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Skip to main contentSkip to toolbar About WordPress Hotel Designs 341 WordPress Update, 29 Plugin Updates, 4 Theme Updates 1,7011,701 Comments in moderation New View Post Smart Slider Insights Copy to a new draft Hi, Hamish Kilburnmm Log Out Screen Options Help WordPress 5.8.1 is available! Please update now. Please activate your copy of the Ultimate Addons for WPBakery Page Builder to get update notifications, access to support features & other resources! Edit Post Add New Note: Envato official solution is recommended for theme updates using the new Envato Market API. You can now update the theme using the Envato Market plugin. For more information read the related article in our documentation. Dismiss this notice Dismiss this notice. This theme recommends the following plugins: Envato Market, MailChimp for WordPress, Osmosis Demo Importer and WooCommerce. The following plugins need to be updated to their latest version to ensure maximum compatibility with this theme: Go Pricing - WordPress Responsive Pricing Tables and Revolution Slider. Begin installing plugins | Begin updating plugins | Dismiss this notice Dismiss this notice. Post draft updated. Preview post Dismiss this notice. Add title Banyan Tree Group expands portfolio in Mexico Permalink: https://hoteldesigns.net/uncategorised/banyan-tree-grou…tfolio-in-mexico/ ‎Edit Classic ModeFrontend EditorGutenberg Editor Add Media Add Slider Add Form VisualText Paragraph Word count: 673 Draft saved at 8:47:04 am. Last edited by Hamish Kilburn on 22 October 2021 at 8:44 am Move upMove downToggle panel: Format Post Formats Standard Gallery Link Quote Video Audio Move upMove downToggle panel: Publish Preview (opens in a new tab) Status: Draft Edit Edit status Visibility: Public Edit Edit visibility Publish immediately Edit Edit date and time SEO: Unavailable Copy to a new draft Move to Bin Move upMove downToggle panel: Categories All Categories Most Used Uncategorised Editor’s Picks In Conversation With Industry News 1st mpu news 2nd mpu news 3rd mpu news 4th mpu news bottom section news Job Section Designers Featured Job Industry Latest Hotel Review 1st mpu review 2nd mpu review 3rd mpu review 4th mpu review bottom section review Main Slider Member News 1st mpu members 2nd mpu members 3rd mpu members 4th mpu members bottom section members Member News Homepage Most Read Spotlight On Supplier News + Add New Category Move upMove downToggle panel: Tags Add New Tag Separate tags with commas Remove term: 2021 2021 Choose from the most used tags Move upMove downToggle panel: Featured image Set featured image Move upMove downToggle panel: The Grid - Item Format Move upMove downToggle panel: Insert script to Move upMove downToggle panel: Custom HotSpot Hotel Development Move upMove downToggle panel: Configure Rich Snippet Move upMove downToggle panel: WPBakery Page Builder WPBakery Page Builder PreviewUpdate Custom [page_title] Mexico’s wine country in Baja California will become home to Banyan Tree Group’s fourth property in the region. Banyan Tree Valle de Guadalupe Resort, Spa and Winery is slated to open in 2023. In the meantime, we here's a sneak peek of what to expect inside... [thumbnailnew] Banyan Tree Group is on a mission to expand its presence across Mexico, with the announcement that it will manage Banyan Tree Valle de Guadalupe Resort, Spa and Winery, which is set to open on the hills of Mexico’s emerging food and wine region in Baja California during the 2023 harvest season. The 30-villa ultra-luxury resort will mark Banyan Tree Group’s fourth hotel in Mexico. Valle de Guadalupe is a rapidly growing tourism market that continues to gain international recognition as one of Mexico’s emerging destinations and one that Banyan Tree Group is focused on for development. Banyan Tree Valle de Guadalupe will join the global brand’s iconic collection of properties across Mexico, from Riviera Maya and Merida to Acapulco. The group's legacy as pioneer of the all-pool villa concept and sustainable, wellbeing-focused travel will be infused into the Banyan Tree Valle de Guadalupe experience. The luxurious enclave, designed by the office of renowned Mexican designer Michel Rojkind and developed by Grupo UBK, will boast striking villas that draw in the valley’s natural surroundings with a sense of place that connect guests with the beauty around them. The property sits on nearly 39 acres of land and will be home to Banyan Tree Group’s first proprietary winery featuring vineyards, rooms for fermentation, barreling and aging, a winemaking laboratory, tasting room and underground cellar. The winery will work with talented locals for the production of wines to ensure the preservation of the environment, a key component of the business model for the community. "Banyan Tree has been exploring the area around Valle de Guadalupe for quite some time,” says Peter Hechler, SAVP, Head of Regional Operations for the Middle East, Europe, Africa and Americas. Primed to be Mexico’s next most sought-after destination, Valle de Guadalupe is a quick hour-long drive for travelers in Southern California looking to spend a few days in a culinary mecca amongst Mexico’s best vineyards that are well worth the journey. “We strongly believe this is a thriving destination with a bright future and one that is already making a name for itself amongst the top locations to explore in Mexico. We are very excited and honoured to be the first luxury brand to set foot in the area." Valle de Guadalupe’s agricultural spirit, New World wines and impressive culinary scene will be woven into the fabric of the guest experience at Banyan Tree Valle de Guadalupe. Nestled amidst olive oil groves and grapevines, five food and beverage venues are found in the centre of the resort, including a terrace restaurant, fine-dining eatery, cocktail bar, coffee house and a hilltop rooftop concept featuring breathtaking views of the valley. On the food and spa menus, guests will be able to spot seven varieties of medicinal plants indigenous to the area such as hoja santa and white sage, that were grown steps away at its onsite bio-endemic garden sanctuary, as well as freshly pressed olive oil that is harvested and produced at the winery itself. Known as a sanctuary for the senses, Banyan Tree’s signature award-winning Spa comprises four treatment rooms, sauna, a state-of-the-art fitness centre and both indoor and outdoor swimming pools. Banyan Tree Valle de Guadalupe is the latest addition to Banyan Tree Group’s ambitious growth plans of strategic expansion in Mexico. With a proven track record success in operating Banyan Tree Mayakoba, Banyan Tree Cabo Marqués in Acapulco and Hacienda Xcanatun by Angsana in Merida, the Group’s vast knowledge of the market and keen ability to choose desirable destinations for growth will propel the resort and the region of Valle de Guadalupe to new heights. In addition, new signing announcements in the pipeline by Banyan Tree Group are set to be unveiled soon. Main image credit: Banyan Tree Group Move upMove downToggle panel: Excerpt Excerpt Excerpts are optional hand-crafted summaries of your content that can be used in your theme. Learn more about manual excerpts. Move upMove downToggle panel: Yoast SEO SEO Social Focus keyphraseHelp on choosing the perfect focus keyphrase(Opens in a new browser tab) Snippet Preview URL preview:https://hoteldesigns.net › uncategorised › banyan-tree-group-expands-portfolio-in-mexicoSEO title preview: Banyan Tree Group expands portfolio in Mexico • Hotel Designs Meta description preview: Oct 22, 2021 ⋅ [vc_row padding_top="35"][vc_column width="1/3"][vc_column_text el_class="newposttitle"][page_title][/vc_column_text][vc_column_text]Mexico’s wine country Mobile previewDesktop previewEdit snippet SEO analysis Enter a focus keyphrase to calculate the SEO score Add related keyphrase Cornerstone content Advanced Move upMove downToggle panel: Send Trackbacks Send trackbacks to: Separate multiple URLs with spaces Trackbacks are a way to notify legacy blog systems that you’ve linked to them. If you link other WordPress sites, they’ll be notified automatically using pingbacks, no other action necessary. 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Dismiss Close dialogue Featured image Upload filesMedia LibraryExpand Details Filter mediaFilter by typeFilter by dateSearch Media list ATTACHMENT DETAILS BTG_VDG-Room-Rendering-3.jpeg 22 October 2021113 KB 730 by 565 pixels Edit Image Delete permanently Alt Text Room Rendering of guestroom inside Banyan Tree htoel in Mexico wine region Describe the purpose of the image (opens in a new tab). Leave empty if the image is purely decorative.Title Room Rendering of guestroom inside Banyan Tree htoel in Mexico wine region Caption Description File URL: https://hoteldesigns.net/wp-content/uploads/2021/10/BTG_VDG-Room-Rendering-3.jpeg Copy URL to clipboard Smush 13 images reduced by 25.3 KB (4.8%) Image size: 112.8 KB Restore | View Stats Required fields are marked * Category All CategoriesMost Used + Add New Category Tag All TagsMost Used + Add New Tag Selected media actions Set featured image

Banyan Tree Group expands portfolio in Mexico

730 565 Hamish Kilburn
Banyan Tree Group expands portfolio in Mexico

Mexico’s wine country in Baja California will become home to Banyan Tree Group’s fourth property in the region. Banyan Tree Valle de Guadalupe Resort, Spa and Winery is slated to open in 2023. In the meantime, we here’s a sneak peek of what to expect inside…

Skip to main contentSkip to toolbar About WordPress Hotel Designs 341 WordPress Update, 29 Plugin Updates, 4 Theme Updates 1,7011,701 Comments in moderation New View Post Smart Slider Insights Copy to a new draft Hi, Hamish Kilburnmm Log Out Screen Options Help WordPress 5.8.1 is available! Please update now. Please activate your copy of the Ultimate Addons for WPBakery Page Builder to get update notifications, access to support features & other resources! Edit Post Add New Note: Envato official solution is recommended for theme updates using the new Envato Market API. You can now update the theme using the Envato Market plugin. For more information read the related article in our documentation. Dismiss this notice Dismiss this notice. This theme recommends the following plugins: Envato Market, MailChimp for WordPress, Osmosis Demo Importer and WooCommerce. The following plugins need to be updated to their latest version to ensure maximum compatibility with this theme: Go Pricing - WordPress Responsive Pricing Tables and Revolution Slider. Begin installing plugins | Begin updating plugins | Dismiss this notice Dismiss this notice. Post draft updated. Preview post Dismiss this notice. Add title Banyan Tree Group expands portfolio in Mexico Permalink: https://hoteldesigns.net/uncategorised/banyan-tree-grou…tfolio-in-mexico/ ‎Edit Classic ModeFrontend EditorGutenberg Editor Add Media Add Slider Add Form VisualText Paragraph Word count: 673 Draft saved at 8:47:04 am. Last edited by Hamish Kilburn on 22 October 2021 at 8:44 am Move upMove downToggle panel: Format Post Formats Standard Gallery Link Quote Video Audio Move upMove downToggle panel: Publish Preview (opens in a new tab) Status: Draft Edit Edit status Visibility: Public Edit Edit visibility Publish immediately Edit Edit date and time SEO: Unavailable Copy to a new draft Move to Bin Move upMove downToggle panel: Categories All Categories Most Used Uncategorised Editor’s Picks In Conversation With Industry News 1st mpu news 2nd mpu news 3rd mpu news 4th mpu news bottom section news Job Section Designers Featured Job Industry Latest Hotel Review 1st mpu review 2nd mpu review 3rd mpu review 4th mpu review bottom section review Main Slider Member News 1st mpu members 2nd mpu members 3rd mpu members 4th mpu members bottom section members Member News Homepage Most Read Spotlight On Supplier News + Add New Category Move upMove downToggle panel: Tags Add New Tag Separate tags with commas Remove term: 2021 2021 Choose from the most used tags Move upMove downToggle panel: Featured image Set featured image Move upMove downToggle panel: The Grid - Item Format Move upMove downToggle panel: Insert script to Move upMove downToggle panel: Custom HotSpot Hotel Development Move upMove downToggle panel: Configure Rich Snippet Move upMove downToggle panel: WPBakery Page Builder WPBakery Page Builder PreviewUpdate Custom [page_title] Mexico’s wine country in Baja California will become home to Banyan Tree Group’s fourth property in the region. Banyan Tree Valle de Guadalupe Resort, Spa and Winery is slated to open in 2023. In the meantime, we here's a sneak peek of what to expect inside... [thumbnailnew] Banyan Tree Group is on a mission to expand its presence across Mexico, with the announcement that it will manage Banyan Tree Valle de Guadalupe Resort, Spa and Winery, which is set to open on the hills of Mexico’s emerging food and wine region in Baja California during the 2023 harvest season. The 30-villa ultra-luxury resort will mark Banyan Tree Group’s fourth hotel in Mexico. Valle de Guadalupe is a rapidly growing tourism market that continues to gain international recognition as one of Mexico’s emerging destinations and one that Banyan Tree Group is focused on for development. Banyan Tree Valle de Guadalupe will join the global brand’s iconic collection of properties across Mexico, from Riviera Maya and Merida to Acapulco. The group's legacy as pioneer of the all-pool villa concept and sustainable, wellbeing-focused travel will be infused into the Banyan Tree Valle de Guadalupe experience. The luxurious enclave, designed by the office of renowned Mexican designer Michel Rojkind and developed by Grupo UBK, will boast striking villas that draw in the valley’s natural surroundings with a sense of place that connect guests with the beauty around them. The property sits on nearly 39 acres of land and will be home to Banyan Tree Group’s first proprietary winery featuring vineyards, rooms for fermentation, barreling and aging, a winemaking laboratory, tasting room and underground cellar. The winery will work with talented locals for the production of wines to ensure the preservation of the environment, a key component of the business model for the community. "Banyan Tree has been exploring the area around Valle de Guadalupe for quite some time,” says Peter Hechler, SAVP, Head of Regional Operations for the Middle East, Europe, Africa and Americas. Primed to be Mexico’s next most sought-after destination, Valle de Guadalupe is a quick hour-long drive for travelers in Southern California looking to spend a few days in a culinary mecca amongst Mexico’s best vineyards that are well worth the journey. “We strongly believe this is a thriving destination with a bright future and one that is already making a name for itself amongst the top locations to explore in Mexico. We are very excited and honoured to be the first luxury brand to set foot in the area." Valle de Guadalupe’s agricultural spirit, New World wines and impressive culinary scene will be woven into the fabric of the guest experience at Banyan Tree Valle de Guadalupe. Nestled amidst olive oil groves and grapevines, five food and beverage venues are found in the centre of the resort, including a terrace restaurant, fine-dining eatery, cocktail bar, coffee house and a hilltop rooftop concept featuring breathtaking views of the valley. On the food and spa menus, guests will be able to spot seven varieties of medicinal plants indigenous to the area such as hoja santa and white sage, that were grown steps away at its onsite bio-endemic garden sanctuary, as well as freshly pressed olive oil that is harvested and produced at the winery itself. Known as a sanctuary for the senses, Banyan Tree’s signature award-winning Spa comprises four treatment rooms, sauna, a state-of-the-art fitness centre and both indoor and outdoor swimming pools. Banyan Tree Valle de Guadalupe is the latest addition to Banyan Tree Group’s ambitious growth plans of strategic expansion in Mexico. With a proven track record success in operating Banyan Tree Mayakoba, Banyan Tree Cabo Marqués in Acapulco and Hacienda Xcanatun by Angsana in Merida, the Group’s vast knowledge of the market and keen ability to choose desirable destinations for growth will propel the resort and the region of Valle de Guadalupe to new heights. In addition, new signing announcements in the pipeline by Banyan Tree Group are set to be unveiled soon. Main image credit: Banyan Tree Group Move upMove downToggle panel: Excerpt Excerpt Excerpts are optional hand-crafted summaries of your content that can be used in your theme. Learn more about manual excerpts. Move upMove downToggle panel: Yoast SEO SEO Social Focus keyphraseHelp on choosing the perfect focus keyphrase(Opens in a new browser tab) Snippet Preview URL preview:https://hoteldesigns.net › uncategorised › banyan-tree-group-expands-portfolio-in-mexicoSEO title preview: Banyan Tree Group expands portfolio in Mexico • Hotel Designs Meta description preview: Oct 22, 2021 ⋅ [vc_row padding_top="35"][vc_column width="1/3"][vc_column_text el_class="newposttitle"][page_title][/vc_column_text][vc_column_text]Mexico’s wine country Mobile previewDesktop previewEdit snippet SEO analysis Enter a focus keyphrase to calculate the SEO score Add related keyphrase Cornerstone content Advanced Move upMove downToggle panel: Send Trackbacks Send trackbacks to: Separate multiple URLs with spaces Trackbacks are a way to notify legacy blog systems that you’ve linked to them. If you link other WordPress sites, they’ll be notified automatically using pingbacks, no other action necessary. Move upMove downToggle panel: Discussion Allow comments Allow trackbacks and pingbacks on this page Move upMove downToggle panel: Slug Slug Move upMove downToggle panel: Author Author Move upMove downToggle panel: Revolution Slider Options Choose Slide Template Move upMove downToggle panel: Plugin Organizer Move upMove downToggle panel: AddThis Tools Select "Off" to stop the AddThis plugin from automatically adding tools above and below this entry. On Off Move upMove downToggle panel: Post Options Layout Select post content and sidebar alignment. Default is configured in Theme Options - Blog Options - Single Post. Sidebar Select post sidebar. Default is configured in Theme Options - Blog Options - Single Post. Sidebar Background Color Select sidebar background color. Default is configured in Appearance - Customize - Colors - Sidebars - Post Sidebar Background Color Fixed Sidebar If selected, sidebar will be fixed. Disable Title If selected, title will be hidden. 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Dismiss Close dialogue Featured image Upload filesMedia LibraryExpand Details Filter mediaFilter by typeFilter by dateSearch Media list ATTACHMENT DETAILS BTG_VDG-Room-Rendering-3.jpeg 22 October 2021113 KB 730 by 565 pixels Edit Image Delete permanently Alt Text Room Rendering of guestroom inside Banyan Tree htoel in Mexico wine region Describe the purpose of the image (opens in a new tab). Leave empty if the image is purely decorative.Title Room Rendering of guestroom inside Banyan Tree htoel in Mexico wine region Caption Description File URL: https://hoteldesigns.net/wp-content/uploads/2021/10/BTG_VDG-Room-Rendering-3.jpeg Copy URL to clipboard Smush 13 images reduced by 25.3 KB (4.8%) Image size: 112.8 KB Restore | View Stats Required fields are marked * Category All CategoriesMost Used + Add New Category Tag All TagsMost Used + Add New Tag Selected media actions Set featured image

Banyan Tree Group is on a mission to expand its presence across Mexico, with the announcement that it will manage Banyan Tree Valle de Guadalupe Resort, Spa and Winery, which is set to open on the hills of Mexico’s emerging food and wine region in Baja California during the 2023 harvest season.

The 30-villa ultra-luxury resort will mark Banyan Tree Group’s fourth hotel in Mexico. Valle de Guadalupe is a rapidly growing tourism market that continues to gain international recognition as one of Mexico’s emerging destinations and one that Banyan Tree Group is focused on for development. Banyan Tree Valle de Guadalupe will join the global brand’s iconic collection of properties across Mexico, from Riviera Maya and Merida to Acapulco.  

The group’s legacy as pioneer of the all-pool villa concept and sustainable, wellbeing-focused travel will be infused into the Banyan Tree Valle de Guadalupe experience. The luxurious enclave, designed by the office of renowned Mexican designer Michel Rojkind and developed by Grupo UBK, will boast striking villas that draw in the valley’s natural surroundings with a sense of place that connect guests with the beauty around them. The property sits on nearly 39 acres of land and will be home to Banyan Tree Group’s first proprietary winery featuring vineyards, rooms for fermentation, barreling and ageing, a winemaking laboratory, tasting room and underground cellar. The winery will work with talented locals for the production of wines to ensure the preservation of the environment, a key component of the business model for the community.  

“We strongly believe this is a thriving destination with a bright future and one that is already making a name for itself amongst the top locations to explore in Mexico.” – Peter Hechler, SAVP, Head of Regional Operations for the Middle East, Europe, Africa and Americas.

“Banyan Tree has been exploring the area around Valle de Guadalupe for quite some time,” says Peter Hechler, SAVP, Head of Regional Operations for the Middle East, Europe, Africa and Americas. “Primed to be Mexico’s next most sought-after destination, Valle de Guadalupe is a quick hour-long drive for travellers in Southern California looking to spend a few days in a culinary mecca amongst Mexico’s best vineyards that are well worth the journey. We strongly believe this is a thriving destination with a bright future and one that is already making a name for itself amongst the top locations to explore in Mexico. We are very excited and honoured to be the first luxury brand to set foot in the area.”   

Valle de Guadalupe’s agricultural spirit, New World wines and impressive culinary scene will be woven into the fabric of the guest experience at Banyan Tree Valle de Guadalupe. Nestled amidst olive oil groves and grapevines, five food and beverage venues are found in the centre of the resort, including a terrace restaurant, fine-dining eatery, cocktail bar, coffee house and a hilltop rooftop concept featuring breathtaking views of the valley. On the food and spa menus, guests will be able to spot seven varieties of medicinal plants indigenous to the area such as hoja santa and white sage, that were grown steps away at its onsite bio-endemic garden sanctuary, as well as freshly pressed olive oil that is harvested and produced at the winery itself. Known as a sanctuary for the senses, Banyan Tree’s signature award-winning Spa comprises four treatment rooms, sauna, a state-of-the-art fitness centre and both indoor and outdoor swimming pools.   

Banyan Tree Valle de Guadalupe is the latest addition to Banyan Tree Group’s ambitious growth plans of strategic expansion in Mexico. With a proven track record success in operating Banyan Tree Mayakoba, Banyan Tree Cabo Marqués in Acapulco and Hacienda Xcanatun by Angsana in Merida, the group’s vast knowledge of the market and keen ability to choose desirable destinations for growth will propel the resort and the region of Valle de Guadalupe to new heights. In addition, new signing announcements in the pipeline by Banyan Tree Group are set to be unveiled soon.   

> Since you’re here, why not read about Banyan Tree Group’s first luxury resort to open in Krabi in 11 years?

Main image credit: Banyan Tree Group

The Reykjavik EDITION_Tides Restaurant

The Reykjavik EDITION arrives in Iceland

730 565 Hamish Kilburn
The Reykjavik EDITION arrives in Iceland

Opening in preview on November 9 2021, The Reykjavik EDITION is expected to set a new hospitality standard – one that matches the natural magnificence of the destination –  as Reykjavik’s first truly luxury hotel experience. The 253-key hotel combines the best of the Icelandic capital with the personal, intimate and individual experience that the EDITION brand is known for. Melania Guarda Ceccoli writes…

The Reykjavik EDITION_Tides Restaurant

Cool cafes, culinary hotspot, an epic music scene and a vibrant nightlife: we are in Reykjavik, the capital of Iceland – land of hot springs, mineral waters and natural fjords. With typical finesse, the long-awaited arrival of The Reykjavik EDITION further cements EDITION Hotel’s uncanny ability to land in just the right place at the right time. Opening this November, The Reykjavik EDITION will shelter a personal, intimate and individual experience that the EDITION brand is known for. The result is a spirited and sophisticated urban hub with 253 rooms, an outstanding line-up of bars, signature restaurants and nightclub and, in true EDITION style, the introduction of a new kind of modern wellness concept.

“More so than any other place in the world, it’s a real opportunity to get in touch with earth and nature.” – Ian Schrager, Founder, EDITION Hotels.

The Reykjavik EDITION is the first true luxury brand entering the market which has facilities and services like no other. First appearing on the map when American chess grandmaster Bobby Fischer won the World Chess Championship in Reykjavik in 1972, Schrager, who was following the event at the time, says he was taken aback by the country’s unspoiled, natural beauty.  “In Iceland, you’re getting to see things you won’t see anywhere else,” says Schrager, the visionary pioneer of the boutique hotel concept. “More so than any other place in the world, it’s a real opportunity to get in touch with earth and nature and we’re proud to further expand the EDITION brand in an incredible place with an incredibly exciting hotel that gives you a true sense of place.”

From the outside, The Reykjavik EDITION is a striking addition to this downtown neighbourhood. Its ebony façade of shou sugi ban timber has been charred to be blacked using an ancient Japanese technique, and blackened steel frames is a clear nod to Iceland’s dramatic lava landscape.

The Reykjavik EDITION_Exterior

Image credit: EDITION Hotels

The double-entrance lobby is accessible either from the pedestrian Harpa plaza, or the harbour. The latter features a canopy, its underside illuminated by 12,210 glass LED nodes.

As with all EDITION hotels, the lobby is a dynamic, social space that subtly reveals a sense of place and sense of time. Here, basalt stone – or volcanic rock – is prominent, appearing on the flooring, which has been laid with an intricate pattern inspired by Icelandic geometry, and a standout sculptural reception desk. The lobby lounge features a central open-flame fireplace which is the hearth of the space, surrounded by seating and a collection of custom-made furniture in intimate seating groups, such as the JeanMichel Frank-inspired armchair in white shearling and Pierre Jeanneret-inspired chairs in black velvet.

Inside the entrance of the hotel, ISC has collaborated with local artisans to create a totem sculpture of stacked, columnar basalt slate from the south of Iceland. Rising close to four meters high, the sculpture’s inspiration is found in the traditional Cairns that act as landmarks across Iceland’s countryside. Dramatically lit by both electric and candlelight and surrounded by a basalt bench, the totem is layered with lush black sheepskins, black damask and silk pillows, becoming a gathering place to see and be seen, at the centre of the lobby. Right next to this, inspired by the spectacle of the aurora borealis (Northern Lights), ISC has video mapped the Northern Lights and has created an immersive, three dimensional and atmospheric digital artwork of beautiful green and purple dancing waves. Located in the lobby, it stirs a reaction and emotion, similar to witnessing the natural phenomenon in the Icelandic night sky…but in the comfort, warmth, and intimacy of the lobby and lobby fireplace.

Accessible from the lobby, the ground floor is also home to Tides, the signature restaurant with private dining room, and café with homemade baked goods, and Tölt, an intimate bar that takes its cues from The London EDITION’s award-winning Punch Room. Tides, which has an outdoor terrace and its own waterfront entrance, is helmed by Gunnar Karl Gíslason – the chef behind Dill, Reykjavik’s much-celebrated New Nordic Michelin-starred restaurant. In the mornings, breakfast is a fresh, healthy mix of clean juices, pastries, fruit, cereal and skyr (Icelandic yoghurt) supplemented by an à la carte menu of hot dishes and a selection of open-face sandwiches. For lunch and dinner, Gíslason serves modern Icelandic cuisine, with subtle hints of traditional cooking methods, focused on seasonal local products and the highest quality of global ingredients mainly cooked over an open fire. Alongside an extensive global wine list, expect dishes such as a vertical salad topped with fried oyster mushrooms aged soy sauce and roasted almonds, whole Arctic char stuffed with lemon, dill and garlic butter, baked Atlantic cod, grilled potatoes, mixed herbs and butter and lamb shoulder braised and slowed grilled, pickled onions mint and apples, and for dessert, Tides carrot cake, buttermilk ice-cream, carrot and sea buckthorn jam, with roasted caraway oil. There is also a weekend brunch menu and three nights a week, The Counter, overlooking the theatrical open kitchen, will serve an eight-course tasting menu with wine pairings for up to 10 people. Meanwhile those looking for something more casual can pop into the bakery and café for a coffee and a selection of freshly baked crowberry scones to delicious sourdough or rye bread sandwiches where guests can dine in or take away.

On the opposite side of the lobby, Tölt – named after the unique fifth gait Icelandic horses are best known for – is a cozy bar.

The Roof is located on the hotel’s seventh floor and offers panoramic mountain, North Atlantic Ocean and old town vistas. A versatile space that can be divided by a glass door for private events allows it to be the best place from which to enjoy the endless bright summer evenings as well as the magical northern lights in the colder months. Floor-to-ceiling glass doors open onto a large wrap-around seasonal outdoor terrace, scattered with comfortable seating and a large fire pit, while the slick all-black interiors create a discreet background that doesn’t detract from the views. Here, the casual vibe is supplemented by a small menu of comfort foods like grilled flatbreads, toasted sandwiches and fresh salads.

The Reykjavik EDITION_The Lobby BarThe guestrooms and suites have been designed as warm retreats, each with floor-to-ceiling windows and some come complete with an outdoor terrace. From its prime corner spot on the 6th floor, the one-bedroom Penthouse Suite – with its own private terrace has magnificent harbour, Harpa and mountain views that are further complemented by bright, light-filled elegant interiors of plush custom furnishings in creamy oatmeal tones. The Penthouse Suite is also accessorised with an oversized bathroom with Italian white marble and a central fireplace too.

The Reykjavik EDITION offers modern meeting and event spaces, including flexible studios, a boardroom with natural light, bleach oat-wide plank floorings, and a grand ballroom with pre-function space.

Also, on the lower ground floor is a gym. Alongside three treatment rooms, a hammam, steam room, sauna, and plunge pool which offers hydrotherapy, there is also a central lounge with a spa bar, which by day serves a fresh healthy menu of post-workout Viking shakes, champagnes and, delicious moss vodka infusions alongside snacks like volcano bread with black lava salt.

Main image credit: EDITION Hotels

Winners of TOP ID - NEWH

NEWH UK Chapter honours design excellence at TopID Awards 2021

730 565 Hamish Kilburn
NEWH UK Chapter honours design excellence at TopID Awards 2021

Starved of live events and face-to-face networking, the British design community gathered on October 20 at Roca London Gallery in Chelsea for the 2021 TopID Awards, powered by NEWH UK Chapter. “Drum roll please – and the winners are”…

Winners of TOP ID - NEWH

As the seasons change and a new year approaches, it is clear that a new design landscape has emerged, placing increased emphasis on the ‘contactless journey’ and the importance of natural materials in connecting interior spaces to the outside world in order to foster a sense of space and wellbeing.

While adapting to a myriad of challenges, the industry’s dedication to exceptional design has not wavered. In acknowledgement of this fact, each year NEWH, an international not-for-profit network for the hospitality community that provides scholarships, education, leadership development, professional recognition of excellence and business development, has the honour of recognising design excellence within the UK through its TopID Awards. The prestigious accolade is determined with consideration to both the quality of a firm’s work and the support and dedication provided to NEWH membership and events, allowing winning practices to be celebrated internationally across the vast NEWH network.

In February of this year, NEWH UK Chapter bestowed the 2021 TopID Awards to three deserving studios. Unfortunately, at the time, lockdown regulations prevented the opportunity to present these awards physically. However, on November 20, the practices were aptly celebrated (in person) in spectacular fashion at Roca London Gallery.

This year’s winners

Dennis Irvine Studio

Dennis Irvine Studio, led by Dennis Irvine who recently became Director at Richmond International, was an award-winning interior design practice that specialised in hospitality and residential projects, both in the UK and internationally. Working in collaboration with a diverse range of partners – from international private clients, to residential developers and hotel operators – the multidisciplinary team had a world-class reputation for creating spaces that acknowledge cultural context whilst appreciating the spirit of a brand or individual – a reputation that Irvine has taken with him.

Dennis Irvine

Image credit: Dennis Irvine Studio

From conception through to delivery, the studio provided a comprehensive, holistic range of services including initial feasibility and space planning, interior concept, tender documentation, bespoke FF&E design and procurement.

The Estate House is the signature restaurant and bar at Jumby Bay, the exclusive island resort located off the northeast coast of Antigua. This 1830s plantation house and centrepiece of the island was extensively refurbished by Dennis Irvine Studio to create a luxurious fine-dining experience that celebrates the island’s local spirit and rich history. In keeping with the local architecture, an airy courtyard and surrounding terrace connect the main restaurant, bar, and private dining areas.

Whilst each space has its own identity, the entire project has been carefully curated to deliver a considered and elegant design, conscious of contemporary comforts whilst also being sympathetic to local design and traditions. Originally designed as a Rosewood resort, the Estate House references the brand’s ‘Sense of Place’ philosophy, with the interiors capturing the essence of island life whilst creating a serene, sophisticated environment for discerning travellers.

