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London

CASE STUDY: Creating ‘sense-of-place’ in nhow London carpets

730 565 Hamish Kilburn
CASE STUDY: Creating ‘sense-of-place’ in nhow London carpets

Carpet manufacturer Brintons were asked by design studio Project Orange to help them capture the theme of ‘London Reloaded’ in the carpets inside nhow London…

Brintons supplied carpets for key public areas and the Royalist Suite within the UK’s first nhow hotel, a four-star property under NH Hotel Group’s design and lifestyle brand, which is situated on the fringe of Shoreditch.

The hotel, which Hotel Designs was the first to check in to, exploded onto the London hospitality scene earlier this year. Themed ‘London Reloaded’, the interiors were designed by architect James Soane, combining “British icons with unconventional contemporary elements”.

Brintons worked with James Soane at Shoreditch-based design firm Project Orange; together creating carpets to suit both the business traveller and tourist guest of the hotel. The bold, floral carpet designs seen throughout the corridors and staircases of the eight-floor hotel reflect the Walk in the Park theme, while the sharp modern ‘space invaders’ houndstooth that forms the design in the three meeting rooms called Laboratories enhance the hotel’s modern structure.

“Working with the creative brief ‘London Reloaded’, Project Orange continued their long-time collaboration with Brintons to develop original and playful designs that tell a story,” said James Soane, Director at Project Orange. “The guest corridor was pictured as a Walk in the Park – where the bedroom doors are painted different bright colours complete with brass door knockers along with a dark green carpet strewn with roses. This romantic and theatrical experience offers the guest an immersive experience unlike any hotel and is truly unique.”

Image caption: Brintons supplied thew carpets for the Royalist Suite inside nhow London

Image caption: Brintons supplied thew carpets for the Royalist Suite inside nhow London

The East End’s coolest new hotel, plays homage to both the area’s industrial past and technological future. Throughout the hotel, bold and fresh design takes inspiration from traditional British icons, such as the Royal Family, London landmarks and the underground. This quirky new offering is the fifth property in the nhow portfolio, joining hotels in Milan, Berlin, Rotterdam and Marseille.

Image caption: Brintons supplied carpets for all the meeting rooms inside nhow London, including the Tech Lab.

Image caption: Brintons supplied carpets for all the meeting rooms inside nhow London, including the Tech Lab.

Loughton Contracts were commissioned to install the carpet for the project. “It was great to work with Brintons on such an amazing project,” added Craig Anstey, Divisional Director at Loughton Contracts. “The vibrant and luxurious carpet design worked perfectly with the eclectic and industrial look of London’s first nhow Hotel. I can’t wait for the next collaboration between Loughton Contracts and Brintons.”

nhow, commissioned Brintons to supply custom axminster carpets to run throughout the corridors, staircases and meeting room areas, and to create a bespoke axminster rug for the Royalist Suite, each echoing the contemporary feel of the hotel setting.

Main image credit: Brintons

In Conversation With: Interior Designer of the Year 2019, Jo Littlefair

730 565 Hamish Kilburn
In Conversation With: Interior Designer of the Year 2019, Jo Littlefair

Securing her place in the history books, Jo Littlefair came out on top last year at The Brit List Awards 2019, spectacularly winning the coveted title, Interior Designer of the Year. A few months later, she welcomes editor Hamish Kilburn into the Goddard Littlefair HQ to give him a glimpse into studio life…

“Jo, can I borrow you for just a second,” says senior associate and architect David Lee Hood as Jo Littlefair and I walk through the studio. “This archway,” he says pointing to a life-like rendering on his monitor, “what are your thoughts on adding in a line of colour here?” As he shows the before and after, it is a game of ‘spot the difference’ to the untrained eye. But for the multi-layered studio Goddard Littlefair, where the devil is so often in the detail, it could be the difference between winning a pitch or losing it, as any design practice operating on today’s international scene will confirm.

“We have made a few changes to encourage people to come and talk to us more.” – Jo Littlefair, co-founder, Goddard Littlefair

The short but important moment is proof, if ever I needed it, that Littlefair likes to naturally lead from within her team. And as we walk through the open-planned office that is flooded with natural light towards her workstation, I notice also that there is no door, and no boundary, between herself and everyone else in the building.

Image caption: The Lowry Presidential Suite, designed sensitively by Goddard Littlefair

Image caption: The Lowry Presidential Suite, designed sensitively by Goddard Littlefair

“We got to the point last year when, as we reached 60 employees, we decided Goddard Littlefair was too big as a studio,” she confesses. “We have made a few changes to encourage people to come and talk to us more, because I would rather know about something – and be able to comment at a point where it is possible to comment – rather than get further down the line and it be too late. At the end of the day, leading this design studio with Martin Goddard has always been a collaboration, not just between himself and I but also our team.” As the designer is explaining, I notice that there’s a cordial and relaxed atmosphere in the Clerkenwell studio, and the strong relationship between the co-founders and their team is apparent.

Image caption: The bar inside Hilton Imperial Dubrovnik, designed by Goddard Littlefair

“We look at the finer details, as you have just seen, that perhaps make a space look and feel more residential,” the designer explains. “Things like tabs on the curtain pole having a little leather strap and a metal rivet, and it’s those elements that give it quality and detail. It’s important that someone has thought about it in that much detail, and there is a reason why it’s leather and why it’s embossed, or whatever.”

“What’s most important is that it has to be right for our client, the property and the location every time.” – Jo Littlefair, co-founder, Goddard Littlefair

Recently completed projects within the studio’s portfolio include The Biltmore Mayfair  London, Hilton Imperial Dubrovnik , Sheraton  Grand Warsaw , the new F&B areas inside Hilton Munich City, The Lowry in Manchester and the Kimpton Charlotte Square. Having followed many, if not all, of these projects from concept through to completion, it’s fair to say that the studio believes that variety is the spice of life. “We don’t like being pigeon-holed,” explains Littlefair. “We have a great variety of style, which is fantastic. Also, we are not divas when it comes to our personal taste. What’s most important is that it has to be right for our client, the property and the location every time.”

Modern award-winning bar

Image caption: The award-winning Juliet Rose at Hilton Munich, designed by Goddard Littlefair, has become the city’s new destination bar.

Despite the studio clocking up the air miles with unavoidable trips abroad for site visits and account management, in order for the team to understand the culture and fabrics of new destinations, the studio’s HQ is positioned slap-bang in the epicentre of the design community in London, just a few streets behind some of the city’s major design showrooms in Clerkenwell. “There is always a corner of London that you can find a narrative to that is really individual,” says Littlefair. “Whether  When? you are living, working and breathing in London, like many of our designers, the city becomes a fantastic place. I think that’s because it is made up of villages that have, over time, morphed together. As a designer working on a project here, the identity of what those villages were can really shine through.”

“I literally had to work my way around the world, and it made me a different person.” – Jo Littlefair, co-founder, Goddard Littlefair

Despite London having its place in the designer’s heart, Littlefair mostly finds inspiration in design from nature, and decompresses daily from city life, after a hefty commute, in Buckinghamshire where she lives. “It’s a very open community, close enough to London for work, but full of fresh air,” she explains. “My kids love it there, and so do I!”

But where was Littlefair’s inquisitive nature born, I wonder? “When I left university and went travelling, technology as we know it now didn’t exist; email had just come out for crying out loud,” she admits. “I used to pay to sit in a café to type an email home to say I’m alive. For me, that was about really cutting off from the world. My mum didn’t think I was going to come back,” she laughs, “I did some crazy things; I worked out on boats and I threw myself into experiential travel, albeit on a shoestring. I literally had to work my way around the world, and it made me a different person. Experiencing places and learning about people and cultures.”

Image caption: The Principal York's luxe, residential look and feel was designed by Goddard Littlefair

Image caption: The Principal York’s luxe, residential look and feel was designed by Goddard Littlefair

QUICK-FIRE ROUND

Hamish Kilburn: What trend do you hope will never return?
Jo Littlefair: Rag-rolled walls and transitional furniture.

HK: What’s next on your travel bucket list?
JL: Chile , Argentina and Egypt.

HK: What would you say is the number-one tool for success?
JL: Hard work, and you can’t teach taste. I learn something new every day, nobody can know everything!

HK: Who was your inspiration growing up?
JL: The reason I made it into interiors is because I used to work on super yacht designed by Terence Tisdale. I couldn’t believe that somebody got paid to put this together and design with  all those beautiful timber veneers and mirrors everywhere, which I had to clean! I spent four months in the Med working on this 64m Feadship  . It had everything and gave me an insight into luxury and interior design.

HK: What is the one item you cannot travel without?
JL: This is ridiculous but my cashmere jumper, which is so not me. You will always find a lightweight cashmere jumper in my flight bag!

HK: What is the last item that will show up on your bank statement?
JL: Whole beans for my coffee machine. Always buy a small bag because you want the freshest roasted beans for your coffee.

HK: What has the last year taught you?
JL: To keep everyone in the studio on one floor, so that we are working together. Also that quality far outweighs quantity.

“Think of it as the destination’s answer to The Ned.” – Jo Littlefair, co-founder, Goddard Littlefair

Back to today, and the studio is currently hard at work with a number of projects on the drawing boards. The studio is currently working on designing four restaurants and bars inside the soon-to-open 360-key Villa Copenhagen. “Think of it as the destination’s answer to The Ned,” Littlefair teases. “But it’s so not about men and women in suits. Instead, the whole project has been about understanding the Danish vernacular, the locals’ way of life.”

Other projects that the studio is working on include five star resorts on the Mediterranean coast line, the repurposing of a beautiful Viennese building to a 150 plus bedroom five star hotel and what may be the future best spa in London.

Image credit: The atmospheric restaurant Cucina Mia inside Shertaton Warsaw, designed by Goddard Littlefair

Image credit: The atmospheric restaurant InAzia restaurant in Sheraton Warsaw, designed by Goddard Littlefair

As two people who are, parallel to others in the industry, so thoughtfully leading interior design forward in terms of meaningful innovation, Goddard and Littlefair both feel pressure to adapt sensitively with the times while also maintaining a fundamental quality. And their approach to evolution is enlightening.  “Someone once told me that everything in life is a phase,” explains Littlefair. “I have learned to embrace change and see it as a positive. It is intrinsically scary to human nature, but when you learn that it is necessary to be a little bit cathartic about things, life runs smoother.” I would argue that it is this breath-of-fresh-air attitude that led the designer to win The Brit List Awards’ Interior Designer of the Year 2020.

“You have no idea how much the award means to me.” – Jo Littlefair, co-founder, Goddard Littlefair

“I just can’t believe it,” she said fresh off stage at the event in November when her new-found title was revealed in front of a sea of leading designers, architects, hoteliers and developers. Months later, and the reality of ‘that win’ hasn’t quite sunk in. “You have no idea how much the award means to me,” she says now. “The line-up of people you had there was fantastic, they are my peer group and I am very respectful of what everyone else is doing. So, that people within this industry consider what we are doing here to such high regard means everything!”

Image caption: Interior Designer of the Year, Goddard Litterfair's Jo Littlefair with editor Hamish Kilburn at The Brit List Awards 2020

Image caption: Interior Designer of the Year, Goddard Litterfair’s Jo Littlefair with editor Hamish Kilburn at The Brit List Awards 2020

In a recent roundtable discussion that Littlefair attended, it was mentioned that all designers are having to work harder than ever before in order to differentiate from other styles and common motifs. As I sit around the table in the hub of her studio, I wonder how Littlefair and her team approach this topic when it comes to designing future hotels. “We are getting to the point where people have not seen a beautifully letter-pressed card before,” she says. “The ‘tech revolution’ has changed everything that we do and the way our work is perceived, but we can’t lose touch of humanity in the process.”

“We crowned a really worthy winner,” I can’t help by think to myself after I’ve said my goodbyes to the  Goddard Littlefair team. For me, it’s not necessary  necessarily? Littlefair’s work that is the most inspiring thing about but  the designer, but more her incredible journey, which was fuelled by hard-work, passion and determination, that I believe every single designer can learn from – or at least be energised by.

Main image credit: Goddard Littlefair

UK hotels to become shelters for homeless people during COVID-19 outbreak

730 565 Hamish Kilburn
UK hotels to become shelters for homeless people during COVID-19 outbreak

Hotels will be transformed into emergency safe spaces, outlines a new national action plan to fight the Coronavirus COVID–19 pandemic…

In a new action plan drawn up by government outlines that hotels will be converted into temporary safe spaces after the government was accused of “sleepwalking” on homeless people’s vulnerability to Covid-19, reports The Guardian.

The strategy to safeguard the homeless is expected to be announced imminently following the lead of California in allowing vacant hotels to be requisitioned into homes for rough sleepers and those vulnerable to the virus.

Hotels, which are currently empty in the wake of social distancing and self-isolation guidelines, are being seen as a ‘ready-made solution’ during COVID–19 outbreak, and some hotel chains are already in talks with the government on converting their hotels into hospitals.

It has been reported, that, in practical terms, 45,000 ‘self-contained accommodation spaces’ need to be found in order to protect and shelter the UK’s population of homeless people and rough sleepers.

Although ambitious, this is not unachievable, as the capacity for housing homeless people in hotels certainly exists. London alone is to have almost 160,000 hotel rooms, with further 8,000 sheltered under 65 new hotels that are projected to open this year.

The news comes in after Stock Exchange Hotel in Manchester block-booked its hotel rooms for NHS workers and InterContinental Hotel Group was the first chain to announced it was block-booking 300 beds for the next three months so that homeless people can self-isolate. The development has designed to halt the spread of coronavirus, and will mean two London hotels are given over to rough sleepers.

Main image credit: Pixabay

5 new elements to look out for at Clerkenwell Design Week 2020

730 565 Hamish Kilburn
5 new elements to look out for at Clerkenwell Design Week 2020

At an exclusive press launch in London, editor Hamish Kilburn learns how the organisers of Clerkenwell Design Week 2020 are preparing to make this year’s festival of design bigger and better than ever before…

Members of the press gathered at The Charterhouse last week in the heart of London to understand how the 2020 edition of Clerkenwell Design Week (CDW) will once again demonstrate the vibrant creativity and originality of this three day celebration of design.

In London’s key hub for design and architecture, visitors can participate in new dialogues between showrooms and designers, hear from influential voices in the world of design and experience upcoming talent and innovating brands who are taking part. 

Here are five take aways from the press launch.

1) CDW Presents will be themed around ‘CLOCKWORK’

Each year, CDW presents new design projects and street spectacles, commissioned specially for the festival and featured prominently around Clerkenwell. Inviting some of the leading pioneers in the creative industry, these projects aim to push the boundaries of design, in terms of concepts, process and material capabilities. Often a response to the local area, CDW Presents allows visitors the opportunity to discover Clerkenwell in a new and imaginative way, often referring to the area’s illustrious past.  At the beginning of the 18th Century, Clerkenwell was the home of clock-making and the area quickly became a hothouse for horologists; for 2020 in recognition of Clerkenwell’s historical importance in the clock-making industry, CDW Presents ‘CLOCKWORK’ – a series of five large-scale horology-themed installations, each interpreting the area’s significance to the craft and the artisans that once lined the cobbled streets.  From a contemporary take on the traditional sundial to an installation inspired by the hourglass, the selected designers who include Pilbrow and Partners and Shape London,  have created ideas that play with and explore the notion of measuring time.

Scale Rule, now in its 5th year at Clerkenwell Design Week, continues to engage students from across London in design as well as young architects and engineers to realise those emerging ambitions. This year’s design concept for the NextGen pavilion exemplifies human impact upon the earth and in turn mankind’s responsibility to protect and shape it for better.

The domed structure illustrates a deconstructed planet, which is formed, fractured and reconfigured from natural materials including timber geometric segments. The pavilion celebrates sustainability through its modular production methods, recycled materials and future re-use. The pavilion encourages people to rest and socialise within its bounds making use of and leaving their positive trace upon the structure.

2) ClerkenWELL playing its part to inspire designers to think about wellness and wellbeing

On trend, Clerkenwell Design Week will be focusing on wellness, tying in with Mental Health Awareness Week which coincides with the festival. With the rise of nomadic working and a society that has 24/7 access to email, the ability to disconnect from our work can become increasingly challenging and in turn employers are recognising the need to improve their wellbeing offering.

From ergonomic furniture that helps physical posture, to acoustic pods that block out exterior noise, to workplace yoga and discounted gym memberships, more and more employers are taking steps to help their employees achieve wellness in the workplace. 

Clerkenwell Design Week will be hosting free activities and events throughout the area demonstrating how we can relax and de-stress during the day, from outdoor yoga sessions to meditation workshops.  Holistic counsellor Julie Strandberg will explain how decluttering your workplace can lead to better mental health.  Having trained under Japanese tidying guru Marie Kondo, Julie innovatively blends the KonMari Method with her own innate Scandinavian aestheticism.

Texaa, the Bordeaux-based specialists in acoustic products for architecture, marks its debut at Clerkenwell Design Week with a colourful tepee installation in Design Fields. This will also be the first time new colours for Texaa’s Aeria fabric will be seen in the UK. 

3) Conversations at Clerkenwell to amplify vegan interiors, colour and the environment

Render of a bandstand pavilion

Image caption: CDW Presents The Bandstand Pavilion, where many of the talks will take place.

CDW 2020 has commissioned architectural practice Fieldwork to design the Talks space, sponsored by Equitone, within Spa Fields.  Their concept reimagines the traditional Victorian bandstand as a focal point within the Park, a place for gathering, discussion, entertainment and shelter.   

Rather than a traditional forward facing seating arrangement, the nature of the bandstand form allows the focus point to be partially in the round and engage the audience as a discussion, rather than a presentation. Equitone panels clad the internal dome and the external cube at high and low level. A bold use of colour and CNC pattern formed façade panels aim to draw attention from the surrounding park, as a modern interpretation of a Victorian architectural style. The bandstand becomes a place to stand, lean and sit in participation, focussing attention on the speaker and engaging the audience and the park in its entirety. 

Conversations at Clerkenwell, the programme of panel sessions and debates exploring show content, trends and issues, is again curated by Katie Richardson. Lead speakers include Morag Myerscough, known for her expansive use of colour across both art and design,  designer and craftsman Sebastien Cox and designer Ab Rogers.

Increasingly focused on design-led issues currently underpinning the changing world as we know it, the programme this year will look specifically at topics connected to the workplace including design responses to mental health issues and an increased need for overall wellness. Trends – led curators Franklin Till present recent work on the importance of Play. Dulux Creative Director Marianne Shillingford reveals what shifts in colour trends will take place over the next few years. Other topics for 2020 include vegan interiors, retail marketing and how contract showrooms need to keep reinventing to succeed, restoration with Roddy Clarke and New London Architecture host ‘don’t move, improve’ – a series of presentations from architects looking at how re-used materials and conscious environmental design, create the perfect home for a modern family.  Hosted on a purpose built space on London Spa Fields the programme runs across the three days and a separate series of talks focusing on lighting will be held at Fabric.

4) New showrooms open for business

Each year Clerkenwell welcomes a host of new showrooms to the district and these make up a key part of CDW with installations, launches and exhibitions. This year, the festival welcomes Ideal Standard, VitrA and Fritz Hansen.  Many other showrooms will be hosting a variety of events, with this year seeing a focus on wellness, recycling and sustainability.  Ultrafabrics,  the Japanese-American performance animal-free fabric brand will be collaborating with award winning design duo PATTERNITY who are creating a tactile and immersive installation within Ultrafabrics’  showroom entitled ‘Closed Loop: The Future of Design’.  Plastic waste has rightly become a major issue and Camira Fabrics will showcase its latest fabric innovation using plastic sea waste as a key component.   Oceanic is a fabric born of the SEAQUAL Initiative to achieve a waste free environment. 

Other participating showrooms include Actiu, Ceramiche Piemme, Davison Highly, Havwoods, Interface, KI House, Modus, Moroso, Catellani & Smith, Sky-Frame, Solus, Tarkett, and Orangebox.

Parkside, a leading specifier of architectural tiles, will focus on colour and how we can use it as a way of improving our wellbeing in our work and leisure spaces. The showroom’s series of events will include a panel discussion, ‘Curative colour: the power to heal’, exploring just how deep our emotional wellbeing is related to colour and whether a genuine link to health improvement can truly be found.

5) Fringe activities for all

As well as hosting an abundance of furniture and interiors showrooms, Clerkenwell is also home to a variety of other creative practices including architects, branding agencies and craft studios.  In celebration of Clerkenwell Design Week, a selection of these local practices open their doors to the festival’s visitors and host workshops, displays and installations. At the Zetter hotel, Sophie Thomas, Creative Director of Thomas Matthews, will be showing a collection of beautiful glass vases made using recycled plastic ocean waste.

If you are interested in attending CDW 2020, head over to the website to register.

Main image credit: CDW 2020

PRODUCT WATCH: Edgy ‘Seville’ floor lighting

730 565 Hamish Kilburn
PRODUCT WATCH: Edgy ‘Seville’ floor lighting

The Seville floor lamp by Christopher Hyde Lighting will add an edgy, contemporary look and feel to an interior design scheme…

Christopher Hyde Lighting is renowned for timeless design and quality, and has excelled at providing lighting for a wide range of interiors for more than 25 years.

Its handmade lights have been installed across the world, from luxury yachts, grand hotel, to Royal Palaces at home and abroad. The company’s range of products has recently been refreshed, bringing a new perspective to the proud heritage of the long-established brand.

“These edgy lights are part of a unique collection of floor lamps and table lamps which includes the popular spiral shaped ‘Granada’ lights.”

The company’s contemporary range of products brings a fresh outlook to the proud heritage of the long-established brand. The ‘Seville’ floor lamp with white exterior and its delicate warm copper leaf interior complete with a dimmer switch is shown here in a beautiful airy Los Angeles apartment. You can also purchase the ‘Seville’ table lamp can be also be supplied with a black exterior and silver leaf interior. These edgy lights are part of a unique collection of floor lamps and table lamps which includes the popular spiral shaped ‘Granada’ lights. Designers can pick and choose which exterior finish, black or white, that they would like to have with their chosen internal leaf gilt, copper, silver or gold and is now available with a short lead time.  These exciting pieces will compliment and be a talking point for all interior projects.

“They use 90 per cent less energy than traditional incandescent light bulbs and can pay for themselves through energy savings in just a couple of months.”

The Seville and Granada lights have captured a different take on the Christopher Hyde Brand and come with LED lighting technology. LEDs are the most energy-efficient bulbs. They use 90 per cent less energy than traditional incandescent light bulbs and can pay for themselves through energy savings in just a couple of months.  Whether a standard or bespoke light fitting we can produce LED designed candle with DALI or 1-10V and emergency light options are available also.

This range of floor and table lamps are featured in the new Collection 8 catalogue which has recently been launched. Collection 8 catalogue has a fresh take on the hugely popular traditional collections familiar to Christopher Hyde Lighting’s clients and shows how the brand has evolved with its distinctive contemporary collection.

Main image credit: Christopher Hyde Lighting        

5 Minutes With: Emma Masters, associate at Richmond International

730 565 Hamish Kilburn
5 Minutes With: Emma Masters, associate at Richmond International

Taking five minutes out of planning and designing luxury hospitality scenes of the future, Emma Masters, Associate at Richmond International, speaks to editor Hamish Kilburn about landscape changes, client demands and over-used words in the industry…

Hamish Kilburn: How long have you been involved in interior design, and how has the landscape changed from when you started to now?
Emma Masters: I’ve been working in the industry for around 16 years, 15 of those have been with Richmond International. In this time the industry has steadily changed, largely due to technological development, i.e. the changes in the ways we research subjects and destinations, to retrieve design references and influences. The proliferation of imagery shared internationally makes the world feel smaller and more accessible.

CGI and VR experiences are becoming a minimum expectation, having replaced hand drawn and coloured renderings. Whilst computer generated images provide almost an exact representation of the design proposal, hand drawings were very evocative and left some element of wonder to what would finally be revealed in reality.

We’ve also seen massive advances in manufacturing techniques, the materials used, and specialist finishes to the extent that we can add unique signatures to interiors.

There’s also certainly a greater awareness of our environment and the need to be mindful of our design impact, ensuring our designs have longevity, rather than being based on trends that will date and need replacing frequently.

Large, luxurious and grand penthouse

Image credit: London West Hollywood penthouse, designed by Richmond International

HK: What are your clients currently looking for in hotel design?
EM: We’re seeing a demand for public spaces that are transitional, for environments that work for social dining, meetings, shared workplaces and seamlessly blend together to create one holistic space.

Additionally, we’re regularly creating designs that are authentic to the location and with strong narratives – this helps us bring the interiors alive for their guests.

“We as a company have regular team meetings where everyone from junior designers to associates can contribute their ideas and participate in the building of the narrative of a project.” – Emma Masters, Director, Richmond International

Bath in modern marble bathroom, with skyline of Chicago in the background

Image caption: Bathroom in Langham Chicago suite, designed by Richmond International

HK: Where do you find inspiration to keep your designs fresh and meaningful?
EM: Trade shows like Salone de Mobile and Maison et Objet are a great source of new products and styles. I also get a lot of inspiration from travelling, working with artisanal manufacturer and, in general, a lot of research.

HK: How important is nurturing young talent for Richmond International?
EM: It’s a very important part of our company and something I experienced first-hand having started at Richmond as a junior designer. It was a hugely nurturing experience and I was able to work with talented designers who allowed me to explore my capabilities and mentor me in my development. We as a company have regular team meetings where everyone from junior designers to associates can contribute their ideas and participate in the building of the narrative of a project.

“F&B areas have also evolved to become destinations in their own right aside from the hotel and are a draw not just to hotel guests but the general public that wish to dine.” – Emma Masters, Director at Richmond International

HK: We had Terry McGillicuddy join us on the Vision Stage at the Hospitality Restaurant and Catering show. How are F&B areas in hotels evolving?
F&B areas now blur the boundaries between lobby lounge, restaurant, bar and meeting spaces. The public spaces are the heart of a hotel and the is a desire for them to be vibrant has activated a move away from the traditional lobby lounge space. F&B areas have also evolved to become destinations in their own right aside from the hotel and are a draw not just to hotel guests but the general public that wish to dine. They now have a different identity to the rest of the hotel, where it previously was designed to work with the overall feel of the rest of the hotel. F&B is now more independent and can have a completely different narrative that may relate to the food served, for example rather than being simply a functional part of the hotel.

QUICK-FIRE ROUND

HK: What trend do you hope will never return?
EM: String curtain dividers, they were everywhere and not surprisingly disappeared as quickly as they arrived after the realisation that they were really impractical for public spaces and looked neat for all of five minutes before tangling an unwilling hotel guest who had stumbled into one.

HK: What is one word that is overused in our industry?
EM: Two words admittedly and the phrase we all dread – Value Engineering.

HK: What would you say is the biggest catalyst driving change in the hotel design area recently?
EM: Sustainability and authentic experiences across the board.

HK: What would you be if you were not a designer?
EM: I had always wanted to be an art teacher until I went to St Martins for my foundation year. My tutor was very inspiring and introduced me to the idea of interior design as a career instead of teaching.

HK: What’s one lesson about the industry that studying didn’t teach you?
EM: My role at Richmond has been predominantly FF&E focused and I feel it can really complete and enhance a design. As an Interior Architecture student, spatial design was key, and furnishings were more secondary, but I feel one cannot work as a cohesive design without the other.

HK: What’s your biggest bugbear in interior design?
EM: Designing to a trend and not for longevity.

Luxurious longe area in suite

Image caption: Metro Suite inside London West Hollywood, designed by Richmond International

HK: What has been your favourite project to date?
EM: My favourite project would have to be working on The London, West Hollywood Penthouse with Vivienne Westwood. Alongside the interior design we also worked closely with her team to develop custom fabrics, rugs and wallcoverings, as well as bespoke bath robes and towels. We worked with an archive of scarves that were then mounted and framed to use for the penthouse artwork.

Main image credit: Richmond International

CASE STUDY: Furnishing Amba Hotel Grosvenor

730 565 Hamish Kilburn
CASE STUDY: Furnishing Amba Hotel Grosvenor

The designers of Amba Hotel Grosvenor specified Curtis’ furniture pieces to create a timeless and luxurious interior feel…

Both quality of furniture and flexibility of service were crucial for the 344 bedroom refurbishment in the prestigious London hotel.

Having worked with the company for 20 years, Amba Hotel Grosvenor knew Curtis furniture was uniquely positioned to deliver on both counts.

With a dedicated Project Manager as a sole point of contact taking responsibility for the success of the project, and an Installation Manager based nearby, Curtis were always on hand to respond to changing timescales.  As is typical on a project of this scale, delivery dates shifted on a number of occasions, across all nine phases of the refurbishment.  The success story here was our ability to react to these changes to complement the good progress made on site by other contractors.

Large wide shot of the guestroom inside the hotel

Image credit: The Grosvenor Hotel

“Dealing directly with the manufacturer was the only way this project could have been so successful – we needed a partnership approach right from the start,” said Sheila Murphy from glh Hotels. “Curtis was responsive and positive, accommodating our requests and enabling timely completion of the project.”

With high quality furniture augmenting this beautiful refurbishment, room rates at the hotel have now risen, which will help secure a speedy return on investment.

Main image credit: Amba Hotel Grosvenor/Curtis

Editor Checks In: Colouring outside the lines, searching for creativity

730 565 Hamish Kilburn
Editor Checks In: Colouring outside the lines, searching for creativity

Casting back to a two-dimensional art classroom, editor Hamish Kilburn has a few confessions to make regarding the creativity of his sketch book before rekindling his relationship with art in design…

As someone who regularly rushed his art homework in blue biro ink at the back of the school bus, reserving a seat in detention in the process, I am a disgrace to art enthusiasts everywhere. I had no time for the subject, or its storied history. Patience didn’t come naturally to me or my teachers. As far as they were concerned, there were two types of people in the world: people who could draw life-like hands to not look like Monster Munch on a portrait and people who couldn’t. In hindsight, though, I am regretful for not digging beneath the surface of the subject and for not paying more attention. I realise now that I would have loved learning about the likes of Van Gogh, Andy Warhol, Claude Monet, Pablo Picasso, Edvard Minch and other hall-of-famers.

12 years later, I am writing about the very topic that made my eyes enthusiastically roll with disinterest when presented with the next homework assignment. Still unable to draw or paint anything to resemble anything or anyone, the ink from my biro-infected Year-9 art book has run into my career; its stain is in every hotel I review, every feature I commission, every conversation I have, and now even in one of my editor’s letters. The fact is, art is unavoidably everywhere. It is adding texture and meaning to the beautifully painted picture of an industry that refuses to colour within the lines and that is not afraid to veer off into new lanes in search for creativity.

This month, I attended my first ever fashion show, which is shocking considering creativity in interior design and architecture very often derives from unconventional threads in fashion. But the reality of manning the editorial desk, scrutinising which envelopes are necessary to open and which should remain sealed, quite often results in me avoiding the noise amplified through London’s landmark during London Fashion Week. That is until now.

“It was a fantastical depiction of a partnership between two worlds that often meet, art and fashion, but rarely hold hands in public.”

Having finally joined the stampede of fashion week, the first theory of the fashion world I crushed into a myth was being ‘fashionably late’. Unapologetic to the stragglers, the lights went down at 6.30pm on the dot to signifying the show starting, as we were pre-warned on the e-invitation. The perfectly timed, choreographed performance of artistic frocks commenced – and a late arrival would have almost certainly ruined the atmospheric mise én scene, as well as ones captured point of view.

Everyone’s eyes in the high-ceilinged lobby inside Sofitel St James London were fixed to the centre of the room. Detaching the audience from their day-to-day deadlines, the models marched forward, one by one, to showcase a moment. It was a fantastical depiction of a partnership between two worlds that often meet, art and fashion, but rarely hold hands in public.

It was the work of French artist Stephane Koerwyn who put these colourful pieces together, delicately connecting the stylish similarities between the two industries and creating a new layer of design in the process. Bright, colourful and bold dresses made from Aluminium illuminated the catwalk to celebrate the sustainability movements in both territories. We were able to appreciate the pieces in motion before they were displayed as statues throughout hotel in an exhibition of the artist’s work, which is now on display until June 2020.

Koerwyn is not the only creative who isn’t afraid to cross boarders into other industries. In all corners of our endless industry, designers and artists are raising the ceiling and filling the space with more iconic, standalone statements. Hotel Le Coucou, which I recently reviewed in the French Alps, is the brainchild of Pierre Yovanovitch – a former fashion designer – whose injection of houte couture interiors, has taken this slope-side 56-key luxury boutique to new heights of creativity where bear chairs, emoji-themed plates and ice-cube lighting become genius layers in luxury design.

Meanwhile, meaningful collaborations between suppliers and designers continue to catapult innovation in material, style and wider in design. A few years ago, a collaboration between sportswear brand Odlo and Zaha Hadid Design (ZHD) went under the radar of most designers. But in reality, it was a remarkable ‘two heads are better than one’ approach that led ZHD to vastly improve the form of a conventional sports ‘baselayer’, with new technology allowing the companies to create a seamless garment that adapted with the body.

Only last year, at Sleep & Eat 2019, Laufen’s A New Classic was launched. The collection of bathroom products and furniture was the unrivalled result of a partnership with Marcel Wanders, who further pushed the boundaries in bathroom design and aesthetics to create a collection that confronted gender. At the same time, Roca unveiled its next collection of timeless bathroom gems with fashion brand Armani and furniture brand Benchmark worked with architecture legend David Rockwell to transform the workplace with a new, ergonomic table.

