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Hotels that are self-isolating in style (part 3)

730 565 Hamish Kilburn
Hotels that are self-isolating in style (part 3)

The editorial series continues with part three, as editor Hamish Kilburn mentally checks in to some of the best hotels that are self-isolating in style…

The weeks are starting to feel like years. As the number of cases of COVID–19 increases day-by-day, so too do our social restrictions. From our new-found goldfish bowl perspective on the world, travel is beginning to feel like a distant memory.

Following on from parts one and two in this series, Hotel Designs continues to start the week during lockdown with some Monday motivation, – a non-permanent day-dream, if you like – to explore some of the world’s hidden luxury gems. Here are a handful of hotels that are naturally self-isolating in style.

Dharana at Shillim, in the Western Ghats of India

Lounge overlooking greenery

Image caption: Spa Pool Villa’s Living Room | Image credit: Dharana at Shillim

Spread over 3,000 acres of its own fertile valley, Dharana at Shillim used a completely local work force to respectfully build 23 rooms and three Presidential Villas within the forest. Each room celebrates the nature they’re in while also paying homage to Indian local design. The roofs are made out of tin, as a reflection of the village homes surrounding Shillim, and also to heighten the sound of the rain during monsoon season, reminding guests that nature rules here.

Treehotel, Sweeden

Glass-mirrored structure hanging from trees

Image credit: Treehotel Sweeden

The mirrorcube structure was launched as an “exciting hide-out among the trees, camouflaged by mirrored walls that reflect their surroundings.” Its base consists of an aluminium frame around the tree trunk and the walls are covered with reflective glass. The interior is designed from plywood with a birch surface. The total of six windows provide a stunning panoramic view. A 12-meter-long bridge leads up to the tree room.

Matetsi Victoria Falls

Luxury suite with sensitive interiors

Image credit: Matetsi Victoria Falls

Nestled within a 123,000-acre (55,000 hectres) wild game reserve, Matetsi Victoria Falls is arguably the most self-isolated hotel in the world. The hotel has been constructed to blend into its natural surroundings. The interiors, designed by local designer Kerry van Leenhoff, have been sensitively created to evoke sense-of-place at every turn.

Artist Helen Teede spent much time on site at Matetsi in order to find the inspiration of a unique collection of 18 paintings entitled ‘Mapping Matetsi’. Having done extensive walks and drives in the area, Teede divided the cartographic map of Matetsi unit seven into 18 parts and drew it to scale on each canvas, adding her own impressions of the river, the landscape and the pathways walked in the area, both man and animal-made. These 18 paintings hang separately in each suite. However, put together and these pieces of art actually form the aerial map of the reserve.

Severin*s – The Alpine Retreat

Luxury pool inside the hotel

Image credit: Severin*s – The Alpine Retreat

Severin*s is an uber-luxe hotel in Lech, situated in the Arlberg region which is part of Austria’s largest inter-connected ski areas. It set a new design standard in an otherwise predominantly traditional hotel landscape – Severin*s oozes James Bond glamour with pine interiors, fires in the rooms and fur throws.

The luxury hotel shelters just nine exclusive super-suites, each with private terraces and mountain views, a private four-bed Residence and an indoor luxury spa. 

Heritance Aarah, Maldives

Luxury pool on stilts in the middle of ocean

Image credit: Aitken Spence Hotels

The design of Heritance Aarah compliments the group Aitken Spence Hotels’ policy of sustainability by implementing components such as fuel saving generators, energy saving LED lighting, water saving fixtures and energy efficient air conditioning. The premium all-inclusive resort boasts 150 villas, six restaurants, five bars, a PADI dive centre and the first of its kind IASO Medi Spa.

Main image credit: Dharana at Shillim

PRODUCT WATCH: Atlas Concorde’s debut decor collection by Piero Lissoni

730 565 Hamish Kilburn
PRODUCT WATCH: Atlas Concorde’s debut decor collection by Piero Lissoni

The global specialist in premium porcelain tiles and wall tiles, Atlas Concorde, has unveiled the new Reverse Canon collection with Piero Lissoni

Atlas Concorde presents the new Reverse Canon collection. The collection is signed by Piero Lissoni, architect and designer known for his unmistakable style and the elegance of his creations.

Canone Inverso reflects a combination of fluidity, materiality and interprets the vision that Atlas Concorde had given Piero Lissoni: create decorative elements for wall and floor tiles.

The designer explains: “The four compositions of the Canone Inverso collection are the variants of a model, a scheme that is composed and recomposed to create a harmonious relationship that like in a musical score is formed by the assembly of different notes, or rather the forms that make it up”.

Image credit: Ceramiche Atlas Concorde S.p.A.

The company adds: “we gave the designer our range to be freely mixed and matched, to create a ‘decor collection’ to be presented individually or to be used in combination with our different collections and surfaces.”

The project is divided into four porcelain tile mosaics inspired by the world of cement and minimalist stones, in shades ranging from warm white to beige with traces of clay and dove grey, from greys in cooler and lighter tones to the darker anthracite and smoke.

Each module of Canone Inverso’s four mosaics has its own particular geometry, in some cases deliberately asymmetrical to create new patterns. Each module also constitutes a colour in the collection, obtained by mixing hues of similar shades selected from the Atlas Concorde range of minimalist cement-effect and stone-effect designs: Boost and Dwell (cement effect), Raw (cement plaster effect), Arkshade (minimalist cement effect), Kone (minimalist limestone effect).

The graphics of the individual tiles recall the cement and stone concept and refer to the collections they derive from, in perfect colour and stylistic harmony. Aesthetically, the surfaces have an almost smooth touch or a slight three-dimensional structure with a perfectly matte texture.

Image credit: Ceramiche Atlas Concorde S.p.A.

An important added value of Canone Inverso is the possibility of creating refined combinations of each mosaic with Atlas Concorde collections.  In particular:

Canone Inverso 1 matches the colors that compose it: Kone White, Arkshade White, Boost White and Dwell Off White.

Canone Inverso 2 goes well with the nuances of Arkshade Dove, Kone Beige, and Arkshade Clay.

Canone Inverso 3 combines with Kone Pearl, Kone Silver, and Raw Pearl.

Canone Inverso 4 reflects the color moods of Dwell Smoke, Boost Smoke, and Arkshade Lead, obviously in any format and in the matte version.

Canone Inverso finds its natural application wherever there is not only the need to decorate floors and walls, but above all, a desire to redesign spaces with decorative elements that act as furnishing elements.  A new tool to interpret ceramic tiles in a creative and personalized way, in line with the latest demands of high-end interior design.

Atlas Concorde is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.

Main image credit: Ceramiche Atlas Concorde S.p.A.

CASE STUDY: Creating ‘sense-of-place’ in nhow London carpets

730 565 Hamish Kilburn
CASE STUDY: Creating ‘sense-of-place’ in nhow London carpets

Carpet manufacturer Brintons were asked by design studio Project Orange to help them capture the theme of ‘London Reloaded’ in the carpets inside nhow London…

Brintons supplied carpets for key public areas and the Royalist Suite within the UK’s first nhow hotel, a four-star property under NH Hotel Group’s design and lifestyle brand, which is situated on the fringe of Shoreditch.

The hotel, which Hotel Designs was the first to check in to, exploded onto the London hospitality scene earlier this year. Themed ‘London Reloaded’, the interiors were designed by architect James Soane, combining “British icons with unconventional contemporary elements”.

Brintons worked with James Soane at Shoreditch-based design firm Project Orange; together creating carpets to suit both the business traveller and tourist guest of the hotel. The bold, floral carpet designs seen throughout the corridors and staircases of the eight-floor hotel reflect the Walk in the Park theme, while the sharp modern ‘space invaders’ houndstooth that forms the design in the three meeting rooms called Laboratories enhance the hotel’s modern structure.

“Working with the creative brief ‘London Reloaded’, Project Orange continued their long-time collaboration with Brintons to develop original and playful designs that tell a story,” said James Soane, Director at Project Orange. “The guest corridor was pictured as a Walk in the Park – where the bedroom doors are painted different bright colours complete with brass door knockers along with a dark green carpet strewn with roses. This romantic and theatrical experience offers the guest an immersive experience unlike any hotel and is truly unique.”

Image caption: Brintons supplied thew carpets for the Royalist Suite inside nhow London

Image caption: Brintons supplied thew carpets for the Royalist Suite inside nhow London

The East End’s coolest new hotel, plays homage to both the area’s industrial past and technological future. Throughout the hotel, bold and fresh design takes inspiration from traditional British icons, such as the Royal Family, London landmarks and the underground. This quirky new offering is the fifth property in the nhow portfolio, joining hotels in Milan, Berlin, Rotterdam and Marseille.

Image caption: Brintons supplied carpets for all the meeting rooms inside nhow London, including the Tech Lab.

Image caption: Brintons supplied carpets for all the meeting rooms inside nhow London, including the Tech Lab.

Loughton Contracts were commissioned to install the carpet for the project. “It was great to work with Brintons on such an amazing project,” added Craig Anstey, Divisional Director at Loughton Contracts. “The vibrant and luxurious carpet design worked perfectly with the eclectic and industrial look of London’s first nhow Hotel. I can’t wait for the next collaboration between Loughton Contracts and Brintons.”

nhow, commissioned Brintons to supply custom axminster carpets to run throughout the corridors, staircases and meeting room areas, and to create a bespoke axminster rug for the Royalist Suite, each echoing the contemporary feel of the hotel setting.

Main image credit: Brintons

IN PICTURES: Kagi Maldives Spa Island reveals all ahead of opening

730 565 Hamish Kilburn
IN PICTURES: Kagi Maldives Spa Island reveals all ahead of opening

The 1,500-square-metre wellness centre is slated to open in the Maldives’ North Male Atoll in September 2020…

New images have been released to show what the five-star Kagi Maldives Spa Island will look like when it opens later this year.

The 50-villa property will is said to provide “a 360-degree wellness experience”, which we first discovered a few weeks ago, has been designed by esteemed architect Yuji Yamazaki, who was the mastermind behind the world’s first underwater villa.

Outdoor pool overlooking ocean

Image credit: Kagi Maldives Spa Island

Set within a 1,500-square-metre, purpose-built wellness centre, Kagi’s Baani Spa will provide a personalised, outcome-focused wellness experience. Taking guests on a journey to ‘Release, Restore and Regain’, offerings will range from reiki, crystal and sound-healing, holistic health coaching and transformative ‘Wellness Sabbatical’ retreats. 

The fully-integrated wellness hub will sit at the centre of the island, and will be complete with an open-air, teardrop-shaped sky roof its core, the spa will appear to float atop the island’s turquoise lagoon waters.

outdoor bathroom

Image credit: Kagi Maldives Spa Island

Guests will be able to choose from three room types, a Beach Pool Villa, a Lagoon Pool Villa or an Ocean Pool Villa, all of which will be distinguished by their unique locations and will house a private pool, a sun deck and an expansive indoor-outdoor bathroom.

Contemporary guestroom

Image credit: Kagi Maldives Spa Island

The spa takes its inspiration from the ocean, with its name, ‘Baani’, translating to ‘The Ocean Swell’ in the Maldivian Dhivehi language. Just as the waves slowly lap onto the shore, gently slowing down, guests will arrive at Baani Spa to slow down, unwind, release the stress of mundane life and start to restore their inner balance. Through the treatments, programmes and facilities on offer and like the swell of the ocean gaining momentum, one regains their energy and vitality. 

Main image credit: Kagi Maldives Spa Island

INDUSTRY INSIGHT: Multi-sensory design in hotel bathrooms

730 565 Hamish Kilburn
INDUSTRY INSIGHT: Multi-sensory design in hotel bathrooms

Awareness of mental and physical wellbeing has never been greater, yet many of us still struggle to find the time, freedom and sanctuary we need to recover from the stresses of everyday life – until, that is, we check into a hotel. Sophie Weston, channel marketing manager at Geberit, explores the role that architects and designers have to play in sensory bathroom design in hotels, and examines, in particular, the issue of noise and its impact on our wellbeing…

According to Geberit research, nearly three quarters of us struggle to find the time to relax with the same amount telling us that they felt so stressed that they have been overwhelmed or unable to cope. It’s a damning snapshot of modern lives dominated by technology and our ‘always on’ culture. Good design is, therefore, increasingly less about how spaces look and more about how they make us feel.

Reimagining a new hotel space

We know from our research that the bathroom is the most popular place of escape from the pressures of modern life so perhaps, then, the role of the bathroom in hotel design should be even more crucial. A hotel bathroom or washroom should no longer be designed as a purely functional zone but as a relaxing space to unwind and one that appeals to all our senses. To do this, designers must understand the four key senses of auditory (sound), visual (sight), kinaesthetic (touch) and olfactory (smell) before applying this understanding to specify the bathroom solutions that can help mitigate the impact of each.

Solutions to a multi-sensory approach

There are many innovations and product solutions to help meet the demands of the senses in hotel bathroom design. For example, preventing overstimulation of the visual sense through simple orientation lighting, which helps preserve the sanctuary of sleep by eliminating the need to switch on additional lighting. Manufacturers have also developed solutions to support designers in meeting kinaesthetic demands, such as clean lines, sleek corners and the use of natural materials. Meanwhile, modern, efficient odour extraction technologies address the challenge of smell. Yet, it was the role of auditory that we were particularly interested in when we undertook a YouGov survey to establish the impact of unwanted noises on our wellbeing.

Noisier than ever?

Our ears work even when we’re asleep, with the brain continuing to process the sounds it detects, albeit in a different way. And when we are awake, we need to consider the impact that irritating sounds could have on our mental wellbeing – a dripping tap or flushing toilet, for example.

We surveyed more than 2,000 adults across the UK to get a greater insight on the impact of unwanted internal noise and, in particular, bathroom noise. As part of this research, we found that almost a third (30%) of respondents who had stayed in a hotel in the last 12 months had been disturbed by bathroom noise at night. What was clear, too, from our research was the impact of this; more than half (51%) of respondents cited unwanted internal noise as having a negative impact upon their wellbeing.

Noise is clearly an issue. So what solutions are available for architects and designers to meet these very obvious challenges?

From acoustically optimised pipework with noise reducing properties, to decoupled pre-walls for added noise insulation, manufacturers are constantly innovating sound-proofing solutions that help to mitigate the age-old issue of sound from flushing toilets and other unwanted bathroom noise. Acoustics is one of Geberit’s ten core research areas and our unique building technology and acoustics laboratory enables our team of acousticians to research products and technologies.

Wall-hung toilets with concealed cisterns and pre-wall frames decoupled from the construction, for example, prevent noise from travelling down the wall and through the floor. Opting for a toilet mounted using a frame such as Geberit Duofix can almost halve the decibels produced by a traditional floor standing toilet.

Likewise, sound optimised drainage piping can reduce noise transfer from flushing water, washbasins or showers. Geberit Silent db-20 is manufactured with mineral reinforced polyethylene for a denser materials and fittings to dissipate noise at impact zones.

Selling experiences

As the trend for selling ‘experiences’ and creating an escape for guests continues, so too does the value of creating a unique, positive guest experience to help build stronger memories and ensure customers keep coming back.

As we focus ever more on physical and mental health and wellbeing to help combat the stresses of modern life, it’s clear that good design in the bathroom or washroom space could be the key to unlocking better lives. And it is critical for designers to be aware of this opportunity.

Geberit is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: Geberit

PRODUCT WATCH: QUADRADO modular seating by Minotti Outdoor

730 565 Hamish Kilburn
PRODUCT WATCH: QUADRADO modular seating by Minotti Outdoor

The Quadrado range sits in the Lifescape Collection by Minotti Outdoor, which reflects a new approach to outdoor living without compromising on comfort, quality and aesthetics…

Each piece of furniture in Minotti’s Lifescape Collection is characterful and elegant, and ties in with natural settings, with unexpected patterns and colours creating a landscape in dialogue with the architecture, in the name of pure relaxation.

Collection after collection, Minotti’s vast outdoor selection offers a range with an increasingly versatile international style, taking design motivation and inspiration from leading designers and architects, interpreters of diverse styles and features. As unique outdoor solutions of guaranteed quality in increasingly high-performing materials, they not only fit their natural residential context, including smaller urban outdoor spaces, but are also perfect for exclusive hotels, spas and yachts: spaces characterised by an approach to interior design that references the domestic one.

Living wall behind the outdoor furniture collection

Image caption: A range of the QUADRADO range of furniture pieces within the Minotti Outdoor collection

Designed to perfectly complement each other stylistically, in order to meet the needs of different spaces with originality and versatility, the various furnishings stand out for their formal details and refined aesthetic, as well as finish and texture.

Colelction of furniture above striking views of a lake

Image caption: The collection of generous sized furniture is stylish, original and versatile to many luxury interior schemes

In this regard, the design interpretation of Marcio Kogan / studio mk27 with the Quadrado modular seating system, launched in 2018, offers generously sized seating with modules of 102x102cm that can be assembled together, to furnish large open spaces. Floating bases in natural teak, backrests enveloped in a special woven fibre and soft cushions mark this out as an extremely appealing seat.

Inspired by the classic teak duckboard used in the yachting industry to facilitate the outflow of water, the Brazilian architect Marcio Kogan developed Quadrado, a modular system consisting of suspended square platforms that furnish outdoor spaces with exceptional lightness and flexibility.

Twi backs of armchairs

Image caption: The furniture pieces include floating bases in natural teak, backrests enveloped in a special woven fibre

A flexible and dynamic furnishing, of undisputed quality and comfort, which perfectly dialogues with the surrounding environment: a young and contemporary proposal that invites informal and original solutions.

The wooden bases welcome comfortable padded cushions with backrests in a special fibre woven with wicker-effect, available in Mud colour or plain Liquorice colour. The sitting elements are interspersed with wooden surfaces that feature trays or candle holders, that can be arranged as desired with a surprising interlocking effect. A circular armchair joins this outdoor landscape characterised by its broad compositional freedom.

For the concept, Kogan was inspired by the Japanese Metabolist architecture of the Fifties and Sixties, defined by modular volumes. Originally conceived for large living areas with 102×102 cm modules, Quadrado now integrates within its range a new, more compact version with 87×87 cm modules that can be combined together to adapt to more limited urban, residential and Hospitality contexts.

Minotti, which is exclusive style partner at MEET UP London, is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

PRODUCT WATCH: Edgy ‘Seville’ floor lighting

730 565 Hamish Kilburn
PRODUCT WATCH: Edgy ‘Seville’ floor lighting

The Seville floor lamp by Christopher Hyde Lighting will add an edgy, contemporary look and feel to an interior design scheme…

Christopher Hyde Lighting is renowned for timeless design and quality, and has excelled at providing lighting for a wide range of interiors for more than 25 years.

Its handmade lights have been installed across the world, from luxury yachts, grand hotel, to Royal Palaces at home and abroad. The company’s range of products has recently been refreshed, bringing a new perspective to the proud heritage of the long-established brand.

“These edgy lights are part of a unique collection of floor lamps and table lamps which includes the popular spiral shaped ‘Granada’ lights.”

The company’s contemporary range of products brings a fresh outlook to the proud heritage of the long-established brand. The ‘Seville’ floor lamp with white exterior and its delicate warm copper leaf interior complete with a dimmer switch is shown here in a beautiful airy Los Angeles apartment. You can also purchase the ‘Seville’ table lamp can be also be supplied with a black exterior and silver leaf interior. These edgy lights are part of a unique collection of floor lamps and table lamps which includes the popular spiral shaped ‘Granada’ lights. Designers can pick and choose which exterior finish, black or white, that they would like to have with their chosen internal leaf gilt, copper, silver or gold and is now available with a short lead time.  These exciting pieces will compliment and be a talking point for all interior projects.

“They use 90 per cent less energy than traditional incandescent light bulbs and can pay for themselves through energy savings in just a couple of months.”

The Seville and Granada lights have captured a different take on the Christopher Hyde Brand and come with LED lighting technology. LEDs are the most energy-efficient bulbs. They use 90 per cent less energy than traditional incandescent light bulbs and can pay for themselves through energy savings in just a couple of months.  Whether a standard or bespoke light fitting we can produce LED designed candle with DALI or 1-10V and emergency light options are available also.

This range of floor and table lamps are featured in the new Collection 8 catalogue which has recently been launched. Collection 8 catalogue has a fresh take on the hugely popular traditional collections familiar to Christopher Hyde Lighting’s clients and shows how the brand has evolved with its distinctive contemporary collection.

Main image credit: Christopher Hyde Lighting        

Company debuts first hypoallergenic hotel rooms

730 565 Hamish Kilburn
Company debuts first hypoallergenic hotel rooms

Months ahead of Hotel Designs putting accessibility under the spotlight in a panel discussion at Hotel Summit, Room To Breathe has given the industry a sigh of relief by unveiling a six-step hypoallergenic process of cleansing air in hotel rooms… 

Regardless of size and status, all hotels with any sense will be putting in place harder measures around cleaning protocols in both the guestrooms and public areas.

The coronavirus COVID-19 outbreak is putting a burden on hotel owners and exposing those who are falling below the increased standards that consumers expect. As the pressure grows, the industry is in demand for a reliable solutions to cleanse the air in hotel rooms.

Cue the arrival of Glasgow business Room To Breathe, which Hotel Designs welcomed a Recommended Supplier last week as the company is transforming the hotel industry by launching the first hypoallergenic room.

With more  than two in five British adults suffering from allergies – and children being at greatest risk  of developing them – Room to Breathe looks to combine new and innovative technologies to offer a cleaner, less toxic, safer alternative to regular hotel rooms.

Man steam cleaning a curtain in a hotel

Image credit: Room To Breathe

“Room To Breathe have worked to create a new specialised six-step process of cleaning hotel rooms, including air purification, antimicrobial protective coatings to all surfaces and hypoallergenic bedding.”

The idea was the brainchild of Gordon Bruce, director of Insite Specialist Services. “So many people think that just a microfiber mattress cover and a good old fashioned hoover make a room hypoallergenic,” he told Hotel Designs. “But that’s just not true. You can’t exactly take your hypoallergenic pillows and air purifiers with you whenever you travel, and it means allergy sufferers end up with a stuffy nose and red eyes on holiday or on a business trip – not ideal.

“Working at construction services company Insite Group, I thought there must be a better way: and that’s how Room To Breathe came to be.”

Room To Breathe have worked to create a new specialised six-step process of cleaning hotel rooms, including air purification, antimicrobial protective coatings to all surfaces and hypoallergenic bedding. Their allergy friendly solution uses only non-biological cleaning products and environmentally friendly processes, removing up to 99.99 per cent of allergens, mould, germs, influenza, volatile organic compounds (VOCs) and odours.

Technology originally developed by NASA is used to remove bacteria, mould and compounds from the room, before an innovative UV technology is applied to rid surfaces and textiles of micro-organisms. An environmentally and allergy friendly antimicrobial surface coating is then applied to all hard and soft surfaces in the room, alongside a dust mite and bed bug treatment. A technologically advanced Air Purification system and hypoallergenic bed protectors are the final touches to create a fully hypoallergenic room.

Having perfected its innovative technique, the new company is now beginning the process of finding its first hotel partners, driving the next evolution in travel wellbeing.

Main image credit: Room To Breathe

Hotels that are self-isolating in style (Part 1)

730 565 Hamish Kilburn
Hotels that are self-isolating in style (Part 1)

While the entire world is feeling the effects of COVID-19 pandemic, Hotel Designs is here to start your week with some stunning hotels that are naturally self-isolating in style. Editor Hamish Kilburn emerges from his quarantined slumber to write part one… 

In uncertain times, it can become easy for designers and architects to lose focus on a creative vision.

The outbreak of the recent coronavirus COVID-19 is taking its toll on all creative industries, and has resulted in a number of major events, such as Independent Hotel Show Amsterdam, Hotel Summit and Salone Del Mobile Milan, to postpone all activity until later in the summer.

With the aim to simply lift spirits and steer those who are lacking Monday motivation back on course, here are a handful of remote hotels that will allow you to escape from the madness, even if it’s for just a minute.

Lepogo Lodges’ Noka Camp, Limpopo Province, South Africa

Large bedroom overlooking the African wilderness

Image credit: Lepogo Lodges’ Noka Camp

Lepogo Lodges, one of Africa’s few entirely not-for-profit high-end safari lodges, has opened its very first lodge in South Africa’s Limpopo Province, Noka Camp. Just a short air transfer or a three-hour drive from Johannesburg, Noka Camp enjoys a remote spot within the 50,000-hectare, malaria-free Lapalala Wilderness Reserve, home of the ‘big five’.

Lepogo Lodges is the very first luxury camp in Africa to offset the carbon footprint of every visiting guest, from the time they leave their home to the moment they return. Family-owned and operated, the project has been developed as part of a life-long dream to create a sustainable conservation legacy in Africa, with 100% of any financial gains made re-invested back into the reserve for the benefit of wildlife, conservation and the local community. 

Jade Mountain, St Lucia

walkway to suites

Image credit: Jade Mountain St Lucia

On the western stretch of Saint Lucia, an island that last year welcomed more than 1.2 million visitors, two incredible design gem stones can be found. While the two hotels are very different in style, the experience of Anse Chastanet and Jade Mountain comes as one.

Not only are the hotels two of the region’s most sought-after places to check in to, but they also stand as a permanent reminder of an unforgettable journey, which is full of discovery, challenges and sustainable solutions that is still ongoing for husband-and-wife team Nick and Karolin Troubetzkoy. 

Zannier Hotels Sonop, Nambia

Image credit: Zannier Hotels/Tibod Hermy

Arnaud Zannier’s inspiration for Zannier Hotels Sonop’s design was conceived during his very first trip to the site and first view from the top of the boulders. Arnaud recognised that he had been fortunate enough to discover somewhere very special, likening the feeling to an old explorer discovering a destination for the first time – hence the property was designed to resemble a 20th Century tented camp for explorers.

The construction process was challenging due to the hotel’s remote location and protected surroundings. All building materials and interiors were manually transported up the huge boulders, by expert craftsmen from Namibia. Zannier Hotels only used a limited number of existing roads to the site, to ensure the human impact on the fragile flora was minimal. In addition, each piece of furniture, including twelve 30kg handcrafted four-poster beds, had to be carried by hand over the rocks and boulders thereby avoiding the use of disruptive machinery.

Hotel Chais Monet, France

Image of old and new architecture blending into one frme

Image credit: Hotel Chais Monet

The project was reported to have cost €60 million, and was the brainchild of chief architect Didier Poignant of Ertim Architects. But the result of the sensitive restoration to transform the traditional Cognac trading house site into a 15,000m2 luxury spa hotel, offering what it was described back then as a “modern take on traditional French luxe”, has given the buildings a new lease of life.

I would go one step further in saying that it has reopened up the destination’s history books, perhaps to a different chapter. In the process, it has added a new contemporary architectural jewel ­­– a rare find in and around the low-level city ­– one that is sensitive to its surroundings.

Four Seasons Nevis

Recently, the Four Seasons hotel underwent a complete renovation, which was led by TAL Studio. The hotel is situated on the pristine beaches of the remote Caribbean island where building regulations state that no building is allowed to be taller than a palm tree.

The hotel’s latest chapter of renovations includes the redesign of the resort’s main signature pool, construction of a new restaurant concept – On the Dune – that extends out on to the sand and the unveiling of additional improved spaces around the property for guests to enjoy a variety of new experiences and amenities.

The Farm at Cape Kidnappers, Hawkes Bay, New Zealand

Image of restaurant overlooking green countryside

Image credit: Cape Kidnappers

The Farm at Cape Kidnappers is just that: a working farmstead of arable land and sheepherding, poised on the edge of a scenic bluff on North Island’s east coast so dramatic, idyllic and untouched that the views – and best enjoyed from the outdoor swimming pool or Jacuzzi. The hotel’s design is one that is considered to blend in harmony with the natural beauty of the area. 

Image credit: Zannier Hotels

5 reasons to attend Hotel Summit 2020

730 565 Hamish Kilburn
5 reasons to attend Hotel Summit 2020

Hotel Summit, the original hotel meet-the-buyers event that last year was shortlisted at the Indy Awards, is gearing up to once again bridge the gap between hotel operators and suppliers with engaging talks and networking opportunities throughout… 

For more than 20 years, Hotel Summit has been bridging meaningful relationships between suppliers and hotel operators alike.

While uncertainty surrounding recent headlines is forcing industries to consider and control numbers at networking events over the coming months, Hotel Summit’s successful meet-the-buyer concept is an event that is capped to 150 people.

Here are five reasons to attend this year’s event:

1) The speakers

Hotel Summit 2020 speakership line-up

Hotel Designs is proud to be curating this year’s speakership programme, and has deliberately put certain subjects, such as accessibility, technology and sustainability, at the forefront of conversations. Editor Hamish Kilburn will chair a panel discussion entitled: Designing accessible spaces for modern travellers with the multiple award-winning hotelier Robin Sheppard and accessibility design expert Ed Warner. Alexandra Tollman, Director of Sales at Red Carnation Hotels, will speak to the audience about how to tackle sustainability to make travel matter, and to lift the spirits The Summit will also welcome happiness guru, Danny Bent, to explore the ‘happiness of being you’. The full line-up of speakers can be accessed on the Hotel Summit page.

2) Valuable pre-arranged meetings with suppliers

Qualified buyers (hoteliers, operators and procurement managers) attending Hotel Summit, Hotel Summit, which includes overnight accommodation and a gala dinner, are able to attend free of charge. The two-day event consists of a number of pre-arranged face-to-face meetings with key-industry suppliers of products that buyers have specified in knowing more about. These are carried out throughout the event, in-between seminars, and are designed seamlessly to benefit both supplier and buyer alike. To find out if you qualify as a delegate, please email Kerry Naumburger.

3) The venue: Five Lakes Colchester

establishing shot of hotel around countryside

Image credit: Five Lakes Colchester

Balancing the requirement for the event to be sheltered in an interesting venue that is easily accessible, Hotel Summit this year will take place in the serene Five Lakes Resort in Colechester, Essex. The 194-key spa and resort is run by AB Hotels group. The four-star hotel is located in 320 acres of parkland between Colchester and Maldon, has two restaurants, an indoor pool and spa and two 18-hole golf courses, which sits alongside a large exhibition hall and has 18 purpose-built meeting rooms.

4) Quality suppliers on board

Hotel Summit’s supplier list (so far) is full of key-industry brands from all corners of the industry; from technology software to fitness equipment, lighting to bathroom solutions. They are:

Portable Floor MakersAirwaveBirchall TeaVictoria + AlbertADI TradingCole & SonSicoLUQELJames Alexander Bespoke FurnitureRuark AudioMatrix FitnessMeikoHCIGood EnergyFalcon Contract FlooringSchluter and NT Security

5) Forum Events’ professional approach to synchronise business

Forum Events is respected and well-known for being one of the leading meet-the-buyer forums and summits providers in the industry today. Putting its clients first to create experiences that synchronise business, the company has been the root to many meaningful relationships that have formed in all sectors. The quality reputation of the company is enforced by a dedicated team for each brand. Everyone attending Hotel Summit is briefed prior to the event so that they are aware on who they will be meeting and when, to ensure that The Summit is facilitating relevant meetings that are business appropriate for both buyers and suppliers alike.

How to register for Hotel Summit 2020: 

If you are a supplier to the hospitality industry looking to meet top hotel professionals, contact Jennie Lane at j.lane@forumevents.co.uk– or click here to book your place.

If you are a hotelier and would like to attend the Summit for free, please contact Kerry Naumburger at k.naumburger@forumevents.co.uk – or click here to book your place.

*Please contact Kerry Naumburger for complete delegates list.