A wine tasting room inside The Estate House

Image credit: The Estate House, designed by Dennis Irvine Studio

Goddard Littlefair

Established in 2012 by Martin Goddard and Jo Littlefair, Goddard Littlefair is a luxury interior design practice based in London and Porto, Portugal. The company’s talented international team delivers award-winning hospitality, residential and wellness projects across the globe, creating sophisticated, stylish interiors with the people that inhabit them at the forefront of every design decision.

Jo and Martin from Goddard Littlefair

Image credit: Mel Yates/Goddard Littlefair

The brand’s ethos seeks to combine aesthetic perfectionism and boundless curiosity with a team-playing, service-driven attitude. “The firm’s unique selling point is the ability to knit smart, sensual design with a healthy dose of pragmatism,” said The Irish Times.

Goddard Littlefair is currently working on some of London’s most high-profile residential developments including One Park Drive, Southbank Place, Ebury Square and Grosvenor Waterside, as well as luxury spa projects in London, Prague and Tripoli. Their burgeoning hospitality portfolio includes projects for Corinthia, InterContinental, Principal, Cadogan and Hilton Hotels, with projects in London, Glasgow, Edinburgh, York and across Europe.

Originally built in 1912, Villa Copenhagen is an impressive new hotel opened within the capital’s historic Central Post & Telegraph Head Office. Epicurean – Goddard Littlefair’s emerging F&B sister company – was called upon to transform all five of the hotel’s food and beverage outlets within this iconic building, in addition to casting their creative eye over a selection of public spaces, including the wellness and pool area and various meeting and event spaces.

The vision for the F&B venues was to create five distinctive destinations with several points of difference; introducing something new and fun to the marketplace whilst honouring Scandinavian design sensibility and recognising the specific locale. Styled to be familiar yet magical for the Danish market and authentic to guests, each space channels unpretentious mid-century design with beautifully crafted references to both past and present.

Image credit: F&B areas inside Villa Copenhagen, designed by Goddard Littlefair

Image credit: F&B areas inside Villa Copenhagen, designed by Goddard Littlefair

Nous Design

Nous Design, founded by Director Nir Gilad, is an international design company creating experiences that tell a story, connecting people to places through their emotions via tailor-made design solutions.

Starting each project with fresh eyes, their design inspiration begins by listening, and then combines the client’s aspirations with the unrevealed potential of the location, to produce a unique multisensory experience.

Whether evoking calming stillness in a spa or a dynamic statement at a rooftop bar, ​Nous Design places the future guest at the heart of the narrative and considers how to connect and immerse them in the story.  Their aim is to ‘gift’ the guest another five minutes in their day or perhaps increase their work productivity when away from their day-to-day environment.

Based in London, this award-winning interior design company is currently working on projects in Europe, the Middle East, Africa and Asia that vary from standalone restaurants and spas to luxury resort hotels and city-centre hubs.

Immersed in the natural beauty of the Galil and Golan mountains in the north of Israel, Setai Hotel award-winning hospitality experience that comprises 158 luxury suites with direct access to individual infinity pools. The spacious public areas include lounges, restaurants and an upmarket spa with 14 unique treatment rooms arranged in a circular building around a central skylight.

Working closely with local builders and manufacturers, Nous Design created an environment inspired by the surrounding countryside and using native materials. The reception area is one such example, with decorative partitions that imitate eucalyptus trees and guide guests’ view towards the lake vista, creating an oasis feel.

The restaurant continues this theme, with wooden louvres and a large central table displaying the richness of the local Middle Eastern cuisine through decorative elements from the region, whilst creating a relaxed but refined environment.

Setai Hotel by Nous Design- copy

Image credit: Setai Hotel, designed by Nous Design

NEWH UK Chapter, which Hotel Designs is a media partner for, hosts a plethora of events throughout the year, including an up-coming brunch at HIX Event and the Cruise Ship Interiors Expo in December.

Main image credits: Dennis Irvine Studio/Goddard Littlefair/Mel Yates/Nous Design

Virtual roundtable - bathroom specification

Virtual roundtable: Concept vs reality in bathroom specification

730 565 Hamish Kilburn
Virtual roundtable: Concept vs reality in bathroom specification

With new demands from modern travellers asking for heightened wellness and wellbeing experiences sheltered inside hotels, designing a timeless bathroom has become even more of a challenge in recent years. Hotel Designs’ latest roundtable, in association with Utopia Projects, welcomes leading interior designers to help us separate concept over reality when it comes to specifying bathroom elements…

Virtual roundtable - bathroom specification

There’s a lot more to bathroom specification than simply selecting products, on budget, that will create the exact look and feel you were trying to achieve. In 2020, Ideal Standard undertook some research to establish exactly what interior designers’ thoughts were regarding bathroom design. The results showed that 73 per cent of designers agreed that washrooms are the most difficult rooms to design and plan in commercial projects. Some would argue, with new consumer demands around wellness and wellbeing, if the same survey was taken today then that number would be much higher.

In order to understand the challenges – and more importantly the solutions – when it comes to specifying bathrooms in 2021, we launched a roundtable with the help of Utopia Projects, which offers a unique service, working with designers to specify the appropriate products for their projects at the best prices, after the layout of a bathroom has been established. To cut through the noise, and to really understand the industry’s top tips when it comes to designing the bathroom, we were joined by industry-leading interior designers.

On the panel: 

Hamish Kilburn: How much of the design is driven by function and how much is driven by the form of the design? 

Craig McCkie: As hospitality designers, I believe we like to get the foundations right first – and a great shower experience is a great place to start.

When working with hotel chains, there are certain bathroom brands that we naturally gravitate towards because they meet brand standards. What is encouraging to see is that those brands give us the luxury to explore different finishes, colours and other qualities. I think the industry has really benefited, aesthetically, from the drive for suppliers to bring down the cost of these additional services.

Vince Stroop: For seven years or more, hotel bathroom design has been following certain trends taken from the residential sector. In order for that to happen, brands that supplied to the hospitality industry had to keep up. As a result, there are now more options out there that, importantly, also function really well. Generically speaking, there are two things any guest is after when checking in to a hotel: a comfortable bed and a decent shower. If you don’t get those elements right then you will lose out on getting repeat business. To be competitive, brands and independents have had to step up.

Nick Hickson: In addition to budget, it’s also important to consider the amount of space allocated to bathrooms – I have seen bathroom space allocated in hotels grow over the years, as it [the bathroom] has become a more of a feature within the overall aesthetic. In some ways, we are now trying to open the bathroom up or have a visible window from this area into the bedroom in order to pinch some of the space back. Ultimately, this comes down to designing the bathroom intelligently so that there is a cohesive language in both areas.

HK: How much of the overall budget is typically allocated towards the bathrooms in hotel design?

Joey Goei-Jones: With the clients we’ve been working with, they are all starting to realise the importance of the bathroom within the offering of the guest experience. If there is a complaint, more likely than not, it will come from the bathroom. In cities such as London, there are a lot of older properties so bathrooms tend to be outdated. What we try to do is encourage clients to considering things as a whole when making budget decisions.

A lot of the time, we see clients allocating about 20 – 25 per cent of the per-room budget on the bathrooms. I always say that realistically they are not going to be refurbish the bathroom regularly so we would much prefer to throw everything at the bathroom in order to future-proof it, which is such an important element.

Also, as consumer demands evolve we have had to consider other things, such as shower or WASHLET toilets. Traditionally, we would never intentionally put electric products too close to water for obvious reasons. Therefore, making sure the infrastructure is up to a quality standard is vital.

Stuart Adamson: One of our driving factors when working with designers is that we look at those elements, and when considering future-proofing the reliability factor creeps in because aesthetics is one thing. Most manufacturers will tell you that they can meet the water pressure requirements and the flow requirements that you need to reduce flow but without sacrificing performance. What we have realised is that some manufacturers are better than others when it comes to producing really good spares availability for a long time after the product has been discontinued. We are constantly searching for the brands that really shine in this area to ensure that the products we specify really are future-proofed.

HK: Why aren’t more brands that are well known in the residential market more popular among hotel designers?

CM: We can be very limited because certain hotel groups already have their list of preferred suppliers.

NH: Reliability is key and many of the German brands have really proven themselves in this area. From our brand, being more Italian, we just like to look at collections that (I have to say) are just so much better looking.

We are working on a project at the moment where we are working closely with a supplier to modify and adapt a particular range they already have on the market so that it is more relevant for a spa environment. Yes, there’s a longer lead time – in fact, it takes more time for everyone involved – but there is a uniqueness about that project.

DH: I think it’s true, in the last five or six years, clients have been wanting everything to feel more bespoke and they are wanting to have something unique in their design. We are finding this more and more, which is very closely linked to the rise in lifestyle brands and hotels. Everyone is seeing that movement influence design and considering the interface guests have with these products. Therefore, bespoke design is finding a larger role.

Luxury bathroom in the Maldives

Image credit: Kuda Villingili

HK: In an industry that is full of collaboration, what is holding designers back when it comes to working with a bathroom consultant?

JGJ: Certain suppliers will be a bit louder about their brands ­– and therefore we only really here from the suppliers and not the bathroom consultants who are able to give us all the ranges. We view Utopia Projects as experts and they are able to give us immediate information.

VS: We have a similar situation. Also, we are working with a lot of consultants already on a project, but it would be great to work with a bathroom consultant just so that we can then flex our design muscle a bit stronger. Also, it’s really helpful to be able to have that impartial, non-biased voice when it comes to advice.

HK: In a previous roundtable, we focused the spotlight on ethical design – and it was pretty shocking to realise that major brands are unknowingly partnering with factories that have terrible ethical values in the race to label their products with competitive prices. With this in mind, how much research do you, as designers, put in to finding out the methods of manufacturing and the materials used in the production stages?

JGJ: In the bathroom area, especially, a lot of brands have always been very open and have invited us to the factories. For me, that’s always been really valuable because you can meet the people who are making the products and see where the waste goes. In general, it just gives us peace of mind.

SA: We only work with brands who will release an ethical statement for the business. We will not work with brands where there is no traceability.

NH: I tend to look at bathroom design like architecture design because you are looking at so many different elements and materials that have to fit together and meet solutions. These are things that any designer, looking at that aspect, has to be very aware. When things go wrong, they go wrong badly. When you understand the architectural conjunction, you prevent where possible running into those issues. Following on from that, understanding the ethical decisions, we somewhat take it for granted that these brands are doing everything they can to ensure we are operating in an ethical arena.

Bathroom inside Six Senses Ibiza

Image credit: Six Senses Ibiza

HK: How far can we push the boundaries of bathroom design, which as you mention, has to be very technically accurate? 

NH: It’s a juggling act, and what we try to is break down these established rules. It’s not always easy and it can take up a little more space but that develops new solutions within those spaces. For us, it’s just a creative process that we really enjoying working in. As a result, it enlivens the guests experience and allows for a more enriching experience.

CM: Going back to budget, the vanity space can be as important in a room than any of the FF&E. A nice piece is a nice piece. It blurs the line where you are spending the money. If you bring the bathroom into the guestroom then, then you are creating multi-purpose spaces. In terms of longevity, a vanity piece is going to be made of more robust material – so that makes a lot of sense.

HK: What would say is the biggest challenge that modern designers face when creating bathroom spaces?

JGJ: A lot of the time it will come down to budget, but brands are developing so quickly to launch new products. It can be difficult to be up to date on the latest products, and that’s where a consultant can really help. Clients are starting to gauge on the technical side and we are all learning – and that naturally lends itself well to working with experts.

NH: Some of the challenges are unavoidable. The bathroom is probably the area within the hotel that changes the most from concept to completion. This is because of all the connections with all the services within the building. Especially on new-builds where space is a premium, you spend a good amount of time just formatting the rises that are coming into the building.

VS: And the layout of the bathroom is actually one of the biggest aspects – and it is a huge challenge for designers, to ensure, from an operational perspective, that these areas are accessible to get to. On top of that, you have to design a unique experience for your guests. If designers go too trendy in their design then they are potentially lowering that space’s longevity. I approach bathroom design like a puzzle and try to find the right parts that fit.

HK: When you’re pitching, how many of those boxes when it comes to bathroom design are ticked?

DH: I think it’s really key, when you are pitching, that you put forward something that is forward-thinking and that is different. It is important to push yourselves and your perspective clients to think differently. Of course, budget is a consideration, but if you sell the big idea of a particular part of a bathroom that becomes an integral part of the design, you can manage the budget in different ways to ensure that it happens.

NH: As designers, we are presenting good ideas but sometimes a client can run away with your idea. Therefore, I think it’s wise to be suggestive. There is a very fine line there, and we tend to be a bit more conceptual in our pitches.

Utopia Projects is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our recommended suppliers, please email Katy Phillips.

Main image credit: Utopia Projects/Hotel Designs/University Arms Cambridge

1 Hotel Toronto - collage

Inside 1 Hotel Toronto, the city’s new sustainable masterpiece

730 565 Hamish Kilburn
Inside 1 Hotel Toronto, the city’s new sustainable masterpiece

New York-based design studio Rockwell Group has unveiled the interiors of the new 1 Hotel in Toronto, Canada’s first ‘mission-driven hotel’ that celebrates the beauty of the city’s natural environment in an urban package that sets a new hospitality standards in sustainable luxury…

1 Hotel Toronto - collage

Two years since whispers of the 1 Hotel brand marking its territory on Canadian soil, Hotel Designs is finally able to take a sneak peak inside 1 Hotel Toronto – and it was worth the wait!

Rockwell Group’s design concept for new the latest lifestyle hotel to emerge on the city’s hospitality scene reframes the city – turning its urbanism inside out, responding to the question: “What if a luxury hotel was an inviting portal to the natural world, instead of a flight from it?”.

“Our vision for the hotel invites guests to celebrate Toronto’s ecology through materiality and locally-made artwork.” – David Rockwell, Founder, Rockwell Group.

“We have long admired 1 Hotels’ sustainable and eco-friendly ethos, and we are thrilled to have been given the opportunity to design the new 1 Hotel Toronto with a biophilic emphasis,” said David Rockwell, Founder, Rockwell Group. “Our vision for the hotel invites guests to celebrate Toronto’s ecology through materiality and locally-made artwork.” Every corner of the design narrative unconsciously reflects a strong sense of place. The material palette for the hotel, for example, takes inspiration from the muted colours of Lake Ontario and the contrasting tones of the passing seasons and features reclaimed timber, native plants, board-formed concrete, and local marble.

The hotel’s lobby welcomes guests to a warm and nest-like space surrounded by floor-to-ceiling glass windows, which create a light box at night, as well as a feeling of seamlessness between indoors and out. The entrance to the hotel is framed with a mix of granite and limestone boulders, maple trees, local plants, warm wood, and a trailing green canopy, all reminiscent of Canada’s natural landscape.

1 Hotel Toronto lobby - with a sustainable design scheme

Image credit: Brandon Barre

It features 4.5 metre-high ceilings, reclaimed Elm wood flooring and shelving sourced from a dismantled barn in Ontario. Additional sustainable design details include a living green wall, found objects, local stone and reclaimed furnishings from materials such as elm wood and teak root.

Plants and natural materials in lobby lounge of 1 Hotel Toronto

Image credit: Brandon Barre

A stone wall with wood-like striations – carved out of glacial activity along the Eramosa River – serves as the backdrop to an art installation designed by Toronto-based artists Moss & Lam behind the check- in desk.

Once first impressions have been made, guests can discover that 1 Hotel offers an all-round dining and drinking experience, with a selection of two restaurants and two bars spread throughout the hotel.

The modern 1 Kitchen has a vintage vibe and is located in a glass-walled conservatory-like space with a vaulted wood ceiling and curved trusses hung with greenery. Sourcing all food ingredients from within a 50 km radius, 1 Kitchen is a neighbourhood destination that welcomes both hotel guests and locals alike.

In harmony with the local and crafted design scheme, Madera is an organic Mexican restaurant follows the design cues of the hotel, with sand-blasted textured wood, greenery, wooden dining chairs crafted by Benchmark, reclaimed live edge wood tabletops, artistic handmade vessels, and modern, vibrant lighting.

Harriet’s is the city’s newest rooftop hotspot featuring an open concept sushi bar with sliding glass walls and a retractable roof, to get the best out of the breathtaking city and lake views. The design details recall Toronto’s flora and fauna, with a woven rope ceiling interspersed between wood beams, reclaimed Elm wood flooring and leather and lambskin accents.

Harriets on rooftop of 1 Hotel Toronto

Image credit: Brandon Barre

The light and airy guestrooms at 1 Hotel Toronto feature sliding barn wood doors dividing the bedroom and bathroom. The studio added warmth to the Carrara marble bathrooms by utilising Hickory wood surrounds for the vanities. A natural wood accent wall is added behind the bed, with a leather headboard. An art piece comprised of a fallen tree fragment, sourced by a local wood studio, completes the design.

On the collaboration with 1 Hotel, Rockwell Group’s Founder David Rockwell says “We have long admired 1 Hotels’ sustainable and eco-friendly ethos, and we are thrilled to have been given the opportunity to design the new 1 Hotel Toronto with a biophilic emphasis. Our vision for the hotel invites guests to celebrate Toronto’s ecology through materiality and locally-made artwork.”

Main image credit: Brandon Barre

Zany project insitu

Product watch: L11 tuneable white light engine by Franklite

730 565 Hamish Kilburn
Product watch: L11 tuneable white light engine by Franklite

Introducing lighting brand Franklite’s latest development in LED technology, the L11 tuneable white light engine, which has been shortlisted in the ‘Best in Tech’ category at The Brit List Awards 2021…

Franklite remains at the forefront of the lighting industry as a result of the hard work and dedication of its technical team, who continue to develop the latest in technology and custom design projects. The UK-based brand’s latest unveil takes LED technology to a whole new lighting level, the L11 tuneable white light engine.

Zany project insitu

The product is an innovative and unique take on a traditional candle lamp – designed and manufactured at the brand’s factory in Milton Keynes and tested in our in-house laboratory. The technology offers a smooth transition between amber and cool white from 1,700 to 3,650 kelvin.

Designers now have the capability to easily control the transition of light colour temperature wirelessly through an app or hard-wired within a building management system. With a dimming range from 100 per cent down to one per cent, users are able to create the perfect ambience with a simple touch of a button all while providing customers with the ultimate sensory experience.

The L11 tuneable white light engine is designed to fit a wide range of decorative fittings including chandeliers, lanterns, pendants and wall brackets. The technology can be replicated into the manufacturing of our LED plates for Franklite’s Woburn shade family, and custom designed projects.

Other benefits to using the light engine include a high quality of light across the whole CCT spectrum, increase in light output which exceeds retrofit LED lamps available on the market, longevity and reduced maintenance costs. This dedicated LED technology contributes significantly to energy efficiency with an 80 per cent saving using only 11W.

Franklite L11TW Overview

Image credit: Franklite

Franklite only partners with reputable brands such as eldoLED, Bridgelux and CASAMBI and as a member of the Lighting Industry Association Quality Assurance our quality system and product compliance are audited yearly to ensure it maintains the high level of standard expected.

The L11 tuneable white light engine can also be accompanied by maintained emergency gear within Franklite’s extensive range of wall brackets and flush ceiling fittings. With the essential functionality uniquely hidden, users are still able to comply with health and safety guidelines whilst providing guests with the ultimate luxury experience.

> Since you’re here, why not read about what else is new from Franklite?

Franklite is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our recommended suppliers, please email Katy Phillips.

Main image credit: Franklite

Bathroom design | Contemporary hotel bathroom, with moody interiors

Collaboration goals: KEUCO & TEAM7 create luxe bathroom concept

730 565 Hamish Kilburn
Collaboration goals: KEUCO & TEAM7 create luxe bathroom concept

TEAM 7 and KEUCO have combined heads to form a luxurious bathroom furnishing concept, which has resulted in the striking interiors of EDITION LIGNATUR…

For more than 60 years, the Austrian company TEAM 7 has been creating exquisite, meticulously handcrafted, solid wood furniture for every area of the house. However, one room was missing; the bathroom. This issue was solved by forming a partnership with KEUCO; its expertise in washbasins, light mirrors, accessories and fittings led to the creation of EDITION LIGNATUR.

Bathroom design | Contemporary hotel bathroom, with moody interiors

Created by leading design agency Tesseraux + Partner; each piece of EDITION LIGNATUR bathroom furniture is individually crafted and produced. The collection includes, single or double washbasins which can be recessed or table-top, sideboards, tall units and benches. All of the furniture is made from one of three premium natural woods: light oak, Venetian oak, (which gets its extraordinary appearance from natural embellishments produced by the shipworm) and noble walnut.

The wood grain of each piece of natural wood used for EDITION LIGNATUR furniture has to look good together with the grain of every other piece. To achieve this they take the time beforehand to arrange the individual slats that make up the natural wood panels to make sure they look good together and to produce a harmonious overall picture in the bathroom. This first procedure is a specific step called ‘painting with wood’.

As the base units made of premium woods, it is possible to combine washbasins made of Varicor or ceramic. A free-standing fitting that was designed specifically for the round Varicor basin stands raised in the middle of the washbasin.

The washbasins can also be combined with KEUCO wall-mounted fittings. KEUCO accessories put the finishing touch on the harmonious overall picture.

The EDITION LIGNATUR light mirror has very special features: The luminous colour can be infinitely adjusted and dimmed from warm white to daylight-like illumination (2700 – 6500 Kelvin) by pressing a touch-sensitive key panel. This makes it possible to adapt the light to the mood of the user and also allow you to see for example, when applying makeup what the effect would be outdoors, in the office or in a restaurant as the mirror’s light shade causes the light to fall pleasantly from above. After showering, a smart detail ensures that the integrated mirror heater guarantees fog-free vision in a matter of seconds.

> Since you’re here, why not read about KEUCO’s IXMO Shower series? 

KEUCO is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our recommended suppliers, please email Katy Phillips.

Main image credit: KEUCO

David mason interview - scott brownrigg | Hotel Designs

A young designer’s interview: Q&A with David Mason, Director, Scott Brownrigg

730 565 Hamish Kilburn
A young designer’s interview: Q&A with David Mason, Director, Scott Brownrigg

In the second interview in an exclusive series between Hotel Designs and NEWH UK Chapter, that aims to bridge the generation gap between designers and architects, editor Hamish Kilburn moderates an interview between young designer Marissa Miltiadous and David Mason, Head of Hospitality at Scott Brownrigg

David mason interview - scott brownrigg | Hotel Designs

 It’s a hard-knock life being a young designer in the current climate. Jobs for juniors are scarce, while opportunities for students entering the workplace are few and far between. However, it’s not like we haven’t been here before ­– meaning that there is light at the end of the tunnel.

David Mason, Head of Hospitality at Scott Brownrigg encountered a similar start to his career to that of today’s students. In the ‘90s, when Mason was optimistically graduating from university, somewhat naively expecting life to fall into place, the UK was heading into a recession. In short, the landscape for young designers looked pretty bleak. Determined to stay in the design profession, Mason took a role with a graphics company and through hard work, a bit of luck and saying ‘yes’ to almost every opportunities that would strengthen his portfolio, Mason found himself on the radar.

Following stints at Martin Brudnizki Design Studio, Fox Linton Associates, Woods Bagot and consulting independently, in 2016 Mason found ‘his people’ at Scott Brownrigg, entering the studio first as a Project Director, and later (in 2018) became a Director.

Now heading up the hospitality division at the company, he agreed to take part in our next young designer’s interview, this time with Marissa Miltiadous holding the mic, a post-graduate Part 1 designer who, in 2019 won an NEWH scholarship for her ‘studio of fresh thought’ concept.

Marissa Miltiadous: When did you first realise you wanted to be an interior designer?

David Mason: As a youngster, I enjoyed building things and I had an innate creative side. My parents were super supportive and let me follow my dream.

Interior design is so far from being just about decoration. I learned this when specialising in interior design at college. I then received an undergraduate degree from University of Birmingham. Looking back, it’s been an amazing and long journey, full of exciting and unexpected moments that have kept me on my toes and always growing.

“Young designers should not be disheartened by rejection.” – David Mason, Head of  Hospitality, Scott Brownrigg.

I graduated in 1993, just as the nation was in the throes of recession. It was a terrible time to enter the market but determined to stay in the design field which I loved I worked as a graphic designer. Two years later I went back to university to study for my masters and then, off the back of that, I applied to London firms. The rest is history. I recognise the hardest part is the first step. Young designers should not be disheartened by rejection, it can often be luck and timing. Interior projects are fast moving and we often need more people should a number of projects go live at the same time. The industry is opening up, albeit slowly, but it is still showing encouraging signs of recovery from the pandemic.

Hamish Kilburn: What about you, Marissa?

MM: I was 14 years old when I realised that I wanted to be an interior design ­– there were signs younger. [As a child], I would constantly move things around to make spaces look more exciting. I didn’t register at the time that I had a passion for how spaces looked. When I went to university it all fit and I was able to channel my natural instinct towards colour and take my passion further.

MM: What lessons did you learn when entering the workplace?

DM: To be honest, it’s a constant learning process. Every day is different. The most significant lesson I learned as a young designer was understanding that university only sets you up so far but the job is very different in the workplace. My university experience was about pushing students creatively. Our job, in reality, is hard. We are responsible for a lot of components and that’s what makes it great.

When you are design student, you don’t necessarily see the bigger picture. And then, when you enter the workplace, you have to all of a sudden see the large canvas.

Purple lighting in large, swanky bar in London

Image caption: Hard Rock Hotel London, designed by Scott Brownrigg | Image credit: Roberto Lara Photography

MM: How does Scott Brownrigg help young designers get the recognition they deserve?

DM: We celebrate our designers as part of a collaborative team. We include junior designers in our meetings ­– especially during lockdown with the use of seamless software to keep the team together. We also like to include our research and development team in many of our conversations so that we are always moving forward. Internationally, we present our work to our peers, and allow everyone the opportunity, regardless of job title, to have their input. That way, we ensure that everyone is part of the process.

We welcome opinions and everyones voice. We encourage these opinions. That’s where discussion leads to great design – and that, in my opinion, is how we can grow as designers.

MM: What is Scott Brownrigg’s approach to sustainability?

DM: It’s a massive topic for our industry – so much so that we actually have a sustainability and wellness team within our business to keep us on track. It’s always on our agenda. There’s still an outlay for the client – we work on research to ensure that it’s beneficial for the client. For some clients, sustainability is an absolute must and many recognise It goes beyond towel washing and removing miniatures from the bathroom. It’s much larger and starts earlier. We look at carbon-neutral building practice and analyse key factors and requirements to bring down our impact.  Being a multi-discipline practice, we have an advantage because we closely with our architects. We are finding that there’s a mutual synergy between everyone involved in our projects to produce buildings that have been designed consciously.

The more that this develops, the more the client starts demanding sustainable approaches, the quicker the costs will come down and that in itself will allow for sustainable design to be much more achievable. You have to get the client on board from the beginning. If you can take the client on a journey with you it allows them to see the the benefit for all.

 

MM: What advice would you give to designers beginning in their careers, particularly now during the pandemic.

DM: Let’s face it, you have been locked away, and that’s not natural. You should be clawing at the walls to get out to see and experience hospitality again – and that should not be limited to what social media wants you to see.

When I started as a junior designer, we read books, flicked through magazines and then went to see the latest new bar and restauarant openings and the spaces that inspired us ­– even if that meant just ordering a soft drink at the bar because we had no money. So, my advice would be to go and see everything and soak it all in again. As a result, it will not only broaden your mindset but also give you more to play with when it comes to interview. With everything opening back up again, it’s such an interesting time for hospitality and if you want to be part of designing the next era, you have to experience what is happening now!

Also, I know it’s hard at the moment, but keep applying for jobs! When I interview people, I want to know who they follow and who (and what) they are inspired by. People often can’t answer it, which surprises me.

Another big bugbear is when people don’t research our company. Do your homework. Visit the website, go see our projects. Ultimately though, don’t give up, it will happen.

 

MM: What challenges do you see impacting the industry? 

DM: For me, during the pandemic there were so many articles about where hotel design is heading – and a lot of them were quite negative. As far as I am concerned, now is such an exciting time for the design industry! Think about it… the festival of design post-war. They built the southbank and created this movement towards new development and design in the wake of a major depression. Now is the time to think completely outside the box. In a blink of an eye, our perspectives have changed. We made lockdown work; we adapted and now that we are coming out of lockdown, we can re-write design and what was ‘the norm’.

MM: What projects are you currently working on?

DM: We are working on a number of hospitality projects with two of our hotels about to start on site.. It’s great timing as it gives our team the opportunity to see the project develop, from demolition, 1st/2nd fix to completion. It’s the only way for the team to see  a hotel come together and truly understand what they are drawing. Site knowledge is invaluable, and lessons learnt will be carried through to future projects .

We have also just started on two master plans, one of which will be a major mixed use development with a hotel, ballroom, conference facilities, spa and F&B outlets  as well as an experiential project & hotel with a well known lifestyle brand.

MM:  Finally, tell me something about yourself that others may be surprised to know about you?

DM: I am grade two on the violin (you asked…)

> Since you’re here, why not read our first interview in this series, between James Ingram and James Dilley?

Main image credit: Scott Brownrigg

A dramatic bar inside RG Naoxs

Inspired by nature: RG Naxos unveils fresh look

730 565 Hamish Kilburn
Inspired by nature: RG Naxos unveils fresh look

Design studio THDP has completed an extensive renovation inside RG Naxos, set in Giardini Naxos. The new look was inspired by nature to draw out the best of Mediterranean culture…

RG Naxos, located on the shores of Giardini Naxos in Scilly, Italy, emerges following a major interior revamp sheltering a cohesive interior design narrative that sensitively celebrates the destination’s culture to re-establish itself as a modern hospitality masterpiece.

A dramatic bar inside RG Naoxs

Giardini Naxos, founded in 734 BC by colonists from Chalcis in Euboea, was the first Greek colony in Sicily. Ancient Naxos was destroyed in 403 BC, and the centre that rose in its place in the Middle Ages became a thriving fishermen’s village. In the late 19th century elegant villas were built, used as holiday mansions by the upper classes.

The Greek heritage that remains in Sicily can be seen in the architecture of a few very important buildings, but today it is regarded a popular seaside resort. With its distinct identity and its various cultural and religious events that take place throughout the year, Giardini Naxos is a natural tourism hotspot.

While the natural beauty of the location made it an interesting place to visit, it was the fashion house of Dolce & Gabbana that arguably put Sicily on the fashionista map, and spread the island’s crafts worldwide by incorporating iconic Sicilian images in its bold prints like the colourfully decorated horse cart, ripe lemons and oranges. This was an early inspiration for the interior design concept created for the hotel by THDP, the London based interior designer and architectural practice with a team of 50 per cent British and 50 per cent Italian designers (the best of both worlds). The design team consisted of Nicholas J Hickson and Manuela Mannino (Founders of THDP) and Simone Bretti (design) and Francesca Benedetti (architect).

Making a sensitive nod to the destination’s history and modern culture, in order to inject apt sense of place, the interior design studio THDP decided to centre the concept of its design for the hotel around the location’s unique topography. “Inspired by the natural beauty of the volcanic beaches, the sea, mount Etna’s super-natural presence and the features of the island of Sicily, the vision was to bring them into the centre of the hotel,” explained Benedetti. “By adding local decoration, artworks and colours, the goal was to add character – a deep sense of authenticity and a refined and resort-based palette of natural tones with touches of colours of the sea.”

Detailed local research guided the narrative of the entire  project, commencing with the refurbishment of the main public areas – the lobby, lobby bar and guest check-in area – before retouching the F&B areas, including the main restaurant and the pool dining and bar spaces.

The lobby was a large and open space, which was previously decorated in a heavy baroque style. “The concept from the outset was to re-activate this space, giving it a new heart and focal point – and to be appealing to both guests and to walk-in locals,” said Bretti. “From concept stages, we considered adding a new lobby bar to the centre of the space, being both a visual anchor but also dividing the space and making it feel more intimate.” With the new layout smart workers and leisure guests can meet using a polyvalent area which can hosts all thanks to the different typology of seating. The style is elegant and authentically Mediterranean with sea colours and Taormina’s stone colours melting indoor and outdoor colour palette.

