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Insight into Dormero Hotel’s newly designed bathrooms

730 565 Hamish Kilburn
Insight into Dormero Hotel’s newly designed bathrooms

Rich mix of contrasting colours at the four-star superior hotel enhanced by Kaldewei bathroom solutions...

Just outside Nuremberg in the small 25,000- strong town of Roth, Marcus Maximilian Wöhrl – founder of the Dormero hotel chain – has converted his grandparents’ venerable “Modehaus Wöhrl” fashionstore into a four-star superior hotel.

Since then, as at all properties in the hotel group, the colour red has been setting the tone, as demonstrated within the new Dormero Hotel. In all 68 guestrooms, this most sensual of colours is extravagantly contrasted with black and white. In the bathrooms, the elegant steel enamel alpine white washbasins and ultra-flat shower surfaces from the Kaldewei Cono range provide a counterpoint to the red walls and black tiles. It is a stylish combination that accentuates the designer character of the new hotel.

The four-storey building, which now houses the hotel, holds memories for the Wöhrlfamily: From 1949 Berta and Rudolf Wöhrl established their “Modehaus Wöhrl”fashion store that made a name for itself throughout Germany. When the shop finally had to close after almost 70 years in 2017, the decision was made to revitalise this special place by opening a hotel there. Extensive conversion work was carried out: a glass-roofed atrium now stands in the place where escalators onceconnected the four floors. The fashion store’s trademark arched doorway hasbecome the entrance to the lobby. In total 68 bedrooms, a restaurant, a bar, five event rooms and a spacious wellness and fitness area were created. The conference hotel on the northern edge of the Franconian lake region opened in March 2019.

Within this concept, a vibrant shade of red – which is part of the corporate design – particularly stands out.

The Dormero hotel group relies on a young, fresh concept with “state-of-the-arttechnology, clear design and sophisticated details.” Within this concept, a vibrant shade of red – which is part of the corporate design – particularly stands out. Thisis also the case at the latest property in Roth: from the interior design to the hotel’sown pets – three (non-poisonous) red poison dart frogs, who live in a terrarium in the lobby – to the red sneakers worn by the staff. The property’s distinctive charm is this use of red for the interior design, combined with black and white.

In the bathrooms, Kaldewei Cono countertop washbasins with generous surrounds offer superb user-friendliness and design. Thanks to the large range of sizes available, it was possible to choose washbasins that made the best possible use of the existing space. Whilst, at the same time, their beautiful design make them a truly eye-catching feature in the colourful bathrooms. The ultra-flat Kaldewei Conoflat shower surface also fits seamlessly into the design concept, offering guests the highest degree of comfort underfoot in the bathroom.

“We chose enamelled shower surfaces because they offer clear advantages over tiled shower areas,” says Michaela Neuner from TETRIS Grundbesitz GmbH & Co. KG who own the site on which the hotel stands. “We have found that with the latter, there are constantly problems with installation, or the joints wash away over time. This can lead to water damage. We have now completely ruled out that risk with the steel enamel Conoflatshowers.”

With a portfolio of over 600 shower surfaces, washbasins and bathtubs, the premium manufacturer Kaldewei provides perfectly coordinated solutions for project business and private clients – featuring a uniform material throughout and harmonious design.

Main image credit: Kaldewei

Knightsbridge poised and ready for 80th Birthday celebrations at Sleep + Eat 2019

730 565 Hamish Kilburn
Knightsbridge poised and ready for 80th Birthday celebrations at Sleep + Eat 2019

2019 marks the 80thanniversary of Knightsbridge, the award-winning British furniture manufacturer. In order to mark this landmark the company they will celebrates its extraordinary history on stand number E92 at Sleep & Eat, Olympia London (November 19 – 20, 2019)…

If you are planning on attending Sleep & Eat 2019, then make sure you head over to the Knightsbridge stand (E92) where the team will be celebrating 80 years strong as one of the leading British furniture design and manufacturing companies.

Committed to British market-led design, Knightsbridge is one of the very few British contract furniture companies to invest in an in-house design and development team – and new collections for 2019 pay homage to its history taking inspiration from archive pieces.  

Wellbeing has long been established as a benchmark in workplace design, with forward thinking companies providing biophilic, sustainable design that creates healthier environments for their employees. The properties of wellness and biophilic design are now being seen more and more in hospitality and hotel environments; indoor spaces are inspired by nature whilst furniture is designed to be ergonomic aswell as stylish. Knightsbridge will be reflecting this trend on its stand with furniture covered with beautiful fauna & flora designs.

As hotel, bar and restaurant suppliers, Knightsbridge’s hospitality collection contains furniture designed to suit a variety of styles, needs and tastes. Crafted using timber from renewable sources, the company’s portfolio embraces a collection of style-forward products that are ideal for a wide range of environments such as waiting rooms, foyers, dining rooms and lounges.

New to 2019, Knightsbridge will be exhibiting its Caravelle collection which was redeveloped to celebrate Knightsbridge’s 80thanniversary and its rich history, taking influence from a past mid-century piece of furniture. The Caravelle collection consists of an armchair, two-seater and three-seater settee that have the clean lines and organic curves that the period became renowned for. It’s deep seat cushion provides a luxurious seat whilst the beautiful clean styling allows it to be specified into workplace, hospitality and care sectors. The collection is covered with exquisite fabric featuring jungle creatures and foliage from visionary textile designers Timorous Beasties.

Hotel Designs is a long-standing proud media partner for Sleep + Eat, and will at this year’s show to identify key product launches, emerging trends while catching the engaging talks and discussions that will be sheltered in one of Europe’s leading hospitality events.

Main image credit: Knightsbridge

UNILIN injects maximalist luxury vibes new finishes

730 565 Hamish Kilburn
UNILIN injects maximalist luxury vibes new finishes

UNILIN develops products inspired by everything from reclaimed wood, through trending colours, to concrete and brushed precious metals such as gold to create an ideal setting for all hospitality scenes…

Nothing can match gold for injecting glamour into our living and working spaces and the material is now a favourite for high-end interiors looking to deliver a maximalist luxury vibe. However, for most projects the ‘real deal’ is beyond grabs and this is when UNILIN Evola decorative surfaces come into their own.

With UNILIN Evola’s brushed gold decor, space and furniture designers working in retail, hospitality, commercial office spaces and even high-end residential projects can capture the magic with versatile surface finishes in scratch, wear and stain-resistant HPL. Used to create ultra-luxe splashbacks and surrounds in washrooms to stylish feature panels on furniture, or even as a detail highlight on door handles; UNILIN Evola brushed gold brings the look without breaking the bank.

“There’s no doubt that high-end luxury is a major driver in interiors and our brushed gold is the perfect way to get the look while keeping a lid on your budget,” says Jurgen Plas, marketing manager for UNILIN, division panels. “With decors such as brushed gold, marble, ceppo and brushed bronze, the Evola collection can answer the demand for glamour with highly-functional surfaces that are not only cost-effective alternatives, but also functionally better.”

Teamed with the black of a UNILIN MDF door panel to create a fan inlay in radiant gold, offset beautifully against the marble of carrara creamy wall panels, brushed gold brings a look straight out of 1920s decadence. Or bonding it to shelf edges set against the walnut backdrop of Lorenzo, sees the very same elegant gold-effect take on a luxury modern edge: brushed gold can lift any space beyond the ordinary.

With many of the 198 décors in the UNILIN Evola collection completely exclusive, UNILIN, division panels develops products inspired by everything from reclaimed wood, through trending colours, to concrete and brushed precious metals. All UNILIN Evola décors are available in HPL, melamine-faced chipboard and edging-tape; each product providing exceptional quality and a surface that is scratch and UV resistant, as well as easy to look after. With authenticity and practicality, UNILIN Evola is a serious alternative to natural materials.

UNILIN is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: UNILIN

The Annual Hotel Conference kicks off in spectacular fashion

730 565 Hamish Kilburn
The Annual Hotel Conference kicks off in spectacular fashion

As proud media partners, Hotel Designs was on location in Manchester to witness the engaging opening sessions of The Annual Hotel Conference 2019…

Hosted by Questex Hospitality Group,the 16thAnnual Hotel Conference (AHC) opened yesterday at the Hilton Manchester Deansgate with 28 per cent more speakers than last year, following popular demand.  In addition, the outstanding conference programme features 65 per cent of speakers new to The AHC stage and one third of these are female.

New sessions to the programme, covering the most topical conversations include:

Claire King, Event Director of The AHC said: “Never has there been a more pressing time to come together as a community. The AHC is proud to provide a unique, nurturing and fun platform for the industry to gather and collectively, look to the future. This year’s event features more content, more networking and more speakers to deliver the highest quality conference to the gathered audience. We’ve always stayed fiercely true to our “Learn. Network. Be Inspired.” maxim and we’re looking forward to welcoming the industry to The AHC next week”.

The AHC is for UK hoteliers, owners, operators and managers as well as investors, developers, designers, architects, consultants, tourism leaders and regional tourist boards.

Day two of The AHC continues…

Image credit: Twitter/The AHC

In Conversation With: Outstanding Property Award London’s Jesper Thomsen

730 565 Hamish Kilburn
In Conversation With: Outstanding Property Award London’s Jesper Thomsen

Making its debut on the international design stage, Outstanding Property Award London (OPAL) has begun its global search to identify the most innovative design and architecture projects. As the exclusive media partner of the awards, Hotel Designs speaks to OPAL’s  co-founder to understand what sets the initiative aside from others. Editor Hamish Kilburn writes…

“What makes a building, a project, a person and/or a hotel’s design outstanding,” I ask myself as I weave between some of London’s architectural skyline statements while running embarrassingly late to meet with Jesper Thomsen. It feels like only yesterday we were both sitting down over coffee for the first time discussing the bones of what has now become the Outstanding Property Award London (OPAL).

Fast-forward to today, and I am on the jury –  as well as at the helm of a very special media partnership -imminently about to be asked to identify the ‘outstanding’ from the ‘extraordinary’ and ‘unique’ – all of which are buzzwords that are overused and I struggle at the best of times to define. Considering the vast amount of innovative architectural gems that have appeared in cityscapes around the world in recent years, I would be lying if I said I didn’t feel the entire weight of the industry’s judgement pressing down on my shoulders. It’s an interesting concept becoming a judge, and ironic that what follows is then the feeling – or apprehension at least – of judgement. But it’s reassuring to know that I’m not alone when casting my opinion, as the awards now has significant number of jury members, all of which have been hand-selected to offer different perspectives from all corners of the industry.

