196 rooms, and Hotel Indigo with 16 projects/1,661 rooms.

Similar to other pipelines around the world, Europe’s hotel construction pipeline is experiencing temporary delays of approximately two to four months. Hotel construction across the region varies by country; some countries have resumed construction while others are still waiting for guidance on precautionary measures, guidelines and start dates. 

Countries across Europe are working on plans to safely reopen existing hotels, with plans varying by country. Some countries have partially reopened under strict guidelines, while others plan to roll out “phased reopenings” through June and into July. 

Main image credit: Pixabay

PRODUCT WATCH: Horo by Masiero

730 565 Hamish Kilburn
PRODUCT WATCH: Horo by Masiero

Taking cues from vintage style, Horo by Masiero is a striking new lighting collection featuring glass discs and brushed brass…

The sun is an ancient and enduring source of inspiration. Tapping into this, the design for Horo took the depiction of the sun as a circle and related icons like the Sun god Ra as its starting point.

The distinctive illuminated discs form a perfect archetypal representation of the sun and give this collection an eternal and graphic quality.

Horo is part of the Dimore Collection by MASIERO, and designed by Paris based interior designer Pierre Gonalons. In 2002 he graduated from École Camondo, which offers a five-year program in interior architecture and object design.

MASIERO is committed to the use of high-quality materials and material innovation. Horo is no exception.

The main diffuser is a sandwich construction, which comprises two circles of prismatic glass held together by an outer brass metal frame. An LED strip is placed inside the frame and shines between the two layers of glass. The diameter of each diffuser is 30cm.

To increase the luminance, Horo also features a second light source. This sits within a smaller brushed brass circle perpendicular to the main form.

The overall design is sleek and modern, whilst the finishes feel more vintage. Despite the very slim profile, Horo has a remarkably three-dimensional quality. Illuminated more brightly at the edges, the disc can appear almost globe-like.

The double light sources of Horo give it a unique look – a diffused glow as well as a soft directed light.

The glass itself is textured with a diamond pattern. This gives it a “vintage flavor that I like so much,” says Gonalons. The collection is available in various glass colors: transparent, green, powder pink, light blue and smoke. Gonalons explains that the colors reflect a desire for a contemporary palette, yet also take inspiration from the 1950s Italian style.

The design of Horo features two materials which are particularly important for MASIERO: glass and metal. The firm has extensive experience and a strong skill base in metalwork. Glass is an iconic material which is historically linked to nearby Venice and also widely sought after in lighting.

The material choices support and enrich the design concept.

Horo is a stunning collection that will sit equally well in domestic as well as commercial contexts. As a simple design that effectively balances the decorative with the functional, it could easily become a sought after classic fixture which interior designers readily incorporate into their projects.

The range includes wall, table, floor and hanging lights and it is available in several glass colors: transparent, pink, green, light blue and smoke.

Masiero is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this three-month editorial package, please email Katy Phillips by clicking here.

Main image credit: Masiero

Work begins on Hotel Brooklyn’s second property

730 565 Hamish Kilburn
Work begins on Hotel Brooklyn’s second property

It is being described as the city’s new ‘lair’, Bespoke Hotels’ Hotel Brooklyn is slated to open in Leicester in 2022…

Hotel Brooklyn is set to open its second design-led hotel in Leicester in summer 2022, following the successful launch of its Manchester sibling in February.

Located beside the expanded Welford Road Stadium – home to the famous Leicester Tigers rugby team – Hotel Brooklyn, Leicester will boast 191 stylish guestrooms and once again push the bar when it comes to beautifully-designed accessibility for all.

Image credit: Bespoke Hotels

“We are thrilled to have secured this fantastic site in Leicester – right next door to the Welford Road Stadium”, commented Robin Sheppard, Chairman of Bespoke Hotels. “Being built by our trusted partners Marshall CDP, with whom we have worked several times before, we believe Hotel Brooklyn is a perfect fit for Leicester. It will bring a destination hotel into the heart of the city, attract a new audience of customers and, we hope, become a business of which the city will be truly proud’.

Designed by Squid Inc – the team behind renowned Hotel Gotham and Hotel Brooklyn, Manchester – the new Hotel Brooklyn will offer high-class corporate hospitality, versatile dining showcasing both European and American influences, and atmospheric accommodation with a number of skyline suites. Inclusive design of the hotel will again be driven by the design statement capability of Motionspot, the UK’s leading accessible design company, unashamedly positioning itself as Leicester’s most accessible hotel. 