Lobby/lounge inside RG Naxos

Image credit: Giorgio Baroni

The reception has been inspired by the Sicilian attitude of welcoming and it has been translated in three large reception desks with dark grey lava top fabricated by Nero Sicilia.  The rear feature wall is tiled with hand-painted local tiles by La Fauci. The accent decorative lights are from Aromas del Campo and are of copper and rattan, thus from the very beginning of their journey the guest is surrounded by an authentic and local experience.

The restaurant, Panarea, has materials, features and shapes that remind guests of antique craftsmanship, incorporating hand painted tiles in the niches at the entrance with traditional motifs from La Fauci.  The buffet area has screens featuring irregular but geometric shapes hanged from the ceilings that recall ancient Greek terracotta jars. The artisan tributes continue on the walls covered with a braided woven leather cowhide effect inspired by ancient Greek sandals.

Contemporary restaurant inside RG Naxos

Image credit: Giorgio Baroni

La Sciara Restaurant’s design, meanwhile, has been inspired by the existing wallcovering of lava stone: the space has the darker tones echoing those of the Mount Etna volcano, the dark ominous stone is counterpointed by the vibrant blue and red glazing – recalling colours of the sea at night, foreboding, dark yet attractive and welcoming.  The metalwork in the restaurant is a rich copper tone, accented by rich blue lacquers, and the table top feature rich glazed textures applied with glass onto the lava stone, all by Nero Sicilia. The entire space naturally calls to mind dining in a more elegant and finer restaurant.

The Fluido Bar is located on the pool terrace, just outside La Sciara Restaurant offering breathtaking panoramic views of the Mediterranean sea and the unique grey volcanic sandy beaches. The pool bar is characterised by a contemporary, indoor-meets-outdoor styled residential look and feel. The walls are finished in a cement-coloured panels by Cosentino, the bar top is white Dekton and the bar front is feature tiles in raw and glazed lava stone by Nero Sicilia.

A light and bright bar outside RG Naxos

Image credit: Giorgio Baroni

The bar serves pre-dinner aperitifs with signature cocktails, open to guests and locals, the ambition is to become a destination bar for the hotel adding to its local night scene. The seating is part dining, part informal lounge sofas with outdoor furniture by Etimo & Varaschin. The flooring is a grés-tiling from Gruppo Florim, who also provided the surround to the pool and its interior. Large ecru umbrellas offer shade to the guests during the summer times. THDP created a warm garden style lighting effect, selecting outdoor weathered wall fittings by Aldo Bernardi and suspended light by Faro Barcelona.  The large pergola and pavilions are custom designed and supplied by Corradi.

> Since you’re here, why not watch a panel discussion on bathroom design that THDP’s Nick Hickson participated in recently?

The hotel emerges from one of the most difficult periods in hospitality history wth a fresh look and feel, which will no-doubt take it – and the destination – into a new era that puts emphasis on craft, authenticity and simply travelling for longer.

Main image credit: Giorgio Baroni

Hotel design | luxury pool in Langham Jakarta

A capital move: Langham arrives in Southeast Asia

730 565 Hamish Kilburn
A capital move: Langham arrives in Southeast Asia

The Langham, Jakarta has opened its doors inside a stylish and contemporary 65-storey building in the heart of the city, marking the brand’s bold debut property in Southeast Asia…

After years of anticipation, The Langham, Jakarta has officially opened in Indonesia’s capital city. The slick 65-storey hotel is strategically located within the new prestigious complex of District 8 at SCBD (Sudirman Central Business District) in close proximity to the city’s most important financial, cultural and entertainment centres. 

Hotel design | luxury pool in Langham Jakarta

“The opening of this beautiful hotel in Jakarta is the culmination of many years of hard work and dedication to delivering the very best product, facilities and service in this international gateway city,” said Brett Butcher, Chief Executive Officer of Langham Hospitality Group. “Partnering with Indonesia’s premier developer Agung Sedayu Group, we have been able to create something truly remarkable to welcome our guests to one of the very best hotels in the world. We are taking luxury to new heights and I couldn’t be prouder to include The Langham, Jakarta to our collection.”

Designed by the Singapore-based Smallwood Reynolds Stewart Stewart (SRSS), The Langham, Jakarta embodies classical design elements, effortlessly fusing glamour with urban sophistication.

Upon entering the arrival lobby on the ground floor, all eyes are drawn towards the magnificent chandelier depicting 3,000 fluttering crystal butterflies, some of which are suspended by intricate wire work. Titled ‘Haven’ by Lasvit, the renowned designers of dazzling bespoke light installations from the Czech Republic, the chandelier takes its inspiration from the Indonesian rainforests where butterflies fly freely thereby creating an ethereal aesthetic in the remarkable space.

Image credit: Langham Hotels & Resorts

The elaborate construct of Haven is evident in the beautiful champagne-coloured lattice that is reminiscent of a Monarch butterfly’s wings. On the 62nd floor at the Sky Lobby, a second but no less dramatic 10-metre high chandelier, also by Lasvit, commands the attention and admiration of the guests. All other senses will be mesmerised by the curated collection of art throughout the hotel showcasing the finest works from Indonesian artists, painters and photographers which include John Martono, Hanafi, Jumaldi Alfi, Jay Subyakto, and Chaerul Umam.

The Langham, Jakarta shelters 223 guestrooms with majestic floor-to-ceiling windows offering spectacular views of the city, state of the art in-room entertainment complemented by smart technology, opulent marble bathrooms featuring rain showers and free standing soaking bathtubs.

Poised to be highly sought after by luxury aficionados, the elegantly appointed 336-square metre Presidential Suite features a spacious living room and dining area ornamented with contemporary furnishings. The dominant use of the highest-quality materials and craftsmanship is evident from the intricate wall panels, sculptures, paintings and timeless artefacts that tastefully adorn each room.

Other highlights of the impressive suite include an Italian-marble bathroom with an oversized bathtub, twin vanities and separate spa bath, bespoke amenities, an outdoor terrace with panoramic views of the city. Fitness enthusiasts, meanwhile, can take full advantage of the in-suite gym with a trainer on demand for private sessions; attending to the guests’ every whim with personalised yet discreet service is a dedicated 24-hour on-call butler service.

The Langham Club lounge at the hotel’s 59th floor is designed as a sanctuary for guests who prefer a discerning level of comfort with panoramic and unobstructed views of Jakarta. The Club lounge will offer complimentary food and beverage presentations and will feature a writer’s corner, a reading library and private arrival and departure facilities with dedicated butlers for personalised service.

The Langham, Jakarta - Club Lounge

Image credit: Langham Hotels & Resorts

The Langham, Jakarta features exceptional celebrity restaurant partnerships that include Tom’s by Tom Aikens, the culinary maestro who has guided his restaurants to accolades by the Michelin Guide. T’ang Court, inspired by its Three Michelin starred Cantonese restaurant namesake at The Langham, Hong Kong, will make its debut in Southeast Asia and world-renowned Iron Chef Masaharu Morimoto from New York City will satiate gourmands with haute Japanese cuisine at Morimoto.

LANGHAM JAKARTA, Toms restaurant

Image credit: Langham Hotels & Resorts

The Langham, London was the first hotel that served afternoon tea in 1865 and since then, guests continue to cherish this afternoon indulgence at all The Langham hotels around the world. In Jakarta, The Langham’s afternoon tea legacy continues at Alice where guests may bask in the beautiful environs at the grand dining emporium. And for those familiar with the Artesian at The Langham, London – recognized as the World’s Best Bar for several years – will be delighted to know that its latest outpost will be at the dazzling rooftop of The Langham, Jakarta.

For those seeking a respite and needing a recharge of the body and mind, Chuan Spa will provide treatments inspired by Traditional Chinese Medicine (TCM) philosophies in a serene, meditative setting. The 670 square metre (7,211 square foot) spa will offer private treatment rooms as well as a fully-equipped fitness centre and Jakarta’s highest indoor infinity pool with spectacular views of the city.

The Langham, Jakarta will be the new iconic venue for social events, weddings, high-level conferences and luxury product launches. Showcasing more than 2,100 square meters of flexible space, including a magnificent 688 square meter ballroom and a beautiful outdoor garden, there are an additional 11 meeting rooms that may be configured for events requiring different capacities.

> Since you’re here, why not read about the new design scheme inside The Langham, Boston?

The hotel opening is just the beginning of an exciting journey for Langham Hospitality Group, the umbrella company of The Langham Hotels and Resorts and Cordis Hotels brands. The group currently has more than 30 projects currently either confirmed or in a developed stage of negotiation from Asia, Europe and North America to the Middle East.

Main image credit: Langham Hotels & Resorts

Modern bathroom | In-Wash In-Tank ROCA

Product watch: Roca unveil next gen of shower toilets

730 565 Hamish Kilburn
Product watch: Roca unveil next gen of shower toilets

Bathroom brand Roca has launched its latest innovation in shower toilets. The In-Wash with In-Tank combines maximum intimate hygiene and greater freedom of installation…

Modern bathroom | In-Wash In-Tank ROCA

A modern bathroom not only stands out for its state-of-the-art technology, it also offers functionality, harmony and comfort.  The In-Wash In-Tank toilet from Roca meets all three requirements and also provides technology and design, without compromising on its main function: bringing a total hygiene experience to the WC.

With Roca’s In-Tank technology you can forget about the cistern, as the water tank is integrated into the WC. The Soft Air injection system propels water towards the upper section of the bowl providing a full, effective and quiet flush. Its two simultaneous water outlets, tornado and cascade, guarantee a stronger flow with minimum water consumption. The entire bowl is thoroughly cleaned thanks to the Rimless Vortex design that removes the inner rim and provides a 360º flush.

The state-of-the-art technology and design of In-Tank is combined with the ground-breaking hygiene of In-Wash®. The WC that washes you with water, features a front and rear wash to guarantee the full hygiene experience.

Contemporary bathroom In-Wash In-Tank (ROCA)

Image credit: Roca

The In-Wash nozzle can be adjusted to reach the most delicate areas thanks to its oscillating massage, also providing gentle drying. To guarantee its total disinfection, the removable nozzle cleans itself before and after each use and includes an extractable tip that can be easily removed for more in-depth cleaning.

User-friendly

As in other Roca Smart Toilets, the remote control and the side panel are very intuitive and allow the adjustment of the water and air temperature, as well as the position of the nozzle. This WC with integrated cistern also features two push buttons to opt for a full or a partial flush, for greater water savings. In the event of a power failure, this Smart Toilet guarantees up to two full flushes by using the side button. Available in wall-hung and floor standing versions, the In-Wash with In-Tank features SOFT AIR technology which ensures optimal flushing no matter the water pressure.

Easy cleaning

The bowl of the In-Wash® with In-Tank® features the new Supraglaze enamel, exclusive to Roca, which allows any residue to slide right off and hinders the build-up of dirt. A third layer that, applied on top of the existing enamel, provides a totally waterproof, shiny and easy-to-clean surface, maintaining the excellent performance of traditional enamels in terms of durability and hygiene.

Simple installation

Offering a hassle-free installation and easy maintenance, In-Wash In-Tank does not require a frame and can be therefore installed wherever you want. Without a separate conventional cistern or built-in installation system, the WC offers better use of space within the bathroom and greater design freedom. For installers, fitting the In-Wash with In-Tank is simplified as it just requires a water outlet and a conventional power connection.

“We are incredibly excited to be launching the In-Wash with In-Tank,” comments David Bromell, Head of Marketing at Roca. “The individual technologies offer so much in their own right, but by combining them, we’ve been able to take a significant step forward in the smart toilet category. In-Wash with In-Tank furthers our vision of genuine innovation, with intuitive and thoughtful use of technology, to deliver a product with exceptional functionality, design and convenience.”

Roca is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our recommended suppliers, please email Katy Phillips.

Main image credit: Roca

Hypnos Chillington Sept 2021_10879 1

Sustainability & comfort combined: A new mattress collection from Hypnos

730 565 Hamish Kilburn
Sustainability & comfort combined: A new mattress collection from Hypnos

Experts in sustainable luxury, British bed maker Hypnos Contract Beds unveiled the next chapter of its sustainable story with the launch of its new ethical Origins collection for the hospitality sector at this year’s Independent Hotel Show. Editor Hamish Kilburn writes…

Hypnos Chillington Sept 2021_10879 1

With up to three-quarters of hotel guests willing to spend more per night to stay in a hotel that demonstrates authentic green credentials, The Hospitality Origins Collection by Hypnos Contracts Beds arrives right on cue. It represents a new era of sustainable sleep solutions for the sector, providing hoteliers with a truly eco-conscious bed for their guests.

No new comer to unveiling sustainable solutions in the industry – with its carbon-neutral certification and eco-packaging solution – the brand’s latest collection is a harmony of conscious design with supreme comfort.

Hypnos Chillington Sept 2021_9983_9982 - for social

Image credit: Hypnos Contract Beds

We’re told that the collection comprises of three luxury, durable mattresses. The first model, launched at the Independent Hotel Show last week is the Woolsleepers Elite – a hand-finished pocket sprung mattress, featuring 11 layers of sustainable comfort with each mattress including more than eight full fleeces of 100 per cent British wool. Considered a super-fibre, as well as being naturally antibacterial, wool is also incredibly breathable, responding to natural fluctuations in body temperature by wicking away moisture, making it a perfect material for beds.

Upholstered in beautiful unbleached, naturally fire-retardant woven cotton and viscose ticking, the mattress also benefits from 1,400 ReActivPro™ pocket springs and 3,000 Adaptiv™ springs that are designed to evenly distribute weight across the expanse of the bed, flexing to individual body shapes for optimum support and personalised comfort for hotel guests. 

Encompassing Hypnos’ decade long commitment to responsible sourcing and manufacturing, The Hospitality Origins Collection is a reflection of the company’s commitment to working only with likeminded ethical partners to ensure the provenance, authenticity and traceability of all materials. By only using wool from Red Tractor assured farms, hoteliers and those specifying for hotel projects can be confident that Hypnos is working with sheep farmers who are committed to animal welfare and regenerative farming and know that Hypnos is paying them a fair price, on time, something many brands don’t do. 

Hypnos also supports farming communities around the world through CottonConnect and the Better Cotton Initiative, with education and training ultimately leading to reductions in pesticides and water usage.  And their certified factories have met the Global Recycled Standard to ensure materials have been collected and recycled responsibly so they don’t pollute our seas and lands.

“With a rise in hoteliers opting to incorporate more natural elements into their properties through the use of biophilic design – which has become more important over the last 18 months, we are incredibly excited to share our latest vision which has once again pushed the boundaries for sustainable sleep,” Carolyn Mitchell, Sales and Marketing Director at Hypnos Contract Beds, told Hotel Designs. “Our aim is to support hoteliers by providing a luxury, ethical sleep solution. Our robust sustainable beds will appeal to consumers who’s environmental principles are increasingly driving their booking decisions.

“Through The Hospitality Origins Collection, we are continuing to champion sustainable, ethically sourced British materials and working with partners including Red Tractor Food and Farming Standards to ensure high levels of animal welfare and land management. The collection ensures that every part of the supply chain is accounted for ensuring that everything from the farm to the factory floor is as sustainable as it possibly can be.”

Hypnos is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our recommended suppliers, please email Katy Phillips.

Main image credit: Hypnos Contract Beds

An airy dining area inside One&Only Portonovi overlooking pool and sea

MINIVIEW: Inside the first One&Only resort in Europe

730 565 Hamish Kilburn
MINIVIEW: Inside the first One&Only resort in Europe

Perched on the dramatic Adriatic coastline, One&Only Portonovi marks the luxury hotel brand’s arrival in Europe. Inside, it weaves pristine mountain terrain and medieval history into a modern design, imagined by Hirsch Bedner Associates (HBA). Editor Hamish Kilburn explores…

An airy dining area inside One&Only Portonovi overlooking pool and sea

Located in the charming village of Portonovi, on Montenegro’s stunning Adriatic coastline, One&Only’s first resort in Europe is an ultra-luxurious escape in a truly unique corner of the world. Its close proximity to the Montenegro’s town of Tivat and the historical city of Dubrovnik, Croatia, gave the interior designers at Hirsch Bedner Associates (HBA) a plethora of sources of inspiration in order to create a meaningful sense of place inside the 113-key hotel.

Hotel Design | Exterior of One&Only Portonovi

Image credit: Rupert Peace

With architecture and initial concept design by Denniston Architects, HBA collaborated to craft the interiors and bring the space to life. Drawing inspiration from the regions stunning natural scenery and traditional monastic architecture, HBA creates an understated, modern design that celebrates the resort’s key asset – sweeping vistas of the fjord-like Boka Bay.

Being the design firm’s very first One&Only resort and HBA Singapore’s first project in Montenegro, particular care was taken to adapt to regional expectations in both design and process. Helping to bring this outstanding project to fruition were HBA’s design departments – Illuminate Lighting Design, CANVAS Art Consultants, HBA Graphics, and SOCIAL F+B – who together channeled the company’s core principle of championing local culture and tradition within a modern design that resonates with the global elite.

A breathtaking view of the idyllic Boka Bay instantly captures the gaze of guests when they enter the resort’s reception, giving a profound air of exclusivity and bliss to the space. An ambience of royalty exudes from the room with elements of monastic architectural heritage. Barrel vaulted ceilings in a shimmering platinum tone finished with wood marquetry encompass the space, along with aged, tumbled stone walls and floors. Two oversized hearths flank the attached lobby lounge, completing the traditional castle aesthetic.

A high-ceilinged marble lobby with leather furniture

Image credit: Rupert Peace (styled by Florence Rolfe)

This medieval feel is woven into a contemporary tapestry with modern European decorations, detailing and contemporary artwork, adding soft touches of playfulness to offset the formality. Above the heads of guests as they enter hangs an opulent canopy of hand-blown glass in smokey, amber tones fixed to a frame of intertwining branches forming the shape of a mimosa tree, from which Montenegro’s eponymous national flower sprouts. This nod to regional culture is repeated in the drapery that dramatically frames the vistas of the bay, with a mimosa-inspired floral motif and asymmetrical layering of sheers adding a sense of theatre. At the centre beneath the canopy of mimosa lighting sits a striking boulder sculpture crafted in likeness of the region’s dramatic topography of jagged cliff edges and jutting rocks.

From the reception, guests can venture over to Caminetti, the resort’s intimate bar to relax in its comfortable and luxurious surroundings. Drinks are ordered from a burnt terracotta bar upholstered in leather furnishings and enjoyed in comfortable seating surrounded by natural walnut millwork and stained wood furniture. The space channels the grandeur of the lobby area with grigio marble floors surrounded by columns cladded in backlit art depicting a forest scene. Warmth is diffused through the cool grey colour palette with copper tones and a grey shagreen leather in the fireplaces, Maya Romanoff wood marquetry wall coverings and accents of antique brass. 

A modern luxury bar inside One&Only Portonovi

Image credit: Rupert Peace (styled by Florence Rolfe)

Moving on from the lobby, guests continue on an artistic journey across the rugged landscape of Montenegro; while waiting in the lift lobby, they can busy themselves by admiring the dramatic artwork depicting a hiker trekking through the majestic cliffs and mountain ranges that sit at the resort’s doorstep.

Exuding a sense of residential welcome, One&Only Portonovi’s beautiful guestrooms offer a luxurious home-away-from-home experience. A cozy and romantic ambience is communicated through a warm colour scheme of natural wood flooring and millwork with strokes of grey and burnished bronze.

Each room is fitted with fireplace that straddles the bedroom for an added air of opulence. Windows designed to maximise the mesmerising views of the bay serve to unify the indoor and outdoor spaces, fostering an open, exhilarating feeling. In the bathroom, no effort has been spared to encourage relaxation: an extended lounge space homes a comfortable window-side daybed and central chaise lounge. But the true element of surprise and awe lies within the daybed, which, upon request, can be magically converted into a couples’ tub, designed to face the blissful panorama of shimmering Adriatic waters.

Bathroom inside One&Only Portonovi that overlooks sea and mountains

Image credit: Rupert Peace (styled by Florence Rolfe)

The resort shelters various destination restaurants, which together offer a wealth of choice in cuisine, style, and experience. La Verandah serves up a delicious menu of traditional Montenegrin dishes for both buffet and a la carte settings. To emulate the relaxed and open atmosphere of this dining concept, the design adopts a crisp, Mediterranean colour scheme, with dark indigo blue textures and lacquered panels juxtaposed with antique bronze detailing in the light fixtures. The laser-cut grey Carrara marble tiles lining the floors bring to mind the rich stone patterns seen in traditional regional architecture. Surrounding the tables, seats woven in alternating dove-grey fabric and deep caramel and chocolate leather upholstering are arranged.

For a taste from the other side of the Adriatic Sea, guests can indulge in the refined Italian flavours offered at Sabia, a restaurant headed by renowned Michelin-starred chef, Giorgio Locatelli. The interiors were designed by SOCIAL F+B, an HBA department, in collaboration with the celebrity chef, who chose a light, fresh colour palette with warm sand tones to reflect the elegant, modern menu. The neutrals used throughout the space are accentuated with accents of seafoam blues and dove greys. A colourful light fixture hanging above the bar features hand-blown glass containing grains of sand, conjuring up images of a warm day at the seaside.

SOCIAL F+B was further tasked with the design of the innovative pan-Asian fusion restaurant Tapasake Club, a space exuding an atmosphere as lively and exciting as its cuisine. Concrete flooring is marbled with meandering metal inlay, mimicking the craquelure of ‘wabi-sabi’, a traditional Japanese aesthetic that celebrates beauty in imperfection. A warm and luxurious feel is cultivated through the use of artisanal bronze and dark mahogany detailing on the raked spatulata plaster ceiling and naked red brickwork in the walls. Complementing this golden, autumnal colour palette are neutral fabrics with olive and orange accents and ombre aqua sheer wall partitioning separating the dining tables. Behind the live edge wood bar counter are a row of amber glass display shelves showcasing the intriguing choice of liquors on offer.

A luxury suite with balcony that overlooks sea

Image credit: Rupert Peace (styled by Florence Rolfe)

Completing the wellness experience, the Chenot Espace is a world-renowned health and wellness centre within the resort. The spa area features silver travertine marble walls with a honed finish and washed grey oak floors, along with a burnt orange and grey fabric scheme.

Hotel Design | Arches inside a luxury spa and pool area

Image credit: Rupert Peace (styled by Florence Rolfe)

From the spa’s lavish hammam baths, tiled with a shimmering gold mosaic framed by traditional Turkish stone, to the expansive indoor pool and a room crafted from grigio marble walls and dark grey non-slip simulated stone tiles accented with copper and antique bronze details, this area has been designed, utilising the senses, to take wellness to the extreme. A spray of sunset tones in the glass mosaic surrounding the pool light niches casts a warm shimmering aura through the water. 

> Since you’re here, why not read about One&Only Mandarina?

The arrival of One&Only in Portonovi was described by the team at HBA as a ‘labour of love’. As a result of deep research and development mixed together with intuitive design that speaks the local language, the designers have created a timeless escape that carries the One&Only brand into new territories.

Main image credit: Rupert Peace (styled by Florence Rolfe)

Hamish Kilburn, Marie Soliman, Tom Middleton and Mark Bruce on stage at Independent Hotel Show

Show review: Independent Hotel Show 2021

730 565 Hamish Kilburn
Show review: Independent Hotel Show 2021

Following 18 months of uncertainty, the Independent Hotel Show 2021 did what it does best; it brought people back together to re-connect, re-think and re-consider what the future for the indy hotel looks like. Editor Hamish Kilburn, speaker at the show, was there to soak it all in…

Hamish Kilburn, Marie Soliman, Tom Middleton and Mark Bruce on stage at Independent Hotel Show

Leading figures on the UK independent hospitality scene emerged from their bunkers this week to attend the Independent Hotel Show 2021. Exhibitors and visitors alike were not quite sure what to expect when they entered the doors of Olympia London after a year of empty lobbies followed by the double-blow of staff shortages in the wake of Brexit. But once in the hall, with natural Autumn light flooding into the arena, familiar and friendly faces started to appear and harmony was restored.

The highly anticipated show, which like all trade events last year was forced to find virtual alternative routes to keep the industry reconnected during lockdown, was on a mission this year, it seemed, to cut through the noise in order to shelter meaningful conversations that packed a punch and allowed the live audience (a novelty that no moderator took for granted) to explore topics from a slightly different perspective.

Among the 200 carefully curated hotel suppliers at the event, there were a number of exciting new launches on the show floor including a range of innovative technology services.

Clockwork Marketing unveiled its new DIY marketing suite GuestNet; eviivo announced a number of new digital partners, expanding the platform’s range of bespoke offerings for hoteliers; FCS announced the European launch of its latest application FCS1 – an all-in-one web and mobile solution that elevates the way hotels can run operations, and TigerTMS launched iPortal – an affordable, app-less solution which provides branded hotel information, services and guest engagement by scanning a QR-code.

The event also hosted the UK debut of the Cloudbeds Hospitality Platform, which offers independent hoteliers greater efficiencies in bookings, payments and accounting, channel management, marketing and more.

Innovation on display

The Innovation Stage, in partnership with eviivo and dressed by sofa.com, was elevated by an eight-metre-wide mural created especially by art studio Aster Muro, highlighting a continued commitment to integrating art and design into the fabric of the event.

The Innovation Stage’s extensive seminar programme saw packed sessions across the two days of the show and covered subjects including the evolution of sensory hotel design, the effective use of customer data, tackling recruitment and retention challenges and much more.

Hotel Designs’ first panel discussion on sensory design, with interior designer Marie Soliman, architect Mark Bruce and sound expert Tom Middleton, struck a chord with hoteliers who used the session to understand how they could set themselves aside from other hotels by taking a three-dimensional look at their design and hospitality in one. What made the topic particularly exciting was that the panel themselves were currently in early stages of using new sensory ways to elevate guest experience in the hotel projects they are working on.

Hamish Kilburn, Marie Soliman, Tom Middleton and Mark Bruce on stage at Independent Hotel Show

Image credit: Independent Hotel Show

Gareth Banner, Managing Director of The Ned and panellist on ‘The Membership Model: Creating A Lifestyle Brand session, commented: “It’s great to be back at a live event after so long. When you’re in the hospitality business there’s no substitute for being with people, whether that’s customers, vendors or industry colleagues, and it’s very encouraging to see such good numbers here.”

The show’s Social Business Space, designed by Aorta, hosted a number of campfire-style sessions during the event, allowing guests to network with and learn from their peers in an intimate, informal and productive environment and covering topics such as hotel marketing, staffing challenges, kickstarting city hotels and retaining domestic tourists.

Peter Hancock FIH MI, outgoing Pride of Britain Hotels Chief Executive and Independent Hotel Show Ambassador, commented: “Such a delight to find the Independent Hotel Show back in business after our prolonged period of forced hibernation. I’m thrilled by how many people have come here and how excited they are about mixing with other hoteliers, learning from each other and learning from the experts that we’ve brought into the show.”  

Celebrating success

Monday October 4 ended with a joyous industry celebration, as guests celebrated the return of face-to-face events and the reconnection of the hotel community. The evening’s festivities kicked off with the celebration of the Good Hotel Guide’s ten Cesar Award winners. The Independent Hotel Show Awards were announced, with Joanne Taylor-Stagg FIH MI, General Manager of The Athenaeum Hotel & Residences securing Independent Hotelier and Anna Sirba, Operations Manager at Salcombe Harbour Hotel, awarded GM of the Future, in partnership with The Master Innholders.

Juris Dubrovskis, Executive Housekeeper at The Athenaeum Hotel & Residences, was additionally named ‘One to Watch’ by the judges, for his ‘tenacity, drive and passion for hospitality’. The evening concluded with a surprise additional award for industry veteran Peter Hancock, as he was given Outstanding Contribution for his lifetime’s work in the hospitality industry.

The morning of Tuesday October 5 saw The Power Breakfast hosted by Freemotion from iFIT, an exclusive morning session which welcomed independent hoteliers to hear renowned restaurant critics Fay Maschler and David Ellis discuss what goes into creating an exceptional hotel restaurant experience and taking a deep dive into modern restaurant trends and challenges.

Serena von der Heyde, Owner of Georgian House Hotel & Victoria House Hotel, commented: “I loved the show. I thought the panel discussions were the best and most relevant that they’ve ever been. The Power Breakfast discussion was brilliant – informative and funny. Missing a year has reinforced my belief that the Independent Hotel Show is the most important event in my calendar.”

Seminar at Independent Hotel Show

Image credit: Independent Hotel Show

Both the Social Business Space and The Suite were designed by Aorta, led by Managing Director Frida Rush, with both spaces featuring salvaged architectural materials, bespoke furniture and unique interior finishes, enveloped by the grand industrial presence of Olympia London.

During the event, organiser Montgomery Group announced the launch of new digital platform IH Connects, a free resource for hoteliers to source new suppliers and keep up to date with industry thought leadership, webinars, research and more. The platform will host on-demand seminar content from the two days of the show and will continue to host innovative sessions and vital industry debates throughout the year.

The Independent Hotel Show will return to Olympia London on October 4 – 5 2022 for its 10th edition.

Main image credit: Independent Hotel Show

Hotel Designs | A pastel pink bathroom - Crosswater Infinity furniture

Infinite bathroom furniture ideas from Crosswater

730 565 Hamish Kilburn
Infinite bathroom furniture ideas from Crosswater

Infinity, Crosswater’s new bathroom furniture collection, is focused on client customisation. Seamlessly blending practicality and functionality, the new range gives interior freedom with plenty of design possibilities, as bathrooms become much more than just practical spaces

Hotel Designs | A pastel pink bathroom - Crosswater Infinity furniture

Modular, smart, and stylish, Infinity is a wall hung storage collection that provides the ‘perfect bathroom furniture collection’ by  Crosswater. Whether clients want optimal organisation, exposed shelving, or luxe coverings to conceal endless clutter, Infinity boasts an extensive number of design combinations that result in beautifully bespoke cabinetry at an off-the-shelf price.

The Infinity design journey is surprisingly simple, requiring just four steps:

Step one: Choose your base

Available in matt white, windsor oak, matt black, storm grey matt, and white gloss, the Infinity vanity unit comes in six sizes, ranging from 500mm to 1400mm. Each size unit has a specific configuration, providing a different combination of drawer units and shelving units.

These combinations allow customers to choose a unit that will best suit their bathroom needs or desired aesthetic, whether that’s prioritising drawers to hide skincare essentials or opting for more exposed shelves to display decorative accessories. There is also the option of a pull-out drawer, a great choice for those wanting quick and easy access to every inch of storage space.

Step two: Pick your worktop

Calm neutral colours in modern bathroomThere are six worktop sizes available that match any base unit configuration. With a choice of three colours, carrara marble effect, polar white, and windsor oak, each worktop is crafted from a hard-wearing solid surface material that is easy to clean and impenetrable to dust, dirt, and bacteria.

Step three: Select your handles

Four handle finishes are on offer, including chrome, matt black, brushed brass, and brushed stainless steel. In addition to complementing the contemporary bathroom unit, these handle finishes will perfectly match Crosswater’s extensive brassware options.

Step four: Finish with a tile front

Image credit: Crosswater

Available in three finishes, carrara marble effect, marquina marble effect, and cement effect, the tile front is the showpiece of the Infinity unit. Designed to replicate natural materials for a truly authentic aesthetic, each tile varies slightly in its tone, pattern, and colour. For the indecisive shopper, Crosswater recommends investing in all three tile fronts, enabling a quick and simple design update whenever the bathroom needs a refresh.

> Since you’re here, why not read about the Artist collection from Crosswater? 