Even as we speak, commercial furniture brand Morgan, known and respected for its carefully aligned collaborations, is (I am told) working on its next partnership that will be unveiled at Clerkenwell Design Week 2020 in May.

Before that, lighting brand Chelsom, which was recently specified in Riggs Washington D.C. and Great Scotland Yard Hotel, is preparing to light up a new collection of lamps, pendants and chandeliers that has been inspired by two years of thorough research. Meanwhile, luxury Italian furniture brand Minotti is weeks away from raising the curtain on the 2020 – 2021 collection of luxury indoor and outdoor furniture, inspired, no doubt, by the family’s travels and evolution of public spaces in hospitality.

As the list of conscious collaborations continues to grow, Hotel Designs is inviting the industry to celebrate creativity in all its colours at Meet Up London. Taking place on May 13, at the Minotti London showroom, our spring networking event will further bridge the gap between designers, architects, hoteliers, developers and suppliers with conversations like no other. Above all, though, we promise to inspire all avenues of creativity, even if that means colouring outside the lines from time to time.

During March, Hotel Designs will be putting ‘Lighting’ and ‘Bathrooms’ under the spotlight. If you would like to contribute to these topics, please do not hesitate to email me.

Editor, Hotel Designs

In Conversation With: Hamish Brown, Partner at 1508 London

730 565 Hamish Kilburn
In Conversation With: Hamish Brown, Partner at 1508 London

Following some major global project wins, 1508 London’s entrance into hospitality was one that was led by a burning desire to reference local culture, unique design and organic materials in a new generation of luxury hotels. Editor Hamish Kilburn joins one of the firm’s Partner, Hamish Brown, in the London-based studio to learn more…

“There’s a real desire at the moment for brands not to be completely dictatorial about what their hotel should look like,” comments Hamish Brown, Partner at 1508 London, who warmly welcomes me into the studio moments before arriving himself having just walked off the red-eye flight from New York to London. “There are operational and functional standards, for sure, but in terms of design and aesthetics, there is so much more freedom now than there ever has been in hotel design.”

Could it be this movement that opened the door from residential into hospitality for the design studio? Or maybe it’s Brown’s ability to sharply define where the industry is at in this moment even while enduring transatlantic jetlag. Before then, the team at 1508 London were residential pioneers who had created a unique thread of new design standards on the high-end market around the globe; an appealing DNA for developers and operators in the hospitality arena.

It’s a refreshing experience, visiting a working studio that is – despite having already completed The Spa at The Lanesborough, awarded Best Hotel Spa 2019, and is currently working on new spaces for brands such as Four Seasons Hotels & Resorts, Park Hyatt, InterContinental Hotels and Jumeirah – still relevantly new on the international hospitality scene. It is perchance the gems that are on the boards, as well as the major project wins that the studio has achieved recently, therefore, that is causing the heads in the industry to turn towards the direction of 1508 London.

“I have always really hated the ‘one size fits all’ approach in design.” – Hamish Brown, 1508 London

Most recently, the studio’s pipeline of statement projects includes Rosewood Doha, which is said to become “Qatar’s latest landmark five-star hotel”, the first branded residences in Beverly Hills’ golden triangle and the redesign of Jumeirah Carlton Tower in London, which will infuse a new, lighter sense of grandeur to elevate the guests’ arrival experience.

Render of two towers in doha

Image caption: Render of the majestic towers that will shelter Rosewood Doha, slated to open in 2020 | Image credit: 1508 London/Rosewood Hotels

The structure of the 70-strong designers at 1508 London is supported by four design directors, one of which, Akram Fahmi, was published in The Brit List 2019 following his recent move from his success at another studio. “We try as much as possible here to throw things up in the air, because I have always really hated the ‘one size fits all’ approach in design,” Brown tells me. “We start by first understanding the building’s context – the architecture and the local vernacular – and, as designers, it is our job to be able to draw inspiration from that.”

Brown, who The Times named as a ‘tastemaker’ in 2018, joined the firm in its infancy in 2010. Before that, he worked for a property development firm, swerving anything design-related succeeding a full-on interior architecture degree at the Birmingham Institute of Art and Design. “To be honest, I was a bit overwhelmed after my studies,” he admits. “The modules were attempting to be sensible, but, in reality, they did not prepare me for what life is really like as a designer. It felt a bit like passing my driving test and then merging onto the motorway for the first time.”

Render of the outside of the building

Image caption: Render teasing what the front of Jumeriah Carlton Tower will look like when it majestically remerges back onto the London scene later this year. | Image credit: 1508 London/Jumeriah Hotels

After flirting with the idea of working in high-end residential and retail development, giving student life some time to deliquesce in the memory, Brown initially joined 1508 London as a Business Development Manager. Climbing the ladder rapidly, in 2011 he became Head of Projects, was promoted one year later to become Studio Director and in 2013, he joined CEO and Partner Stuart Horwood as a Partner. “Originally, we were just four people with one vision, and we deliberately didn’t have a house style.” Walking around the studio, I am presented to the brand’s perhaps most impressive creation: the carefully curated cluster of characters – AKA, the designers – who are all driven, I’m told, by the idea of producing better spaces. “We take pride in being very client-centric, and that’s not to put anyone else or any other studio in the industry down – we really do try to respond to briefs with creativity,” Brown adds.

In a recent exclusive roundtable discussion on the topic of meaningfully differentiating luxury in hotel design, Brown mentioned that the studio tries to always capture and create sense-of-place with every project it works on. “Intrinsically, we believe that the exterior and interior of a building should have a strong relationship,” explains Brown. “And that’s often the starting point on most projects. We ask about the location, the architecture and the materials. Quite often, our inquisitive nature then takes over and we will investigate more about things like the culture, the art and the food.”

Luxury pool area inside The Lanesborough

Image caption: Thoughtfully designed, The Spa at The Lanesborough shelters a luxurious hydro pool area. | Image credit: 1508 London/The Lanesborough

In regards to the company’s own sense-of-place, the studio is situated in the heart of the capital and has famous neighbours, sharing the same roof as fashion house Tom Ford’s studio and showroom. With 27 different nationalities under one roof, 1508 London is an outwardly thinking practice that is inspired by different cultures. “Britain is a design hub because of its education,” Brown says. “Our studio is a perfect example. There is a natural flow of talent in London, and that is because individuals from all over the world choose to operate here.”

“Although the first impression in a hotel usually comes from the look and feel, the last impression is of equal importance.” – Hamish Brown, 1508 London.

QUICK-FIRE ROUND

Hamish Kilburn: Where do you feel most at home in London?
Hamish Brown: In South London, with my wife and two children

HK: Where’s next on your travel bucket list?
HB: Sri-Lanka

HK: Was there a designer/or designers who inspired you when you were studying?
HB: Zaha Hadid and Antoni Gaudi, I’ve always fascinated by their uses of materials.

HK: What is the most rewarding part of your role?
HB: Working with people, and learning about cultures. I have learned more about geography as a designer than I ever did at school.

HK: If you were not a designer, what would you do?
HB: I would restore furniture, which is what I want to do when I retire.

HK: How would you describe your four design directors?
HB: They are completely open-minded and expansive beyond belief. You give them a challenge and they will each respond in the most wonderfully exciting ways.

HK: What’s the last item that shows up on your bank statement?
HB: A tactical coffee a Gatwick airport.

One of Brown’s most valuable lessons that he has learned is the balance between design and function. “Although the first impression in a hotel usually comes from the look and feel, the last impression is of equal importance,” he says. “The lasting memory comes from the service and function. To make someone fall in love with their stay, to attract them in the way it looks, you have to be able to deliver on that promise – and that is where the symbiosis happens between design and function.”

For most designers, one project will stand out in the portfolio. For Brown, that project sits majestically on Hyde Park Corner, just a few miles from the studio, and was also one of the first luxury hotels I checked in to as a journalist. “Working with the hotel’s Managing Director at the time, Geoffrey Gelardi, on the design of The Spa at The Lanesborough was incredible,” he says. “He had unbelievable knowledge on how the back-of-house operated, which allowed us to design spaces with complete precision, and enabled us to learn exactly how each area should be utilised. Without a doubt, those lessons have been the major transition between residential and hospitality.”

striking bar with marble surfaces featuring distressed mirrors

Image caption: Worlds away from the hustle and bustle of London life above, The Spa at The Lanesborough is an urban sanctuary unlike any other. | Image credit: 1508 London/The Lanesborough

The fact that we are sat around a beautiful oak table that I find out was rescued by the 1508 London team from an antique shop in Chelsea, exemplifies the studio’s respect for objects and restoration. “In many ways, you are only as good as your materials,” explains Brown. “This rug, even, came from a woman I met in the Middle East. She devoted her life to travelling to tribal areas, bringing groups of people together in the process to make these detailed rugs.”

“I remember using a recycled car windscreen in a bar, which a supplier fused together in order to create a striking bubble-like surface.” – Hamish Brown, 1508 London

The studio is so passionate to learn about new materials and products that it even dedicates time, one day a week, to invite select suppliers into the studio. “This time is an opportunity for us to learn, which is fascinating,” he says. “I remember using a recycled car windscreen in a bar, which a supplier fused together in order to create a striking bubble-like surface. When you backlit it, the result was incredible. The point is, I would never have thought about doing that on my own, and it added a new layer to the high-end project.”

Inspired by the studio’s infectious ethos – as well as its ability to sensitively lead the industry’s evolution ­– I leave Brown and his team in peace to continue reshaping the international landscape of luxury hotels. My evaluation of Hamish Brown? He is a polite and modest man who you can effortlessly spark up a conversation with. Listening intently to hear his passion for design, architecture and the carving out of a new era of hospitality, I can conclude that we do, after all, have more in common than simply a memorable name.

Main image credit: 1508 London

Boutique bolthole brand days from opening second London hotel

730 565 Hamish Kilburn
Boutique bolthole brand days from opening second London hotel

Pioneering hospitality brand, Locke, is to open its second boutique hotel in the capital next month, which is located on the Thames at London’s Millennium Bridge…

The 113-key Locke at Broken Wharf is expected to open next month, and it has set the scene for two more London openings in Bermondsey and Dalston later this year, in addition to international projects in Dublin, Munich, Berlin, Lisbon and Copenhagen. 

These openings build on the success of Locke’s existing hotels in East London, Manchester and Edinburgh.

Locke takes its cue from the evolving and varied demands of the contemporary traveller – blending the advantages of a high-end lifestyle hotel with the space and flexibility of an apartment. Its dynamic social spaces comprise an all-day restaurant, bar concept and buzzy co-working area, which will be activated through a mind-expanding cultural programme spanning wellness, fitness, art and music. This customer-first approach creates beautiful environments designed for living, not just sleeping, where guests can tailor visits to meet their personal requirements: whether they book for three days or three months.

“Designed by Matthew Grzywinski of Grzywinski+Pons, each of the 113 studios have been considered with the guest, location and brand essence in mind.”

Situated on the banks of the Thames with breath-taking views of the Tate Modern and Shakespeare’s Globe, Locke at Broken Wharf draws inspiration from its surroundings with each studio accented by subtle aesthetics featuring natural tones, pastel colours and white marble worktops contrasted with brass details. Designed by Matthew Grzywinski of Grzywinski+Pons, each of the 113 studios have been considered with the guest, location and brand essence in mind. Having custom designed most of the furniture in each room. “Throughout the property I played with a little matte/gloss tension,” said Grzywinski, “employing the aspirational bling of chrome, smoked glass and polished copper softened by the warmth and enveloping tactility of timber, cane and butterscotch upholstery.” Generously-sized rooms and fully equipped high-spec kitchens create a sense of freedom truly unique to the hotel scene, where guests can enjoy the option of a short stay in a Locke Studio (average 29sqm) or retreat to one of the larger premium River Suites (average 33sqm) for a long term stay in London.

Created and operated by The Initiative, Deli Cat & Sons – a modern New York-style Deli with local flavours – will offer a selection of freshly baked bagels and salads, along with a vast selection of breakfast and brunch dishes, available for eating in or taking away. For those keen to prepare their own meals, cookbooks are provided with pantry essentials available to guests on request. Adaptable to the needs of a variety of local businesses and travellers alike, Locke also offers a smart co-working space comfortably nestled on the ground floor.

Main image credit: Locke

SHOW PREVIEW: Clerkenwell Design Week 2020

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SHOW PREVIEW: Clerkenwell Design Week 2020

Clerkenwell Design Week returns on May 19 – 21 for the 11th edition of the UK’s leading independent design festival, London’s most creative district…

Last year, 34, 185 individuals of the international design community flocked to the streets of Clerkenwell to attend one of the most-anticipated design festivals in the design calendar.

Since its beginnings, Clerkenwell Design Week has worked in synergy with the natural growth of vibrant Clerkenwell – an area full of design showrooms, practices and creativity – flourishing into the much-loved independent design event.

Now in its 11th edition, the festival has become a well-established, key event in the design calendar as well as a platform for brands to launch their latest products. In 2019, Established & Sons debuted works from renowned designers Ronan & Erwan Bouroullec and Konstanin Grcic, and the show welcomed high profile speakers like Sebastian Wrong, Benjamin Hubert and Neisha Crosland.

Talk with host and audience

Image credit: Clerkenwell Design Week

Building on the success of CDW’s 10th anniversary last year, for 2020, designers and architects are being told to expect a show full of the latest designs, innovations and creative ideas, striking installations celebrating the fascinating history of Clerkenwell, as well as hundreds of design-led fringe events, pop-ups, workshops, talks and showroom presentations.

This year, Morag Myerscough will be speaking as part of Conversations at Clerkenwell and joins Sebastian Cox on the line up so far.

A number of brands will be marking significant milestones at the 2020 show, including iconic British furniture company, ercol who will celebrate their 100th anniversary as part of CDW. ercol will be launching a collection of new pieces which have been designed and developed in collaboration with Norm Architects, these pieces not only reflect ercol’s heritage and craftsmanship but build further on ercol’s vision for the future. For CDW, ercol will present their new Norm collection, pieces from the Originals collection, the Pennon table, and pieces from the Von collection.

Renowned Danish furniture manufacturer, Fritz Hansen, will also be bringing to life their first UK standalone showroom, which has just opened on Cowcross Street in Clerkenwell.  The beautiful, two-floor space in the heart of London’s busiest district for architecture and design, will play home to the full collection of Fritz Hansen furniture, lighting and accessories. New pieces from Nendo see a chair created from household waste, Ant Deco is a re-imagined version of the classic Arne Jacobsen Ant chair and exciting new collections of accessories, as well as reissued pieces will be seen for the first time during CDW. The space is designed to be a restful backdrop for the Fritz Hansen universe and a hub for designers, specifiers and customers alike.

Presenting at CDW for their inaugural year, UniFor, the contract sector of Italian design brand The Molteni Group will be exhibiting an interactive workspace of the future in a stand-alone display at Design Fields, showcasing the new Touchdown unit by Studio Klass.

Focusing on sustainability at CDW, Cosentino will be encouraging visitors to recycle their guides and maps in special collection points around Clerkenwell. These will then be collated and turned into a sculptural papier-mâché installation after the event displayed in their showroom. Billi UK will be providing five drinking water points around Clerkenwell for the event, as well as distributing reusable bottles for free to CDW visitors. In a collaboration with Bee Midtown, they will also be helping distribute collector’s edition glass bottles to lucky visitors at random.

Bee Midtown will also be partnering with CDW to rejuvenate the Three Corners Adventure Playground on Northampton Road. As part of this, they will be offering seed planting in conjunction with Bee Wild, a project committed to encouraging bees into the area to pollinate plants, thus preserving the urban environment.

CDW Presents

Each year, one of the highlights of the show is CDW Presents, showcasing specially commissioned, site-specific street spectacles across Clerkenwell.

In celebration of Clerkenwell’s history in the clock-making industry, time will be a key focus for the 2020 edition of CDW Presents, with four large-scale horology-themed installations dotted throughout Clerkenwell.

Another highlight commission of CDW Presents is Scale Rule, a project focused on inspiring young people to become the next generation of designers, architects and engineers. 2020 will mark five years of the project, which brings together local school students and Clerkenwell-based architectural practices via a series of workshops to create and realise a design installation. For 2020, Scale Rule will return to its original location in the Garden of St James, creating a kinetic installation that responds to movement.

Showrooms

Growing in synergy over the eleven years of the festival, Clerkenwell has flourished as one of London’s creative hotspots. From CDW’s humble beginnings with less than 40 showrooms participating back in 2010, CDW now sees more than 100 showrooms participating in the event. Integral to the festival are the local resident design showrooms, providing an array of stimulating events from talks and workshops to major installations and parties.

number of lights to refelct different daylight in the day

Image credit: Light exhibition at Clerkenwell Design Week

Exhibitions

The sheer popularity of Clerkenwell Design Week is evident by the growth of exhibitors – with more than 200 brands participating for 2020. CDW’s exhibitions are hosted in distinctive spaces around the area linked by a route running through the centre of EC1. There are seven exhibitions, each with a different curatorial focus, ranging from cutting edge international design, to emerging talent, lighting, luxury interiors and the best of British design.

Main image credit: Clerkenwell Design Week

Dorchester Collection unveils first foray into branded residences

730 565 Hamish Kilburn
Dorchester Collection unveils first foray into branded residences

Mayfair-based developer Clivedale London has unveiled Dorchester Collection’s first branded residences in London…

With interiors by acclaimed Parisian design duo Patrick Jouin and Sanjit Manku from Jouin Manku and fully serviced by neighbouring hotel, 45 Park Lane, Mayfair Park Residences are Dorchester Collection’s first foray into branded residences and set a new benchmark for the London super-prime market.

Located in south-west Mayfair, adjacent to Hyde Park and opposite the world-famous hotel, The Dorchester, ‘Townhouse One’ – a 3,334 sq. ft, three-bedroom duplex townhouse – offers the first glimpse inside this collection of 24 residences in the form of apartments, townhouses and a penthouse all fully serviced by Dorchester Collection. The eight-storey residential development seamlessly integrates the building’s Grade II listed façades on two traditional Mayfair Streets. Lee Polisano of PLP Architecture designed the residences, taking a scholarly approach to the refurbishment of historic Georgian façades whilst creating a contemporary counterpart, blending effortlessly into Mayfair’s eclectic patchwork of architectural styles.

Clean and spacious bedroom

Image credit: Clivedale London/Dorchester Collection

Accessed through its own private Georgian portico on Stanhope Gate, ‘Townhouse One’ features capacious Georgian proportions that exude a refined luxury. Marking the first time the innovative Parisian designers Patrick Jouin and Sanjit Manku have created interiors for a residential development project, the practice has created a luxurious, yet liveable space inspired by the fusion of classic and contemporary elements. The resulting design is one that exudes a strong sense of place – where historical references of English heritage and the period grandeur of the building’s Georgian origins are blended with exquisitely considered, custom interior architecture to create sumptuous interior spaces that are organic, elegant and evocative.

“We are thrilled to be part of the creation of Mayfair Park Residences and to work with Dorchester Collection again,” said Sanjit Manku, Founding Partner at Jouin Manku. “We’ve endeavoured to create a high-end interior with a sense of ease, relaxation, warmth and comfort with a little bit of sizzle and dazzle; a little bit of sparkle. A focal point of the new home is the blending of both natural and warm light throughout with coffered backlit ceilings illuminating the space and a six-metre-high bespoke light installation which extends down to the lower ground floor, melding the two levels together.”

Beyond the ornate décor of ‘Townhouse One’ lies a hidden gem; a 1,280 sq. ft vaulted garden filled with decadent alcoves, that span the length of the residence and is accessible from the kitchen and the bedrooms.

Tarun Tyagi, CEO at Clivedale London, commented: “Mayfair Park Residences marks a significant moment for Clivedale, and we are thrilled to be the first residential developer globally to partner with Dorchester Collection to create one of London’s most sought-after addresses. Our residents will become the first people in the world to enjoy the renowned services of a Dorchester Collection hotel in the comfort of their own home and we are excited to set a new benchmark for private residential developments. We are overjoyed how ‘Townhouse One’ reflects the unprecedented standard that will be seen throughout the wider scheme and hallmark quality that is synonymous with both Clivedale London and Dorchester Collection.”

Dorchester Collection’s 45 Park Lane will provide exclusive access to a tailor-made array of services including housekeeping service, 24/7 concierge services, 24-hour in-residence dining, a Rolls-Royce town car and chauffeur service, sommelier expertise as well as secure valet underground car parking, all helping to facilitate every and any aspiration of a resident. Indulgent in both service and amenities, Mayfair Park Residences 10,000 sq. ft Health Club will comprise a state-of-the-art gym, 20m pool, sauna and steam rooms, hydrotherapy pool, two private treatment rooms and residents lounge, all fully managed by the team at Dorchester Collection.

“Our first venture into private residences is a pivotal moment in the history of our company,” added Christopher Cowdray, Chief Executive Officer of Dorchester Collection.” We have partnered with Clivedale as they are known for their pursuit of outstanding design excellence in prime locations. Mayfair Park Residences will offer its residents the best combination of a spectacular home close to Hyde Park with the highly personalised services offered by 45 Park Lane.”

Main image credit: Clivedale London/Dorchester Collection

7 savage hotel construction projects on the boards

730 565 Hamish Kilburn
7 savage hotel construction projects on the boards

To celebrate ‘Architecture & Construction’ firmly being in the spotlight this month, the editorial team at Hotel Designs have identified some of the industry’s most ambitious hotel projects that are expected to open in the next few years… 

The hotel industry is booming, is the verdict from the data analysts at STR as they reveal to Hotel Designs that there are currently 74,417 hotels on the boards in Europe alone.

In the next few years, millions of rooms will open in major cities, towns and far-flung travel hotspots around the world. In order to shelter these rooms and suites, architects are using new rendering software to challenge conventions like never before to conceive new exciting buildings that will have the power to transform skylines on an epic scale.

Ahead of Forum Events’ up-and-coming inaugural Building and Construction Summit next month, here are just a few hotel construction plans that we expect will disrupt the international hospitality industry as we know it when they complete with innovation, style and substance.

Mandarin Oriental Melbourne

render of the Mandarin Oriental Melbourne

Image credit: VA

Mandarin Oriental’s first hotel in Melbourne is taking shape. First realised in 2016, Zaha Hadid Architects were asked to design the mixed-used 185-metre tower located in the heart of the city’s financial district. When completed, it will feature an all-day dining restaurant and a bar with a landscaped roof terrace. There will also be a variety of meeting spaces and an executive club lounge. A Spa at Mandarin Oriental will offer the Group’s renowned wellness,relaxation and beauty facilities, while further leisure options include a comprehensive fitness centre and an indoor swimming pool.

Rosewood São Paulo 

image of building camouflaged in trees

Image credit: Jean Nouvel

Opening later this year, Rosewood Hotels & Resorts will launch its first South American property situated in the centre of São Paulo. The hotel, which is being designed in collaborations with design and architecture legend such as Philippe Starck and Pritzker Prize-winning architect Jean Nouvel, will feature 151 guestrooms. The striking biophilically designed building will include two swimming pools with one rooftop pool and the other set amongst the landscaped grounds and a large spa and a fitness area.

Shishi-lwa House

From one Pritzker Prize winner to another, architect Ryue Nishizawa has designed the concept of Shishi-lwa House in Japanese city of Nagano. Expected to open next year, the eight-key hotel’s aim will be to provide a sanctuary in a cluster of 10 interconnected pavilions made out of locally sourced jinoki cypress wood.

Downtown LA Jenga-like skyscraper

Render of the top of a building that has been made to look likke a jenga set

Image credit: Arquitectonica | JMF Developments & Co.

Architecture firm Arquitectonica‘s dream to evolve the city of Angels’ iconic landscape is becoming a reality after the company has recently got approval for the 53-storey building by the city’s planning commission. The condo tower with its cantilevering glass-bottom swimming pools. JMF Development Co. aims to have the building completed by as early as 2023.

25hours Hotel Paper Island

Slated to open in 2024, 25hours Hotel Paper Island will mark the brand’s arrival into the Copenhagen property market. Pulling out all the stops, the hotel company has enlisted the help of interior design guru Erik Nissen Johansen from Stylt Trampoli and architecture firm Cobe to imagine the concept of the hotel developed by Nordkranen and Union Kul.

Kisawa Sanctuary 

render of beach-front bungalows

Image credit: Kisawa Sanctuary

Taking the hotel scene in Mozambique back to basics, Kisawa’s founder Nina Flohr’s latest hotel is stripped-back luxury escape in the pipeline. Comprising of 12 luxury bungalows – each one furnished to echo cultural references of the island – the hotel is expected to open this Summer. “My mission for Kisawa is to create a level of hospitality and design that to my knowledge, does not exist today, a place that inspires feelings of freedom and luxury born from nature, space and true privacy,” Flohr. “We have used design as a tool, not as a style, to ensure Kisawa is integrated, both culturally and environmentally into Mozambique.”

Infinity London

Once you have worked out how to get in and out of what was surely the talked-about infinity pool concept of last year (via a spiral staircase “based on the door of a submarine” that rises from the pool’s floor), the next question is: who would be brave enough to peer over the edge? Infinity London is the brainchild of Alex Kemsley, a pool designer and technical director for Compass Pools. The 55-story high-rise in London, will provide 360-degree views of the city below and takes wellness to new death-defying heights.

If you are a contractor, developer or surveyor and are interested in attending the Building and Construction Summit, which takes place on March 16 – 17 at Radisson Blu Hotel, please email Daniella Batchelor or Josh Oxberry. Alternatively, you can call 01992 374048/04.

Main image credit: Arquitectonica/Kisawa Sanctuary/Rosewood Hotels/Compass Pools 

Concept to Completion: Designing Hotel Indigo Clerkenwell (Part 1)

730 565 Hamish Kilburn
Concept to Completion: Designing Hotel Indigo Clerkenwell (Part 1)

In the first article of a new series, editor Hamish Kilburn exclusively speaks to the designers at 3Stories to understand how the studio will sensitively convert an iconic neighbourhood pub into Hotel Indigo Clerkenwell… 

It’s been almost a year since IHG announced plans to open a 151-key Hotel Indigo in the heart of London’s design district.

Responsible for the interior design of the 151-key boutique hotel is Ben Webb and Jordan Littler who are the co-founders of 3Stories. The entire project, meanwhile, is being overseen by IHG’s Director of Interior Design, Henry Reeve, who was highly commended in the Interior Designer of the Year category at The Brit List Awards 2019. Reeve, who recently led the completion of Kimpton Fitzroy and Hotel Indigo properties in Stratford-Upon-Thames and Barcelona among other projects, is a sharp, dynamic designer who awarded 3Stories with one of the firm’s first hotel projects, Hotel Indigo Antwerp that opened in 2017.

Almost three years later, while the studio is working on on-going projects such as a Jo&Joe hotel in Liverpool, a Bistro in Brixton and a new music venue down the road in Kings Cross, Webb and Littler are putting their hearts and souls into sensitively restoring Clerkenwell’s much-loved pub, the Hat & Feathers, into a thriving hotel hub. 

I travelled to the duo’s Clerkenwell studio to exclusively speak to Webb about the plans of converting what is currently a building site into a statement hotel in the city’s design hub.

 

Hamish Kilburn: When did you win the project?
Ben Webb: August 2019

HK: How much time went into the pitch?
BW: We utilised the studios entire time, as we only had two weeks to come up with our concept.

HK: Can you explain for us how 3Stories developed?
Jordan Littler and I started our careers together 15 years ago and subsequently over that time worked for a number of different design agencies. In 2017 we both decided to join forces and essentially set up a company that specialises in hospitality design. 

HK: How did your pitch allow you to keep an ‘open window’ of ideas throughout the project?

BW: We kept the presentation quite broad, looking at all of the different areas in the hotel, meaning we didn’t present a finished design. This left more room for the client to use their own imagination and fill in the gaps. From a render perspective, we kept the visuals in a hand-sketch format as we felt a stunning photorealistic 3D was not required and the pitch was more about the ideas we could bring to the table. 

“Our first design job was located opposite the hotel and we would use the Hat and Feathers pub as our local.” – Ben Webb, Co-founder, 3 Stories

HK: What is the significance of this project, the site and why do you believe you are the best designers for the job?
BW: My business partner and I have worked in Clerkenwell for the past 14 years and are therefore very familiar with the area. Our first design job was located opposite the hotel and we would use the Hat and Feathers pub as our local. We specialise in F&B which is a huge part of the project and therefore our knowledge in the market helped us sell the concept to the client. 

HK: What are the biggest challenges you expect to run in to during the project?
BW: An obvious answer, but I have to say budget. There are a lot of elements to this project especially surrounding the listed nature of the pub and therefore the budget maybe squeezed in certain places. 

HK: Can you set the scene for our readers on what the hotel’s interiors will look like?
BW: If you are not familiar with the Hotel Indigo brand it is all about creating the neighbourhood story. With that in mind the hotel’s interior takes lead from the areas architectural and design heritage. The bedrooms themselves (three types) are designed in relationship to Clerkenwell, giving the guest a choice when booking to stay at the hotel. We have also defined four restaurant concepts within the hotel that we are currently developing with the F&B consultants, all of which take on a different feel based on the level cuisine being served.

HK: Do you plan on using suppliers that are local to the area?
BW: 100 per cent yes. This project more than any, due to its location in Clerkenwell and being surrounded by so many suppliers. One of the bedroom designs is purely dedicated to the ‘supplier showcase.’

HK: What are you most excited about with this project?
BW: The fact that we can bring a lot of local knowledge to the design from the relationships with current suppliers down to our understanding of the F&B market in Clerkenwell. 

The project continues…

This is part one of Hotel Designs’ Concept to Completion series, following design firm 3 Stories and IHG throughout their journey to create Hotel Indigo Clerkenwell. If you have a question regarding the design of the project that you would like to put forward, please email our editor.

Main image credit: 3 Stories

Hamilton Litestat announced as Headline Partner for MEET UP networking events

730 565 Hamish Kilburn
Hamilton Litestat announced as Headline Partner for MEET UP networking events

Recommended Supplier Hamilton Litestat has been announced as Headline Partner for MEET UP London and MEET UP North….

Electrical Solutions and wiring provider Hamilton Litestat will once again support Hotel Designs as Headline Partner at two of its key industry networking events in 2020.

MEET UP London, which will take place on May 13, and MEET UP North that takes place in Manchester on July 6.

Having previously supported Hotel Designs with its annual The Brit List Awards event, Hamilton aims to further increase its business and product awareness amongst the site’s loyal audience.

“We’ve found a supportive partner in Hotel Designs and The Brit List Awards was a great way for us to strike up meaningful conversations within the industry.” – Gavin Williams, Head of Marketing for Hamilton

“A key part of the Hamilton business is engaging with those within the design, architecture and hotel industries, and the Hotel Designs MEET UP events are an ideal way to get face-to-face time with important players,” said Gavin Williams, Head of Marketing for Hamilton. “We’ve found a supportive partner in Hotel Designs and The Brit List Awards was a great way for us to strike up meaningful conversations within the industry. We’re hoping that we can take that one step further with the MEET UP networking events.

Until January 31 (this Friday), EARLY RELEASE tickets to both Meet Up London and Meet Up North are available to purchase for designers, architects, hoteliers, developers and those who supply to the hospitality industry. The regional events, which last year bridged the gap between more than 400 design and hospitality professionals, are regarded as two of the industry’s most established networking events. “We are fully committed to host our networking events in locations and venues that are at the heart of the hotel design community,” said editor Hamish Kilburn. “We hope that Meet Up London and Meet Up North, which include relevant themes and talks at both, help to build seamless relationships as well as inspire the industry to further push boundaries in design and hospitality.”

To book tickets to MEET UP London:

EARLY RELEASE SUPPLIER TICKETS*: £99 + VAT (expires on January 31)  | CLICK HERE to purchase your tickets.
EARLY RELEASE BUYER TICKETS**£10 + VAT (expires on January 31) | CLICK HERE to purchase your tickets.

To book tickets to MEET UP North:

EARLY RELEASE SUPPLIER TICKETS*: £99 + VAT (expires on January 31) | CLICK HERE to purchase your tickets.
EARLY RELEASE BUYER TICKETS**£10 + VAT (expires on January 31) | CLICK HERE to purchase your tickets.

If you would like to discuss various sponsorship packages available, or if you have any enquires regarding tickets, please contact Katy Phillips via email, or call 01992 374050.

Early Release offer strictly ends January 31, 2020.

* Those eligible to purchase Supplier Tickets must be industry suppliers.
** Those eligible to purchase buyer tickets must prove that they are an interior designer, architect, hotelier or developer.

 

In Conversation With: Hotelier of the Year 2019, Thomas Kochs

730 565 Hamish Kilburn
In Conversation With: Hotelier of the Year 2019, Thomas Kochs

The Managing Director of Corinthia London, Thomas Kochs, has confidently evolved – and arguably led – the luxury hospitality scene in London for decades. Editor Hamish Kilburn joins the man of the moment who was recently crowned Hotelier of the Year at The Brit List Awards 2019

London’s luxury market stands and operates alone on the global hospitality map. Although ‘competition’ is a rare word spoken among hotel operators in the city, there is no denying that the luxury hotels in the capital are all vying for the title of being the best and most interesting hotel in London.