By the time I make it to meet Thomsen, I have decided that, for me, something unconventional will be my winner, which is a word that I feel would best describe Thompson’s ambitions for OPAL, along with ‘bold’, ‘courageous’ and ‘about time.’

Hamish Kilburn: What was the aim when setting up OPAL? 

Jesper Thomsen: The aim was created out of a passion for creativity in the property industry. We aim to highlight and celebrate the most exceptional design projects in the world, raising their awareness and honoring its creators. Buildings last for decades, sometimes centuries, they tell our history and legacy, where we come from and where we are now. They are fundamental to our existence, so it’s essential that they are well designed and serves humanity in the best way possible.

We seek to reveal projects that are not only highly creative but show useful function, provide better living experiences for its users, and meeting the clients’ expectation. Class-leading projects that demonstrate innovation and embracing new technologies, setting new trends, respecting and protecting the environment, and pushing boundaries of human ingenuity.

OPAL was established with my friend and business partner Hossein Farmani, founder of the Farmani Group of companies, who has vast experience in the design awards industry since 1985. Having worked together in the past, the award feels like a natural progression of our combined experiences.

HK: Can you tell more about your experience in the industry? What’s your story? 

JT: I always wanted to become an Architect. Since a young age, I’ve been fascinated by design, and for me, architecture was the ultimate expression of human creativity and design evolution. However, my father was the third-generation owner of a printing and design practice in my native Denmark and got me interested in graphic design. At the time of A-level graduation in Denmark, I wanted to apply for the School of Architecture, but the ministry of education regulating the free admissions had almost no openings for new students due to a slump in that industry.

Instead, after one year as an apprentice in an architectural firm in Paris, I moved to London and began a Masters degree at Central Saint Martins College of Art and Design, which related more to graphic design, I also supplemented my studies with photography. Following graduation, I was a creative director, designing websites for major companies during the dot com boom era. Here I gained considerable experience in digital marketing and branding. After a seven-year itch, I became tired of commercial design, and my love for the arts was calling.

I launched a private art gallery in Londons’ Knightsbridge, including spending one year developing and designing the gallery space. In this process, it felt like all creative aspects came together, and after completion, I would subsequently spend another seven years running the gallery exhibiting artworks by artists such as Damian Hirst and Bill Brandt.

I decided to move on from the gallery business, and fate got me involved in developing a few properties in Londons Knightsbridge, I spent nearly 3 years responsible for all operations, learning hands-on all the disciplines from interiors to architecture, planning, research, 3D modeling, materials, procuring and team management. It was a very creative period but also learning the hard way how complex the creation of properties really is. So my past really covers hugely varied types of creative practices. I’ve learned that creativity, in all its forms, is about ‘seeing’, sensing, letting your imagination unfold, and this can be applied to all its disciplines.

HK: Why is London such a significant destination to base these awards? 

JT: London has always been incredibly important for creativity and design in the built environment, spanning from historical landmarks up to today’s groundbreaking contemporary designs. Some of the most famous developers, architectural firms, and interior designers, have a base here and continue to inspire and influence the global property industry. The OPAL Award is open to entries from around the world, and we want to bring outstanding projects to London and celebrate them in our fantastic capital we are so proud of.

“OPAL offers a three-way synergy between our three main entry categories; Property Development, Architecture and Interior Design.” – Jesper Thomsen

HK: What sets OPAL aside from other design awards? 

JT: Many awards are confined to a single industry within the property sector; An Architecture Award, is for Architects, by Architects. An interior design award, is for interior designers, by interior designers and so on. OPAL reaches fully across the property sector. It offers a three-way synergy between our three main entry categories; Property Development, Architecture and Interior Design. These industries continuously collaborate to create exciting projects, each bringing their expertise, and combined, they deliver outstanding designs. We are also very proud of our talented jury panel who will evaluate the global entries, they are our backbone and aspiration to those who enter our award.

HK: What other destinations around the globe would you are design hotspots? 

JT: It’s incredible how major cities in Asia have become design hotspots. Shanghai for example, really pushes boundaries fuelled by a concentration of industrial partners and strong government support. As the countdown to the 2020 Tokyo Olympic Games draws closer, the Japanese capital is in the middle of a hotel gold rush. Anything from boutique design hotels to glittering skyscrapers, a raft of new establishments are opening or are in the pipeline. Mexico City is also one to watch after being nominated for World Design Capital last year. I love their particular design language, elegantly fusing original colonial architecture with contemporary.

HK: What’s the number one thing you cannot travel without?

JT: This is an obvious one; my laptop. It’s glued to my fingertips at all times. I travel extensively, and this enables me to run operations and be connected at all times. Oh, and an online back-up of it too.

HK: What is your favourite hotel you have ever stayed in and why?

JT: There are so many. I recently visited Extremadura, a remote and less traveled part of Spain. Here, in the historic town of Cáceres, inside its UNSECO walled city and housed in a beautifully restored 16th-century palace is the stunning hotel Atrio. Striking white minimalist architectural features blends lovingly with the old stone walls and shiny black wooden floors. The surrounding streets have no tourist shops, nor huge crowds with selfie sticks you’d typically find in places of such beauty, just quaint, peaceful alleys defined by sandstone and ivy leaf clad palaces. The rooms and amenities are styled in a fashionable 60s Scandinavian design, Miles Davies’ Blue Note years playing softly in the background, a pleasing opposition to the striking view onto the empty medieval square below. Atrio is also home to a fabulous two-starred Michelin restaurant boasting one of the finest wine cellars in the world. I thoroughly recommend a visit here.

HK: What do you look for in an outstanding property?

JT: What really excites me about a great project is when the original vision of a completed building shines like a star, its purpose is evident to the eyes and the senses. Those projects are likely to be those who have seen mostly green lights during the creation process.

HK: Where’s next on your travel bucket list?

JT: My sights are on Mongolia, away from civilisation and buildings. When I take time off, I grab my camera bag and go shooting landscapes, happy to be off-grid. No place is better for me to clear my mind than to connect with solitary, vast open expanses or wild roaring oceans.

HK: What is your favourite restaurant/bar in London at the moment?

JT: I like Aquavit in St. James. Maybe I’m a bit impartial due to my Scandinavian roots, here you can eat classic dishes such as gravid lax in a beautiful, sumptuous setting. I also like the buzz of The Ned, the physical scale of it is bars, and restaurants area is incredible. I just had a sneak peek of the yet to be launched upstairs bar and restaurant of the Standard Hotel, a funky design offering fantastic views over Londons’ city to one side and the clock tower of St. Pancras to the other, so close it feels glued onto their windows.

HK: What trend do you hope never returns?

JT: Brutalist 60s’ architecture. Its primitive obsession with concrete made an austere generation of buildings where function superseded design, creating discouraging living conditions for its users. I don’t think architects and developers of that time really understood or considered the human factor as part of a design concept, that a building serves to improve peoples lives and its environment, not just a structure to keep you dry from the rain. They are genuine eyesores and should be demolished, and only the best examples should be preserved for the record. I doubt this trend will return anytime soon due to a much better understanding of peoples needs along with technological advancements in the building industry, 3D printing, new materials and simulation methods give designers today far more freedom, flexibility, and individuality to create exciting designs.

Main image credit: OPAL

St. Regis Hotels debuts on the Grand Canal in Venice

730 565 Hamish Kilburn
St. Regis Hotels debuts on the Grand Canal in Venice

The 169-key St. Regis Venice has opened following a two-year, full-scale renovation on the building with the interior design project led by London-based interior design studio Sagrada… 

St. Regis Hotels & Resorts has announced the debut of The St. Regis Venice, which is located steps away from Piazza San Marco and boasting the largest waterfrontage in Venice. The opening follows an extensive project to restore the grandeur of the former Grand Hotel Britannia, which originally opened in 1895 – the same year as the inaugural Venice Biennale.

Many of the guestrooms and suites boast private terraces or Juliet balconies for sweeping views of Venice’s iconic landmarks. Situated across the Grand Canal from Punta della Dogana, the hotel marries its celebrated heritage with the St. Regis brand’s modern design and bespoke service throughout a unique collection of five Venetian palaces, with the oldest dating back to the 17th century. The hotel’s spacious secluded garden sets the hotel apart, making it a lifestyle destination where guests and locals alike can enjoy remarkable views of the Grand Canal. The St. Regis Venice marks the brand’s third location in Italy, joining The St. Regis Florence and The St. Regis Rome.

“Venice is one of the world’s most inimitable cities; one which has inspired royalty, artists, merchants and jet setters alike for more than fifteen centuries,” said Jenni Benzaquen, Vice President of Luxury Brands – Europe, Marriott International. “The St. Regis Venice unites the captivating spirit of the city with the timeless sophistication and service of the brand, re-interpreting Venice’s rich history through a modern lens.”

Throughout its storied history, The St. Regis Venice, in its various guises, has played host to a roster of illustrious guests, global influencers and tastemakers. The five ‘palazzi’ that make up the hotel enjoy a position of privilege overlooking the Grand Canal, with Badoer Tiepolo being the oldest palazzo, which dates back to the 17th century. By the 19th century, palazzi Tiepolo, Barozzi and Regina were converted into the Grand Hotel Britannia, more recently known as Hotel Europa & Regina.

The Grand Hotel Britannia attracted notable intellectuals and socialites as well as renowned painters J.M.W. Turner, John Singer Sargent and Claude Monet, who in the autumn of 1908 was inspired by the hotel’s spectacular views during his stay as a guest and worked to capture the passage of light in his artwork. It is recorded in the book “Monet in Venice” by Philippe Piguet that Claude Monet’s wife, Alice, remarked in her daily letters to her daughter during their stay, “the views from our hotel room are the most magnificent of all Venice, and it’s all for Monet!” The hotel was also the first in Venice to have electricity in every room.

“The St. Regis Venice unites the captivating spirit of the city with the timeless sophistication and service of the brand.” – Jenni Benzaquen, Vice President of Luxury Brands – Europe, Marriott International.