Crosswater, Headline Sponsor of The Brit List Awards 2021, is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our recommended suppliers, please email Katy Phillips.

Main image credit: Crosswater

Hotel Designs | A mint and soft pink tonal tiles in the kitchen

Surface design trend: Tonal tiles in all shapes & sizes

730 565 Hamish Kilburn
Surface design trend: Tonal tiles in all shapes & sizes

As we pivot into a new design season, we take a look at CTD Architectural Tiles’ latest tonal collection, which is right on trend…

As interior design schemes in the commercial and hospitality sectors become more adventurous and demanding in terms of aesthetics, interior designers, architects and developers are calling for a breadth of co-ordinating product choice when it comes to surface design.

Hotel Designs | A mint and soft pink tonal tiles in the kitchen

Offering its customers true design value and flexibility, CTD Architectural Tiles boasts a vast and varied product portfolio comprising of numerous co-ordinating collections, ensuring project briefs can be achieved with ease. Corresponding colour palettes, textural contrasts and pattern arrangements can work in harmony across different collections, producing schemes that deliver both style and practicality.

 

The Varadero patterned hexagon tile collection and the colourful Poitiers range are often specified thanks to their corresponding tones. From the cool mint hues and soothing blue shades to more neutral greys, the collections pair effortlessly. The contrast in the finish from glossy to matte and pattern to plain colour ensures the completed scheme will have the ideal balance of character and style whilst still co-ordinating exquisitely.

Inspired by the warmth and colours of the Mediterranean, the BOW and Terra collections complement each other exceptionally well. The soft terracotta tones of Terra, available in a range of formats for a variety of layout options, and the pops of colour and curved shape of the BOW tiles provide the perfect solution for walls and floors in hospitality, commercial, retail and residential projects alike.

Hotel Designs | Minimalist design of room with tonal design scheme

Image credit: CTD Architectural Tiles

Enhance a scheme by adding complementary colours and patterns to these ranges through the popular Poitiers and Varadero collections. For an effortless earthy palette with a hint of inspiration from nature, introduce a deep green and soft blues to the clay tones of Terra, or for a more daring approach, combine tonal variations of pink and red with a neutral grey base for a statement scheme that’s guaranteed to add wow-factor.

CTD Architectural Tiles is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our recommended suppliers, please email Katy Phillips.

Main image credit: CTD Architectural Tiles

Yi-Zhen Twenty2Degrees

Meet Yi-Zhen Jones, Associate at twenty2degrees Design Partnership

730 565 Hamish Kilburn
Meet Yi-Zhen Jones, Associate at twenty2degrees Design Partnership

Recently promoted, Yi-Zehn Jones is shaking things up inside the creative and forward-thinking design studio we all know and love, Twenty2Degrees Design Partnership. Following the completion of The Fellows House in Cambridge, the interior designer sat down with editor Hamish Kilburn to explain what working life is like inside one of London’s leading design firms…

Yi-Zhen Twenty2Degrees

There are few hotel design studios who can tell a story quite like Twenty2Degrees Design Partnership. Led by Joe Stella and Nick Stoupas, the duo are known for keeping the party alive (throwback to the negroni tap that was displayed and fully functional at their set at Sleep & Eat 2019) while also driving the industry forward. Having completed hotels such as The Dixon, The Artisan and Hilton Bankside (among others), the design studio secured its place in the hospitality design history books.

Recently, the completion of The Fellows House in Cambridge, which shelters a deep narrative I described in my review as “a history, chemistry, literature and art lesson packaged up in one unforgettable hospitality experience”, put the design firm front and centre as the city becomes a major hotel development hotspot. When researching the designers who were behind this sharp project, I came across interior designer Yi-Zhen Jones, who has recently been promoted as Associate at Twenty2Degrees. Move over, lads, Jones’ taking the reins and leaving her mark…

Lobby area inside The Fellows House

Image credit: The Fellows House, Cambridge

Hamish Kilburn: What’s it like working for a cutting-edge design firm like twenty2degrees?

Yi-Zhen Jones: Before I joined twenty2degrees just over two years ago, the majority of my experience was with global architectural & design firms which was a good learning opportunity. Now, as part of the twenty2degrees’ team, I am working in a specialist practice with an international hospitality portfolio of the highest level where we have the depth of hospitality expertise to work on varied projects and I can learn from and engage with people who really understand everything it takes to design a great hotel.

More than this, the directors really encourage everyone’s engagement and ideas. We are a small, very collaborative team which means there is a sense of freedom and creative expression but at the same time of personal responsibility. We all have our areas of expertise but we can pitch in and help each other out wherever necessary – we have a great team. We work hard but we are also able to maintain a great balance between work and personal life which is strongly encouraged by the directors. Twenty2degrees has been a refreshing change of pace.

HK: Can you explain your new role – how does it differ from your former role – at the design studio?

YZJ: “My role is evolving. As senior designer, I was involved in almost all the projects at some point – that’s the nature of a boutique firm, we are all hands-on. Now, as associate, I am more deeply involved in certain projects and taking on more of the decision making, but always in consultation with the directors.

HK: What projects have you recently completed – and what are you currently working on?

I have been working on The Fellows House Cambridge, part of the Curio Collection by Hilton which opened in June. It is an apartment-style hotel designed to offer a home-away-from-home, infused with the legacy of the university fellows and the cultural soul of Cambridge. The question for us had been how to achieve this without being too literal and while the design narrative is sometimes thought-provoking, it is also playful and layered to feed guest curiosity.

Currently, I am busy on Hyatt Regency projects in London, Paris and Nairobi, as well as the Marriott Brussels and a new Kempinski in Cameroon. We have an incredible variety of projects and there is never a dull moment.

HK: You recently participated in a panel discussion with us on sensory design, which will be published shortly. Why as an industry have we not given this topic the same attention as we are currently giving it?

YZJ: I think perhaps that the pandemic has something to do with this. We have spent 18 months enduring lockdowns which on the one hand deprived us of new experiences but on the other gave us the space to connect with our senses. As a result, people are now more aware about the benefits of sensory stimulation.

QUICK-FIRE ROUND

HK: Name one trend you hope that never returns?
YZ:
Designing for Instagram

HK: Name one hotel brand that is impressing you as a real disrupter on the hotel design scene?
YZJ: Birch

HK: Where’s next on your travel bucket list?
YZJ: Simple. A trip home to New Zealand to have a proper Christmas on the beach again when travel restrictions are eased

HK: What’s one thing people would not know about you?
YZJ: In my former life as an artist I was quite a prolific cross-stitcher

HK: Where do you see yourself in 10 years’ time?
YZJ: Still doing what I love, designing great hotels!

HK: As a woman in a leadership position, what more can we do to practice (not just promote) equality in our sector?

YZJ: I consider myself lucky at twenty2degrees where people are judged by their talent and contribution to the business. However, I do think diversity in all its forms as well as gender equality need to be addressed in our sector and that this is a challenge that needs to be made to everyone in leadership positions. The more voices that are represented and heard the better and more interesting our industry will be.

HK: Young designers are struggling at the moment – what advice would you give young professionals?

YZJ: Keep your creative spark alive, whatever it takes, and don’t become disheartened. Actually, it was quite a difficult marketplace when I graduated with my master’s degree. It took me the best part of a year to find my first full-time placement and then another year before I started working on hospitality projects. Ultimately, if you are interested and determined, you will break into the industry.

Main image credit: Twenty2Degrees Design Partnership

Hotel Designs | Liquid Layers collection by Moooi in minimalist room

At one with nature: Liquid Layers by Moooi Carpet

730 565 Hamish Kilburn
At one with nature: Liquid Layers by Moooi Carpet

Hotel Designs has identified a common thread between the latest collections launched by Moooi Carpets: nature and the organic natural world. But it is one fluid range, Liquid Layers designed by Claire Vos, that has made quite the splash…

Hotel Designs | Liquid Layers collection by Moooi in minimalist room

Bringing the outdoors in is the interior design trend that just keeps on giving. For Moooi Carpets, the rise in demand for biophilic design has allowed its design team to create interesting and vivid carpet collection.

Most recently, one new range from the brand has particularly sparked designers’ interest as it’s inspiration comes from looking beyond what we see on the surface. Cue the launch of Liquid Layers, designed by Claire Vos and conceptualised by objects of nature morphed and liquified into new patterns.

What happens when you deconstruct the shapes and colours found in nature and morph and liquify them into new patterns? Imagine a carpet collection inspired by the objects of nature, in which each design highlights a different mineral or organism, such as the marlstone, a tulip, or a pebble. Well, in the Liquid Layers collection, nature becomes fluid.

For this colleciton, Vos created a design technique where the possibilities are infinite, resulting in a unique approach towards pattern design surprising layer by layer.

The carpets are available in shapes organic and round. Carpets Tulip and Agate come in the shape organic; an unexpected round overlapping shape, very different from traditional carpets. Carpets Marl and Pebble are round and provide softness to angular spaces and gives minimalist interiors character.

Moooi Carpets is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our recommended suppliers, please email Katy Phillips.

Main image credit: Moooi Carpets

Hotel Designs | matt black fireplace in modern lounge with yellow seating

Introducing the next gen of modern fireplaces

730 565 Hamish Kilburn
Introducing the next gen of modern fireplaces

Adding modern drama and context to a contemporary interior design scheme, FOCUS has launched the new glazed GYROFOCUS fireplaces, with an ‘Ecodesign Ready’ closed hearth, which fully compliant with regulations that come into force on January 1, 2022…

Hotel Designs | matt black fireplace in modern lounge with yellow seating

Imperceptible at first glance, the glazed GYROFOCUS has a new and unique curved glass window that protects the environment without altering the original design – a huge technological feat for Focus, which remain at the forefront of fireplace innovation.

> Since you’re here, why not read about the gas GYROFOCUS?

Keeper of the flames

The new design includes all the advantages of a real fire are preserved without the risk of sparks flying thanks to the ingenious frameless sliding glass window that fits seamlessly into the hearth. This allows for a perfect view of the wood burning fire with its flickering flames, all with the added benefit of energy efficiency.

Hotel Designs | Modern lounge with black matt fireplace

Image

Compliance

The new Glazed GYROFOCUS is compliant with all new legislation concerning wood-burning appliances coming into force early in 2022. However, FOCUS has been pushing boundaries since 2015; it has implemented the strictest regulations complying to the highest environmental levels including a four-star 4 Stelle rating in Italian environmental regulations, one of the most demanding in the world.

Energy efficiency

Despite the product challenging conventional approaches in fireplace design, the new innovation remains extremely straightforward to use. Thanks to the regulation of the air supply at the base of the opening, it is very easy to adjust the power of the fire and choose low or high intensity options. A key positioned on the duct also helps conserve the fireplace’s energy and maintain heat in the room.

Original design

More than 12 months of research and development, alongside extensive testing, were necessary to develop the Glazed GYROFOCUS whilst ensuring the original design remained intact, including its ability to pivot at 360°. FOCUS continues to impress with its technical prowess in converting its designs to newest and most advanced standards while respecting the aesthetics of its models.

The GYROFOCUS is a prestigious design created in 1968, which has become an international classic and the symbol of the brand.  This model is taught in a school of architecture and was voted La Cosa Più Bella Del Mondo (the most beautiful design in the world) by Italians. It was exhibited at the Guggenheim Museum in New York. The glazed GYROFOCUS now completes the GYROFOCUS collection of wood, gas and outdoor models.

FOCUS is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our recommended suppliers, please email Katy Phillips.

Main image credit: FOCUS

A subdued design scheme inside Ace Hotel Sydney guestroom

Ace unveils design details for its debut hotel in Australia

730 565 Hamish Kilburn
Ace unveils design details for its debut hotel in Australia

Atelier Ace has announced that Flack Studio is the primary design partner for Ace Hotel Sydney, which will open in 2022. The 264-key hotel will be housed inside the site of one of Australia’s first ceramic kilns – we wonder where the designers will source their inspiration from…

A subdued design scheme inside Ace Hotel Sydney guestroom

Muti-disciplinary interior design and architecture firm Flack Studio, founded in 2014, has been announced as the primary design partner for Ace Hotel Sydney, which, when it opens in 2022, will mark Ace’s first stake in the southern hemisphere.

With a ground floor restaurant, bar and cafe in the hotel’s communal lobby and a restaurant and bar on the rooftop, Ace Hotel Sydney will invite the ready rhythm of Surry Hills inside — an active commons for culture, commerce, art and community. The hotel itself will be housed in the area’s historic Tyne House brick factory — the site of one of Australia’s first ceramic kilns.

“Though its culture and character are all its own, we’ve always felt a strong a affinity with Australia — its intrepid optimism and renegade spirit resonates with Ace’s roots on the Pacific Coast of America,” said Brad Wilson, President, Ace Hotel Group. “We love the country’s distinctive brand of modernism, particularly in the use of local organic materials, and were lucky enough to find a perfectly modernist partner in Flack Studio. David’s eye for colour and space is completely singular — a dream design collaborator for our first hotel in Australia.”

“Flack Studio embraced organic materials to create spaces honest to this history.”

Inspired by the rich history of Surry Hills and the warm, cinematic colour palette of the Australian landscape, the design of Ace Hotel Sydney acts as a call and response with the city’s past — superimposing its eras and evolutions in a contrast of natural textures and tones. From the razor gang wars and underground liquor trade of the 1920s and 1930s, the modernist art boon of the 1960s and through to the Gay Solidarity Group protests of the 1970s, the neighbourhood has long served as home to the most trailblazing and resilient voices of modern Australia — a culture coalesced from Surry Hills’ vibrant migrant communities. Flack Studio embraced organic materials to create spaces honest to this history — from the acoustic textural straw walls of the hotel’s guest rooms to the striking ochre red off-form concrete staircase in its lobby.

A respect of craftsmanship is threaded throughout the building, with many of its furnishings, artworks and interior details created uniquely for this project. Guestroom furniture, joinery and lighting have all been carefully custom designed by the design studio, with textile-adorned window seats designed to invite conversation in each space.

“Surry Hills has been home to so many culturally important movements and people, and has always been a home for creatives and migrating cultures,” added David Flack, Founder and Director of Flack Studio. “We wanted to preserve the creative, slightly renegade energy of the space since its origins as one of Australia’s early brickworks. We were committed to creating a warm space that brought together Australia’s cultural history with Ace’s unique, community cultivating approach to hospitality.”

> Since you’re here, why not read about the opening of Ace Hotel Brooklyn?

Still to come… Ace Hotel Sydney will be announcing the full details of its food and beverage program — including the additional design partner for the rooftop restaurant and bar. Stay tuned for further details in the coming months.

Main image credit: Anson Smart

Newmor projects and David Johnston

Made in Wales: Celebrating a new chapter for Newmor

730 565 Hamish Kilburn
Made in Wales: Celebrating a new chapter for Newmor

In an exclusive and well-timed interview with Hotel Designs, David Johnston, Managing Director of wallcovering company Newmor, meets editor Hamish Kilburn to explain more about the Welsh brand’s new look…

Wales is famous for its rugged coastline, mountainous National Parks and elegant language. Beyond the beautiful beaches, the Welsh people are also known as some of the friendliest – which set a comfortable tone for my latest interview.

Newmor projects and David Johnston

What, in all honesty, I was not aware of was that Wales, a modest country that has more sheep than people, is also home to the UK’s largest independent commercial wallcovering manufacturer.

Established in 1967, Newmor (one of Hotel Designs’ recommended suppliers) is privately owned and proud to be family-run to this day. Its roots may be local but the company’s presence on the international hotel design scene is anything but restricted. The brand operates in more than 70 countries worldwide through a vast network of international distributors and regional sales offices.

Now in its mid-50s, Newmor has earned the right to go through something of a transformation – so it was a great time for me to catch up with David Johnston, the brand’s Managing Director, who through his 24-year career at the brand has been able to see the brand’s operations from various perspectives. “I became Managing Director just over two years ago and I believe my journey from the factory floor to senior operational and commercial management has given me a unique insight and appreciation of what we do,” explains Johnston. “In my previous role, as commercial director, I extended Newmor’s reach in international markets, and as Managing Director I have been able to put in place an infrastructure to build on that – so now is absolutely the right time to refresh our branding.

“Our relaunch allows us to bring a focal point to the brands core values in colour and design as well as renewed appreciation in its heritage.” – David Johnston, Managing Director, Newmor.”

When looking at the general landscape – and considering the enormous culture shift our industry has recently endured – it’s an apt time for any brand to consider a new look. But for Newmor, pre-pandemic, the idea of development and evolving with the industry has always been a focus. “I think it’s important to highlight that the rebrand has been a culmination of three to four years development,” says Johnston. “We took a hard look at ourselves and what we wanted to become both as an employer in the local area and as well a key supplier to the global interiors market. Our relaunch allows us to bring a focal point to the brands core values in colour and design as well as renewed appreciation in its heritage.

“The brand firmly believes that design, pattern, and colour have the power to change how people feel in an interior space.”

Newmor designs and manufactures its products at its own facility in Welshpool. The business is a family business in every sense as the brand’s skilled workforce have decades of experience. And from talking to David, it’s clear that the brand firmly believes that design, pattern, and colour have the power to change how people feel in an interior space. As experts in design and manufacturing, the team’s vision is to celebrate pattern and design in commercial installations globally, whilst reducing life cycle cost and the impact on the environment.

And by looking at the company’s capabilities and ambitions, Newmor is well placed to provide solutions suitable for any project or budget. There are thousands of designs and colour options within its portfolio, a dedicated design team to create custom solutions, all backed up by an impressive warehouse of stocked wallcoverings – a facility that has been invaluable in a post Brexit world.

Image caption: Newmor Bespoke wallcoverings at Royal Caribbean Symphony of the Seas. | Image credit: Newmor

Image caption: Newmor Bespoke wallcoverings at Royal Caribbean Symphony of the Seas. | Image credit: Newmor

I asked Johnston to give me 10 words to describe Newmor. He came back with this: Innovative, creative, approachable, authentic, adaptable, specialist, reliable, durable, agile and UK made. “I believe these ten words encapsulate the business’ values and ethics accurately and signifies the customers journey when working with us,” he adds.

Whether it is large format bespoke digital prints, fully fire rated durable fabric-backed vinyl wallcoverings, an array of printable films or creating write and wipe walls, Newmor has the capability and infrastructure to supply the most demanding commercial sectors. And it’s the third word, ‘approachable’ that, despite a modern makeover to its brand, keeps Newmor a much-valued recommended supplier.

Newmor is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our recommended suppliers, please email Katy Phillips.

Main image credit: Newmor

Ep 8 DESIGN POD

LISTEN NOW: Art’s role in design – a DESIGN POD special

730 565 Hamish Kilburn
LISTEN NOW: Art’s role in design – a DESIGN POD special

Calling all design and architecture enthusiasts, the latest episode of DESIGN POD has dropped! Listen now to episode eight of the podcast for all designers and architects on-to-go to find out what happened when editor Hamish Kilburn and co-host Harriet Forde met Patrick McCrae, CEO and founder of ARTIQ, a brand on an unapologetic mission to towards equality in art and beyond…

Ep 8 DESIGN POD

Episode eight of DESIGN POD is now available to listen to on all major podcast platforms. In this episode, which is in association with Bathroom Brands Group, editor Hamish Kilburn along with co-host Harriet Forde investigate art’s role in design. To do this, the duo welcome Patrick McCrae – some might say the king of the art scene in the UK – onto the Minotti London sofa to explore more about ARTIQ’s mission towards equality.

Before we started to really understand art’s role in this eclectic arena, it was integral in the conversation to understand ARTIQ’s role when it comes to creating exceptional spaces around the world. “We tend to work a lot with designers and architects as a triumvirate team to pull together at times quite complicated art schemes to help articulate a design narrative.”

Minus one or two hilarious moments, the conversation with McCrae was fuelled largely by his undisputed passion to create an equal arena for all emerging talent within the creative industry. “I set the company up when I was 21,” he said. “Often, creativity is seen as a hobby and therefore it is not paid properly. It’s not uncommon for artists to work for exposure and not cash. I set this business up to show that the journey of an artist can be economically viable.”

Listen to the full episode below:

Main image credit: DESIGN POD/Hotel Designs

ROKU KYOTO exterior

LXR Hotels makes its debuts in Asia Pacific

730 565 Hamish Kilburn
LXR Hotels makes its debuts in Asia Pacific

Designed to reflect the traditions and tranquillity of Kyoto in Japan, ROKU KYOTO has opened. The hotel joins Hilton’s collection of independent, luxury hotels and marks LXR Hotels’ arrival in Asia Pacific…

ROKU KYOTO exterior

Following the brand’s arrival in the Seychelles earlier last month, LXR Hotels & Resorts, one of Hilton’s three distinctive luxury brands, has opened its debut property in Asia Pacific.

Situated beneath the breathtaking panorama of the majestic Takagamine mountains in northern Kyoto, ROKU KYOTO is nestled within the 28.6-acre Shozan Resort Kyoto, a luxury enclave home to some of Kyoto’s most notable and idyllic Japanese gardens, historic architecture and authentic tea houses. The hotel is also located within walking distance from the famed Kinkaku-ji “Golden Pavilion” and other historic temples, such as the Koetsuji Temple and the Genkoan Temple. 

Image caption: The guestrooms and suites Infuse both traditional Kyoto design and modern Japanese aesthetic in calming earthy tones. | Image credit: LXR Hotels

Image caption: The guestrooms and suites Infuse both traditional Kyoto design and modern Japanese aesthetic in calming earthy tones. | Image credit: LXR Hotels

Paying homage to the Takagamine area’s rich history, which was also the source of water for washi papermaking, the hotel has been designed by the international design firm, BLINK Design Group, to reflect an artist’s residence. Guests can discover the multi-faceted expressions of traditional Japanese art as they explore the hotel, from exquisite lacquerware at the entrance, bamboo art pieces in the restaurant, ceramics artefacts in the spa, to karakami decorative paper in the guestrooms. 

“The 114 thoughtfully designed guestrooms offer a peaceful sanctuary that depicts the beauty and simplicity of Japanese materials and craftsmanship.”

Infusing both traditional Kyoto design and modern Japanese aesthetic in calming earthy tones, the 114 thoughtfully designed guestrooms offer a peaceful sanctuary that depicts the beauty and simplicity of Japanese materials and craftsmanship. Overlooking rich natural landscapes, guests can feel connected to the wonders of Kyoto’s storied culture and resplendent nature that evolves with the seasons.

“Welcoming LXR Hotels & Resorts in Asia Pacific marks a key milestone in our expanding luxury footprint in the region, complementing the award-winning Waldorf Astoria and Conrad brands to offer the full spectrum of luxury experiences here,” said Alan Watts, President, Asia Pacific, Hilton. “We are thrilled to partner with Tokyu Land Corporation and Tokyu Resorts & Stays Co., Ltd. to bring the LXR brand to Kyoto, one of the world’s most alluring destinations. I am confident that ROKU KYOTO will deliver a bespoke experience of Kyoto and fully immerse travellers in the unique charms of the city, attracting both domestic and international travellers once it is safe to travel again.” 

Named after the Tenjin River, the restaurant TENJIN shelters French-style dishes made from the finest locally sourced seasonal ingredients. At the Chef’s Table within the restaurant, guests can witness first-hand the art of cooking by the masterful chefs as they present an exclusive seasonal course menu served with a special technique, inspired by the history and culture of the Rinpa school.

Image caption: The restaurant, where Japanese design meets French cuisine. | Image credit: LXR Hotels

Image caption: The restaurant, where Japanese design meets French cuisine. | Image credit: LXR Hotels

The grounds on which the hotel was built was historically a renowned artisan colony where the classical Rinpa school of Japanese painting was founded around 400 years ago by Hon’ami Koetsu, a Japanese artist, poet, calligrapher, tea master, and landscape designer, considered one of the greatest and most influential artists of the 17th century. Rinpa played a significant role in nurturing important artists and craftsmen over the years and had a strong influence on the development of traditional Japanese art and culture. 

“ROKU KYOTO is a true representation of the LXR brand, and showcases a unique travel experience native to Kyoto, its location, history and tradition. – Tatsuaki Takana, Managing Director and Head of Wellness promotion unit, Tokyu Land Corporation. 

“We’re extremely pleased about the opening of ROKU KYOTO, LXR Hotels & Resorts, and are excited to partner with Hilton again following the successful launch of KYUKARUIZAWA KIKYO, Curio Collection by Hilton in 2018,” added Tatsuaki Takana, Managing Director and Head of Wellness promotion unit, Tokyu Land Corporation. “ROKU KYOTO is a true representation of the LXR brand, and showcases a unique travel experience native to Kyoto, its location, history and tradition. Tokyu Land Corporation’s mission remains unchanged through the pandemic, to work with the right partners to offer the highest standard of personalised service to our guests, while delivering comfort and safety to ensure their satisfaction and loyalty.” 

“LXR Hotels & Resorts feature a network of distinctive, best-in-class luxury hotels that thrive independently yet are unified by their unrivalled commitment to personalised service with each property providing a truly local and captivating experience,” said Feisal Jaffer, Global Head, LXR Hotels & Resorts. “The highly-anticipated opening of ROKU KYOTO is the perfect addition to our expanding portfolio and an important brand milestone as the inaugural LXR property in the region. The hotel provides guests with authentic and meaningful experiences of the local area. These experiences are visible through the cultural threads that are woven through every part of the hotel— from the architecture and design to culinary experiences and experiential immersions that remain true to the destination’s history and heritage.” 

Image credit: LXR Hotels

Image credit: LXR Hotels

Meanwhile, the spa offers a selection of spa therapies and treatments that celebrate Japan’s healing traditions, offering an oasis of tranquillity and calm. Guests may also enjoy an original blend of aromatherapy oils infused with the essence of ‘Kitayama sugi’, a Japanese cedar tree native to the northern Kyoto area. 

Tom Middleton, Sound Architect

Tom Middleton: “Sound in design is finally being taken seriously”

730 565 Hamish Kilburn
Tom Middleton: “Sound in design is finally being taken seriously”

Ahead of joining editor Hamish Kilburn on the Innovation Stage at the Independent Hotel Show for a panel discussion about sensory design on October 4, Tom Middleton speaks to Hotel Designs about the role of sound design in sleep performance, hospitality and design…

Tom Middleton, Sound Architect

Tom Middleton is no stranger to the Hotel Designs brand. The sound architect is a true polymath who wears many hats in the hospitality industry. He is  a pioneering electronic musician, an award-winning sound designer, a DJ and producer, a certified sleep science coach, trained in mental health first aid, and is Co-Chair on the AFEM Health Group.

In his music career, which took place prior to his journey in wellness and wellbeing, he toured the world and performed to millions, observing the positive affects of sound while sharing the stage with the likes of Mark Ronson, Lady Gaga and Kanye West.

Most recently, while the industry became fuelled by collaborations, Middleton began exploring sound’s role in other arenas. In addition to working with leading brands, designers and architects, last year he joined an exclusive panel discussion with Hotel Designs LIVE that started the conversation around sensory design in hospitality.

Further to this insight, Middleton is preparing to join a panel discussion, moderated by editor Hamish Kilburn, at the Independent Hotel Show that will direct the narrative towards how hotels can use the senses in a new era of authentic hospitality. Before that session, we spoke to the sound architect about sleep performance.

Hamish Kilburn: How did you first become interested in the topic of health, wellness and sleep in relation to music?

Tom Middleton: Initially from honest feedback from composing pioneering ambient music in the ’90s. People reported using our music to help them relax, sleep, give birth (and – voted best album for ‘the bedroom’!) and even process trauma.

At the peak of my career touring with a relentless international travel schedule my sleep became severely disrupted. I trained as a sleep science coach to better understand sleep architecture and hygiene and then integrate science to inform music designed to help address human problems such as de-escalating anxiety and stress, improving sleep, boosting productivity and performance.

I’m currently on a neuroscience and psychology of music Masters program to deepen my knowledge in this fascinating area that can add tremendous and measurable value.

HK: How has the ‘functional music for wellness’ industry evolved in recent years?

TM: As a pioneer in this area, I’ve been gratefully observing exponential interest, investment and growth in this area of functional music with more and more apps, platforms and experiences delivering wellness and health focused solutions.

I am delighted that the sleep music I have designed for the #1 mindfulness app Calm is helping millions sleep better every night. Beyond domestic and hospitality sectors, I’ve personally expanded into providing science-based, bespoke music, sounds and sound rituals for functional beverages, functional skincare, mobility, workplace, education and healthcare… and it won’t be long before we get to space travel.

Calm bedroom with pastel interior design scheme

Image credit: Unsplash/Collov Home Design

HK: Are you seeing growing interest in sound design from hotels and hospitality businesses?

TM: It’s finally starting to be taken more seriously, but still a way off the perceived value of say interior and lighting design. It’s taking a long time, as the industry is still stuck in the mindset of background music playlists, mostly as an afterthought and always for the lowest possible price.

For our business it has never been busier with many projects in various stages of development, and we’re looking at retrofitting solutions as well as more future-facing connected/IoT/integrated smart sensory room solutions.

HK: What makes good sound design for a hotel environment?

TM: Taking a ‘humans first’ approach to design – thinking about everyone using the space is so important. A multi-sensory, integrated, congruent, considered, empathetic design approach. Aligned with the core values, and complimentary to the interior and F&B, appropriate to emotionally connect with the guest personas.

Designers should think about the human/guest journeys and the micro moments experienced within environments that could be enhanced with surprising, delightful, beautiful, engaging, magnetising, useful, or therapeutic sound-scaping.

HK: What feedback has there been from consumers so far?

TM: So positive! It’s wonderful when someone says, ‘I had the best night’s sleep’, or ‘it helped reduce my anxiety and stress levels’, or hearing it helped someone focus before a meeting.

One fun aspect that gained a lot of talk on TripAdvisor was the soundscapes I designed for the lifts within Yotel New York. The challenge was that lifts are enclosed spaces, where guests often feel awkwardly silent. The solution was to take cultural cues from New York’s theatre district, classic TV, film and musicals. As a result, we were able to transform this typically uncomfortable 15 seconds avoiding eye contact to pure delight and joy as a positive memory was triggered – think Pink Panther theme tune or the Pinball Song from Sesame Street – as people walk out of the lifts smiling, chuckling or humming along.

“Science shows that sound, music and noise reduction strategies can all help you sleep better.” – Tom Middleton, Sound Architect.

Yotel Times Square, New York

IMage

HK: Why should hoteliers invest in sound design?

TM: If hotels are selling sleep, then ensure you can deliver the promise of the best sleep ever. Science shows that sound, music and noise reduction strategies can all help you sleep better.

A congruent, focused wellness strategy for sound, integrated with the other sensory elements, tuned or personalised for the specific environment, time, geographic location and the people using it will add measurable value to a hospitality experience and boost the bottom line.

It’s now a matter of corporate social responsibility to put the mental, physical and emotional health and wellbeing, as well as entertainment and performance, at the forefront of guest experience.

Tom Middleton, Hamish Kilburn, Mark Bruce (Director, EPR Architects) and Marie Soliman (Co-Founder, Bergman Interiors) will join the Innovation Stage at the Independent Hotel Show on October 4 to discuss, in depth, the sensory experience in hotel design and hospitality.

Main image credit: Tom Middleton

Person in factory eating

Editor checks in: The unethical merry-go-round in design I want to jump off

730 565 Hamish Kilburn
Editor checks in: The unethical merry-go-round in design I want to jump off

Somewhere between furious and frustrated are where editor Hamish Kilburn’s emotions currently sit after learning about the inexcusably unethical design processes behind many products that are in demand of being specified in hotel design projects globally. But will the industry wake up to realise the human cost of a low-priced product?

Person in factory eating

Interior designers are taught and trained to create consciously; to look beyond aesthetics, to consider elements such as materiality and sensory touchpoints, in order to transform empty shells into meaningful spaces. By doing so, students arguably hold the key to unlock hospitality’s innovation and future. The initiatives I have seen emerge recently from young designers – most noticeably when judging the Accor Design Awards – are a breath of fresh air. Some are equally completely unrealistic, which is why, in their raw and brilliant state, they should be nurtured for when technology, behaviour and society inevitably catches up (which they will).

