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TRENDS: Eco-friendly design ideas for the hotel bathroom

730 565 Hamish Kilburn
TRENDS: Eco-friendly design ideas for the hotel bathroom

In the wake of protests in London, designers and architects have responded by becoming more conscious in their design decisions recently. Crosswater explains some of the benefits of an eco-friendly hotel bathroom…

Large or compact, traditional or modern, boutique or luxury, hotel bathroom design has become increasingly influenced by eco-conscious product innovations, in particular around the efficient output of water.

The hotel bathroom space is constantly evolving and guests and designers are looking for more than just basic fixtures and fittings. From rainfall showers, high-tech digital valves and multi-outlet systems that include the likes of body jets, dual-function shower flows and additional handsets, each of these products require hotel bathrooms to work harder than ever and use more energy to run.

In the current day and age, as energy is depleted at an increasingly alarming rate, it is more important than ever to find eco-friendly alternatives in hotel bathroom design that incorporate both water-saving and energy-saving features – designed to minimise the impact of the hotel industry on the environment. Although much of the waste is caused by bad habits, installing and maintaining water-saving bathroom fixtures is an enormously important step.

When it comes to specifying eco-friendly designs, Crosswater advises hotel designers to opt for products that are WRAS approved, as it is a calculable way to guarantee that bathroom suites will not only be saving water but also utilising it in the most efficient way possible.  These regulations require water fittings, such as valves and taps that do not cause waste, misuse, undue consumption or contamination of the water supply. Crosswater is dedicated to ensuring all of its products are as environmentally friendly as possible and over 200 of its products already proudly wear the WRAS badge of approval.

Designs such as the Neopearl shower flow regulators are the ideal option for hotels looking to make the next eco-friendly step. With amazing water-saving capacity, the functional regulator reduces water consumption to a maximum level whilst the unique flow regulator technology keeps the flow rate constant across the pressure and can be inserted directly into most fixed showerheads, handsets or basin monoblocs.

Eco-friendly toilets are also becoming an increasingly popular option as an easy and immediate way to save water in many hotels across the UK and globally. Installing eco-friendly   WCs   will   assist   in   conserving   natural resources as well as being environmentally friendly. The Crosswater Kai collection conforms to – and exceeds – required British and European quality, performance, sustainability and water saving regulations. The Kai WCs consume 33% less water by using the latest flush systems making them incredibly environmentally friendly.

The design of Crosswater’s Wild Rimless WC also makes for a fantastically economical option; the stunning collection of pure Italian designs are each expertly crafted with an innovative rimless bowl that is complemented alongside superior, tried-and-tested flush technology to ensure the very best in hygiene function, whilst reducing water consumption with an eco-friendly half or full flush. Featuring dual flush technology, it provides the option to regulate how much water is used, which helps to save even more water by simply adjusting the larger flush to the reduced water volume setting.

With hotel bathrooms continuously developing and improving their technology, it can be difficult to monitor the high volume of water used within bathrooms by guests. Installing rimless WC models can be a great way of avoiding water wastage and the rimless model is cleverly designed to get more flushing power out of less water. Additionally there are many other small ways to reduce environmental impact in hotel bathrooms.

Décor elements made of recycled material can assist in making bathroom spaces more eco-friendly as well as opting for taps and showers with aerators. The aerator is expertly designed to reduce the overall water flow by using pressure from air. It is also advised to swap bulbs with LED lights, this will help to save energy, and illuminated mirrors can also be used as a great alternative source of bathroom lighting. Crosswater’s Revive LED Illuminated Mirror is a highly innovative design that makes for a fantastic alternative to big lighting fixtures that consume far greater amounts of energy. In a hotel environment, this can be a great opportunity to create the option of mood lighting too.

In summary, there are many ways to transform hotel bathrooms to take a more eco-friendly approach. From recycling to using less energy, every little improvement adds up to change the world for the better.

Main image credit: Crosswater

INTERACTIVE REVIEW: Oddfellows On The Park

730 565 Hamish Kilburn
INTERACTIVE REVIEW: Oddfellows On The Park

Located on the fringes of Manchester, Oddfellows On The Park is quirky, timeless and in its own admission ‘a little bit odd’. Editor Hamish Kilburn writes about the hotel that was designed to be disobedient…

By the looks of Manchester’s hotel development pipeline, creativity in British interior design and architecture is not limited to London. Despite Brexit uncertainty, this year alone, 835 new guestrooms will be introduced into the industrial city – with a further 11 more hotels slated to open between 2020 and 2021.

The booming hotel design scene in the northern metropolis has resulted in more interest around the outskirts of the city, and it is here – less than 10 miles from the Manchester’s Piccadilly – where Oddfellows Hotels’ latest property is situated.

A lamp shining from the head of a life-sized model of a horse and a chandelier made from bicycle chains hanging above the check-in desk is the first indication that Oddfellows On The Park doesn’t like to play by the rules. Tasked with the aim to stylishly go against the grain was design firm SpaceInvader, which is dedicated to creating spaces which fulfill their true potential, while unlocking the power to enhance human behaviour.

Opened in 2017, the hotel is sheltered within an 1861 traditional Victorian Gothic building, which was named Bruntwood Hall. The shell of the now 22-key boutique hotel was designed originally by an industrialist, John Douglas, who was inspired by a Scottish home; the original ceilings in The Stud Room Bar are testimony to this with subtle thistle design. Today, the iconic structure stands in plain sight, nestled within endless playing parks which feature archery, a golf course, and even a BMX cycling track – hence the cycling chain chandelier in the lobby.

In its history, Bruntwood Hall has served many purposes – from being a town hall during the war to becoming home to a film company and fashion designer. Now, though, for the first time in its winding narrative, the building has been redecorated, reconfigured and reborn to welcome guests into a luxury boutique hotel like no other.

Katie Edgar who heads up hospitality at SpaceInvaders led the design throughout the project. She and her design team conducted thorough research into the history of the building, the location and the inhabitants of Bruntwood Hall, in order to understand how to thoughtfully reference the building’s past. “The approach focused on respecting the character and beautiful features of Bruntwood Hall,” explains Edger. “We were inspired by them, and wanted to enhance them to design a romantic scheme that celebrates the history of the building and its unique position.”

Image credit: ACT Studios

In addition to sympathetically restoring the building’s original features, the design firm worked with architect Tim Groom, in order to incorporate elements of innovative and playful design that has become a signature of Oddfellows Hotels. “The aim was to create a space that allows guests to lose themselves in their surroundings and feel that the Hall is theirs for the weekend,” adds Edgar.

“Original 1860s encaustic floor tiles were uncovered in the reception area and revived to their former glory.”

The public areas arguably give the most significant nod to the building’s heritage. While Edgar and her team were restoring the building as part of its transformation, original 1860s encaustic floor tiles were uncovered in the reception area and revived to their former glory.

The Stud Bar, which is sheltered adjacent to the lobby area, is a small and intimate space dominated by the original statement ceiling complete with beautiful Jacobean-style decorative plasterwork. “The furniture here has been based around complementing, rather than competing with the overhead design,” said Edger. Comfortable high back chairs, and a soft approach to seating encourage guests to enjoy both the view out to the parkland and the historical building features.

Meanwhile, the corridors that are staggered over three levels feature an array of abstract art, creating fun and creative moments throughout guests’ journey to their rooms and suites. Just like the corridors, the guestrooms and suites are layered with texture and each have their own personality. The Tower Suite, for example, is a two-tiered design gem that adorns contemporary finishes such as playful wallcoverings and portraits hung with human bodies and animal heads.

The bathrooms in all 22 rooms and suites have been designed by Utopia Projects, which specified all of the sanitaryware for seven different room types and the spa facilities for the hotel. “Having worked with these designers before, and therefore having an idea of what they like, made this hotel a dream to spec,” said project consultant, Stuart Adamson. ” It’s truly genius how the designers have maintained the buildings country style but modernised it with complimentary elements like the hexagonal mirrors and tiles, although our favourite piece has to be the roll-topped, freestanding baths we supplied completely in white.”

Image credit: ACT Studio

On the top floor, the suites compliment the natural architecture of the building, featuring wooden beams and, with high ceilings, compliment natural arch shape of the roofing. The guestrooms feature over-scaled carpet designs, which are a stylish riff on the decorative plasterwork.

In a nod to the building’s Scottish heritage, the design team included thoughtful elements throughout, including new tartan upholstery, wools and tweeds, and original decorative thistles that are on display. “Heritage colours were specifically chosen to accent walls throughout the bedrooms and public spaces,” explains Edger. “Muted shades of greens, blues, purples and blacks were considered room by room and provide a back drop to conversational artwork and decorative lighting.”

The use of taxidermy would have been expected in the interior of the building’s previous iterations. And so to layer this sensitively within interior scheme was important, but as with everything in the hotel’s design, the use of taxidermy was anything by ordinary. “In a twist on this concept, we included elements such as bike handlebars mounted on elaborate wall plates,” explains Edger. “These have been utilised to provide another link to the activities that can be enjoyed within the building’s surrounding 100 acres of parkland.”

The Pigsty is the hotel’s premium spa that sits in a separate building adjacent to the rest of the hotel. Fittingly, the intimate salon features its own mudroom as well as two treatment rooms and has an engaging atmosphere within the social salon quarter.

Now managed by Bespoke Hotels, the UK’s largest independent hotel group that also owns Hotel Gotham, checking in to Oddfellows On The Park is a journey that celebrates oddities in spectacular fashion. With the combination of amplifying a unique style and through clever marketing to promote it, the Oddfellows Brand is taking its place in the northern hotel charts and it continues to push the boundaries of modern hotel design.

Main image credit: ACT Studios

SPOTLIGHT ON: Laura Ashley, from homes to hotels

730 565 Hamish Kilburn
SPOTLIGHT ON: Laura Ashley, from homes to hotels

One strategic acquisition at a time, Laura Ashley Hotels is injecting quintessentially British charm into the hospitality industry. As Hotel Designs continues to put Hotel Groups under the spotlight, editor Hamish Kilburn speaks to commercial designer Kay Cullen and head of brand Nimo Abdi about the company’s growing hotel portfolio…

The year was 1953 and celebration was in the air. Queen Elizabeth II was crowned in Westminster Abbey while Edmund Hillary and Sherpa Tensing became the first climbers confirmed to have reached the summit of Mount Everest.

In the same year, one lady and her husband launched a design and textiles company, Laura Ashley, in the Pimlico area of London. Using silk screens, the pair started printing placemats and scarves on their kitchen table. By 1984, the company that we all know and love today’s sales grossed $130 million.

In 2013, the company followed in the footsteps of many residential designers, by entering the commercial market. The British textiles company opened its first hotel and today, 66 years after the company was founded and having won the hearts of more than 300 million hearts around the world all searching for authentic quintessentially British designs, the brand has its sights on expanding its presence within the hospitality industry with a unique platform. “The fact that we already have a brand has been a significant advantage,” explains brand manager Nimo Abdi. “Our customers are brand loyal and that has encouraged us to invest further by acquiring hotels as well as launching the Laura Ashley Tearooms.”

As guests check in to a Laura Ashley Hotel, they are welcomed in a true-to-the-brand home-from-home setting – and location seems to be at the heart of every strategic acquisition. “Obviously we do want to create that ‘wow’ factor,” explains commercial designer Kay Cullen. “But our main ethos is in the heritage. I take a lot of inspiration from the original building and try to take that from an initial concept right into where you end up.”

Image credit: Laura Ashley Hotels

The Belsfield Hotel in The Lake District is an example of blending new with old. “It’s an amazing Victorian building,” says Cullen. “It’s set right out there on the lake, and while a lot of inspiration was taken from that, it also had beautiful Italian ornate architecture that we wanted to enhance throughout.”

The hotel’s timeless architecture has been accentuated with the addition of a conservatory-like structure adding natural light and making the public areas look and feel bright, open and modern. “When we got there, everything was faced inwards, which was ridiculous,” explains Cullen. “We used Laura Ashley products that felt authentic and replicated how the building’s interiors would have looked but with a touch of modernity.”

Due to the often-hefty demands of modern-day operators and developers, most guestrooms and suites within international hotel design are imagined with the aim for them to be timeless – or as timeless as possible. Upstairs in Laura Ashley Hotels, however the guestrooms and suites are decorated with the season’s latest products, creating a ‘living showroom’ concept. “We have a design department that comes up with the main six-monthly seasons of products that we have,” explains Cullen. “I then work with that palate to understand and decide what goes into the hotels.”

The most recently completed hotel within the Laura Ashley Hotel portfolio is the conversion of the 66-key The Chace Hotel in Coventry. “It’s a building that’s hard not to fall in love with,” adds Cullen. “It’s got amazing William windows, original fireplaces. For us, it’s about bringing it back to life, which is part of my job that I love.”

Image credit: Laura Ashley Hotels

Laura Ashley’s love of creating beautiful spaces within the home has been well and truly extended to the hotel environment. Its current portfolio includes just one hote, The Belsfield Hotel in the Lake District. The Chace in Coventry and Burnham Beeches are currently on the boards, slated to open this year, with more hotels yet to be announced.

The future for the group’s footprint in the hotel design scene is now very much secure in looking for new unique buildings that with the help of its design team, they can turn into truly unmatched, British-themed hotels.

Hotel Designs becomes media partner for designjunction

730 565 Hamish Kilburn
Hotel Designs becomes media partner for designjunction

Hotel Designs has become a media partner for designjunction, which this year takes place in and around London’s King’s Cross between September 19 – 22… 

Hotel Designs has announced that it will continue its long-standing media partnership this year for designjunction. The four-day exhibition will present more than 200 international design brands across multiple King’s Cross locations surrounding the striking UAL Central Saint Martin’s building.

Presenting the latest in cutting-edge design each year during the London Design Festival, designjunction is described as London’s leading contemporary interior design show, facilitating connections between architects, interior designers, retailers and exhibitors. Encompassing the best in furniture, lighting, jewellery and home accessories, the event is a place for industry leaders to gather with the widest variety of influential and international designers.

“We are absolutely thrilled to be returning to this vibrant, connected part of London, and to once again be working closely with King’s Cross,” said designjunction’s Director, Mark Gordon in an earlier press release. “Coal Drops Yard has opened since we were last at this location, so there’s a whole new experience we can offer our visitors. This is an incredibly exciting year for designjunction and our return gives us the opportunity to continue working with the best designers in the industry to create fantastic installations.”

For eight years running, designjunction has attracted thousands of architects, interior designers, specifiers, retailers, buyers and consumers to its show doors. Each year its exhibitors make lasting connections with influential figures in the design industry, designed to create partnerships that are made to last.

Hotel Designs will be on the ground throughout London Design Festival with ‘LIVE FROM LDF’ capturing all the news from the exhibition as it happens.

Main image credit: designjunction

Grecotel Group embarks on 42 million euro expansion plan

730 565 Hamish Kilburn
Grecotel Group embarks on 42 million euro expansion plan

Grecotel Group’s expansion plans begin with the opening of  Casa Marron in the Peloponnese, and will include the renovation and expansion of five other luxury hotel complexes…

Greece’s largest luxury hotel chain, Grecotel Group, has implemented a 42 million euro business plan that begins with the unveiling of Casa Marron, which has been transformed into the ultimate destination, changing the game for summer holidays.

Grecotel’s renovated “third generation” hotel complex, combines modernity with the classic Mediterranean style, and takes inspiration from local architecture, both traditional and contemporary with exquisite exotic embellishment. The design displays the high aesthetics of the complex, whilst highlighting the beauty of Greek nature. Casa Marron borrows its name from the colour of the fertile Peloponnesian land contrasted against the blue waters of the Ionian Sea.

“We have invested in creating a special resort in one of the most enchanting places and favourite destinations throughout the Peloponnese,” said Mr. Vasilis Minadakis, Grecotel’s General Manager. “The radical renovation of the well-known Lakopetra Beach, brings together bohemian ambience and magical scenery.”

Image credit: Grecotel Hotels

On the golden beach of Lakopetra, in an area of ​​80,000 sq.m, set against a unique landscape surrounded by exotic palm trees, olive trees and colourful gardens complete with impressive swimming pools, Casa Marron is upgraded to a top tier choice for your summer holiday, harmoniously combining safety and freedom for the whole family.

The 172 guestrooms and suites in the main building and the 92 spacious bungalows with two bedrooms, terraces and private gardens with outdoor shower allow Grecotel guests to connect with nature and take in unobstructed views of the vibrant gardens. Here, indoors becomes one with the outdoors, creating a distinct zen aura.

After 45 years of dynamic presence in the country, Grecotel has grown to support 12 tourist destinations in Greece. Each of Grecotel’s 32 luxury hotels and resorts is a unique architectural experience and a paradise of opulent amenities, gourmet restaurants and elegant details embodying the essence of Greek hospitality.

Main image credit: Grecotel Hotels

Unbound Collection by Hyatt unveils fourth hotel in Europe

730 565 Hamish Kilburn
Unbound Collection by Hyatt unveils fourth hotel in Europe

Parisi Udvar Hotel Budapest has officially joined the Unbound Collection by Hyatt, marking the brand’s fourth property in Europe…

Hyatt Hotels Corporation has announced the opening of Párisi Udvar Hotel Budapest as part of The Unbound Collection by Hyatt, following major restoration and full-scale renovation. The hotel is managed by Mellow Mood Hotels. It features 110 guestrooms and is situated on Ferenciek Square, between the River Danube and the bustling city center.

Once home to Budapest’s most fashionable shops and cafés, building has continuously evolved; from the shopping destination inspired by the Parisian ‘Passages des Panoramas’ that gave the hotel its name, to Budapest’s Central Savings Bank in 1906. Today, it stands as a palatial hotel, offering a novel, story-worthy experience and sense of place in the heart of Budapest.

“The original façade, staircases and decorative tiles have been carefully preserved.”

The hotel incorporates elements from Arabic, Moorish and Gothic design, representing Hungary’s fascinating past. The original façade, staircases and decorative tiles have been carefully preserved and the guestrooms feature tailor-made, Hungarian-crafted furnishings. Entering from the street or the lobby, visitors to the hotel’s restaurants and cafes will see its original iconography, including the Central Savings Bank mascot, the honey bee. Popular points of interest near the property include the State Opera House, Chain Bridge and St. Stephen’s Basilica.

Image credit: Unbound Collection by Hyatt

“Párizs Property Kft and Mellow Mood Hotels are excited to work with The Unbound Collection by Hyatt brand,” said Zuhair Awad and Sameer Hamdan, both Managing Directors at Mellow Mood Hotels. “We are very proud to open this renowned landmark building and to give it back to Budapest. We expect its rich history and stunning architecture will deliver memorable stays for the modern travelers.”

The hotel’s 110 upscale and spacious guestrooms will ensure guests have the ultimate stay. Each palatial Art Nouveau guestroom has been elegantly designed with decorations by Hungarian contemporary artist Agnes Toth, inspired by Gothic, Moorish and Oriental styles to guarantee that guests have an unconventional stay.

There are 18 luxurious suites and two Royal Residencies including the spacious Budapest Residence situated at the top of the hotel, which provides guests with stunning views of the city and a terrace to relax and watch the sunset.

Párisi Udvar Hotel Budapest offers two unique dining options, each with their own style and space. The hotel’s main restaurant, the Párisi Passage Cafe & Brasserie, serves international cuisine but also local and international wines in a cosmopolitan dining area. It is made complete with an open kitchen, allowing guests to interact with the chefs in a relaxing yet lively atmosphere. The Patisserie & Café, best known for its signature dark chocolate dessert, Párisi kocka, will serve hand-crafted juices, artisan coffee and traditional Hungarian pastries. By evening it transforms into a stylish cocktail bar.

Elsewhere, four distinctive multi-functional meeting and event spaces spanning more than 3,229 square feet (300 square meters) which can accommodate up to 160 guests.  Each space is equipped with contemporary conference facilities and the latest audio-visual technology.

Párisi Udvar Hotel Budapest is the fourth property to open in Europe as part of The Unbound Collection by Hyatt. It joins Hôtel Martinez in Cannes, Nish Palas in Istanbul, Turkey, Hotel du Louvre in Paris and Hotel SOFIA Barcelona, in Spain.

Main image credit: Unbound Collection by Hyatt

Curio Collection by Hilton heats up the Costa del Sol

730 565 Hamish Kilburn
Curio Collection by Hilton heats up the Costa del Sol

Higueron Hotel Malaga, Curio Collection by Hilton opens on the Costa del Sol following a €22 million extensive renovation…

Hotel Group Hilton has unveiled its latest Spanish property – Higueron Hotel Malaga, Curio Collection by Hilton. From the city that gave the world Picasso, the 177-key new hotel shelters Malaga’s only sustainable Michelin-starred restaurant and jaw-dropping views of the Mediterranean Sea.

Nestled behind the Montes de Malaga, the hotel is conveniently located near Malaga’s vibrant city centre. Famously known as the heart of the Costa del Sol, the city offers something for guests of all ages, with its unique art districts, pristine sandy beaches and lively nightlife.

“Malaga is one of Europe’s most popular destinations, with 12.5 million tourists flocking to its sunny shores last year,” said Simon Vincent, President, EMEA, Hilton. “With €1 in every €7 generated from travel and tourism in Spain, we are excited to expand our portfolio by 50 per cent in the next three to five years.”

Each of the hotel’s elegant guestrooms feature distinct Spanish touches, such as original lithography made with local materials. It features 24 panoramic suites which boast glass panel balconies and terraces overlooking the Mediterranean Sea, offering 360-degree views.

Boasting the largest conference centre in the region, spanning 2255m² with six intimate meeting rooms and holding up to 1,000 attendees, the hotel is the ideal backdrop for any event, from cocktail receptions to conferences and weddings.

To reflect the vibrant art scene of Malaga, the hotel features two art exhibits showcasing the best of local and international artists, including paintings from Lita Cabellut and sculptures from Francisco Leiro.

“Higueron Hotel Malaga is the latest hotspot in the beautiful Costa del Sol, offering a truly unique experience to wind down and explore everything this remarkable location has to offer,” said Mark Nogal, global head, Curio Collection by Hilton. “As we continue to expand our one-of-a-kind collection of hotels to new and exciting destinations, we are thrilled to have opened in the charming city of Malaga, offering guests and locals alike unrivalled dining, spa and meetings experiences.”

The hotel is set to add an additional 113 premium suites in 2020, bringing the total number of rooms available up to 290.

Main image credit: Curio Collection by Hilton

In Conversation With: Senior designer Kate Jarrett on Hard Rock Hotel London

730 565 Hamish Kilburn
In Conversation With: Senior designer Kate Jarrett on Hard Rock Hotel London

Since becoming a Hotel Designs’ 30 Under 30, Kate Jarrett, senior designer at Scott Brownrigg has completed the Hard Rock Hotel London. Sitting down with editor Hamish Kilburn, Jarrett talks job satisfaction, preferred materials and the challenges that come with being a young designer in 2019…

The early summer vibes are in full swing; the sun is out over the capital and its latest hotel, Hard Rock Hotel London, has arrived.

Upon entering, the hotel is humming with activity. Guests are soaking in the iconic memorabilia hanging on the walls, while locals gather around the bar enjoying a post-work refreshment or two.

The Lobby Bar feels like an apt place to meet Scott Brownrigg’s Kate Jarrett, the senior designer on the project, who earlier this year became a Hotel Designs’ 30 Under 30. “This started with a passion for illustration, something I studied before moving to Brighton University to study Interior Architecture,” she says. “I then started as an interior designer and I haven’t looked back. I have worked across several sectors but my real passion is for hospitality design.”

“We have used drumsticks to create unique lighting over the concierge desk.” – Kate Jarrett

The completion of the new 900-key hotel, which is located a stone’s throw from Oxford Street, is the perfect stage for the designer to amplify what has become a milestone moment in her career. “We drew inspiration from the history of music and specifically instruments themselves, breaking them down in detail seeing how they have been made,” she says. “This was an unusual take on the obvious theme of ‘music’ and we never lost sight of this unique brief in our design. For example, we have used drumsticks to create unique lighting over the concierge desk.”

Drumsticks used as lighting in the hotel's lobby

Image credit: Philip Durrant

The hotel’s walls are plastered with memorabilia that reference the legacy of legends who stayed in Hard Rock Hotels in decades past, including Jimi Hendrix, Nina Simone, Stevie Wonder, Bob Dylan, Diana Ross and Madonna. Balancing the history and heritage of the brand in a timeless style to avoid cliché moments was the first task for design firm Scott Brownrigg when confronting the motifs that will be sheltered in the new hotel. “We knew we had to represent the Hard Rock brand in an innovative way for the contemporary London market,” Jarrett explains. “The hotel scene here is competitive so we knew we had to create something that tied into London and Hard Rock’s music heritage, while still being completely contemporary.”

Contemporary bar

Image credit: Philip Durrant

The F&B structure at the Hard Rock Hotel London originally took its inspiration from the original art-deco style ceiling of the Lyons Corner House that original stood on the site in the early ‘90s. “Great F&B and bars are key to the success of a hotel as they offer a destination for non-hotel guests too,” explains Jarrett. “For that matter, the expectations of hotel customers on what they want from the hotel experience has also changed. They want it to feel like a home, workplace and a space to socialise; the brief is more open than it used to be.”

QUICK-FIRE ROUND

Hamish Kilburn: If budget was no object, what product would you include in a project you are currently working on?
Kate Jarrett: An incredible art collection

HK: Best thing about being a designer in London?
KJ: The constant source of inspiration

HK: Where is next on your travel bucket list?
KJ: Japan – it would be like an experiential mood board. I already have a list of places I want to visit

HK: Where was the last hotel you saw that took your breath away?
KJ: I recently visited the Beekman in New York, and it really impressed me. That central atrium is like something straight out of a 1920s novel.

HK: What does luxury mean to you?
KJ: For me it represents a space that I want to spend time in, a collection of pieces whether its furnishings, art etc. that make me feel like I can sit back and slow down.

HK: What’s the last item that will appear on your bank statement?
KJ: Most likely ASOS… or coffee, as I’m always running around at the moment!

Without a doubt, it’s her ability to let the project do the talking that has made Jarrett the designer she is today. But the challenges of being a young designer in 2019 are far deeper than simply securing projects, or belonging to a leading firm. “London has a lot to offer, however it also means that you have to shout louder, metaphorically, to get yourself heard and to stand out in the industry,” says Jarrett. “Platforms like the 30 Under 30 I find career-affirming as they enable us to get our names out there and really help to showcase the talents of young designers.”

With sustainability arguably as big a talking point as any other at the moment in interior design and trends, Jarrett is insistent, where possible, on using naturally sourced materials within her projects. “I really enjoy working with natural materials,” she says. “Specifically, I like working with the tactile qualities of natural timbers, stones and the effects achieves by a neutral palette.”

“Scott Brownrigg has been really supportive and encouraging with the projects I have worked on.” – Kate Jarrett

At the root of Jarret’s decisions and place in the market is a design firm that has incubated and supported the young designer’s creativity to ultimately develop better places to live, stay and work. “At Scott Brownrigg, we are all encouraged to enrich lives through the environments we design,” she explains. “Scott Brownrigg has been really supportive and encouraging with the projects I have worked on. As a young designer it can be hard to establish yourself in a company, but Scott Brownrigg has really been great at championing me every step of the way. We’re a friendly, social bunch so I have also make some great relationships with colleagues along the way which has really helped.”

Aside from the Hard Rock Hotel London, current projects that Jarrett is working on that on the boards are firm proof that she is anything but a one-trick pony in the race. “We are working on an exciting hotel project in Stratford,” she explains. “This area is having a surge at the moment with lots of new developments, particularly in the hospitality sector. There are also some further Hard Rock projects we are working on; it’s great to get repeat work as it means we are doing something right!”

The fresh and vibrant interiors that surround the new hotel that everyone seems to be talking about are a reflection of the designer that Jarrett is becoming, or arguably already become. Modest, calm-natured and enthusiastic, Jarrett is, in my opinion, a credit to the firm that has helped support her on her way.

Main image credit: Tash Busta Photography

Six Senses to arrive in Costa Rica and Iceland

730 565 Hamish Kilburn
Six Senses to arrive in Costa Rica and Iceland

The hotel brand, Six Senses Hotels Resorts Spas, that recently joined IHG has announced two significant opens in both Costa Rica (2021) and Iceland (2022)…

Six Senses Hotels Resorts Spas has announce two of the latest projects in the group’s expanding portfolio with Six Senses Papagayo in Costa Rica – opening 2021 – and Six Senses Össurá Valley in Iceland – which will open in 2022.

Six Senses Papagayo, Costa Rica

Commonly referred to as the Switzerland of Latin America, Costa Rica boasts miles of exotic beaches, some of the most extensive rainforests in the world, majestic mountains, volcanoes, lakes and meandering topography. The Six Senses Papagayo, located on the stunning 2,300-acre Papayago Peninsula, will be a private and eco-conscious destination, offering a new adventure for discerning travellers. The hotel brand is working in partnership with the California based Canyon Group – which acquires and develops boutique ultra-luxury resorts in exciting destinations – and the Garnier Group, one of Costa Rica’s best known and most reputable development companies.

Overseeing the design of the resort is award-winning London based architect John Heah. The site stretches from the highest point on Papagayo down to the forested beachfront which will be home to 41 secluded pool villas. There will also be 31 residences available to buy, with owners benefitting from full access to the resort’s amenities

Six Senses Össurá Valley, Iceland

Surrounded by mountain range the vast Össurá Valley and Vatnajökull National Park, the 70-key Six Senses Össurá Valley is owned and is being developed by the Álfaland Hotel ehf alongside its partners; architect John Brevard, fashion entrepreneur, Áslaug Magnúsdóttir and cultural entrepreneur, Jakob Frímann Magnússon.

Built using renewable and locally-sourced materials, the hotel will adhere to high standards of energy and water efficiency the region is known for. The welcome lodge will be integrated into the surrounding environment and include a library, a cinema room, a water bar and an Earth Lab showcasing the project’s sustainability efforts.

Main image credit: IHG/Six Senses

InterContinental opens sixth hotel in France

730 565 Hamish Kilburn
InterContinental opens sixth hotel in France

The highly-anticipated opening of InterContinental Lyon – Hotel Dieu marks the luxury brand’s sixth property in France…

Following an extensive four-year restoration, InterContinental Lyon – Hotel Dieu has opened in one of the city’s most iconic buildings. The renovation of the Grand Hôtel-Dieu complex is, to date, the largest private transformation of a historic monument carried out in France.

Calling out for a visionary who could sensitively restore the building while blending in a sense of modernity, interior designer Jean-Philippe Nuel, who recently unveiled the design of Sofitel Rome Villa Borghese, was tasked to bring the property timelessly to life. Nuel focused on maintaining the original beauty and architecture of the building whilst offering a contemporary, understated luxury design which is rooted in the history of Lyon and the building itself.

Lyon was once the capital of the European silk industry, playing a central role in the Silk Road trade between east and west. This led to a booming local silk industry which is still an important part of the city’s culture today. The city is also famed for its floral art which was an early source of inspiration for the local silk industry – a key design theme of the hotel. Prestigious Lyonnais silk creator Verel de Belval, a subsidiary of the Hermès group, has designed custom silk prints which can be seen throughout the rooms and public areas in silk screen panels, cushions and soft furnishings.

Epona Restaurant full of gold

Image credit: InterContinental/Eric Cuvillier

These rich fabrics perfectly contrast with the original architectural features of the building, such as stone floors, plastered walls and timber ceilings. This ‘monastic yet sophisticated’ design was inspired by the historical use of the building – as the city’s hospital for more than 800 years – combined with the desire to create a destination for global travellers.

 

“InterContinental is known for transforming heritage buildings into stunning properties whilst maintaining their historic spirit, and InterContinental Lyon – Hotel Dieu is a perfect example of that,” said Tom Rowntree, Vice President, Global Luxury Brands at IHG. “This new opening marks the sixth in the remarkable InterContinental portfolio in France which includes the likes of Carlton Cannes, Marseille – Hotel Dieu and Paris – Le Grand. Lyon is full of sophistication, culture and a rich history, making it a perfect fit for InterContinental as we pioneer in new luxury destinations worldwide.”

Executive Room River View

Image credit: InterContinental/Eric Cuviller

Le Dôme Bar is nestled in the heart of the hotel within the grand dome, one of the most breath-taking features of InterContinental Lyon – Hotel Dieu. Originally housing a chapel, today the dome is a space where hotel guests and locals can come together under its 32m high ceiling. Originally designed by Jacques-Germain Soufflot, architect of the Pantheon in Paris, Soufflot was called away during the project and he never saw the dome finished. The dome has since been named in his honour as the ‘Soufflot Dome’.

Le Dôme bar is open for all-day drinks and light bites. Traditional, local products are a key focus for the signature cocktails and Le Dôme offers a fresh twist on the famous pink praline, a traditional Lyon confectionery, combining it with vodka, pink champagne and lemon for a unique cocktail. Club InterContinental guests will be able to enjoy views of the grand dome from the first-floor balcony of the private Club InterContinental Lounge above.

High ceilings in the authentic dining area

Image credit: InterContinental/Eric Cuviller

The hotel’s restaurant, Epona, extends along the hotel’s front façade and opens on to an interior courtyard and garden. Head Chef Mathieu Charrois will offer world-class Lyonnaise dishes with a modern twist. Open for breakfast, lunch and dinner, the hotel’s main restaurant will be a destination in itself.

Of the 34 suites at the hotel, the 150 sqm Presidential suite is the largest suite in Lyon. It follows a similar modern luxury design, decorated in powder pink tones and elegant floral motifs. From the living room of the Presidential suite, guests can enjoy a unique view in to the grand dome, overlooking the stunning space from the suite’s own private balconies.

The most emblematic of the 144 guestrooms at the hotel are the 28 Duplex suites, which feature huge vertical windows with views on to the Rhône river, maintaining the grandeur and façade of the original building. What makes the Duplex suites unique is that guests enter from the mezzanine floor to take in the river view at first glance before heading down the stairs to the bathroom and bedroom.

InterContinental Lyon – Hotel Dieu also boasts 1,500 m2 of flexible convention and reception halls; L’Académie. This is one of the largest conference centres in the Presqu’île (Peninsula) quarter and in Lyon city centre, offering 12 meeting rooms on four different levels, all with natural daylight.

For guests looking for relaxation, the Grand Hôtel Dieu complex is home to Le Tigre Spa, which includes a Hammam, 24-hour gym, sauna and steam room.

The opening joins the French family of InterContinental Paris – Le Grand, InterContinental Paris – Avenue Marceau, InterContinental Carlton Cannes, InterContinental Marseille – Hotel Dieu and InterContinental Bordeaux Le Grand Hotel.

InterContinental Hotels & Resorts is the largest luxury hotel brand in the world with more than 204 InterContinental hotels open worldwide and 60 new hotels in the pipeline, set to expand the brand’s portfolio in the most sought-after destinations around the world. This year will see InterContinental Hotels & Resorts open stunning resorts in the Maldives, Hayman Island, Phuket and Beppu as well as the brand’s return to Edinburgh in the historic George Street.

Main image credit: InterContinental/Eric Cuviller

Starwood unveils new disobediently designed hotel brand

730 565 Hamish Kilburn
Starwood unveils new disobediently designed hotel brand

Starwood Capital Group’s latest iconic brand, Treehouse Hotels, will debut in Q4 of 2019 with a 95-key luxury hotel in London…

Hotel visionary Barry Sternlicht, original founder of W Hotels, and Chairman and CEO of Starwood Capital Group, has once again worked his magic to reinvent the hotel experience by launching Treehouse Hotels. Described by Sternlicht as “the little brother of the 1″, the Treehouse Hotels brand is less serious – think more torn jeans and t-shirts and infinitely accessible.