Large, luxe suite

Luxury hotel opens in Portugal with focus on art, wellness & design

730 565 Hamish Kilburn
Luxury hotel opens in Portugal with focus on art, wellness & design

Led by local interior designer Sofia Andrez, the hotel’s design creates a sense of simplicity, serenity and balance, reflecting Longevity Wellness Worldwide’s core principles of restoration and regeneration…

Through its ground-breaking architecture and its minimalist interior design, the newly opened Longevity Health and Wellness Hotel offers guests the perfect space to focus on their health and wellbeing.

Large, luxe suite

A ground-breaking health and wellness property set in the western Algarve, with panoramic views of Alvor Bay, the property offers a world-class dedicated health & wellness clinic over two floors. The hotel has a total of 70 guestrooms and suites, combining simplicity and elegance with a contemporary and natural eco vibe, giving a primary attention to comfort and quality.

Open and spacious public area

Image credit: Longevity Wellness Worldwide

With wellness at the heart of the project, it was important to create a space where guests can improve their health and wellbeing, from the architectural features to the interiors. The distinct wave-like structure of the building symbolises Longevity’s focus on guests’ harmony and balance, as well as the water used in the spa (Salus per Aquae) as a source of health. Meanwhile the interior concept aims to create a sense of serenity and tranquillity through the use aqua-marine colours and neutral sandy tones inspired by the neighbouring sea and beach.

“This type of connectivity between your emotions and mind is transcendent and also extremely beneficial for your mental wellness.” – Nazir Sacoor, CEO of Longevity Wellness Worldwide.

Longevity Health and Wellness Hotel’s focus on ‘Art as Wellness’ is showcased through its partnership with local art gallery Lady in Red who will be exhibiting pieces throughout the hotel. LiR – Galeria de Arte is located in Adega de Lagoa winery and showcases a range of works from local, national and international artists. For Longevity Health and Wellness Hotel, the gallery has carefully curated a selection of works from a roster of artists. The 51 canvass and 12 sculptures works exhibited in the hotel include stunning water colour and oil paintings, sculptural busts and photography.

“Creativity expressed through art has the power to heal us and improve our overall mental wellness on a large scale,” said Nazir Sacoor, CEO of Longevity Wellness Worldwide. “This type of connectivity between your emotions and mind is transcendent and also extremely beneficial for your mental wellness. By unleashing our creativity and establishing human connection, art has an amazing power to boost wellness which should be a major priority in modern society.” 

Luxe, clean and simple hotel bed with glass bathroom

Image caption: Junior Suite

Interior designer Sofia Andrez approached the entire building as a place of wellbeing, ensuring synergy between the spaces of the hotel, from the guest rooms to the restaurant and treatment areas. Whilst meeting the different technical and functional requirements of each part of the hotel, the designer ensured the entire property fulfilled the brief.

The guest bedrooms have been designed to emphasise the hotel’s stunning views. The designer introduced shades of grey, white and beige which are complemented with simple touches of blue in the decorative cushions and bed throws.

In the restaurant, the designers have created an intimate atmosphere by introducing some darker tones and elements including the table bases, which offset the sand-coloured tops. Additionally, the wood-panelled buffet area and bench seats create a warm and inviting setting.

Within the spa, Andrez used organic materials such as the wooden floor lanterns and macramé ceiling lanterns that both help producing a relaxing atmosphere.

The colour scheme and sense of tranquillity has also been reflected in the furniture created exclusively for the hotel. The designer introduced bespoke pieces throughout the property, with 80 per cent of the furniture made in Portugal. By carefully selecting the right materials, fabrics and colours, the designer achieved an elegant and simple aesthetic. Whilst also reflecting the views and surrounding areas, it was important for the interiors to complement the unique architecture of the hotel. The use of curvaceous furniture such as the round sofas in the lobby mimic the wave-like structure of the building, creating a synergy between the interior and exterior of the hotel.

By focusing on simplicity, serenity and balance, the hotel’s design relates to the key pillars of the Longevity Wellness Worldwide brand. These five pillars are: treatments that are preventive, personalised, holistic, integrative and regenerative.

Main image credit: Longevity Wellness Worldwide

7 interior trends to emerge from London Design Week 2020

730 565 Hamish Kilburn
7 interior trends to emerge from London Design Week 2020

During London Design Week 2020, Design Centre Chelsea Harbour is sheltering many of the product launches, teasers and conversations that are expected to make a noise on the design scene this season. Editor Hamish Kilburn identifies some of the prominent styles, colours and trends to look out for… 

“We champion creative excellence,” said Becky Metcalfe, Head of Content at Design Centre Chelsea Harbour (DCCH). “And we have certainly seen a move towards inform choices.”

Now that there is more demand among consumers for conscious and meaningful designs to compliment seamless service, hotel designers are widening their lenses to understand the narrative, craft and creative vision of new collections launched.

It is this change in behaviour that is enforcing most, if not all, of the strong styles that I discovered during my time at London Design Week 2020.

1) Botanical paradise on earth

With biophilic design being put front and centre at the moment around the world, conversations and the products that are launching are finding the balance between indoor space and the great outdoors – think exotic gardens where fragrance and sound are depicted in patterns and colours. Sanderson’s floral showroom, which houses hundreds of new designs this week, highlighted the creative possibilities that can emerge when designers open the door to outdoor influence with purpose. Other brands to leverage nature in design include Pierre Frey’s enriched wallcoverings, Abbott & Boyd’s capture of birds and Bec Brittain’s Taxonomy collection seen in the Tai Ping showroom that explores unexpected paradoxes inspired by the minutiae of insect anatomy and pleating techniques.

Offer with pink and black textured rug

Image credit: Taxonomy collection by Bec Brittain/Edward Fields Carpet Makers/Tai Ping

2) Land of the rising sun – everyone is talking about Japan

Considering the incredible oriental principles – not to mention the in-depth culture, heritage and authentic craftsmanship – it’s hardly surprising that many designers and brands are finding inspiration in Japan. There are parallels between the demand for simple, elegant luxury and the minimalist aesthetics of design in Japan (take a look at Muji to see this in action). Wallcovering brands such as Arte are exploring Japanese techniques and diverse styles, such as the Kimono pattern motif, to create new textured layers to their collections.

Intricate Kimono pattern detail in wallcovering

Image credit: Arte Wallcovering

Taking the theme in a different direction, Arteriors’ Trapeze Sconce is an effortless example of how Japanese influence can be balanced delicately in elegant lighting. With so much yet to explore, we expect more designers and brands to delve into the archive of Japan’s design heritage to invest in timeless practice and precious pieces.

3) Embracing imperfections

Admittedly, this isn’t anything new. In fact, designers, consumers and brands alike have been championing and demanding one-off products that can’t be replicated for as long as time. But recently, with timelessness and narrative playing so much importance in any design scheme – and while designers become more adventurous with materials – this look is everywhere. Lighting brand Vaughan is celebrating a proud authentic look and feel with its Chalk White collection, while wallcoverings brand Harlequin is keeping in touch with nature by using natural materials and creating an interesting weave structure.

Chalk-like chandelier

Image credit: Vaughan’s Chalk White collection is a curation of six products

Meanwhile, Parkside Architectural Tiles are showcasing their fantastical imperfect Spectre collection of tiles, which have proved a hit with designers and architects looking to add personality onto the walls of new and existing spaces.

Spectre collection by Parkside Architectural Tiles

Image caption: Spectre collection by Parkside Architectural Tiles

A relatively new brand thats DNA is very much focused on creating this look is Ilala, curated by Miranda Vedral, which proudly presented its idiosyncratic handwoven  furniture and lighting during the event.

4) Amplifying craftsmanship in all areas

There are more and more brands out there that are willing to collaborate with experts to produce the highest quality and the most interesting designs. With a digital overload from social media and a move to challenge the disposable mindset, brands such as Porta Romana have enhanced tactility in products and styles, which is putting momentum behind the sustainable movement.

Image credit: Porta Romana

5) Take a walk on the wild side

As we have identified before, the eco-conscious world is allowing for more adventurous influences to emerge to the surface. During the showrooms in Chelsea, there was a clear and defined theme of endangered species being used in wallcoverings, fabrics and soft furnishings. Some of the brands that are mastering this with style include Altfield, Anthology, Harlequin and Andrew Martin.

Image credit: Harlequin’s Mirador Collection

6) Warm colours are in!

Finally, in the doom and gloom of the current economic climate, designers and brands are discovering the warmer end of the colour spectrum. Designs from Edelman Leather, Vaughan and Zoffany are all setting their style compass to rosy red, which suggests there is a new confidence in the air. Grasping the statement-like benefits of using primary colours, British brand David Hunt Lighting has recently opened up its archives to find unique techniques and craft that has inspired their latest collections of pendants and chandeliers. In the Design Avenue – a hotspot for talent and unmatched styles – there was arguably no brand more colourful and bold than Timorous Beasties, but with their intricate signature of styles, would you really expect anything less?

Red, yellow and blue pendents

Image credit: David Hunt Lighting/Instagram

7) Home Heritage

An interesting theme to explore on the international hotel design scene – and one that no doubts divides the industry – there seems to be a move towards home-from-home comforts, but not perhaps as you would expect. We know that lobbies are becoming more lounge-like, but in addition there is an interest to explore storied providence. Brands such as Zimmer + Rhode, Samuel & Sons and Holland & Sherry are all using this to drive their latest designs, and I suspect more brands will keep this in mind when innovating new products in the future to add further meaning in design.

If you identified anything at the show that you believe we should be sharing our readers, please tweet us @HotelDesigns.

Main image credit: Design Centre Chelsea Harbour

5 Minutes With: Emma Masters, associate at Richmond International

730 565 Hamish Kilburn
5 Minutes With: Emma Masters, associate at Richmond International

Taking five minutes out of planning and designing luxury hospitality scenes of the future, Emma Masters, Associate at Richmond International, speaks to editor Hamish Kilburn about landscape changes, client demands and over-used words in the industry…

Hamish Kilburn: How long have you been involved in interior design, and how has the landscape changed from when you started to now?
Emma Masters: I’ve been working in the industry for around 16 years, 15 of those have been with Richmond International. In this time the industry has steadily changed, largely due to technological development, i.e. the changes in the ways we research subjects and destinations, to retrieve design references and influences. The proliferation of imagery shared internationally makes the world feel smaller and more accessible.

CGI and VR experiences are becoming a minimum expectation, having replaced hand drawn and coloured renderings. Whilst computer generated images provide almost an exact representation of the design proposal, hand drawings were very evocative and left some element of wonder to what would finally be revealed in reality.

We’ve also seen massive advances in manufacturing techniques, the materials used, and specialist finishes to the extent that we can add unique signatures to interiors.

There’s also certainly a greater awareness of our environment and the need to be mindful of our design impact, ensuring our designs have longevity, rather than being based on trends that will date and need replacing frequently.

Large, luxurious and grand penthouse

Image credit: London West Hollywood penthouse, designed by Richmond International

HK: What are your clients currently looking for in hotel design?
EM: We’re seeing a demand for public spaces that are transitional, for environments that work for social dining, meetings, shared workplaces and seamlessly blend together to create one holistic space.

Additionally, we’re regularly creating designs that are authentic to the location and with strong narratives – this helps us bring the interiors alive for their guests.

“We as a company have regular team meetings where everyone from junior designers to associates can contribute their ideas and participate in the building of the narrative of a project.” – Emma Masters, Director, Richmond International

Bath in modern marble bathroom, with skyline of Chicago in the background

Image caption: Bathroom in Langham Chicago suite, designed by Richmond International

HK: Where do you find inspiration to keep your designs fresh and meaningful?
EM: Trade shows like Salone de Mobile and Maison et Objet are a great source of new products and styles. I also get a lot of inspiration from travelling, working with artisanal manufacturer and, in general, a lot of research.

HK: How important is nurturing young talent for Richmond International?
EM: It’s a very important part of our company and something I experienced first-hand having started at Richmond as a junior designer. It was a hugely nurturing experience and I was able to work with talented designers who allowed me to explore my capabilities and mentor me in my development. We as a company have regular team meetings where everyone from junior designers to associates can contribute their ideas and participate in the building of the narrative of a project.

“F&B areas have also evolved to become destinations in their own right aside from the hotel and are a draw not just to hotel guests but the general public that wish to dine.” – Emma Masters, Director at Richmond International

HK: We had Terry McGillicuddy join us on the Vision Stage at the Hospitality Restaurant and Catering show. How are F&B areas in hotels evolving?
F&B areas now blur the boundaries between lobby lounge, restaurant, bar and meeting spaces. The public spaces are the heart of a hotel and the is a desire for them to be vibrant has activated a move away from the traditional lobby lounge space. F&B areas have also evolved to become destinations in their own right aside from the hotel and are a draw not just to hotel guests but the general public that wish to dine. They now have a different identity to the rest of the hotel, where it previously was designed to work with the overall feel of the rest of the hotel. F&B is now more independent and can have a completely different narrative that may relate to the food served, for example rather than being simply a functional part of the hotel.

QUICK-FIRE ROUND

HK: What trend do you hope will never return?
EM: String curtain dividers, they were everywhere and not surprisingly disappeared as quickly as they arrived after the realisation that they were really impractical for public spaces and looked neat for all of five minutes before tangling an unwilling hotel guest who had stumbled into one.

HK: What is one word that is overused in our industry?
EM: Two words admittedly and the phrase we all dread – Value Engineering.

HK: What would you say is the biggest catalyst driving change in the hotel design area recently?
EM: Sustainability and authentic experiences across the board.

HK: What would you be if you were not a designer?
EM: I had always wanted to be an art teacher until I went to St Martins for my foundation year. My tutor was very inspiring and introduced me to the idea of interior design as a career instead of teaching.

HK: What’s one lesson about the industry that studying didn’t teach you?
EM: My role at Richmond has been predominantly FF&E focused and I feel it can really complete and enhance a design. As an Interior Architecture student, spatial design was key, and furnishings were more secondary, but I feel one cannot work as a cohesive design without the other.

HK: What’s your biggest bugbear in interior design?
EM: Designing to a trend and not for longevity.

Luxurious longe area in suite

Image caption: Metro Suite inside London West Hollywood, designed by Richmond International

HK: What has been your favourite project to date?
EM: My favourite project would have to be working on The London, West Hollywood Penthouse with Vivienne Westwood. Alongside the interior design we also worked closely with her team to develop custom fabrics, rugs and wallcoverings, as well as bespoke bath robes and towels. We worked with an archive of scarves that were then mounted and framed to use for the penthouse artwork.

Main image credit: Richmond International

MEET UP London announces headline speakers

730 565 Hamish Kilburn
MEET UP London announces headline speakers

MEET UP London, under the theme ‘Inspiring Creativity’, will welcome two award-winning visionaries to explore the concept of using sensory experiences in international hotel design… 

Hotel Designs has invited an award-winning sound designer and functional music innovation expert Tom Middleton and award-winning research entrepreneur Ari Peralta to become headline speakers at MEET UP London.

“The visionaries will respond to MEET UP London’s theme by immersing our audience into a sensory experience like no other before.”

The event, which takes place on May 13 at Minotti London, will be carry the theme of ‘Inspiring Creativity’, and will further bridge the gap between designers, architects, hoteliers, developers and suppliers.

Applying principles of neuroscience, behaviour and psychology, the visionaries will respond to MEET UP London’s theme by immersing our audience into a sensory experience like no other before. This will be followed by an engaging talk, entitled: “Amplifying Wellness: Using Sensory Experiences To Innovate International Hotel Design”. The talk will discuss how and why sound should be considered when designing the hotel of the future. From Jet Lag to Mindfulness solutions, their unique collaboration represents the synergy and creativity needed to future-proof hospitality.

“As the boundaries of our industry widen, designers, architects, developers and suppliers are willing to reach new depths to find innovative and meaningful ways to evolve the hotel experience,” said editor Hamish Kilburn who will host the evening’s event. “I believe it is, therefore, perfect timing to invite both Tom and Ari to share their wealth of knowledge and experience in this subject with the aim to inspire the leaders of our industry to think beyond conventional architecture and interior design.”

The pair, who in 2019 gave a powerful keynote on the ‘future of wellness’ for Innovation Day’s (ID19) at Marriott International HQ, are on a mission to engage with the hoteliers, designers and architects to highlight how the sensory experience could enhance the overall guest journey. 

About the speakers

Tom Middleton headshot

Image caption: Tom Middleton in the studio

Tom Middleton is a true polymath who literally wears many hats, including a pioneering electronic musician, award-winning sound designer, DJ and producer, a certified Sleep Science Coach, trained in Mental Health First Aid, and Co-Chair on the AFEM Health Group. He has toured the world and performed to millions observing the positive affects of sound, and has shared the stage with Mark Ronson, Lady Gaga and Kanye West.

Middleton regularly speaks on panels covering sensory customer and guest experience, immersive wellness, sound architecture, how to sleep better, workplace wellbeing and mental health.

Creator and innovator of empathic science-backed functional music and soundscapes for mental, physical and emotional health and wellbeing, relaxation, mindfulness, focus and productivity. 

His mission is to rescore the soundtrack to life with functional, transformational soundscapes, music and immersive experiences to help tackle stress, anxiety, burnout and sleep deprivation. Middleton aims to do this by applying principles of the neuroscience and psychology of sound, listening, breathing and human behaviour. 

As YOTEL’s chief Sound Architect for eight years, he developed smart and cohesive soundtracks to optimise guest experience.

His most recent work includes content for meditation and sleep app Calm, a collaboration with Nissan to create a zero-emission lullaby and Breathonics for Silentmode –  the first passive fitness platform for guided breathwork and music on the Appstore.

Middleton believes the science of sound, combined with mindful listening and conscious breathing within holistic multisensory environments can help us relax and reduce stress, be more happy, healthy and productive.

Headshot of Ari

Image caption: Ari Peralta

Ari Peralta is an international award-winning research entrepreneur working alongside a global network of scientists, immersive technologists and artists, developing wellness-led sensory initiatives across a wide range of industries.

By 2019, after two decades working in media research (Nielsen), medical marketing (ALO), immersive and strategic development (ProFix), he co-launched Arigami, an independent innovation consultancy dedicated to helping organisations design healthier and happier environments. 

Today, Peralta is a Forbes recognised provider for wellness and sensory-based strategies within hospitality, mobility, retail and healthcare. Arigami powers holistic innovation programs for startups, corporates and academic labs seeking to mitigate anxiety by developing transformative immersive and service design solutions for complex human problems within wellness, sleep and human performance. Besides leading his firm, Peralta dedicates much of his time guest lecturing at universities, speaking at international conferences and volunteering for organisations that promote STEM education for children.  

How to attend

EARLY BIRD SUPPLIER TICKETS*: £99 + VAT (expires on March 31)  | CLICK HERE to purchase your tickets.***
EARLY BIRD BUYER  TICKETS*£10 + VAT (expires on March 31) | CLICK HERE to purchase your tickets.***

Exclusive headline partner: Hamilton Litestat

Exclusive style partner: Minotti London

Event partner: Crosswater 

* Those eligible to purchase Supplier Tickets must be industry suppliers.
** Those eligible to purchase buyer tickets must prove that they are an interior designer, architect, hotelier or developer.
***Hotel Designs’ Early Bird promotion ends on March 31. After this time, tickets for designers, architects, hoteliers and developers will inflate to £20 + VAT and supplier tickets will inflate to £150 + VAT. 

Editor Checks In: Colouring outside the lines, searching for creativity

730 565 Hamish Kilburn
Editor Checks In: Colouring outside the lines, searching for creativity

Casting back to a two-dimensional art classroom, editor Hamish Kilburn has a few confessions to make regarding the creativity of his sketch book before rekindling his relationship with art in design…

As someone who regularly rushed his art homework in blue biro ink at the back of the school bus, reserving a seat in detention in the process, I am a disgrace to art enthusiasts everywhere. I had no time for the subject, or its storied history. Patience didn’t come naturally to me or my teachers. As far as they were concerned, there were two types of people in the world: people who could draw life-like hands to not look like Monster Munch on a portrait and people who couldn’t. In hindsight, though, I am regretful for not digging beneath the surface of the subject and for not paying more attention. I realise now that I would have loved learning about the likes of Van Gogh, Andy Warhol, Claude Monet, Pablo Picasso, Edvard Minch and other hall-of-famers.

12 years later, I am writing about the very topic that made my eyes enthusiastically roll with disinterest when presented with the next homework assignment. Still unable to draw or paint anything to resemble anything or anyone, the ink from my biro-infected Year-9 art book has run into my career; its stain is in every hotel I review, every feature I commission, every conversation I have, and now even in one of my editor’s letters. The fact is, art is unavoidably everywhere. It is adding texture and meaning to the beautifully painted picture of an industry that refuses to colour within the lines and that is not afraid to veer off into new lanes in search for creativity.

This month, I attended my first ever fashion show, which is shocking considering creativity in interior design and architecture very often derives from unconventional threads in fashion. But the reality of manning the editorial desk, scrutinising which envelopes are necessary to open and which should remain sealed, quite often results in me avoiding the noise amplified through London’s landmark during London Fashion Week. That is until now.

“It was a fantastical depiction of a partnership between two worlds that often meet, art and fashion, but rarely hold hands in public.”

Having finally joined the stampede of fashion week, the first theory of the fashion world I crushed into a myth was being ‘fashionably late’. Unapologetic to the stragglers, the lights went down at 6.30pm on the dot to signifying the show starting, as we were pre-warned on the e-invitation. The perfectly timed, choreographed performance of artistic frocks commenced – and a late arrival would have almost certainly ruined the atmospheric mise én scene, as well as ones captured point of view.

Everyone’s eyes in the high-ceilinged lobby inside Sofitel St James London were fixed to the centre of the room. Detaching the audience from their day-to-day deadlines, the models marched forward, one by one, to showcase a moment. It was a fantastical depiction of a partnership between two worlds that often meet, art and fashion, but rarely hold hands in public.

It was the work of French artist Stephane Koerwyn who put these colourful pieces together, delicately connecting the stylish similarities between the two industries and creating a new layer of design in the process. Bright, colourful and bold dresses made from Aluminium illuminated the catwalk to celebrate the sustainability movements in both territories. We were able to appreciate the pieces in motion before they were displayed as statues throughout hotel in an exhibition of the artist’s work, which is now on display until June 2020.

Koerwyn is not the only creative who isn’t afraid to cross boarders into other industries. In all corners of our endless industry, designers and artists are raising the ceiling and filling the space with more iconic, standalone statements. Hotel Le Coucou, which I recently reviewed in the French Alps, is the brainchild of Pierre Yovanovitch – a former fashion designer – whose injection of houte couture interiors, has taken this slope-side 56-key luxury boutique to new heights of creativity where bear chairs, emoji-themed plates and ice-cube lighting become genius layers in luxury design.

Meanwhile, meaningful collaborations between suppliers and designers continue to catapult innovation in material, style and wider in design. A few years ago, a collaboration between sportswear brand Odlo and Zaha Hadid Design (ZHD) went under the radar of most designers. But in reality, it was a remarkable ‘two heads are better than one’ approach that led ZHD to vastly improve the form of a conventional sports ‘baselayer’, with new technology allowing the companies to create a seamless garment that adapted with the body.

Only last year, at Sleep & Eat 2019, Laufen’s A New Classic was launched. The collection of bathroom products and furniture was the unrivalled result of a partnership with Marcel Wanders, who further pushed the boundaries in bathroom design and aesthetics to create a collection that confronted gender. At the same time, Roca unveiled its next collection of timeless bathroom gems with fashion brand Armani and furniture brand Benchmark worked with architecture legend David Rockwell to transform the workplace with a new, ergonomic table.

Even as we speak, commercial furniture brand Morgan, known and respected for its carefully aligned collaborations, is (I am told) working on its next partnership that will be unveiled at Clerkenwell Design Week 2020 in May.

Before that, lighting brand Chelsom, which was recently specified in Riggs Washington D.C. and Great Scotland Yard Hotel, is preparing to light up a new collection of lamps, pendants and chandeliers that has been inspired by two years of thorough research. Meanwhile, luxury Italian furniture brand Minotti is weeks away from raising the curtain on the 2020 – 2021 collection of luxury indoor and outdoor furniture, inspired, no doubt, by the family’s travels and evolution of public spaces in hospitality.

As the list of conscious collaborations continues to grow, Hotel Designs is inviting the industry to celebrate creativity in all its colours at Meet Up London. Taking place on May 13, at the Minotti London showroom, our spring networking event will further bridge the gap between designers, architects, hoteliers, developers and suppliers with conversations like no other. Above all, though, we promise to inspire all avenues of creativity, even if that means colouring outside the lines from time to time.

During March, Hotel Designs will be putting ‘Lighting’ and ‘Bathrooms’ under the spotlight. If you would like to contribute to these topics, please do not hesitate to email me.

Editor, Hotel Designs

Biophilic design highlights of Surface Design Show 2020

730 565 Hamish Kilburn
Biophilic design highlights of Surface Design Show 2020

More than 170 exhibitors showcased the latest in surface design, with nearly 5,000 architects, designers and specifiers visiting Business Design Centre over the packed 2 ½ days of Surface Design Show 2020… 

Surface Design Show 2020, which took place at London’s Business Design Centre from the February 11 – 13, sheltered more surface material and architectural lighting designs than ever before.

With a focus on the trending topic of ‘Close to Home… Locally Sourced’, the show looked beyond aesthetics and into manufacturer’s impact on the environment, from the processes used in mining or manufacture, through to the carbon footprint sustained during sales and distribution.

Standout exhibitors at the show included InnerSpace Cheshire, which launched a new surface product that combined natural materials, such as cork, to create an authentic biophilic connection between nature and the built environment. Smile Plastics, meanwhile, showcased its ability to create exquisite hand-crafted panels from varied waste-streams. Following being specified by Harris + Harris London for the Conscious Bedroom that was unveiled at the Independent Hotel Show London, the innovative company was a first-time exhibitor at the Surface Design Show. The company uses typically non-recyclable materials with a sustainable approach resulting in a textured layer of consciously design, contemporary surfaces.

Monohrome table with flowers on

Image credit: Smile Plastic

Over the course of show there was a full schedule of insightful and entertaining discussions and talks. Biophilic materials and surfaces was a dominant discussion during the event. TEDx speaker Simon Gosling and sustainable architectural and interior designer Oliver Heath were among the professionals to put the topic under the spotlight. In an insightful panel discussion, editor Hamish Kilburn hosted a live discussion on the main stage entitled: Biophilic Materials in Surface Design. Joining Kilburn on the sofa was Jeremy Grove (head of design and director, Sibley Grove), Richard Holland (director, Holland Harvey Architects) and Fraser Lockley (architectural consultancy manager, Parkside Architectural Tiles).

Co-located within Surface Design Show was the ever-popular Light School which educated visitors of the importance of the relationship between light and surface by bringing together leading manufacturers and suppliers with architects and designers looking to specify their products. A highlight of Light School was its stand out seminar programme – Light Talks; a series of sessions collated by the Institution of Lighting Professionals. The new Light Talks theatre was designed by Rebecca Weir’s Lightbout.iQ. The design featured a range of surface materials creatively lit to emphasise the essential link between light and materials.

As well as established brands, Surface Design Show is committed to supporting and promoting up-and-coming designers in the materials sector with its New Talent section which was expanded for 2020. Curated by chief creative director at Trendease International Jennifer Castoldi, the New Talent area allowed designers, who have been in the industry five years or less, to have a devoted exhibition area, giving them the opportunity to showcase and engage face to face with a hard to reach and targeted audience.

Red foldable material made into a chair

Image credit: Trifold, designed by Hannah Davis

Among the 32 New Talents was Trifold. The flexible furniture system that comprises of building blocks which make flexible working environments achievable, was a meaningful addition to the show. Designed with modern lifestyles – and ever-changing spaces such as lobbies – in mind, the on-demand system allows for flexibility. The sheet can be folded and manipulated into countless forms, the only limit being your imagination.

“Exhibiting at New Talent has given me great networking opportunities.” – Hannah Davis, creator of Trifold

The new product, which is the brainchild of Hannah Davis went on to win the New Talent Award at the Surface Design Awards. “Exhibiting at New Talent has given me great networking opportunities,” the designer explained. “I have engaged in many discussions regarding the Trifold system as well as the world of design with a range of industry experts. This has allowed me to expand my contact catalogue and explore new ways of thinking that I had not previously considered. I have made contacts with fellow exhibitors considering collaborations, which is truly valuable.”

Launched six years ago the Surface Design Awards has become an integral part of the show, growing in stature to become one of the most respected accolades in the design awards realm. The 2020 Awards had more than 100 entries from 12 countries including as far afield as America, India and Australia. There were 14 categories in total, from Retail and Public Building to Commercial Projects and Housing, including new categories Public Realm and Affordable Housing. The entries comprised the best in architecture and design from across the globe; Giles Miller Studio, Mikhail Riches and Chris Dyson Architects from the UK, Steven Holl Architects from the USA, and Kris Lin International Design from China were among those shortlisted.

The impressive Krushi Bhawan from Bhubaneswa, India by Studio Lotus was named the Supreme Winner, as well as winning the Public Building Interior and Public Building Exterior categories. Capturing the admiration of all the judges Krushi Bhawan is a testament to design, created for the Odisha State Government’s Agriculture Department in India. The centre incorporates an eye-catching façade drawn from vernacular materials and narratives, which responds to the local climate and offers a glimpse into the region’s agricultural folklore and mythology, which has been envisioned at an unprecedented architectural scale.

 Surface Design Show 2021 will take place from 9-11 February 2021 at Business Design Centre, 52 Upper Street, Islington, London, N1 0QH

Main image credit: Surface Design Show/InnerSpace

In Conversation With: Hamish Brown, Partner at 1508 London

730 565 Hamish Kilburn
In Conversation With: Hamish Brown, Partner at 1508 London

Following some major global project wins, 1508 London’s entrance into hospitality was one that was led by a burning desire to reference local culture, unique design and organic materials in a new generation of luxury hotels. Editor Hamish Kilburn joins one of the firm’s Partner, Hamish Brown, in the London-based studio to learn more…

“There’s a real desire at the moment for brands not to be completely dictatorial about what their hotel should look like,” comments Hamish Brown, Partner at 1508 London, who warmly welcomes me into the studio moments before arriving himself having just walked off the red-eye flight from New York to London. “There are operational and functional standards, for sure, but in terms of design and aesthetics, there is so much more freedom now than there ever has been in hotel design.”

Could it be this movement that opened the door from residential into hospitality for the design studio? Or maybe it’s Brown’s ability to sharply define where the industry is at in this moment even while enduring transatlantic jetlag. Before then, the team at 1508 London were residential pioneers who had created a unique thread of new design standards on the high-end market around the globe; an appealing DNA for developers and operators in the hospitality arena.

It’s a refreshing experience, visiting a working studio that is – despite having already completed The Spa at The Lanesborough, awarded Best Hotel Spa 2019, and is currently working on new spaces for brands such as Four Seasons Hotels & Resorts, Park Hyatt, InterContinental Hotels and Jumeirah – still relevantly new on the international hospitality scene. It is perchance the gems that are on the boards, as well as the major project wins that the studio has achieved recently, therefore, that is causing the heads in the industry to turn towards the direction of 1508 London.

“I have always really hated the ‘one size fits all’ approach in design.” – Hamish Brown, 1508 London

Most recently, the studio’s pipeline of statement projects includes Rosewood Doha, which is said to become “Qatar’s latest landmark five-star hotel”, the first branded residences in Beverly Hills’ golden triangle and the redesign of Jumeirah Carlton Tower in London, which will infuse a new, lighter sense of grandeur to elevate the guests’ arrival experience.