Hotel Brooklyn is a pioneer in accessible design – leading the way in Europe with its adaptability features: a trailblazer in accessible, sexy and modern design for all. Public spaces, including the reception, restaurant, bars, lifts and communal loos, will also entail an accessible design element.

“This hotel has a very unique neighbour in the form of ‘Leicester Tigers’ rugby club and will most definitely add a little extra inspiration into the design,” explained Oliver Redfern, Lead Interior Designer of Squid Inc. “Architectural features, such as the striking central atrium stretching over five floors, will allow us to take the Brooklyn ethos – a palpable anti-slick, anti-corporate sensibility – to a whole new level. This hotel will be irresistibly familiar: a place where outsiders become insiders, and a destination of true hospitality.”

Main image credit: Bespoke Hotels

VIRTUAL ROUNDTABLE: The role of UV lighting in hotel design

730 565 Hamish Kilburn
VIRTUAL ROUNDTABLE: The role of UV lighting in hotel design

With the industry’s attention focused towards possible solutions following the Covid-19 crisis, Hotel Designs, in collaboration with the human-centric lighting brand humanlumen, has brought together a handful of industry experts to discuss UV lighting’s role in the post-pandemic world. Editor Hamish Kilburn moderates… 

On the panel: 

Recently, humanlumen switched on our attention at Hotel Designs to focus our editorial gaze, during pandemic paralysis, towards the possibilities and boundaries of architectural lighting design. The launch of the brand’s Clean Air Series inspired us to investigate how figureheads of the industry are reacting to UV Lighting.

No question was off limit as the panel of interior designers and lighting designers put humanlumen through its paces to understand Clean Air Series and UV lighting’s role on tomorrow’s hygienic hospitality scene.

Hamish Kilburn: Andrew, so that everyone can familiarise themselves with the product, can you briefly explain humanlumen’s Clean Air Series?

Andrew Boydell: We have invested a lot of time and money in the new technology around UV lighting and its effects on bacteria in the workplace as well as in hospitality spaces. We believe that UV lighting in these areas is going to be fairly revolutionary going forward. From a hospitality point of view, we have developed Clean Air Series, a purification product that integrates a high level of UV light within the system. This allows up to 300 cubic-metres of air to be cleaned in four hours – think of it as a remote AC unit with multiple UV light chambers. 

Image caption: humanlumen’s Clean Air Series UV Lighting unit.

Mark Elliott: There has been a lot of research around the risks attached to UV lighting around eyesight and artwork, for example. One of the benefits of using LED lights over halogen lights is that the reduced UV prevents issues such as degrading artwork/finishes. How have you considered this in Clean Air Series?

AB: The product that has gone to market is a completely sealed unit. There are nine high intensity UV bulbs within a purification unit, which is basically an aluminium housing. Within that unit is a motor, a cooling unit and a number of chambers. The air is passed through the chambers, and no UV light is exposed to the outside world. It has been a major consideration of ours, as well as an engineering challenge.

“As manufacturers and designers, we all need to start looking and thinking outside the box now!” – Chris Peach, Principal lighting designer, FUTURE Designs.

HK: Mark, has UV Lighting been on your radar as a lighting designer?

ME: From our perspective, to be honest, it’s not something we have been investigating, which is probably because our focus as lighting designers is the beautification of spaces while enabling task-based solutions. However, it’s interesting to hear how lighting is being used to create more sterile environments.

Chris Peach: As manufacturers and designers, we all need to start looking and thinking outside the box now! With the ability to integrate the UV element within a luminaire could have major benefits. UV lighting is used throughout hospital environments, and there has to be a way of integrating that in hospitality.

Ariane Steinbeck: I want to continuously led by science. What I know that has been proven is that the detectability of the Covid-19 virus continues for between two and three hours in an aerosol format. What scientists don’t know yet is how much virus is needed to make you sick. From a practical standpoint, when this lighting is switched on out of hours, and the virus has settled on different surfaces, what does your product do to eliminate it?