Treehouse Hotels are about freedom and each property will shelter sunny, homey, witty and fun spaces. The brand has been designed with the wondrous feeling we each had as kids climbing into a treehouse and making our own “clubhouse” rules. Inside, it’s about friendship, community and shared secrets. Inspiring, boho and nostalgic, guests will find surprisingly intimate spaces, simple toys, books, nooks, games and a bit of magic.

“Treehouse, with its truly sensational rooftop lounge and bar, will fill a void in the London marketplace which is missing a hotel that revels in the fun of it all.” – Barry Sternlicht

Like all hotels in Sternlicht’s portfolio, Treehouse will embrace sustainable protocols. “It’s all about getting back in touch with ourselves, with each other and remembering all the simple things that used to make us smile, giggle and embrace,” he explains.

Abstract art in the middle of a bare modern room

Image credit: 1 Hotel Brooklyn Bridge

Treehouse London will be the first of the brand’s portfolio to open in late 2019, with additional locations in the U.S. and beyond. “It’s really exciting to showcase our first property in one of the great travel markets in the world, London,” said Sternlicht. “I believe this Treehouse, with its truly sensational rooftop lounge and bar, will fill a void in the London marketplace which is missing a hotel that revels in the fun of it all and doesn’t take itself too seriously.”

Located directly across the street from the BBC Headquarters, Treehouse London will feature 95 guestrooms, including 15 suites, a penthouse restaurant, and the spectacular rooftop bar boasting 360-degree skyline views. The restaurant and bar will be operated by The Madera Group, an L.A.-based international hospitality group that owns and operates venues in Southern California and Arizona, including Tocaya Organica and Toca Madera.

“Partnering with industry pioneer Barry Sternlicht is an honor for us and aligns exceptionally well with our mindset of innovation and striving to raise the experience of our guests to new heights,”  said Aneil Handa, Director at Cairn Group. “Our landmark location on Regent Street will provide the perfect stage to spearhead a new type of hotel experience and we look forward to delivering the global showcase of the first Treehouse hotel in the world with our new partners Starwood Capital Group and SH Hotels & Resorts.”

Treehouse London will be open to all guests, from business and weekend travellers to locals seeking refuge from the busy streets of London. Located at 14-15 Langham Place, Marylebone, London W1B 2QS, UK, Treehouse London is scheduled to open in Late 2019.

Image credit: 1 Hotel Brooklyn Bridge

Luce interiors with rustic villa furniture

Andronis Arcadia opens in Santorini

730 565 Hamish Kilburn
Andronis Arcadia opens in Santorini

Offering “unrivalled luxury”, earthly Andronis Arcadia shelters 53 design-led pool suites on Santorini, Greece, all with striking vistas towards the Aegean Sea and the island’s unforgettable sunsets…

Andronis Arcadia is the latest addition to the Andronis Exclusive family of five-star hotels and villas. The hotel, which is named after the mythical home of Greek God Pan, is situated on the fringes of Oia, a place of natural harmony and pastoral enchantment.

Luce interiors with rustic villa furniture

Andronis Arcadia’s rustic and earthly-luxe interiors bring elements of nature indoors, from the succulents and plants, to local wood and materials. The Greek forged cement coating technique used throughout, has existed for centuries and creates a minimalistic look. Around 85 – 90 per cent of the furniture is handmade locally and has been constructed inside the hotel. The exterior heavily uses stones, drawing on the colours and textures of the volcano and its lava.

Close up of woven chair and a glass of white wine

Image credit: Carley Rudd Photography

The hotel has 53 suites of six categories including Eden Villa, the largest villa on the island complete with six bedrooms over three floors, plus its own spa, fitness centre, private chef and two pools. All suites have sunset and sea views plus a plunge pool, and guests additionally have access to the 450m2 infinity pool surrounded by cabanas. The suite interiors have geometrical-style design alongside square recesses on the walls, and natural fabrics throughout including linen to give the ultimate sense of light and space.

Evexia Spa is Andronis Arcadia’s Spa & Wellness Centre, developed in partnership with founder of luxury skincare brand ila, Denise Leicester, and Dr Zulia Frost, who pioneered the non-invasive hair profiling test. The largest spa on Santorini, Evexia Spa has five treatment rooms with the option for in-suite treatments.

Three restaurants and two bars occupy the space. Signature restaurant Opson spearheaded by Stefanos Kolimadis showcases dishes inspired by the tastes and ingredients of classical Greece through a several course tasting menu developed in consultation with a classical scholar. Contemporary cuisine and flavours of an ancient time are fused to bring together the best Greek food today with dishes known and loved by legendary forefathers including Aristotle, Plato and Omiros. Althea Restaurant features dazzling Mediterranean seafood as well as local dishes with ingredients grown in the Andronis gardens. Chef showcases the best flavours and produce of the Cycladic islands and wider Mediterranean. Oishii Sushi Bar uses the freshest ingredients fused with traditional Japanese techniques, serving exceptionally well presented and seasonally changing dishes.

View from the hotel terrace withColours of blue, orange, red and yellow in the sunset

Image credit: Andronis Arcadia

The sunset terrace, Senses Cocktail Bar, is a welcome return for island friends. Chic and convivial, it’s designed to be a premium Instagrammable setting. The hotel, which opens as the seventh property within the Andronis Exclusive portfolio, is said to be a game-changer on the island for style, gastronomy and understated luxury.

In Conversation With: Jacu Strauss, designer & founder of Lore Studio

730 565 Hamish Kilburn
In Conversation With: Jacu Strauss, designer & founder of Lore Studio

An architect or a designer can become one of the most dynamic hoteliers, as editor Hamish Kilburn learns when sitting down with Jacu Strauss, the founder of Lore Studio and the mastermind behind some of the world’s most awe-inspiring hotels…

“Being a great storyteller is essential,” says designer Jacu Strauss as we start discussing what it takes to be a leader in design on the international hotel design scene.

It’s the first time we have caught up properly in a whirlwind three years. We catch up immediately where we left it in 2016, when the designer was putting the finishing touches onto The Pulitzer Amsterdam – an independent hotel project that allowed Strauss to break free with his creativity. “It was a once in a lifetime opportunity,” he says, “that through a cocktail of heavy research, team work and some brave risks turned out to be a tremendous success.”

Growing up in the diamond rich area of South Africa, Strauss moved to New Zealand to train as an architect at the University of Auckland before travelling to London to study at the Bartlett School of Architecture.

After graduating in 2008, Strauss worked as a senior designer at Tom Dixon’s Design Research Studio, and started to add major hospitality projects to his growing portfolio. “My architectural training and education proved helpful and I was responsible for the project from concept development through to completion,” explains Strauss. “As we won larger projects, we were eventually given the green light to design Mondrian at Sea Containers on London’s South Bank. It was there where I completed my first hotel and, eventually, I was offered an exclusive role as Creative Director of what is now called Lore Group.

“Designing a successful hotel is so much more than just choosing colours and fabrics.” – Jacu Strauss

Following the completion of The Pulitzer Amsterdam in 2016, which continues to capture the attention of the world’s media on a mass scale with its timeless yet quirky interiors, Strauss went on to not only design hotels, but also own them by becoming the founder of Lore Studio. “I have not so much changed as become more attune to what does and doesn’t,” he adds. “I have tried to refine how guests and visitors experience our hotels, so it is more than just the visual. It involves a balance of senses that when you get it right means an enjoyable and memorable experience.”

Image of the designer flicking through a book on the floor

Image credit: Emily Andrews

Today, in between jetting around the world being inspired by life’s movement, Strauss and his team are working to complete a new independent hotel, RIGGS Washington DC, a hotel, slated to open in heart of the city at the end of this year, sheltered in what was the Riggs National Bank building. “Washington DC is a city with a particularly strong and quirky evolving hotel and F&B market,” he explains. “So much so, in fact, that there may be another hotel in DC to join the portfolio, but it will be completely different to RIGGS Washington DC.

QUICK-FIRE ROUND:

Hamish Kilburn: What would you like to be if you were not a designer/architect/hotelier?
Jacu Straus: A jeweller

HK: What’s the first rule to learn when designing a hotel?
JS: You can only open the hotel once, so make everything count!

HK: Where is the next hotel design hotspot?
JS: There is a great need for more hotels in urban centres that act as calm retreats for peace from the hustle and bustle of dense cities, but without being gimmicky.

HK: What one hotel would you have liked to have designed/or would like to redesign?
JS: I would have loved to be part of the design team of the Negresco Hotel in Nice. It’s so crazy and magical – I love it.

HK: What is the number one item you cannot travel without?
JS: Tabasco! I always have little sachets of Tabasco in my travel wallet. The little bottles are cute but the sachets are more convenient for travel. Tabasco makes everything taste better.

HK: What trend do you wish would emerge again soon?
JS: Decent table manners.

HK: What was the last hotel you stayed in?
JS: Downtown hotel in Mexico City.

HK: Explain London in three words…
JS: Quiet, polite, multicultural.

HK: What’s your favourite colour this season?
JS: Rust. Something nice about earthier and natural  tones as we move away from sterile palettes.

HK: What’s the last thing that shows up on your credit card statement?
JS: Uber. It is the first item that appears and most of what is inbetween!

As someone as visual as Strauss, the urge the design came as almost a natural instinct. “I think I was always a designer,” he narrates. “My mother says I was always observing my surroundings as a child and I think to this day it’s perhaps one of the reasons that I am doing what I am doing. What I really think makes you a professional designer is being able to process criticism. That you learn over time and does not come naturally.”

“F&B, I believe, is once again thriving in hotels.” – Jacu Strauss

As we converse over cocktails in a rooftop bar overlooking east London, it feels apt to discuss the rise of food and beverage facilities within hotel design. “I think hotels have historically been an important “pillar” in a city or town or community,” he explains. “But towards the end of the last century hotels became massive and exclusive only to its guests, and that meant it became inaccessible to their neighbours. Hotels are unique to their locations and I think guests have become more interested in feeling like they are part of a community even just for a night, than staying at a non-descript hotel that is removed from its surroundings. F&B is a tell-tale sign of how it was once the place to eat and drink, before it then became sterile. F&B, I believe, is once again thriving in hotels – as we’re proving this afternoon – because hotels are opening up to locals as well as guests making it feel less like a “hotel restaurant” and more like a restaurant that happens to be in a hotel.”

In reference to the quick-fire round above, Strauss is a man that believes in detail. “I have realised how important it is to research a new market thoroughly and avoid having a cookie cutter approach,” Strauss explains. “Designing a successful hotel is so much more than just choosing colours and fabrics. It is about the neighbourhoods, the greater contexts of the city and its people, and ensuring the longevity of a product. There are always things to improve on, but we believe you only open a hotel once.”

For the designer who has just as much in the pipeline as what’s already on his impressive portfolio, what makes him stand out his ability to be different. “At some stage,” he adds, “you need to ignore what others are doing and focus on your own task at hand and making decisions based our own hotel and not what others are doing.”

Another distinct characteristic that quite clearly sets Strauss aside from other hoteliers, designers and architects is his ability to effortlessly – on the surface at least – to balance work and life. Living his best life through both travel and work and sometimes a combination of both, Strauss is anything but a one-trick pony, constantly absorbing ideas, concepts and themes that time and time again capture the world’s attention each time the ribbon is cut. And for those wanting a snippet of the inspiration behind his designs, you have only to follow him on Instagram account.

Main image credit: Patrick Meis

Independent Hotel Show Amsterdam to return in 2020

730 565 Hamish Kilburn
Independent Hotel Show Amsterdam to return in 2020

The Independent Hotel Show Amsterdam, which debuted last month for the first time outside London, has announced that it will return to the Amsterdam next year on March 17 – 18… 

The Independent Hotel Show Amsterdam, of which Hotel Designs was an official media partner for, has announced that it will return to ‘The Dam’ next year. More than 2,200 hoteliers designers and architects visited the inaugural edition of the the show in Amsterdam to be inspired and informed about the current trends in the hotel industry.

In addition showcasing the latest products and services through its 120 carefully curated exhibitors and providing ample networking opportunities, the innovative event at RAI Amsterdam on May 8 – 9, provided a hotbed of new ideas with the very latest trends presented and covered across multiple touchpoints at the show.

“As this was the first edition in continental Europe, we had no idea what to expect, but the experience the past two days has exceeded expectations,” said Portfolio Director, Miranda Martin. “It was a delight to meet such a great collection of progressive and enthusiastic hospitality professionals and we look forward to welcoming everyone back to the 2020 edition in March!”

A Vision of the Future

The Hotel Vision Stage, the central education stage at the show saw hoteliers, trend forecasters and CEOs share their visions for the future of the hotel industry.

During a well-attended session, Dutch trend-watcher Vincent van Dijk shared a glimpse into the Hotel Room of the Future and presented the 10 important hotel trends for 2019:

  • Never wait at a counter again – checking in online or via an app is the new thing. And you’ll open your room via the smart key on your phone too. Easy does it!
  • The automation of in-room service is only going to get more popular, whether it’s simply closing the curtains or requesting the coffee machine prepare a cappuccino, everything will be managed via tablets and technology.
  • Tailored service based on big data is what it’s all about as every guest is unique!
  • Despite all the technology, personal communication remains important. If this isn’t via face-to-face interaction, consider instead a chat program that allows the guest to communicate with the hotel from the room.
  • Due to a lack of space, furniture will become increasingly flexible. For example, a coffee table that quickly becomes a desk where you can work on, or a TV which automatically becomes a mirror as you get closer.
  • Introduction of voice-controlled equipment in hotel rooms. “Hey Google, set air conditioning to 19 degrees!”
  • Shower toilets, as we already see them a lot in Asia, will become the new hygienic standard.
  • Due to air pollution in large cities, there will be an increasing need for systems that can provide clean air.
  • Eco-friendly and health conscious housekeeping without the use of chemical agents – healthy for employees and guests.
  • Green is the new gold! Key words for the hoteliers to keep in mind for the future are sustainability, low waste and water reuse.

A number of significant panel discussions also took place on the stage. Lead by STR Global, ‘The Year in Review’ saw, Eric Toren  (Hotel TwentySeven, Amsterdam) and  Gabriella Esselbrugge (Hotel De Dames van Jonge, Giethoorn) explore the need to spread tourists who come to Amsterdam throughout the country – something that fellow panellist René van Schie, who works on tourism development for the Amsterdam Metropolitan Area, deals with on a daily basis.

Elsewhere, Hotel Designs, which was an official media partner for the show, was on stage for a live debate on how the rise in ‘bleisure’ is dictating how the industry builds and renovates hotels and cities.

Three men on the Hotel Vision stage

Image caption: Editor Hamish Kilburn leading panel discussion entitled ‘Designing for Bleisure’

During a panel discussion, Gladys Camphuijsen (The Pulitzer, Amsterdam), Annemoon Geurts (Kazerne, Eindhoven) and Veerle Donders (Zoku, Amsterdam) explained how they involve the local community in their hotels, be it by placing a large Christmas tree that the entire neighbourhood benefits from (The Pulitzer) or by organizing neighbourhood parties with beer and bitterballen (Zoku).

Christiaan Uittenbosch, founder of Smart Travel Lab, challenged visitors to think in terms of solutions instead of problems and even use them as a unique selling point within your company. When traveling, guests, especially millennials, are looking for positively-minded brands that are actively working on sustainability. QO Hotels, but also start-ups like Rotterzwam, were named as companies that have built their business by finding solutions to existing problems.

The Independent Hotel Show was concluded with a keynote speech by ex-Radisson CEO, Wolfgang M. Neumann (strategic hospitality consultant and chairman of Hotel School The Hague). In his speech, he emphasized responsibility to the planet and the generations after us. Concluding with the memorable words: “If you think you’re too small to make a difference, you’ve never spent a night with a mosquito.”

The Independent Hotel Show Amsterdam will return for the second edition in the RAI on 17 and 18 March 2020.

Main image credit: Independent Hotel Show Amsterdam

The rise of tile trends in international hotel design

730 565 Hamish Kilburn
The rise of tile trends in international hotel design

Celebrating art outside the frame, CTD Architectural Tiles identifies tile trends that are emerging for 2019 and beyond…

From texture and pattern to size and the increasing need for sustainable solutions, the hotel industry has become an exciting creative arena for tile and surface trend developments. The desire for creating spaces that stand out, delivering on both aesthetic and practical qualities, has driven the demand for tiles that make unique and memorable design statements.

From wood and marble-effect flooring to new generation mosaics and botanical-inspired patterns, architects and designers have never had so much choice when it comes to specifying ceramic and porcelain tiles in hotel projects.

Nature-inspired patterned tiles

A celebration and seamless marriage between rustic handmade influences and the trend for contemporary biophilic design, the new Amazonia collection from CTD Architectural Tiles is guaranteed to bring any hotel project to life.

Jungle-inspired interiors showcasing various tones of surfaces

Image credit: CTD Architectural Tiles

Versatile and unique, Amazonia combines botanical patterns with a pared-back, nature-inspired palette to enliven spaces of all sizes. Suitable for both walls and floors, the tiles are available in two shapes: a small square format (138 x 138mm) and a larger hexagon format (320 x 368mm), in five colourways and designs. Offering endless opportunities to combine and mix the distinctive tiles, designers are able to choose from the subtle geometric patterns of Ethnic or the delicate leaf prints of the Tropic designs to create a standout space. From the lobby and hotel bars and restaurants to even the swimming pool areas, Amazonia offers a truly versatile tiling proposition to designers, specifiers and architects for the hotel industry.

3D textured tiles

From bold patterns to structured 3D shapes and designs, tiles have become an increasingly popular format of creative expression within hotel interiors. Advances in tile manufacturing have led to reinventions of trends and tile styles such as bohemian, baroque and mosaics. An increasingly popular choice, mosaics are extremely versatile as they are able to be applied to flat or curved surfaces as well as being suitable for dry and wet areas on both walls and floors. Offering a variety of colours, sizes and materials, the return of mosaics has seen the introduction of new finishes such as metal or wood-effect designs as well as striking hexagon and geometric patterns, ideal for those designers or architects looking to make a true style statement.

Image credit: CTD Architectural Tiles

Colourful Marble-Effect Tiles

Combining an urban aesthetic with trend-led designs, the Diesel Living tile collection delivers truly eye-catching tile solutions for contemporary hotel spaces. The ideal range for designers wanting to achieve a truly statement scheme, the Diesel Cosmic Marble collection is an exquisite marriage between marble-effect tiles and a cosmic-inspired colour palette. Suitable for both walls and floors, the aptly named range is guaranteed to leave a lasting impression. From the deep blue and gold hues of Venus to the radiant red swirls of Mars, Diesel Cosmic Marble is available in eight polished porcelain colourways and will work perfectly in lobbies and reception areas.

Wood-Effect Floor Tiles

 An effortlessly stylish addition to any space, wood flooring is renowned for its beautiful, natural finish. Although undeniably a popular choice, natural wood isn’t always practical in high footfall areas in hotels. With some ranges offering up to 40 per cent recycled content, wood-effect tile collections celebrate the unique beauty of the natural material and combine the importance of a realistic finish with the practical benefits of ceramic or porcelain tiles.

Image credit: CTD Architectural Tiles

An on-trend and practical solution for hotel spaces, a wood-effect tile allows you to evoke the natural character of timber, whilst promising a low maintenance and practical product that is ideal for modern environments. Complete with the distinctive knots and markings of organic wood, each and every tile is different to ensure an authentic look. Not just limited to floors, the wide range of glazed porcelain and ceramic tiles are suitable for a number of applications including walls, exteriors and wet areas, meaning that the design of a project is not restricted by the limitations of real wood.

By their very nature, hotels are stunning examples of unique design and luxury living. When it comes to product selection for a hotel project, designers want to be working with the very latest trends and innovative products to ensure that they’re able to achieve a statement scheme to remember.  From beautiful lobbies to carefully designed guest suites, CTD Architectural Tiles’ extensive product portfolio is guaranteed to provide the ideal surface solution no matter what the application. Offering unparalleled expertise and technical knowledge, the Specification Team at CTD Architectural Tiles works with industry leading, innovative manufacturers to offer a complete portfolio of ceramic and porcelain tile ranges to suit the boutique hotelier, architect, interior designer, developer and specification professional.

Global awards launches to challenge industry standards around accessible design

730 565 Hamish Kilburn
Global awards launches to challenge industry standards around accessible design

The Blue Badge Access Awards launches and questions why accessible design is not as large a talking point as sustainability currently is. Editor Hamish Kilburn attended the launch event in London and writes…

Blue Badge Access Awards has launched raising some much-needed debates around the current industry standards around accessible design.

The launch of Blue Badge Access Awards – a combining of two major design competitions – the Bespoke Access Awards and the Blue Badge Style Awards – took place at Home Grown Club in Marylebone. The occasion explained the purpose of the new global competition, which is to celebrate thoughtful and stylish inclusive design worldwide. It aims to inspire designers, architects, operators and developers to work together in order to build exceptional business and venues that make everyone feel like a “first-class citizen.”

“No one would have dreamed that sustainability would be so high on the agenda as it is now and we want access to be high on the priority list.” – Robin Sheppard.

Speaking at the event was Robin Sheppard, Chairman of Bespoke Hotels, Hotel Sector Champion for Disabled People and in turn the winner of The Brit List 2018’s Outstanding Contribution to the Hospitality Industry. “It is important to make access a permanent addition to the agenda,” he said during a thought-provoking speech. “No one would have dreamed that sustainability would be so high on the agenda as it is now and we want access to be high on the priority list.”

With the support of charity Leonard Cheshire, the Blue Badge Access Awards aims to accelerate much-needed progress. This follows studies that show inclusive design gives businesses and venues access to a market of more than one billion people across the world, a group of more than 13 million people in the UK along with spending power of more than £250 billion.

Inclusive design has a history of inspiring great innovation, from the invention of the first typewriter, which was built to help a blind Italian countess write legibly, to the remote control, which was created to make life easier for people with limited mobility.

Categories include:

  • Arnold Fewell Award – The Most Inclusive Building/Interior Design
  • Best Hotel x 2 (Upmarket and Boutique, Bespoke Award)
  • Best Bar x 2 (Upmarket and Budget)
  • Best Restaurant x 2 (Upmarket – Conran award – and Budget)
  • Best Accessible Toilet
  • Ludicrous Loo
  • Above & Beyond (Includes Hospitality & Corporates)
  • Euan’s Guide Award
  • Best Venue in a Listed Building
  • Inclusive Employment Award (Leonard Cheshire)
  • Employee of the Year

“Nowhere can be 100 per cent accessible, but everyone can start somewhere,” said Fiona Jarvis, founder of Blue Badge Style. “There is a tremendous public interest in the area of accessible design, with a strong desire to honour and recognise businesses that go the extra mile for their customers.”

With categories ranging from Best Hotel and Best Bar, to the Leonard Cheshire Inclusive Employment Award, the Blue Badge Access Awards recognises the variety of ways that businesses can become more inclusive. The prize that nobody wants to win, ‘Ludicrous Loo’ demonstrates the challenges faced in a light-hearted manner, revealing bathrooms where accessibility is an afterthought.

Nominations of the Blue Badge Access Awards, which are open to anyone, anywhere in the world, are now open and close on June 30. Visit to website to cast your vote.

Winners will be announced at the awards ceremony on October 7.

Main image credit: Blue Badge Access Award/Bespoke Access Awards

PRODUCT WATCH: Industrial chic Roma from Chelsom

730 565 Hamish Kilburn
PRODUCT WATCH: Industrial chic Roma from Chelsom

Industrial chic Roma from Chelsom is one of the signature ranges from the latest collection Edition 26…

Roma from Chelsom is a selection of contemporary urban fittings that would be an impressive addition to a wide variety of hotel interior genres. The industrial chic light, which is part of the Edition 26 collection launched last year, is a timeless fitting ideal for luxury guestooms and suites.

Inspired by industrial designs, the Roma table lamp by Chelsom fuses cutting edge design with the latest technology. Available as part of a wider collection of coordinated wall, floor and ceiling lighting, Roma features tapered perforated metal shades finished in Golden Bronze with internal PVC Opal diffusers to give a dramatic and softly diffused light effect.

For further information or to request a catalogue please contact 01253 831404 or email sales@chelsom.co.uk

Chelsom is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, click here.

Main image credit: Chelsom

SPOTLIGHT ON: Inspirational design hotel bars and restaurants in London

730 565 Hamish Kilburn
SPOTLIGHT ON: Inspirational design hotel bars and restaurants in London

To round off our Spotlight On topic of Bars & Restaurants, Hotel Designs headed into London to pick out the best F&B facilities that are serving up a treat on the international hotel design scene… Editor Hamish Kilburn edits…

Since hotels became much more than simply a bed for the night, the in-house food and beverage scene globally has taken off. Here are a few London bars and restaurants that have emerged to be statement F&B areas within hotel design.

GMT Bar –  Hard Rock Hotel London 

Image credit: Roberto Lara Photography

Incorporating the Hard Rock “mantra”, which includes the global brands’ range of memorabilia, artwork, installations and lyrics, design firm Scott Brownrigg was tasked to complete the 900-room Hard Rock Hotel London. As well as designing quirky and edgy guestrooms, the design team, led by Senior Designer and Hotel Designs’ 30 Under 30 Kate Jarrett, also created what is now London’s latest Instagrammable statement bar, which acts as an inviting cocoon from the rest of the city.

The Monkey Bar – Monkey Island Estate

Image credit: Monkey Island Estate

Monkey Island Estate is located in Bray-on-Thames. The island, with its intriguing history dating back 800 years, has been the haunt of monks, monarchs, aristocrats and writers alike. Visitors from London and beyond are transported to their own private countryside escape steeped in stylish yet laidback luxury. Designed by award-winning Champalimaud, complete with its beautiful garden terrace, The Monkey Bar is elegant, contemporary and relaxed – just like the rest of the hotel.

Sloane Place Hotel London 

Long dining table with hanging pendents above

Image credit: Sloane Place Hotel

The 50-seat café-bar in the hotel, designed by JSJ Design, required extensive structural works to open up the space, making it more accessible for guests and local clientele alike. The interior design scheme combines bold teals,timber panelling, glass and brass, maximising light and space.

45 Park Lane

modern quirky bar in 45 Park Lane

Image credit: 45 Park Lane

While the world is all too familiar of the iconic bar inside The Dorchester, its younger sibling, 45 Park Lane, located next door, is the contemporary answer to luxury in the city. The hotel’s modern-chic bar, which serves London’s finest negronis, is described as: “the vibrant beacon of contemporary culture in a luxury hotel.” It is an invigorating blend of art and landmark architecture in the middle of classical London.

InterContinental London Park Lane

Once more, RPW Design strikes again on London’s leafy iconic Park Lane. The design firm’s latest refurbishment of the guestrooms and The Capital Suite in the InterContinental Park Lane compliments the work of David Collins Studio in the hotel’s restaurant, Ella Canta.

Hotel Cafe Royal London

Image credit: Hotel Cafe Royal London

Designed by Piero Lissoni and Atelier 27, the new F&B areas sheltered in Hotel Cafe Royal London are contemporary yet timeless. The Green Bar’s cocktail list is an invitation to explore tastes throughout the ages, divided into four eras spanning over 100 years. The interiors masculine, with hues of emerald green creating a dark and moody atmosphere to compliment the cocktails served.

Main image credit: Roberto Lara Photography

Sloane Place Hotel in Chelsea unveils eclectic décor

730 565 Hamish Kilburn
Sloane Place Hotel in Chelsea unveils eclectic décor

The new 27-key Sloane Place Hotel opens in the heart of Chelsea and is complete with eclectic décor by JSJ Design…

Sloane Place has opened a 27-bedroom boutique hotel, café-bar and restaurant adjoining The Sloane Club in Chelsea, London. Hospitality interior design studio, JSJ Design were hired by Queensway, who acquired The Sloane Club in 2017 in order to convert the property into a hospitality hotspot in one of London’s most upmarket districts.

The large five-storey red-brick Victorian building has been remodelled and divided to create a separate venture, with work on project beginning in February 2018.

From the original building, around 30 bedrooms were allocated for the hotel, alongside smaller underutilised meeting rooms. Led by JSJ Design, the space was remodelled, renovated and refurbished, creating 15 bedrooms with en-suite bathrooms, 13 luxury suites, a multi-functional café-bar-restaurant and lower ground floor bar.

The 50-seat café-bar required extensive structural works to open up the space, making it more accessible for guests and local clientele alike. The interior design scheme combines bold teals,timber panelling, glass and brass, maximising light and space.

View of the stairway from above

Image credit: Sloane Place Hotel

JSJ Designer, Simeon Thompson was required to maximise the space and create an inviting modern scheme that reflects the locality. “The concept for the café-bar evolved to become a venue in its own right, with short backed seats and clever use of colour, soft eclectic furniture to create an open, sociable space,” he said. “In the décor, we’ve combined hints of luxury, with elements of nature in a nod to Chelsea past and present.”

With the combination of informal décor and an all-day dining menu courtesy of Executive Chef Bernhard Mayer (formerly The Savoy, Four Seasons Park Lane Hotel), guests and patrons are encouraged to relax and extend their stay.

Long dining table with hanging pendents above

Image credit: Sloane Place Hotel

The interior décor and evolution of the Sloane Place brand work together harmoniously, with hand-drawn Broom bush designs featuring within the décor across the three main areas and in the new logo. This is a nod to the heritage of the area; for centuries the Broom bush grew in abundance on site and features at the top of the Kensington and Chelsea coat of arms.

The hotel bedrooms fall into three categories: Cosy (14-17 sqm), Classic (18 sqm) and Suite (38 sqm). All boast en-suite bathrooms, comfortable Hypnos beds, WiFi, mini kettles and Nespresso machines and a small writing desk.

Bedroom décor consists of warm grey timber panelling to evoke a sense of warmth and comfort, complimented by luxury statement blue and yellow fabrics. All furniture items are bespoke, with high gloss light-reflecting surfaces, designed to make the best use of space.

Overall the design, décor and concept promise a luxury venue for guests and the general public to feel welcome to enjoy from day to night.

Main image credit: Sloane Place Hotel

EDITOR CHECKS IN: Running on empty in Clerkenwell

730 565 Hamish Kilburn
EDITOR CHECKS IN: Running on empty in Clerkenwell

Editor Hamish Kilburn explains some of the benefits that come with being a runner on the editorial desk – especially during Clerkenwell Design Week… 

I believe that nine problems out of 10 within this ever-evolving industry can be solved with a fresh perspective. Whether the issue is a lack of inspiration or perhaps you can’t decide which soft furnishings to purchase for a fussy client, there are times where you – and your project – could benefit from taking some time out so that your ideas and thoughts can authentically mature.

For most, the obvious ‘time out’ would follow booking 10 nights away in bare-foot luxury, and I must conquer that the undisturbed nature of this thought also appeals. However, if it’s simply a case of a blockage of traffic in the brain, then I suggest you hop onto the pavement. For me, it is often only after a gentle jog – at any time of day or night – where most of my editorial ideas for Hotel Designs stem from – or at least final decisions are made.

This month, I went one step further in my fitness therapy and signed myself up to complete what will be my third marathon. But while I have been there, done that and got the T-shirt twice before, one thing has changed – I am the busiest I have ever been. And so, like so many amateur runners who have or are pacing in my footsteps while balancing a career, finding the time to train is often the hardest challenge – a test that carries great unparalleled rewards, including being able to juggle time wisely.

“What’s running got to do with hotel development, design and architecture,” you may ask. Well it turns out, this month in particular, being able to confidently trot around town was an essential skill for those for those of us attending Clerkenwell Design Week as ‘Press’. Entering double digits, this year’s volume of celebrating of design, which witnessed hundreds of showrooms opening their doors to the public, was turned up to the max – and it was, undoubtably so, a fabulous festival to amplify to our readers. For the 10th year, it recognised the UK once more as an incubator for incredible design, architecture and ideas. Despite this, at times it was also like hitting the dreaded wall during a marathon, each showroom becoming more of a fuel station as we got further through the course. Passed the finish line, though, and we were able to reflect on the journey, which was like every long-distance race, full of unforgettable moments including witnessing art outside the frame at almost every turn.

Brick wall with loud and colourful mural of shapes bursting out

Image caption/credit: One of the many art installations at Clerkenwell Design Week 2019 | Sophie Mutevelian

In addition to clocking up the miles around the design hub that is Clerkenwell, my mini adventures on foot have allowed me to experience some pretty incredible places from an unmatched perspective; from the sandy beaches of Barbados to the cobbled streets of Amsterdam – and sprinting through New York’s Time Square at 5am. With the right pair of trainers – and the will power to get out whatever the weather, travelling to – and seeing – these places has been extraordinary.

“Each time I head out for a run in Manchester, usually between exhibitions or events, I notice a new building taking shape.”

Closer to home, Manchester is within my top five locations to go for a run in and around. Having spent a year living in the beehive, I fell in love with the ‘on the boards’ skyline and at times juvenile personality locked within its ever-expanding city walls. Given its striking façade, and spirited soul, it is no coincidence, therefore, that hotel development up north is booming. Each time I head out for a run in Manchester, usually between exhibitions or events, I notice a new building taking shape. Top Hotel Project recently reported that between 2020 and 2021, 11 new hotels will open – the majority of which will be for the luxury sector. In response to this, we’re taking our Meet Up North networking evening back to the city that everyone is talking about, this year taking over Hotel Gotham’s much-admired rooftop bar, Club Brass.

Today, my running shoes have taken me back to my hometown of Whitstable in Kent, a beautiful rustic and trendy town – think Shoreditch style but by the sea and with oysters. The gorgeous weather combined with a steady westerly breeze was all the motivation I needed to add a totally unplanned half marathon (13.1 miles) into this week’s training plan. It was all the motivation I needed to write and complete this column.

During June, Hotel Designs will be putting Hotel Groups and Software & Controls under the spotlight. If you would like to contribute to these topics, please do not hesitate to email me.

Editor, Hotel Designs

MINIVIEW: Hard Rock Hotel London

730 565 Hamish Kilburn
MINIVIEW: Hard Rock Hotel London

In spectacular fashion, as expected, Hard Rock Hotel London has opened its doors, adding 900 stylish rooms to the Capital’s hotel scene. Hotel Designs took a peak inside…

Positioned on the corner of Oxford Street at Marble Arch, Hard Rock Hotel London has arrived, catering to the needs of both business and leisure travelers from around the world. Designed by award-winning design firm Scott Brownrigg, the concept for the interior design was inspired from the heritage of the existing building, which was built in the mid 1700’s.

Drawing on the legacy of legends who stayed here in decades past, including Jimi Hendrix, Nina Simone, Stevie Wonder, Bob Dylan, Diana Ross and Madonna, the new venue pays homage to the site’s rich history through stylish interior design and carefully curated music memorabilia displays. It also is an inspiration to those who have yet to write their own story – Hard Rock Hotel London stands alone as a hotel haven for music lovers everywhere.

Image credit: Roberto Lara Photography

Hard Rock Hotel London accommodates two vibrant bars and a lively Hard Rock Cafe – the second Hard Rock Cafe to open in the Capital City. With 370 seats, the hotel’s Cafe is set to be the ultimate Central hang out. Combining elevated food and drink offerings with weekly live music performances that celebrate both local London and international talent, the Cafe offers an electric atmosphere, perfect for all occasions – from lunch meetings to after work drinks.

“As the original birthplace of Hard Rock, we are delighted to open a new hotel in London, the brand’s spiritual birthplace,” said Ian Fletcher, general manager of the hotel. “In true Hard Rock style, the property offers stylish and contemporary design, incredible in-room amenities, fantastic food and unparalleled service, with the thread that unites them all – music. We know all our guests have an unforgettable experience.”