Render of two towers in doha

Image caption: Render of the majestic towers that will shelter Rosewood Doha, slated to open in 2020 | Image credit: 1508 London/Rosewood Hotels

The structure of the 70-strong designers at 1508 London is supported by four design directors, one of which, Akram Fahmi, was published in The Brit List 2019 following his recent move from his success at another studio. “We try as much as possible here to throw things up in the air, because I have always really hated the ‘one size fits all’ approach in design,” Brown tells me. “We start by first understanding the building’s context – the architecture and the local vernacular – and, as designers, it is our job to be able to draw inspiration from that.”

Brown, who The Times named as a ‘tastemaker’ in 2018, joined the firm in its infancy in 2010. Before that, he worked for a property development firm, swerving anything design-related succeeding a full-on interior architecture degree at the Birmingham Institute of Art and Design. “To be honest, I was a bit overwhelmed after my studies,” he admits. “The modules were attempting to be sensible, but, in reality, they did not prepare me for what life is really like as a designer. It felt a bit like passing my driving test and then merging onto the motorway for the first time.”

Render of the outside of the building

Image caption: Render teasing what the front of Jumeriah Carlton Tower will look like when it majestically remerges back onto the London scene later this year. | Image credit: 1508 London/Jumeriah Hotels

After flirting with the idea of working in high-end residential and retail development, giving student life some time to deliquesce in the memory, Brown initially joined 1508 London as a Business Development Manager. Climbing the ladder rapidly, in 2011 he became Head of Projects, was promoted one year later to become Studio Director and in 2013, he joined CEO and Partner Stuart Horwood as a Partner. “Originally, we were just four people with one vision, and we deliberately didn’t have a house style.” Walking around the studio, I am presented to the brand’s perhaps most impressive creation: the carefully curated cluster of characters – AKA, the designers – who are all driven, I’m told, by the idea of producing better spaces. “We take pride in being very client-centric, and that’s not to put anyone else or any other studio in the industry down – we really do try to respond to briefs with creativity,” Brown adds.

In a recent exclusive roundtable discussion on the topic of meaningfully differentiating luxury in hotel design, Brown mentioned that the studio tries to always capture and create sense-of-place with every project it works on. “Intrinsically, we believe that the exterior and interior of a building should have a strong relationship,” explains Brown. “And that’s often the starting point on most projects. We ask about the location, the architecture and the materials. Quite often, our inquisitive nature then takes over and we will investigate more about things like the culture, the art and the food.”

Luxury pool area inside The Lanesborough

Image caption: Thoughtfully designed, The Spa at The Lanesborough shelters a luxurious hydro pool area. | Image credit: 1508 London/The Lanesborough

In regards to the company’s own sense-of-place, the studio is situated in the heart of the capital and has famous neighbours, sharing the same roof as fashion house Tom Ford’s studio and showroom. With 27 different nationalities under one roof, 1508 London is an outwardly thinking practice that is inspired by different cultures. “Britain is a design hub because of its education,” Brown says. “Our studio is a perfect example. There is a natural flow of talent in London, and that is because individuals from all over the world choose to operate here.”

“Although the first impression in a hotel usually comes from the look and feel, the last impression is of equal importance.” – Hamish Brown, 1508 London.

QUICK-FIRE ROUND

Hamish Kilburn: Where do you feel most at home in London?
Hamish Brown: In South London, with my wife and two children

HK: Where’s next on your travel bucket list?
HB: Sri-Lanka

HK: Was there a designer/or designers who inspired you when you were studying?
HB: Zaha Hadid and Antoni Gaudi, I’ve always fascinated by their uses of materials.

HK: What is the most rewarding part of your role?
HB: Working with people, and learning about cultures. I have learned more about geography as a designer than I ever did at school.

HK: If you were not a designer, what would you do?
HB: I would restore furniture, which is what I want to do when I retire.

HK: How would you describe your four design directors?
HB: They are completely open-minded and expansive beyond belief. You give them a challenge and they will each respond in the most wonderfully exciting ways.

HK: What’s the last item that shows up on your bank statement?
HB: A tactical coffee a Gatwick airport.

One of Brown’s most valuable lessons that he has learned is the balance between design and function. “Although the first impression in a hotel usually comes from the look and feel, the last impression is of equal importance,” he says. “The lasting memory comes from the service and function. To make someone fall in love with their stay, to attract them in the way it looks, you have to be able to deliver on that promise – and that is where the symbiosis happens between design and function.”

For most designers, one project will stand out in the portfolio. For Brown, that project sits majestically on Hyde Park Corner, just a few miles from the studio, and was also one of the first luxury hotels I checked in to as a journalist. “Working with the hotel’s Managing Director at the time, Geoffrey Gelardi, on the design of The Spa at The Lanesborough was incredible,” he says. “He had unbelievable knowledge on how the back-of-house operated, which allowed us to design spaces with complete precision, and enabled us to learn exactly how each area should be utilised. Without a doubt, those lessons have been the major transition between residential and hospitality.”

striking bar with marble surfaces featuring distressed mirrors

Image caption: Worlds away from the hustle and bustle of London life above, The Spa at The Lanesborough is an urban sanctuary unlike any other. | Image credit: 1508 London/The Lanesborough

The fact that we are sat around a beautiful oak table that I find out was rescued by the 1508 London team from an antique shop in Chelsea, exemplifies the studio’s respect for objects and restoration. “In many ways, you are only as good as your materials,” explains Brown. “This rug, even, came from a woman I met in the Middle East. She devoted her life to travelling to tribal areas, bringing groups of people together in the process to make these detailed rugs.”

“I remember using a recycled car windscreen in a bar, which a supplier fused together in order to create a striking bubble-like surface.” – Hamish Brown, 1508 London

The studio is so passionate to learn about new materials and products that it even dedicates time, one day a week, to invite select suppliers into the studio. “This time is an opportunity for us to learn, which is fascinating,” he says. “I remember using a recycled car windscreen in a bar, which a supplier fused together in order to create a striking bubble-like surface. When you backlit it, the result was incredible. The point is, I would never have thought about doing that on my own, and it added a new layer to the high-end project.”

Inspired by the studio’s infectious ethos – as well as its ability to sensitively lead the industry’s evolution ­– I leave Brown and his team in peace to continue reshaping the international landscape of luxury hotels. My evaluation of Hamish Brown? He is a polite and modest man who you can effortlessly spark up a conversation with. Listening intently to hear his passion for design, architecture and the carving out of a new era of hospitality, I can conclude that we do, after all, have more in common than simply a memorable name.

Main image credit: 1508 London

F&B Special: Restaurants raising the bar in architecture & design

730 565 Hamish Kilburn
F&B Special: Restaurants raising the bar in architecture & design

Say farewell to conventional restaurants, and say hello to a delicious and enticing world of pure imagination to the latest design-led restaurants to open. Editor Hamish Kilburn writes… 

Ahead of next month, when Hotel Designs will take centre stage at Hospitality Restaurant Catering show, I have good reason to believe that some of the latest restaurants that have opened recently (in and out of the hotel industry) have changed the landscape of hospitality.

And while, some may argue that we should be cautious to focus the lens on purely the F&B scene in fear of losing purpose on other areas within the hotel, it is also an undeniable truth that the new era of international hotels are using their restaurants and bars to drive in a local crowd in order to make the public areas a vibrant hub of activity.

Therefore, here are just some of the latest restaurants and bars to open, which have been designed holistically to improve the overall guest experience.

Under, Europe’s first underwater restaurant

Located at the southernmost point of the Norwegian coastline, where the sea storms from the north and south meet, Europe’s first underwater restaurant is situated at a unique confluence. Marine species flourish here in the both briny and brackish waters to produce a natural abundance in biodiversity at the site. The Snøhetta-designed restaurant, which has just received a Michelin-star status, also functions as a research centre for marine life, providing a tribute to the wild fauna of the sea and to the rocky coastline of Norway’s southern tip.

The structure is designed to fully integrate into its marine environment over time, as the roughness of the concrete shell will function as an artificial reef, welcoming limpets and kelp to inhabit it. With the thick concrete walls lying against the craggy shoreline, the structure is built to withstand pressure and shock from the rugged sea conditions. Like a sunken periscope, the restaurant’s massive window offers a view of the seabed as it changes throughout the seasons and varying weather conditions.

“Under is a natural progression of our experimentation with boundaries, says Snøhetta Founder and Architect, Kjetil Trædal Thorsen. “As a new landmark for Southern Norway, Under proposes unexpected combinations of pronouns and prepositions, and challenges what determines a person’s physical placement in their environment. In this building, you may find yourself under water, over the seabed, between land and sea. This will offer you new perspectives and ways of seeing the world, both beyond and beneath the waterline”.

 Burbank Restaurant at Roomers Frankfurt

Burbank is a new design-led, Asian-fusion restaurant by leading chef, The Duc Ngo. It is situated within Frankfurt’s chic Design Hotels member, Roomers Frankfurt by the Gekko Group. The restaurant is the third partnership between Berlin culinary innovator, The Duc Ngo, and Gekko Group’s founders, Micky Rosen and Alex Urseanu. Burbank joins the group’s portfolio of leading destination restaurants including moriki Frankfurt, moriki Roomers Baden-Baden, and the Golden Phoenix at Provocateur Berlin Hotel. The Duc Ngo creates an inventive and unconventional menu at Burbank, fusing pan-Asian flavours with relaxed Californian and Latin American cooking. 

Beefbar restaurant, Le Coucou Hotel

Reviewed recently in Hotel Designs’ wider feature of Le Coucou Hotel, Beefbar restaurant is, like the rest of the property, sheltered within a unique design scheme. Pierre Yovanovitch, Wallpaper*’s Designer of the Year 2019, pulled out all the stops for this area, using it’s naturally striking vista as strong inspiration. The area is full of thoughtful nods to the hotel’s name, location and character of its owners. A wall of cuckoo clocks above the tables, for example, reflects the traditional decor of the region, and emoji-themed plates create humour in all the right places.

Hey Yo – Hong Kong

Think fresh, vibrant (and wear sunglasses) when stepping inside Hey Yo, which was a winner at the Bar and Restaurant Awards 2019. Inspired by the all the pastel colours of macaroons, the design team at Design Action & Associates took and adopted these colours in different areas of the shop, just like a pastry chef forming different shapes with flour and dough. The designer formed different shapes of design and furniture. Each arch window is painted with grey texture paint. The arch window on the front of the door, includes a bright neon sign which permeates the atmosphere. Beside the continuous arch windows, different colours of display shelves and display items are composed like a dream-like oil painting. Round countertops resemble Macaroons is in their unique hues, and chairs resemble coloured dough in contrast to shaped countertops.’

Wild Honey St James

black and white floors above striking chandeliers

Image credit: Sofitel London St James

Situated metres from The Mall in London, Sofitel London St James’ Wild Honey is a collaboration with renowned chef Anthony Demetre and a reimagination of his iconic restaurant concept. Located on the former site of the beloved bistro The Balcon, the dining room decor has been redesigned and refurbished by Jim Hamilton Design to echo its new direction.

Harlan & Holden Glasshouse Café

With biophilic design wrapping its branches around almost every sector, is it any wonder why design firm GamFratesi used nature as its primary inspiration in the creation of Harlan & Holden Glasshouse? We think not. The rehabilitative restaurant is inspired by a greenhouse. Breaking boundaries between interiors and exterior, the studio swapped windows for walls and used the surrounding landscape to create the space.

Main image credit: Under/Ivar Kvaal

Boutique bolthole brand days from opening second London hotel

730 565 Hamish Kilburn
Boutique bolthole brand days from opening second London hotel

Pioneering hospitality brand, Locke, is to open its second boutique hotel in the capital next month, which is located on the Thames at London’s Millennium Bridge…

The 113-key Locke at Broken Wharf is expected to open next month, and it has set the scene for two more London openings in Bermondsey and Dalston later this year, in addition to international projects in Dublin, Munich, Berlin, Lisbon and Copenhagen. 

These openings build on the success of Locke’s existing hotels in East London, Manchester and Edinburgh.

Locke takes its cue from the evolving and varied demands of the contemporary traveller – blending the advantages of a high-end lifestyle hotel with the space and flexibility of an apartment. Its dynamic social spaces comprise an all-day restaurant, bar concept and buzzy co-working area, which will be activated through a mind-expanding cultural programme spanning wellness, fitness, art and music. This customer-first approach creates beautiful environments designed for living, not just sleeping, where guests can tailor visits to meet their personal requirements: whether they book for three days or three months.

“Designed by Matthew Grzywinski of Grzywinski+Pons, each of the 113 studios have been considered with the guest, location and brand essence in mind.”

Situated on the banks of the Thames with breath-taking views of the Tate Modern and Shakespeare’s Globe, Locke at Broken Wharf draws inspiration from its surroundings with each studio accented by subtle aesthetics featuring natural tones, pastel colours and white marble worktops contrasted with brass details. Designed by Matthew Grzywinski of Grzywinski+Pons, each of the 113 studios have been considered with the guest, location and brand essence in mind. Having custom designed most of the furniture in each room. “Throughout the property I played with a little matte/gloss tension,” said Grzywinski, “employing the aspirational bling of chrome, smoked glass and polished copper softened by the warmth and enveloping tactility of timber, cane and butterscotch upholstery.” Generously-sized rooms and fully equipped high-spec kitchens create a sense of freedom truly unique to the hotel scene, where guests can enjoy the option of a short stay in a Locke Studio (average 29sqm) or retreat to one of the larger premium River Suites (average 33sqm) for a long term stay in London.

Created and operated by The Initiative, Deli Cat & Sons – a modern New York-style Deli with local flavours – will offer a selection of freshly baked bagels and salads, along with a vast selection of breakfast and brunch dishes, available for eating in or taking away. For those keen to prepare their own meals, cookbooks are provided with pantry essentials available to guests on request. Adaptable to the needs of a variety of local businesses and travellers alike, Locke also offers a smart co-working space comfortably nestled on the ground floor.

Main image credit: Locke

Hotel Designs speaking at HRC next month

730 565 Hamish Kilburn
Hotel Designs speaking at HRC next month

As part of Hotel Designs’ media partnership with Hospitality Restaurant and Catering, editor Hamish Kilburn will speak on both the Vision Stage as well as the TechX area of the show… 

With less than a month until the industry gathers at ExCeL London for Hospitality Restaurant Catering, Hotel Designs has announced its movements around the three-day event.

HRC (formerly Hotelympia) is the UK’s largest and most prestigious event for the hospitality and foodservice industry and is one event is split in to four shows: The Food Service Show, The Professional Kitchen Show, Interiors and Tabletop Show and Hospitality Tech Show.

All of the four shows within HRC offer food service and hospitality professionals the chance to meet with a range of leading suppliers, to taste, test and source new products and business services to drive their business forward for 2020 onwards. Learn more about what’s on at the show here.

The Vision Stage on March 3 (13:00 – 13:45)
Session: Designing Hospitality for the Modern Consumer

Joining a popular list of professional speakers, Hotel Designs will host the panel discussion entitled: Designing Hospitality for the Modern Consumer. With first impressions now being made before guests have even considered checking in or making a reservation, the future design of hospitality needs to evolve with the connected and eco-conscious consumer. How does an independent or group operator add personality, stay relevant and appeal to the experience and social media gripped customer? The design-savvy panel will explore the top design trends to engage the next generation.

On the panel: Hayley Roy, Harp Interiors | Rita Alves Machado, Great Hotels of the World | Terry McGillicuddy, Richmond International | Stefan Trepp, The Dorchester.

TechX Stage on March 4 (14:30 – 15:00)
Session: Comfort and Control – Tech’s Place in Hospitality Design

Following the panel discussion, Kilburn will engage the audience on the TechX stage with a TED-style talk entitled: Comfort and Control – Tech’s Place in Hospitality Design.

As hospitality design continues to evolve, exciting developments in technology will allow us to further push the limits of conventional hotels and restaurants, creating space for more creativity in their design. But are we thinking about technology meaningfully enough? Hotel Designs’ TED-style talk will investigate technology’s place in tomorrow’s hospitality.

HRC takes place between March 3 – 5, 2020. Head over to the website to register for your ticket.

Center Parcs unveils luxury spa following £6m refurbishment

730 565 Hamish Kilburn
Center Parcs unveils luxury spa following £6m refurbishment

Design consultancy firm Sparcstudio collaborated with Center Parcs on one of the UK’s most highly anticipated spa refurbishments, Aqua Sana Longleat Forest…

Reimagined as a ‘Forest Spa’, with the creation of 24 spa experiences that draw inspiration from different aspects of nature and the surrounding landscape, Aqua Sana Spa at Center Parcs Longleat Forest, UK has relaunched following a £6m refurbishment.

Sparcstudio worked alongside Center Parcs’ own spa experts to help create and design the new ‘Forest Spa’ concept for Center Parcs which is inspired by the tranquil and therapeutic properties of the forest environment. It follows in the footsteps of the first Forest Spa at Aqua Sana Sherwood Forest in Nottinghamshire and the acclaimed Aqua Sana Longford Forest, Ireland.

“We are delighted to have had the opportunity to work with Center Parcs again on such a transformational and creative project,” said Neil Fairplay, Director at Sparcstudio. “Center Parcs have put their trust in Sparcstudio to deliver the best possible innovative and stimulating spa experience; we couldn’t be happier with the outcome. We focused hard on creating a seamless and intuitive guest journey to provide a more comprehensive and complete spa offer.’’

Following the restyle, the spa’s footprint has increased by 40 per cent and is spread across five themed zones – Nordic Forest, Hot Springs, Volcanic Forest, Forest Immersion and Treetop Nesting – all of which are designed to take guests on a journey through different aspects of nature using multi-sensory experiences, each with a unique, temperate feel, aesthetic and soundscape, inspired by the cold ice climate of the Nordic regions, Volcanic geothermal landscapes and Japanese Mountain Onsens.

living wall in coridor next to salon

Image credit: Center Parcs/Sparcstudio

“From the outset, we imagined a double-height cave environment with an opening in the roof, allowing natural light to flood in, with trailing foliage and gentle mists adding to the ambience,” Fairplay added. “It’s hard not to be wowed by this experience; I think we’ve really pulled it off.”

Guests can enjoy more than 20 hot, cold, herbal and meditative experiences and a multitude of light and dark, immersive and stimulating relaxation spaces 24 treatment rooms and a huge range of steam rooms and saunas, a heated outdoor pool, hot tubs, an ice cave, a selection of relaxation rooms and reflexology foot baths. Two new exclusive experiences have been created the Moonlight Steam Room and the Forest Cavern, replicating a cave hidden deep within a forest, (the region around the site is well known for its caves) this gently warming experience helps to balance mind and body.

sauna looking outside

Image credit: Center Parcs/Sparcstudio

“Our Forest Spa concept has been a huge success at our Sherwood Forest and Longford Forest sites and we wanted to bring that same high quality design and innovative approach to Longleat Forest,” explained Paul Kent, Development and Construction Director at Center Parcs. “We wanted to create a space where the positive benefits of the outside environment fed into the décor, design, experiences and overall atmosphere – a place which is effectively an extension of the forest setting.”

biophilic design in restaurant

Image credit: Center Parcs/Sparcstudio

With the spa now holding up to 125 guests at a time (or 175 including the Vitale Café Bar, treatment and outdoor areas), a sense of space and a clear journey became a major priority for the project. The result is a modern, biophicially designed wellness and wellbeing interior scheme that utilises all areas to create a seamless and intuitive guest journey through the space.

Main image credit: Center Parcs/Sparcstudio

PRODUCT WATCH: Grohe’s latest sustainable shower head

730 565 Hamish Kilburn
PRODUCT WATCH: Grohe’s latest sustainable shower head

The sustainable Rainshower 310 Mono headshower from GROHE is compatible with multiple shower systems…

Products with eco-friendly credentials are very likely to be high on the priority list of many bathroom projects for 2020.

Proving that water-saving showers can still deliver a premium performance, GROHE’s new Rainshower 310 Mono head shower offers an affordable way to upgrade your existing shower system, enhancing your shower experience without negatively impacting your water consumption. Equipped with GROHE’s EcoJoy technology, the water flow is limited to 9.5 litres per minute (compared to the standard 12 litres per minute), delivering a comfortable yet cost-effective water saving experience.

Installation of the Rainshower 310 Mono couldn’t be simpler as the head shower can be mounted with ease onto most shower arms with no need for complex tools or extensive behind-the-wall work. Its impressive 310mm diameter head, which can be swivelled in all directions thanks to a half-inch ball joint, offers the full face PureRain spray which encases the user in larger, softer droplets for a more relaxing and luxurious showering experience that is likened to being caught in a warm summer rain. Despite its statement size, the head shower features a particularly slim silhouette, allowing it to blend seamlessly into minimalist interiors. There are several model variants so you can choose the look that most suits your existing bathroom style: from ceiling- mounted to wall-mounted, round or square designs with matching shower arms, and white or chrome spray faces.

Its striking aesthetic, premium performance and impressive eco-credentials have resulted in the Rainshower 310 Mono achieving accreditation by the Water Regulatory Advisory Scheme (WRAS). This status ensures that the product meets all safety and quality regulations and is deemed suitable for installation in commercial buildings, hotels and new build homes as well as offering peace of mind to homeowners fitting the product themselves.

Main image credit: GROHE

UNILIN has the perfect match this Valentine’s Day

730 565 Hamish Kilburn
UNILIN has the perfect match this Valentine’s Day

This Valentine’s Day, division panel supplier UNILIN is enticing designers and architects to “find the perfect match” with UNILIN Evola

Edges can play a leading role in delivering a high-quality aesthetic. And with UNILIN, division panels, there’s no shortage of complementing and contrasting edging tape to bring your surfaces and furniture to life.

From a uniform look with perfectly matched edging tapes in texture and colour for every UNILIN Evola décor, through to contrasting pops of citrus, designers can use UNILIN edging tapes to show that it’s the details that matter in delivering a first-class finish in commercial interiors.

Sofie Coulier, UNILIN, division panels, says, ‘Edges are not often thought of as a design element, but they can really make or break the quality of finish, as well as add a sense of quirkiness or added luxury. By choosing a perfectly matched edging tape you can give a more authentic look, with synchronised texture and colour ensuring the very best in realism. Want to add a bit of personality? Add lime, lemon or orange pops as a surprise on the inside of drawers. Or for that ultimate luxurious look, edge shelves in metallic gold for a really custom-made, high-end feel.’

To make sure its UNILIN Evola edging tapes deliver authenticity, UNILIN, division panels, has gone to extraordinary lengths. For example, to emulate the original look of solid wood the manufacturer has developed edging tape with an end-grain print. The cross-section design gives a more natural overall result.

Not only has UNILIN, division panels, considered the detail in the design of its edging tapes, but also in performance. With standard melamine as well as an ABS specification that delivers high levels of impact-resistance for demanding interiors such as offices, hospitality and retail, specifiers and designers can be confident of lasting performance in virtually any application.

UNILIN is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Surface Design Awards 2020: Winners announced

730 565 Hamish Kilburn
Surface Design Awards 2020: Winners announced

The winners of the Surface Design Awards 2020 have been announced at the 15th Surface Design Show in London. Editor Hamish Kilburn was at the breakfast ceremony to catch the winners being crowned…

The final day of the Surface Design Show 2020 started in spectacular fashion, with the winners of the Surface Design Awards 2020 being crowned.

The Awards, hosted by author and independent event organiser Aidan Walker, celebrate excellence in architectural projects worldwide and the materials used in their creation.

The impressive Krushi Bhawan from Bhubaneswa, India by Studio Lotus was named the Supreme Winner, as well as winning the Public Building Interior and Public Building Exterior categories. Capturing the admiration of all the judges Krushi Bhawan is a testament to design, created for the Odisha State Government’s Agriculture Department in India. The centre incorporates an eye-catching façade drawn from vernacular materials and narratives, which responds to the local climate and offers glimpses into the region’s agricultural folklore and mythology, which have been envisioned at an unprecedented architectural scale.

Judge Paul Priestman of PriestmanGoode praised the project’s sense of place, stating “This building characterises part of the world. It’s a lovely reflection of culture using local materials.” Glenn Johnson of Collins Aerospace added “Somebody’s heart and soul is in this building.”

Across 14 categories in total, from retail and public buildings to commercial projects and housing, including new categories public realm and affordable housing, the Award’s entries comprised the best in architecture and design from across the globe. Giles Miller Studio, Mikhail Riches and Chris Dyson Architects from the UK, Steven Holl Architects for the USA, and Kris Lin International Design from China were amongst those shortlisted.

Launched six years ago, the Awards have continued to grow in stature to become one of the most respected accolades in the design awards realm. This year’s shortlist comprised an impressive 39 projects across the 14 categories. Such was the quality of entries submitted that some projects won nominations across several categories. Demonstrating the truly international reach of the Awards, projects on the shortlist spanned 13 countries from 34 different organisations with emerging practices represented, as well as established firms.

The 2020 judging panel of industry experts was Co-Chaired by Paul Priestman from PriestmanGoode and Amin Taha from Groupwork. The judges were Nikki Barton, British Airways; Sean Griffiths, Modern Architect; Charles Holland, Charles Holland Architects; Glenn Johnson, Collins Aerospace; Daniel Mota Veiga, KEF / GP Acoustics and Steve Webb, Webb Yates Engineers.

The judging panel commended both the high quality and variety of entries within the field of surfaces and materials. The entries in the new affordable housing and public realm categories were particularly praised for their innovation and diversity in their respective sectors.

WilkinsonEyre and Zeidler Architecture’s CF Toronto Eaton Centre Bridge won in Public Realm after being admired for its avant-garde design. Goldsmith Street, based in the UK and designed by Mikhail Riches with Cathy Hawley, was applauded for its warmth and community feel by the judges, and was announced the winner of the Affordable Housing category.

With sustainability at the top of the agenda throughout the design industry, the Sustainable Surface Exterior and Sustainable Surface Interior categories captured the judge’s attention. Crystal Palace Park Café by Chris Dyson Architects, with its external cladding in half round cedar shingles, was the exterior winner whilst Muse Acoustic Panels, by Woven Image in collaboration with Michael Young won in the interior category.

The Housing Exterior category had an outstanding level of bespoke entries. House on an Island, by Atelier Oslo and Kebony, was rewarded the winning position with judges admiring the building’s relationship with the nature that surrounds it. Winning the Housing Interior award, the elegant 20 Kings Road, London was highlighted for its complementary and sensitive use of materials.

Designed by Arup, University of Sheffield Concourse’s bold simplistic lighting was congratulated for making it a destination rather than an area to get through quickly, by creating a multi-use space to encourage students to sit, dwell and relax. Nikki Barton, British Airways, said Arup has “completely transformed and enhanced the space,” with the entry being awarded the Light and Surface Exterior award.

Captivating the hearts of the judges, the Yashoda Cancer Hospital’s open sky courtyard creates a focal point for the New Delhi hospital, and gives patients a place to escape and be surrounded by greenery. The pergola above the courtyard is made using a combination of colourful hanging glass panels which create a light-well filled with colourful shadows within the core of the hospital. The installation, designed by Studio An-V-Thot Architects, was highly commended for its commitment to creating a less-hospital-like environment for patients, being awarded the winner of the Light and Surface Interior.

Putting education at the forefront, Vora’s Can Rosés Temporary School claimed the Temporary Structures award for the redesign of an ancient Spanish farmhouse into a school for 3 years use. The judges were impressed by the innovative repurposing of an existing structure to create a school space with great character, which after the period of use will be easily dissembled.

The winner of the Commercial Building Exterior award was the expressive linear form of the Nobu Hotel Shoreditch by Ben Adams Architects, whilst Kingdom Design Studio by Kingdom Industry in the USA gained the Commercial Building Interior award. In an effort to be resourceful Kingdom Industry’s design utilised raw materials in such a way as to elevate their intrinsic quality, creating an experience for visitors through differing break-out spaces, materials and environments used throughout the space.

United Cycling LAB & Store, which distributes and sells high-end brands for the bicycle market in Northern Europe, was named winner of the Retail Building award. Its first ever flagship-store and showroom was designed by Johannes Torpe to reflect the underlying principles of the company, creating a space that fosters knowledge, learning and innovation.

Still to come at the Surface Design Show 2020

730 565 Hamish Kilburn
Still to come at the Surface Design Show 2020

As the final day of Surface Design Show approaches in London, there is so much still to look forward to, including an engaging panel discussion hosted by editor Hamish Kilburn

Celebrating 15 years, Surface Design Show (#SDS20) has once again stolen the limelight early in the season, with an impressive 170 exhibitors showcasing their latest products as well as a packed programme of 30 presentations from 50 expert speakers.

Among them is editor Hamish Kilburn who is preparing to take the main stage with Jeremy Grove (head of design and director, Sibley Grove), Richard Holland (director, Holland Harvey Architects) and Fraser Lockley (architectural consultancy manager, Parkside Architectural Tiles) to deliver the panel discussion entitled: Biophilic Materials in Surface Design at 12.30pm.

The show is a must-visit for architects, designers and specifiers looking for material inspiration from the UK and around the world. The 2019 show hosted 5,071 unique visitors, 80 per cent of whom were from the A&D sector, who came to explore the inspiring array of surfaces on display, be entertained and learn from the presentations on offer and network with like-minded industry professionals.

With sustainability at the top of the architecture and design agenda, the chosen theme for this year’s show is ‘Close to Home’. The theme has allowed the industry to look beyond aesthetics and into manufacturers’ impact on the environment, from the processes used in mining or manufacture, through to the carbon footprint sustained during sales and distribution. Designing with a conscience will also be examined, from reusing waste materials to looking at what happens at the end of a product’s life cycle. This topic is not only highlighted throughout the extensive talks programme but is also a focus within Surface Spotlight Live.

Hotel Designs’ ‘editor’s round-up’ of the Surface Design Show 2020 will be published shortly.

Main image credit: Surface Design Show

In conversation with: Pierre Yovanovitch, interior design’s answer to haute couture

730 565 Hamish Kilburn
In conversation with: Pierre Yovanovitch, interior design’s answer to haute couture

With his latest project Hotel Le Coucou in the French Alps as an apt backdrop, Wallpaper*’s Designer of the Year Pierre Yovanovitch joins editor Hamish Kilburn to discuss milestones, new directions and his signature couture approach to interior design…

In my official review of Hotel Le Coucou, I mention that it is the hotel’s idiosyncratic take on slope-side luxury that has made it onto the radar of winter luxury travellers. Far removed from the conventional ski-in/ski-out luxury hotel, Hotel Le Coucou, more than 1,400 metres above sea level, takes unapologetic risks in its design to boldly shelter contrasting tones, bespoke lighting and animal-shaped furniture.

“They told me about the project, and mentioned that I was the only designer they were interested in working with for it.” – Pierre Yovanovitch.

The creative genius behind the project who in just three years sensitively created the 55-key new-build hotel, from a piste ski route into the jewel it stands as today, is Pierre Yovanovitch. The fashion designer who turned architect/designer was recently crowned Wallpaper*’s Designer of the Year 2019. He joins me for breakfast during my review of the hotel in the property’s Bianca Neve restaurant. Together, we discuss overcoming project obstacles, working to tight deadlines as well as the key moments that have shaped his abstract career.

Making the headlines recently for becoming Wallpaper*’s Designer of the Year 2019, Yovanovitch’s unique style is in hot demand. “For me, being celebrated in that way was completely unexpected,” he tells me. “For the business, though, it has been a real turning point. We have just opened an office in New York, which was completely necessary because of the increase in projects we are working on in North America. However, regardless of where we open offices, we will always be proud to be a French design studio in our approach to all projects.”