AB: There are three elements: airborne particulates, surface particulates and particulates carried on the person. Airborne has been tackled with a continuous clean air unit that will run 24/7. Essentially, you will leave that in a hospitality space throughout the day. The surface element is different. The exposed UV light’s role, to be used when someone is not in that space, will help to clean the surfaces, and be used in harmony with the cleaners. We have been investigating an exposed UV product that will clean 25 square-metres of space. Of course, there would have to be a very clear protocol of use and we are looking at this to be linked to a control system so it can be activated when the room is not active. For a typical hotel room, we are estimating that this process will take an hour.

HK: What are the pitfalls in today’s lighting design?

Dylan Wills: Across the board, everyone would value in being more educated in lighting technology. Too often is lighting an afterthought behind the interior design itself.

David Mason: A lot of clients realise the benefits of lighting designers. There was a time where we would only ever use lighting designers in high-end projects. Now, though, we collaborate with lighting designers for most of the hotel projects we work on. 

“As soon as we all started to save energy and technology advanced, lighting design became a lot more convoluted.” – Mark Elliott, Global Creative Director, FPOV.

Neil Andrew: I worked on a project once where they didn’t have a lighting consultant. When I had won the argument to bring one on, they ended up removing 30 downlights, which of course saved a lot of money.

ME: As soon as we all started to save energy and technology advanced, lighting design became a lot more convoluted. As a lighting designer, keeping up-to-date with tech every day is very complex. That has driven designers to realise that they are not experts in that area.

HK: From a wellbeing perspective, how is lighting climbing up on the agenda in hospitality?

ME: I think we can take inspiration from the aviation industry. There have been studies carried out on how significant lighting can be to help combat jet lag. I’m not sure about UV lighting, but there are certainly applications at the moment on lighting being used to enhance wellbeing in hospitality.

NA: In terms of mental health, it’s hard to know the impact of Covid-19 right now, but I guess in general the big one for me is circadian lighting systems. The research and technology that will allow a room to intuitively adjust the lighting to where you have travelled from in order to aid jet lag is pretty impressive.

DM: We were working with a hotel chain to design windowless rooms. The idea behind the lighting was so that you could adjust the lighting to time zones. This also worked around your circadian rhythms.

HK: In these sessions, we always try to look at these new innovations and conversations with clients and budgets in mind. How realistic is it therefore for you to pitch these new innovations to clients?

DW: In this exact moment in time, the focus should be on the businesses that are having to reopen hotels in cost-effective ways. Adding new products that will incorporate expenditure will be a big focus. We have been speaking to hotel operators who are just moving furniture around and changing the lobby configuration because they simply don’t have the money to spend.

I can see UV lighting being integrated into new-builds. However, with existing buildings it will be difficult considering the financial positions of developers and operators at the moment.

ME: I believe there are two sides in this. On the one side there are people who are trying to cut corners, while others are trying to find a unique sales point. Also, the more a piece of technology gets adopted, the cheaper it becomes. When that happens, the benefits are then able to be used on a wider scale.

AS: I believe, at this point, everyone is trying to ‘out market’ their cleaning protocols. Personally, I doubt it will inspire the consumer to choose one brand over the other. There was a big opportunity missed to do something unanimous across all brands in all countries to inspire confidence. In terms of mandating improvements, it will be difficult because hotel owners are struggling to pay the bills.

HK: So Andrew, is the product better suited to new-builds?

AB: Not necessarily. We were approached yesterday by a boutique chain with nine hotels. They were looking for us to fit the UVC light units and the centric lighting units in their existing properties

DW: There is another sector of the market that we should highlight, and that’s distressed assets. As we move forward, we will see hotel operators purchasing those struggling hotels and rebranding them to become new products. There, I see the UV lighting working and it will instil security in consumers’ minds.

AS: What is the cost of one of these units?

AB: It’s variable depending on the volume. But if you work between the parameter of 1,200 – £1,700 per unit.

NA: How visible are these units?

AB: The best way I can describe them is similar to a free-standing water dispenser. The unit is mobile and will sit in the corner of the room.

Matthew Voaden: I’m assuming that you are looking at exposed UV units in guestrooms and the purification in public areas?

AB: The exposed UV will benefit the turnaround, for sure. The air purification unit will give a constant purification of the space.

HK: Where do you see lighting in hospitality going in the future?

“One of the main elements I see being a focus of innovation in the future is control systems.” – David Mason, Director and Head of Hospitality, Scott Brownrigg.