One man who knows more than most hoteliers about the luxury hospitality scene is Thomas Kochs, the Managing Director of Corinthia London. In the last decade alone, the German-born hotelier has managed properties such as The Berkeley, The Connaught Hotel, Claridge’s and Hotel Café Royal. More than likely, it was this impressive portfolio that qualified him as the man for the job to take the helm of Corinthia’s flagship property in 2017.

Roof terrace that has modern furniture, a large chess board and the view of the London Eye

Image credit: Corinthia London’s Whitehall Penthouse

Since its opening in 2011, in a building that dates back 1885, the 300-key property has proven, time and time again, that Mayfair is not the only neighbourhood for premium hotels in London. Sitting undisturbed on the bank of the River Thames; a hop, skip and a jump away from London landmarks such as Trafalgar Square, Buckingham Palace, Corinthia London faces, and in some suites frames, the iconic London Eye and the contemporary and eclectic South Bank.

Having just clinched the prestigious title of Hotelier of the Year at The Brit List Awards 2019, Kochs is rightfully considered one of the best in his field. With an acute eye for detail, and a calm, collected yet dynamic approach to leadership, the hotelier has seen – perhaps even led – the evolutions of many hospitality trends driven by consumer behaviour and demands. “Design has evolved,” says Kochs. “10 – 15 years ago, hotels had more opportunities to impress through design. However, a good design formula alone is no longer enough in today’s market. There are some design-driven brands where the customer only checks in because of the design and aesthetic, but we don’t consider ourselves one of them.”

Spacious and luxury hotel lobby. Grand piano in the centre, and a large chandelier in the background

Image cpation/credit: Corinthia London’s luxurious lobby | Jack Hardy

Last year, Corinthia London was the backdrop of a BBC docuseries entitled: A Hotel for the Super Rich & Famous. The two-part series, which echoed a similar format of another series that featured Kochs when he was General Manager of Claridge’s, gave consumers a window into the inner workings of a luxury hotel.

As well as following the day-in-the-life of housekeepers, florists and the concierge, the cameras were also given access to creative meetings with the hotel’s Futurists-in-Residence, The Future Laboratory. The trend forecasters, who began their partnership with the hotel in 2018, believes the future of luxury is about intelligent encounters – think cool cultural exchanges, and the kind of exemplary food for the mind, body and soul that stimulates thinking. “These are dear friends of ours,” Kochs explains. “The Future Laboratory were trying to make the point that that consumers are too busy with themselves, to the point that only severe disruption would make them talk to each other.” One option suggested was to deliberately shut down one of the lifts. “That’s all well and good,” Kochs adds, “but that just doesn’t work in hotels. The aim of the partnership was to position ourselves as a forward-thinking hotel that also respects our history and brand values.”

Another common theme explored in the TV series was how decisions were made, and often changed. “Why would you stick to something that your mind is warning is not the right decision?” Kochs rhetorically questions. “I know it can sometimes be exhausting and an inconvenience to people around you, but it’s important to get it right and sometimes you just have to trust your gut.”

Quick-fire round

HK: Congratulations on your win at The Brit List Awards 2019. How does it feel, being Hotelier of the Year?
TK: It’s amazing, I have never been a hotelier of the year before.

HK: Why is Britain a hospitality hotspot?
TK: Because creativity, design and hospitality is deeply rooted in British culture.

HK: Where’s next on your travel bucket list?
TK: Japan.

HK: What’s the one item you cannot travel without?
TK: My Bottega Veneta holdall travels everywhere with me.

HK: What is the one hospitality trend you hope will not return?
TK: The idea that the most expensive is the most desirable. That was vulgar.

HK: What is the last item that will show up on your bank statement?
TK: Organic dog food, hand-cooked in Devon, for my new puppy.

HK: What is the most important element to get right in hospitality?
TK: The team is essential. The team here really do inspire me every day.

HK: What did you want to be when you were growing up?
TK: A GP in the countryside.

HK: If you were not living in London, where would you be?
TK: Somewhere with a beach, potentially Los Angeles.

HK: Who inspired you when you were early on in your career?
TK: It was more the feeling of quality hospitality that inspired me.

HK: What’s your favourite part of the hotel?
TK: I really like the Northall Bar. I like the high ceilings and the historic elements, but also there is space to breathe.

As a someone who has been at the top of the luxury hotel triangle in London since 2001, Kochs understands that the roles of a hotelier are changing, and evolving fast. “The structure of having your strategy, the next five-year plan and the budgets has remained the same, explains Kochs. But now, more than ever, you need to be really close to your team; understand your employees and what they are working on. You also need to spend time with the guests, and really consider the sense of location when doing so. The minute you lose interest in any of these components, you’re fighting a losing battle. That brings me nicely onto relevance. The hotel has to understand how to remain an exciting place. It is a beating heart; a live operation. It’s not something that we can put into storage and sell later. Instead, it’s happening now.”

modern, contemporary guestroom with green cushions and bed throw.

Image caption/credit: Corinthia London’s Duluxe King guestroom | Jack Hardy

It’s an interesting time for Corinthia Hotels. Following its announcement to debut in Dubai, which CEO Simon Naudi explained the ins and outs of in an exclusive interview last year. While the brand expands sensitively, the London hub remains the mothership of the group, where the DNA of its award-winning style and service was born and refined. “I do certainly feel the responsibility,” adds Kochs. “We are in one of the most exciting cities in the world, which is all too easy to forget because we have access to it every day. We are lucky and blessed that we identify trends before others. This, I believe, comes with experience. It’s crucial to stay alert and awake to consumer trends and shifts in demands so that we capture them both verbally and intellectually, which we can then communicate seamlessly through the hotel experience.

Render of luxe, light and airy suite.

Image caption/credit: Render of Corinthia Dubai | Corinthia Hotels

Considering its widely known reputation, it’s easy to forget that the hotel group currently only has one hotel on UK soil. “We have the advantage of being small,” says Kochs. “Look at what is going on around us. Everything is getting bigger. Travel to Vietnam, for example. You enter Saigon and the streets are a bit dusty, and souk is steaming on the side of the road. But then you are confronted with Gucci, Louis Vuitton and Prada; the same brands and products you would find on Bond Street.

“The hotel industry is not too dissimilar. The Corinthia brand is small, and we are quick in our decision making. There isn’t a corporate paralysation and we are not overly governed by brand guidelines. A large brand would argue that the opposite is their advantage, which can also be true.”

Dark spa with fire on the left and luxe sauna on the right.

Image caption/credit: The Spa inside Corinthia London | Jack Hardy

What I believe is most telling of Kochs’ style as a hotelier is the fact that, throughout our interview, he had a subtle, non-invasive watch on everyone else in the room. The self-proclaimed perfectionist continues to stand as a leading example for the brand that is slowly by surely expanding its luxury offering in far-flung destinations around the world.  Personally, I believe that Kochs’ attention to detail is what sets him apart – like how, during this interview, he paused politely to ask for the lighting to be lowered as the last of the London light filtered into the late afternoon. Despite his impressive background in hospitality, Kochs remains humble, warm and a worthy Hotelier of the Year.

Main image credit: Corinthia London

Case study: Specifying the surfaces at Juno Rooms

730 565 Hamish Kilburn
Case study: Specifying the surfaces at Juno Rooms

A range of striking porcelain and handmade ceramic tiles from Parkside have been used as surfaces at Juno Rooms, a lively entertainment venue in the heart of London’s financial district…

Known locally as a thriving hub and flexible event space, Juno Rooms is Urban Pubs and Bars’ debut property in the City of London.

Driving the venue’s transformation through the universal appeal of natural influences in pattern, colour and texture, leading hospitality concept specialist Harrison has created a unique interior for the multi-functional space that sees use from morning till late night. The all-encompassing design appeals to a more discerning and demanding city worker guest but also attracts a wide variety of clientele.

Surface specialists Parkside supplied approximately 250m2 of tiles for the project with the main floors in the bar area and toilets using the award-winning Kaste01. This concrete-effect porcelain tile offers high slip resistance and was used in standard large format at the bar surround and in rest rooms, as well as waterjet cut into a multi-tonal geometric design in the seated dining area.

Found on the walls of the impressive front bar, Harrison commissioned a handmade bespoke ceramic tile in a geometric pattern of colour-matched green tones. The walls of the toilets feature a specially sourced botanical pattern ceramic tile joined by colour-matched green ceramic wall tiles in a gloss finish.

At the entrance of Juno Rooms, Harrison tasked Parkside to source frost-proof hexagonal tiles, again in a unique green colourway.  For the steps of the entrance, Parkside provided another frost-proof tile, this time with high slip resistance, supplying it alongside a contrasting technical step edge for safety.

Ceri Shannon, designer at Harrison, said on the refurbishment of Juno Rooms: “We wanted to create a strong design that represented the interior’s need to be adaptable and appealing. Achieved through biophilic elements in the design, as well as authentic materials including exposed brickwork and wood, we also came to Parkside to help us achieve a ranging set of demands in our use of ceramic and porcelain tiles.

“We knew that Parkside could source us the products we needed, as well as handle the specialised aspects of the design such as waterjet cutting and colour matching. To have this all from one supplier makes a huge difference in a high-spec, multi-layered project such as this.”

Juno Rooms, is a bar and kitchen operated by Urban Pubs and Bars, a Sunday Times FastTrack 100 listed chain of 20 pubs, bars and restaurants across London.

Parkside will join editor Hamish Kilburn at the Surface Design Show for the panel discussion entitled: Biophilic Materials in Surface Design.

The tile design company is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.

Main image credit: Juno Rooms/Parkside

nhow London opens and Hotel Designs is first in

730 565 Hamish Kilburn
nhow London opens and Hotel Designs is first in

Sensitively designed by The Brit List 2019 accredited firm Project Orange, nhow London has opened in Shoreditch to become a brave and bold accent on the capital’s booming hotel scene. Editor Hamish Kilburn is first in…

NH Hotel Group has arrived in the UK hospitality arena with the opening of nhow London. The 190-key hotel shelters many contemporary and quirky design statements to frame the interior design theme of ‘London Reloaded’, which was imagined and created by Shoreditch-based design firm Project Orange.

With six properties in Europe, the nhow brand aims to evolve the lifestyle hotel market by surprising and inspiring its guests through unconventional experience and design, which is unique to each hotel’s location. nhow London is part of the exciting new development 250 City Road.

Project Orange has been responsible for the interior design of the project from concept through to completion, and has specified British manufacturers as much as possible throughout the entire project. The ‘London Reloaded’ theme is prominent throughout the hotel with bold and fresh design that takes inspiration from traditional British icons, such as the Royal Family, London landmarks and the underground.

All areas of the have an eccentric and contemporary take, with stand-out features including a Big Ben rocket sculpture in the lobby, tables in the ground-floor restaurant Bells and Whistles featuring cockney rhyming slang and oversized gold bell lights, a reminder of the city’s famous church bells.

Render of the ground-floor restaurant with green banquet seating

Image caption/credit: Render of Bells and Whistles restaurant | nhow London/Project Orange

Upstairs, the corridors have been designed to reference a walk in a typical London park. Featuring eye-catching designed HD carpets by Brintons, as well as colourful ‘townhouse front door’ style doors, this area of the hotel, which can all too often feel stale and unforgotten, has been brought to life with humour. Each floor, facing the lifts, features a stencil of a bike chained to a fence. As guests move up each levels of the hotel, another part of the bike is removed, which is a playful nod to the reality of most, if not all, for cyclists in the city.

Colourful textures confront contemporary art in the rooms, creating a dynamic version of London – think punk meets high-tech style, while graffiti appears alongside unconventional images of past monarchs.

As with all NH Hotels, everything in a nhow London is pleasingly unexpected. The nhow experience has arrived in London as the brand continues to make its mark on the European hotel scene.

Main image credit: nhow London

render of open-planned lobby/lounge area in hotel overlooking the pool and the sea

Most anticipated hotel openings in 2020 (Q1 & Q2)

730 565 Hamish Kilburn
Most anticipated hotel openings in 2020 (Q1 & Q2)

Kickstarting 2020, Hotel Designs takes a glance at some of the most significant hotel projects that are expected to complete in the next 12 months (edited by Hamish Kilburn)…

If 2019 was anything to go by, then the next 12 months on the international hotel design and hospitality scene is going to be a jam-packed series of hotel openings in all corners of the globe. But with the industry churning out all kinds of hotels, it can be a challenge identifying the projects that will make the biggest impact.

render of open-planned lobby/lounge area in hotel overlooking the pool and the sea

In order to cut through the noise, the editorial team has sifted through the lists of projects on the boards in order to determine which among them are the most significant hotel projects that are slated to complete and open in 2020.

We start our series by putting the spotlight on the hotels forecasted to opening in Q1 and Q2.

Fusion Suites Vung Tau (Q1)

Render of rooftop pool and dynamic angular roof

Fusion’s latest hotel, Fusion Suites Vung Tau, is set to open in January in southern Vietnam’s popular coastal playground. The new 21-storey property features 171 well-appointed suites and apartments, a multitude of dining options, a spa, yoga studio, and a rooftop infinity pool. The property offers views of the ocean, and complements the setting with playful interiors dressed in sea green, ocean blue, and a wide range of ocean-inspired hues in between. The same sense of whimsy informs the building’s complex facade with pastel-coloured glass panels that zig-zag upwards. For dining options the hotel has the Fresh restaurant (open all-day), a rooftop bar, and market stalls in the lobby. The property’s 12 treatment room spa is inspired by the sea and features signature therapies based around salt. Conveniently located in the heart of Vung Tau, the hotel is just a short trip by boat or road from Ho Chi Minh City.

Mama Shelter Paris West (Q1)

Light room with living coral coloured decor

Image credit: Mama Shelter

Following a successful soft opening, Mama Shelter’s second hotel in Paris, located in the eclectic 15th arrondissement, will officially open in January 2020. With cutting-edge design elements by up and coming French designer Dion & Arles, featuring the playful design and vibrant colour palettes – guests can unwind in front of the open fire in the all-day restaurant or dine al fresco on the terrace, complete with its very own half-size basketball court. This will be Mama Shelter’s 12th property.

Hotel Brooklyn, Manchester (Q1)

Designed by Squid Inc – the team behind renowned Hotel Gotham – the long-awaited Hotel Brooklyn is scheduled to open in February 2020. The 189-key hotel is inspired by the New York Borough and chosen for its resonating similarities to Manchester, in terms of its buzzing industrial growth, as well as its strength of identity and culture.

Riggs Washington D.C.

Image credit: Lore Group/Riggs Washington DC

The long-awaited brainchild of The Brit List 2019 judge Jacu Strauss, Riggs Washington D.C. is expected to open its illustrious doors in February 2020. The famed designer has invoked the spirit of the building’s former bank while preserving and restoring much of the property’s original design features to reimagine the storied building for the modern traveller. The 181-room property features playful nods to the building’s rich past, drawing on the parallels between the activities that take place in banks and at hotels to offer something personal and serendipitous around every corner.

Atocha Hotel Madrid – Tapestry Collection by Hilton (Q1)

Render of gold and modern guest room with gold headboard and light grey bedding

Image credit: Tapestry Collection/Hilton Hotels

Tapestry Collection by Hilton is making its debut in EMEA and will soon land in two of the most iconic European cities.

Atocha Hotel Madrid will be the first hotel to join Hilton’s Tapestry Collection in Europe. It is located in the buzzing heart of Madrid, within walking distance from popular tourist attractions such as the Museo Reina Sofia and the El Reitro Park.

Crowne Plaza Sydney Darling Harbour (Q1)

Render of infinity pool over the edge of the building, overlooking the skyline of Sydney

Image credit: IHG/Crowne Plaza

The new build hotel features 152 modern guest rooms and suites suspended in a prime position just a short stroll to the CBD’s commercial & transport hub, the lively Darling Harbour precinct and the International Convention Centre. The new hotel will feature a heated outdoor plunge pool with vista across Sydney’s skyscraper as well as three restaurants & bars.

W Ibiza (Q2)

Render of a colourful exterior of the hotel

Image credit: W Ibiza/Baranowitz + Kronenberg

Conceived and designed by BARANOWITZ + KRONENBERGW Ibiza is slated to open in April ahead of the 2020 Summer season. Located off the beaten track, the 167-key hotel will strike a pose on the palm-fringed beachfront of Santa Eulalia. As the only global brand on the island, the design brief was to marry the parallel realities of Ibiza with a magnetic pull that turns up the sass.

By opening up the public spaces to become a flexible social hub, the hotel becomes a place that nurtures human connections, and through the use of subtle levels creates touchable distance between each functional area. “The idea is that the energy descends into the unconventional pool area,” Alon Baranowitz told Hotel Designs in an exclusive interview. “As you move up levels, the lobby/lounge area becomes more reclined, but the open architecture scheme allows for a clever connection between all spaces.”

The hotel will open as part of Marriott International’s goal to add more than 30 new luxury hotels to its extensive worldwide portfolio in 2020.

The Emerald House Lisbon, Curio Collection by Hilton (Q2)

Render of 70s inspired furniture in bar and restaurant with modern touches

Image credit: Hilton Hotels

One of the world’s most historic cities, known for its one-of-a-kind beauty and unique dining, will soon welcome The Emerald House Lisbon, Curio Collection by Hilton. The hotel will be located a few streets away from the historical districts of Chiado and Baixa, famous for their impressive plazas, vibrant restaurants and boutique shops, making it ideal for curious travellers seeking unexpected and authentic experiences.

Rosewood São Paulo (Q2)

Render of building that is blended into trees

Image credit: Rosewood Hotels

Rosewood Hotels & Resorts will launch its first South American property situated in the centre of São Paulo, featuring 151 guestrooms and 114 owners’ suites, two restaurants, including one located on a veranda overlooking hotel gardens and complemented by a bar and a caviar lounge. Recreational facilities will include two swimming pools with one rooftop pool and the other set amongst the landscaped grounds and a large spa and a fitness area. Hotel guests will also be able to access an adjoining music studio, screening room and luxury retail stores within the development. Rosewood Hotels and Resorts are collaborating on this project with leading international figures such as the Pritzker Prize-winning architect Jean Nouvel and designer Philippe Starck, to create a one-of-a-kind building.

The Tokyo EDITION, Toranomon (Q2)

Render of rooftop garden in restaurant area in hotel

Image credit: EDITION Hotels

Set to be the first EDITION Hotel in Japan, the Tokyo EDITION Toranomon is slated to rise as part of the redevelopment of the former Pastoral Building, a mixed-use project comprising offices, residences and a medical centre. The 205-key hotel has been created in partnership with the globally renowned architect and designer Kengo Kuma, who designed the Tokyo 2020 National Olympic Stadium. It is expected to offer easy access to some of Tokyo’s most iconic sites, including the Tokyo Tower and Tsukiji fish market. Within walking distance to the buzzing nightlife and restaurants of Roppongi, The Tokyo EDITION Toranomon will further raise the bar in entertainment and gastronomy for the area.

voco Edinburgh (Q2)

Not only a capital city, Edinburgh is also the leading festival city in the world, and a UNESCO World Heritage Site. With a plethora of world-class attractions, sightseeing in Edinburgh is effortless, with visitors able to experience different centuries of history from street to street. IHG’s new voco brand is to open in Edinburgh on Torphichen Street, close to Edinburgh International Conference Centre. The hotel will feature all the usual comforts afforded by voco® properties, such as an indoor pool, eco-friendly bedding, a health club, and on-site bar.

The Pig at Harlyn Bay, Cornwall (Q2)

Establishing shot of the heritage property

Image credit: THE PIG

The Pig brand is going from strength to strength. Following its latest opening in Bridge, Kent, The Pig brand is heading west coast of cornwall. Inside a stunning Grade II-listed building, Harlan House, THE PIG-at Harlyn Bay is positioned near Padstow in Cornwall. Expected to open in June 2020, the hotel is just a short stroll from Harlyn beach, Constantine Bay beaches, Trevose Golf Club, and is also only a 10-minute drive to the sea-side honeypot of Padstow.

Ikos Andalusia (Q2)

Render of lobby area

Image credit: Ikos Resorts

Marking the brand’s arrival into Spain – and the first property outside Greece – Ikos Andalusia is slated to open in May 2020. The stylish resort is set amongst olive trees and has both modern features and local touches, such as traditional Moorish windcatchers perched atop its seven buildings. Individually commissioned pieces of art and colourful hand-painted tiles will be on display throughout the restaurants and guest rooms. A Cherry Blossom tree at Anaya restaurant, encircled by seating for guests to enjoy Asian dishes in an al-fresco setting, will be a particularly stand-out feature.

Six bars will be located around the resort’s lush gardens and pools serving cocktails prepared by award-winning Ikos mixologists, using branded international and local spirits.

The resort will boast eight outdoor and indoor pools, including kids’ pools, spa pools and adults-only pools, plus a number of private pools. Each of the outdoor pools will feature a cascading design overlooking the beach and Mediterranean Sea.

Banyan Tree Krabi (Q2)

Render of restaurant under roof on stilts overlooking lush jungle

Image credit: Banyan Tree Holdings

Singapore-based Banyan Tree Holdings Ltd, one of Asia’s foremost luxury hotel groups, has announced plans to open a new resort in Krabi in the second quarter of 2020. Currently under development in a serene location on Tubkaek Beach, Banyan Tree Krabi fronts powdery white sands and the shallow-shelved coast of the Andaman Sea. The new Thai resort will offer 72 pool suites and villas, among them seven two-bedroom options and one three-bedroom villa. Facilities include all-day dining, a ballroom, a wedding chapel, a beach club, a kids’ club, and a fitness center. In keeping with Banyan Tree’s holistic branding, the resort will also host a rainforest-themed spa.

Main image credit: W Ibiza

The Brit List Architects of 2019 (Part 1)

730 565 Hamish Kilburn
The Brit List Architects of 2019 (Part 1)

This December, Hotel Designs is profiling the individuals who made it into The Brit List 2019. We continue by referencing part one of The Brit List Architects of 2019 (in alphabetical order)…

The Brit List 2019 is Hotel Designs’ annual nationwide search to identify the top 25 designers, top 25 architects and top 25 hoteliers who are operating in Britain. The Judges, which are made up of experts in all pockets of the industry, gathered to decided who was eligible to make this year’s list.

The industry’s leading figures then gathered on November 21 at Patch East London, where The Brit List 2019 was unveiled and the individual winners were announced. 

Following from The Brit List Designers of 2019 Part One and Part Two, here are the first 15 The Brit List Architects of 2019…

Ben Adams – Ben Adams Architects

Ben Adams has more than 20 years’ experience of working on large scale and complex urban projects. His work demonstrates architectural and commercial consistency, but projects are individually distinctive and the result of bespoke thinking rather than formulaic solutions.

Adams divides his time between guiding the overall design direction of the practice, generating new business, and R&D, providing a pivotal link between the studio’s design ethos, client requirements and future possibilities.

Ben Addy, Managing Director – Moxon Architects

Ben Addy founded Moxon in 2004, and since then has cultivated the practice into an award-winning, cross-disciplinary architecture firm, with a varied portfolio encompassing infrastructure, residential, commercial and hospitality.

Addy’s work combines design excellence, technical talent and a commitment to faultless delivery attracting major clients in a variety of sectors. Among them: Transport for London, HS2, Hauser & Wirth, the City of Westminster and Fife Arms Hotel in Braemar. Addy works closely with his clients to understand their needs and ambitions and strives to elevate them, resulting in distinctly individual work that is both clear in its purpose and appropriate to its context.

Catarina Pina-Bartrum, Project Director – LDS Architects

Making her Brit List debut, Catarina Pina-Bartrum has recently completed a 27-key boutique hotel, The Moorgate, which has been developed by Epic Properties. The small yet complex site called for a coherent solution to resolve issues of access, circulation and internal space. In addition, it required a concerted effort to create somewhere that provides not just comfort and security but character and charm, with a place that speaks to both its historical context and contemporary city life. The Moorgate is recognisably contemporary yet of its time and place, celebrating its context to create comfort, character and delight.

David Lee Hood, Associate/Architect – Goddard Littlefair

Associate and architect David Lee Hood joined Goddard Littlefair in 2013 and now heads up the studio’s architectural department.

As a flexible all-rounder, Lee Hood splits his energies equally between hospitality projects, including international hotel and restaurant schemes, such as the Restaurant & Bar Design Award-winning venue, The Printing Press for Principal or the award-winning refurbishment of The Gleneagles Hotel. He recently worked on the revamp of Hilton Munich City’s F&B offering, launching Juliet Rose to become the city’s new destination bar.

Geoff Hull, Director – EPR Architects (Highly Commended: Architect of the Year)

Geoff Hull has more than 30 years’ experience specialising in hotels and hospitality including new builds, conversions, refurbishments, restorations and heritage schemes in listed buildings for budget, boutique and luxury brands. Hull was responsible for the multi award-winning Rosewood London, which was recently a winner at Conde Nast Traveler’s Readers’ Choice Awards, receiving the top honour within its category.

The architect continues to oversee a number of high-profile hotel projects of varying scale and complexity.

Gina Langridge, Project Landscape Architect – WATG

Showcasing the full suite of the firm’s services, the project to renovate Mitsis Summer Palace included upgrades to the site’s restaurant and pool amenities. It incorporated strategy, planning and landscape architecture. “The hillside situation of the hotel, with expansive views across the Aegean, was the inspiration for creating a space which seamlessly connects the guest with the horizon,” said Gina Langridge of WATG’sLondon Landscape Architecture team who was awarded a Hotel Designs’ 30 Under 30 earlier this year. “In contrast to other pools on the island, we made a bold move with the colour palette and opted for a dark tile – something that is quite unique to the property, which has bold features throughout including teal sun lounges and coral accents in the restaurant.”

Gordon Ferrier, Head of Hotels – 3D Reid

Gordon Ferrier brings more than 30 years of hospitality design experience on a wide range of hotel projects, covering new builds, refurbishments and conversions. Ferrier is currently working on Goodwood Hotel, Gleneagles Club in Edinburgh, Gleneagles Hotel in Perthshire, Malmaison in Edinburgh and Cameron House Hotel at Loch Lomond.

James Dilley, Director – Jestico + Whiles

Having seen the London-based studio evolve over a quarter of a century, James Dilley holds a unique position at Jestico + Whiles. Specialising inboth architecture and interior design of hospitality projects, Dilley has been responsible for creating some of the world’s most innovative hotels, including Zuri Zanzibar, which is the only hotel globally to be awarded EarthCheck’s prestigious Sustainable Design Gold certification.

Dilley is currently leading his strong team of architects and interior designers to complete W Edinburgh.

John Harding, Partner – Dexter Moren Associates

John Harding has been responsible for the delivery of a number of large and complex hotel and mixed-use developments. His excellent understanding of five star hotels, coupled with detailed technical knowledge and the ability to problem solve, means he is integral to the success of every project he works on.

Most recently, he has lead the team and has delivered the completion of L’Oscar in Holborn, London, and is currently the partner in charge to deliver phase three of the much anticipated art’otel, which will be sheltered at Battersea Power Station.

Jonny Sin, Associate Director – ReardonSmith Architects

Since joining ReardonSmith Architects in 2011, Jonny Sin has been a key member of the Beaumont Hotel award-winning team that transformed a Grade II Listed art deco style building into a luxury boutique hotel winning “Best Hotel in the World” opening 2014. Sin worked closely with British artist Sir Antony Gormley and was responsible for developing the unique architectural and technical solution to realise the artist’s vision of a monumental sculpture as a living space and extension to the hotel.

More recently, Sin was the project associate on a new-build 173-bed, five-star luxury hotel tower development in Battersea and has since taken a lead role in delivering feasibility studies for Park Hyatt and a new façade retained five-star luxury hotel in Mayfair, London.

Julian Lewis, Co-Founder/Director – East Architecture

With a multitude of social and community incentives, Park House is a new aparthotel and community leisure project in West Ham Lane,Stratford. Designed by East Architecture, and led by Julian Lewis, the nine-storey building holds a mix of uses, including 91 apart-hotel spaces, seven ‘residential’ units, community facilities, a gym and a new café and restaurant. The building is a London landmark project for hotel operator Roomzzz, marking the brand’s arrival in London.

Laura Turner, Architect – jmaarchitects

Laura Turner has just completed The Stock Exchange Hotel, Manchester. Built between 1904 and 1906, the building is a historically symbolic institution, which was purchased by co-owners Gary Neville and Ryan Giggs to transform it into a leading boutique hotel. “Several schemes to extend the building were explored with the client in virtual reality, arriving at an extrusion of the existing mansard roof form, set back from the building frontage and clad in monolithic zinc,” commented Turner. “A contemporary insertion routed into the building via a seven-storey sculptural staircase in place of the former 1980’s circulation core.”

Laurence Pinn, Associate – Tate Harmer

Tate Harmer is the studio responsible for The Eden Project in Cornwall, which last year won The Eco Award at The Brit List Awards 2018. Laurence Pinn joined Tate Harmer in 2011. He is design-led yet blends the best of both worlds, considering aesthetics and practical components of development to ensure concepts can become a reality. Laurence was theproject architect for the Eden Canopy Walkway project, and the Brunel Museum project, London, re-opening the historic Rotherhithe Sinking Shaft for use as a performance space.

Liz Pickard, Managing Director – Consarc Architects

Liz Pickard was awarded a European Laureate as one of the best emerging European architects in 2010. Consarc Architects has been led by Pickard for more than 20 years. She is an accredited RIBA client advisor and has worked with many clients in the private and public sectors. She teaches at the University College London Bartlett School of Architecture, as module director on the postgraduate course.

Luke Fox, Head of Studio – Foster + Partners

Luke Fox leads a team of designers in London, Hong Kong and Beijing on a wide range of international projects at Foster + Partners.

Recently, Fox has completed The Murray Hotel in Hong Kong and won an award in 2017 for his plans for the mixed-used development plans,which will shelter Four Seasons Makkah, by reinterpreting the traditional dense building clusters and creating a new contemporary vernacular that respects its sacred location.

To read The Brit List 2019, click here.

Corinthia London sells luxury penthouse for £10m on one condition

730 565 Hamish Kilburn
Corinthia London sells luxury penthouse for £10m on one condition

The perfect night’s sleep costs £10,750,000 apparently, according to one lucky person who purchased the penthouse of the Corinthia London as long as it was furnished with a Hypnos Mattress... 

For most guests, the perfect night’s sleep is priceless, but as Corinthia London recently found, £10 million pounds is a good place to open the bidding.

The London based hotel, which was designed by G.A Design and recently won Hotelier of the Year at The Brit List Awards 2019, secured the £10,750,000 sale of its luxury penthouse on one condition – that every bed in the suite would be furnished with a Hypnos mattress along with the hotel’s luxury linen and throws. Once the stipulation was accepted, the multi-millionaire buyer confirmed the sale within 72 hours.

According to the Evening Standard, the businessman who purchased the property had previously viewed properties around Mayfair and Chelsea, but opted for The Corinthia because that is where he had enjoyed his best nights’ rest.

The purchase of the 3,703 sq ft trophy home is ‘the biggest deal in Whitehall in the last five years’ according to Simon Deen, Director & Partner at Aston Chase, the estate agents who managed the sale.

Chris Ward, Group Marketing Director at Hypnos Beds, said: “We are renowned for supplying high quality beds to some of the world’s most stunning, luxury hotels, helping them to offer an amazing sleep experience to their guests. This particular negotiation is testament to the long-lasting affect that a Hypnos bed can have on a guest, in this case, clinching a multi-million-pound sale.”

Hoteliers looking to achieve this level of comfort and satisfaction can look no further than Hypnos. The bedmaker’s commitment to the perfect night’s sleep goes far beyond comfort and encompasses its long-running commitment to sustainability.

As the world’s first carbon neutral bedmaker, Hypnos’ mattresses and beds are 100 per cent foam free and use only natural and sustainable fibres that are 100% recyclable at the end of their life and are free from harmful and allergy-related chemicals.

For more information on how you can bring the perfect night’s sustainable sleep for your guests or residents, visit the Hypnos website.

Hypnos is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: Corinthia London

MINIVIEW: The Biltmore Mayfair, London

730 565 Hamish Kilburn
MINIVIEW: The Biltmore Mayfair, London

In the heart of London’s leafy neighbourhood, The Biltmore Mayfair, London has had a £60 million renovation – and it is unrecognisable…

The red-brick facade of The Biltmore Mayfair reopened its doors in September of this year as Europe’s first LXR Hotels & Resorts property. The 307-key hotel’s recent renovation has resulted in the building – and its interiors sheltered inside – becoming a new jewel in the prestigious neighbourhood, uniting 20th century grandeur with modern architectural details throughout.

The hotel combines exquisite contemporary accommodation, stunning views across the gardens of Grosvenor Square, and innovative culinary concepts by Michelin Star restaurateur, Jason Atherton, creating the ultimate urban sanctuary in the heart of Mayfair.

Red-bricked exterior of the hotel

Image credit: The Biltmore Mayfair

Guests looking for an elegant escape can book into one of the 57 quintessentially British suites. Designed to reflect the iconic area, each suite’s panelled walls and distressed mirrored headboards feature references of leafs and nature. As well as referencing a timeless location, the hotel guestrooms also feature modern touches, such as Ruark audio systems that sit on the bedside tables. The dark furniture of red and blue creates a deep luxe scene, while accents of colour in the soft furnishings adds a sensitive layer. The layout of each room has been sensitively designed so that guests can take in the vistas of Grosvenor Square.