Room with interesting pieces of shaped furniture and art with man lying dead on beach

Image caption/credit: Chateau de Fabrègues, Provence/Jérome Galland

Hamish Kilburn: Let’s talk about Hotel Le Coucou. Why was was it your most challenging hotel project to date?

Pierre Yovanovitch: First of all, where we are sat right now was a piste slope before. Meribel has many constraints when it comes to architecture. Some ski resorts in France made a lot of mistakes in the ‘70s and ’80s when they built new properties without respecting the mountain-chalet style.

“Hotel Le Coucou is a complex design; its structure cascades down more than 10 levels and has very narrow areas.” – Pierre Yovanovitch.

Here, buildings have to be made from local materials, they have to match the colour of other buildings in the area and even have a specific shape. While in some ski resorts, designers and architects are able to create architectural masterpieces, in Meribel that simply is not possible. Hotel Le Coucou is a complex design; its structure cascades down more than 10 levels and has very narrow areas. Therefore, it was not an easy project to work on.

White fluffy chair and bold blue sofa

Image credit: Hotel Le Coucou

HK: Can you explain how Maisons Pariente reached out to you with this project?

The Pariente family approached me three years ago, which only feels like yesterday to be honest. They told me about the project, and mentioned that I was the only designer they were interested in working with for it. Yes, there was a burden, but I was also very honoured, and the pressure was good. 

HK: What inspired you when you first started drawing the design for Hotel Le Coucou?

PY: The views! In most hotels, you have rooms with good views and bad views. Here, though, every room opens up to capture an amazing panoramic vista of the area. It was important to me that each room utilized this fabulous site. Sometimes, the view even becomes more important than the décor.

HK: How did the hotel’s concept come to life?

PY: There were so many local constraints, so I worked with a very local architect on the building’s construction. Once we had the shell of the building, I started to draw everything inside, and some changes were made in order to open up the space. The ceiling in the lobby, for example, was too low and we had to lose a bedroom in order to create that dome-like structure you see when you arrive.

We designed everything and we had to work as quickly as possible. We drew and designed more than 140 pieces of furniture and lighting for this project. I wanted to create something special, and when we decided to purchase something over making it, it was usually because it was vintage. Creating so many pieces was a good exercise for me, because I want some of my items of furniture and lighting to become more accessible.

HK: What is it about the Scandi/American style of furniture that you love?

PY: Scandinavian furniture is instantly recognisable, but it is also timeless and I like the fact that you cannot link it to a period in time or a trend. It becomes more chic. It is also simple, made from nice wood and has a good shape. My experiment was to blend this with a Californian style, which was something new to me and other French designers.

Bear chair next to lamp and on snow-inspired carpet

Image credit: Hotel Le Cou cou/Jérôme Galland

HK: What was it like to work with Christian Louboutin in 2015, and how did that change your career?  

PY: Chistian Louboutin called me one day, out of the blue, and asked me to design the global concept of his first boutique dedicated to beauty. It was a lot of fun, and I love working on projects that are very different because they challenge me in the best way.

Image of Christain Louboutin and Pierre Yovanovitch in white space

Image credit: Louboutin Beauty Boutique Paris, 2015

HK: What other highlights in your career can you now identify as milestones?

PY: As you can see, I have a very strong interest in furniture, and I have always taken a lot of inspiration from the short yet impactful ‘Swedish Grace’ movement from the early 20th century. In 2005, my profile as a designer grew quickly after I decided to create an exhibition that was inspired by this movement.

Another moment happened two years ago when I was asked to put on an exhibition at Villa Noailles Hyères. I invented a narrative about a woman. In each room, different pieces of art and furniture as well as text told the story of this character. The area sparked a lot of interest from press and the design community. People understood my love and passion for art, theatre and literature. You see, design is larger than interiors. It sits somewhere between art and craftsmanship. I don’t like to be enclosed and I work better when I have freedom on where I source my inspiration from.

HK: Who inspired you to take risks in design?

PY: I worked with fashion designer Pierre Cardin. He warned me that if I didn’t take risks then I would stay small. He has a very strong style and, in a way, he is an architect. Working with Cardin was a very good experience for me, and his words still inspire me today.

QUICK-FIRE ROUND:

HK: What trend do you hope never returns?
PY: Trends are not interesting. I hate the idea of following trends.

 HK: Where is next on your travel bucket list?
PY: Glasgow. I am taking my whole team there next week to learn the work of architect Charles Rennie Mackintosh. I really need to learn new things when I travel.

HK: Describe your team in three words?
PY: Family, friends and positivity

HK: If you could start from scratch with Hotel Le Coucou, would you change anything?
PY: I would change everything! I have new ideas all the time, but this project is a moment in time that I am proud of.

HK: What have your learned from this project?
PY: That constraints are fantastic because budget and time limits allow you to be more creative.

While working on the final stages to complete Hotel Le Coucou, Yovanovitch’s time was split among other projects. In London, he was given just two months to design new interiors for high-end restaurant Hélène Darroze at The Connaught. With the history and heritage of the building on his shoulders, the designer injected style into the space with a sensitively blend of salmon-toned surfaces, bespoke curved furniture and a distinct refined yet comfortable style.

“For me, there are two reasons why I liked that project, Yovanovitch explains. “The first is the chef, Hélène Darroze, who is such a lovely lady. And second was the building itself. Darroze asked me to design something feminine and she ended up loving my idea to narrate through design the tension between masculine and feminine. This project was another example of me drawing everything from scratch – from the lighting to the furniture and even the ceiling. It became a haute Couture project unique for her.”

As our breakfast comes to an end, I am left with little more than a teaser that unveils the designer/architects next movements will be as bold as his latest project. “I am currently working on a few projects, which means that I am travelling a lot” he concludes. “Expect something loud and over the top.”

It’s difficult not to be touched by Yovanovitch’s approach to new challenges. His confident approach to say yes to projects that will stretch his limits as a designer has allowed his to take the industry to a new level – one that is playful, couture-driven and always meaningful.

It’s clear that overhauling iconic spaces into something more is, each time, a personal journey itself that allows Yovanovitch to grow as a creative and artist. Although the challenges that Yovanovitch faces often come with insomnia and the inability to simply switch off, it is his passion and devotion to innovation in the industry that has made him one of the greatest designer/architects of our time.

Main image credit: Pierre Yovanovitch Studio/Vincent Desailly

FIRST LOOK: Inside the Maldives’ next-gen wellness hotel

730 565 Hamish Kilburn
FIRST LOOK: Inside the Maldives’ next-gen wellness hotel

Kagi Maldives Spa Island will harbour a 360-degree wellness experience, complete with a teardrop-shaped floating yoga pavilion at its centre…

Designed by esteemed architect Yuji Yamazaki, who was the mastermind behind the world’s first underwater villa, Kagi Maldives Spa Island is expected to open in July 2020. 

The boutique 50-villa property will provide travellers with a 360-degree wellness experience, with 1500-square-metre spa and wellness hub, complete with an open-air, teardrop-shaped floating yoga pavilion at its centre. Kagi will also house a state-of-the-art gym, two restaurants, three bars, a dive centre and a house reef.

Guests will be able to choose from three room types, a Beach Pool Villa, a Lagoon Pool Villa or an Ocean Pool Villa, all of which will be distinguished by their unique locations and will house a private pool, a sun deck and an expansive indoor-outdoor bathroom.

render of floating villa

Image credit: Kagi Maldives Spa Island

A fully integrated wellness centre, the spa will consist of four treatment rooms with outdoor bathing facilities, a relaxation lounge, beauty salon, fully-equipped yoga and sound-healing studio, steam rooms and a spa wellness boutique. A ‘Spa Corner’ will raise the ‘juice’ bar with superfoods and ingredients rich in vitamins, minerals and antioxidants, offering a variety of drinks that are as delicious as they are energising and nutritious.

The hotel will shelter two restaurants, three bars and an expansive wine cellar in addition to the wellness-oriented ‘Spa Corner’. The resort’s fusion cuisine will take inspiration from the geographical ‘ring of fire’ that surrounds the Maldives, from the highly spiced and fragranced cuisine of East Asia to the bold, fiery flavours of South America and Oceania.

Render of open-planned restaurant

Image credit: Kagi Maldives Spa Island

The resort will provide an ‘out-of-home kitchen experience’ across its dining outlets, with a focus on whole foods and locally and sustainably sourced ingredients. Menus will be designed to create dishes that are high in flavour and low in sugar, fat, salt and gluten. For example, chefs will make use of the tandoor, a type of Indian oven that allows for the fat-free cooking of meat and fish while introducing a smoky, charred flavour.

Main image credit: Kagi Maldives Spa Island

One of the Maldives’ few resorts with a female-led management team, Kagi will embody the country’s warm island spirit while promoting the art of wellbeing.

PRODUCT WATCH: Spectre from Parkside

730 565 Hamish Kilburn
PRODUCT WATCH: Spectre from Parkside

Ahead of Fraser Lockley from the brand joining editor Hamish Kilburn on stage on Thursday at the Surface Design Show, Parkside Architectural Tiles has launched a new ceramic wall tile collection…

A study that investigates the reactions of light on different glazes to playful effect, Spectre is the new ceramic wall tile collection from Parkside Architectural Tiles.

Made up of three glaze finishes; the playful and pearlescent hologram, matt and gloss, Spectre lets designers explore the interaction of light on different surfaces. The matt and gloss finishes are available on their own, or with a mixed finish box including all three finishes. By combining the different glazes in either a random combination or structured pattern, the collection can be used to dramatic effect, with light dancing across the finishes for a unique look at every viewing angle.

Most notable, the hologram finish uses a precious metals glaze to recreate an incredibly captivating and ever-changing spectrum effect. Each tile is unique, simply adding to the impact, with different gradients and shade combinations. Changing colour and reflectivity depending on where its viewed and the light conditions at that time, the hologram finish brings a different kind of pop to wall tiles.

Spectre comes in four colours of Sky, Cream, Rose and Milk and brings a thoroughly modern aesthetic, heightened by the intriguing 5cm x 25cm vertical format: “Spectre is an extraordinary collection that uses light as its catalyst for creativity,” explains Ian Mattacola, product manager, Parkside Architectural Tiles. “Creating iridescent rhythmic patterns through thoughtful pastel tones, it’s a tile that feels thoroughly modern and elegant while somehow bringing an intoxicating, playful spirit.”

Suitable for both commercial and residential interiors, the exclusive Spectre collection is available from Parkside in all four colourways, giving designers and specifiers the chance to explore unique finishes with the reassurance of the supplier’s high service levels.

Hotel Designs’ Hamish Kilburn will host the panel discussion entitled: Biophilic Materials in Surface Design. He will be joined on the sofa by Fraser Lockley (architectural consultancy manager at Parkside Architectural Tiles), Jeremy Grove (Managing Director of Sibley Grove) and Richard Holland (Director of Holland Harvey Architects).

Main image credit: Parkside Architectural Tiles

Versa’s new Invinci surface collection harnesses art and tech

730 565 Hamish Kilburn
Versa’s new Invinci surface collection harnesses art and tech

Versa’s new surface collection, Invinci, harnesses art and technology to create one-of-a-kind textures, intriguing embossings and multi-faceted prints…

From subtle textile effects to dramatic iridescent mylars, the expansive Invinci collection from Versa Designed Surfaces delivers the right aesthetics to achieve your design vision.

Choose from a range of textile designs that project the luxury of silk, the warmth of cotton and the refinement of linen. Peruse reflective embossings that change appearance in different light and when viewed from different perspectives. Browse inspired, multi-colored patterns that intermingle flat and metallic inks to produce three-dimensional looks. Invinci blends fresh, sometimes unexpected, design elements with classic motifs to fashion wallcoverings that will stand the test of time.

image of marble-like textured wallcovering behind sofa

Image credit: Versa Designed Surfaces

Invinci wallcoverings meet or exceed stringent U.S. and international standards for quality, performance and sustainability. Versa Designed Surfaces, one of the largest commercial wallcovering manufacturers in the world, designs and produces the collection in state-of-the-art U.S. facilities. The company follows an aggressive sustainability plan that includes sourcing high quality and recycled raw materials, recycling inks and materials, and reducing usage of water and energy that was outlined in a recent interview with Paul Gibson, the Business Development Manager EMEA at Versa.

Invinci wallcoverings carry Environmental Product Declarations that provide a comprehensive picture of the product’s environmental impacts. This tool offers complete transparency into the wallcovering’s sustainability profile, detailing impacts from cradle to grave. The EPDs are accepted internationally and may contribute points to environmental rating systems such as LEED and Green Globe.

Versa Designed Surfaces is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: Versa Designed Surfaces

Crosswater becomes Partner for Hotel Designs’ MEET UP networking events

730 565 Hamish Kilburn
Crosswater becomes Partner for Hotel Designs’ MEET UP networking events

Crosswater will attend both MEET UP London and MEET UP North as a partner…

Following the company being the headline partner of The Brit List Awards 2019, British bathroom manufacturer Crosswater has been announced as a partner for Hotel Designs’ premium networking events in 2020.

MEET UP London takes place on May 13 at Minotti London, and MEET UP North that takes place in Manchester on July 6.

“To this end, we are very excited to be involved in the first MEET UP London and MEET UP North in Manchester.” – Richard Ticehurst, head of trade marketing and training at Crosswater.

Richard Ticehurst, head of trade marketing and training at Crosswater said of the announcement: “At Crosswater, we are committed to making decisions on design, manufacture, marketing and our supply chain based on strong market insights from across the industry. One of our guiding values is to ‘focus on the user, and all else will follow’. This doesn’t just mean the end-user, it means we want to understand all the critical perspectives in a project from designer, hotelier and developer and integrate them into our offer. To this end, we are very excited to be involved in the first MEET UP London and MEET UP North in Manchester and look forward to some great interactions.”

Having previously supported Hotel Designs by being the headline partner of The Brit List Awards, Crosswater will attend the regional networking events which last year bridged the gap between more than 400 design and hospitality professionals. “We are fully committed to host our networking events in locations and venues that are at the heart of the hotel design community,” said editor Hamish Kilburn. “We hope that Meet Up London and Meet Up North, which include relevant themes and talks at both, help to build seamless relationships as well as inspire the industry to further push boundaries in design and hospitality.”

EARLY RELEASE tickets to the events have expired. Look out for announcements to launch our EARLY BIRD tickets at the end of the month…

In the meantime, if you would like to discuss various sponsorship packages available, or if you have any enquires regarding tickets, please contact Katy Phillips via email, or call 01992 374050.

7 savage hotel construction projects on the boards

730 565 Hamish Kilburn
7 savage hotel construction projects on the boards

To celebrate ‘Architecture & Construction’ firmly being in the spotlight this month, the editorial team at Hotel Designs have identified some of the industry’s most ambitious hotel projects that are expected to open in the next few years… 

The hotel industry is booming, is the verdict from the data analysts at STR as they reveal to Hotel Designs that there are currently 74,417 hotels on the boards in Europe alone.

In the next few years, millions of rooms will open in major cities, towns and far-flung travel hotspots around the world. In order to shelter these rooms and suites, architects are using new rendering software to challenge conventions like never before to conceive new exciting buildings that will have the power to transform skylines on an epic scale.

Ahead of Forum Events’ up-and-coming inaugural Building and Construction Summit next month, here are just a few hotel construction plans that we expect will disrupt the international hospitality industry as we know it when they complete with innovation, style and substance.

Mandarin Oriental Melbourne

render of the Mandarin Oriental Melbourne

Image credit: VA

Mandarin Oriental’s first hotel in Melbourne is taking shape. First realised in 2016, Zaha Hadid Architects were asked to design the mixed-used 185-metre tower located in the heart of the city’s financial district. When completed, it will feature an all-day dining restaurant and a bar with a landscaped roof terrace. There will also be a variety of meeting spaces and an executive club lounge. A Spa at Mandarin Oriental will offer the Group’s renowned wellness,relaxation and beauty facilities, while further leisure options include a comprehensive fitness centre and an indoor swimming pool.

Rosewood São Paulo 

image of building camouflaged in trees

Image credit: Jean Nouvel

Opening later this year, Rosewood Hotels & Resorts will launch its first South American property situated in the centre of São Paulo. The hotel, which is being designed in collaborations with design and architecture legend such as Philippe Starck and Pritzker Prize-winning architect Jean Nouvel, will feature 151 guestrooms. The striking biophilically designed building will include two swimming pools with one rooftop pool and the other set amongst the landscaped grounds and a large spa and a fitness area.

Shishi-lwa House

From one Pritzker Prize winner to another, architect Ryue Nishizawa has designed the concept of Shishi-lwa House in Japanese city of Nagano. Expected to open next year, the eight-key hotel’s aim will be to provide a sanctuary in a cluster of 10 interconnected pavilions made out of locally sourced jinoki cypress wood.

Downtown LA Jenga-like skyscraper

Render of the top of a building that has been made to look likke a jenga set

Image credit: Arquitectonica | JMF Developments & Co.

Architecture firm Arquitectonica‘s dream to evolve the city of Angels’ iconic landscape is becoming a reality after the company has recently got approval for the 53-storey building by the city’s planning commission. The condo tower with its cantilevering glass-bottom swimming pools. JMF Development Co. aims to have the building completed by as early as 2023.

25hours Hotel Paper Island

Slated to open in 2024, 25hours Hotel Paper Island will mark the brand’s arrival into the Copenhagen property market. Pulling out all the stops, the hotel company has enlisted the help of interior design guru Erik Nissen Johansen from Stylt Trampoli and architecture firm Cobe to imagine the concept of the hotel developed by Nordkranen and Union Kul.

Kisawa Sanctuary 

render of beach-front bungalows

Image credit: Kisawa Sanctuary

Taking the hotel scene in Mozambique back to basics, Kisawa’s founder Nina Flohr’s latest hotel is stripped-back luxury escape in the pipeline. Comprising of 12 luxury bungalows – each one furnished to echo cultural references of the island – the hotel is expected to open this Summer. “My mission for Kisawa is to create a level of hospitality and design that to my knowledge, does not exist today, a place that inspires feelings of freedom and luxury born from nature, space and true privacy,” Flohr. “We have used design as a tool, not as a style, to ensure Kisawa is integrated, both culturally and environmentally into Mozambique.”

Infinity London

Once you have worked out how to get in and out of what was surely the talked-about infinity pool concept of last year (via a spiral staircase “based on the door of a submarine” that rises from the pool’s floor), the next question is: who would be brave enough to peer over the edge? Infinity London is the brainchild of Alex Kemsley, a pool designer and technical director for Compass Pools. The 55-story high-rise in London, will provide 360-degree views of the city below and takes wellness to new death-defying heights.

If you are a contractor, developer or surveyor and are interested in attending the Building and Construction Summit, which takes place on March 16 – 17 at Radisson Blu Hotel, please email Daniella Batchelor or Josh Oxberry. Alternatively, you can call 01992 374048/04.

Main image credit: Arquitectonica/Kisawa Sanctuary/Rosewood Hotels/Compass Pools 

Image of the built in bath

Bette launches its first circular built-in bath

730 565 Hamish Kilburn
Bette launches its first circular built-in bath

The sustainable, recyclable and luxurious BettePond bath is made from the company’s signature glazed titanium-steel…

Bathroom manufacturer Bette has launched the first built-in circular bath, BettePond, made of glazed titanium-steel, which uses only natural materials in its production.

Image of the built in bath

The generously proportioned 150cm diameter BettePond bath is made from durable glazed titanium-steel,  which keeps its shine, is easy to clean and can be a more sustainable choice for the bathroom.

The BettePond bath has a slender rim of only 8mm, and when inset into a surface creates a stylish pool or pond-like effect. Bette can also install a whirlpool system into the bath.

Like the freestanding version (the BettePond Silhouette) the new built-in BettePond was designed by Dominik Tesseraux as a reminder of the original shape of the bathtub. With a generous diameter, the bath is the perfect place for luxurious relaxation.

The sustainability of Bette’s glazed titanium-steel products is independently verified by an Environmental Product Declaration (EPD) which is based on the ISO 14025 and EN 15804 standards. It covers the entire life-cycle of Bette’s products, and their functional and technical qualities.

The brand’s baths, shower trays and washbasins are made from glazed titanium-steel, which uses only natural materials in its production, and they are so durable that they come with a 30 year warranty.

Bette has invested in energy-efficient manufacturing and creates two-thirds of its own energy requirements with electricity that it produces itself from renewable sources.

Bette is a Hotel Designs’ Recommended Supplier. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: Bette

Everything you need to know about Hilton’s new lifestyle brand

730 565 Hamish Kilburn
Everything you need to know about Hilton’s new lifestyle brand

Last month, Hilton dropped the news that it was launching a new lifestyle brand. Tempo by Hilton is an elevated and approachable brand offering thoughtful design, efficient service and exciting partnerships. Editor Hamish Kilburn investigates…

With no less than 30 hotels under development – and 30 more pending deals – Tempo by Hilton has launched with no intention of pacing itself into the market.

By combining thoughtful design and diverse lifestyle partnerships, Tempo by Hilton provides hotel owners and developers with a highly scalable brand that is both uplifting and within reach for future guests – all powered by an efficient service model.

“For more than 100 years, Hilton has pioneered the hospitality industry as we know it,” said Christopher J. Nassetta, President and CEO, Hilton. “Tempo by Hilton is the latest example of our unique ability to anticipate what our guests are looking for and deliver unmatched value for customers and owners alike. We’re thrilled to welcome this new brand to our Hilton family and look forward to building on our legacy of innovation with Tempo by Hilton.”

As part of its commitment to helping guests live better lives, Tempo by Hilton has established and built upon partnerships with leading experts across the well-being, food and beverage and other lifestyle spheres. The experts on board include Arianna Huffington’s renowned behaviour change platform, Thrive Global and established culinary firm, Blau + Associates. These organisations bring a sense of discovery to the brand, while empowering guests to continue prioritising well-being and personal growth even while travelling.

“Tempo by Hilton introduces a new concept by combining all the benefits and efficiencies owners expect from a limited service model with an uplifting dose of inspiration,” said Phil Cordell, SVP and global head of new brand development, Hilton. “Utilising a data-driven blueprint, we identified lifestyle offerings inside the guest rooms and throughout the property that push the entire sector to new heights. The end result is a compelling, yet approachable brand that enables owners to expand their portfolios in sought-after locations across the country as well as capture a new demographic of travellers.”

Guided by its various lifestyle partnerships, as well as exhaustive market research surveying more than 10,000 consumers, each Tempo by Hilton property will feature elements designed to help ambitious guests continue their journey without disrupting their routine.

Reinvigorating and Relaxing Guestrooms

More than rooms, Tempo by Hilton accommodations are said to serve as a refuge where modern travellers are reinvigorated for the day ahead. In-room experiences include the one-of-a-kind Power Up and Power Down collections; curated assortments of morning and bedtime rituals created in partnership with Thrive Global; as well as other unexpected touches, such as a finely tuned sleep environment and a dedicated Get Ready Zone with space to get ready, organise for the day and focus on work. In addition, the oversized bath suite, which includes mirrors with built-in Bluetooth speakers, is spacious, bright and invigorating to help guests recharge and renew.

render of plush yet simple guestroom

Image credit: Tempo by Hilton

Shared spaces

Envisioned as catalysts for genuine, memorable experiences, all Tempo by Hilton public areas bring a fresh approach to industry mainstays. These include art and design collections specifically chosen to encourage guests to look up from their daily grind and take a moment for themselves. Guests will also enjoy state-of-the-art fitness offerings; flexible meeting spaces.

Render of public areas

Image credit: Tempo by Hilton

Culinary journeys

Developed alongside the award-winning Blau + Associates, Tempo by Hilton’s food and beverage offerings ensure guests have access to everything they need to sustain energy and boost focus.

Sustainability

Tempo by Hilton aligns with Hilton’s Travel with Purpose 2030 Goals to double its investment in social impact and cut its environmental footprint in half. To that end, this new brand is committed to implementing sustainable practices throughout the guest experience. Examples of specific initiatives include LightStay, food waste programs, responsible seafood sourcing, hydration stations throughout the property to replace single-use plastic bottles and full-size bath amenity dispensers to reduce disposable plastics.

“Through our research, we found that while our current upscale offerings have been incredibly successful at earning loyalty among specific guest segments, there was a rising demographic of ambitious and highly discerning travellers that weren’t engaging with the category,” said Jon Witter, chief customer officer, Hilton. “With Tempo by Hilton, we are able to reach these influential consumers through a new, elevated yet approachable class of hotels designed to surpass expectations of both customers and owners in truly meaningful ways.”

Conceived with extensive input from leading hotel owners and investors around the country, the new brand has seen strong momentum ahead of its unveiling. There are more than 30 individual commitments to date with properties confirmed in several prime markets across the US, including New York, Maui, Boston, Los Angeles, Lexington, Nashville, San Diego, Charlotte, Washington D.C., Houston, Atlanta, and more. An additional 30 deals are in various stages of development.

Tempo by Hilton is the latest brand created by Hilton to address the future of travel. Other recently launched brands include Motto by Hilton – an affordable, lifestyle micro-hotel with a communal vibe in prime urban destinations – and Signia Hilton – the portfolio’s premiere meetings and events brand.

Main image credit: Tempo by Hilton

Discussing biophilic design in hotel surfaces

730 565 Hamish Kilburn
Discussing biophilic design in hotel surfaces

Ahead of their panel discussion at the Surface Design Show next week, editor Hamish Kilburn and Parkside Architectural Tiles’ architectural consultancy manager Fraser Lockley discuss sustainable surfaces in hotel design… 

Design is all around us, and we interact with it from the moment we get up in the morning, through our working day and into leisure time.

Design is a reflection of society and impacts on how we interact in our daily lives. The way in which buildings and spaces are designed has the potential to greatly impact the wellbeing of those interacting with it, so to promote biophilic design seems a given.

Ahead of hosting a panel discussion (February 13 at 12:30pm on the Main Stage) at the Surface Design Show next week, I caught up with one of my panelists early to understand, from a suppliers perspective, how designers’ methods for injecting biophilic design into projects is allowing new possibilities to emerge in surface design.

Hamish Kilburn: What makes biophilic design more than just a trend?
Fraser Lockley: The ideas and principles of biophilic design have been around for many years, it is only the term that has come to the forefront of the design world more recently. The use of natural materials was a foundation for many of the classic societies (Egyptians, Greeks etc), so biophilic design is definitely not a new trend. It’s more a return to exploring the use of natural shapes, colours, textures and patterns as well as sustainable materials and interpreting these to modern designs and how they impact on end users.

HK: Can you explain what Parkside is looking for when it investigates new materials?
FL: We are always looking for opportunities to bring new products to the interiors and A&D sector. Our Sequel range is a great example, using recycled glass and ceramics normally discarded in the sanitary products manufacturing process, we were able to offer a great looking tile that appealed to the aesthetic requirements of clients while embracing sustainability and a biophilic ethos.

“While 15-20 years ago the idea of using recycled content was associated with inferior or cheaper products, now producers are more comfortable in declaring the resourcing of products to create new tiles.” Fraser Lockley, architectural consultancy manager at Parkside Tiles.

HK: What would you say are the least sustainable materials available in the marketplace?
FL: Sustainability can be measured in various ways, so it is not always easy to pinpoint exact materials, for example some materials may be more energy intensive to produce but then have a much longer product life than sustainably produced equivalents. In addition, products that stand the test of time in terms of look and performance could arguably be more sustainable over something very niche and on-trend for a particular timeframe. For us, it’s about achieving a balance across all of these and providing products that have a long-term design, good product life and made without over-exploiting earth’s natural resources.

HK: How is technology unlocking the potential for designers to affordably access sustainable tiles?
FL: Digital printing technology means that a majority of looks, finishes and styles can be replicated onto tiles, thereby protecting valuable natural resources such as marble, slate, quartz etc. It’s worth bearing in mind that tiles are generally long-lasting and hardwearing. In fact, tiles are only likely to be removed because someone wants to change them rather than through necessity. Looking around modern-day London, our tube stations are testament to some of the iconic tiles from the 1900s that are still in use today.

HK: How many of Parkside’s tiles would you consider to be sustainable?
FL: With the longevity that tiles provide we consider tiles to be a sustainable option for exterior and interior finishes. Many of the major manufacturers are using a percentage of recycled content within their production processes. While 15-20 years ago the idea of using recycled content was associated with inferior or cheaper products, now producers are more comfortable in declaring the resourcing of products to create new tiles.

HK: How can designers on a budget sensitively inject biophilic design in public areas?
FL: Designers can concentrate on one or two of the biggest elements of a project that will impact on the overall design, this could be key features or focusing on particular aspects like the lighting or flooring and sourcing one or two products that embrace the biophilic ethos. This one change may seem small but incorporating even just a single element can have an impact on how the end user interacts with public areas.

HK: In your role, how has demand for sustainability increased in recent years?
FL: There has been a massive increase! Architects and designers continue to incorporate sustainability within their projects and the latest generation of designers have been introduced to sustainability from the start of their careers, so we predict continued demand for new products that address these practises.

HK: What are the consumer benefits of biophilically designed tiles?
FL: Any biophilic design which helps end users connect with nature while inside, provides the benefits of reducing stress, supporting wellbeing, and helping with performance in an ever-hectic environment.

Hotel Designs’ Hamish Kilburn will host the panel discussion entitled: Biophilic Materials in Surface Design. He will be joined on the sofa by Fraser Lockley (architectural consultancy manager at Parkside Architectural Tiles), Jeremy Grove (Managing Director of Sibley Grove) and Richard Holland (Director of Holland Harvey Architects).

Sekers launches new collection of wide-width curtains

730 565 Hamish Kilburn
Sekers launches new collection of wide-width curtains

Sekers has launched BACCHUS, a collection of wide-width curtains, ideal for the contract market…

Hot off the heels of launching FIORA early this month, Sekers has unveiled BACCHUS, a collection of wide-width curtains that are available in a generous range of shades from vivid blues and earthy neutrals to ethereal pastels.

Bacchus includes two fabrics, each representing a distinct route to achieving lightweight contract curtaining. With a chunky yarn and soft drape, semi-sheer Bobal embraces natural light, making a simple and elegant statement. Gamay’s subtle melange colouration, fine woven, opaque appearance and supple drape makes for optimal snoozing.

The Bacchus collection is washable and fully FR tested with Bobal meeting FR curtain standards for the UK and US markets and with Gamay additionally meeting European and IMO FR curtain standards. With the width forming the drop and a fluid drape and subtle texture, Bacchus casts a positive glow on any interior and is an ideal choice for the designer specifying for the contract market.

Sekers is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: Sekers

Image of bathroom from the ceiling

INDUSTRY INSIGHTS: Bathroom solutions for accessible spaces

730 565 Hamish Kilburn
INDUSTRY INSIGHTS: Bathroom solutions for accessible spaces

Bathroom supplier Kaldewei reminds us on some of the affordable and timeless solutions for all guests around simple bathroom renovations… 

The hotel bathroom should be a place that feels comfortable as well as practical. In recent years, the hotel industry has demanded bathrooms to be fit for purpose for guests of all ages.

Image of bathroom from the ceiling

For some individuals checking in, old age restricts their freedom of movement and poses trip hazards when negotiating their way into and out of the bath or shower.

It’s high time for a bathroom upgrade to meet the needs of advancing age. Kaldewei advises ideal solutions for a flexible bathroom – meeting the needs of both now and in the future, as well as looking stylish – without over-stretching the often limited budget in retirement.