Image credit: Roberto Lara Photography

Meanwhile, the 42-seat Lobby Bar takes its inspiration from the original art-deco style ceiling of the Lyons Corner House, which originally stood on the site in the early 1900’s. As well as celebrating the site’s unrivalled heritage, the bar embodies Hard Rock’s musical roots, with an abstract installation designed to reflect a master disc and record player. Memorabilia, in true Hard Rock fashion, is suspended in the bar from the walls through guitar strings to replicate a ‘larger than life’ fret board.

‘It has been a great experience working with two established brands, glh hotels and Hard Rock International,” said Kate Jarrett, Interior Designer at Scott Brownrigg who was also credited as a Hotel Designs 30 Under 30 earlier this year. “We have enjoyed collaborating with them to create a unique and sophisticated offer for the London market. Combining the history of the central London location with the iconic musical heritage of the Hard Rock brand.”

With venues in 73 countries including 184 cafes, 237 Rock Shops, 28 hotels and 11 casinos, Hard Rock International (HRI) is one of the most globally recognised companies – and the hotel brand’s most recent opening fittingly returns to where it all began.

Main image credit: Roberto Lara Photography

Aloft Hotels arrives in Ireland

730 565 Hamish Kilburn
Aloft Hotels arrives in Ireland

Aloft Dublin City in Ireland has opened and is expected to shake up the hotel scene in one of Dublin’s most historic and vibrant quarters…

Marriott International has announced the opening of the design-led Aloft Dublin City, the first Aloft hotel to open in Ireland. The hotel is located in the Blackpitts area of Dublin’s Liberties, one of the capital’s most dynamic quarters.

The Liberties is rich with heritage, formerly a trading site of textiles; fast forward and this rejuvenated district is the thriving home to media and tech hubs as well as Dublin’s top visitor attractions.

As a brand for music lovers and music makers, we are so excited to debut Aloft Hotels in Dublin, the city that shares our passion for live music,” said John Licence, Vice President Premium and Select Brands, Europe at Marriott International. “From the buskers on Grafton Street to shows in the National Concert Hall, the live music experience in Dublin is a special one and we can’t wait to add to the city’s buzzing night-time scene by inviting emerging artists to take the stage at our Live At Aloft series,”

Vibrant blue carpets in large guestroom

Image credit: Marriott International/Aloft Hotels

With its vibrant design and always-on public spaces, Aloft Dublin City brings a new beat to the city and bold approach to the guest experience. The brand’s signature W XYZ® bar anchors the social scene on the seventh floor with striking panoramic views of the city – from sky-piercing mountains to famous hotspots including the Guinness Storehouse and St Patrick’s Cathedral.

Each of the 202 spacious guestrooms and suites feature Aloft’s ultra-comfortable plush beds, complete with headboards designed by local Dublin Artist, Sketchy; custom amenities by Bliss® Spa; fast & free Wi-Fi; and 49-inch televisions linked to a Plug & Play connectivity panel.

Aloft Dublin City features Mobile Key — the industry-first keyless entry system that enables guests to use their smartphone or Apple watch as a room key. Additional amenities include the Re:chargeSM fitness center, and meeting facilities equipped with state-of-the-art A/V equipment and fast and free WiFi.

With now more than 150 hotels now open in more than 20 countries and territories around the world, Aloft Hotels, which first launched in 2005, delivers a fresh approach to the traditional staid hotel landscape. For the ‘always on’ next generation of traveller, the Aloft brand offers a tech-forward, vibrant experience and a modern style that is different by design.

Main image credit: Aloft Hotels/Marriott International

Sony reveals how TV has impacted the living room through the decades

730 565 Hamish Kilburn
Sony reveals how TV has impacted the living room through the decades

Sony’s ‘Evolution of the Living Room’ report reveals how (TV) inch size does indeed matter for guests who are checking in… 

Despite changing décor, consumer behaviour, streamed content taking a leap forward and hoteliers wanting to steer guests to utilise public areas, the TV is still the heart of the guestroom according to the ‘Evolution of the Living Room’ report, released in conjunction with a survey of 6,000 European consumers and commentary from industry experts.

Informed by experts including Italian design duo Stefano Mich and Alessandro de Pompeis,Sonia Solicari the director of the Geffrye Museum of the Home and psychologist Emma Kenny, the report reveals how the living room has evolved to fit in with our modern-day lives and is centred around the TV, which has evolved with it – as have the designs of modern hotel guestrooms as a result.

The findings demonstrate how the modern-day television set now completes a living space, while also exploring the modern phenomenon of on-demand and streamed services, as well as the growing inch size of televisions.

Covering off topics such as how streaming has infiltrated the living room, the continued increase in TV size despite the increase in popularity of smaller, portable devices, it provides a unique insight into how technology and society have shaped its development.

“64 per cent of people said that they watch just as much or more TV now than they did 10 years ago.”

Since the first Sony TV was created in 1960, it quickly became a central and integral part of the living room as the popularity of TV grew – with a third (32 per cent) of people saying it is the most important item, coming second only to the sofas they watch it on. This trend is showing no sign of slowing down either, as 64 per cent of people said that they watch just as much or more TV now than they did ten years ago.

Sixty years ago, families huddled around an 8inch TV set but present-day living rooms now have a cinema-style feel – with TVs going up to 75 inches in size.

The report also found that people now prefer streamed content over watching scheduled TV. Reasons given for this include the flexibility streaming offers rather than be restricted to the show on TV (50 per cent), fitting programmes in around longer working hours (32 per cent) and being able to watch with friends/or a partner (31 per cent).

“Television isn’t simply a medium that enables you to enjoy a variety of content,” said UK TV psychological expert and media commentator, Emma Kenny. “It represents so many different variables, and reaches individuals in completely unique ways.”

While society has changed significantly since the introduction of the first TV to the present day – along with design innovations of the TV as a result of seamless collaborations – many of our social behaviours remain the same. We’re still social beings who value family time, and with a certain nostalgia linked to ‘TV time’ across Europe, it doesn’t surprise me that families continue to enjoy TV together as a shared experience.

Despite the increase in popularity of portable devices, TVs are getting bigger, with more than a third of people now wanting a TV more than 55 inches and 16 per cent desiring a 65+ inch set.

Almost half (48 per cent) of people want a bigger TV than the one they have now, but men are 10 per cent more likely than women to want a bigger TV.

Kenny adds: “Like it or otherwise, we associate owning items that really ‘stand out’ as a marker of success. The market for large TV’s has grown, and this has made it a competitive environment. If you want your home to appear modern and your lifestyle to seem successful, then status symbols are important. This bigger is better belief system has never been so prominent than in the world of TV.

“Living rooms are transported into home cinemas, making the viewing experience the best that it has ever been. Whilst for many of us affording a season ticket to watch your favourite football team is out of reach, yet you can feel as if you are at the match when you have a large, quality TV screen in front of you”

*Research of 6,000 Europeans carried out by One Poll in April, 2019

Main image credit: Sony

Hotel Group IHG has signed a hotel in London’s Clerkenwell

730 565 Hamish Kilburn
Hotel Group IHG has signed a hotel in London’s Clerkenwell

The 151-key Hotel Indigo property is slated to open in London’s most-talked-about design district, Clerkenwell, in 2021…

Following the opening of Hotel Indigo Stratford Upon Avon and ahead of the openings of both Hotel Indigo Bath and Hotel Indigo Chester later in the year, InterContinental Hotels Group (IHG) has signed a Management Agreement with Omenport Developments Ltd for Hotel Indigo London – Clerkenwell.

The 151-room hotel will be the fifth Hotel Indigo in London and is expected to open in early 2021. Located in the heart of the city, Hotel Indigo London – Clerkenwell brings a brand defining property to IHG’s pipeline.

Established in 2004, the Hotel Indigo is IHG’s upscale boutique brand and has more than 100 hotels across more than 15 countries around the world. The brand is set to double its portfolio presence over the next three to five years and continue its growth as one of the largest boutique brands.

The decision to arrive in Clerkenwell comes as the neighbourhood, arguably most known for its annual Clerkenwell Design Week, has strong travel links with Farringdon station, Barbican and Old Street all within walking distance, making it an increasingly popular location for both business and leisure travellers.

Just like no two neighbourhoods are alike, no two Hotel Indigo properties are the same. At the Hotel Indigo London – Clerkenwell, the current historic listed building of the Hat & Feathers pub will be added to by two newly-built modern wings. When it opens in 2021, the hotel will feature well-appointed guestrooms, an all-day restaurant and five meeting rooms, as well as incorporating the existing pub into the hotel.

“We are excited to bring Hotel Indigo London – Clerkenwell into portfolio,” said Jon Colley, Head of Development, UK&I at IHG. “We are seeing strong growth in the boutique market in the UK and this hotel strengthens our position in the capital. This signing will join the newly opened Kimpton Fitzroy London and Hotel Indigo London – 1 Leicester Square to build out our boutique presence in the UK’s capital.”

IHG has 15 Hotel Indigo properties in the UK and a further seven in the pipeline*. There is a strong momentum behind the brand as part of IHG’s UK growth strategy.

In total, IHG currently has 349* hotels operating under eight brands in the UK, including: InterContinental Hotels & Resorts, Kimpton Hotels & Restaurants, Hotel Indigo, Crowne Plaza Hotels & Resorts, voco™ Hotels, Holiday Inn®, Holiday Inn Express® and Staybridge Suites, with another 26 in the pipeline.

*Numbers as at 31 March 2019

Main image credit: Hotel Indigo

GROHE and Mosa partnership celebrates success at Clerkenwell

730 565 Hamish Kilburn
GROHE and Mosa partnership celebrates success at Clerkenwell

GROHE enjoyed its second taste of Clerkenwell Design Week in partnership with tile manufacturer, Mosa…

Following a successful collaboration in 2018, GROHE and Mosa reunited once again to celebrate their common heritage around the topic of sustainability. “We are delighted to be able to share our passion for delivering sustainable solutions to the architect and design industry with a like-minded brand such as Mosa“, says Glenn Payne, Head of Projects UK at GROHE.

“Our partnership at Clerkenwell Design Week has highlighted our commitment to sustainability to key figures in the industry, whose influence could pave the way to more eco-aware specification in the future. We felt we offered a real point of difference to the customers and visitors who joined us across the three days, and are excited about the new prospects the event will bring“.

GROHE‘s dedicated projects team met with hundreds of visitors at the festival, from self builders and specifiers to architects and designers, generating some promising new business leads. The festival proved an excellent platform for the brand to leverage its already strong position in the A&D community, to reach new heights. As well as opening its showroom to the thousands of visitors who flocked to the festival last week, GROHE and Mosa also hosted several evening parties and events, including an exclusive dinner presented by GROHE’s partnering chef, Ed Baines.

The bathroom manufacturer has an ever-growing presence in Clerkenwell and thanks to the permanent displays newly revealed at Mosa’s showroom last week, the brand has now firmly cemented its place in the design-centric district.

Hotel Designs recently caught up with Grohe’s Vice President of Design, Michael Seum, following the company exhibiting at ISH 2019.

GROHE is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, click here.

Hyatt Regency brand to arrive in Portugal

730 565 Hamish Kilburn
Hyatt Regency brand to arrive in Portugal

The opening of Hyatt Regency Lisbon in 2020 will mark continued growth for the Hyatt Regency brand in Portugal and Southern Europe…

Hyatt Hotels, which currently has more than 190 Hyatt Regency urban and resort locations in more than 30 countries around the world, has announced that a Hyatt affiliate has entered into a franchise and related agreements to develop the first Hyatt branded hotel in Portugal: Hyatt Regency Lisbon.

Expected to open in late 2020, the hotel will feature 200 guestrooms and apartments and will be located between Rua Guerra Junqueiro and Avenida da Índia, a stunning waterfront location facing Tejo River.

“The number of tourists visiting Portugal has increased for eight consecutive years, with 12.8 million travelers visiting in 2018 alone.”

The foray into Lisbon, Portugal’s coastal capital city, is an important milestone for Hyatt, signifying its growing brand presence in increasingly competitive markets across the continent. The decision comes after the number of tourists visiting Portugal has increased for eight consecutive years, with 12.8 million travelers visiting in 2018 alone.

“We are delighted by the announcement of plans for the first Hyatt hotel in Portugal as Lisbon is one of Europe’s leading cities in overnight stays and has quickly established itself as a prime destination not only for leisure travelers, but also for larger conventions and events.” said Nuno Galvão-Pinto, regional vice president development at Hyatt. “We look forward to working with United Investments Portugal on this exciting project in Lisbon. This is an important step for Hyatt as we look to expand our brand presence throughout Portugal.”

Hyatt Regency Lisbon will offer a wide range of intuitive facilities, including a luxurious spa, a swimming pool, a rooftop terrace bar with views over the river, as well as a beautiful courtyard and garden.

Hyatt Regency Lisbon will mark continued growth for the brand in Europe, joining Hyatt Regency Nice Palais de la Méditerranée and soon-to-open Hyatt Regency Barcelona Fira and Hyatt Regency Hesperia Madrid.

Main image credit: Hyatt Regency Lisbon

How colour is making a comeback in the bathroom

730 565 Hamish Kilburn
How colour is making a comeback in the bathroom

To conclude our time putting bathrooms under the spotlight, Crosswater explains why colour is making a comeback in the hotel bathroom… 

The interior design of a hotel guestroom is extremely important. After all, this is effectively a home-from-home – a place of security to rest after a busy day. Just as universal as the concept of resting and relaxation, is the concept of colour to evoke a particular atmosphere or create a particular environment.

Colour is also one of the most visible aspects of hotel interior design, which has the ability to create a fantastic first impression. The options to do so are seemingly endless – from wallpaper to paint to accessories.

While certain colours usually evoke certain reactions in most people, shade and saturation can also dramatically change the aesthetic of a room. Generally speaking, light colours can make rooms feel lighter and bigger, while dark colours can create a mood of sophistication and intimacy. Blues evoke calmness and serenity, while green creates a vibrant, natural space. Yellow creates a sense of energy, while red can be warm and comforting if used well.

“Consumers are now being drawn to a strong and striking bathroom design.”

The trend for colour isn’t limited to hotel bedrooms, either. Increasingly so, colour is making a comeback in the bathroom too. The all-white bathroom scheme has been a safe and popular option over the years but, after such a long phase of beige, neutral and earthy tones, consumers are now being drawn to a strong and striking bathroom design – one which is more bold, personal and attractive.

Sleek, chic and opulent, a hotel bathroom should be synonymous with modern glamour. A place to relax and unwind in style.

Gold, platinum, brass and copper are being included as metallic accents and design highlights, while black is being used on its own, but also to create a contrast to richer tones.

Close up of tap fitting

Image credit: Crosswater

The key to taking the bathroom to the next level lies in the small, often overlooked, details. Focusing on accessories, taps, showerheads and rails can often create a great impact with a minor amount of bold colour.

The MPRO collection from Crosswater delivers the very best in brassware engineering and is available in a Brushed Brass finish, along with Chrome, Stainless Steel and Matt Black options. Combining superb function and precision design, the result is a complete collection of bathroom mixers, valves and showerheads that meets the exacting standard of today’s modern bathroom.

Close up of marble and gold fittings

Image credit: Crosswater

Celebrating simple lines and an on-trend brushed gold surface, MPRO brings a stylish update to any contemporary bathroom scheme.

A developing theme is that several colours are being used in coordination with each other that might appear, at first glance, to contradict one another in a mixture of styles. In this way, all traditional rules towards interior design and aesthetics have been overruled.

“Crosswater’s new Italy collection is offered in 49 colour combinations and gives life to true customisation in the bathroom.”

People are getting more adventurous and mix-and-matching in their homes, creating individual and bespoke schemes. One of the great things about this approach to hotel design is that it is extremely flexible, providing guests with the luxury of a variation of finishes within one room – plus the idea of mixing materials adds a special interest, richness and depth to a design scheme.

Crosswater’s new Italy collection is offered in 49 colour combinations and gives life to true customisation in the bathroom. Modern forms of the 1920s inspire this brand new range, which combines metals, natural stone and marble – creating a unique character. Designers are able to choose from eight base finishes and seven handle options, and the collection is available in a range of deck, wall-mounted and floor-standing basin, bath and shower mixers.

In this way, when it comes to hotel bathroom décor, designers can combine colours, materials and patterns to create an effect that reflects the hotel’s personality and unique style. Using colour can still be applied to the fine finishes, elegant fittings and timeless accessories to create that luxurious hotel-feel that guests desire – think big and these fearless design choices will help your hotel achieve a unique designer bathroom look.

Crosswater is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, click here.

Main image credit: Crosswater

MKV Design completes chic hotel design in Mykonos

730 565 Hamish Kilburn
MKV Design completes chic hotel design in Mykonos

Design firm MKV Design has completed the interior design of Mykonos Riviera Hotel & Spa, a new 44-key boutique hotel that overlooks the Aegean Sea…

Described as the “perfect setting for rare moments of romance, luxury and personalised service,” Mykonos’ west coast has welcomed the arrival of a new boutique hotel,Mykonos Riviera Hotel & Spa, designed by MKV Design. Just as Hora tumbles down the centuries-old cliff face, so the white Cycladic buildings of Mykonos Riviera are also terraced down the rocky terrain.

With a stepped pathway running through the resort like its spine, and many spaces opening directly onto the pathway, the development resembles a series of little village houses, albeit revealing contemporary pared-back design and many luxurious features when the doors are opened.

“This has been a very special project for us, given our role over the years as interior designer at the Riviera’s sister resort, The Mykonos Grand Hotel & Resort,” says Maria Vafiadis, Founder of MKV Design and finalist of The Brit List 2018. “In this new project, we have created a retreat just a stroll away from the main town in which guests can feel completely connected with the most beautiful and transformative aspects of Mykonos – its natural landscapes, centuries old architectural character and its sense of simple luxury”.

A sunken pathway is the start of the journey through the site, leading to the reception lobby which sits below the elevated infinity pool, only opening out at the far end with a seating area and windows looking over the sea. The genius of the design in this space is the deep, glazed “windows” punched through the ceiling under the pool which transform the lobby into an ethereal underwater experience. By day, the space is constantly alive, shimmering with reflections of water and sunlight and animated by swimmers above. In the evening, it is illuminated by fibre optic lights embedded into the walls which shine upwards through the windows and pierce the water like hundreds of stars twinkling in the night sky. All this life is reflected and amplified by a fully mirrored reception desk, while a suspended sculpture plays with the notion of a diver plunging through the ceiling and recurring design features are established, such as polished concrete finishes and decorative marine rope.

Minimalist check-in desk with colours of turquoise in ceiling and reflection on floor

Image credit: Niall Clutton

The library is also directly off the sunken pathway. A fresh, calm room in which to relax or work, it is one of the very few spaces that looks inwards rather than out to sea. Above, the Blu Room is a space for small private events and guest breakfasts with a stunning custom-designed buffet table above which a parade of lights like elegant sunhats forms an eye-catching display. The Blu Room’s reversal of the island’s usual colour palette of white with blue highlights into a room of dense ultramarine blue emphasises its unique role within the resort as a semi-private facility.

Most of the guestrooms and suites overlook the Aegean Sea. Their interiors are bright, spacious and designed with a sleek nautical touch. A rope motif strung across the ceiling suggests rigging on a boat and splashes of Mykonian blue enliven the otherwise all-white palette; all the rooms enjoy an outdoor terrace. The bathroom area is finished in the iconic white marble of Naxos together with weathered timber, and the free-standing vanities are within the bedroom area, together with, in some rooms, a bath tub.

Bright, airy and clean guestroom

Image credit: Niall Clutton

Among the many room types, there are a number of suites raising the luxury experience to a further level, including suites with a heated jacuzzi on their terrace, duplex spa suites in which the lower floor is dedicated to pampering and fitness and the 70 sq metre Pool Suites, each with a private pool. A three-bedroom maisonette crowns the guest offering with its own infinity pool and a huge, fully furnished terrace.

The rooftop Pool Club restaurant and bar is the hotel’s all-day dining venue. Located opposite the pool and directly looking towards the sea, it offers a panoply of gently changing vistas, from the Mykonian sunset to the yachts and pleasure boats making their way in and out of harbour. The range of seating options is varied to suit loungers and diners, secluded contemplation and lively socialising. Once again, the colour palette is simple and belongs to Mykonos; the white ceiling of the pergola is criss-crossed with white rope and the bar is dressed in rope that sways in the Mykonian breeze.

Lafs, the Greek speciality restaurant, only opens in the evenings and its simple interior is therefore designed to feel cosy and be seen by the light of its many glass pendants and loosely woven raffia shades which cast shadows across the room. From its outdoor terrace overlooking Hora, diners feel like they can touch the town.  Lafs has the air of the best Greek in town – unpretentious, convivial and authentic.

View overlooking the pool and the bar

Image credit: The Mykonos Grand Hotel & Resort

The 500 sq metre spa includes six treatment rooms, a thalassotherapy pool with therapeutic showers, a hammam, sauna, relaxation room and hairdressing salon. The interiors are pure and simple with polished concrete finishes predominating embellished by pebble channels in the floor and a sculptural wall to one side of the pool; although the spa is sunken, natural light penetrates the space via a small outdoor courtyard.

Main image credit: Niall Clutton

5 examples of art outside the frame at Clerkenwell Design Week

730 565 Hamish Kilburn
5 examples of art outside the frame at Clerkenwell Design Week

Clerkenwell Design Week once again inspired designers, architects and Londoners alike to celebrate London as a creative design hub. Editor Hamish Kilburn identifies five installations that took art outside the frame…

In seven exhibitions across London’s much-loved design district, exhibitors at Clerkenwell Design Week displayed the latest products and emerging trends on the market.

But in between each tented venue, creepy crypt and a deserted nightclub were a number of artists, designers and architects reflecting their creativity on the city’s streets. CDW showcased commissioned site specific installations across Clerkenwell. For CDW’s 10 year anniversary, visitors were asked to expect the most exciting street spectacles yet, and here were just a handful of the main attractions.

Once Upon A Time

Main image credit: Sophie Mutevelian/Once Upon a Time

The installation took inspiration from the rich and sometimes dark historical tales of Clerkenwell. For the initiative, CDW collaborated with Chelsea College of Arts, BA Graphic Design Communication students to create a series of graphic installations inspired by the stories relating to the significant locations. The six winning entries were selected by a judging panel including; Max Fraser, CDW Content Editor; Priya Khanchandani, ICON Editor, and David Barnett, Chelsea College of Art Course Leader, BA Graphic Design Communication. In conjunction with the project, Lansdown’s London hosted a number of historical walking tours during CDW exploring its past as a centre of making, from clock-makers to gin distillers.

Decade

Man looking at the installation on the streets of Clerkenwell

Image credit: Hakwood Adam Dale/Decade

The piece was a dramatic trail of 10, three metre high candle like beacons designed by pioneers within the creative industry. The installations, symbolic of birthday candles also formed part of CDW’s wayfinding strategy to help guide visitors across the exhibition route. With a nod to the area as London’s creative heart, each installation showcased the designers’ individuality and imagination.

Reflect Us

Created by Beau Kerouac in collaboration with ‘The Big Issue’, the installation intended to bridge gaps in society by confronting visitors with 10 door-sized gateways to eyes that are sometimes hard to look into, telling the stories of vendors from our city streets. Using AR technology, Beau Kerouac invited visitors to question how an act of respect; simply making eye contact, can change someone’s day for the better through shared experience.

Scale Rule

The large installation, which was displayed at St John’s Gate arch, responded to the theme of history and heritage by proposing a new structure that subtly draws on the historic form whilst bringing in materials and geometries that reference the design culture of Clerkenwell today.

The concept played with the idea of space and enclosure, by inserting a densely built timber structure within the void of the archway.  This was then carved away to allow a route through and to frame the historic features of the site. The timber frame was filled with moments of colour that intensify towards the top of the arch, drawing visitors’ gaze upwards towards the historic architecture. The colour was created by using recycled materials and fabrics that reference the design identity of the area.

While on the site, the pavilion highlighted details of the archway and drew parallels to the 10 year anniversary of CDW.  When moved to a new location, the pavilion will take with it the geometry of the archway to act as a casting of the original site.

Pareidolia

Man walking past light-like installation

Image credit: Jestico + Whiles

For their second CDW collaboration, Jestico + Whiles and Porcelanosa Group teamed up with Studio Fractal and Architainment Lighting to display a new and experimental immersive experience, which was entitled Pareidolia.

The immersive installation explored concepts of movement, memory and pattern with an impressive large-scale digitally fabricated installation made of Krion, a Porcelanosa product derived from natural minerals.

Hotel Designs was a proud media partner for Clerkenwell Design Week 2019. To read the editor’s round up of the entire festival, including news of the major product launches during the three-day-show, click here.

Main image credit: Sophie Mutevelian

DesignLSM unveils 100 Queen’s Gate Hotel, Curio Collection by Hilton in London

730 565 Hamish Kilburn
DesignLSM unveils 100 Queen’s Gate Hotel, Curio Collection by Hilton in London

Hospitality design firm DesignLSM has transformed the F&B and front-of-house areas of the newly launched 100 Queen’s Gate Hotel in Kensington, London…

100 Queen’s Gate Hotel in Kensington has reopened following Crimson Hotel’s ambition to convert the DoubleTree property into a Curio by Hilton hotel.

To achieve this, design firm DesignLSM was commissioned to curate a unique narrative for the property, forming a personality that creates a strong sense of place. From the outset of the project, DesignLSM strategy team collaborated closely with the client on the positioning of the hotel, undertaking a detailed reconnaissance visit of the Kensington Borough and examining among other areas the core demographics and competition. The study established the overarching design narrative as well as defining the F&B offers to suit the day part and clientele’s diverse desires.

“We immersed ourselves into the historical archives of the property and drew upon the distinctive persona of the original land owner – William Henry Alexander, who was well regarded within the 1800’s for being an avid collector of curiosities from his travels as well as a notable patron of the arts,” said DesignLSM’s strategy director, Holly Hallam. “We wanted to ensure that the interior alluded to its Victorian roots whilst conveying a strong balance of modernity. The narrative of the design pays homage to William Alexander, creating a sense of ‘his residence’ through the individually designed spaces; showcasing the collectables and celebrating his adventurous character.”

warm and spacious public areas with plush furniture

Image credit: Curio Collection by Hilton

The heterogeneous and contemporary palette of the hotel reception and lounge creates a warm and inviting ambience for guests introducing them into the luxury of the Curio brand. The two main lounge areas are divided by a beautifully lit cabinet of curiosities displaying an assortment of discoveries which reflect the origins of William Alexander’s travels. Reminiscent of a Victorian gentleman’s drawing room the space features a grand bookcase, writing desk and drinks trolley alongside plush furnishings and artwork.

The large, light and airy reception area creates a distinctive first impression with three bespoke timber reception desks taking centre stage. Further pockets of lounge seating are placed around the space leading out to a relaxed atrium terrace that takes guests down to the ESQ cocktail bar.

Deep, dark hues in the bar

Image credit: Curio Collection by Hilton

The design curation of the ESQ Bar was based around a traditional Victorian parlour room, where Alexander would bring his guests and business associates to discuss his latest confidential endeavours. Adorned in a rich, warm colour palette with bold decorative fabrics the space provides a refined and relaxed ambience perfect for pre and post dinner drinks. Ambient lighting seamlessly transitions from day till night in keeping with the sophisticated tone of the hotel.

The lower ground floor also offers access to two private meeting rooms decorated in a deep hues of blue and dark wood projecting a masculine undertone with curious collections of artwork and relics.

Taking inspiration from traditional Victorian Gymnasiums, the intimate basement gym is adorned in bold painted wall panelling with warm timber flooring complemented by a statement green colour palette.

Elsewhere, the ‘Botanica’ tea room is housed in an elegant double height atrium space with abundant arrays of luxurious greenery and planting. Evocative of a classic Victorian orangery, the space offers vast amounts of natural daylight making it the perfect place for relaxation over a spot of afternoon tea with friends.

A particular highlight of the design, according to the design firm, is the exquisite pendant lighting that imposingly suspends from the ceiling, highlighting the elegant marble finishes and statement floor tiles.

London Design Festival unveils sneak peek of its 2019 collaborations and events

730 565 Hamish Kilburn
London Design Festival unveils sneak peek of its 2019 collaborations and events

At an exclusive press conference at the Victoria & Albert Museum, the organisers and close partners of London Design Festival lifted the veil on just some of the collaborations, concepts and talent that will be displayed at the week-long festival between September 14 – 22. Editor Hamish Kilburn writes…

As Clerkenwell Design Week comes to a close, London Design Festival has been waiting impatiently in the wings to share what’s new for this year’s event. Sheltered within an apt setting inside the Victoria & Albert museum, which is the world’s leading museum for design and art, members of the press were given unprecedented access into some of the major collaborations, installations and talent that will be displayed during the week-long festival.

This year also marks 11 years with the V&A as a collaborating partner and the official Festival hub. During the Festival, the world’s leading museum of art, design and performance will once again play host to a series of specially-commissioned projects by internationally-renowned designers.

london street with installation and colour

Image credit: Walala Lounge, Camille Walala,

“The 17th edition of the festival, which launched in 2003, is all about collaboration and bringing people together,” said Sir John Sorrell CBE, Chairman of LDF. Sir Sorrell explained that LDF 2019 has teamed up to work with Benchmark Furniture. The festival has already identified and paired together 10 cultural leaders with 10 visionary designers in order to celebrate the potential and opportunities that can result from seamless collaborations. The concept, entitled Legacy, will involve each designer and organisation working together to craft something inspirational out of Red Oak with the aim to promote raw, intelligent and sustainable design. The sustainable wood species grows abundantly in the American hardwood forests, and will be fabricated at Benchmark Furniture in Berkshire. The pieces will be presented as a group exhibition at the V&A in September, after which they will relocate to the homes or institutes of each of the commissioners.

The 10 designers and commissioners are:

  • Dr Tristram Hunt, Director of the V&A, will work with Jasper Morrison
  •  Sir Ian Blatchford, Director and Chief Executive, Science Museum Group, will work with Marlene Huissoud
  • Yana Peel, CEO, Serpentine Galleries, will work with Ed Barber and Jay Osgerby
  • Alex Beard CBE, Chief Executive, Royal Opera House, will work with Konstantin Grcic
  • Amanda Nevill CBE, CEO, British Film Institute, will work with Sebastian Cox
  • Tamara Rojo CBE, Artistic Director, English National Ballet, will work with Martino Gamper
  • Dr Maria Balshaw CBE, Director, Tate, will work with Max Lamb
  • Iwona Blazwick OBE, Director, Whitechapel Art Gallery, will work with Raw Edges
  • Kwame Kwei-Armah, Artistic Director, Young Vic, will work with Tomoko Azumi
  • Sir John Sorrell CBE will work with Juliet Quintero
image of designers and cultural leaders

Image credit: LDF Legacy

Among the other installations to look out for at the festival is Matthew McCormack’s Falling Sky. The Canadian designer will exhibit a multi-story design-art installation featuring countless deconstructed, frost-like formations, conspicuously positioned over the heads of its onlookers.

Meanwhile, British designer Paul Cocksedge is transforming Finsbury Avenue Square, Broadgate, with Landmark Project, Please Be Seated. Located in the heart of Broadgate – a diverse hub connecting innovation and finance – the project will be the most ambitious of British Land’s commissions to date.

led lights abstractly arranged with black backdrop

Image credit: Sony Design

Sony Design will translate innovation into perceptual experiences is the theme for the creation of this interactive robotic pendulum: Affinity in Autonomy, an immersive installation that will explore design, AI and robots.

Camille Walala will return to LDF in a characteristically colourful manner. The French-born designer has been commissioned by Grosvenor Britain & Ireland to energise and enliven South Molton Street, in the heart of London’s West End, with a bold and beautiful family of street furniture. Combining head-turning colour and geometric shapes in monumental proportions, the 11 unique benches of Walala Lounge will give visitors something unexpected to look at – and to sit on.

Director of the festival, Ben Evans, took to the stage to explain the value of the festival’s various different districts and destinations, including Focus19, Design, 100% Design, London Design Fair,  “Each exhibition and district during LDF has its own personality,” he praised. “London has the biggest creative economy in the world, and design is a key part of it. London Design Festival celebrates and promotes London’s design excellence in a period when showcasing creativity is even more important.”

Established in 2003 by Sir John Sorrell CBE and Ben Evans, LDF celebrates and promotes London as the design capital of the world. London Design Festival has since earned the reputation as a key calendar moment of London’s autumn creative season, alongside London Fashion Week, Frieze Art Fair and the London Film Festival, attracting the greatest thinkers, practitioners, retailers and educators to the capital, in a citywide celebration.

Main image credit: Paul Cocksedge

Man walking in front of light installation

Editor’s round up of Clerkenwell Design Week 2019

730 565 Hamish Kilburn
Editor’s round up of Clerkenwell Design Week 2019

The streets of London’s Clerkenwell came alive once more for another three days of exhibitions, installations and product launches. Editor Hamish Kilburn rounds up Clerkenwell Design Week 2019 as the festival enters double digits…

There is no other design festival in the world that harnesses the natural swagger to be able to pull off taking over a much-loved iconic nightclub and a desolate crypt at the same time.

Man walking in front of light installation

But Clerkenwell Design Week is an anything but ordinary festival, taking over an entire district to celebrate London as a leading design hub that incubates ideas, creativity and talent. As a proud media partner for the festival as it turns 10 years old, Hotel Designs was in the centre of the action, and here are some of our many highlights.

Following on from last year’s incredible installation with Brinton’s Carpets on St Johns Square, Timorous Beasties’ iconic designs were this year in the Project tent. The design studio’s provocative textiles were woven into the fabrics of Knightsbridge’s stand. Celebrating 80 years of British manufacturing – which is a feat on its own – the furniture company’s design director, Jason Brown, designed a 60s inspired furniture set, combining rich mustard with Timorous Beasties jungle-like patterns. “Yesterday, today, tomorrow,” he said when asked to describe the timeless collection in three words.

From one iconic design brand to another, Zaha Hadid Design Gallery opened its doors to present ‘Shaping Reality Through Time’, an exploration of Fitz Hansen design evolution. As well as looking to the past, the exhibition also showcased a number of new products that were launched at Milan Design Week, including Plenum, which is Hansen’s first dedicated contract furniture piece.

Let there be more light

The feeling of celebration was in the air, which was arguably most felt in the Light exhibition that took over Fabric. The nightclub that famously closed its doors permanently a few years ago was taken over by striking light installations. Many of the new products on display were sustainably designed using materials such as cork and even cardboard in  both the base and shade.

Graypants’ latest flagship Scraplights, made from recycled cardboard and inspired by a collection of pebbles, are cut with a laser and are assembled by hand using non-toxic adhesive. In addition, each and every product is treated with a non-toxic fire retardant, making them ideal for hotel interiors.

Geometric light installation

Image credit: Black Edge Productions

Meanwhile, British lighting brand NOVE displayed its fresh approach on sustainability with pendants in the company’s Cork Collection. Also using the sustainable material was the stylish ARKKI SKIRT & DRUM lamps are lightweight and eco-frindly. The ingenious folding structure allows for a ”pearl necklace” to shine between the pieces, and the white inside of the shade makes it a good light source. There are several wood veneer finishes and a number of laminated paper colors to choose from, all applied on a folding structure of durable corrugated cardboard. The lamps are flat-packed for shipping and mount easily by joining the ends of the fan-like shade and adding a disk that completes the clever structure.

Living room with cardboard lightshades in different colours

Image credit: ARKKI Skirt and Drum

Another highlight from the exhibition – and no stranger to CDW – was Haberdashery. The lighting experts displayed the company’s personalised Dawn To Dusk lamps that evoke the memory of the rising and setting of the sun. As if you were lifting the sun from behind the horizon and placing it in the sky, the light transitions from off through deep red and warm white, to the bright light of midday.