Quintessentially British suite

Image credit: The Biltmore Mayfair

The bathrooms, specified by Utopia Projects, continue the luxury theme with marble surfaces complimenting muted gold towel rails. Clever spot lighting has been added either side of the twin vanity basins to create meaningful statement as guests demand for wellness evolves.

Luxe bathroom with marble and large bath tub

Image credit: The Biltmore Mayfair

The Biltmore Mayfair is also home to the capital’s most sought-after new restaurant concepts from world-renowned restaurateur Jason Atherton:

  • The Betterment features a seasonally driven menu, from locally-sourced fish and meats that are wood-fired, to signature salads and plant-based dishes.
  • The Pine Bar operates as a sophisticated bar with classic cocktails, exceptional wines and delicious bar snacks, including home-cured charcuterie.
  • The Tea Lounge, located within the hotel lobby, is ideal to enjoy one of London’s finest afternoon teas, and indulge in a selection of homemade sandwiches.  Guests can also enjoy sweet delicacies including a Dorset spice apple cake and lemon and lavender macarons, in the Writer’s Corner.
  • Finally, within the heart of the hotel is The Terrace. Open all year round, the relaxed, alfresco area is surrounded by stunning floral arrangements, sweeping greenery and glimmering fairy lights, making it the perfect spot to drink and dine under the stars.

“We are delighted to be opening The Biltmore Mayfair, Europe’s first LXR Hotels & Resorts property, on London’s prestigious Grosvenor Square,” said Simon Vincent, President, EMEA, Hilton when the hotel opened in September. “Bringing contemporary luxury to Mayfair, guests will experience outstanding hospitality, including dining by Chef Jason Atherton, in remarkable surroundings that truly capture the spirit of London and British luxury.”

With a host of iconic landmarks and neighbourhoods on its doorstep, including the home of bespoke tailoring, Savile Row, and exclusive retailers on Bond Street – the hotel is a decadent retreat to experience the best that London has to offer.

Main image credit: The Biltmore Mayfair

In Conversation With: Marcel Wanders – “bathroom design can be poetry”

730 565 Hamish Kilburn
In Conversation With: Marcel Wanders – “bathroom design can be poetry”

Ahead of Sleep & Eat 2019, editor Hamish Kilburn speaks to acclaimed designer Marcel Wanders to understand how he hopes his new collection and collaboration with bathroom manufacturer Laufen will create long-lasting poetry in the modern bathroom…

Designing interiors and designing an interior design product are two very distant things that should not be confused with the other. They both require two separate methods, and most of the time, two separate designers.

For an individual to be able to effortlessly switch between the two disciplines shows great versatility, creativity and passion. Combine these three elements together and you have something close to Marcel Wanders’ drive, determination and dedication when it comes to creating timeless interiors. “Designing a product is much like creating a new word in an empty sentence,” Wanders explains. “Depending on how the words are curated will determine the dynamics of the sentence, and in effect, the quality of the poem it becomes. I love seeing what sentences and poems designers will create with my empty words.”

“I wanted The New Classic to break into a new territory, which I think makes it interesting.” – Marcel Wanders.

If Wanders’ latest collection was to be described in one word only, he would use simply the adjective of ‘contemporary’, which balances both sides of the coin when it comes to sensitively depicting the delicate, classic lines with modern architectural details that seems to be the DNA strand within all the pieces in Lauren’s The New Classic collection, which first previewed in Milan earlier this year. “I wanted The New Classic to break into a new territory, which I think makes it interesting,” Wanders explains.

The collection, which makes its UK debut at Sleep & Eat 2019, is complete with washstands, countertop and vanity washbasins, WCs, faucets, bathtubs, showers and furniture to match, and arrives on UK soil after a healthy amount of anticipation in the build-up to the event, making it one of the most exciting product launches of this year’s two-day show.

“The idea is not about throwing away the past,” adds Wanders. “Instead, it is about trying to blend the past into the now and the future. I started with the concept of a table you would find in your Grandma’s home, for example, and used that as a strong metaphor to create the structure of the range,” explains Wanders. “I then added some soft, elegant shaping and the whole collection started to take form.

“Like all architectural fittings, The New Classic had to feel timeless and designed with purpose. I kept imagining these pieces in a house that’s just been sold. I wanted the new owners to feel as if they didn’t need to change the fittings, because they become the foundation of its design. Bathrooms are not meant to feel disposable or stuck in the past. The durability of the materials, therefore, was paramount.”

Originally, Wanders had designed this collection to be made from ceramic, but Laufen’s unique SaphirKeramik gave the design – and its creative process – unmatched strength. “SaphirKeramik is differnet because it allows you as a designer to create thinner products that don’t loose their strength,” says the designer. “Considering the design concept was to create elegant pieces, it was the perfect material.”

The major challenge when designing the new iconic statements was to ensure that the idea and design approach was also functional. “We are talking about minuscule changes that can totally change the way in which the product performs,” adds Wanders. “For me, this area of product design is interesting as well as complicated – and it takes time to perfect.”

QUICK-FIRE ROUND

Hamish Kilburn: If The New Classic was a music artist, who would it be?
Marcel Wanders: Puccini, because I think opera can also be contemporary.

HK: What item can you not design with?
MW: Honestly, I can design without anything. It is all in my mind.

HK: What would you say has been the most bizzare collaboration you have worked on?
MW: Antiques Capellini, because I don’t think anyone was expecting something so bold.

HK: Which bathroom trend to you hope will never return?
MW: Trends in general!

HK: What is the secret to a successful collaboration?
MW: Mutual respect.

For a designer who is well-known for entering meaningful collaborations, I am intrigued to know more about what makes this particular project special and memorable among the more than 1,500 other projects to his name. “I love to work,” Wanders projects. “It’s been the first time we have done a serious project of scale in the bathroom. I am so excited to see my designs injected into projects around the world.”

In regards to the humble designer behind Lauren’s The New Classic, I believe this collection has the narrative and strength to win the hearts of designers and specifiers and to become the great bathroom love story sheltered in many hotel projects in all corners of the globe, that we, as industry, will reflect on decades from now as a significant moment in bathroom design.

Laufen, which will be showcasing The New Classic collection on stand L10 at Sleep & Eat, is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: Marcel Wanders

A new chapter: Fabiia’s showroom opens in Chiswick, London

730 565 Hamish Kilburn
A new chapter: Fabiia’s showroom opens in Chiswick, London

Furniture brand Fabiia has opened its doors to a new London showroom just in time for Sleep & Eat 2019… 

Marking a significant milestone for the furniture company, Fabiia has opened its doors to a new showroom on the doorstep of the quaint yet thriving neighbourhood of Chiswick, London. The new showroom’s strategically placed location has become the company’s first base in the UK, and will shelter brands such as Miniforms, Lightyears, Normann Copenhagen, Schneid, Delightfull, Fast, Labbate and Sika.

“When we first decided to make the move from Dubai back to the UK, we were keen to pick out a prime location for what would become the Fabiia Showroom,” said Fabiia’s creative director Shija Walia. “Three months scouring the streets of London led us to The Light Box, a studio set two minutes from Chiswick Park and a stone’s throw away from the Chiswick train station.

“To put things in perspective, most of the last year was spent pouring over Fabiia’s signature line of furniture. The team divided its time traveling around Europe identifying the choicest manufacturing units alongside juggling multiple projects in the Middle East. We sure have kept ourselves busy, but the results are most definitely worth it!”

A heady mix of indoor and outdoor furniture, designer lighting, plus a signature Fabiia flair alongside our architectural Norse LED lighting invites visitors into a showroom that lives and breathes design.

Image credit: Fabiia

“What was once a pipeline dream has now finally taken shape in a one-stop location for all your contract furniture/lighting requirements,” added Walia.

The brand’s timely entrance to unveil a UK showroom unfolds as one of Europe’s largest and most talked-about hotel design trade show, Sleep & Eat prepares to get underway – of which Hotel Designs is a proud media partner of.

Main image credit: Fabiia

Urban development completes to welcome Hoxton Southwark

730 565 Hamish Kilburn
Urban development completes to welcome Hoxton Southwark

Lifschutz Davidson Sandilands completes a new kind of hotel in London, the Hoxton Southwark

Architecture firm Lifschutz Davidson Sandilands has completed work on an ambitious mixed-use development in Southwark, which shelters Hoxton Hotel’s third property in London, Hoxton Southwark.

Complete with 192 rooms as well as restaurants, bars and function rooms and 4,000 m2 of flexible co-working office space, the facilities that are stacked within are shelters in a slender 17-storey building.

Owned by Ennismore, the hotel, which is clad in precast brick panels, is situated on the busy Blackfriars Road, nicknamed ‘Blackfriars Boulevard’ because of the way in which it has gradually become a destination in its own right over the past few years. The narrow site sits just to the south of a Grade-II listed, 1950s church and charming church gardens. The Colombo Centre – a small community sports hub lies to the west.

The basement contains logistics and kitchens with the ground and first storeys given over topublic areas that include restaurants and bars, banqueting and conference rooms plus a terrace that looks over the churchyard. Six floors of hotel rooms provide rooms of different sizes – ‘Shoebox, Snug, Cosy, Roomy and Biggy’ – ranging from 16-25m2. A further six floors of flexible office space provide new offices for start-ups and sole traders with the taller ceilinged 13th floor and winter garden breakout/crossover space for co-workers to mingle. HVAC and other plant is on the interstitial 14th floor and the top (15th) floor features a high-quality seafood restaurant and sky-barwith spectacular views over London.

Image credit: Lidschutz Davidson Sandilands

“The Hoxton has always set out to do things differently, and we are continually evolving as a brand in response to guest demands and the trends we’re seeing among travellers,” said Chief marketing officer of Ennismore, Martina Luger. “We’re quite unique as a hotel as we set out to position ourselves as a destination for both guests and locals, with everything from our open-door lobby culture to our events programme, Hox Friends initiative and destination restaurants being designed with both in mind. Working From_ will bring a whole new experience to the space and enhance our offering, helping us to continue to evolve.”

The building has a very permeable, active and attractive ground and mezzanine floor on the street with abundant planting and sitting out spaces that are sheltered by awnings and heaters for all season use. Chiming with Hoxton’s open-door policy, visitors are welcome to enter the building without having to check in and go up to the mezzanine function rooms and bar, the co-working suites or the sky bar and restaurant.

Alex Lifschutz, Director of LIfschutz Davidson Sandilands commented: “The hospitality sector is transforming in an interesting way and companies like Hoxton are at the forefront of an evolution. They are providing great places to stay, in a buzzy ecosystem, which makes them appealing environments to hang out and work, cleverly extending the concept of co- working.

“As architects we had to create internal layouts that enabled this, incorporating workspaces with lots of amenity space – relaxed lounge areas as you walk in…bars, restaurants, even a gallery. Combining all these elements to create an exciting new urban community that works for the people inside the building and for members of the local community to come in and exchange ideas and inspiration.

“We delivered a raw, warehouse aesthetic both externally and internally, presenting a facade that is in sympathy with the conservation area that the building stands in and also in keeping with the Hoxton brand.”

Following the building’s completion, LIfschutz Davidson Sandilands’ Catarina Pina-Bartrum and Ennismore’s Charlie North have been shortlisted for The Brit List Awards 2019, which takes place next week.

Main image credit: Hoxton/Ennismore

 

EXCLUSIVE ROUNDTABLE: Meaningfully differentiating luxury in hotel design

730 565 Hamish Kilburn
EXCLUSIVE ROUNDTABLE: Meaningfully differentiating luxury in hotel design

To continue Hotel Designs’ series of articles to put sustainability under the spotlight, editor Hamish Kilburn chairs an exclusive editorial roundtable, in collaboration with Minotti London, to understand how today’s leading designers are sensitively working to create a more meaningful luxury hotel design landscape. Joining us on the Minotti sofa to discuss this topic:

With the aim to conceive and design meaningful luxury hotels, there is undoubtedly a question mark on how designers and architects can differentiate their projects to stand out as timeless jewels. With the rise in technology and social media, competition for hotel operators and developers is no longer limited to a single neighbourhood; we have very much entered a global arena. But how are today’s leading designers confronting the evolving hospitality landscape, and just how significant is sense of place when approaching sensitive luxury projects? We invited a handful of the industry’s most distinguished innovators to Minotti London‘s alluring showroom in Fitzrovia to find out more.

Hamish Kilburn: What are the largest misconceptions when it comes to designing luxury?

Jo Littlefair, Director and Co-Founder, Goddard Littlefair: Travelling globally, and understanding global attitudes towards luxury is so important. We have clients that have huge misconceptions to whatever project they are developing. We still struggle when clients associate harsh golds and marbles with luxury, for example. I find it really disheartening, because for me, a non-material object like ‘time’ is a luxury. When approaching the design of any luxury hotel, it’s really important to keep in mind the attitude you are trying to create.

Hamish Brown, Partner, 1508 London: There are a few buzzwords that keep coming up in the studio. We don’t have a ‘house style’ as such, therefore we are really trying capture and create sense of place within each projects. It’s not about fashion but about style. If you look at the great Hollywood movie stars now and compare them to images of themselves 30 to 40 years ago, quite often they will look as relevant now as they did then. That is certainly to do with style over fashion. We look at ways in which classical details and proportions can manifest themselves within a design.

David Mason, Head of Hospitality, Scott Brownrigg: The definition of luxury is not the same for everyone. Some may see luxury in technology, while others believe it is in the foundations of a hotel. In our studio, we don’t necessarily design the ultra six-star luxury hotel, but many of our clients are interested in ‘luxury’, which can come from anything from the service down to the attention to detail. What is luxurious to one person is different to another.

Constantina Tsoutsikou, Creative Director, HBA London: I think luxury is also about being generous as a designer. You always give more than what is expected and make sure that the spaces are comfortable and also have longevity. Where I can, I try to avoid anything too shiny. It’s becoming more apparent that the days of clients wanting to the interiors to show off wealth are behind us. Instead, well-designed luxury interiors are more honest and truthful. That in itself is a luxury mindset.

“We have realised that clients want luxury but almost on a shoestring budget.” – Constantina Tsoutsikou, Creative Director, HBA London

Image caption: (centre) Hamish Brown, (right) Jo Littlefair

HK: When did your clients start accepting a shift in consumer demands when it comes to luxury?

HB: I think it massively goes back to what that hotel means within its location as well as the characteristics of the building. There is certainly more of an acceptance from both sides. Some clients believe that what they want is a grand, sweeping entrance, whereas to really differentiate themselves and to make their hotel work within its location and to be relevant to the building, we suggest to park pre-conceived ideas and think about what would work for that particular hotel.

CT: We have realised that clients want luxury but almost on a shoestring budget. If you compare it to a good few years ago, budget expectations are certainly getting lower. Perhaps it is a sign of the times. At the same time, palettes are becoming more concise, that’s a good thing because designs are cleaner. There’s still a layering there, but the money that was being spilled into a hotel project before the 2008 crisis is not there anymore. However, the expectation certainly is. So, as designers, we have to work out how to manage that.

JL: Also, you cannot ignore the noise and influence of social media – it has a lot to answer for. That inaccurately convinces clients and developers that design is easy and disposable, and that it doesn’t take five minutes to produce a moodboard. But in reality, especially when considering sense of place, you’re thinking about a building and a brand. Putting these elements together requires a real curation of things. Otherwise, I have seen it when people go off on tangents and throw details into the canvas. Nothing ends up gelling and it becomes a messy clash of ideas.

“Trying to get the balance between the soft, the elegant while making these spaces feel comfortable places to work, sit and socialise is a challenge.” – David Mason, Head of Hospitality, Scott Brownrigg

HK: One of the most obvious changes in hotel design, and in the demand from guests, is in the public areas. How has this changed the way in which you specify furniture?

CT: Everybody is working from everywhere. We have a beautiful resort project, which is currently on the boards. As a result of the direct demand from modern travels, we are thinking about putting USB charging sockets on the day beds next to the pool. Generally, I think this is a positive step forward for hotels, which have a life on their own. I think it’s wonderful – and a real stamp of approval from the community – when the neighbourhood becomes part of the life inside a hotel. After all, nobody likes a dead public space.

“All of our furniture is designed at a deliberate height so that each piece can gel with other elements. As opposed to creating one iconic piece, we wanted to create a design DNA.” Digby Summerhill, Director, Minotti London

DM: It’s a hard balance to strike. When our commercial interior designers get asked create these multifunctional spaces, the way in which they design is very task oriented. Trying to get the balance between the soft, the elegant while making these spaces feel comfortable places to work, sit and socialise is a challenge.

Digby Summerhill, Director, Minotti London: We’ve always had modular systems that are flexible. All of our furniture is designed at a deliberate height so that each piece can gel with other elements. As opposed to creating one iconic piece, we wanted to create a design DNA; something that runs through an interior design scene. It’s not a coincidence that no individual item stands out in our collections. One thing I think is interesting is that we didn’t design any of these pieces with hospitality necessarily in mind. Instead we very looked at consumer behaviour and understood the demands of consumers within public areas.

HB: We are often trying to design public spaces to not look like public areas. The idea of a lobby/lounge going against what people would expect in a conventional hotel, to shelter intimate spaces, private nooks where people can work, is very appealing to me. I agree that idea of the community coming in and using the hotel is huge, but perhaps this is something that London has not got right in the past. In other cities there is much more fluidity and it works beautifully. Allowing furniture to adapt to how people are using is a big part of this, and an idea that is really exciting.

Image caption: (Left) David Mason, (Right) Jo Littlefair

HK: Let’s talk about sustainability. A study recently showed that 76 per cent of guests believe that hotels could be greener. Is consciousness the new luxury, as I suggested in my recent editor’s letter?

JL: We’ve been really encouraged recently to have had two projects come to us with sustainability at their hearts. Absolutely every decision has to have a sustainability angle. What we hope is that it continues through to the final touch points, because there will be financial implications along the way. Having filter taps in the room so that hotel guests can refill water bottles is a fresh approach that I love. The design utilities recycled parts of the existing building, giving a whole new meaning of injecting life back into a hotel. We are really thinking about those elements, including timelessness. I agree that it is about style. For us, it’s not about having a hemp interiors, it’s about creating luxury that has a slight assured sense of elegance and quality that has a higher purpose.

DM: The best way to differentiate luxury when it comes to sustainability is to be clever. Having a brief like this is rare, let alone working on two. So, designers, it is our responsibility to educate our clients and specify materials and items that don’t harm the environment or the end user. Behind this, it’s therefore so important that we understand the products and materials and what sets them apart from others in the market.

“Luxury is not just about design, it is about service as well and so many other things that are intrinsically layered on top.” – Hamish Brown, Director, 1508 London

HK: To me it’s very transparent when hotels use words without actions when it comes to sustainability. Is it the designer’s responsibility to ensure clients avoid greenwashing?

CT: You have to remember, we are designing spaces that will open in three years time. It’s a long time, and things change very quickly. You have to be ahead of the game and lead in that way so that the hotel is relevant when it opens. You have to ensure that the strategy you have in place is looking ahead and avoids the need for significant last-minute changes. On the other hand, as designers, we have a responsibility to influence the clients. But I think soon, it will become a necessity across the entire industry. I predict this will happen faster than we think, and it’s already started with wider conversations with local suppliers.

HK: What are you all doing at the moment to try and differentiate your luxury projects from others?

CT: I am always asking myself, how do I position this hotel in the current market, or in a wider sense, how do I position this hotel for an international clientale? This is because the competition is no longer just the hotel’s neighbour, it’s a global arena.

DM: I suppose it is now about experience. People desire luxury experiences. A hotel group has just bought the Fort of India. How incredible would that be; to stay and experience something totally unmatched like that. Travellers want authenticity and they consider that to be luxury.

HB: Sense of place cannot be underestimated. The definition of luxury differs from place to place and demographic to demographic, and you have to respond, beneath the surface, to understand what is happening in those locations. Luxury is not just about design, it is about service as well and so many other things that are intrinsically layered on top. When those elements and concepts interlock, that’s when you have a seamless luxury experience when service and design sit side by side and are harmoniously linked.

HK: Consumer demands of public areas have spilled out into outdoor spaces. Has this changed the way in which you design these areas together?

JL: We love integrating the outdoor areas so that they becomes a seamless flow where we can. I would say this is especially the case in food and beverage sector. We have recruited designers that only specialise in those areas so that we can get the operational flow right. That connection to the outdoor is integral to our overall wellbeing. Humanity is an element of luxury that we have not touched upon, because our disassociation with human relationships is becoming more enforced by our use of technology. I feel that human touch – it can be as simple as eye contact, and/or just being understood in a different country – is really important that we deliver with hospitality. And first and foremost, design and architecture should enable this.

“Usually I will use the sustainability angle as an added value and not the primary reason why we are specifying, unless the brief has an eco-friendly thread in its core.” – Jo Littlefair, Director and Co-Founder, Goddard Littlefair.

HK: Sustainability is becoming a buzzword that some would argue is losing its meaning. What makes a piece of furniture sustainable for you?

JL: At the end of the day we, as designers, have to ensure that the furniture looks fantastic – and it meets all the needs and demands from our clients as well as regulations. But it really does come down to how we communicate this with the client. We do have to choose our words carefully, but that’s the same as when pitching any idea to the client. Usually I will use the sustainability angle as an added value and not the primary reason why we are specifying, unless the brief has an eco-friendly thread in its core.

DM: Different cultures are going to be more interested than others, that is for sure. It is all about baby steps, and we do as much as we can.

Technology and manufacturing has been a massive help. Sustainable products and materials are now at a price point that works for a client and a luxury brief. To then specify a product that is eco-friendly and longer lasting than another becomes a no-brainer. I really believe it is changing. Clients are more aware of the value of reclaimed or reupholstered furniture. Having said this, it is also a balancing act. I am working on a hotel at the moment with the aim to reupholster the casegoods and the beds, and sadly it is actually almost as expensive as buying new pieces.

“I think if you can justifiably explain how a decision adds value, then cost can sometimes be reconsidered.” – Hamish Brown, Director, 1508 London.

HK: In regards to luxury, do you believe value outweighs cost?

HB: It’s a lovely idea, and my view is that value does outweigh cost. If you look at today’s market and the economy, there is a huge sense of getting value. It’s not always about cost. I think if you can justifiably explain how a decision adds value, then cost can sometimes be reconsidered.

JL: We get closer to understanding the deal that the developer has struck and the budget that has driven the deal, which underpins the whole project. Basically, our client has a figure that they cannot deviate from. So yes, it is common sense, and I do value beautiful furniture, and we do have to be ambassadors that push for quality so that these pieces don’t end up in landfill, but there is a bottom line figure discussion. As a designer, you are the piece of magic in the middle having to constantly and consistently value engineer the project.

HB: The most successful projects that we work on are the ones where everyone involved is upfront and honest with cost and there is a real transparency there.

HK: Has the weight on where the budget is spent in the hotel changed?

DM: It’s always in the ceiling!

CT: I have seen that generally, not enough budget is left for the finishing touches.

JL: For me, it’s artwork.

Following the exclusive panel discussion, the leading designers and architects were able to browse the showroom, which showcased, in an apt setting, Minotti’s 2019 collection of timeless indoor and outdoor furniture.

Minotti London will be the venue of Hotel Designs’ Meet Up London, which will take place in Spring 2020. More details will follow.

If you are interested in hosting our next editorial roundtable, please email Katy Phillips or call +44 (0)1992 374050. 

Checking in to Inhabit Hotel, sheltering a new level of eco design

730 565 Hamish Kilburn
Checking in to Inhabit Hotel, sheltering a new level of eco design

During the London hotel’s soft launch period, editor Hamish Kilburn checks in to discover Inhabit’s debut property, which in the process earns his eco stamp of approval…

Last year, an insightful study revealed that the city of London had the eighth highest level of pollution in the world, making the sky 67 times brighter than it would be without the contribution of humans. In the same study, it was highlighted that a staggering 84 per cent of Brits spend less than 10 minutes a day enjoying peace and quiet.

Armed with these statistics, it came with great delight reading about a new hospitality concept of a fresh urban hotel perspective, where wellbeing and sustainable design was at the core of everything. Where the aim is for guests to leave feeling lighter, more free and inspired by taking the pace of life down a gear or two. Where time is luxury. Where Inhabit Hotel becomes a home-from-home.

After a chaotic experience navigating the London Underground, which I politely consider to be ‘the pits’ of all public transport with it being the most polluted place in the city, I arrived at Paddington’s new boutique hotel in the same state of mind as I imagine most guests do; slightly stressed showing early symptoms of rush-hour rage. Juxtaposing the hustle and bustle of the city’s zone 1, the hotel’s understated is guests’ first indication of a new kind of hotel.

The sixth-floor urban sanctuary is the brainchild of Nadira and Rihim Lalji, and is the cousins’ first hotel within the portfolio. Created by architecture firm Holland Harvey Architects and Caitlin Henderson Design, the 90-key hotel is designed with busy travellers in mind. My arrival experience feels more as if I am staying with warm hosts rather than a hotel. The lobby sits in perfect harmony between the F&B area, named Yeotown, and book-filled library.

The check-in desk is down-played, and marries nicely into the laid-back luxury design concept. While checking in, my eyes are drawn to a timetable that I am not familiar with; a yoga and mediation schedule, which I am told launched only this week but was very much part of the core plan for the hotel. “Wellness is at the heart of our brand,” says Nadira Lalji. “Every aspect of our hotel is aligned with what being well means to us. We think of wellness as more than a physical state, but a way of being. Our brand pillars, which stand for social connectedness, intellectual expansion and environmental responsibility, reinforce this belief.”

The ground-floor library is Inhabit’s answer to the rise in demand for public areas designed with bleisure in mind. The space encourages residents and members of the public to unwind, work and be inspired. The noise-free corner is complete with LED bulbs, which are 80 per cent more efficient in terms of energy used than traditional lighting. Occupancy sensors ensure that no energy is lost and guests are seen in their best light when they require it.

Image credit: Inhabit Hotel

Yeotown, is an innovative and thoughtful F&B area, perfect for guests on the move or as a venue for casual meetings. By partnering with food-wastage apps Karma and Too Good to Go, the area allows non-guests to pick up perfectly edible bargains which would otherwise be put into waste. The tables and chairs, made also by Holland and Harvey, have been created using materials honestly and in their natural state. “At Inhabit, we have specified oak flooring and joinery, all finished with a natural sealant to show off their natural colouring and tones,” said architect Richard Holland. “The floor is a natural stone from Fired Earth, which has beautiful variations and tonal differences.”

Upstairs, the sustainability story continues, which is most impressive when considering that the hotel is sheltered within a Grade II listed building. From Casper eco-friendly mattresses to the REN amenities that are made from recycled plastic – even the soft toilet paper is 100 per cent recycled – the guestrooms and bathrooms are quite obviously designed with conscious guests in mind. But on close inspection, it becomes apparent just how high up on the agenda sustainability is for the hotel. Taking the concept of ‘escapism’, one step further, each room comes complete with Studio ND phone charge and stowaway boxes, made from scrap materials, so that guests can break away from their devices.

Perhaps it was my perfectly timed stay to sit in-between speaking about this very topic on stage at the Independent Hotel Show – more likely it’s simply the sheer statement of an urban hotel having such an eco-focused message – that has put on a smile on my face when checking out following one of the best night’s sleep I have had in London for a while. I can’t help but feel totally relaxed and reassured that the bottom line of profit is not the only value when it comes to successfully operating a hotel. And it was this that inspired my latest Editor Checks In online column, where I argue that consciousness could very well become the new luxury.

Main image credit: InHabit London

Design studio twenty2degrees creates social flexible pop-up for Sleep & Eat 2019

730 565 Hamish Kilburn
Design studio twenty2degrees creates social flexible pop-up for Sleep & Eat 2019

twenty2degrees is one of six studios creating a concept guestroom pop-up ‘Sleep Set’ for this year’s Sleep & Eat 2019…

London-based hotel design practice twenty2degrees has designed a concept guestroom in a response to Sleep & Eat 2019′s theme of “Social FlexAbility”, which explores hospitality’s power to stimulate human interaction in our age of digital dislocation.

“We are not suggesting that human beings should return to a world without digital devices – far from it – but it’s a question of balance and making non-digital elements more fun so they can compete with smart phone obsession,” says Nick Stoupas, Founder and Partner of twenty2degrees. “We’ll be incorporating a music playlist and dynamic lighting as well as using a lot of bold colour, and materiality will be important. Then we are shaking it all up. Think neon illumination and timber, an industrial style black floor with a richly designed rug depicting fantastical flying creatures.”

“We followed certain paths of thought, then found new sources of inspiration and were able to flip the aesthetic.” – Joe Stella, Creative Director and Partner of twenty2degrees

twenty2degrees has worked closely with Ulster Carpets in the creation of the rug. Other supplier partners are: Hansgrohe (Brassware), Contardi Lighting, Tarkett (flooring), Solus Ceramics (stone marble), Hamilton (sockets & switches) and Altrock Surfaces (vanity unit). Peter Millard and Partners is supplying artwork, Bang & Olufsen the sound system and the build partner is Viriato Hotel Concept.

“The process of designing the concept guestroom has been fascinating,” says Joe Stella, Creative Director and Partner of twenty2degrees. “Essentially, we were our own client freed from the usual constraints of commercial hotel design. We followed certain paths of thought, then found new sources of inspiration and were able to flip the aesthetic. We hope that the result of this creative license will be ideas that operators, owners and other visitors to our pop-up will want to take away with them and adapt for real-life projects.”

twenty2degrees’ concept room, one of six Sleep & Eat Sets, will be located on the gallery level of Olympia London’s Main Hall.

Main image credit: twenty2degrees/Sleep & Eat 2019

‘Must see’ brands at Sleep & Eat 2019

730 565 Hamish Kilburn
‘Must see’ brands at Sleep & Eat 2019

With less than three weeks until Sleep & Eat 2019, here are just a few brands and products to look out for… 

More 160 design-led suppliers are now confirmed to be exhibiting at Sleep & Eat 2019, which takes place on November 19 – 20 at Olympia London. For many years now, the exhibition has been the place where both established and up-and-coming manufacturers not only choose to launch their collections, but where business is done and opportunities to network and socialise are numerous.

Reflecting the growing convergence between hotel, restaurant and bar design, the exhibitor line-up includes many international companies which supply all three sectors, as well as cruise ships and spas.

Following our sneak peek inside the doors of the company’s new UK headquarters, Laufen will launch The New Classic collection by Dutch designer Marcel Wanders. Utilising Laufen’s innovative SaphirKeramikmaterial, the designer created a collection combining gentle, feminine curves with angular, masculine elements. “For the first time, the ultra-modern SaphirKeramik has been moulded into a classic and iconic form,” commented Wanders. “This lightweight yet resilient material gave us the unique opportunity to celebrate the beauty of ceramics with our elegant, soft lines.”

Dramatic view of the full The New Classic collection

Image credit: Laufen/Marcel Wanders

Morgan, the British designer and manufacturer of contemporary furniture, will be introducing its new Kaya lounge collection. Taking its name from sacred forests spread along the Kenyan coast, Kaya finds its roots in the openness, honesty and purity of trees. Morgan will also exhibit The Rakino collection of lounge chairs and tables designed by Tim Rundle, and The Goodwood collection designed by Katerina Zachariades in collaboration with artist Mark CcClure.

A Sleep & Eat newcomer, Prestigious Textiles, will be debuting with a range of prints, jacquards and velvets alongside a rich diversity of plains, semi-plains and sheers. The company will also present its new bespoke service, giving customers the freedom to take their design of choice and translate it onto any print ground using the latest digital printing technology.

Also new to Sleep & Eat, Marie Martin, the range of exclusive lighting by the Dutch company Lumière, will present its most popular lighting fixtures. Stemming from a passion for interiors, this collection arose from the desire to unite the love for antiques, for Paris, for colour and fully decorated spaces. Marie Martin’s range will feature lush materials – bronze, silk, brocade, and velvet – as well as abundant attention to detail and extravagant colour schemes.

Spanish architectural and design surfaces producer and distributor Cosentino will be showing a range of its brands. These include Dekton ultra-compact surfaces, Silestonequartz and Sensa by Cosentino natural protected stone.

German bathroom manufacturer, Bette, will exhibit its award-winning glazed titanium-steel baths, shower floors and washbasins, all of which come with a 30 year warranty. Available in an extensive range of sizes and colours, they are finished in BetteGlaze;  a durable, non-porous, scratch-resistant and easy to clean surface.

Muted coloured washbasins

Image credit: Bette

AHK, the Turkish supplier of joinery and fit-out contractor, will feature its indoor and outdoor loose furniture range and latest case goods collection. AHK will also reveal the AW Simulator – the game-changing meeting room pod that immerses users in a unique experience. Its advanced technologies include a panoramic digital view, exclusively designed expanding table, state-of-the-art AV system, and unparalleled acoustics and soundproofing.

Chelsom will showcase some of the dynamic and trend-driven designs within its extensive Edition 26 collection. Among the products are The Orb, The Icicle and Roma.

GROHE will be returning to Sleep & Eat for its 14th year. This year, the brand will showcase its most eclectic and diverse product offering yet. This will include its ground-breaking Icon 3D metal-printed taps, taking pride of place on the stand for its first official showcasing in the UK. “Sleep & Eat is a key event for us, one which has helped us to build very strong industry contacts over the years and where we continue to push the boundaries of innovation,” said Raj Mistry, Marketing Director of GROHE UK.