Everyone eventually faces the challenges of advancing age, where daily life and mobility in our own home becomes increasingly difficult. This is when we need an interior that is optimised for the needs in later life, enabling us for as long as possible to live autonomous lives without assistance. The bathroom is one place in the home where privacy is paramount and it should therefore be designed to ensure independence in taking care of personal hygiene needs, regardless of age. How do we eliminate trip hazards? What can we do if getting in or out of the bath is no longer safe? How can we maximise space for more room to manoeuvre?

Kaldewei offers practical and affordable solutions that help upgrade the bathroom to a flexible bathroom which meets the needs of now and the future as well as having the feel-good factor, as seen in the below ‘before and after’ images.

XXL-size floor-level showers in place of a bath

Developers increasingly opt for a floor-level shower to replace the bath and for good reason, because floor-flush showers create a seamless transition to the floor, improving comfort, safety and visual appeal. This fusion makes the room appear bigger and provides ease of access with no edges to trip over. As a manufacturer of double steel enamel bathroom products, Kaldewei has a portfolio of more than 100,000 solutions for floor-level shower areas. Upgrades benefit particularly from large-size shower surfaces, as they can be easily and inexpensively installed in place of a bath. The position of the waste outlet eliminates the need for complicated shifting of the bathroom waste pipe. Enamelled XXL shower surfaces from Kaldewei start at around £509 for the Kaldewei Cayonoplan shower surface in size 90cm x 140cm. Shower surfaces can optionally be finished with a slip-resistant coating such as Kaldewei Secure Plus for additional safety at no extra cost for many models.

Smart washbasin design for greater freedom of movement

The Kaldewei steel enamel washbasins are the perfect match for a floor-level enamelled shower surface. They are available in a variety of sizes and designs, including several wheelchair-accessible wall-hung models. A countertop washbasin with wall-hung bathroom furniture is ideal where extra utility space is essential. Kaldewei offers countertop washbasins in four different designs.

Main image credit: Kaldewei

Light, bright room features soft finishes and warm wood tones

Sheraton brand “reinvents experience and design” with new guestrooms

730 565 Hamish Kilburn
Sheraton brand “reinvents experience and design” with new guestrooms

Sheraton Phoenix Downtown has completed a renovation of 1,000+ guestrooms, which feature the brands reinvented experience and design… 

Evoking a timeless comfort that welcomes guests into a light and bright room, the new guestrooms inside Sheraton Phoenix Downtown feature soft finishes and warm wood tones.

Light, bright room features soft finishes and warm wood tones

The well-lit rooms are accented with black and metallic accents. A platform bed and crisp white bedding centres the space of curated furniture that feels reminiscent and as welcoming as a friend’s guestroom.

A houndstooth chair gives a pop of classic Sheraton pattern while the new 65-inch televisions are mounted to a noise cancelling, woven fabric paneling that make for statement wall. A height adjustable table makes a quick transformation to a standing desk through integrated height controls and a bench running beneath the tv provides additional sitting. The bathroom features a walk-in shower or bath surrounded by neutral porcelain walls while a light wood tone vanity and backlit mirror with modern polished chrome fixtures and black finishes complement the guestroom design.

Rooted in its community-forward ethos, Sheraton’s design approach embraces community-fluid spaces that feel warm and inviting from a statement bar serving coffee creations in the morning and spirited sips in the evening to restaurant concepts that satisfy both purpose and cravings. In addition to fresh guestrooms, Sheraton is also redefining what the hotel lobby is by making it downtown’s best-positioned co-working space, with everything from Community Tables with lockers and charging tabletops, to uniquely designed studios for groups of varying sizes.

Once unveiled in the Sheraton Phoenix Downtown, the luxury hotel will have completely revamped the guestrooms, food and beverage, programming, and a lobby which will be home to the property’s Club lounge.

Main image credit: Sheraton

Bill Bensley launches ‘Sensible Sustainability Solutions’ White Paper

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Bill Bensley launches ‘Sensible Sustainability Solutions’ White Paper

Why? Because thinking about sustainability is the right thing to do…

Last year, Hotel Designs put sustainability and designing conscious spaces at the root of many of its editorial and feature concepts, including speaking on the topic at the Indepdnenet Hotel Hotel London where editor Hamish Kilburn unveiled new research on consumer demands for hotels to be more eco-friendly.

Following this, designer and architect Bill Bensley has unapologetically published White Paper research entitled: “Sensible Sustainability Solutions”, which is aimed towards the for the global hotel industry and incorporates more than three decades of experience from designing more than 200 hotels around the world.

“Let’s all lose the greenwash and do something real.” – Bill Bensley

Deeply passionate about conservation, sustainability and philanthropy and a man who seriously walks his talk, Bill wants to shout his message from the treetops for all to hear.  “I am done with designing lavish hotels just to put heads on beds.  Every hospitality project that we have on the drawing boards right now has a purpose and a candle to light.  Those of us in hospitality – be it designers, owners or operators – have the power of reaching thousands of people through our hotels and spreading this message of purpose.  We should shoulder more responsibility concerning issues such as education, clean accessible water, alternative energy, energy consumption, food waste, wildlife protection and conservation,” he said.  “Let’s all lose the greenwash and do something real.”

The concise Sensible Sustainable Solutions White Paper outlines 20 suggestions for hotel designers, owners and operators on designing better hotels to help fight climate change and make the world a better place, covering three core pillars:

  • Build with a purpose – hotels with a strong sense of local community, educating guests and employees, creating new experiences and championing environmental issues – all of this can increase profits.
  • Think locally and sustainably – including everything from branded amenities, water bottling plants, sourcing locally and farming/landscaping in a way that is sensitive to both the community and environment.
  • Build sensibly – the keys to building smart in terms of building materials and energy conservation through architecture, as well as aspects such as upcycling and using solar panels to harvest the sun. An amazing statistic: in ONE HOUR the sun provides more power than the entire world needs in one YEAR!  Think about that!

Bensley explains: “By issuing my standards to all hotel companies, I am sharing an unbranded, open-source archive of lessons which we have learnt about hotel design, purposes, and sustainability. Everything here is, I believe, low hanging fruit for the hospitality industry. It is my dream to have a positive impact on our planet’s future by harvesting that fruit. In the next five years, more than 15,000 new hotels will be built. For each of those, every hotel operations company will have a set of standards that they issue to architects like me, explaining how they want their hotel to stand apart from the rest. Very few, surprisingly few, of these standards specify concrete statements or changes regarding sustainability.

“It is my hope that “Sensible Sustainability Solutions” will give hoteliers ideas to create, hand-in-hand with hotel operators, eco-friendly hotels – not just greenwashed – using ideas which align with owners’ rigorous standards. We promise it can be done, as we use these on every project! I have long believed that hotel design should take advantage of that human attention by way of teaching, providing experiences, and setting examples of sustainability.  Through these ideas, we can save money, improve communities and better our environment. We really must understand, NOW, in the 11th hour of life on earth that our world requires some serious rethinking. We are in the midst of the world’s sixth extinction, and it is our responsibility to do whatever we can to save our planet.

“There is a fundamental illusion in the world today, that we are separate from nature, when the reality is, we are nature.  This fundamental misunderstanding is what is wreaking havoc on the world’s environment; our society points to us as the superior life form on the plant. Why should anyone protect nature if they don’t think they are part of it?  In focusing on our economy we have forgotten our age old wisdom that cross-culturally, from Eskimos to Aboriginals, says in a nutshell – if you disrespect the balance of nature, a price will be paid!”.

How? By Employing common sense

By way of this White Paper on all that Bensley has learnt in more than 30 years of designing and building hotels, he is sharing ideas, suggestions and lessons in building and running hotels sustainably, as well as using hotels as tools for change, both in terms of the environment but also for the communities they can support.

Throughout the paper the designer cites examples of hotels he has designed that showcase these principles, including Four Seasons Tented Camp and Four Seasons Koh Samui in Thailand, Capella Ubud in Bali, the Siam Bangkok, Rosewood Luang Prabang, JW Marriott Phu Quoc in Vietnam and his co-owned Shinta Mani and Bensley Collection Hotels in Cambodia.

Main image credit: Bensley/Shinta Mani Siem Reap

VIP ARRIVALS: Top hotels to open in February 2020

730 565 Hamish Kilburn
VIP ARRIVALS: Top hotels to open in February 2020

With the aim to cut through the noise in a contemporary tone, Hotel Designs has the scoop on which statement and game-changing hotels are expected to open in February, 2020…

The hotel industry never ceases to amaze with its ability to break through hard barriers to take design, architecture and creativity to new heights and levels.

Following Hotel Designs’ two-part series published last month, where it shared the major hotel openings of 2020, the editorial team have narrowed down the search even further to identify the hotels that will arrive onto the international hotel design scene this month. From architectural firsts in Dubai to long-awaited heritage hotels in London – and the start of a family of hotels in Manchester – the industry, in all corners of the globe, is about to display a spectacular performance of how far design and architecture briefs can be stretched.

Here’s February’s top picks…

Hotel Brooklyn, Manchester

Image credit: Bespoke Hotels/Hotel Brooklyn Manchester

As Hotel Designs prepares its troops for its annual northern networking event to take place in the city that is fast-becoming a hotel developer’s dream, Hotel Brooklyn is ready and waiting in the wings to unveil its contemporary design.

Designed by Squid Inc – the team behind the renowned Hotel Gotham – the long-awaited Hotel Brooklyn will shelter 189 rooms that are inspired by the New York Borough and chosen for its resonating similarities to Manchester, in terms of its buzzing industrial growth, as well as its strength of identity and culture.

If Hotel Gotham, its older sibling that opened in 2015, is anything to judge by, then we expect a playful hotel that is not afraid to bend, even break, the rules of hospitality for its guests.

ME Dubai

Image credit: ME Dubai/Zaha Hadid Architects

Following the opening of The Morpheus last year, and Hotel Designs’ interview with one of the lead architects behind the projectZaha Hadid Architects is preparing to celebrate yet another groundbreaking moment in architecture.

The London-based firm’s latest project, the Opus, is days away from entering onto the international hotel design landscape with arrival of ME Dubai. The 93-key hotel will feature dramatic, signature furniture in the lobby, lounges and reception area, which were either designed or personally selected by the late Zaha Hadid.

Zedwell, London

Image credit: Zedwell London

Opening it’s doors February 2020, the first Zedwell will be housed in one of central London’s most iconic venues; The London Trocadero. Holding in excess of a staggering 700 guestrooms, the flagship Zedwell will be one of the largest hotel openings in the capital within the last decade.

As well as large in size, the hotel is also clever and ahead of its time for many reasons, such as installing high-tech soundproofing, filtered air to enhance the overall guest experience.

Artist Residence, Bristol

Image credit: Artist Residence

The founder of Artist Residence, Justin Sailsbury, is known today as a true pioneer in sustainability and meaningful design who spends hours on end browsing ebay and other search engines for vintage-gem furniture and casegoods to layer into his hotels.

Following the success of the London property, the brand is expanding – and so too is his message to other independent hoteliers in the industry. Entering into tier two cities around the UK, allows the brand to stay in its unique lane of offering a residential, friendly and quirky hotel and hub. The bustling city of Bristol is the next location on the list, with the opening of Artist Residence Bristol moments away.

Arctic Bath in Lapland, Sweden

Image credit: Arctic Bath Sweeden

Situated under the northern lights in winter, and the midnight sun during the summer months, Arctic Bath is a unique hotel and spa experience that welcomes guests to immerse themselves in the elements while leaving a minimal environmental footprint behind.

The idea of a floating sauna first came to Harads resident Per-Anders Eriksson during the opening of Treehotel in 2010. At first, the vision was a glass cube on a raft. Bertil Hagström, who designed Treehotel’s The Bird’s Nest, took over the idea and in 2013 he and Johan Kauppi designed Arctic Bath’s floating, circular building.

The Guardsman, London

Image credit: The Guardsman Hotel/Tonik Associates

The Guardsman is a purpose-built luxury London boutique hotel that is expected to offer the atmosphere, discretion and personal service usually associated with a private members’ club.

Presenting guests with what is being described as “a true home away from home experience”, the 53-key hotel, which sits on Buckingham Gate, London, has been designed by Dexter Moren Associates and multi-disciplinary design practice Tonik Associates.

Hotel Designs is currently researching and writing the next article in this series, which will identify the top hotels that are opening in March, 2020. If you are working on a hotel project, or know of a hotel, that would qualify, please email the editorial team

Main image credit: ME Dubai/Zaha Hadid Architects

Hypnos sows the seed for conservation

730 565 Hamish Kilburn
Hypnos sows the seed for conservation

British bed manufacturer and Royal Warrant holder, Hypnos Beds, has donated and planted 200 tree saplings to Castlefield Wood…

In partnership with Queens Award-winning Chiltern Rangers, a Buckinghamshire based social enterprise committed to protecting the Chilterns landscape with the community, Hypnos Beds has donated and planted 200 tree saplings to Castlefield Wood. 

As part of its decade-long commitment to supporting the environment and boosting sustainability within the industry, Hypnos’ recent donation to the Chiltern Rangers is a part of its carbon offsetting programme, to support carbon neutrality. To date, the bedmaker has gifted over 1,500 trees since November 2014, and there are plans to donate even more in the future.

Throughout the course of the day’s (January 13) event, volunteers from Hypnos, Chiltern Rangers, and local school children from Castlefield School, were tasked with raking, cutting back trees and litter picking. The aim of the day was to improve the woodland edge, creating a greater habitat for wildlife. Much of Castlefield wood was destroyed in storms during 1990, but with a programme of replanting and regeneration, it is a much needed Local Wildlife Site.

“As one of the region’s most environmentally-conscious manufacturers, we understand the necessity to protect our local environment,” said James Keen, managing director of Hypnos Beds. “Since becoming the world’s first carbon-neutral bedmaker nine years ago, we’ve been committed to providing the very best in sustainability to our customers.”

John Shaw, managing director of Chiltern Rangers, said: “Protecting and enhancing the Chilterns environment and landscape with the help of our local communities are our priorities. This includes ensuring sites like Castlefield Wood are home for all types of wonderful wildlife for many years to come.

“We’re incredibly delighted by Hypnos’ donation, and the relationship and commitment shows great promise for the future. As an organisation that focuses on sustainable environmental programmes, we knew that Hypnos Beds’ core values align implicitly with our own.”

By donating and helping to plant the trees, Hypnos is hoping to encourage other manufacturers to invest in the physical landscapes surrounding them and take an interest in the importance and upkeep of local biodiversity as part of their community.

Andrew Kann, headteacher at Castlefield Primary School, was delighted by the event and believes the children will learn a lot from the experience, and commented: “As a school in the local area, the children are going to benefit from playing a part in the planting of the saplings and returning to watch them grow into trees, as well as what wildlife might create long-term homes of the woodland area as a result. We feel it is vital that children grow up understanding nature and the importance of green issues, and this generous tree donation will help us to ensure they are being taught about the importance of sustainability for the future of our environment.”

Main image credit: Hypnos Beds

CASE STUDY: Furnishing London Marriott Hotel Kensington

730 565 Hamish Kilburn
CASE STUDY: Furnishing London Marriott Hotel Kensington

Recommended Supplier Curtis has recently supplied headboards, TV units, wardrobes, desks, vanity shelves and mirrors in London Marriott Hotel Kensington…

In line with the design brief to create a stylish and modern ‘bleisure’ hotel, Curtis was specified to create bespoke furniture for London Marriott Hotel Kensington.

The company supplied furniture in xylocleaf MFC, hand-selected pressed European walnut, including upholstery, and polished stainless steel.

Due to the complexity of the room design for this stunning hotel refurbishment, the client needed to find a supplier whom they could trust to work closely in partnership with the main contractor.

Having worked with the furniture company before, the client chose Curtis to supply the hotel because it is a quality UK-based supplier with large manufacturing capability, it prides itself on having a meticulous project management process, tried and tested since 1998 and its solid partnership approach with a strong customer service record.

“The effect of all these different co-ordinating materials is of a luxurious design with consideration given to every detail.”

Each room needed to be supplied over four separate visits to allow other contractors, such as decorators and electricians, in to complete their work in the correct sequence.  Curtis, already known to the client for our eagerness to be flexible and provide great customer service, worked in close partnership with the main contractor to ensure our timings fitted into the schedule perfectly.

“The initial stages had tight lead times and Curtis pulled out all the stops to ensure we could get moving as quickly as possible,” explained David Elliott from County Contractors. “We were impressed with how smoothly everything went, and with the quality of finish and fitting of the furniture.”

Curtis manufactured, supplied and installed bespoke furniture, including:

  • Upholstered headboards
  • Gladstone oak MFC TCMF trays with black powder coated legs
  • Statement hand-selected pressed walnut features on TV units, sideboards and wall panels
  • Xylocleaf MFC bedsides
  • Fenix NTM desks, with solid ash legs and mirror panelling
  • Upholstered luggage benches
  • Co-ordinating wardrobe areas with Gladstone oak drawers with leather handles, xylocleaf minibar units and black powder coated hanging rails
  • Metal-framed mirrors with integrated glass vanity shelf.

In the suites, slotted privacy walls and swivel TV units in hand-pressed walnut add to the impressive combination of beauty and function.

The effect of all these different co-ordinating materials is of a luxurious design with consideration given to every detail and how it will impact on the guests’ experience.  Thoughtful design doesn’t come better than this.

Curits is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Feature: A well-designed accessible hotel bathroom can look and feel elegant

730 565 Hamish Kilburn
Feature: A well-designed accessible hotel bathroom can look and feel elegant

UKBathrooms investigates the leading bathroom manufacturers who are creating stylish and accessible hotel bathroom products…

The UK hotel business is thriving, and whilst that’s great news – and despite awareness generated by the Blue Badge Access and Style Awards – there is still a lack of genuinely accessible hotel rooms, particularly outside of capital cities.

Despite the demand hoteliers remain wary of creating accessible guestrooms, for fear of putting off non-disabled customers and because of concerns over installation costs. However, they be missing out on significant business opportunities each year. Guests with accessibility needs would certainly travel more, for work or for pleasure, if more accessible rooms were available, businesses are missing out on a huge opportunity to attract a range of potential clients, meeting the needs of all without lessening the experience of existing customers.

“There is absolutely no reason why a well-designed, accessible hotel bathroom cannot look and feel like a luxury upgrade.” – UK Bathrooms

According to UK Bathrooms, one of the leading online store for premium designer bathrooms, there is absolutely no reason why a well-designed, accessible hotel bathroom cannot look and feel like a luxury upgrade. A beautiful, stylish space can be created that appeals to all guests, creatively designed and appealing to everyone, regardless of ability.

With more than 13.9 million disabled people in the UK and a total spending power of £249 billion a year its certainly worth businesses considering investment in this area.

An accessible hotel bathroom can be characterised by certain improvements to comfort along with a number of design options. Intelligent planning of taps, fittings and furnishings is required to create an accessible space.  The bathroom should be large enough for the guest to move around in if they are a wheelchair user and the layout of the room should allow for a clear turning circle of 1500 mm, its also important that the bathroom door opens outwards into the bedroom.

Toilet flush controls should be positioned towards the front of any cistern and on the side that is most easily accessed. Handles should also be easy to grip, and the toilet seat should ideally sit about 400mm from the floor.  A level access shower is often the best option and a shower seat is recommended. Again, easy to grip and accessible controls should be made available.

At UK Bathrooms, accessible bathrooms mean you do not have to compromise on design and comfort. Luxurious, elegant bathrooms can be created using the best in designer bathroom products available. A perfect example of this is the O. Novo Vita collection by Villeroy & Boch.  Its many attractive details blend harmoniously with the bathroom design taking every consideration of comfort, practicality, hygiene and appearance into account. The extended wall mounted toilet from this collection gives a greater degree of accessibility to the toilet space and is easier to reach.

An alternative WC to consider would be the VitrA V care Comfort Intelligent Rimless model. It combines the convenience and ease of a wall mounted WC with the comfort and cleanliness of the bidet. Fitted with an automatic seat and lid that senses approach, its heated seat can be warmed and ready for the ultimate in bathroom luxury and your guest experience.

When it comes to wet room panels, then Matki offer a superb choice, in a variety of sizes, the shower panels offer full flexibility when planning an accessible hotel bathroom yet retaining a stylish elegance.  This Matki Wet Room Shower Panel can be supplied with a shower seat option.  There is also a vast array of walk in shower trays to complete the accessible bathroom and with their ultra-flat design hoteliers can create more room for guests to move around and still retain a luxury feel. Additional features such as a rain shower head will provide the ultimate spa experience.

Don’t forget discreet handles near washbasins, toilet, bidets and showers these can blend harmoniously with the bathroom interior.

Your hotel accessible bathroom will look and feel luxurious to all guests, it will provide a high level of comfort and style ensuring that your business maximises all revenue opportunities.

UK Bathrooms is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: Villeroy & Boch

Industry insight: What is driving the digital bathroom trend?

730 565 Hamish Kilburn
Industry insight: What is driving the digital bathroom trend?

As Hotel Designs continues to put technology under the spotlight, Nick Brown, hospitality channel manger for GROHE UK, explains why digital modern bathrooms are going to be trending for a while… 

In recent years, the hotel guest experience has undergone a mass transformation.

As seen in Hotel Designs’ Year in Review of the most significant products to launch in 2019, digital technology is now commonplace throughout a hotel from app-based digital check-ins to slick entertainment systems providing music, TV and concierge support at the touch of a button.  The hotel bathroom is the natural next step in the evolution of the smart hotel, offering convenience, comfort and relaxation for the customer. Digital or smart fittings in the bathroom are now being specified to help increase functionality and usability in the bathroom, and in many cases, enhance the luxury atmosphere that so many visitors are now seeking from their travel experiences.

As far as interiors go, it is usually the crème de la crème of hotel designs that spark the trends for residential interiors. However, with digitalisation, the roles have been reversed to some extent. The integration of digital and smart concepts in the home is much more readily available now than they were even a few years ago, and with increased understanding as to their benefits and how to use them, the uptake from the mass market has become more profound. As most consumers are now much more in touch with tech and the digital world, hotels can really benefit from integrating smart features and there is even a growing expectation from savvy travellers for these elements to be included as standard.

“In particular, there has been a growing desire amongst hoteliers for infra-red basin mixers in guestrooms.” – Nick Brown, hospitality channel manager, GROHE UK.

The rise of lifestyle hotel brands over the past few years has certainly helped spur on the desire for digital. Designers of these spaces are instilling character and innovations such as smart technology into both guest rooms and communal areas to create an enhanced, unique atmosphere. These experiential hotels are generating enormous appeal particularly with millennial guests and are consequently being shared in abundance on social media platforms. The hotel bathroom already has its own corner of the social media sphere, with the most luxurious and aspirational designs reaching hundreds of thousands of users around the world. Like bespoke design and idyllic aesthetics, digital products offer this same element of aspiration and can really help create a unique hotel experience, a trend which is trailblasing travel experiences for younger generations.

From the perspective of hoteliers and facility management teams, the trend for digital products in the bathroom stems from growing pressure on hotels to reduce their footprint and integrate fittings that will generate more efficient consumption of water and energy, as well as being mindful of how much single-use plastic waste they are generating. In particular, there has been a growing desire amongst hoteliers for infra-red basin mixers in guestrooms which can be monitored via an app as well as set to run for a limited amount of time, helping to reduce on water consumption and costs whilst preventing against water damage from the tap being accidentally left on.

Many of the leading global hotel groups are beginning to implement their own sustainability targets and initiatives and are therefore turning to suppliers for smart solutions that can help them to reduce consumption without comprising performance as well as use app connectivity to monitor and manage their usage. Hotel conglomerates such as Hilton have subscribed to the UN’s Sustainable Development Goals, a blueprint to achieve a better and more sustainable future for all, which encourages the implementation of 17 targets to be in place by 2030. GROHE and its parent company LIXIL can work hand in hand with hotels supporting these initiatives as it too has pledged its support to the programme.

The challenge for meeting this new trend for digital is that bathroom interior fittings must still be beautiful and elegant, as well as functional and innovative. Each aspect is valued of equal importance and is key to creating an aspirational bathroom setting that will create a lasting memory in the minds of the guests, both for its looks and the experience it offers. Of course, sustainability will remain a dominating factor too as digitalisation continues to transform hotel bathrooms. Guests are becoming more and more conscious of the footprint they leave when travelling and will welcome encouragement from their hotel to help them be more eco-conscious during their stay. In 2020, basin mixers with LED temperature displays will emerge on the market, acting as a subtle but impactful reminder that guests can make small changes such as turning the temperature of their water down by just a few degrees to help reduce their energy consumption. Infra-red operated eco-modes will also be available on basin mixers which will see hotels actively offering guests more conscious choices when it comes to managing their carbon footprint and water usage.

GROHE is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: GROHE UK

UNILIN’s new designs add comfort with nature in surfaces

730 565 Hamish Kilburn
UNILIN’s new designs add comfort with nature in surfaces

UNILIN division panels has unveiled four new decors in its Evola range that work together to bring comforting, calm of nature into commercial surfaces and interiors…

With the growing pressures of a fast-paced world, the need for comforting nature-inspired interiors has surged in popularity, and recently identified in Hotel Designs’ trend forecast for 2020 and beyond.

It is predicted to be a continued key emphasis for designers over the coming months. The light schemes that dominated last year’s trends are eclipsed with the dark and black tones of nature’s varied palettes.

“Using our advanced technology and manufacturing processes, we’ve been able to create an astounding range of calm, nature-inspired ranges that are predicted to be popular for 2020.” – Sofie Coulier, UNILIN division panels.

“Our Evola range, like the fashion, styles and interiors that inspire the range, continues to evolve to satisfy the demands of designers looking to create new frontiers in interiors,” explains Sofie Coulier from UNILIN division panels. “Using our advanced technology and manufacturing processes, we’ve been able to create an astounding range of calm, nature-inspired ranges that are predicted to be popular for 2020.”

Sustaining and refreshing interiors could be attributed to the very practices that UNILIN source their materials. Scratch and stain-resistant, safe from fading and easy to wipe down. All Evola melamine-faced chipboard are made from 100 per cent circular wood, including a minimum 85 per cent recycled content.

Free A4 samples of all Evola decors can be ordered on request from the UNILIN division panels’ website.

UNILIN is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.

Main image credit: UNILIN

Checking in: Heckfield Place

730 565 Hamish Kilburn
Checking in: Heckfield Place

Former senior stylist for House & Garden and The Brit List Awards 2019 judge, Florence Rolfe, checks in to the award-winning Heckfield Place to discover how the hotel is anything but ‘greenwashing’ in both its design and operation…

I recently received a dream invitation to the highly acclaimed country manor hotel Heckfield Place. Naturally, I obliged.

The Georgian Manor House, which is set within a 438-acre estate, is now a hotel that holds a substantial reputation in the market for its extremely elegant and sophisticated interior style.

Cleverly designed by Ben Thompson (a protégé of Ilse Crawford), a surveillance and understanding of the natural surroundings seem to have inspired a subtle colour palette. Not much pattern to be seen here (which I love), but instead a clever use of varying textures that combine to create a relaxing and peaceful environment for guests.

Located only one hour outside of London, I couldn’t wait to get there. As I approached the spectacular Georgian Manor House I was welcomed by the concierge dressed in a plain, rather cool looking linen pinafore and shirt (designed by cutting edge London based label Egg) who took our bags and offered to park our car for us. We were greeted again in the grand hallway by a member of staff offering a delicious welcome refresher.

Wooden staircase

Image credit: Heckfield Place

No sign of a traditional desk check-in. Instead, we were immediately given a choice of an initial tour of the building or to go straight to our room. Tempted by the sound of murmuring voices at the bar and the smell of a roaring fire, I decided to opt for the latter after arriving in darkness. Corridor walls are lined with carefully curated art works from the owner’s private collection. Windows along the corridor are decorated with delightful white lace sheers for added privacy. Over-sized decorative pots on the window-sills force you to notice their eye-catching shapes and interesting textures.

Every single design element has been so carefully considered. On the approach to our room, the concierge pulled the room key from a small envelope that had my name embossed on it. If that isn’t considered luxury attention to detail,  I don’t know what is! Whilst on the subject of details, the electronic door lock (often very unattractive) has been beautifully disguised behind a plain white linen hoop.

Mustard walls in guest room looking through into bathroom

Image credit: Heckfield Place

As our guide opened the door, an immediate warmth overwhelmed me. I was not only confronted with a few of my favourite interior design comforts, but any amenities that were waiting for us had been so carefully thought about and beautifully styled – a tray of apples and a bag of chestnuts became a work of art. A clear intention to steer away from plastics was consistent throughout the room. Any homemade treats left for us in the minibar were presented in jars (home-made Ribena) or paper bags (containing salted almonds or coconut macaroons).

This was no ordinary minibar: a dark and mysterious, rather chic looking kettle sat on the top with a secret drawer beneath. It cleverly pulls out of the minibar with a connector to hold the kettle.

Coat hooks have been styled with woven baskets that hang ready and waiting for you take to the spa (or to collect any items that you might have foraged from around the grounds). Vases of dried flowers (grown and dried on site) are dotted around the room amongst carefully considered clientele coffee table books – ready for you to fall into a large, comfortable sofa and indulge.

Soft pastel colours on bed and on armchair

Image credit: Heckfield Place

The addition of the Fiddle leaf fig plants are something that I don’t always see in hotel rooms. Effective, as it is now considered that house plants are thought to be a calming influence in a space. A contemporary natural rush woven headboard runs across the width of the bed, creating a back drop that highlights the antique bedside tables on either side. Overall, the bedrooms feel stylish and homely. Everything from the furniture to the lighting to the styling has been carefully thought about with detailed consideration and most importantly with the guest in mind. I really didn’t want leave!

After an extremely peaceful nights sleep, breakfast was only a short walk away. An impressive dining room with full panoramic views of the grounds means that you can sit, relax and enjoy your eggs (collected fresh from the farm earlier) just the way you like them!

After breakfast I took a walk around the ground floor as I was intrigued to explore during the day. Daylight floods in through the main hall and along the corridors bouncing off the grand interior architecture throughout. Two enormous airy yet cosy drawing rooms still adhere to the muted colour palette. Thompson has stuck to linens in soft greys and neutrals on both the curtains and chairs, adding punch here and there with pastel coloured velvet cushions. Fires are lit throughout the day during the winter, making this an ideal spot to sit and enjoy a cuppa after a long country walk.

A wood panelled private dining room with a grand marble fireplace also has full views of the estate. It also hosts an array of beautifully arranged floral arrangements by florist Kitten Grayson, including a stand out dried floral wreath that hangs over an enormous oak dinning table.

I jumped at the chance when I was offered to go on a tour of the farm. Heckfield Place has become well known for its contribution to sustainability and the farm follows biodynamic principles. Guests are advised to wear willies, which are provided for by the hotel –  downstairs you are spoilt for choice with black Hunter wellies laid out for you, in every size possible.

In my opinion good hotel interior design is about creating a home away from home: to feel that you can walk in somewhere and simply fall into bed or onto an extremely comfortable sofa – a peaceful retreat. Heckfield Place seems to have got it just right. The aspirational photography featured on its website and Instagram account is only a hint of the true inspirational experience this place so effortlessly shelters.

Main image credit: Heckfield Place

PARIS PREVIEW: What to expect at MAISON&OBJET and Deco Off 2020

730 565 Hamish Kilburn
PARIS PREVIEW: What to expect at MAISON&OBJET and Deco Off 2020

As Paris prepares to welcome designers from around the world for Maison&Objet and Deco Off, editor Hamish Kilburn previews what he expects to be the most significant products to launch at both shows… 

Maison&Objet and Paris Deco Off never fail to attract and engage a large international crowd, and with just days until this year’s shows open, 2020 is going to be no exception.

