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Interiors

Weekly briefing: Locke’s new home, ‘rugspiration’ & a Four Seasons journey

730 565 Hamish Kilburn
Weekly briefing: Locke’s new home, ‘rugspiration’ & a Four Seasons journey

Roll up, roll up, read all about it – Hamish Kilburn here with your weekly briefing. In this week’s round-up we share some of our top stories from the week, including our feature on Tara Bernerd’s journey through Four Seasons, our exclusive on Modieus’ new rug collection and the latest on Omni Hotel & Resorts’ hotel development in Texas… 

For the first time in a long time, the team at Hotel Designs were let out of their homes this week in order to explore hospitality, in person, once more. The moment of euphoria was short-lived, though, after I confidently walked into Carlton Tower Jumeirah – a hotel that has recently completed a full renovation – only to find that it was not opening until July – and we were in fact (unknowingly I would like to add) trespassing. Awkward encounter with security aside, it make me realise that despite many hotels having now opened their doors, it will be a while until we can freely walk into a hotel lobby without having to show proof of reservation. What is reassuring is to see hotel developments that shelter designs that will enhance public areas, connect locals and travellers alike and ultimately share the beauty of interaction – something we will all need after this unpredictable storm passes.

With that in mind, let’s think positively when rounding off another week with our top and most-read stories from over the last few days.

Home-meets-hotel brand Locke opens first hotel outside the UK

Locke Zanzibar lobby

Image credit: Locke

Following what can only be regarded as dominating the home-meets-hotel market in lockdown with several openings of design-led properties in London, pioneering hospitality brand Locke, which joined Hotel Designs LIVE in October last year to explore adding personality in public areas, has opened its first hotel outside of the UK. Zanzibar Locke overlooks Ha’penny Bridge in Dublin…

Read more.

First look: Modieus launches Makers’ Mark rug collection

Spontaneous Mark – Modieus

Image credit: Modieus

Makers’ Mark is a collection by Modieus of unique rug designs inspired by the process of making art. The brand’s latest body of work began with the design team experimenting with a series of traditional artistic techniques – dedicating time to painting, creating collages and drawing. The team then took their original artist work and digitally manipulated the images to achieve an immersive and interactive art experience…

Read more.

Four Seasons through the eyes of designer Tara Bernerd

Image credit: Joe Thomas

From one iconic brand to another, to celebrate the upcoming arrival of Four Seasons Hotel and Private Residences Fort Lauderdale, we take a look back at Tara Bernerd‘s design journey with the hotel group – from London to New York – in order to understand how the designer and her team created such interesting design narratives…

Read more.

Construction begins for Omni Hotel & Resorts’ new resort in Frisco, Texas

Guestroom inside the Omni hotel in Texas

Render credit: SB Architects

SB Architects is celebrating the official groundbreaking of the new Omni PGA Frisco Resort, mixed-use development in Frisco, Texas, which will include a 501-key hotel. Scheduled for completion in 2023, the design for the destination golf course, 501-key Omni PGA Frisco Resort and premier golf and retail experience, will usher in a new era for the sport. Let’s take a look as to what we can expect…

Read more.

Since you’re here…

More than 40,000 readers per month enjoy the content we publish on Hotel Designs. Our mission is to define the point on international hotel design, and we are doing that by serving relevant news stories and engaging features. To keep up to date on the hottest stories that are emerging, you can sign up to the newsletter, which is completely free of charge. As well as receiving a weekly round-up of the top stories, you will also access our bi-monthly HD Edit –staying ahead of the curve has never been so easy!

Click here to sign up to our newsletter.

indexPRO founders

indexPRO: A new platform launched to simplify FF&E specifying for designers

730 565 Hamish Kilburn
indexPRO: A new platform launched to simplify FF&E specifying for designers

Launching ‘the future of interior design efficiency’, indexPRO has launched to allow designers to collaborate in real-time on their FF&E specification, with reliable product details from renowned, design-led, International brands held on the technologically advanced cloud-based platform. Editor Hamish Kilburn checks it out…

indexPRO founders

The implementation of interior design projects often looks effortless, the grand opening eagerly presented to the awaiting press whose educated eye absorbs the perfection of the interior. Behind the scenes the extensive team of interior designers, owners, operators and procurement companies collectively breathe a sigh of relief, while their eyes are keenly fixed towards the next project. The implementation of design projects is complex. Beset on all sides with challenges, changes and sometimes even a pinch of chaos! And it is this commonly recognised complexity that led to Murad Saleh and Gail Thompson to launch indexPRO – more, we are told, than a simple FF&E scheduling tool, the cloud-based platform enables interior designers, brands, operators and procurement companies to actively collaborate within the platform on a project by project basis.

Introducing a dynamic new way of working

Whether designers are running a multi-location design firm or an individual design consultancy, indexPRO facilitates the flow of information, with all parties kept up to date with the latest details of the project:  Manufacturers discontinue an item or change product specification? Procurement companies alter their supply chain? Designers tweak the design specification? With indexPRO all changes are visible to everyone on the team, in real-time.

Designers can select from either an extensive selection of pre-approved international brands or add in their own product selection. Projects can be categorised by area, such as lobby, gym or suite and team members can be customised for each area giving users complete control and reassurance of privacy. Once specified within the indexPRO platform, designers can invite project partners to participate within the project.

The consequential productivity boost for time-challenged designers using indexPRO is astounding. With access to the extensive product database, and the networks who manage them, they can effortlessly realise their design vision, reducing the time spent on specification, whether for a luxury villa or an extensive 500-room hotel, by around 80 per cent – making more time available for creativity and ingenuity whilst reducing the potential for error.

A timely evolution in the design process

The launch of indexPro comes at a time when organisations and professionals across the world have been accelerating their digital transformation, a time when it has become critical to facilitate the easy collaboration of remote teams. Historically, following the successful approval of the design concept, architects or interior designers would utilise their Computer Aided Design skills to produce drawings which can be implemented by the build team. However, the ensuing FF&E schedule, where all the products such as fabrics, washbasins, coffee tables and lamps are detailed, has sadly been neglected in any technological advancement, with designers often resorting to an Excel, Word or even Powerpoint file.

The IndexPRO platform allows the user to easily prepare the FF&E schedule, within its intuitive cloud-based structure. By utilising a Big Data Architecture Pattern, the platform can effectively handle the vast quantity of data available on each product, which can include photos and specification text, whilst Artificial Intelligence and Machine Learning creates a smart, intuitive environment for designers to work.

“Our team of engineers have designed a robust, future-proof infrastructure which can operate in a dependable and efficient way, facilitating easy collaboration,” says Saleh. “As a skilled procurement professional, we’ve received over the years specifications in many different formats. Providing an up to date platform for collaboration on the FF&E schedule is something which we feel is well overdue.”

“Although exciting, fun and even considered the delicious icing on the cake, the FF&E specification schedule has a dark side; a blend of human error, unnecessary repetitive tasks and lengthy time-frames turns this job of joy into a pressure cooker of panic,” adds co-founder Gail Thomson. “Testing indexPRO on our own design projects has allowed us to develop the platform into one we know really works.”

The launch of indexPRO is the first phase of an extensive development programme. Both Thomson and Saleh are clearly passionate about the online collaboration of project partners in order to streamline the design and implementation process. Their vision? To drive the future of interior design efficiency.

Main image credit: indexPRO

Locke Zanzibar guestroom

Home-meets-hotel brand Locke opens first hotel outside the UK

730 565 Hamish Kilburn
Home-meets-hotel brand Locke opens first hotel outside the UK

Following what can only be regarded as dominating the home-meets-hotel market in lockdown with several openings of design-led properties in London, pioneering hospitality brand Locke, which joined Hotel Designs LIVE in October last year to explore adding personality in public areas, has opened its first hotel outside of the UK. Zanzibar Locke overlooks Ha’penny Bridge in Dublin…

Locke Zanzibar guestroom

Zanzibar Locke, the latest property from home-meets-hotel brand Locke, is strategically positioned in Dublin’s city centre. Overlooking Ha’penny Bridge, Zanzibar Locke is the brand’s sixth property and first outside of the UK, featuring 160 studio apartments, an original food and beverage offering, gym, and a locally-led cultural programme. 

Brick wall in lobby in Zanzibar Locke

Image credit: Locke

Locke leads the way in a hybrid travel concept that combines the space and comfort of home with the experience and thoughtful design of a boutique hotel. Each of Zanzibar Locke’s studio apartments come equipped with fully fitted kitchens and living space. Generously-sized rooms create a sense of freedom unique to the Irish market, where guests can enjoy the option of a short stay in a City Studio (average 25sqm) or retreat to a larger premium River Suite (average 40sqm) for a long term stay. 

“We are very excited to finally be welcoming leisure travellers into our first property outside of the UK,” said Stephen McCall, CEO of edyn. “It has been a great experience familiarising ourselves with the local Dublin market – and early indications show that our unique aparthotel concept is something new and exciting that the city needs at this pivotal moment. With a second opening in Dublin later this year, we are delighted to be able to welcome all guests in time for summer.”

The aparthotel will house new food destination BARAZA, operated by Dublin foodie favourites NolaClan (House Dublin, 9 Below and Xico). Located on the mezzanine floor, BARAZA will serve coffee and light bites in the morning, before transitioning into a lively restaurant serving seasonal small plates and craft cocktails.

Situated on Ormond Quay, with views overlooking the River Liffey, Zanzibar Locke draws on its rich architectural heritage to inform its design. Formerly site of the infamous noughties’ hotspot Zanzibar Nightclub – which inspired the property’s name – the Georgian building has been sensitively restored and developed by Dublin-based interior design studio O’Donnell O’Neill Design and C+W O’Brien Architects. Working with local contractors, joiners and artists, O’Donnell O’Neill retained the original character of the building, while combining the stylish design, contemporary fittings and custom furniture synonymous with Locke.

From its interiors to music playlists, the brand has worked extensively with Irish partners and suppliers to create Zanzibar Locke, including O’Donnell O’Neill Design, sustainable fashion brand GROWN, and DJ and founder of creative collective Gxrl Code, Mona Lxsa. In doing so, the brand aims to build a unique, inclusive environment that is deeply embedded in the social fabric of its neighbourhood.

Locke Zanzibar lobby

Image credit: Locke

“Locke’s forward-thinking aparthotel concept has shown resilience throughout the pandemic,” added Osgur Ó Ciardha, Country General Manager. “In an exceptionally challenging year for Irish hospitality, we were able to remain open throughout the national lockdown to house essential stays largely enabled by the self-contained apartments. We are looking forward to welcoming back leisure travellers.” 

Alan Clancy, Founder, NolaClan, commented: “We’re excited to partner with Locke on its food and drink offering in Dublin, and bring our new restaurant and bar concept, BARAZA, to Zanzibar Locke. Our ambition is to create an all-day dining experience in a vibrant, beautiful environment that locals and travelers alike can enjoy.”

As the world continues to navigate travel over the coming months, Locke’s self-contained studio apartments provide safe, clean, and flexible accommodation for business and leisure travellers, as well as short-term residents. Zanzibar Locke’s opening to leisure travellers follows an extended soft launch period where the property housed guests for essential stays and those in need of an interim home during lockdown, which was possible due to the self-contained design of the apartments. As a result, Zanzibar Locke experienced an average of 27 days length of stay, with an average occupancy of 40 per cent occupancy – considerably outperforming the Dublin industry average of 10 per cent.

Main image credit: Locke

First look: Modieus launches Makers’ Mark rug collection

730 565 Hamish Kilburn
First look: Modieus launches Makers’ Mark rug collection

Makers’ Mark is a collection by Modieus of unique rug designs inspired by the process of making art. The brand’s latest body of work began with the design team experimenting with a series of traditional artistic techniques – dedicating time to painting, creating collages and drawing. The team then took their original artist work and digitally manipulated the images to achieve an immersive and interactive art experience…

New from Modieus, the Makers Mark Collection is defined by the lines, dots, marks, patterns and textures they create in artwork. It can be loose and gestural, controlled or neat. It can apply to any material used on any surface: paint on canvas, ink/pencil on paper, scratched mark on plaster, digital paint tool on a screen, a tattooed mark on skin can be a form of mark making.

The end result is nine encapsulating art stories. From colour blurs to graffiti and stylised monochromatic graphic effects, this unique collection of rug designs belongs in an art gallery. The collection launches on Modieus Instagram account on June 16th. In the meantime, here is a sneak peek at what to expect.

Established in 2015, founder, Xander Okhuizen has assembled an expert team to deliver unrivalled commercial flooring solutions. Backed by an extensive global network, Modieus provide exceptional, contemporary flooring throughout Australasia, the Middle East, the Far East and Europe.

Spontaneous mark

Spontaneous Mark – Modieus

Image credit: Modieus

Colour Blur

Colour Blur - Modieus

Image credit: Modieus

Grid and Blocky Arrangements

Grid and Blocky Arrangements

Image credit: Modieus

Feel the Mark

Feel the Mark - Modieus

Image credit: Modieus

Colour Sharp Movements

Colour Sharp Movements - Modieus

Image credit: Modieus

Graffiti Combined with Systems

Minimal scene with podium and abstract background. Geometric shapes. Pastel colors scene. Minimal 3d rendering. Scene with geometrical forms and textured background for cosmetic product. 3d render.

Image credit: Modieus

Collage Colour

Collage Colour

Image credit: Modieus

Collage Black & White

Collage Black & White - Modieus

Image credit: Modieus

Digital Distort

Image credit: Modieus

Modieus is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our recommended suppliers, please email Katy Phillips.

Main image credit: Modieus

Four Seasons Forte Lauderdale, designed by Tara Bernerd

Four Seasons through the eyes of designer Tara Bernerd

730 565 Hamish Kilburn
Four Seasons through the eyes of designer Tara Bernerd

From one iconic brand to another, to celebrate the upcoming arrival of Four Seasons Hotel and Private Residences Fort Lauderdale, we take a look back at Tara Bernerd‘s design journey with the hotel group – from London to New York – in order to understand how the designer and her team created such interesting design narratives…

Four Seasons Forte Lauderdale, designed by Tara Bernerd

Long-time design collaborators for Four Seasons, designer Tara Bernerd and her team have created a plethora of typologies for the brand, from urban hotels, including the interior design for the hotel’s guestrooms of Four Seasons Hotel London at Park Lane and also the Empire Suite in Four Seasons Hotel New York Downtown, to resorts such as the Four Seasons Hotel and Private Residences Fort Lauderdale. Bernerd is currently working as the lead creative for the 148-bedroom property as well as 50 condo rooms and private residences, opening later this year.

Throughout all three hotels, the studio’s aim to embody the aesthetics of the Four Seasons brand whilst simultaneously creating meaning and connection through a distinct sense of place. By balancing the studio’s refined design principles with Four Seasons signature style, Bernerd and her team create something entirely new for each region.

Speaking about the design of each Four Seasons project, the designer says: “It’s very much a part of our philosophy to make every property unique, with its own story to tell. As we create custom projects for each hotel, we try and refrain from bracketing ourselves into a particular style. However, there is a common aspiration found behind all our work through the themes of colour, topography and geography. Fusing these touchpoints, we create individual experiences in each location.”

Four Seasons Hotel London at Park Lane

Image credit: Philip Vile

Last month, the hotel welcomed back guests to experience its newly renovated, re-modelled Superior and Deluxe Rooms and Junior Conservatories in partnership with British designer Tara Bernerd & Partners.

Designed to bring a freshness to the hotel, the studio’s holistic approach and their use of bespoke design, lighter colours and materials, were specifically chosen to create a more spacious feel for guests on entry. Each room displays Bernerd’s signature handsome style of approachable luxury with a timeless elegance and the Hotel’s prestigious location situated between three of London’s Royal Parks was an immediate source of inspiration for Belgravia-based Tara Bernerd & Partners, with hints of green incorporated into the classic colour palette to add a modern edge.

As with each of the projects Bernerd and her team undertake, the location and geography in which the hotel is set was a key source of inspiration. This thread runs throughout the furniture and finishes, indeed extending to the art. Greeting the guest in the entryway to the deluxe room are two prints created from old tailors’ suit patterns, a nod to the sartorial history of Savile Row which resides in close proximity to the hotel. A triptych over the headboard depicts deconstructed photographs and sketches of London from the turn of the century. Found in old picture books in a Notting Hill antique shop, these pieces are particularly special. 

The art in the superior rooms take inspiration from the iconic views over Hyde Park. Three abstract pieces hang above the bed, one of which loosely explains the layout of the park, with another having been painted by a Four Seasons employee. Not only does the piece fit perfectly within the room’s palette, but the hotel’s connection to the artist creates a meaningful story behind each piece.

Four Seasons Hotel New York Downtown

Image credit: Joe Thomas

Having recently reopened, this Tribeca based Four Seasons presents its reimagined Empire Suite by British interior designer Tara Bernerd. In the updated design, Tara and her team focused on optimising the layouts and furniture placement within the suite to take advantage of the unparalleled views across the city, while simultaneously providing larger spaces for entertaining and more intimate, homely cocoons. Providing essential versatility, the home office/study was redesigned to make the most of the natural light and give guests the option of using the space as a second bedroom. The Principal Bedroom was designed to provide the ultimate sleep sanctuary with soft silks and hand painted de Gournay wall panels to add a touch of drama.

Featuring a living room, dining room, media room, study, walk-in closet, two bathrooms, master bedroom and a full catering kitchen, the Empire Suite offers the ultimate sanctuary and comes complete with a $25,000-per-night Empire Suite Experience that includes helicopter airport transfers, limousine transfers, daily breakfast for two, a personal spa retreat and  more.

Four Seasons Hotel and Private Residences Fort Lauderdale

Render credit: Four Seasons Hotels & Resorts

Render credit: Four Seasons Hotels & Resorts/ Tara Bernerd & Partners

Opening later this year, Four Seasons Hotel and Private Residences Fort Lauderdale sets a new standard in contemporary living, set in a prime location on Fort Lauderdale’s desirable North Fort Lauderdale Beach Boulevard.

Complete with unparalleled views across the Atlantic Ocean to one side and the Intracoastal Waterway on the other, Tara Bernerd and her team have taken inspiration from the natural beauty and quality of light in Fort Lauderdale – the pale silver sands, blue seas and stunning Floridan sunsets. Known for its yachting heritage, the studio have sought to encapsulate the elegance of a previous design era of Chris Craft yachts and Capri pants to create an approachable luxury with a timeless quality.

Main render credit: Four Seasons Hotels & Resorts/ Tara Bernerd & Partners

Lobby Arrival

Construction begins for Omni Hotel & Resorts’ new resort in Frisco, Texas

730 565 Hamish Kilburn
Construction begins for Omni Hotel & Resorts’ new resort in Frisco, Texas

SB Architects is celebrating the official groundbreaking of the new Omni PGA Frisco Resort, mixed-use development in Frisco, Texas, which will include a 501-key hotel. Scheduled for completion in 2023, the design for the destination golf course, 501-key Omni PGA Frisco Resort and premier golf and retail experience, will usher in a new era for the sport. Let’s take a look as to what we can expect…

Lobby Arrival

Construction has official started to create Omni PGA Frisco Resort, setting the tone for the future of modern American golf with Texas modernist architecture. “We are thrilled to play a role in the repositioning and modernising of golf in America,” says SB Architects senior vice president and principal, Bruce Wright. “The design goal was to create a destination that could service the elitelevel golfers of the world, as well as make the sport fun and approachable for families, beginners and all levels of abilities. By coupling a hospitalitydriven design, inspired by Texas Modernism, with stateofthe-art golf courses and technology, we’ve created an inviting and accessible resort that will introduce the sport to a whole new generation of golfers and serve as an exciting benchmark for future development.”  

Render of Omni PGA Frisco Resort

Image credit: SB Architects

After PGA of America’s 56 years in Palm Beach Gardens, Florida, the move to Frisco, Texas signals an exciting change. Frisco, one of the fastest growing cities in America, is the ideal place for this golf lover’s paradise. Named the “2018 Best Place to Live in America,” Frisco will be transformed with this development, bringing new vitality and economic growth to the local community. The inspiring architecture of the Omni PGA Frisco Resort complements the vision for this bold, state-of-the-art development, set to bring in a new chapter for the future of golf in America. 

Inspired by Texas Modernism, the architecture is timeless, contemporary but signature to the area, to reflect the future-thinking approach of the development. Arranged in a campus-style format, SB Architects, in collaboration with Robert Glazier Architects, has developed an amenity-driven site-plan that focuses on maximising views and capturing the ‘look and feel’ of a destination golf resort.  

To help create a human scale for the architecture, SB Architects created a direct connection to the outdoors, drew natural light and ventilation into each space and used grading, trees and the landscape to break down the scale and reflect an intimate ambience with all the perks of a larger, resort hotel. The landscape and use of local materials are indispensable within the design. The built environment is broken down into a series of courtyards, and an infrastructure of trails and networks respectfully lead guests through the development. A promenade connects the entire development; linking Omni’s resort lobby, all-day dining restaurant and spa and fitness facility; creating a pedestrian-orientated, walkable environment.  

Golf Villas_Ext

Elegant architectural forms and natural materials are utilised to create a warm and welcoming atmosphere. The use of stone, both horizontally and vertically, large overhangs, wood detailing and ironwork all work together to create a modern contemporary feel that is layered, textured and accessible. Every location feels cohesive with a distinct, iconic architectural element to distinguish. With golf as the focus of the design, the rooms at the Omni PGA Frisco Resort are positioned to prioritise views of the championship courses. In addition to the 501 guestrooms, golf foursomes, families and groups who are looking for a more personal, residential feel can stay in one of the resort’s private four-bedroom golf villas located along the promenade, with private putting facilities.  

Guestroom inside the Omni hotel in Texas

Render credit: SB Architects

 The signature development will feature two championship 18-hole golf courses designed by Beau Welling and Gil Hanse; a lighted 10-hole short course and nearly two-acre putting green and practice areas, totalling 46 holes; a clubhouse; coaching centre; a 501-key Omni Resort with seven 4-bedroom golf villas and 127,000-square-feet of indoor and outdoor meeting space; a technologically advanced retail village; parks and open space along with several miles of trails.  

Main render credit: SB Architects

Hotel Designs LIVE - art outside the frame

(in video) Hotel Designs LIVE: Art outside the frame

730 565 Hamish Kilburn
(in video) Hotel Designs LIVE: Art outside the frame

In the second session of Hotel Designs LIVE on May 11, 2021, we looked at art outside the frame. In an exclusive panel discussion, editor Hamish Kilburn welcomed Harry Pass, Creative Director, Elegant Clutter; Rob Wagemans, Founder, Concrete; Federico Toresi, Global Vice President Design – Luxury & Premium Brands, Accor and photographer Mel Yates to explore unconventional ways to portray art and branding in the hotel design process…

Hotel Designs LIVE - art outside the frame

Following two engaging panel discussions looking at a new era of lifestyle and bathrooms beyond practical spaces, the third debate virtually sheltered under Hotel Designs LIVE was around challenging conventional portrayal of art in hotel design. Sponsored by Elegant Clutter, which prides itself on offering a professionally different approach to art consultancy, this chapter of the event addressed new demands from public areas and clever ways to inject branding and sense of place in hospitality establishments.

Editor Hamish Kilburn welcomed a mix of designers, architects, art experts and even a leading photographer to capture the topic through a slightly different lens,to join him on the virtual sofa. Taking what was learned in the early conversations, the panel looked holistically at art’s role in hotel design.

On the panel:

Here’s the full video of the panel discussion (on demand), produced by CUBE, which includes Product Watch pitch from Elegant Clutter.

We have also published the full recordings of session one and session two from Hotel Designs LIVE . The full recording of the final session on workspace design trends will be available on-demand shortly.

SAVE THE DATE: Hotel Designs LIVE will return for a fourth edition on August 10, 2021. The topics explored will include surfaces, sleep, senses and social and speakers will be announced shortly. Once these have been announced, tickets for Hotel Designs LIVE will be available. In the meantime, if you would like to discuss sponsorship opportunities, focused Product Watch pitches or the concept of Hotel Designs LIVE, please contact Katy Phillips or call +44 (0) 1992 374050.

Since you’re here…

More than 40,000 readers per month enjoy the content we publish on Hotel Designs. Our mission is to define the point on international hotel design, and we are doing that by serving relevant news stories and engaging features. To keep up to date on the hottest stories that are emerging, you can sign up to the newsletter, which is completely free of charge. As well as receiving a weekly round-up of the top stories, you will also access our bi-monthly HD Edit –staying ahead of the curve has never been so easy!

Click here to sign up to our newsletter.

Accor Design Awards

Accor Design Awards – and the winners are…

730 565 Hamish Kilburn
Accor Design Awards – and the winners are…

During the Accor Design Awards – a global campaign – design students pushed conventional boundaries to redefine the services and guest experience that will ultimately shape the hospitality landscape of tomorrow. Editor Hamish Kilburn, who was on this year’s judging panel, has more about this year’s winners…

First launched in in 2016, the Accor Design Awards aim to rethink the future of hospitality in collaboration with design students the world over. Their creativity blended with Accor’s know-how, provide unique solutions and new concepts for the hospitality industry.

Accor Design Awards

For the fifth edition, candidates’ brief was to “redefine the services and guest experiences that will shape the hospitality of tomorrow”. Respected visionary designer Beth Campbell, founder and CEO of Campbell House, presided over this edition, while the international jury of experts had the task to select the top three projects across many submissions from design schools around the globe. After establishing a shortlist of 10 projects, the jury gathered online on May 25 to select top three projects and from them an overall winner. Finally, on June 1, the winners were announced in an online award ceremony.

“I’m very impressed by the level of this edition contest,” said Damien Perrot, Global Senior Vice President at Accor, who recently took part in our roundtable that explored lifestyle hospitality in 2021 and beyond. “I would like to congratulate the winners but also to thank the 150 students who participated to this contest and who are the students we would like to work with in the future. The future is definitively today because when we work on projects, we always think of what could be the world in the next 10 years.”

Manon Figuier, Victoire Datchary, Mathéo Maurel, Harold Loquillard from L’Ecole de Design Nantes Atlantique, whose project NOMADish provided an innovative solution that hit the three key goals: overall guest experience, element of surprise and delight, and consideration for social, economic, and environmental responsibility, won the first prize. They also won the Public Choice Award, voted for by the general public via our bespoke online award voting platform.

Overall winner: NOMADish

They will spend a five-day experience between Barcelona and Basel offered by Roca and Laufen, the campaign’s official sponsors, to discover the brands centre of innovation, see Art Basel and spend a wonderful time in these two beautiful cities.

The second prize was awarded to Ashley Ulm from Berlin International University for her Relove Hotel project, a sustainable and deeply locally conscious concept that goes beyond a biophilic design scheme. Ulm will enjoy a three-day stay in Basel offered by sponsors Roca and Laufen brands.

The Waterwalk project was awarded the third prize. The concept of the world’s first ‘floating and flying cruise’ inspired the judges to look outside the conventional perimeter in order to unlock something quite spectacular. As a prize, Fanny Jalet, Nolwenn Arhuis, Julie David and Lucie Vallée from L’Ecole de Design Nantes Atlantique will spend three days in Barcelona with Roca teams.

Third prize: Waterwalk

Last but not least, this year’s entries were of such a high standard, that the judges insisted on awarding an extra Special jury prize to the Cocoon project. The hotel presented to the judges catered to the rising demand of bleisure travel. Forget the typical corporate shell, though. This hotel suite concept – made from biopolymer and local wood – would become a one-off travel experience in Africa.  Yasmine Bennani, Solène Percie Du Serf, Nicolas Alibert and Alexandre Albert-Picquet from L’Ecole de Design Nantes Atlantique were offered a Jo&Joe experience in Paris, and Hotel Designs will catch up with the team shortly to learn more about how the project would come to life.

In addition to the prize winners, the shortlisted finalists included hospitality concepts in space, suspended on the side of a mountain and even on the bottom of a cliff, which used the natural tides as a way to naturally and effortless change the guests’ setting. Innovative sustainability solutions were evident in all projects, as was the sensory experience.

Supported by Hotel Designs, the Accor Design Awards will return next year. 

Main image credit: Accord Design Awards

Bette launches BetteAir Design Competition

730 565 Hamish Kilburn
Bette launches BetteAir Design Competition

Bathroom manufacturer Bette is calling on creative minds to design ‘the walk-in shower bathroom of the future’ featuring BetteAir, the world’s first glazed titanium-steel shower tile. Architects, designers, bathroom planners and students have the chance to give free rein to their creativity and win a personal feature on Bette’s social media channels, as well as a free BetteAir shower tile…

With BetteAir, Bette completes the evolution of the shower tray into part of the bathroom floor and opens up unprecedented possibilities in bathroom design. Like a conventional tile, it can be glued directly onto the screed, making the shower area an integral part of the bathroom floor and seeming to merge with it. With a choice of 31 colours, there are virtually no limits to creativity – whether colourful, contrasting or barely seen..