Image credit: Grohe

Terratinta – manufacturer of high-end Italian porcelain stoneware, inspired by Scandinavian design enriched with fresh and unusual aesthetic effects – will display its newest ranges of ceramic tiles, including Sartoria Artigiana, Sartoria Romanza, Hexa Mosaics, and Ceppo.

The Exhibition will also see the event debut of family-owned Irish manufacturer and fit-out specialist, Abbey Upholsterers, which works with numerous luxury hospitality brands as well as in luxury residential. At Sleep & Eat, the brand will be highlighting its hotel guestroom furniture collections.

Omexco – the Belgian manufacturer of high-end wallcoverings, specializing in sophisticated printing and embossing techniques – will feature its latest designs, Arubaand Portfolio. Aruba collection, inspired by the exotic Caribbean isle, recognises craftsmen who respect natural materials such as weaves of waterlily and raffia with a range of linen yarns and ecological non-woven wallcoverings, whereas Portfolio collection pays tribute to Omexco’s heritage and features a variety of natural yarns including pure linen, multi-coloured silky cotton and viscose.

Other familiar names exhibiting at Sleep & Eat will include Astro Lighting, Arte, Camira, Knightsbridge Furniture, Quasar, Roca and VitrA. An array of newcomers this year will include Absolute Lifestyle, Article London, Eichholtz, ELG Solutions, Iconic Images, ILIV Contract Textiles, Kaufmann Ceramics, Sahrai, Tarkett, and VICALVI Contract.

The event also encompasses a complimentary Conference, Development Roundtables and nine specially designed pop-ups including concept guestrooms, restaurant and bar Sets, The Hub – a co-working space, the VIP Lounge and the Sleeper Bar.

Sleep & Eat, November 19 – 20 in the National Hall, Olympia London. The show will be open from 10am on Tuesday 19 with an evening drinks reception until 8.30 pm, and from 10am-6pm on Wednesday 20. Click here to register.

Main image credit/caption: Sleep & Eat/Abstract forms, texture and objects study

The Mandrake welcomes new artist in residence

730 565 Hamish Kilburn
The Mandrake welcomes new artist in residence

London’s Mandrake Hotel will welcome celebrated photographer Haris Nukem from November 2 – 11 as he takes up residency in Studio 5 as part of the hotel’s Artist in Residence programme…

The Mandrake, known for its exquisitely designed spaces, provocative and thought invoking art, designed the Artist in Residence programme to celebrate both emerging and established artists and performers.

The hotel extends guests’ artistic interaction from merely viewing the artwork by providing a unique opportunity to interact with artists and witness the creative process. Guest are often part of the work itself, whether that be paintings, photography, tattoo or mural. By involving guests in this unique process, the hotel truly honours its ‘stay beyond yourself’ philosophy.

The programme, designed to allow guests and visitors an up close and personal account of the creative process of creating art, has hosted big names including Mark Mahoney, Azzi Glasser, Danny Minnick, Peter John De Villiers, Zoobs and Thomas Hooper.

Image caption/credit: Dopamine and Leadership Qualities by Haris Nukem

During his residency, Nukem will be creating one photoshoot per day within The Mandrake, where guests are able to interact and engage with Nukem and the creative process. The hotel’s dedicated art space, Studio 5, will showcase a selection of Nukem’s art for guests to view.

For an insight into Nukem’s residency, follow @mandrake_air to get behind the scenes access.

Main image caption/credit: We Need Heroes by Haris Nukem

Permission submitted to integrate 400,000 plants within façade of new London hotel

730 565 Hamish Kilburn
Permission submitted to integrate 400,000 plants within façade of new London hotel

Set to radically change the city’s landscape and add to its eco hotel offering, hotel developer Dominvs Group and architecture firm Sheppard Robson have submitted permission for a living wall to be the façade of a new London hotel, with the aim to absorb more than eight tonnes of the city’s gaseous pollution each year… 

Following Hotel Designs publishing the results of a new study that showed that 76 per cent of guests believed that hotels could be greener, the architecture firm of a new development in London has submitted planning permission to include 40,000ft² as part of its exterior shell.

The hospitality-led, mixed-use project designed by Sheppard Robson for Dominvs Group is characterised by one of the largest green walls in the world, creating a distinctive architectural addition to a gateway City site, while absorbing eight tonnes of pollution annually and setting the standard for urban greening in London.

Radical plans have been submitted to the City of London to create a 382-key five-star hotel, featuring the vertical landscaping, as well as 40,000ft2 of workspace, a sky-bar on the tenth floor, meeting and events space, spa and ground level restaurant and co-working space. Situated on a prominent site on Holborn Viaduct at the gateway of what will be the City’s “Cultural Mile,” the proposed building creates an opportunity to broadcast fresh ideas about how the built environment can address pertinent issues such as air quality, climate change and air pollution.

“Dominvs Group is incredibly proud of our proposals for 61-65 Holborn Viaduct which aim to play a major role in the regeneration of the Smithfield area,” said Jay Ahluwalia, Director of Dominvs Group. “With the City of London’s vision for the area and the creation of the Culture Mile, we feel this project will support and enhance the overall ambition for this exciting, new cultural destination as the creative heart of the Square Mile.”

“The wall will also significantly contribute towards improving local air quality, by trapping approximately 500kg of particulate matter (PM2.5 and PM10) per year.”

Coming after our successful opening of The Dixon at Tower Bridge and the recent breaking of ground at Creed Court, St Pauls we hope our proposals demonstrate our ongoing commitment to providing developments of the highest quality in Central London. We also believe the building’s proposed Living Green Wall, the largest in Europe, could be an exciting, innovative and celebrated addition to London for years to come.”

By integrating 40,000 square feet of living wall within the façade, the building is projected to annually capture more than eight tonnes of carbon, produce six tonnes of oxygen, and lower the local temperature by three to five degrees Celsius. The wall will also significantly contribute towards improving local air quality, by trapping approximately 500kg of particulate matter (PM2.5 and PM10) per year.

The project engages with the Urban Greening Policy set out in the GLA’s draft New London Plan, incorporating strategies to encourage more and better urban greening, while adopting measures for an ‘Urban Greening Factor.’ The projected Urban Greening Factor score of 1.37 exceeds requirements by 45 times and has the highest greening score in Greater London.

The development also includes new public green space, with the roof-top viewing gallery on the eleventh floor open to the public and featuring incredible views overlooking St. Paul’s Cathedral, the Grade I listed Holy Sepulchre, and over the city beyond. At roof level, the greenery continues to wrap around the building, with spaces designed for threatened native wildflower species to flourish.

Dan Burr, Partner at Sheppard Robson, said: “On a site that is so prominent, there was a real drive to inject some fresh perspectives on how to grapple with some on London’s most urgent environmental issues, including air quality and noise and dust pollution. Rather than having an isolated patch of greenery, we felt that an immersive and integrated approach would have the biggest impact on the local environmental conditions and making a better and more liveable city, as well as articulating a clear architectural statement.”

Hotel Designs will be exploring the topic of sustainability all next month. If you have story for the editorial team, please email editor Hamish Kilburn. 

Main image credit: Sheppard Robson

One month until The Brit List Awards 2019

730 565 Hamish Kilburn
One month until The Brit List Awards 2019

Calling all hotel designers, architects, hoteliers, developers and suppliers: Tickets are selling out fast for The Brit List Awards 2019, which is just one month away… 

There is just one month to go until Hotel Designs announces the winners of The Brit List 2019. The awards, which will be sheltered at Patch East London on November 21, is the climax of the publication’s nationwide search to find the UK’s top interior designers, architects, hoteliers and suppliers.

Supplier tickets (£150 + VAT) can be purchased here.
Delegate tickets (£20 + VAT) can be purchased here.

Among the leading designers who have already confirmed are design directors and principals from Richmond International, Project Orange, Sibley Grove, Harriet Forde Design, Harris + Harris, RPW Design, Scott Brownrigg, David Collins Studio and IHG.

In regards to architects attending The Brit List Awards 2019, Hotel Designs will welcome associates and directors from the likes of Zaha Hadid Architects, WATG, Jestico + Whiles, Holland Harvey Architects, EPR Architects and Dexter Moren Associates.

Hoteliers confirmed to attend the annual awards ceremony include, among others, Heckfield Place, Good Hotel London, Limewood Group and Homegrown Hotels, Rosewood London, Cliveden House, The Athenaeum Hotel & Residences London, The Dixon, Bespoke Hotels, Great Scotland Yard Hotel, Eccleston Square, Inhabit London and Hotel Gotham.

The nationwide search to find the most influential designers, architects and hoteliers operating in Britain began months ago when Hotel Designs opened up nominations and applications to readers.

Since then, an independent panel of expert judges have gathered to select this year’s individual award winners and also to confirm the 75 individuals who have made it into The Brit List 2019.

How to attend

Suppliers:
Click here if you are a supplier to the industry to secure your ticket for £150 + VAT.

Designers, architects, hoteliers and developers:
Click here if you are either a designer, hotelier, developer or architect to secure your ticket for £20 + VAT.

If you would like to discuss various sponsorship packages available, please contact Katy Phillips via email, or call 01992 374050.

#TheBritListAwards2019

Headline Partner: Crosswater

Event Partner: Hamilton Litestat

2019 Industry Partner: BIID

In Conversation With: Britain’s design legend Martin Brudnizki

730 565 Hamish Kilburn
In Conversation With: Britain’s design legend Martin Brudnizki

Last year’s crowned Interior Designer of The Year at The Brit List Awards, Martin Brudnizki, invites editor Hamish Kilburn to his Chelsea London studio to explain some of the major milestones in his career as well as how he logistically manages his time in a truly international market…

Design gems are not hard to come by on the British hotel design scene. You have only to open the pages of last year’s edition of The Brit List – and this year’s shortlist for that matter – to find the top 75 influential designers, architects and hoteliers.

However, design legends are less common. It’s not a question of talent or ability, but more a reflection of style, class, personality and being about to really set oneself aside from others in the heavily congested international hotel design market.

There is only – and will only ever be – one Martin Brudnizki, for example. Last year, Hotel Designs’ The Brit List crowned the acclaimed visionary as its Interior Designer of the Year – and for good reason. “Brudnizki is an international leader, standing as an icon as well as inspiration to so many young aspiring designers,” commented last year’s expert judging panel. “His recent work in University Arms Cambridge is a credit to his studio’s ability to give a building a new lease of life in the most sensitive and creative way.”

Image caption/credit: The Library designed by MBDS/University Arms Cambridge

Almost one year later, while the editorial team at Hotel Designs are gearing up for yet another spectacular awards ceremony, I aptly caught up with the Brudnizki in his Chelsea studio in London to find out more about our ‘poster boy’s’ journey to become one of the world’s most celebrated interior designers of the moment.

“I grew up in Stockholm; my mother was a stylist and my father an engineer and I think this blend of approaches to living and design, in particular, rubbed off on me,” Brudnizki explains. “My mother is incredibly stylish and filled our home with beautiful colours, patterns and objet. My father on the other hand, worked in a very precise and thought-through way. Both aspects of their personality has certainly informed the way I work today.”

Brudnizki’s early career in design saw him working at the likes of David Gill Gallery and David Collins Studio before branching off and putting his own practice in 2000, Martin Brudnizki Design Studio (MBDS) in 2000. “I learned a lot during my time in other places,” he adds, “which has served me well when establishing my own studio.”

“We have a number of up-coming projects that I also hope shape our studio’s story. It’s an exciting time.” – Martin Brudnizki

Since then, MBDS has become one of the leading international design studios, with bases in London and New York and projects including The Beekman, University Arms and Four Seasons Athens. But, like all designers, Brudnizki remembers the milestone moments; the hotels and buildings that captured his and his team’s incredible imagination, usually sheltered in iconic shells. “All the projects we work on are exciting and help shape the future of the studio however, there are a few that really stick out as being pivotal,” the designer explains. “Scott’s in Mayfair presented us with the opportunity to design our first fine dining restaurant, it also cemented our relationship with Caprice Holdings, who have since become important clients of ours. Working with Nick Jones on Soho Beach House Miami was exciting as this saw us introduce the successful Soho House brand to a new region. The Beekman in New York opened in 2016 and helped stamp our mark on New York. It’s located in a beautiful building and we were lucky to garner a lot of attention from it. Finally, Annabel’s in London has proved incredibly popular for us. It’s such an iconic club so we felt very honoured to be asked to redesign its incarnation. We have a number of up-coming projects that I also hope shape our studio’s story. It’s an exciting time.”

Dividing his time between both London and New York has given Brudnizki the unique freedom to position himself in two of the world’s most respected design hubs. “Both cities have very unique identities,” Brudnizki explains. “They are both are melting pots of culture and excitement and whilst very different, they both present wonderful opportunities to mark your mark.”

“Luxury travel to me is being able to combine a sense of curated experience with spontaneity; finding new places but also the having the flexibility to be adventurous and go off piste.” – Martin Brudnizki

From the outside looking in, the luxury market in hotel design may look like a desirable place to start when setting out to build a reputation as being a leading designer, but it also comes with risk to cater to the ever-changing demand of the modern luxury traveller. For Brudniki, the true art of luxury travel is a reflection of his own experience and personality. “Luxury travel to me is being able to combine a sense of curated experience with spontaneity; finding new places but also the having the flexibility to be adventurous and go off piste,” he defines.

Since winning at The Brit List 2018, Brudnizki’s vision on a new hotel brand has come to life in the shape of Mr C Hotels, which opened in Miami earlier this year – and has, as a result, put him in the running for the second consecutive year for this year’s awards. “Mr C is situated in a modern new build in the green surroundings of Coconut Grove,” he explains. “New builds have many benefits, including up-to-date technology and no listed statuses to content with however, new builds often lack the characterful details of older properties. With this in mind, we often have to dig deeper to find a strong narrative to wrap the hotel’s design in. For Mr. C we looked to the landscape of the region and the glamorous boating heritage and incorporated elements of this into our scheme.”

As well as technology, another area that has peaked recently in popularity among developers as well as designers and architects is the value of sustainability and designing consciously. “I think it depends on the project and the client, Brudnizki admits. “We are working with Six Senses on their new hotel and resort in Kitzbuehel Alps and the whole design is focused on sustainability and using organic and local materials. This is to mirror the brand’s values so we’ve had an interesting time researching new materiality and local artisans who can help reduce the hotel’s carbon footprint and up their sustainability accreditation.”

Quick-fire round

Hamish Kilburn: Where is next on your travel bucket list?
Martin Brudnizki: Portugal.

HK: What is the number one item you simply cannot travel without?
MB: A silk eye mask.

HK: What is the last item that will show up on your bank statement?
MB: Probably food from Bayley & Sage.

HK: What is your favourite place to unwind in London?
MB: My home in Parsons Green. As a travel so much, it’s nice to just come home and relax in the peace and quiet.

HK: What trend do you hope will never return?
MB: International Beige.

HK: Where are you travelling to next?
MB: My New York Studio next week.

Before I leave the designer in peace to create with his team the hotel interiors of the future, which include hotels in London, Austria, LA and Cape Town (among others), I am interested to explore, on the surface at least, new materials that have emerged on the designer’s radar. “I am really interested in straw marquetry at the moment; it’s such a beautiful natural fibre that can be used in the most unusual of places, such as walls and furniture,” Brudnizki says.

MBDS itself is incubating a strong network of talented designers that will further position Britain as a globally regarded leading design hotspot. With his name on the door of two dynamic studios – and also in the minds of I would argue all aspiring interior designers – Brudnizki is leading the ever-evolving industry into new territory.

The shortlisted finalists this year’s The Brit List have been invited to The Brit List Awards 2019, which takes on November 21 at Patch East London (Aldgate). To purchase limited tickets, click here

Main image credit: Luca Marziale

Editor’s round-up of London Design Festival 2019

730 565 Hamish Kilburn
Editor’s round-up of London Design Festival 2019

Strap yourself in for editor Hamish Kilburn’s annual round-up of London Design Festival (LDF). The 2019 edition was a thought-provoking insight into how the bare bones of the industry, led by innovative manufacturers working with open-minded designers and architects, are taking it upon themselves to design a better future of international hotels from the foundations upwards…  

“Most cities are experts in one or two disciplines,” said Ben Evans, Director of London Design Festival. “But the breadth and depth of London’s expertise is unparalleled.”

For the 11th year, LDF was the epicentre of the design universe, publically displaying in full the ingredients to make the capital an incubator of ideas, creativity and something different.

Initially established in 2003 by Sir John Sorrell and Evans, the festival has grown to encompass a broad range of activities, and attracts visitors from around the world: last year welcomed a record-breaking 588,000 direct visitors from more than 75 countries, generating almost one million visits.

Despite Brexit call-to-actions being plastered across the front of the city’s major newspapers, the festival’s spotlight this year was thankfully not on the political landscape (or landslide) of whether or not this is really happening, but instead the lenses were focused on conscious change for good. With designers being now more aware than ever before on the need for design responsibly, sustainable products, materials and initiatives were evident in all corners of the metropolis, at all of the four Design Destinations. “LDF celebrates and promotes London’s design excellence in a period when showcasing creativity is even more important, adds Evans. And installations around the city from the likes of Matthew McCormack, Sony Design and Paul Cocksedge were a visual reminder of how design can influence change and educate wide-spread audiences of all demographics.

Focus 19

Neatly kicking things off after Hotel Designs led an exclusive roundtable at Arte Wallcovering at Design Centre Chelsea Harbour, Focus19 extended its luxurious arm to welcome a select number of pop-up stands. Whether green is or isn’t this year’s colour is irrelevant. What’s more important for hotel creatives is following how suppliers are turning up the volume on how they are designing with purpose and further bringing the outdoors in using sustainable methods. One area where this is very apparent is in fabrics and large prints – both of which are never in short supply at DCCH. Arte arguably stole the show with the launch of four new collections. Following last year’s collaboration with Moooi, any collection to launch after would be a tough act to follow, but the wallcovering experts delivered and the results are extraordinary.

While fabrics were strong, so too was lighting. Pookey Lighitng’s installation designed by The Brit List 2019 judge Florence Rolfe was a vibrant LED light show. Meanwhile, David Hunt Lighting cut the ribbon on its new permanent hub within the DCCH, showcasing its bespoke service as well as its intricate lamps. As well as hosting a captivating talk with the lighting company’s founder, Vaughan, unveiled a new collection of simple, yet extremely chic sculptured lamps as well as a new range of Tribal Collection shades, that were first unveiled at last year’s show.

Elsewhere, collaborations from the likes of Barnaby Gates, Kit Kemp and others were on display under what will soon become the Design Centre Avenue, but during Focus was a pop-up exhibition of pure, untouched talent.

100% Design

Making its bold, colourful entrance, 100% Design celebrated its 25thbirthday with a bold line-up of speakers, including David Rockwell, Marcel Wonders and Daniel Shofield among others.

Following last year’s move to London’s Olympia, the show found its feet in historic halls as visitors flocked to see the plethora of interactive installations, cutting edge collections and plenty of products. The Two Lovely Gays unveiled an piece entitled Insta-interiors, which featured a playful mix of pastels. “Social media can has brought design to everyone in a way that we love,” the studio explained on its stand. But it can also be a confusing arena, with so many images and ideas vying for attention. Our hope is that it opens up a new freedom in design, promoting diversity and confidence.”

With a noticeable shift in behaviours, especially in public areas of the hotel, it is no surprise that there was a significant focus on furniture. Taking centre stage directly opposite the show’s doors was Benchmark with its latest collaboration with design legend David Rockwell. The Sage Collection has a specific focus on human health and wellbeing. Made with natural, sustainable and non-toxic materials, it meets the standards required for well-certified buildings. The collection includes slick sit-stand desks and tables, dining and meeting tables, high-low sofas, benches, occasional tables and storage.

Hamilton Litestat also exhibited its impressive answer to personalising the hotel experience, by being able to colour-match its products to suit any hotel design brief – something that I saw in person recently when visiting the studio’s Bristol-based hub.

Image credit: Paul Cocksedge’s Please Be Seated

designjunction

In the midst of LDF, just as the feet of the design community start to tire, the VIP party for designjunction comes alive. Offering exclusive access into the show 24 hours before it opens to the public, the event is typically a great opportunity to network as well as catching new products on the market. This year’s event unveiled its catwalk for trends alongside the exclusive Tom Dixon party. Taking place in what I can only describe as LDF’s most interesting design districts, Coals Drop Yard, the event arrived fabulously fashionably late (as ever) to the week-long party.

While the talent sheltered inside was fresh, the narrative of designing responsibly was solid and synonymous among many if not all brands exhibiting at the show. Furniture brands and lighting manufactures put an equally significant emphasis on utilising recyclable materials. Sixteen3, for example, showcased a dynamic range of contemporary furniture pieces that were made from 99 per cent recycled material, while over in the light tunnel, designer Huw Evans unveiled The CONCERTINA COLLECTION, which comprised of both furniture and lighting. Using natural timbers, English Ash and Cherry, the designer accentuated the drama of the product’s raw form by with carefully positioned up-lighting. Meanwhile, Qiang Huang used inspirations from dissembled bike parts to design an equally precise lighting piece. The product follows research that suggests that by 2020, it is estimated that there will be 10 million shared bikes reaching their scrap age, which equates to a staggering 1.6 million tons of solid waste, which Hauang believes can be reduced by designers looking more outwardly when it comes to recycling products and materials.

Whether or not designjunction created a larger mid-week statement than last year’s show on The Southbank is down to interpretation. There was, however, no denying that it sheltered something for everyone, including a number of engaging talks. For that reason alone, it is certainly not an event that should be skipped over when navigating around LDF in future.

London Design Fair

Keeping an understated mantra in the heart of Shoreditch, London Design Fair was this years’ stand-out show for Hotel Designs, because of its ability to allow the products and exhibitors to do the talking. The show, which took place on the iconic Brick Lane, featured meaningful themes, such as biophilic materials and design as well as showcasing the only bathroom pavilion during London Design Festival – highlights of which included Roca’s new collection with Armani and West One Bathrooms’ eco-themed stand.

In addition, the show included its worldwide theme, allowing regions in all pockets of the world to exhibit a little bit of their own personalities and creativity.

As a result, London Design Fair focused on form, function and looking forward, past tomorrow’s trends, to globally identify pieces that will really help to change and shape the landscape of international hotel design.

While the installations, projects and districts differed in style, the thread between each was very much about confronting convention and offering something different, an abstract reality, if you like, of London through the eyes of the creatives.

LDF provides a platform like no other that time and time again harbours creative talent and fascinating stories of product design in action. And with variety being the spice of the life, as so many wise bodies have announced before, this year’s exhibitions were in heavy supply of something different, something new and something fresh for everyone.

Main image credit: designjunction

INTERACTIVE HOTEL REVIEW: Monkey Island Estate, Bray-on-Thames

730 565 Hamish Kilburn
INTERACTIVE HOTEL REVIEW: Monkey Island Estate, Bray-on-Thames

Unearthing eight centuries of history, editor Hamish Kilburn checks in to Bray-on-Thames’ Monkey Island Estate to interactively review a new kind of private countryside luxury…

Travel upstream from London and you eventually arrive in the quintessentially British surroundings of Bray-on-Thames, a quiet suburban village that is arguably most for harbouring two of the UK’s five restaurants that hold three Michelin stars.

But before the existence of award-winning gourmet F&B establishment, some 800 years prior, there quietly sat an empty island, which went on to soak up interesting eras. It was firstly an ideal setting for monks seeking peace on the banks of the river. It is said that after the Great Fire of London in 1666, materials from Oxfordshire, such as stone and brick, were transported down the river for rebuilding the city. On the vessels’ return, rubble would be spread around some of the Thames islands, which greatly reduced erosion and helped to strengthen the foundations.

A few decades later, in 1738, the land was purchased by Charles Spencer, 3rdDuke of Marlborough, who was rumoured to have paid palladian architect Robert Morris £2,277 to erect the first two buildings on the island in order to indulge his hobby of fishing. It took Morri three years to complete, but his work marks an important milestone in the property and island’s history – and it is arguably here where the narrative of what is now known as Monkey Island Estate really begins. But it was only recently when the story took on a new narrative, complete with the introduction of new characters, to become a completely unique boutique hotel.

In 2016, YTL Hotels acquired the land, and work began to restore the property into a modern and relaxed countryside abode. Inspired by the haunts of monks, monarchs, aristocrats and writers alike, New York-based Champalimaud Design was responsible to sensitively orchestrate the interior design of the hotel. Having completed the interior design of YTL’s debut UK property, The Gainsborough Bath and Spa, and more recently The Academy in London, the studio, while also sensitively restoring Raffles Singapore, was well-poised to develop the relationship further.

Unlike any hotel project that lead designer Jon Kastl has faced before, the geography of Monkey Island Estate presented its own unique set of challenges. “You have no idea how difficult it is to work on a island that has no direct car access,” he explains. “Everything had to be carried over the footbridge onto the island. And then, the other challenge was the age of the buildings, and dealing with the neglect of the building. They were in pretty rough shape, almost falling into disrepair.”

Guests’ first impression of the hotel is an understated – almost camouflaged – lobby area in a cosy ‘boathouse’ – the feeling of being taken away from the daily grind does not get much stronger than this so close to the centre of London. “The hotel is relatively small,” adds “

The short walk over the footbridge from the unassuming lobby to the public areas is one of wonder. Architectural landscape designer AV Design has created a majestic garden that compliments the various buildings.

Framing what should be in my opinion the postcard picturesque views of the River Thames, the pavilion building, which shelters the majority of the public areas, sets a relaxing setting – and echoes, on a balmy summer afternoon at least, the same peaceful scene that I imagine was once enjoyed by monks centuries ago.

Caption: The Restaurant | Image credit: ACT Studios

Although the bar and restaurant is, on the surface, seemingly conventional, the building has a few hidden gems. The Monkey Room, for example, stands true to its original form and structure – and even design. “The only thing we changed was the purple paint colours on the ceiling and add the furnishings,” says Kastl. The eye-catching murals on the panelling is all original which has been there from since when the building was first built.

Caption: The Monkey Room | Image credit: ACT Studios

Up the spiral staircase, The Whiskey Room is the latest area that has opened. Designed with the winter months in mind, the cosy and home-from-home atmosphere, complete with tactile wallcoverings, is an expected treat.

It is because of the fact that the 41 guestrooms and one originally restored suite are sheltered in a grade I-listed building that makes the design story even more fascinating. The design of each and every one of the guestrooms utilises the entire space, with some stretching out onto terraces which look over the river, while carefully blending in a modern style that becomes timeless.  “We just had to accept the smallness of the rooms when designing them,” Kastl explains. “We did things like designing miniature shelves and additional service space. We designed rails that lined the rolls for guests to hang items from. Because there is such a limited closet space, we had to rely on these rails.” The furniture is scaled appropriately so that it fits in the limited space neatly. Meanwhile, the blinds and curtains, supplied by Concept Contract Furnishings are deliberately not heavy, and instead naturally flood the rooms with light to make them look and feel more expansive.

INTERACTIVE tour of The Wedgwood Suite | Image credit: ACT Studios

Despite the guestrooms being impressive – and adding to the overall interior design story (and challenges) – the masterpiece of the hotel is perhaps sheltered upstairs in the Wedgewood Suite. “The room, from the panelling to the ceiling, was very much intact,” explains Kastl. “One of the challenges was that it has windows on three sides, so from a layout point of view it created a few headaches.” The ensuite bathroom has been re-gutted and given a fresh and modern look. “ The suite is the coming together of old heritage design and the new.

Moored on the river bank, the hotel’s spa is unlike any other in or around London. The facilities have been curated by Melissa Mettler who took inspiration from its riverine surrounds, past inhabitants in the form of royalty, liturgy and literary stars, as well as elegant architecture. The floating spa, which features two treatment rooms that are uniquely sheltered within a renovated barge, is a celebration of the power of water blended together with natural wellbeing and wellness.

Image credit: ACT Studios

I’m sure, for the designers as much as the operators, that the thought of completing Monkey Island Estate and opening again to the public was a distant day dream. But, considering the drastic rise in demand for wellbeing as well as wellness, the timing of YTL hotel’s countryside retreat could not have been more perfect. Checking out of Monkey Island feeling fully restored in mind, body and spirit myself, following a short by sweet trip to the floating spa before departure, the hotel locks in so many unique and thoughtful moments – and exceeds expectations to become one of the UK’s premium countryside retreats.

Main image credit: ACT Studios

Sleep & Eat unveils design details of this year’s VIP Lounge

730 565 Hamish Kilburn
Sleep & Eat unveils design details of this year’s VIP Lounge

‘Gather’ in the enigmatically designed VIP Lounge. Sleep & Eat announces collaboration with Megre Interiors to create a new design-led experience…

Sleep & Eat, one of Europe’s leading design and innovation event for the hospitality sector, has revealed an enticing glimpse of its new-look VIP Lounge. Created for the first time this year by an international design firm, the lounge will be brought to life by Moscow-based interior design studio Megre Interiors. With this year’s theme of ‘Social FlexAbility’, VIP Lounge guests are promised an experience like never before.

Named ‘Gather’ by the designers, the original oak panelled Olympia Club Room will be transformed into a whimsical flora and fauna-inspired space. Drapes, upholstery and even the flooring will be in a fabric depicting exotic flowers, specially designed for Sleep & Eat by Megre Interiors, cascades of fabric flowers will loop through the space and, in the epicentre, a large-scale light installation will flicker like a fire. This will be surrounded by orbicular seating –referencing the circular gathering places of human history and drawing a parallel to the primeval pleasure of coming together around a firepit.

“In an age marked by the impersonal, it’s vital to trust people over brands.” – Yuna Megre, Founder and Principal of Megre Interiors

Arriving in the entrance reception, guests will find themselves enticed into the space by a single thread of light. Inside, lighting remains low, shapes and forms are obscured and audacious texture and colour prevail. Collections of poufs as well as the circular seating will be underlit to glow like beacons. Vastly adaptable, this will be a room that gives its users the power to interact with it and alter as they wish, moving the seating around to suit their needs. It will be about the opportunity is to meet, talk, learn and relax, and to emerge better connected than before.

“The human soul blossoms fully only when we meaningfully connect with one another,” says Yuna Megre, Founder and Principal of Megre Interiors. “In an age marked by the impersonal, it’s vital to trust people over brands. To meet, to see, to know each other and embark on the adventure of creation together.”

The VIP Lounge will not be the only space at Sleep & Eat to be specially designed by an international design firm. Plans for this year also include the introduction of The Hub – yet to be revealed – as well as the much-loved Sleeper Bar which will host the late evening networking on day one and is this year being designed by Michaelis Boyd.

Sleep & Eat, November 19 – 20 in the National Hall, Olympia London. The show will be open from 10am on Tuesday 19 with an evening drinks reception until 8.30 pm, and from 10am-6pm on Wednesday 20. To register for a complimentary pass, visit registration.

Main image credit: Merge Interiors/Sleep & Eat

The Standard London, Camden’s new kid on the block

730 565 Hamish Kilburn
The Standard London, Camden’s new kid on the block

In search of a new standard in design, creativity and urban hotels, editor Hamish Kilburn checks in to London’s most talked-about hotels this year to explore another world. The Standard London has opened, making a bold statement on the capital’s new hospitality scene… 

Something significant is happening in London’s King’s Cross area. It’s been brewing for some time now, but it has only recently erupted.

During London Design Festival and London Fashion Week, the area was the backdrop of a scene of celebrities, models and the odd design editor or two falling out of parties and onto pavements. Soho and Shoreditch were desolate deserts in comparison. It’s the power of real estate like you have never seen before. Selecting its opening date carefully, The Standard has disrupted everything – and it’s about time too!

Although, for years, the district has evolved with the time, it was the expansions to King’s Cross and the new St Pancras International stations adjacent to each other that started the catalyst for change. Strangely enough, my father worked on the construction of both. I remember the odd non-official ‘bring your son to work’ day, the oversized hard hat specifically, as we meandered around the expansive building site unable to imagine the finished picture. “Soon, you will be able to travel from London to Paris in just two hours, imagine that” I remember my father saying overexcitedly. “Right here, where you are standing, is going to become London’s major international train station!”

Whether or not my pops really was one of the first to envision the area’s potential is irrelevant. The station opened and almost instantly the cool, quirky neighbourhood of Camden became even more of a hotspot for the mainstream, without much – if any – loss of its bold and bohemian personality. As a result, the capital’s hotel scene – quick to follow major travel trends – moved outward to put a roof over the raw and rustic scenes that its locals had created.

And here we are, welcoming the city’s new arrival, The Standard, which has been patiently waiting in the wings for some time now. And while all hotels have a story (some more worth sharing than others), The Standards’ narrative is as unique as the interior design scheme locked within; a perfect meeting of American soul and London’s ostentatious quirk.

Housed in the former Camden Town Hall Annex in London’s thriving King’s Cross neighbourhood, the 1974 Brutalist building has been meticulously restored by the legendary ORMS Architects in collaboration, in part, with Archer Humphryes Architects.

The 266-key hotel, which shelters 42 suites, sets the perfect stage for the brand’s first arrival outside America. Uniquely overlooking the iconic St Pancras Station, from street level it’s juxtaposition of architecture that shouldn’t but does work. On the north side is the traditional 19th-century iconic neo-gothic architecture, which has stood the test of time, and two world wars for that matter, unscathed. On the south side is the ultra-modern non-conventional structure, symbolising loudly that times are changing.