Something changes, though, when a student enters the workplace. Firstly, they start getting paid fairly for their efforts. As a result of being part of something far larger and greater, the freedoms of having ownership of a project in its entirety are, however, lost. That void is filled with hurdles you simply cannot simulate, no matter how many modules you take, such as outrageous client demands, brand standards, and your creativity feeling, at times, somewhat muted. If you are a young designer in this position, I’m afraid it is just part of the process, and in relation to other graduates who are struggling to find the first step on the ladder, you are winning. Perhaps, tough, I can offer you some words of wisdom that may or may not help you on your journey. They come from a close friend of mine who recently shared these strands of advice with a colleague of his who was about to embark on a new chapter in their career.

His advice was:

  • Nobody likes a drama-queen. You might be dying on the inside but try to come across as cool and in control and you will be admired by everyone.
  • Think about the ‘now, next and future’ – carve your plans into these categories and give each one equal attention.
  • Stand your ground when you really believe in something.
  • Balance art with science. Art alone will divide people. Science alone is cold and lacks emotion.
  • Nobody will argue with the data (mostly)

There were actually more than five (at least 15 points in total) but I digress, which wasn’t but should’ve been his next top tip of what not to do. For the purpose of this piece, I want to focus my attention on the fifth statement: “Nobody will argue with the data (mostly)”.

Well, it has come to my attention recently – in fact, like you, I have been aware about it for a while but ignorantly let it sail past my radar without any action or comment being taken – that some manufacturing processes, in this rule-lacking race to bring down the price of products, are deeply and abhorrently unethical. I would like to say that they’re not adhering to ethical standards and/or guidelines, but the truth is that there are no such parameters currently in place. “Blame the brands,” some may argue, but even the companies using these factories that offer a good price are, sometimes with the best intentions, blinded – or choose to shut their eyes – so cannot focus the lens on the social and human costs behind these deals.

One gentleman who is all too aware of the damage that can be caused by moral-abandoning factories is Chris Stimson, the Co-Founder of lighting brand Well-Lit, which I now champion and will amplify hard because of its unapologetically clear stance on ethical manufacturing. I was hosting an exclusive roundtable, exploring this very topic with Stimson and a handful of leading lighting designers, when relayed to us his up-close and personal account with factories that treat their staff badly – he has been arrested three times before (think fly-on-the-wall, Panorama eat-your-heart-out kind of content)!

“I freely admit that I spent the early years of my lighting journey on the wrong side of ethical manufacturing. I knew plenty about lamps, but nothing about the people who made them, or the real conditions in most Asian factories.”, he said. “I made lots of ignorant and naive errors – until I personally witnessed exploitation in factories making bulbs for western brands.

“Unfortunately, sustainability and ethics aren’t quite the same thing. A brand can tick every box for the climate and the circular economy, and still act in ways that most consumers would find entirely unacceptable.”

Sadly, as briefs become more specific, deadlines become tighter and budgets have to work harder. Therefore, the demand for cheap specification in this fast-turn-around society takes precedent. As a result, this is one area of the interior design arena that will unfortunately continue to fall into what will soon be disrepair. The people who suffer most will be the people working in the factories, often hundreds of miles away from their families, who have little to no choice but to accept the disgraceful working conditions that are sheltered in some of these factories that many well-known brands with deep pockets for PR and marketing use, perhaps unaware of the truth that is locked from view.

To all brands, internationally, that are currently using marketing tools to amplify ethical, feel-good messages: I urge you to consider thoroughly which factories you decide to partner with. Ask difficult questions. Become a nuisance. Demand the data to back up the grand statements you will undoubtedly receive when hearing about care of and working conditions for the factory workers. This is the only way to separate quality craftsmanship from cheap labour. Even then, with the best will in the world and by asking all the right questions, brands can be lied to and fed misinformation.

As designers, I believe it is your duty to challenge manufacturers and brands – and if you have access, then also the manufacturing process behind products.

However, even with the best will in the world, you will get so far before you find a black hole of information. This is why it is so important for brands to know what happens under the roofs of the factories that are producing their products – the more information you can gather in this area, the better equipped you will be to help create an ethical design landscape that doesn’t sacrifice the welfare of people over price (and quality).

It’s a difficult yet important road to travel for the greater good of design and humanity, but it is not all doom and gloom. I am pleased to see that brands are, it seems, working hard to amplify craftsmanship and authentic design. In a recent roundtable I hosted, I learned that Ennismore is only interested in working with brands that can prove their products have been made ethically. Perhaps, I hope, the tight-knit design team at the studio is setting the tone for others to follow.

Editor, Hotel Designs

Main image credit: Unsplash/JKN

A wallcovering of palm trees infront of modern sofa and warehouse setting

Sneak peek: New AW/21 wallcovering collections from Arte

730 565 Hamish Kilburn
Sneak peek: New AW/21 wallcovering collections from Arte

To celebrate this month’s spotlight being cast on wallcoverings, Hotel Designs gets the low-down on the latest collections from wallcovering brand Arte. Editor Hamish Kilburn explores the new patterns that take design notes from culture, craft and the natural world around us…

A wallcovering of palm trees infront of modern sofa and warehouse setting

As well enter September – arguably the most integral month of the year when it comes to trend forecasting – designers are on the search for something new, collections that highlight and celebrate true innovation and creativity.

Right on cue, Arte has unveiled this year’s AW/21 collection, and following our sneak peak, the theme of nature as well as craft is fully alive within these selections of patterns. Here’s my editor’s pick, showcasing just a selection of what’s fresh from the Belgium brand.

Décors & Panoramiques

Blue and green tropical wallcovering

Image credit: Arté

For AW21, the brand has expanded its Decors & Panoramiques collection with an additional five designs, including lush, painterly tropical scenes, Greek mythology-inspired prints and an homage to the ancient Indian Odishee dance as seen in the Odisha Dance print. From velvet soft silks and bouclé fabrics to sophisticated linen effects, these eye-catching designs will make a statement in any room.

Gitane

Tibetan tigers, traditional woven baskets from Zimbabwe and the beautiful Italian flower fields all feature within the Gitane collection exuberant wallcoverings that will take you on a journey around the world. With maximalism at its core, the collection includes seven designs depicting awe-inspiring scenes and eclectic patterns in a rich colour palette of earthy tones, pastels and neutrals.

Costura

Costura draws its inspiration from traditional craftsmanship with textiles as the starting point. All designs are formed with needle and thread. They are translated into motifs with striking stitching and impressive patchwork. Diagonal lines and surprising prints alternate in this unique collection based on handicraft.

Arte is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our recommended suppliers, please email Katy Phillips.

Main image credit: Arte

Rock Galpin and his new collection of furniture

Rock Galpin: “My new furniture collection is like a human hug”

730 565 Hamish Kilburn
Rock Galpin: “My new furniture collection is like a human hug”

A few years and a pandemic after editor Hamish Kilburn first put forward Rock Galpin as the designer that furniture brand Morgan should work with next, the collaboration has reached a milestone with the unveiling of the Lugano Collection. Ahead of its official reveal this week, Kilburn exclusively caught up with Galpin and Morgan to find out more…

Rock Galpin and his new collection of furniture

I’m stood in Clerkenwell, a site myself and fellow design enthusiasts are familiar of. Although the streets are almost empty and the lights in many showrooms are switched off (for now) – it all looks so different post-pandemic – Dallington Street has a pulse running through it. There’s excitement in the September air as the Morgan showroom is about to shelter the official unveil of a new furniture collection. The Lugano Collection, designed by legendary furniture designer, Rock Galpin, has taken years to perfect – and London Design Festival 2021, four years since I first met the designer himself, is the perfect time (and place) for such an occasion.

It’s more than just another product launch affair for me. Believe it or not, I was the one who connected the brand with the designer a few years ago, before there were signs of a cultural shift – and planting a seed is all the credit I shall I claim with this collection. Following a few emails, the creative flair from both sides came together in harmony, with the aim to create a comfortable masterpiece for the brand to confront a new hospitality era.

Ahead of the official unveil, which takes place later this week, the team have kindly offered Hotel Designs the exclusive interview, for us to understand how this partnership evolved following our most meaningful introduction (to date)…

Hamish Kilburn: First things first, Rock, talk us through how this collection’s themes came about…

Rock Galpin: Personally I believe that the ‘quality of the experience’ of a design, of a product such as this, has become increasing more and more important. I believe we are now looking for design that serves us on a much higher level, beyond utilitarian needs, where greater levels of comfort, increased quality of experience of use, control, even empowerment with a more ethical stand point will enable a more meaningful outcome.

“The collection took shapes from simple wrap around forms that hug you – like a human hug.” – Rock Galpin.

To bring this back to the collection, the starting point for me was a simple one; to focus on comfort and what I associate with it. Warmth, being wrapped up, hugged, softness around, smoothness, soft forms and materials that we connect with, deriving from nurture and to be nurtured. The collection took shapes from simple wrap around forms that hug you – like a human hug. The frame supporting the user in a kind of protective nurturing cradle, with crafted paddle like legs extending up the sides and back. 

Two armchairs in the new Lugano furniture collection

Image credit: Morgan

As the forms and pieces started to take shape we looked further at materials and colour-ways from inspiration found in nature, one was beach pebbles, which particularly resonated with the collection for me. The experience of being on a beach and searching for that perfect pebble, that fits your hand beautifully, feeling so smooth and warm, with such beautiful colours… almost feeling like it was part of you. This in way is what I have tried to connect with and draw from in the collections typological design development, whilst retaining a certain definition.

HK: What were the major challenges when designing this collection?

RG: Creating a collection that somehow felt fondly familiar but that was also has its own unique personality, whilst potentially being timeless in appeal, is always and exciting challenge and demanding balance to try to get right. In addition there were some interesting challenges with the new method of manufacture in how the elements needed to come together to create one of the main benefits of the collection in interior schemes, that being to offer three distinctly different elements; back/arm rest, seat pad and frame giving many configurable different options, allowing interior designers further possibilities to express their signatures styles, whilst from a sustainable perspective increasing the products operational lifespan, by the option of high wear parts replacement.

Four armchair furniture pieces in the new collection

Image credit: Morgan

HK: What was it like finalising this collection while not only dealing with time zones, but also while confronting a pandemic?

RG: I am certainly the type of person and designer who enjoys working closely, hands on, with clients throughout the whole process, so it was certainly challenging finding ways to communicate particularly with the fine complexities in artistic and design refinement, and ergonomics when there could be no direct contact in the Pandemic lock down. In addition with different timezones and the fact that the week ends and starts on different days in both countries does slow communication down a little, but we’ve found ways to address this. 

HK: We have followed your work for a while now, but what’s different about this collection?

RG: My work, is quite often centred around human behaviour and experiences, with aspirations to push the boundaries of how our material world, in this case furniture can shape an improved life, with exciting materials, processes and technologies. This collection was a little different for me, in a sense that it was far more about a stripped back, more deeply routed project about connection with ‘us’, nature and timelessness. A more timeless collection that celebrates comfort, modern elegance and craftsmanship but one that also take takes a purposeful step forward.

Quick-fire round with Erin Johnson, Design Manager, Morgan

HK: In a sentence, describe the Lugano Collection?

Erin Johnson: Lugano is a collection of dining and lounge chairs, inspired by the idea of ‘nurture’, interpreted through form and balance between individual elements and material compositions.

HK: Tell us more about the name of the collection…

EJ: The collection is named after Lake Lugano, located in southern Switzerland’s Italian Ticino region. Lake Lugano reflects the floating quality of the chair’s seat which, along with the body, floats within the timber frame that cradles them.

HK: What three words would you use to describe working with Rock?

EJ: Vision, perfection, clarity.

HK: Can we expect more collaborative collections by Morgan and Rock?

EJ: We thoroughly enjoyed collaborating with Rock on the Lugano collection. Rock strives for perfection, which is a quality we admire and try to embody ourselves. He challenged us to look at structure and strength of different construction methods, looking at the relationship between frame and body in ways we’ve never explored. So yes, we’d be very open to working with Rock again on future collections.

HK: As a furniture designer, what have you learned throughout this collection with Morgan?

RG: Every project is always an incredible learning process and this project has been no exception. From understanding Morgan’s perspective, the team’s passion for design, their in-house craftsmanship to the limitations and streamlining skills necessary for production to reach beautifully balanced product collections, much has been learnt. It’s a pleasure to work with a manufacturer, such as Morgan, who is prepared to take the time a design really needs to take to create the best outcome, from overall concept to the smallest subtle detail and pricing. 

HK: What can we expect next from you?

Well I am sworn to secrecy, but there is wind of a new collaboration or two, working on some exciting new furniture projects with some very interesting materials and processes. 

In stark contrast I have also been working on an incredibly challenging project for The Ministry of Justice over the last two years, to design and develop an exciting collection of beds for prison cell use by in mates in UK prisons. The collection is currently being prototyped by The Ministry of Justice.

Morgan is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our recommended suppliers, please email Katy Phillips.

Main image credit: Rock Galpin/Morgan/Ed Reeve 

Red lobby inside the first Canopy by Hilton property in Spain

First Canopy by Hilton hotel opens in Spain

730 565 Hamish Kilburn
First Canopy by Hilton hotel opens in Spain

Situated in the heart of the capital city, Canopy by Hilton Madrid Castellana has arrived in the Azca neighbourhood with a focus on cultural hospitality and contemporary design that speaks the local language…

Red lobby inside the first Canopy by Hilton property in Spain

The vibrant lifestyle brand that takes inspiration from local neighbourhoods, Canopy by Hilton, has official arrived in Spain, with the opening of Canopy by Hilton Madrid Castellana.

Since your here, why not read our review of the UK’s latest Canopy by Hilton hotel?

The property, owned by Hotel Investment Partners (HIP), is located in the financial district of the city. It is one of a trio of European openings under the Canopy by Hilton brand this year, following the summer opening of Canopy by Hilton Paris Trocadero, and the soon-to-open Canopy by Hilton London City.

“This stylish hotel truly emanates the iconic city of Madrid, offering travellers an authentically local experience. Our third opening in the Spanish capital in the last year and Spain’s first Canopy by Hilton, we’re excited to launch yet another enticing option here in Spain for travellers visiting from across the globe, including the more than 118 million members of our award-winning Hilton Honors guest loyalty program,” said David Kelly, Senior Vice President, Continental Europe, Hilton. “This opening is a further statement of our continued commitment to the Spanish hospitality market, as well as our growing confidence in a strong recovery for the tourism sector in the months and years to come.”

The theme of ‘Red’ Madrid underpins an interior design scheme that embraces popular “Madrileño” culture from the forefront of design. The project was masterminded by the studio of interior designer Jaime Beriestain and takes inspiration from the city itself — as the cradle of cañí [traditional Madrid] culture — to produce a space by everyone and for everyone, in the words of Madrid’s unofficial hymn. The 314-key hotel, with 12 meeting rooms, has a distinct local look and feel, creating a comfortable environment for business and leisure travellers alike.

“We wanted to create an airy, open space, without barriers so that people could meet, see and be seen,” explained Beriestain. “For me, Madrid symbolises the colour red; it is a place where passion reigns and different, connecting cultures converge. That is why it is so important to offer the city a space that reflects that philosophy, a place to connect and meet — that is the concept behind Canopy by Hilton Madrid Castellana.”

Following the comprehensive refurbishment of the building’s interior, the hotel was planned as a setting to be lived and enjoyed. Airy, open spaces greet the visitor in a lobby — which creates an ambience conducive to conversation. The lobby is dominated by Canopy Central, a gastronomic meeting point where visitors can enjoy a specialty coffee or food prepared from healthy, local ingredients.

On the mezzanine, locals and visitors mingle at Planta Z, a spectacular terrace where you can enjoy fun street food-style dishes with live music. The menu is focused on delicious, fresh and healthy cuisine, designed to be shared and combined with the extensive cocktail menu. A new casual meeting place in the capital for residents and visitors to experience the unique ‘Madrid vibes’.

Pool terrace at Canopy by Hilton Madrid

Image credit: Canopy by Hilton

Hotel guests can also enjoy the exclusive pool terrace with views of Madrid’s rooftops and skyline – a typically romantic Madrid scene. To complete this ‘local experience’, the hotel welcomes all guests with violet sweets in their rooms, a souvenir that no visitor to Madrid should miss.

There are currently 31 Canopy properties open around the globe and 29 under development across 16 countries and territories. 

Main image credit: Canopy by Hilton

Virtual roundtable - ethical lighting solutions

Virtual roundtable: Ethical lighting solutions

730 565 Hamish Kilburn
Virtual roundtable: Ethical lighting solutions

With the aim to put ethical lighting – and not just sustainability – under the spotlight, Hotel Designs’ latest virtual roundtable welcomes Chris Stimson, Founder of lighting brand Well-Lit, and a handful of leading designers and lighting experts to explore ethical product design. Editor Hamish Kilburn writes…

Virtual roundtable - ethical lighting solutions

For years now, the buzzword that is ‘sustainability’ has been a constant tone; a consistent and unavoidable noise ringing in the ears of every designer, architect and hospitality professional – like tinnitus. Despite the topic remaining important and in its infancy regarding us seeing real change, in order to really clean up our act when it comes to designing consciously, it is not the only subject we need to consider and, if needs be, expose.

To really one day achieve a totally ethical arena for designers, architects and hotel professionals – we live in hope here on the editorial desk – we must also place product design under the spotlight. To do this, designers must not be afraid to question how raw materials are sourced as well as how each element of the product they are specifying is made. But how do we, as an industry, realistically achieve this when deadlines become tighter, briefs become narrower and so many other details need to be addressed on a project?

In addition to advising designers to specify responsibly, after moderating the below roundtable discussion, I no longer believe it is acceptable for brands to be ignorant on how their products are being made. The reason why I say this is because the consequences of such naivety, which emerge thousands of miles away from the first-world problems we face in the western world, can be (and are) unequivocally devastating.

Image caption: Susan Lake's lighting design, sheltered inside Yotel Edinburgh. | Image credit: Yotel Hotels

Image caption: Susan Lake’s lighting design, sheltered inside Yotel Edinburgh. | Image credit: Yotel Hotels

Many brands, both large and small, that currently manufacture their products in Asia are (knowingly or not) fuelling modern slavery. One man who has seen the human cost of unethical manufacturing is Chris Stimson, Founder of lighting brand Well-Lit, who inspired the topic of our Hotel Designs next roundtable.

To panoramically explore ethical lighting solutions with might and purpose, we invited Stimson, along with a handful of designers and lighting experts, to discuss just how bad the problem currently is.

On the panel:

Hamish Kilburn: Chris, why is ethical lighting so high up on your agenda? 

Chris Stimson: It’s based on my own experience. Previously I was based in China, and worked as a sourcing agent for western brands that were looking for manufacturers. Before LED bulbs for domestic homes were known, I was watching the research, travelling to trade shows and meeting the people who were developing the technology. I successfully connected the manufacturers with brands – and that went well for about two years.

Then in 2010, there was a dramatic shift in the market as mass production entered, and the price of LEDs and what manufacturers could achieve fell. I was literally told over night to halve my prices or I would be out of a job. It was during that time when I witnessed things that rocked me to my core; I saw things that could not be unseen. Over the period of just six months I realised I facilitated it. I was part of the problem, so I decided that I was in a position to do better. And this is how we started the lighting brand Well-Lit.

Well-lit light bulbs

Image caption: Well-Lit are one of the few lighting brands that is actively ensuring that the manufacturing process to make its products and components is ethical.

HK: As lighting experts and designers, how aware are you all about non-ethical practices when it comes to manufacturing?

Charlotte Flynn: I’ll be honest, before we had an introduction with Well-lit, we were not aware of the unethical side of lighting manufacturing. It really was new to us. At least knowing that brands, such as Well-Lit, were willing to bring this forward was comforting, but it was also pretty unnerving to think that, despite working with brands who claim to be ethical and sustainable, we actually had no idea just how bad the situation was. The reality is that many designers are unknowingly specifying products that have been made in barbaric conditions.

Metehan Apak: As designers, I think we have all noticed prices of products come down as demand rises. What cannot be ignored are the demands among modern travellers for sustainable design and hospitality. As a result, our clients are getting on board with our thinking to source sustainable and ethical products.

Arianne Ghezzi: We do pay close attention to the suppliers we are working with. There are a few items that we really care about when specifying and that’s usually around what happens in the background. Clients start coming on board when they realise that these ethical decisions often end up saving money when it comes to running costs. More and more, I have seen, that clients are also asking about the lifecycle of products and the recycling qualities of each product.

I also think that manufacturing tours are very usable for designers to understand how components are made and put together.

Image caption: Ennismore recently set new standards to only work with brands that can prove their ethical value. | Image credit: The Hoxton Paris

Image caption: Ennismore recently set new standards to only work with brands that can prove their ethical value. | Image credit: The Hoxton Paris

HK: I can imagine, though, it is very difficult for designers who are working towards a brief for a space to be aesthetically pleasing while also remaining on budget and for the materials to be sourced ethically. Realistically, can all three demands be met?

Susan Lake: It’s a very difficult tightrope that as designers we have to walk. We have to think about the larger picture but we also have to consider the budget, time and aesthetics. It’s reassuring to see that there are brands out there that do source and manufacture responsibly. Equally, it is our responsibility to really demand these credentials when we are specifying products. When it comes to ethics, though, to produce in an ethical way will naturally result in the prices going up.

HK: How do you qualify what is ethical – and what is the human and social cost of unethically made lighting?

CS: The situation around fast fashion really brought awareness to other industries. Even Apple – one of the world’s most recognised brands in the world – has huge problems with their manufacturing in Asia. For example, the brand launched a huge campaign about ethics and manufacturing. Well, on the day they released their press statement, a video emerged showing footage from inside a Chinese factory where the manager was throwing workers’ name badges on the floor for them to pick up at the start of their shifts. It’s incredibly difficult and if a brand like Apple is struggling then you can imagine how challenging it is for everyone else.

“It’s almost like ‘made in China’ is a dirty phrase. And it usually is, but it doesn’t have to be. – Chris Stimson, Founder, Well-Lit.

Image caption: Public areas inside Hotel Zeppelin, designed by Dawson Design Associates. | Image credit: Viceroy Hotels

Image caption: Public areas inside Hotel Zeppelin, designed by Dawson Design Associates. | Image credit: Viceroy Hotels

In terms of my own experience and what I have witnessed, the social and human cost of manufacturing [unethically] in my industry is devastating. I am seeing migrants working hundreds of miles away from their families for very low pay – sometimes even refused pay. The working and living conditions in and around these factories can be disgusting and dangerous. They are being made to work inhumane hours and their jobs are threatened on a daily basis because they can be easily replaced. I have seen what that can do so someone’s physical and mental health and it is disturbing. It destroys people, and yet it still doesn’t get spoken about.

For a lot of brands, it’s almost like ‘made in China’ is a dirty phrase. And it usually is, but it doesn’t have to be. My beliefs are that we all live on the same planet and we should be treated equally. It is as important to discuss ethical sourcing as it is to highlight sustainability and carbon emissions.

“Sustainability seems to be the key word in the briefs but trying to find out information on how the products are manufactured and the conditions of the factories is very difficult.” – Glenn Campion, Partner, LAPD

Image caption: LADP Lighting Design's simple yet dramatic lighting scheme inside The Loft Restaurant. | Image credit: The Loft Restaurant

Image caption: LADP Lighting Design’s simple yet dramatic lighting scheme inside The Loft Restaurant. | Image credit: The Loft Restaurant

HK: In your experiences, are you being told the truth when brands tell you about their ethical credentials?  

Glen Campion: Finding and measuring metrics and data on the ethical standards of manufacturers is nigh on impossible. It’s not something that is published. Sustainability seems to be the key word in the briefs but trying to find out information on how the products are manufactured and the conditions of the factories is very difficult. I think there is a lack of accreditations. The only one I am aware of is the Green Alliance but I know that doesn’t cover everything, so there is a long way to go.

CS: That’s really important because there are no accreditations out there that define exactly what an ethical brand is. I can set up a brand tomorrow and convince a lot of people that we are doing everything the right way and it would simply not be true. The only time in my career that an organisation has really challenged me on what we do was when The Observer  were considering us for ‘ethical product of the decade’ in their ethical awards. They asked deep questions and requested evidence.

For designers, it is almost impossible to know if you are purchasing sustainable or ethically made products, it really is!

“It is impossible to find out in certain regions. We have tried, for years, and we can source about 85 per cent of our raw materials and then there is just a hole. – Chris Stimson, Founder, Well-Lit.

HK: It seems that price is a pretty good indicator then. How much more expensive are ethically sourced lighting products?

CS: When we designed the business, we asked how we could create an ethical product. We had to be a profitable, sustainable and ethical enterprise. By truly doing this, it became clear that there was no way we could afford large-scale PR or a large offices and teams in London. In fact, in 12 years, we have spent about £12,000 on marketing because every penny we have has to go into the design of the product.

What’s more is that we need to present our products at competitive prices to our competitors otherwise we are out of the game. The challenges of running a business like ours is extraordinary when competing against the large brands with deep marketing pockets.

Two big bulbs in lighting scheme for a bar

Image credit: Well-Lit

Glen was talking about supply chains and where raw materials come from. The truth is that it is impossible to find out in certain regions. We have tried, for years, and we can source about 85 per cent of our raw materials and then there is just a hole. Therefore, we cannot promote ourselves as a completely sustainable business – but we try everything we can to be as ethical and sustainable as possible, while being ahead of the technology curve when it comes to lighting innovation.

I also don’t think you can be a sustainable business without being an ethical business. The real sustainability crime is the sheer amount of the low quality, often broken, bulbs that we shipped from China to the western world. If you think about the carbon footprint of these products that end up faulty and subsequently replaced with another bulb that has done the same journey, it’s not an ethical solution.

We make everything by hand, and that gives us such a low failure rate. Yes, we suffer on the cost of that but there really is no other way for us to produce those products ethically.

HK: Charlotte, how have your conversations changed with other brands since learning about what Well-Lit does?

CF: When it comes to the supply chain of products, we have an in-house sustainability focus group. We set up a schedule and there are questionnaires sent out to our recommended suppliers about their supply chain of materials. And yes, we have seen the same, we manage to trace back materials half way and then it descends into a black hole. With lighting, Chris was the first to put this on our radar. We actually only work with Well-Lit at the moment because of our shared ethos around ethical sourcing.

Obviously, we do have the benefit of being in-house so we are able to make those pledges and they are transparently communicated and understood among the whole team here. However, I believe we can set a tone for the industry to follow. It’s been really key to ensure that this, sustainability and conscious sourcing, is within our brand standards at Ennismore.

HK: Why is more lighting not manufactured in the UK?  

SL: It really does depend project by project. Some clients, depending on their clientele and demographic, are more focused on ethics and environment than others. Those clients are willing to pay more for the products. It is easier to trace back materials when the products have been made in the UK, but it is tough because all businesses need to think about their profitability.

HK: Please tell me that brands can ethically manufacturer products abroad as well…

CS: Yes, it can be done – our brand uses very good factories in China while also manufacturing in the UK. There are certain items that you simply cannot manufacture in the UK, such as bulbs, while also retaining a price point that anyone would touch. One of the things that gets missed out in topics like these is that there are brilliant crafts people in Asia who are doing brilliant things. In terms of both technology and the governmental support given to these creatives, they are some of the best people in the world and yet their reputation is being tainted by the result of greed and poor quality mass production of products.

In terms of being able to manufacture in China, there is a lot of trust that come into it. There are just two or three factories that I would use because of genuine shared values when it comes to the manufacturing process and human ethical standards. The most important element for us is that the workers are passionate and buy into the products they are producing. If they are benefiting from the products they are creating, then they will produce better quality products. This ultimately results in a product that has more longevity.

HK: How has this situation become so out of control?

CS: In my experience, most LED bulb brands do not know what is happening. It’s not always that these companies don’t want to know but it’s more that they just assume everything is happening the way they think it is. The sourcing process for most companies is to meet suppliers while travelling to trade shows, perhaps stay on to visit a factory where samples can be made and prices can be agreed. They might do a factory inspection but a lot can be hidden and this process, in my experience, can be highly manipulated and deceptive.

HK: What can designers do to make the industry more ethical?

CS: Ask difficult questions and demand hard evidence. For suppliers, these questions should be directed towards the factories they are working with. Suppliers should know about the living and working conditions of the workers who are in these factories.

GC: I’ll be honest, when it comes to specifying, over the last 10 years the decisions from clients have been driven by cost. The choices on the lighting projects I have been involved in are around supply costs. There are so many components in lighting schemes that need to be measured and presented, so weighing them up against another product that is ethically sourced is not often asked for. It would be great, however, to promote ethical sourcing and really help to educate the industry on the effects of unethical manufacturing.

HK: I think you’re right, the more companies that put forward good, solid evidence around ethical production of products, the more the industry will naturally demand this being an essential. Ultimately, if all suppliers looked deep into their supply chain and if all designers were more inquisitive about the products they are supplying then the healthier the industry will become on a global scale.

Main image credit: Hotel Designs

Accor hotel room on top of mountain

The sky is the limit: Germany’s highest hotel room

730 565 Hamish Kilburn
The sky is the limit: Germany’s highest hotel room

Accor, in a bid to raise awareness of its ALL – Accor Live Limitless campaign, has installed a glass box that contains a fully-furnished hotel room on the top of Germany’s highest mountain. But you can’t stay here (not yet anyway)…

Accor hotel room on top of mountain

Calling all stargazers, Accor has recently unveiled an entire hotel room at the top of the Zugspitzplatt, the highest mountain in Germany. But not so fast, it’s not actually possible (yet) to spend the night here without trespassing. Instead, the installation has been created to highlight the brand’s ALL – Accor Live Limitless campaign. Still, it’s a pretty interesting hotel concept that the editorial team at Hotel Designs identified recently.

Travellers who who make their way up to the glass construction will, as a result, be rewarded as an ALL newcomer with 500 points on their personal ALL account, redeemable at their next stay in one of Accor’s hotels.

The interior design scheme inside the glass structure includes real hotel furniture that comes from the Accor brand Novotel, with which the hotel group started more than 50 years ago. 

Many are now calling for the hotel group to actually make this installation a real-life experience, but only time will tell whether or not sleeping under the stars at altitude will become the next unparalleled travel trend.

Main image credit: Accor

citizenM paris champs elysees

citizenM opens hotel on Champs-Élysées in Paris

730 565 Hamish Kilburn
citizenM opens hotel on Champs-Élysées in Paris

Talk about changing  up the narrative… the street of traditional luxury gets a french kiss from affordable luxury – citizenM Paris Champs-Élysées, designed by Concrete Amsterdam, becomes the brand’s fourth hotel in the City of Light…

The multi-award winning, Dutch hotel-and-lifestyle brand citizenM is returning to Paris to open its fourth hotel – on one of the world’s most famous avenues. 

citizenM paris champs elysees

From September 2021, citizenM Paris Champs-Élysées joins its three sister hotels in the French capital – making it the first city with a quartet of citizenM hotels . Overall, this is citizenM’s 15th hotel in Europe – and 23rd globally – since 2008.

citizenM Paris Champs-Élysées, the hotel brand’s 15th property to open in Europe, stays true to the brand’s promise of ‘affordable luxury for the people’ – serving it up, as usual, in a triple-A well-connected location. This one is centered almost precisely between Arc de Triomphe and Place de la Concorde. On the doorstep: luxury shopping and dining on Avenue de Champs-Élysées, two metro stations, Galeries Lafayette, Grand Palais, Petit Palais, countless restaurants and boutiques, and much more. The location is ideal for tourists and business travellers visiting Paris for both short and long stays. 

a blue sofa and red furniture inside citizenm in Paris

Image credit: citizenM

Over approximately two years, the existing 1970s building on Rue la Boétie had been redesigned and converted into a modern 151-room citizenM hotel, with the help of long-time collaborators and architects Concrete Amsterdam, who took part in Hotel Designs LIVE this year. Approximately a quarter of the rooms on the front facade have a view of Rue la Boétie and a slice of Avenue de Champs-Élysées. The rest of the rooms are arranged in a U-shape around a peaceful ground-floor courtyard with greenery and comfortable outdoor seating. 