To participate in the competition, submit a design  for the “walk-in shower bathroom of the future” as a PDF, JPG or PNG. Real bathroom projects are also welcome. The deadline for entries is June 28, 2021. A jury, including Dominik Tesseraux (Tesseraux & Partner, Potsdam), the designer of BetteAir, will select the most exciting, unique and creative design concepts from the entries. The winner will be decided by a community vote on Bette’s social media channels from July 5, 2021. In addition, direct voting is possible on the website, where the CAD downloads and entry conditions can also be found.

As well as being a Recommended Supplier, Bette was a Product Watch Pitch partner at Hotel Designs LIVE, which took place on May 11, 2021. The next Hotel Designs LIVE will take place on August 10, 2021

Main image credit: Bette

Inciso by Gessi

INCISO by Gessi – an “American design in an intersection of history & dynamism”

730 565 Hamish Kilburn
INCISO by Gessi – an “American design in an intersection of history & dynamism”

Thanks to the professionalism and inventiveness of two complementary realities, INCISO by David Rockwell has been created, marking Gessi’s first exclusive collaboration with an American designer…

INCISO is the result of a meaningful collaboration between bathroom brand Gessi and architectural visionary David Rockwell. It was was born from a deep curiosity for the world and a continuous search for perfection. A unique collection that reveals on one side the genuine emotion of ancient Italian craftsmanship and on the other the most innovative technologies used for working brass.

Inciso by Gessi

INCISO was a tough but exciting challenge for Gessi, a great opportunity to capture and then communicate, through an object, the American soul with an Italian touch thanks to a new aesthetic language in the contemporary bathroom.

Inciso by Gessi

Image credit: Gessi

“INCISO’ is not only the name of the new collection, but also its main feature, an engraving hidden in the spout that confers a strong personality to this piece of art, giving Inciso an elegant and refined profile. The collection embodies strength, integrity and quality, with the aim of conveying the emotion and authenticity of ancient manufacturing in perfect harmony with the technological processing of materials.

Taps from Gessi

Image credit: Gessi

An all-American asset with an Italian soul, for a contemporary furnishing where revolution, history and dynamism are dominant. The distinctive and decisive style of the collection is inherent in the Gessi design as well as in the American industrial chic flair. A new aesthetic code characterised by modern shapes and meticulous details, where the ancient soul is enlightened by a contemporary light, in details and finishes.

Thanks to the various finishes and surface treatments available, such as brushed black, brushed brass, gold, bronze and finox, each space will be customised and made unique, truly special. David Rockwell has instilled to Inciso his typical modern charm, characterised by fine and elegant “industrial” details. Meanwhile, Gessi has given shape and life to an explosion of styles and finishes, once again successfully surprising and making a difference.

In Conversation With: Alex Tredez on designing The Lost Poet

730 565 Hamish Kilburn
In Conversation With: Alex Tredez on designing The Lost Poet

In an exclusive interview, editor Hamish Kilburn meets Alex Tredez, the lead designer of The Lost Poet, a new boutique hotel that shelters oodles of quirky and local personality. Ahead of it opening as a ‘modern interpretation of a traditional guest house’ on London’s Portobello Road, we took a sneak peek inside…

“We felt that there was a gap in the market for accommodation which offers high quality service, attention to detail and professionalism synonymous with the hotel experience – but also offering an authentic local experience which guests love about Airbnb-like residences,” Alex Tredez, lead designer of The Lost Poet, explains to me as we start to discuss one of West London’s most anticipated hotel openings this year.

Deeply rooted in its surrounding area, The Lost Poet, a hotel that is expected to open its doors this month following much anticipation, comes from the team at Cubic Studios – a local property design studio, born and bred in Notting Hill. The townhouse, located at Number 6, Portobello Road in London’s quaint Notting Hill neighbourhood, is a poetic love letter to the area, celebrating its creativity and dynamism through four individually designed bedrooms. The design harnesses the colour and playful curiosity of Portobello Road and takes inspiration from the market, mixing the old with the new. I was lucky enough to see beyond the colourful sketches to get a sneak peek and interview with the project’s lead designer.

The Lost Poet illustration

Image caption: An illustration of the exterior of the hotel

Hamish Kilburn: How will the hotel’s design challenge conventional London hospitality?

Alex Tredez: The Lost Poet is a modern interpretation of a traditional guest house. As far as we know, there is nothing quite like it. 

We felt that there was a gap in the market for accommodation which offers high quality service, attention to detail and professionalism synonymous with the hotel experience – but also offering an authentic local experience which guests love about Airbnb-like residences. 

It’s a concept that we thought is perfect for a city stay as it gives the traveller the best of both worlds. The guest house is an experience / destination on its own but it’s also very much rooted in the local area. The idea was to create accommodation for those who want to explore and experience the neighbourhood but also want a comfortable and characterful space to retreat to and relax in. Notting Hill is such a lively area with so much to offer we’d like to think we can encourage guests to explore it and enjoy. 

The small scale of the property and technology used through-out give the guests maximum privacy and flexibility. For example, the online check-in feature allows the guests to submit necessary information ahead of their stay, keyless access enables them to open the accommodation simply using their mobile phone. No matter what time the guests arrive at the property they are able to just walk in straight into the room. The receptionist and online support are there to answer any queries and provide assistance. The guests are free to have as little or as much face to face contact with the guest house staff as they choose. 

 We believe it is The Lost Poet’s unique mix of qualities is what will challenge the conventional hospitality. 

HK: With so much history in that area of London, how did you narrow down the interior design scheme?

AT: Embracing the rich history and character of the area was a huge part of the brief and a challenge we very much enjoyed. We felt it was important for this rich mix of culture and history to translate into the interiors. Our other objective was for the scheme to feel coherent and polished and have the same attention to detail that we strive to achieve on our residential projects. Having worked in Notting Hill for many years, this project is close to our hearts.  

The iconic pastel terraces of Portobello and nearby roads definitely inspired us. For this we drew from the classic proportions and timeless elegance of Georgian buildings in Notting Hill. Their construction uses a limited palette of materials such as yellow brick, stucco and stone and is what gives these streets coherence and harmony. However, instead of using a complex multi coloured palette throughout the property we decided to use different palette for each room. Our objective was to convey the vibrancy and playfulness of the area in The Lost Poet as a whole but have each bedroom feel more tranquil creating for the guests a welcome break from the surrounding bustle.

Using the colour as the tool adding individuality to the rooms also allowed us to use same architectural features and a similar overall design approach in each room so that they all feel like they belong in the same property but also have individual character. 

“We opted for mid tone and dark wood to add warmth and really tie the antique and retro furniture together.” – Alex Tredez, lead designer, The Lost Poet.

For eclectic and layered interior we used a mix of elegant classical inspired detailing and proportions, luxury traditional materials, modern forms as well as contemporary patterns. We opted for mid tone and dark wood to add warmth and really tie the antique and retro furniture together. Reclaimed and natural  materials add comfort and create domestic/ informal feel. Asymmetrical balance adds playfulness, visual interest and relaxed vibe. 

HK: How do you predict the pandemic will change the way modern travellers explore? 

AT: The pandemic has made many people really think about the way we travel and why we travel. We suspect it will change the way we explore. For starters, customers will put extra value on smart solutions such as online check-in and keyless access which can add the feeling of safety as well as flexibility. Travellers are looking for a more personal connection which values quality over quantity. Bespoke and meaningful experiences will be even more valued and by a wider portion of the market – the discerning traveller will make conscious choices, people having to really research and plan, less impulse decisions. Travellers may be willing to stay in one place for longer. For us this means longer stays, taking things at a slower pace which in turn means more time to explore the area. Guests are more conscious about sustainability, and we expect to see an increase in eco and wellness tourism.

I also think that we may see an increase in last minute bookings – still considered plans but confirmed shorter lead times than what the industry standard was in 2019.

HK: What’s the scene like on Portobello Road? 

At the moment? We are happy to see many restaurants and bars are and have been adapting well. We are seeing increased number of al-fresco dining and dining options. Some businesses have been burned though the pandemic and have since blossomed (just one example is Buns from Home). 

In general? We love that there are so many small businesses and restaurants on the street. You can wine and dine here for a week and not have to go to the same place twice. You can find everything from Moroccan sweets, through to Michelin starred restaurants as well as highly specialised vendors (vintage glasses, unique blends of tea, bespoke perfume etc). 

HK: Now more than ever design and service must answer each other. How is this the case inside The Lost Poet? 

AT: The Lost Poet thrives on its attention to detail. Since the inception of the design phase of the project to the thought put into the guest experience, the devil has been in the detail. The Lost Poet is Cubic’s love letter to Notting Hill, it’s part of the community, in the coolest neighbourhood in London. We want our guests to experience that, to feel and love the quirkiness and the friendly embrace of Portobello. The design of the rooms is intended to feel like home, we want our guests to be able to come ‘home’ to The Lost Poet and the end of their day. The service will be reflected in that. We only have a few rooms so which allows us to provide a much more personal experience and adapt to ever-changing guest needs. Everything from toiletries to our seasonal breakfast offering has been carefully considered.  

“We know how we arrived at the name but feel that just like with poetry sometimes it is best to leave these things open to interpretation.” – Alex Tredez, lead designer, The Lost Poet.

HK: How do the bathrooms inside the property go beyond just being practical spaces

AT: We have put a lot of thought into making sure they are very special, each bathroom is as unique to the room (different finish on the sanitaryware, different wallpapers, different layouts). We have closely considered how guests would get ready and added seating where possible and wall lighting to help elevate this experience, creating a beautiful space where you can still enjoy your daily rituals. We wanted to create that ‘wow’ moment and the special feel you’d expect from a luxury spa with loads of added character to match the feel of the property.  

HK: Who is ‘the lost poet’? 

AT: Notting Hill is said to have had an artistic association since the end of 19 century, we feel it’s still very prominent. You can feel it in the area and we love it and think it is one of the things that makes it so special. We know how we arrived at the name but feel that just like with poetry sometimes it is best to leave these things open to interpretation…  

Main image credit: The Lost Poet

The Brit List Awards judges 2021

The Brit List Awards 2021: Meet the judges

730 565 Hamish Kilburn
The Brit List Awards 2021: Meet the judges

Now that the free nominations/applications process is open for The Brit List Awards 2021, it’s time to meet this year’s judges. The 2021 panel consists of respected travel journalists and international experts in the design, architecture and hotel development arenas. The judges will gather to select the winners ahead of the awards ceremony on November 3 at PROUD Embankment, London…

The Brit List Awards judges 2021

Right on cue – and continuing tradition – the next step after nominations and applications have opened for The Brit List Awards is for us to announce this year’s judging panel.

This year, as well as continuing our firm relationship with the British Institute of Interior Design (BIID) by welcoming both the President and the Past-President as judges, we have also included an award-winning travel journalist and a cluster of respected hospitality and hotel design experts to join this year’s panel.

(Free to apply/nominate) To nominate/apply for The Brit List Awards 2021, click here.

Without further a due, the judges for The Brit List Awards 2021 are:

Lindsey Rendall, President Elect, BIID

Image credit: Rendall & Wright

Lindsey Rendall is the soon-to-be President of the BIID. After graduating Lindsey Rendall worked for Designers Guild, the internationally renowned home furnishing brand before continuing her design career with Cameron Broom, based in south London. During her five years with the company, Rendall became principal designer and designed a wide range of projects including more than 90 domestic properties, five offices, three commissions for The Hurlingham Club and the complete renovation of 28 Portland Place, a beautiful historic building dating from 1775.

Rendall enthusiasm, attention to detail and ability to identify with her clients has ensured repeat business and many recommendations and referrals. In 2010 Lindsey was granted full membership of the British Institute of Interior Design. Lindsey joined forces with Helen to set up Interior Design practice Rendall & Wright in 2006. This dynamic duo, bring together design expertise and seamless project management, providing a personal and professional service.

Lester Bennett, President, BIID

Image credit: BIID

As a registered interior design with more than 30 years’ experience, Lester Bennett will be the Past President of the BIID during the judging process of The Brit List Awards 2021. Joining the panel for a second year, Bennett has covered many areas of design from running his own practice to being Design Director for the residential development company Westcity. He has built up a stunning portfolio of high profile residential developments both in the UK and overseas.

Lisa Grainger, Deputy and Tavel Editor, Times Luxx magazine

Image credit: Twitter (@LisaGrainger4)

Viewing this year’s entries from a different perspective over the likes of design and architecture professionals, Lisa Grainger is an award-winning travel journalist who has worked for The Times – from the arts and news desks to The Times Magazine and LUXX – since 1995. Grainger, who has become a well-known figure on the luxury travel scene and an influential voice which is amplified regularly in her authentic reviews, is a regular contributor to panels on conservation and luxury travel.

Frank M. Pfaller, President, HoteliersGuild

Image credit: Frank M. Pfaller

Image credit: Frank M. Pfaller

Frank M. Pfaller, the Founder and President of Hoteliers Guild joins the panel with his ‘no two people are alike’ attitude. Impressed by the accessibility of The Brit List Awards 2021, Pfaller believes that  while every property must meticulously reach and maintain highest standards of quality and personalised guest services, none should have to bear the dull stamp of conformity. HoteliersGuild was created with this mentality, and has become a private and independent society of active luxury hoteliers with the aim to connect the best of the hospitality community in a place that encourages the exchange of ideas and personal friendships.

 

Dereck & Beverly Joubert, filmmakers and owners, Great Plains

Image credit: Great Plains

Dereck and Beverly Joubert are world-renowned wildlife filmmakers and are the founders of Great Plains, an authentic, unique and iconic leading tourism conservation organisation. The pair will capture this year’s entries through their unique lens to capture, hopefully, the hotel projects that push boundaries in architecture, design and hospitality. Great Plains consists of 16 prestigious owned and partner safari properties in Botswana, Kenya and Zimbabwe – and offers exceptional safari experiences built around bespoke, caring, meaningful and considerate values.

Ngahuia Damerell, Senior Design Project Manager – Premium & Luxury Brands Design Solutions, Design & Technical Services, Accor

Image credit: Accor

Ngahuia Damerell, on the Board of Directors for the NEWH Paris Chapter, will join the panel to assist in the judging for the Rising Star Award, following Accor’s commitment to support young talent with the Accor Design Awards.

Damerell earned a bachelor’s degree in textile design with a focus on interior textiles from Massey University in Wellington, New Zealand. Her professional journey has taken her to Sydney, London, New York and now, Paris, where she works as the Global Senior Design Project Manager for Accor’s Luxury & Premium brands, including Raffles, Sofitel, Pullman and Movenpick.

Hamish Kilburn, Editor, Hotel Designs

Editor Hamish Kilburn headshot

Image credit: Hotel Designs

Completing this year’s panel, Hamish Kilburn, editor of Hotel Designs, will return for a fourth consecutive year to act as head judge for The Brit List Awards.

In his role on the leading online publication, Kilburn sensitively narrates the industry’s development. As well as travelling the globe, to far-flung destinations, in order to review some of the world’s most impressive hotels, he has also interviewed the masterminds behind their creations. “The Brit List Awards has become a valuable tool for the industry to understand who the real leaders and visionaries are among us,” he said. “In our meaningful search, we are looking for people and brands going beyond what is conventional – and in the four years I have held this position, the industry has never disappointed in showing us projects that are, quite simply, incredible.”

Most recently, Kilburn become the host of DESIGN POD, a new podcast for the A&D community and was also part of the team who masterminded Hotel Designs LIVE, a series of virtual online conferences for designers, architects and hoteliers in order to keep the industry connected and the conversation flowing. As a result, he has gained a detailed understanding as to what it takes to be at the forefront of the industry’s development and evolution.

So there you have it, your judges for The Brit List Awards 2021.

You can now purchase your tickets to attend the live awards ceremony, which takes place on November 3 at PROUD Embankment (designers, architects, hoteliers & click here. Suppliers, click here).

If you would like to discuss various sponsorship packages available, please contact Katy Phillips via email, or call 01992 374050.

Headline Partner: Crosswater

VIP arrivals: Hottest hotels opening in June 2021

730 565 Hamish Kilburn
VIP arrivals: Hottest hotels opening in June 2021

From re-imagined landmarks to Portobello boltholes and new hospitality hotspots, here’s your ultimate guide on the hottest, must-visit hotels that are opening in June 2021, just in time for the summer season to start. Editor Hamish Kilburn continues our VIP Arrivals series as international travel and hospitality open up once more…

A few weeks ago, restricted by green, amber and red lists – it’s as if we are at a junction and the traffic lights are broken – we on the editorial desk at Hotel Designs unveiled the best design hotels to visit in Portugal. But, as you know, we are a global platform and have over the last few months been publishing our VIP Arrivals series, which takes a closer look at the latest hotels opening on the hotel design scene.

For the June edition, things are hotting us as the summer season approaches. Although (for the time being, at least) many desirable destinations remain untouchable, we thrown down the metaphorical towels on the sun loungers for you at the new hotels we have recently added to our own travel bucket list. Here’s our editor’s pick of the must-visit hotels opening in June.

Proper Downtown LA

Proper Downtown LA: Hotels opening in June

Proper Downtown LA

The visionary herself, Kelly Wearstler, is preparing to unveil her latest masterpiece. With city lights and vintage brick as backdrop, Proper re-imagines and updates a landmark in the heart of the Fashion District into a 148-key destination hotel. Here, the creative vision of Kelly Wearstler seamlessly blends past and present with compelling design, vintage influence and local art. Essentials include two restaurants led by James Beard Award-winning L.A. chef Suzanne Goin and Caroline Styne (Lucques, AOC, Tavern); an intimate lounge, and a city-view rooftop pool and lounge-bar-restaurant. Especially Proper are two singular, one-of-a-kind suites fashioned from the basketball court and indoor pool of the building’s sporting club past.

Moxy Bergen, Norway

Moxy Bergen interior public areas - Hotels opening in June

Image credit: Moxy Hotels

Located in Norway’s striking Bergen, a World Heritage City with picturesque outdoor life, Moxy Bergen’s prime waterfront location offers unbeatable views overlooking Norway’s famed fjords. Moxy is an energetic alternative to the typical hotel experience in Bergen, proving that choosing affordability doesn’t mean sacrificing style and comfort. The hotel’s playful design is inspired by its destination; the exterior is coated with rails in a pattern mimicking the surrounding waves, and inside there is a focus on natural elements with wooden furniture and installations. Fun hunters can soak up local scenery throughout their stay with each of the hotel’s 199 guestrooms providing Instagram-worthy fjord or mountain views. Down in the lobby guests will find quirky creations by local artists, including a Norwegian folklore figure from the forests of Norway. The Now Lounge has pulled the hotel’s harbour setting inside with anchor ball lamps and rope decorations, telling the story of local life. Moxy Bergen also holds leading sustainability certificates, a perfect match for the eco-conscious traveller.

Kuda Villingili, the Maldives

Arival jetty Kuda Villingili – Hotels opening in June

Image credit: Kuda Villingili

Recently published on Hotel Designs as one of the most highly anticipated hotels opening in June, Kuda Villingili is a Maldivian jewel. Conceived with nature in mind by the Maldivian architectural firm GX Associates in collaboration with the Singapore-based interior design company URBNarc, Kuda Villingili boasts 95 luxury villas – 36 overwater and 59 beachside. All are inspired by the sprawling nature of the Maldives and offer panoramic views of the pristine ocean, allowing for the natural sounds of the sea to awaken the senses.

The resort’s interiors authentically reflect the natural beauty that surrounds the island. Traditional Maldivian art pieces and textiles are dotted throughout, and the expert use of natural materials enhance the harmony between water, light and wind. Inspired by the ocean and local fauna, interiors feature custom, eco-friendly furniture and fittings (including carpets manufactured from recycled plastic bottles). This mixed-use resort development also offers a variety of accommodation types to meet the needs of all – groups, couples, solo travellers and families.

The Lost Poet, London 

The Lost Poet - Hotels opening in June

Image credit: The Lost Poet

Deeply rooted in its surrounding area, The Lost Poet comes from the team at Cubic Studios – a local property design studio, born and bred in Notting Hill. The townhouse, located at Number 6, Portobello Road in London’s quaint Notting Hill neighbourhood, is a poetic love letter to the area, celebrating its creativity and dynamism through four individually designed bedrooms. The design harnesses the colour and playful curiosity of Portobello Road and takes inspiration from the market, mixing the old with the new. Guests will find modern art, bold wallpapers and bespoke furniture sitting in juxtaposition with antique trinkets and reclaimed wood panelling created from old school science labs.

Accessible to guests arriving at any time of day or night, the concept offers the independence of rental property with the design, housekeeping and concierge elements synonymous with a luxury boutique hotel. 

OMMA Santorini

White room inside OMMA Santorini

Image credit: OMMA Santorini

Epoque Collection, a new luxury boutique hotel management company, is opening the brand’s first meticulously selected five-star property, the beautiful and breathtaking OMMA Santorini. After a soft opening in 2019, the much-anticipated stunning and secluded hilltop hotel with no surrounding properties in sight, is set to officially open in June. From the outside architecture to the interior design, OMMA Santorini offers a journey of discovery through all the senses. With just 25 intimate rooms and suites and five villas, organised amphitheatrically around the element of water, OMMA Santorini provides an intimate hideaway for couples and families alike. Each of the five beautiful villas is blessed with a private swimming pool and sprawling sea views overlooking the Aegean Sea. The contemporary and timeless style throughout the hotel balances crisp white walls and clean-cut spaces against charcoal sun loungers and furniture to create a design that oozes luxury and elegance. Cycladic white buildings surround the extraordinary double infinity pool which is set across two levels and is amongst the largest pools in Santorini. For that reason, it makes our top picks of hotels opening in June.

Hotel Lou Pinet

A yellow stripped vibrant public area

Image credit: Hotel Lou Pinet/Mr Tripper

Just like its sibling hotel, Le Cou Cou in Meribel, Hotel Lou Pinet is a piece of art, if you like, painstakingly designed to celebrate something different on the hospitality scene in Europe. And although it’s not new – the hotel first opened in 2019 – its style is as fresh today as it was then. Taking design cues from the rich Mediteranian gardens, the hotel, which re-emerges in June from its forced closure, is a peaceful abode away from hustle and bustle of Saint-Tropez. While its design remains timeless – and flawless, if we do say so ourselves – Lou Pinet has introduced a new offerings and treatments in the spa, as service and design work in harmony in what is a modern treasure. Lou Pinet is an intimate hideaway echoing the vintage Saint-Tropez spirit of the 60’s and 70’ where loved-up couples will dance the night away in the magical gardens, as the live music transports them to this vintage era.

Since you’re here…

More than 40,000 readers per month enjoy the content we publish on Hotel Designs. Our mission is to define the point on international hotel design, and we are doing that by serving relevant news stories and engaging features. To keep up to date on the hottest stories that are emerging, you can sign up to the newsletter, which is completely free of charge. As well as receiving a weekly round-up of the top stories, you will also access our bi-monthly HD Edit –staying ahead of the curve has never been so easy!

Click here to sign up to our newsletter.

Main image credit: OMMA Santorini

Hotel Designs: round up 27 may

Weekly briefing: Maldives opening, bathroom trends & IDAS line-up

730 565 Hamish Kilburn
Weekly briefing: Maldives opening, bathroom trends & IDAS line-up

Editor Hamish Kilburn here – right on cue – to round off your week with a low-down of the most-read hotel design stories from the past few days. This week’s edition of the Weekly Briefing includes our sneak peek inside the Maldives’ latest design-led hotel about to open, a video panel discussion on bathroom trends and our in conversation with the wonderful Noami Heaton, CEO of The Other House…

Hotel Designs: round up 27 may

Where do we start? The challenge this week, now that UK hospitality is on the mend, following a rather bleak coma, has been sifting through press releases to select the most interesting and impactful stories for the international hotel design scene. In addition, of course, we have published a handful of our own crafted features and interviews that we believe answer questions regarding new challenges for the future of hotel design landscape.

So, before the weekend – a long weekend if you are based in the UK – can official start, here are our top stories from the week.

Island life: Kuda Villingili in the Maldives prepares to open

Arival jetty Kuda Villingili

Image credit: Kuda Villingili

In just a few days time, luxury travellers will be able to check in to Kuda Villingili, a much-anticipated luxury island retreat in the Maldivian archipelago. The remarkable five-star property located in the North Male Atoll, Kuda Villingili is the Maldives redefined; a unique, experience-driven concept, home to an impressive line-up of gourmet dining options, an idyllic beachfront spa, and an azure, spacious 150-metre pool, encircled by stylish sunbeds, cabanas and bars – take it from us, it’s stunning! 

Read more.

(in video) Hotel Designs LIVE: Bathrooms beyond practical spaces

Following the opening seminar on ‘a new era of lifestyle‘, which was no doubt the session that set the tone for the rest of the day’s panel discussions, session two of Hotel Designs LIVE was sponsored by bathroom manufacturer Grohe. For this chapter of the one-day conference, Hotel Designs decided to focus the lens on an area of the hotel that has been at the centre of the wellness conversation over the last year.

Welcoming leading designers and architects to join him on the virtual sofa, the panel looked at all five senses to understand how bathroom design and wellness areas are evolving in order to cater to new demands from modern travellers. Understanding bathroom spaces in all colours, shapes and sizes, the panel started to ultimately establish trends and major talking points for wellness spaces in 2021 and beyond.

Read more. 

In Conversation With: Naomi Heaton, CEO, The Other House

Naomi_Heaton_CEO_TheOtherHouse

Image credit: The Other House

Having just unveiled The Other House, a new lifestyle hospitality brand that is said to ‘revolutionise hospitality’, Naomi Heaton’s two new hotels that are planned to open in the next few years are expected to make unapologetic and bold statements on the hotel scene in London. But what else has Heaton got planned? We caught up with the visionary herself to find out more.

Read more…

Interior Design & Architecture Summit: Speakership line up finalised

Speakers for IDAS and projects they have worked on

There is still time for designers and architects to sign up to attend the Interior Design & Architecture Summit (IDAS) on June 30 at Hilton Canary Wharf, London. The one-day event, which launched in 2019, is designed to dynamically bridge the gap between senior designers, architects and key-industry suppliers.

The Summit includes pre-arranged face-to-face meetings, a networking lunch. In addition, Hotel Designs has curated a captivating seminar programme that will run throughout the day, inviting leading industry figures to discuss a range of relevant and thought-provoking topics.

Here’s what to look forward to…

Read more.

What we know about Britain’s largest cruise ship, designed by Jestico + Whiles

Britain’s largest and most environmentally-friendly cruise ship is named in a record-breaking virtual ceremony. Britain’s largest and most environmentally-friendly cruise ship, P&O Cruises Iona, has been officially named in a very contemporary ceremony with a record-breaking virtual audience. Iona, powered by liquefied natural gas, ground-breaking for the UK cruise industry and one of the cleanest fuels in the world, arrived for the first time into her home port of Southampton this morning ahead of tonight’s official naming ceremony. The ship was officially named tonight by Dame Irene Hays, chair of Hays Travel, Britain’s largest independent travel agency, in a glittering quayside ceremony by the bow of the ship. The event, held at sunset, was hosted by Jo Whiley and broadcast to a “virtual” audience of over 25,000 guests. The highlight of the show was a rousing set from Iona’s music director Gary Barlow performing two iconic Take That hits “Greatest Day and “Rule the World” against the backdrop of a spectacular laser show. A specially produced Nebuchadnezzar (equivalent to 20x 750ml bottles) of Alex James’s Britpop cider smashed against the hull of the ship in spectacular style to bring it good fortune in the future. There was also a special performance by The Commonwealth Youth Orchestra and Choir and Mica Paris singing Believe, a song which was composed by Simon Haw MBE and was dedicated to Her Majesty The Queen, head of the Commonwealth, for its 70th anniversary in 2019. Picture date Sunday 16th May, 2021. Picture by Christopher Ison. Contact +447544 044177 chris@christopherison.com For further press information please contact: Michele Andjel, michele.andjel@carnivalukgroup.com 023 8065 6653 / 07730 732 072 Laura Tattam, laura.tattam@pocruises.com 02380 656651 / 07771 283 845 Jenny Hadley, jenny.hadley@pocruises.com 023 8065 6650 / 07825 120 088

Image credit: P&O Cruises

Britain’s largest and most environmentally friendly ship, powered by liquefied natural gas (LNG) will accommodate up to 5,200 guests. Iona was named in a spectacular ceremony broadcast to a virtual audience on Sunday May 16 and the ship’s maiden voyage will be on August 7, sailing the UK coast and up to her namesake island.

The award-winning interior design and architecture studio, Jestico + Whiles, which recently took part in a panel discussion on the new era of lifestyle at Hotel Designs LIVE, has designed most of the food and beverage spaces throughout the ship and the most spectacular space of all, the soaring triple-height Grand Atrium which captures unprecedented panoramic views across the ever-changing seascape, as far as the horizon.

Read more.