Each room has been reverently furnished to cherish the artistic and cultural heritage of the building, while also embracing the evolution of La Serenissima and the St. Regis brand’s spirit of modern glamour. The exquisitely-designed suites include a two-bedroom, art-inspired Presidential Suite – a true contemporary artist’s residence overlooking the Grand Canal – and a three-bedroom Penthouse Suite with a wraparound furnished terrace showcasing extraordinary views over Venice from three separate viewpoints.

The five Roof Garden Suites spectacularly combine garden-inspired interiors with uninterrupted vistas and contemporary touches while furnished terraces offer a quietly seductive atmosphere. Set against twilight tones, the Venetian Suites showcase crafted details of modern design, influenced by the artistic heritage of the city, while the colour palette of the Monet Suites pay homage to the reflection of light across the Grand Canal. As a hallmark of the St. Regis experience, all guests have access to the signature St. Regis Butler service. Honoured to maintain a long-standing tradition of making guests feel at home, the St. Regis Butler is poised to provide an ever-present, yet unobtrusive, serviceattending to guests’ every need.

Inspired by the Venetian masterpieces of former guest and Impressionist painter Claude Monet, the interiors of the refined guestrooms showcase a distinctive colour palette that represents how light changes throughout the day from dawn to dusk. The design of the public spaces pays homage to Carlo Scarpa, one of Venice’s greatest artists and architects. Venetian styling is seen throughout the hotel in tailored fabrics and custom, handcrafted furnishings inspired by the gentle curves of gondolas, the patterns of the Doge’s Palace, the pavements of St. George’s churchyard and the water flow of the canal.

An eclectic collection of artwork and sculptures will also be curated, bringing ancient Venice to today’s luxury travellers in a modern way. Paying homage to the hotel’s tradition of welcoming famed artists, The St. Regis Venice will host artists from around the world to take residence and create unique pieces inspired by the hotel and its beloved locale. The hotel’s first resident artist, Parisian Olivier Masmonteil, has been commissioned to create original artworks for the Grand Salon and the Monet Suites. The Venetian tradition of glassmaking also lives on, celebrated through a partnership with Glasstress. This unique partnership marries contemporary art and historical glass blowing techniques, inviting world class artists of various disciplines to collaborate with Murano Maestros (masters) to create one-of-a-kind glass works of art.

The hotel opens as part of Marriott International’s strategy to expand its luxury portfolio with the addition of 30 new hotels in 2019. St. Regis Hotels & Resorts, part of Marriott International, Inc., has properties in more than 40 destinations around the world.

Main image credit: Marriott International/St Regis

EXCLUSIVE ROUNDTABLE: Adding personality in hotel public areas

730 565 Hamish Kilburn
EXCLUSIVE ROUNDTABLE: Adding personality in hotel public areas

In partnership with Arte Wallcoverings, editor Hamish Kilburn invited some of the leading hotel designers and architects to Design Centre Chelsea Harbour for a live debate on how to add sustainable personality in the ever-evolving arena of public areas. In addition to being involved in the engaging conversation, the designers, directors and principals were also the first to see Arte’s five new collections, which were officially launched a few days later at Focus19 during London Design Festival… 

Design experts around the table:

Regardless of style, size or star-rating, recent hotel openings suggest that public areas are evolving, and fast. No longer an empty air pocket in the building’s structure, the lobbies that are being created or renovated today are unconventional active spaces, designed to flexibly accommodate all guests whether they are checking in for business, for leisure or in many instances, for both.

Hamish Kilburn: How have the ways in which consumers use public areas changed?

Fiona Thompson (FT), Principal, Richmond InternationalGenerally, how guests behave in hotels has changed. The demographic is completely different. At one point, hotels were quite intimidating places, and not very accessible. That’s been one of the most significant changes I have seen. Hotels have become much more outward-looking and much more accessible to everyone. People now use spaces how they want to use them. Therefore, public areas, in general, have a greater sense of informality.

Vitalija Katine (VK), architect, Jestico + WhilesOne of the largest changes I have noticed is the accent of activation points in lobbies. The activation point of, for example, pop-up bars and pop-up receptions can be positioned and adapted easily in the lobby. I think the public space of a hotel has been the highlight of the last four years, because people are lounging in the lobby as opposed to using it simply as transitional space.

David Mason (DM), Director of Hospitality, Scott BrownriggThere’s a lot more awareness now about the ecological message that hotels are trying to amplify. Also, with the appeal to millennials, there’s much more awareness on the public areas. I imagine there will be a lot more focus on some kind of hotel standard where we really start to look into what is going into hotels, and that will come from hotels aiming to achieve an environmental space. Although hotels are already acting to be more eco-friendly, I think it will become even more of a focus.

Caroline Cundall (CC), Director of Interior Design IHG – Europe: How people work and specifically how people hold meetings has changed massively. That has had a large affect on our lobby spaces. More and more people are roaming around with small laptops and lobbies are much less formal than they used to be. Hotels are recognising the value in attracting more than just the guests staying at the hotel, and the current boutique influence is a catalyst in all of this.

Sam Hall (SH), Global Head of FF&E, GA GroupI have seen more awareness in hotel operators in understanding how space is used. There are many examples of hotels that use every inch of the space as a revenue generator. CitizenM, for example, feels very intimate because the space is broken down. The grand volume of entering a hotel is behind us, perhaps not in Asia or the Middle East, but in Europe and elsewhere for sure. Space is at a premium and every inch of it has to make money. Designers are using the materiality to make spaces feel softer and warmer. These grand areas full of marble are not really where it’s at anymore. Instead, designers are trying to make these soft and reduced acoustics, so it feels more comfortable.

“It doesn’t matter what word you throw on it, what people want is a well-designed space.” – Arianne Steinbeck, Managing Director, RPW Design

Arianne Steinbeck (AS), Managing Director, RPW DesignThe launch of W New York on Lexington Avenue in 1998, designed by David Rockwell, was a pivotal moment. Before that, it was unheard of to serve drinks in the hotel [public areas] and play music. And now everyone is doing it. That was the start of this boutique look and feel that we see today. It doesn’t matter what word you throw on it, what people want is a well-designed space. I think that everyone in the industry has upped their game across all brands, which is a result of consumer demands. To be honest, I’m surprised it took so long.

HK: Are you saying that there is less of a space for grand and open lobbies on the international hotel design scene?

AS: I think there will always be a space for this style of hotel. Personally, I love hotels that remind you that they are a hotel, where the service element absolutely completes the overall experience.

SH: I agree with you, and it’s about the coming together of quality and luxury, working as one.

FT: But even some of the smaller luxury resorts capture that feeling of grand luxury. It all comes down to that amazing sense of service, but it is perhaps delivered in a more modern way.

“All these hotels that feature over decoration to differentiate from others will disappear.” – Fiona Thompson, Principal, Richmond International

HK: Trends is a sensitive term in hotel design. But do what extent do emerging trends come into your decisions when selecting wallcoverings on a project?

AS: It’s come full circle. When I started in the ‘80s there were a lot of patterns on the wall. And then it washed out to a symphony of beiges. Now we seem to be coming back to a little bit more colour and pop. In a few years’ time we might perhaps look at this ‘greyeige’ situation again. That’s why we have all these different brands, because there is room in this industry for individuality.

FT: There is going to be a move away, for sure, of this extraneous design for the sake of it. All these hotels that feature over decoration to differentiate from others will disappear. The young generation want something that is a bit more meaningful. All these words get thrown around: timeless, authentic, and I’m not really sure what they all mean. There is going to be this move away and everything will have more of a purpose.

Hotels are typically big environmentally bad beasts that use power and electricity and decimate environments. Therefore, I predict there will be a call for them to be more responsible, and this filters down to the materials being used to design them.

HK: From a product point of view, how does Arte select trends?

Siobhan Kannenberg, Commercial Manager UK & EIRE, Arte Wallcoverings: As a brand, we don’t really have a specific style. You can always recognise Arte by the quality, but we try to cover all basis. Trend-wise, sustainability is becoming more and more important for our customers, so we are using more natural materials and that is certainly what is called for. Also, I am really excited to see tactile patterns are coming back around.

CC: The fashion industry has always had a huge influence on design. There’s so much talk about recycling in the fashion industry at the moment. Like for example reusing materials, and this is already something that hotels are looking at.

FT: The fashion industry is always half a season ahead. However, things are going to change because they are being challenged. It will be interesting to see how this will filter down into the design sector.

SH: Where brands could go wrong is using sustainability as a selling point, whereas I believe it should be the foundation of the brand and not the feature. I’m hoping that everyone will end up speaking the same language in design to use for purpose and just naturally recycle materials. One of the key benefits of wallcoverings is that it is so easy – and much more affordable – to change and update interiors.

AS: I have no problem reusing something from a previous renovation that still looks good. You don’t always have to throw everything out. Sometimes the casegoods, for example, are on par or better than what you could buy new. And with the right wallcovering, the space will look fresh and retouched.

SK: When we are designing our Arte collections, we like to think of wallcoverings as our showstopper. Is that accurate?

FT: I think it hasn’t been in the past, but actually bright colours and patterns are becoming the centre stage.

HK: In all honesty, how much of the budget, time and consideration goes on the wallcovering decisions – and can you talk me through that process?

CC: You can never estimate these things. The fact that Arte has many wallcoverings that are quite distinctly statement pieces is interesting. If an interior designer would put that into specifications there’s no way that would be changed. It’s the one thing that would be a focal element to a scheme. And if that’s an initiative that everyone agrees on then it will go ahead.

DM: Designs are moving massively forward. From what I remember 20 years ago, the range and difference is incredible. There are so many interesting things you can do now with the wallcoverings, and I have been introduced to such a vast range of materials.

AS: It’s also worth mentioning how much more you get in a product these days. Digital printing changed the pace of innovation. You can have so many awesome effects with digital printing, and I expect to see more of that.

HK: What would you say is the biggest misconception from a client’s point of view?

ALL: That the client can do it better!

SH: In all seriousness, all of these interior designer programmes make it look so easy.

HK: How has the evolution of social media changed the ways in which your briefs from clients are coming in?

FT: I don’t think it’s any different from years ago when we were asked to create ‘wow factors’. It’s just a different terminology. I ban Pinterest. It is too easy to find information these days. I really encourage our designers to go out and see hotels in person, because I don’t want them to lose that discovery process.

AS: I always have to ask which page on Pinterest a look came from, because if it’s from the first page, I don’t want to know.