To get to the rooms, guests enter via a designer living room – citizenM’s signature space and everyone’s favourite hangout – passing a commissioned wall mural by Lucky Left Hand (French artist Steven Burke) on their way. In the living room itself, a spectacular Golden Age wallpaper by Ai Wei Wei will undoubtedly become one of the most photographed art pieces. It is best contemplated from one of the many cosy and colourful Vitra couches and chairs. Other notable art pieces in the living room include ‘Tauros’ by Sarah Morris, a lightbox by JR (Jean René), photo print by Frank Horvat, and Andy Warhol’s ‘Flowers’, as well as hand-picked pieces by Thomas Raat, Christophe Bucklow, David Salle and Jordan Wolfson, courtesy of the citizenM collection, which belongs to citizenM Executive Chairman Rattan Chadha.

For that ‘just like home’ feeling, the living room has space for working and relaxing, hundreds of books, interesting objects, and a 24/7 kitchen in the centre. Known as canteenM, it serves 24/7 food, drinks and snacks – nearly all locally sourced – hot à la carte meals, craft cocktails and delicious coffee. The indoor canteenM bar/dining area expands onto the aforementioned inner courtyard with Parisian-style furniture. 

When creating a new hotel, citizenM likes to include an element of surprise to keep all returning guests delighted. This way, the ‘affordable luxury’ experience is consistent around the world, but with a unique attraction at every location. citizenM Paris Champs-Élysées is the first-ever hotel with three outdoor spaces – the courtyard on ground level, the canteenM terrace, and an enchanting cloudM rooftop bar with a fresh, casual vibe. This spectacular park-style bar on top of the Champs-Élysées will serve a menu of delicious finger food, snacks, and bottled drinks (a variety of refreshing wine, beer, soda and spritzes). The cloudM bar – featuring views of the Eiffel Tower – will be open to the public, available for private hire, and stylishly furnished by Vitra.

Upstairs, 151 rooms are designed especially to fit the existing building – and for ultimate relaxation. The most important things – the XL king-size bed, jungle-like shower, and entertainment – are all optimised for comfort, luxury and ease of use. Superfast Wi-Fi is always free, and the entire room ambiance (from lights and blinds to the temperature and TV) is controlled by the free citizenM app, or the MoodPad tablet. 

For room art, citizenM hand-picked three French female artists – Marie Guillard, Elvire Caillon and Melodie Bachet – in collaboration with Starter, a creative agency run by Parisiennes Aurelie Dablanc and Anne-Marine Guiberteau. In every city it calls home, citizenM seeks out local artists to collaborate with and highlight their talent. 

White contemporary bedroom

Image credit: citizenM

For the final touch to the true citizenM experience, the hotel ambassadors make the whole world feel at home. Every one of them is empowered to do what’s right for the guests, and prepared to take on any role – barista, concierge, housekeeping or receptionist. At citizenM, guests who need attention are never sent to ‘speak to someone else’, but instead receive genuine warmth and attention – deservedly noted in the many positive online reviews. 

citizenM Paris Champs-Élysées hotel is open for bookings from September 2021. Together with the existing three locations – at Gare de Lyon, La Défense and Charles de Gaulle Airport – the quartet of Parisian citizenM hotels fulfills the needs of every visitor seeking affordable luxury in the City of Light.

Main image credit: citizenM

W Changsha

W Hotels arrives in Changsha with futuristic design scheme

730 565 Hamish Kilburn
W Hotels arrives in Changsha with futuristic design scheme

Bright, bold and playfully fun, W Changsha has arrived sheltering a ‘uniquely eclectic’ design scheme that modern travellers expect from the W Hotels brand. The hotel opening marks the first W in central China – and the brand’s eighth property in the country…

W Changsha

The future is now, according to W Hotels, which has lit up the capital and largest city in Hunan province, China, with the opening of W Changsha. Owned by the Hunan Yunda Industry Group, the hotel is strategically located in the buzzing heart of the city and reflects the bright spirit of the futuristic and multi-dimensional city with a provocative and playful design inspired by space travel.

A red ceiling with tables and seats in public area of lobby

Image credit: W Chenghsa

“W Changsha marks the eighth W hotel to open in China, one of the most influential markets in both travel and business, and we’re excited to bring W Hotels to more destinations across the country,” said Tom Jarrold, Global Brand Leader, W Hotels Worldwide. “Cities such as Changsha, with their future-focused residents and fast-growing millennial luxury market who crave the new and unexpected, are playgrounds of limitless possibilities for W.”

Designed by the acclaimed Cheng Chung Design (H.K.) Ltd, W Changsha takes imaginative risks with daring new design forms celebrating Changsha’s rich heritage and modernity. In China, Changsha is also known as “Star City” and its name inspires the hotel’s design narrative featuring bold geometric patterns mixed with contemporary avant-garde artwork. Exclusively commissioned by the hotel, whimsical artwork such as the Schrodinger’s Cat series and the Zeta art installations explore the mystery of the universe through the W lens, creating unexpected encounters throughout the hotel.

Upon arrival at W Changsha, guests are greeted by the iconic W logo, illuminated to resemble the surface of the moon. “Avenue of the Stars,” a mixed-media landscape combining digital, interactive, and sound art, transports guests to RUNWAY, a destination bar in the Living Room, the brand’s signature, socially driven spin on the traditional hotel lobby. Here, the “Pepper Man” sculpture invites guests to look up and marvel anew at the wonders of space within the context of Changsha’s local custom and culture.

The hotel’s 345 guestrooms and suites offers modern luxuries and new-tech conveniences, with walls depicting planets, constellations, and discovery of the nebulae through a “meow eye cabin” LED screen emulating space exploration. From 26th floor to the highest floor on 28th, the triple-story Extreme – WOW Suite (the brand’s take on the presidential suite) incorporates more than 1,000 square meters of living and leisure space, including a private garden and a swimming pool, to make for a brilliant venue for private events amplified by the hotel’s signature service.

After work or play, guests can kick-back by the reflection pool or make a splash at WET®, an expansive pool with a three-meter ‘Space Cat’ sculpture. The 24/7, fully-equipped FIT fitness centre offers weights and cardio as well as heart-pumping dance classes to burn calories before the celebration begins again. For guests who live by the brand’s ‘Detox.Retox.Repeat’ philosophy, AWAY SPA awaits to restore and revive their glow.

“We are thrilled to debut the W Hotels brand in central China and mark another symbolic step for us as we continue to expand our luxury portfolio into new markets across the country,” said Henry Lee, President, Greater China, Marriott International. “As domestic travel continues to pick up tremendous momentum, we are bringing new and exciting brands such as W to the country’s emerging leisure destinations.”

W Changsha is the latest W Hotel to arrive onto the global hospitality scene, which comes parallel to the brand marking its arrival in Rome. With now nearly 60 hotels, the W brand continues to defy design and hospitality expectations by breaking the boundaries and norms of traditional luxury wherever the iconic W sign lands.

Main image credit: W Hotels

Roca tap

Product watch: Roca introduces new colours to brassware collections

730 565 Hamish Kilburn
Product watch: Roca introduces new colours to brassware collections

Bathroom brand Roca continues to innovate with its brassware portfolio thanks to the introduction of two new finishes to its stunning Insignia and Naia ranges. Complete with Everlux finish, the two new additions are now available in on-trend rose gold and brushed titanium black – the perfect finishing touch for any bathroom in an era where colour is king (or queen)… 

Roca tap

The sleek, modern design of both the Insignia and Naia brassware by Roca already makes them a popular choice among designers, however with the introduction of two new colours, the possibilities are now pretty much endless. The addition of the rose gold adds a pop of subtlety – think chic colour – whereas the brushed titanium black adds a touch of sophistication and contemporary, industrial style.

With a square handle and a round body, Naia has a minimalist design, with a perfect combination of cylindrical and square geometric shapes to complement a variety of bathroom decors. It is available in a range of heights to suit a variety of basin styles including vanity, in-countertop and on-countertop.

With its soft profile and slim side handle, Insignia features gently curved lines and a sleek, elegant aesthetic. Insignia is a modern, single-lever brassware collection, that’s ideal for bathrooms with a clear urban design.

Both ranges feature Roca’s Cold Start technology to ensure the flow starts with cold water and hot water systems are only activated when the handle is turned to the left. This not only saves CO2, but also reduces consumers’ energy bills. Naia and Insignia are available in a variety of basin (different heights available), bidet and shower mixers, along with matching bath fillers.

David Bromell, Head of Marketing at Roca comments: “The extensive Roca brassware portfolio continues to evolve with innovative designs and contemporary finishes, providing a broad range of solutions, but with homogenised commitment to quality, functionality and environmental responsibility. The addition of these two new coloured finishes, further enhances our existing collections with an on-trend yet enduring design, that appeals to a wide market.”

The Insignia and Naia brassware collections also come with Roca’s innovative Everlux finish – a PVD (Physical Vapor Deposition) coating which has excellent durability as well as being resistant to scratches and impacts.

The sophisticated Everlux finish is obtained by the innovative physical vapor deposition (PVD) process via the ionization of metals and noble gases, which are combined to create a fine metallic coating. This coating, based on extremely hard metals such as titanium or zirconium, is uniformly deposited over Roca’s high-quality galvanized chrome plating, resulting in a surface with extreme hardness and extraordinary resistance to scratches, impacts and cleaning agents. Through this process, Roca has been able to offer multiple combinations in the creation of sophisticated and highly resistant bathroom spaces.

Roca is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our recommended suppliers, please email Katy Phillips.

Main image credit: Roca

Lobby/lounge inside Pan Pacific London

Pan Pacific London – a new luxury wellness hotel is born

730 565 Hamish Kilburn
Pan Pacific London – a new luxury wellness hotel is born

There is no doubt that Pan Pacific London was one of the most hotly anticipated hotel openings in London in 2021. With the hotel now open, following a spectacular opening party, it’s time to experience what luxury and wellness at new heights really feels like… 

Lobby/lounge inside Pan Pacific London

Following what has been a hard-hitting few years for the hospitality and tourism industry, it’s refreshing to finally see new hotels – properties we have been drawling over since their concept phases were unveiled – are starting to emerge in the ever-so-congested London hotel arena. Pan Pacific London was one of those hotels. In an interview with its architect, Mark Kelly from PLP Architecture, we learned the need for flexibility in today’s era of design and hospitality. “Architecture is an inherently flexible process – always evolving while constantly questioning and reinventing itself,” he said when discussing architecture’s role post-pandemic. “As such, it is well placed to respond to the current and seemingly ever-changing Covid crisis and, for that matter, other current and future global concerns such as the climate emergency.”

Pan Pacific London is a fine example of a new hotel that was, prior to the Covid-19 crisis, already planning to take wellness in luxury into a new era. However, after hospitality’s months and months of forced hibernation, this hotel opens with a greater meaning and purpose for the wider luxury hotel landscape. This haven in the heart of the city fuses together architecture, contemporary design, boundary-pushing wellbeing, and leading destination restaurants and bars, with sincere Singaporean hospitality to create a lifestyle destination in London.

Located in Liverpool Street, Pan Pacific London is on the doorstep of world-renowned locations yet also home to its own inner world. Sitting proudly in the landmark tower at One Bishopsgate Plaza, the hotel is situated near many of the city’s finest attractions including high-end shopping in Spitalfields, the Barbican cultural hub, and the stylish Shoreditch neighbourhood.

What to expect inside

Setting the tone immediately upon arrival, the lobby is minimalist with earthy and warm tones creating a modern and paired back home-from-home scene. Accents of colour and personality, however, come from carefully placed plants that were provided by biophilic design experts at Leaflike. “This is one of the most rewarding projects we have worked on because of the alignment between our businesses regarding sustainability,” Brandon Abernethie, Head of Design at Leaflike told Hotel Designs.We cannot wait to help more hoteliers achieve their goals.”

A minimalist lobby with plants

Image credit: Jack Hardy

The hotel has been created by esteemed design duo Yabu Pushelberg, who bring their signature style to the hotel sparked by the fusion of south-east Asian vibrancy and the refined elegance of traditional British design. A unique sanctuary in the middle of The City of London, modern lines and artistic flair run throughout the hotel’s public spaces whilst guest rooms offer a sense of peace and calm with curved walls and neutral colour palettes.

Led by a team of seasoned industry veterans, Pan Pacific Hotels Group’s acclaimed attention to detail and a proactive approach to environmental sustainability and wellness can be seen in the 237 guestrooms and suites which offer some of London’s finest accommodation. The signature Pan Pacific Suite, for example, perched on the 19th floor, is the essence of luxury with spectacular views of city landmark, The Gherkin. 

The guestrooms have been designed as retreats from the bustling city and feature a lighter colour palette offering peace and tranquillity to the private spaces while the omission of 90-degree angles in bedrooms and washrooms creates a gentle embrace where guests can seek rest and comfort.

Custom headboards act as personalised art pieces, adding a layer of calm through the depiction of oak, elder, elm and maple trees while accessories introduce small bursts of colour and organic forms to reinforce the tonal and tranquil nature of each guestroom. 

A guestroom with neutral tones

Image credit: Jack Hardy

For ultimate wellbeing, an innovative ChiliSleep™ Ooler Sleep Cooling System to aid better sleep via temperature regulation is available upon request, and rooms come complete with yoga mats and on demand virtual yoga sessions, as well as health-benefiting botanical planting.

Integrating fitness, nutrition, treatments and mindfulness, the hotel is one of the first in London to include an impressive 1,083m² floor dedicated to holistic wellness, featuring an 18.5m infinity pool and the latest equipment from TecnoBody®, including the D-Wall and conditioning gym, making it one of the most technologically advanced facilities showcased by any hotel gym in the UK.

In addition to high-performance training, aqua fitness in the hotel’s infinity pool is a unique addition to the wellbeing floor, along with mindful workshops and sustainable nutrition. Spa treatments infuse Western science and clinical research with South East Asian tradition of clean beauty focusing on result-driven relaxation techniques, pregnancy treatments, and personal grooming rituals.

The F&B offering at Pan Pacific London is unparalleled, with each of its five venues incorporating unique elements of the flavour, diversity and elegance of modern Singapore. Led by multi award-winning Executive Chef Lorraine Sinclair and renowned Executive Pastry Chef Cherish Finden, the hotel’s Straits Kitchen restaurant, Ginger Lily bar and The Orchid Lounge drawing room delights guests with new and innovative flavours. The team are working closely with British producers, Nurtured in Norfolk, to grow their own high quality Asian ingredients as well as sourcing local produce to help minimise the carbon footprint whilst bringing authentic flavours to the table.

Pan Pacific London offers a serene haven away from the hustle and bustle, with every element carefully crafted and tailored to offer one of London’s most complete contemporary and luxury hotel experiences. The panelled wood screens which wrap the ground floor reception have been carried up and throughout the wellbeing floor to create continuity. Tall ceilings lend an inviting feel to the space whilst the spectacular poolside fireplace and sofas create a homely feeling making guests want to relax and linger.

Located at the top of the lobby’s spiral staircase, Straits Kitchen is an ode to Southeast Asia both through design and cuisine. Embracing a respectful approach to cooking inspired by heritage recipes, the menu at Straits Kitchen has been carefully crafted by the hotel’s Executive Chef Lorraine Sinclair working alongside Singaporean Group Executive Chef Tony Khoo and showcases the melting pot of cuisines represented in multicultural Singapore. Quirky, bold and bright, Straits Kitchen stands as a gem of the hotel, featuring two private dining spaces, custom dining tables and a custom wine-cabinet-as-art. Custom murals have been brought to life by En Viu which further enforce the restaurant’s Eastern influence, depicting Asian botanicals mirroring the unique flavours on the menu. The floor-to-ceiling glass windows offer guests unparalleled views of The City.

Located on the first floor, The Orchid Lounge offers a uniquely sumptuous and serene Afternoon Tea from award-winning Executive Pastry Chef Cherish Finden. Cherish brings her unique flair for Asian flavours to the traditional British tea with the Singaporean-inspired Kopi Tiam, celebrating bao, dim sum and choux. 

In addition to superb dining and dynamically designed guestrooms and suites, Pan Pacific London includes the most technologically advanced and largest ballroom in the area, accommodating up to 400 guests. The hotel also features an Event Emporium alongside a further nine innovative and flexible meeting and events venues, with a dedicated in-house events management team plus state-of-the-art technology, superfast WiFi and 5G receivers.

The extensive 464sqm smart Pacific Ballroom has direct access from Bishopsgate Plaza via a glass escalator and elevator as well as direct access via the hotel. A custom Lasvit chandelier designed by Yabu Pushelberg hangs sumptuously above the expansive ballroom and is composed of floating crystal orbs creating a starry night’s sky under which any occasion may be celebrated.

Main image credit: Jack Hardy

Ed Warner

Ed Warner: “Accessibility is not a dirty word in design”

730 565 Hamish Kilburn
Ed Warner: “Accessibility is not a dirty word in design”

In 2021, it is shocking that new design-led hotels are emerging in the global hospitality arena without the same level of consideration when it comes to the design of accessible, disabled-access guestrooms and spaces. In a purposeful interview with Ed Warner, the Founder and CEO of Motionspot, editor Hamish Kilburn only hopes to raise awareness for stylish accessible design…

Ed Warner

You may or may not know this, but before I was the editor of Hotel Designs, I was part of the British Paralympic Sailing Team, working proudly between the years of 2009 – 2016 as a shore and tuning crew member for the wonderful Hannah Stodel, Stephen Thomas and John Robertson – AKA, the performance team.

Looking back, it was an incredible experience for a 16-year-old who was driven by adventure – not much has changed really. There were so many moments that pivoted me into the lane that I am now in. For example, when I let slip that I wanted to be a journalist on a ferry from Harwich to Hook they helped me launch my first blog and called upon peers to help organise interviews with Paralympic legends in order to create a solid portfolio when it came to progressing further, which ultimately secured my place at university to study my passion and make it a career. I received a dreadful phone call once at the small hours in the morning, during a Paralympic qualifying event in Weymouth, about my beautiful cousin who tragically lost her life in a car accident. I was sharing a room with another athlete, Paralympic gold medallist Helena Lucas who was competing in the morning. Without any objection, she woke up and sat with me through the night. I felt terrible, and even worse knowing that Lucas could have really used those extra hours resting for her final race in the series. It’s not often as shore crew at an event you are the centre of attention. In short, though, that painful moment was when I realised that I was part of more than just a team; I was part of a family.

And strangely, when I tell people about my experience working with this perfectly able – no, formidable – team, I get asked how it was possible to train with the Paralympic team without myself being disabled. I’m not judging the ignorance, because transparency is best for us to progress, but it is surprising to me how segregated in society people who have disabilities can become. During my years sailing with the squad, I witnessed very capable athletes who happen to have disabilities being treated extremely differently. I noticed, among other things, hotel facilities not being adequate, and the views, at best, from the windows from the ‘disabled rooms’ would stretch out onto the concrete car park.

Five years after the team were forced to retire as sailing was, to much protest, taken out of the Paralympic programme for Tokyo 2020, my blood boiled recently when I noticed that the Team GB Instagram account, which has more than 491, 000 followers was not being used to promote the Paralympic Team GB athletes. Instead, the team were being amplified on the Paralympics GB account, which has just 46, 500 followers (more than 400,000 less than the Olympic Team GB account). Call me a modernist, but to really promote diversity and equality, isn’t Team GB just Team GB? What is the need for a second social media account if the aim is not to drive a wedge between the two events?

I digress, however these anecdotes can very seamlessly be linked to the design and hospitality industry’s attitudes towards creating spaces that are accessible for all – practically as well as stylishly. Until recently, I think it’s fair to say that designing such spaces was seen through very limited lenses. Instead of enhancing a design scheme, hotels wrongly ticked a box in order to offer disabled-access rooms that were usually on the ground floor of the hotel without even a hint of design consistency and – in some extreme cases – only ‘accessible’ via the back-0f-house areas of the building – classy.

Cue setting up my next interview, which is with a true pioneer and visionary (not terms I use lightly). Ed Warner, the Founder and CEO of design solutions studio Motionspot. In 2020, Warner and his team were an integral element in the design and completion of The Brooklyn in Manchester, which became the only UK luxury property that was truly accessible for all and has been named the most accessible hotel in Europe. The hotel’s unique design is leading the Gold Standard in accessible design, with 18 of the 189 rooms fully accessible offering both wheelchair access and ambulant accessibility and the first hotel in Manchester to offer ceiling track hoists for guests. 

Since then, Warner and his team worked on the recently opened The Londoner to design accessible and stylish guestrooms and he was recognised in 2020 as one of the leading British interior designer when he was profiled in The Brit List 2020. What’s more, Warner has been shortlisted for the second-year running for Interior Designer of the Year at The Brit List Awards 2021 for his continued efforts to promote better design for everyone.

Hamish Kilburn: Ed, it is a pleasure to see you again! Can you start with explaining to us what ‘accessible design’ is and why is it so important for the future of hotel design and hospitality?

Ed Warner: Accessible design is about creating meaningful spaces that everyone can use, removing the barriers that create undue effort, stress and separation of people. Accessible design is more than a tick box exercise to comply with local regulations. Truly inclusive buildings are only built by considering the needs of all guests and staff with physical, cognitive and sensory impairments, including design for neurodiversity.

“There are more than 14 million disabled people in the UK spending over £15.3bn on UK trips a year. Hoteliers who can make the right adaptations to their hotels will benefit.” – Ed Warner, CEO, Motionspot.

There is a misconception it is just about wheelchair accessibility. Disability is diverse. Just eight per cent of disabled people use a wheelchair. We help people to think about what they are doing for wheelchair users and the other 92 per cent with many other types of physical, sensory and cognitive access needs too.

Why is this important for the future of UK hospitality? It is a massive market! There are more than 14 million disabled people in the UK spending over £15.3bn on UK trips a year. Hoteliers who can make the right adaptations to their hotels will benefit from a significant boost in revenues and proven increases in RevPar and loyalty.

HK: Why isn’t stylish accessible design on designer and clients’ radars? 

EW: For many designers and clients, designing for access has traditionally been an exercise in covering ramps and wheelchair toilets. Some designers and operators have neglected it because they mistakenly believe  these rooms are not required (wrong, as 10 per cent of all new build rooms should be accessible). Previously the design options have not been aesthetically pleasing, so some designers have opted against making hotels more accessible.

Image credit: The Londoner/Edwardian Hotels London

In addition, many designers have steered away from the subject for a fear of getting it wrong. There is a misconception that access is complicated, but with the right advice at the right time it doesn’t need to be.

Motionspot can help designers to turn high-level building regulations into practical guidance on layouts and finishes on the ground. We work constructively with the design team to achieve a beautiful balance between access and aesthetics so the accessible rooms blend perfectly with the design intent.

As more great examples of accessible design become more prominent my belief is this will start to change.

HK: Why is it so important for you to amplify this message?

EW: We believe accessible rooms and hotel spaces should be inclusive for all guests and we feel it is important to prove to clients the social and financial benefit of getting access right. At Motionspot we give clients and their architects the right design advice and access to beautiful accessible products.

Once aware of what is possible, the benefits of positive change generally follow. Delivering a better guest experience is always the goal and our work can help provide solutions that are a great experience, more likely to be recommended and in our experience generate more revenue. Given we have an ageing society we think it is likely that the requirement for accessible rooms is going to increase steadily in the coming decade and beyond.

The inclusion and diversity agenda is becoming increasingly important for companies to address. It is a fast-paced and ever-evolving area and Motionspot can support businesses to not just meet minimum standards but surpass them and show themselves to be leaders in being an inclusive brand.

Hotels like Hotel Brooklyn in Manchester are leading the way and showing that improving access can look amazing and improve the guest experience for all. As more and more examples break through to the mainstream, I think accessible design will become a key part of design decisions. At Motionspot, we hope that one day it will become industry standard to design all spaces to be accessible to everyone.

HK: You were profiled last year as one of the top interior designers in Britain. This was due to your work on Brooklyn Manchester. Can you tell us more about this project?

EW: Of course! Bespoke Hotels engaged Motionspot as access designers for their Hotel Brooklyn in Manchester. Working alongside the interior designers Squid Inc, we advised on every aspect of the hotel’s accessibility credentials to fulfil the vision of a beautiful and accessible hotel.  We also specified and supplied accessible products that perfectly blended into this design  scheme.

The hotel features 18 wheelchair and ambulant accessible rooms, including two rooms with concealed ceiling track hoists which is a first-of-their-kind hotel accessibility feature (pic below). These devices are cleverly concealed within a lighting feature and are stored inside a specially designed compartment in the wardrobe when not in use.

The En-suite bathrooms feature fold-up shower seats and matt black removable support rails which allow a room to be adapted to each guest’s individual requirements. Also installed were easy to operate lever tap and shower controls, accessible flush buttons and carefully selected floor and wall tiles that minimised glare and provided fully slip-resistant surfaces.

Since opening, Hotel Brooklyn has won many plaudits, including recently The iNewspaper Staycation Hotel of the Year award.

HK: Is it expensive to design these spaces to be accessible and stylish?

EW: No, and if planned at an early stage, well designed access does not have to cost any more. This is a common misconception!

Where it does become expensive is if a retrospective adaptation like a level access shower, platform lift or accessible reception area has to be installed because of a problem a disabled guest experiences so please think of it at the start of a new build of refurbishment!

In our experience the commercial benefits of getting access right are significant. A great example of this is The White Horse Inn in Dorking.  When renovating this historic coaching inn, attention was paid to the design of the accessible bedrooms to ensure they would appeal to all. Subsequent room bookings have shown this investment to be very worthwhile: more than a 12-month period, the accessible rooms had a higher occupancy rate and RevPar and generated an additional £6,900 of revenue per year in comparison to a standard room.

HK: It feels strange to me that in 2021, ‘accessible design’ is probably considered as an afterthought in many studios. Why is this? 

EW: It is not taught as a compulsory module in interior design or architecture courses. This would radically change the industry if it were.  To try and change the tide, we provide CPD training to any architect or design studio wanting to learn more about inclusive design.

We need the industry to help shout about good examples of accessible design to raise awareness of what is possible and it is great to see high-profile hospitality awards like The Brit List recognising accessible design.

HK: What sets you aside from other design studios?

EW: Motionspot is more than an access auditor. We don’t just uncover access challenges with buildings, we propose creative design solutions that make spaces more inclusive.

We also design, manufacture and supply beautiful accessible products. Frustrated that there weren’t enough well-designed accessible products on the market that fitted our client’s design intent, we began designing and developing our own innovative solutions. Our range now includes hundreds of well-designed accessible fixtures and fittings for all environments. Every product is created in line with Motionspot’s ethos of design-led accessibility e.g. our removable grab rails and shower seats are ideal for the hospitality industry as they can be quickly added and removed between bookings depending on guest requirements.

Main image credit: Motionspot

TheHague_3

Cove by edyn to arrive in The Hague in 2022

730 565 Hamish Kilburn
Cove by edyn to arrive in The Hague in 2022

Hospitality group edyn continues the rapid expansion of its serviced apartment brand Cove into Europe with a new acquisition in The Hague. Here’s what we know…

TheHague_3

Extended stay hospitality leaders edyn has announced the acquisition of a new asset in The Hague, which will become the first opening of its recently-launched serviced apartment brand, Cove, in mainland Europe.

The asset will be converted into 121 serviced apartments, which will open in March 2022. The project will comprise a combination of studio and open plan one-bedroom apartments with fully fitted kitchens and will benefit from an updated design scheme throughout, representative of Cove’s contemporary sophisticated aesthetic. The building will also include 250sqm of lobby, lounge, and co-working area, providing informal workspace for groups or individuals.

Located on Grote Marktstraat, one of The Hague’s most important shopping districts, ‘Cove – Centrum’ will serve a base of corporate clients, as well as leisure travellers and families seeking more spacious, comfortable accommodation. Set in the iconic ‘De Passage’ building, designed by architect Bernard Tschumi which opened in 2014, the serviced apartments will also benefit from extensive local shopping and dining options.

The acquisition of ‘Cove – Centrum’ follows the recently announced ‘Cove – Landmark Pinnacle’; a £62.5m acquisition in London’s Landmark Pinnacle development in Canary Wharf, which is scheduled to open in November this year.

“The signing of ‘Cove – Centrum’ marks a milestone in the growth trajectory of the brand, which we are excited to expand into mainland Europe just two months after launch,” said Steven Haag, Managing Director of Cove. “Not only does this signal our intent on the continent, but it also is our first conversion of an existing hotel to serviced apartments which we feel is an increasingly likely path for growth.

“Flexible, thoughtfully designed accommodation that caters to both long and short stays has never been more in-demand, and the brand’s rapid expansion into Europe signals its relevance and appeal to investors, owners and travellers alike.”

JLL acted as advisor to to seller in this transaction, and more information about the new property is expected to emerge soon.

Main image credit: edyn 

Hamilton Wide Rocker Switch

Product watch: Hamilton launches new ‘Gray’ plate finishes

730 565 Hamish Kilburn
Product watch: Hamilton launches new ‘Gray’ plate finishes

Hamilton Litestat, an event parter for The Brit List Awards 2021, will showcase the breadth of its decorative wiring solutions for the hotel sector at the Independent Hotel Show, on October 4 – 5,  2021 at Olympia London. This will include the new ‘Gray’ plate finishes and USB-A&C charging devices…

Hamilton Wide Rocker Switch

On Stand 1464, the British brand Hamilton Litestat will display its latest on-trend metallic finishes, its vast design and finish capabilities, as well as solutions that deliver the functionality guests are demanding in today’s highly connected world.

New standout finishes

Hamilton’s latest on-trend ‘Gray’ finishes will be showcased at the Independent Hotel Show – Basalt Gray and Anthra Gray.  Inspired by Italian design trends, Basalt provides a teasing refractive aesthetic – grey base with a neutral cast and subtle bronze hue provides a warm, nature-inspired finish. Meanwhile, Anthra Gray, with a subtle granular finish, oozes volcanic strength and natural sophistication. Visitors to the show can collect free samples of the new finishes at Hamilton’s Stand, No. 1464.

Hamilton's new Basalt Gray finish

Image caption: Hamilton’s new Basalt Gray finish

Additionally, a new insert finish has also been added to Hamilton’s popular Hartland range, which will also be on display. Alongside Black and White inserts, a new Quartz Grey finish has been added to Hamilton’s insert options.

USB-A and USB-C – rapidly recharge

Now a guestroom necessity, Hamilton’s latest solutions to rapidly recharge smart devices while your guests relax and recharge themselves will also be on show. Available in 11 finishes and four sleek and stylish designs, Hamilton’s combined 2.4A USB-A and USB-C dual switched sockets make them ideal for the latest devices as well as legacy smart phones and tablets. While USB-A offers charging of up to 2.5W, USB-C facilitates extremely fast data transfer of up to 10 Gbps and power transfer of 100W for speedy charging. This solution is perfectly placed either side of beds for guest convenience.

Hamilton also offers a 18W USB-A and 45W USB-C Euro Module that delivers a superior rate of charge for high-capacity devices including the new MacBook Pro and iPad Pro. Ideally suited to positions at the desk area of a suite, the Euro Module can be fitted within a single plate or combined with other functional solutions within a multi-part bespoke plate. Supporting both legacy and long-term charging requirements, the Euro Module is in high guest demand and is a standout strength in Hamilton’s vast portfolio of products.