The role of wellness in the new era of ‘lifestyle hospitality’

Image credit: The Cottonmill Spat at Sopwell House

Image credit: The Cottonmill Spat at Sopwell House

Following on from the virtual roundtable: ‘Raising the floor in lifestyle’ and our Hotel Designs LIVE session entitled: ‘A new era of lifestyle’, it’s safe to say that we are putting a lot of emphasis on understanding lifestyle hospitality in 2021 and beyond. To continue the theme, we asked Beverley Bayes, Creative Director at Sparcstudio, to look at the role that spa and wellness has to play in the new chapter of hotel design.

Read more.

Since you’re here…

More than 40,000 readers per month enjoy the content we publish on Hotel Designs. Our mission is to define the point on international hotel design, and we are doing that by serving relevant news stories and engaging features. To keep up to date on the hottest stories that are emerging, you can sign up to the newsletter, which is completely free of charge. As well as receiving a weekly round-up of the top stories, you will also access our bi-monthly HD Edit –staying ahead of the curve has never been so easy!

Click here to sign up to our newsletter.

 

Granorte Recolour - a room full of colour

Product watch: More colourful cork from Granorte

730 565 Hamish Kilburn
Product watch: More colourful cork from Granorte

Recolour is a cork floor from Granorte that embraces the natural material’s aesthetic and adds colour to bring a fresh look. “The result is an authentic blend of materials and colours that will help to give contemporary spaces texture in their design schemes,” explains editor Hamish Kilburn…

Granorte Recolour - a room full of colour

Having followed the innovative products that have been developed under the Granorte brand for a while now, with each product launch – whether its the natural-looking Decodalle or the Japanese-inspired Tatami – I am completely blown away by the teams ability to produce meaningful products that lend themselves nicely to designers who think consciously when specifying. The launch of Recolour floor tiles from the brand is no exception!

Available in an extraordinary 28 colours, all possessing cork’s unique aesthetic, Recolour floor tiles add a natural look that’s out of the ordinary to commercial interiors. Each Recolour tile features bevels for defined edges that give a modern design floor feel and with cork’s unmistakable look and colours that can contribute to any commercial interior scheme, the floor offers designers something entirely different from their choice of flooring.

“Recolour brings cork’s unique aesthetic but appreciates that not every interior needs, or wants, a natural cork colour,” said Paulo Rocha, Product and R&D Manager at the brand. “With shades ranging from pearl and cream through to terracotta, forest and saffron, it’s a collection that lets designers embrace the natural and renewable credentials of cork, but still adhere to design practices that look to zone spaces through colour.”

The collection is available in two specifications – 4mm glue-down (Recolour Fix) and 10.5mm click installation – both finished with Wearplus® an easy-clean super-matt finish that is durable but that also highlights the natural status of the material. Providing a highly wear-resistant surface,

Recolour uses a 3mm cork veneer, HDF core with Uniclic® for fast and easy fitting and a 1.5mm cork insulating layer with Microban® built in. Purists will prefer the all-cork construction of the standard Recolour Fix that delivers the unmistakable decorative veneer and high-density agglomerated cork core.  Recolour Fix is supplied in 900 x 150mm tiles and Recolour in 1164 x 300mm format.

Granorte has been making cork products since 1972, when it was established to provide a use for the waste cork of wine stopper production. The family-owned Portuguese company uses the latest in production technology and focuses on R&D to deliver a unique range of products made from cork. From walls and floors to furniture and sanitary ware, the company is cork’s true innovator.

Granorte is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this  three-month editorial package, please email Katy Phillips by clicking here.

Main image credit: Granorte

Parkside Tiles in the bathroom

Stylish antibacterial surfaces: Parkside’s Antibacterial Tiles

730 565 Hamish Kilburn
Stylish antibacterial surfaces: Parkside’s Antibacterial Tiles

Parkside has launched four new wall and floor tile collections with built-in antibacterial protection, proving preconceptions wrong that you can in fact inject hygiene qualities without sacrificing style when it comes to surfaces…

Years of research have resulted in wall and floor tile collections with antibacterial protection. Inspired by nature, the collection’s built-in technology uses tin oxide and titanium oxide to create a finish that is antibacterial and anti-viral.

Parkside Tiles in the bathroom

Now available in Beat, Sylkin, Larkham and Tyne, the technology is proven to eliminate 99.7 per cent of common bacteria. Unlike similar products, where the antibacterial properties fade with time, Parkside’s protection is permanent and lasts for the lifetime of the tile. In fact, the technology is enhanced by solar and artificial light, yet still performs under dark conditions.

Making businesses and public spaces safer and more hygienic around the clock, the tiles also require less use of cleaning chemicals or detergents, while bad odours are also eliminated.  Available in a range of looks, including authentic Tyne brick in red and white, and delivering 36+ PTV and the collection answers the need for floors, walls and surfaces that are durable and easy to keep safe in hospitality, leisure and other commercial projects.

Brian Linnington, managing director, Parkside, commented: “This new technology has been years in development and represents a significant step in hygienic porcelain wall and floor tiles. Not only antibacterial but anti-viral as well, the collection can help businesses with a more sanitary tile surface that is easier to keep clean.”

Parkside recommends the use of an epoxy or antimicrobial grout. Epoxide-resin-based grouts are impermeable so provide a degree of inherent protection, while remaining easy to clean thanks to a smooth surface. Containing Microban®, antimicrobial grout continually destroys and inhibits the growth of bacteria, mould and mildew.

Parkside, which won Best in British Product Design at The Brit List Awards 2020, is one of our recommended suppliers and regularly feature in our Supplier News section of the website. If you are interested in becoming one of our recommended suppliers, please email Katy Phillips.

Main image credit: Parkside

Sparcst Mottram spa cafeFleur Challis Photography-122

The role of wellness in the new era of ‘lifestyle hospitality’

730 565 Hamish Kilburn
The role of wellness in the new era of ‘lifestyle hospitality’

Following on from the virtual roundtable: ‘Raising the floor in lifestyle’ and our Hotel Designs LIVE session entitled: ‘A new era of lifestyle’, it’s safe to say that we are putting a lot of emphasis on understanding lifestyle hospitality in 2021 and beyond. To continue the theme, we asked Beverley Bayes, Creative Director at Sparcstudio, to look at the role that spa and wellness has to play in the new chapter of hotel design…

Sparcst Mottram spa cafeFleur Challis Photography-122

Long before the pandemic emerged in 2020, global hotel groups began to reveal plans for experience led design. There was a raft of new ‘lifestyle’ brands that would, we were told, be designed for the modern traveller – the emphasis on ‘experience’ was greater and with this the public areas were given the starring role in the overall hotel production.

Spas and wellness play a key role to play in the new lifestyle hotel offer we look at how spa design will evolve to fulfil this. Traditionally a hotel spa largely comprised of a series of 3m x 4m treatment rooms located off a darkened corridor (often in a basement) where guests would enjoy a largely solitary treatment experience before being led to ‘deep relax room’, again a darkened often solitary hushed experience.

an outdoor pool in hotel in countryside

Image credit: Center Parcs Aqua Sana Longford Forest Ireland.

Reflecting the elevated status of the modern spa, a spa can now command a key position in a hotel (with great views) as well as larger area within the overall hotel footprint. Must-haves now tend to include a rooftop pool/or ground floor location linking to a spa garden and a series of natural experiences. The pandemic has made these options even more important as many guests demand space, privacy and access to nature.

Social spaces and shared treatment experiences have also become a key element of a spa offer, perhaps more akin to the social experience that was a key part of a traditional Roman bathing experience. We have seen this emerge from the pandemic and lockdown, as those not wanting total privacy, expect to visit the spa with their friends and family, to enjoy social time in a relaxed wellness environment.

As a result, we are now designing more spas with treatment suites, which can be a flexible space that opens onto a small thermal private suite and relaxation spaces for small groups.

Spaces for the finishing touches like manicure/pedicure/makeup serve as great spaces for parties and intimate group. Most recently we designed the Ridgeview Beauty Bar at South Lodge Spa, dispensing premium award-winning English sparking alongside express spa treatments in a social space. Much like private dining rooms in restaurants, we often design these spaces with part glazed timber/glazed screens so that there is still the social connection between users and avoid reverting back to the corridor of doors syndrome.

“Hospitality matters”

Spa hospitality which includes the whole selection of food and beverage offered within the spa is evolving massively as hoteliers recognise the opportunity that a spa restaurant can add to the hotel’s existing food and beverage offering overall. Guests want the option of dining casually in the spa in their robes, but also like to have the option to eat before or afterwards, in a smart casual, yet modern environment. This is a huge opportunity for hotels and one that we expect to grow in the coming two – three years.

Image credit: Champneys Spa Mottram Hall

A spa can support a number of food and beverage offers, such as Champneys Mottram Hall, which has the relaxed spa café lounge and Rafaella’s Restaurant with healthy and nutritious options during lunch and dinner.

Spa F&B design is a great opportunity to create a very different look and feel to the other F&B areas within a hotel. It’s possible to create a relaxed casual, barefoot luxury vibe overlooking a pool or linking onto a spa garden or terrace. This is also where wellness can inform the menu with healthy, nutritious, vegetarian and plant-based options.

Image credit: The Cottonmill Spat at Sopwell House

Image credit: The Cottonmill Club Spat at Sopwell House

Going one step further, wellness hospitality can create a farm to fork concept, drawing on local suppliers and seasonal ingredients where possible. At South Lodge Botanica, the spa restaurant draws on the South Downs as a larder for fresh and seasonal ingredients. Although not exclusively vegetarian, the menu features a plethora of plant-based plates influenced by Mediterranean dishes. The Watershed serves a selection of drinks and light bites for those relaxing by the natural swimming pond throughout the day, during the summer months.

Thermal suites

Across the UK (and Europe) there has been a resurgence in thermal experiences, which in addition to providing huge health benefits, they are also great spaces for social spa-ing. Sparcstudio always design these as unique environments bespoke to the particular spa and we aim to connect the thermal cabin spaces with nature by bringing the outside in thanks to floor to ceiling glass walls looking across nature. Some excellent examples of this include the Spa at South Lodge and The Cottonmill Club at Sopwell House.

Image caption: Modern sauna inside Cottonmill Spa at Sopwell House

Image caption: Modern sauna inside Cottonmill Spa at Sopwell House, designed by Sparcstudio

We have noticed a definite trend towards spas enhancing the thermal suite offer with small group experiences. These can include a Russian Banya, an ‘Aufguss Sauna Meister experience’ where the ‘Sauna Meister’ uses towels to agitate the air and lessen the intensity of the heat, essence-infused air or group Hammam with billowing clouds of bubbles adding to the sense of theatre.

We anticipate that group treatment experiences will become more common such as those experienced at the Retreat Spa at the Blue Lagoon in Iceland where spa users can visit a series of heat experiences and apply mineral salt, or lava scrubs to themselves and their partners.

Lifestyle hospitality

Lifestyle hospitality is also seeping into all areas of our lives as we re-evaluate them post-Covid,;- there is a blurring of the lines between leisure, work and fitness – workspaces such as Fora & The Ministry offer yoga studios and fitness spaces and no doubt fitness clubs will also begin to provide informal work meeting spaces . The Global Wellness Summit identified that the trend for wellness and meetings to become blurred will continued beyond the pandemic. Expect to see hotel teams entering the spa for meetings or combining yoga, mindfulness and breathwork in the studio or on the terrace with their weekly meetings.

Fitness experiences, group exercise, group cycle/trail walk in the grounds or surrounding countryside are set to expand too – linking to the return to nature mentioned earlier.

Image credit: Champneys Mottram

Image credit: Champneys Mottram Hall

Spa and wellness experiences are also permeating into all areas of the hotel – in room fitness, yoga decks in garden, biophilic design in the rooms. Kimpton Blythswood Square has just launched a collaboration with CBD brand La Rue Verte, leading horticulturalists Benholm and award-winning DJ Brian D’Souza, on a multi-sensory experience combines the biophilic principles, plants in the bedroom with CBD rituals, meditation and sound therapy.

Creating a ‘luxury’ lifestyle-led experience – this is not about the opulence of the materials, or price of treatments, but new luxury is all about personal service, and the unique crafted individual touches that  spa is able to offer (hoteliers have so much to bring to spas in that they innately understand this).

As spa designers we need to have a deep understanding of the complexities of the spa operation to enable spa staff to provide this – unglamorous but operationally essential things like towel dispense and disposal needs to be carefully considered – routes in and out and storage points where they are needed for dirty and clean towels – (I am sure like me you might have experienced a huge rattling trolley being wheeled through a guest space and ruining an experience, because this hasn’t been addressed!).

Similarly wading through pools of surface water or seeing staff squeegeeing away stagnant pool water, because there are inadequate falls in wet/thermal zone, and the inexperienced designer might not appreciate the amount of water emanating from a steam room, this certainly doesn’t add to the luxury spa experience!

And then there’s the Instagram moment. The ‘wow’ factor. Lifestyle is the new luxury and wellness is at the centre of almost every hotel and hospitality conversation. Hoteliers wanting to ensure their offering is at the cutting edge of this, need to seamlessly blend wellness into their lifestyle offering so that the wellness journey begins before the guests arrive. It should be so effortless that the guest barely notices the attention to detail that has gone on behind the scenes, but immerse themselves into the wellness lifestyle from reception, to room and beyond.

Sparcstudio is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here.

Image credit: Champneys Mottram Hall

Image credit: RAK Ceramics

Hotel lobbies: “Let there be light,” says RAK Ceramics

730 565 Hamish Kilburn
Hotel lobbies: “Let there be light,” says RAK Ceramics

Hotel lobbies are the first sight that greet a guest when they arrive for their stay, so striking the right chord and creating that all important good first impression is vital here, explains Ben Bryden, Sales and Marketing Director at RAK Ceramics UK

Image credit: RAK Ceramics

Creating a good first impression, even when floor space may be at a premium, is crucial and whatever design and embellishments are chosen also needs to be in line with the hotel’s brand values, which from lobby to guest rooms will echo throughout the building no doubt.

Surfaces offer the ideal solution in this regard, being in and of themselves already highly visible.

Proving itself to be a stunning centrepiece for any hotel design concept, Luce by RAK Ceramics simply amaze when enhanced with backlighting technology, creating a striking effect that makes the right impression not only in hotel lobbies, but bar and restaurant areas too.

Image caption: Luce features a stunning marble-effect to make areas of the hotel such as bars and lobbies really stand out.

Image caption: Luce features a stunning marble-effect to make areas of the hotel such as bars and lobbies really stand out.

The new Maximus Translucent extra-large format slabs are a novelty that inspire creativity, with the range including seven different graphics and colours in marble and onyx effect, that replicate the natural ability of the stones to filter the light. The translucent body of Luce is made with a very high purity of raw materials containing special and high-quality clays and minerals. When illuminated, Luce’s special body gives a soft glow and really transforms the design from a plain tile to a soft natural marble. This of course taps into trends for nature-inspired designs, creates a real feeling of luxury and plays with light in an incredibly creative way.

Image caption: When illuminated, Luce’s special body gives a soft glow and really transforms the design from a plain tile to a soft natural marble, perfect for gently lighting up public spaces within the hotel after dark.

Image caption: When illuminated, Luce’s special body gives a soft glow and really transforms the design from a plain tile to a soft natural marble, perfect for gently lighting up public spaces within the hotel after dark.

In 6mm thick slabs measuring 120 x 260cm, Luce can be chosen in Onyx White, Onyx Harlequin, Onyx Ivory, Onyx Arco Red, Onyx Green Jade, Marble White and Bahia Azul.

Such solutions can be used by designers to enhance the guest experience, giving a good first impression and creating spaces that are beautiful with quality products.

RAK Ceramics is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our recommended suppliers, please email Katy Phillips.

Main image credit: RAK Ceramics

Render of luxury rooftop property

Industry insight: Transforming leisure spaces with innovative tile design

730 565 Hamish Kilburn
Industry insight: Transforming leisure spaces with innovative tile design

As public spaces begin to re-open, now more than ever business owners are looking for new ways to entice potential visitors. In addition to high-performance and functionality, aesthetics are key to designing a stylish pool or spa environment fit for purpose. We speak to CTD Architectural Tiles to learn more about the brand’s latest tile design collections…

Render of luxury rooftop property

When it comes to designing spas and leisure spaces, tiles can have a real visual impact on the overall look of the space. An integral part to any scheme, tiles allow designers, architects and specifiers to experiment – to create eye-catching designs for all to enjoy.

From marble-effect finishes to industrial inspired porcelain, CTD Architectural Tiles’ expansive collection of tiles not only looks impressive, but it also conforms to the highest technical standards to provide a solution for any leisure design brief.

Provide peace of mind with aesthetic anti-slip tiles

Health and safety is of utmost importance in any commercial sector, especially high-traffic leisure spaces or swimming pools, where excess surface water is likely. These spaces demand a tile solution that offers peace of mind, with anti-slip properties that meet the necessary safety regulations in order to deem the environment safe for public use. Yet, functionality doesn’t always mean compromising on aesthetics, CTD Architectural’s tile collection is specially designed to deliver on both style and performance.

Petra exudes a classic appeal and combines the beauty of natural stone with the benefits of an anti-slip ‘Class C’ porcelain surface. With three colours available, Petra allows designers to create a cohesive scheme, from swimming pool surrounds to outdoor patio flooring – the design possibilities are infinite.

For a more timeless look, business owners should opt for Milan, this beautiful tile can be specified in three soft tones: Sand, Grey or Marengo. Pairing natural beauty with the hardwearing properties of porcelain stone, these tiles are ideal for achieving a calm and tranquil ambience whilst fulfilling all of the anti-slip properties required for safe pool environments.

YDRAY-AMBIENTE-MILAN-GRIS-PISCINA

Image credit: CTD Architectural Tiles

A forward-thinking antibacterial surface solution

As our attention turns to hygiene and the importance of safely re-opening hospitality spaces, antibacterial tiles have increased in popularity. The perfect surface option for heavy footfall areas, antibacterial tiles benefit from groundbreaking Microban® technology in the form of a specialist coating applied directly to the tile surface.

Anthology is available in five muted colours; the porcelain wall tile is suitable for application on both the wall and floor and aims to depict the natural shade variations and inherent veining of stone and marble. With its enhanced antibacterial coating and high-quality visual appeal, Anthology is the perfect tile to breathe life into spa environments and luxurious poolside areas.

Comprehensive tiles designed for swimming pools 

When designing for a swimming pool there are extra considerations that need to be accounted for – stairs, overflow systems and even a skimmer need to be factored into the design scheme to help create a seamless surface throughout.

CTD Architectural Tiles’ Opera collection skilfully blends concrete and stone to create a range of industrial-looking porcelain tiles. Developed in large format, with surface finishes for both indoor and outdoor use, the stunning avant-garde slab can be specified in four colourways: Ivory, Light, Iron and Silver. An ideal choice for the leisure industry, the Opera range is supported by specialist pieces designed exclusively for swimming pool use.

As the leisure industry continues to evolve and bounce-back after a year of uncertainty, it’s clear that by creating stylish yet functional schemes, business owners can deliver unique swimming pool environments that guests will want to spend time in.

CTD Architectural Tiles is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our recommended suppliers, please email Katy Phillips.

Main image credit: CTD Architectural Tiles

Hotel Designs LIVE - session 2

(in video) Hotel Designs LIVE: Bathrooms beyond practical spaces

730 565 Hamish Kilburn
(in video) Hotel Designs LIVE: Bathrooms beyond practical spaces

In the second session of Hotel Designs LIVE on May 11, 2021, the editorial lens focused in on the hotel bathroom. In an exclusive panel discussion, editor Hamish Kilburn welcomed Nick Hickson, Co-Founder and Creative/Technical Director, THDP; Gabriele Chiave, Creative Director, Marcel Wanders Studio and Christos Passas, Director, Zaha Hadid Architects, to explore bathrooms beyond practical spaces (scroll down to watch full video)…

Hotel Designs LIVE - session 2

Following the opening seminar on ‘a new era of lifestyle‘, which was no doubt the session that set the tone for the rest of the day’s panel discussions, session two of Hotel Designs LIVE was sponsored by bathroom manufacturer Grohe. For this chapter of the one-day conference, editor Hamish Kilburn decided to focus the lens on an area of the hotel that has been at the centre of the wellness conversation over the last year.

Welcoming leading designers and architects to join him on the virtual sofa, the panel looked at all five senses to understand how bathroom design and wellness areas are evolving in order to cater to new demands from modern travellers. Understanding bathroom spaces in all colours, shapes and sizes, the panel started to ultimately establish trends and major talking points for wellness spaces in 2021 and beyond.

On the panel: 

Here’s the full video of the panel discussion (on demand), produced by CUBE, which includes Product Watch pitches from Grohe, Christopher Hyde, Crosswater, Schlüter Systems, Laufen and Villeroy & Boch.

We have also published the full recording of session one from Hotel Designs LIVE. The full recordings of the other two sessions (‘Art outside the frame’ and ‘Workspace design trends’) will be available on-demand shortly.

SAVE THE DATE: Hotel Designs LIVE will return for a fourth edition on August 10, 2021. The topics explored will include surfaces, sleep, senses and social and speakers will be announced shortly. Once these have been announced, tickets for Hotel Designs LIVE will be available. In the meantime, if you would like to discuss sponsorship opportunities, focused Product Watch pitches or the concept of Hotel Designs LIVE, please contact Katy Phillips or call +44 (0) 1992 374050.

Since you’re here…

More than 40,000 readers per month enjoy the content we publish on Hotel Designs. Our mission is to define the point on international hotel design, and we are doing that by serving relevant news stories and engaging features. To keep up to date on the hottest stories that are emerging, you can sign up to the newsletter, which is completely free of charge. As well as receiving a weekly round-up of the top stories, you will also access our bi-monthly HD Edit –staying ahead of the curve has never been so easy!

Click here to sign up to our newsletter.

Weekly round-up of the latest stories on Hotel Designs

Weekly briefing: Portugal’s finest, London unveils & going Gaga for DESIGN POD

730 565 Hamish Kilburn
Weekly briefing: Portugal’s finest, London unveils & going Gaga for DESIGN POD

Editor Hamish Kilburn here, rounding off your week with a throwback to the hottest stories published over the last few days. In this edition of the Weekly Briefing, we amplify Portugal’s best design-led hotels, go Gaga for episode 4 of DESIGN POD, tease you with the latest London unveils and share the full recording of our panel discussion on ‘a new era of lifestyle’ that was filmed at Hotel Designs LIVE. Enjoy…

Weekly round-up of the latest stories on Hotel Designs

What a week – we’ve product news from the likes of hansgrohe, Ideal Standard, Atlas Concorde and Bette as well as keeping our ears to the ground on the latest news in the hotel development arena. In addition, we dropped episode 4 of DESIGN POD which welcomes Jack Irving as our special guest. In fact, why not read this round-up while listening to that episode, to here myself and Irving discuss fashion highlights, collaboration goals with Lady Gaga, Paris Hilton and The Spice Girls and the result of his debut interior design project.

Here are your top stories of the week: 

“Shoreditch’s hottest unveil of 2021.” What we know about Mondrian Shoreditch

Mondrian Shoreditch Bar view_Daytime - Credit_ Goddard Littlefair (1) copy

Image caption: A render of the bar sheltered inside Mondrian Shoreditch London. | Image credit: Goddard Littlefair/FRAMED Visualisation

Considering the building’s reputation for sheltering a vibrant, modern and contemporary hospitality space, the pressure was on for interior design firm Goddard Littelfair when they were asked by Accor to completely redesign the hotel for when it reopened as the Mondrian Shoreditch. But as always, following the deep design narrative that was unveiled in their latest project, The Mayfair Townhouse, the design firm has delivered and we are excited to share with you our sneak peek inside what we are calling Shoreditch’s hottest unveil of 2021.

Read more.

(In video) Hotel Designs LIVE: A new era of lifestyle

To kickstart Hotel Designs LIVE on May 11, editor Hamish Kilburn invited James Dilley, Director, Jestico + Whiles; Naomi Heaton, CEO, The Other House and David Mason, Head of Hospitality at Scott Brownrigg for a panel discussion entitled: A new era of lifestyle.

Read more.

A new level of wellness: The Spa at 45 Park Lane

Image of the pool and relaxation area at The Spa at 45 Park Lane

Image credit: Dorchester Collection

Leaping into a new era, the hotel has launched The Spa at 45 Park Lane as part of guests’ hotel experience. And unlike other London hotels that’s spas are the size of oversized shoeboxes, the new wellness facility inside the 45-key boutique hotel is, by all accounts, expansive compared to some of its London neighbours. The 10,000 sq. ft. spa features Park Lane’s longest pool at 20 metres, as well as a personal training room and spacious state-of-the-art gym.

Read more.

An expert’s guide on the science of a good nights’ sleep

A modern and minimalist room

Image credit: Silentnight Group

With 75 per cent of Brits admitting to not having a good nights’ sleep and 30 per cent of people rating their sleep as “bad”, chances are you know what a bad nights’ sleep feels like. We’ve all had one, and most of us will have had at least one nights’ bad sleep in a hotel, but why? Sleep experts from Silentnight Group Hospitality, Hannah Shore and Angela Moran, explores your ultimate sleep guide.

Read more.

Miniview: Inside The Carlton Tower Jumeirah – now open!

Contemporary lobby inside The Carlton Tower Jumeirah

Image credit: Jumeirah Group

We have waited an agonising 18 months, but we can finally celebrate the opening of The Carlton Tower Jumeirah, a masterpiece the international design studio 1508 London that has allowed what was a tired and worn down hotel to prosper in London’s Knightsbridge neighbourhood. We have been following the story since day dot.

Read more.

And finally… the best design hotels to visit in Portugal

Rooftop bar in Portugal

Image credit: Lumiares, Lisbon

With Portugal being on the ‘green list’ when it comes to travel from the UK – for now, at least – Hotel Designs shares some hotel gems, from Lisbon to Porto and everything in between, that you may or may not be familiar of.

Read more.

Since you’re here…

More than 40,000 readers per month enjoy the content we publish on Hotel Designs. Our mission is to define the point on international hotel design, and we are doing that by serving relevant news stories and engaging features. To keep up to date on the hottest stories that are emerging, you can sign up to the newsletter, which is completely free of charge. As well as receiving a weekly round-up of the top stories, you will also access our bi-monthly HD Edit –staying ahead of the curve has never been so easy!

Click here to sign up to our newsletter.

The Carlton Tower Jumeirah lounge

Miniview: Inside The Carlton Tower Jumeirah – now open!

730 565 Hamish Kilburn
Miniview: Inside The Carlton Tower Jumeirah – now open!

We have waited an agonising 18 months, but we can finally celebrate the opening of The Carlton Tower Jumeirah, a masterpiece the international design studio 1508 London that has allowed what was a tired and worn down hotel to prosper in London’s Knightsbridge neighbourhood. Editor Hamish Kilburn has followed the story since day dot

The Carlton Tower Jumeirah lounge

For a hotel group that shelters the Burj Al Arab in Dubai, which is a internationally recognised jewel of luxury, the challenges that are associated with designing other hotels in the portfolio are some what obvious. Operating a luxury hotel in London, however, is a different task altogether that requires a sensitive and dynamic approach from concept right through until completion.

For whatever reason, despite Jumeirah being one of the world’s most reputable luxury brands globally, its portfolio in Europe and the UK is somewhat lacking. In 2015, I was invited to one of the group’s press days, which started with meetings with GMs from hotels around the globe in the contemporary atrium of the brand’s Grosvenor House Suites. Disappointingly, though, the day ended with drinks at The Carlton Tower Jumeriah. I say ‘disappointingly’ because the hotel was, unlike the brand’s reputation, tired and was in desperate need of a makeover!

Cue the arrival of 1508 London, the design studio that saved the day. Following an 18-month closure for refurbishment, the hotel has undergone the most extensive – not to mention, most timely – transformation in its history, at a cost of more than £100 million.

Every nook of the 17-storey building, that sits majestically in the Knightsbridge neighbourhood, has been redesigned, creating a new foyer and reception, 186 new guestrooms and suites (reduced from 216 to offer larger accommodations), a fresh health club and spa with London’s largest naturally lit swimming pool, a restaurant, lobby bar and lounge, ballroom and meeting rooms.

The term ‘modern classic’ springs to mind when entering the building that was originally designed by Henry End, also responsible for the interiors of the Plaza Hotel in New York. The design team have drawn on the hotel’s glamorous heritage and location to create a modern classic with a timeless, refined interior and sense of grandeur.

Contemporary lobby inside The Carlton Tower Jumeirah

Respectful of the building’s original, clean modernist style, 1508 London has layered the eclectic mix of the architecture of the surrounding mansion blocks and homes, adding soft curved edges, pops of bright colour and organic inspired forms throughout.  The hotel’s enviable position overlooking Cadogan Gardens, the private gardens designed in 1804, is further reflected throughout the hotel, reminding guests of their unique access to this covetable green space and tennis courts, normally only open to residents.