Taking over what used to be the dance floor under the shadow of the main stage was a dynamic installation by LUUM, a company that prides itself on delivering spectacular light installations that stir a sense of wonder, excitement and energy – all of which was captured effortlessly this year with an interesting play on LED technology and geometric, abstract shapes.

Blending architecture with lighting, LEDS C4’s GROK exhibited in the walkway by showcasing its latest products that reacted perfectly with the nightclub’s rustic charm. Visitors were able to immerse themselves around the company’s latest collections such as Ely, the wall light designed by Luca Turrini, new pendants in the Voiles collection by Céline Wright and Circular, which was hung spectacularly over the stand.

Other brands in the Light exhibition included Optelma, atelje Lyktan, Bert Frank, EBB & FLOW, Syska, and XAL among many others.

Mood lighting

Elsewhere around the streets of Clerkenwell, the possibilities of lighting was a topic explored in full. For the duration of festival, artist Liz West took over Domus’ lower ground floor area with her latest work Live Colour. Working against a minimal backdrop of XL format Magnum slabs at Domus, West has imagined a space with blue, pink, green, red and yellow rotating washes of each colour, against white floor and walls, with ‘pure’ white light as part of the cycle to normalise the overall colour intensity.

Audience at seminar in showroom

Image credit: Sophie Mutevelian

The installation uses Rosco’s patented SL1 Mix LED technology to create accurate Rosco gel matches and intense, saturated colour. Through West’s multi-sensory art, visitors to Live Colour will experience pure colour in an immersive environment like never before.

“Live Colour’ plays with people’s individual perception of colour, challenging how they feel when immersed totally in one colour, then quickly drowned in another in deep contrast,” explained West. “Colour is a universal language that is understood by all, although we each bring to the work our individual memories and lived experiences of colour.”

Seamless bathroom style

CDW wasn’t the only birthday celebrated at the festival. Bathroom manufacturer Duravit marked one year in Clerkenwell by exhibiting its latest contemporary products, including the VIU range designed by Sieger Design as well as the masculine matt black furniture and basin options.

Meanwhile, hot off the heals from ISH 2019 and Hotel Designs’ exclusive with VP of Design Michael Seum, GROHE teamed up with tile experts at Mosa to display its latest collections.

Flexible and fresh working spaces

Following on from Hotel Designs’ panel discussion at the Independent Hotel Show Amsterdam entitled ‘Designing For Bleisure’, CDW opened the doors to practical workplaces and furniture that many hotels and hotel designers can draw inspiration from. The modern BOB by Bisley, for example, allows the user to detach and personalise the unit to each consumer’s preference. Also exploring this concept in the Platform exhibition was HEX from Intarc Design. The interactive furniture solutions transforms with every use and has the functional ability to store tables, shelves, drawers and even include power supplies. Another stand-out piece that further blurred the lines between workplace and hotel design was the NAAVA living walls, which were displayed in the Design Fields exhibition. The wall is the only smart and active green wall that revolutionises the air consumers breathe.

man in front of installations made of plastic bottles

Image credit: Sophie Mutevelian

Key elements

Nestled on St Johns Square, which won the award for best suntrap of the week, Elements at CDW brought together a leading selection of ironmongery, hardware, switch plates and architectural accessories. Stand-out pieces included contemporary and colourful radiators by BISQUE and personalised light switches, electrical wiring accessories, circuit protection, smart lighting controls and multi-room audio that was on display on the Hamilton Litestat stand.

Inspiration for all 

Among the many engaging talks and seminars that took place over the two days was Morgan Furniture, which opened its showroom to a flood of a designers, architects and students to hear Tom Raffield talk about his latest lighting collection – and the art of steam bending. “Biophilic design is so important,” Raffield said. “I am really inspired by the fact that there are no striaght lines in nature.” Other sessions that went beneith the surface of sustainable design included Jo Ruxton’s Plastic in the Ocean talk at Humanscale and Material Matters by Grant Gibson and Gareth Neal.

One of the many traditional highlights of the festival for many is the Platform exhibition, which takes shape in the House of Detention. The exhibition recognises some of the world’s most exciting up-and-coming design talent. Exploiting the venue’s atmospheric architecture, Platform creates a stunning backdrop for a curated collection of international and cutting-edge design. Among the stand-out stands this year was fabric brand Monkey Puzzle Tree, which launched a new colour of its Passion Flower wallpaper. “We worked with artist Alexis Snell, a printmaker who works with beautifully unique linocuts to create Passion Flower wallpaper,” explained the brand’s Charlotte Raffo. “Known for her strange, dark, angular illustrations that look as if they’ve just emerged from a fairytale, Alexis’s work can been seen illustrating many books and her designs have also been commissioned by the Victoria and Albert Museum.”

Other brands who exhibited underground and projected emerging talent included Spitfire Furniture that combines aviation engineering with design, Trouping Colour, STORE and Russel Bamber.

Something fun to take away

Robot pole dancing

Image credit: Giles Walker/FUTURE Designs

The designer and manufacturer of luminaires and bespoke lighting solutions FUTURE Designs displayed ‘Peep Show’, an installation by kinetic artist Giles Walker. The installation, which featured robotic sculptures that dance, was created as a comment on the perverseness of some advancing technologies and their surveillance capabilities. Peep Show went viral on social media shortly after being shown in its opening exhibition.“There are parallels with the themes that run through my work and the physical creative process,” said Walker about the display. “Over the past 27 years that I have been making moving sculptures there has been a direct correlation between the technological progression of my work and the technological progression in the recycled material available. A lot of the mechanics found in my sculptures still come from under the bonnet of scrapped cars. So not only do my sculptures allude to displaced, rejected and redundant themes surrounding society, but they are also made of this very thing”.

The robotic sculptures included parts from the FUTURE Designs factory that were recycled to help create these thought provoking moving figures.

The 10th edition of CDW has been a celebration of a decade spent in EC1. The three day festival continues to highlight and celebrate the extraordinary creativity housed across London’s historic Clerkenwell. Representing the area’s dynamic energy and creative diversity, CDW has become a show like no other – championing the local community, established and up-and-coming design brands. Hosting more than 200 exhibitors, including more than 100 showrooms, seven installations, seven exhibition venues and a series of workshops, talks and walking tours, CDW 2019 certainly delivered.

Main image credit: Sam Frost

New ‘super boutique hotel’ in London to become leader in sustainability

730 565 Hamish Kilburn
New ‘super boutique hotel’ in London to become leader in sustainability

Edwardian Hotels London has secured a £175 million Green Loan from HSBC UK that will help make its new ‘super boutique hotel’, The Londoner, one of the most environmentally friendly in the UK, with sustainability at its core…

Edwardian Hotels London has secured a £175 million Green Loan from HSBC UK to ensure its new super boutique hotel, The Londoner, situated in Leicester Square will be one of the greenest hotels in the UK.

The deal with HSBC UK breaks new ground in sustainability for the hospitality industry. It is the first Green Loan in the sector that meets the Green Loan Principles, which were set out in March 2018 to encourage and facilitate environmentally-friendly economic activity. The funding will be used to ensure the new hotel doesn’t just meet but exceeds the BREEAM Excellent category in building environmental and sustainable performance.

Thanks to the Green Loan, The Londoner’s impressive green credentials will range from use of construction materials with a low environmental impact, to new technologies including an innovative liquid film which will reduce evaporation and energy loss from the hotel’s swimming pool.

The hotel is also aiming to contribute to the sustainability of its neighbours by including a heat network connection. Initially, this will be linked to the Edwardian Hotels London-owned hotel next door to The Londoner, The Radisson Blu Edwardian Hampshire, but could also be extended to the surrounding area in the future. In total, the hotel is set to use 30 per cent less carbon than regulations demand.

 “Since its inception we have always had bold ambitions for The Londoner to write itself into the very fabric of the city, said Jasminder Singh OBE, Chairman and Founder of Edwardian Hotels London. “We have been dedicated to delivering a high-quality, sustainable, integrated hotel and this Green Loan supports that vision. We are delighted that this new property, designed to celebrate the character of the capital, has become the first in the hospitality industry to secure this.”

Rob King, Head of Sustainable Finance at HSBC UK, said: “HSBC has made a commitment to provide US$100bn of Sustainable Finance by 2025 to help businesses transition to a lower carbon economy. We are very pleased to have supported Edwardian Hotels London with a Green Loan to support the construction of this high profile hotel with very strong sustainability credentials.  Green Loans are an exciting development in Sustainable Finance which will encourage the investment urgently required to meet our carbon emission reduction targets.”

The Londoner is in a new hotel category of one. Boutique in feel, yet staggering in scale, at 15 storeys, the property will offer a multifaceted experience through its 350 exquisite rooms and suites, signature restaurants and dining offerings and with the bespoke meetings and event spaces infused with London character. It is scheduled to open in Spring 2020.

Main image credit: Edwardian Hotels

New destination bar opens at revamped Hilton Hotel Münich City

730 565 Hamish Kilburn
New destination bar opens at revamped Hilton Hotel Münich City

While Hotel Designs continues its Spotlight On Bars & Restaurants, Hilton Hotel Münich City opens Juliet Rose, a new destination bar…

Interior design firm Goddard Littlefair has completed a striking new destination bar called Juliet Rose at the Hilton Hotel Münich City. The city’s new place-to-be bar was inspired by the F&B concept of unusual botanical extracts and the importance of process in the creation of its singular drinks.

The scheme was inspired by the F&B concept of unusual botanical extracts and the importance of process in the creation of its singular drinks, which includes a range of signature cocktails and what is said to be the best coffee in Munich. The result is an exciting and theatrical zoned space with an alchemical, laboratory feel; a perfect back-drop for outstanding drinks to be made and delivered. The scheme both stands out from and also works subtly in harmony with the overall hotel, which has also undergone a thorough revamp by the Goddard Littlefair team.

The bar’s name, Juliet Rose, is taken from one of the most elite roses in the world, developed over a 15-year period by renowned rose breeder David Austin. As well as lending the concept connotations of craftsmanship and the long-term pursuit of perfection, the ‘Rose’ reference will also be easily understood by a local audience as a nod to Rosenheimer Strasse, the street onto which the bar’s dedicated entrance faces, as well as the Rosenheimer Platz metro station, on top of which the hotel stands.

Modern restaurant and bar

Image credit: Gareth Gardner

The generously-apportioned, 90-seat, 180 sq m bar is located on the hotel’s ground floor, with easy access from both the hotel’s spacious new reception, as well as via its own dedicated Rosenheimer Strasse entrance, introduced to maximise passing trade. Customers can additionally access the hotel and bar directly from the metro station and an adjacent car park below, arriving via a special circulation route through the ground floor of the hotel, offering intriguing glimpses of the back of the bar through semi-opaque windows, so that the bar is referenced and announced from every possible angle.

Juliet Rose is made up of four different seating zones, each with different stand-out features, plus two bars. The main ‘ceremony bar’ is a stunning, monolithic U-shaped design that guests coming from the hotel entrance see as soon as they enter the space, at the far end of a central approach. A second, smaller-scale coffee bar is made of the same dramatic moss-green and highly-polished granite, with the choice of material referencing the earthiness of botanical ingredients. The granite for the main bar has been book-matched to ensure dramatic textural veining from the front. Above and behind the main bar, the gantry structure is made up of brass sections, with an industrial/lab feel, underscored by an apothecary-style bottle display. The barman prepares cocktails at its centre, making full use of dry ice, bell jars and a sense of reveal.

‘The overall design approach for the space was based on form and order, with drama, freedom and an opposing sense of randomness created by the furniture and accessorising’, architect David Lee Hood, Associate at Goddard Littlefair, explained. ‘When it came to structure, we added a number of new elements to the space to give a feeling of overall order and symmetry, whilst also ensuring playful visibility between zones via glazed screens offering varying privacy levels.’

As visitors arrive from the hotel down the entry circulation route for example, they pass between two large-scale, floor-to-ceiling screens (with added ‘peep holes’), where a brass-effect structure features ribbed glass OLED panels with a striking inset palm print. The screens were bespoke-manufactured for the project and are just one of many bespoke items that ensure design integrity and exclusivity for the project. A second highly striking screen-wall faces the hotel entrance lobby, passed by guests on their way to either the bar or front reception, and is made up of a brass shelving structure with glass backlit panels where a textured opaque manifestation gives the impression of a linen-style finish and plays with light. The structure is decorated on the inner side with judiciously-placed planting.

Image credit: Gareth Gardner

As the existing columns in the space are quite dominant, the design team made a feature of them by using new cladding and mirroring. An existing ceiling was removed so that the space’s full height could be used, with a dramatic new lighting structure that uses brass pipes and large, exposed lamps to add to the geometric, laboratory feel. Inset mirrors within the ceiling area reinforce the structure, as well as adding reflection and sparkle. Architectural lighting for the scheme was created together with DPA Lighting, whilst the stand-out decorative pieces were all bespoke-designed by Goddard Littlefair, with advice from DPA, and manufactured by Peters Design. As well as the overhead grid structure, these include a stand-out ‘test tube’ style pendant light located over the main bar and a number of vertical, glass-clad wall lights, which refer to the test-tube decorative light in style. A number of mid-wall lights throughout feature a circular fitting with a pole attachment to each side. These add layering and create a lower-level light source to bring light to the tables. Flooring throughout features stained oak timber surround and inset panels, made up of a geometric pattern of small white mosaic areas, plus larger slices set at interesting angles.

The four main seating zones include a casual drop-in area, directly to the left of the entrance, primarily for daytime use for coffee and cakes. Further casual seating is to the right, whilst the two sections further back and along both sides of the bar, for day or evening use, feature a mixture of seating types, as well as a communal high table, for groups, cocktails evenings and special events. Planting is used throughout, both for biophilic appeal and to underline the ‘botanical ingredients’ bar concept.

Furniture throughout includes sofas in bottle green leather and loose seating upholstered in pale oyster pink or else in deep orange leather with thin brass upstands and dark turquoise seat backs. Tables are either a marble-effect silestone, a brass-edged timber-topped design or, for the higher communal table, a series of easily-conjoined tables featuring a print taken from a magnified gold-veined leaf print, supplied by Fameed Khalique and manufactured by the lead contractor on the scheme, Engels.

luxurious bar with pendent lighting

Image credit: Gareth Gardner

Four windows which look directly out onto Rosenheimer Strasse, alongside the bar, feature a special chain-mail curtain with a clip detail, playing once again with light and screening, whilst effectively obscuring the busy street view and ensuring customers are enveloped by the bar’s atmosphere.

Located behind the street entrance to the bar, on the other side of a draft lobby area, are two stand-out pieces of bespoke-designed joinery: a waiter station and a moveable cocktail bar, both in high-gloss lacquer with blue-green tones to work well with the planting and moss-green granite bars. The cocktail bar has a removable top with ice and a sink inside so that it can be moved around to cater to guests anywhere in the space.

The hotel reception lobby that connects with the bar features a design treatment in keeping with the overall hotel design scheme, inspired by German Expressionism and particularly Der Blaue Reiter art movement, which had its origins in the city. Stand-out design features in the reception area include feature lighting loops, designed by Goddard Littlefair and manufactured by LED-C4; a high-gloss hexagonal mosaic-fronted reception desk with brass edging; a striking reception back-wall with a pale grey wallcovering and bronze effect vertical dividing strips; a marble fireplace area and artworks chosen by art consultants ARTIQ, taking a cue from the dynamism and strong colour of early 20th century German Expressionism, but updating that for today’s context, with new artworks commissioned for the hotel from contemporary artists. The artworks that lead towards Juliet Rose are partly-abstracted paintings which reference a more natural theme, in keeping with the F&B concept, with bold and interplaying curved lines.

Main image credit: Gareth Gardner

The Balmoral in Edinburgh reveals new suite

730 565 Hamish Kilburn
The Balmoral in Edinburgh reveals new suite

The Balmoral, a Rocco Forte hotel in Edinburgh, has revealed a new look for one of its signature suites, The Glamis…

One of Edinburgh’s most iconic hotels, The Balmoral, has unveiled the new design of one of its signiture suites, The Glamis. Designed by Olga Polizzi, Rocco Forte Hotels’ Director of Building & Design, the royal suite is set to become one of the city’s most impressive spaces thanks to an extensive refurbishment and the introduction of exclusive partnerships designed to elevate the guest experience.

The ultimate base for couples and families or an urban retreat for royalty, heads of state and VIPs, The Balmoral is now home to the finest suites in the city, setting the luxury standard of accommodation for Scotland. Named after one of the country’s most beautiful and historical royal abodes, Glamis Castle, childhood home of HM Queen Elizabeth The Queen Mother, the newly launched Glamis Suite is full of period charm and regal references, its ambience and offerings giving a hint of its namesake’s legacy of style, intrigue, rebels and revolution.

Stretching over 100 square metres, with a prime position overlooking the entrance to the hotel on Princes Street, the new suite can be booked with one, two or three bedrooms, making it perfect for couples, families and VIPs.

“Authenticity is at the heart of Rocco Forte Hotels and here original features are celebrated with book cases.”

A new entrance to the Glamis Suite offers discrete, private check-ins. Entering the generous space, patinated bronze screens open onto a Scottish baronial table set for four in the dining room. In the sitting room – with its working fireplace and antique chandelier – a lush colour palette of emerald and amethyst sets the tone for a scheme in which rich fabrics meet antiques selected personally by Polizzi from her travels throughout Europe.  Authenticity is at the heart of Rocco Forte Hotels and here original features are celebrated with book cases – set within the original Edinburgh presses – and art featuring Scottish botanicals. The showpiece Shinola record player and vinyl collection is a nod to the Rock ‘n Roll greats who have frequented the hotel. Available for guests to enjoy, the record menu offers an ever-growing collection tailored to guests’ music tastes.

Taking centre stage in the Master Bedroom is a full-height half-tester bed with a tapestried canopy adding to the romance of a by-gone era. Lewis & Wood Bosky wallpaper by artist Alexander Hamilton adds a fairy-tale quality to the scene whilst two stone lions referencing The Royal Banner of the Royal Arms of Scotland stand guard. A spacious Arabascato marble-clad bathroom, with its oversized freestanding bath sitting underneath a lustrous vintage Czechoslovakian glass chandelier, completes the suite.

Providing a unique suite experience is at the heart of Rocco Forte Hotels’ ongoing dedication to its guests. As part of this, Glamis Suite guests will be offered exclusive turndowns from luxury cashmere brand Johnstons of Elgin and fragrance house, Kingdom Scotland, both aimed at bringing the essence of Scotland to the suite.

Hard Rock Hotels to arrive in Barcelona

730 565 Hamish Kilburn
Hard Rock Hotels to arrive in Barcelona

Hard Rock International continues growing its European hotel portfolio, announcing the development of Hard Rock Hotel Barcelona…

The global brand, Hard Rock International, is set to bring its signature musical flair to the shores of Barcelona in a €200 million new hotel to be developed on the last available seaside plot in metropolitan Barcelona.

Construction of the 504-room hotel will begin in late 2019, set to open on the shores of Barcelona in early 2022.

“This is set to be another ambitious project for Hard Rock International, alongside ASG,” comments Todd Hricko, senior vice president and head of global hotel development at Hard Rock International. “Hard Rock Hotel Barcelona will bring the brand’s dynamic and vibrant hospitality to Barcelona’s Mediterranean Coast, injecting energy and world-class entertainment into the city’s hotel scene.”

The project is owned by ASG’s fifth real estate fund and will be operated by Hard Rock Hotels. It is the fourth project in ASG’s Spanish hotel development strategy following the dramatic surge in visitor growth in Spain.

Saul Goldstein, ASG’s founder and managing partner, said: “Our agreement with Hard Rock International is an important milestone for this signature investment. It’s our second collaboration with HRI’s renowned hospitality brand following the announcement on the opening of Hard Rock Hotel Madrid. The Barcelona project amps up our hotels’ development strategy in Spain, which targets opportunities in major visitor destinations with a shortage of rooms.”

Hard Rock Hotel Barcelona, which will be designed by B720 Arquitectos, will offer a stunning rooftop terrace and bar with swimming pool, two Speciality Restaurants, Lobby Bar with Grab and Go and Music Bar. Guestrooms will have luxurious private balconies overlooking the Mediterranean Sea.

The brand will bring a selection of its signature amenities to Barcelona, including a Body Rock Fitness Centre and a Rock Spa to keep the mind and body healthy, the Sound of Your Stay in-room music program, a Rock Shop and a Hard Rock Roxity Kids’ Club, providing entertainment for younger guests. The hotel’s seven meeting rooms and ballroom will cover 21,530 square feet of meeting and conference space to accommodate a variety of events and occasions.

Adjacent to the Fòrum beach and Marina in Sant Adrià del Besòs, with direct subway and tram access to Barcelona city centre, Hard Rock Hotel Barcelona will be near Parc del Fòrum and Parc de la Pau, a regular host of spectacular music events and festivals, some of which Hard Rock has previously organised.

Barcelona’s incredible climate, cultural heritage and easily accessible transport links have made this city one of the most visited in Europe. Filled with incredible entertainment and activities, the city is the perfect fit for Hard Rock’s next European venture.

Main image credit: MAAD Architectural Imagery /B720 Arquitectos

Vienna House Wroclaw hotel to open following bleisure boom in Poland

730 565 Hamish Kilburn
Vienna House Wroclaw hotel to open following bleisure boom in Poland

Vienna House plans to open a 240-room hotel in the centre of Wroclaw. The group’s seventh hotel in Poland is slated to open in Q1 of 2022 following a rise in the country’s bleisure market…

Following the acquisition of 17 city hotels from hotel brand arcona, Vienna House has announced plans to open its seventh hotel in Poland, further utilising on the destination’s booming business traveller market.

The new smart-casual city hotel is part of a redesigned building complex which surrounds a historically listed bakery. Vienna House Easy Wroclaw will be a base for business and leisure traveller alike, featuring a vibrant restaurant, lifestyle lobby and bar, modern fitness facilities and spacious conference area. Guests will receive a warm welcome from the famous Wroclaw dwarves’, an insight into the city’s history and unique culture. The complex in which the hotel sits also features a student apartment concept from the BaseCamp brand.

“Wroclaw is an exciting, growing market, and the location in the city centre, near the botanical garden, is ideal, ” said Rupert Simoner, CEO of Vienna House, in a press release. “The combination of the casual, service-oriented Vienna House Easy and the lively student concept fits very well together and will develop into a fresh, lively meeting place.” Vienna House Easy Wroclaw, the Austrian hotel group’s seventh hotel in Poland, underscores the enormous interest in the Polish market.

Rendering of modern guestroom with dark-green wallcoverings and twin beds

Image credit: Vienna House

The hotel will be operated by Vienna House under a lease agreement from ST Wroclaw Sienkiewicza Sp. z o.o., which offers student apartment solutions with BaseCamp in Poland, Denmark and Germany.

Vienna House Easy Wroclaw offers 236 double rooms along with four suites. The rooms come with extra-long, super comfortable beds, modern writing and seating solutions, and bathrooms with walk-in showers. The hotel also has a 360 m² meeting and conference area, ideal for working. The fitness area features state-of-the-art exercise equipment, in addition to a massage area.

Vienna House Easy stands for smart casual design, hospitality DNA within our employees, established analogue services and meaningful digital offerings. These include televisions with connectivity for guest devices, high-speed WiFi, mobile concierge, self-check-in/check-out and much more. The hotel lobby provides a cosy meeting place, inviting reception area, cool bar and lounge all rolled into one.

Main image credit: Vienna House

Concept to Completion: Nicky Dobree creating Plaza 18 (part three)

730 565 Hamish Kilburn
Concept to Completion: Nicky Dobree creating Plaza 18 (part three)

While Hotel Designs is exclusively following Plaza 18’s creation, editor Hamish Kilburn checks in on designer Nicky Dobree as the project is just weeks from completing…

With her sleeves rolled up, designer Nicky Dobree is on the home straight in the race to design her first hotel project. The finish line, which is getting closer and closer by the day, is nestled within Vejer, which is one of the many white towns of Andalucia.

The new six-key boutique hotel will shelter a home from home, adjacent to the palm-filled Plaza de Espana landmark. Inspired, in part, by Dobree’s travels, the authentic surrounding landscape and even the smell of orange blossom, the boutique jewel will shelter an unmatched luxury setting.

While the full details of the project are heavily under wraps (for now at least), part three of Plaza 18’s concept to completion feature focuses on the final preparations to create an unmatched home-from-home boutique hotel.

Hamish Kilburn: How does travel influence your interpretation on design? 
Nicky Dobree: Travel hugely influences my design and expands my creative perspective. I am fortunate to have travelled extensively and to have lived abroad for many years. I therefore find that I regularly draw on my love of travel to add to the layers of my design. Inspiration can come from anything and everything, be it the local smell of the orange blossom in Vejer to its moorish architectural roots.

HK: How far in the process are you with Plaza 18? 
ND: The end is in sight and we are receiving bookings for the summer.

HK: What can go wrong and what are the major challenges at this stage in the project?
ND: Hopefully not a lot can go wrong at this stage that we are not able to resolve. Timing is key. We’ve just had Easter, which the Spanish take very seriously so the team will break for a couple of weeks. On the positive, the team have returned with a fresh eye to complete the finishes ready for us to install and open.

HK:Do you ever find it difficult to leave a project behind once it’s completed? 
ND: I always find it difficult leaving a project behind and handing it over. It’s like giving birth and handing over your baby. With Plaza 18, I hope that many get to enjoy it and look after it as if were their own.

Various images of bedrooms, door fittings and art

Image caption: Moodboard for Plaza 18

HK: This is your first hotel that you have designed, will there be others? 
ND: I very much hope so. I have really enjoyed the new challenges this project has given me. I really love the art of creating a space and above all an atmosphere that will hopefully make people want to return.

Hotel Designs has been following Dobree on the completion of her first ever hotel. Click here to read part one. Click here to read part two.

Vienna House acquires 17 city hotels from arcona

730 565 Hamish Kilburn
Vienna House acquires 17 city hotels from arcona

Vienna House, Austria’s largest hotel chain, has expanded its portfolio of city hotels by acquiring 17 properties from German hotel group arcana…

The Austrian hotel group Vienna House has bought 17 city hotels and two projects from Rostock-based arcona Group. In addition to eight successful arcona Living and four arcona Hotels, the purchase also concerns the five Steigenberger operations of franchisor Deutsche Hospitality as well as two projects in Greifswald and Mannheim.

The parties have agreed not todisclose any details as to the purchase price. “The arcona city hotels fit perfectly into the portfolio of Vienna House,” said Rupert Simoner, CEO of Vienna House. “Here two partners have found each other who are focusing on their brand positioning, who want to grow meaningfully from it and who also get along splendidly.”

“The group currently operates and is developing more than 40 hotels in Europe with a focus on city hotels.”

All employees of the affected arcona city hotels will be taken over by Vienna House. The hotels will be managed as lease operations under the umbrella brand Vienna House. The group currently operates and is developing more than 40 hotels in Europe with a focus on city hotels under the brands Vienna House, Vienna House Easy and Vienna House R.evo.

“A total of 20 Barefoot hotels are to be opened over the next 10 years.”

In contrast, arcona Managing Director Alexander Winter sees his hotel market of the future in the holiday hotel sector. Remaining in the arcona portfolio are six hotels in successful destinations such as Sylt, Kitzbühel and Rügen as well as the Hotel Elephant in Weimar and the Romantik Hotel at Wartburg Castle in Eisenach.

An important growth driver in the future will be the Barefoot Hotels, as arcona recently signed a long-term agreement with Barefoot founder Til Schweiger for theworldwide implementation of the concept as a licensee. “With the remaining houses and theBarefoot concept, we will now be concentrating fully on the growing holiday hotel market andsuccessfully embarking on the future together with our employees,” said arcana shareholders Alexander Winter and Stephan Gerhard. A total of 20 Barefoot hotels are to be opened over the next 10 years. “We see tremendous potential here, both nationally and internationally,” Winter confirms.The arcona headquarters will remain in Rostock, where the group will move into its new corporate headquarters, Villa Zeeck, in the second half of 2019.

Main image credit: Vienna House Easy Wuppertal

In Conversation With: Patricia Urquiola on Laufen’s latest bathroom collection

730 565 Hamish Kilburn
In Conversation With: Patricia Urquiola on Laufen’s latest bathroom collection

As Hotel Designs continues its month putting Bathrooms under the spotlight, editor Hamish Kilburn sits down with designer Patricia Urquiola to understand more about her latest collection reveal with Laufen…

Patricia Urquiola is no stranger to Laufen, as the Spanish designer celebrated at ISH 2019 the launch of her third – yes third – generation of SaphirKeramik, and by doing so has created the new collection, Sonar.

Rediscovering the formal scope of the bathroom – and designed to be insurmountable in bathroom aesthetics – the expressive Sonar collection has already gone on to win an iF Design Award. The material, SaphirKeramik, was first used by the designer for Laufen in 2013 in novel washbasin designs that were simply not possible using conventional bathroom ceramics. Six years later, the material has been used in the brand’s Sonar collection and now offers even greater variety thanks to the addition of more washbasins, WCs, a bidet, a new bathtub and a suite of bathroom furniture.

I recently sat down with the designer in order to understand the context of Sonar as well as what she thinks the future holds for international bathroom design.

Hamish Kilburn: Why do you think more attention is being payed to the design of the bathroom within international hotel design?
Patricia Urquiola: I think that more attention is being payed to all aspects of hospitality and not just bathrooms. Hotel design is now all about an experience that one wants to transmit to the unknown user, and bathrooms are no exception. The design of the bathroom in a hotel project is very important, it is part of the whole room space, of the experience that a certain room can offer in terms of relax and wellbeing.

modern bathroom with colour and slick design

Image credit: Laufen

HK: What are your thoughts on color in the bathroom?
PU: My approach to colour, for bathrooms and every aspect of a project, is not absolute; it very much depends on the project. At times, color is central and it is therefore given a lot of importance and space, it becomes essential for forms to come to life. Other times, palettes are a lot more intimate with very little color and more attention to textures or materials. For example, the bathrooms at Room Mate Hotel Giulia in Milano are extremely colorful, they reflect the language that we used throughout the whole project.  On the other hand, for a recent project in Mumbai in which we featured the Sonar collection, the focus isn’t on color but rather on materials and textures: marble and wood contrast beautifully with the ceramic of the collection.

HK: How has SONAR evolved? What’s changed, in regards to bathroom technology, since the first generation of SONAR?
PU: Sonar is manufactured using a high-tech ceramic material called SaphirKeramik, a material developed by Laufen that allows for the ceramic to be very thin for an industrial product. When I started my collaboration with the brand it had already been used for previous collections, what I wanted to do was to really exploit the material’s characteristics: strong yet light, it has a glow to it and a certain amount of detail can be incorporated. I wanted to work with all these positive aspects of SaphirKeramik and experiment with three-dimensional surfaces, to try and add spatial volumes to it.

“I think that in 30 years’ time things will be very different, from the houses we will live in, the cars we will drive, the hotels we will stay in…” – Patricia Urquiola

HK: The inspiration for your latest collection was ‘soundwaves that spread in water’…Was this a lightbulb moment, and if so – when and where were you at the time?
PU: Usually inspiration comes to me in waves of moments, images, trips, people… it is hard to pinpoint it to a specific time. The strictness of architectural minimalism was definitely on my mind, a sense of lines, purity and geometry. But also water, its energy and its dynamic movement that never stops. The meeting point of these two ideas is the inspiration behind the Sonar collection, sort of a game between such contrasting shapes, between softness and severity. The lines etched on the exterior of the pieces fade on one end, disappearing back into the material, just like the waves in the ocean.

HK: In your eyes, what does the bathroom of the future (say 30 years from now) look like?
PU: That is very hard to imagine! I think that in 30 years’ time things will be very different, from the houses we will live in, the cars we will drive, the hotels we will stay in… we are moving towards a smarter future, things will be more specialised, personalised, mobile. Frameworks and systems will become more complex and we all will learn to navigate them. We are already seeing a very big change in materials, in how we make them and reuse them and this will also affect architectural projects, the way in which bathrooms will be designed and built will change radically. Spaces and functions are becoming hybrid, they are being redefined because our focus is shifting towards functionality.

Laufen is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, click here.

The designer shaping the future of water at GROHE

730 565 Hamish Kilburn
The designer shaping the future of water at GROHE

Post-ISH, Grohe’s Vice President of Design, Michael Seum, sits down with Hotel Designs to explain how its latest innovations are vastly reshaping the bathroom industry. Editor Hamish Kilburn writes…

If one were to imagine the bathroom industry as a quiet, glass-like lake, surrounded by tranquil surroundings, then ISH 2019 was a competition between creatives on who could make the greatest and loudest splash with just one throw.

While some manufacturers opted to hurl large rocks at the water, GROHE on the other hand decided to make its impact in numbers, by launching more than 500 new innovations and arguably creating the largest ripple effect, which has ultimately disrupted conventional bathroom designs as we know them today.

Ensuring that each product that launched skimmed across the surface, GROHE had a strategic throw to avoid it become submerged in the noise of the show. Its latest collections were designed around five mega trends, ‘new living spaces’, ‘consumers become creators’, ‘simplicity seekers – the search for simplicity’, ‘taking control’, and ‘intelligent life management’. The man leading the innovation of each product is Michael Seum, the Vice President of Design at GROHE, who describes his role simply as “connecting the creative horsepower design team to a business need.”

Image credit: Grohe/ISH 2019

Seum, who is the bridge between the innovators and the board at the company, knows more than anyone that the bathroom products of today will help to shape the way in which all buildings and hotels that are conceived in the future. “We identified big shifts in society, technology and the rise in rejecting single-use objects,” he explains. “We wanted to understand the mindset of consumers and concluded that we should be giving consumers the ability to take better control over the environment and one large framework was built around looking at the consumer, identifying a problem or strain and coming up with a solution.”

Once the solution has been established and visualised, Seum can unleash his weapon; his world-class team of in-house designers to create a new direction in bathroom design. “We honestly go through about 100 prototypes before the end user sees the result of a finished product ready for market,” Seum explains. “Within these, we explore different means of technology and this really in the power of design at GROHE. In a low fidelity way, we can sketch and build a product that can help to get the industry flowing in a certain way.”

QUICK-FIRE ROUND

Hamish Kilburn: I now have in my head that your house is full of prototypes… Am I correct?
Michael Seum: That’s funny. Unfortunately not, my house is actually very minimalist – think Nordic and simple.

HK: What is your biggest bugbear in design?
MS: lack of originality. In our sector in particular, things are copied a lot

HK: Should designers strive to put more colour in the bathroom?
MS: Absolutely!

HK: What is the number-one travel item you cannot travel without?
MS: Books, my headphones and my sketchbook

HK: What is your favourite trend at the moment?
MS: Lightweight furniture!

HK: Where’s next on your travel bucket list?
MS: Surfing in Portugal!

HK: In your opinion, what is the number-one tool for success in this industry?
MS: Learning and understanding the customer experience!

HK: Sustainability is a huge driving force in what you are doing. Is there a hotel that stands out in your mind as being built purely to be sustainable?
MS: Yes, actually. Zuri Zanzibar, which was designed by Jestico + Whiles, is really cool!

The bathroom industry is arguably the most congested sectors in interior design. Staying ahead in such a landscape takes true innovation and not being afraid to disrupt the current lay of the land – something that Seum does with ease. “Our products are not inspired by the bathroom industry,” he says. “Instead, I am more interested to look outside the boundaries of bathroom design and towards wider trends in, for example, lifestyle, fashion and lighting.