DM: You’re right, and when they see hotels, I encourage them to find something new than what they have seen online. Too often people are looking for the same shot, the same framing that they have already seen on social media, and it is stripping creativity from the process.

We were actually given a brief for an independent hotel which was solely to create an instagrammable hotel, which would never have happened only a few years ago.

We were challenged quite a lot by Hard Rock International when designing the London property. The brand is American and very bold. To be fair to the client, although we did go backwards and forwards, we did manage to convince them to tone down the ‘instagram moments’ for an audience in London.

VK: We are asked quite often by clients what we consider to be ‘our moments’ in the design. The attention that the ‘Instagram moment’ is getting is much larger and much more exposed to the general public. There is no ‘one size fits all’ solution. What works in one region does not necessarily work in others.

HK: With the rise in demand for hotels to feel more boutique and independent, how are the materials you are using in the public areas changing?

SK: From Arte’s point of view, there seems to be a lot of misconception that vinyl is what is asked for from the big brands. Actually, with the influence of independent and boutique hotels, hotel groups are more willing to use range of products and materials. As manufacturers, we see vinyl an essential material for corridors for obvious reasons, but it’s a different story in the lobby. People don’t really touch the walls, so there is the ability you can have more fun with a variety of materials.

CC: Fire regulations is key for the country you are in. As long as a material and product has passed its certification, I totally agree.

HK: How do you predict public areas further changing in the next 10 years?

CC: More people will start to work remotely. Working in London, there isn’t anywhere comfortable to sit and have a meeting with a few people. I think that should be the next focus, to have more discreet places to have a meeting – and hotels could harness this well.

SH: I think that there is more that can be done around connectivity. Public areas can still further become even more accessible.

FT: It will be totally connected to how we work and live. People don’t have the formality so much of going to an office anymore. The behaviour of ‘hotdesking’ is interesting and public spaces in hotels can really respond to that.

Following the exclusive panel discussion, the leading designers and architects were the first to browse Arte Wallcoverings’ five new collections (Expedition, Wildwalk, Essentials – Les Nuances, Velveteen and Sketch (HookedOnWalls)) before they were officially launched a few days later at Focus19.

In Conversation With: British designer Bim Burton

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In Conversation With: British designer Bim Burton

Following the unveil of his latest collaboration with bathroom manufacturer Kaldewei, Bim Burton sits down with Hotel Designs to discuss sustainability in design and the inspiration behind ‘those bath chairs’… 

Bim Burton is an innovative modern furniture maker and designer, creating timeless design with space saving ideas. Taking this year’s themes of (Re)act at designjunction, Bim and Kaldewei worked together to create, exclusively, for designjunction, a series of recyclable, sustainable unique bath chairs in three different styles.

These were showcased within the Installations area, located in Lewis Cubitt Park, Kings Cross, London, throughout designjunction, which was very well attended and hosted cutting-edge designers, breakthrough brands, an unrivalled talks programme and unique design experiences.

Kaldewei steel enamel baths are 100 per cent recyclable, made from Kaldewei’s ownsuperior steel enamel and have been ingeniously crafted to Bim’s unique design -creating beautiful, designer chairs for designjunction’s visitors to relax in.

Hotel Designs: Why did you want to be part of designjunction?

Big Burton: I was really flattered to be asked to take part in designjunction this year. I was recommended by British Designer Steuart Padwick, the creator of the breathtaking sculpture “Head Above Water’ also on show in London. Designjunction is one of the best destinations during the London Design Festival (LDF), so obviously, I just couldn’t say no.

Image credit:: Bim Burton/Kaldewei

HD: Where did the idea to create bath chairs come from?

BB: The theme this year is (Re)act and renew so when designjunction asked me what I would design, I immediately thought of the bath chair as it’s an object which is notonly functional but has the chance of a second life. The Kaldewei bath makes a great exterior for seating and I thought this was relevant today with the theme re- use as well as being great for an outside seating area.

HD: Why is sustainability so important to you?

Sustainability should be important to everyone. Kaldewei’s baths are 100 per cent recyclable so perfect for this product. During my time as a designer, I have recycled many objects into practical and interesting pieces of furniture.

“I’ve found Kaldewei to be very enthusiastic when working with their baths.” – Bim Burton

HD: Why Kaldewei?

BB: Again, this was a recommendation, this time from designjunction. I’ve found Kaldewei to be very enthusiastic when working with their baths. I couldn’t believehow well made and strong they are, I would definitely recommend them as a bath for their design and durability alone. Kaldewei were very generous in providing me with the chance to realise my design idea of turning baths into chairs – to reuse baths as seating. Kaldewei provided their steel enamel baths for me to cut and workout different ways to use the parts as chairs. I turned them up, sideways, and discovered how many variations I could make. I am very grateful for them trusting me and my imagination.

HD: How did you find working with steel enamel?

BB: Cutting the steel wasn’t nearly as difficult as I had imagined, cutting the steel with the right tools is very forgiving!

HD: What was the biggest challenge?

In a word – “time”. There just isn’t enough of it. Time is so precious, I usually havevery little of it to bring a project together.

HD: What was the most enjoyable part of the project?

BB: I’ve enjoyed working with the challenge of the bath shape and its material, as well as having the freedom to use my creativity bringing to life my design – transforming the baths into bath chairs!

HD: What’s happened to the bath chairs now that the event has passed?

BB: Good question! They will probably go for sale. I already have a list of people who would like one… so let’s see.

From Inside to Out is in collaboration with – Kaldewei, AJ Wells, Agua Fabrics & AHEC.

Main image credit: Bim Burton/Kaldewei

Sleep & Eat unveils design details of this year’s VIP Lounge

730 565 Hamish Kilburn
Sleep & Eat unveils design details of this year’s VIP Lounge

‘Gather’ in the enigmatically designed VIP Lounge. Sleep & Eat announces collaboration with Megre Interiors to create a new design-led experience…

Sleep & Eat, one of Europe’s leading design and innovation event for the hospitality sector, has revealed an enticing glimpse of its new-look VIP Lounge. Created for the first time this year by an international design firm, the lounge will be brought to life by Moscow-based interior design studio Megre Interiors. With this year’s theme of ‘Social FlexAbility’, VIP Lounge guests are promised an experience like never before.

Named ‘Gather’ by the designers, the original oak panelled Olympia Club Room will be transformed into a whimsical flora and fauna-inspired space. Drapes, upholstery and even the flooring will be in a fabric depicting exotic flowers, specially designed for Sleep & Eat by Megre Interiors, cascades of fabric flowers will loop through the space and, in the epicentre, a large-scale light installation will flicker like a fire. This will be surrounded by orbicular seating –referencing the circular gathering places of human history and drawing a parallel to the primeval pleasure of coming together around a firepit.

“In an age marked by the impersonal, it’s vital to trust people over brands.” – Yuna Megre, Founder and Principal of Megre Interiors

Arriving in the entrance reception, guests will find themselves enticed into the space by a single thread of light. Inside, lighting remains low, shapes and forms are obscured and audacious texture and colour prevail. Collections of poufs as well as the circular seating will be underlit to glow like beacons. Vastly adaptable, this will be a room that gives its users the power to interact with it and alter as they wish, moving the seating around to suit their needs. It will be about the opportunity is to meet, talk, learn and relax, and to emerge better connected than before.

“The human soul blossoms fully only when we meaningfully connect with one another,” says Yuna Megre, Founder and Principal of Megre Interiors. “In an age marked by the impersonal, it’s vital to trust people over brands. To meet, to see, to know each other and embark on the adventure of creation together.”

The VIP Lounge will not be the only space at Sleep & Eat to be specially designed by an international design firm. Plans for this year also include the introduction of The Hub – yet to be revealed – as well as the much-loved Sleeper Bar which will host the late evening networking on day one and is this year being designed by Michaelis Boyd.

Sleep & Eat, November 19 – 20 in the National Hall, Olympia London. The show will be open from 10am on Tuesday 19 with an evening drinks reception until 8.30 pm, and from 10am-6pm on Wednesday 20. To register for a complimentary pass, visit registration.

Main image credit: Merge Interiors/Sleep & Eat

The Standard London, Camden’s new kid on the block

730 565 Hamish Kilburn
The Standard London, Camden’s new kid on the block

In search of a new standard in design, creativity and urban hotels, editor Hamish Kilburn checks in to London’s most talked-about hotels this year to explore another world. The Standard London has opened, making a bold statement on the capital’s new hospitality scene… 

Something significant is happening in London’s King’s Cross area. It’s been brewing for some time now, but it has only recently erupted.

During London Design Festival and London Fashion Week, the area was the backdrop of a scene of celebrities, models and the odd design editor or two falling out of parties and onto pavements. Soho and Shoreditch were desolate deserts in comparison. It’s the power of real estate like you have never seen before. Selecting its opening date carefully, The Standard has disrupted everything – and it’s about time too!

Although, for years, the district has evolved with the time, it was the expansions to King’s Cross and the new St Pancras International stations adjacent to each other that started the catalyst for change. Strangely enough, my father worked on the construction of both. I remember the odd non-official ‘bring your son to work’ day, the oversized hard hat specifically, as we meandered around the expansive building site unable to imagine the finished picture. “Soon, you will be able to travel from London to Paris in just two hours, imagine that” I remember my father saying overexcitedly. “Right here, where you are standing, is going to become London’s major international train station!”

Whether or not my pops really was one of the first to envision the area’s potential is irrelevant. The station opened and almost instantly the cool, quirky neighbourhood of Camden became even more of a hotspot for the mainstream, without much – if any – loss of its bold and bohemian personality. As a result, the capital’s hotel scene – quick to follow major travel trends – moved outward to put a roof over the raw and rustic scenes that its locals had created.

And here we are, welcoming the city’s new arrival, The Standard, which has been patiently waiting in the wings for some time now. And while all hotels have a story (some more worth sharing than others), The Standards’ narrative is as unique as the interior design scheme locked within; a perfect meeting of American soul and London’s ostentatious quirk.

Housed in the former Camden Town Hall Annex in London’s thriving King’s Cross neighbourhood, the 1974 Brutalist building has been meticulously restored by the legendary ORMS Architects in collaboration, in part, with Archer Humphryes Architects.