Despite the two events contrasting in style – one dominating the volume of Parc des Expositions de Paris Nord Villepinte on the outskirts of the city with a variety of brands, and the other spilling out into the streets of Saint-Germain-des-Prés – together they work harmoniously. As a pair, they are undoubtably two of the hottest events in the design calendar, intriguing more than 80,000 design enthusiasts to descend onto the streets and trawl through the exhibition halls of Paris.

Many would argue, myself included, that both shows have become the go-to destinations to garner and guage the product launches and new styles from leading suppliers that are expected to dominate the market over the course of the rest of the year. It is for that reason, and the fact that there sea of interior design trends flooding the market, why Paris a quality trip worth taking in January if you are looking to cut through the noise for interior inspiration.

However, as someone who has walked the six halls and the narrow streets, it’s wise to approach Maison&Objet and Paris Deco Off as a marathon, and not a sprint. In order to give you a headstart, here are just some of the product launches and new collections that we expect will create the most noise this month.

Zaha Hadid Design: Hall 6 — Stand P38 (M&O)

Image of abstract glass plate

Image credit: Zaha Hadid Design

Interpreting the ordinary into something unexpected. Referencing Zaha Hadid’s process with each new project – ZAHA HADID DESIGN (ZHD) continues to examine its significance within the dialogue of contemporary design by interpreting both the present and the future, and by continuing to share Hadid’s story.

ZHD, which has been led by co-directors Maha Kutay and Woody Yao since 2013, has an extensive cross-disciplinary portfolio which includes design in fashion; jewelry; limited edition furniture; interiors; exhibitions, installations, sculpture, and set-design.

NANOLEAF: Hall 1 — Stand G49 (M&O)

Image of lounge funky lights above comfy sofa

Image Credit: Nanoleaf

Founded in 2012, but only recently exciting the hotel industry with its modular lighting design, is NANOLEAF. The lighting company prides itself on creating innovative lighting solutions that are smarter by design. By infusing artistic design and technological innovations in their products, NANOLEAF brings excitement, convenience, and joy to the way people experience light. NANOLEAF is a green technology and “IoT company” changing the world with innovative lighting solutions.

The newly introduced Unified Light Panels Line with interconnectivity will give users complete design freedom to create all new creative configurations, from abstract geometric layouts to perfect replicas of their favorite characters and shapes. The Unified Hexagons invite users to truly tap into their imagination to personalize their lighting designs.

NARDI: Hall 6 — Stand M111

Birdseye view of pink outdoor furniture

Image credit: Nardi

NARDI Italian manufacturer of outdoor furniture 100 per cent Made in Italy that is furiously waving the sustainability flag. The company, which was founded in 1990 and based in Italy, is specialised in designing and producing high-quality designer furniture in resin for outdoor use in the residential and hospitality sectors. All of its products, designed for people’s wellbeing and relaxation, are made in a production chain that is entirely “Made in Italy” and are eco-friendly. High-quality resin processed using cutting-edge systems is combined with aluminium, synthetic fabrics, padded elements and glass to make products with a design that is original and almost completely recyclable.

OGO Furniture: Hall 6 — Stand C80 (M&O)

An aray of quirky seatsOGO is a brand with roots that comes from the Spanish islands. The mild temperatures have marked the serene and peaceful character of the company’s products, so that guests can enjoy the open air.

Nacho Timón and Ana Llàcer, both Valencian designers, together with the OGO creative team have developed an original collection created to be practical and useful. A key aim for OGO is to not limit designers when decorating a space. Exhibited at the show, LOLA by OGO is a minimalist, versatile and unique piece that is ideal for a contemporary hotel lobby.

PEDRALI: Hall 6 — Stand J2 / K1 (M&O)

Studio image of four varying sized chairs with blue and pink background

Image credit: PEDRALI

Since 1963, PEDRALI has produced seats, tables, complements and lighting exclusively manufactured in Italy through a design process, which combines tradition and innovation, engineering excellence and creative brilliance. The latest collection, Folk, is the result of an accurate research aimed to create industrial design products made of metal, plastic materials, wood as well as upholstery.

Following the cornerstones of a 100 per cent made in Italy production philosophy, the company’s activity is joined by a profitable collaboration with numerous designers that has allowed the company to achieve an award-winning status in the international contract market.

Arte Showroom – 6 Rue de l’Abbaye (Deco Off)

Showroom with large colourful, jungle-like wall

Image credi: Arte

Following the unveiling of an army of new and adventurous collections in 2019 – as well as hosting an insightful roundtable – Arte’s showroom in Paris is preparing to lift the lid on more new wallcoverings for 2020. Arte wallcoverings adorn the walls of both residential homes and project interiors in more than 80 countries worldwide. Every year, an in-house team of experienced designers creates several new collections. All of these new products must be innovative and trendsetting while also being of superior quality. The wallcoverings vary from urbain sophistication to dramatic exuberance, but they always retain the same tasteful elegance.

If 2019’s eclectic mix of surfaces is anything to go by, then the showroom will be well worth a visit during Paris Deco Off.

Designers Guild – 4 Rue Vide Gousset (Deco Off)

Residential set with grey sofa and plants

Image credit: Designers Guild

Designers Guild is introducing a distinctive new season abundant with an elegant mellow richness. Spring 2020 examines the influence of the early twentieth century garden designers and their innovative use of natural wild planting – pushing the boundaries of style just as its artistic and literary counterparts of the Aesthetic Movement also did. Discover a decorative fabric collection of floral prints, elaborate embroideries and complex geometrics, plus versatile textured wallpapers and four new plain and essential fabric textures. Imagined in every organic hue, from earthy sepia, birch and hemp, to celadon, emerald and topaz with hints of azalea and turmeric. With beautiful new home accessories too, a new paint collection inspired by the soft, soothing shades of nature and new collections from the company’s brands.

Jab Anstoetz – 25 Rue du Mail (Deco Off)

Yellow and pastel coloured chairs around white modern table

Image credit: Jab

Since 1946, Jab Anstoetz has been showing its true colours in textile furnishings at the highest level of quality. The Bielefeld-based group of company’s portfolios is continuously growing, setting new trends in interior decoration with a sure instinct. Among its range: textile furnishings, wallpapers, flooring lines (carpets, wall-to-wall carpets, LVT), high-quality curtain rods, blinds and panels, upholstered furniture as well as exclusive accessories.

Jean Paul Gaultier – 325 Rue Saint-Martin (Deco Off)

Colourful chair and curtain in front of leaves

Image credit: Jean Paul Gaultier

This time the influences in Jean Paul Gaultier’s new collections are taken from the pop universe, where the fortune teller and the work of the macrame makers blend naturally into magical landscapes of floral opulence and the third dimension and other graphic waves. The introduction of the first two outdoor fabrics continue the mix of playing with nature, but still with a nod to the influence of pop and even rock.

Kobe – (Deco Off)

Modern furniture with glass windows

Image credit: Kobe

Kobe is a successful editor of soft furnishing fabrics and wall-coverings for domestic and contract interior markets and will be among the leading suppliers exhibiting in the neighbourhood during Paris Deco Off. Kobe has showrooms and offices in major European cities and has a passion for interior design is paramount, with a strong focus on innovative high-quality products.

Rubelli – 11 Rue de l’Abbaye (Deco Off)

Catering for all contract needs, Rubelli is keeping tight-lipped around the launch of its new textile and wallcovering collections in Paris later this month. The company is, however, promising us new textures and new colours that are both smart and iconic, timeless as well as contemporary. The collection will be one to be seen, to be touched, to be experienced, to be loved. Following last year’s show, where the company launched a colourful display of new textiles, wallcoverings and partnerships, the showroom is expected to be among one of the most popular during Paris Deco Off 2020.

Zimmer + Rhode (Deco Off)

Green and yellow armchair in front of red backdrop

Image credit: Zimmer + Rohde

Raising the curtain on the ZR autumn collection – CIRCUS. The CIRCUS collection combines spectacle with precision and skill, whisks you away to a magical world, and shows that a great passion lies behind every true virtuoso.

If you or a company you know of are launching a new product or collection in Paris later this month, and you would like it featured on the Hotel Designs website, then please contact the editorial desk with description and high-res images.

Main image credit: Kobe

Render of the building, featuring the outside f&b areas and the exterior of the rooms

Concept to completion: Journey to design Conrad Punta de Mita

730 565 Hamish Kilburn
Concept to completion: Journey to design Conrad Punta de Mita

In the first article of the first concept-to-completion series of the year, Hotel Designs exclusively invites SB Architects explain the unique design concept of Conrad Punta de Mita, which is slated to open later this year…

Situated within what is being called ‘Mexico’s next major ‘it’ destination’, Riviera Nayarit, Conrad Hotels & Resorts is months away from opening.

Render of the building, featuring the outside f&b areas and the exterior of the rooms

Co-developers HRV Hotel Partners and Contact Development Company envisioned a modern design and destination that highlights and enhances the natural beauty of the surrounding area.

In 2016, architecture firm SB Architects was commissioned to transform the former La Tranquila Resortin Punta de Mita, Mexico to redesign and refresh the existing buildings to become Conrad Punta de Mita. The brief included repositioning the lobby and lobby bar, as well as the addition of new low-rise guest room buildings. In answer to the ever-evolving food and wellness travel market, the firm was asked to also design a three-meal restaurant, specialty restaurant, pool bar and grill, beach grill, sunset bar, adult pool bar, spa, and conference centre.

render of ground-level f&b area, open to nature

Image caption/credit: Render of Speciality Restaurant | SB Architects/Conrad Hotels & Resorts

Riviera Nayarit boasts more than 200 miles of sun-kissed beaches, provides a backdrop of the majestic Sierra Madre mountains, and is one of the only places in the world where you can find all four groups of mangroves; White, Red, Black and Buttonwood.

“People and place were the primary sources of inspiration, drawing from the rich, multi-cultural identity of Riviera Nayarit.”

One of SB Architects earliest and clearest project goals was to create a rejuvenating resort that places people at the centre of the design and harnesses the ambiance of the site. Weaving Conrad Hilton’s key brand attributes into the design, people and place were the primary sources of inspiration, drawing from the rich, multi-cultural identity of Riviera Nayarit.

People thrive best in environments that allow them to connect authentically to nature and the sophisticated, the contemporary architectural design, with seamless transitions between interior and exterior spaces, provides a fluid, natural and relaxed guest experience. Dovetailing with the dramatic scenery, resort bungalows, pavilions, and cabanas are nestled in coastal vegetation, overlooking ponds or the Pacific Ocean beaches and Litibu Bay coves. Influenced by Mexico’s rich history and unique culture, indigenous artwork integrates with luxurious amenities to create a sense of barefoot resort elegance. In each motif lies a story, a statement and a valued part of the local Mexican identity.

Image caption/credit: Render of exterior spa | SB Architects/Conrad Hotels & Resorts

A tranquil respite from Mexico City’s energetic pace, the 324-key hotel boasts serene natural landscapes, aquamarine waters, and uninhabited isles. Facilities include three dining venues, three pools; adult, family, activity; spa and 45,000 square feet of combined function space; including 30,000 square feet outdoor event space, 10,000 square-foot ballroom, and 3,000 square feet of breakout rooms, each with ample pre-function terraces.

Hotel Designs continues to follow the project, through concept to completion, as it heads towards its official opening later this year.

Main image credit: SB Architects/Conrad Hotels & Resorts

render of the exterior of the building

Six Senses to arrive in London in 2023

730 565 Hamish Kilburn
Six Senses to arrive in London in 2023

The hotel, which will mark Six Senses’ debut in the UK, will reside in the iconic former Whiteleys department store in West London…

Six Senses Hotels Resorts Spas has announced the brand’s highly anticipated debut property in the UK with the opening of Six Senses London in 2023. Residing in the former art deco department store – Whiteleys – in Bayswater, West London, the 110-key hotel will  celebrate the building’s origins, while making space for modern living and shelter a Six Senses Spa.

render of the exterior of the building

Inspired by the building’s origins, the interiors of Six Senses London will be designed by internationally celebrated AvroKO in conjunction with executive architects EPR and combine nostalgic nods to classical detailing and art deco along with modern streamlining. To add a touch of local culture to the preserved Great Exhibition mood, contemporary art from British artists will be showcased throughout the hotel.

The redevelopment of Whiteleys is headed by a Meyer Bergman-advised fund, with the preeminent residential real estate developer Finchatton as development manager. In collaboration with the British architectural firm, Foster + Partners, renowned for its eco credentials and responsible design approach as architect, this historic landmark will become a sensitively restored mixed-use development. The original Grade II façade, central courtyard and dome will all be preserved, as will the majestic internal staircase (modelled on the La Scala opera house in Milan), which features as the centerpiece on the ground floor of the hotel.

“Much of the lobby’s character derives from its verdant, elegant and eclectic style.”

The Six Senses brand philosophy of connection to people and nature is central to the convivial and biophilic tone of the ground floor. It will feature a cosy lobby bar and lounge, all-day dining restaurant with an open kitchen and seating area in the courtyard. Much of the lobby’s character derives from its verdant, elegant and eclectic style. Imaginative planting, textured fabrics, bespoke flooring, reclaimed wood furniture and upholstery in natural tones with glass display cabinets flanking its walls cleverly bring about coziness in 1,300 square metres of public space which encourages guests to socialise, eat, play or simply be.

“I feel nostalgic when talking about Whiteleys. I grew up in the neighborhood and my parents used to bring me here,” says Chief Executive Officer Neil Jacobs. “It is a wonderful opportunity to pay homage to this heritage and bring our brand values to life in this part of town, while celebrating our first port of call for Six Senses in the UK.”

In today’s hyper-connected world and stressed lifestyle, the Six Senses Spa will play an integral part in the hotel’s offering. In a space reminiscent of an old-fashioned London underground station, the spa journey will mirror the different energies of the city life, from the sensory stimulation and movement of the street to the stillness and calm of a quiet café or park. In this way, lively and vibrant areas flow into more serene and silent ones to offer energising and restorative sensations; a perfectly balanced environment in which to achieve overall well-being. On the second floor, residents and members will access a new kind of social and wellness club. Away from the density and intensity of the city, this space will feature a central bar and lounge, coworking spaces, a restaurant and wellness rooms, and offer pioneering programme to encourage growth, reflection and reconnection.

Marcus Meijer, Chief Executive Officer of Meyer Bergman commented: “We are very excited to announce the partnership with Six Senses. It’s a key element in the transformation of Whiteleys as well as the wider Queensway regeneration plan. The Six Senses brand stands for luxury, design, wellness and sustainability, values that form the keystone of our vision for this vibrant part of London.”

With unrivaled experience in delivering intelligent and inspiring urban solutions, Meyer Bergman is a privately-owned real estate investment management firm with a portfolio of real estate projects across Europe and the US. London head-quartered Finchatton specialises in creating bespoke homes for the world’s most discerning clientele around the world.

Main image credit: Lightfield for Foster + Partners

Resort in the Cayman Islands achieves Silver LEED certification

730 565 Hamish Kilburn
Resort in the Cayman Islands achieves Silver LEED certification

Developed by Dart and designed by SB Architects, Kimpton Seafire Resort + Spa and The Residences at Seafire in the Cayman Islands have achieved LEED Silver sustainability certification…

Following a rigorous certification process, Kimpton Seafire Resort + Spa and The Residences at Seafire have achieved LEED Silver certification, becoming the first resort in the Cayman Islands to be awarded the sustainability certification.

“LEED certification provides a thorough framework to create environmentally responsible, resource-efficient and cost-saving green buildings,” said Cameron Graham, Dart President of Development Delivery. “As testament to Dart’s commitment to sustainable development in the Cayman Islands, both the resort and residences feature best-in-class green design and construction.”

Image credit: Kimpton Hotels/SB Architects

Maintained by the U.S. Green Building Council, LEED is a globally recognised green building rating system that provides third-party verification for sustainable design, building practices and operations.

As one of less than 200 LEED Silver certified resort-residential properties worldwide, Seafire conserves natural resources through the use of geothermal air conditioning, sustainable LED lighting, a 170 kilowatt solar array, rainwater harvesting and extensive native landscaping.

The goal for SB Architects when they first received the architecture brief in 2012 was to craft a modern Caribbean aesthetic that sets the tone for future development along Seven-Mile Beach and across Grand Cayman. As the designers of the tallest structure on the island to date, the team mindful of our responsibility to create an authentic architectural language that responds to the site, light, views and water, while setting an appropriate tone as the island looks to its future.

The 10-story structures were designed in a contemporary architectural language, with an emphasis on clean lines, simple massing, horizontal design elements and expanses of glass. Angled balconies along the long wing of the hotel building capture views and ocean breezes. Horizontal roofs are true to the contemporary aesthetic, yet sculptural elements that pop upward and outward break up the roof plane and soften the rooflines as they touch the sky. A multitude of details – trellises, angled balconies, structural elements that form a series of frames – create an intricate interplay of light and shadow across the facades that will change constantly throughout the day so that no single view the hotel looks exactly the same. In harmony with the ethos of the hotel’s sustainable aims, natural wood and stone soften the angles, bring warmth to the structures and ground the resort in the natural environment.

bar designed in natural wood overlooking the sea

Image credit: Kimpton Hotels/SB Architects

As Kimpton Hotels’ first resort property, the resort was designed to reflect the playful spirit and welcoming atmosphere of the brand. The landscape design, which fills the void between the architectural masses, is inspired by the flow of water and natural island breezes that flow through the property. Pathways, retaining walls, plantings and pool edges follow undulating lines as they make their way from the hotel entry to the sea.

Image credit: Kimpton Hotels/SB Architects

“In addition, the project features several examples of recycled materials,” Graham added. “Concrete from the demolition of the former Courtyard Marriott hotel was recycled into fill material for the new site, and the Community Bike and Walking Trail uses pavers made with recycled glass produced at Dart’s glass crushing facility.”

The more than 32,000 plants featured in the landscaping around the resort were sourced from Dart’s nursery and include a number of indigenous and native plants.

Dart’s growing hotel portfolio also includes The Ritz-Carlton, Grand Cayman, Comfort Suites and Le Soleil d’Or in Cayman Brac.

Main image credit: Kimpton Hotels/SB Architects

gold hue in room full of ice and a bed

In Pictures – 30th Icehotel opens in Lapland

730 565 Hamish Kilburn
In Pictures – 30th Icehotel opens in Lapland

Hotel Designs receives the first images as the original Icehotel opens in Lapland for the winter season with spectacular new designs and features to celebrate its 30th anniversary…

Built from 30,000 cubic metres of ice, which is the equivalent of 110 million ice creams, the iconic Icehotel in Swedish Lapland has opened its doors for another winter season. Celebrating its 30th anniversary, the hotel shelters new layouts, suite designs, activities and features including a special ice-carved observation deck built above the hotel.

gold hue in room full of ice and a bed

It has been 30 years since Icehotel founder Yngve Bergqvist started a journey that would lead to the world’s first hotel made entirely out of snow and ice and during this time more than one million guests from all continents of the world have visited. The latest incarnation of the hotel is now open until the ice melts in the spring and the water returns to the Thorne river.

33 artists from 16 countries have spent an intense couple of weeks in the village of Jukkasjärvi, creating the hotel (made entirely out of ice and snow from the free-flowing Torne River) under the guidance of the hotel’s new Creative Director Luca Roncoroni.

Bar made from ice

Image credit: Asaf Kliger/Icehotel

This includes two British teams; father and daughter duo Jonathan and Marnie Green and professional sculptor Robert Harding, both of which have created Art Suites for Icehotel before.

The Green family’s suite is themed around a West End production called A Night at the Theatre, with ice-carved curtains, reindeers waiting in the wings, an impressive scale model of the hotel entrance in the centre and a frozen bed nestled amongst miniature theatre seats in the auditorium, with six life-size ice seats for guests to sit on behind.

Image credit: Asaf Kliger/Icehotel

Harding’s Bone Room celebrates the natural melting process of the Icehotel each spring as it slowly dissolves back into the Torne River, and aims to highlight the beauty found in the cycle of life with giant ice-carved bone sculptures overlooking the frozen bed, each glowing from within thanks to an under-floor white light.

Image credit: Asaf Kliger/Icehotel

The Main Hall “Brutalism” celebrates the construction of the hotel, the Ceremony Hall “Gingko” plays homage to the Chinese Ginkgo Tree (which symbolises hope, strength, longevity) and features 30 stars carved into the ceiling, one for each year of Icehotel, whilst the IceBar “TorneLand” is a tribute to the hotel’s 30 years of frozen fun, with ice-carved roller-coasters, games and hot air balloons surrounding the bar.

The full list to artists are as follows:

Main Hall: Brutal Experience
Jens Thoms Ivarsson: designer, artist and previous Creative Director at Icehotel,
Mats Nilsson: Stonemason and craftsman

Ceremony Hall: Gingko
Nina Kauppi: design studio owner, Sweden
Johan Kauppi: design studio owner, Sweden

IceBar: Torneland
Luc Vosin: landscape artist and interior designer, France
Mathieu Brison: urban planner, artistic director and architect

The Day After
Marjolein Vonk: art director, stylist and artist, Netherlands
Maurizio Perron: sculptor and artist, Italy

Subterranean
Jörgen Westin: artist and industrial designer, Sweden
Daniel Rosenbaum: artist and designer, Australia/ Canada

Feline Lair
Brian McArthur: artist and sculptor, Canada
Dawn Detarando: artist and sculptor, Canada

Ruossut- The Light You Can Hear
Anna Öhlund: photographer, sculptor and artist, Sweden
John Pettersson: lighting designer, Sweden

Clear Water
AnnaSofia Mååg: artist and sculptor, Sweden
Niklas Byman: entrepreneur and former Icehotel ice-production technician, Sweden

ECHOS of the Torne River
Francisco Cortés Zamudio: artist, Chile/Germany

White Santorini
Haemee Han: designer and landscape architect, USA/South Korea
Jaeyual Lee: architect, USA

Bone Room
Robert Harding: artist and sculptor, UK/South Africa/Spain

Spring Dream
ZhaoLei: artist and sculptor, China
ZhaoYong: artist and sculptor, China

Golden Ice
Nicolas Triboulot: designer, France
Jean-Marie Guitera: sound and game designer, Australia

Kaleidoscope
Natsuki Saito: ice sculptor, architect, designer, Japan
Shingo Saito: ice sculptor, Japan

A Night At The Theatre
Jonathan Paul Green: production designer, UK
Marnie Green: art student, UK

Tip Of The iceberg
Franziska Agrawal: industrial designer and artist, Germany

Warm Up
Tomasz Czajkowski: interior designer, Poland
Aleksandra Pasek: psychologist and writer, Poland

The 6th Feeling
Vladimir Barsukov: sculptor and photographer, Russia
Ekaterina Barsukova: designer and sculptor, Russia

To mark the 30th anniversary, the hotel has built a special ice-carved observation deck, offering views of the surrounding frozen landscape across the Torne River from which the ice is harvested. Plus, the hotel has also built a new sculpture at the enterence to the winter hotel; a four-metre tall tower that guests can climb.

Main image: Asaf Kliger/Icehotel

Year In Review: Hotel Designs’ top products of 2019 (Part 2)

730 565 Hamish Kilburn
Year In Review: Hotel Designs’ top products of 2019 (Part 2)

Hotel Designs continues looking back to reflect on some of the major statement products of 2019 with part two of its Year in Review of the best products to have launched in the last 11 months (edited by Hamish Kilburn)… 

Recently, I was lucky enough to sit in the company of design legend Marcel Wanders. While discussing his latest innovations, he effortlessly defined the relationship between suppliers and designers perfectly.

He said, and I quote: “Designing a product is much like creating a new word in an empty sentence. Depending on how the words are curated will determine the dynamics of the sentence, and in effect, the quality of the poem it becomes. I love seeing what sentences and poems designers will create with my empty words.”

This almost accidental explaination somehow put a new perspective on how I view and consume the news of product launches. Much like expanding ones vocabublary on the editorial desk at Hotel Designs HQ, following the latest products that emerge in the arena of international hotel design is a never-ending journey full of discovery.

I for one am looking forward to seeing how designers and architects use these products to create, as Wanders would describe, perfectly balanced sentences that are perminantly inked onto the pages of a well-rounded collection of hotel design poetry.

Following part one, which was published earlier this month, here’s part two of our Year in Review:

LG and Foster + Partner’s game-changeing LED TV

Launched during Milan Design Week, architectural firm Foster + Partners unveiled the world’s first rollable OLED TV in reaction to the rising demand for discreet technology. Raising the bar in consumer technology, the new LG SIGNATURE OLED TV R, the world’s first rollable TV.

The practice designed the TV’s external geometry and finishes as well as playing an active part in creating specific internal mechanisms. The screen technology is set to redefine the idea of the television and the living spaces it occupies.

Signbox’s sustainable solution

Gold sign with Bamboo edges

Image credit: Signbox

Hybrid from Signbox is a premium modular outdoor sign system that combines the relentlessly durable and sustainable qualities of exterior-grade composite bamboo with powerful materials, such as painted MDF, glass and slate, that bring both sign scheme and setting to life.

Phillipe Starck’s new vanity and mirror line with Duravit

Mirror and modern basin

Image credit: Duravit/Philippe Stark

The bathroom line by Duravit and Philippe Starck  launched in August, unveiling compact designs that claimed to accommodate any bathroom, particularly with hospitality and commercial spaces in mind. Cape Cod Guest exudes the same aesthetic as its predecessor but is now available with a narrower vanity and mirror, bringing larger-than-life design into more intimate spaces.

Minotti London’s indoor/outdoor 2019 collection

luxe and modern furniture

Image credit: Minotti London

Hot off the heels of being at the centre of the action as the style partner for Meet Up London, Minotti has yet again raised the level of furniture design with the unveiling of its 2019 Collection during Milan Design Week.

Collection after collection, year after year, Minotti’s unquenchable passion can be sensed from all corners of the design-hub city.

For the 2019 Collection, the furniture company conceived a new stylistic code, a new vision of the interior with surprising suggestions and atmospheres which play host to our new designs. Its intention is to provide food for thought in a surprising, creative, practical and dynamic way, to all those who choose our brand around the world.

The new collection, coordinated by Rodolfo Dordoni with Minotti Studio, brings a new vision of the living area to life, in which seating systems and furniture outline structured spaces and reveal new geometries in a continuous alternation of curves and straight lines. The result is a surprising variety of compositional solutions featuring unexpected combinations of textures and materials.

Knightsbridge celebrated 80 years with collaboration with Timorous Beasties

New to 2019, Knightsbridge exhibited its Caravelle collection at Sleep & Eat 2019, which was redeveloped to celebrate Knightsbridge’s 80thanniversary and its rich history, taking influence from a past mid-century piece of furniture.

The Caravelle collection consists of an armchair, two-seater and three-seater settee that have the clean lines and organic curves that the period became renowned for. It’s deep seat cushion provides a luxurious seat whilst the beautiful clean styling allows it to be specified into workplace, hospitality and care sectors. The collection is covered with exquisite fabric featuring jungle creatures and foliage from visionary textile designers Timorous Beasties.

Crosswater’s unique, high-signature finishes

Colourful bathroom

Image credit: Crosswater

Bathroom manufacturer Crosswater’s high-quality signature finishes and textures enable hotels to express their own brand through their bathroom designs. Combined with lighting and interior design elements, each bathroom can be created to perfectly suit the personality of the hotel, often without the need to change existing sanitaryware.

Twists and turns from Christopher Hyde

Image credit: Christopher Hyde

A new handmade pendant ‘The Lucerne’ is a satin brass adjustable frame incorporating LED with bubble glass. “This exciting new piece is great for over tables and bars and will compliment and be a talking point for any interior,” said the brand in a press release.

Meanwhile, the dynamic collection of the ‘Granada’ and ‘Seville’ lights has captured a different take on the Christopher Hyde Brand. With inner finishes available in gold, silver and copper leaf these lights are given added luxury.  This exciting collection comes with LED lighting technology.

If you know of a product you believe should be involved in Hotel Designs’ ultimate throwback, please email h.kilburn@forumevents.co.uk

render of hotel in the middle of water next to snow-capped mountains

The world’s first ‘energy-positive’ hotel to open in 2022

730 565 Hamish Kilburn
The world’s first ‘energy-positive’ hotel to open in 2022

The 99-key Svart hotel will incorporate stilted, circular design, and will be positioned atop of the Holandsfjorden Fjord, allowing guests to enjoying an unparalleled 360-degree view of the Svartisen Glacier…

The world’s first ‘energy-positive’ hotel, Svart, will open in Norway’s Arctic Circle in 2022. The property will have a 360-degree view of the Svartisen glacier and the sensational Northern Lights. A low-impact, ground-breaking design will allow the project to produce more energy than it uses, consuming approximately 85 per cent less energy than a traditional hotel.

render of hotel in the middle of water next to snow-capped mountains

The 99-room property will shelter a total of four restaurants, a 1,000-square-metre spa, two electric boats, a sustainable farm, an education centre and a design laboratory on-site.

landscape image of the hotel in the water aside the mountains

Image credit: Snøhetta Plompmozes Miris

Located deep within the arctic wilderness of Norway’s Meløy municipality, Svart will perch atop the crystal-clear waters of the Holandsfjorden fjord, at the base of the glacier itself. A glass-fronted, circular design will provide a panoramic view of the fjord, glacier and in the winter months, the spectacular Northern Lights, all without compromising on guests’ privacy.

“The hotel will be built upon a weather-resistant wooden supporting structure.”

Inspired by the Norwegian Fiskehjell (a wooden structure used to dry fish) and Rorbue (a fisherman’s traditional seasonal home), the hotel will be built upon a weather-resistant wooden supporting structure. This will be constructed using poles that stretch several meters below the fjord’s surface, dissolving the boundary between land and fjord. This ensures zero land impact and reduces seabed disruption to the absolute minimum.

A collaboration between MIRIS, Snøhetta and Powerhouse, Svart will be the world’s first ‘energy-positive’ hotel, meaning it will produce more energy than it uses. It aims to be fully off-grid, carbon neutral and zero waste within the first five years of operation.

To reach these sustainability goals, several cutting-edge design choices have been made. Architects working on the project first conducted an extensive mapping-out of how solar radiation behaves in relation to mountainous context throughout the year, in order to optimise energy output. The findings influenced the design of the hotel, with hotel rooms, restaurants and terraces strategically placed within a circular design to exploit the sun’s energy no matter the time of day or season.

The hotel’s roof will be clad with Norwegian solar panels that were produced using clean, hydro-energy. This will further reduce overall carbon footprint, while energy-intensive building materials such as structural steel and concrete have been avoided as much as possible.

Guests and visitors will be able to discover the science and technology behind the making of Svart in the hotel’s very own education centre and design laboratory. The centre will demonstrate these processes on a smaller scale as well as educate on waste management, glacier protection and sustainable farming.

The 1000-square-metre, indoor-outdoor spa will offer a variety of holistic treatments, from the traditional and Norwegian, to the medically and technologically cutting-edge. All Svart therapists will use 100 per cent sustainable, locally-sourced products.

Guests of Svart will enjoy exhilarating arctic experiences year-round, from ice climbing on the glacier to practicing yoga in the midnight sun. Svartâ’s two electric boats will be charged by the surplus energy produced by the hotel, and will provide transfers by water.

The hotel’s wooden supporting structure will also double up as a boardwalk to be enjoyed during Summer, also acting as a storage space for boats and kayaks which guests can take to the water from directly beneath their hotel room.