“Three new storeys have been added to the top of the building,” explains Simon Whitaker from ORMS Architects. “The form of which has been derived from the host building below, and clad in new stainless steel and glass panels. Two of these floors provide hotel bedrooms, whilst the top floor is dedicated to the new restaurant and bar, with a roof terrace above.”

Image credit: The Standard Hotels

Upon entering, the lobby lounge sets the scene, with a carefully curated library that pays homage to the building’s original use. Further in, sound studio booths host weekly live music and talks. Executive Chef Adam Rawson’s street facing bar, Double Standard, designed by Shawn Hausman, the neighbourhood’s street-facing anchor for lunch, casual drinking and dining throughout the evening.

Although the colour scheme in the guestrooms and suites may not be to everyone’s taste, it is very much so mine. Not so much because of the tones used, but more so because they have been intertwined together with purpose – and unapologetically so for that matter. Complete with bespoke curved sofas and the King’s rooms featuring outdoor terrace bathtubs, the idiosyncratic charm of the hotel is certainly not limited to the public areas.

Image credit: The Standard Hotels

Before it opened, the hotel’s street level, red exterior lift was the ultimate teaser campaign. Now fully open, it shoots guests up directly to the 10th-floor where Chef Peter Sanchez-Iglesias’ restaurant showcases his live-fire cooking and where guests and visitors alike can enjoy the building’s 360-degree views of the city below all-year round thanks to the retractable awning.

No longer do party-hard followers of the brand have to travel stateside to experience The Standard’s retro maximalism. First launched in the late 90s with its debut hotel in Hollywood, which for the record remains to this day a go-to destination on the Sunset Strip, the hotel’s urban cool influence is London’s answer to keeping the Camden’s hospitality scene fresh, authentic and designed with purpose.

It’s next stop? The Maldives, next month in fact, which will be an interesting page to turn in what is an unmistakably climatic chapter for the now international hotel brand.

Main image credit: The Standard Hotels

Huw Evans wins Rado Star Prize UK 2019 at designjunction 2019

730 565 Hamish Kilburn
Huw Evans wins Rado Star Prize UK 2019 at designjunction 2019

At an exclusive event held in the Light Tunnel, King’s Cross on September 19, Rado and designjunction announced the winner of the third edition of the Rado Star Prize UK…

The Judges’ Winner of the Rado Star Prize UK has been announced at designjunction 2019. Huw Evans, who impressed the judges with his entry Concertina collection, received £5,000 and a Rado True Thinline watch as a prize for the winning project.

“What an honour to win such an award,” Evans said following the announcement. “The Rado Star Prize will allow me a foot in the door of the industry and I’m very excited about what the future will bring.”

Evans is a 3D Design student from Plymouth University. Concertina was selected from a shortlist of ten designs, with each entry responding to the theme ‘Re:Imagine’. The theme explores the different ways in which design can enrich and enhance life: by evolving existing product forms through materials, function, technology, end use or even re-use.

Rado CEO Matthias Breschan said: “It’s the third time we’ve run the Rado Star Prize UK with designjunction and the standard of entries has been consistently high. This year, from a very strong field, the judges selected Huw’s Concertina Collection because of its original, sophisticated and innovative design. ”

The judging panel of high profile industry voices who selected the winner included top British designer Steuart Padwick; Editor at Elle Decoration, Ben Spriggs; Editor-in-Chief at Clippings, Rose Etherington; Vice President Product Development at Rado, Hakim El Kadiri and designjunction Event Director, Mark Gordon.

Main image credit: designjunction

 

London Design Festival medal winners announced

730 565 Hamish Kilburn
London Design Festival medal winners announced

London Design Festival has announced the four winners of the 2019 London Design Medals…

Launched with the aim to recognise the contribution made by the leading design figures and emerging talents in London and the industry, London Design Festival historically kicks-off the week-long design event by presenting four London Design Medals awarded.

The 2019 medals were presented yesterday at The House of Commons, Westminster, while the capital came to life for the start of this year’s design spectacular.

And the winners are…

London Design Medal: Tom Dixon OBE
Design Innovation Medal: Daniel Charny
Emerging Design Medal: Ross Atkin
Lifetime Achievement Medal: Dame Vivienne Westwood

A panel of established designers, industry commentators and previous winners met to debate and judge the possible recipients of the four medals. This year’s jury members were: Ozwald Boateng OBE, Ian Callum CBE, Sheridan Coakley, Njusja de Gier, Es Devlin OBE, Sarah Douglas, Ben Evans CBE, Dr Tristram Hunt, Domenic Lippa, Jay Osgerby OBE, Raoul Shah, Joff Sharpe, Justine Simons OBE, Sir John Sorrell CBE, Dr Paul Thompson and Jane Withers.

“Each year the jury selects four eminent people who have made a major contribution to design in the UK,” said Ben Evans CBE, London Design Festival Director. “This year the winners are as interesting and deserving as ever.”

Tom Dixon OBE

The London Design Medal, supported by British Airways London City, is the highest accolade bestowed upon an individual who has distinguished themselves within the industry and demonstrated consistent design excellence.

This year’s winner, Tom Dixon, rose to prominence in the mid 1980s as a self-taught British designer. He set up the creative think-tank space, which acted as a shop front for himself and other young designers. By the late 1980s, he was working for Cappellini, for which he designed the iconic S chair. In the late 1990s, Dixon became Creative Director at Habitat and was responsible for rejuvenating the brand while maintaining Terence Conran’s vision of enriching everyday life through simple, modern design.

His works have been acquired by museums across the globe, including the V&A, MoMA and the Pompidou Centre. In 2002 Dixon established his own eponymous brand with own stores in New York, Hong Kong, London, Los Angeles, Milan and Tokyo. More than 600 products are created by the company, ranging from lighting to furniture, from tableware through to fragrance, and are distributed to over 90 countries.

In 2007 Dixon launched Design Research Studio, an interior and architectural design studio. High‑profile projects include the Restaurant at the Royal Academy, Shoreditch House, le Drugstore in Paris and Alto in Hong Kong. In 2018, Dixon opened the Coal Office, his new London Headquarters, in King’s Cross. Created by Design Research Studio, the Coal Office functions as a multi-displinary hub, including an office, restaurant, design studio and shop all under one roof.

“I’m still confused as to why I won’t be getting the ‘Emerging Design Medal’,” said Dixon on the news of his win, “as it still feels very much like I have only just started – I’ve so much left to design! But I’m very touched to be noticed by this super Jury, thank you very much.”

Daniel Charny

Design Innovation Medal, supported by SAP, celebrates entrepreneurship in all its forms, both locally and internationally. It honours an individual for whom design lies at the core of their development and success.

Daniel Charny is a creative director, curator and educator with an inquiring mind and an entrepreneurial streak. He is co-founder of the creative consultancy From Now On, where clients include Dartington Hall, the Design Museum, Google, Heatherwick Studio, Nesta and U+I. His most recent initiative is the creative education think-and-do-tank FixEd.

Charny is best known as curator of the influential exhibition Power of Making at the V&A, which drove him to found the award-winning learning programme Fixperts, now taught in universities and schools worldwide. Other projects include the Aram Gallery, the British Council’s Maker Library Network and the Central Research Laboratory accelerator. As Professor of Design at Kingston University he is interested in the roles of design and making for social benefit.

Charny is active internationally as a speaker and expert advisor, advocating his vision of design, creativity and making as essential tools to unlock a better future.

“Engagement, education and access to design are all critical to assuring the creative responses to a changing world that we all need,” said Daniel Charny. “I’m proud to represent this idea and delighted to be recognised for it in London, a city of unparalleled creativity.”

Ross Atkin

Emerging Design Medal supported by Storey, recognises an impact made on the design scene within five or so years of graduation.

Ross Atkin is a designer and engineer based in east London. His work focuses on two areas: helping disabled people to live more independently, and introducing design and engineering to children.

He maintains his own design and development practice, creating assistive technology and accessibility-focused products that span the digital-physical divide. These include: Sight Line, a system for improving the accessibility of roadworks developed in partnership with The Royal Society for Blind Children and Transport for London; MSE Genie, an app and connected hardware that allows a sensory room to be tailored around the needs and capabilities of the person using it; Responsive Street Furniture, a system created in partnership with Marshalls that enables pieces of urban infrastructure to provide assistance automatically, such as by making street lighting brighter, or by lengthening the duration of road-crossing signals; Smartibot, the world’s first A.I. enabled carboard robot; and LiftCheck, a system that allows lift users to see if the lifts they need to complete their journey are operational before they set off.

Atkin’s design practice is heavily informed by observational research. He regularly conducts participatory shadowing of disabled people as they make journeys around cities.

“I never thought the kind of work that I do would be recognised, so I feel doubly honoured,” said Ross Atkin. “It’s beyond my imagination to be in the company of true legends of design, and it also is an amazing privilege to be representing the world of inclusive design on such a prominent platform as London Design Festival. I look forward to more designers from that world being recognised in the future”.

Dame Vivienne Westwood

Lifetime Achievement Medal Winner supported by Fortnum & Mason, honours a significant and fundamental contribution to the design industry over the course of a career.

Vivienne Westwood was born in 1941 and moved to London 17 years later. She began designing in 1971 along with her then partner, Malcolm McLaren. In 1984, she launched her own fashion line and in 2004 the V&A hosted a Vivienne Westwood retrospective to celebrate her 34 years in fashion – the largest exhibition ever devoted to a living British fashion designer.

Westwood has always used her collections and catwalk shows as a platform for activism. She has personally spent many years speaking out about the effects of climate change and over‑consumption – and inaugurated the ‘Climate Revolution’ at the 2012 London Paralympics closing ceremony.

Along with husband and design partner Andreas Kronthaler, Westwood actively supports the charity Cool Earth in its efforts to halt rainforest destruction. She has also campaigned for a number of NGOs and charities including the Environmental Justice Foundation and Friends of the Earth, and is an ambassador for Greenpeace: in 2013 she designed their official ‘Save the Arctic’ logo.

Since 2011 Westwood has worked with the International Trade Centre – a joint body of the UN – to produce accessories through their Ethical Fashion Initiative. The programme currently supports the work of thousands of women from marginalised African communities. Westwood has written her ideas in a manifesto called ‘Active Resistance to Propaganda’, rooted in culture as a stimulus to save the planet, and more recently designed a set of playing cards to set out a global economic strategy to stop climate change.

Main image credit: LDF 2019

London Design Festival opens 17th edition in the capital

730 565 Hamish Kilburn
London Design Festival opens 17th edition in the capital

London Design Festival launches its annual celebration of design with an inspiring programme of more than 300 events, including Landmark Projects, Festival Commissions, Projects at the V&A and Special Projects. The highly anticipated festival comprises 11 Design Districts, four Design Destinations and one Design Route

London’s most iconic locations have transformed by a series of commissions and installations by internationally-renowned designers, as London Design Festival 2019 opens once more.

London’s most iconic locations have transformed by a series of commissions and installations by internationally-renowned designers, as London Design Festival 2019 opens. Each intervention will add an exciting new dimension to the city’s streets, exploring the power of design to shape our world and demonstrating the role it plays in how we live, feel and solve problems.

The V&A will once again be the official Festival hub and play host to a series of specially-commissioned projects and curated collection of displays. The Museum will also play host to London Design Festival’s thought leadership programme, Global Design Forum, which celebrates design with an inspirational line-up of talks, debates, daily tours and workshops.

“Over the past 17 years, the London Design Festival has continued to evolve and we are excited to launch this year programme, which will be our most ambitious to date,” said London Design Festival Director, Ben Evans CBE. “We hope audiences from the UK and further afield will discover something thought provoking and inspiring and celebrate our city’s diverse creative talent.”

The festival was established in 2003 by Evans and Sir John Sorrell CBE. 17 years later, London Design Festival has arrived to celebrate and promote London as the design capital of the world – an ethos shared by Hotel Designs with the upcoming The Brit List.

London Design Festival has since earned the reputation as a key calendar moment of London’s autumn creative season, alongside London Fashion Week, Frieze Art Fair and the London Film Festival, attracting the greatest thinkers, practitioners, retailers and educators to the capital, in a citywide celebration.

Main image credit: Please Be Seated/Paul Cocksedge

Michaelis Boyd unveils plans for ‘Social FlexAbility’ bar scene at Sleep & Eat

730 565 Hamish Kilburn
Michaelis Boyd unveils plans for ‘Social FlexAbility’ bar scene at Sleep & Eat

Award-winning architecture and design studio, Michaelis Boyd, has revealed a glimpse into its vision for this year’s pop-up bar at Sleep & Eat 2019…

Sleep & Eat has unveiled the first teaser of Michaelis Boyd’s Sleeper Bar, which will be unveiled at this year’s event that takes place on November 19 – 20 at Olympia London. With the area at the show designed anew each year to embody the show’s theme, this year the challenge for Michaelis Boyd is to interpret ‘Social FlexAbility’.

“Our Sleeper Bar has drawn inspiration from The Man Who Planted Trees, a short story by Jean Giono which celebrates the power of the natural environment,” said Tim Boyd and Alex Michaelis ahead of the show. “The tale describes a shepherd’s long and successful effort to single-handedly reforest a desolate valley in the foothills of the Alps in the first half of the 20th Century. Working primarily in timber, our bar is a study in sustainability; investigating the afterlife of the materials through scale, layering, adaptability and recycling. This has led us to create a space that will cater to all walks of life, adjusting to the needs of each individual, and making the bar a rich experience for each visitor.”

This year’s bar follows in the memorable footsteps of Sleeper Bars which have explored such diverse topics as tales of wonder, social tribes and guest loyalty. The theme for 2019 is intended to explore hospitality’s unique place in balancing our desire for human interaction with our need for privacy, an issue made all-the-more pressing by our digital age. Visitors to Sleep & Eat can expect to find a bar buzzing with people doing business, catching up with friends, quietly checking emails, or simply resting weary feet, especially during the late evening networking on day one.

As you might expect of an event recognised worldwide for nudging the hospitality design and development conversation forward, The Sleeper Bar will not be the only space at Sleep & Eat to be specially designed by an international design firm. Plans for this year also include the introduction of a Social Hub together with a new-look VIP Lounge.

Hotel Designs is a proud media partner of the show. This year, the exhibition will be open from 10am on November 19 with an evening drinks reception until 20:30pm, and from 10:00am-18:00pm on November 20.  To register for a complimentary pass, visit registration.

Main image credit: Michaelis Boyd

INDUSTRY INSIGHT: The changing colour of hotel bathrooms – going greener

730 565 Hamish Kilburn
INDUSTRY INSIGHT: The changing colour of hotel bathrooms – going greener

In the second part of our colour series (click here for part one), Recommended Supplier UKBathrooms explains how and why designers should opt for greener designs in bathrooms…

Bathrooms make up a huge proportion of a hotel’s water and energy usage, which on average is 84 to 173 gallons per room per day, far higher than the average daily household usage of 66 gallons per day.

This explains why they’ve become the focus for many hoteliers looking not only to save money, but also to minimise their impact on the environment.

However, any environmental worries have to be balanced with the needs of guests. The seamless blend of sustainability and luxury, with little compromise to guest experience is the aim for hotel owners and trends show that this will be the case in the years to come. And ‘green’ considerations go way beyond the bathroom space, with materials used in bathroom products, transportation, waste produced during manufacture and subsequent biodegradable components all being important.

UK Bathrooms, is the leading, independent supplier of designer bathroom products and as such is seeing a change in trends of sales to hoteliers in the UK and internationally. “We’re seeing a trend to natural materials, as well as reclaimed and recycled, such as timber from sustainable forests and stone,” said Graeme Borchard, director of UKBathrooms. “We’re a leading supplier of premium brands. As a company they are ‘a champion of the value of water’, pioneers in environmentally friendly, luxury, bathroom products. Their ongoing research, and development in technology and design, means that hansgrohe produces superb products which are beautifully designed, highly efficient and sustainable.”

A great example of this is EcoSmart. Hansgrohe showers and taps equipped with EcoSmart technology use up to 60 per cent less water than traditional products, not only using less water, but also needing less energy to heat the water.  The Hansgrohe Raindance EcoSmart overhead shower provides guests with a relaxing and therapeutic experience whilst being eco-friendly.

By implementing greener practices, and ensuring guests are aware of these, hotels can make being eco-friendly even more attractive. Hotel bathrooms have a certain ‘luxury’ which people then like to emulate in their own homes, the choices that hotels make end up being reflected in homes around the world.

UKBathrooms is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Vibrant lobby design

7 unconventional hotel lobby designs

730 565 Hamish Kilburn
7 unconventional hotel lobby designs

To launch this month’s spotlight on Lobby Design, Hotel Designs’ editorial team has scoured the globe to identify some of the world’s most unconventional – and most fascinating – hotel lobbies… 

A first impression is a lasting impression, especially when it comes to checking in to the modern-day hotel. And considering it takes the average person just seven seconds for their opinion to be anchored, ultimately right up until they cast their feedback after checking out, designing a hotel lobby is a balancing act worth getting right.

Vibrant lobby design

Regardless of a hotel’s theme, style and to a certain extent target audience, a well-designed lobby is an effortlessly functioning space – and in most cases considered to be the most vital working organ in the hotel’s body that is most relied.

Today’s modern traveller demands for the lobby to be an all-encompassing flexible portal; a home-from-home meeting place, which shelters a social atmosphere. And yet it must also include private break-out areas and accents of personality and sense of place in its design – just enough for something to catch their eye and be included in their first impression. While it is important to ensure that the lobby is multifunctional, ensuring that its design stays in its lane regarding its style is fundamental.

Here are some hotels that have gone further to challenge the conventional lobby design – and as a result designed their own lane.

1) Rosewood Bangkok

Earlier this year, Hotel Designs exclusively unveiled the design story of Rosewood Bangkok. Designed by Celia Chu, her task to design the 159-key hotel was made that much more daunting when having to create a hotel lobby that creates as large of an impression as the exterior does. Instead of competing with the architecture to be bold, Chu looked inwards to sensitively tell the story of Thailand in the words of locals. “The reception space is relatively small,” explains Chu, “but in this area we layer different eras from a timeline that represents Thai culture, with antique craftsmanship, modern polished luxury and artistic contemporary elements all piled up into one cohesive and welcoming space.”

2) Hard Rock Hotel London

Hotel lobby with memorabilia hanging on the wall

Image credit: Philip Durrant

Designed by Scott Brownrigg, The hotel lobby’s walls are plastered with memorabilia that reference the legacy of legends who stayed in Hard Rock Hotels in decades past, including Jimi Hendrix, Nina Simone, Stevie Wonder, Bob Dylan, Diana Ross and Madonna. Balancing the history and heritage of the brand in a timeless style to avoid cliché moments was the first task for the design firm when confronting the motifs that will be sheltered in the new hotel. “We knew we had to represent the Hard Rock brand in an innovative way for the contemporary London market,” Senior Designer Kate Jarrett explains. “The hotel scene here is competitive so we knew we had to create something that tied into London and Hard Rock’s music heritage, while still being completely contemporary.”

3) Matetsi Victoria Falls, Zimbabwe

soft lobby area, which is open to the elements - and full of natural materials

Image credit: Matetsi Victoria Falls

There are two entrances at Matetsi Victoria Falls, East Camp and West Camp. Both are framed by three traditional Mokoro (dug-out) canoes, which hang from wooden beams and sway in harmony with the soft Zambezi breeze. With no need for a traditional lobby, guests are immediately welcomed into the indoor-outdoor public areas complete with a copper bar and durable outdoor sofas and chairs scattered in a home-from-home setting that has been designed around nature, and not the other way round. “We didn’t take out a single tree when designing these camps, because we wanted these areas to remain as close to nature as we could,” said interior designer Kerry van Leenhoff , a previous graduate from Cape Town University of Technology who was hand-selected by Gardiner and totally supported in all her decisions. Using the striking vista of the Zambezi River, which flows towards the tremendous Victoria Falls, dining tables are placed in such a way to make every meal one to remember. “The lobby areas have been designed in order to encourage guests to connect with people and nature,” adds van Leenhoff.

4) Plaza 18, Vejer, Spain

Almost one year after Hotel Designs started following designer Nicky Dobree’s journey to complete her first ever hotel design, Plaza 18 is now open. With a distinct residential style, the lobby sheltered inside the six-key boutique hotel is unlike any other in the world. “This entrance challenges the conventional ‘hotel lobby’ because there is no check-in at Plaza 18,” Dobree explains. “Instead, check in is done at the adjoining Hotel Casa del Califa enabling guests at Plaza 18 to enjoy the space as if it were their own home, which was my aim.”

5) 1K Paris

Strong vibrant colours and plants in modern and quirky hotel lobby

Image credit: 1K Paris

Bringing the lush forests of South America’s Andes Mountains to Paris, 1K Paris has a hotel lobby that will take guests into a new world. Complete with vibrant walls, ceilings, floors and furniture – and finished with tropical plants and timeless Peruvian artefacts – the area is cleverly also flooded with natural light. The lobby’s strong blue backdrop sets the ultimate tone for the abundance of colours that await guest’s unique journey ahead.

6) Raffles Singapore

Light and bright grand lobby

Image credit: Raffles Singapore

Reminiscent of extravagant parties that were once held there, The Grand Lobby inside Raffles Singapore, which has been sensitively designed by the New York-based Champalimaud Design, is a truly a legend reborn. The lobby includes floor-to-ceiling Victorian pillars and is bathed in soft daylight streaming through the skylight.

7) Ruby Leni, Dusseldorf

Darkly lit modern public areas

Image credit: Ruby Hotels

Taking inspiration from the theatre that With large, expansive public spaces that filter into plush private break-out areas, the hotel is designed for both locals and guests checking in. The character and soul has been channelled into the lobby/lounge, where the real story of the iconic 1900s building, which sheltered the Düsseldorfer Schauspielhaus theatre, comes to life. “We looked at the materials, shapes and forms that you would associate to a theatre of that era,” says Lead Designer Matthew Balon. “We then separated that into front-of-house and back-of-house. We wanted to challenge that idea by merging those areas. For example, we have included stage cases in the lobby to really create an authentic feeling of being part of the production, behind the scenes.”

Hotel Designs is spending this month with Lobby Design and Furniture in the spotlight. If you have a story, or would like to submit a comment, please contact the editorial team. 

Main image credit: 1K Paris

SPOTLIGHT ON: September’s features announced

730 565 Hamish Kilburn
SPOTLIGHT ON: September’s features announced

Hotel Designs has officially dropped its September editorial features, which are Lobby Design and Furniture… 

Inspired largely by the upcoming London Design Festival (LDF), Hotel Designs’ September features will delve into two areas are arguably mostly influenced by the social changes and trends in hotel design. In addition to attending the capital’s celebration of design, the editorial team will also lead an exclusive roundtable, in collaboration with Arte Wallcoverings, to public areas and the hotel lobby firmly under the spotlight.

Lobby Design 

In addition to publishing a series of editorial around the changing face of the hotel lobby, Hotel Designs has collaborated with Arte Wallcoverings to host an exclusive editorial roundtable ahead of the company unveiling its latest collection at Focus 19. The session entitled: Adding personality in public areas will be attended by leading designers and architects from the likes of Richmond International, 1508 London, IHG, Scott Brownrigg, RPW Design and GA Design among others to be confirmed.

Image credit: Image credit: Virgile Simon Bertrand

Furniture

As well as covering the latest news from its relevant Recommended Suppliers, such as Curtis Furniture, Knightsbridge, Style Library, Roundwood of Mayfield and Morgan, Hotel Designs will also be on the ground at LDF ’19 in order to publish, live and direct, the latest furniture product launches on the international hotel design scene.

If you wish to find out more about Recommended Supplier packages, or know of a product that we should be talking about, please email Katy Phillips

Main image credit: Rosewood Bangkok

The BIID announces LDF ’19 movements

730 565 Hamish Kilburn
The BIID announces LDF ’19 movements

As part of London Design Festival (LDF) 2019, The British Institute of Interior Design (BIID), which is an industry partner for The Brit List 2019, will be participating in a range of exciting talks and events across the capital…

Taking place from September 14 – 22, London Design Festival (LDF) brings together trade professionals and design enthusiasts from all over the world. The BIID is supporting some of the key trade shows that are taking place, with BIID members taking part in thought-provoking and informative discussions throughout the week.

“It’s a pleasure to be involved in London Design Festival again this year,” comments BIID President Harriet Forde. We are so excited to see our members participating in discussions, workshops and events throughout the week. This allows us not only to support our talented BIID Members, but the wider community of industry professionals and creatives working in the city.”

Focus/19 at Design Centre, Chelsea Harbour

September 15 – 20, 2019

Design Centre, Chelsea Harbour is once again hosting Focus/19. The annual event has a packed programme of engaging talks, meet the designer sessions, discovery tours and workshops.

On Friday September 20 at 4pm, BIID Member Anna Burles of Run For The Hills will be hosting a design workshop titled, ‘Designers of the World Unite’at the Espresso Design showroom. Anna will be speaking on the importance of eco-sensibility within the design sector and encouraging fellow designers to do their bit for planet earth, offering a range of practical tips and insider insight into things big and small that we can all do to make a difference, whilst still delivering exciting, unexpected and original schemes for clients.

100% Design at Olympia London

September 18 – 21, 2019

Returning to Olympia for its 25thedition, 100% Design is renowned for showcasing emerging talent in the capital, featuring a number of new projects and collaborations that celebrate the best in design and innovation.

As part of 100% Design’s four-day seminar programme, Talks with 100% Design, BIID Past President Daniel Hopwood will be chairing a panel discussion titled, ‘20 ways to achieve #DesignGoals’. Taking place on Saturday September 21 from 12:00pm – 12:45pm in the auditorium, Daniel will be joined by BIID Registered Interior Designers; Anna Burles of Run For The Hills, Dee Gibson of Velvet Orangeand Mathew Freeman of Goddard Littlefair.

The lively discussion will see panellists share their tops tips to help you achieve your #designgoals. Panellists will draw on their own personal experiences to provide design insights and advice to inspire their audience.

designjunction at London’s Kings Cross

September 19 – 22, 2019

Designjunction presents the breakthrough brands having a direct impact on the future of design. Hosted in London’s Kings Cross, the four-day event includes an exciting talks programme and over 200 exhibitors.

On Friday September 20, BIID President Harriet Forde will be hosting a BIID Members’ breakfast at Blueprint Café from 9:00 – 11:00am. The breakfast will provide members with an informal tour of the event highlights and the opportunity to network with fellow designers.

Editor Checks In: Home comforts in hotel design

730 565 Hamish Kilburn
Editor Checks In: Home comforts in hotel design

In August 2019, editor Hamish Kilburn concludes that trends are overrated when a project close to his heart reaches its highly anticipated conclusion…

I can’t quite believe it has been almost one year since we first started following the award-winning designer Nicky Dobree on her journey to complete her debut hotel design project. Before now, her undisputed talent was recognised for designing the interiors of 007-esqe luxury mountain retreats (Kevin McCloud’s words, not mine unfortunately).

But this year, she has injected her effortless style to restore a 19thcentury building in Vejer, Spain, which is known as Plaza 18 – and Hotel Designs has been there every step of the way.

Now that the season has ramped up to reach its peak, there’s no better time to put down the measuring tape, take a step back and reward Dobree’s “labour of love” as we cut the ribbon. More than 1,300 miles from Andalucia, the team in the London office are gathered around my computer screen as they impatiently wait for the folder to download, of which contains the final images of the new boutique hotel. Until now, you see, we have had to settle for shakey behind-the-scenes, unquestionably raw, photographs taken on location, as well as renders and sketches, which merely tease the luxury home-from-home concept in the making.

You’d be wrong to assume it’s an easy task working on a project of this scale. What the hotel lacks in the number of guestrooms (six to be precise) it makes up for in personality. And if anyone could sensitively re-establish the heritage property in order to give it a new lease of life, it would be Dobree.

“All that is missing is a luxury design-led hotel,” I think to myself as I run past the colourful beach huts (place your bids).

‘Home comforts’ feels like an appropriate theme for this month’s column. Four years after capturing my first solo metropolis memory, which then drove me to chase my career in a number of cities in the UK, I’ve hit a crossroads and have decided to take the right-hand turn, which has result in me hurtling back towards my hometown of Whitstable in Kent. Nestled on the north-east tip of the Garden of England, where home comforts – think sea views that stretch over the horizon and unparalleled sunsets – are never in short supply, this feels like ‘home’ to me. “All that is missing is a luxury design-led hotel,” I think to myself as I run past the colourful beach huts (place your bids).

It seems I am not alone in chasing home comfort. Last year, a study published by Forbes showed that in the 10 cities with the largest Airbnb market share in the US, the entry of Airbnb resulted in 1.3 per cent fewer hotel nights booked and a 1.5 per cent loss in hotel revenue. But as damning as this statistic may seem, hotels are fighting back to offer more home-from-home comforts married together with one-off experiences to capture travellers’ attention.

Examples of this can be found all over the Hotel Designs website this month, from our Miniview of room2’s ‘hometel’ concept in Southampton to a new ‘private members’ bar’-styled hotel that will open in London next year – and not forgetting the exceptional Plaza 18. Perhaps subconsciously, my year-long project with Dobree has led me to positively seek comfort in timeless style as opposed to chasing the short-term thrills of seasonal trends.

Main image credit: ACT Studios

LDF 2019 announces further festival commissions, projects and speakers

730 565 Hamish Kilburn
LDF 2019 announces further festival commissions, projects and speakers

With weeks to go until the city comes alive for London Design Festival, new details have emerged of even more commissions, projects and speakers…

The hotly anticipated London Design Festival (LDF) has revealed the finer details around a number of holistic design experiences, installations and insightful talks in order to make this year’s event an international destination of all things design.

The week-long festival will welcome two new Special Projects: Idiosyncratic by Martino Gamper at Coal Drops Yard, King’s Cross, coinciding with Festival commission Disco Carbonara; and a playful immersive installation, Take the Plunge, by Volume Creative at OXO Tower Wharf; as well as new keynote speakers Dame Vivienne Westwood, Claire Bergkamp, Fabio Novembre and Astrid Stavro for Global Design Forum, the Festival’s thought leadership programme.

Idiosyncratic by Martino Gamper (supported by Samsung) at Coal Drops Yard, King’s Cross

To coincide with Martino Gamper’s London Design Festival Commission– Disco Carbonara at Coal Drops Yard – Samsung presents Idiosincratico: an exposition of the designer’s creative practice.

The Samsung space will offer a unique vantage point on Gamper’s installation below. As well as viewing the exhibit, visitors can also interact with the latest technology, and take part in an ongoing series of events, workshops and performances.

Image credit: Idiosyncratic by Martino Gamper at Coal Drops Yard, King’s Cross

Presenting three significant projects, Idiosincratico gives insight into Gamper’s creative process – exploring his distinctive and playful approach to dissembling and reinventing familiar domestic objects. At the heart of each of Gamper’s projects is the notion of thinking through making and examining how process informs the physical outcome.

For Hookaloti, Gamper takes a single typology – the wall hook – and riffs on it, improvising with the form, material and expressive possibilities of a simple everyday object. In Metamorfosi, a project to celebrate the 60th anniversary of the Italian furniture company Moroso, Gamper takes pieces from their catalogue and cuts and splices them to create a design mash-up. By contrast, Arnold Circus Stool is a project for the public realm initiated to support the regeneration of the landmark site on Shoreditch’s Boundary Estate, London’s first social housing project.

Take The Plunge by Volume Creative (in collaboration with Virgin Voyages The Bargehouse) at OXO Tower Wharf

Volume Creative, in collaboration with Virgin Voyages, invites visitors to Take the Plunge: a playful installation at The Bargehouse, Oxo Tower Wharf. The interactive project shows the power of design to evoke curiosity, in a stand-alone immersive experience created for London Design Festival.

Image credit: Take The Plunge by Volume Creative at OXO Tower Wharf

Visitors are invited on a journey of discovery and asked to dive into a new experience. The minimalist exterior juxtaposes with the warmth that awaits within. Visitors step into an endless horizon, giving way to an extraordinary secondary space that depicts a sunset under the sea.

The concept is inspired by a love of the sea – the great unknown with the promise of epic discoveries. Take the Plunge hints at this spirit of adventure and celebrates the endless possibilities of great design, using multi-sensory techniques to capture the joyful elements of an oceanic journey.

Global Design Forum

Global Design Forum is the Festival’s curated thought leadership programme, celebrating design and the minds shaping its future. The full 2019 programme has been announced and will explore the issues affecting the design industry itself but more importantly, how design can pave the way for workable solutions to some of the modern world’s most demanding challenges.

The keynote sessions will include, British fashion designer and activist Dame Vivienne Westwood, discussing the role of activism in designing a sustainable future and how to take action; Claire Bergkamp, Worldwide Director of Sustainability and Innovation at Stella McCartney, on engineering a balance between innovation and sustainability in luxury fashion; and Astrid Stavro graphic designer and partner at Pentagram, speaking about the dynamic world of typography. They will join previously announced keynote speakers; Kengo Kuma, Yves Behar and Deborah Riley.

Global Design Forum takes place at the V&A, the official London Design Festival hub, from Saturday 14 – Sunday 22 September 2019. Further information about the full programme and tickets can be found here.