The 266-key hotel, which shelters 42 suites, sets the perfect stage for the brand’s first arrival outside America. Uniquely overlooking the iconic St Pancras Station, from street level it’s juxtaposition of architecture that shouldn’t but does work. On the north side is the traditional 19th-century iconic neo-gothic architecture, which has stood the test of time, and two world wars for that matter, unscathed. On the south side is the ultra-modern non-conventional structure, symbolising loudly that times are changing.

“Three new storeys have been added to the top of the building,” explains Simon Whitaker from ORMS Architects. “The form of which has been derived from the host building below, and clad in new stainless steel and glass panels. Two of these floors provide hotel bedrooms, whilst the top floor is dedicated to the new restaurant and bar, with a roof terrace above.”

Image credit: The Standard Hotels

Upon entering, the lobby lounge sets the scene, with a carefully curated library that pays homage to the building’s original use. Further in, sound studio booths host weekly live music and talks. Executive Chef Adam Rawson’s street facing bar, Double Standard, designed by Shawn Hausman, the neighbourhood’s street-facing anchor for lunch, casual drinking and dining throughout the evening.

Although the colour scheme in the guestrooms and suites may not be to everyone’s taste, it is very much so mine. Not so much because of the tones used, but more so because they have been intertwined together with purpose – and unapologetically so for that matter. Complete with bespoke curved sofas and the King’s rooms featuring outdoor terrace bathtubs, the idiosyncratic charm of the hotel is certainly not limited to the public areas.

Image credit: The Standard Hotels

Before it opened, the hotel’s street level, red exterior lift was the ultimate teaser campaign. Now fully open, it shoots guests up directly to the 10th-floor where Chef Peter Sanchez-Iglesias’ restaurant showcases his live-fire cooking and where guests and visitors alike can enjoy the building’s 360-degree views of the city below all-year round thanks to the retractable awning.

No longer do party-hard followers of the brand have to travel stateside to experience The Standard’s retro maximalism. First launched in the late 90s with its debut hotel in Hollywood, which for the record remains to this day a go-to destination on the Sunset Strip, the hotel’s urban cool influence is London’s answer to keeping the Camden’s hospitality scene fresh, authentic and designed with purpose.

It’s next stop? The Maldives, next month in fact, which will be an interesting page to turn in what is an unmistakably climatic chapter for the now international hotel brand.

Main image credit: The Standard Hotels

In Conversation With: Mark Tremlett, co-founder of Naturalmat

730 565 Hamish Kilburn
In Conversation With: Mark Tremlett, co-founder of Naturalmat

With ‘the bed’ continuing to be the first and arguably most important furniture element to get right when designing any hotel experience, editor Hamish Kilburn sits down with Mark Tremlett, co-founder of Naturalmat, to understand how it has uniquely become one of the world’s leading bed and mattress manufacturers for the hotel industry…

20 years ago, when Britney Spears, Steps and Ricky Martin were dominating the UK pop charts, Naturalmat’s interesting narrative began in rural Devon, where its headquarters remains to this day.

And like all great manufacturing stories, it started with a family business. Mark Tremlett and his father were boat builders, working to design luxury superyachts at their base in Topsham, on the picturesque banks of the River Exe.

Despite consumers investing a lot of money in high-quality interiors, using bespoke fixtures and fittings, let alone the cost of each vessel, the father-and-son duo saw a fundamental issue with the conventional beds that were being specified in the marine industry. “I saw that people were still sleeping on poor quality polyurethane foam mattresses underneath it all,” explains Tremlett, the co-founder of Naturalmat. “This is not a great material to use on a boat (or any bed) as it’s not breathable, leading to issues of damp and mould, and doesn’t give the most comfortable experience.”

Fine-tuning his entrepreneurial skills, Tremlett teamed up with Peter Tindall to develop a mattress that made full use of the organic sheeps’ wool that was naturally in thick supply in the West Country, combined with coconut fibre and natural latex. “This made for a superior night’s sleep, greater longevity and an all-round more comfortable experience for the owner,” he adds.

Following success in the marine industry with the innovative and practical bed solution, Tremlett settled down and began a new journey, fatherhood, which inspired the next branch of Naturalmat’s portfolio to grow.

In 2001, after noticing the lack of sustainable, durable and functional materials on offer when searching for an appropriate cot for his new-born baby, Naturalmat Nursery was formed. “Materials wise,” Tremlett explains, “we have not changed that much for the mattresses. The core organic and natural fibres that you find in our marine mattresses will also be found in our nursery, domestic and hotel mattresses.” The result was a breathable, organic and comfortable mattress for a market that was, prior to Naturalmat’s entrance, screaming out for innovation.

The next turn in the story came in 2008 when Tremlett was approached by Simon Woodroffe who was developing the YOTEL concept. With smaller sized rooms, which the hotel brand refers to as cabins, the stars aligned, which led to Naturalmat further expanding globally and entering what is now its largest market; the international hotel industry. “Simon was looking for a sustainable, organic sleep solution that worked in his compact spaces, but didn’t cut corners on comfort,” explains Tremlett. “We worked together and became the bed consultants for his business.” Following the milestone partnership, more opportunities emerged, such as working with Qbic, Six Senses Resorts, Z Hotels, Hoxton Hotels and more.

Image credit: Naturalmat

Each and every Naturalmat mattress and bed is made by hand in the company’s purpose- built factory in the same site where Tremlett began his venture in 1999. “We believe that people, not machines, make a superior, longer lasting product,” he adds. “Our team ensure every stitch, every fibre, every tufting button and every cover is painstakingly created, teased and checked.”

“When we started, I was making mattresses on my old table tennis table in a small corner of our boatyard.” – Mark Tremlett, co-founder of Naturalmat.

With demand at an all-time high, the company’s British infrastructure also had to grow. “What has changed is the size and space that we need to make all our ranges,” says Tremlett. “When we started, I was making mattresses on my old table tennis table in a small corner of our boatyard. We now have almost 40,000 sq/ft of dedicated space and are

building another new 25,000 sq/ft. We also now design and make a full range bed bases and headboards so our upholstery skill set and our knowledge of fabrics has had to develop to achieve this.

Another unique strand to the fabrics of the company is the method of sourcing its materials. “Our organic lambswool comes from Soil Association certified farms in Devon, Dorset and Somerset,” says Tremlett. “We buy direct from organic farmers, to ensure the highest quality. Buying direct also gives the farmers a better return than taking it to market, so we are supporting our local farming community.”

By keeping a close eye on its supply chain and manufacturing, all the way to delivery, Naturalmat is able to guarantee a great quality product every time, and also meet the needs of hoteliers who have specific requirements. “When a mattress leaves our factory, we are confident it will give years of long lasting comfort,” adds Tremlett.

While the industry is slowly starting to design more consciously and responsibly around the environment, with thanks to a number of catalysts – the obvious being the David Attenborough effect – Naturalmat’s core DNA is, and has always been, to create sustainable and comfortable products. Largely, if not wholly, as result of the company remaining firm in its eco and quality ethos, Naturalmat has become a market-leader in several sectors. “I think that everybody is very conservative at heart and changes just take time to come about,” adds Tremlett. “Also the price initially would have put people off, but now the value of making a sustainable product is much more important in the buying decision than it ever used to be.”

QUICK-FIRE ROUND:

Hamish Kilburn: On a scale of one to 10, how eco-friendly do you consider your lifestyle to be?
Mark Tremlett: A solid 8/10

HK: Where do your product development ideas usually come from?
MT: Our products are created in answer to two big problems that are universal issues. 1) How do we live more sustainably? 2) And how do I get better sleep?

HK: What other eco products on the market are you impressed by at the moment?
MT: We are always keeping an eye on the latest eco technologies and considering how they could be applied to our products. I have been very impressed with some of the emerging fibres and fabrics that we have seen at design and trade shows. We have been playing around with Pinatex, a sustainable alternative to leather that’s made from pineapples. I could see that upholstering a stylish bed!

HK: Can you name one trend you wish never returns?
MT: Supermarket fruit and vegetable plastic packaging – please can we make this an endangered species.

HK: Becoming a parent inspired a new direction in your business. What do you hope your child/children learn from you?
MT: Try hard, work hard, have fun and it will all be ok in the end.

HK: Is the bed still the most important element of a hotel experience?
MT: If I said anything other than yes, I would by lying.

Image credit: Naturalmat

Through conversations that are happening at the moment on the international hotel design scene, the industry seems to be surfing on the crest of the wave when it comes actively designing eco-friendly hotels, but is the future landscape of international hotel design one that is layered with eco hotels? Tremlett seems to believe so. “Whereas for many years eco travel appealed to a niche consumer, it is now very much in the mainstream,” he explains. “The environment is a universal concern and increasing numbers of people are making positive changes to their everyday lives with this in mind, from choosing a reusable cup, to organic furnishings, to locally sourced restaurants, to an eco- friendly trip. It makes sense that the demand for eco hotels will only continue to grow, and that existing hotels will feel a pressure to make more environmentally friendly choices.

In regards to the future, as well as being specified for the Conscious Bedroom concept that Harris & Harris will be unveiling next month at the Independent Hotel Show London, Naturalmat continues to innovate its products to cater for growing and evolving demand. “Our customers have been asking us for better bedding, so we are about to launch our new range of 500 thread count GOTS certified organic cotton bedding,” Tremlett explains. “We are buying direct from source and have been very fussy about the level of what we want, it has taken ages but we will be launching this in the Autumn.”

Naturalmat is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.

Main image credit: Naturalmat

Ruby Hotels to open second hotel in London in 2021

730 565 Hamish Kilburn
Ruby Hotels to open second hotel in London in 2021

The 154-key Ruby Stella will open in London’s Clerkenwell district and is the latest instalment in the ‘Lean Luxury’ hotel brand’s ambitious expansion plan…

Following a theatrical launch in Dusseldorf, Ruby Hotels, the Munich-based hotel brand and pioneer of the ‘Lean Luxury’ philosophy, today announces plans for a second UK property, in London’s Clerkenwell, to open in the first quarter of 2021. The new hotel, Ruby Stella, will follow the launch of Southbank’s Ruby Lucy in January 2020 and will form part of Ruby Hotels’ plan to unveil a total of 12 new hotels by 2022.

Set within a modern purpose-built space which will reflect the historic facades of the surrounding buildings, Ruby Stella will be constructed on Clerkenwell’s Eyre Street Hill in collaboration with real estate partners Geneva Management Group and UDevelopments.