DM: The margin between too much lighting and not enough lighting is very small. Most guests, I would argue, checking into a hotel want something simple.

ME: David’s right, people want flexibility. They want it to be intuitive. It’s a challenge to operate all those functions and not have a complex control system as a result. It’s a mass quandary. One of the main elements I see being a focus of innovation in the future is control systems. I can see these systems using tech that is embedded in each fitting so that the consumer can control each light from one device.

DM: That, as well as Covid-19, will steer more things being operational from your own device.

ME: Lighting is a constant; it is everywhere. Development of lighting will be multiple carriers of different things, which as a result simplifies ceilings. A good lighting solution is tailored to work around any space.

DW: Lighting design and interior design have to work hand-in-hand. Decisions have to be communicated throughout the entire process.

DM: This is going to be a catalyst in a lot of industries. I believe there is going to be a lot more collaboration between other industries to discover purposeful solutions.

HK: What lighting solutions are you integrating into the projects you are working on at the moment?

ME: David and I are working on a hotel where in the public spaces there will be a focus on day to night technology.

DM: We wanted to create a particular experience in the corridors, which are currently long and bland. Together with FPOV, we developed and prototyped a light fitting and it will now be manufactured and installed. Together we were able to get the client on board with this and it really does come down to designers working closely together to produce the best solution.

AS: Making things simpler is our objective. If we can add benefits that are automatic then that’s even better and I am looking forward to seeing what added value UV lighting can bring to the table.

HK: So there you have it, collaborations between designers, manufacturers and specialists are allowing the industry to navigate a clean path forward in hospitality for a post-pandemic world. In case there was any doubt, UV lighting is now on the agenda as today’s hotel designers are looking for new ways to functionally adapt spaces so that they meet the hygienic demands of tomorrow’s travellers with the ever-evolving demands for characterful, design-led spaces. If you would like to have your say on UV Lighting and other lighting solutions, please tweet us @hoteldesigns.

humanlumen, which is based in Clerkenwell, is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this  three-month editorial package, please email Katy Phillips by clicking here.

CASE STUDY: Sourcing outdoor furniture for the award-nominated Weston

730 565 Hamish Kilburn
CASE STUDY: Sourcing outdoor furniture for the award-nominated Weston

Opened to the public in March 2019, The Weston is a new visitor centre for the Eastern entrance of Yorkshire Sculpture Park. When designing it, Feilden Fowles specified timeless outdoor furniture from Nest Contracts

Nest Contracts, which is commonly referred to as a design destination, worked closely with the project architects to source and provide the outdoor furniture for this Stirling Prize nominated project.

Nestled within the site of an old quarry, the Weston is a new £3.6million visitor centre for the YSP. Designed by award-winning architects, Feilden Fowles, the project consists of a restaurant, gallery space, public foyer and shop. This beautiful, light-filled building aims to upgrade the visitor experience at the YSP and increase the capacity at this ever-popular open-air gallery site. In recognition of its exceptional design, this building was shortlisted for the 2019 RIBA Stirling Prize.

Celebrating more than 40 years of art without walls, Yorkshire Sculpture Park is the leading international centre for modern and contemporary sculpture. An independent charitable trust, YSP is situated in the 500 acre, 18th-century Bretton Hall estate near Wakefield in West Yorkshire. Open all year round, the YSP hosts a variety of permanent and temporary exhibitions from international artists that have included Ai Weiwei, Barbara Hepworth and Joan Miró.

“Nest Contracts was delighted to source furniture for the Weston. The simple graphic lines and excellent durability of the Hay Palissade collection made it the perfect choice to complement this exceptional piece of public architecture.” – Nest Contracts

Sourcing the perfect furniture

Designed to have a minimum impact on the site, the use of pigmented concrete on the exterior of the Weston mirrors the native sandstone in the area, making the building very much a part of its surroundings. Natural materials have been used within the interiors, creating a minimal, Scandinavian inspired restaurant.

Emerging from the slope of the historical landscape, The Weston’s low profile protects it from the nearby M1 motorway and provides a sheltered, sunken terrace from which to take in the stunning views over the park. Nest Contracts provided a selection of outdoor furniture from the Hay Palissade collection to furnish this terrace.