Main image credit: Snøhetta Plompmozes Miris

make-shift picnic with red cushions on the beach overlook undisturbed ocean

The Luxury Collection arrives in the Seychelles

730 565 Hamish Kilburn
The Luxury Collection arrives in the Seychelles

North Island in the Seychelles joins The Luxury Collection as the portfolio’s first private island destination…

Following Marriott International’s ambitious plans to unveil more than 30 new luxury hotels in 2019, The Luxury Collection has announced the arrival of North Island, Seychelles into its portfolio of world-renowned hotels and resorts. With just 11 villas, Africa’s most exclusive private island is located 30 kilometres from the mainland and is accessible by a scenic helicopter flight or an hour boat ride, giving guests an immediate sense of escapism.

make-shift picnic with red cushions on the beach overlook undisturbed ocean

Following its history as a coconut plantation, the granitic island is now a sanctuary for endangered species; luminous beaches and clear blue seas welcome nesting sea turtles, and the Palm forests are home to giant Aldabra tortoises and rare Seychelles white-eye birds.

The island has been expertly designed and with pioneering conservation programs, offers the highest standards of hospitality, earning them status as an award-winning sustainable travel destination. With a mission to demonstrate that luxury with a conscience can co-exist, sustainability lies at the heart of North Island’s philosophy and will be further embraced and supported with The Luxury Collection. The operational responsibility of the resort will remain with ASMALLWORLD, the world’s leading travel & lifestyle community.

“North Island has always skilfully combined a sustainable and environmentally conscious management philosophy with the ambition to provide a truly immersive, barefoot-luxury experience,” said CEO of ASMALLWORLD, Jan Luescher. “Whilst maintaining our identity and ethos, our work with The Luxury Collection will allow us to maximise our awareness in our continued efforts in pioneering sustainable luxury travel.”

Eleven private guest and family villas line the island; each villa has been created using local materials harvested during the island’s rehabilitation process, expertly balancing luxury and simplicity. An haute-couture Robinson Crusoe aesthetic has been applied through interiors celebrating the sheer indulgence of volume and space.

“We’re delighted to be expanding our footprint of captivating destinations with storied pasts and protected futures.” – Global Brand Leader at The Luxury Collection, Anthony Ingham.

“North Island is one of the most rare and luxurious destinations in the world, making it a natural fit for The Luxury Collection and our global explorers who seek authentic experiences and connections to both pristine nature and elevated personalisation,” added Global Brand Leader at The Luxury Collection, Anthony Ingham. “This is the first private island within The Luxury Collection portfolio, and we’re delighted to be expanding our footprint of captivating destinations with storied pasts and protected futures.”

The island not only offers a calming refuge from the modern world, but also an invigorating, refreshing getaway connected to the island’s natural beauty. Aquatic explorers can take part in snorkeling, diving, fishing, sunset cruises, kayaking, paddle boarding and surfing. Bespoke guided excursions for those looking to explore the granite peaks or coral reefs are also available. Whilst on land, forest trails can be explored by foot, bicycle or private buggy, or guests can simply relax on one of the island’s four pristine beaches located at each end of the compass. The island is also the ultimate playground for families and children, with a Beach Buddy program tailormade to interests and hobbies. Parents are invited to take part, or can find their own relaxation whilst children remain supervised.

The North Island Spa is dwarfed by giant granite peaks, enjoys an open sea breeze and overlooks turquoise waters. Guests are invited to the spa on arrival where they are immediately immersed in ‘island life’ with each tailor-made treatment starting with a ‘barefoot ritual’. A private consultation to create a bespoke spa experience is then formulated as part of a holistic journey of visual and textural contrasts, arousing the senses and rejuvenating mind, body and soul.

Main image credit: Marriott International/The Luxury Collection

Concept of huts on an island

CASE STUDY: Design story of eco hut concept in Finland

730 565 Hamish Kilburn
CASE STUDY: Design story of eco hut concept in Finland

Revolutionary wooden eco cabins in Finland carefully specifies products in order to create a functional space that is modern and timeless…

Following an eco study showing that 76 per cent of holidaymakers felt as if hotels could do more to be greener, a new eco-friendly concept of wooden cabins has been designed to revolutionise our way of living, which could also inspire fundamental change on the international hotel design scene.

 

Concept of huts on an island

Majamaja is a range of prefabricated, eco-friendly, self-sufficient wooden cabins. At just 25 square metres, each space ensures guests have everything they need to live comfortably without depleting the Earth’s resources.

Complete with solar cells on the roof to provide electricity for the lamps and a water tank under the floor to provide clean drinking water, the thought process behind the revolutionary invention started with the concept of designing a completely self-contained holiday cabin. It had to be 25 metres square and when guests stepped through the door everything they needed had to be easily accessible. For example, the dining table is also a bed that can in turn disappear into the wall to create additional space. Guests can take a shower or cook in the knowledge that you are not drawing unnecessarily on the planet’s scarce resources.

Image of hut on the beach

Image credit: Majamaja/Unidrain

The man behind this eco-friendly living space ‘Majamaja’ is the Finnish architect Pekka Littow, from the architectural agency Littow Architectes. “The island has not been civilised,” he said. “That means no infrastructure, no sewerage etc. So I started to think about how to build a home in a place like this. I drew inspiration from various places, including the military’s use of off-grid systems, and came up with the idea for this cabin where the thinking is ‘less is more’. The cabins are self- sufficient, while everything is super-functional and takes up as little space as possible. Fixtures and technology are combined in different ways.”

The result is a collection of wooden houses that run on solar energy and have water tanks that purify and re-use the water. “The cabins are ideal for those parts of the world where clean drinking water andsewerage are far from the norm,” said Tuomas Autio, one of the co-founders. “We have built a few cabins in Helsinki, with more on the way, but our goal is to create Majamaja villages all over the globe. Theenvironment will really thank us for that.”

“I have chosen to install linear drains from Unidrain, as they are both functional and aesthetically pleasing.” – Pekka Littow, Littow Architectes

While the invention may be Finnish, Danish design is well represented in the form of minimalist linear drains from Unidrain, which are a perfect fit for the small cabins, where less is more. “The Danish design style, which is very minimalist, fits very well into these homes,” added Littow. “I have chosen to install linear drains from Unidrain, as they are both functional and aesthetically pleasing. The dimensions fit so well that I was able to design the shower cubicle around the drain. The result is really great and I am getting good feedback on it.”

image of shower drain and bottle of shower gel

Image credit: Unidrain

The sustainable cabins come in prefabricated kits as they have adjustable feet, none of the cabins need foundations; which allows them to be easily erected wherever required.

Main image credit: Majamaja

Hotel specifies flooring made from 540 recycled bottles

730 565 Hamish Kilburn
Hotel specifies flooring made from 540 recycled bottles

The newly rebranded DoubleTree by Hilton Harrogate Majestic Hotel & Spa, which has just opened in the historic spa town, has specified a revolutionary carpet underlay company that uses recycled bottles within its flooring solutions… 

The newly rebranded DoubleTree by Hilton Harrogate Majestic Hotel & Spa, which has just opened in the historic spa town, has specified SpringBond as the underlay of choice in its transformed spa facility.

Following a £15m programme of refurbishment throughout the hotel, the Harrogate Spa now has 540 recycled plastic bottles sitting under its carpeted areas.

Used in the relaxation lounge, SpringBond, which is manufactured in Yorkshire, fits with the spa’s desire to incorporate the rich heritage of the region, and bolsters its sustainability credentials as well as improving indoor air quality.

Following approval from four world leading adhesives companies – FBall, Uzin, Ardex and Xchem – SpringBond FR, SpringBond’s heavy contract double stick underlay system, is going from strength to strength in the hospitality and leisure sector.

Close up of man fitting the carpet underlay

Image credit: SpringBond

Launched at the Harrogate Flooring Show and during the INDEX Exhibition in Dubai in September, SpringBond FR is ideal for use in hotels, hospitality and leisure establishments. The revolutionary carpet underlay is available in 7mm for double stick or stretch fit applications and is made from recycled PET plastic bottles (up to 120 per roll) and other single use plastics, offering maximum performance with minimum environmental impact.

“SpringBond is a perfect alternative to PU foam,” said James Taylor, Managing Director of SpringBond. “It’s a greener and safer choice when compared to many traditional underlays so is getting the attention of a lot of hotel brands, especially, at the moment, with consumers becoming savvier about brands’ green credentials. We’re in a fortunate position to have such a topical product and are looking forward to demand continuing to increase.”

SpringBond underlay is fully recyclable at the end of its usable life – creating a closed-loop manufacturing cycle – and contains no harmful VOCs (volatile organic compounds), promoting better air quality in buildings.

The company is a partner of non-profit organisation Plastic Oceans, which addresses plastic pollution.

Main image credit: DoubleTree by Hilton

World Architecture Festival 2019 welcomes 2,300 professionals

730 565 Hamish Kilburn
World Architecture Festival 2019 welcomes 2,300 professionals

World Architecture Festival 2019, sponsored by GROHE, welcomed 2,300 professionals from 75 countries and hosted 39 exhibitors…

At this year’s World Architecture Festival in Amsterdam, the Netherlands, founder sponsor GROHE celebrated another year of success, welcoming more than 1,000 visitors from the international architecture and design world to its dynamic booth.

“We are proud to be a part of some of this year’s nominees for the Building of the Year Award,” says Stefan Schmied, Vice President Global Projects Grohe AG. “Being able to contribute to some of the finest buildingsaround the world continues to be an inspiration and an honour. We are very happy to see those buildings getthe professional acclaim they deserve.” One of the annual highlights of the festival is the announcement of the World Building of the Year 2019, which was this year awarded to LocHal Public Library in Tilburg, the Netherlands. The scheme was designed by Civic Architects (lead architect), Braaksma & Roos Architectenbureau and Inside Outside / Petra Blaisse.

Blue and yellow stand

Image credit: GROHE

A platform for professional exchange

As founder sponsor of the festival, GROHE values WAF as a key opportunity to meet with the industry’s topspecialists and, of course, potential partners and customers. As in years past, the 2019 festival proved that the event is the place to be when it comes to professional networking and exchange about innovations, trends, and future developments in architecture and the built environment. “As founding sponsor, GROHE is thrilled and immensely proud to see how WAF has developed over the years,” says Paul Flowers, Chief Design Officer LIXIL. “What makes this festival so unique is the ability to engage in discussions with architects from all over the world and explore developing macro trends such as urbanisation, sustainability, health and wellbeing. We’d like to thank the architectural community for the positive feedback to the products we have shown at our booth. Many of our solutions have been createdfrom the insights we’ve gathered in the previous years.”

Investing in the future of water

As one of the most sustainable brands of the sanitary sector, GROHE is dedicated to supporting research that explores the future of saving and preserving our water. As part of its efforts, GROHE has been donating money for the Water Research Prize which was awarded at WAF this year for the second time. This year, the researchinitiative “Recycle Build Brazil” convinced the jury including Paul Finch, Programme Director, WAF; Paul Flowers, Chief Design Officer LIXIL and Henk Ovink, Special Envoy for International Water Affairs for the Kingdom of the Netherlands with their proposed sustainable architectural solutions for a school in the Brazilian Saõ José dos Campos area. By using recycled materials and implementing intelligent rainwater harvesting systems, the project not only improves the lives of the schoolchildren but also raises awareness of their interaction with water. Starting with the school building as a pilot project, there is also a longer-term proposal for the enhancement of 400 local low-income housing units.

The Water Research Prize is based on the WAF Manifesto. It describes the most important challenges for architects within the next ten years. Proper handling of water is a top priority, which is also a key commitment for GROHE.

GROHE is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: Civic architects, Braaksma & Roos Architectenbureau, Inside Outside – Petra Blaise Stijn Bollaert

COMO Cocoa Island reopens in the Maldives

730 565 Hamish Kilburn
COMO Cocoa Island reopens in the Maldives

The iconic resort in the Maldives makes a powerful statement about luxury to enhance simplicity, wellness and balance…

COMO Cocoa Island will reopen to guests after a substantial renovation on January 9 2020. The resort’s 2019 renovation emphasises the island’s natural elegance, while giving guests even more space and time to focus on their wellbeing. “The moment I first encountered Cocoa, something about its spirit snagged me,” says Christina Ong, owner of COMO Hotels and Resorts.

 “When I walked to the end of the island, and looked back along its sandbank, it felt so graceful and healing — an effect I wanted to amplify for every guest when I first created the resort in 2002.”

The island had previously belonged to a German photographer called Eric Klemm. Since the 1970s, Klemm had let the palms grow. The wild hibiscus was thriving. The lagoon was so healthy, its waters were favoured as a breeding nursery by the islands’ marine life.

A new Pilates studio has been added. The yoga studio, which sits in an elevated position to take in the 360-degree lagoon views, is open-sided to allow for the natural flow of sea breezes. The hydrotherapy pool is now among the most significant such facilities in The Maldives, and is used for specialised water-based treatments, including joint-mobilising massage and injury- free exercise.

Image credit: COMO Hotels and Resorts

The Retreat’s spa manager, with the company since 2002, will continue to design every guest program from the moment of arrival. This is made possible by the intimate size of the resort: just 34 overwater villas, all of which have been recast top-to-bottom with clean-lined, contemporary interiors by Singapore-based Lekker Architects.

“Natural materials have been used throughout: kajan thatch roofing, Maldivian coral-rock walls, and wood.”

Clean villa that uses natural materials in its design

Image credit: COMO Hotels and Resorts

Natural materials have been used throughout: kajan thatch roofing, Maldivian coral-rock walls, and wood. The clean-lined, light-soaked aesthetic makes for meditative spaces to relax, sleep and recover. Some rooms have pools; all have platforms from which guests can step directly into the lagoon.

To complement the wellness experience, COMO Shambhala Cuisine is available on all menus, allowing guests to pursue vegan, vegetarian, gluten-free, nutritionally-rich and additive-free wellness diets during their stay.

“The Maldives have become a highly competitive market,” says Olivier Jolivet, CEO of the COMO Group. “Luxury hotel companies keep raising the ante, from building ‘reclaimed islands’, to tunnelling out underwater wine cellars. Sometimes we forget that nature is powerful, and simplicity has a very important role to play in modern luxury. COMO Cocoa Island is like a jewel in the COMO Group portfolio: it has a unique soul, which we strive to match with the grace and passion of our staff.”

When it opened in 2002, Cocoa Island became COMO’s first private island in the Maldives. In 2014, the company expanded into Thaa Atoll with the opening of COMO Maalifushi. This is a much larger, family-oriented resort, and the first five-star property in this more remote area, which is a 60-minute seaplane flight from Malé.

Main image credit: COMO Hotels and Resorts

Surface Design Show brings back ‘New Talent’ to support emerging creatives

730 565 Hamish Kilburn
Surface Design Show brings back ‘New Talent’ to support emerging creatives

Back by popular demand at Surface Design Show, ‘New Talent’ supports emerging creatives, specialising in producing interior and exterior surface materials and lighting design…

Surface Design Show, which takes place from February 11 – 13, will bring back New Talent, with the aim to support emerging talent in surface materials and lighting design. The area offers attendees the chance to see the next big innovations in surface design.

New Talent is curated by Chief Creative Director at Trendease International Jennifer Castoldi. All of those chosen to exhibit in New Talent have been in business for five years or less, and with 37 exhibitors showcasing, compared to 16 last year, the section has grown substantially.

“We are thrilled to have collaborated with Trendease International; Jennifer has brought togethersome of the most exciting new designers with the freshest ideas in material design to New Talent,” said Christopher Newton, Director of Surface Design Show. “We can’t wait for visitors to immerse themselves in New Talent’s designs, textures and materials.”

Many of the New Talent exhibitors are using traditional craft techniques and combining them with contemporary design. Charlotte Relf is an experimental embroidery artist who uses exaggerated stitches to add detail and energy while Royal School of Needlework graduate Frances Stone uses various experimental embroidery techniques such as gold work, crewel work and beading to create her range of foot stools, chairs and cushions. Charlotte Clayton Design, meanwhile, combines knitting with automotive interior design for her surface designs and Farr Designs marries photography and contemporary design using hand screen prints and digital technology.

The sheer wealth of approaches to surfaces is one of New Talent’s strengths from Janine Partington’s emphasis of carving and hand painted leathers to Trifold, a company which has designs constructed of thermal and acoustic layers, folded via means of a traditional origami tessellation to research-based designer Megan Cowley, who creates mild steel moulds using water jet technology, which are then transferred onto glass.

Wallcoverings are well-represented in New Talent this year, Olenka’s luxury British wallpapercollection features natural motifs of leaves and flowers whilst Catherine Griffiths’ work takes in boldwallpaper designs as well as fabric and cushions with inspirations as eclectic as Celtic mythology, the Renaissance period and European architecture. West by Design specialises in intricate hand-painted wallpaper inspired by the English countryside and King Kong Design creates site-specific corporate wall art and custom wall panels for retail, public and residential installations.

It’s no surprise given the current climate emergency that exhibitors in New Talent are focussed on nature or sustainability. This focus is reflected throughout the whole of Surface Design Show with its theme of Close to Home: looking beyond aesthetics and designing with a conscience. Jonel van Schalkwyk uses a painterly style to create surface designs featuring human-sized plants while designer Paula Nerlich has a strong focus on circular biomaterials and exploring vegan compostables

and foams from industrial and household food waste. Atticus Durnell, the brains behind the That’sCaffeine brand, has created a material made from recycled coffee grounds, that imitates granite stone. Brussels-based Studio Gilles Werbrouck also takes a novel approach to material reuse, making knitted textiles from unconventional material such as video tape or dead stock from fashion designers.

Tickets are free to professional and trade visitors. Register here.

Main image credit: Surface Design Show/King Kong Design

 

What makes Versa Wallcovering sustainable without sacrificing style?

730 565 Hamish Kilburn
What makes Versa Wallcovering sustainable without sacrificing style?

Launched in 1999, Versa Wallcovering is a leading wall covering brand for commercial interiors, finding the balance to find the perfect formula to create sustainable and stylish surfaces. Business Development Manager Paul Gibson explains… 

Innovative, creative, sustainable, classic to contemporary and subtle to sensational are the driving principles for Versa Wallcovering. Our award winning design studio continues to develop new proprietary embossings, as well as a balance of core classic textures, with more specialty patterns for healthcare and hospitality.

Our products are classic, affordable, yet sophisticated and on trend. Unique embossings have always been the focus for the brand, along with a broad distinctive range of silks, linens, and textural patterns.

Versa has always been the industry leader in sustainability, from the first to switch to low VOC water-based inks, to the award winning Second-Look reclamation and recycled content program, to the first manufacturer to certify to NSF/ANSI 342, and part of the global industry wide EPD.

All Versa Wallcovering products are low VOC, meeting CA01350; produced with an environmentally preferable non-ortho phthalate; and utilize recycled inks. The company has implemented an aggressive waste reduction program, minimising manufacturing material scrap and reducing overall energy and water consumption through improved operational efficiencies.

Versa Wallcovering is the only US brand to manufacture base film from raw materials. This allows most products to have colour thru film, which enhances durability and overall performance.

The company has a strong international global presence, with a distribution network spanning more than 70 countries and a world-class manufacturing facility in Suzhou, China.

VersaGuard and Versa Impact are part of Versa Wall Protection. We are the only company to offer specifiers an option in wall protection products.  With the addition of Versa Shield 20in early 2020, Versa will have three different levels of wall protection based on budget, and need for any interior space.

Versa PVC-Free will be another industry first, with a non-PVC product which performs extremely well, is cost effective, and takes color and embossing like vinyl. PVC-Free Impact will be a first, in a flexible attractive wall protection product.

Versa Wallcovering is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: Versa Wallcovering

Checking in: Anse Chastanet and Jade Mountain, Saint Lucia

730 565 Hamish Kilburn
Checking in: Anse Chastanet and Jade Mountain, Saint Lucia

With his aim fixed on understanding how one jaw-dropping location can harbour two very different – but no doubt both luxury escapes – editor Hamish Kilburn travelled to Saint Lucia to review the wonders of Anse Chastanet and Jade Mountain…

On the western stretch of Saint Lucia, an island that last year welcomed more than 1.2 million visitors, two incredible design gem stones can be found. While the two hotels are very different in style, the experience of Anse Chastanet and Jade Mountain comes as one.

Not only are the hotels two of the region’s most sought-after places to check in to, but they also stand as a permanent reminder of an unforgettable journey, which is full of discovery, challenges and sustainable solutions that is still ongoing for husband-and-wife team Nick and Karolin Troubetzkoy.

“I’m a man that looks for logic,” says the critically acclaimed architect Nick Troubetzkoy as he peers over the evening’s dinner menu to take in the sweeping views of the sun disappearing over the edge of the horizon. The last of the day’s light reflects off the luscious jade-green mountains, which are commonly referred to as The Pitons. Jade Club literally takes the concept of fine-dining to new heights, as it is perched majestically on the hotel’s top floor. It doesn’t matter where you sit, you somehow always manage to catch the postcard perfect perspective of the twin mountains. Nothing here has been designed by coincidence, which is refreshing. “Designing a hotel requires logical and thoughtful steps throughout the entire process,” Troubetzkoy smirks as he leaves a pause in the air for effect. “The game rugby on the hand is not a logical game – you pass the ball backwards for starters” And just like, as England prepares to execute its World Cup campaign, I catch my first glimpse of the legendary architect’s sense of humour, and his dislike for design without purpose.

Image credit: Jade Mountain

For guests checking in, the adventure of both Anse Chasanet and Jade Mountain starts shortly after the plane touches down on the island’s soil. For the Troubetzkoys, though, the adventure started in the ‘70s, when the couple visited the tropical destination and fell in love with the island’s pristine, Caribbean Sea-facing, west coast.

Drivers in Saint Lucia don’t lie. When warned that you’re going to endure a bumpy ride, that’s a cue to buckle up. The exact location of both hotels is the first indication that these magnificent properties have been designed meaningfully, from concept through to completion, in order shelter ultimate and unquestionable privacy and luxury. That kind of treasure comes at a cost, which in this case is an uneven road and a toe-curling drive over a cliff-edge. It’s the only road that has access to the hotels and it’s a thread that connects them from the heart of Soure Friee, a charming and friendly town, which is home to many of the staff – and prevents trespassers.

Anse Chastanet

Anse Chastanet sits at the foot of the mountain and is, in part, hidden within the surrounding forest that covers a staggering 77 per cent of the island. The hotel’s open-air design in both the public and private areas invites nature in at every opportunity. This is where the Troubetzkoy’s quest began, to create and develop the luxury hotel experience. Purchased in the ‘70s, the 49-key hotel was the Troubetzkoy’s debut luxury resort. Their plans to redevelop the hotel was in order make room for a new level of premium accommodation in Saint Lucia, the Caribbean, and indeed the world.

Image credit: Anse Chastanet

B.T. (Before Troubetzkoys), the Anse Chastanet was a collection of a few huts scattered along the beach, reflecting a conventional and arguably unmemorable Caribbean hotel. Years later, the Troubetzkoy family transformed it into a thriving multi-award-winning resort that operates as one of the Caribbean’s most premium destinations – and for good reason. “As far back as when we first opened, I remember asking our guests why we didn’t see very much of them outside their one-with-nature rooms,” says the architect. “I was told by them, that they were simply relaxing, breathing in the air, basking in the surroundings and enjoying a wonderful sense of calm and peace. When you compare that experience to being boxed into a traditional glass enclosed hotel room, breathing recirculated, machine-processed air, the difference is enormous.”

There is no doubt about it, the resort is of its time, but that’s also its charm; a space that feels lived-in with a warming home-from-home character that is amplified further by the caring and considerate staff. A home that has no boundaries between interiors and exterior, designed to reflect the topography of the land. A home that celebrates literally the very definition of nature in design. Anse Chastanet is a wonderful, colourful, playful and unpretentiously luxurious hotel – and it was here where the idea for Troubetzkoy’s next project, Jade Mountain, was born.

Image credit: Anse Chastanet

There are references of the same design ethos in the foundations of both Anse Chasanet and Jade Mountain. The Royal Palm, Anse Chasanet’s most premium suite, is an excellent example of this, and is located half way up the mountain where the two hotels almost meet. The open-air concept carves out an understated premium scene, very much opening up the space to allow for the 260-degree views to do the hard work, while the Caribbean-infused interiors frame nature and sense of place in all its majesty. Famous art pieces by both local and international artists add personality into the space. The walls in the are covered with vibrant paintings by postmodernist German painter, Elvira Bach. But what is most impressive, in my opinion, is how the structure of the suite, including the bathroom, has been carved out in such a way, with a logical eye, so that, just like Jade Club, guests can almost always see The Pitons from each and every corner, which adds scrutiny and challenges to the standard cookie-cutter approach when it comes to designing luxury suites.

“One day, while the plans for the hotel were still in early development, he looked at his collection, turned towards me and commented that ‘Jade Mountain’ had a nice ring to it.” – Karolin Troubetzkoy

Jade Mountain

“Do you know why we called it Jade Mountain?” asks Karolin Troubetzkoy who, as well as being the co-owner of the resort and is very much the brains behind its incredible initiatives, is also the current President of the Caribbean Hotel and Tourism. “Everyone always gets it wrong. They think it was simply the views of The Pitons. But actually, for years my husband created and collected these amazing miniature mountains, which were a luscious shade of jade. One day, while the plans for the hotel were still in early development, he looked at his collection, turned towards me and commented that ‘Jade Mountain’ had a nice ring to it.”

Image credit: Jade Mountain

What makes the hotel unique to any other design story – or any other hotel around the world for that matter – is how decisions were made, and quickly changed. “I wanted to create individualised spatial environments that would enable guests to forget about the furniture or the fact that they’re in a hotel room,” explains Nick Troubetzkoy. “In essence, I want our guests to forget about everything but experiencing the psychology of the space on an emotional almost spiritual level.”

Image credit: Jade Mountain

The term ‘jewel of the crown’ feels appropriate when describing its position on site. The magnificent structure of rough concrete imbued with locally quarried stoneappears once guests make it up the stairway to heaven by either foot or complimentary shuttle bus, and walk across the long, suspended private bridges that lead to what the hotel describes as ‘sanctuaries’.

Editor Hamish Kilburn soaking in the views from JD1 Galaxy Suite at Jade Mountain

All 29 sanctuaries frame the unparalleled vistas of The Pitons. While each area has been individually designed, they all share a few common themes. The lack of right angles in the design, for example, removing the fourth wall and creating an open-air concept helps keep the relationship between guest and nature together, while the interior walls are finished in a crushed blush toned coral plaster quarried in Barbados. Because of these indoor and outdoor moments working in harmony, there is a natural rhythm to guests’ stay without the need for clocks or televisions. Almost all sanctuaries feature infinity pools – and, by far, the most impressive spaces are the Galaxy Sanctuaries. JD1, which became my luxe home-from-home (and my handstand hangout) felt like an oversized luxurious penhouse apartment. Following my move up the mountain from Anse Chasenet, it’s the first time during my trip where I recognised luxury manufacturers and suppliers, such as Duravit W/Cs and premium seating by Janus et Cie and Dedon.

And that’s not all. At Jade Mountain, unlike many other luxury hotels that claim to be eco-friendly, sustainability is a core value and not greenwashed simply as a marketing tool. While Anse Chasanet shares the same ethos, the living areas of each sanctuary in Jade Mountain are finished with more than 20 different species of tropical hardwood flooring and trims harvested in an environmentally meaningful way. The resort’s technicians actually visited the Rain Forest of Guyana and personally chose which trees to be used. A multitude of hardwoods have been used including Purpleheart, Greenheart, Locust, Kabukali, Snakewood, Bloodwood, Etikburabali, Futukbali, Taurino, Mora and Cabbage Wood.

The consciousness of the resorts stretches beyond the design. 30 per cent of all produce at both Anse Chastanet and Jade Mountain is grown on site, just a few miles away from the hotels. It’s also here where the resort grows its own coco beans, so that both properties can make their own mouth-watering chocolate for guests to enjoy.

While hotel designers continue striving to cater to the heavy demands of the modern traveller, perhaps there is something to be said in stripping away unnecessary technology and opening up interiors to nature to ultimately allow the natural experience of a pocket of paradise to stand the test of time.. After all, luxury will never go out of style.

Main image credit: Jade Mountain/Anse Chastanet

GROHE joins forces to reduce plastic waste

730 565 Hamish Kilburn
GROHE joins forces to reduce plastic waste

Recommended Supplier GROHE has united with the Pacific Garbage Screening Project as it continues its eco mission… 

Soon after announcing that it will go carbon-free in manufacturing by 2020, GROHE has shared its support of the Pacific Garbage Screening (PGS) project of architect Marcella Hansch. Together with an interdisciplinary team of natural scientists, engineers and marine biologists, the trained architect is working on the development of a water platform that will collect plastic waste before it damages the ecosystems in oceans and rivers.

The vision of clean water through the reduction of plastic waste is also of vital importance for GROHE. For one of the leading suppliers for full bathroom solutions and kitchen fittings, sustainability and avoiding plastic play a leading role in the brand’s manufacturing processes and product development. For example, with the GROHE Blue filtered tap system, disposable plastic bottles are a thing of the past. By using GROHE Blue, a family of four avoids an average of 760 plastic bottles per year1 – a benefit not only for consumers but also for the environment. In addition to self-initiated projects, GROHE also wants to contribute to the field of sustainability through co-operations, such as the alliance with PGS. Therefore, GROHE will not only support the project financially, but representatives of GROHE and PGS also plan to join forces to draw the public’s attention to the worldwide plastic problem and to forward-thinking solutions.

“We are very much looking forward to working with Marcella Hansch and PGS. The enormous amount of plastic waste in rivers and oceans are a collective problem and represent one of the greatest challenges of our time. This is why we directly decided to promote such an important project for the reduction of plastic waste,” explains Thomas Fuhr, CEO of Grohe AG, confirming the commitment. “We are particularly impressed with howpassionately Marcella Hansch and her team dedicate themselves to their mission. They not only want to create a solution that extracts plastic from the ocean, but also encourage people to change their minds.” The collaboration with GROHE is also significant for Marcella Hansch. “Partnerships are incredibly important for us, because we can only tackle a global problem together,” she said. “We are excited about the commitment of GROHE to avoid using plastic and reduce plastic as much as possible with regard to their products but also in their productionchain. That is why we are very much looking forward to working with them.”

During a dive, Marcella Hansch encountered copious amounts of plastic waste instead of fish. She immediately realised that there was an urgent need for action. This led to an in-depth study of a technical solution for the reduction of plastic waste in the oceans in her thesis. Since then, the idea has continuously evolved: to prevent the pollution of the oceans, PGS concentrates on the moment where plastic waste enters the oceans. Specifically, the focus is on a floating platform. Its design makes it possible to extract plastic particles from the water. Since it is assumed that around 80 per cent of plastic waste in the oceans is generated on land2 and rivers are regarded as major pathways, the platforms are to be used in rivers and estuaries.

Sustainability as an integral part of the GROHE brand

GROHE pursues a 360-degree sustainability approach that in equal measure encompasses employees, suppliers, customers, processes, products and its societal contribution. In this way, the global brand not only develops resource-saving product innovations that enable consumers to live more sustainably but also aims to become the first leading manufacturer in the sanitary sector with CO2-neutral production in 2020. The use of green electricity, photovoltaics and combined heat and power plants is of decisive importance here. From 2020, the sanitary brand will support two compensation projects in order to offset CO2 emissions, which have thus far not been reducible. For its continuous efforts, GROHE has once again been nominated for the top 3 “most sustainable big companies 2020” at the German Sustainability Award.