Heralding its arrival and marking the hotel’s position as an important modernist building in London at its opening was the commissioning of a large external sculpture by Dame Elisabeth Frink (1930-1993), a sculptor at the beginning of her career in 1961 and now acknowledged as one of the most important English artists of her era. This sculpture has been retained and restored, a highlight of the ‘porte cochere’ entranceway that continues to the redesigned turntable glass doors. Through these doors the design echoes a classical British grand hall with the creation of a striking double-height space.  Within it is suspended a bespoke fluted chandelier which incorporates an abstract interpretation of a chrysanthemum, inspired by Cadogan Gardens’ history as a botanical garden.  Accessed from the lobby is ‘The Chinoiserie’, the hotel’s much-loved all-day dining area, now transformed with an elegant and light design. With the innovative Cake-o’clock concept serving patisserie all day, as well as a wide range of international favourites and an extensive beverage list, this lounge will reclaim its rightful place in Knightsbridge’s social scene. Additionally, a newly created lobby bar offers a refined experience in glamorous surrounds.

The 186 beautifully appointed guestrooms have all been renovated to the highest standard, designed to offer a sense of tranquillity with an emphasis on light and space. Almost 50% of the keys at The Carlton Tower are suites, reflecting the hotel patrons’ historical preference for increased space and longer stays.

87 of the rooms and suites have the fantastic benefit of a balcony, taking advantage of the stunning views across London. Combining a modernist aesthetic with minimal style, the accommodations feature textured wall panelling, furnishings in softer forms and accents in a warm colour palette influenced by British heritage hues in deep blue, green and maroon as well as floor to ceiling marble bathrooms with toiletries by Grown Alchemist. Newly created is the Royal Suite, the hotel’s most exclusive residence featuring three bedrooms with the option to privatise the entire floor for the utmost in security and discretion.

The hotel’s destination restaurant ‘Al Mare’ offers a sophisticated, welcoming dining experience imbued with all the charms of Italian cuisine, both familiar and luxurious.

Restaurant that is stylishly designed by 1508 London at The Carlton Tower Jumeirah

Image credit: Jumeirah Group

The restaurant allows a convivial, gastronomic experience, taking guests on a journey through Italy and features a theatre kitchen, private dining room and al fresco dining. The hotel’s Executive Chef and Al Mare’s Head Chef is Italian native Marco Calenzo, who joined the hotel from Zuma where he was Executive Chef. Prior to this Marco worked for Four Seasons Hotels internationally as well as the Lanesborough in London.

Elsewhere, the hotel’s famous health club ‘The Peak Fitness Club & Spa’ is uncommonly enormous compared to other wellness scenes in other London hotels. Set across three floors, the whole areas has been completely redesigned. New treatment rooms have been created at the Talise Spa on the second floor and the swimming pool area revitalised. The pool is London’s largest in a hotel with natural daylight and its bright interior is complemented by views through its double height glass ceiling, lined with poolside cabanas for relaxation.  

Large pool inaside the Jumeirah hotel in London

Image credit: Jumeirah Group

Additionally, The Peak offers studio classes, and a gym featuring bespoke ‘Technogym’ equipment on the ninth floor which overlooks The Peak’s light-filled cafe with breath-taking panoramic views across the capital.  With its new design and features as well as a strictly limited membership, The Peak looks set to retake its position at the forefront of London’s luxury wellness world. 

Welcome back to London, The Carlton Tower Jumeirah – you look fantastic!

Since you’re here, why not read our interview with 1508 London’s Hamish Brown?

Main image credit: Jumeirah Group

Biophilia in design at Hotel Indigo Venice - Sant'Elena, an IHG Hotel

NEWH La Pause: A panel discussion on Biophillia in design

730 565 Hamish Kilburn
NEWH La Pause: A panel discussion on Biophillia in design

Following Hotel Designs becoming an official media partner for NEWH, editor Hamish Kilburn was asked to moderate the UK Chapter’s next webinar in the La Pause series, which discussed biophilic design solutions. Rita Bancroft shares her highlights…

Biophilia in design at Hotel Indigo Venice - Sant'Elena, an IHG Hotel

The popular La Pause webinar series developed by the UK, Paris and Milan chapters of NEWH have given us all precious moments to stop and reflect on key issues affecting the hospitality industry. As an international non-profit hospitality networking group, NEWH raises money to provide scholarships to students entering the hospitality sector. Sharing knowledge and stimulating design conversation is a vital part of this, and February’s webinar on Biophilia in Design had particular resonance as it discussed how our connections with nature are influencing hospitality design.

With each specially-selected panellist providing a unique and valuable perspective on biophilia in design, we heard from a leading boutique and lifestyle hotel brand, a renowned architect, and an educator specialising in sustainability.

Meet the panel: 

The session was moderated by Hamish Kilburn, lifestyle journalist, traveller, content curator, podcast host, and editor of Hotel Designs. A strong advocate of biophilia in design, Kilburn was able to shine a spotlight on some of the panel’s projects. The panel was clear that biophilic design is not just about incorporating plants, it is about taking a holistic approach to the entire project from build and interior design to the food and beverage served.

Henry Reeve explained how IHG’s QO is a different kind of lifestyle hotel born from a commitment to the world around us. As one of the most sustainable hotels in Europe, it has a rooftop greenhouse illuminated in pink to help the plants grow in order to supply the kitchen. The ingenious solution to introduce living plants in each guest room is delightful. Each coffee plant grows in a specially-designed glass cloche that creates its own eco-system and therefore requires no water or maintenance. This practical incorporation of biophilic design is what makes it truly sustainable.

Given that our ability to connect with nature is more important than ever, Manuela Mannino explained how the pandemic has acted as an accelerator to what was already there. She talked about her holistic approach and that, in addition to incorporating plants, THDP injects a sense of place by connecting places through colour palettes and design. An example of this is IHG’s award-winning Hotel indigo in Venice where the connection between the garden and the open lobby and bar was made through plants and a cohesive colour palette.

Coming into the conversation from a slightly different angle, Johanna Wagner, was able to discuss the integral topic from the perspective of hotel asset management. As co-founder of La Belle EDuC, Wagner is helping lay the groundwork for higher education programs to achieve state-of-the-art sustainability integration in their curricula and empower students in their choice of studies. The EDuC is the first sustainability label for higher education programs focusing on teaching materials and the student learning experience. The EDuC label was developed in partnership with AFNOR, the French national organisation for standardisation and the representative member of ISO in France.

The La Pause series continues with ’Spa & Wellness’ on May 20; and a spotlight on ’Hotel Diffusi – Scattered Hotels’ on June 17. If you would like to attend, register via the website.

Image credit: Hotel Indigo Venice – Sant’Elena, an IHG Hotel

Hansgrohe pulsify

Product watch: hansgrohe Pulsify, a contemporary & accessible shower solution

730 565 Hamish Kilburn
Product watch: hansgrohe Pulsify, a contemporary & accessible shower solution

Following a sharp pitch at Hotel Designs LIVE, bathroom manufacturer hansgrohe introduces its latest shower innovation, Pulsify, a contemporary shower range that aims to connect people, space and water; making it accessible to bathrooms of all shapes and sizes…

Hansgrohe pulsify

Available in Chrome, Matt Black and Matt White, the striking Pulsify range of hand and overhead showers marries modern design with unparalleled functionality.

With a unique nozzle ring formation, the sleek and slim showerheads are all equipped with hansgrohe’s innovative microfine PowderRain, Massage and IntenseRain spray modes, to deliver luxurious spa-like moments with water. The 26cm spray disc with an adjustable inclination angle of 10-30°, makes for an easier and more comfortable showering experience. Select buttons allow for e asy transitions between hand and overhead shower, whilst water and temperature controls are integrated into the ShowerTablet thermostat – this 40cm shelf also serves as practical storage space for shower essentials.

Image to show flexibility of hansgrohe product

Image credit: hansgrohe

True to hansgrohe’s commitment to eco solutions, Pulsify is designed with low water consumption, thanks to its EcoSmart technology. With the single-spray hand-held shower in the “green version”, the hansgrohe shower has a maximum consumption of only six litres per minute.

An intelligent flow of water inside the thermostat also ensures enhanced safety. hansgrohe’s CoolContact technology means the shower casing does not get heated up by the warm water inside, reducing painful contact with hot surfaces.

handshower next to body wash in contemporary bathroom

Image credit: hansgrohe

Both the showerhead and hand-held shower feature the well-known hansgrohe QuickClean function, meaning lime and calcium deposits can be easily removed by running fingers over the spray surface after showering. The overhead shower can also be completely removed, which means the strainer can be taken out and rinsed. The overhead shower even has a draining function, which reduces the necessary yet annoying dripping after showering, leading to a drier, more hygienic shower.

hansgrohe Pulsify can be combined with complementary products for the sink and bath, especially the hansgrohe Vivenis tap ranges. If more storage space is needed, hansgrohe also offers the new AddStoris accessory line, which comprises complementary products in a modern, minimalist design.

As well as being a Recommended Supplier, hansgrohe was a Product Watch Pitch partner at Hotel Designs LIVE, which took place on May 11, 2021. The next Hotel Designs LIVE will take place on August 10, 2021

Main image credit: hansgrohe

The swimming pool at The Spa at 45 Park Lane

A new level of wellness: The Spa at 45 Park Lane

730 565 Hamish Kilburn
A new level of wellness: The Spa at 45 Park Lane

Designed by Jouin Manku with the aim to shelter an elevated sense of wellbeing and luxury, The Spa at 45 Park Lane has opened and features the longest pool (20 metres) on Park Lane. Editor Hamish Kilburn has the story…

The swimming pool at The Spa at 45 Park Lane

Park Lane has long been regarded London’s ultimate address for unparalleled luxury. Among the quintessentially British hotels that sit on the fridge of Hyde Park, The Dorchester, which recently celebrated its 90th anniversary, is arguably the most famous, with its classic English residential design stylishly seeing it through many decades. The 250-key hotel may be London’s ‘Mother’ of hospitality, but it is the younger sibling in the Dorchester Collection portfolio, which incidentally is situated just a few doors down from The Dorchester, that has raised eyebrows recently on the hotel design scene.

45 Park Lane, which opened 10 years ago, radiates a different kind of style to that of its older family member. Throughout the intimate-sized hotel, luxurious and contemporary interiors by New York based designer, Thierry Despont, provide a club-like feel offering all guests – international and locals alike –  a smart, central environment from which to enjoy London.

Leaping into a new era, the hotel has launched The Spa at 45 Park Lane as part of guests’ hotel experience. And unlike other London hotels that’s spas are the size of oversized shoeboxes, the new wellness facility inside the 45-key boutique hotel is, by all accounts, expansive compared to some of its London neighbours. The 10,000 sq. ft. spa features Park Lane’s longest pool at 20 metres, as well as a personal training room and spacious state-of-the-art gym.

“The wellness space has been specifically created to bring a sense of the outside in.”

Image of the pool and relaxation area at The Spa at 45 Park Lane

Image credit: Dorchester Collection

The wellness space is part of Mayfair Park Residences, the recently completed development delivered by ultra-prime developers Clivedale London located next door to, and serviced by, 45 Park Lane. Guests of the hotel have full use of the facilities as part of their stay experience, which include separate sauna and steam rooms, a hydrotherapy pool and private changing and shower rooms.

Designed by Jouin Manku, the wellness space has been specifically created to bring a sense of the outside in, referencing artistic flora using traditional Roman style mosaics from Venetian artisans. Taking design cues from the rest of the hotel, natural timbers and light coloured stone bring a sense of calm and tranquillity; while timber slatted ceilings have been integrated to create better acoustics within the pool, gym and relaxation lounge. The entire space has been generously arranged to maximise the sense of spaciousness.

Timber changing room at The Spa at 45 Park lane

Image credit: Dorchester Collection

With the hotel’s strong tie to the world of art that goes beyond its four walls, 45 Park Lane’s art curator Lily Ackerman has selected works by American fine art photographer Jin-Woo Prensena and British sculptor Jill Berelowitz to adorn the space.

The relaxation lounge connected to the pool allows guests to unwind before or after a work-out, spa treatment or swim. Within the lounge is an open fireplace with a menu of healthy dishes by 45 Park Lane’s Executive Chef Jamie Shears.

Tailored personal training programmes can be created for guests, with both one-to-one and family group sessions available to book in advance. The expansive gym features the latest Technogym equipment with dedicated ‘cardiovascular’ and ‘strength’ areas.

John Scanlon, General Manager of 45 Park Lane who was recently profiled in The Brit List, comments: “For almost a decade, 45 Park Lane has stood amongst the best hotels in London. As we look towards our next chapter we are thrilled to be introducing luxury wellness into the guest experience to create one of the finest spa facilities in the capital.”

Christopher Cowdray, Chief Executive Officer of Dorchester Collection, adds: “Marking our first venture into private residences, the completion of Mayfair Park Residences is a pivotal moment in our company’s history. Our heritage focuses on the best of design in prime locations, making Clivedale London a natural partner with shared values. These new residences will benefit from the services of  The Dorchester and 45 Park Lane, while the proximity of Park Lane and Hyde Park further elevate the location to one of the best real-estate sites in the world. We look forward to offering Dorchester Collection’s treasured way of life to the new residents.”

With the addition of the hotel’s new spa and wellness facilities, 45 Park Lane continues to stand as a vibrant, luxurious and welcoming ‘club-like’ hotel that is the London home of an international crowd.

Main image credit: Dorchester Collection

Pool and outdoor terrace overlooking Portugal's River Douro

Best design hotels to visit in Portugal

730 565 Hamish Kilburn
Best design hotels to visit in Portugal

With Portugal being on the ‘green list’ when it comes to travel from the UK – for now, at least – editor Hamish Kilburn shares some hotel gems, from Lisbon to Porto and everything in between, that you may or may not be familiar of… 

The floodgates into Portugal have opened (kind of). International travel is no longer a wanderlust dream and we are able to unlock hotel design wonders, in person, once more.

Pool and outdoor terrace overlooking Portugal's River Douro

With few countries on the ‘green list’ considered ‘travel hotspots’, Portugal is among the few places UK travellers are allowed to visit to without having to isolate upon their return – it’s also, without question, the most popular place to visit since travel restrictions were slightly lifted.

To mark this moment as a small celebration, we thought we would share with you a handful of our favourite hotels in Portugal, from boutique boltholes in Lisbon to something new in the Algarve, and not forgetting the one-off travel experiences in other towns and cities in between.

Six Senses Douro Valley

From its postcard-perfect setting in the UNESCO World Heritage listed Douro Valley, to the elegant and innovative decor within, Six Senses Douro Valley has a lot of untamed charm. Surrounded by ancient vineyards (this area of Portugal is the oldest demarcated wine region in the world), the hotel’s contemporary personality is camouflaged by its location. From the beautiful chandeliers made of wine bottles to the unique Wine Library & Terrace; this is the place to sample some of the world’s most rare and entrancing vintages. Throughout all guestrooms, suites and villas decor is chic and modern with large windows to take in the most of the spectacular views on every side. This contemporary elegance continues throughout the hotel, which has a unique character and feel.

As you’d expect from a Six Sense property, the spa is a statement feature, which includes an expansive indoor pool and 10 treatment rooms.

Throughout the hotel, the decor is chic and modern and there is an emphasis on sustainable luxury. Innovative use of cork flooring and beautiful chandeliers made from wine bottles lend a sense of place, whilst also ‘upcycling’ in an environmentally conscious style. This attention to detail characterises what is a truly special Portuguese hotel.

Four Seasons Hotel Ritz Lisbon

A smart and well-designed room inside Four Season Ritz Lisbon

Image credit: Four Seasons Hotels and Resorts

Four Seasons Hotel Ritz Lisbon has recently unveiled a new renovation to its guestrooms, suite, as well as unveiling a new outdoor swimming pool and an outdoor bar and terrace. Portuguese architecture studio OITOEMPONTO was appointed in 2019 to breathe new life into the guest rooms and suites at the iconic Hotel. Design duo Artur Miranda and Jacques Bec were reticent to ‘modernise’ the classic Hotel, so set about re-imagining the past for the present, to evolve the Hotel’s roots in style, aesthetics and ambience. 

The room and suite redesign follows the launch of new restaurant CURA (opened September 2020), where Chef and head culinary curator Pedro Pena Bastos meticulously selects ingredients, drawing from Lisbon’s rich regional palette to create seasonal, artisanal dishes such as squid with hazelnut, bergamot, roasted seaweed butter and Ossetra caviar. 

Pestana Palácio do Freixo

The last time I visited Pestana Palácio do Freixo was in 2014, and I bet since then nothing has changed – at least I hope that’s the case. Located just 3 km west from Porto’s city centre, the Palácio do Freixo, classified in 1910 as a National Monument, is a unique example of Baroque architecture, with about 10,000 square metres of gardens and green spaces offering breathtaking views of the River Douro.

The setting of a stunning example of an Urban Resort, it is a member of the exclusive consortium The Leading Hotels of the World and provides guests with an unparalleled experience that marries traditional values with contemporary comfort. The Pestana Palácio do Freixo is characterised by its sumptuous eighteenth century architecture. It was built by Nicolau Nasoni, one of the most important architects that helped Porto become a World Heritage Site.

Lumiares, Lisbon

The Lumiares, Lisbon is a five-star boutique bombshell, where the style is personal, not “corporate”, relaxed not “stuffy”, gives an authentic nod to Lisbon’s colour, culture and patterns.

The fully renovated hotel, which is housed in a former XVII century Palace in the heart of the city, has all the key amenities and facilities for business and leisure travellers who want to feel at home when away from home.

The Lumiares’ philosophy is to highlight the authenticity and personality of Lisbon by collaborating with local Portuguese businesses to showcase ‘the best of Portugal’. Almost every item of furniture, artwork, textiles and room accessories has been conceived, designed and manufactured in Portugal, some within 500m from the hotel, which transcends a new take on ‘living like a local’.

The starting place for design and artwork within the 47-key hotel was the location. Perched on the central edge of Bairro Alto, the hotel is situated in a Lisbon quarter home to a bohemian mish-mash of everyday residents, artists and merchants’ studios, restaurants, quirky shops, lively bars and cafes; a warren of asymmetrical buildings with mismatched facades of varying heights and hues, its narrow streets and pavements cobbled in Lisbon’s iconic square paving stones.

Douro41 Hotel & Spa

Douro41 Hotel & Spa, which has just been accepted into Virtuoso’s exclusive portfolio of luxury travel partners, is located on the bank of the Douro River, and as such frames unparalleled views of the natural landscape. With 61 rooms and suites, the hotel that underwent renovations between 2018 to 2019 features modern, minimalist lines, while celebrating the comfort and elegance of a true luxury property.

The location and the architectural characteristics of the building enhance the connection to the surrounding landscape and the sense of an escape from reality: built in schist and glass on a terraced hillside stretching down almost to the water’s edge, the Douro41 had, at the heart of its foundation, various environmental concerns and the desire that the hotel should be coherent with its surroundings.

The hotel’s design is simple and it’s clear that human construction is unobtrusive, merging harmoniously with the river and the mountains surrounding it – a prime example of this are the two outdoor swimming pools, both infinite, where guests almost feel part of the landscape.

W Algarve 

Guestroom concept inside W Algarve

W Algarve, which is expected to arrive onto the European hotel design scene this summer is the first resort commission for design studio AB Concept outside of Asia which has been working closely with Divercity Architects to introduce something new to the Portugal’s bustling Algarve.

The new lifestyle hotel shelters 134 guestrooms and 83 residences – ranging from one-bedroom apartments to a four-bedroom penthouse. Ab Concept, led by Ed Ng and Terence Ngan, has taken the region’s rugged coastlines, green meadows and vineyards as inspiration for the interior design scheme, using sandy neutrals, greens and blues throughout the hotel.

“We worked closely with landscape designers Scape and interior designers AB Concept to develop a strong narrative theme and eye-catching aesthetics for the resort,” Divercity Archtiects explains on its website. “Exploring the local landscape, culture, and cuisine, we identified the arch as a common thread, evident in the Algarve’s sea caves, the arcades and archways of traditional Portuguese architecture, and the fish scales in the fishing communities along this dramatic coastline.”

The new W resort on the Algarve coast is tipped to become Portugal’s new ‘it’ destination – watch this space, Portugal!

Main image credit: Douro41 Hotel & Spa

Interior visualisation of ADP's new hotel in Kyiv

Should hotels do a better job of reflecting their communities?

730 565 Hamish Kilburn
Should hotels do a better job of reflecting their communities?

To conclude our editorial series with ADP Architecture, Studio Director Amrit Naru looks at how a hotels and their design can sensitively reflect a locations local culture…

Interior visualisation of ADP's new hotel in Kyiv

Ask someone to name a place they’re looking forward to visiting once lockdown eases, and there’s a wide range of answers you might hear. They might mention a local pub or café. They might be looking forward to getting back to the gym, seeing a sports team play, or popping in to see a friend. They’re unlikely to mention a hotel.

And there’s a perfectly good reason for that: hotels aren’t typically designed for their local community. They’re arguably designed for everyone but the local community: tourists, business travellers, visitors for one reason or another. In contrast with the back-and-forth of a transport hub, we look at hotels as a one-directional interface between a specific locale and the wider world, where the wider world touches down for a few days before returning home. The only transport hub that seems to bear comparison here is a docking station for UFOs.

This kind of view fits the traditional way of looking at hotels – but of course, it neglects the wide range of purposes that hotels can actually serve. Very few hotels are simply places to stay: they can include bars, restaurants, conference centres, spas, and plenty more. It’s easy to look at these facilities simply as added value for guests, but they’re just as likely to be used by locals.

Explore these opportunities further, and you open up a whole new way of thinking about what a hotel can be. Far from a semi-private site with clearly defined boundaries – like a house or an office building – it becomes permeable, integrated with its community, with spaces which are as much defined by their surroundings and local flavour as by the people who travel to them. This kind of approach can reverse the (un)popular image of a hotel, making it the beating heart of a neighbourhood that benefits everyone.

Take, for example, a recent ADP project on a former industrial site in Scotland. When several plants closed in the 70s and 80s, hundreds of local workers lost their jobs, and the area lost key places that had given it purpose. It’s the sort of post-industrial community that’s been crying out for regeneration of the genuinely beneficial kind, providing spaces that benefit and support an existing community rather than driving them out. So when we were appointed to design a new hotel there, we saw an opportunity to create real value for local residents and businesses.

Our public consultations confirmed this: many locals voiced their worries that a hotel of the traditional sort could detract from the area, and that a radically different approach was needed. We took these concerns on board, asking consultees what sorts of facilities would be useful to them, and designing a scheme which is as much a community hub as a hotel. The proposals include a range of spaces open to the community, such as a gym, restaurant and bar. Public realm was also key to our designs, and we explored various ways to bring local residents onto the grounds, giving the landscape an open, accessible feel that interacts sensitively with the riverbank bordering the site.

The very flexibility of this approach means that it can work for any community, in any location. We’re currently delivering a hotel for Radisson in Kyiv, Ukraine, which includes a hybrid lounge/coffee/restaurant space with an open design – reflecting a wider openness to the surrounding neighbourhood. By breaking down the boundaries between types of spaces – and using the ground floor of a hotel as a fuzzy threshold – it’s possible to encourage the kind of unplanned interactions and sharing of spaces on which communities thrive.

Of course, embedding a hotel in its locale isn’t just down to the architects and engineers who design it. Marketing teams have to strike a careful balance between promoting the hotel’s brand and responding to the spirit of a place, the unique “vibe” that defines a district. The most effective way to do this is to make flexibility central to your brand: Hotel Indigo, an IHG brand that I’ve worked with in the past, does this particularly well by using the sights and sounds of their urban locations to inform every detail of the hotel’s design, from public spaces to private rooms. IHG is certainly not the only client I’ve worked with to take this approach, with companies such as Radisson and Hilton offering similar “lifestyle” brands.

The risk here is that a design can simply mimic its environment, becoming a pastiche rather than a reflection. Again, engagement with the community is key. It’s impossible to tap into what makes a city like Newcastle or Marrakech, Sydney or New York special without taking cues from the people who call those cities home – especially when clichés about “the typical New Yorker” are so widespread. Our redevelopment of Oxford Castle – including a Malmaison hotel converted from a Victorian prison – is a classic example of this, reflecting a part of the city’s culture and history which has very little connection to the more famous university, and integrating hospitality with bars, restaurants, shops and a visitors’ centre.

Getting this right means paying attention to the details, and taking a holistic approach. Employees aren’t just brand ambassadors: they’re community ambassadors too, trained in the kind of local knowledge that adds serious value for guests looking for hidden gems nearby. A local hiring policy takes this a step further, ensuring that your staff have a genuine connection to the hotel’s surroundings while creating jobs that support the area’s economy. Bookable spaces for businesses and a local supply chain complete the picture – transforming an out-of-place visitor from out of town into a place in its own right, with the town’s blood running through its veins.

“Staying local” has taken on a whole new meaning in the last year, and it’s sure to be a phrase that resonates with us for many years to come. By bringing hotels into a deeper, richer conversation with their surroundings, we can help give a much needed boost to communities which have suffered through lockdown. It’s also a surefire way to protect our industry from relying too greatly on travel – making it stronger, more adaptable, and better equipped to deal with an uncertain future.

ADP Architecture is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here.

Image caption: Interior visualisation of ADP’s new hotel in Kyiv. | Image credit: ADP Architecture

An armchair in front of glass window

Product watch: ILIV launches the Kelso & Harlow textiles collection

730 565 Hamish Kilburn
Product watch: ILIV launches the Kelso & Harlow textiles collection

The Kelso & Harlow textiles collection by ILIV has been woven in a charming village on the border of Lancashire and Yorkshire and draws on the centuries-old tradition of British textile weaving…

An armchair in front of glass window

The Kelso & Harlow collection by ILIV has been born out of traditional craftsmanship. Manufacturing to high ethical standards, from all-natural, wool fibres without the use of harmful chemicals, the brand proud to be using many traditional machines that do its fine work in the time-honoured way.

Despite its traditional manufacturing process, the new collection is completely suitable for modern-day commercial use. With its highly durable make-up natural dirt repellence, acoustic absorbance properties and its superior fire resistance, Kelso & Harlow is the environmentally friendly choice for all types of furniture and interiors, offering a sophisticated and organic look.

Image caption: The Kelso collection is available in 51 colours. | Image credit: ILIV

Image caption: The Kelso & Harlow collection is available in 51 colours. | Image credit: ILIV

“We are committed to minimising the impact of our business on the environment from our energy consumption and carbon emissions to our waste management and recycling facilities,” explains the ILIV in a press release. “By weaving our 50 per cent British wool collection, Kelso, here in the UK, we have reduced our carbon footprint, whilst offering our support to local British farmers.”

Kelso & Harlow is available across 51 colours, constructed using a mix of melange and greige woven yarns from commercial greys to corporate greens and vibrant blues to striking yellows and oranges.

SMD Textiles/ILIV is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here.

Main image credit: ILIV

Image of Riggs Wet bar

Hotel review: Checking in to Riggs Washington D.C.

730 565 Hamish Kilburn
Hotel review: Checking in to Riggs Washington D.C.

Sheltered in a former bank in the capital city, Riggs Washington D.C. is emerging from the pandemic as a statement hotel that offers a new kind of luxury on the east coast. Writer and cine​matic storyteller Ollie Wiggins checks in to the Caroline Harrison suite and interviews interior design legend Jacu Strauss in order to understand the hotel design narrative that is not what it first seems…

Image of Riggs Wet bar

The highly anticipated Riggs Washington D.C. opened its doors in early 2020, but considering the unforeseen circumstances around the pandemic that shortly followed, the hotel’s grand opening period was cut short as hospitality worldwide hunkered down for a turbulent year. So, for the sake of this review, I am prepared to erase 2020 from our memories in order to instead celebrate the arrival of what has already become one of Washington’s most exciting hotel openings of the decade. This 181-key hotel aims to offer unparalleled luxury and a breath of fresh air to the thriving and modern metropolis. 

Sitting down with Jacu Strauss, the Creative Director of Lore Group and the brainchild behind Sea Containers London and Pulitzer Amsterdam, it becomes immediately apparent how important the setting was and is to him – he is clearly passionate about DC. “It’s just a really beautiful city,” he says. “Great architecture, and noticeably lacking skyscrapers, it has a certain rhythm to it.” With Jacu’s projects across the world, he’s famous for putting time, energy and resources in to research an area and its needs. Keen to avoid what he describes as a “cookie cutter approach”, it is about the neighbourhoods, the greater contexts of the city and its people. With D.C., he felt he’d found a real gap in the hospitality market. “You have lifestyle brands as well as more traditional, institutional luxury hotels that are really established here and do what they do perfectly,” Strauss explains. “But we wanted to bridge that gap between lifestyle and luxury and become an institution that sits alone.”

It would have been all too easy to make this imposing gothic building into another institutional hotel. And there is no escaping the fact that it is sheltered in what used to be a bank – the ceilings are enormous for starters. The name of the hotel is synonymous with banking throughout DC; many presidents banked with the brand and it even provided the bank loan the US government needed to buy Alaska. Strauss freely admits that he is not the first to turn a bank into a luxury hotel, citing The Ned in London as a prime example. It is perhaps for this reason that he is keen to make sure the building is not tied to its former use. “We really wanted to depart from banking and make it about other things as well,” Strauss explains. “We wanted to celebrate both the legacy of the building and history of the city through unexpected details and a thoughtful approach to guest experience.” So it is perhaps no surprise then that he says he wants to evoke the spirit of the bank, preserving and restoring much of the beautiful old building with playful nod’s to it’s rich and storied past. It is in this way he hopes that the building will reflect a sense of timelessness, which he hopes will give the hotel longevity. 