This year, there will also be an offsite keynote in Stratford at the future site of the new V&A East. Supported by INTERNATIONAL QUARTER LONDON and hosted at new shared workspace, Workable, Fabio Novembre, Director, Fabio Novembre Studio and Scientific Director, Domus Academy, will speak from his own experience followed by a panel discussion with industry experts on the importance of nurturing new talent in design.

Main image credit: Disco Carbonara by Martino Gamper at Coal Drops Yard, King’s Cross

CitizenM has announced fourth arrival in London

730 565 Hamish Kilburn
CitizenM has announced fourth arrival in London

Global hotel group, citizenM, announces the acquisition of a Victoria property for its fourth London hotel, opening in 2021…

citizenM has announced that construction will commence in May 2020 for a new hotel in London, following the demolition of the existing Denison House. The 226-room hotel, designed by concrete with architecture by ICA, will comprise basement and ground floor levels, with ten upper floors and will be built using citizenM’s innovative modular construction method.

Each of the rooms will be built and furnished one-by-one in an offsite factory and then moved to the site where they will be assembled to make up the hotel. Prefabrication enables faster construction and easier quality control, and also guides the architectural aesthetic of all citizenM locations. No matter how they’re assembled, citizenM buildings are recognisable in their surroundings for their identifiably square units, clean lines, and artwork on the facades.

citizenM’s hybrid hotels offer travellers luxury accommodation at affordable prices in hyper-busy urban centres. This latest addition, situated in the heart of London, will be close to major London tourist attractions such as Buckingham Palace and Tate Britain, and offer great transport links within Greater London and Gatwick Airport – perfect for all mobile citizens.

“We are excited to have completed this transaction after securing planning consent in a prime location in Westminster. With three hotels already operating successfully in London, this new property will offer a fantastic addition to our existing portfolio and confirms our commitment to expand further in London’s most desirable neighbourhoods,” said Klaas van Lookeren Campagne, CEO of citizenM hotels.

The hotel’s interiors will be designed by citizenM’s Amsterdam-based partner Concrete, and will feature furniture from long-term collaborator Vitra. The guestrooms will include citizenM’s famous XL king-sized beds, powerful rain showers and large flat screen TVs. Guests will be able to enjoy the same creative technology that has marked citizenM as an innovative force in hospitality, from online check in to in-room mood pads.

The new Victoria-based hotel will be located at 292 Vauxhall Bridge Road and will be the fourth stand post of citizenM in London, following openings in Bankside (2012), Tower of London (2016) and Shoreditch (2016).

In Europe, the key target cities for new sites are London, Paris, Milan, Rome, Dublin, Munich, Hamburg, Frankfurt, Stockholm, Copenhagen, Zurich, Geneva, and Barcelona.

Main image credit: citizenM

Eco bed to be unveiled inside The Conscious Bedroom at IHS London 2019

730 565 Hamish Kilburn
Eco bed to be unveiled inside The Conscious Bedroom at IHS London 2019

To launch its Spotlight On ‘beds’, Hotel Designs learns more about Naturalmat’s eco partnership with Harris & Harris for The Conscious Bedroom, which will be unveiled at Independent Hotel Show London 2019… 

Naturalmat, which is the leading supplier of eco, organic beds and mattresses to the hotel trade, is partnering with Harris & Harris on an eco showcase at the upcoming Independent Hotel Show London 2019.

The design firm was invited by the organisers of Independent Hotel Show to curate ‘The Conscious Bedroom’, a mock hotel room pieced together using products and suppliers with strong eco credentials. The centrepiece of the room will be a bespoke Superking Prideaux bed, handmade by the craftsmen at Naturalmat from sustainable materials and upholstered in teal fabric, colour matched to other elements of Harris & Harris’s room scheme. The bed will stand on cylindrical tapering feet made of FSC approved wood with a walnut stain.

“The eco sleep experience will be completed with Naturalmat’s own organic wool duvet and pillows.”

The bed will be topped with Naturalmat’s signature Lambswool mattress, made from entirely natural materials from sustainable sources. Thick coconut fibre is layered with a slightly thinner slice of natural latex, finished off with lambswool sourced from organic sheep farms in Devon and the surrounding areas. The eco sleep experience will be completed with Naturalmat’s own organic wool duvet and pillows.

“We have been attendees of the Independent Hotel Show since its inception, and have found it to be a lively and valuable place to build business relationships and introduce our organic, sustainable hotel product range to new contacts in the industry,” said  Mark Tremlett, Co-owner of Naturalmat. “When Alex Harris approached us to invite Naturalmat to contribute to The Conscious Hotel Room it seemed a natural fit! Our ethos has always been about using organic and natural materials from sustainable sources to create luxurious and long lasting beds and mattresses, so we are delighted to create the centrepiece of the room in collaboration with Harris & Harris, and bring their vision to life in a way that is completely eco friendly.”

Organic mattresses and beds, made from sustainable materials in Britain, have been Naturalmat’s business for over 20 years.

Everything is made by hand in Naturalmat’s purpose-built factory in Topsham, on the banks of the River Exe, Devon. They believe that people, not machines, make a superior, longer lasting product. The team of craftspeople ensure every stitch, every fibre, every tufting button and every cover is painstakingly created, teased and checked.

Naturalmat’s hotel clients include Six Senses Resorts, Hoxton Hotels, River Cottage, Chewton Glen, Z Hotel Group and over 50 more iconic hotels globally.

Naturalmat  is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: Naturalmat

designjunction’s speaker programme set to challenge, provoke and engage

730 565 Hamish Kilburn
designjunction’s speaker programme set to challenge, provoke and engage

designjunction, which is preparing to showcase more than 200 world-class international brands during London Design Festival, has just announced its speakership programme for 2019 which will be sheltered at Everyman Cinema in King’s Cross… 

This year designjunction will launch a brand new talks programme at the Everyman Cinema in King’s Cross, in association with Clippings.

Set against the millennial-pink backdrop of the cinema and curated by design and architecture writer and commentator Grant Gibson, the two-day platform (Thursday 19 – Friday 20 September) is set to challenge, provoke and engage with an eclectic range of topical issues that include: sustainability and the circular economy; the relationship between dyslexia and design; the need for increased diversity in design; and the importance of wellbeing at work.

In responding to this year’s theme Re(act), the two-day programme breaks the mould and opens up a discussion about what truly matters through a series of lively discussions. The diverse and considered programme includes debates and book clubs with a slew of the industry’s leading thinkers and expert voices including: renowned architect Nigel Coates, designer Sevil Peach, leading designers Sam Hecht and Kim Colin of London design studio Industrial Facility, Founder of 1882 Emily Johnson, product designer Matthew Hilton and University of Cambridge researcher, Helen Taylor.

“By clicking here and using the code DJ700, readers of Hotel Designs are entitled a 50 per cent discount off tickets to designjunction, which takes place from September 19-22 in London”

Thursday 19 September

Title: Wellness in the Workplace – Is It Anything More Than A Passing Fad?
Time: 10.00am – 10.45am

Speakers: Interior Architect Sevil Peach; Rosamund Pomeroy, workplace Scientist and Co-founder of brainybirdz; Fabienne O’Neil, Co-founder and Director of Cuckooz and Mark Eltringham, Founder of Workplace Insight. A panel of workplace experts – includingdesigners, journalists and workplace scientists – will unpick our current obsession with wellbeing and ask if it’s simply feng-shui for the new Millennium.

Title: Sheep to Seat, Fleece to Floor: Ella Doran and the Circular Economy
Time: 11.00 – 11.45

The award-winning designer Ella Doran discusses her latest project with the Yorkshire Sculpture Park, Sheep to Seat, Fleece to Floor, where she took fleeces from the sheep grazing in the park’s grounds and turned them into a variety of products that were then sold in the park’s shop. The project involved a host of manufacturing companies including Camira, Coakley & Cox and Alternative Flooring. The talk promises to touch on subjects such as sustainability and the importance of the circular economy.

Title: Lunchtime Book Club | Brinkworth: So Far So Good
Time: 12.00 – 12.45

Speakers: Adam Brinkworth, Founder of Brinkworth and Kevin Brennan, Co-CEO at Brinkworth
Chaired by Riya Patel, Curator at The Aram Gallery and Contributing Editor at ICON

To celebrate the launch of their new monograph – written by Graeme Brookerand with a foreword from Michael Marriott and Peter Higgins – Adam Brinkworth and Kevin Brennan discuss the award-winning practice ‘Brinkworth’ and chart how it has grown from a small workshop in East London into a globally renowned design and architecture studio, with clients ranging from Converse to All Saints.

Title: Dyslexia and Design
Time: 14.00 – 14.45

A high powered panel including designer Ab Rogers of ARD, product designer James Rokos, metal artist Simone ten Hompel and Cambridge University Educational researcherHelen Taylor will be discussing their dyslexia, looking at the impact it has had on their lives, their experience of the education system, and, ultimately, how it has enabled – rather than hindered – their careers.

Title: The Standard London: How the Capital Got its Hottest New Hotel
Time: 16.00 – 16.45

Housed in the former Camden Town Hall Annex a mere stone’s throw from the Everyman Cinema, The Standard London is the brand’s first hotel outside the US. It contains 266 rooms in 42 unique styles and has been described as ‘London’s hottest hotel open for 2019’. In a warm up to the Sleep & Eat show in November, Sleeper magazine’s editor Matthew Turner talks to some of the people that made it happen.

Friday 20 September

Title: Britain Can (Still) Make It
Time: 10.00 – 10.45

Speakers: Emily Johnson, Founder of high end ceramics company 1882; Joni Steiner, Founder of hi-tech furniture firm Open Desk; Furniture and Product Designer, Matthew Hilton and Richard Blackwell, Executive Director at Bisley

A panel discussion that looks at the future of British manufacturing, seeking to unpick the problems and the benefits of making things in this country and asking what role design can play, as well as pondering how technology is likely to disrupt the traditional model. Expect Brexit to be mentioned on at least one occasion.

Title: New Voices in Design
Time: 11.00 – 11.45

Organised in conjunction with Living Etc, this panel talk seeks to discover how new voices from diverse backgrounds can be encouraged into the design industry. It will include a combination of personal stories and policy ideas.

The panel promises to feature industrial ceramic designer and creative director ofThomas Goode, Peter Ting, as well as textile designer Eva Sonaike, Kevin Greenco-founder of STORE STORE and Ella Ritchie, director of Intoart, an art and design studio that works inclusively with people with learning difficulties.

Title: The Future: Design in Turbulent Times
Time: 12.00 – 12.45

Speakers: Central Saint Martins Graduates including Mael Henaff, Elissa Brunato, Benjamin Benmoyal and Graysha Audren.

A session of rapid fire presentations from recent graduates of Central Saint Martins, tying in with its show at the nearby Lethaby Gallery. What will the future of design look like? And what materials will we be using? Can design help society become both more sustainable and equitable?

This talk will be introduced by Carole Collet, Director at CSM LVMH Sustainable Innovation, and hosted by William Knight, former Deputy Director of the London Design Festival.

Title: Queer Culture and the City
Time: 14.00 – 14.45 

Renowned architect, designer and educator Nigel Coates discusses how LGBTQ culture has fundamentally changed – and will continue to transform – the shape of our cities. With Isabel Allen, editor-in-chief of the new architecture magazine, Citizen.

Title: Aperitif Book Club: Industrial Facility
Time: 16.00 – 16.45

To celebrate their recent Phaidon monograph, leading designers Sam Hecht and Kim Colin of Industrial Facility discuss the studio’s history, which has encompassed an array of projects from office furniture forHerman Miller to a spray watering can for Muji via lights for Wastberg and, of course the brilliant Branca chair for Mattiazzi.

This year’s talks programme has been curated by design, craft and architecture writer Grant Gibson.

Grant has been published in The Observer, New Statesman, The Guardian, Daily Telegraph, FRAME, Dwell, House & Garden amongst others.

During a long career in magazines, Grant has been editor of Blueprint, deputy editor of FX, and acting executive editor of the RIBA Journal. More recently he has been editor of Crafts and a contributing editor of the Dutch architecture title MARK. He was also the launch editor of the London Design Festival Guide and co-founded Real to Reel, the UK’s first film festival devoted to making and in 2019 he launched the critically acclaimed new podcast series Material Matters.

Hotel Designs is a proud media partner of designjunction. By using the code DJ700, readers of Hotel Designs are entitled a 50 per cent discount off tickets to designjunction, which takes place from September 19-22 in London… 

Main image credit: designjunction

What to expect at the Hospitality Design Show 2019

730 565 Hamish Kilburn
What to expect at the Hospitality Design Show 2019

The Hospitality Design Show, the UK’s ultimate event for the designs behind business growth, is hitting London’s ExCeL on September 18 – 19, and here’s what you can expect to find…

We’re excited to be partnering with the show this year! Uniting passionate hospitality professionals with the industry’s leading creatives, the Hospitality Design Show is the hub of the of the solutions that’ll revolutionise the look and feel of hotels.

At the show, you’ll find 320 seminars by an unparalleled speaker line-up, boasting the likes of:

  • Gonzalo Carpintero – Radisson Hotel Group
  • Colin Minto – Marriott International
  • Adelle Chilinski – Premier Inn
  • Jon Sharp – Hilton EMEA
  • Alexandra Tollman – Red Carnation Hotels
  • Tiago Venancio – Choice Hotels International

What’s more, you’ll be able to shop from 500 state-of-the-art suppliers, get involved panel debates that’ll provide you with all the design tips, tricks and techniques you could possible need, take advance exclusive show offers available to visitors only, and much more!

And don’t forget, your ticket is not only free, but also gives you unprecedented access to the Hotel360, UK’s leading hospitality event, running directly alongside. So, secure your free ticket today by clicking here and let the world’s leading innovators guide you to success!

EXCLUSIVE: Pre-show interview with designer of The Conscious Bedroom

730 565 Hamish Kilburn
EXCLUSIVE: Pre-show interview with designer of The Conscious Bedroom

The Founder and Creative Director of Harris & Harris London, Alex Harris, gives Hotel Designs‘ editor, Hamish Kilburn, a sneak peek of The Conscious Bedroom that he and his team are designing for The Independent Hotel Show London 2019… 

It was at the beginning of 2019 when Harris & Harris, the London based multidisciplinary design studio, were first approached by the organisers of Independent Hotel Show to work on this year’s concept room set.

The brief was simple (and came in after the show had viewed the studio’s interior design portfolio online): to design The Conscious Hotel Room for the Independent Hotel Show 2019. The design studio leaped at the opportunity to design the concept room. “It was a seamless fit for the studio and their ethos of looking at the most environmentally and socially conscious way of producing luxury interiors and products,” Alex Harris, the studio’s Founder and Creative Director, explains. Arguably most importantly, though, the space at the show would give Harris & Harris the opportunity to showcase this mentality through the design and curation of brand partners who have similar ethics.

When designing the skeleton of the room, Harris was keen to explore creating a heritage feel. “We wanted it to feel as if the room was located within a historic building instead of a new build,” he explains. “This was to prove that sustainable design practices can also be applied to older buildings, which are more prominent in the UK. This was achieved through introducing Georgian style wall panelling throughout the bedroom and including some historic design references in the interior design but with a modern twist.” 

Parallel to curating sustainable focussed products and brands in the concept room – including factoring in elements like using local suppliers to reduce milage – the studio was also focussed on ensuring the overall design felt fresh, inviting and luxurious, all of which could be achieved whilst minimising the impact on the environment.

Ahead of the official unveiling of the finished room on October 15, we caught up with Harris to understand more about the concept and his drive to design with purpose.

Hamish Kilburn: What sparked your passion for sustainability, both at university and beyond?
Alex Harris: I had the opportunity to gain work experience in 2005, prior to graduating from Bournemouth University, with the award winning furniture designer Russell Pinch (we grew up in the same tiny village in Gloucestershire). One day we traveled down to Benchmark Furniture in Berkshire as Russell was working on a new collection with them and I had the chance to see Benchmark’s incredible workshops, showroom and design office.

They are very focused on sustainability throughout their manufacturing process and the products themselves. Together with their passion for craftsmanship, this definitely resonated with me as a student and I knew that my final year project must represent this ethos that I witnessed with Pinch and Benchmark’s work.

I designed a (fully functioning) wooden wind-up LED lamp for my final year project, which I won an award for sustainability from my university. At the same time I approached the eco-design collective [RE] Design and had the opportunity to exhibit my lamp with them at the London Design Festival in 2006. Then in 2009 (after a stint living and working in Melbourne, Australia) I joined the Benchmark design team, four years after I had previously visited with Russell Pinch, so I had come full circle!

I then went to work for several interior designers in London who were focussed on luxury and not really concerned about sustainability, which was always difficult for me. I vowed that whenever I start my own design studio that we must bring together both ‘luxury’ and ‘sustainability’  to prove that they can work harmoniously.

HK: How will your concept The Conscious Hotel Room showcase environmental and social factors?
AH: We have thought about the design in terms of impact on the environment from floor to ceiling. It was very important to us that every element was considered, so we researched and approached companies that we knew could help us with this vision.

So we have organic and natural wool and linen fabrics, FSC certified timber flooring from Domus, bespoke 100 per cent recycled cardboard and plastic joinery pieces, many products that are made in the UK (to reduce ‘mileage’) such as our Harris & Harris furniture & lighting and the beautifully natural bed from Naturalmat, 100 per cent wool carpets from Axminster with their recycled car-tyres underlay (both also made in the UK). Handmade natural terracotta tiles, also from Domus, feature in the bathroom with Crosswater WC, basin mixers and showers with low water use. Edward Bulmer paint features on the bedroom walls that only uses natural ingredients. We have a boiling and chilled water tap from Quooker together with reusable water bottles at the mini bar, omitting the need for a kettle (as you only use the exact boiling water you need for a cup of tea) and of course no need for single-use plastic water bottles. Even the artwork we have curated with the art consultants ARTIQ has been chosen to minimise impact on the environment, with artists that use recycled materials and natural materials & processes.

“Natural materials are used wherever possible but in particular with the Naturalmat bed and linens from The Fine Cotton Company.” – Alex Harris, Founder and Creative Director, Harris & Harris

The social factors that we have considered include making the space as wheelchair friendly as we can, with clear space around the bed, sofa, desk and bathroom vanity and a wide doorless opening into the bathroom with no change in floor level into the shower. Plants throughout provide better air quality and general well being. Natural materials are used wherever possible but in particular with the Naturalmat bed and linens from The Fine Cotton Company, to provide the best night’s sleep possible. Snacks and beverages will be sourced as locally as possible and that contain healthy ingredients.

HK: What are the challenges of creating a heritage feel from scratch?
AH: Our first approach was to introduce wall panelling and decorative mouldings throughout, this gave the feeling of a Georgian style property which also helped it feel warm, welcoming and luxurious. Materials, colours and patterns were also chosen to be simple and classic throughout and the furniture and joinery designs are pared back to give a timeless feel.

Image caption: Independent Hotel Show Conscious Hotel Room sketch

HK: What are the historic design references that are mentioned in the brief?
AH: As discussed above, the wall panelling and decorative mouldings, gave the feeling of a Georgian style interior. Our Harris & Harris furniture we have specified for the project; ‘Totterdown’ sofa, ‘Orchard’ Bench and ‘Clarke’ dining chair all have subtle references in their designs to 1920s/1930s Art Deco era and our Harris & Harris ‘Wharf’ lights (both table and pendants will be showcased) feature classic reeded glass. Cole & Son’s wallpaper ‘Flamingos’ that feature in the bathroom are a take on their archived designs from the 1960s as do the ‘Palm Jungle’ fabric on the scatter cushions. The herringbone pattern in the Axminster carpet is another classic design feature and the recycled cardboard tubing, used in the joinery and bed backdrop, gives a feeling of fluted columns that were used in Greek and Roman architecture.

“There are so many ways in which hotels can embrace the three ‘R’s (reduce, recycle and reuse).” – Alex Harris, Founder and Creative Director, Harris & Harris

HK: Can a hotel be 100 per cent fully sustainable?
AH: Unfortunately I don’t believe we as human beings can ever be 100 per cent fully sustainable unless we go back to living in a cave! We can all do our bit to help minimise our impact, but we all consume and we all produce waste. There are so many ways in which hotels can embrace the three ‘R’s (reduce, recycle and reuse) and we are excited to showcase just a selection of examples of how this can be employed in the design of The Conscious Hotel Bedroom which we hope will inspire hoteliers for their current and future projects.

HK: Let’s talk about water consumption. So many hotel groups are pledging to reduce their water consumption by ‘X’ amount.. Which suppliers would you say are allowing this to be a reality?
AH: We are working closely with the British bathroom brand Crosswater who are supplying The Conscious Hotel Bedroom with their M Pro range which have WRAS and TMV2 certification. The WC has two flush types to encourage water management and the mixer tap features a Neoperl aerator that has a flow rate of only five litres per minute.

When I lived in Australia we received an egg timer from the local water company to encourage showers of under four minutes. This was such simple idea and gave a fun challenge to try and ‘beat the clock’ whilst saving water. We will be featuring an egg timer in the bathroom of The Conscious Hotel Bedroom.

“There will be many UK produced products that will feature in The Conscious Hotel Bedroom and will be noted in our literature at the show.” – Alex Harris, Founder and Creative Director, Harris & Harris

HK: What is the value of products that have been manufactured in the UK?
AH: We have many great craftsmanship skills and traditions that are hard to find abroad. Harris & Harris are passionate about producing the UK whenever possible and keeping these skills alive. There will be many UK produced products that will feature in The Conscious Hotel Bedroom and will be noted in our literature at the show.

HK: What can designers do to ensure an eco-hotel is still a trendy and fresh hotel?
AH: I think there is no reason why an eco-hotel cannot not still be trendy and fresh. Curating the products and materials specifically for The Conscious Hotel Bedroom galvanised this idea for us. Many brands now offer products which have less impact on the environment but still look fab. It is up to the designer to track these down and encourage their client to use in place of products that could be damaging to the environment.

HK: Can you explain the benefits of Smile Plastics?
AH: Smile plastics have kindly donated their ‘Dapple’ plastic sheets to us for the joinery pieces at The Conscious Hotel Bedroom. Dapple is made from recycled chopping boards and plastic packaging and with all of their ranges, Smile Plastics are produced from waste which would otherwise end up in land fill. With Dapple we felt it had the look of a natural material such as marble, to give a touch of luxury, particularly important in the bathroom where it features on the vanity joinery. Dapple is hard, dense and rigid, 100 per cent waterproof, rot-proof and strong weather resistance. It is solid and consistent, allowing for a decorative edge. It is also UV resistance and is food-grade and can be used for preparation of wet foods.

Harris & Harris will showcase The Conscious Hotel Room at the Independent Hotel Show 2019. In addition to this, Harris will also join editor Hamish Kilburn on stage to discuss this year’s major topic in a live talk entitled The Conscious Bedroom Report, which takes place at 11:30am on October 15, 2019.

Brand Partners (as of August 2019)
ARTIQ– art consultants and rental agency, Axminster- carpets, Cole & Son– wallpaper and fabrics, Crosswater- bathroom items including shower, basin, toilet and tapsCurran Packaging– recycled cardboard tubing, Domus – bathroom floor and wall tiles, timber flooring, Edward Bulmer – paint, The Fine Cotton Company – towels, gowns, slippers and bed linens, Harris & Harris London– furniture and decorative lighting, Naturalmat – bed, mattress and bed linens, Plant Plan – plants and moss/living wall, Quooker – boiling, filtered & chilled water mixer tap, Samsung– television and soundbarSmile Plastics– recycled plastic sheet material, Wandsworth Group – power, lighting sockets and faceplates

SNEAK PEEK: B3 Designers lifts the lid on The Prince Akatoki Hotel London

730 565 Hamish Kilburn
SNEAK PEEK: B3 Designers lifts the lid on The Prince Akatoki Hotel London

London-based hospitality interior design specialist B3 Designers is heading towards the finish line of completing the interiors for The Prince Akatoki London, a new hotel located on Great Cumberland Place near Marble Arch…

Opening mid-September, The Prince Akatoki London’s newly designed spaces include 82 guestrooms and suites, a reception and sanctuary, a communal workspace for hotel guests, a Japanese restaurant featuring a sushi counter and robata grill, as well as a lounge and bar offering a tea ceremony room by day and a whiskey bar by night.

The Japanese-owned Prince Akatoki London, the first of its kind, will bring Japanese luxury design and hospitality to the heart of the West End, and this will be reflected in the design throughout the entire hotel. The brief to B3 Designers was to create spaces that encourage guests to relax and recharge in a light, tranquil, mindful and minimalist environment that champions Japanese craftsmanship and unparalleled attention to detail.

B3 Designers has fused quintessentially Japanese touchpoints into its minimalist and modern design to enhance and complete a luxury Japanese experience. The team has drawn inspiration from well-crafted simple joinery details, and has applied a strong use of natural materials, muted and light yet durable fabrics, crafted but modern seating, sleek metallic lighting, modern ceramics with rustic touches, and abundant use of stone and slate.

Image credit: B3 Designers/The Prince Akatoki London

The look and feel of the bedrooms, hotel reception and sanctuary (located adjacent to the reception) evoke a sense of calm through the use of lighter-coloured, fresh and tranquil materials. The use of decorative panels featuring Japanese landscapes, whether dark or light, help guests enjoy a unique, refined incarnation of Japanese hospitality and culture in the heart on London.

The destinational public spaces including the restaurant and a tea ceremony room that transforms into a whiskey bar for evening guests, flaunt a darker colour palette yet still boast natural, well-crafted materials.

The hotel is currently gearing up for its official unveiling, which is slated to take place next month.

Main image credit: B3 Designers/The Prince Akatoki London

CASE STUDY: Furnishing Hard Rock Hotel London

730 565 Hamish Kilburn
CASE STUDY: Furnishing Hard Rock Hotel London

Curtis Furniture explains its role on the first ever Hard Rock Hotel in the UK to bring the brand back to its British London roots…

When Curtis Furniture was tasked to work on the UK’s first ever Hard Rock Hotel, we had to understand the heightened importance of accuracy in order to bring to life the designer’s vision. Key to this was our ability to clarify accurately the requirements in advance, working as partners to the architects, Unwin Jones Partnership as we developed an on-site sample room and rolled this out through the whole hotel.

Benjamin Harvey, Category Buyer at glh Hotels explains: “Shipping supplies from outside the UK carries a risk to the quality of materials and timings of deliveries. To avoid these risks, we wanted to select a British Manufacturer, and Curtis are one of the few with the capacity to supply bespoke case goods for 1,000 rooms over a 12-month project.

Our relationship with them goes back more than 20 years. We needed to choose an expert partner we could trust to turn around the room refurbishments in a timely manner and with minimal disruption, as the hotel remained fully operational throughout.”

“The newly refurbished rooms buzz with the energy associated with the Hard Rock brand.”

Ultimately the success of the project was due to the accuracy and quality of materials supplied by a responsive, client-focused team. The newly refurbished rooms buzz with the energy associated with the Hard Rock brand. Hard Rock Hotel London is no longer simply somewhere to stay while experiencing all that London has to offer, it is now part of the London experience.

Main image credit: Hard Rock Hotel London/ ROBERTO LARA PHOTOGRAPHY

Franklite is the only UK company that is equipped to offer complete photometric files – and here’s why

730 565 Hamish Kilburn
Franklite is the only UK company that is equipped to offer complete photometric files – and here’s why

Franklite, which believes it has the product to fit any lighting requirement, also one of the very few decorative and soft commercial lighting companies that has their own photometer and spectrometer and the only UK company which owns a Rigo 801-1500 near-field Goniophotometer – a cutting edge device used for measurement of light emitted from an object at different angles.

This investment now enables the company to offer complete photometric files compatible with designer’ssoftware in ELUMDAT .(ltd) and IESNA (.ies) formats.

Wojciech Miller, Franklites Technical Specialist states: ‘The Photometer allows us to gather information about the quality and quantity of light being produced by our luminaires. By utilizing this information, we are able to design and produce quality lighting products which also offer excellent energy saving credentials. In recent years lighting technology has evolved at a tremendous pace and with this investment it enablesFranklite to lead the field.”

Franklite is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

FINAL CALL: Applications for The Brit List 2019 close this week

730 565 Hamish Kilburn
FINAL CALL: Applications for The Brit List 2019 close this week

FREE TO APPLY, nominations for The Brit List 2019 close on Friday August 9… 

Calling all interior designers, architects, hoteliers and suppliers who operate in Britain, you have until Friday to submit your free entries for The Brit List 2019. Once all nominations/applications have been gathered, the expert judging panel will decide who will from this year’s The Brit List. All will be unveiled – including the individual award winners – on November 21 at an exclusive awards ceremony and evening drinks reception.

APPLY/NOMINATE SOMEONE FOR THE BRIT LIST 2019 BY CLICKING HERE

The concept of The Brit List, which launched in 2017, results in 75 names, split into three categories (designers, architects and hoteliers), being listed as true movers and shakers. The list will be created around the nominations (applications close on August 9) from the following awards that are up for grabs:

  • Interior Designer of the Year
  • Architect of the Year
  • Hotelier of the Year
  • Best in Tech
  • The Eco Award 
  • Best in British Product Design – NEW CATEGORY FOR 2019
  • Outstanding Contribution to the Hospitality Industry

Suppliers: £150 + VAT (Please click here if you are a supplier to the industry to secure your ticket)
Designers, hoteliers, developers and architects: £20 + VAT (Please click here if you are either a designer, hotelier, developer or architect and secure your ticket)

In addition to attending The Brit List 2019 Awards, there are also various sponsorship opportunities for suppliers. If you would like to know more about these, please contact Katy Phillips on email or by calling 01992 474050.

Headline Partner: Crosswater

Event Partner: Hamilton Litestat

2019 Industry Partner: BIID

London to welcome ‘private members’ club’ hotel in 2020

730 565 Hamish Kilburn
London to welcome ‘private members’ club’ hotel in 2020

Slated to open in Q1 of 2020, The Guardsman is a purpose-built luxury London boutique hotel that is expected to offer the atmosphere, discretion and personal service usually associated with a private members’ club…

Presenting guests with what is being described as “a true home away from home experience”, the 53-key The Guardsman, which will sit on Buckingham Gate, London, and is being designed by architects Dexter Moren Associates and multi-disciplinary design practice Tonik Associates.

The hotel will be sheltered in an intimate property said to cut the same style and atmosphere as that of a private members’ club. The top three floors will encompass six exclusive residences. Designed as the perfect London pied-a-terre, they comprise a selection of one, two and three bedrooms, along with sumptuous living spaces, dining areas and fully fitted kitchens. The Penthouse has a wraparound terrace, whilst two other residences feature a more expansive outdoor space with planting and seating.

The hotel is set amongst some of London’s most historic and prestigiouslandmarks. The Houses of Parliament and Buckingham Palace are both a short walk away, while the neighbourhood has been the seat of government for a thousand years. The hotel extends down the quieter, more hidden, Vandon Street, giving the impression of a sanctuary.

Image credit: Shiva Hotels

From the moment guests arrive, they will instantly be made to feel at home by the discrete yet attentive service. Along with their choice of rooms or residences, they can request their preferred brand of drinks, menu items or bathroom products, all of which will be prepared ready for their arrival. The hotel has an unmistakably British feel that befits such a prestigious address. Interiors are contemporary and relaxed, complemented by a few carefully chosen, classic and sometimes quirky embellishments.

Meanwhile, bespoke furniture will fill the intimate public spaces and curated art adorns the walls. The individually styled bedrooms are exceptionally comfortable. Meticulously considered interior design and clever use of space ensure each room feels spacious, whilst flourishes such as custom-made furnishings and free-standing baths combine with more classic features like herringbone parquet flooring to continue the unmistakably British feel. State-of-the-art integrated televisions and speakers with Chromecast ensure all travellers’ technological needs are met.

Plush snug area

Image credit: Shiva Hotels

The spaces for dining and socialising are set over two levels, perfect for relaxing, reading, small gatherings or enjoying the carefully selected whiskeys and spirits as well as a sommelier curated wine list.

At the core of the hotel’s personality is the exquisite restaurant, open to residents and their guests only. Although a few select dishes will always be available, menus are developed daily from seasonal produce sourced from carefully selected purveyors, London markets and organic farms. The kitchen will be open all day, and room service will be available around the clock.

The Guardsman is owned and operated by Shiva Hotels and represents a new direction in this market for the group. “The Guardsman is designed for those who want the tailored, personal experience offered by a club, the flexibility and luxury of a hotel and the comfort and familiarity of a home,” said Rishi Sachdev, Managing Director, Shiva Hotels. “It will also have a conscience, wherever possible putting both its people and the environment at the centre of its decisions.”

Main image credit: Shiva Hotels

 

Looking for innovative signage for a project? Look no further

730 565 Hamish Kilburn
Looking for innovative signage for a project? Look no further

Forum Events’ Digital Signage & Interactive Solutions Summit takes place on September 23 – 24, 2019 at Radisson Blu, Stansted… 

Connecting senior executives working within the sector with product and service suppliers for two days of one-to-one meetings and business networking, Digital Signage & Interactive Solutions Summit, is the go-to networking event for designers looking to create immersive and interactive experiences via signage.

Forum Events understands that designers’ time is precious, valuable and limited. The event’s unique and highly focused concept has been created in such away that allows delegates to inform who they would like to meet prior to attending. The Summit’s dedicated staff then arranges all meetings in advance based on delegates’ preferences, by providing them with details on solution providers, products and services. 98 per cent of those how have attended our events say that they are a better way to find new suppliers than a traditional trade show.