GROHE is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: GROHE

CASE STUDY: How YOTEL utilised space in design and hospitality

730 565 Hamish Kilburn
CASE STUDY: How YOTEL utilised space in design and hospitality

In the wake of a plethora of announcements regarding hotel openings to expand the YOTEL portfolio, editor Hamish Kilburn sat down with the hotel brand’s CEO, Hurbert Viriot, to understand more about the company’s ethos and methods to grow… 

It’s safe to say that the international hotel design and hospitality scene transformed dramatically in 2007 and 2008 – the exact cause of this is still up for discussion.

Undeniably, though, it was influenced by the financial crisis and driven largely by a change in behavior among frequent travellers, which resulted in the industry having to rethink its foundations.

One hotel group to react to this was YOTEL, which opened its debut property strategically within Gatwick Airport, the UK’s second busiest airport which last year recorded 46.1 million passengers pass through its terminal doors. “The original concept of YOTEL Air Gatwick was quickly followed by hotel openings in Heathrow and Amsterdam Schiphol,” said Hubert Viriot, CEO of YOTEL. “Essentially, it was in these three hotels where the business DNA was set.”

“Hotels that were built 10 years ago and beyond, they are very inefficient pieces of real estate.” – Hurbert Viriot, CEO, YOTEL.

Today, YOTEL is known globally for its comfortable and affordable hospitality offering; a modern hotel experience, it calls it, that shelters smart thinking, smart design and smart prices. The design concept is compact, and functional without changing lanes to look or feel budget. This design ethos of what the brand calls its cabins was led by the unique demand of a guest checking in to an airport or urban hotel. “Most people travel several times per year, and the average length of stay in our hotels is very short,” Viriot added. “They travel looking for an experience, and they are very well informed with access to smart phones etc. Their budget accommodation has reduced because people travel more often, and the structure of a ‘budget hotel’ is different. Formally, the bulk of your travel costs was transport and accommodation – and consumers would save a proportion of money left over for pleasure. That has changed, which is driving the industry to change with it.”

Image credit: YOTEL NYC

The launch of a fresh design hotel concept to cater for short-stay travellers looking a low-price point flipped the current hotel model on its head. “Hotels that were built 10 years ago and beyond, they are very inefficient pieces of real estate,” explains Viriot who is talking about large guestrooms and non-essential, low-income-generating retail and F&B areas. “Once we remove those areas and make the room or cabin design more compact without taking away the quality, then we are able to keep our room rates low.”

When it comes to the design details of any short-term hotel experience, the most important element to get right is bed. Inspired the lay-flat beds inside modern planes, YOTEL believed that including an adjustable smart bed, complete with cool action gel memory foam mattresses, was something its guests would appreciate.  “The beds and mattress meet our customer requirements,” said Viriot. “You can recline and adapt the bed to your liking, so we had to find a mattress that also adapted in this way, as well as regulating the temperature of the body to ensure for a good night’s sleep. Ultimately it [YOTEL] is about providing those essential luxuries.”

Image credit: YOTEL

Since the success of the modern airport hotels, the group has expanded into the hearts of cities, taking with it the compact design of guestrooms to ensure the room rates remain lower than competitors. But what is arguably more impressive is the group’s ability to design sustainable spaces, which is none more so apparent as it is inside the newly opened YOTEL Amsterdam Noord.

The brand’s first hotel in mainland Europe, YOTEL Amsterdam Noord is at the epicentre of the up-and-coming Buiksloterham neighbourhood, built on the sunny bank of the Tolhuis Canal. Home to start-ups and creative businesses, the area is also brimming with hip bars, experimental festivals and modern architecture, making it an ideal base for modern travellers.

As well as featuring the space-saving adjustable beds, the cabins are also equipped with refreshing amenities from Urban Skincare, rejuvenating rain showers, adjustable mood lighting, free super-fast WiFi, HD SMART TVs with Chromecast and much more.

At the centre of the action, guests will find KOMYUNITI, which is something new for the brand. The hotel’s relaxed all-day social space spills out on to an alfresco waterside deck. The light and airy restaurant and bar will offer a menu of small and large plates, sharing platters and snacks with ingredients sourced from local partners and coffee seasonally selected by speciality roaster, Workshop Coffee. An inviting place for guests and locals to both work and play, KOMYUNITI will also run a programme of neighbourhood events such as yoga and running clubs along with film screenings under the stars at its cosy outdoor cinema.

Developed by Being Development,and designed by Studioninedots, also based in Amsterdam Noord, the hotel also boasts top notch sustainability credentials. Benefitting from a unique water system which collects, stores, filters and recycles water, the hotel also utilises energy saving LED lighting and sensors to ensure nothing is kept running when not in use. Guests who arrive by electric car will also be able to charge their vehicles at one of the hotel’s 10 charging points.

Image credit: YOTEL

So, what’s next for the outward-looking brand? Well, there seems to be no end to YOTEL’s vision. Considering that aparthotel growth is currently outpacing hotel expansion, the hotel group has launched YOTEL PAD, it’s answer to combine the best of serviced appartments with the hotel experience, again limiting unnecessary cost for both operator and guest. It has taken its deisgn DNA to expand the process, injecting compact design, while utilising space.

The new concept has already been rolled out across North America and soon to enter on the European scene in Lake Geneva. “The Lake Geneva region is a natural location to introduce YOTELPAD into Europe,” explains Viriot. “Centrally located and concentrating an unusually high proportion of global organisations, the region is home to an exceptionally mobile, dynamic workforce and welcomes frequent international business travellers, visiting their headquarters or attending conferences at the UN or elsewhere.”

YOTEL currently operates seven airport hotels in London Gatwick, London Heathrow, Amsterdam Schiphol and Paris, Charles de Gaulle, Istanbul Airport (2), Singapore Changi and seven city centre hotels in New York, Boston, San Francisco, Washington D.C., Singapore, Edinburgh and Amsterdam. YOTEL is expanding rapidly with new projects under development globally, including Porto, Glasgow, London, Dubai, Geneva, Long Island City, Miami, Park City, Mammoth, Atlanta and Melbourne.

Main image credit: YOTEL

EXCLUSIVE ROUNDTABLE: Meaningfully differentiating luxury in hotel design

730 565 Hamish Kilburn
EXCLUSIVE ROUNDTABLE: Meaningfully differentiating luxury in hotel design

To continue Hotel Designs’ series of articles to put sustainability under the spotlight, editor Hamish Kilburn chairs an exclusive editorial roundtable, in collaboration with Minotti London, to understand how today’s leading designers are sensitively working to create a more meaningful luxury hotel design landscape. Joining us on the Minotti sofa to discuss this topic:

With the aim to conceive and design meaningful luxury hotels, there is undoubtedly a question mark on how designers and architects can differentiate their projects to stand out as timeless jewels. With the rise in technology and social media, competition for hotel operators and developers is no longer limited to a single neighbourhood; we have very much entered a global arena. But how are today’s leading designers confronting the evolving hospitality landscape, and just how significant is sense of place when approaching sensitive luxury projects? We invited a handful of the industry’s most distinguished innovators to Minotti London‘s alluring showroom in Fitzrovia to find out more.

Hamish Kilburn: What are the largest misconceptions when it comes to designing luxury?

Jo Littlefair, Director and Co-Founder, Goddard Littlefair: Travelling globally, and understanding global attitudes towards luxury is so important. We have clients that have huge misconceptions to whatever project they are developing. We still struggle when clients associate harsh golds and marbles with luxury, for example. I find it really disheartening, because for me, a non-material object like ‘time’ is a luxury. When approaching the design of any luxury hotel, it’s really important to keep in mind the attitude you are trying to create.

Hamish Brown, Partner, 1508 London: There are a few buzzwords that keep coming up in the studio. We don’t have a ‘house style’ as such, therefore we are really trying capture and create sense of place within each projects. It’s not about fashion but about style. If you look at the great Hollywood movie stars now and compare them to images of themselves 30 to 40 years ago, quite often they will look as relevant now as they did then. That is certainly to do with style over fashion. We look at ways in which classical details and proportions can manifest themselves within a design.

David Mason, Head of Hospitality, Scott Brownrigg: The definition of luxury is not the same for everyone. Some may see luxury in technology, while others believe it is in the foundations of a hotel. In our studio, we don’t necessarily design the ultra six-star luxury hotel, but many of our clients are interested in ‘luxury’, which can come from anything from the service down to the attention to detail. What is luxurious to one person is different to another.

Constantina Tsoutsikou, Creative Director, HBA London: I think luxury is also about being generous as a designer. You always give more than what is expected and make sure that the spaces are comfortable and also have longevity. Where I can, I try to avoid anything too shiny. It’s becoming more apparent that the days of clients wanting to the interiors to show off wealth are behind us. Instead, well-designed luxury interiors are more honest and truthful. That in itself is a luxury mindset.

“We have realised that clients want luxury but almost on a shoestring budget.” – Constantina Tsoutsikou, Creative Director, HBA London

Image caption: (centre) Hamish Brown, (right) Jo Littlefair

HK: When did your clients start accepting a shift in consumer demands when it comes to luxury?

HB: I think it massively goes back to what that hotel means within its location as well as the characteristics of the building. There is certainly more of an acceptance from both sides. Some clients believe that what they want is a grand, sweeping entrance, whereas to really differentiate themselves and to make their hotel work within its location and to be relevant to the building, we suggest to park pre-conceived ideas and think about what would work for that particular hotel.

CT: We have realised that clients want luxury but almost on a shoestring budget. If you compare it to a good few years ago, budget expectations are certainly getting lower. Perhaps it is a sign of the times. At the same time, palettes are becoming more concise, that’s a good thing because designs are cleaner. There’s still a layering there, but the money that was being spilled into a hotel project before the 2008 crisis is not there anymore. However, the expectation certainly is. So, as designers, we have to work out how to manage that.

JL: Also, you cannot ignore the noise and influence of social media – it has a lot to answer for. That inaccurately convinces clients and developers that design is easy and disposable, and that it doesn’t take five minutes to produce a moodboard. But in reality, especially when considering sense of place, you’re thinking about a building and a brand. Putting these elements together requires a real curation of things. Otherwise, I have seen it when people go off on tangents and throw details into the canvas. Nothing ends up gelling and it becomes a messy clash of ideas.

“Trying to get the balance between the soft, the elegant while making these spaces feel comfortable places to work, sit and socialise is a challenge.” – David Mason, Head of Hospitality, Scott Brownrigg

HK: One of the most obvious changes in hotel design, and in the demand from guests, is in the public areas. How has this changed the way in which you specify furniture?

CT: Everybody is working from everywhere. We have a beautiful resort project, which is currently on the boards. As a result of the direct demand from modern travels, we are thinking about putting USB charging sockets on the day beds next to the pool. Generally, I think this is a positive step forward for hotels, which have a life on their own. I think it’s wonderful – and a real stamp of approval from the community – when the neighbourhood becomes part of the life inside a hotel. After all, nobody likes a dead public space.

“All of our furniture is designed at a deliberate height so that each piece can gel with other elements. As opposed to creating one iconic piece, we wanted to create a design DNA.” Digby Summerhill, Director, Minotti London

DM: It’s a hard balance to strike. When our commercial interior designers get asked create these multifunctional spaces, the way in which they design is very task oriented. Trying to get the balance between the soft, the elegant while making these spaces feel comfortable places to work, sit and socialise is a challenge.

Digby Summerhill, Director, Minotti London: We’ve always had modular systems that are flexible. All of our furniture is designed at a deliberate height so that each piece can gel with other elements. As opposed to creating one iconic piece, we wanted to create a design DNA; something that runs through an interior design scene. It’s not a coincidence that no individual item stands out in our collections. One thing I think is interesting is that we didn’t design any of these pieces with hospitality necessarily in mind. Instead we very looked at consumer behaviour and understood the demands of consumers within public areas.

HB: We are often trying to design public spaces to not look like public areas. The idea of a lobby/lounge going against what people would expect in a conventional hotel, to shelter intimate spaces, private nooks where people can work, is very appealing to me. I agree that idea of the community coming in and using the hotel is huge, but perhaps this is something that London has not got right in the past. In other cities there is much more fluidity and it works beautifully. Allowing furniture to adapt to how people are using is a big part of this, and an idea that is really exciting.

Image caption: (Left) David Mason, (Right) Jo Littlefair

HK: Let’s talk about sustainability. A study recently showed that 76 per cent of guests believe that hotels could be greener. Is consciousness the new luxury, as I suggested in my recent editor’s letter?

JL: We’ve been really encouraged recently to have had two projects come to us with sustainability at their hearts. Absolutely every decision has to have a sustainability angle. What we hope is that it continues through to the final touch points, because there will be financial implications along the way. Having filter taps in the room so that hotel guests can refill water bottles is a fresh approach that I love. The design utilities recycled parts of the existing building, giving a whole new meaning of injecting life back into a hotel. We are really thinking about those elements, including timelessness. I agree that it is about style. For us, it’s not about having a hemp interiors, it’s about creating luxury that has a slight assured sense of elegance and quality that has a higher purpose.

DM: The best way to differentiate luxury when it comes to sustainability is to be clever. Having a brief like this is rare, let alone working on two. So, designers, it is our responsibility to educate our clients and specify materials and items that don’t harm the environment or the end user. Behind this, it’s therefore so important that we understand the products and materials and what sets them apart from others in the market.

“Luxury is not just about design, it is about service as well and so many other things that are intrinsically layered on top.” – Hamish Brown, Director, 1508 London

HK: To me it’s very transparent when hotels use words without actions when it comes to sustainability. Is it the designer’s responsibility to ensure clients avoid greenwashing?

CT: You have to remember, we are designing spaces that will open in three years time. It’s a long time, and things change very quickly. You have to be ahead of the game and lead in that way so that the hotel is relevant when it opens. You have to ensure that the strategy you have in place is looking ahead and avoids the need for significant last-minute changes. On the other hand, as designers, we have a responsibility to influence the clients. But I think soon, it will become a necessity across the entire industry. I predict this will happen faster than we think, and it’s already started with wider conversations with local suppliers.

HK: What are you all doing at the moment to try and differentiate your luxury projects from others?

CT: I am always asking myself, how do I position this hotel in the current market, or in a wider sense, how do I position this hotel for an international clientale? This is because the competition is no longer just the hotel’s neighbour, it’s a global arena.

DM: I suppose it is now about experience. People desire luxury experiences. A hotel group has just bought the Fort of India. How incredible would that be; to stay and experience something totally unmatched like that. Travellers want authenticity and they consider that to be luxury.

HB: Sense of place cannot be underestimated. The definition of luxury differs from place to place and demographic to demographic, and you have to respond, beneath the surface, to understand what is happening in those locations. Luxury is not just about design, it is about service as well and so many other things that are intrinsically layered on top. When those elements and concepts interlock, that’s when you have a seamless luxury experience when service and design sit side by side and are harmoniously linked.

HK: Consumer demands of public areas have spilled out into outdoor spaces. Has this changed the way in which you design these areas together?

JL: We love integrating the outdoor areas so that they becomes a seamless flow where we can. I would say this is especially the case in food and beverage sector. We have recruited designers that only specialise in those areas so that we can get the operational flow right. That connection to the outdoor is integral to our overall wellbeing. Humanity is an element of luxury that we have not touched upon, because our disassociation with human relationships is becoming more enforced by our use of technology. I feel that human touch – it can be as simple as eye contact, and/or just being understood in a different country – is really important that we deliver with hospitality. And first and foremost, design and architecture should enable this.

“Usually I will use the sustainability angle as an added value and not the primary reason why we are specifying, unless the brief has an eco-friendly thread in its core.” – Jo Littlefair, Director and Co-Founder, Goddard Littlefair.

HK: Sustainability is becoming a buzzword that some would argue is losing its meaning. What makes a piece of furniture sustainable for you?

JL: At the end of the day we, as designers, have to ensure that the furniture looks fantastic – and it meets all the needs and demands from our clients as well as regulations. But it really does come down to how we communicate this with the client. We do have to choose our words carefully, but that’s the same as when pitching any idea to the client. Usually I will use the sustainability angle as an added value and not the primary reason why we are specifying, unless the brief has an eco-friendly thread in its core.

DM: Different cultures are going to be more interested than others, that is for sure. It is all about baby steps, and we do as much as we can.

Technology and manufacturing has been a massive help. Sustainable products and materials are now at a price point that works for a client and a luxury brief. To then specify a product that is eco-friendly and longer lasting than another becomes a no-brainer. I really believe it is changing. Clients are more aware of the value of reclaimed or reupholstered furniture. Having said this, it is also a balancing act. I am working on a hotel at the moment with the aim to reupholster the casegoods and the beds, and sadly it is actually almost as expensive as buying new pieces.

“I think if you can justifiably explain how a decision adds value, then cost can sometimes be reconsidered.” – Hamish Brown, Director, 1508 London.

HK: In regards to luxury, do you believe value outweighs cost?

HB: It’s a lovely idea, and my view is that value does outweigh cost. If you look at today’s market and the economy, there is a huge sense of getting value. It’s not always about cost. I think if you can justifiably explain how a decision adds value, then cost can sometimes be reconsidered.

JL: We get closer to understanding the deal that the developer has struck and the budget that has driven the deal, which underpins the whole project. Basically, our client has a figure that they cannot deviate from. So yes, it is common sense, and I do value beautiful furniture, and we do have to be ambassadors that push for quality so that these pieces don’t end up in landfill, but there is a bottom line figure discussion. As a designer, you are the piece of magic in the middle having to constantly and consistently value engineer the project.

HB: The most successful projects that we work on are the ones where everyone involved is upfront and honest with cost and there is a real transparency there.

HK: Has the weight on where the budget is spent in the hotel changed?

DM: It’s always in the ceiling!

CT: I have seen that generally, not enough budget is left for the finishing touches.

JL: For me, it’s artwork.

Following the exclusive panel discussion, the leading designers and architects were able to browse the showroom, which showcased, in an apt setting, Minotti’s 2019 collection of timeless indoor and outdoor furniture.

Minotti London will be the venue of Hotel Designs’ Meet Up London, which will take place in Spring 2020. More details will follow.

If you are interested in hosting our next editorial roundtable, please email Katy Phillips or call +44 (0)1992 374050. 

Checking in to Inhabit Hotel, sheltering a new level of eco design

730 565 Hamish Kilburn
Checking in to Inhabit Hotel, sheltering a new level of eco design

During the London hotel’s soft launch period, editor Hamish Kilburn checks in to discover Inhabit’s debut property, which in the process earns his eco stamp of approval…

Last year, an insightful study revealed that the city of London had the eighth highest level of pollution in the world, making the sky 67 times brighter than it would be without the contribution of humans. In the same study, it was highlighted that a staggering 84 per cent of Brits spend less than 10 minutes a day enjoying peace and quiet.

Armed with these statistics, it came with great delight reading about a new hospitality concept of a fresh urban hotel perspective, where wellbeing and sustainable design was at the core of everything. Where the aim is for guests to leave feeling lighter, more free and inspired by taking the pace of life down a gear or two. Where time is luxury. Where Inhabit Hotel becomes a home-from-home.

After a chaotic experience navigating the London Underground, which I politely consider to be ‘the pits’ of all public transport with it being the most polluted place in the city, I arrived at Paddington’s new boutique hotel in the same state of mind as I imagine most guests do; slightly stressed showing early symptoms of rush-hour rage. Juxtaposing the hustle and bustle of the city’s zone 1, the hotel’s understated is guests’ first indication of a new kind of hotel.

The sixth-floor urban sanctuary is the brainchild of Nadira and Rihim Lalji, and is the cousins’ first hotel within the portfolio. Created by architecture firm Holland Harvey Architects and Caitlin Henderson Design, the 90-key hotel is designed with busy travellers in mind. My arrival experience feels more as if I am staying with warm hosts rather than a hotel. The lobby sits in perfect harmony between the F&B area, named Yeotown, and book-filled library.

The check-in desk is down-played, and marries nicely into the laid-back luxury design concept. While checking in, my eyes are drawn to a timetable that I am not familiar with; a yoga and mediation schedule, which I am told launched only this week but was very much part of the core plan for the hotel. “Wellness is at the heart of our brand,” says Nadira Lalji. “Every aspect of our hotel is aligned with what being well means to us. We think of wellness as more than a physical state, but a way of being. Our brand pillars, which stand for social connectedness, intellectual expansion and environmental responsibility, reinforce this belief.”

The ground-floor library is Inhabit’s answer to the rise in demand for public areas designed with bleisure in mind. The space encourages residents and members of the public to unwind, work and be inspired. The noise-free corner is complete with LED bulbs, which are 80 per cent more efficient in terms of energy used than traditional lighting. Occupancy sensors ensure that no energy is lost and guests are seen in their best light when they require it.

Image credit: Inhabit Hotel

Yeotown, is an innovative and thoughtful F&B area, perfect for guests on the move or as a venue for casual meetings. By partnering with food-wastage apps Karma and Too Good to Go, the area allows non-guests to pick up perfectly edible bargains which would otherwise be put into waste. The tables and chairs, made also by Holland and Harvey, have been created using materials honestly and in their natural state. “At Inhabit, we have specified oak flooring and joinery, all finished with a natural sealant to show off their natural colouring and tones,” said architect Richard Holland. “The floor is a natural stone from Fired Earth, which has beautiful variations and tonal differences.”

Upstairs, the sustainability story continues, which is most impressive when considering that the hotel is sheltered within a Grade II listed building. From Casper eco-friendly mattresses to the REN amenities that are made from recycled plastic – even the soft toilet paper is 100 per cent recycled – the guestrooms and bathrooms are quite obviously designed with conscious guests in mind. But on close inspection, it becomes apparent just how high up on the agenda sustainability is for the hotel. Taking the concept of ‘escapism’, one step further, each room comes complete with Studio ND phone charge and stowaway boxes, made from scrap materials, so that guests can break away from their devices.

Perhaps it was my perfectly timed stay to sit in-between speaking about this very topic on stage at the Independent Hotel Show – more likely it’s simply the sheer statement of an urban hotel having such an eco-focused message – that has put on a smile on my face when checking out following one of the best night’s sleep I have had in London for a while. I can’t help but feel totally relaxed and reassured that the bottom line of profit is not the only value when it comes to successfully operating a hotel. And it was this that inspired my latest Editor Checks In online column, where I argue that consciousness could very well become the new luxury.

Main image credit: InHabit London

Morgan to unveil a stripped-back sustainable furniture at Sleep & Eat 2019

730 565 Hamish Kilburn
Morgan to unveil a stripped-back sustainable furniture at Sleep & Eat 2019

Morgan will unveil the Kaya lounge furniture collection next week at Sleep & Eat on stand C60…

Taking its name from sacred forests spread along 200 km of the Kenyan coast, Morgan’s new Kaya lounge collection finds its roots in the openness, honesty and purity of trees. The crafted timber frames, gentle curve and soft upholstery are designed to provide relaxed luxury.

Simplicity is further embodied in the upholstery, which features only the most essential elements, sculpted and fitted to provide enveloping comfort. Juxtaposing soft informality with timber’s clean geometry required a precise balancing act.

With an emphasis on space and light, the collection evokes an atmosphere of ‘komorebi’, the Japanese word for the sunshine filtering through leaves. As with a lush woodland, Kaya’s serene frame finds strength in numbers. Individual timber sections have been kept small with multiple lightweight supports in place of a single, larger component.

While Kaya draws inspiration from nature, technology played a crucial role in its production. The frame’s smooth, curving lines were made possible with Computer Numerical Control (CNC). Morgan uses any timber which is removed to help heat its manufacturing facility with a biomass boiler.

“Relying on trends in the design world means whatever you produce will be bound by the tastes of a certain point in time,” Katerina Zachariades, Morgan’s design director, commented. “At Morgan, we like to look to things which have stood the test of time, from artwork of various styles to elements of the natural world.

“With Kaya, we wanted to look beyond the heavy materials and density of the built environment, peeling back the surface to reveal the pure form within.”

The Kaya collection is versatile, intended for interiors from hospitality through to the workplace. While the smaller lounge chair caters to projects requiring a smaller footprint, the larger lounge and high back chairs maintain a greater presence and impact within spacious environments such as lobbies, breakout areas and gallery spaces.

Main image credit: Morgan

Sustainable bamboo signage from Signbox

730 565 Hamish Kilburn
Sustainable bamboo signage from Signbox

Continuing this month’s spotlight on sustainability, Hotel Designs has identified Signbox’s Hybrid Sign System, made from Bamboo, the most sustainable wood in the world… 

Hybrid from Signbox is a premium modular outdoor sign system that combines the relentlessly durable and sustainable qualities of exterior-grade composite bamboo with powerful materials, such as painted MDF, glass and slate, that bring both sign scheme and setting to life.

Engineered with components that are tailored from the ground up to support single post, twin post or fin bamboo structures, frame, branding panel, secure base fitting and optional illumination, Signbox Hybrid is a fusion of elegant, yet hardworking materials and aesthetically-pleasing, versatile system design.

There are two product choices:

  • Branding backboard, single backboard, we will colour this backboard according to your branding.
  • Five-Wayfinder planks for different elements of wayfinding instruction. Upload your artwork for each panel. If you need help with artwork please contact Signbox. The company will colour the five panels according to your artwork.

Hybrid sets the scene, effortlessly

Easy to design and with seamless, step-by-step installation, Hybrid creates groundbreaking impact and effects that blend with the environment – effortlessly.

Its graceful lines and nature-rich components make Hybrid the perfect modular sign system for discerning environments from landmark commercial buildings, hotels and hospitality areas to woodland settings, school and university campuses and ecologically-conscious public spaces.

If you need help with artwork please contact Signbox.

Signbox is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

GROHE pledges to have carbon-neutral production by 2020

730 565 Hamish Kilburn
GROHE pledges to have carbon-neutral production by 2020

With the aim of becoming the first manufacturer of the sanitary industry to achieve carbon-neutral production by 2020, GROHE has once again stepped up its pledge…

Less than a month after editor Hamish Kilburn unveiled Independent Hotel Show’s Conscious Bedroom Report to highlight that a whopping 76 per cent of guests believe hotels could do more to be greener – and while Hotel Designs continues to put sustainability in the spotlight this month – GROHE has laid out its carbon-neutral plans.

Sustainability has been an essential element of GROHE’s corporate strategy for almost 20 years now. As early as 2000, the global brand for complete bathroom solutions and kitchen fittings committed itself in its “principles and guidelines for sustainability” to continuously improving all products, processes and services in terms of protecting the environment and conserving resources.

“In July, as part of the “GROHE goes ZERO” initiative, all five production plants worldwide as well as the logistics centres in Germany were converted to run on green electricity.”

Since then, the bathroom manufacturer has set new industry standards, applying its 360- degree sustainability approach that incorporates employees, suppliers, customers, processes, products and thecompany’s social contribution alike. With the aim of becoming the first leading manufacturer of the sanitary industry to achieve carbon-neutral production by 2020, GROHE has once again stepped up its pledge. In July, as part of the “GROHE goes ZERO” initiative, all five production plants worldwide as well as the logistics centres in Germany were converted to run on green electricity. With the start of the new fiscal year in April 2020, the sanitary manufacturer will offset unavoidable CO2 emissions through two compensation projects.

“For years now, we have been investing not only in research and development in order to produce intelligent, sustainable solutions, but also to a large degree in a resource- saving value chain.” – Thomas Fuhr, CEO Grohe AG

“More than ever, manufacturers like GROHE are in demand to take on responsibility and strive towards more sustainability,” said Thomas Fuhr, CEO Grohe AG. “For years now, we have been investing not only in research and development in order to produce intelligent, sustainable solutions, but also to a large degree in a resource- saving value chain. With GROHE goes ZERO, we are now setting an example for the entire industry: We are actively addressing the CO2 challenge by increasingly avoiding emissions and, if this is not possible, compensating for them.”

The sustainability initiative is seamlessly linked to numerous measures that are taking place at the GROHE plants, promoting the long-term reduction of the carbon footprint and conserving resources: The brand has invested in block heat and power plants, was awarded the silver certificate by the German Sustainable Building Council for the plant extension in Klaeng, Thailand, and built a state-of-the-art test laboratory in Hemer, Germany. GROHE also uses advanced technologies that increase sustainability, such as the material-saving 3D metal-printing process which has been launched this year.

As a result, GROHE has been able to increase its energy efficiency by 24 per cent and reduce its greenhouse gas emissions by around 40 per cent since the introduction of its sustainability programme in 2014. This means that the global brand has already far exceeded its 2021 targets of 20 per cent respectively.

GROHE Supports Two Water Projects in India and Malawi

Supporting two offsetting projects is another logical step for GROHE to compensate for so far unavoidable CO2emissions: In the north of India, the operation of a hydroelectric power plant replaces electricity that mainly comes from coal-fired power plants. In the African non-coastal state of Malawi, a project repairs and maintains boreholes that are used to produce drinking water. With the help of selected offset projects, GROHE will support activities based on extremely stringent criteria, such as the Gold Standard, developed under the aegis of the WWF. In addition to avoiding CO2, the measures also contribute to a more sustainable, ecological and socialdevelopment within the projects’ environments.

“With GROHE goes ZERO, we are further expanding our leading position as one of the most sustainable brands in the sanitary industry,” says Thomas Fuhr. “But at the same time, we have by no means reached all of our sustainability goals; we can and must get even better.”

GROHE has received numerous awards for its commitment. Currently, the brand is one of three major companies that have been nominated for the German Sustainability Award. GROHE CEO Thomas Fuhr was recently awarded for his commitment to sustainability by the corporate network B.A.U.M., the German Environmental Management Association.

GROHE is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: GROHE

GREEN WELLNESS CONCEPT: The eco-friendly luxury spa

730 565 Hamish Kilburn
GREEN WELLNESS CONCEPT: The eco-friendly luxury spa

To continue the editorial team’s efforts to position sustainability firmly under the spotlight this month, Hotel Designs dives in to understand Recommended Supplier Starpool’s eco credentials in its wellness products…

While recent statistics have highlighted that consumers are demanding for hotels to do more to become greener, luxury spa manufacturer Starpool believes that hospitality businesses could benefit from the brand’s various products and wellness solutions, all of which are sustainable in their concept and design.

Biocompatibility

All of Starpool’s products are designed with eco-sustainability in mind. For example, the sauna wood is 100 per cent natural and untreated. The special working of the slats and the construction system employed limits the use of adhesives in the installation phase, thus optimising the healthiness of the surroundings.

Sustainable Production

Starpool’s products are manufactured with a low environmental impact with limited energy consumption from clean and renewable sources, recyclable raw materials and external emissions equal to zero.

Renewable materials

The company is proud that more than 75 per cent of its materials that goes into each product are made from recyclable materials. In addition, the simple system for dismantling the components makes it easy to recover the raw materials at the end of a product’s life cycle.

Natural, reusable packaging

All products under the Starpool brand are dispatched in fir wood boxes from the Fiemme Valley that can be collected and reused many times over, thus reducing the use of new packaging materials.

Image caption/credit: Sweet Sauna Vision/Starpool

Green Technology

The company uses software and hardware that adjusts and keep the temperature consistent. Its Green Pack includes self-closing doors and remote diagnostics, which enable approximately 20 per cent energy saving during standard operation and optimisation of energy loads. Controlling the power distribution allows you to avoid the overrun of the kW and obtain long- term savings.

Making a difference

Starpool sorts waste materials and, where technically possible, it regenerates the components of products that have been withdrawn and are no longer in use.

The company’s products are manufactured to the highest standard, using only the top-quality materials to deliver exceptional eco-friendly spa and wellness facilities that represent true luxury.

Main image credit: Starpool