Upon entering the hotel on F street, I am immediately struck by how authentically period the building feels. Whilst Strauss said he was keen to avoid the sense that the building was stuck in the past, it is hard to imagine the entrance hall has changed at all in the 130 years since it was built. The original marble floors and columns, for example, have not lost their shine or luster. The intricate recessed carvings on the arches of the barrelled ceiling have been meticulously restored and the gold trim on the American eagle that presides over the entryway is as bright and splendid as one would hope.

Image caption: The lobby/reception area has been designed to give a sensitive nod to the building's past. | Image credit: Riggs Washington D.C.

Image caption: The lobby/reception area has been designed to give a sensitive nod to the building’s past. | Image credit: Riggs Washington D.C.

To the right, the commanding entrance hall is replaced with a warm and welcoming check-in area. There is still the impressive sense of space and grandeur from the high-vaulted ceilings and federalist columns, but the marble floor has been replaced by a luxurious blue carpet. Comfortable arm chairs and soft furnishings help temper the building’s stark gothic feel without taking away from the majestic first impression. On the wall hangs an enormous medallion of Juno Moneta, the Roman goddess of money, modelled on an insignia Strauss discovered when first exploring the building. It gives the impression of inventing without betraying that the designer was keen to create; whilst a new addition to the building, the medallion feels timeless and totally in keeping with the property’s past. Behind a desk and a gold trimmed screen are the friendly reception staff. Whilst a new safety feature for the current pandemic, the gilt edged dividers feel true to the former use of the building and one can imagine the bank’s customers standing in front of them as they discussed the handling of their finances.

“The wooden parquet flooring gives the air of a stately home, where marble would have felt too austere and carpet too subaltern.”

Upon checking in, I am taken first to the Riggs suite, once the boardroom of the bank, now an impressive function room with enviable views of the city. Here, a room that could have felt stark with its hard lines and gothic arches has been made to feel luxurious and comfortable. The wooden parquet flooring gives the air of a stately home, where marble would have felt too austere and carpet too subaltern. Upholstered chairs around a long dining table reinforce this feeling of luxury and recall the room’s former use. On the walls of this room, no doubt once occupied exclusively by men, now hang the portraits of inspirational looking women in a variety of styles and from different cultures. In fact, the room is full of feminine touches including the soft green carpet, delicate oak furniture, copious plants and plush velvety sofas and cushions. It is part of Strauss’ efforts to neutralise what he sees as the overly masculine world of banking with feminine touches.

“Riggs is the only hotel in the area that has chosen to name its suites them after first ladies.”

I am fortunate enough to be staying in the Caroline Harrison Suite. The general manager proudly explains that whilst many hotels in the city have suites named after presidents, Riggs is the only hotel in the area that has chosen to name its suites them after first ladies – yet another example of the way Strauss has injected elements of femininity into all aspects of the hotel’s design. The room is a rich blue with sumptuous, heavy-velvet curtains, a sofa and pillows with a design that calls to mind the ornate patterns of the dividers that separated customers from tellers. The carpet, whilst pristine, has been made to look distressed as though it is itself part of the building’s history.

Image caption: The living room inside the Caroline Harrison Suite. | Image credit: Riggs Washington D.C.

Image caption: The living room inside the Caroline Harrison Suite. | Image credit: Riggs Washington D.C.

Throughout the room are an eclectic collection of objets; lampshades in the form of dogs, contemporary takes on classical urns, a porcelain lantern with an Asian feel. Strangely, they help anchor the building in its Washington location by creating the sense that these pieces may have been gifted to the first lady by visiting dignitaries on some state visit from long ago. This feeling is complemented by the Jasperware plates and medallions hanging on the wall that celebrate significant events in the nation’s history; the signing of the declaration of independence and the start of JFK’s ill-fated presidency. Behind the luxurious four-poster bed is a feature wall with fun and quirky wallpaper that calls to mind the illustrations in a children’s book or the work of Ken Done. It contrasts aptly with the block colours and bold design choices in the rest of the space. 

The other three first lady suites, named after Ida McKinley, Louisa Adams and Angelica Van Buren have their own distinct styles and decor. The Van Buren is particularly striking with its rich red walls and velvet curtains complimented by ornate gold furniture. Of particular interest, too, are the classical busts that adorn the shelves, all of classical female deities, as well as contemporary artwork inspired once again by the profile of Juno Moneta. 

Each of the hotel’s other rooms are designed to offer something personal and unexpected. Whether it’s the colour of the wall or the shape of the space, each one feels different and offers something unique to the guest so that no two stays are ever quite the same. 

Image caption: Jacu Strauss collaborated with longtime friend George Benson to create the unique headboards in the guestrooms. | Image credit: Riggs Washington D.C.

Image caption: Jacu Strauss collaborated with longtime friend George Benson to create the unique headboards in the guestrooms. | Image credit: Riggs Washington D.C.

Perhaps most striking in each room are the custom made headboards, the shape suggestive of the ripples of theatrical curtains. To achieve this unique style, Strauss collaborated with longtime friend George Benson to create these stunning pieces. The abstract swirling pattern used on both the headboards and wallpaper is inspired by a detail on a painting Jacu saw whilst at the Met Gallery in New York and was created by Benson’s company Voutsa specifically for the hotel. It adds a fun and cheeky dimension as well as a sense of movement to what were once the bank’s offices. Eagle eyed guests may spot that the pattern is also used on the inside of the bespoke umbrellas that are provided in each room. 

Next to the bed are small oak bedside tables with green leather inlay designed to feel like the writing desks that would once have been used in this building. To achieve a strong and timeless lighting scheme, Strauss collaborated with bespoke lighting brand Chelsom in order to ensure that each space was effortlessly lit in order to radiate the hotel’s luxe style and distinct personality. For example, gilt desk lamps sit on top of the bedside tables to reinforce the writing desk association and invite you to imagine the bank clerks hunched over their work in the previous century. Each room also contains a replica bank safe complete with the insignia of Juno on the outside and housing the minibar and room’s safe inside. It is the most overt reminder of the building’s former life as well as a fun talking point for guests. 

Since you’re here, why not read about Chelsom’s Edition 27 lighting collection

“I can’t help wondering if the powerful rain shower head is a nod to Obama’s request that one be added to The White House for the duration of his incumbency.”

Inside the bathrooms, the Italian Carrara marble tiles on the floor and walls create a sense of grandeur and security. Even the shape of the shiny metallic taps is reminiscent of the handle of a safe and reinforces the idea that one has walked into the bank’s impregnable strong room. The deep free-standing bath makes for a luxurious bathing experience and I can’t help wondering if the powerful rain shower head is a nod to Obama’s request that one be added to The White House for the duration of his incumbency. 

Image credit: Luxurious bathrooms inside the hotel. | Image credit: Riggs Washington D.C.

Image credit: Luxurious bathrooms inside the hotel. | Image credit: Riggs Washington D.C.

Strauss said that he wanted each of the rooms to feel like a safety deposit box, with the contents of each being unique and valuable. This certainly comes across and is particularly evident from the door to each room. Every door features the front of a safety deposit box, complete with a non-working keyhole and golden circular medallion bearing the likeness of Juno Moneta. On the walls and floor, the sumptuous, rich, red carpets evoke a feeling of warmth. They contrast directly with the imposing lobby of the building and give the sense that you are exploring a more intimate and sequestered part of the hotel. On the walls of the corridors are a collection of paintings, some depicting classical figures and others in a more contemporary style as if these pieces have been placed here by customers trusting the bank to protect their artistic investments. The lifts too are worthy of note, featuring marble floors and mirrors covered in silver leaf, which gives them an opulent antiquarian aspect. 

In the bar and restaurant it is clear that Strauss has attempted to bring something new to the city. “There may have been a certain standard of food and beverage outlets here that became quite institutionalised, and not necessarily in a good way,” he admits to me.  “So, it didn’t have much diversity, and going against that convention – especially in an area of the hotel that is typically most criticised – was really changing. DC is becoming a real foodie city.” Strauss’ aim was to provide something “bright and elegant, inspired by the grand cafes of Europe,” and that is certainly case here at Riggs. The high-vaulted ceilings provide a massive sense of space and the circular marble tables together with the trendy wooden and velvet chairs would not feel out of place in a continental eatery. It is no coincidence that the chairs themselves are the colour of money, in America at least. It would have been easy to use an overabundance of green throughout the hotel for its pecuniary associations and the decision not to do this in the rest of the development feels remarkably restrained. 

The luxury of space in the bar area has provided one of the largest  challenges in converting this part of the building. With the huge height of the room, Strauss and his team were keen to make sure the scope of the space was being fully utilised. To that end, Strauss installed massive velvet curtains, so weighty that their use necessitated reinforcing the wall. He also commissioned a bouquet of oversized fabric flowers from Ukraine – its bright colours and whimsical design are suggestive of the works of Lewis Carroll or Edward Lear. Yet despite their sheer scale (they come in at an eye-watering two storeys high) everything in the room feels perfectly in proportion. Even the six foot four inch gilt chandeliers that Strauss designed himself help to make the space feel intimate without taking away from the sense of grandeur. 

Image caption: Jacu Strauss commissioned a bouquet of oversized fabric flowers from Ukraine, which has become a statement piece in the public area of the hotel. | Image credit: Riggs Washington D.C.

Image caption: Jacu Strauss commissioned a bouquet of oversized fabric flowers from Ukraine, which has become a statement piece in the public area of the hotel. | Image credit: Riggs Washington D.C.

I journey downwards to the subterranean Silver Lyan bar, described by the hotel manager as an adult playground. It’s not hard to see why, the theming is fun without being gimmicky and the low ceilings, dark lighting and deep red chairs give the air of that most uniquely American thing: a speakeasy. There are also an array of fun little touches around the bar; secret messages hidden as optical illusions in the wall panelling, lighting inspired by classical Asian designs and hundreds of sporting trophies in cases across the walls, which Strauss is quick to tell me were all won by female athletes. 

Across the hall is the gym and fitness area, which perhaps rather tauntingly has an oversized gumball machine outside, which feels uniquely American and once again helps to play with the sense of scale and disrupt the sense of solemnity in the building. Despite the restrictions currently in place due to Covid-19, I can’t resist sampling one or two. The gym itself has enough equipment to ensure that even the most ardent of fitness fanatics can ensure they get a good workout and the marble pillars hardwood floors provide a sense of decadence as you sweat your way towards your fitness goals. There are also fun touches around the room, like the leather punching bag, that invites one to imagine a circus strongman with a handlebar moustache hard in training. There is also the door to what once would have been the bank’s strongroom, with its intricate mechanism, bolts and rivets on display.

As I check out, I am reminded of something Strauss said to me, that a hotel should provide an elevated experience rather than simply being “a home away from home” and Riggs Washington D.C. is certainly not that. It is a building that has always been about showmanship that has left lasting impression of strength and security.

Strauss’ next project, the Lyle in D.C., will be much more about calm and comfort – think mattresses like marshmallows that he describes as the “most comfortable” he has ever slept on. Yet here, the way The Lore Group has managed to turn what could have been a stark and austere building into something welcoming without losing any of the sense of grandeur is impressive. To summarise, Riggs DC embraces its past whilst remaining pitch perfect for its current use, ensuring its future place in the city for years to come. 

Main image credit: Riggs Washington D.C.

Image of tiger on walls in warehouse

Wallpaper goals: Adding personality in public spaces

730 565 Hamish Kilburn
Wallpaper goals: Adding personality in public spaces

With all this talk around hygiene and reassuring the post-corona consumer, to avoid spaces looking too clinical we need to start talking about how we inject personality back into the public areas. Cue the arrival of Arte’s latest wallcoverings collections that give off some serious haute couture vibes and a splash of wallpaper goals…

Image of tiger on walls in warehouse

Many hotel spaces have now evolved to become community hubs, appealing to not only business guests and tourists, but equally people looking for an experience, whether that be a spa day, a business breakfast or a social lunch. Consumers are savvier and more informed, looking for something more substantial than a comfortable stay, so it’s important to ensure any public space is decorated in a way that appeals to all senses and creates a unique, stand out interior.

Gone are the days where a hotel lobby was acting merely as a transitional space for check-ins; this is the first place guests will see when they arrive and the last place they will see before they leave, therefore it’s important to make a lasting impression. This is an area with the highest traffic in the entire hotel; it’s one that guests will move through many times, therefore it needs to be both functional, but also stylish, atmospheric and vibrant.

Hotels are recognising the value in utilising and maximising their large spaces to attract footfall above the guests staying at the hotel. Interior designers are experimenting with different aesthetics and textures to add interest to these spaces, elevating not only the design, but also the common perception of what a hotel should like; dreary walls, covered in a singular paint colour or outdated wallpaper are being swapped for statement designs, playful patterns and distinguished textures.

From small boutique hotels like the art deco inspired Hotel Victor Hugo in France, with interiors by Laurent Maugoust featuring the gorgeous, hand-embroidered Crane pattern in their lobby to larger hotel groups such as the Hilton Tanger City Centre in Morocco, designed by Jaime Beriestain Studio featuring the geometric Sapphire Maze in one of their restaurant spaces, Arte’s designs have been expertly used by interior designers in hotel lobbies, bars and restaurants around the world for over 40 years to transform public spaces into places with character and personality.

Wallpaper is one of the simplest ways to refresh and add interest to a space, yet, it can be one of the most impactful. With materiality and texture at the heart of Arte, many of their wallpaper designs push boundaries of what is known as ‘traditional wallpaper’ and incorporate innovative techniques and finishes from heat embossed 3d fabrics, printed textiles and natural materials including silk, raffia and sisal to denim, velvet and leather, the possibilities in both texture and design are endless.

Lush and rich, jungle and tropical foliage designs such as Palmera, Abanico, Java or Silk Road Garden, as well as the more paired back florals of Wildflower or Grow will work equally well for an all-over scheme or a statement wall to give a sense of comfort by bringing the outdoors in through motifs and colours seen in nature, adding life and light to a space and allowing us to maintain that connection to nature.

Image caption: Java | Image credit: Arte

Many interior designers are abandoning the traditional rules of decorating and embracing the idea of combining different wallpaper designs in the same space, mixing textures and bolder designs with different colours across the walls, layering with other decorative items in the space, for a dramatic, maximalist scheme. Arte’s collections are designed in a way that offers a comprehensive palette of colours, ranging across a wide range of textures, prints and patterns – allowing for designs to be combined and mixed in a way that results in a playful, but cohesive scheme.

Intreguing and interesting textures can be found across the collections, including heat embossed 3d patterns as seen in Intrigue, Enigma and Eclipse, as well as the rich velvet, suede and leather textures of Velveteen, Les Cuirs and Lush. The 3d, heat embossed Caisson design from the Eclipse collection was used by designer Gensler to dress the walls in the Baton Rouge Hotel, resulting in an interior that not only looks elegant and gives the illusion of French panelling on the wall, but one that feels warm and comforting. Aside from being extremely durable and long-lasting (with the added bonus of acoustic qualities), these heavier textures are a great way to add both flair and warmth to a space, be it a restaurant or a hotel bedroom; creating a relaxing, yet stylish space.

Arte’s wallcoverings are not only creative and innovative, but each collection offers a myriad of possibilities for transforming a public space, be it through colour, pattern or texture, making it easy for designers to create spaces that are sophisticated, impactful and engaging.

Arte is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our recommended suppliers, please email Katy Phillips.

Main image credit: Arte

Main image for virtual roundtable on bespoke possibilities in luxury design

Virtual roundtable: Bespoke possibilities in luxury design

730 565 Hamish Kilburn
Virtual roundtable: Bespoke possibilities in luxury design

To specify or not to specify, that was the initial question that editor Hamish Kilburn put forward to our expert panel of designers and lighting masterminds for our latest roundtable, in association with bespoke lighting brand Dernier & Hamlyn, on bespoke possibilities in luxury design…

Main image for virtual roundtable on bespoke possibilities in luxury design

There are a plethora of well-documented benefits linked to selecting bespoke products in a luxury brief – it eliminates the need to flex or drastically change the interior design scheme, for starters. Bespoke is therefore, in many if not all scenarios, the best and most preferred solution among leading designers where budget is no barrier. Or is it? In association with the bespoke lighting experts at Dernier & Hamlyn, we recently invited a cluster of leading interior designers and world-renowned lighting experts in order to explore the bespoke possibilities in luxury design. As well as understanding today’s perception of ‘luxury’ among clients and guests alike, we were intrigued to also understand the pitfalls designers should avoid when deciding to go bespoke.

Meet the panel: 

Hamish Kilburn: How have hotel operators’ perception of luxury design changed over the past few years? Is what used to be considered luxury now standard? And what does this mean for designers in ensuring their schemes exude luxury?

Justin Wells: We pontificate over luxury so much – it’s just like defining colour! Firstly, it’s very important to know your audience – and that includes understanding cultures and demographics. In our experience, luxury in North America has been around legacy brands. In more perhaps progressive markets, such as South East Asia, for example, they are certainly trying to reposition luxury to be more lifestyle. In the region of the Middle East, which is where I am now, the perception of luxury is to make up for lost time. Elsewhere, in more mature markets, such as Europe, there’s certainly a reinvention happening at the moment, which is very exciting.

HK: You talk about perception, which makes me want to bring in social media and this demand for ‘accessible luxury’ into the conversation. Has that damaged the integrity of luxury hospitality?

Simon Rawlings: It’s interesting, we’re finding that luxury is becoming more standardised, certainly when it comes to peoples’ expectations of luxury. With many brands and experiences that are global, we’re really seeing that each region’s differences are disappearing, which is actually quite boring when you want to emphasise differences.

 “Authentic luxury has to be very particular to that project, and to standardise luxury is dangerous.” – Simon Rawlings, Creative Director, David Collins Studio.

Luxury is a difficult thing to pinpoint and it can be as simple as beautiful service in an ordinary space. Authentic luxury has to be very particular to that project, and to standardise luxury is dangerous.

Also, we will never get a brief that says ‘we want to be a luxury hotel’. Instead, it will be the ideas and thoughts around sustainability, aims to stand out from the crowd that, combined, lead spaces and projects to look and feel more luxurious. The idea that luxury is lavish and excessive is an outdated mindset. For us, it’s been an interesting and exciting time recently because a lot of the briefs we have received in the last few months show that people are really willing to invest in good design.

“The luxury element 10 – 20 years ago would have been more around the materials and finishes, but it’s less and less about that now.” – Kirsten King, Design Director, Bergman Interiors.

Image caption: Interiors inside Nobu Hotel London Portman Square, designed by David Collins Studio, which features bespoke lighting from Dernier & Hamlyn | Image credit: Jack Hardy

Image caption: Interiors inside Nobu Hotel London Portman Square, designed by David Collins Studio, which features bespoke lighting from Dernier & Hamlyn | Image credit: Jack Hardy

Kirstin King: For us, the luxury element 10 – 20 years ago would have been more around the materials and finishes, but it’s less and less about that now. Instead, it has become much more about lifestyle. We have to think more intelligently to really understand the local craftsmen, and in doing so we need to pair things back to allow the ambiance to naturally reflect luxury.

Paul Nulty: For us, luxury lighting design is something that fires all the senses. Whether it’s visual or a composition. If it’s heightening the senses and the emotional connection with that space, then it feels luxurious.

HK: Similarly, how have guests’ perceptions of luxury design changed over the past few years?

Hamish Brown: We have always worked with private clients, and our understanding on what luxury guests need and demand stems from experience in residential. The key difference that consumers are expecting now is that sense of place. Across all brands, the industry went through a brief moment of standardisation, but now we are seeing brands really understand and celebrate cultural difference. For example, if you take two Four Seasons properties in two locations within one country. By both capturing the local flavours of their unique destination, it sets them aside from each other. That in itself becomes luxurious, bespoke and individual. And then, what happens is that the brand’s DNA gets threaded into the design scheme through consistent service – it’s no longer a look or an aesthetic but much more a feeling.

HK: With the sheer number of options that suppliers offer in their standard ranges these days, why is the demand for bespoke design in luxury projects still growing?

Jo Littlefair: I think that bespoke design, both in hospitality and high-end residential, gives you the flexibility to respond to a project individually – it’s a great way to bring in local vernacular. It’s really important for us to give a strong identity. In our studio, nothing is a cookie-cutter approach. Instead, we respond to everything individually – and I think bespoke design gives you that ability to scale and size things perfectly. It allows us to really craft interiors as opposed to just select them.

Mayfair Townhouse peacock entrance

Image caption: a 67-inch peacock sculpture adorned in 25,000 Swarovski crystals sits inside the Mayfair Townhouse, designed by Goddard Littlefair | Image credit: Iconic Luxury Hotels

SR: We’ve started specifying more than we have ever done. Yes, of course, there’s still the demand for bespoke, but there are so many incredible designers who are creating some really awesome things that we love to embrace and collaborate with them on. With the Nobu Hotel London Portman Square, for example, one of our goals was to specify as many statement pieces as we could. As someone who has always championed bespoke everything, I don’t think by specifying you get a lesser product, and I don’t think the clients think anything less of it either. It’s changing, and there are a lot of us who have our own collections so we will specify our own products for certain projects.

“The quality of the end bespoke product is not necessary as high as something that has been crafted over many years.” – Tina Norden, Partner, Conran and Partners.

Tina Norden: I would say that there are regional differences. Particularly in Asia, clients may believe you can get the product cheaper but sometimes the quality of the end product is not necessary as high as something that has been crafted over many years. Therefore, you have to be extremely careful as an interior designer. You need the right manufacturer you can trust that allows you to see the prototypes – we have all been there when that simply isn’t an option.

With the late Sir Terence Conran traditionally being a furniture designer, we have always had – and shown huge respect for – the work that furniture designers do. I guess that sometimes people don’t appreciate how much time specifiers take to get products just right.

HK: You’re right, Tina! Trust is vital – and the relationship now between quality suppliers and designers is stronger than it has ever been, is it not?

Mark Harper: We are seeing and contributing to more artisan people who are being specified. For us, as a bespoke lighting manufacturer, we do what we do to the highest level of quality.

HK: At what point in the design process do you decide bespoke is the best option?

PN: Designers go bespoke when they cannot find a product on the market that achieves the look, feel and quality that they are looking for. Perhaps the bespoke product will give a slightly different glow, but for me it comes back to the senses. It’s relevantly simple, and yet extremely complex at the same time.

Shayne Brady: At the end of the day, it is a case-by-case basis – and it depends on different factors. We often have clients come to us with a specific vision. In Bob Bob Cite, for example, the client wanted to create a full suite of bespoke wall and ceiling lights. Bespoke is great when you are working in a space that has high volume because you can customise each product to fit the space.

Image caption: Bob Citi Citi diner, designed by Brady Williams Studio, which includes bespoke lighting from Dernier & Hamlyn | Image credit: Bob Citi Citi

Image caption: Bob Bob Citi diner, designed by Brady Williams Studio, which includes bespoke lighting from Dernier & Hamlyn | Image credit: Bob Bob Citi

HK: Do bespoke projects always have to be the statement design pieces?

TN: In lighting terms, quite often it is. Ultimately, it is really coming down to the client and the location. Quite often in Europe, making something bespoke can actually feel a lot more special. Whereas in Asia, it feels more luxurious to select something from a high-end brand as a feature piece.

HK: And surely if you have a really ambitious idea that is pretty unconventional, bespoke becomes your best and sometimes only option – and Kirstin I am thinking about your project, The Engine Room…

KK: It was a really interesting project for the team here. The idea was an indoor rowing club that was sheltered in a converted church. The budget was low and therefore we recycled a lot. For example, the juice bar was made out of church pews. I would say 60 per cent of that project was lighting. As the guests were working out, the lighting would move and react in order to enhance performance. We worked very closely with the lighting designers to create that effect.

Image caption: The Engine Room, designed by Bergman Interiors | Image credit: The Engine Room

Image caption: The Engine Room, designed by Bergman Interiors | Image credit: The Engine Room

HK: That is a great example of using the demographic of where you are and thinking outside the box, and elevating the five senses. Are designers now approaching projects more holistically with sound and smell in mind?

“For me, sound and lighting are very closely linked – maybe that’s me going back to my clubbing days.” – Tina Norden, Partner, Conran and Partners.

TN: Yes, very much so. A few weeks ago, at Hotel Designs LIVE, we discussed how sound was being used in experience. For me, sound and lighting are very closely linked – maybe that’s me going back to my clubbing days. It’s all enhancing the overall ambiance.

PN: Multi-sensory lighting and design is the future! We started offering sound design in some projects. Going beyond acoustics, we are very interested to understand how sound can help enhance the consumer journey and we are seeing this now in hospitality. The third element of that is smell, which is becoming really important. Lighting, sound and smell work together, almost as a set of sub-consultants in design and architecture.

A bespoke lighting scheme by Nulty Lighting for the Earth Hotels concept at Downtown Dubai | Image credit: Nulty Lighting

A bespoke lighting scheme by Nulty Lighting for the Earth Hotels concept at Downtown Dubai | Image credit: Nulty Lighting

HK:  That’s extremely difficult to get right when all of those elements are very personal.

PN: Absolutely, and that’s why you have to really understand the brand from the outset of the project and what you want that user experience to be.

TN: That’s the key, it’s about being specific and designing for the demographic. You are not trying to please everyone.

“There will be dialogue about creating separation – which removes barriers and planning. In many ways, that’s allowing brands to reinvent themselves.” – Justin Wells, CEO, Wells International.

Blue co

Image caption: The Maximilian Hotel in Prague, designed by Conran and Partners

SR: I was doing an interview recently where I was asked when we come out of this pandemic whether or not people are going to struggle with noisy areas, and it’s an interesting point. At the same time, I met a sound identity designer. There are so many people listening in on podcasts these days. Ultimately, it made me realise that you can close your eyes but you cannot close your ears.

JW: We are trying to create thriving spaces and there were a lot of social collisions in these areas before the pandemic. However, now there will be dialogue about creating separation – which removes barriers and planning. In many ways, that’s allowing brands to reinvent themselves.

“Our clients reported that spend was greater on the tables that had more space.” – Shayne Brady, Director, Brady Williams.

SB: In between the second and third lockdown here in the UK, the guests were really appreciative and enjoyed the restaurants that had more space – not from a Covid perspective, but more from a luxury point of view. Actually, our clients reported that spend was greater on the tables that had more space. Perhaps we don’t need as many covers as we used to have.

HK: Do you therefore think that F&B spaces will be larger and take up more space?

SB: It will be more of a dialogue, for sure. There are more questions around capacity and what the sense of luxury means. Not being confined is luxury to me because that makes the experience far better.

“When we come out of this, there will be a need to decompress even more.” – Jo Littlefair, Co-Founder and Director, Goddard Littlefair.

JL: Pre-pandemic we were thinking about de-compression. We are very aware that people need that disconnect. The pandemic has definitely amplified that. When we come out of this, there will be a need to decompress even more.

Image caption: W Abu Dhabi Yas Island, designed by Wells International | Image credit: W Hotels

Image caption: W Abu Dhabi Yas Island, designed by Justin Wells | Image credit: W Hotels

HK: And now for a word that brings shivers down our spines: trends… what are the topics and movements that are dominating your conversations at the moment?

MH: We have seen an increase in enquires and requests for natural materials and clean lines with a traditional twist. What we are going to see now is the bigger picture; it’s about longevity and sustainability. Also, you cannot ignore the fact that LED technology has come on leaps and bounds and I expect that to evolve further and faster than perhaps ever before.

SR: LEDs are a nightmare, though, because the colour temperature on every single LED is different. So, trying to marry the interior design is very difficult. We still end up using filament bulbs because you just can’t rectify it.

PN: One big trend we are seeing is towards wellness – certainly towards business hotels and using lighting to mitigate jetlag. Lighting using circadian rhythm has a huge role to play in that. There’s a hotel in Reykjavik where the lighting is tied in to the alarm clock, and it illuminates before the sound of the alarm clock goes off in order to wake the guest up gently.

HK: Is that extremely expensive? For me, the benefits of circadian rhythm in lighting is so obvious, so why is it therefore not in more hotel design schemes?

PN: It’s more expensive and of course if you’ve got a 300-key hotel then it adds up. However, the benefits of that technology are being more and more proven.

HK: Do you worry about suppliers copying a bespoke design after seeing it in your projects? Does anyone have any examples of this they can/would like to share?

HB: Yes, you see that in parts of Asia and it’s not ideal, but it’s unfortunately part of our work that is always there.

 TN: I think there’s an opportunity there. If we work together with the manufacturer on a product going forward then it beats them at their own game.

HK: The ‘Norden’ chandelier, you heard it here first! Other than the ‘Norden’ collection, what’s lacking in lighting at the moment?