“98 per cent of those how have attended our events say that they are a better way to find new suppliers than a traditional trade show.”

Why attend?

  • Pre-arranged meetings with solution providers of your choice
  • 25 minute meeting slots will be relaxed and civilised, with no hard sell
  • Attend a tailored programme of inspiring seminars
  • Easily compare and benchmark potential products, services and solutions
  • You will be one of just 60 VIPs at the event, ensuring that you get personal attention
  • Attendance is entirely free of charge, which includes entry to our seminars
  • Attendance to our networking dinner
  • Accommodation at our luxury hotel venue

What’s included?

  • A full pre-arranged itinerary of one-to-one meetings
  • Complimentary seminars hosted by some of the industry’s most dynamic minds
  • Meals and refreshments throughout
  • Access to all presentation material
  • Wi-Fi Access

If you would like to attend the event, or would like to request more information, please contact Katie Bullot on k.bullot@forumevents.co.uk or call 01992 374093. 

In Conversation With: Fashion designer Jack Irving

730 565 Hamish Kilburn
In Conversation With: Fashion designer Jack Irving

Having previously designed statement outfits for many international music and fashion icons, Jack Irving’s alternative style has recently spilled out onto the hotel design scene. Editor Hamish Kilburn joins the fashion designer, in between photoshoots, to understand how two worlds have recently collided…

The brand ‘Jack Irving Studio’ and the creative man behind the logo are two very different things. One is bold, disobedient and you would expect – almost encourage – to cause an outrageous impression in almost any social scenario.

The other orders a lemonade on a hazy Thursday afternoon at a media interview as he catches his breath between work engagements. Opposites do attract, after all.

Made famous by creating outlandish outfits for the likes of Lady Gaga and The Spice Girls for their come-back tour, the talented story-telling designer, Jack Irving, made his mark on the fashion industry by producing items that infused glamour and engineered technology.

His innovative work recently emerged on my radar when he unveiled the result of a collaboration with W London Leicester Square, which has been the designer’s first interior design project to date. “The idea of working with W Hotels was mentioned to us at Pride London last year,” says Irving. “But it wasn’t until November, following my first show at the V&A, when we met the team to really discuss what we could do together.”

Fashion shoot of models on bed with cushion

Image credit: Charlotte Rutherford

Presented by a loose brief to bring a flavour of ‘Jack Irving’ into the hotel, it became clear that that the W brand was willing to give the designer the creative reins in order to produce a statement piece for their newly designed guestrooms and suites. “They wanted a replacement for the current cushions and bed throw that met brand standards,” he explains. “The bed, for us, became the canvas.”

One month after the brief was given, Irving pitched what he explained at the time to the client as a ‘crazy tech idea’ for the concept of new cushions. He wanted the items to be inspired his signature sea urchin style, which became famous by his work with Lady Gaga. Irving then wanted to make the interiors more instagrammable. The spiked pillows’ fabric would appear muted to the naked eye until they are brought to life through the click of a camera flash. Through the lens, the smart fabric would transform into an iridescent masterpiece. “To be honest, we were hesitant as to whether or not the client would see our vision,” explains the designer. “What we pitched was as far away from convention as we could have gone.”

Irving and his partner (in life as well as well as in business), Rhys Beynon, received a call from the client while they were on a yoga retreat in Goa over Christmas 2018. “They wanted to see prototypes the first week of January,” Irving explains. “At this point, the pressure for us was on to meet the deadline.”

QUICK-FIRE ROUND

Hamish Kilburn: What would a Jack Irving guestroom look like if you were to design it?
Jack Irving: It would be ridiculous – think sea urchin chairs and UFO beds. I also have the idea to design a Chesterfield sofa in the rainbow smart material.

HK: What’s been the most challenging part going from fashion to interiors?
JI: It hasn’t actually been that challenging because W Hotels were so on board with our idea.

HK: Where’s next on your travel bucket list?
JI: New Zealand and LA!

HK: How do you switch off from work?
JI: Both Rhys and I are really into techno. Oddly, it’s become our sanctuary.

HK: What’s your biggest bugbear when checking in to a conventional hotel?
JI: When hotels don’t stay in their lane.

HK: What materials are really inspiring you at the moment?
JI: For me, smart fabrics and metallic fabrics are really fun to play around with. I want to experiment more with the manufacturing of the material we have been using. That being said, you can’t rely on the fabric. The shape and structure is just as important.

Models on bed with cushion

Image credit: Charlotte Rutherford

With time depleting by the day, and with fabric supplies on order to be delivered when they returned home from India, the next challenge was to secure a manufacturer. “The word ‘impossible’ landed in our inbox a few times,” explains Irving. “We did receive a lot of kickback at this stage from manufacturers, mainly because of the demand and the order size.” Undeterred, Irving and Beynon’s ‘when there’s a will there’s a way’ approach led them both to source the materials themselves to prove that it could be done. “I remember sitting on the beach with Rhys making a cardboard model of the cushion,” says Irving. “It’s one thing drawing the design, but it becomes very real when designing a 3D model.”

As well as the shape of the accessory being unconventional, so too was the material that designer decided to work with. “We call it rainbow smart fabric,” he explains. “We were worried that it would look to synthentic when not lit up, but in reality it was the perfect material to use for creating that contrast.”

As with all creative projects at pitch stage, there is an air of uncertainty, especially when it comes to unveiling to clients a prototype as futuristic as this one. “I was terrified when it came to pitching because you just don’t know how it’s going to go,” admits Irving. “We hadn’t seen the new rooms that our statement accessories would sit in, so it could have gone either way, as these things often do. But they loved it, and the second prototype we made on the beach in Goa over Christmas became the product that’s in the W London today.”

Irving’s interior design work for W Hotels may be just a dip in the ocean for now, but the designer’s ability to disrupt convention through the use of innovative materials and shapes unquestionably makes him a true innovator on the international hotel design scene.

Main image credit: Jack Irving Studio

Hotel Designs becomes media partner for Hospitality Design Show

730 565 Hamish Kilburn
Hotel Designs becomes media partner for Hospitality Design Show

Hospitality Design Show takes place on September 18 – 19 at ExCel London… 

Exciting news – We’re partnering with the Hospitality Design Show, the UK’s ultimate event for the designs behind business growth, taking place on the 18th & 19th of Septemberat London’s ExCeL!

Connecting passionate hospitality professionals with the industry’s leading creatives, the show is free to attend and will feature an unmissable line-up from across the globe, whilst also showcasing the design solutions, tips and techniques that are transforming the world of hospitality!

What’s more, at this year’s unbelievable event, you’ll have the chance to tune in and listen to hundreds of influential speakers, engage in industry-altering panel sessions and get personalised one-to-one advice from the sector’s greatest minds, all whilst you cultivate invaluable new business contacts! With all this and more, you’re sure to return to your business armed with ambition and brimming with ideas and inspiration on how you can take it to the next level!

The amazing features don’t stop there! Running directly alongside the Hospitality Design Show, for the first time ever, is Hotel360, the UK’s leading event fully dedicated to improving all aspects of hotels and increasing their profitability. And the best part? Your free ticket gives you access to both events, with a combined line-up of 500 cutting-edge suppliers, 320 thought-provoking seminars, unmissable innovation awards and much more!

Visit hospitalitydesignshow.co.uk to secure your free ticket, enter the ultimate marketplace for hospitality design and let the world’s leading innovators guide you to success!

The Brit List 2019: Free to apply before August 9

730 565 Hamish Kilburn
The Brit List 2019: Free to apply before August 9

CALLING ALL DESIGNERS, ARCHITECTS, HOTELIERS AND SUPPLIERS: Applications for The Brit List 2019, which are free to apply for, close on August 9… 

Time is running out to apply for The Brit List 2019, Hotel Designs’ annual awards, which as well as recognising individual winners also lists the top 75 influencers who are operating in Britain on the hotel design and hospitality scene.  The deadline for applications and nominations expire on August 9!

In an aim to ensure that Hotel Designs’ nationwide search to find the best interior designers, architects, hoteliers and suppliers operating in Britain, The Brit List remains completely free to apply for.

Simply click here to apply/nominate.

The concept of The Brit List, which launched in 2017, results in 75 names, split into three categories (designers, architects and hoteliers), being listed as true movers and shakers. The list will be created around the nominations from the following awards that are up for grabs:

  • Interior Designer of the Year
  • Architect of the Year
  • Hotelier of the Year
  • Best in Tech
  • The Eco Award 
  • Best in British Product Design – NEW CATEGORY FOR 2019
  • Outstanding Contribution to the Hospitality Industry

“Now with suppliers able to participate in the awards element, The Brit List has allowed us to physically bridge the gap between industry leaders,” said Hamish Kilburn, editor of Hotel Designs.

On November 21, the shortlisted finalists of designers, hoteliers, architects as well as key suppliers to the industry will gather at Patch East, London where The Brit List 2019 will be unveiled along with the individual winners . “We have, yet again, deliberately kept nominations for The Brit List 2019 free for all to apply in order to maintain a fair opportunity for all designers, hoteliers, architects and suppliers who believe they deserve to be profiled in The Brit List 2019,” explains Hamish Kilburn, editor of Hotel Designs. “As a judge, I am personally looking forward to leading another nationwide search in order to find and platform exceptional creative thinkers who are operating or manufacturing in Britain today.” Patch East, London is a fabulous venue for our non-traditional awards ceremony, and we look forward to welcoming the industry’s finest for a night of celebration and high-profile networking.”

Read more about the judges by clicking here.

Early-bird tickets for the award ceremony are now available to purchase: 

Suppliers: £99 + VAT (£150 + VAT after early bird offer expires after August 4)
Designers, hoteliers, developers and architects: £10 + VAT (£20 + VAT after early bird offer expires after August 4)

Please click here if you are a supplier to the industry to secure your ticket NOW!

Please click here if you are either a designer, hotelier, developer or architect and secure your ticket NOW!

Soft and loose luxury interiors

Aparthotels Adagio announces to quadruple UK portfolio

730 565 Hamish Kilburn
Aparthotels Adagio announces to quadruple UK portfolio

Aparthotels Adagio has announced major plans for UK expansion, with plans to quadruple its UK portfolio over the next four years…

Aparthotels Adagio will strengthen its presence in central locations across the UK, with a new opening planned in Leicester by the end of 2019. Other openings in the planning stages include a complex of 136 apartments in Stratford, London scheduled to open in 2020 and a 162 apartment premise in Saint Enoch, Glasgow in 2021.

Soft and loose luxury interiors

The brands latest signing will be located in Whitechapel, London in the heart of the historic East End and will open its doors in 2021.

Adagio Whitechapel will have 147 apartments; made up of 112 studios and 35 apartments comprised of two connecting rooms, all featuring a modern and innovative design. For optimal comfort, the new communal areas will benefit from one of the latest Adagio concept “The Circle”, which transforms the public spaces based on customer desire and usage.

“The market for aparthotels in the UK and Ireland is booming, both from an investor and a customer perspective,” said Karim Malak, CEO of Adagio. “Consolidating Adagio Aparthotel’s growing position in the region is key in our ambitious global development strategy. To achieve our goal of quadrupling the number of aparthotels by 2023, we have hired new talent locally.”

The planned expansion reflects the strengthening of Aparthotels Adagio’s presence in Europe and worldwide. By the end of 2019 the brand will have 115 aparthotels worldwide, representing more than 13,000 apartments in 13 countries. By 2023, the brand plans to manage a total of 220 assets, consolidating its leading position in the aparthotels sector.

Main image credit: Adagio

EDITOR CHECKS IN: Proud of diversity in British design

730 565 Hamish Kilburn
EDITOR CHECKS IN: Proud of diversity in British design

As the world focuses its attention on amplifying equality in all forms, editor Hamish Kilburn believes now is the time to break down why diversity in British design is something the industry should celebrate and be proud of…

We’ve come a long way, and although the journey hasn’t exactly been a seamless one, here we are in Britain in 2019 where we are free to love whoever we want. The next mission is now to work towards a society that campaigns for equal opportunities for all.

Our colourful industry, which is full to the brim of creative people, can be at the best of times a forceful catalyst for good and I believe, together, we can significantly do more than our bit in order for that dream to become a reality – and it starts here.

For a little more than a year now, since proudly joining the Hotel Designs editorial desk, I have tried perilously to understand what it is about the UK that makes it one of the major design destinations around the world. Despite its scale, Britain, the tiny little speck of land in the northern hemisphere, attracts the majority of the leading designers, hoteliers, architects and suppliers to train, flourish and go on to lead the industry forward into an innovative direction.

What Britain lacks in size it certainly makes up for in style, creativity and diversity. It’s no coincidence, therefore, that a large handful of the world’s most premium international design fairs, such as Sleep + Eat, 100% Design, Independent Hotel Show and London Design Festival, among many others, take place here.

Today, just two weeks after we officially opened nominations for The Brit List 2019, I’m seeing London from a completely unrivalled perspective – and it is a beautiful moment to witness. Peering over the edge of a rooftop bar, every colour of the rainbow is being amplified loudly on the streets below. As many as 1.5 million people have attended Pride London 2019, which is now being hailed the UK’s largest and most diverse Pride parade to date.

“By celebrating and supporting the concept of diversity – and by not oppressing original ideas that challenge convention – we can allow new thoughts to emerge.”

There’s an Albert Einstein quote that hangs on our office wall. It reads: “Creativity is intelligence having fun.” For some, it may signify the balance of designers, hoteliers, architects and suppliers thinking outside the box while also designing with purpose.  For me, though, it encourages one to take on a challenge and make it fun! That way, with the ability of adding your stamp to your work, you will not only throw intelligence at the problem, but also personality and individual ideas too.

This, I believe, is where the UK flourishes on the international design scene. By celebrating and supporting the concept of diversity – and by not oppressing original ideas that challenge convention – we can allow new thoughts to emerge and evolve, which, as a result, gives original concepts a nudge forward in the right direction. Jack Irving is the perfect example. The fashion designer who has worked with the likes of Lady Gaga and The Spice Girls has just completed his first interior design project. Irving’s commissioned work for W London has resulted in introducing our industry to new, unconventional materials. On the other hand there’s Zaha Hadid Architects, with its firm footprint as an industry leader, that is turning new architecture chapters, with the likes of Morpheus, that create new elegant dimensions.

The Brit List 2019, our annual awards event, is all about championing the most influential and inspirational designers, hoteliers, architects and suppliers. In order to keep the whole process as open as possible, we have ensured that applying for our nationwide search is completely free.

It’s been a varied and colorful month at the helm of Hotel Designs and I for one am proud of our fabulous team. We started our mini July tour in Manchester for Meet Up North, where more 150 of us celebrated creativity outside of the capital. One week later, we further bridged the gap between suppliers and procurement specialists with our highly engaging meet-the-buyers event, Hotel Summit, which allowed me the great honour of interviewing Marco Novello, the Managing Director of The Lanesborough, on stage in front of our live audience. A quick 24 hours in Dusseldorf, Germany, opened up the opportunity for us to speak to Michael Struck, the CEO of Ruby Hotels, as well as Matthew Bolan, the brand’s lead designer, in order to understand more about Ruby Hotels’ aggressive expansion, which includes its highly anticipated debut hotel in London next year.

In an industry full of leaders and visionaries, who are designing the cities of our future, it makes sense for us to also carve the path for others when it comes to celebrating diversity. Here are Hotel Designs, we are determined to continue to praise and offer a platform to people, projects, and plans on the boards that further challenge convention.

Be proud and apply for The Brit List 2019 for free today!

During August, Hotel Designs will be putting Hotel Concepts and Beds under the spotlight. If you would like to contribute to these topics, please do not hesitate to email me.

Editor, Hotel Designs

Main image credit: ACT Studios

Trends forecast ahead of Independent Hotel Show London 2019

730 565 Hamish Kilburn
Trends forecast ahead of Independent Hotel Show London 2019

Ahead of the Independent Hotel Show London 2019, which takes place on October 15 – 16 at Olympia London, design partners and exhibitors identify four key areas predicted to be hot in hotel design… 

Now that registration is officially open for the Independent Hotel Show London 2019 – and following the announcement that Hotel Designs has once again come on board as a media partner for the show – here are a few trends that visitors should expect to see emerging during the two-day event.

Bold and bright décor

Soft, muted shades have been the preferred palette for hotel bedrooms and lobbies for many years, but it’s now time to ‘banish the beige’ and embrace bold and bright colours, says Gemma Tate, director of House of Sloane. “Gone are the days where all the rooms are filled with beige upon beige and look exactly the same,” explains Tate. “Boutique hotels are becoming more confident in their use of bold and colourful decor, mixing eclectic elements when styling individual rooms and giving the guest a captivating experience.”

As design partner to the Innovation Stage, House of Sloane is planning to fulfil the brief of ‘modern eclecticism meets maximalist glamour’ by kitting the stage out with bold hues, luxurious velvets, a dash of animal print and eclectic accessories.

Susi Bellamy, founder of her eponymous agency and wallpaper partner to the Independent Hotel Show, says the ‘trend for a more eclectic approach to interiors seems to be here to stay’ and notes a ‘growing appetite’ for brighter colours. “Jewel tones, acid brights and candy colours are omnipresent in hospitality interiors and add a joyful tone to spaces,” Bellamy says as she explains the three striking wallpaper designs – Grey Stucco, Grey Stucco Pebbles and Pietra Grigia – she has selected to hang on walls at this year’s show. “The palette of these designs means they work in harmony with one another and provide a versatile backdrop for a range of hotel settings,” Bellamy adds. “Grey Stucco and Grey Stucco Pebbles inject a pop of colour into a setting and feel very bohemian. Grey Stucco Pebbles layers some collage over the top of the design and is a slightly more eccentric choice for interiors that truly stand out. Pietra Grigia combines tones of pale greyish greens and works well alongside cream and neutrals. These designs are some of our bestsellers, owing to their adaptable colour scheme and understated elegance.”

Image caption: Shot from last year’s Independent Hotel Show London

Make a statement

If there’s no budget or time for a full re-design, investing in one eye-catching piece of furniture per room, or to place in a communal area is one way to refresh a hotel’s look and help your business seem on-trend. A similar impact can be found by painting or wallpapering a single feature wall or ceiling.

“Invest in a statement sofa or chair,” advises Tate. “This is potentially one of the first things your guests will see on arrival and actually says a lot of about a hotel. Be brave with your choice of colour and shape. This should be about what works for your brand and should be a part of your overall room design. We would highly recommend this is one of those high-ticket items that you don’t cheap out on. Eclectic pieces, hand built with quality craftsmanship that are sturdy and made to last is a winning combination. Anything else is a false economy.”

Felicity Randolph, of Cheeky Chairs, an exhibitor at this year’s Independent Hotel Show, agrees and believes that unique statement pieces lend themselves particularly well to boutique independent hotels. “With the ever-increasing influence of Instagram and Pinterest, consumers are seeking a more esoteric individual style of hotel,” Randolph says. “Independent hotels are perfectly placed to capitalise on this trend and offer something truly unique and unexpected.”

The company’s boutique collection of crafted designer chairs and bar stools feature naturally soft seats upholstered in striking designer fabric.

“Our approach has been very much along the lines of a fashion collection on the runway,” Randolph adds. “Our models are carefully chosen for a specific feature of their shape; perhaps it’s the subtle curve of their leg, the length of their back, their enveloping seat or the flick of their ankle. Each finished product is a unique combination of model, designer fabric and colour to create a truly unique statement piece.”

“If you are unsure of how to incorporate more colour and pattern into your interiors, consider having a single feature wall or using wallpaper in the back of a bookcase to provide a hint of colour and print,” says Bellamy.

Shot from last year's Independent Hotel Show London

Image credit: Shot from last year’s Independent Hotel Show London

Create a home-from-home

The way guests use hotels is changing and interiors need to accommodate these shifts in behaviour if they want to survive. Starchy, formal and defined areas are no longer in vogue. Instead, guests want to be able to access services wherever and whenever they want within a hotel, so designing multi-purpose, flexible spaces that can cater for these changing needs is key. “A home-from-home approach is where hotels are moving towards, expanding the lobby into a living room space, almost a common room area where guests can find intimate places to relax,” says Tate.

“Décor can also help hotels provide a more homely feel to spaces,” includes Bellamy. “Carefully selected ‘objets’ on mantelpieces, and soft furnishings like luxurious throws or plush cushions are an ideal finishing touch that transform a space to feel more homely and cosy.”

The home from home feel can also be achieved on a more practical level by making it easy for guests to settle in quickly by providing them with the tools to do so. “We also see a connection between home and life through technology which is here now and working, so an easy transition from home to hotel is essential,” says Nick Sunderland of Two’s Company, design partner for The Suite who recommends swapping light sockets to include USB chargers so guests can easily charge electronic devices during their stay.

A conscious approach

There is no doubt about it, sustainability is a hot topic. With everyone showing increasing concern for their carbon footprint, and investigating ways they can reduce it, it’s a topic that will be under the spotlight throughout the show. Hotels are no exception and forward-thinking hoteliers are keen to lessen their business’s impact on the environment in all areas, including design.

The Independent Hotel Show’s live installation this year is The Conscious Hotel Room where sustainability has been considered across “every inch of the room” according to Alex Harris, director of Harris & Harris, the multidisciplinary design studio in charge of creating it.

Brand partners, which include Axminster, Cole & Son and Naturalmat, will provide furnishings that include recycled, organic, natural or sustainably-sourced materials while others, like Crosswater, will showcase energy-efficient bathroom items.

“It was also felt important that the ‘mileage’ of each product was kept to a minimum by sourcing items that have been produced in the UK, an ethos which also helps support local businesses and communities,” adds Harris.

Sunderland of Two’s Company also regards sustainability as a key trend and will integrate this ethos into the design of The Suite. The area will feature tables from Nature Squared, which uses sustainable natural resources such as feathers, egg shells and seashells to create unusual surfaces.

“Conscious design doesn’t simply mean using sustainable furnishings and products, however. It also encompasses areas such as accessibility, so The Conscious Hotel Room has been designed in a way that is mindful of the needs of guests with mobility issues,” says Harris.

“Generous space was allowed around the bed, desk, and joinery as well as omitting the door to the dressing room and bathroom. Space was allowed below the vanity unit and a large wet-room style shower, with no change in the floor heights, making the bathroom wheelchair accessible,” Harris concludes. “Through articles in the media and better education, travellers are becoming more eco-savvy and are now demanding that hotels provide a more sustainable stay for them. Hoteliers need to keep up with this trend, which won’t be a passing fad but a new and better way of living. Hotels have the opportunity to be the best expression of sustainable living which can then inspire guests to live in a more conscious way when they return home,” he concludes.

Hotel Designs’ editor Hamish Kilburn will be on stage to host the opening session on October 15. More details on who will be joining him – and the topic he will be presenting – will emerge shortly. Register your place by clicking here.

Main image credit: House of Sloane

The Brit List 2019 Awards: Meet the judges

730 565 Hamish Kilburn
The Brit List 2019 Awards: Meet the judges

Now that nominations have opened for The Brit List 2019 Awards, we would like you to meet our fabulous judges, handpicked in order to make this year’s process to find the most influential British designers, hoteliers, architects and suppliers the biggest and best yet… 

The Brit List 2019 is back, once again launching its nationwide search to find Britain’s leading interior designers, hoteliers and architects. Nominations are now open (until August 9) and, what’s more, the process in which to apply remains completely free.

This year’s judges, who have all individually been hand-selected, each come from a different sectors of design, architecture and hospitality in order to keep the process fair, creative and open to all.

The judges for The Brit List 2019 Awards are:

Harriet Forde, British Institute of Interior Design President (Industry Partner)

Harriet Forde, BIID President

Harriet Forde, who was recently interviewed by Hotel Designs,  is the founder and director of Harriet Forde Design, which provides a comprehensive range of interior design services predominantly based in the commercial property and hotel industries, as well as the high-end residential housing market. “The BIID are the UK’s leading professional body for interior designers and we are delighted to partner with the Brit List for 2019,” said Forde. “Our past president Gilly Craft had only good things to say about the process of judging the event and I am excited to participate this year.”

Hamish Kilburn, editor of Hotel Designs

Hamish Kilburn, who will also be hosting The Brit List 2019 Awards on November 21, is the editor of Hotel Designs, which is the leading international hotel design website.

In 2014, Kilburn started his career in the industry when, as features editor, he helped launch a new international hotel design publication into the market.

Since then, he has traveled the globe and has reviewed some of the world’s most impressive hotels. In his day-to-day role, Kilburn is responsible for curating the content for Hotel Designs, bringing his readers the latest happenings, reviews, and features in the world of international hotel design.

Jacu Strauss, founder and creative director of LORE Studio

Jacu Strauss, Founder of Lore Studio | Image credit: Emily Andrews

Jacu Strauss, who was recently interviewed by Hotel Designs, is the creative director at LORE group and founder of LORE studio.

A qualified architect with a demonstrated history of working in the design industry, Strauss’ portfolio of projects includes The Pulitzer Amsterdam and Sea Containers London among many others. The architect and designer is now dipping his toe into the world of hospitality and will soon be opening his first hotel in Washington D.C.

Florence Rolfe, Former Deputy Decoration Editor, House & Garden

Florence Rolfe, Former Deputy Decoration Editor, House & Garden

Florence Rolfe, who is a regular contributor to Hotel Designs, is an interior stylist and art director based in London. Her career began with Condé Nast on House & Garden Magazine where she spent several years producing their monthly features, leaving after seven years as Deputy Decoration Editor. Since then she has worked with some of the most renowned interior photographers, producing & directing imagery for some of the biggest luxury brands including The One & Only Resorts, Nobu Restaurants, Heal’s, Habitat, Marks & Spencer, And So To Bed, Ballymore Homes, TH2 amongst others, and has had her work published in various national magazines including Vogue, GQ & Brides. With a background in publishing, Florence knows exactly how to style an image to make it appealing to editors and consumers alike.

Edward Webb, Director of Development Management, Nuveen Real Estate

Edward Webb, Director of Development Management, Nuveen Real Estate

Edward Webb is the director of development management at Nuveen Real Estate, which is a premier global investment manager that has been helping clients meet their goals for more than 100 years, making the world a better place along the way.

Mel Yates, Photographer 

Mel Yates, Photographer

Starting out as a portrait photographer working with a long list of subjects such as Gwyneth Paltrow, Javier Bardem, Jude Law, Keira Knightley, Tom Hanks, Mel Yates began to change direction and reconnect with his design background (originally trained as a product designer at Central St Martins) and now works internationally both as a stills photographer and video maker for numerous design related clients. In addition to photographing or filming designers such as Sir David Adjaye, Philip Treacy, Philippe Starck, Ron Arad, Tom Dixon, Yates shoots environments, people and objects for advertising, books, brochures, editorial and hotel clients, as well as interior and architectural projects. Hotel clients include The Four Seasons, ME and One & Only Resorts.

The judges will select the final 75 most inspirational and influential people in British design, hotels and architecture, as well as selecting this year’s individual winners of the following awards:

  • Interior Designer of the Year
  • Architect of the Year
  • Hotelier of the Year
  • Best in Tech
  • The Eco Award 
  • Best in British Product Design – NEW CATEGORY FOR 2019
  • Outstanding Contribution to the Hospitality Industry

On November 21, the shortlisted finalists of designers, hoteliers, architects as well as key suppliers to the industry will gather at Patch East, London where The Brit List 2019 will be unveiled along with the individual winners.

Early-bird tickets for the award ceremony are now available to purchase: 

Suppliers: £99 + VAT (£150 + VAT after early bird offer expires after August 4)
Designers, hoteliers, developers and architects: £10 + VAT (£20 + VAT after early bird offer expires after August 4)

Please click here if you are a supplier to the industry to secure your ticket NOW!

Please click here if you are either a designer, hotelier, developer or architect and secure your ticket NOW!

Headline Partner: Crosswater

Event Partner: Hamilton Litestat:

Industry Partner: BIID:

Ruby Hotels opens second hotel in Dusseldorf

730 565 Hamish Kilburn
Ruby Hotels opens second hotel in Dusseldorf

Last night, Hotel Designs was invited to Dusseldorf for the official opening party of Ruby Leni, the disruptive brand’s seventh property. Ahead of the theatrical opening scene, editor Hamish Kilburn lifts the curtain to get a closer look backstage…

Following the hotel group unveiling its aggressive expansion plans last year, Ruby Hotels has officially opened its seventh hotel. Ruby Leni, the group’s second property in Dusseldorf’s central district for the disruptive Munich-based brand.

Shelted within a former 19th century hotel which later housed the iconic Düsseldorfer Schauspielhaus theatre, the 170-key Ruby Leni enjoys a prime position not far from Dusseldorf’s famous Königsallee shopping boulevard and canal.

An expansive bar and rooftop terrace offers a stylish watering hole for guests and locals alike, while an on-property work space and library provide ample space for both work and relaxation. All guest rooms, which range in size from cosy ‘Nest’ rooms (13-15m²) to expansive ‘Loft’ rooms (23-38m²), showcase Ruby Hotels’ sleep-scientist-approved formula for an ideal night’s sleep, with full soundproofing, blackout curtains, high-quality linen and extra-long and wide custom mattresses.

Dressing room style design

Image credit: Ruby Hotels

For guests in search of a longer stay, Ruby Leni offers RESIDENT rooms, which are more spacious and are equipped with a larger wardrobe, a small fridge and a coffee machine. Residents also get access to the residents’ kitchen and lounge. For longer visits, the hotel offers a special extended-stay rate, with significant price discounts for bookings of seven nights or more.

Drawing on both the surrounding area and the building’s creative past life, the design of the hotel is themed around the theatre world of the early 1950s, with antique furniture and artefacts providing a sense of place and history. Ruby Leni is in fact named after Helena from Goethe’s Faust; Gustav Gründgens’ groundbreaking production of the play premiered at the Schauspielhaus in the 1950s before it became a film classic.

As with all Ruby Hotels, a musical theme runs throughout the property with quirky touches such as the inclusion of a Marshall guitar amp in each room, which guests can use both with their own guitar or one borrowed from reception. By night, regular live music events at the bar provide a stage for local musical talent, while by day the space serves as a relaxed space for guests to enjoy an organic breakfast as they listen to the sound of the hotel’s very own ‘Ruby Radio’.

Cutting-edge technology is displayed throughout the property; in each room guests can find a personal tablet PC and smartphone pre-loaded with Ruby Hotels’ carefully-curated Dusseldorf city guide, social media apps and unlimited data and calls to use throughout their stay. A state-of-the-art self-check-in system makes use of tablet computers to reduce check-in time to under one minute, leaving guests free to make the most of their time in Dusseldorf.

Just like the group’s other houses, the new hotel follows Ruby Hotels’ ‘Lean Luxury’ philosophy: a top location, high-quality fittings, and outstanding design. All of this is offered at an affordable price by rigorously cutting out the superfluous and focusing on the essential.

For example, a trendy communal space serves an organic, locally-produced breakfast without the need for a kitchen or chef, and instead of overpriced minibars and room service, galley kitchens, vending machines and ironing stations supply guests with all of their needs. Likewise, a modular design sees Ruby hotels occupying mixed-use and former office buildings in the heart of the city, rather than the traditional, prestigious addresses with sky high rents typically favoured by hoteliers.

Ruby Hotels first unveiled its unique concept with Vienna hotel Ruby Sofie in 2014, before opening two further hotels in Vienna, Ruby Marie and Ruby Lissi, as well as Ruby Lilly in Munich, Ruby Coco in Dusseldorf and most recently Ruby Lotti in Hamburg.  In response to the success of these properties, the brand plans further openings including Ruby Lucy in London’s bustling Southbank in early 2020, as well as hotels in Zurich, Cologne, Frankfurt and Shanghai before the end of 2020.

Main image credit: Ruby Hotels

Hotel Summit 2019 bridges the gap between hotel buyers and suppliers

730 565 Hamish Kilburn
Hotel Summit 2019 bridges the gap between hotel buyers and suppliers

Forum Events’ premium meet-the-buyers event, Hotel Summit, put on yet another spectacular event with guest speakers including representatives from The Lanesborough, Great Hotels Of The World and Areen Design, among many others…

Settling in a new home, located in the quintessentially British surroundings in the Oxfordshire countryside, Heythrop Park welcomed hoteliers, designers and suppliers alike for this year’s hotly anticipated Hotel Summit.

More than 60 procurement professionals from leading hotels around the UK such as The Lanesborough, The Beaumont Hotel and The Gainsborough Bath Spa and 30 supplier partners attended The Summit that was sheltered within the 18thcentury hotel, which combines both elegant heritage design with contemporary areas, making it the perfect venue for one of Forum Events’ leading meet-the-buyers concept for the hotel industry.

The two-day kicked off with an opening presentation with Rita Alves Machado, VP of sales and marketing for Great Hotels Of The World who joined editor Hamish Kilburn for a live interview on the topic of blesiure. “There should be more focus on public, intelligent areas when it comes to designing for bleisure guests,” Machado said. “For me, it’s about personalization, we look for that in our members, what they can do that will differentiate from others in an authentic way.”

Andrew Linwood, Head of Hospitality Design at Areen Design, aptly followed with a presentation entitled: How Design Adds Value To A Hospitality Brand. “Branding is not only the name above the door,” he said to the audience. “It’s about good design and good service working together.”