Wide Rocker – classic with a twist

Inspired by design trends in the Asian market and making a big impact in the hotel sector to welcome international guests, Hamilton’s Wide Rocker Switches will again be on show. The on-trend design is available in five Linea CFX collections, as well as Hartland CFX and Sheer CFX, and can be supplied in a range of finishes, including popular bronze and brass finishes. With 1, 2 and 3-gang switch configurations available, as well as 1-gang Push-To-Make (PTM), Double Pole and Intermediate Wide Rockers, these switches provide a functional solution with a stylish contemporary design twist.

Made to order

As a British family-run company, Hamilton has its headquarters in Bristol and it’s from here that it offers its bespoke service. It has the capability to cost-effectively produce custom-made plates to support customer requirements, including low volume requests. Configurations particularly suited to the hotel sector could include a plate featuring a Euro Module, Schuko Socket, American Socket, and double switched socket.

As well as offering bespoke functionality, Hamilton offers bespoke plate finishes courtesy of its Paintable service. Switch plates and sockets can be powder coated to match RAL, British Standards or Natural Colour System references, ensuring that they perfectly match a wall design scheme, soft furnishings, or other design details. This hassle-free service is even offered on low volume orders, with Hamilton having increased its capacity due to the service’s popularity.

Perception CFX – distraction-free design

For hotels featuring bold statement wallpaper or mural walls, Hamilton’s Perception CFX is the ideal transparent wiring solution. The switch plates and sockets have concealed fixings and a clear snap-on front plate that houses an insert of a chosen wall covering, making them almost imperceptible. Seamlessly matching the wall covering pattern, they allow the room’s décor to sing and make an impact on the guest without distraction.

Hamilton Litestat, which will be on Stand 1464 at the Independent Hotel Show, is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our recommended suppliers, please email Katy Phillips.

Main image credit: Hamilton Litestat (Wide Rocker Switches)

Hotel Designs LIVE: Social Spaces

(In video) Hotel Designs LIVE: Social spaces in 2021 & beyond

730 565 Hamish Kilburn
(In video) Hotel Designs LIVE: Social spaces in 2021 & beyond

The fifth edition of Hotel Designs LIVE was sponsored and broadcasted from the Minotti London showroom. The virtual event for the design, architecture and hospitality industry was rounded off with an engaging panel discussion with leading designers and developers that explored the future of social spaces – from arrival experiences to lobby lounges and F&B hospitality…

Hotel Designs LIVE: Social Spaces

With all the noise around ‘social distancing’ and regulations against human interaction, many of industry’s leaders believe that tomorrow’s hotel scene will be a celebration of human connection. While we are at the T-junction on the road out of Covid-19 lockdowns, editor Hamish Kilburn invited world-renowned designers and hospitality experts to understand challenges and considerations to bear in mind as we re- open the doors of hospitality, to be social, once more.

On the panel:

Making a nod to an early session, which explored sensory design, Kilburn kicked off the discussion by asking the panel how designers are utilising the senses in design to evolve social spaces. “The advantages of hotels is that you can offer different levels of stimulations through transition spaces as well as in social spaces,” explained Beth Campbell, CEO, Campbell House. “This helps to build the momentum and makes the experience even more meaningful.”

Charlie MacGregor, Founder, The Student Hotel (TSH), joined the panel as an example of a forward-thinking hotelier, who was among the first to push hospitality into the lifestyle lane. “By making the lobby the beating heart of a hotel, you immediately set the scene – and energy level – for guests and locals alike who are arriving,” he said. “With Covid, we have seen this new generation of corporate travellers, where people are digital nomads and want to work as well as play in spaces.”

The conversation logically went into the territory of creating subtle boundaries in public areas, which is a topic that has become high on the agenda since the Covid-19 pandemic, but also as public areas in lifestyle hotels are being designed to be multifunctional. “Lighting is becoming more and more important when it comes to curate these spaces,” He said. “As well as building spaces, you can separate them and change them as the day goes on. When designing these areas, understand the possible mise en scènes is paramount.”

Here’s the full video of the panel discussion (on demand), which was produced by CUBE and includes Product Watch Pitches by Vaughan, Leaflike and Luxiona:

The full recordings of all Hotel Designs LIVE sessions are available on-demand.

Since you’re here…

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Crosswater Artist

Crosswater introduces Artist – celebrating meaningful colour

730 565 Hamish Kilburn
Crosswater introduces Artist – celebrating meaningful colour

Artist is the new high-end bathroom collection from Crosswater, which partners style with performance to offer luxury bathroom solutions for all spaces. Let’s take a peek…

Drawing inspiration from Scandinavian design, the modern Artist collection from contemporary bathroom brand Crosswater features curved silhouettes, softer styling, and natural wood elements to for a true hygge home.

Crosswater Artist

The centrepiece of the Artist collection, which cleverly injects meaningful colour into the bathroom, is the vanity unit, a contemporary storage solution that features a calming colour scheme, alongside a solid oak worktop. There are three different vanity unit sizes to choose from, each available in four finishes, Onyx Black, Cashmere Matt, Storm Grey, and Matt White. The soft-close, handle-free drawers can be fitted with two or four section dividers, allowing smart storage for the everyday bathroom essentials.

Crosswater Artist in bathroom

The vanity can either be installed as a wall-hung unit or assembled with coordinating height adjustable legs to create a more trend-focused feature in the bathroom. The legs are available in the same four finishes as the vanity unit – Onyx Black, Cashmere Matt, Storm Grey, and Matt White. For those that prefer more natural elements, the legs are also available in beech veneer.

The solid oak worktop and beech veneer legs are crafted from sustainable sources and are specially designed with an anti-UV matt varnish to protect the wood from discolouration and fading.

The Artist vanity unit is best pared with Crosswater’s new Nepi or Circus basins. Nepi, a clever inset basin that sits both above and below the worktop, is ideal for those that want the look of a minimalist countertop basin, without compromising on space. Alternatively, the Circus Countertop Basin in Brushed Brass is perfect for those wanting to make a statement. As for brassware, Crosswater’s new Glide II taps, available in Chrome, Brushed Brass, Brushed Stainless Steel, and Matt Black, provide additional elegance.

To complete the look, the Artist collection also offers a back-to-wall bath, back-lit mirror, and a towel warmer that can double as additional storage space, thanks to optional oak shelves.

Crosswater is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our recommended suppliers, please email Katy Phillips.

Main image credit: Crosswater

Product watch: Here’s what’s new from Arte

730 565 Hamish Kilburn
Product watch: Here’s what’s new from Arte

In order to kickstart this month’s editorial spotlight on wallcoverings, Hotel Designs is taking a closer look at Arte’s collections that have launched over the summer…

Arte is known for creating outrageously creative – and magnificent – wallcoverings. Since building its foundations in 1981, the brand can be found adorning the walls of both residential homes, as well as commercial interiors in more than 80 countries worldwide.

Each year, an in-house team of experienced designers work on developing new collections, striving for perfection and trendsetting design whilst simultaneously surprising the design industry with what’s possible to achieve with wallcoverings.

With the aim to continues to inspire and challenge, setting the bar for innovative design, Arte’s latest collections that were recently launched take ‘art outside the frame’ to a whole new level of detail.

Mimic Moth

Mimic Moth is an exclusive preview launching this autumn, ahead of the full collection (and third collaboration) from Arte x Moooi set to launch for SS22, inspired by new Extinct Animals. Like the current Moooi Wallcovering designs, this collection will be made from unexpected and luxurious materials. A collection in harmonious colours that brings joy and balance.

This 3D wallcovering with a soft suede look is inspired by the Mimic Moth’s shape and habitat. The wallcovering’s design is made up of embossed Mimic Moths surrounded by their favourite flowers.

Queen Cobra

Queen Cobra is the next family member of the new Moooi Wallcovering collection, which follows the launch of Mimic Moth. The collection depicts majestic looking snakes that were called so because of their long coiling hairs resembling the hairstyle of Queen Tanjii of Kemet. According to old scriptures, the snakes were gold coloured and didn’t have scales. Their skin seemed made of dried grass.

The wallcovering Queen Cobra is made from hand-woven sisal fibres, inspired by the Queen Cobra’s rhythmic curves and grassy habitat. The design comprises round overlapping shapes in a pattern with a hypnotic feel to it.

Icons

Icons is a versatile wallcoverings collection, featuring seven designs across a variety of heavier textures including shagreen leather and boucle fabric, as well as lighter options such as real rattan and silk imitation on non- woven backing. With a combination of geometric block patterns, floral motifs as well as plains in a palette of rich earthy colours, on matt and glossy finishes, designs can be easily combined in a single space to add depth to any scheme.

Arte is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our recommended suppliers, please email Katy Phillips.

Main image credit: Arte

The Other House Club Flat Kitchen in blue and mustard

Video exclusive: The making of The Other House (part 1)

730 565 Hamish Kilburn
Video exclusive: The making of The Other House (part 1)

The first video in our exclusive concept-to-completion series with The Other House takes a tour inside what will soon be its first hotel – AKA, residents’ club. Editor Hamish Kilburn speaks to the brand’s CEO and the design team, which including Bergman Design House and architecture firm Falconer Chester Hall, to understand more about the design narrative that will be sheltered inside…

The Other House Club Flat Kitchen in blue and mustard

A new era of hospitality is on the horizon. The Other House is an innovative concept that we first explored earlier this year, which, right on cue, has raised some eyebrows recently. Since joining a panel discussion on ‘a new era of lifestyle’ at Hotel Designs LIVE in May, CEO & founder Naomi Heaton – a self-confessed newcomer into the hospitality arena who aims to disrupt conventional approaches to hotel design and development – has invited our cameras in to capture the concept-to-completion story behind brand’s first property. Sheltered inside Harrington Hall, a heritage property, The Other House South Kensington will offer 200 Club Flats – all of which will feature signature, fully fitted and contemporary design – for leisure travellers and corporate visitors alike. 

With less than one year until the first residents’ club opens, here’s what we discovered when we took a sneak peek inside the building. During our access-all-areas visit, we spoke to Heaton about the pillars of the brand. In addition, we caught up with the architect at Falconer Chester Hall, Alastair Shepherd, who is responsible for carving out the body of the hospitality experience. And, to make things really interesting, we even made a visit to Bergman Design House to speak to Marie Soliman, the interior designer tasked to bring her sketches and renders to life, while sourcing as much as she possibly can locally and sustainably.

Who’s who? 

Elevating the traditional long stay and serviced apartment models, the new brand will combine beautifully designed apartments – complete with fully fitted kitchens, living and sleeping areas – with a private club exclusively for residents and members to relax and enjoy, complete with two bars, spa and fitness studio. For a local vibe, the bold public spaces will include a destination bar and all-day dining bistro (renders of these areas will be available shortly).

While targetting an audience that is conscious and cares deeply about the environmental impact hotel development can have on the planet, sustainability was one of the first pillars for The Other House. “We take a sustainable approach to renovating existing buildings and is committed to making a positive impact on the community, our employees and the environment,” explained Heaton in an earlier interview with Hotel Designs. “Our residents will be a part of our environmental journey so they can make a measurable, personal difference. There will be a focus on health and wellbeing at all the guest touchpoints and we will be using, for example, recyclable packaging, healthy, sustainably produced food and British-made furniture.”

With eight categories of Club Flats – Club Town, Club Garden, Club Courtyard, Club Mezz, Club Class, Club Vault, Club Turret and Club Access – the units range from 258 sqft (24sqm) to 581 sqft (54sqm), as well as two-, three- and four-bedroom options. The intelligent use of space revolves around the living area (rather than the bedroom) just as it does in the home, which was key for the brand to create a real sense of place and comfort.

What’s more, despite all the noise around the new era of luxury suggesting a paired back, even removed, stance on technology is the way forward, central to The Other House will be a downloadable app that offers personalisation and control through on-demand access to hotel-style services. The software, which, if seamless, meaningful, discreet and easy to use, will become a revolutionary element of the hospitality experience at The Other House. It will enable residents to manage their entire stay andexperience; tailoring their hospitality journey to their own specific needs and requirements. As a result, the software will certainly answer to modern demands that are calling for more personalised experiences.

For long-stay guests, The Other House will provide a new alternative to renting, offering any length stays, around the clock security, access to hotel style services and the very best of city living. The first of this type of accommodation that the UK has seen, it will also offer flexibility for residents to book in and out. With stays bookable from a day to a year, The Other House offers a stylish solution for those looking for a city base. And services such as clothes and luggage storage between trips makes it perfect for guests looking for a regular London pied-à-terre a few days each week.

Establishing itself as a ‘one to watch’ on the glabal hospitality scene, with a forward-thinking concept and immersive design scheme, The Other House South Kensington is the first residents’ club to be launched. The brand is on track to open in other ‘villages’ throughout central London, including Covent Garden by 2023, before rolling out internationally. 

In the next video in our exclusive concept-to-completion editorial series with The Other House, produced by CUBE, we will rejoin the development and design team ahead of the opening of the brand’s first residents’ club. In this video, we will explore more about the technology behind-the-scenes, as well as understand how the drawings, sketches and renderings have been brought to life. By then, we may also have more news and exclusive design details about the interior scheme behind the heavy doors of the brand’s second property in Covent Garden. 

Main image credit: The Other House | Video credit: CUBE

Hotel Designs LIVE: Surface Trends

Hotel Designs LIVE: Surface design trends

730 565 Hamish Kilburn
Hotel Designs LIVE: Surface design trends

The fifth edition of Hotel Designs LIVE, sponsored by and filmed from Minotti London, invited world renowned designers, architects and hospitality experts to, once again, define the point of hotel design on an global scale while keeping the conversation flowing throughout. The third session of the day looked at interior design surface trends…

Hotel Designs LIVE: Surface Trends

Trends… not the most popular word used by interior designers in the hotel design arena, but ignore them at your peril as we enter uncharted waters following the largest global cultural and behavioural shift the industry has perhaps ever experienced. Challenging conventional trend forecasts, for the third session during Hotel Designs LIVE, which was broadcasted from the Minotti London showroom on August 10, editor Hamish Kilburn invited a handful of interior designers from all corners of the design arena to discuss meaningful surface trends.

Other sessions of the day included:

  • A design assault on the senses – watch now on-demand.
  • Designing the perfect nights’ sleep – watch now on-demand.
  • Social spaces in 2021 & beyond – this session will be available to watch shortly

The third session of the day, which followed the panel discussion on sleep performance, went beyond colour schemes to identify real trends and talking points in surface design. More than ever, as a direct result of the Covid-19 crisis, surfaces have come under question in the debate around hygiene. But, in the exclusive panel discussion with leading designers and hospitality experts, we went beyond the clinical to explore interesting and vibrant surfaces – from paint and tiles to textiles and worktops – that give all areas of the hotel more personality and meaning.

On the panel:

The conversation started by addressing the elephant in the room. Kilburn wanted to know if there were products and materials on the market at the moment that answered both to the demands around sustainability as well as hygiene. “It’s actually quite difficult to achieve both,” explained George Couyas. “Let’s use paint as an example. Usually, when products are man-made to be durable, wipeable and hygienic, there is usually a process that results in the eco credentials somewhat diminishing.” Through his research, and day-to-day managing residential clients whose demands for eco have somewhat evolved over the last few years, a few brands have recently made it onto Couyas’ radar for being both sustainable and robust.

Next, Kilburn introduced Beverly and Dereck Joubert, the founders of Great Plains. What sets this dynamic duo aside from other hoteliers is their pure involvement in all of their projects; they design and source everything – and having fulfilled a career filming wildlife for National Geographic, the pair have a unique stance when it comes to sustainable development and design. “Through 40 years of travel and understanding different cultures, we have been able to tell some really interesting stories through design,” explained Beverly Joubert. “What we also like to do is design using up-cycled materials. So, for example, near one of our camps we heard that wooden railway sleepers were replaced by concrete. It was a great opportunity for us and those sleepers have become the flooring in that camp.”

Continuing the conversation around sustainability, but moving into the urban luxury arena, Shalini Misra agreed that re-using materials and items adds value to the overall design as well as the eco credentials of the project. “Every material can be sustainable if it’s a reclaimed version of it,” she said. “When it comes to hygiene, some materials are better than others. Bamboo, for example, is one of my favourites at the moment as it is highly renewable, very quick to grow and extremely versatile.”

When it comes to extraordinary surfaces, Fameed Khalique who was described by the Financial Times as “the go-to supplier of exotic and experimental surfaces for walls, floors, ceilings and furniture,” has a library full of creative surface design solutions. “We have this reputation, and we do the odd exotic thing, but realistic the majority of the work we do is driven by the client and a problem we need to solve,” he said. “We are working with a designer in the middle east who wanted to use straw marquetry on a mass scale, which isn’t sustainable, nor realistic. So, we worked with the designer and found a solution that used sustainable wood to create a wood-veneer finishing that looked like straw marquetry but can be used on a large scale. Interestingly, that actually led to us launching a new collection utilising those materials and that design.”

Here’s the full video of the panel discussion (on demand), which was produced by CUBE and includes Product Watch Pitches by Hamilton Litestat, Schlüter Systems, Mosaico and Milliken:

The full recordings of the first session (A design assault on the senses) and the second session (Designing the perfect nights’ sleep) are now available to watch on-demand. The final session (Social spaces in 2021 & beyond) will be available to watch on-demand shortly.

Since you’re here…

More than 40,000 readers per month enjoy the content we publish on Hotel Designs. Our mission is to define the point on international hotel design, and we are doing that by serving relevant news stories and engaging features. To keep up to date on the hottest stories that are emerging, you can sign up to the newsletter, which is completely free of charge. As well as receiving a weekly round-up of the top stories, you will also access our bi-monthly HD Edit –staying ahead of the curve has never been so easy!

Click here to sign up to our newsletter.

The Brit List Awards 2021 shortlist

The Brit List Awards 2021: Shortlist announced

730 565 Hamish Kilburn
The Brit List Awards 2021: Shortlist announced

The shortlist for The Brit List Awards 2021 has been announced, with more than 130 individuals and projects – the most finalists in the campaign’s history – selected across nine categories. The winners will be unveiled in spectacular style at the awards ceremony, which takes place on November 3 inside London’s famous cabaret venue, PROUD Embankment…

The Brit List Awards 2021 shortlist

Regarded and respected globally as the industry’s most widespread campaign to identify the leading interior designers, architects, hoteliers and brands, The Brit List Awards 2021 has unveiled this year’s shortlist, which includes more than 130 individuals and projects.

The finalists, listed below, have been invited to attend The Brit List Awards’ annual award ceremony, which, following last year’s virtual affair, will take place live in the extravagant cabaret venue, PROUD Embankment. At the event, as well as the individual winners being announced, The Brit List 2021, a publication that will profile the top 25 designers, architects and hoteliers, will also be unveiled.

The Brit List Awards is Hotel Designs’ the nationwide search to find the most influential interior designers, architects, hoteliers and brands operating in Britain.

Now in its fifth year, The Brit List Awards is Hotel Designs’ the nationwide search to find the most influential interior designers, architects, hoteliers and brands operating in Britain. This year’s meticulous process began months ago when Hotel Designs opened up nominations and applications to its loyal readers. Since then, the expert judging panel have taken over to whittle down the shortlist as well as decide upon the individual winners.

“As I cast my eyes down this year’s shortlist, I am reminded once more that Britain is, and will no-doubt remain, a major pin on the design, architecture and hospitality map.” – Hamish Kilburn, editor, Hotel Designs.

“One only has to look at this year’s entries to be able to see that Britain is a melting pot for creative design and authentic hospitality,” explains editor Hamish Kilburn who will take the microphone on November 3 to host this year’s awards. “It’s sensational to see, despite obvious adversities, that the design, architecture and hospitality industry has risen to the challenge, once more, to present forward-thinking solutions in the global arena. As I cast my eyes down this year’s shortlist, I am reminded once more that Britain is, and will no-doubt remain, a major pin on the design, architecture and hospitality map. Here, on this tiny speck of land, we incubate innovation, nurture talent and amplify meaningful initiatives that challenge conventional approached to hotel design and hospitality.”

Adding more sparkle to this year’s live awards ceremony will be the sponsors and partners. They are: Crosswater (Headline Partner)Hamilton Litestat (Event Partner)Duravit (Event Partner), Schlüter Systems (Showcase Partner), Leaflike (Decorative Partner), GROHE (Broadcasting Partner), NEWH (Industry Partner) British Institute of Interior Design (Industry Partner) and CUBE (Videography Partner).

The shortlisted finalists for The Brit List Awards 2021 are: 

Interior Designer of the Year

Name Studio
Alan McVitty M STUDIO LONDON
Alex Kravetz Alex Kravetz Design
Beverley Bayes Sparcstudio
Clare McDonald Design Command
Clara Mason Dexter Moren Associates
Craig McKie Bell & Swift Ltd
Dale Atkinson Rosendale Design
David Mason Scott Brownrigg
Dennis Irvine Dennis Irvine Studio
Ed Warner Motionspot
Fiona Thompson Richmond International
Geraldine Dohogne Beyond Design
Hamish Brown 1508 London
Hayley Roy Harp Design
Henry Chebaane Blue Sky Hospitality
Hilary Lancaster Fusion Interiors Group
Ilse Crawford StudioIlse
Jeremy Grove Sibley Grove
Jouin Manku Jouin Manku
Kirsty Vance I Am London
Marie Soliman Bergman Interiors
Mark Bithrey B3 Designers
Neil Andrew Perkins&Will
Nicholas J Hickson THDP
Ravi Lakhaney Bailey London
Robert Angell Robert Angell Design International
Sally Proctor Majik House
Samantha McCulloch ICA
Sara Browett Sara Copeland Interiors Ltd
Scott Torrance 3DReid
Simon Kincaid Conran and Partners
Simon Rawlings David Collins Studio
Solomija Bogusz Interior Designer
Suzanne Garuda Garuda Design
Tina Norden Conran and Partners

Architect of the Year

Name Studio
Adam Hall Falconer Chester Hall
Alastair Shepherd Falconer Chester Hall Architects
Alexandra Birmpili Kappa planning Ltd
Ali Alammar Alamar Architects
Amrit Naru ADP Architects
Ben Adams Ben Adams Architects
Catarina Pina-Bartrum LDS Architects
Cathryn Crisp Randell Design Group
Christos Passas Zaha Hadid Architects
Doug Pearson 3DReid
Ed Murray Dexter Moren Associates
Gordon Ferrier 3D Reid
Graham Barr jmarchitects
Herbert Lui Dexter Moren Associates
James Dilley Jestico + Whiles
Jen Samuel 3DReid
Jonny Sin ReardonSmith Architects
Julie Humphryes Archer Humphryes Architects
Luke Fox Foster + Partners
Mark Bruce EPR Architects
Mark Kelly PLP Architecture
Matthew Salter HGP Architects
Metehan Apak Dawson Design Associates
Nicholas de Klerk Translation Architecture
Richard Coutts BACA Architects
Richard Holland Holland Harvey Architects
Sarah Murphy Jestico + Whiles
Simon Whittaker Orms
Tom Lindblom Principal, Architect
Tony Kho Trehearne Architects
Yasmine Mahmoudieh Yasmine Mahmoudieh Studio

Hotelier of the Year 

Name Hotel
Andrew Hollett Kettering Park Hotel and Spa
Charles Oak The Londoner
Conor O’Leary Gleneagles
David Connell South Lodge Hotel & Spa
Dominic Sauls Qbic London City Hotel
Edward Workman The Newt
Elli Jafari The Standard London
Federico Ciampi Mayfair Townhouse
Franck Arnold Savoy, London
Gareth Banner The Ned
Grace Leo The Relais Henley
Guillaume Marly Hotel Café Royal
Hector Ross The Mitre, Hampton Court
James Clarke Hilton Bankside London
John Scanlon 45 Park Lane
Julian Hudson Fellows House Cambridge – Curio by Hilton Collection
Marie-Paule Nowlis Sofitel London St James
Michael Bonsor Rosewood London
Michael Mason-Shaw Hyatt Place London City East
Murray Ward Soho Farmhouse
Olivia Richli Heckfield Place
Paul Bayliss Hotel Brooklyn, Manchester
Paul Skinner DUKES LONDON
Robin Hutson THE PIG Hotels
Sergio Leandro Sea Containers London
Simon Mahon The Grand York
Stuart Geddes The Lanesborough, London
Thomas Agius Ferrante The Grove of Narberth
Will Ashworth Watergate Bay Hotel

Best in Tech

Brand Product/project
Lutron Athena
SONANCE Peninsula London
Majik House Absoluxe Suites
GROHE/LIXIL GROHE Plus
Franklite L11 Tuneable

The Eco Award 

Brand Product/project
Harrison Spinks The Sprint Collection
Hypnos Contract Beds Various products
Leaflike Pan Pacific London
GROHE/LIXIL Cradle to Cradle certified products
Video Tree Re Charge
CTD Architectural Tiles The Global Collection
Yasmine Mahmoudieh Flow
Clarke & Clarke Eco Sustainable Weaves
Ozone Clean OC Range
Well-Lit Various products
Barber Osgerby AXOR One
Siminetti Seasons Collection
Silentnight Group Hosptiality Various products

Best in British Product Design

Brand Product/project
Newmor Wallcoverings Healthcare Collection
Franklite Perry Range
Franklite L11 Tuneable
Hypnos Contract Beds Various products
SMD Textiles, ILIV Exotic Garden
Edelweiss Pianos The Solis
The Monkey Puzzle Tree Metamorphosis
The Collective Agency Swell
Ziad Alonaizy Eileen Cabinet
Dernier & Hamlyn Bespoke lighitng for Nobu London Portman Square
Wandsworth The Baton (and other) switches
Morgan Rakino
Morgan Kaya

The Rising Star Award (new for 2021)

Name Brand/Studio/University
Adam Wardale Middletons Hotel, York
Aleksandra Tredez The Lost Poet (Cubic Studios)
Matthew Maganga University of Kent
Sophie Piggot Concorde BGW Group
Sarah Yuma Dexter Moren Associates

The International Award (new for 2021)

Name Brand
Wilderness Safaris Wilderness Safaris
Bill Bensley BENSLEY
DLR Group Madinah Gate
noa* network of architecture noa* network of architecture
YES.design.architecture YES.design.architecture
Royal Mansour Marrakech Royal Mansour Marrakech

There is no shortlist for the award for Outstanding Contribution to the Hospitality Industry, which will be the final award presented at the exclusive ceremony.

How to attend The Brit List Awards 2021 – the awards ceremony 

All designers, architects and hoteliers that have been shortlisted will receive an email asking them to confirm their complimentary ticket to attend the awards ceremony on November 3 at PROUD Embankment. Outside of the shortlist, designers, architects, hoteliers and developers can purchase tickets here (£10 + VAT per ticket if purchased before September 10)*. Suppliers, and anyone else wishing to attend, can click here to purchase their tickets (£99 + VAT per ticket if purchased before September 10)*.

*After September 10, tickets for designers, architects and hoteliers will inflate to £20 + VAT per ticket. For suppliers, tickets will inflate to £150 +VAT per ticket. There are limited number of tickets on sale, which will be issued out on a first-come, first-serve basis.

Main image credit: The Brit List Awards 2021/Hotel Designs

Hotel Designs LIVE - Session 2

(In video) Hotel Designs LIVE: Designing the perfect night’s sleep

730 565 Hamish Kilburn
(In video) Hotel Designs LIVE: Designing the perfect night’s sleep

The fifth edition of Hotel Designs LIVE, sponsored by and filmed from Minotti London, invited world renowned designers, architects and hospitality experts to, once again, define the point of hotel design on an global scale while keeping the conversation flowing throughout. The second session of the day, sponsored by Silentnight Group, looked at how to create the perfect nights’ sleep. Grab a coffee and let’s begin…

Hotel Designs LIVE - Session 2

On August 10, designers, architects, hoteliers and developers from around the globe tuned in to watch the latest edition of Hotel Designs LIVE. The event, which first launched in June 2020 to keep the industry connected while keeping the conversation flowing, took place virtually – broadcasted at Minotti London’s Fitzrovia showroom, and included four engaging panel discussions with world-renowned hospitality and design experts on the following topics:

  • A design assault on the senses
  • Designing the perfect nights’ sleep
  • Design, beneath the surface
  • Social spaces in 2021 & beyond

Following an engaging and energetic first session, which looked at sensory design and hospitality, the audience were invited in to find their inner zen as attention switched towards sleep performance. With new innovations and technology taking bold leaps as each day passes, the aim for this session was to explore the science behind getting the best nights’ sleep.

On the panel:

  • Hannah Shore, Sleep Expert, (Session Sponsor)
  • Nathan Hutchins, Founder, Muza Lab
  • Ananth Ramaswamy, Project Architect, The Doyle Collection

To introduce this meaningful session, it was integral for the audience to first understand the role of a sleep expert, which was highlighted in detail in a recent masterclass Hotel Designs hosted with Silentnight Group. “We obviously look into sleep and sleep research,” Shore said. “We also look at sleep personalisation, how sleep is affected in different scenarios – ultimately to establish how the mattress can help us to sleep better.”

One term Shore uses throughout the session is ‘TLC’, which is an acronym for temperature, light and comfort; three areas she and her team look at when monitoring sleep performance.

Also on the panel was Nathan Hutchins, a designer believes the team TLC is about the whole package. “TLC is about making people feeling good,” he said. “It’s about the entire environment of the hotel and the bedroom that we all create, from the bed to the architecture to the design, around leading guests into a sense of security and relaxation as they enter their hotel room.”

Ananth Ramaswamy joined the panel wearing the Doyle Collection hat, which allowed the audience to use the brand as somewhat of a case study. “We design our bedrooms around sleep performance,” he explained. “We have eight hotels [in the collection], and all are sheltered in different architectural buildings. Sleep is a very important touchpoint and everything that surrounds the bed is very considered.”

Here’s the full video of the panel discussion (on demand), which was produced by CUBE:

The full recordings of the first session, A design assault on the senses, is now available to watch on-demand.  The other two sessions (‘Design, beneath the surface and Social spaces in 2021 & beyond) will be available to watch on-demand shortly.

Since you’re here…

More than 40,000 readers per month enjoy the content we publish on Hotel Designs. Our mission is to define the point on international hotel design, and we are doing that by serving relevant news stories and engaging features. To keep up to date on the hottest stories that are emerging, you can sign up to the newsletter, which is completely free of charge. As well as receiving a weekly round-up of the top stories, you will also access our bi-monthly HD Edit –staying ahead of the curve has never been so easy!

Click here to sign up to our newsletter.

A large suite in Lisbon that is airy and has breakfast on the side

Living like a local in Portugal – inside Lumiares, Lisbon

730 565 Hamish Kilburn
Living like a local in Portugal – inside Lumiares, Lisbon

The Lumiares, Lisbon is a five-star boutique bombshell, where the style is personal, not “corporate”, relaxed not “stuffy”, gives an authentic nod to Lisbon’s colour, culture and patterns. Editor Hamish Kilburn falls in love with Portugal again when exploring the city’s latest destination hotel…

A large suite in Lisbon that is airy and has breakfast on the side

The fully renovated hotel, which is housed in a former XVII century Palace in the heart of the city, has all the key amenities and facilities for business and leisure travellers who want to feel at home when away from home.

The Lumiares’ philosophy is to highlight the authenticity and personality of Lisbon by collaborating with local Portuguese businesses to showcase ‘the best of Portugal’. Almost every item of furniture, artwork, textiles and room accessories has been conceived, designed and manufactured in Portugal, some within 500m from the hotel, which transcends a new take on ‘living like a local’.

Guestroom - Lumiares Lisbon

Image credit: Lumiares Lisbon

The starting place for design and artwork within the 47-key hotel was the location. Perched on the central edge of Bairro Alto, the hotel is situated in a Lisbon quarter home to a bohemian mish-mash of everyday residents, artists and merchants’ studios, restaurants, quirky shops, lively bars and cafes; a warren of asymmetrical buildings with mismatched facades of varying heights and hues, its narrow streets and pavements cobbled in Lisbon’s iconic square paving stones.