The hotel will shelter 154 rooms, ranging in size from cosy ‘Nest’ rooms (13-15m²) to expansive ‘Loft’ rooms (23-38m²), a stylish bar area, a communal work station and a library. All guest rooms will showcase Ruby Hotels’ sleep-scientist-approved formula for the perfect night’s sleep, with full soundproofing, blackout curtains, high-quality linen and extra-long and wide custom mattresses.

A laid-back, contemporary design will see quirky touches such as the inclusion of a Marshall guitar amp in each room, which guests can use both with their own guitar or one borrowed from reception, and ‘Ruby Radio’, the hotel group’s own internet radio station.

Cutting-edge technology will be on offer throughout the property; in each room guests will find a personal tablet PC pre-loaded with Ruby Hotels’ carefully-curated London city guide, social media apps and unlimited data and calls to use throughout their stay. A state-of-the-art self-check-in system will make use of tablets to reduce check-in time to under one minute, leaving guests free to make the most of their stay.

Just like the group’s other houses, Ruby Stella will follow Ruby Hotels’ ‘Lean Luxury’ philosophy: a top location, high-quality fittings, and outstanding design. All of this is offered at an affordable price by rigorously cutting out the superfluous and focusing on the essential.

For example, a trendy communal space will serve a healthy, locally-produced breakfast without the need for a kitchen or chef, and instead of overpriced minibars and room service, galley kitchens, vending machines and ironing stations will supply guests with all of their needs. Likewise, a modular design sees Ruby hotels occupying mixed-use and former office buildings in the heart of the city, rather than the traditional, prestigious addresses with sky high rents typically favoured by hoteliers.

Main image: Ruby Hotels

Sleep & Eat announces this year’s conference line-up

730 565 Hamish Kilburn
Sleep & Eat announces this year’s conference line-up

Sleep & Eat has revealed a conference programme that is set fair to live up to the show’s reputation as one of Europe’s leading hospitality design and innovation event…

With some of the speakers yet to be announced, Sleep & Eat’s 2019 programme already scales new heights and reaches new depths, grapples with hospitality’s response to one of our most pressing social issues and features some of the industry’s greatest influencers, dreamers and doers, including directors of  Standard International, Virgin Galactic and NeueHouse.

The Conference, which is free-to-attend, will run throughout the two days of the show, November 19 – 20 at London’s Olympia.

Exceptional by Design

Amar Lalvani, who as CEO of Standard International, has built the company into one of the most innovative hospitality enterprises in the world, will be flying in from New York to deliver the opening keynote. With his latest hotel opening just completed in London, and with plans to quadruple the company’s footprint to 20 properties in the coming years, he will tackle the challenging issue of how to continue running the group as a platform for creativity. If the strength of the brand currently is a clientele that sees value in a specific lifestyle, will that be enough to fuel aggressive growth?

Hospitality’s Opportunity: Social Connection

Sleep & Eat’s theme for 2019 is “Social FlexAbility”. In a world full of evidence that people are disconnecting from each other in favour of digital relationships, the event will be exploring if and how the hospitality sector and its designers can be in the vanguard of combatting this interactional shift, providing guests the opportunity to reconnect with others in-person as and when they want to by offering spaces where users can activate the social experience of their choice.

Josh Wyatt, the driving-force behind NeueHouse, the U.S. based provider of collaborative workspace, and previously the visionary behind Generator Hostels, will share his opinions in conversation with Conference Curator, Heleri Rande, considering how creativity and design can act as financial drivers for investors, and taking a look at how NeueHouse is using these to create a unique and non-replicable company. Wyatt admits to being shocked by the many executives who still don’t appreciate the importance of design. “I think that as we enter into an era of increasing digitisation, design is ever more important. You can build a somewhat successful company without; but you can build a great company with longevity if you understand that design is the physical foundation for your customers’ emotional experience,”he says.

The trend for hybrid spaces where guests can socialise, work and network will be under the spotlight when a panel of highly respected hotel operators gathers to discuss Social FlexAbility. Nowadays, public areas need to be engaging and inviting with food and drink concepts that complement both room and non-room areas. But what does that mean operationally and how must brands adapt themselves to manage this efficiently and within a reasonable timeframe? In a data-driven world do we still rely on our teams and human interaction to deliver on the brand promise? These are just some of the questions that Dale MacPhee, General Manager of the Waldorf Astoria Edinburgh and Business Women Scotland’s Hotelier of the Year 2017 and citizenM’s London Area Manager, Eylem Ozgun, will seek to answer. Veteran hotelier and Chairman of Bespoke Hotels, Robin Sheppard, will moderate this thought-provoking discussion, no doubt peppering the discussion with his own perspectives.

The design of co-experience environments will also be under the spotlight. Harry Harris of SUSD, the developer behind the Curtain Hotel and Members Club and Devonshire Club, will chair a conversation between leaders in hospitality design, including Alex Michaelis of Michaelis Boyd, Matthew Grzywinski of N.Y. based architecture and design firm, Grzywinski + Pons and Yuna Megre, Founder of Moscow-based Megre Interiors which will look at some of the latest design solutions. In addition, the Sleep & Eat Set designers will be on stage to explain their approach to the design of their “Social flexibility” Sets – concept guestrooms, a restaurant and a bar that experiment with the theme and inspire visitors with what might be in their future projects.

Above and Below

The second day of the Conference is promising to boldly go not only into space but into the depths of Earth’s oceans. In the morning, Richard Coutts, Principal of Baca Architects, the UK’s foremost architectural practice designing on, near or under water, and Ben Fitzgerald, Director of Core Marine, the engineering firm which earlier this year worked on the headline-grabbing Underrestaurant share the platform. Ben Fitzgerald says: “At the southernmost point of the Norwegian coastline lies Under – Europe’s first underwater restaurant that also doubles up as a research centre for marine life. The combined efforts of the design practice and the engineers into underwater architecture have pushed the boundaries of hospitality experiences below the waves. Far from being an aquarium for touristy expeditions, the magic of the North Sea wildlife captivates with all its awe, rain or shine. When the land is not enough – how do we design and engineer for the next frontier?”

The speakers from Virgin Galactic may share the sentiment but disagree with the solution when it’s their turn on stage in the afternoon. As the company is preparing to catapult the hospitality experience into space, Jeremy Brown and Martijn Brouwer will set the scene and talk about the absolute imperative of putting a personal approach to service front and centre of their delivery. The duo will explain how such an approach manifests itself operationally and in design considerations, both on and above ground in a conversation destined to fire imaginations and ensure the bucket list has just got longer.

Other sessions will include an F&B panel in which Lydia Forte, Group Director of F&B at Rocco Forte Hotels will be joined by a stellar group of her peers, namely: Gustaf Pilebjer of Marriott, Karina Elias from The Langham and, from Hong Kong, Anurag Bali of Shangri-La International. The ingredients for this particular discussion will include the hot new concepts that travellers are craving and the thorny question – have hotels finally caught up with independent restaurants and bars in offering the same amount of social excitement and social media worthy content?

In addition to the Conference, Sleep & Eat 2019 will include an international exhibition together with six concept room Sets, The Sleeper Bar, The Hub and the VIP Lounge, each designed by a major name hospitality design practice. The show will be open from 10 am on Tuesday 19 November with an evening networking reception until 8.30 pm, and from 10.00 am – 6.00 pm on Wednesday 20 November. For more information and to register for a complimentary pass, please visit registration.

PRODUCT WATCH: Versa Designed Surfaces’ CABA

730 565 Hamish Kilburn
PRODUCT WATCH: Versa Designed Surfaces’ CABA

Versa Designed Surfaces’s Caba is a reflection and an adaptation of the times… 

The versatile design of Versa Designed Surfaces’ Caba changes appearance depending on color selection. Designers can choose the look of pleated fabric in neutral color treatments, flowing water in blues, windswept meadows in golds and greens, and wood bark in deep rich tones. 16 colorways provide endless options and a stream of design possibilities.

The designers at Versa experimented with the interplay of light and color to create this deep, three-dimensional embossing that projects luxury while withstanding the heavy traffic of corridors, public spaces, and retail and restaurant environments.

24 oz. Type II low-VOC vinyl on Osnaburg backing, Caba is 52”/54” wide and certified to NSF 342.

To read our In Conversation With with Versa’s Paul Gibson on sustainable wallcoverings in EMEA hotels, click here

Versa Designed Surfaces is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.

Main image credit: Versa Designed Surfaces

Disneyland Paris hotel portfolio sold for €240m

730 565 Hamish Kilburn
Disneyland Paris hotel portfolio sold for €240m

Benson Elliot and Schroders have acquired the three hotels that sit within the €240m Disneyland Paris hotel portfolio…

A joint-venture led by UK-based private equity real estate fund manager Benson Elliot Real Estate Partners V, LP (“Benson Elliot”) and Schroder Real Estate Hotels (“SREH”, formerly Algonquin) has acquired three hotels (the “Portfolio”) totalling 1,183 rooms in Disneyland, Paris. The themed hotels, which are adjacent to one another, were acquired off-market in two separate transactions for a total investment of circa €240 million.

Dream Castle and Magic Circus, both four star hotels, were purchased from Austrian real estate developers Warimpex / UBM, while Explorers was purchased from a JV managed by SREH. The investment is structured as a 50/50 JV between Benson Elliot and a consortium of private investors advised by SREH.

“The Portfolio represents a collection of high-quality, cash-flowing assets being acquired at a substantial discount to replacement cost,” said Marc-Olivier Assouline from Benson Elliot Principal. “The hotels present opportunities to optimise value and grow income through targeted refurbishment programmes. Benson Elliot has built a strong track record in the hotel sector,with over €1 bn in hotel investments and dispositions in just the last five years. This transaction marks another partnership with the former Algonquin team, with whom we have worked successfully in the past.”

“The Disney market has experienced almost uninterrupted growth for the last 15 years.”

Disneyland Paris is Walt Disney’s only European theme park and Europe’s most popular tourist destination. The Disney market has experienced almost uninterrupted growth for the last 15 years, set to be driven further by Disney’s €2 billion expansion plan, which will be rolled out from 2021 and is the most ambitious project undertaken since the park opened in 1992.