HB: Being able to visual prototypes in lighting is very important and be able to adapt and mold them in that creative process allows us to do more things.

SR: I agree. The first thing we want to know is what type of light the product will give off. If there was a tool to establish that, it would help us understand which light a fixture will give. For me that comes before what the product looks like. Some way of understanding the type of light the fixtures give off would be so invaluable.

“The issue is that designers love the materiality of stuff. It’s trying to engage with the intangible stuff.” – Paul Nulty, Founder, Nulty Lighting.

SB: That is interesting. We are working on a project at the moment where they have that already for furniture, but something similar in lighting would be very helpful.

PN: I agree with you. The issue is that designers love the materiality of stuff. It’s trying to engage with the intangible stuff. So many people disregard the quality of light. Quality of light and quantity of light are independent and are, I believe, misunderstood.

KK: From my experience, this should happen before we get fully into a project. Maybe it should happen even earlier!

striking bar with marble surfaces featuring distressed mirrors

Image caption: Worlds away from the hustle and bustle of London life above, The Spa at The Lanesborough was sensitively designed by 1508 London | Image credit: 1508 London/The Lanesborough

HK: Let’s finish by talking tech. The advancement of render software is incredible; it has given designers a tool to be more accurate and as a result allowed them to make informed decisions ahead of purchasing. However, it does also mean that clients now expect to see sharp renders in pitches. Does this ever narrow the window for new ideas to come into the project once it has been won?

HB: It’s such a hot topic at the moment within our studio and we have invested in a lot of technology at the moment to really confront this. You are correct in terms of narrowing down the window – and there is always a debate in our minds as to how far you go in the pitch. Right now, I think renders should happen later in the process and there has to be a visualisation tool that is a half-way house. That journey has to be a process – and that’s how you get a perfect space.

HK: And you are all competing against each other to win projects… Does it require across the board, designers stating that they will only present sketches?

HB: It would be amazing to have a conversation with designers to establish how far we should all be going in a pitch.

HK: It’s catch 22. As tech improves and the clients and consumers’ knowledge of design expands then so too does the demand for wanting to see more in a pitch.

KK: I agree totally. Sometimes the client demands a minimum of three renders in the pitch and it is a huge cost. You want to win the project and you know that everyone else will be producing renders.

SB: It depends on the client. Some clients do not understand the concept of your pitch unless it is a perfect CGI. More and more, these days, the client is very involved and there is a collaboration from start to finish. If you can hook a client with a great idea that is where it should be won.

JW: We always go quite analogue in our pitches. We use vignettes to highlight certain areas. We then, during the pitch, talk about these spaces and elements, which become frameworks. The aim of the pitch is for the client to establish how we think and how we work. If we win a pitch, we will then produce more emotive non-photo realistic renderings. The next set of renders will be marketing quality.

Dernier & Hamlyn, the sponsor of this roundtable, is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Keriboard Schlüter

Product watch: Illuminated wall niches from Schlüter-Systems

730 565 Hamish Kilburn
Product watch: Illuminated wall niches from Schlüter-Systems

Schlüter-LIPROTEC LED niches from Schlüter-Systems help to create the ‘wow factor’ in the bathroom while offering guests a wellness oasis…

Keriboard Schlüter

With the hospitality industry looking to open back up to the public later this year, there is plenty to be excited about. People are keen to enjoy time outside of their own homes, and a UK getaway is high up on the list for many. Now more than ever is the time to give guests an unforgettable hotel experience, with wellness and serenity being key factors that they are looking for.

Bringing spa-like elements to a guest bathroom is a simple way to enhance a visit, whether that involves providing complimentary skincare products so they can pamper themselves or utilising the space available to create a peaceful sanctuary of relaxation.

Schlüter-Systems makes this easy to achieve with the help of one of their most versatile products. Schlüter-KERDI-BOARD-N are prefabricated niches and shelves for wall areas of all kinds, made from the multi-functional tile underlayment Schlüter-KERDI-BOARD. They can be covered directly with tiles or with suitable rendered/plaster covering materials.

The Schlüter-KERDI-BOARD-NLT are installed with LIPROTEC technology, enabling the installation of illuminated niches in bath and shower areas. The plug-and-play technology makes it even easier as they are ready to install – ideal if you are looking at ways to bring some spa-like elements to your project whilst the hospitality industry is gearing up to welcome guests again.

Niches within a bathroom or shower can serve multiple purposes, such as offering additional storage options and enhancing the design of the room. Welcoming guests with the use of soft, ambient lighting can make a big difference to their wellness; the idea of soaking in a bathtub reading a good book with a calming illuminated niche keeping your beverage at arm’s reach is a true luxury, and that is what many people are searching for when planning a hotel stay.

Schlüter-Systems is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our recommended suppliers, please email Katy Phillips.

Main image credit: Schlüter-Systems

Promo image of Ep 2 of DESIGN POD

DESIGN POD episode 2, with Director of Zaha Hadid Architects, has landed

730 565 Hamish Kilburn
DESIGN POD episode 2, with Director of Zaha Hadid Architects, has landed

LISTEN NOW: For episode of two of DESIGN POD, in association with Bathrooms Brands Group, editor Hamish Kilburn and co-host Harriet Forde invite Christos Passas, Director of Zaha Hadid Architects, to discuss architecture beyond boundaries…

Promo image of Ep 2 of DESIGN POD

Hosted by editor Hamish Kilburn and co-hosted by designer Harriet Forde, DESIGN POD’s latest episode, entitled ‘Architecture Beyond Boundaries’, is now available to listen to all major podcast platforms such as SpotifyAmazon Music and Acast – and welcomes Christos Passas, Director of Zaha Hadid Architect (ZHA), as the guest professional for the episode.

As well as discussing how ZHA stretches what is possible in design and architecture, the episode also dives deep into the legacy that the late Zaha Hadid left behind, whose outstanding contribution to the architectural profession has been acknowledged by professional, academic and civic institutions around the world, including (but not limited to) the Forbes List of the ‘World’s Most Powerful Women. “It is no coincidence that this episode has been released in the wake of International Women’s Day,” explains Kilburn. “Hadid’s vision was one that captured the imagination of more than industry professionals; her unapologetic, pioneering mindset continues, to this day, to resonate with every individual on the planet who believes in and strives for equality in all sectors.”

“When it comes to younger generations, I always look for people who are not afraid to work hard.” – Christos Passas, Director, Zaha Hadid Architects.

Passas, who first joined the international architecture and design studio 23 years ago and recently won Architect of the Year at The Brit List Awards 2020, agreed to be interviewed by Kilburn who was keen to understand more about how the studio has changed since the passing of Hadid as well as getting the low-down on the studio’s latest project, The Opus in Dubai, which Hotel Designs exclusively reviewed the design of last month. In addition to this, Passas describes what he looks for in  the young talent that walks through the ZHA doors. “The collaborative nature within our team is something to be learned from,” explains Passas in the interview. “We have always found a certain amount of pride and encouragement to be a company that is very much proactive on an individual level. When it comes to younger generations, I always look for people who are not afraid to work hard and for those who are able to test their ideas with others while working for the good of others.”

Listen to DESIGN POD on SpotifyAmazon MusicAcast, Apple Podcasts and Google Podcasts.

Render of lounge inside Soho Beach House in the Caribbean

Soho House: A sneak peek of upcoming openings

730 565 Hamish Kilburn
Soho House: A sneak peek of upcoming openings

Soho House, which shelters members-only Houses targeted towards ‘creative souls, has unveiled renders and details of projects that are expected to open this year. Editor Hamish Kilburn explores…

Render of lounge inside Soho Beach House in the Caribbean

Following a challenging year for all sectors in hospitality, Soho House, which was founded in 1995 by Nick Jones, has emerged from the pandemic with a teaser that showcases an optimistic year – with six new Houses that will soon become part of the members-only brand’s ever-growing footprint.

Aside from opening its first property in 1995, key milestones include the brand’s first countryside property (Babbington House in 1998), its arrival in the US (with the opening of its first property in New York in 2003), the brand’s venture into Europe (with the opening of its Berlin property in 2010) and the brand’s first opening in Asia (both in Mumbai and Hong Kong in 2019).

Fast-forward to the present day, and as the brand’s 27 Houses are awaiting the return of modern travellers, we take a look at the new destinations and Houses that are expected to open this year.

The Strand, London – coming soon

Just down the road from the original House – 40 Greek Street, Soho, London – 180 House, which will be located on The Strand, will become the brand’s 10th property in London. Just a short walk from Somerset House, the property will shelter a club, three floors of co-working space, and a rooftop pool with views of Westminster and St Paul’s Cathedral.

Canouan – opening Q1, 2021

The opening of the brand’s property in Canouan will mark its arrival in the Caribbean region and will be located on the secluded island of Canouan, which is part of St Vincent and the Grenadines. The renders of the 40 bedrooms and a gym show a paired back design that celebrates barefoot luxury and the authentic charm of the Caribbean.

Tel Aviv – opening spring, 2021

Located in a former convent in the historic Jaffa neighbourhood, the property will feature a pool, terrace, and 24 stylish bedrooms expected to reflect the life and soul of the destination.

Rome – opening summer, 2021

In recent months, there has been a lot of development interest in Rome – with brands such as Rosewood and Bvlgari Hotels also announcing debut arrivals excepted in the next few years. Located in the San Lorenzo district, the debut Soho House property in Rome – the brand’s seventh property in Europe – will shelter 49 bedrooms and 20 apartments, with unparalleled views stretching across the Eternal City from its rooftop, terrace and pool.

Paris – opening summer, 2021

For a brand that is known for amplifying creatives (connecting travellers and locals alike) in thriving neighbourhoods, it makes a lot of a business sense for the members-only lifestyle brand to expand its portfolio with a property in Paris. In the former red-light district of Pigalle – steps from the 19th-century cabaret Moulin Rouge – the brand’s property in Paris will shelter 35 bedrooms, a gym, and a courtyard garden overlooked by a pool terrace.

Austin – opening summer, 2021

On South Congress Avenue, Soho House Austin will become the brand’s first property in Texas and the 10th Soho House territory in North America, and will feature a rooftop pool, 46 bedrooms, and a members screening room.

Since you’re here…

More than 40,000 readers per month enjoy the content we publish on Hotel Designs. Our mission is to define the point on international hotel design, and we are doing that by serving relevant news stories and engaging features. To keep up to date on the hottest stories that are emerging, you can sign up to the newsletter, which is completely free of charge. As well as receiving a weekly round-up of the top stories, you will also access our bi-monthly HD Edit –staying ahead of the curve has never been so easy!

Click here to sign up to our newsletter.

Main image credit: Soho House

Image of panelists for first session of Hotel Designs LIVE

(In video) Hotel Designs LIVE: The hotel experience 10 years from now

730 565 Hamish Kilburn
(In video) Hotel Designs LIVE: The hotel experience 10 years from now

To kickstart Hotel Designs LIVE on February 23, editor Hamish Kilburn hosted a panel discussion with leading designers and architects entitled: Floor 20, room 31, which virtually checked in to the hotel experience 10 years from now…

Image of panelists for first session of Hotel Designs LIVE

On February 23, 2021, Hotel Designs‘ editor Hamish Kilburn returned to host the third instalment of Hotel Designs LIVE, which launched last year with the aim to keep the industry connected and the conversation flowing during and after the Covid-19 crisis.

The one-day conference welcomed world-renowned interior designers, architects and hoteliers to discuss the future of our industry in four engaging panel discussions, which were:

  • Floor 20, room 31, checking in 10 years from now
  • Sustainability, beneath the surface
  • Safe & sound hospitality & hotel design
  • A new era of wellness

The production of Hotel Designs LIVE took place while adhering to the current lockdown regulations and kickstarted with an editor’s welcome from Kilburn who explained the need for the virtual event. “The industry’s new swear word, Covid-19, has temporarily brought hospitality and tourism to its knees, but in these challenging times we have seen the real power of designers, architects, hoteliers, developers and suppliers all working together to invent and implement meaningful solutions,” he said. “Hotel Designs LIVE was born in those confusing times, and our aim is simple: to create conversations unlike any other and keep the industry connected.”

The first session of the day, which was sponsored by Hamilton Litestat, was designed to look ahead towards what hospitality and hotel design will look and feel like one decade on from today, and was curated to confront recent cultural shifts that have smudged the sketches, so to speak, as to what the hotel of the future will look like.

On the panel: 

The conversation began with Kilburn asking the panel how accurate previous predictions were regarding the ‘hotel room of the future’. It was concluded that the word ‘experience’, in all sectors of hotel design, was used 10 years ago in order to meet the then new demand among modern travellers who were expecting a deeper and more purposefully driven hospitality journey. Related to this, a new era of luxury lifestyle brands started to emerge to blur the lines in luxury travel, which, following the most testing year the hospitality arena has experienced in modern times, takes us to where we are now.

When the conversation turned to technology, interior designer Martin Goddard led the discussion to argue that moving forward, he expects modern travellers will be burnt out by technology and hotel design in many areas will encourage human connection once more as well as injecting meaningful sense of location, which was evident in Hotel Designs’ recent hotel review of The Mayfair Townhouse, which Goddard Littlefair recently completed steering clear to reference obvious clichés in the design. “One of the best pieces of feedback I’ve received from that hotel is that it always felt like a cosy winter’s day,” Goddard said.

Interior designer Albin Burglund was able to offer a unique perspective when it came to predicting the future of hotel design from both a luxury design as well as a wellness perspective. “I agree with Martin that the industry will be cautious to inject technology,” he explained, “and this will largely follow consumers putting more of a focus on their own personal wellness and wellbeing.”

Chris Lee injected qualitative research into the discussion following a campaign he and his team completed last year for Sleep & Eat, which involved collaboration with Chalk ArchitectureHotel Hussy and students from the University of West London, presenting an interactive render for a ‘2035 guestroom of the future’ based on the groups prestigious upscale Wyndham brand. As well as the project “capturing the imagination” of the modern traveller, the guestroom design and layout challenged conventional hotel rooms – and despite the focus being largely on the ‘Gen-Z traveller’, the product was actually carefully designed for all generations as it allowed guests to select their own scene settings to reflect their mood or preferred environment. Following research into understanding the DNA of the hotel guestroom experience, technology had to be seamlessly blended in to the design scheme.

The discussion soon veered towards Covid-19 and specifically the pandemic’s impact on future design and hospitality. Rob Steul, with more than 20 years’ experience in architecture and design, used the upcoming luxury hotel in Leicester Square, The Londoner, as a prime example of how the industry’s already high standards put hospitality design in good stead for when hospitality and travel returns in the post-pandemic world. “Long before Covid-19, we had already considered elements such as air flow,” he explained. Burglund agreed while also questioning the short-term purposes of event spaces and questioned how these could be utilised and used during what has no-doubt been a testing time for hospitality worldwide.

Here’s a highlights video of the panel discussion, which includes Product Watch pitches from Hamilton Litestat, Chelsom, PENT Fitness, Blueair and Yeames Hospitality.

The full recordings of the other three sessions (‘Sustainability, beneath the surface’; ‘Safe & sound hotel design’ and ‘A new era of wellness’) will be available on-demand shortly.

SAVE THE DATE: Hotel Designs LIVE will return for a fourth edition on May 11, 2021. Session titles and speakers will be announced shortly. Once these have been announced, tickets for Hotel Designs LIVE will be available. In the meantime, if you would like to discuss sponsorship opportunities, focused Product Watch pitches or the concept of Hotel Designs LIVE, please contact Katy Phillips or call +44 (0) 1992 374050.

Headshot of Saar Zafrir

5 minutes with: Interior designer Saar Zafrir

730 565 Hamish Kilburn
5 minutes with: Interior designer Saar Zafrir

Amsterdam-based interior designer Saar Zafrir joins editor Hamish Kilburn to discuss his latest project to redesign The ReMIX Hotel in paris as well as his wider mission to ’boutique-ify’ large corporate hotels…

Headshot of Saar Zafrir

2012 was a pivotal year for Saar Zafrir, who changed lanes from a 12-year career in finance to take a year off. The next 12 months prepared him to ‘get into the game’, taught by his own passion to become an interior design, at first starting small with friends and family but soon being offered a pathway into the hotel design arena. With a new focus on hospitality and F&B design, Zafrir’s approach was born; to transforming established corporate-style hotels and hospitality groups into fun and lively boutique brands that speak loudly to the growing demands of the modern traveller.

A rich narrative told in the interior design inside Sir Savigny Berlin

Image credit: Sir Savigny Berlin

In fact, in less than a decade, the designer has catapulted himself as a unique creative and developer of hospitality projects throughout Europe, including the award-winning Brown Beach House Croatia (a former tobacco processing plant on the Dalmatian Coastline of Croatia, transformed into a signature Brown Hotels property) as well as Max Brown HotelsSir Savigny Berlin and Gekko Group’s Provocateur Berlin Hotel.

Image credit: Provocateur Berlin Hotel

Through savvy attention to detail, Zafrir creates more than simply beautiful spaces. His work gives spaces a second life, thus generating a new audience that can optimise revenues for hotel chains. The latest example is The ReMix Hotel in Paris., a new hotel that was slated to officially open this month located in Paris’ 19th arrondissement and a longtime property of Schroder’s Group. 

Schroder’s hired Zafrir to develop a new brand to revamp the pre-existing 259-key hotel property in Paris’ Parc of La Villette. With a colourful and eclectic design influenced by the retro and abstract flair of the 1980’s, The ReMIX Hotel is a far pivot from the previous concept behind the original Schroder’s property. Inspired by the 1980’s pop song ‘Forever Young,’ Zafrir has worked to reminisce the essence of the 80’s tune into a modern day design style. The result is a playful yet sophisticated atmosphere with vivid colours, mix of patterns and textures and custom-made furnishings. The ReMIX Hotel will be an anchor for drawing in new breaths of culture, art, entertainment and dining in Paris’ 19th arrondissement.

A bold bar with green and gold explored in the interior design

Image caption: Interior designer Saar Zafrir explored a distinct, loud ’80s interior design theme when redesigning the F&B areas inside The ReMIX Hotel in Paris. | Image credit: Marvin Gang

 

Hamish Kilburn: First things first, what inspired your career change from finance to enter the hotel design landscape?

Saar Zafrir: After 12 years within the capital world, I decided to take a year off. I used my shares to buy an apartment in Tel Aviv. During my year off, I decided to work on design and renovation. Whilst getting familiar with design, I taught myself how to use Sketchup, AutoCAD and congeneric software and I totally fell for it. The design was so brilliant that I began to design for both my family and friends. Two years later I bought partnership within the hotel industry and I sold my apartment. That’s how I got into the game.’’

HK: You’ve become known for modernising corporate-style hotels into fresh new brands. Is there any transformation project that you’re specifically proud of?

SZ: “Yes, ReMIX. ReMIX used to be an extremely dull cooperate hotel. We managed to transform it into a very exciting, fascinating hotel people love to visit, even just to take pictures.’’

QUICK-FIRE ROUND

HK: What is one trend that you wish will never return?
SZ: Terrazzo, for sure.

HK: What items during lockdown could you not have lived without?
SZ: “I would say both my oven and stove. I can’t choose.’’ 

HK: What makes a good design team?
SZ:
“Working together as a team to inspire each other along the way.’’ 

HK: Who is your interior design hero?
SZ: “Philippe Starck! He was the first to create something that really went out of the box.

HK: Tell me about the concept for your latest project: The ReMIX Hotel in Paris.

SZ: “The client presented us a very large building that needed total renovation. The building was built in the 80’s.

I had always dreamt of designing a hotel 80’s themed. I have always been a fan of the song ‘’Forever Young’’ by Alphaville. The design pitch was shared with the client and the investors of the project and they liked the idea very much. We wanted to bring back the 80s with the roller-skates, the pop, the neon and the rubiscos. The initial idea was to not just open one ReMIX hotel but more of them.’’

HK: What challenges did you face with this project?

SZ: The big challenge was to transform a very old and dull building into something that’s very exciting to look at. It has also been a challenge to convince the client of our initial design. Additionally, we were tied to a very tight budget. It has been a challenge to meet the client’s needs whilst taking the budget into consideration.’’ 

Image caption: a clever seating/bed in a guestroom inside The ReMIX Hotel in Paris. | Image credit: Marvin Gang

Image caption: a clever seating/bed in a guestroom inside The ReMIX Hotel in Paris. | Image credit: Marvin Gang

HK: Finally, can you tell me about some exciting projects you have in the pipeline?

SZ: “Yes, so we created a new brand called Cardo. Cardo is an autograph collection. It will appear in Rome (640 rooms), Paris (300 rooms) and Brussels (540 rooms). Cardo is a cooperate hotel that is characterised by super cool brands, an amazing F&B concept and Spa. I am convinced that it will soon become an evolutionary concept within the hospitality industry.’’

Main image credit: Saar Zafrir

Inside the F&B areas of W Melbourne

Inside W Melbourne, the brand’s second opening in Australia

730 565 Hamish Kilburn
Inside W Melbourne, the brand’s second opening in Australia

In the heart of an eclectic dining and edgy fashion district, W Melbourne arrives, with design by Hachem, to shake things up a bit. Editor Hamish Kilburn explores…

Inside the F&B areas of W Melbourne

W Hotels, part of Marriott International, is on a roll and has officially opened the doors to Melbourne’s first W Hotel. Situated in the heart of the city’s eclectic dining and edgy fashion district, W Melbourne brings the community’s iconic laneway culture and emerging music scene to life. Inspired by the contrasts of the city, the hotel slowly reveals itself to visitors as guests peel back layers to unearth the unique personality of each space.

For W Hotels, the synergy between the brand and its new home in Melbourne is one that makes a lot of business sense. “Melbourne is the perfect locale for the playfully luxe spirit of the W brand and we could not be more excited to unveil this highly anticipated hotel to the world,” said Jennie Toh, Vice President of brand marketing and brand management, Asia Pacific, Marriott International. “From its unique, locally inspired design to its eclectic lineup of restaurants and bars, W Melbourne is destined to redefine the luxury hotel scene here and become a must-go destination for travellers and local scene-stealers alike.”

Igniting endless possibilities

Australian architecture and interior design firm Hachem brings innovation and brand storytelling to life through their evocative approach to W Melbourne. Drawing on the city’s diverse and contrasting character, W Melbourne’s design inspiration is translated into vignettes of Melbourne’s streetscapes, letting guests uncover the dynamic city’s past from behind the scenes.

Upon arrival at W Melbourne, guests are introduced to the neighbourhood’s iconic laneways, famous for their graffiti street art and offbeat, eclectic characters. Victorian bluestone tiles connect the Living Room to the laneway, blurring the line between the exterior and interior, where the Welcome Desk stands ready to greet guests. A vast lenticular art installation by local painter and digital artist Rus Kitchin immerses viewers into a canopy of Australian flora and fauna growing above the famed Hosier Lane. The illuminated glass and wood of the Flinders Lane entrance is juxtaposed against the shadows of the hotel’s foyer.

W Melbourne has 294 luxuriously stylish guestrooms and 29 suites, with design details curated to reflect Melbourne’s fascinating history and culture. The hotel’s Wonderful, Fabulous and Mega category rooms are inspired by the neighbouring street-level newspaper kiosks that back to the 1960s.

Fabulous King suite inside W Melbourne

Image credit: W Hotels/Marriott International

Each room features floor-to-ceiling windows with stunning skyline views. The Marvellous rooms feature a vibrant wall graphic of a fairy wren, a bird native to Australia, pulling back a layer of fabric to reveal a colourful Melbourne scene. The graphic pays homage to the city’s roots as a fashion hub, with Flinders Lane at the centre of its textile trade. The 175-square-meter Extreme Wow Suite (W Hotels’ modern interpretation of the traditional presidential suite), is on the hotel’s highest floor at Level 15, and features a large balcony with expansive views of the Yarra River and an interactive music station – a fresh take on an old-school jukebox.

Celebrating the city’s eclectic F&B scene

W Melbourne’s distinctive restaurants and bars are all set to amplify Melbourne’s dining landscape with innovative, original takes on the city’s multicultural cuisines. All-day dining restaurant Lollo, under the culinary creative direction of celebrated chef Adam D’Sylva, offers a menu that’s designed to be shared and celebrates the chef’s mixed heritage. At the centre of the action and pulse of the hotel is cocktail bar Curious, with its design as impressive as the evocative cocktail list. The bar welcomes guests into a cocoon-inspired space formed by its overhead timber beams in a parametric sequence with low lighting and muted colour palettes. Signature Japanese restaurant WARABI focuses on the freshest seasonal produce with seating for only 30 diners and a private dining room for ten. Culprit channels Melbourne’s café culture into an original bar concept that adds a new twist to the dining experience with a sophisticated floor-to-ceiling charcuterie display and a Vermouth tasting tray.

Mixing work with play, guests will be captivated by 830 square metres of ultra-modern conference, meeting and event space at W Melbourne, setting the stage for spectacular events with fully adaptable conference equipment, world-class audio-visual facilities and contemporary cuisine from the expert in-house catering team. The jewel in the crown, the Great Room, is a 426 square-metre pillarless ballroom with an abundance of natural light and 4×5-metre LED wall. To celebrate the region’s diverse seasons and autumn as a popular time to visit, Melbourne-born visual artist, Ash Keating utilised soft pinks and violets to light up the Great Room ceiling for an enchanting experience for guests.

Meanwhile, FIT and WET on Level 14 will inspire the W ‘Detox. Retox. Repeat’ brand signature wellness philosophy, offering spectacular views alongside an ultramodern fitness facility, gold-roofed indoor pool, poolside bar and DJ booth.

It’s an exciting time for the W Hotels brand. Having already established itself as a leading disrupter to the conventional hospitality scene, its latest openings in both Melbourne, Ibiza and Nashville are statement examples of the luxury lifestyle brand marking their territory in new and exciting travel hotspots.

Main image credit: W Hotels/Marriott International

Outside luxury pool and spa

Weekly briefing: Tech talk, art escapes & beyond the surface of trends

730 565 Hamish Kilburn
Weekly briefing: Tech talk, art escapes & beyond the surface of trends

‘Ey-up’, Hamish Kilburn here to deliver your weekly briefing. Over the last couple of days, we have showered our readers with exclusives, the latest news and insightful features. For those of you on-the-go, here are this week’s hottest stories in one easy-to-consume story…

Outside luxury pool and spa

If you only read one of our stories this week, make sure it’s this one! This week’s stories that have dominated the Hotel Designs website include an exclusive sneak peek of a major hospitality project in Silverstone (UK), a feature that tackles how the pandemic will affect hotel development, an inspiring interview about a hotel in Italy that will simply take your breath away and two – yes two – trend forecasts around surfaces and technology. Oh, and we also take a glance at some of this month’s hottest hotel openings. Are you sitting comfortably? Let’s begin.

FEATURE // How will the pandemic affect hotel design and development?

Modern and clean interiors inside Ruby Lucy

Image credit: Ruby Lucy

Let’s start by addressing the elephant in the room: the pandemic. To help us separate fact from fiction, Tom Bishop, Director of Project Management at Concert, is here to offer some clarity and perspective on the current Covid-19 situation. We wanted him to answer the fundamental question to understand once and for all how the pandemic will impact the hotel design community. Here’s what he had to say…

Read more.

INTERVIEW // Meet the visionaries behind Paragon 700 Boutique Hotel & Spa

Pascale Lauber & Ulrike Bauschke on steps

Image credit: Katja Brinkmann

This feature was a strange one for me because, if Covid-19 hadn’t entered on its wrecking ball last year, it would have followed my review of the hotel under the spotlight.  Almost a year after my flight was cancelled, plans to review the luxury lair are unsurprisingly still on hold. While we wait patiently, though, it felt fitting to catch up with Pascale Lauber & Ulrike Bauschke in order to understand the context and challenges that come with such a magnificent project…

Read more.

TECH MAD // CES 2021: Best hotel design tech trends

Image credit: Samsung/TOTO/Kholer/Care OS

Technology’s role in hotel design has arguably never been so relied upon. If you happened to miss CES 2021, fear not as myself and wellbeing expert Ari Peralta – together, an editorial dream team – are here to share the best hotel design tech trends that emerged from the show…

Read more.

EXCLUSIVE // Inside flagship hospitality development at Silverstone

Villas overlooking the Silverstone Racecourse

Image credit: Escapade Living

When we were told that we were going to be the first to publish about Bergman Interiors – the design firm that cleaned up at The Brit List Awards 2020 – teaming up with Twelve Architects and Escapade Living on a new hospitality development in Silverstone, we were so excited. And then we saw the renderings of the luxury villas overlooking the iconic racetrack and that took the anticipation up a level. Take a look for yourself in our exclusive feature that takes a glance at what this hospitality project will look like…

Read more.

HOTEL OPENINGS // VIP arrivals in February 2021

Render of NoMad London

From where we are sitting, most new hotels that are expected to open this year are holding off until later in the season, but there a handful of gems are expected to arrive early to the party. Without further a due, here are some of the hottest hotels that are opening this month.

Read more.