Rooftop of Lumiares Lisbon

Image credit: Lumiares Lisbon

Surveyed from above, the quarter forms a striking grid of patterns, light and dark; painted walls adorned with Lisbon’s beautiful hero colours – sky blue, rosy pink and warm ochre. These colours change and intensify throughout the day – creating yet more contrast as the unique, golden light of Lisbon turns to dusk. By day, the neighbourhood is sleepy and quiet, while at night it comes alive and becomes a place of contrasts. This is reflected in the bold black, white and brass-accented flooring in the lobby area, a bespoke collection of abstract and geometrical original artworks on display throughout the rooms, and a captivating sculptural brass chandelier dominating the building’s grand staircase.

A gold and black and white open lobby in Lisbon

Image credit: Lumieres Lisbon

In design terms, day-to-night, light-to-dark transformation was brought to life to capture Bairro Alto’s topography of pattern and grids – choosing boldly geometric prints in the materials, fabrics, artwork and flooring, accented with the colours and golden light we see all around us. From the lobby’s bold black and white and brass-accented flooring, the colourful abstract original artwork of Maser to designer Beau McClellan’s captivating sculptural and cubic brass lighting installation in the hotel’s central stairwell, the unique character of the Bairro Alto quarter was central to the design theme.

The hotel’s simple style, charm and character is described as a colourful love letter to Portugal – what a way to fall back in love with authentic travel again…

Main image credit: Lumiares Lisbon

Hotel designs LIVE senses

(In video) Hotel Designs LIVE: A design assault on the senses

730 565 Hamish Kilburn
(In video) Hotel Designs LIVE: A design assault on the senses

Watch, on-demand, our exclusive panel discussion that was broadcasted recently on the Hotel Designs LIVE platform. To launch the virtual event, which took place on August 10 at the Minotti London showroom, editor Hamish Kilburn welcomed world-renowned designers and hospitality experts to explore sensory design in hospitality (scroll down for full video)…

Hotel designs LIVE senses

On August 10, designers, architects, hoteliers and developers from around the globe tuned in to watch the latest edition of Hotel Designs LIVE. The event, which first launched in June 2020 to keep the industry connected while keeping the conversation flowing, took place virtually – broadcasted at Minotti London’s Fitzrovia showroom, and included four engaging panel discussions with world-renowned hospitality and design experts on the following topics:

  • A design assault on the senses
  • Designing the perfect nights’ sleep
  • Design, beneath the surface
  • Social spaces in 2021 & beyond

During the editor’s welcome, editor Hamish Kilburn was joined with Anke Summerhill, Managing Director of Minotti London which was the event’s headline sponsor. The pair discussed what’s new in the Minotti 2021 Collection as well as exploring how recent cultural shifts will impact the social nature of hospitality while the panel for the first session of the day were preparing to go live in the virtual wings.

The first session of the day, sponsored by bathroom brand GROHE, was inspired by a previous session that was broadcasted on the Hotel Designs LIVE platform, which looked at sound in design. Taking what he learned during that hour-long conversation with designers and architects, Kilburn was keen widen his perspective to discuss all of the senses in hotel design and hospitality. “Following that insightful session on sound’s role in hotel design and after reading a mountain of press releases recently that all reference sound, touch and even smell to evoke a deeper meaning of wellness and wellbeing, it feels fitting to position the editorial spotlight on the sensory experience for our next event,” Kilburn said when introducing the subject. “It also comes as the industry, albeit slowly, is starting to reopen and reconnect.”

On the panel:

  • Damian Saint, Music Director – W Hotels Asia Pacific
  • Robbie Bargh, Founder, Gorgeous Group
  • Diana Espejo, Director of Technical Services (EMEA), Six Senses Hotels Resorts Spas
  • Justin Wells, CEO, Wells International

The conversation began with Kilburn asking the panel why only now we as an industry were starting to look at the benefits of sensory design in hospitality experiences. “I might challenge that, becasue I think in design, we have always been striving to extend the positive outcome for the end user,” explained Justin Wells, CEO, Wells International. “Take the retail sector, for example, which has been exploring sensory design for many years. Currently, today, there is a heightened awareness around reconnecting and with a higher demand for wellness and wellbeing it has perhaps amplified our appetite for understanding technology. As a designer and architect, I have always researched how we can create a better, more holistic approach – and sensory design is most certainly a way to achieve this.”

To understand how a brand like Six Senses Hotels Resorts Spas was utilising the technology around sensory design – and how the brand plans to inject their luxury wellness and wellbeing hospitality experience in an urban environment, Diana Espeja, Director of Technical Services (EMEA) for the brand explained: “The Six Senses brand is growing and the challenge was face is how we translate our core values into different environments. The beauty of this is that our pillars of wellness and sustainability are really universally applicable – so we are constantly challenging our consultants to think outside the box on how we can achieve this. We do use the sensory experience not only in our design, but we also like to create really unique moments for guests who are checking in. In Ibiza, for example, the energy was amazing – and we really wanted to inject this into the design and the hospitality. We are constantly evolving and there is not a formula that works across all of these destinations – you have to research the area.”

Moving the conversation on, Kilburn then engaged with Robbie Bargh, a F&B experience consultant and the founder of Gorgeous Group, to better understand how sensory design can be utilised effectively in F&B spaces. “Telling stories is a fully immersive experience and to do this you have to use all of the senses,” he said. “Everyone gets obsessed by the way something looks, but actually when you get into it, the sound, smell and touch are all equally important to consider. And now, this is even more important.”

Here’s the full video of the panel discussion (on demand), produced by CUBE, which includes Product Watch pitches from GROHE, Benholm Group, Utopia Projects and Franklite.

The full recordings of the other three sessions (‘Designing the perfect nights’ sleep; Design, beneath the surface and Social spaces in 2021 & beyond) will be available to watch on-demand shortly.

Since you’re here…

More than 40,000 readers per month enjoy the content we publish on Hotel Designs. Our mission is to define the point on international hotel design, and we are doing that by serving relevant news stories and engaging features. To keep up to date on the hottest stories that are emerging, you can sign up to the newsletter, which is completely free of charge. As well as receiving a weekly round-up of the top stories, you will also access our bi-monthly HD Edit –staying ahead of the curve has never been so easy!

Click here to sign up to our newsletter.

A reminder of the sponsors

Headline Sponsor: Minotti London


SVART in Norway - hotel concepts

Hotel concepts: Wild & wonderful hotel developments

730 565 Hamish Kilburn
Hotel concepts: Wild & wonderful hotel developments

To celebrate this month’s feature of ‘hotel concepts’, editor Hamish Kilburn puts some interesting hotel developments under the spotlight – some more realistic than others – that are currently on his radar…

As with any brief to source new and truly innovative ideas, to find hotel concepts that were really going against the tide I needed to look outside what I already knew leading designers, architects and hospitality experts were currently working on.

SVART in Norway - hotel concepts

Recently, I was lucky enough to sit on the judging panel for the Accor Design Awards, an initiative that was launched by the hotel group in order to celebrate and champion young student designers globally. In doing so, the panel of judges were able to see, from the unmatched perspective of bold, fearless young designers who have not yet made a name for themselves, an unedited landscape of ideas that naturally challenged the conventional approach to design, architecture and hospitality. From hovering hotels to floating vessels, each idea was supported by solutions for the industry moving forward.

Inspired by this year’s shortlist of finalists, I made it my mission to see what other hotel concepts are out there. From space hotels, to floating suites and a plethora of sustainable architecture concepts that will take hospitality into a new era, here’s what I found…

NOMADish – a conscious floating hotel

Our first hotel concept to look at in this feature was born out of that awards – and won not only the judges over but also the public. Manon Figuier, Victoire Datchary, Mathéo Maurel, Harold Loquillard from L’Ecole de Design Nantes Atlantique, whose project NOMADish provided an innovative solution that hit the three key goals: overall guest experience, element of surprise and delight, and consideration for social, economic, and environmental responsibility, won the first prize. They also won the Public Choice Award, voted for by the general public via our bespoke online award voting platform.

The concept drawn up by the team of students allowed guests to shelter themselves in their own floating pod, that would allow them also to explore the city and never wake up to the same view twice. In addition to showcasing a new hospitality experience, the team also confronted sustainability by utilsing the power of hydrogen to fuel this approach.

Tetra Hotel

Tetra Hotel

Image credit: Tetra Hotel

No, the aliens have not landed (not yet anyway). Tetra Hotel is a concept drawn up by David Ajasa-Adekunle who has reimagined the ‘pod’ hotel in such an innovative way. His idea to build Tetra Hotel combined the use of symmetrical rows of rhombus-like geometric ‘pods’ that sit lining the banks of a glacial river in Iceland. According to other reports, every room will feature a multi-storey configuration, starting with a work area on the ground floor, moving through an entertaining space on the middle, and finally a top-floor bedroom and shower situated beneath an enormous skylight.

SVART – the world’s first ‘energy-positive’ hotel 

Image credit: Snøhetta/Plompmozes/Miris

The 99-key Svart hotel, which we believe is still on track for opening in 2022, will incorporate stilted, circular design, and will be positioned atop of the Holandsfjorden Fjord, allowing guests to enjoying an unparalleled 360-degree view of the Svartisen Glacier. We have been privileged to follow this concept from very early development, to when it announced its interior design team – and more recently by inviting the team to speak on the Hotel Designs LIVE platform.

To reach hefty sustainability goals, several cutting-edge design choices have been made. Architects working on the project first conducted an extensive mapping-out of how solar radiation behaves in relation to mountainous context throughout the year, in order to optimise energy output. The findings influenced the design of the hotel, with hotel rooms, restaurants and terraces strategically placed within a circular design to exploit the sun’s energy no matter the time of day or season.

The hotel’s roof will be clad with Norwegian solar panels that were produced using clean, hydro-energy. This will further reduce overall carbon footprint, while energy-intensive building materials such as structural steel and concrete have been avoided as much as possible.

The space hotel – will it happen?

The Axiom space station hotel - interior design

Image credit: Philippe Starck

The space race is on, it seems. Following numerous rumours and ignored press releases, there seems to be a buzz in the air that space travel – and dare I say it hospitality – is not a question of ‘will it happen’ but more ‘when will it happen’. Sir Richard Branson recently flew to the edge of space on aboard a rocket-powered plane, 22 years after he created the Virgin Galactic brand that aims to fuel a brand-new tourism industry. Aside from moral questions regarding sustainability and whether or not there is a ‘need’ for space travel, it has undoubtedly floated the idea of space hotels on our radars.

While the headlines were publishing Branson’s achievements, 250 miles above the earth in the wilderness of space, with cabins designed by the world-renowned Philippe Starck, the idea of Axiom space station, which is the brainchild of former NASA chiefs, is coming together and has a ‘launch date of 2024. Costing a reported $2 million, the Axiom station is intended to become the first ever free-flying, globally available private space station, which is planning to launch in 2024. Although its manufacturing requires space engineers, the interiors have been handed over to French industrial architect and hotel design legend Philippe Starck who will have the honour of designing the cabins inside – think “nest-like comfort” – that will frame panoramic views of our home planet below.

GAIA hospitality concept

Render of floating hotel in Dubai

Image credit: AMA Design

With the aim to design a hotel resort that offers guests an unparalleled at-one-with-nature experience, AMA Design has developed a hospitality concept called GAIA, a floating eco hotel that pushes boundaries to re-connect people with nature. The concept has been designed to fit into its context. Respecting its natural environment in a light and positive way whilst considering sustainable design and circular economy principles, the hotel fits into an emerging contemporary ‘Eco-Gothic’ style. Built from pre-fabricated lightweight composites from boat technology, finishes will be all natural such as bamboo and timber so that visitors are immersed in a natural environment framed with the sky and sea.

Al fresco guestrooms

a room in the middle of nowhere

Image credit: Zero Real Estate/Appenzellerland

We’re not over this trend, which we first highlighted this time last year following us identifying an undeniable demand for one-off travel experiences that allow travellers to be ‘at one’ with nature. Well, you can’t get more connected to the elements than this. New hotel concepts continue to emerge showing completely open-air rooms in the middle of nowhere. One of the developers that is leading the way is the aptly named Zero Real Estate. The theory behind the layout, with the bed being perched on a wooden platform, is that the natural landscape becomes the backdrop. Removing surfaces altogether to eliminate boundaries is a drastic strategy in the post-pandemic world, which will not work for everyone, but it certainly works to deepen one-off experiences for luxury modern travellers.

Main image credit: SVART

Exterior render of Tribe Budapest

Accor signs first TRIBE hotel in Hungary

730 565 Hamish Kilburn
Accor signs first TRIBE hotel in Hungary

Hotel group Accor has announced the signing of the first TRIBE hotel in Hungary in partnership with Futureal, a leading real estate developer in CEE. The 250-key TRIBE hotel will open in Budapest, Hungary, at the end of 2023. The project is being described as a “major milestone” in Futureal’s operation as part of its new business line focusing on hotel developments…

Exterior render of Tribe Budapest

Accor is stepping up its ambition in the lifestyle market with the expansion of the TRIBE hotel brand in Europe. The Group has established a partnership with Futureal for the first TRIBE hotel not only in Hungary, but also in Eastern Europe. The new property will be located in the vibrant city centre in Kertész Street, one of the capital’s most frequented tourist areas. The construction work of the complex is expected to start at the end of 2021 with opening forecast for 2023.

“TRIBE is an alternative lifestyle hospitality brand with modern, unique and urban spaces designed in collaboration with local designer,” said Frank Reul, Vice President Development, Accor Northern Europe. “The TRIBE brand aims to surprise travellers with an original, exciting and carefully curated experience that focuses on style rather than price, making it a leader in the design-led affordable luxury lifestyle sector. The vibrant capital of Hungary, and the 7th district, is perfect destination for this sophisticated and contemporary brand, and is sure to win the hearts of guest and locals.”

The first TRIBE in Hungary will offer more than 250 rooms and spaces designed by the Puhl and Dajka Architects Studio to provide inspiring state-of-the-art technology and comfort. Guests and locals will benefit from a vibrant community experience including a sky bar with spectacular view and intimate atmosphere, bicycle rental, a fitness centre and a co-working office. Distinguished international design studios have contributed to the Hungarian hotel’s unique concept including DeSallesFlint Interior Design, as well as Nina Weinstein Lighting Design and Hilla Mayer Lighting Design. The investor of the hotel is Futureal Group, one of the leading real estate developers and investors in Central and Eastern Europe.

TRIBE is Futureal’s first hotel development, further expanding the company’s diverse portfolio. Building on its vast domestic and international real estate development experience, Futureal is going to enrich the centre of Budapest with a high-quality, unique and competitive hotel.

“Futureal is about to open a new chapter in its successful real estate operation of almost two decades as we are entering the hotel sector,” added Tibor Tatár, CEO of Futureal. “As a result of careful preparation, deep market research and planning, our latest business line can start with a remarkable project in Hungary. We believe that we have found the right partner in Accor to introduce an exciting brand to the local market, and to create a solid, long-term cooperation for realising further developments.”

The hotel is expected to welcome its first guests in 2023.

Main image credit: Accor

Virgin Hotels - collage of Las Vegas property

In pictures: Inside Virgin Hotels, Las Vegas

730 565 Hamish Kilburn
In pictures: Inside Virgin Hotels, Las Vegas

Leading New York-based hospitality design studio Rockwell Group has unveiled new images of its designs of the public areas inside Virgin Hotels’ new property in Las Vegas – and it’s everything and more we were expecting it to be…

Virgin Hotels - collage of Las Vegas property

Leading New York based interdisciplinary architecture and design firm Rockwell Group, which recently completed the design scheme inside Moxy South Beachhas unveiled its design of the interiors of Virgin Hotel’s debut property in Las Vegas, which is a re-conceptualised and revitalised property in the former Hard Rock Hotel.

The design studio’s authentic ability to push boundaries to disrupt and challenge conventional hospitality and design in a meaningful way is probably the reason why it has been developing Virgin’s signature playful spirit since 2015, when the firm designed Richard Branson’s first Virgin Hotel in Chicago in 2015.

Naturally, therefore, Rockwell Group was appointed to design the ‘Virgin Spaces’ that surround the main casino, including a new porte cochère and entry experience – The Junction – as well as a check-in area for guests, the Commons Club and the Commons Club Restaurant and the Shag Room. The studio also designed two additional bars within the main casino and transformed the lobbies throughout the hotel. 

Image caption: Check-in lobby inside Virgin Las Vegas. | Image credit: Nikolas Koenig

Image caption: Check-in lobby inside Virgin Las Vegas. | Image credit: Nikolas Koenig

The hotel, which first entered our radar earlier this year, is situated a few miles away from the iconic Strip, and Rockwell Group chose to accentuate this separation by creating a luxury destination that taps into the wider context of the desert landscape with pure forms and sculptural moments. The public spaces within the hotel reference desert modernism and, wherever possible, blur the lines between indoors and out, with glazing and an outdoor terrace.

With limited creative inspiration in a city that was effectively built in the wilderness (a strong part of its allure, of course), the design team envisioned taking guests on an adventure along a desert highway, spotted with natural wonders and follies – a clear homage to the city of Las Vegas and its surrounding desert landscape. The neutral, natural material palette includes flagstone flooring and rammed earth walls with pops of Virgin’s signature red, agate stones, and greenery. The result is an inclusive series of lounge and dining spaces that invite guests to linger and explore.

A new entrance welcomes guests with monumental, rammed earth walls, a cactus garden planted in a dune-like setting, and a striking geometric breezeblock wall. The dramatic centerpiece of the porte-cochère is an angular canopy clad in reflective gold metal, while red tiles frame the entry portal, signifying the Virgin brand and contrasting with the neutral rammed earth that surrounds it.

The Junction – the main lobby, gathering, and lounge space – announces Virgin Las Vegas’s departure from the Vegas norm and helps guests orientate themselves. A plywood, coffered, hung ceiling undulates throughout the space creating an impressive sculptural setting with light wells that glow at night. 

Alongside the Junction, the design team have designed a more private space – the Harmony Lobby, which houses a VIP check-in and a bar. A long communal library table in front of a fluted wooden screen features a record player and earphones, inviting guests to linger, surrounded by a central mirror-clad ceiling cove that unites all the spaces and features acrylic chandeliers that seem to float above.

Image caption: The bar inside the Commons Club. | Image credit: Nikolas Koenig

Image caption: The bar inside the Commons Club. | Image credit: Nikolas Koenig

Extending from the lobby, the Commons Club features a bar surrounded by a casual dining area that spills out onto an expansive terrace. The circular bar sits under a sculptural dome that terminates in a 20-foot diameter skylight with a diffused pattern. The bar die is composed of crushed, coloured glass inspired by rammed earth, while the back bar features a circular, sculptural tower composed of angular, mirrored panels that surround a glowing crystal centre inspired by cracked earth. Curved metal screens embellished with agates surround the back bar and create a sense of intimacy.

Sitting next to the Commons Club, its namesake restaurant features central banquette seating framed in light-coloured wood that sits under a recessed cork ceiling and pendant lights. Dining tables are made of an unexpected wood chip terrazzo and the seating niches at the perimeter of the restaurant feature art and breezeblock detailing. 

Image caption: The Shag Room. | Image caption: The bar inside the Commons Club. | Image credit: Nikolas Koenig

The Shag Room, a casual yet sumptuous bar and lounge is accessed through a speakeasy photobooth entrance and features plush soft seating and banquettes in shades of purple and red upholstery with shag carpet surrounding a conversation pit. Swooping Persian carpets hang from the ceiling, and the main bar is hidden behind dramatic drapery. 

Elsewhere in the hotel, the team at Rockwell Group have made interventions to the floor and ceiling landscapes in the casino area, with a red carpet design that mimics curving tracks in the sand dunes and ensures design continuity throughout the hotel and the casino.  

Meanwhile, the guestrooms and suites were designed by Los Angeles-based Studio Collective, which has previously completed projects inside Hotel June, Hotel Figueroa and The Landsby Inn.

The rooms inside Virgin Las Vegas are spread over three distinctive towers – Opal, Canyon and the all-suite Ruby Tower. These spaces manage to balance the vibrancy of Las Vegas yet remain calm and inviting for guests checking in.

Main image credit: Nikolas Koenig

Bed trends: A post-pandemic insight into future guestrooms

730 565 Hamish Kilburn
Bed trends: A post-pandemic insight into future guestrooms

One of the hardest-hit trades during the pandemic has been the hotel industry, however things are looking up with bookings for UK staycations jumping by a record 300 per cent following the announcement of the lockdown roadmap in February[1]. To celebrate our ‘beds’ feature for August, we ask Richard Naylor, Group Sustainable Development Director at Hypnos Contract Beds, to share his expertise on design and materials trends and offers insights into how hotel design could adapt as we begin to welcome guests back…

As we begin to move to a ‘new normal’ it’s time to consider how the events of the last 12 months will have an effect on factors like design, as interior designers are encouraged to think outside the box to deal with the challenges posed by the post-pandemic hospitality industry.

Materials

Learning to adapt their designs according to post-pandemic lifestyles, interior designers may re-evaluate some of the more common items or materials traditionally used in their hospitality projects. Considerations such as replacing rugs and carpets with tiles and stone, will make open spaces easier to manage and clean during busy customer change-over times, whilst still retaining style thanks to the vast array of options on the market.

In addition, opting for antimicrobial textiles and bleach-cleanable fabrics on larger items like beds and upholstery will ensure peace of mind for visitors whilst choosing materials with natural antimicrobial properties like copper, brass, bronze, or copper-nickel for high-touch surfaces such as light switches, sockets and door handles, will safeguard them from germs, keeping both staff and hotel guests safe.

Hypnos Residence mattress

Image caption: Hypnos Residence mattress

Although the pandemic has made us hyper conscious of cleanliness and hygiene, the basics shouldn’t be overlooked as restrictions ease, especially when it comes to guest room beds. Fitting a mattress protector that encapsulates the top and sides of the mattress will help to prevent stains and odours and ensure the bed lasts longer.

The pandemic has also encouraged many of us to re-connect with nature, and this is something that should be a consideration for designers as they look to incorporate elements of Biophilic design into their hospitality design schemes. Opting for natural materials like the ethically and sustainably sourced wool used in Hypnos’ Beaumont and Ashbourne and Lansdowne Cashmere ranges is one way to bring elements of the natural world into guest bedrooms without compromising on the luxurious feel that guests seek from a hotel stay.

Utilising in-room tech

Smart technology is something that has emerged within the hospitality industry, but we could begin to see a rise in the use of these kinds of technologies in a post-pandemic world.

Reducing the need for contact with surfaces like upholstery or switches will be of increasing importance in room design. Technology like voice activation is ideal in this ‘new normal’ world as it would enable guests and housekeepers to control everything from blinds and curtains, to lights and electrical items, without needing to physically touch surfaces. All great for reducing the spread of potential germs.

Image caption: Hypnos Beds were specified inside Corinthia London. | Image credit: Corinthia London

Image caption: Hypnos Beds were specified inside Corinthia London. | Image credit: Corinthia London

Furthermore, single point controls whereby guests control all room features from a single tablet, or from an app on their phone, is another way to minimise contact. Similarly, infrared taps in bathrooms and self-cleaning sanitary ware offers a no-touch solution for guest bedrooms, empowering guests to feel reassured of their safety and comfortable in their environment.

Add to this the provision of technology to minimise contact during check-in, which is something that is already in place in some hotels, and it could really help guests to feel safe and at ease.

For hospitality establishments that don’t already have it, moving over to check-in apps and keyless door entry, which negate the need for larger, manned reception desks, will allow them to rethink existing spaces and re-work them for the needs of the modern, hygiene-conscious hotel guest.

Image caption: Hypnos Sanctuary mattress

Air quality & space

Something that shouldn’t be overlooked in the overall design and layout for a hotel or guest room is ventilation and space. Ventilation and air quality, whether that’s through natural ventilation and increased access to private outside areas like balconies, is of the utmost importance.

The addition of advanced air filtration systems to ensure clean, sanitised air in both public areas and private guest spaces is something that more hospitality establishments need to factor in to their design or consider investing in.

Whilst guest bedroom design and layout will always be important, communal hospitality areas, such as lobbies, could see some of the biggest changes, with designers opting for more open, spacious schemes, allowing greater room for social distancing and wider thoroughfares for guests.

Sustainable design

An undeniable benefit of the last year has been the reduced environmental impact that has resulted from people across the globe having to stay at home. With sustainability once again in the spotlight, it is clear that it will continue to be a key booking decision for guests and consequently should be front of mind for interior designers working on hospitality projects.

Whilst products and décor should be robust and hygienic, the provenance of where they come from or how they’re made shouldn’t be overlooked. By working with moral companies with a sustainability focus, hoteliers can ensure that they are doing their part in creating safe but also ethical interiors, something of increasing importance to consumers.

As the world’s first Carbon Neutral bed manufacturer and only bed manufacturer to have been certified for a decade, Hypnos has led industry change on carbon reduction and was recently awarded ‘The Planet Mark – Carbon Neutral Certification’ and a Queen’s Award for Enterprise for Sustainable Development for its commitment to environmentally-friendly design, sourcing transparency and ethical bedmaking. The company was also awarded the Global Recycled Standard which is given to companies who use recycled materials from socially and environmentally responsible manufacturing processes.

By specifying products like Hypnos’ no-turn Beaumont mattress, designers can not only reinforce the significance of making sustainable choices, but design choices like this are also another way to maintain high hygiene standards. The low-maintenance design of the Beaumont means that housekeepers can limit contact with the hotel bed, ideal for post-Covid life where cleanliness, safety, and attention to detail will be of utmost importance. The mattress needs only seasonal rotation and has been manufactured to be 20% lighter than Hypnos’ other hotel mattresses meaning it can be turned with ease when required. The sewn-in topper guarantees a luxurious feel for hotel visitors, and when coupled with the versatile design of Hypnos’ Zip and Link beds which can be quickly and easily split from a king-size to two single beds, this will limit the need for room changes and allow for flexibility with room allocation.

Working with the right partner

Whether designing for a boutique hotel, or an up-scale international branded hotel, managing refurbishments and new furniture installations effortlessly and efficiently with cost, safety, timings and logistics in mind can be challenging, especially with the added pressures of the pandemic.

Understanding the complexity behind renovations and refurbishments, particularly for large scale developments Hypnos works closely with hospitality providers and designers to offer its unique Eight Step Sleep Plan – a thorough consultation and step-by-step process which supports hospitality provider’s or designers from their initial enquiry right through to completion.

These changes may be a departure from pre-pandemic hotel design but nevertheless, are important considerations for hoteliers and designers to ensure a safe and stylish environment for visitors and tourists to return to the hospitality sector.

Hypnos is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our recommended suppliers, please email Katy Phillips.

Main image caption: Hypnos was specified inside a wildlife reserve in Kent, England. | Image credit: Port Lympne Hotel & Reserve

Raffles Doha - aerial

Raffles to more than double current portfolio of luxury hotels by 2023

730 565 Hamish Kilburn
Raffles to more than double current portfolio of luxury hotels by 2023

The legendary brand that is Raffles Hotels & Resorts is set to open flagship properties in Dubai, Udaipur, Bahrain and Macau later this year. Here’s what we know… 

With newly appointed CEO Stephen Alden at the helm, Raffles Hotels & Resorts, which first emerged in 1887 with the opening of the now iconic Raffles Singapore, embarks on an exciting new era, which will start with aggressive growth in the Middle East in 2021 and beyond.

Raffles Doha - aerial

A legendary brand known for transforming landmark properties in storied destinations around the world, Raffles is on track to more than double its illustrious portfolio, adding a host of distinguished locations that will continue to set the standard in the luxury hospitality industry. Later this year, Raffles will open a second hotel in Dubai (The Palm), along with Bahrain, Udaipur and Macau. Next year and beyond, the brand will debut flagship locations in London (2022), Boston (2022), Doha (2022), Jeddah (2022) and Moscow (2023), among others.

“Raffles approaches every endeavour with the utmost thought, care and discernment; our global expansion is no exception. With our pioneering spirit, we have sought out locations where we can really bring Raffles’ gracious welcome and tradition of excellence to life,” said Stephen Alden, CEO, Raffles & Orient Express. “Each new Raffles property is a destination in itself, and we are creating places where people want to be, in tune with our well-travelled guests’ contemporary lifestyles.”

Next year will see two watershed moments for the brand – with Raffles making its debut in North America and the United Kingdom. Raffles Boston Back Bay Hotel & Residences is located in the heart of the Back Bay, Boston’s most prestigious neighbourhood, and comprises a distinctive hotel as well as exquisitely appointed residences.

Raffles London at The OWO and The OWO Residences by Raffles will be an opening unlike any other in London. Located within the iconic Grade II* listed Old War Office building, an architectural masterpiece originally completed in 1906 which has witnessed world-shaping events, this property is set to be a momentous addition to the brand.

2021 unveils

Raffles the Palm, Dubai – The hotel is set to open its doors in Q4 of 2021. This will be the first Raffles resort on the Palm Jumeirah – the world’s largest man- made island and archipelago. Raffles the Palm Dubai, located across 100,000 square metres of landscape on the West Crescent, will feature 389 luxurious rooms, suites, and villas, each with a balcony and sea-view terrace, and offer eight bar and restaurant concepts.

Image caption: An aerial shot of Raffles The Palm Dubai

Image caption: An aerial shot of Raffles The Palm Dubai

Raffles Al Areen Palace, Bahrain – A serene sanctuary known as ‘the island of a million palm trees’, Raffles Al Areen Palace is located near the island’s protected wildlife park and reserve – home to a wide range of exotic animals and desert plants. With 78 opulent pool villas, one of the largest spas in the region and a wealth of tailor-made and signature Raffles experiences, this palatial property is set to redefine luxury hospitality in Bahrain. Honouring the Raffles heritage, the property will play its part as a cultural hotspot. A collection of one- and two-bedroom villas will feature living and dining areas, an intimate office, and expansive master bedrooms with ensuite bathrooms. A lush and majestic resort, Raffles Al Areen will feature an enchanting secret garden under the care of the hotel’s dedicated palace botanist.

Raffles Udaipur, India – Bringing this new-built site to life on a 21-acre private island in Udai Sagar Lake, the palatial Raffles Udaipur will be a sumptuous property, set to open in 2021. Surrounded by spectacular hills and a view of the 400-year-old temple in the background, the property has 101 rooms, each with a private pool. The hotel will provide a rare and authentic experience of one of India’s most scenic destinations.

Image caption: Exterior of Raffles Udaipur in India

Image caption: Exterior of Raffles Udaipur in India

Raffles at Galaxy Macau – The hotel will be situated within a stunning architectural landmark featuring a glass airbridge that connects the two towers on every floor. Each of the 450 suites draws inspiration from a modern palazzo, with curated artworks and some featuring private pools and gardens. Raffles at Galaxy Macau will be a spectacular addition to the Galaxy Macau, a world-class luxury integrated resort that offers an array of bespoke leisure activities, on-site entertainment and a specialty restaurant helmed by a multi-Michelin-starred Japanese chef.

Image caption: Exterior render of Raffles at Galaxy Macau

Image caption: Exterior render of Raffles at Galaxy Macau

2022 unveils (and beyond)

Raffles London at The OWO, UK – The hotel, sheltered in a historic building, will be the capital’s first Raffles property – a storied building that served as Winston Churchill’s base during the Second World War and was the birthplace of Ian Fleming’s James Bond. Many original architectural details have been preserved while also allowing room for updated design elements. Comprising of 125 rooms and suites, 85 residences, a collection of nine restaurants and bars and an immersive spa, the hotel and residences represent an incredible opportunity for the public to experience this historic property. It is set to be completed in 2022 and will open to the public for the first time in more than a century.