Developed between 2003 and 2007, the Portfolio has a profitable trading profile and generates strong cash flow. Whilst the assets have benefitted from substantial investment, significant opportunities remain for the JV to create further value through the implementation of targeted asset management initiatives.

Main image credit: Disneyland Paris

Leading designers, architects and hoteliers to attend The Brit List Awards 2019

730 565 Hamish Kilburn
Leading designers, architects and hoteliers to attend The Brit List Awards 2019

Here are some of the leading names that have confirmed to attend Hotel Designs annual award ceremony, The Brit List Awards 2019…

It’s been just seven days since Hotel Designs officially unveiled the shortlisted finalists for The Brit List 2019, and already design directors, principals and hoteliers from the UK’s leading firms and hotels have confirmed to attend the exclusive award ceremony, which will take place at Patch East London on November 21.

Among the leading designers who have already confirmed are design directors and principals from Richmond International, Project Orange, Harriet Forde Design, Harris + Harris, RPW Design, Scott Brownrigg and IHG.

In regards to architects attending The Brit List Awards 2019, Hotel Designs will welcome associates and directors from the likes of Zaha Hadid Architects, WATG, Jestico + Whiles and Dexter Moren Associates.

Hoteliers confirmed to attend the annual awards ceremony include, among others, Good Hotel London, Limewood Group and Homegrown Hotels, Rosewood London, Cliveden House, The Athenaeum Hotel & Residences London, The Dixon, Bespoke Hotels, Eccleston Square, Inhabit London and Hotel Gotham.

The nationwide search to find the most influential designers, architects and hoteliers operating in Britain began months ago when Hotel Designs opened up nominations and applications to readers.

Since then, an independent panel of expert judges have gathered to select this year’s individual award winners and also to confirm the 75 individuals who have made it into The Brit List 2019.

Head of Interior Design at IHG, Emma King, attended last year’s event and was one of the 75 names in The Brit List 2018. “The Brit List recognises the UK’s best hotel design talent,” she said at the time. “We at IHG are proud to be recognised for the hard work we have done to the interior design of our brands in recent years.”

The shortlist is available to read here.

“The Brit List is an unparalleled networking opportunity for all,” said editor Hamish Kilburn. “Bridging the gap between designers, architects, suppliers, hoteliers, developers, owners and operators has always been – and continues to be – the aim of every decision made by the team at Hotel Designs.”

How to attend

Suppliers: Click here if you are a supplier to the industry to secure your ticket for £150 + VAT.
Designers, architects, hoteliers and developers: Click here if you are either a designer, hotelier, developer or architect to secure your ticket for £20 + VAT.

If you would like to discuss various sponsorship packages available, please contact Katy Phillips via email, or call 01992 374050.

#TheBritListAwards2019

Headline Partner: Crosswater

Event Partner: Hamilton Litestat

2019 Industry Partner: BIID

MINIVIEW: The Pig at Bridge Place

730 565 Hamish Kilburn
MINIVIEW: The Pig at Bridge Place

Following its hotly anticipated opening in April, The Pig at Bridge Place marks the hotel brand’s sixth authentic boutique hotel within its portfolio. Editor Hamish Kilburn heads back to his home county in Kent to explore the countryside gem… 

With its welcoming red brick façade and ornate Jacobean interior, Bridge Place is an intriguing old building with an usual rock-n-roll vibe. Over the past four decades, this musical honeypot in Bridge, Kent, has been home to some renowned parties and gigs playing host in the ‘70s to Led Zeppelin and The Kinks.

The property houses a wealth of period features, which are most noticeable in the public areas, including large fireplaces, secret stairways, panelled walls and endless nooks and crannies. In the refurbishment, all of these structural nuances have been respected and enhanced to create seven bedrooms along with numerous cosy bars and sitting areas.

But now, the building has turned the page to a new chapter, The Pig at Bridge Place is a 31-key boutique hotel that oozes effortless style thanks to the acclaimed designer Judy Hutson, whose signature style has given The Pig its unique brand of laid-back chic, which has been beloved by guests to date.

The Pig, Bridge Place, Canterbury, Kent, hotel, boutique hotel, gardens, restaurant, bar

Attached to the main building a new, carefully detailed Coach House contains a restaurant with open kitchen. Within The Coach House are 12 bedrooms; four on the ground floor and eight on the first floor. Over the brook via a hand crafted wooden bridge are seven fitting Hop Pickers’ Huts created from reclaimed materials all dotted along a meandering wooden walkway. Each hut houses a double bedroom with cosy bathroom and wood-burning stove. Next to the kitchen garden is The Barn; a large upstairs/downstairs room with vast bathroom and bedroom views across the garden.

Worlds away from the building’s former existence of being an illustrious party scene in the ’70s, the rooms inside The Pig at Bridge Place are a calming oasis reflecting countryside bliss. Overflowing with character and style, each key unlocks its own personality. Original details can be found in each room, which are finished effortlessly with carefully curated artwork and an array of personally chosen vintage features.

“We’ve had a great couple of years, with customers seeming to love what we do. Occupancy is in the mid 90 per cent in our rural locations and we know from our guests and their invaluable feedback that they want more PIGs,” said CEO of Home Grown Hotels Robin Hutson. “After searching far and wide for truly unique properties, we really are over the moon about our new hotel in Kent.”

If the design wasn’t impressive enough, as with every other PIG, the kitchen garden and restaurant sit at the beating heart of this property; anything that can’t be supplied by the gardens are impressively sourced from Kent’s best producers within a 25-mile radius of Bridge.

Main image credit: The Pig at Bridge Place

Top furniture looks to come out of London Design Festival

730 565 Hamish Kilburn
Top furniture looks to come out of London Design Festival

Are you sitting comfortably? Here is Hamish Kilburn’s editor’s pick of the most innovative furniture pieces that were exhibited at London Design Festival 2019…

With the design world watching, London Design Festival (LDF) once again delivered a spectacular performance full of colour, shapes and thoughtful design. Full of twists and turns – and too many highlights to mention – the nine-day festival included events, talks and installations that all explored how product design is changing to cater to the evolving behaviours and demands of modern consumers.

For the purpose of this article, I have selected my top picks from four of LDF’s leading exhibitions that made the most noise – and they were: Focus19, 100% Design, designjunction and London Design Fair.

Winch Design’s Arc Collection for Summit Furniture – weaving new design directions 

Winch Design and Summit Furniture introduced Arc, their debut collaboration, at Focus19. The two companies collaborated to create “the ultimate exterior furniture range”, which is inspired by the sea and the sky.

A signature feature of the range is laminated teak, which is woven between maritime-grade brushed stainless steel rods, alternatively undulating, they arc around the back of the seats in gentle rows. The final result is reminiscent of the woven rope traditionally used on sailing yachts. Winch Design is inspired by the patterns, colours and textures of the natural world, and every design that leaves the studio is imbued with its own unique spirit, identity and story. With dedication to storytelling underpinning their fastidious attention to detail and commitment to design perfection, Arc was brought to life. The name ‘Arc’ is visually evocative and brings to mind the long arcing lines of latitude and longitude, the curve of the horizon, of a full sail, and of the shapes in the sky made by sailors when navigating by the stars using the arc of the marine sextant.

Each piece in the collection complements the other, enabling the client to enjoy a unified, contemporary exterior look. Arc by Winch Design features a lounge chair, dining chair, bar chair, low coffee style table, sun lounger, bar cart, dining table and occasional table.

The low, deep seating style encourages a laid back and relaxed atmosphere, creating the perfect environment to enjoy a drink at sunset. The curve of the woven teak contrasts with the straight, smooth edges and clean lines of the cushions, keeping the overall impression fresh and contemporary. The fabric on any of the soft furnishings is completely customisable.

Ligne Roset – adaptable by nature

Creative and pioneering by nature, Ligne Roset’s bold and contemporary stamp was imprinted on Focus19 and left a lasting impression. The brand presented its iconic ‘Prado’ settle, which adjusts freely with weighted cushions that can easily be moved from sofa to floor. The result is a comfortable, non-conformist piece of furniture that can adapt as quickly as the travel trends and guest behaviours within modern, design-led hotels around the globe.

Andrew Martin – taking a walk on the wild side

Unveiling a multi-layered theatrical approach design, Andrew Martin – in try Andrew Martin style – let the leash off his new collections in his own jungle-covered installation, which was entitled: The Lost City of Ozymandias.

The new collections that were hidden in an enclave of treasure and travel included the Evans side table and Retrospective, in collaboration with Kelly Hoppen, which is a statement collection of more than 40 designs, which includes everything from furniture to lighting.

Benchmark – architecture meets biophilic furniture design

Image credit: Benchmark

Benchmark presented a new collection of furniture by award-winning American architect David Rockwell at 100% Design. The Sage Collection, designed for office and commercial environments as well as the home, has a specific focus on human health and well-being within the built environment and meets the standards required for WELL certified buildings. The tenets of biophilic design inspired the collection, with its natural materials, colours and textures, rounded profiles and inviting ergonomic shapes. These elements are intrinsic in the work of both Benchmark and David Rockwell, which, together with an interest in transformation and mobility, have resulted in a collection that offers moments of both refuge and prospect.

sixteen3 – recycled quality

 

Image credit: sixteen3

Exhibiting at designjunction, sixteen3 unveiled a number of contract furniture pieces that stood out for their eco qualities. Claiming that the product is made from 92 per cent recycled material and is 100 per cent recyclable, the Pop stools has been designed with purpose and is ideal for contemporary urban public areas. Another product launched at the show was Reece are armchairs that have been made from 83 per cent recycled materials and are 100 per cent recyclable.

Inspired by the evolution of the workplace to a more relaxed, social and mobile interior, the brand’s product portfolio offers a softer approach to working, with an extensive collection of seating ranges, stylish cafe chairs and modular space division systems.

Kolho Series by Matthew Day Jackson

Image credit: Made by Choice

As hotel public areas become less defined by hotel branding, and more attuned with the behaviour of guests, there is a opening for suppliers to become more daring with their designs; to take a practical item, like a piece of furniture for example, and bring it to life to make a bold statement. Cue the launch of Kolho Series by designer Matthew Day Jackson. Sheltered at London Design Fair, the new range of tables and chairs take their inspiration from the Apollo landing and a small town called Kolho in Finland.

“The serpent represents temptation and chaos which supports the flat plane of reason,” said Day Jackson. “The space between reason chaos is that of play. This is the space where our human animal truly shows its greatest self.