Image credit: Grohe

With bathroom manufacturers specifically, there has been a rise in the number of companies that are welcoming outside renowned designers and architects to inspire the look of new collections, but for Seum who is a former design consultant himself, the demand for this at GROHE is non-existent. “I’m not critiquing the designers when I say this, but I am yet to find a designer who has worked on a collection with a bathroom manufacturer that has done anything to conserve water and/or to eliminate single-use plastics,” he explains. “Therefore, its clear that these collaborations are aimed to purely add aesthetics to a product.”

The result of GROHE’s presence at ISH is that the company has defiantly launched products that are tailored to the needs of consumers as well as architects, interior designers and hotel investors. Creating intelligent water solutions to transform lives for the better, Seum and his team is succeeding in providing products that have the power to help designers build and create more intelligent and sustainable hotels around the world.

Main image credit: GROHE

BESPOKE DESIGN: Italian boutique hotel inspired by natural elements

730 565 Hamish Kilburn
BESPOKE DESIGN: Italian boutique hotel inspired by natural elements

Design studio Boxx Creative has completed the interior design of Miramonti, a 21-key boutique hotel in the Italian mountains. Editor Hamish Kilburn writes…

Inspired by its natural surroundings, Miramonti, meaning mountain view, draws its name and design from nature. A deep terracotta facade, which dates back to 1958, evokes the changing seasons and rich natural Italian colour palette.

When it first opened just over a decade after the second world war, the five-storey Albergo Miramonti was the first building in town to feature hot water in every room and it quickly gained in popularity among tourists as well as locals as a place for ultimate relaxation. The new guestrooms, which are divided into five categories over three storeys, feature – in true Miramonti spirit – calming green and blue colour schemes, punctuated with deeper accents.

Design firm Boxx Creative’s first step in its transformation was to maximise every square foot to increase guestroom numbers, providing flexibility of room use and creating defined room types for couples and families. The Deluxe Doubles provide an appealing space for couples to relax in comfort inside the room or outside on the balcony. The spacious Family Suites meanwhile have the option to connect through to en-suite bunk-bed rooms, which comfortably accommodate a family of six.

“Materials were selected for their authentic properties and link to the surrounding environment.”

The firm redesigned each floor of the hotel and created the interior schemes; drawing on the elements of: earth, fire, air, water, wood and metal. Materials were selected for their authentic properties and link to the surrounding environment and feature in the natural stone wash basins, carved wooden bedframes, solid trunk coffee tables, round metal bedside tables and soft natural fabrics.

“We always focus on quality and environmental impact in our work,” said Nicola Keenan, interior designer and Co-founder of Boxx Creative. “All design details have been fully considered across the hotel. Carpet made from recycled fibres line the corridors and is inlaid within the sustainable, hand-crafted wooden flooring. Locally sourced and sustainable materials were used wherever possible and the build contractor was chosen for his energy saving principles and employment of workers within the area.”

Understated living area of the guestroom

Image credit: Mariell Lind Hansen

The majority of the furnishings were made completely bespoke by a talented artisan in his local workshop. The bedrooms feature wooden headboard panelling, metal framed open cabinetry storage and sturdy desks, each thoughtfully hand-crafted. The unique hand-made wooden flooring with individually controlled underfloor heating system, adds warmth and grounding to each room. Beautiful reeded glass panelled doors with curved frame detailing provide privacy to each en-suite and rippled wooden under-sink cabinets hang beneath attractive natural stone basins.

“Lighting was incredibly important to the client,” added Nicola Lindsell, also an interior designer and Co-founder of Boxx Creative. “We chose Italian designed, Flos feature pendants in each of the en-suites and Scandinavian inspired adjustable wall lights to create an appealing focal point in the bedrooms.”

Soft, minalist lobby area. Natural materials, such a stone, used in the casegoods and furniture

Image credit: Mariell Lind Hansen

“When we decided to redesign the hotel we were conscious of finding a suitable partner that matched our values and design style,” said the owner of the hotel. “We loved working with Boxx Creative as they had a great knowledge of suppliers and longterm sustainable options. Throughout the redesign they presented options which reflected our sustainability goals as well as our overall artistic vision for the hotel.”

The hotel has always been within the family and today the management has passed on to the third generation, with strong hope to continue and build upon that original idea, creating an authentic escape for locals and travellers alike.

Main image credit: Mariell Lind Hansen

Bathroom specialist Utopia Projects rounds up ISH 2019

730 565 Hamish Kilburn
Bathroom specialist Utopia Projects rounds up ISH 2019

To kick-start our month of putting bathrooms under the spotlight, Utopia Projects reviews ISH 2019 by sharing its highlights of the show… 

In March, the world’s largest bathroom and heating trade fair, ISH, took place in Frankfurt Germany. With the exhibition taking place every two years, ISH this year attracted around 190,000 visitors all in search for the latest innovations. We took a handful of our clients across for the event to see what some of the world’s leading bathroom manufacturers had on offer.

The most evident trend across many of the manufacturers was digital products with integrated home automation. As with many industries technology is becoming increasingly important, and it is clear that this will be a big feature in forthcoming bathrooms. It was great to see colour feature heavily in many of the displays, with several brands presenting various colour options within their ceramic ranges; Villeroy & Boch, Roca and Laufen ranges were all offering strong and subtle tones for sanitaryware.

Including colour into your bathroom is a fantastic way to put a twist on the monochromatic trend that has been sweeping the interior design world for the past few years. A popular colour choice was black; a bold way to create a sultry and high-end space. Colour accents didn’t stop there either, with many of the manufacturers beginning to increase their special finishes beyond just taps, to shower heads, wastes and accessories. Brands such as Gessi and Victoria & Albert have introduced strong metal finishes within their brassware collections, which will create some drama in public area specifications. Having a wide array of finishes to choose from allows every element of a bathroom to be personalised to specific taste. This is due to the Brassware ranges on offer being now being in such a wide variety of finishes.

“Using large format solid surfaces, such as quartz, is becoming quite popular.”

Seamless design was another trend which we saw beginning to come through, and using large format solid surfaces, such as quartz, is becoming quite popular. These bespoke solid surfaces offer infinite design possibilities allowing every bathroom surface to be manufactured from one material, with minimal joints, creating a visually stunning design.

From all the brands displayed at ISH, a stand that really stood out to us was Gessi. This was due to their fantastic designs, not only for their products. The stand was innovative and eye catching, helping you envision how you can push boundaries for design. Gessi’s themeing for its stand was seemingly avant garde, yet on trend, following the popular outdoor-indoor trend in terms of rain showers, deep basins and large plants to finish.

Dornbracht and Alape took a very different approach to their stand, but was nonetheless as enticing. Both of their approach was subtle in comparison, teasing you into wanting to see and know more about the products. A final stand we were inspired by was by Roca. The company displayed their products as complete rooms allowing us to see variation in products as well as visualise them from a designers prospective. The video demonstration we watched on the stand of one of the mirrors showed us how futuristic and advanced the technology of a simple product can be, which is very exciting from a design point of view. We also saw that Emco is offering a lighting system which can be fully customised, even down to the shaver mirror and mirror cabinet, by one switch, to create mood and ambiance for a totally unique bathroom experience.

A final point we found interesting whilst at ISH was something which is very prominent in society today. Taking the theme of sustainability in its stride was GROHE, which launched products following a close look at consumer behaviour. By launching no less than 500 new innovations, the company’s new collections challenges conventional design of bathroom products and offers sustainable solutions designed to give consumers the ability to take better control. Roca also talked about how it is appealing to make its showers more environmentally friendly. The company plans on integrating digital showers into hotels in order to offer an incentive for users to take shorter showers for discount on future hotel stays. Multiple companies, not just Roca, are interested in monitoring how we consume water in homes, hotels and businesses, resulting in a large impact on the environment.

In conclusion, ISH once again gave an impressive demonstration of its importance for German and international visitors and exhibitors. The next ISH will be held in Frankfurt am Main from March 22 to 26, 2021.

Utopia Projects is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, click here.

Main image credit: Messe Frankfurt/ISH 2019

Leading designers and architects spoke at the inaugural IDAS

730 565 Hamish Kilburn
Leading designers and architects spoke at the inaugural IDAS

Taking place yesterday at Hilton London Tower Bridge, the Interior Design & Architecture Summit sheltered some interesting debates for designers and architects – all of which looped back to the elephant-in-the-room topic, sustainability in our hotels and cities…

The sold-out inaugural Interior Design & Architecture Summit (IDAS) took place yesterday at the Hilton London Tower Bridge.

The event, which allowed visionary designers and architects the ability to meet face-to-face with key-industry suppliers, included a speakership programme curated with the aim to put relevant topics under the spotlight.

IDAS 2019 started with an engaging presentation by Constantina Tsoutsikou, the Creative Director at HBA London, who discussed ‘Playfullness & Personality in Hospitality Design’. In addition to referencing key projects to exemplify her points, Tsoutsikou made reference to creative boundaries of modern designers. “Many designers have forgotten how to sketch by hand,” she told the audience. “If we rely on computers then we have forgotten a skill that is very valuable.”

“The reality is that the brief from hotels, investors and operators is never – or very rarely – to build a sustainable hotel.” – Constantina Tsoutsikou, the Creative Director at HBA London

Joining the visionary on the sofa, editor Hamish Kilburn followed the presentation with a live Q&A and it became clear that sustainability was to be a dominating topic to be explored throughout the day. “The reality is that the brief from hotels, investors and operators is never – or very rarely – to build a sustainable hotel,” Tsoutsikou explained. “When consumers start choosing hotels on this credential then developers will follow, and this is happening slowly.”

The designer explained how an ‘open window’ approach during projects – ensuring that the hotels on the boards evolve with ideas and themes throughout from concept to completion – has allowed her and her team to really inject each property they touch with ample personality and, of course, apt sense of place. “Take Hilton Amsterdam Airport Schiphol, for example. It has a dutch soul,” she explained. We enriched the level of comfort in the atrium by creating ‘islands’, each providing a distinct experience within the Axis Lobby: reception, lounge library, tech lounge and cocktail bar. Each area is defined by a carpet with a design inspired by the sediment-laden islands and waterways between coastal dunes on the southern coast of the Netherlands.

From one inspirational creative to another, Yasmine Mahmoudieh was invited to take the second speaker session of the day, exploring Hotels of the Future. Following extensive research into the changing behavior of modern hotel guests, Mahmoudieh explained how she has seen – from both a design and an architecture point of view – a large demand in creating intelligent flexible spaces. Mahmoudieh explained that the hotels of the future will house all facilities – for working, living and socialising – under one roof. “New ways of living and working are being developed all over the world,” she said. “Therefore, the need for social interaction has never been as prevalent. It is partly due to social media and the alienation and the loneliness, especially young people feel.”

Returning back to the theme of responsible design, Mahmoudieh, when joined on the sofa by Kilburn, started to highlight the importance of sustainability in architecture and explained the value of finding new eco-friendly materials. “I-MESH, for example, is an innovative material invented to assume a leading position in the field of solar protection indoors/outdoors,” she said. “Its physical, technological, formal characteristics together with its high aesthetical potential makes it eligible as a proper architectural material. It outclasses metallic grids for its design versatility and sustainability; it’s an easily custom made mesh in line with the architectural thought, with the story of the commissioning client, with the brand.”

Following an afternoon of face-to-face meetings with suppliers from the likes of Marco Corona, Hamilton Litestat (recommended supplier), Mitre Linen (recommended supplier), Gessi (recommended supplier), Cole & Sons and many more, the audience gathered for the final session of the day. In the panel discussion entitled ‘The Rising Ceiling of Creativity’, Kilburn was joined on the sofa by Moritz Waldemeyer (lighting designer and recommended supplier), Charles Leon (architect and Past-President, BIID), Gilly Craft (interior designer and President, BIID), Yasmine Mahmoudieh (interior designer/architect) and Robin Sheppard (CEO of Bespoke Hotels). Looking at the creative boundaries faced currently by the industry as well as ‘futuregazing’ towards the hotel room of the future, the panel debated consumer behavior, sustainability in design and how to create authentic installations within hotel design.

Following the success of yesterday’s event, details around next year’s IDAS will be announced shortly.

Media Partner: Future Constructor & Architect

Media Partner: Treniq

Former Metropolitan Police headquarters transformed into luxury hotel

730 565 Hamish Kilburn
Former Metropolitan Police headquarters transformed into luxury hotel

The historic landmark building, which was developed by Galliard Construction, has been transformed into The Great Scotland Yard Hotel, a 153-key luxury lifestyle hotel…

The former Metropolitan Police headquarters in London’s Whitehall has been converted into the 153-key The Great Scotland Yard Hotel, which is operated by Hyatt under the group’s Unbound Collection brand and was developed by Galliard Construction.

Working in association with Galliard’s in-house team along with HBA, and EPR Architects, The Deluxe Group was appointed to manufacture and fit all front of house areas, for the high-end hotel, including double height vestibule, grand entrance lounge, concierge, main cocktail bar, palm court style lounge, whiskey bar/clubroom, signature restaurant, library, gymnasium, 120-seater main conference room/ballroom, meeting rooms and function/private dining rooms. The firm also produced the luxury hotel’s sample bedroom, as part of the multi-million-pound development, which is expected to open later this year.

The bespoke joinery project, which was worth £5.5 million was completed in just six months, with all work completed on schedule and within budget.“We are delighted to have been part of the team which has sympathetically developed this building to give a classic period interpretation, reflecting the immense history of such a landmark site,” Commented Colm Connolly, Director of The Deluxe Group. “We used the highest quality, detailed joinery and luxury finishes throughout all front of house and public areas, with individually themed areas providing a stylish homage  to the crime and policing history of the building.”

“Our commitment to delivering the best in bespoke joinery with the greatest attention to detail and client servicing, ensured the finished project was a true reflection of the client’s vision.”

Luxury public area

Image credit: Great Scotland Yard Hotel

Constructed in 1910, the iconic Edwardian building served as the Royal Military Police headquarters and the British Army Recruitment Office. It later became the Ministry of Defence Library until 2004.

The famed landmark is known for its rich history, providing guests the opportunity to stay in the location where Metropolitan police pursued some of the country’s most notorious criminals, including Jack the Ripper and the 40 Elephants all-female crime syndicate. Reflecting on this, the distinct historical character of the building has been preserved throughout the renovation, including maintenance of its original façade.

Main image credit: The Great Scotland Yard Hotel

Milan Design Week 2019: What’s on

730 565 Hamish Kilburn
Milan Design Week 2019: What’s on

This week, hundreds of designers from all corners of the world will descend onto Europe’s soulful design hub that is Milan for the Salone del Mobile furniture fair, the Euroluce lighting show and other events happening within the city walls. Editor Hamish Kilburn cuts through the noise to identify what to bookmark over in Milan…

Design lovers are arriving in Milan today to attend what is arguably the most significant event in the design calendar.

From April 8 – 14, the Italian city  centre transforms into a creative hub that witnesses product launches, emerging trends, which this year are expected to be themed around health and wellbeing, bringing the outdoors indoors and creating closer human interaction.

Salone del Mobile, which is arguably the main event of the week, will be split into three categories this year there are: Classic – Tradition in the Future, drawing on the values of tradition, craftsmanship and skill in the art of making furniture and objects; Design – products that transmit functionality, innovation and a great sense of style and finally xLux – the section you’ll want to spend most of your time at – the luxury section devoted to timeless objects in a contemporary key.

Meanwhile, Euroluce the International Lighting Exhibition. The show, which has run every two years since 1976, presents the most innovative solutions in the field of light for interiors and exteriors.

As the shows open their doors, here are a few events to bookmark:

Sebastian Herker – Milan man of the moment

Image credit: Sebastian Herkner/Freifrau

Hot off the heels of becoming Maison Objet’s Designer of the Year, Sebastian Herkner is moments away from launching new products in Milan. On the both upcoming shows Salone del Mobile and Euroluce in Milan, the studio will showcase new products for brands like Ames, Dedon, Emu, Freifrau, Gloster, Pulpo and Thonet as well as designs for our new partner Vibia.  The studio will also present collections for Schönbuch, Wittmann and Zanotta.

Turri – architectural furniture

Image credit: Turri

The furniture company has confirmed that it will launch a new collaboration with architect Daniel Libeskind who will be on the company’s stand at Salone del Mobile on Wednesday April 10 to discuss the new project with the company. Until then, the furniture company thats motto is ‘The Italian way to Beauty’ is keeping extremely tight-lipped about what we can expect.

Swedish Design Moves – HEMMA goes wild

Image credit: Swedish Design Moves

Swedish Design Moves returns to Milan this year with HEMMA gone wild – a sequel to the 2018 exhibition, HEMMA – Stories of Home.

Curated and designed by Joyn Studio, HEMMA gone wild invites visitors to experience an abstract and playful vision of home, from hallway to living room and onwards through an unfolding scenography that showcases the best of Swedish design, drawn by curiosity and a mood of mystery.

Humanscale – Human touch

Todd Bracher, long-time collaborator with Ergonomic leaders Humanscale, and Studio TheGreenEyl have designed an immersive, interactive experience. Bodies in Motion will invite visitors in to explore human movement, as represented through dramatic beams of light. The display can be seen in the historic vaults located under Milano Central Station, as part of the third edition of Ventura Centrale.

USM

The Swiss furniture innovator USM will be returning with their mega-structure at the Fair in collaboration with UNStudio. Visit their stand (A07/B06) in hall 20. If you’re visiting on Tuesday, CEO & Great-Grandson of USM’s founder Alex Schaerer will be on the stand, as will Ben van Berkel, UNStudio founder and Ren Yee, Head of Design/Strategies, UNStudio. If you would like an interview with Alex, Ben or Ren let us know and we will help make arrangements.

Minotti 

Returning to the fair, the Italian furniture company in familiar surroundings will launch its 2019 Collection of luxury and timeless pieces. The premium furniture brand, which was Hotel Designs’ Exclsuive Style Partner for Meet Up London, will unveil all on its stand. Minotti will premiew the new collection, coordinated entirely by Rodolfo Dordoni, which also includes some products designed by Christophe Delcourt. The collection is a return to its roots, but with a vision of the future, to innovate while staying true to our style and our traditions. The inspiration for a collection marked by an intriguing layering of influences and styles, for a timeless elegance that is nonetheless strikingly unexpected.

Brodie Neill – Plastic in the ocean

Image credit: Brodie Neill

Following the sustainable Gyro table – a circular table featuring a top made from inlaid fragments of recycled ocean plastic, designer Brodie Neill will launch yet another public statement to highlight climate change. He will unveil a contemporary hourglass filled with microplastic instead of sand during Milan Design Week in order to highlight the issue of ocean plastic pollution.

Nendo – Breeze of Light

The Japanese studio Nendo will present a new lighting display entitled Breeze of Light. This installation, in collaboration with Daikin, evokes the sensation of a comfortable breeze by the movement of light and shadows, not actual air. A virtual flower garden is illuminated using 115 individually-controlled spotlights directing light on 17,000 flower-shaped polarising films. Changes in shadow intensity of the flowers produce the effect of a breeze passing through the garden.

Tom Dixon

Going against the grain, Tom Dixon took the decision not be showcasing products at Salone del Mobile. Instead, he’s opening his own restaurant and his furniture, lighting and accessories will feature throughout the restaurant’s dynamic mise en scene.

Salone Satellite 

Exhibition hall

Image credit: Salone del Mobile

As Hotel Designs continues to support young emerging designers, the Salone Satellite is to place to be if you want to discover new talent. Back for its 22nd edition, this year’s theme ‘Food as Design Objects is aimed to challenge designers to debate climate change and

Ahead of the event, Claudio Luti, President of the Salone del Mobile, had this to say: “At this particular time of great success for Milan, it is important to consolidate the Salone del Mobile’s powersof attraction, offering its visitors not just a wide range of products, but, especially, opportunities for international interface and for reflection on the relationship between creativity and business.”

Milan, the moral capital of a thriving design hub, has opened its doors as designers, architects flood in. The small city with a large personality is ready to witness many moments that are about to written and no-doubt go down in design history.

Main image credit: Salone del Mobile

Timothy Oulton unveils lavish SS19 collection

730 565 Hamish Kilburn
Timothy Oulton unveils lavish SS19 collection

The luxury design company, Timothy Oulton, which prides itself on being an authentic and daring source of energy and inspiration, unveils its SS19 collection… 

Driven by a burning desire to create experiences that touch people in a significant way, while living by the motto that “life is better with a bowler hat”, Timothy Oulton has unveiled its SS19 Collection , an assortment of items that have been designed with the idea that truly authentic materials and human-scaled design have the power to change how people feel.

With the belief that great creativity is both enduring and yet perennially fresh, the SS19 collection sees Timothy Oulton bring its authentic handcraftsmanship approach to a gamut of new visceral and richly sensorial materials, which include seleneite crystals, printed velvets, sheepskin, deep handfinished leather and reclaimed Edwardian parquetry. “I like good design, whether traditional or modern,” Oulten said in press material around the collection. using original time-honoured techniques, the studio prides itself on using only the best traditional methods in its products.

The newly unveiled collection includes an update on Timothy Oulton’s innovative lighting range. Continuing last season’s foray into natural minerals and rocks is the Selenite collection of pendants and sconces. For the large Selenite pendant, more than 560 individual crystals are affixed by hand to create a dramatic stalactite-type effect.

“We look for the most authentic, sensory materials and then think how best we can use it.” – Timothy Oulton

Meanwhile, the Inception mirrors – now available in three separate sizes – give a nod to the ’70s. Inspired by the era’s infinity mirrors, each Inception piece lights up to reveal a seemingly endless line of reflections, appearing smaller and smaller as they fade into the distance. When turned off, it becomes an elegant, everyday mirror.

Timothy Oulton's Speakeasy Monaco Bar & City

Image credit/caption: Timothy Oulton’s Speakeasy Monaco Bar & City

“It always starts with the materials first, we look for the most authentic, sensory materials and then think how best we can use it,” said Oulton when commenting on the inspiration behind the new designs. “Great interiors have the power to change how you feel, so whether it’s down time or entertaining, it’s about engaging the senses and feeling alive. That’s an energy that we try to embody in all our products, and it was very much the driving force behind our 2019 Collection.”

Among the stand out pieces is the eye-catching Studio Sofa, an addition to the Metro collection, which can now be finished in Acid Jungle velvet fabric, which is, as Oulton describes: “an expression of modern-urban cool”. The new fabric, which depicts a jungle scene against a night-time backdrop, is deliberately not pattern-matched, meaning that no single item within the collection is the same.

Also new to Metro, is the smart and sophisticated City armchair, a leather swivel chair that can transform any room into a multifunctional space. And the rugged yet elegant new Milano chair, with its minimalist oak frame and luxuriously thick leather, is the perfect way to inject style into an urban apartment. The Milano takes its cue from the Italian design movement of Rationalism and in particular the work of Gruppo 7, a group of architects who wanted to reform Italy’s architecture in the 1920s to strike a balance between classicism and industrially-inspired design. The Milano chair embodies the movement’s simplistic yet well engineered furniture with its clean lines and modern, comfortable sit.

Building on the ruggedly refined palette of the Loft range, Timothy Oulton introduces for the first time the Buck’dN Brok’n leather onto the Westminster Button sofa, its classic Chesterfield model. Previously featured on the iconic Saddle Chair, Buck’dN Brok’n is characterised by its deep scores and scratches that evoke an aged and storied life. The idea of a life well lived is also embodied by the new Edwardian collection, featuring tables and mirrors fashioned from reclaimed parquetry oak and mahogany that originally formed the floors of Edwardian dance halls in the UK.

A warm, weathered oak frame and luxuriously thick leather bring a relaxed and welcoming feel to its minimalist silhouette. Milano is perfectly suited to
contemporary interiors and evenings by the fire, just make sure the whisky’s ready nearby.

Extending the range of Timothy Oulton’s offering, the collection changes gears with the wildly luxurious long-haired Yeti Sheepskin, newly available in black and brown. Yeti is showcased on the rustic new Cabin bench, inspired by the cosy feel of traditional forest cabins, and the Trio chair, a creative reinvention of a traditional slipper chair with generous proportions.

Timothy Oulton's Loft Vignette3 Cabana Yeti

Image credit/caption: Timothy Oulton’s Loft Vignette3 Cabana Yeti

While the new collection’s dynamic accessories arguably takes centre stage, the company is also dedicated to produce sustainable items with its Noble Souls collection, which launched last year. Including three sofas within the collection, all of which have different profiles, the feather-filled sofas come in a variety of fabric finishes.

With more than 40 galleries around the world – from New York to Hong Kong to Sydney, and a flagship in Chelsea, London – Timothy Oulton continues its plan of opening new stores in great cities around the globe, with recent additions including Seoul and Abu Dhabi.

In addition to launching innovative products, the studio has also been responsible for the completion of hospitality projects such as 1880 members’ club in Singapore, The Blue Room at the Los Angeles Athletic Club, and Glazebrook House Hotel in Devon, England.

The latest collection from the brand is a refreshing insight into the mind of the visionary behind the brand. Oulton’s journey, which started in 1976 when he set up his first boutique antiques shop that was owned by his father, has led him to become one of the industry’s most creative individuals. Continuing tradition, each Timothy Oulton piece in the SS19 collection is inspired by the past, but reconceived from a modern perspective, producing yet another uniquely authentic collection that further pushes the boundaries of interior design.

Main image credit: Timothy Oulton’s Metro Collection Studio Sofa with Acid Jungle velvet fabric 

Faloria Mountain Spa Resort reopens in the Dolomites

730 565 Hamish Kilburn
Faloria Mountain Spa Resort reopens in the Dolomites

In Cortina d’Ampezzo, Italy’s most glamorous mountain destination, the newly renovated Faloria Mountain Spa Resort combines comfort, modernity and tradition, which together arguably defines a new model in hospitality in the Dolomites…

In its own words, Faloria Mountain Spa Resort is: “Charming hospitality in the heart of the Dolomites”. The historical hotel in Cortina, which gave its first glimpse of its new design concept last year, has reopened following an expansion and renovation.

Establishing a new benchmark in the hospitality of the entire Alpine region, the hotel features new guestrooms, a spa covering over 1000 sqm, a gourmet restaurant and new common areas. It now reopens with the aim to allow guests to live an unforgettable experience in accordance to the highest international luxury standards. The project architect Flaviano Capriotti, has designed an environment inharmony with the surrounding landscape, where Alpine tradition meets contemporary accents.

Contemporary guestroom

Image credit: Faloria Mountain Spa Resort/Andrés Otero

The new guestrooms offer guests an exclusively refined environment, where the charm of mountain furnishings is combined with a contemporary touch. The rooms are wide and bright spaces, with huge windows to enjoy an enchanting view of the Dolomites. The parquet, boiserie and tasteful details lend a delightful domestic flavour, without forgoing refinement and exclusivity.

The bed headboards are designed with botanical drawings of the local alpine flowers, selected from the Florae Austriacae atlas, written by the botanist Nikolaus von Jacquin in the 18th century. The botanical theme then becomes a common thread throughout the SPA, the common areas and the restaurant.

The Faloria Spa Resort opens a new wing, and internal restyling designed by Italian architect Flaviano Caprioti.

Image credit: Faloria Mountain Spa Resort/Andrés Otero

The new SPA Area, the largest in the entire Alpine region, is a veritable jewel. A surface area of more than 1000 square metres, where guests can enjoy a unique sensory journey with 25-metre long semi-Olympic pool, sauna, ice fountain, calidarium, vitality pool, chilling out areas and private treatment rooms. The Spa offers an emotional experience targeting all levels of perception: visual, tactile, olfactory and emotional for a regenerating holiday. Materials and colours recall larch woods, the stone of Dolomite rocks and the green of lake water, so that guests feel they are immersed in the nature of Cortina.

Main image credit: Faloria Mountain Spa Resort/Andrés Otero

Pete Doherty and The Libertines

Pete Doherty and The Libertines to open seaside hotel

730 565 Hamish Kilburn
Pete Doherty and The Libertines to open seaside hotel

The Albion Rooms hotel and studio, which will be operated by Pete Doherty and The Libertines, is slated to open this year…

In one of the most unlikely turn of events for the British hotel design industry, Pete Doherty from The Libertines has spoken out about opening his first hotel in Margate, Kent.

Best known for heading up The Libertines, dating fashion icon Kate Moss and becoming one of Britain’s most controversial musicians of all times, Doherty spoke to Channel 4.

Pete Doherty and The Libertines

“They didn’t pay me for a couple of gigs, and before I knew it I had a six-part share in what’s turned out to be a studio, a hotel and a place to live,” he told Channel 4 News in a pre-tour interview.

Whispers about The Libertine’s becoming hoteliers first emerged in the headlines last year when the band shared a video on social media. The Victorian five-storey hotel, with feature 10 guestrooms, was considered one of Britain’s worst hotels before Doherty and his bandmates purchased the property.

In a press release, the hotel was depicted as having been “Inspired by the celluloid cohabitation antics of the Beatles and the Monkees.””

The band purchased the property for a reported £500,000 and now plan to transform the space to include 10 individually styled guestrooms with in Doherty’s words “Music playing all day”.

The press release continued: “Carl, Gary, John and Peter had been looking for a creative home: a living art space, a Warholian factory, with guestrooms, a bar and studio. The band members have already made themselves at home, and have commenced writing their fourth studio album, and will be inviting fans and the world’s press to play a part in the creative process.”

The hotel is expected to open this year, although an official opening date is yet to be confirmed. In addition, there has currently been no indication on whether or not the band will lean on an interior design firm to complete the project.

Main image credit: Twitter/ 

BRITISH STYLE: Questioning design like Ilse Crawford

730 565 Hamish Kilburn
BRITISH STYLE: Questioning design like Ilse Crawford

To launch the new chapter of Hotel Designs, Hamish Kilburn investigates how one woman, her editorship and her questions over convention helped to change modern international hotel design by challenging the very foundations it sits on…

Every now and then, the world is introduced to a design icon who, through making their visions into reality, helps to shift attitudes by challenging conventional forms.

For Ilse Crawford, the founding Editor-In-Chief of British Elle Decoration, the design world was somewhat lacking reference of everyday movement when she decided to step into the shoes of her designer readers.

In 1997, a decade on from founding British Elle Decoration, Crawford asked the world to “liberate your senses and change your life” when she published her first book, Sensual Home, which mapped out how the living environment can engage us sensually as well as visually from the perspective of sight, sound, taste, touch and smell. And was, for Crawford, the start of a new journey.  “Writing the book was the ‘ah-hah’ moment, because it wasn’t the current understanding of design,” she explained in the Netflix documentary, Abstract: The Art of Design. “The days of being a two-dimensional person were over.”

The defiant leap from narrator to creator came one year later after she signed off as Editor-In-Chief. Having completed her mission to launch a contemporary magazine for a wide audience, Crawford worked for Donna Karan and getting her hands dirty, she became a maker. Crawford’s first hotel interior design brief was presented to her immediately after she left Elle Decoration when she was asked to convert a stately home for Nick Jones of Soho House into what we now know of as Babington House. “Nick originally wanted this place to look and feel like a stately home, but I was very clear that that’s the last thing it should be,” Crawford explained in Abstract: The Art of Design. “My proposal was that it should be a very informal place where you could just treat as if it was your own, like a family house of a friend where the parents had gone away and left the key the drinks cabinet.” Breaking the rules of the time, Crawford’s design stole the headlines and her journey as an interior design began.

“The project saw the transformation of a former industrial building in the Meatpacking district into a 27-key design hotel.”

From the rural British countryside to the bustling scene of Manhattan, Crawford’s skillful and sensitive approach was called upon to create the first outpost of Soho House outside the UK. The project saw the transformation of a former industrial building in the Meatpacking district into a 27-key design hotel, including bars, a restaurant, cinema and rooftop pool. Soho House New York opened to become the definitive third space for the transatlantic media crowd.

Her aim as an interior designer is to put human needs and desires at the centre of all that she does. Working in commercial and residential design, and blurring the lines between both, Crawford has changed many environments for the better of those who use them. Ett Hem Hotel was a conversion project of a former arts and crafts building. The 12-key guesthouse is described by Crawford as “a place to stay for the modern traveller, a home-from-home, where flexibility of space and function is central to the hotel’s operation,” she says. “There is no division between front and back of house – anything can happen anywhere at any time.”

Residential style in the hotel

Image caption/credit: Ett Hem Hotel. Interiors by Ilse Crawford

As someone who truly lives and breathes the industry in which she used to curate on the pages of Elle Decoration, Crawford wears many hats as a modern designer. In her own admission to Interior Design magazine, she confessed that “the line between my work and life is thin to non-existent.”  Working from her London studio, which is directly below her home, Crawford’s knowledge in interiors has allowed her to extend her portfolio to include product design. The Sinnerlig Collection for IKEA includes 30 pieces of of furniture, lighting and tabletop collection. “They explore natural materials and are simple,” Crawford explains on her website. “They are helpful, background pieces, not showstoppers.” Tactile materials such as cork, ceramic, glass, seagrass and bamboo appealed in the design concept because they felt as good as they looked.

“Maison&Objet awarded Crawford the prestigious title of Designer of the Year 2016.”

The Together Table was another design that challenged existing products on the market. Confronting the design of conventional four-cornered tables, Crawford simply rounded the edges of the table, which as a result naturally invited people to move around it more freely.  The Ilse Sofa was the result of a collaboration with British furniture brand George Smith. The height and depth of the product’s arms and back were calculated and tested to ensure that the sofa supports as many sedentary habits of modern life. “We like to think of it as a room within a room,” Crawford explains when describing the tactile experience.

Beige modern, long, thin table

Image caption/credit: The Together Table by Ilse Crawford

Two years after she was awarded an MBE in recognition for her work in design, Maison&Objet awarded Crawford the prestigious title of Designer of the Year 2016. Since then, the modest designer has continued to evolve the hospitality landscape with completing projects such as The Lounge Plaza 66, Cathy Pacific’s iconic airport lounge in Hong Kong and the warm and inviting home-from-home that is Bukowskis.

Crawford’s philosophical visions to challenge the norm leaves a clear path for young designers who aspire, like her, to make a difference through design. As the founder of the department of Man and Wellbeing at the Design Academy Eindhoven, Crawford’s mission as a visionary is explained on her website as “nurturing a new generation of students to always question why and how their work improves the reality of life.” Her philosophy to improve the future through considered design is what makes her the leader she undoubtably is today. Her work – and her working style – is a simple, effortless reflection of the questions she asks of the designs of today and the possibilities that are garnered by second guessing what the future should look and feel like.

Crawford, an ever-evolving icon of British and international design, has metaphorically cut the ribbon to launch Hotel Designs’ new website by being the subject of the first editorial feature of the title’s new era. The newly launched slogan “defining the point of international design” is a pledge from the editorial team to its readers to cut through the noise to publish conversation starters that will filter into many debates on the hotel design scene that we all know and love. That conversation starts here, with a question that Crawford asks herself when confronted with a new project: “How can design strategically make things better?”

Main image credit: Ilse Crawford/StudioIlse

Hyatt announces brand growth in the U.S.

730 565 Hamish Kilburn
Hyatt announces brand growth in the U.S.

Hyatt’s brand growth will include new hotels opening in Memphis and Nashville, Tennessee and Austin, Texas…

Hyatt Hotels Corporation has announced significant growth in the U.S. for its Hyatt Centric brand portfolio, including development plans to build Hyatt Centric hotels in downtown Memphis, Tenn., downtown Nashville, Tenn., and downtown Austin, Texas.

Designed for a growing segment of savvy explorers seeking shareable moments to inspire others, the Hyatt Centric brand currently has 26 properties across 11 countries, including Chile, France, India, Japan, Spain and more.