FEATURE // Virtually escape into the world of art in hotel design

A blue abstract art installation

Image credit: Melia Rhodes/Elegant Clutter

Are you swooning over staycations or dreaming of distant lands? We are all feeling the desire to escape from it all. I started the week in search for that holiday away from my thoughts by catching up with Elegant Clutter’s Creative Director Harry Pass to find out how art in hotel design can be a wonderful way of elevating a sense of escapism…

Read more.

TRENDING // Surface trends for 2021 & beyond

Image credit: Lindsay Lauckner

And finally, here’s a meaningful and relevant trends forecast that goes way beyond the surface… “Strict pre-pandemic industry standards mean that hospitality design is well-placed to weather the storm without a major supply-side rethink,” says Meghann Day, partner, HBA San Francisco. In this exclusive feature, the designer walks journalist Oriana Lerner through what’s ahead for surface design trends in 2021 and beyond…

Read more.

That’s your lot! Join us next week when we will take a look at W Hotels’ latest opening in Australia and we share our in conversation with Amsterdam-based designer Saar Zafrir. Also, keep one eye open for our podcast DESIGN POD, which will drop with episode one shortly…

Since you’re here…

More than 40,000 readers per month enjoy the content we publish on Hotel Designs. Our mission is to define the point on international hotel design, and we are doing that by serving relevant news stories and engaging features. To keep up to date on the hottest stories that are emerging, you can sign up to the newsletter, which is completely free of charge. As well as receiving a weekly round-up of the top stories, you will also access our bi-monthly HD Edit –staying ahead of the curve has never been so easy!

Click here to sign up to our newsletter.

Main image credit: Paragon 700 Boutique Hotel & Spa

Render of NoMad London

VIP arrivals: Hottest hotel openings in February 2021

730 565 Hamish Kilburn
VIP arrivals: Hottest hotel openings in February 2021

Hot off the heels of our two-part series on hotel openings in 2021, Hotel Designs is serving up the hottest, most spectacular hotel openings to expect in February. Editor Hamish Kilburn writes…

Render of NoMad London

For many of us, the idea of checking into a hotel in February 2021 is an unrealistic expectation. The UK hospitality sector is feeling the brunt of a third national lockdown, while Europe and many other regions around the globe are also restrained from large gatherings. The world may look very different now from this time last year, but behind the scenes designers and architects are putting finishing touches on tomorrow’s hotels.

From where we are sitting, most new hotels that are expected to open this year are holding off until later in the season, but there a handful of gems are expected to arrive early to the party. Without further a due, here are some of the hottest hotels that are opening this month:

W Nashville

In true W style, ready to cause disruption to conventional hotel design and hospitality, W Nashville is set to take the stage in the heart of The Gulch. “Striking the music city chord,” the hotel is expected to open with curated local tunes, garden-to-glass cocktails and welcoming communal spaces. “Expect the unexpected” is how the brand is teasing this special 346-key arrival, with a high-energy urban experience paired with our Whatever / Whenever® approach to hospitality and Southern comfort you can expect in downtown Nashville.

AC Hotel Maui Wailea (Hawaii)

AC Hotel in Maui render of pool bar

Image credit: AC Hotels/Marriott International

Perfectly placed and featuring two white sand beaches, AC by Marriott Maui Wailea offers scenic views of South Maui. 110-key hotel will shelter a ‘stylish comfort’ and will be complete with an infinity pool and a restaurant serving European cuisine, among other amenities.

Six Senses Botanique

Wooden interiors inside a suite of Six Senses Brazil

Image credit: Six Senses

Six Senses is gearing up to open its first property in the Americas. Situated in Brazil’s Mantiqueira region – known as the “mountains that weep” – Six Senses Botanique showcases its surrounding beauty from a hillside amid 700 acres (283 hectares) of lush, mid-tropical Atlantic forests.

Formerly known as Botanique Hotel & Spa, the hotel was born out of Fernanda Ralston Semler’s vision to set a new benchmark in luxury hospitality that was completely home-grown, recognising local traditions and culture, as well as its natural setting. The hotel was constructed in 2012 by regional architects and designers using indigenous materials such as jacaranda wood, natural stone, and chocolate slate. The slate is mined just once every 17 months and the hotel’s bearing walls incorporate three-ton boulders from the adjacent river. The massive 120-year-old wooden beams are reclaimed from farms in nearby Minas Gerais. Huge glass panels line the rest of the construct to evoke a sense of “outdoors inside” with uninterrupted views of Mantiqueira’s valleys and mountains.

NoMad London

Although we have been updated that this boutique gem is preparing to cut its ribbon in Spring of 2020, February was supposed to be the month when NoMad arrived in London, which is sheltered inside a heritage shell. Just days ago, we caught up the visionaries at EPR Architects, which teased our editorial senses before we are allowed to officially check in.

Located metres from Covent Garden, NoMad London will take residence inside the historic, grade II-listed building famously known as The Bow Street Magistrates’ Court and Police Station. Designed by New York-based interior design studio Roman and Williams, the transformation of the storied 19th century building draws inspiration from its history and location in Covent Garden, as well as exploring the artistic and cultural connection between London and New York.

Keep an eye on the Hotel Designs website for all the latest hotel opening news. On the editorial desk, we are hopeful and anticipate the lockdown regulations to relax somewhat. With this in mind, we expect more noise on the hotel design scene from March onwards. In the meantime, you can read all about this year’s hottest hotel openings in part one and part two of our editorial series on hotel openings. 

Since you’re here…

More than 40,000 readers per month enjoy the content we publish on Hotel Designs. Our mission is to define the point on international hotel design, and we are doing that by serving relevant news stories and engaging features. To keep up to date on the hottest stories that are emerging, you can sign up to the newsletter, which is completely free of charge. As well as receiving a weekly round-up of the top stories, you will also access our bi-monthly HD Edit –staying ahead of the curve has never been so easy!

Click here to sign up to our newsletter.

Main image credit: NoMad London

1 - Bangle LED - Image Credit Luum

Beautiful lighting from Heathfield & Co and lighting studio Luum

730 565 Hamish Kilburn
Beautiful lighting from Heathfield & Co and lighting studio Luum

Capturing the natural world in fixed form by merging light with scale and sculpture, Luum transforms interior spaces with lighting products from Heathfield & Co that stirs a heightened sense of wonder, excitement and energy…

1 - Bangle LED - Image Credit Luum

Beautiful lighting from Heathfield & Co is something we have come to expect – take a look at the Linden Collection, for example. But it’s the brand’s latest collaboration that is really hitting the right notes with our editorial team. Established in 2015, in close connection with Heathfield & Co, design studio Luum presents an inspired collection of beautiful contemporary fittings and large scale installations commissioned for clients across residential, hospitality and commercial sectors.

From the interlocking pyramid configuration of their bestselling Bangle to the decorative disks of Leaf or Samara, the brand’s sculptural fixtures transform interior spaces.

A cascade of aluminium discs pierced with a sunray design, Leaf (pictured above) offers unlimited design possibilities. Look up and you are reminded of the dappled light of the sun filtered through the canopy of a tree. The boundaries of the pendant and the space beyond it are blurred, creating an elegant and adaptable centrepiece.

Inspired by contemporary jewellery, Bangle is constructed by a series of pyramids locked together in a scattered formation to create a geometric sculpture. Available as the original design (pictured above left) or with integrated diffused LED strips (pictured above right) Bangle is a modern lighting sculpture, creating lively interaction between light and shade.

Heathfield & Co is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this  three-month editorial package, please email Katy Phillips by clicking here.

Main image credit: Luum

Fabrics in a concrete room

Sekers Fabrics becomes exclusive brand partner of FR-One (UK)

730 565 Hamish Kilburn
Sekers Fabrics becomes exclusive brand partner of FR-One (UK)

Collaboration goals, fabrics brand Sekers has become the exclusive brand partners of FR-One in the United Kingdom. Here’s what we know…

Fabrics in a concrete room

FR-One is the industry leader in Inherently Fire-Retardant furnishing fabrics, offering maximum safety by providing a wide range of self-extinguishing multi-use* drapery, bedding and accessory fabrics which meet all necessary UK and Marine (both IMO and MED Module E Certification) Standards, making FR-One a great choice for contract, marine and residential projects.

“This new relationship brings together two of the market leaders in the supply of contract fabrics to the commercial and hospitality industry,” said David Lawton, Group Sales Director at Sekers. “With FR-One’s enviable product range, rigorous testing and one standard that meets all attitude, we are confident that clients old and new will continue to utilise and enjoy FR-One’s stunning collections. Trend-setting colours and designs, beautiful upholstery ranges, fabulous sheers and attractive dim- out collections, all backed by Sekers long standing reputation, loyal sales force and technical knowledge brings us to the beginning of an exciting chapter!”

RE-Invent, let’s reshape the future of FR Fabrics

With the new partnership comes a range of new and exciting fabrics. FR-One has a strong interest in the requirements of our consumers and our environment which has led them to re-use, recycle and ultimately RE-Invent their own collections.

The new RE-Invent range features six collections of upholstery, drapery and bedding fabrics; Re-Vive, Re-Store, RE-Delis, Regal Velvets, Resurgence, and Moon. It showcases three new fabric constructions, manufactured from recycled polyester, fully certified and compliant with the Global Recycled Standard (GRS).

This concise range includes timeless and proven best-sellers that have been thoughtfully reinvented for today’s consumer to encourage appreciation of the value of quality and proven products.

The ranges; Re-Invent, Edition 1 and Edition 2 are sampled in our new stylish dual branded binders and/or pattern books. All of the designs and sample cuttings can be accessed via the FR-One link on the Sekers website, including all three e-binders.

RE-Vive

As FR-One’s first 100 per cent recycled fabric, certified by the Global Recycling Standard, RE-Vive is a wide width dim out that is best suited to contract drapery applications. Featuring a sumptuous touch and drape with a silky smooth finish, this collection is available in a broad and versatile colour palette.

Re-Delis

FR-One’s best-selling ‘Delis’ has been reinvented in a renewed wide width and recycled format suitable for contract drapery applications. Re-Delis is 300cm wide and features a matte, dry and natural look and touch, emulating a beautiful raw linen. Composed of 52 per cent recycled GRS certified polyester, this collection is a brilliant choice for today’s conscientious market.

Two twin beds in a modern setting

Image caption: Re-Delis | Image credit: Sekers

RE-Store

A trio of wide width textured dim outs in GRS certified recycled polyester, the RE-Store collection features RE-Juvenate, RE-Boot and RE-New, three designs well suited to contract drapery applications. RE- Juvenate features a small basket weave texture subtly combining matte and shiny yarns, RE-Boot is composed of fine multi-coloured yarns delivering an elegant sheen when caught in the light and RE- New has an organic, dry and tactile look and feel, bringing sophistication to any interior.

Regal Velvets

A grand collection of multi-use* signature jacquard velvets in three striking designs; Regalia, Remain and Requiem, are available in a beautifully succinct and rich colour range. Regalia is an all-over abstract design that gives great visual texture and movement, reaching 100,000 rubs on the Martindale rub test. Remain is a classic key design with a hidden optical zigzag twist, while Requiem is a small-scale irregular spot effect with an intentionally fuzzy look and feel. Both Remain and Requiem achieve 70,000 rubs, boasting strong durability.

Red velvet interiors in guestroom

Image caption: Regal Velvets | Image credit: Sekers

Resurgence

This collection presents two unconventional vinyl qualities: Register and Refined. Both mirror the look and texture of natural woven linens in the form of boundlessly durable engineered vinyl, boasting 100,000 rubs on the Martindale Rub Test. Both designs are compiled together with a range of FR-Ones carefully curated sheers, drapery and upholstery* fabrics – all in a soft, enduring and neutral colour palette.

Moon

FR-One’s best-selling and timeless multi-use* velvet has been refreshed with a deeper colour palette, now available in a total of 39 rich and on-trend colourways, including a range of metallics, neutrals and jewel tones. Moon’s excellent durability and luxurious touch will enhance the appearance of any interior.

A navy blue studded headboard

Image caption: Moon | Image credit: Sekers

*NB All FR One upholstery fabrics to be used within the U.K. will require additional FR treatment to pass the following standards:

  • BS 5852: 2006 Part 1 Ignition Source 0 & 1, Part 2 Ignition Source 5 (Crib 5)
  • BS 7176: 2007+A1:2011 Medium Hazard, incorporating BS EN 1021-1: 2006, BS EN 1021-2: 2006 When tested over CMHR Foam – density approx. 35kg/m3

Sekers is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our recommended suppliers, please email Katy Phillips.

Main image credit: Sekers

Black sink and dark patterned wallcover

Create an impactful bathroom using pattern with Burlington

730 565 Hamish Kilburn
Create an impactful bathroom using pattern with Burlington

Renowned for offering the very best in traditional bathroom design, leading industry specialists, Burlington gives designers freedom to introduce impactful bathroom design with vibrant patterns. Hotel Designs explores…

Black sink and dark patterned wallcover

With an impressive and ever-growing collection, breadth of choice allows homeowners the opportunity to effortlessly pair complementary patterns and colour for expressive interior design.

From bold and beautiful wallpapers placed against coloured ceramics, to arresting basins and WCs adorned with decorative hand-illustrated details, there is a multitude of ways to add impactful pattern into the bathroom with Burlington.

The perfect contrast against dark and captivating wallpaper, the warm ivory of the Medici collection was inspired by the iconic colour palettes of the 1920s. The elegant and timeless ceramics and coordinating accessories stand proud within a darker, patterned setting and add a touch of vintage charm to traditional bathroom spaces, providing a more eclectic look.

To achieve a dark and decadent bathroom enlivened with pattern, combine Burlington’s Jet range with striking, exotic wallpaper. Encapsulating the deepest shade of black, the glossy ceramics seamlessly complement extravagant patterned schemes for an impressive, timeless bathroom.

Ceramics themselves can be embellished with pattern for an alluring bathroom statement. The Floral range from the Bespoke by Burlington collection injects beautiful, nature-inspired décor into the bathroom. Following trends for individuality, the delicate, hand-illustrated floral designs bring iconic elegance and character to creative interior schemes, transforming everyday bathrooms into works of art. With a choice of four exquisite patterns, the Floral collection promises to add a captivating, modern touch to traditional bathrooms.

Combining historical influences with a contemporary approach, Burlington’s expansive collection allows individuals to create an expressive and imaginative space where on-trend design coincides with timeless style for a modern traditional look the brand is renowned for.

Burlington is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our recommended suppliers, please email Katy Phillips.

Since you’re here…

More than 40,000 readers per month enjoy the content we publish on Hotel Designs. Our mission is to define the point on international hotel design, and we are doing that by serving relevant news stories and engaging features. To keep up to date on the hottest stories that are emerging, you can sign up to the newsletter, which is completely free of charge. As well as receiving a weekly round-up of the top stories, you will also access our bi-monthly HD Edit –staying ahead of the curve has never been so easy!

Click here to sign up to our newsletter.

Main image credit: Burlington

Virtual roundtable: ‘sustainable does not mean natural’ in surface design

730 565 Hamish Kilburn
Virtual roundtable: ‘sustainable does not mean natural’ in surface design

With ‘greenwashing’ still an all-too-common term in the global ‘sustainable’ hotel design and hospitality arena, we gather a cluster of designers and architects to attend a virtual roundtable, sponsored by Architextural, to discuss sustainability solutions in surface design. Editor Hamish Kilburn leads the discussion… 

With rapid population growth, urbanisation and the ability to purchase goods at our fingertips, we in the western world have become overall a wasteful on-demand society that on the whole is unfortunately not sustainable in our thinking.

More specifically in hospitality, while initiatives such as putting a curb on single-use plastics have been celebrated, ‘greenwashing’ has become a commonly used term in order to expose those whose veneer of a sustainable establishment is actually doing more harm than good. In order to grasp sustainability’s role in the future of hotel design, and to put forward viable alternatives, we must look beyond the semi-sustainable methods of yesterday and instead research consciously with aim to find new methods that are not just kinder to the environment, but will also enhance local relationships and improve aesthetic qualities.

As ever, it falls upon the design community to put forward innovative methods that make sense for the future projects that will emerge on the international hotel design scene. In this exclusive virtual roundtable, sponsored by Architextural, we handpicked designers and architects in order to question sustainability in surface design, and learned that ‘sustainable does not always mean natural’.

On the panel:

Before we delve into materials and far-fetched, eco-driven initiatives in surface design, in order to establish misconceptions, we should look at architectural wrapping has become increasingly popular in recent years. On the surface of the debate, using PVC is contentious and, despite it being the world’s third-most widely produced synthetic plastic polymer, it is not particularly sustainable. However, used in the right way, surface manufacturer Architextural believes the process of wrapping can significantly help designers and their clients achieve a sustainable outcome when it comes to upcycling goods.

Hamish Kilburn: Lindsay, you’re the marketing manager for Architextural. Can you tell us a bit more about the brand’s sustainability credentials?

Lindsay Appleton: Architextural, is a new brand, part of William Smith Group, which was established back in 1832.  The concept of wrapping existing surfaces, instead of sending them to landfill, is contributing to a more sustainable future. In 2021, we have more than 1,000 patterns on the shelf, so as well as offering an environmentally friendly process, we also have a lot of variety in our ranges to suit most design applications in so many sectors – our products are incredibly versatile.

HK: Jack, you work for 3M, which manufactures Architextural’s product. Can you tell us more about this process?

Although the product is PVC it’s optimised to withstand wear and tear, UV, impact and it’s exceptionally conformable. Therefore, it can prolong the lifespan of products and eradicate the need for excess waste. 3M Architectural Finishes range is designed to meet aesthetic demand, while delivering functional benefits which can improve the sustainability of projects.

HK: What makes this process sustainable?

LA: The concept of wrapping using a PVC product, makes it a durable refurbishment solution. Rather than ripping out existing fixtures and fittings to be sent to landfill, upcycling what’s already there qualifies for all the LEED (Leadership in Energy and Environmental Design) credits around reusing existing furniture and reusing existing materials. The process is therefore much more sustainable, and there is less disruptive over having a traditional refurbishment. By upcycling what was already there, it is a sustainable way to reduce cost.

image of sustainable wooden headboard in bedroom

Image credit: Architextural

“Anything that allows you to reinvent without throwing out has got to be a good thing.” – Harriet Forde, Founder, Hariet Forde Design

HK: What is driving the rise in upcycling surfaces – is this ‘trend’ purely linked to sustainability?

Harriet Forde: I think we are trying to address the natural desire of humans to evolve and change. We are always looking forward to the next thing that is happening. We are a visual animal and looking forward to see what is trending. However, we cannot expect revolutionise all the time. We have to be able to manage that in a way that is sustainable. Anything that allows you to reinvent without throwing out has got to be a good thing.

Una Barac: When I started in the industry some two decades ago, Wenge was a popular veneer. We, as designers, allowing for it to become so popular came very close to exterminating that entire species of a tree. This is why we will now use blackened oak as an alternative– so we will find sustainably sourced oak and we will treat to achieve that dark effect without having to travel the world to find exotic species of wood, cutting it down and flying it half way across the globe.

So, for me, there are sustainable ways to being true and authentic – and we are learning more all the time. We should be designing with location in mind.

HK: Before the pandemic, I believe clients were really starting to understand the value of sustainably sourced goods beyond them just being eco-friendly. How this attitude changed since the pandemic with hygiene creeping up on the agenda?

Ben Webb: It’s definitely come up in conversations, but it isn’t the driving factor behind us putting these spaces together. Clients, and in fact people in general, are so much more aware now than they were five years ago when it was just used to sound good. The awareness now – and the fact that it is written in a lot of these briefs from day one – is very important. You need to talk about it from the beginning of a project rather than at the end.

“The greenest, most sustainable products are the ones that already exist.” – Ben Webb, Co-Founder, 3 Stories.

It doesn’t have to be some crazy new material, but it could just be the fact that you reuse the furniture. The greenest, most sustainable products are the ones that already exist. Let’s not forget that there are a lot of products and materials that already exist. In the past, we have had that shift with warehouse-like interiors, but actually the larger discussion point is the products that have been produced and we could actually reuse them. Wrapping these products, for certain brands, is extremely important.

Hygiene is coming up in conversation but our lead times are around two years – sometime longer. Therefore, there is a bigger picture and we always have to look ahead.

HF: As a designer, you should set the parameter right at the beginning of the project with how much your intention is to be sustainable, because it ultimately impacts the budget, and clients often see you reusing as a way to save money.

Geoff Hull: A lot of reused materials such as plastics can achieve ergonomic and geometric forms in a slender and elegant way. Polymer products can also carry other non-porous and hygiene friendly surfaces particularly relevant in our current Covid conscious World.

Henry Reeve: One of the ways we try to be sustainable is to ensure that our designs stand the test of time, so that we are not ripping stuff out after a couple of year, because then by definition you are not creating waste.

“In the QO Hotel Amsterdam, for example, all the carpets are made from recycled fishing nets.” – Henry Reeve, Head of Interior Design, IHG (Kimpton/Hotel Indigo).

We have introduced some interesting initiatives in some of our hotels. In the QO Hotel Amsterdam, for example, all the carpets are made from recycled fishing nets. Plastic is obviously a very durable material so this works perfectly. Also, in our Voco hotels, all the duvets are made from recycled bottles – and we have received really positive feedback from our guests regarding how comfortable they are.

One of the initiatives with furniture, is when they come to end of life with the hotel, but still in good conditions, we have donated our FF&E to housing projects and youth facilities.

When it comes to wrapping, we did implement this with the case goods inside some of the meeting rooms in InterContinental Park Lane. This was a time-saving a cost-effective process that really worked.

HK: And Henry, how do you sensitively communicate these initiatives this to guests?

HR: You have to be careful when shouting about renewables. There’s information there should the guests want to read more.

“We have to, if we are creating new products, ensure they don’t end up in landfill 10, 20 even 100 years down the line.” – Jeremy Grove, founder, Sibley Grove.

Jeremy Grove: The way in which we try to work is that we see the problem being more of a design problem and not a material one. We need to understand what happens afterwards. Wrapping and giving a product a new lease of life. A product is only desirable when we are using it and once we throw it away it is then no desirable at all. So, we have to, if we are creating new products, ensure they don’t end up in landfill 10, 20 even 100 years down the line.

The Fox & Goose is a good example, because it was designed to be dissembled, using materials that could be taken back to source and regenerated into a better quality.

For us, it’s about doing what’s sustainable and what makes good business sense. It’s really important for us to work with clients who don’t always share our ethos so that we can teach them as the project develops. Working with owners, operators and developers, if we can help to change their mindset on sustainable even by just a little bit then we are contributing to our industry as a whole thinking more consciously.

Image caption: The sustainable Fox & Goose, designed by Sibley Grove, was created to be dissembled | Image credit: Fox & Goose

Image caption: The Fox & Goose, designed by Sibley Grove, was created to be dissembled | Image credit: Fox & Goose

“We found a company that will pick up all the materials that we’re stripping on the site.” – Maria Gutierrez, Project Architect at Holland Harvey Architects.

Maria Gutierrez: I find that we also develop as designers when we are able to work on two projects under the same brand. We are currently working on designing the second Inhabit in London and we have taken so many learnings from the first, which was a fully sustainable hotel sheltered inside a Grade II listed building. We found a company that will pick up all the materials that we’re stripping on the site. All the marbles, all the tiles. When you recycle, and upcycle, them they become beautiful statements of sustainability. We are upcycling all these materials and repurposing them to be the worktops in the new hotel. Learning from the first hotel, we are able to go even further with the next project.

And then we get to the process of Value Engineering (VE), in which sustainable initiatives always suffer.

Image caption: Inhabit London is grade II listed, designed by Holland Harvey Architects, is a fully sustainable hotel that confronts the ideology that heritage buildings cannot shelter sustainable spaces. | Image credit: Inhabit Hotels

Image caption: Inhabit London is grade II listed, designed by Holland Harvey Architects, is a fully sustainable hotel that confronts the ideology that heritage buildings cannot shelter sustainable spaces. | Image credit: Inhabit Hotels

BW: A lot of VE comes down to longevity. It may be a sharp cost now, but if something stands the test of time then its value increases.

 “I have recently seen recycled terrazzo with chunks of plastic in.” – Henry Reeve, Head of Interior Design, IHG (Kimpton/Hotel Indigo).

HK: What has caused the rise in demand for exposed concrete surfaces?

GH: We have had a few projects including Ace Hotel and Village Hotels where concrete was seen as an honest and robust material. Techniques with formwork and ingredients has enabled a menu of different textures, finishes and colours for new build projects (where re used concrete can be crushed and used as aggregate) or existing retained superstructure can also add character and historic reference to any project.

HK: How can using upcycled materials in surfaces add new layers to a design of a hotel?

HR: There’s definitely interesting materials that have caught our eye, especially around recycled plastic. Technology has moved on leaps and bounds and I have recently seen recycled terrazzo with chunks of plastic in. Chunks of marble and/or wood in a terrazzo material looks stunning and create a very luxurious feel. I am expecting to see more of that in the future.

“Even the largest brands can be very excited by ideas around upcycling and recycling.” – Una Barac, Founder and Executive Director of Atellior

UB: Everyone seems to have a broader awareness. Even the largest brands can be very excited by ideas around upcycling and recycling. Here are a few examples. Park Plaza purchased an existing property which had almost 400 chairs that were made from cherry wood and upholstered with paisley patterns. We literally stripped them down with a local workshop that sanded the wood, painted each chair and then reupholstered them with a modern fabric.

Another example is a Hilton property in Bournemouth. The owner had procured antique furniture. In the spa, we decided to use one of these items – a desk – and we upcycled it which we then encased in glass because there were concerns with splinters. This piece of furniture became a beautiful focal point within the hotel.

BW: We have found that materials can have a dual purpose, when they have a very practical use but also very aesthetically pleasing.

“Just because it is natural does not mean it is sustainable” – Jeremy Grove, founder, Sibley Grove.

HK: During R&D, what far-fetched materials have your teams discovered in new surfaces?

JG: For me, a lot of what we focus on is not really the far-fetched stuff at all! Our work we did with Selfridges is a great example, which allowed us to look at a material that is upcycled fishing nets and ropes.

However, just because it is natural does not mean it is sustainable. Take oak, for example. It takes between 75 – 150 years to mature. If we were using this in a shop fit-out intended to be used for just six months then it really isn’t sustainable at all. When designing, we as an industry sometimes neglect that a lot ecosystems rely on these natural materials. We have lost vast amounts of our oak and its solutions around these problems that I am interested in.

GH: Nothing ‘far-fetched’ comes to mind but quite often we get to use many recycled materials either through manufacturing and specification choices or through the use of existing on site materials. We have many listed building examples where we have dismantled (rather than demolish) parts of a building for re-use in its altered form (stone , timber flooring , mosaics , cornicework etc).

HF: Sometimes the product that does not have the best sustainably credentials, like PVC for example, can in fact be the most sustainable if it is long-lasting and by not changing it you are actually being more sustainable.

BW: We all have a collective responsibility and awareness when we are designing a new hotel because we are making a massive impact. As designers, we have to meet the brief and make these spaces look stunning, but we there is no harm to think a little deeper to try and design in a clever way to try and source the best, most sustainable products and materials.

MG: The world and customer is starting to become more interested in sustainability and is able to make informed decisions around travel, design and fashion. This widespread knowledge is making it easier for designers to discuss this with clients. It’s also a great opportunity for hotels to tell their narrative in a unique way.

UB: It’s about designers taking developers on a journey to set the brief and parameters and educating the client as you move forward.

HK: How has this movement change the way in which design and architecture is taught?

JG: In terms of how it’s taught academically, it has always been part of academia. The largest challenge is how we translate that into the commercial world and there is a disconnect between them. It takes real resolve to challenge some of these conventions. Design has to lead that journey.

GH: I believe the use of conventional and traditional materials and methods have developed and altered considerably over the last 25 years and there is a greater choice of materials which address form ,and  function as well as embrace recycling/upcycling credentials.

HF: At the British Institute of Interior Design (BIID), we run an annual student challenge. When I was on the judging panel two years ago, the students were very focused on sustainability. In a student scenario, it is very idealislised and in the line of work there are a lot trip hazards along the way. CPD, though, is a really positive way to continually educate yourself in what is a continually evolving industry anyway.

Architextural is one of our Recommended Suppliers and regularly features in our Supplier News section of the website. If you are interested in becoming one of our recommended suppliers, please email Katy Phillips.

Gold structure of Main image credit: Destination Gold Coast Consortium

Project watch: the ‘shimmering’ Dorsett Gold Coast takes shape

730 565 Hamish Kilburn
Project watch: the ‘shimmering’ Dorsett Gold Coast takes shape

As the project surpasses its two-year mark, construction on Dorsett Gold Coast at The Star Gold Coast, a 313-key hotel, is on the home straight for a 2022 opening. Editor Hamish Kilburn takes a look at what we can expect…

Gold structure of Main image credit: Destination Gold Coast Consortium

Currently on the boards, but preparing to take the Gold Coast to new heights of luxury, the golden-glazed windows of what will be Dorsett Gold Coast at The Star Gold Coast are being installed. And as construction of the building that will shelter the 313-key hotel has reached the 24th storey out of a total of 53 storeys, the new development is beginning to make a statement.