Enabling extra outdoor seating for the Weston’s restaurant and also acting as an informal resting place for dog walkers and visitors to the open-air gallery – the terrace needed to be furnished with outdoor pieces which matched the minimal, Scandinavian aesthetic of the project and that were also extremely durable. With a lightweight, powder-coated steel construction, the Hay Palissade collection is strong without being bulky and elegant without being fragile – the perfect choice for this project.

Nest.co.uk is not just an eCommerce site anymore – now delivering a very competitive contract offering thanks to long-standing relationships with established suppliers. Account managers will look after you from start to finish, with a care service that is second to none. From the initial specification to pricing and budgeting, all the way through to delivery and after service consultations, the team are on hand to ensure that everything runs smoothly.

Nest Contracts is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this  three-month editorial package, please email Katy Phillips by clicking here.

Main image caption: YSP’s Weston visitor centre | image credit: Max Hawley

Bringing the outside in & reconnecting with nature

730 565 Hamish Kilburn
Bringing the outside in & reconnecting with nature

To continue our time putting outdoor style under the editorial spotlight, Hotel Designs reconnects with Harris Jackson Design to learn more about how to bring nature in…

In our last article we approached the issues facing hoteliers in the current climate of the COVID-10 pandemic.

To follow on we would like to consider the transference of bringing what is natural from our outside spaces into the interior. Whether it be inspiration from the gardens of our estates to the geological uniqueness of the surrounding landscape.

Re-connecting

So how are we going to re-connect with both our guests and nature and bring it into the practical and working hospitality environment? I’ve discussed locality and community in previous articles on LinkedIn and surely it is here is where one can bring what is unique from our locale into re-connecting with our hotel community.

What materials are environmentally friendly and can be sourced locally? We have an abundance of natural and raw materials on our doorstep which are native to our country. Whether these be stones, woods, shells or natural fabrics such a wool keeping touch with what exists around us is the key.

Natural elements

Near to where the Harris Jackson studio is based are the Purbeck hills situated to the East  of the Jurassic Coast World Heritage site. The Purbecks are renowned for their raw variety of stones. Purbeck limestone is a hard-wearing, durable stone which reputedly improves with age, making it suitable for the wide variety of internal and external uses. Think if you will of how this material can be utilised outside surrounding a natural pool setting and followed through into a spa or all day dining/cafe area as a flooring finish. All Limestones have varying degrees of texture so can be used for may different configurations and end uses.

If we are using our surrounding as inspiration why not also look at the trees native to your area & property? In the New Forest where we are based the area is synonymous with ancient trees having stood the test of time throughout the ages. You can find a variety of different tree species in the Forest including mighty redwoods, oaks, beech and yew amongst others. Let’s utilise sustainable versions of these woods as interesting panelling for feature walls, sustainable hardwoods for flooring or feature table tops in the dining rooms.

Let’s make the most of our surroundings and appreciate and celebrate the beauty in them. A perfect example of this is the Chewton Glen in South Hampshire where they have offered the hotel guest a unique stay in their tree houses.

Image credit: Harris Jackson Design

Within the New Forest and many other natural parks around the UK can offer a multitude of inspiration to transfer inside. Colour inspiration can often be depicted by the flora that can be found there; carpets of bluebells in May and the bright yellow of celandines in the late winter months offering a burst of colour on the woodland floor. All these natural hues are a designers colour palette that can resonate within bedrooms, spas & public areas.

Picking out the colour from our surroundings can tie us to the outside in a most subtle of ways. We can look at incorporating the blues of sea, greens & browns of the forest, limestone neutrals & colours of the local flora & fauna at different times of the year.

Let the sun in

But the natural environment is not always made up of tangible objects accessible to the human touch. In these challenging times where we have been quarantined within our homes one of the things that we find ourselves craving is space and light. But rather than relying on electrical enlightenment why not search out natural sources? We can now rely on solar energy to power properties which is excellent and undoubtedly concretes a future of sustainable energy. However why not look to using light wells and harness the power of actual sunlight?

Image credit: Harris Jackson Design

Not merely a spectator 

One of the most beautiful contemporary attempts at a country hotel residence stunningly immersing itself in its locale is Lympton Manor. This hotel is set in 28 acres of beautiful East Devon Countryside nestled between the Exe estuary and the untamed wilderness of Woodbury Common.