“We couldn’t be more pleased to see the Hyatt Centric brand grow and offer millennial-minded guests an opportunity to explore dynamic domestic destinations,” said Vice President, Global Brands, Heather Geisler. “Within the walls of each new property, guests will find a social space to connect with others and a launch pad to go out and explore all that the community has to offer.”

Hyatt Centric Beale Street

The 227-room Hyatt Centric Beale Street will be developed through a joint venture between affiliates of Hyatt and Carlisle Hotels, Inc. The hotel will be developed within Carlisle’s One Beale Street mixed-use project, to be located at the intersection of Beale Street and Front Street, just one block east of the Mississippi River and Riverside Drive.  In addition to 227 guestrooms, Hyatt Centric Beale Street Memphis will feature a rooftop lounge, offering breathtaking views of the city’s skyline and Mississippi River, as well as a ground floor lobby containing the hotel restaurant, bar and fitness center. Just off the lobby, guests will also enjoy an open-air courtyard with an outdoor swimming pool and fire pit, plus more than 14,000 square feet of meeting and event space located on the other side of the courtyard within the historic Wm. C. Ellis & Sons Ironworks and Machine Shop. Hotel construction is slated to begin in the second quarter of 2019, with an anticipated opening date by the end of 2020. Local Memphis design house, HBG Design, has been engaged for the hotel project.

Hyatt Centric Downtown Nashville

Hyatt also announced a joint venture with C. B. Ragland of Nashville to develop Hyatt Centric Downtown Nashville, a 252-room new build with a restaurant, bar, amenity deck with a rooftop pool, 4,500 square feet of meeting and event space and 4,000 square feet of leasable retail space. Expected to open in Q2 2021, the hotel will be managed by Hyatt. Hyatt Centric Downtown Nashville will be located within the entertainment district of Music City, one block from Ascend Amphitheater, three blocks south of the city’s famed lower Broadway and four blocks from Bridgestone Arena and Nissan Stadium. Adventurous guests will be within walking distance of the Schermerhorn Symphony Center, Tennessee Performing Arts Center and the Ryman Auditorium.

Hyatt Centric hotel in downtown Austin

The 233-room Hyatt Centric hotel in downtown Austin will be a new build, wholly owned by Hyatt. Centrally located on Congress Street, the hotel is expected to open in mid-2020 and will be near the State of Texas capitol building. A passionate team with local expertise will recommend to guests shareworthy experiences all along Congress Street, a must-stroll for visitors and locals alike.

“We are excited to introduce the ‘in-the-now’ Hyatt Centric brand to the iconic southern cities of Memphis, Nashville and Austin, connecting guests to the heart of the action so they never miss a moment of adventure,” said Stephen Kallaher, vice president, corporate development, Hyatt. “Hyatt looks for locations that are consistent with its objective to grow in strategically diverse destinations where our guests want us to be. These dynamic, historic cities certainly accomplish that goal, and great developers like Carlisle and C.B. Ragland will help make our Memphis and Nashville projects even more special. With the three new Hyatt Centric hotels, we look forward to offering new and distinct lifestyle hotel experiences to the residents and visitors of these cities, World of Hyatt members and Hyatt’s loyal group of meeting and event planners.”

These developments are in addition to recently announced Hyatt Centric hotels in Los Angeles’ Koreatown neighborhood, near Rittenhouse Square in Philadelphia and near downtown Portland, Ore. Further expanding the Hyatt Centric brand’s global footprint, these developments will join newly open hotels in Midtown Atlanta; Bangalore, India; Goa, India; Lima, Peru; Brickell, Miami; and Santiago, Chile.

Main image credit: Hyatt Hotels

FEATURE: “Industrial bathrooms are here to stay,” say bathroom experts

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FEATURE: “Industrial bathrooms are here to stay,” say bathroom experts

Following ISH this month, PR and marketing firm Esprit breaks down why industrial bathrooms are not going anywhere soon in international hotel design…

Historically a 20th Century style, the industrial trend has a new look and feel.

No longer relegated to offices or loft style apartments, industrial design elements can be seen all over the home even in the bathroom.

“This somewhat harsh, gritty, uniquely urban, style has evolved.”

The original industrial trend has been around for years; but this somewhat harsh, gritty, uniquely urban, style has evolved.  The most obvious aspects such as rough textures, weathered surfaces, concrete, exposed brick and pipe work can look a little harsh in the home.  The use of muted and matt colours, such cool greys, blacks and anthracite work well, helping to achieve a “softer” Industrial look.

The use of metals including steel and aluminium, in both product design and construction, sets the scene, whilst dim lighting and brushed metal drains with matching bathroom accessories completes the industrial vibe.

Image credit: Kaldewei

The versatile, Nexsys Shower Solution is an innovative, award-winning four-in-one system which can be installed immediately, there are 17 different surface colour options including Cantania Grey Matt and City-Anthracite Matt, these can then be combined with five different waste channels variants.

The delicate filigree design of the free standing Miena washbasin made from a single layer of Kaldewei’s superior steel enamel perfectly complements an industrial style bathroom, due to its simplistic form and shape.

The industrial look in the bathroom can be further enhanced with a radiator from VASCO.  Providing a combination of energy efficiency and warmth VASCO radiators are available in variety of contemporary colours and textures; including Metallic Grey, Grey Aluminium, Anthracite Grey and Slate Grey.

Select from edgier, textured radiators such as the Bryce or the Carre which can be supplied as a curved radiator and further endorses this trend with its narrow bar design.

Image caption: Happy D2 from Duravit

Dark, industrial colour accents never fail to impress. By adding a contemporary, monochrome element, AQATA’s Matte Black Collection is a new addition to their successful Design Solutions range, available on DS400 shower screens and DS440 double entry shower screens. As well as matte black profiles and steady bars, there are also three glass patterns; grid, horizontal and border designs available.

In collaboration with sieger design, Duravit’s latest Happy D.2 Plus series reflects current industrial trends in colours, design and finishes. The above-counter washbasins striking individuality comes from the new striking two-tone colour variants of Anthracite Matt and glossy White. The colour concept of Happy D.2 Plus extends to toilets and bidets, with the interior of the toilets finished in glossy Anthracite for optimum hygiene.

Duravit’s Stonetto shower tray is designed to give the appearance of stripped back, water–worn stone, available in lighter shades, when used in anthracite or concrete gives the bathroom an edgier industrial feel.

Image of various industrial products from the range

Image credit: Unidrain

Finally, for maximum impact, Unidrain’s award-winning Reframe Collection brings together the finishing touches to an urban bathroom with their Scandinavian inspired designer accessories including; soap shelf, towel bar, toilet brush. The Reframe Collection mixes sleek design with metallic tones, available in five different colours including; Black, Copper, Brass and Brushed and Polished Stainless Steel.

Hotel Designs will be focusing the spotlight on the bathrooms this May and is currently acccepting editorial ideas. To submit your news/feature ideas, please email the editorial desk.

Main image credit: Aqata

Autograph Collection Hotels to grow by 25% in Europe in 2019

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Autograph Collection Hotels to grow by 25% in Europe in 2019

Autograph Collection Hotels set to grow in europe by more than 25% this year, debuting in 10 new destinations…

Autograph Collection Hotels, Marriott International’s diverse and dynamic portfolio, has announced plans to welcome 12 one-of-a-kind hotels to its European portfolio this year, each hand-selected for their distinct perspective on design and hospitality.

Hotels set to debut as part of Autograph Collection Hotels this year, include: Aegon, Mykonos, a stunning beach resort complete with harmonious spa and private beach club; Hotel Universo, a sixteenth-century palace in the medieval walled city of Lucca near Florence; Schloss Lieser, a fairy-tale castle in Germany’s Moselle region, an idyllic landscape famed for its wine-growing; Academia of Athens in Greece, with design inspired by Greek Philosopher Plato; and The Shelbourne, the enduringly iconic hotel that’s been at the heart of Dublin society since opening in 1824. Each hotel truly is a product of passion and a personal realisation of its individual founder’s vision, making each one singular and special: Exactly Like Nothing Else.

Launched in 2010, the hotel brand has become a pioneer in the independent hotel space and has rapidly grown from five hotels to more than 160 in nine years. Continuing to grow around the globe, Autograph Collection’s global pipeline comprises nearly 100 properties.

Image credit: Academia of Athens, Autograph Collection_Suite

“With the depth and diversity of Autograph Collection Hotels, we have the unique opportunity to create one-of-a-kind, memorable experiences for travellers,” said John Licence, VP Premium & Select Brands Europe, Marriott International. “The brand’s significant growth momentum throughout Europe solidifies it as an established leader in the independent hotel space, and we are thrilled to welcome 12 exceptional hotels to our European portfolio in 2019.”

At a time when Booking.com revealed that 53 per cent of global travellers plan to take more weekend trips in 2019, Autograph Collection Hotels is offering travellers rich immersive moments that leave a lasting imprint, with five restored architectural gems slated to join Autograph Collection Hotels in Europe this year.

Exemplified by the latest addition to Autograph Collection’s portfolio of London hotels, The Dixon – just opened in January – was originally designed as a Magistrates’ Court and police station in 1905 by John Dixon Butler. The building has undergone extensive restoration to restore its original features, including its spectacular grand courthouse. A stunning interior design concept showcases the hotel’s passion for art with curated artworks set against a backdrop of contemporary and heritage design.

Situated in the Moselle region of Germany, Schloss Lieser resides in a breath-taking castle originally built in 1885. Linked to pivotal moments in both German and Dutch history, previous owners include Clemens Freiherr von Schorlemer-Lieser, a wealthy politician who was related to the Dutch Royal Family. Over the centuries, politicians regularly gathered at the castle to discuss the future of Germany. In 2007, the castle was transformed into the independent, boutique hotel it is now.

Championing Individuality through Distinct Perspectives on Design

Autograph Collection hotels advocate for the original and individual through unique perspectives on design, enabling travellers to make a serious travel statement, even on the shortest of getaways. Academia of Athens, set to become Autograph Collection’s third property in Greece when it opens later this year, is inspired by its namesake, historical landmarks and the vibrant culture of the contemporary city. Global design and architectural firm HOK juxtaposes the heritage of the city of Athens with a bold and modern exterior. Inside there are visual cues from ancient Greek scholar Plato’s Three Orders; Science, Philosophy and Arts, with each principle brought to life throughout various spaces within the hotel.

“Ten of the 12 planned openings in 2019 will mark the brand’s debut in new cities and resort destinations.”

Autograph Collection Hotels Expected to Debut in 10 New European Destinations This Year

Autograph Collection Hotels is set to continue adding to its existing roster of 47 properties across 17 countries in Europe, with new destinations that provide one-of-a-kind hotel stays for even the most discerning global traveller. Ten of the 12 planned openings in 2019 will mark the brand’s debut in new cities and resort destinations, offering more choice and trip inspiration than ever before. New destinations include Lieser, Germany; Athens and Mykonos, Greece; Lucca, Italy; Montreux, Switzerland; Paris and Reims, France; and Seville, Spain.

The planned opening of Sapphire House late in 2019 in the vibrant city of Antwerp will mark Marriott International’s first hotel in the city. Expected to provide travellers with insight into the city’s traditions and fascinating past in gem-trading, Sapphire House will invite guests to discover the quirks of this inconspicuous destination. Occupying the site of the city’s original Royal Exchange, known as Den Grooten Robijn (The Great Ruby), Sapphire House will be a stunning addition to Antwerp’s boutique hotel scene.

Autograph Collection Hotels Leave a Lasting Impression with ‘The Mark’

Ensuring every stay is unique, Autograph Collection Hotels’ handpicked portfolio of properties each offer their own unique ‘Mark’ – a signature moment within the hotel that is bespoke for each property and enhances the guest experience. No two hotels share the same story and therefore none share the same Mark.

Scheduled to join the brand in autumn 2019, Hotel Querencia de Seville, in the Old Town of Seville will perfectly represent the Mark concept. The hotel’s unique offering of music, arts, crafts, creative gatherings and artisanal workshops will bring a flare of Spanish craftmanship and everyday life to visitors, guaranteeing guests a genuine cultural experience.

The anticipated spring opening of La Caserne Chanzy in the heart of Reims will provide guests with an immersive environment to explore the gastronomy of Reims. A restored firehouse will be transformed into a new restaurant – La Grande Georgette – offering reinvented local gastronomy, signature dishes and cocktails using evocative smoke, and even a food truck fashioned from an old fire engine.

Main image credit: Aegon, Mykonos, an Autograph Collection Hotel 

Sekers launches KOROWAI

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Fabric specialist Sekers has announced the launch of KOROWAI, a new inherently FR curtain collection inspired by the pristine rainforests of West Papua New Guinea…

Drawing inspiration from gently swirling water found in quiet bends of a meandering river, raindrops striking the surface of a stream during a tropical downpour and the structures of the rainforest itself, Korowai from Sekers is a varied and sophisticated offering of four elegant designs.

Available in a flexible palette of 25 colours, ranging from vibrant turquoise and lime to classic neutrals and cool metallic tones, Korowai is the perfect addition to any contract interior.

Woven in 100 per cent inherent FR polyester, the Korowai collection is suitable for all aspects of the contract market from hotels to cruise ships. Meeting all relevant UK and IMO standards for curtains, accessories and bedding, as well as German, French and US standards, this washable collection is the ideal resource for any contract application.

Sekers is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, click here.

Kohler announces plans for Milan Design Week 2019

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Bathroom brand Kohler has lifted the lid on its sensory plans for Milan Design Week from April 9 – 13…

Kohler will return to Milan Design Week to host an enticing sensory experience inside the historic Palazzo Del Senato (via Senato, 10, 20121 Milan, Italy). The large-scale immersive exhibit will showcase the bathroom brand’s bold approach to design and its products through an artful combination of water, technology, texture, and color. The installation will be open April 9 through April 13 from 10am – 7pm daily.

“Milan Design Week is the ultimate celebration of creativity and innovation among the global design community,” said Jim Lewis, Vice President of Kohler Kitchen and Bath Global Marketing. “The energy and spirit of the event make it the perfect place to explore new ideas and celebrate our latest design expressions with an inspirational audience of designers from around the world.”

Nature will play a pivotal role with the inclusion of a “digital garden” at the entrance of the exhibit as well as an infinity garden that whimsically juxtaposes Kohler’s Smart Home collection. Kohler’s space will also feature a bar and lounge area for guests to relax and recharge.

Additionally, Kohler will use the Palazzo as the platform for the launch of the company’s second global design theme, Experiential Luxury, an examination of the details and layers that create rich and dynamic environments.

Products featured at this year’s exhibition include the latest from Kohler Co. brands KOHLER, KALLISTA and ANN SACKS.

Image credit: Kohler

Smart home/Smart hotel

Intelligent Toilets offer the perfect combination of sophisticated design and unmatched technology to deliver the finest in personal comfort and cleansing. Extensive customisation – from ambient lighting and wireless music to temperature control, create a truly personalised experience.

Digital Showering transforms users’ daily routine by allowing customisation down to the tiniest detail. It invites users to orchestrate spray experiences, steam, music and lighting to create a personalized escape. Kohler’s portfolio of Smart Room products help create the world’s smartest bathrooms.

Color, material, finish

With a full range of colors, Kohler finishes visually set the tone for any space’s story and convey a unique personality. A two-tone finish with etched patterns – launching on the Components Collection – offers a beautiful, subtle gradient between two finishes with a precise graphic pattern. A wide range of colors and detailed graphics continue to draw the eye in for a beautiful, decorative impact.

Steeped in Japanese culture, Kensho conveys the story of decorative stitching known as sashiko by using patterns etched in stone. It also leverages the Italian etching technique known as acqueforti, marrying metals and marbles to create a distinctive level of ornamentation. The shape is gorgeous, the real stone adds texture and variation, and the decorative techniques are stunning.

With precise cuts and ultra-flat surfaces, the Parallel Collection of faucets and accessories brings sophistication to the modern bathroom through controlled expression. The dichotomy of round and square forms is unified by characteristic angles that deliver beautiful reflections and precise alignment. Smaller details deliver character originality and heighten the collection to a higher level of sophistication.

In partnership with parent company, Kohler Co., ANN SACKS debuts The Crackle Collection by Kohler WasteLAB, an innovative tile series that employs Kohler’s unfired pottery cull as its medium, transforming the waste into a responsive tile body. Handcrafted in the WasteLAB located in the Kohler, Wis. enamel factory, the bespoke collection was one of the initiatives spun from the Kohler Innovation for Good program.

Main image credit: Kohler

 

OPINION: Designing hotel lighting with a different perspective

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To launch our Spotlight On Guestroom Lighting, Recommended Supplier Chelsom shares its knowledge on what designers should consider when lighting the hotel guestroom… 

Designing good lighting for hotels is about more than creating stylish products that are on trend and look the part. It’s about top quality products that provide efficient lighting and enhance the guest experience, whether through multifunctional guestroom lighting or bold public area statement pieces.

Lighting really does make or break the traveller’s hotel experience, something which is illustrated by recent extensive research suggesting that of 10,000 recent hotel reviews in London most guests complained about the dim, bad and sparse lighting in their rooms. Accordingly when we design either our standard lighting collection or bespoke pieces, we do so from multiple perspectives; from that of the hotelier, the interior designer and above all else the guest.

Aesthetics

The first thing to consider is the aesthetic of the product, does it look the part and fit in with the overall design concept? Interior designers are pushing the boundaries more than ever before, always looking to create unique interior schemes for hotels that offer something different and inevitably lighting is an essential part of that. We are often asked whether table or floor lamps can make a difference in a guestroom. They most certainly can by adding ambient lighting and creating atmosphere in what has become an increasingly multifunctional space.

Following the latest industry trends and ultimately trying to pre-empt them is a critical part of the design process. Nobody wants to specify outdated products so we try to recognise emerging trends as early as possible and use them to inspire our collection. Indeed we always want to lead the market working closely as we do with some of the world’s top hospitality interior design practices.

 “We have helped several hotel chains to create their brand standard light levels following guestroom lux level surveys carried out by our technicians.”

 Let there be (enough) light

Lighting is more than just about creating the ‘wow factor’ and needs to rank higher up the designer’s list of priorities. One of the biggest complaints to concierges is that guestrooms are insufficiently lit to work, put make up on or to simply see so it’s our job as lighting specialists to work with the designers and hoteliers to light guestrooms and public areas successfully. We have helped several hotel chains to create their brand standard light levels following guestroom lux level surveys carried out by our technicians. A hotel room is no longer just a room to sleep in, it has become multifunctional, a place to eat, sleep, work and relax and the lighting scheme needs to reflect the variety of uses and generate the correct light levels to meet all those functions.

Quality and functionality

As hoteliers expect stylish design and quality whilst working to a tighter budget, it should be a given that both are essential for contract use. Products need to be designed to withstand frequent and often forceful handling because those of domestic quality aren’t going to last 2 minutes in the hotel environment. We need to provide clients with products that reflect the highest standards of engineering and finish at the right blend of price and quality. Guests want hotels to feel like a luxurious home away from home and they want their hotel lighting in particular to reflect this, to be stylish yet functional. For example, most guests have dimming functionality at home and expect it in hotels, but they want it to be clearly visible on the product and most of all usable. I have lost count of the number of times I have heard stories of the concierge being called up to the room to explain how to dim the lights, illustrating there needs to be a distinct balance between design and functionality. Our latest colour coordinated push and toggle switches provide the guest with clear switching options. The Dock range of bedside reading lights give the option of a push switch or a neat ‘docking switch’ when the LED directional head is recessed away.

Efficiency

Blending cutting edge style with the latest technological developments is becoming more important than ever and we constantly need to ask ourselves whether we can make the lighting experience better for the hotelier by saving money on running and maintenance costs. LEDs are now an essential light source in many hospitality spaces as sustainability moves to the forefront of the minds of developers and designers. Whilst they don’t answer every possible lighting requirement, the option of LEDs has offered increased design possibilities when integrating this technology into our fittings for future energy saving. Whilst I still believe sustainability is at the top of most people’s list along with design and price, it is important to recognise the need to go green as the wave of the future. It’s imperative that lighting companies are moving with the times and demonstrating commitment to taking sustainability seriously.  That is why we have made every product in our latest collection available with an LED light source.

Budget

Creating bespoke product for clients is becoming increasingly more common and is a large part of what we do so it’s important that we have the necessary budget guidance. We can make a desk lamp from £29 to upwards of £299 and both will illuminate the desk and be of contract quality but it’s the combination of design, detail and light source that ultimately define the price level. For us budget level doesn’t mean chopping quality, it means being flexible and clever in manufacturing to give the same general look whilst hitting lower priced targets. Conversely we love introducing the highest levels of design, quality and materials when working with the most prestigious designers and the world’s leading hotels. 

Chelsom is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, click here.

TECHNOLOGY FEATURE: It pays to be social

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We are living in an era in international hotel design where it pays to be social. To put social media under the spotlight, digital specialists in social media and web design at Arise explain how to use social media platforms effectively… 

When it comes to generating sales for your hotel, direct bookings are often much more profitable and valuable in terms of returning customers than bookings made via Online Travel Agents (OTAs) such as Booking.com or Expedia. OTA commission rates seem to creep up each year, with some sites charging as much as 30 per cent in commission.

While third party booking sites have their uses, direct bookings are key for maximising your profits and giving your guests a taste of your establishment before they even arrive. Of course, driving your customers to book directly with you is easier said than done…

One of the most effective, but criminally underutilised tools you can use to drive new customers to your website is social media. We often find that the clients we work with are overwhelmed by the prospect of digital marketing, unaware of its potential or unable to devote the amount of time needed to launching and maintaining effective marketing campaigns.

“We managed to increase the revenue generated via their website by an incredible 823 per cent in just four years.”

To demonstrate just how powerful social media can be when used as a marketing tool for hotels, let’s take a look at Losehill House Hotel & Spa. Four years ago, this luxury hotel and spa located in the beautiful Derbyshire Peak District was not present on social media at all. They did have a website, but it was nowhere near the standard that guests could expect from such a high-end, reputable establishment. After creating a new website for the hotel, and giving them a presence on Twitter and Facebook, we managed to increase the revenue generated via their website by an incredible 823 per cent in just four years.

Social should reflect what makes you unique

Setting up social accounts and including a link to your website in your bio/about section is a first step, but this alone does not make up a social media strategy. Each hotel is different, and as such will need a unique approach to social media which not only reflects the hotel as a brand, but also achieves everything they want to in terms of sales and marketing. In the case of Losehill House, we focused our efforts on showing off the unique aspects of the hotel, spa and award winning restaurant, while trying to connect with customers looking to book imminently, and cultivating an audience of potential guests.

Getting potential guests onto your website can be something of an effort, but it’s one worth putting in. The ultimate aim of social media activity is getting the right people onto your website, and converting them into paying guests. Having high-quality and (most importantly) relevant content on your website is a key asset when piquing an audience’s interest, this content could include:

  • Exploring the unique aspects of your establishment
  • Information about the local area
  • Exclusive offers

You’re adding value to the guest experience, you are developing your brand voice and you are giving people another reason to visit your website.

Advertising features are a powerful aspect of social media

Getting the type of customer you are looking for to click on your content is not easy without being able to manage your different social platforms’ built-in advertising functions. Having a social advertising budget is highly advisable, but depending on the size of your hotel, this doesn’t need to be large at all. Providing you have accurate targeting parameters, it’s not difficult to make the most out of a modest budget. Facebook and Instagram in particular allow for highly tailored adverts, enabling you to reach users with the same demographics as your ideal guests. If, for example, you are a luxury hotel , you can target users that have expressed an interest in specific luxury brands and destination travel, narrowing by age, location and profession. This power to put your hotel right in front of the eyes of the exact people you are looking to connect with should not be underestimated.

A strong social media presence allows you to build an audience, and keep them engaged with your brand. This has obvious benefits for new customers, but also helps you to develop a relationship with existing customers in order to capture repeat bookings. This is especially important for destination hotels or resorts, as guests are more likely to choose a hotel based on your brand, reputation, customer service and unique features. Different social channels allow you to work on all of these factors.

Having a clear strategy

Over the past five years we’ve discovered that in this industry a clearly defined social media strategy, when carried out consistently, pays real dividends. If you’re conspicuously absent from social platforms then it’s not too late to jump on the bandwagon, or if you are already on social then make sure you have confidence in your social media strategy and the resource to put (and keep) it in place – this way you’ll be on the path to freedom from unnecessary OTA commission and able to reap the benefits of an engaged social media audience.

Main image credit: Arise/Shutterstock

25hours to arrive in Denmark in 2021

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Adding to its 13 hotels in Europe, 25hotels signs a milestone contract to unveil a new hotel in Denmark designed by Martin Brudnizki Design Studio…

Hotel Group 25hours Hotel Company is preparing to expand its arm deeper into Europe by signing a long-term lease agreement with the Hines real estate company for a building in Copenhagen’s Old Town that will offer 243 rooms, a wellness area and a large, landscaped courtyard.

“We are currently aiming to open in June 2021,” said Florian Kollenz, chief development officer of the 25hours Hotel Co. “Copenhagen has always been a favored destination…We have extensively studied the hotel market for the past five years and have reviewed a number of projects. It has finally worked out for us after several attempts and we couldn’t be happier. The combination of location, size of the property and development partner is simply unique.”

The former university building—next to the Round Tower—was home to the Faculties of Theology and Law until 2017, and was the Royal Porcelain Factory from 1775 and a printers and paper factory from 1885. All these influences will be reflected in the hotel concept. Local architects from BBP Arkitekter in Copenhagen and British interior designers from Brit List winner Martin Brudnizki Design Studios are working on this with the support of the in-house creative team.

James Robson, Hines’ Nordic regional head, said 25hours Hotels will “offer something unique” in central Copenhagen. “Købmagergade’s popular location and the dynamic combination of brands we are looking to partner with will create an attractive destination for international tourists and the domestic market,” he said. “This is a very positive investment in Copenhagen and reflects the city’s growing appeal as an international destination.”

The company already has hotels in Germany, Austria, Switzerland and France. In 2020, the company is set to open the 25hours Hotel Firenze and the 25hours Hotel Dubai.

Main image credit: 25hours

GROHE Shapes the Future of Water 500 innovations at ISH 2019

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GROHE welcomed guests to its innovative stand showcasing the ‘Future of Water’ at ISH 2019… 

Consumers are fundamentally changing how they define and use their living spaces in both the home and in the hotel environment. GROHE has identified five mega trends as consumers have risen from passive consumption to taking control over the creation of new living spaces and have become creators themselves in seeking simplicity and intelligent product solutions. Today, more than ever, product innovation and design depend on an empathetic understanding of these trends as consumers are inclined to choose integrated solutions over single products. GROHE gave an impressive account of its journey in reflecting the five mega trends in its offering to consumers and customers during its keynote event at the start of the ISH trade fair in Frankfurt, Germany. With a record number of 500 single new products GROHE surprised its customers and consumers with solutions that actively shape the future of water.

3D metal-printing will revolutionise the water experience in the home

A unique formula of granules has been exclusively developed by GROHE for its 3D metal-printers located at its Hemer manufacturing site in Germany. “The design of our new faucets GROHE Atrio Icon 3D and GROHE Allure Brilliant Icon 3D are beyond belief. They make the unthinkable possible,” Michael Rauterkus, CEO GROHE AG, said. “What you see is the future of design. For consumers, it’s the future of their own creativity and ultimate personalisation. We believe that 3D metal-printing will revolutionise the water experience in the home. It’s the ultimate blend of customisation and industrial production.”

 “Consumer expectations are changing to a great extent”- Michael Rauterkus, CEO, GROHE AG

Changing requirements as consumers become creators

The boundaries between the individual living areas are becoming more blurred. The kitchen is often part of the living room, the bathroom opens up to the bedroom and both are becoming important living spaces instead of purely functional ones. When designing their own living space, consumers pay much more attention to detail in the bathroom and the kitchen than ever before. Consequently, bathroom and kitchen products have become household furnishings that allow consumers to express their individual style and preferences. As the first European leading sanitary brand to launch 3D metal-printed faucets, GROHE breaks with the old principle of form following function and combines cutting-edge technology with spectacular design. It is an impressive statement of GROHE’s willingness and ability to shape the future of water and accompany its customers and consumers on their journey to create the living spaces they desire. “Consumer expectations are changing to a great extent”, said Rauterkus, as he delivered his keynote speech in front of 350 international journalists and invited guests. “GROHE is shaping the future of water, in terms of design and innovation, both analogue and digital, giving our customers and our consumers the building blocks they need to harness the power and the beauty of water – as a tailored experience wherever they enjoy water.” Whilst new living spaces evolve around the bathroom and the kitchen, consumers are often confronted with an unwanted complexity in the creation process.

Dramatic setting with tap

Image credit: GROHE

GROHE helps customers in seeking simplicity – creation without complexity

The search for simplicity in terms of easy and intuitive solutions is met with a new minimalism to people’s homes. GROHE clearly positioned itself as a leading global brand for complete bathroom solutions, supporting consumers in becoming creators without having to deal with complexity. Its products combine quality with a stunning range of colors and materials: from faucets, showers and ceramics, to kitchen faucets, sinks, accessories and flush plates. “Nobody else offers, across the whole product range, the quality and durability in so many colors that bathrooms and kitchens require”, emphasised Rauterkus. Essence, GROHE’s newly introduced and first ceramic line that includes bathtubs, is a perfect showcase of the new minimalism and search for simplicity, showing beauty in its purest form. The design line’s characteristics are its gentle organic forms that are based on their reduction to the essentials. But minimalism by GROHE goes far beyond design, it means also the intuitive handling and easy installation of products. The new GROHE Rapido SmartBox provides architects, planners and installers with an infinite number of possible solutions with just one concealed installation solution: For maximum efficiency and planning flexibility, the concealed installation can be combined not only with the innovative shower system GROHE SmartControl but also with thermostats and single-lever mixers, offering a universal solution for all requirements.

“Overall GROHE introduced a record number of innovations and more than 500 single new products that address the five mega trends.”

A new connected eco system for water security and water management

At ISH two years ago, GROHE launched its first Internet of Things (IoT) solution, GROHE Sense and GROHE Sense Guard. Today, GROHE is pioneering digitisation in the sanitary industry and extends its competence well beyond sanitary hardware solutions. At the ISH 2019 keynote, GROHE announced a new generation of GROHE Sense water sensors and the launch of GROHE Sense Guard Pro, which is optimised for use in multi-family homes and high-rise residential buildings. Installed on both the cold and hot water pipes, it offers water security and provides accurate water consumption data directly onto mobile devices via the GROHE Sense App. This also means that there is full visibility of water and energy consumption, allowing consumers to take control. Moreover, with the combination GROHE Sense Guard and Sense Guard Pro, the global brand is now able to help prevent water damage in 90 percent of the residential market. The GROHE Sense system has created a disruptive new business model for GROHE as well as for installers and new business partners such as insurance and property management companies. “We are creating an intelligent platform, the biggest ecosystem for water security and water management, which will allow our industry partners worldwide, such as insurance companies, to implement new business models”, said Rauterkus.

Largest innovation push of GROHE to date at ISH

Overall GROHE introduced a record number of innovations and more than 500 single new products that address the five mega trends ‘new living spaces’, ‘consumers become creators’, ‘simplicity seekers – the search for simplicity’, ‘taking control’, and ‘intelligent life management’. It is the biggest innovation push of GROHE so far – tailored to the needs of consumers as well as professional partners such as architects, installers, insurers and smart home experts. “As GROHE stands for Water, Intelligence, and Enjoyment, we are creating intelligent water solutions that transform lives for the better”, highlighted Michael Rauterkus. “Most importantly, we are transforming the experience of water itself”.

GROHE is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, click here.

Main image credit: GROHE

Autograph Collection Hotels arrives in Paris

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Marriott International’s Autograph Collection Hotels has acquired Banke Hotel from Derby Hotels Collection and stands as the brand’s first hotel in Paris… 

Autograph Collection Hotels has revealed the latest addition to its portfolio, Hotel Banke, marking the brand’s entry to Paris and its fourth property in France. The iconic hotel will join the unique portfolio of one-of-a-kind properties around the world that champion Autograph Collection Hotels’ values of vision, design and craft.

Located in the heart of the Parisian Opera district, Hotel Banke is moments from Galeries Lafayette, the city’s most exclusive shopping centre, and less than one mile away from the Louvre Museum. The hotel occupies the former headquarters of Crédit Commercial de France originally designed by architects Paul Friesé and Cassien Bernard. The elegant, stately façade of the 20th century building dominates the corner of Rue La Fayette and Rue Pillet, harking back to the French Belle Époque period.

Image credit: Marriott International/Autograph Collection Hotels

Hotel Banke has an elegant feel throughout its 91 guest rooms and suites, with original features seamlessly blending with contemporary design touches, such as statement modern furniture and rich soft furnishings. Every room has been meticulously designed to create the ultimate tranquil escape from the bustling streets of Paris. The hotel is home to a bespoke collection of jewellery and art displayed throughout the hotel, sourced from various corners of the world; a nod to the building’s history as a safe-keeper of luxury items.

“We are delighted to expand our offering of one-of-a-kind hotels to Paris with Hotel Banke,” said John Licence, VP Premium & Select Brands Europe at Marriott International. “With its unique heritage as a former bank headquarters, and stunning design, Hotel Banke perfectly embodies Autograph Collection Hotel’s independent spirit.”

The hotel’s meeting rooms are a show-stopping venue for corporate clientele. The largest space ‘Salle des Coffres’ offers the rare opportunity to view more than 460 of the former Crédit Commercial de France’s hidden vaults, many of which still belong to some of Paris’s best-known historical figures such as Gustave Eiffel; the civil engineer and architect of the Eiffel Tower.

Hotel Designs recently travelled to Paris to review one of the city’s neighbourhood hotels, MOB Hotel Paris, which can be read here

Main image credit: Marriott International/Autograph Collection Hotels

 

Orangebox refocusing hotel smartworking at CDW 19

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Leading workplace furniture brand Orangebox is preparing to exhibit new smart workplace solutions ideal for the modern hotel at Clerkenwell Design Week 2019…

With the aim to refocus smartworking, while identifying and examining disruptive technologies, furniture brand Orangebox is using innovation to design the workplace of the future. Demand has never been higher  for flexible and adaptable public areas within the modern hotel, and Orangebox has year after year offered freshly designed furniture for the workplace that is productive, innovative – and above all, flexible.

For Clerkenwell Design Week 2019, Orangebox will present an updated smartworking landscape designed to address the challenges and opportunities of disruptive technologies in order to meet the needs of 2020 and beyond.

birdseye view of workplace

Image credit: Orangebox

During the three-day festival of design and innovation in London, the company will showcase several new products framed by a clever smartworking narrative. As expected from previous years, it will also share its latest research and insight, with Jim Taylour, Head of Design & Wellbeing, and Nathan Hurley, key member and research & insight team, presenting their latest projects in a series of talks. These talks will be entitled:

The Magical Wellbeing Mystery Tour – Jim Taylour and James Pack will present an immersive session that explores some facts and myths that surround the largest revolution in office real estate.

SmartLearning: How iGen’s educational experience will impact the new workplace
– Nathan Hurley will lead a presentation on the changing world of higher education and the impact that iGen students will have on the contemporary workplace.

If you are interested in attending either of these presentations and/or would like some more information, please email events@orangebox.com to reserve your place.

Orangebox is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, click here.

Main image credit: Orangebox

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London School of Architecture confirms topic of talk for Meet Up London

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London School of Architecture’s James Soane will take the stage at Meet Up London to talk about repairing the future of international hotel design… 

Meet Up London confirmed last week that James Soane, Director of Critical Practice at the London School of Architecture, will be its headline speaker for the networking event which takes place on March 28 at Minotti London’s showroom.