Developed by Destination Gold Coast Consortium (a joint venture between The Star Entertainment Group, Chow Tai Fook Enterprises and Far East Consortium), and designed by award-winning design firm HBA, the hotel is expected to add a sprinkle of drama onto the city’s skyline.

Inspired by the coastline views of Broadbeach Island – the lush vegetation of the hinterland and the calming ocean waves – the designers at HBA sought to achieve harmony between the hotel’s interiors and its surrounding environment through a fresh, sophisticated, and relaxing overall design aesthetic.

render of guestroom showing botanical carpets and luxury tones

Image credit: Destination Gold Coast Consortium

Expect soft nods to botanicals to be incorporated through custom carpet designs while subtle references to lapping ocean waves and abstracted underwater scenes will be woven into the design narrative of the lobby, guestroom artwork, and custom wallcoverings to establish a true sense of place. 

With wellness taking centre stage in modern traveller demands, the bathrooms will feature simple design – think marble surfaces with accents of gold.

Image credit: Destination Gold Coast Consortium

A custom chandelier installation composed of kinetic lighting and reflective materials will serve as a focal point in the main lobby, enhancing the concept of soothing tranquility and light dancing on the ocean’s surface. Guestrooms will be well-appointed with fully custom-designed furnishings and decorative lighting elements to provide guests with a one-of-a-kind, memorable stay. 

Dorsett Gold Coast is part of a wider, $2 billion+ approved masterplan for Broadbeach Island, which will feature four additional towers and associated resort facilities. The Star Gold Coast will continue to transform into a world-class integrated resort that brings a new level of sophistication, service and style to the Gold Coast.  

Main image credit: Destination Gold Coast Consortium

Sneak peek: inside SLS Cancun, a “barefoot-chic tropical” hotel

730 565 Hamish Kilburn
Sneak peek: inside SLS Cancun, a “barefoot-chic tropical” hotel

The new beachfront sanctuary in Cancun, which officially opens on February 1, features 45 suites, ocean views and world class design led by famed architect and designer Piero Lissoni. Hotel Designs takes a look inside…

Having designed a myriad of hotels around the world, Piero Lissoni brought his iconic design magic to Cancun to bring to life sbe’s vision of a “barefoot-chic tropical” hotel. SLS Cancun, which opens in early February, is a perfectly timed arrival as the SLS brand is one at the centre of the Ennismore and Accor merge to become the largest and fastest growing global player.

Complete with bright contemporary spaces intertwined with Italian décor, reminiscent of his hometown in Italy, the hotel shelters just 45 striking suites. From oceanside floor-to-ceiling windows with unobstructed views of the ocean and tones of deep ocean blue and vibrant turquoise to an open-floor concept lobby featuring soft, white-washed wood and light stones, Lissoni’s latest property evokes a feeling of calmness as the space connects the interior and exterior as one. 

“This hotel is like a cocktail,” Lissoni explains. “We’ve incorporated a few different ingredients: the local culture together with that of America and Europe. And we’ve bound the style of the latter to that of Mexico. So the light and the presence of art works, antiques and local craftsmanship dialogue with those of other worlds. And I think we’ve come up with a cocktail that’s particularly interesting.”

SLS Cancun guestroom render in Cancun hotel

Image credit: SLS Hotels

Guestrooms and suites are described by the hotel brand as “sparkling and shining” that promise to “take your breath away”. Each area is modern with sleek lines to compliment azure waters of the ocean that are effortlessly framed.

Meanwhile, the public areas feature a contemporary lobby bar, and to further stretch the theme of barefoot luxury, the hotel experience focus is steered towards a luxurious poolside scene, sandy beach and  the state-of-the-art fitness centre and spa.

Complimenting the overall design of the hotel, LEYNIA is an Argentinian grill, led by chef Jose Icardi, which is inspired by flavours from Japan, melding the rustic allure of open flame cooking.

The opening of SLS Cancun becomes the brand’s fifth property in North America, as the brand enters into an exciting era that will no-doubt promise thoughtful growth to further enhance the “new kind of luxury” that the brand has created.

Main image credit: SLS Hotels

A clean and luxury hotel room in Cairo

St. Regis arrives in Cairo, Egypt

730 565 Hamish Kilburn
St. Regis arrives in Cairo, Egypt

An epitome of modern Egyptian glamour, and heralded as a new beacon of luxury on the Nile, the new St Regis hotel brings exquisite design and signature service to the bustling metropolis and tourist hotspot…

A clean and luxury hotel room in Cairo

With Marriott International expected to meet its 2020 aims this year to to open 30 new luxury hotels in 2021, St. Regis Hotels & Resorts has announced the highly-anticipated opening of The St. Regis Cairo. Rising tall on the banks of the River Nile, The St. Regis Cairo is an illustrious icon weaving a powerful story of luxury in the region. Located at the North end of the Corniche, in the heart of Egypt’s bustling metropolis, the 39-story hotel offers easy access to the magnificent monuments of a city steeped in history.

“Egypt has historically been one of our key markets and strategically significant to our growth in the region,” said Satya Anand, President for Europe, Middle East and Africa, Marriott International. “Cairo is a storied destination that has long mesmerised the global traveller with its incredible energy offering a vibrant mix of history, culture, tradition and glamour. The St. Regis Cairo is an exciting addition to our fast-growing brand portfolio and is set to elevate Cairo’s luxury hospitality landscape with its remarkable design, uncompromising service, and exceptional culinary venues.”

Eng. Abdullah Bin Hamad Al Attiyah, CEO of Qatari Diar commented: “We are delighted to strengthen our global portfolio of hospitality developments with the opening The St. Regis Cairo. This luxury landmark will introduce higher standards of hospitality to this beautiful destination with its unparalleled levels of luxury and exceptional service – both of which the iconic St. Regis brand is renowned for.”

With its striking architecture, created by renowned architect Michael Graves, The St. Regis Cairo firmly establishes itself as a pivotal landmark in the city and beyond, carefully balancing opulence with refinement and elegance to evoke a profound sense of grandeur. Uncompromising in its decadence, the hotel is an exquisite reflection of a passionate vision that conscientiously draws on the city’s influential and storied past while confidently introducing its vibrant future.

Graceful geometric lines flow throughout the interiors, creating a repeated structural motif that quietly references the heritage of the region. Dark wood and rich textures combine with intricate embroidery, bejewelled paneling, bronze and wood carvings embellished with flashes of shimmering gold, mother of pearl inlays and imposing crystal chandeliers creating a dramatic Egyptian aesthetic with modern execution. A striking mural entitled “The Pink Sun” graces The St. Regis Bar. Staunchly modern in its execution, the mural references ancient Egypt and the birth of a modern civilisation.

The hotel’s approach to design pays particular homage to the hundreds of craftspeople who dedicated their time and handiwork to perfecting each and every detail offering a distinctly modern vision that immerses guests in moments that are simply awe-inspiring.

Main image credit: Marriott International/St Regis

Inside Hart Shoreditch, London’s latest lifestyle hotel

730 565 Hamish Kilburn
Inside Hart Shoreditch, London’s latest lifestyle hotel

The 126-key hotel, which is in the heart of Shoreditch, has been designed by Fabled Studio and draws inspiration from East London’s past as a centre of craftspeople and makers. Hotel Designs takes a peek inside…

East London lifestyle hotel, Hart Shoreditch Hotel London from Curio Collection by Hilton, which has recently opened, was designed in collaboration with London-based interior design consultancy Fabled Studio. The 126-key property seamlessly blends the vibrant heritage and modern-day creativity of East London, through its thoughtfully designed spaces.

“Gone is the tired aesthetic of exposed graffitied brick walls, filament lightbulbs and mis-matched furniture to create a bright, fresh and life-affirming space.” – Steven Saunders, co-founder and director of Fabled Studio.

Image credit: Hart Shoreditch/Gary Edwards

Drawing inspiration from East London’s past as a centre for craftspeople and makers, the hotel’s design narrative is deeply rooted in showcasing the industries that thrived there including furniture makers, metal workers and silk weavers. In keeping with the Curio Collection by Hilton portfolio, the hotel will give visitors to London the chance to experience one of the city’s most sought-after neighbourhoods and discover its unique history.

Image caption: The lobby | Image credit: Hart Shoreditch/Gary Edwards

“We set out to create a brand-new identity for a Shoreditch hotel and restaurant/ bar by delving deeper into the stories and history that the East End has to tell,” said Steven Saunders, co-founder and director of Fabled Studio. “Gone is the tired aesthetic of exposed graffitied brick walls, filament lightbulbs and mis-matched furniture to create a bright, fresh and life-affirming space. Natural textures and a muted architectural colour palette create a crisp canvas which we have dressed with soft sage velvets, woven linens and Kilim patterns to offer an elegant and mature space to enjoy.”

Luxe guestroom

Image credit: Hart Shoreditch/Gary Edwards

Hart Shoreditch takes its name from one of the building’s previous occupants, The Harts, who were cabinetmakers in the 1800’s. The distinctive space encapsulates East London’s rich industrial and artisan past. Design details including a steel re-bar and copper staircase, and contemporary, bespoke mahogany lights have been designed to replicate cabinetmaker’s boxes and pay homage to the building’s earlier artisan life.

Soft textures, furnishings and warm lighting will guide guests through to Tavla, the hotel’s bar where guests and locals alike will be encouraged to relax and spend time throughout the day and into the evening. Here, textured woven stools are mixed in with lounge chairs in muted tones and softened textures giving the space a modern, residential feel. The restaurant BARBOUN, boasts an industrial-luxe aesthetic with rattan and Thonet-style chairs and partitions inspired by the Victorian furniture makers workshops of Great Eastern Street. Warmth and softness is brought into the space through natural linen café curtains, drapery in deep oxblood and upholstery in nude leather; as well as the asymmetric architecture of the vast timber ceiling replicating the beamed structure of a factory warehouse. A striking steel re-bar and copper staircase sits towards the back of the space along with a central cascade of moon chandeliers.

Guests can choose from nine room and suite categories, all of which feature a soft and elegant colour palette of white and grey with striking burnt orange and deep green accents. Predominantly contemporary in style with copper mirror detailing and simplistic modern furnishings, the guestrooms are warm and inviting with subtle design details throughout such as saddle-stitched leather strapping and copper rendered marmorino textures. Copper leafed bedside mirrors are embossed with woven lace etchings in a nod to the deep-rooted Huguenot history of nearby Spitalfields. Bathrooms feature a combination of materials which come together to create a sophisticated, urban space. Luxurious marble showers and rolltop baths with impressive views across Shoreditch are complimented by contrasting concrete vanities, herringbone flooring, bold geometric tiling and paired back brass detailing.

Hart Shoreditch is also home to two unique meeting spaces which have been designed to emulate the look and feel of 18th century Huguenot townhouses synonymous with East London and its silk weaving past. A classic London aesthetic intertwined with modern textures and details set against soft green walls.

Image credit: Hart Shoreditch

Located in the heart of Shoreditch on Great Eastern Street, the hotel is conveniently situated just a moment’s walk from Shoreditch High Street underground station and within walking distance of the neighbourhood’s independent boutiques, vibrant bars, restaurants and famous markets such as Brick Lane and Spitalfields.

Main image credit: Hart Shoreditch

Stylish emerald green and golden poster above comfortable king size bed with headboard and pillows in dark green bedroom

Upcycling: “Revamp, don’t replace,” says surface brand Architextural

730 565 Hamish Kilburn
Upcycling: “Revamp, don’t replace,” says surface brand Architextural

The trend for upcycling shows no sign of abating; businesses are increasingly looking to upgrade their interiors on a budget and without the upheaval of ripping out and replacing furniture, explains surface brand Architextural

Stylish emerald green and golden poster above comfortable king size bed with headboard and pillows in dark green bedroom

Upcycling taps into the trend for sustainability that continues to be big news; it is better for the environment for venues to make use of what they already have and give it a new lease of life, rather than replacing it wholesale and sending old furniture and fittings to landfill.

This is where vinyl wrapping processes come into their own, providing a fresh new look in a multitude of styles, quickly and easily.

Wrapping is a simple process, whereby an existing surface is covered with a self-adhesive film. Architectural finishes are highly engineered, durable films, designed to look and feel like real-life materials. The films are applied with heat, by skilled installers, to provide a realistic hardwearing finish. This allows clients to create bespoke furniture using less expensive materials, wrapping them to look like authentic marble, wood or concrete. With thousands of finishes available, the possibilities are vast.

Modern loft living room with black steel slats 3d render.There are concrete floors , Decorate wall with pattern of black steel slats.Furnished with dark gray fabric chair.

Image credit: Architextural

Diverse applications

Architectural films can be used on a wide range of surfaces, including walls, lifts, doors and FF&E.

Such films are conformable for 3D applications, meaning their use is not limited to flat surfaces. Almost any surface can be wrapped, making films ideal for the commercial environment. What’s more, they can even be applied over existing substrates.

As the surface finishes are conformable, they can be applied to curved structures to create eye-catching designs. This provides a key advantage over laminates that require edge banding, whereas films offer the opportunity to wrap fully over edges to completely seal them.

“Wrapping is also highly durable – lasting for an average of 12 years on interior surfaces.”

Environmental benefits

On average, it costs seven times more to rip out and replace interiors. Refurbishment with architectural films is a way to upcycle existing fixtures and fittings, rather than send to landfill.

It’s a budget-friendly option for architects when costs are being squeezed, allowing businesses to refresh a venue more frequently or at a lower cost. Wrapping is also highly durable – lasting for an average of 12 years on interior surfaces – meaning it can work out more cost effective over the lifetime of the product, when compared to fabric, paint or veneer.

a clean living room with black wallcovering

Image credit: Architextural

Less day-to-day disruption

It’s also easier for businesses, as vinyls are applied in situ, with no noise, mess or waste – allowing the venue can stay open throughout. Little equipment is needed, with minimal prep, meaning less downtime and inconvenience.

All finishes are fire tested and meet building regulations. And as the product is a PVC solution, it is fully water and heat resistant, as well as and hygienic, all of which are important in high-traffic venues such as gyms, bars and restaurants.

With a world of possibilities at their fingertips, companies looking to reduce costs and improve their sustainability would be wise to look at upcycling using self-adhesive finishes to refresh spaces with minimal disruption to the business.

Architextural is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: Architextural

Case study: a bespoke approach to lighting two hotels

730 565 Hamish Kilburn
Case study: a bespoke approach to lighting two hotels

To showcase Heathfield & Co’s bespoke approach to lighting design, Hotel Designs explores how the brand designed unique lighting schemes for two well-known hotels in London… 

From cruise ships and shared working spaces, to five star hotels and restaurants across the world, Heathfield & Co’s bespoke portfolio showcases more than 40 years of knowledge and experience in commercial projects. Here are just two examples that illuminate the brand’s creative approach to lighting.

The Curtain

Located in the heart of Shoreditch, The Curtain is a 120-key go-to for London creatives.

Starting with the client’s initial brief, Heathfield & Co’s bespoke team worked closely with U.S. based Duncan Miller Ulmann to design unique lighting to suit the sophisticated urban city aesthetic.

From an initial project review, through to final delivery and site support, Heathfield’s dedicated project managers led every stage of the process, ensuring the budget was met and final designs were perfectly executed.

Adjustable bedside wall lights, perforated ceiling pendants and picture desk lamps were among the bespoke products designed, developed and manufactured exclusively for this stylish hotel.

Kimpton Fitzroy

Combining contemporary interiors with the original features of its 19th century building, the Kimpton Fitzroy in Bloomsbury is a London hotel like no other.

Collaborating with the creative teams at Tara Bernerd and Russell Sage Studio, Heathfield’s dedicated team of product designers and engineers created a series of extravagant chandeliers and sleek wall lights to complement the hotel interior. Specialist finishes and materials were developed and produced for the project to achieve a truly unique design.

Heathfield Lighting is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here

Main image credit: Heathfield & Co

First look: the ‘different by design’ vision of Japan’s debut Aloft hotel

730 565 Hamish Kilburn
First look: the ‘different by design’ vision of Japan’s debut Aloft hotel

W Design International has completed Aloft Tokyo Ginza, which is scheduled to open in October 2020. Before then, Hotel Designs got a sneak peek inside…

Showcasing innovative creations of Japanese and international artists under the concept ‘different by design’, Aloft Tokyo Ginza, which will open in October 2020, will mark the brand’s arrival in Japan.

W Design International (W/D/I), assigned by Sankei Building, initiated the overall design and realiastion of Aloft Ginza by combining old-school aesthetics inspired by Ginza’s social stories and industrial design. The new 16-storey boutique design hotel with rooftop bar is filled with radiant and iconic works by select artists. W/D/I curated a total of 11 artists whose installation-art was allocated to embody the ambience at Aloft Ginza.

With more than 16 years of experience on hospitality design projects across Japan and the Asia Pacific region, W/D/I is specialist firm in the hospitality design sector, providing strategic and creative solutions for projects in Japan and beyond.

“The guestrooms, including four suites, have been designed with a relaxing, rock-chic vibe.”

True to its ‘Ginza Vogue’ flair, the eclectic style of the 205 loft-like guestrooms, including four suites, have been designed with a relaxing, rock-chic vibe. The hotel is the ideal accommodation for global travellers who love open spaces and stylish boutique design. “Ginza Vogue” also pays homage to Toshiro Mifune’s 100th birthday, a legendary Japanese actor who was loved by film fans internationally.

The ‘different by design’ scheme has been achieved largely by W/D/I collaborating with lightning, audiovisual and music design by WORKTECHT to create one-off meaningful experiences. The atmosphere created was inspired by the Miyuki-Zoku movement from 1964, where Japanese teenagers expressed a cutting-edge and sophisticated style (the suffix “zoku” means “subculture” or “social club“). Meanwhile globally in 1964, pop art changed the art world. Artists like Andy Warhol and Roy Lichtenstein became superstars, and many of them collaborated. W/D/I visualised this Ivy-fashion and rock spirit for “Neo Miyuki-Zoku” in 2020.

Aloft Tokyo Ginza is located less than a five-minute walk away from both Ginza Station and Higashi-Ginza Station, and will open aptly while the city is preparing to face the greatest sporting event in modern times, the Olympics Games, ideal for savvy international travellers who are expected to attend.

Main image credit: Aloft Hotels/Marriott International

Inside Selina Brighton, a new rough-edged boutique jewel

730 565 Hamish Kilburn
Inside Selina Brighton, a new rough-edged boutique jewel

Selina Brighton is a 31-key boutique hotel that is about to open its doors to an experience-led hospitality adventure on the South Coast. Ahead of its opening, editor Hamish Kilburn takes a peek inside…

Selina, the experience-led hospitality group for the modern nomadic traveller, has opened its third property this summer with the launch of Selina Brighton in the heart of the vibrant, boho city centre.

The timely arrival of Selina Brighton offers what is describes as the ‘ultimate staycation in 2020 and beyond’, and boasts unparalleled sea views from each of its 31 uniquely designed private rooms, suites and shared rooms. 

Playful, colourful and just a little bit cheeky is what we seem to be gathering from the hotel’s style – we’ve also been told to expect the unconventional.

Image credit: Selina

“We’re thrilled to bring our unique Selina concept to one of the most exciting cities in the UK, and in such a thriving and bohemian neighbourhood full of culture, individuality and a place to cultivate hedonism and escape social restrictions,” said General Manager, Hugo Carvalho. “We can’t wait to open our doors and provide a new hub for the Brighton community; a fairground for daring and unadulterated fun.” 

Selina sign above the entrance

Image credit: Selina

Designed to reflect Brighton’s ocean-front location and the city’s creative spirit, interior designer Tola Ojuolape collaborated closely with Selina’s workshop team, using materials that represent and embrace the community. As a result, each of the rooms has been given a quirky and whimsical twist, offering something new and unique to the accommodation sector in the city.

31 rooms range of categories including lofts, suites, family rooms that accommodate up to four, standard and micro-sized double rooms, with a further 19 opening in 2021 including shared community rooms which fit up to six guests. 

Social spaces are inherent in each of Seina’s properties, and the brand will be hosting specially curated programming, engaging workshops and unique pop-ups throughout the year in its Brighton property that are in-line with new social distancing guidelines.

The aptly named restaurant, The Old Pier, is set to become a Brighton favourite, serving a range of delicious dishes with a side of sea views, including sourdough focaccia with whipped burrata and fermented honey, Mexican style cactus salad and mac’n’cheese croquettes with truffle mayo. 

The understated lobby area will also be utilised as a social space for guests and locals alike, offering a grab and go coffee shop for your morning pick-me-up, as well as a sizable retail space selling products from local brands.

In addition, and to answer modern demands, a co-working space will also be launching for locals to use as a community hub with artwork created and curated by local artist Amy Isles Freeman, whose work themes around female sexuality, freedom and joy.

Selina currently operates +70 urban, beach, jungle and mountain-side locations across 20 countries worldwide and is developing a global infrastructure for nomads and remote workers who want to make the world their classroom, office, and playground.

Main image credit: Selina

5 minutes with: the founders of Avenue Interior Design

730 565 Hamish Kilburn
5 minutes with: the founders of Avenue Interior Design

Following the completion of a handful of luxury hospitality projects in the States, Avenue Interior Design has become known for its refusal to be defined by any one style, as editor Hamish Kilburn learns when he interviews the firm’s founders…

Avenue Interior Design, led by founders Andrea DeRosa and Ashley Manhan, has positioned itself as a small yet mighty powerhouse in an industry full of giants.

Most recently, the firm spearheaded the design for Palms Casino & Resort’ renovation ‘From Dust to Gold’, and brought their skills to boutique properties such as The Ramble in Denver, La Serena Villas in Palm Springs as well as SLS Baha Mar.

With the world of hospitality slowly re-opening, there remain concerns and hesitations among operators and travellers on what will become of the industry. I speak to DeRosa and Manhan, two level-headed designers who understand and respect how design evolves around cultural shifts, in order to explore how the pandemic has affected hotel design decisions.

Hamish Kilburn: Let’s dive straight in, how will public areas look in the post-pandemic world?

Ashley Manhan: Business and convention travel will likely lag compared to leisure travel as we see safer at home orders lift. Convention travel has been a critical component for many hotels as occupancy and F&B revenue are strongly tied to properties located near convention venues or for properties that have large meeting facilities.

A luxury F&B interior area with plants and cute seating

Image credit: SLS Baha Mar

Andrea DeRosa: Accommodating large groups and conventions may require smaller breakout rooms with improved air circulation and potentially live streaming speakers to these smaller rooms. On the F&B front, buffets and family-style plating will likely be put aside for individual plates or packaged meals.

HK: What new/different materials might go into hotel builds now?

AD: Given that COVID-19 transmission has found to be primarily airborne, much consideration is going into upgraded air filtration systems. Increased ventilation and better filtration will be essential components of healthy building strategies. Additionally, we may see the use of mobile and handled UV disinfection systems for sterilisation and disinfecting of high use spaces. In terms of interior finishes and materials, and those selected for FF&E, designers will face the added challenge of selecting materials that can withstand more frequent cleaning and disinfecting.

AM: In terms of lobbies, our current clients are requesting short-term solutions for partitions and countertop shields at transaction points, check-ins, and other places social distancing may not be feasible.

Fitness spaces will likely decrease in size- a trend for some properties already in major urban areas with access to specialised gyms and studios. Look for more in-room fitness options and equipment like yoga mats and lightweight dumbbells.

Restaurants face some of the largest obstacles in terms of social distancing and the use of PPE by diners. Restaurants will surely seat fewer guests to accommodate for social distancing protocol. Menus may go digital or restaurants may offer apps to place orders from your own device. Larger service counters for pickups or extended “grab and go” options maybe also be more prevalent as people warm up to the idea of eating out again.

Modern interior design in a clean open bar area

Image credit: SLS Baha Mar

AD: In the short term, we are seeing many hotel brands unrolling programs to build guest confidence and implementing quick, sometimes temporary solutions now while permanent solutions are analyzed and explored. Long term, we anticipate pandemic related measures to be modifiable to give operators the option of adjusting to meet current health risk levels. Such modifications may include digital occupancy signage, movable partitions, and digital projections indicating recommended social distances in queuing areas. A large part of the equation is understanding guests’ demands, expectations, and associations with these changes. There will certainly be varying levels of concern depending on where in the country/world the guest is traveling from. Those guests from the hardest-hit areas are likely to expect greater measures than those traveling from areas less affected. Ongoing observation of guest behavior will inform decisions owners and operators make for long term modifications to their properties.

HK: How can hotels shelter these new hygiene protocols without disrupting the design or the experience?

AM: Taking into consideration that guest safety and wellbeing is, and always has been, a top priority for any property, the next priority remains firmly rooted in good design. Ownership teams require that our commitment to creating a hospitality quality experience remains the top priority just as it was pre-pandemic. Modifications to properties should be subtle, flexible and well-intentioned. This includes careful consideration to the function of the space, the circulation of guests through the space as well as more obvious elements like materials, furnishings and even wayfinding. Creating more space for guests to comfortably, and naturally, socially distance may be as simple as removing a few clusters of lounge chairs in a lobby or replacing a communal table with a series of smaller, movable tables that can be situated individually or easily paired together.

AD: Incorporating decorative, movable screens or drapery also allows for social distancing flexibility while providing a thoughtful, well-designed element to the space. Graphics, signage, and font styles can be utilised in a way that provides informative guidance on precautions or protocol in a way that is consistent with the design language of the brand or property. For new build properties, especially food and beverage venues, you will likely see more fluid floor plans with fewer permanent features to allow for flexibility in furniture layouts and the function of a space.

A blue interior scheme inside a junior king room

Image credit: The Ramble Hotel

HK: Have you already begun incorporating any changes into the hospitality projects you’re working on?

AD: Many of the modifications we’ve made for our current projects have been temporary or short term solutions that will allow our clients to adhere to guidelines as outlined by local jurisdictions. Before making more costly or broad-sweeping modifications, our clients are waiting to gauge guests’ expectations and behaviours to ascertain what long term modifications should look like. For instance, the addition of automated faucets and hand soap dispensers seem like a logical move, however, for many properties that have been without revenue for the last few months, the expense of a modification requiring any construction or electrical work may be out of the budget. Scale is a monumental consideration as well. The cost of making such a change in a hotel with 50 keys is likely more feasible than making that change in a hotel with more than 1,000 keys.

HK: Have you made any changes to guestrooms in the projects you are working on?

AM: Guestroom size, function, and programming have also been a hot topic amongst designers and Ownership teams. In recent years the emphasis was on creating public spaces so dynamic and engaging it drew people out of their rooms and into the lobby, restaurant, bar, pool, etc. Guestroom sizes were generally shrinking and the furnishings were becoming paired down and multi-purpose in their design. It will be interesting to see if guestroom sizes increase to become more of a mini-sanctuaries that offer personalised guest experiences.

Hotel Designs will be discussing topics such as adding personality in public areas and reassuring the post-corona consumer at Hotel Designs LIVE on October 13. If you are a designer, architect or hotelier, click here to participate for free.

Main image credit: Avenue Interior Design

Case study: Bentley & Studio Waldemeyer’s fresh approach to lighting design

730 565 Hamish Kilburn
Case study: Bentley & Studio Waldemeyer’s fresh approach to lighting design

To celebrate its 100 year anniversary, Bentley Motors approached Studio Waldemeyer to help the brand create all aspects of illumination on the most sophisticated concept car in the company’s history…

The vehicle Bentley Motors showcased to mark its 100 anniversary displays the future of luxury craftsmanship with seamless fusion of materials and intelligent curation of technology, whilst introducing light as a new luxury material – all highly relevant when centering the focus back to lighting solutions for tomorrow’s hotels.

Bentley, which is a brand that has flirted with hotel design for many years with a handful of luxury hotel brands sheltering ‘Bentley Suites’, approached Studio Waldemeyer to join their design team and help design and engineer all aspects of illumination on the show car.

The car manufacturer’s challenging design brief required a completely new approach to light design and engineering. Studio Waldemeyer created an innovative tool chain, seamlessly merging the latest in parametric design tools from the world of computational architecture with electronic circuit design software. This approach not only allowed the perfect 3D integration of light in the complex surfaces of the car, but also the turnaround of the project in record time.

Close up of the centre console of the Bentley car

Image credit: Bentley Motors

The Bentley EXP 100 GT is by far the most complex and challenging project for Studio Waldemeyer up to date and represents the perfect combination of artistic expression and technical innovation the studio is know for.  Entering a new creative discipline the studio has yet again helped to raise the bar of innovation, in this case producing the most sophisticated illumination in the history of vehicle design.

Starting at the very prominent front grill, the illumination continues along the central spine into the interior space and finishes off with the sophisticated treatment of the rear horseshoe panel and 3D rear light clusters. While the approach to the project was that of a holistic 3D body of light, each area had its own challenges – be it the exotic materials, complex curvatures and the interaction with specialist design teams and craftspeople.