Soane’s talk, entitled Repairing The Future, has been designed to cast a critical eye on today’s industry while looking at news ways in which we can include young designers to help create more practical and more ecological cities.

In an era where there is a marked quest for ethical choices, Soane’s talk will confront the distrupters in that stand in our industry’s way when creating more sustainable cities. Considering our own values, he will identify opportunities that demonstrate alternative and sustainable ways of designing, living and adapting.

In addition to welcoming leading designers, architects, hoteliers and suppliers of all ages, Meet Up London will also carry a light theme to support young creatives. Attending the evening, courtesy of Hotel Designs, the 40 shortlisted finalists for Hotel Designs’ 30 Under 30 initiative will find out on the night who among them have made the final 30 Under 30.

About Meet Up London

More than 200 hospitality professionals are expected to attend Hotel Designs’ highly anticipated Q1 networking event, Meet Up London.

Following the success of previous networking events, such as The Brit list 2018 and Meet Up North, Hotel Designs’ Meet Up London will adopt the theme of 30 under 30. The leading hotel design website has asked its readers to nominate designers, architects and hoteliers of the age of 30 and under who are fast climbing the ranks to become leading practitioners.

Meet Up London, which is being styled exclusively by Minotti London, will provide a unique opportunity to network over drinks and canapés with the largest names in hospitality, interior design and architecture.

Address: 77 Margaret St, Fitzrovia, London, W1W 8SY

Evening agenda:
18.00: Guests arrive
18.30: Welcoming speech from editor of Hotel Designs’ Hamish Kilburn
18.45: Unveiling of Hotel Designs’ 30 Under 30
19:00: Presentation by London School of Architecture’s James Soane: Repairing The Future
19:15 – 21.00: Networking over complimentary drinks and canapés

If you are an interior designer, architect, operator or hotelier and would like to attend the Hotel Designs Meet Up London: 30 Under 30, click here to book your place.

If you are a supplier to the hospitality industry looking to attend the event, contact Zoe Guerrier on 01992 374059 or on z.guerrier@forumevents.co.uk – or click here to book your place.

For more information about becoming a Hotel Designs Meet Up sponsor, contact Zoe Guerrier on 01992 374059 or email z.guerrier@forumevents.co.uk.

Duravit wins iF DESIGN AWARD for XSquare bathroom furniture range

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Duravit continues to confirm the success of its innovative bathroom products by winning an iF Design Award… 

Duravit was among the winners at this year’s iF DESIGN AWARD; the award went to the XSquare bathroom furniture series, created by Duravit in conjunction with the designer Kurt Merki Jr.

The XSquare furniture range is both impressive and striking, with contemporary, elegant style. The quadrant-shaped chrome profile which edges the furniture emphasizes its characteristic design. On the floor-standing model, the transition from the body of the furniture to the base is absolutely seamless.

The chrome profile accentuates the frame of both floor standing and wall hanging variants and continues around the corner radius of the washbasin, creating harmony and at the same time a distinctly unique touch. The vanity units, mirrors, and mirror-cabinet solutions from the range are also designed with the elegant chrome profile, enabling a luxurious washing area to be created.

Three new, special furniture finishes (Matt Light Blue, Matt Concrete Grey, and Satin-Matt Aubergine) plus the linen décor finish, complete the wide colour palette; there are 28 furniture finishes in décor matt or lacquer; satin-matt or high-gloss are also available.

Modern bathroom

Image credit: Duravit

The console panel is available in one of the cabinet colours or additionally in solid Natural Walnut which creates a variety of completely new and individual colour combinations for XSquare.

Two or even three colours can be used in combination with the lacquer finish, chrome profile and console panel creating new contrasts and high-class designs.

Handle-free fronts with push-to-open technology subtly highlight the elegant and inspiring overall design. The new furniture range has a striking effect, creating clearly structured features in the room.

For 65 years, the iF DESIGN AWARD has been a recognised trademark for outstanding design all over the world. The iF DESIGN AWARD is one of the most prestigious awards in the world. It is awarded once a year by the world’s oldest independent design institution, iF International Forum Design GmbH in Hanover. The 67-strong, independent, international expert jury selects the winners of the coveted quality seal from among 6,375 entries from 52 countries.

Duravit is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, click here.

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Kimpton Hotels arrives in Scotland

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Kimpton Charlotte Square Hotel brings a new, approachable luxury hotel offering to historic Edinburgh…

IHG has announced the opening of the first Kimpton Hotels & Restaurants in Scotland, Kimpton Charlotte Square Hotel, as it continues to invest in Scotland as a luxury destination.

Kimpton Charlotte Square Hotel is in one of Edinburgh’s most beautiful squares in the Georgian New Town, a UNESCO world heritage site. With a view of Edinburgh Castle and historic hotspots just a short walk away, the hotel is at the perfect intersection between old and new. The 184 rooms and 15 suites are part of seven interconnecting Georgian townhouses which showcase Kimpton’s bold and playful design.

Last year IHG and Covivio entered an agreement to rebrand and operate 12 hotels (and one pipeline hotel) operating under the Principal and De Vere brands. The Principal Charlotte Square is the second of these properties to rebrand as a Kimpton, following the successful opening of Kimpton Fitzroy London in October 2018. The opening of Kimpton Charlotte Square Hotel marks IHG’s return to the luxury market in Edinburgh, as the first branded luxury hotel in Scotland in over a decade. This year will see a continuation of this momentum with additional Kimpton hotel openings in Glasgow and Manchester and an InterContinental® Hotels & Resorts opening in Edinburgh.

Hotel guests will enjoy Kimpton’s signature perks such as in-room yoga mats and Kimpton’s ‘Forgot It, We’ve Got it’ service offering important guest essentials. Guests can also meet fellow travellers at Kimpton’s daily social hour in the hotel’s BABA Bar, take part in free fitness and wellness classes at the recently refurbished, state-of-the-art gym, or enjoy a relaxing treatment at The Spa.

“Kimpton has built its brand on the belief that heartfelt human connections make people’s lives better. We inspire curiosity and embrace people exactly as they are, creating truly meaningful guest experiences,” said Johan Scheepers, General Manager, Kimpton Charlotte Square Hotel. “Each Kimpton hotel is an escape from the ordinary, and Kimpton Charlotte Square Hotel will offer a vibrant Scottish service full of charm and personality, in one of the world’s most historic cities.”Karan Khanna, Managing Director, UK & Ireland, IHG commented: “We are very excited to build our presence in the luxury market in Scotland as we introduce the Kimpton brand. Edinburgh has a real demand for a lifestyle luxury brand and I’m confident that Kimpton’s relaxed approach to luxury will suit the market well.”

IHG currently has 345 hotels* operating under eight brands in the UK, including: InterContinental Hotels & Resorts, Kimpton Hotels & Restaurants, Hotel Indigo, Crowne Plaza Hotels & Resorts, voco, Holiday Inn, Holiday Inn Express and Staybridge Suites, with another 29 in the pipeline.

*Numbers as at 31 December 2018.

Main image credit: Kimpton Hotels/IHG

LAUFEN collaborates with studio EOOS

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LAUFEN collaborates with studio EOOS that created the Austrian contribution to the XXII International Exhibition of La Triennale di Milano with an ecological project…

LAUFEN has made a contribution to the initiative of Austria at the XXII International Exhibition of La Triennale di Milano. Broken Nature: Design Takes on Human Survival is the title of the thematic exhibition that explores the bonds between mankind and the natural environment, bonds that over the course of time have been deeply compromised or even destroyed.

Through projects of architecture and design on different scales, the exhibition explores the concept of design reparation as a solution through which to reinterpret the relationship between human beings and the context in which they live. This year for the first time La Triennale assigned the Bee Awards, created to reward the three worthiest international contributions to the XXII Triennale. Austria is the winner of the Black Bee, for its profound interpretation of the theme and the quality of its presentation.

“LAUFEN has made a substantial contribution to the project and to the video CIRCULAR FLOWS: The Toilet Revolution!”

A leader in its sector with over 125 years of experience, LAUFEN worked together with highly acclaimed Vienna-based design studio EOOS to develop an innovative project that promises to become an important breakthrough on the global scene. Thanks to its exceptional expertise in the design and production of bath fixtures, driven by constant research and technological experimentation, LAUFEN has made a substantial contribution to the project and to the video CIRCULAR FLOWS: The Toilet Revolution!. Supported by the Federal Chancellery of Austria and commissioned by MAK, the Museum of Applied Arts of Vienna, it all started with the long-term research of Eawag, the Swiss Federal Institute of Aquatic Science and Technology, and the grant of the Bill & Melinda Gates Foundation. The studies demonstrate that current practices of waste water treatment play a significant role in unbalancing the nitrogen cycle, with major repercussions on the ecosystem and the health of human beings and other living things, consequences that will become more evident over the short term. New hygienic-sanitary solutions represent the future in the construction of intelligent cities with more healthful, sustainable characteristics.

The collaboration between studio EOOS and LAUFEN has led to save!, a revolutionary toilet prototype for the separation of urine, offering an effective solution in the battle against the global problem of excess nitrogen, in line with the principles of systemic design. The separate treatment of urine means reducing – in an intelligent, economical way – the quantity of nutrients (such as nitrogen and phosphor) and pollutants released in the waters of the planet.

Up to 80 per cent of the nitrogen found in sewage can be removed from the wastewater stream, which will in turn reduce the resources required to operate treatment plants. Where others have failed in the past, save! represents a design challenge successfully met, raising excellent prospects for the future. In the achievement of these objects, the contribution of LAUFEN to the project has been fundamental, thanks to the deployment of unprecedented know-how. The Swiss company relies on an extremely advanced research and development centre, the only one in the world capable of developing such an innovative idea. At the same time, it boasts a production system capable of making the save! into the toilet of the future, according to the most advanced industry standards.

Main image credit: LAUFEN

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HOTEL OPENING: Lincoln Plaza London’s design inspired by London Docklands

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By taking note of the exciting and vibrant spirit of the London Docklands area, RPW Design was the design firm that sensitively designed the 129-key Lincoln Plaza London… 

Based in the heart of Canary Wharf, RPW Design has announced the opening of its most recent project, Lincoln Plaza London. Conveying its location into the hotel, the experienced RPW Design team, led by Nicola Romanelli and Richard Snow, has maintained a unique and luxurious experience through the guestrooms, function and meeting spaces while staying true to the location. RPW Design took Canary Wharf as a treasure trove of inspiration; from the historic shipping and dockland past to the present day, high tech, modern, business, luxury residential living and extraordinary architecture.

When approaching the design for a property in such a vibrant area of the city, RPW Design was inspired by a quote from the design brief for the new Hilton Curio Brand: “Hotels with a special character you can’t duplicate. They’re part of the fabric of their cities: true locals, each embodying the spirit of their home”.

For Richard Snow, Senior Designer at RPW Design, this quote really stood out and inspired the design story for Lincoln Plaza London. “We drew on the rich industrial past of the area using rusty tones and finishes alongside the design of joinery and FF&E pieces with exposed metal framework,” he told Hotel Designs. “At the same time, conscious of the hotel brand and surrounding residential developments, we included quality finishes such as natural stone in the bathrooms and on joinery, as well as statement pieces like the rusty/burnished gold wall covering to the bed head wall.”

Image credit: Main image credit: Lincoln Plaza London/Curio Collection by Hilton

Lincoln Plaza London’s focus on luxurious lifestyle facilities has been seamlessly translated throughout the 129 guest rooms. The layout of the rooms was creatively developed to move away from the standard hotel offering by incorporating the vanity into the main lobby area of the room, creating a sense of space and openness in the room. A decision to remove the traditional hotel room desk was made, and instead RPW designed a multi-use table at the right height for either a work space or dining table whilst seated at the armchair. These changes allow a more residential feel. From the bespoke shelving units made of blackened steel and antique brass, through to the marble rainfall showers, all elements work together harmoniously. The guestroom artwork was carefully curated in collaboration with RPW Design’s Art Consultant, Peter Millard and Partners, in order to show some of the East End’s most famous and unique artists: Gary Hogben; Julian Bray; Kyra Cane; and Tom Clark. Meanwhile, individual sculptural pieces by Simon Bingle, positioned in every floor lift lobby, hark back to the industrial landscape still visible around the hotel. This particular bespoke artwork conveys RPW Design’s attention to details that is inherent in their projects.

Canary Wharf is a more recent business hub for London, and the Hilton Curio offers 465 square metres of event space that is distributed across seven meeting rooms.  With sleek design details, RPW Design implemented a blend of “old industrial” and contemporary design. RPW Design has created a popular new space in this centre of commerce and it is a truly unique destination for the Docklands.

Image credit: Main image credit: Lincoln Plaza London/Curio Collection by Hilton

The reflection of the historical and industrial shipping dock is continued throughout the hotel, from the lower-ground meeting and function spaces to the fitness centre. Lincoln Plaza’s fitness centre is designed to be simple and modern, reflecting the location’s industrial heritage with a concrete reception desk formed out of concrete and rusty metal effect laminate in the joinery.

Lincoln Plaza’s meeting areas can be reached by a feature staircase that is formed of shuttered concrete, poured in situ, with an exposed timber imprint remaining on view, contrasted by a polished concrete floor. The rough concrete is offset by a luxurious brushed brass handrail and stair treads, with concealed lighting to add drama. This is diffused into the pre-function space, with a concrete render-effect wall covering and rich, dark timber doors.

Image credit: Main image credit: Lincoln Plaza London/Curio Collection by Hilton

The function areas are versatile spaces that may be configured dependent on the client’s needs and meeting planners’ specifications. The large function room can be divided into thirds when required and the buffet counters housing TV and tea/coffee facilities in the individual meeting rooms can also be concealed, thus enabling various uses from one space. A central area with a communal work table, features iconic pieces of furniture from Poltrona Frau, Walter Knoll and Porada. The cranes, such a familiar sight in the Docklands, are reflected in the pattern of two large metal work screens, dividing the pre-function area. The walls of the function rooms are designed with contrasting finishes, featuring geometric patterned wallpaper and bespoke lighting, continuing the theme.

Andrew Hart, Chairman of interior fit-out contractor Fileturn, commented: “This project was one which used all the skills of the team on site to incorporate the new designs within the existing structural shell. The fit-out areas designed by RPW included public areas, conference and meeting room facilities as well as bedrooms. The end results have produced a striking hotel in keeping with its surroundings and one the team here at Fileturn can deservedly be proud of”.

RPW Design worked alongside Fileturn to make the design become a reality, creating the perfect addition to the Curio Collection by Hilton.

Main image credit: Lincoln Plaza London/Curio Collection by Hilton

MEET UP LONDON: 3 weeks to go

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Calling all designers, architects, hoteliers and suppliers: Meet Up London takes place on March 28 at Minotti London… 

Designers, architects and hoteliers can purchase tickets here.
Suppliers can purchase tickets here.

There are just three weeks to go until the industry will gather together for Hotel Designs’ Q1 networking event, Meet Up London.

Taking place on March 28 at Minotti London, the evening event is designed to bridge the gap between designers, architects, hoteliers and key-industry suppliers.

Meet Up London will be attended by more than 200 hospitality professionals. As well as providing the perfect networking stage for professionals who are working on the hotel design scene, the event will also pay special attention to young designers as it will unveil Hotel Designs’ 30 Under 30 (the shortlist can be accessed here).

The latest names to the guest list include designers, directors and 30 Under 30 shortlisted finalists from the likes of B3 Designers, Yasmine Mahmoudieh Design Studio, Scott Brownrigg and M Studio.

They will join designers and directors from leading studios such as Richmond InternationalHBA LondonGenslerJestico + WhilesGoddard LittlefairProject Orange and WATG who are among the names that are also confirmed to attend.

Agenda for Meet Up London: 

 

How to attend Meet Up London 

If you are an interior designer, architect, operator or hotelier and would like to attend Meet Up London, click here to book your place.

If you are a supplier to the hospitality industry looking to attend the event, contact Zoe Guerrier on 01992 374059 or on z.guerrier@forumevents.co.uk – or click here to book your place.

For more information about becoming a Hotel Designs Meet Up sponsor, contact Zoe Guerrier on 01992 374059 or email z.guerrier@forumevents.co.uk.

ISH PREVIEW: In Conversation With Utopia Projects on bathroom design

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With the increase in demand from hotel operators and owners for the bathroom to become the statement areas within the modern hotel, Hotel Designs’ editor, Hamish Kilburn, sits down with Utopia Projects’ project consultant, Stuart Adamson and director Howard Jones to break down how to create the perfect hotel bathroom… 

Having designed bathroom in hotels such as South Place Hotel London (the hotel that was the set of the NTA award-winning drama series, The Bodyguard), Kimpton Fitzroy London, Pullman London – while currently working on the highly anticipated The Brooklyn in Manchester, Utopia Projects has seen bathroom design go from a necessary facility within a hotel to an area of real design potential. With ISH just around the corner, I sat down with Stuart Adamson and Howard Jones Howard from Utopia projects to understand more about the company and its unique offering.

Image credit: South place Hotel London

Hamish Kilburn: Can you give us an example, from start to finish, on how you help designers create a hotel bathroom?

Stuart Adamson: The same process applies to each project from the earliest possible start, concept stage for new build is ideal. For refurbishment  projects, as early in the process as possible we sit with the designer to review proposed layout drawings and dimensions and discuss functionality, style, colour and budget before we issue a proposal with images and descriptions of all products, and review again as a fine tuning process.

“The three- to four- star projects are driven much more by water-saving products.” –  Stuart Adamson, Utopia Projects

HK: How are wellness trends changing the design of the modern hotel bathroom?

SA: Wellness trends are very much budget driven for the contemporary hotel bathroom. The likes of shower toilets are desired, especially to attract foreign visitor, into major tourist hubs. However, this is driven usually by five- or six-star hotels. The three- to four- star projects are driven much more by water-saving products tied to a good experience from the shower and a good aesthetic. Hoteliers look at maintenance issues also in relation to wellness trends. If there is the possibility of introducing product that is not tried and tested or with great warranty and service package attached, there can be a reluctance to commit to product that has an effect return on investment.

Howard Jones: I think there is more and more technology coming into bathrooms, bidet toilets are almost common place within most manufacturers offerings and certainly being asked for by clients in London. LED lighting under toilets, in shower door profiles, behind mirrors, inside vanity units etc. Bluetooth mirrors with built in speakers, digital showers.

Image credit: Kimpton Fitzroy London

HK: How is the evolution of technology changing the design of modern hotel bathrooms?

SA: Digital showers and hands-free functions for shower toilets are the main areas we have experienced. Push-button fittings for showers are becoming popular too. Anything that the user can use intuitively is a requirement. Simplicity is key!

HK: Can you share any tips in achieving the luxury look on a budget? 

SA: Give Utopia Projects a call and we will talk you through the process. Don’t be put off by brands that can appear expensive at retail cost, our relationships and contract led pricing mean that your budget can go along way with Utopia Projects.

HJ: Minimal/timeless designs on taps, showers etc. Large format wall tiles marble effect give the appearance of a marble slab.

“The most common pitfall is selling a design to a client before they know it’s a workable function.” – Stuart Adamson, Utopia Projects.

HK: What would you say were the most significant product launches of last year?

SA: Not sure they were many last year but the Kit 40 intelligent waste for Victoria & Albert is great! They allow for free-standing that usually comes without overflow to be able to be specified in the hotel market. The intelligent waste is also the overflow giving peace of mind that the bath won’t flood the room. This offers freedom of design that was previously restricted.

Image credit: Pullman Hotels

HK: In your experience, what are the most common pitfalls in bathroom design, and how can designers avoid them?

SA: The most common pitfall is selling a design to a client before they know it’s a workable function. That’s why we recommend early dialogue with Utopia Projects. We can talk through what is actually possible with you and allow the design team to propose a working solution that meets design and budget ER’s.

HJ: Answering from a residential perspective, not thinking about the drainage in the bathroom. Bathrooms tend to be drawn out as boxes with generic toilets, basins and baths plotted in the room. If more though is put into the location of each item with the drainage then its quite easy to achieve a simple layout which works.

HK: We recently worked with Jason Bradbury to help us understand what the hotel room of the future might look like. Can you predict for us what the hotel bathroom of the future will look like?

SA: Many manufacturers are looking to offer an integrated solution fabricated off site for shower cubicles/basin vanity units, using solid surface materials as a bespoke solution. So I see the future as simplicity of design, integrated fittings and accents of coloured brassware.

HJ: High-end hotels will be filled with automation, services similar to Amazon Alexa enabling voice control for your shower or bath fill. I think there will be more pod style hotels appear too as the demand increases.

HK: What’s the most bizarre brief you have worked on?

SA: One-off residential projects are the most bizarre as the client does not really know what they want and the architect pushes through to us to provide a solution; we then have to interpret clients’ tastes and style.

“Colour trends change so quickly that often by the time the room is installed the next trend is developing” – Stuart Adamson, Utopia Projects

HK: What has been the most challenging project to work on – and why?

SA: The most challenging was probably a refurbishment projects I did for a number of hotels for an international brand. The project was a partial refit of bathrooms over several sites. The challenge was site inspecting every room (more than 1,000) and recommending product to the current design and cost team; then communicating this to the six contractors that were awarded the projects.

Each project adapted as the work commenced on site, our expertise was used to lead the design and contract teams to find the solution to the product selection on site as they developed. It was challenging, particularly as communication across client/design team/cost consultants and installers/contractors all had to be managed along with their expectations on budget and timescale.

HJ: Two private residences in London. Each project had unique products in every bathroom. There was a total of around 20 bathrooms with the majority of the brassware being supplied bespoke by THG Paris.

HK: Colour in the bathroom, what are your thoughts on this?

SA: Accents of colour is the key. Simple and discreet to enhance the designer’s overall package. Colour trends change so quickly that often by the time the room is installed the next trend is developing. Stick to classic chrome/nickel or black.

HJ: I think its here to stay. Matt black has been around a number of years and is still popular, bronze, brass, copper all seem very popular too. The technology of the PVD plating now I think has given people new confidence in colours, gone are the days that gold would fade if sprayed with CIF.

HK: Which bathroom trend do you hope never returns?

Both SA and HJ agree: Avacado bathroom suites!

SA: Sanitaryware colours in general really date a bathroom. I always try to keep the bath as a no tap hole and use wall mounted bath fillers either concealed or exposed, or overflow fillers from a concealed valve. I hate with a passion to see deck mounted product on the bath, dirt traps and hard to clean. Toilet brush holders, as well, get rid of them! They’re unsanitary and ugly!

Utopia Projects is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, click here.

Main image caption: Stuart Adamson & Howard Jones

 

IHG announces voco arrival in the Netherlands

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Strong momentum for IHG’s newest upscale brand in Europe continues with signing in The Hague in the Netherlands…

The InterContinental Hotels Group (IHG) and UBM Development AG have announced the signing of the first voco hotel in the Netherlands which is planned to open in 2020. The signing is the first publicly announced signing in Continental Europe underscoring the strong momentum of the voco brand in the region since its launch in June 2018.

voco – Kneuterdijk 8 will be set in a beautiful building located in the city centre of The Hague that formerly housed a bank. The hotel will be in close proximity to the town’s famous sights, several museums, parks and the shopping mile.

Launched in June 2018, voco — inspired by the meaning ‘to invite’ or to ‘come together’ in Latin — combines the informality and charm of an individual hotel with the quality and reassurance of a global and respected brand. The signing of voco The Hague – Kneuterdijk 8 follows the recent openings of the first three voco hotels in the world — voco Gold Coast in Australia, voco Cardiff and voco Solihull in the UK – and continuing the strong momentum for IHG’s newest upscale brand in Europe.

With a listed façade dating from the 1920s and an expansive atrium, the property is quite an impressive sight to behold – naturally, all historic features will be retained and very carefully renovated. Inside, the hotel will be no less awe-inspiring – containing more than 200 exquisite rooms and suites.

“After its completion in 2020, the new hotel will serve as an exceptional meeting point for all.”

The new voco The Hague combines a very laid-back comfort, a relaxed approach and individual hospitality – which will be evident in both the culinary offerings of the hotel, and in every aspect of the Kneuterdijk 8 location. It will have direct access to the pedestrian area of Noordeinde welcoming tourists and locals alike. After its completion in 2020, the new hotel will serve as an exceptional meeting point for all, becoming a centre for travellers as well as a very accessible gastronomic and life-style hotspot.

Mario Maxeiner, Managing Director Northern Europe, IHG, comments: “The voco Kneuterdijk 8 in The Hague marks the first publicly announced signing of our new brand in Continental Europe. This signing continues the accelerated growth of the voco brand since we first launched it last June and we are looking forward to bringing its upscale offerings to more travellers who seek a reliably different guest experience. We see lots of potential for voco in Europe and are excited to expand its presence further across the region.”

“UBM Development is the leading hotel developer in Europe with more than 50 hotels realised over the past 25 years,” said Rolf Hübner, Managing Director of UBM Hotels Management. “This is our third hotel in the Netherlands as well as a very special project. Our business relationship with IHG started many years ago and has already resulted in the completion of 14 hotels. It is a sign of their trust and a reflection of our previous successful cooperation that they have also decided to cooperate with us on their first voco hotel in the Netherlands. voco is a perfect fit with UBM because it stands for individuality, and we, as a developer, demand the highest quality in terms of guest experience.”

voco is IHG’s newest upscale brand, launched in June 2018. It can be used for new builds, but it is also designed to be particularly suitable for owners to use as a conversion brand. It strengthens IHG’s offer in the $40 billion upscale segment, which is expected to grow by a further $20 billion by 2025. The new brand will drive significant incremental growth for IHG, with an expectation to open more than 200 voco hotels in attractive urban and leisure locations over the next 10 years.

Main image credit: voco/IHG

Leading supplier of luxury hotel cosmetics confirmed as Gifting Partner for Meet Up London

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With less than a month to go until the event, Aslotel has been confirmed as the Gifting Partner for Hotel Designs’ Q1 networking event, Meet Up London…

Hotel supplier Aslotel has been confirmed at the Gifting Partner of Meet Up London, which takes place on March 28 at Minotti London.

As well as sponsoring the event, the leading luxury hotel cosmetics supplier will also provide samples for attendees to take home.

“We are delighted to be gifting partners for the Hotel Designs’ Meet Up in London,” said Stephanie Ibbotson from Aslotel. “As leading suppliers of luxury hotel cosmetics and equipment items, Aslotel hopes that the attendees will be able to take away a taster of what our company can offer.”

Agenda for Meet Up London: 

 

How to attend Meet Up London 

If you are an interior designer, architect, operator or hotelier and would like to attend Meet Up London, click here to book your place.

If you are a supplier to the hospitality industry looking to attend the event, contact Zoe Guerrier on 01992 374059 or on z.guerrier@forumevents.co.uk – or click here to book your place.

For more information about becoming a Hotel Designs Meet Up sponsor, contact Zoe Guerrier on 01992 374059 or email z.guerrier@forumevents.co.uk.

Exclusive style partner: Minotti London

Exclusive headline partner: Hamilton Litestat

Event partner: Tarkett

Gifting Partner: Aslotel

Sustainable design transforms London boutique hotel

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Each guestroom of the newly renovated Fuller’s Fox & Goose has been consciously designed to allow for the highest degree of sustainable and ethical sourcing…

Interior architects Sibley Grove has completed work on a collection of hotel guestrooms for the brewery, Fuller, Smith & Turner at The Fox & Goose business hotel in Ealing, London.

All products and materials used in the project have been assessed on five fundamental principles: aesthetic quality, build quality, value, environmental impact and social impact. The bespoke joinery has been designed for disassembly making it easier to reuse the materials in the future. Meanwhile, the upholstery and dressing items have been created using fabric with recycled content from mills in the UK or mainland Europe. Cradle to Cradle CertifiedTM products have been used throughout, including suspended ceilings from Armstrong, Tiles from Mosa and carpets from Ege Carpets.

Sibley Grove strongly believes that design should be a vehicle for positive change – both environmentally and socially. “A chair that looks great, is affordable and well made, but achieves this through being manufactured in a factory with poor employment rights and a lack of safety equipment is a failed product,” says Sibley Grove director, Jeremy Grove. “Likewise, a product from a great factory using sustainable materials that is poorly made and overpriced is an equally failed product.”

“We’re making a continuous effort to tackle some of the issues that are rife in the design industry.

“In today’s world, regardless of budget, it’s unacceptable to knowingly create stuff that is harmful to the environment or reliant on an exploited labour market. Cradle to Cradle is a great system for designers to measure and manage the impact of the products they specify as it takes into consideration material health, renewable energy, water stewardship and social fairness.”

Image credit: Sibley Grove

Key materials used in the project:

Major suppliers include Castlebrook (furniture), Mosa, Ege, Hansgrohe, Armstrong and recommended supplier Chelsom Lighting.

Reading lighting on side of headboard

Image caption: Chelsom Lighting were used as a sustainable lighting product for the project

The project uses materials, fixtures and fittings that are considerate of the environmental and social impact, with no additional cost to the client. The guestrooms are light, bright and open space with contemporary detailing. In addition, the space is functional and practical, perfect for business customers.

 

Sibley Grove is an interior design studio founded by Kate Sibley and Jeremy Grove, based in Totnes, Devon. The company has a deliberately open and collaborative approach to design, bringing together local suppliers with global companies and clients who share our commitment and ambition to design things better.

 

Dexter Moren Associates wins planning to extend Bloomsbury hotel

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Dexter Moren Associates has won planning permission to extend Mercure London Bloomsbury…

Design firm Dexter Moren Associates (DMA) has won planning permission to extend the Mercure London Bloomsbury Hotel, increasing the number of guest rooms from 114 to 132 and improving the visitor experience with an updated food and beverage offer.

Working closely with client Fairview Hotels Ltd, DMA’s plan enhances the guest experience at the four-star boutique hotel, adding 586sqm of extra floorspace through new side, rear and roof extensions plus a bar extension.

Javier Ortega from DMA explains: “The main challenge was how to deliver the internal spaces to meet the client’s requirements whilst achieving an elegant series of extensions suitable for such a prestigious and sensitive site.”

DMA’s successful design uses high quality materials and architectural elements complimentary to the existing red and cream brick with Portland stone ornaments of the late Victorian / Edwardian hotel. Combined with a deliberate decluttering of miscellaneous distracting external elements, the new extension allows the hotel as a whole to engage more positively with the surrounding townscape and enhance the character and appearance of the Bloomsbury Conservation Area.

“As well as playing to our space planning expertise and creating spaces that will satisfy the expectations of the modern, savvy traveller, this project is another example of our contextual approach to design, rooting the hotel in its surrounding neighbourhood,” Continues Ortega.

The Mercure London Bloomsbury Hotel is the first of a series of Fairview Accor hotel projects on which DMA has been engaged to investigate expansion opportunities.

 

 

Ruby Hotels to open first Nordic hotel

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The 142-room property in Finland’s Helsinki is the latest installment in ‘lean luxury’ hotel brand’s expansion plan…

Ruby Hotels, since unveiling plans for UK and international expansion at the end of last year, has announced plans for its first Nordic property in the Finnish capital, Helsinki, to open in the first quarter of 2021. The new hotel forms part of an expansion plan for Ruby Hotels to unveil a total of nine new hotels by 2021.

Set within a historic 19th-century building, in the same plot which housed Finnish national poet Johan Ludvig Runeberg, the new hotel will be located in Helsinki’s charming Kruununhaka district. Enjoying a central position between the city’s main railway station and the hip district of Kallio, guests will be just steps from hotspots including the harbour and marketplace, Helsinki cathedral and the beating heart of the local nightlife, Tori Quarters.

A collaboration with Finnish project developer ICON Real Estate, the hotel will house 142 guest rooms, ranging in size from cosy ‘Nest’ rooms (13-15m²) to expansive ‘Loft’ rooms (23-38m²), a stylish 24-hour bar and breakfast area, a spacious outside terrace and – in a nod to traditional Finnish culture – Ruby Hotels’ first in-hotel Sauna.

“This works because we accommodate luxury in a relatively condensed space, similar to luxury yachts, and we forego unnecessary services,” explains Michael Struck, Ruby Founder and CEO. “Thanks to proprietary technical innovations, we plan, build and organize ourselves differently from conventional hotels. To be precise, we plan and build in a very modular way and centralize as well as automatize processes behind the scenes wherever possible. This helps us create a luxurious and unique hotel experience at an affordable price.”

A laid-back, contemporary design will take inspiration from the area’s Jugendstil art-nouveau style, with quirky touches such as the inclusion of a Marshall guitar amp in each room. Guests will be able to use the amp with their own guitar or one borrowed from reception, and will enjoy ‘Ruby Radio’, the hotel group’s own internet radio station.

Cutting-edge technology will be on offer throughout the property; in each room guests will find a personal tablet PC and smartphone pre-loaded with Ruby Hotels’ carefully-curated Helsinki city guide, social media apps and unlimited data and calls to use throughout their stay. A state-of-the-art self-check-in system will make use of tablets to reduce check-in time to under one minute, leaving guests free to make the most of their stay.

Just like the group’s other houses, the new hotel will follow Ruby Hotels’ ‘Lean Luxury’ philosophy: a top location, high-quality fittings, and outstanding design. All of this is offered at an affordable price by rigorously cutting out the superfluous and focusing on the essential.

The Ruby Helsinki development is a part of a half-city-block-sized (10,000m2) real estate project which will revitalise the neighbourhood, with a further 50-60 luxury apartments ranging from studios to 4-bedroom apartments also under construction next door.

Main image credit: Ruby Hotels

Victoria + Albert Baths introduce a new colour service

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The new colour finishes from Victoria + Albert Baths will be officially launched this month at ISH Frankfurt and London Design Week at Design Centre Chelsea Harbour…

In response to a strong demand for bespoke colour finishes, luxury British bathing brand Victoria + Albert Baths, is proud to now offer 194 RAL colour exterior finishes across the entire collection of freestanding QUARRYCAST baths and basins. This follows in the footsteps of the brand’s six popular standard paint finishes, launched in 2016.

Creating a bathroom to reflect your individual sense of style has never been easier – with the new colours and feet finishes, Victoria + Albert’s tubs are fully customisable. They are now able to offer more than 28,000 variants of their baths, and more than 5,000 basin variants. Customers can choose between gloss or matt finishes, offering an even greater choice.

The exterior paint finishes contrast with the crisp white QUARRYCAST interior of the freestanding baths and basins. Renowned by homeowners and designers alike for its durability, QUARRYCAST is naturally white, beautifully strong and easy to clean.

Living Coral coloured bath

Image credit: Victoria + Albert

The addition of a brightly coloured, freestanding bath or basin is the perfect way to inject colour into any bathroom space and creates a striking focal point. Whether you’re tapping into the botanical trend with deep greens and earthy tones, or are looking for a vibrant and eye-catching finish, such as this year’s Pantone Colour of the Year, Living Coral, Victoria + Albert Baths now offers an incredibly wide selection to choose from.

Each finish is multi layered using a specialist catalysed paint and is hand polished between applications. This technique results in an exceptional depth and lustre to the finish and is considerably more durable than hand painted surfaces. The full selection of available RAL colours will be available to view on the Victoria + Albert Baths website from March.

Main image credit: Victoria + Albert

CASE STUDY: Furnishing Grand Central, Belfast

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Hastings Grand Central is more than a hotel, it’s an ode to a spectacular city. Recommended Supplier Style Library Contract explains how it helped to style the hotel in Belfast that everyone is talking about… 

Standing tall in Bedford Street, the 22-storey Hastings Grand Central, which opened in June last year, fuses glamour and grandeur with a uniquely Belfast spirit. Comprising of 300 luxurious guestrooms and suites, restaurant, bar, conferencing facilities and retail space, it is a jewel that sits at the heart of Belfast’s Linen Quarter.

RPP Architects was involved in the design of every aspect of the hotel, from the external envelope which involved the design of prominent and distinct signage, a bespoke cladding system to the different bedroom, suites and all of the public spaces. Meanwhile, the interior design was developed with Grahams construction and the Hastings Hotel group during a series of design workshops.

Situated on the ground floor, the Grand Café will catch your eye as you walk by but when you step inside you’ll want to stay. An everyday place with an easygoing elegance, it reflects the whole ambience of being “beautifully simple and simply beautiful”.

Sumptuous suite

Image credit: Hasting Hotels

Quality exudes from every angle of the bar and restaurant space; from the phenomenal cuisine and cocktails to the lavish fabrics and fittings. The art deco nods, high ceilings and sense of space add a distinctive drama and the vibe inside shifts as the day rolls in and the sun rolls round. Located on the 23rd floor, the Observatory is an aweinspiring cocktail lounge with spectacular, unique views of Belfast and beyond. The decadent décor combined with the stunning vistas make the inside feel intimate, and the outside infinite. Each of the 300 guestrooms and suites are designed for absolute comfort and relaxation. Each room has been lovingly created as an oasis of calm; a thoughtfully crafted cityscape sanctuary teeming with touchable, tactile fabrics and state of-the-art finishes.

entrance lobby

Image credit: Hasting Hotels

Mark Higgins, Associate at RPP Architects explains how they selected the materials and craftsmen for this project: “The interior design utilised local craftsmanship where possible sourcing marble and quartz from Ballymoney, specialist joinery and bedroom casegoods from Ballymena, bespoke upholstery and front of house furniture was manufactured in Carrickfergus and bespoke carpet from Portadown.

“We chose to work with Style Library Contract because of the wide selection and high specification of their fabrics and wallcoverings. Being able to specify products from across their brands enabled us to create the look we wanted for each distinct space. Products include: Zoffany curzon belvoir, Zoffany elswick paisley, Anthology veda, Harlequin mesh and sgraffito, Scion toma, Harlequin momentum aves paprika, William Morris snakeshead paper in the bar and various Anthology papers in the suites.”

Carolyn Mitchell, Group Contracts Sales Director at Style Library Contract adds, “We are delighted to have worked with RPP Architects and Hastings on this exquisite project. Our job is to provide clients with the means to create beautiful, design-led interiors. In house manufacturing and design expertise in contract specification fabrics, wallcoverings and paint, means we can be relied on for a complete project solution.”

Style Library is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, click here.

Main image credit: Hasting Hotels

FIRST LOOK: Apex unveils Insta-worthy London suite

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Apex Hotels has unveiled the Temple Suite in London that has been designed with Instagram in mind… 

Following the Hotel Designs’ series, Designing Instagrammable, Apex Hotels has revealed a sneak peek at the fabulous, ‘Instagrammable’ interiors that lie within the £6 million extension to its hotel on London’s Fleet Street.

The Temple Suite is considered the jewel in the crown of the multi-million pound extension, which also boasts four deluxe Grand Suites. Each one is perfect for those looking for a new type of luxury in the capital, and those who want to witness #interiordesigngoals first-hand.

While the Grand Suites are already available to book, the outstanding Temple Suite has been kept under wraps – but now the first images have been released, showing exactly what potential guests can expect when the space opens for booking on March 3.

It includes original fireplaces, bespoke furnishings in rich jewel tones, luxury linens and a bathroom (complete with underfloor heating) that’s just begging for mirror-selfies to be snapped.

Image credit: Apex Hotel

Set within a Grade II listed building on the capital’s Fleet Street, dating back to 1912, the Temple and Grande Suites sit alongside ‘The Amicable Society of Lazy Ballerinas’ – a brand new stylish, decadent wine bar – and private dining rooms to really give guests a taste of the ‘suite’ life.

Guests can cosy up in the coolest of surroundings in the Temple Suite, which features a sophisticated grey colour palette that is injected with warmth thanks to the original parquet flooring and wall panelling.

There’s a chance to relax on Scandi-inspired, bold furniture upholstered in rich velvets and textured wools, whilst snapping away at contemporary features including striking pendant lighting, and the intricately detailed glassware and accessories dotted throughout.

Image credit: Apex Hotels

Before languishing in luxury with access to a personal concierge service, guests can be whisked straight into their suite for a private, queue-free check-in before settling in with a welcome drink, testing out the luxury linens and making the most of the sumptuous surroundings – including a totally personalised mini-bar.

“We’re absolutely thrilled to reveal the striking Temple Suite which, along with our Grand Suites, has come as a result of a meticulous, multi-million pound restoration and refurbishment of the stunning Grade II listed building situated right next door to our original Fleet Street hotel,” Karl Mitchell, General Manager at Apex Temple Court Hotel. “Not only are each of the suites entirely Instagram-worthy, with beautiful furnishings and facilities masterminded by our architects, ISA; each and every guest who stays within the suites will enjoy a totally bespoke stay – from a private check-in and access to a personal concierge, to a mini-bar stocked with their favourite tipples and much more. No two stays will be the same.

“Just imagine lazing in front of the fire with your favourite drink from the personalised mini bar…it’s just one of the blissful ways our guests can spend a stay at our magnificent suites.”

Guests looking for a new type of luxury in London can now book to stay at the 115 square metres of pure, opulent relaxation that is the stand-alone Temple Suite – or at one of the four Grande Suites.

 

Morgan makes a colourful splash

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New commissions from Morgan Furniture showcase appetite for bold and bright colours ahead of SS19…

With the 1970’s vibe in full swing, designers are looking to colours and patterns that arouse and inspire the imagination. Morgan, contract furniture and manufacture, shares two recent commissions that perfectly encapsulate the current taste for vivid, post-Scandinavian palettes.

A family of Chevy dining and meeting chairs brings the seventies into the 21st century with rich gemstone colours. While the collection itself owes its inspiration to the styling and elegance of an earlier era, its timeless silhouette can adapt to any aesthetic sensibility and contract environment. Turned timber legs and a fully wrapped seat detail combine to create a picture of comfort and simplicity.

The Chevy collection brings together five chairs and seven modish coffee tables, available in three heights.

Image caption: Chevy by Morgan Furniture

A pattern reminiscent of the 1980’s Memphis Group’s abstract geometry and Keith Haring’s pop stylings gives these Goodwood lounge chairs punch. Here the collection piece uses upholstery to showcase the graphic motif from fabric designer GP & J Baker.

With customisable arms and an optional high or low back, the Goodwood range invites guests to sit back and relax. The collection has ten chairs and four tables, available in two heights, three top sizes and a choice of glass, timber or marble inset.

Commenting on the two collections, Morgan’s Design Director Katerina Zachariades said: “When we’re developing the concept for a chair design, we look for inspiration in fashion, nature and architecture. This encourages us to use shapes that are enduring, as opposed to transient styling.

“All Morgan furniture is made to order for clients. Upholstery choices help designers’ visions to be brought to life while scale and base options allow for the chair design to be suitable for a variety of uses.”

Morgan is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, click here.

Image caption: Goodwood range by Morgan Furniture

 

How Living Coral can energise your hotel

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Hotel Designs’ recommended supplier Signbox explores how to make the most out of Pantone’s colour of the year, Living Coral… 

Since the 1960s, Pantone has been influencing creatives who rely on its standardised colour reproduction system for design and print continuity, consistency and inspiration. Every year it unveils a new Pantone Colour of the Year to reflect a new season of trends and influences that will fire the imagination of product developers and purchasers, designers and retailers; in 2019 that task falls to the incoming Colour of the Year: Pantone 16-1546 Living Coral.

Described by Pantone as ‘sociable and spirited…the fusion of modern life…a lively presence’, Living Coral looks set to make a rapturous impact on the work of the signage industry’s more ingenious manufacturers – and that means energised workspaces, invigorated teams and an altogether happier working environment.

This isn’t just marketing parlance; according to Pantone, there’s a psychological connection to be had with Living Coral and it could just be the game changer that business owners are looking for if the wellbeing and productivity of their workforces need a lift.

The Pantone Colour Institute is the unit that forecasts global colour trends and advises companies on product and brand visual identity colour palettes to leverage the power of colour – so it knows a thing or two about emotional responses to colour.

“Living Coral’s flamboyant, lively and effervescent shade will mesmerise the mind and create an aura of confidence, energy and positivity.”

“Vibrant, yet mellow Living Coral embraces us with warmth and nourishment to provide comfort and buoyancy in our continually shifting environment’, explains Leatrice Eiseman, Executive Director of the Pantone Colour Institute. “In reaction to the onslaught of digital technology and social media increasingly embedding into daily life, we are seeking authentic and immersive experiences that enable connection and intimacy. Sociable and spirited, the engaging nature of Living Coral welcomes and encourages light-hearted activity. Symbolising our innate need for optimism and joyful pursuits, Living Coral embodies our desire for playful expression.”

Translate that to a workplace or hotel environment and Living Coral’s flamboyant, lively and effervescent shade will mesmerise the mind and create an aura of confidence, energy and positivity. Consider the impact of Living Coral’s hue on branding, wayfinding, environmental graphics and glass manifestation, for example, and it’s easy to see how powerful an interior design scheme can be as a motivating force. It’s a colour that encourages communication too, so expect to see leadership spirits fired and employees galvanised.

The power of colour when it comes to branding

Never underestimate the power of colour to create an emotional relationship with a brand and its physical space. With the capacity to affect us physically, intellectually and emotionally, colour is a critical component when it comes to applying a brand identity and an interior workplace scheme that reflects it.

Take digital wallpaper. It can be a big, bold and exciting step that can transform your office vista. But, don’t just choose a show-stopping image to project across your walls and place your order; consider first how your colour palette will influence your team, your partners and clients – the decisions they make and activities they undertake can have a serious effect on your business. Set them up for success with a colour that suits your environment, your market sector and the mood you want to induce.

A perfect colour for hotel and leisure environments

Take Living Coral. It’s comprised of red, yellow and orange – colours that can increase workplace productivity and inspire workforce wellbeing. What’s not to love?

  • Red is a physical colour that represents courage, strength and excitement – a great colour to use in work areas that demand physical exertion.
  • Yellow is an emotional colour that represents creativity, friendliness, optimism and confidence. Incorporate it when you want to stimulate positivity, creativity and happiness.
  • Orange blends the physicality of red with the emotion of yellow to create a sense of comfort and nurturing.

So, when you’ve assessed the impact that colours like Living Coral can have on the human body and its emotional relationships with space, you can apply it to the most appropriate areas. Living Coral can inspire transformative change in areas where creativity or physical activity needs an added stimulus – think design studios and gyms, for example. Since it also stimulates socialisation, it could work wonders in hotel and leisure environments – places where you want your clients to linger for longer and spend more perhaps.

If you want more advice on how to use colour to energise, inspire or motivate, talk to Signbox about impactful environmental graphic solutions on +44 (0)1784 438688, click here for our electronic brochure or send us your requirements. If you’d like guidance on what architectural signs or graphics will help your organisation perform better, an on-site consultation will give you the answers you seek.

Signbox is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, click here.

Leading designers and architects confirmed to attend Interior Design & Architecture Summit

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Two months before the inaugural Interior Design & Architecture Summit, the event has unveiled who among the architecture and design community will be attending… 

Following the announcement of the ‘Rising Ceiling of Creativity’ panel discussion at the event, the Interior Design & Architecture Summit (IDAS) has just announced the attendees list for the meet-the-buyers event.

Dexter Moren Associates, EPR Archtiects, Goddard Littlefair, MKV Design, ReardonSmith Archiects and Zannier Hotels are all among the leading design firms that have confirmed to attend IDAS as delegates.

The event, , is aimed to bridge the gap between designers, architects, hoteliers and key-industry suppliers.

About IDAS

The one-day event, which will take place on April 29 at Hilton Tower Bridge London, is designed to connect senior executives working within the sector with product and service suppliers for face-to-face meetings and business networking.

The Summit aims to support the design and architecture sector with a unique platform to help create long-lasting and mutually beneficial business connections.

The design and architecture companies confirmed to attend IDAS are:

Aaron Chetwynd Architect Studio
Abode Architecture
Ana Engelhorn Interior Design Ltd
Anita Rosato Interior Design
Brompton Cross Construction
Burke Rickhards Ltd
Burrell Mistry Architects
CMT Design & Construction
CS Design
Dexter Moren Associates
DesignLSM
EPR Architects
Fiona Barratt Interiors
FL Interiors
Forster
Gauri Dole Design Studio
Goddard Littlefair
GA Design
GA Architect
Gereghty Taylor Architects
Gunter & Co Interiors
Harp Commercial Interiors
Hartmann Designs Limited
Harriet Forde Design
HBA London
Henry Prideaux Interior Design
Hyphen
InD Creations
Je Ne Sais Quoi
JPA Design
JCC
Jo Berryman Studio
Koubou Interiors
Kim Partridge
KCA International Designers Ltd
Lambart & Browne
LDA Design
LXA Projects
Materialise Interiors
Mangera Yvars Architects
MKV Design
Natalia Interior Design
NBBJ
NSI Design Ltd
Nine Yard Club
One Creative Environments Limited
Panache Interiors
Project (SW) Ltd
Rebecca James Studio
ReardonSmith Architects
Run for The Hills
RWD
Sapphire Spaces
Suited ID
Stop and Smell the Roses
Studio Mica
Tara Bernerd and Partners
Toca
Temza
Twinning Design
Wilson Associates
Watson Batty Architects
Woods Bagot
WS Design
Yasmine Mahmoudieh
Virserius Studio
Zannier Hotels

If you are an architect or interior designer and would like to attend the Summit, there are very limited spaces available. Please contact Kerry Naumburger on k.naumburger@forumevents.co.uk – or click here to book your place.If you are a supplier to the hospitality industry looking to meet the top architects and interior designers, contact Victoria Petch on v.petch@forumevents.co.uk – or click here to book your place.

Click here for more information about IDAS.

Media partner: Future Contractor & Architect

London School of Architecture confirmed as headline speaker for Meet Up London

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James Soane, Director of Critical Practice at the London School of Architecture, will speak at Meet Up London which takes place on March 28 at Minotti London…

Meet Up London has confirmed James Soane, Director of Critical Practice at the London School of Architecture, as its headline speaker for the networking event which takes place on March 28 at Minotti London’s showroom.

In addition to welcoming leading designers, architects, hoteliers and suppliers of all ages, Meet Up London will also carry a light theme to support young creatives. Attending the evening, courtesy of Hotel Designs, the 40 shortlisted finalists for Hotel Designs’ 30 Under 30 initiative will find out on the night who among them have made the final 30 Under 30.

“Our aim for this event has always been very clear; to support young designers and architects who are proving themselves to be rising stars on the international hotel design scene,”  said Hamish Kilburn, editor of Hotel Designs. “It is therefore my honour to invite James Soane to speak at the event in order to share his experience of working with and supporting young talent within in our industry. We hope that by having James speak at this event it will help to further bridge the age gap between designers, hoteliers, architects and suppliers.”

About Meet Up London

More than 200 hospitality professionals are expected to attend Hotel Designs’ highly anticipated Q1 networking event, Meet Up London.

Following the success of previous networking events, such as The Brit list 2018 and Meet Up North, Hotel Designs’ Meet Up London will adopt the theme of 30 under 30. The leading hotel design website has asked its readers to nominate designers, architects and hoteliers of the age of 30 and under who are fast climbing the ranks to become leading practitioners.

Meet Up London, which is being styled exclusively by Minotti London, will provide a unique opportunity to network over drinks and canapés with the largest names in hospitality, interior design and architecture.

Address: 77 Margaret St, Fitzrovia, London, W1W 8SY

Evening agenda:
18.00: Guests arrive
18.30: Welcoming speech from editor of Hotel Designs’ Hamish Kilburn
18.45: Unveiling of Hotel Designs’ 30 Under 30
19:00: Presentation by London School of Architecture’s James Soane (topic TBC)
19:15 – 21.00: Networking over complimentary drinks and canapés

If you are an interior designer, architect, operator or hotelier and would like to attend the Hotel Designs Meet Up London: 30 Under 30, click here to book your place.

If you are a supplier to the hospitality industry looking to attend the event, contact Zoe Guerrier on 01992 374059 or on z.guerrier@forumevents.co.uk – or click here to book your place.

For more information about becoming a Hotel Designs Meet Up sponsor, contact Zoe Guerrier on 01992 374059 or email z.guerrier@forumevents.co.uk.

 

Exclusive style partner: Minotti London

Exclusive headline partner: Hamilton Litestat

 

 

 

ISH Preview: Laufen to exhibit collaboration with Patricia Urquiola

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At the upcoming edition of ISH, Laufen will present SaphirKeramik in all its forms with the return of Sonar, the refined collection designed for the Swiss company by Patricia Urquiola…

Laufen is enthusiastically preparing to participate at the upcoming iteration of ISH, the indispensable biennial event in the field of bath furnishings.

Always on the front lines of research and experimentation, Hotel Designs Recommended Supplier Laufen brings its finest innovation to Frankfurt: SaphirKeramik. High-tech and ecological, this ceramic material patented by the company has launched a new trend in the world of bathroom design, which has continued with growing success since 2013, in applications for both the residential and contract sectors.

The technical characteristics of SaphirKeramik are enviable, and never cease to amaze due to the infinite range of potentialities yet to be fully explored. Qualities like extreme strength, lightness and slimness have stimulated great designers to work with SaphirKeramik, in collaboration with Laufen, in an unprecedented exploration of form with a spirit of boundless creativity. Alongside the other collections, visitors will rediscover the allure and elegance of Sonar, designed for Laufen by Patricia Urquiola.

Winner of the iF Design Award 2018 in the Product category, Sonar has proven its capacity to bring out the exceptional qualities of SaphirKeramik. Based on a creative process full of stimulating ideas, the pieces in the collection embody a sculptural aesthetic through symmetrical volumes, minimal lines and a sophisticated balance of angles and curves. The thin, bright and lightweight surfaces of Sonar give rise to an innovative, sophisticated design that perfectly combines beauty and functional quality. Another feature also enhances the refined forms of the collection: the very fine three-dimensional texture created by Patricia Urquiola to add a decorative sign to the ceramic material. Inspired by sound waves that spread in water, the motif on the external walls of the basins runs vertically, also producing a pleasing tactile sensation.

The Sonar collection is composed of freestanding or wall-mounted, single or double washbasins in SaphirKeramik, a bathtub in Sentec, and a series of wooden cabinets. Technology is a constant presence in Laufen’s products, and once again in this case Swiss quality translates into painstaking attention to detail. Thanks to intensive design research, the flow of water is optimised and perfectly channelled, facilitating operations of cleaning and maintenance, in solutions that guarantee maximum functional performance and sustainability.

Main image credit: Laufen

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MINIVIEW: Lough Eske Castle Hotel, County Donegal, Ireland

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MINIVIEW: Lough Eske Castle Hotel, County Donegal, Ireland

Guest reviewer Stuart O’Brian checks in to the only five-star hotel in County Donegal…

The first indication of the attention to aesthetic detail that runs through the entire Lough Eske Castle hotel site is the six-foot bronze dragon that greets visitors at the top of its long, winding, forest driveway entrance.

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The hotel has experienced a recent change of ownership away from the Solis brand, but thankfully the new owners have seen fit to keep this magnificent beast on its staff roster, along with a dozen or so other animal (and human) sculptures dotted around the grounds.

This corner of Ireland’s North West coast is abundant in natural beauty, something the Lough Eske Castle hotel’s original architects, and its current custodians, kept front of mind when considering exterior and interior décor. On this visit in December 2018, with the mist hanging in the woods around the site and the outdoor winter wonderland Christmas lights outside, the sense of seclusion was palpable.

The ‘castle’ building itself has some history, built as it was by the local O’Donnell family in the 1400s, rebuilt in the 1860s, burned to the ground in the 1930s and then renovated in its current form in the mid-Noughties.

Aesthetically, the exterior has the feeling of two personalities – the restored grandeur of the castle building and the more contemporary dining/function rooms, plus courtyard and garden accommodation that sit somewhere between the two. In fact, if you approach from the ‘alternative’ rear entrance and its views of the new-build accommodation building you’d be forgiven for thinking you’d accidentally stumbled into a different hotel.

Internally, the same merging of classic and contemporary styles, plus Gaelic flourishes, is to the fore. The public spaces are a mix of high-ceilinged larger rooms and cosy nooks, while the 98 guestrooms contain bespoke furniture and commissioned artworks, with décor neutral with wood panelling and space (especially in the huge MEPA-appointed bathrooms) in abundance. All rooms have oak furniture and the majority feature dramatic four poster beds.

freestanding bath in the middle of a modern bathroom

Image credit: Lough Eske

There are actually multiple room styles on offer, each sharing the same design cues but managing to feel very distinct – the Castle Suites are all regal flourishes, bare stonework, antiques and lead-lined windows, the Courtyard Rooms are converted stables, while the Garden Suites were built in 2007 during the renovation with a more modern touch.

Spas are a given in the world of five-star and Lough Eske Castle has a well-appointed annex in its gardens dedicated to wellbeing, with a glasshouse waiting/relaxation area, indoor pool with hydrotherapy/sauna facilities and secluded treatment rooms – all flooring here is either sandstone or wood, adding to the sense of class and closeness to the natural world.

And, of course, being in Ireland the hospitality on offer in the contemporary Cedars Restaurant (clean lines, floor to ceiling windows, views of the castle grounds) and Gallery Bar (floor to ceiling drinks cabinet, leather seating, oak tables) is casually exceptional.

Main image credit: Lough Eske

Editor’s round-up of Surface Design Show 2019

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Taking place from February 5 – 7 at Business Design Centre London, the Surface Design Show gave a platform to more surface material and lighting specialists than ever before. Editor Hamish Kilburn was there and reports…

More than 5,000 architects, designers and specifiers from 47 countries descended on London earlier this month for the much anticipated Surface Design Show. Over the course of three days, the show provided a packed schedule of insightful and entertaining panel discussions, informative CPDs and talks, trend forecasts and allowed exhibitors to display new products.

Presenters included New London Architecture and RIBA who hosted the Opening Night Debate; Chris Dyson who presented the PechaKucha Evening; Hannah Malein of Colour Hive; Oliver Heath of Oliver Heath Design and Daniel Hopwood representing Design Guild Mark, all kept visitors engaged as they educated on ways of thinking about materials, current industry issues and trends.

crowd gathering around the stand

Image credit: Surface Design Show 2019

There were a number of stand-out motifs among the 150 exhibition stands that displayed a positive look at where surface design is heading. The most prominent themes were:

Acoustic walls 

The surface experts at Armourcoat were at the show unveiling its new Acoustics Plaster System, which is designed with hotels and restaurant designers in mind with the aim to optimise the acoustics of interior spaces. While many acoustic surfaces are often bulky and not stylishly flexible, The Acoustic Plaster System offers a clean and smooth mineral surface that can be applied seamlessly over large expanses such as hotel lobbies or restaurants.

Meanwhile, anne kyyro quinn, which produces bespoke three-dimensional acoustic walls coverings, supplied the backdrop for the main stage. The handmade textile wallcoverings are natural, durable, versatile and are therefore suitable for commercial as well as residential projects.

Sustainability

Ethically handmade by master craftsmen, the premium patchwork cowhide rugs from Mosaic that were displayed on the stand were fabricated with 100 per cent recycled hides. Unlike other vendors which buy in full leather hides, Mosaic only use recycled hides from off-cuts of the luxury furniture and leather goods industry. The result, aesthetically, is a completely unique and customisable rug ideal for boutique hotels seeking characterful floors.

Elsewhere, Friends of Wilson displayed its Tessellate acousitic wall panel, which is made from 100 per cent polyester fibres containing a minimum of 60 per cent post-consumer recycled material (PET bottleflake).

Taking this concept into new territory were you designers Poppy Pippin and Emma Raybould over on the Spotlight Surface Live stand. Pippin’s Moss Tiles product has been designed specifically to encourage moss growth in order to improve air quality in the urban environment by absorbing carbon dioxide. Raybould’s silicastone design, displayed at the show, is an eco-architectural alternative to quarried stone for solid surfaces, which was developed at the University of Central Lancashire.

Since 2013 the Show has hosted the Surface Design Awards, now recognised as one of the most respected events in the design calendar. The 2019 Awards received 197 entries from 22 countries,
including America, Italy, China and India.

In a ceremony held over breakfast, the beautiful new Maggie’s Centre St Barts, London was declared the Supreme Winner, capturing the hearts and minds of the stellar panel of judges from the world of architecture and design. A beacon of design in the charity sector, the building by Steven Holl Architects was shortlisted in the Public Building Exterior category, gaining acclaim from the judges, including architect Christophe Egret of Studio Egret West, who stated “You really feel that a person dealing with cancer might feel elevated in this space”.

The 2019 awards ceremony was presented by architecture and design writer Aidan Walker, who cited the specialist focus of the show as key to its success now and for the future: “Surface Design has become one of the most compelling areas of innovation and imagination in design and architecture in the last few years. Driven by technology on one hand and the imperative for sustainability on the other, the application of new techniques and materials to cladding, walls, floors and ceilings has enlivened practice in a way unimaginable 10 years ago. Surface Design Show is perfectly positioned to express, exploit and support this rich seam of imagination and creativity. I see a great future for both the show and its Awards scheme.”

Hotel Designs was a proud media partner for the event.

Main image credit: Surface Design Show 2019

SHORTLIST ANNOUNCED: Hotel Designs’ 30 under 30

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SHORTLIST ANNOUNCED: Hotel Designs’ 30 under 30

Hundreds of entries have been whittled down to just 40 talented designers and architects under 30… 

Following its search to find the industry’s next rising stars, Hotel Designs has announced the shortlist of its 2019 30 Under 30 initiative…

Nominations, which closed on February 15, came in from many leading design firms such as HBA London, The Gettys Group, WATG, Richmond International, Gensler and many more.

Further to being recognised as rising stars on the international hotel design scene, the shortlisted finalists will also be invited, courtesy of Hotel Designs, to Meet Up London to network among a sea of other leading leading names in the industry.

“Our aim for the 30 Under 30 initiative is really to bridge the age gap between designers, hoteliers, architects and key industry suppliers,” said Katy Phillips, publisher of Hotel Designs. “Our events are often attended by directors and principals of studios, but we would like to extend the invitation now to include the young talented individuals who are shaping the future of our industry.”

The shortlisted finalists are:

Adam Charlap Hyman – Charlap Hyman & Herrero

Adam  Crabtree – Chelsom

Alaa Mohamed – Pallavi Dean Interiors

Ali Bacon – The Gettys Group

Amber Peters – Bluehaus

Andre Herrero – Charlap Hyman & Herrero

Anya Gordon Clark – Dexter Moren Associates

Beatrice Fischel-Bock – Hutch

Catherine van der Heide – HASSELL

Charlotte Roe – WISH London

Daniela Anedda – M Studio London

David Jelensky – M Studio London

Gina Langridge – WATG

Gioia Corrada – M Studio London

Harry Allnatt – Richmond International

Jen Lees – HBA London

Jodie Hatton – Brintons

Jordyn Dickson – The Gettys Group

Josh Piddock – Project Orange

Karolina Samuilaite – Modus

Kate Jarrett – Scott Brownrigg

Kay Jones – Brintons

Lauren McEwen – Goddard Littlefair

Lily Kwong – Studio Lily Kwong

Lisa Liu  – WATG

Mahesh Parekh – ARA Design

Marion Pierru – Wilson Associates

Natasha Ahmed – Lulie Fisher Design Studio

Nicola Brook – Nicola Brook Design

Omar Nakkash – Nakkash Design Studio

Patrick McCrae – ARTIQ

Rasha All-Tekreeti – MMAC Design

Rebecca Quickfall – Jasper Sanders + Partners

Reem Moussalli – Dress The Space F.Z.E

Rosalynn Youdan – Jestico + Whiles

Sarah Murphy – Jestico + Whiles

Scarlett Supple – Soho House Design

Simona Miron – Gensler

Stephanie Riedl – B3 Designers

Yasmin Farahmandy – Gensler

Yosola Akinwumi – HBA London

About Meet Up London

More than 200 hospitality professionals are expected to attend Hotel Designs’ highly anticipated networking event, Meet Up London.

Following the success of previous networking events, such as The Brit list 2018 and Meet Up North, Hotel Designs’ Meet Up London will adopt the theme of 30 under 30. The leading hotel design website has asked its readers to nominate designers, architects and hoteliers of the age of 30 and under who are fast climbing the ranks to become leading practitioners.

The event, which is being styled exclusively by Minotti London, will provide a unique opportunity to network over drinks and canapés with the largest names in hospitality, interior design and architecture.

Address: 77 Margaret St, Fitzrovia, London, W1W 8SY
Time: 6pm – 9pm

For more information about becoming a Hotel Designs Meet Up sponsor, contact Zoe Guerrier on 01992 374059 or email z.guerrier@forumevents.co.uk.

To purchase your tickets to Meet Up London, click here.

Exclusive style partner: Minotti London

Exclusive headline partner: Hamilton Litestat

Top stories of the week: design love from Bangkok, hide and seek architecture and a new hotel chapter

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With architecture and construction firmly in the spotlight, Hotel Designs has witnessed another jam-packed week full of interesting stories that highlights our love in design and architecture. Breaking down these headlines is editor Hamish Kilburn… 

New York, New York! Is there anywhere else on the planet quite like it? In the original metropolis where possibilities soar high above the bustling streets below, the hotel scene is staggering. It’s latest luxury neighbour is situated on 701 Seventh Avenue on the corner of 47th Street, Times Square, and features 452 guestrooms. With four levels of public space, the hotel is, much like the area it surrounds has already done over many decades, evolving with the trends to cater to the modern man and woman.

Changing perceptions has been a theme that has stitched together this week’s headlines – and I have been fortunate enough to be the first to tell many of this week’s main features. From spending quality time in the company of interior designer Celia Chu as she prepares to complete Rosewood Bangkok, to continuing to follow Nicky Dobree on her quest to open her first hotel; it’s been a great week to be part of the industry. To top it off, we are hours away from closing the applications/nominations process for our 30 Under 30 initiative. As a young editor (26 years old), I am personally proud to support this scheme – to support young talent in our industry – with every fibre of my body.

Here are the top stories of the week:

1) EDITION arrives in New York’s Times Square

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Image credit: EDITION Hotels

“The Times Square EDITION is an entirely new lens on Times Square. From an aerie above the hubbub below, you can engage, observe or withdraw. The hotel is an oasis of sophistication brought to you through the insight of the incomparable Ian Schrager, my friend and partner. There is simply nothing like it,” said Arne Sorenson, President and CEO, Marriott International.

> Click here to read the full story

2) The interior designer behind Rosewood Bangkok

open and airy suite with peculiar angular architecture

Image credit: Rosewood Hotels

As its highly anticipated opening is imminently on the horizon, the Rosewood Bangkok’s interior design story is one yet to be unveiled in detail. We caught up with interior designer Celia Chu to establish the narrative told within the walls of the soon-to-open 159-key luxury hotel.

> Click here to read the feature

3) Six Senses joins IHG

Aerial shot of a Six Senses hotel in the ocean

Image credit: Six Senses

The milestone moment, where IHG aquired Six Senses happened on Wednesday. As part of the IHG family, Six Senses is expected to expand to 60 properties within the next 10 years. This includes incredible new Six Senses hotels and resorts from a restored 14th-century fort in Rajasthan, to villas on a private island in Cambodia, and the brand’s first hotel in North America – a contemporary duo of twisting towers designed by Bjarke Ingles near the High Line in Manhattan’s West Chelsea.

> Click here to read the full story

4) Camouflaged hotel architecture of the 21st century

glass structure in the woods

Image credit: treehotel

As we continue putting architecture and construction in the spotlight, Hotel Designs reveals some of the world’s most spectacular hidden architectural gems.

> Click here to read the full story

5) From Concept to Completion: Restoring a 19th-century house to create Plaza 18 (part two)

Moodboard of ideas

Image credit: Nicky Dobree

In part two of our From Concept to Completion series, where we are closely following the design story of Plaza 18, Dobree’s first hotel project is beginning to take form. The building’s design is approaching the final stages before the grand reveal this Easter. Meanwhile, interior designer Nicky Dobree is able to step away from the project for five minutes – something I believe the designer is not accustomed to – in order to explain more about her relationship with the soon-to-be hotel.

> Click here to read the feature

Main image credit: Rosewood Hotels

 

Chapter Roma to open this spring

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The 42-key hotel, designed by Tristan Du Plessis of Studio A, will be the first property to open in the newly established Chapter Italia portfolio…

Opening in the vibrant and historic Regola neighborhood of Rome this spring, the 42-room hotel Chapter Roma will create an intimate atmosphere for those checking in. The first location in the newly established Chapter Italia Portfolio developed by Marco Cilia (formerly of Hotel Americano in New York City), Chapter Roma will open in March 2019. The hotel, proudly part of the Design Hotels collection, will act as a catalyst for change for Italian travel by providing something currently unattainable – an accessibility to luxury that is not just saved for five-star hotels.

 Embodying a true fusion of gritty and glamorous, with a contemporary and classic aesthetic, South African based designer Tristan Du Plessis of Studio A has breathed new life into the building which dates back to 1880. Chapter Roma’s laidback yet spirited vision in contemporary interiors brings Du Plessis’ signature industrial-chic, sultry style and strong local connection to this ancient cosmopolis. The guest rooms are centered on a few statement pieces in otherwise minimalistic spaces with clever custom-made vanity-cum-storage solutions.

“We wanted to create a design that stood out for its youthfulness whilst still respecting the traditions of the city.” – Tristan Du Plessis of Studio A

A Rome native, Cilia has seen the modern-day city change and develop over time. “We are introducing a new vibe for hospitality in Regola with the opening of Chapter Roma,” he said. “I was born here, and it is important that we put our guests in the Italian state of mind; protecting Rome’s design heritage while celebrating the future with genuine and original design, service, and food and beverage offerings. With Chapter Roma we’re telling the first part of our story, we want to create a place where guests truly feel like they’re living like a local.”

Green bed and wooden flooring

Image credit: Chapter Roma

Cilia decided upon Regola due to the area being commemorated with the names of the winding cobblestone streets. Chapter Roma itself is on Via di Santa Maria dei Calderari, or the “street of the blacksmiths,” and Du Plessis has paid tribute to this lineage by using a variety of metals throughout the property. Du Plessis employs elements of raw steel, brass, copper and bronze, adding an industrial touch to an elegant space with high ceilings, herringbone floors, and mid-century Italian furniture. The dramatic setup is rounded off nicely with a palette of dark green and rust and soft-to-the-touch velvets.

“We wanted to create a design that stood out for its youthfulness whilst still respecting the traditions of the city, by using local craftsmen, materials and aesthetics for a large amount of the hotel and collaborated with young local and international artists as well as furniture and lighting manufacturers to imbed a spirit of rebellion throughout the design,” added Plessis. “The age of the building was both inspiring and challenging, but the old walls and ancient layout made sure that each room has a unique footprint which has lent us the opportunity to create varied and interesting room types.”

Inspired by the streets of Rome along with the neighborhood’s cutting-edge galleries and furniture boutiques, a contemporary artwork by CYRCLE, a two-man collective made up of American artists David Leavitt and David Torres, as well as graffiti by local artist Alice Pasquini grace the walls of the Chapter Roma’s lobby bar.

Opening on to Via Santa Maria dei Calderari the bar features Roman arches wrapped in raw steel throughout and will be a hybrid space for work, play, and everything in between. Chapter Roma will also feature an all-organic daytime market, delivering a new kind of accessible luxury to the modern in-the-know traveler and, later on in the year, a signature restaurant.