Hotel Designs’ official LDF round-up will be published shortly.

Main image credit: Made by Choice

Ritz-Carlton to debut in Montenegro

730 565 Hamish Kilburn
Ritz-Carlton to debut in Montenegro

Marriott International has signed an agreement to introduce the Ritz-Carlton brand to Montenegro, with the aim to usher in a “new era of elegance” to the chic LuÅ¡tica Peninsula…

Hotel giant Marriott International has signed a “milestone agreement” with Northstar D.O.O. to bring The Ritz-Carlton brand to Montenegro. Under the plan funded by Al Yasra, The Ritz-Carlton, Montenegro and The Ritz-Carlton Residences, Montenegro are scheduled to bring the brand’s unrivalled elegance and legendary service to the country in 2023.

“With its striking views of the Adriatic coast, Montenegro has quickly become a favourite Mediterranean destination for global travellers,” said Carlton Ervin, Chief Development Officer – Europe, Marriott International. “The signing of The Ritz-Carlton, Montenegro highlights the demand for our luxury brands in this exciting region. Combining the country’s serene, natural beauty together with the brand’s legendary service makes Montenegro the perfect destination for The Ritz-Carlton guest.”

Slated to rise in a prime position on the Western tip of the chic Luštica Peninsula, the hotel and residences are expected to boast panoramic views over the glittering Adriatic Sea. Planned to be accessible by car in 30 minutes from Tivat International Airport or two hours from Dubrovnik International Airport, the coastal property is expected to allow guests and residents to make an unforgettable entrance via the sea at a planned private jetty.

Design plans for the hotel’s 120 elegantly appointed guestrooms and suites envision relaxing sanctuaries for guests, with simple local design planned to merge discreetly with contemporary technology, all with the aim of enhancing the natural beauty of the location. The project’s plans call for low-rise buildings that would blend into the terrain while maximizing sea and sunset views for guests, residents and visitors alike.

Plans call for expansive outdoor event spaces with unobstructed views to create ideal settings for hosting memorable gatherings, alongside creative pop-up activations offering seasonal bar and restaurant options. Adventurous activities, such as mountain biking and nature trail hikes, are also being planned for guests to enjoy. Ambassadors of the Environment, a hands-on, educational program developed by Jean-Michel Cousteau’s Ocean Futures Society in collaboration with The Ritz Carlton, is expected to offer programming that highlights the extraordinary natural reserves surrounding the property, striving to encourage guests of all ages to understand how their actions can help preserve natural resources for future generations.

“The success achieved on this project, bringing the legendary Ritz-Carlton brand to Montenegro, is a result of dedicated work by all parties involved, both from our company, Marriott International, and the Government of Montenegro,” said Mohamed Al Sager, Chairman, Al Yasra. “This is not only a business success, but a personal accomplishment as well. When I first visited Montenegro on holiday, I fell in love with the natural beauty of the country and knew I wanted to be a part of its future development. What began as just a dream has today become a great project on a clear path of execution.”

The hotel and residences are planned as part of a mixed-use development that is poised to include sprawling villas, manicured gardens, a yacht club and a sparkling beach cove. The Ritz-Carlton Residences, Montenegro is expected to offer 180 apartments and 48 villas and is scheduled to complete the first phase of construction in 2023, with the final phase scheduled for completion by 2028. Residential sales are slated to begin in 2020.

Main image credit: Marriott International

Huw Evans wins Rado Star Prize UK 2019 at designjunction 2019

730 565 Hamish Kilburn
Huw Evans wins Rado Star Prize UK 2019 at designjunction 2019

At an exclusive event held in the Light Tunnel, King’s Cross on September 19, Rado and designjunction announced the winner of the third edition of the Rado Star Prize UK…

The Judges’ Winner of the Rado Star Prize UK has been announced at designjunction 2019. Huw Evans, who impressed the judges with his entry Concertina collection, received £5,000 and a Rado True Thinline watch as a prize for the winning project.

“What an honour to win such an award,” Evans said following the announcement. “The Rado Star Prize will allow me a foot in the door of the industry and I’m very excited about what the future will bring.”

Evans is a 3D Design student from Plymouth University. Concertina was selected from a shortlist of ten designs, with each entry responding to the theme ‘Re:Imagine’. The theme explores the different ways in which design can enrich and enhance life: by evolving existing product forms through materials, function, technology, end use or even re-use.

Rado CEO Matthias Breschan said: “It’s the third time we’ve run the Rado Star Prize UK with designjunction and the standard of entries has been consistently high. This year, from a very strong field, the judges selected Huw’s Concertina Collection because of its original, sophisticated and innovative design. ”

The judging panel of high profile industry voices who selected the winner included top British designer Steuart Padwick; Editor at Elle Decoration, Ben Spriggs; Editor-in-Chief at Clippings, Rose Etherington; Vice President Product Development at Rado, Hakim El Kadiri and designjunction Event Director, Mark Gordon.

Main image credit: designjunction

 

Circles and colours: Bette’s UK to launch new bath and basin at Sleep + Eat

730 565 Hamish Kilburn
Circles and colours: Bette’s UK to launch new bath and basin at Sleep + Eat

Bette’s new Red Dot award-winning basin and luxurious circular bath will be making their UK debut at Sleep + Eat…

The circular BetteCraft basin, which gained a Red Dot Award 2019 for product design, will be unveiled at Sleep + Eat in just some of the hundreds of colours available.

Also making an impact on the stand will be the new BettePond Silhouette freestanding bath. The spacious 150cm diameter bath is the first circular bath to be created in glazed-steel and takes the form to new levels of luxury and elegance.

Image caption: BettePond Silhouette bath from Bette

Bette’s baths, basins and shower trays/floors are made of glazed titanium-steel, are highly durable, easy to clean and come with a thirty year warranty. They are available in an extensive range of colours, including matt and gloss options. Bespoke colours can be created, along with bespoke sized products to fit a space perfectly.

Bette UK is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image caption: BetteCraft washbasins

The Brit List 2019: Shortlist unveiled

730 565 Hamish Kilburn
The Brit List 2019: Shortlist unveiled

The shortlisted finalists for The Brit List 2019, who are considered to be the leading interior designers, architects and hoteliers operating in Britain today, have been announced. The annual award ceremony will take place on November 21 at Patch East London (tickets available here)…

The wait is over. Hotel Designs has exclusively published the shortlist for The Brit List 2019. The finalists listed below will be invited to the annual award ceremony at Patch East London on November 21 where the The Brit List 2019 and the individual awards will be announced.

It is here where 2019 edition of The List, which is made up of the top 25 interior designers, top 25 hoteliers and the top 25 architects in Britain today, will be unveiled as well as the individual winners crowned.

The nationwide search to find the most influential designers, architects and hoteliers operating in Britain began months ago when Hotel Designs opened up nominations and applications to readers.

Since then, an independent panel of expert judges have gathered to select this year’s individual award winners and also to confirm the 75 individuals who have made it into The Brit List 2019. “Yet again, I am overwhelmed by the number and quality of this year’s candidates who have either applied or have been nominated for The Brit List 2019,” said Hamish Kilburn, editor of Hotel Designs. “Despite Britain sailing into some of what I can only describe as ‘uncharted waters’ with Brexit dominating the headlines and conversations, the creative industry – and hotel development in general – continues to be booming in the UK.

The Brit List was launched three years ago and continues to celebrate the leading figures operating in Britain today. This year’s chosen venue, Patch East London, is the perfect stage for the occasion. Adding an extra layer to the evening will be the currently confirmed 2019 sponsors: Crosswater (headline partner), Hamilton Litestat (event partner) and the British Institute of Interior Design (BIID – industry partner). “I am excited that Hotel Designs will once again provide an unparalleled networking opportunity,” added Kilburn, “further bridging the gap between designers, architects, hoteliers, owners, developers and key-industry suppliers.”

Britlist_28-800x602

The shortlisted finalists for The Brit List 2019 are: 

Interior Designers

Studio Designer
Wimberly Interiors Rachel Johnson
GA Group Edward Davies
Scott Brownrigg David Mason
Dexter Moren Associates Neil Andrew
RPW Design Ariane Steinbeck
DesignLSM Lisa Robertson
Cocovara Rebecca Blow
Nicky Dobree Design Nicky Dobree
Bright Space Design Sarah Antoniou
Philip Watts Philip Watts
Ana Engelhorn Interior Design Ana Engelhorn
IHG Henry Reeve
Sibley Grove Jeremy Grove
WISH London Caroline Smith
Scott Brownrigg Kate Jarrett
David Collins Studio Simon Rawlings
Russell Sage Studio Russell Sage
GA Group Terry McGinnity
Ennismore Charlie North
MBDS Martin Brudnizki
HBA London Constantina Tsoutikou
1508 London Akram Fahmi
MKV Design Maria Vafiadis
Rocco Forte Olga Polizzi
Amanda Rosa Amanda Rosa
Harris & Harris Alex Harris
Space Invader Katie Edgar
Twenty2 Degrees Joe Stella
Twenty2 Degrees Nick Stoupas
Goddard Littlefair Jo Littlefair
Project Orange Christopher Ash
Project Orange James Soane
Shawn Hausman Design Shawn Hausman
Muza Lab Inge Moore
Richmond International Terry McGillicuddy
Soho House Design Marcus Barwell
Soho House Design Scarlett Supple
B3 Designers Stephanie Reidl
Jack Irving Studio Jack Irving
studioisle Ilse Crawford

Architects

Studio Architect
Emil Eve Architects Ross Perkin
Falconer Chester Hall Architects Adam Hall
East Architecture Julian Lewis
Ben Adams Architects Ben Adams
EPR Architects Geoff Hull
Orms Architects Simon Whittaker
Jestico + Whiles James Dilley
WATG Gina Langridge
Foster + Partners Luke Fox
Zaha Hadid Architects Michele Salvi
Gensler Tom Lindblom
Conran + Partners Simon Kincaid
Hawkins/Brown Darryl Chen
Yasmine Mahmoudieh Yasmine Mahmoudieh
jmarchitects Laura Turner
Holland Harvey Architects Richard Holland
RPP Architects Simon Robinson
Tate Harmer Lawrence Pinn
Moxon Architects Scott Gibb
EPR Architects Mark Bruce
Goddard Littlefair David Lee-Hood
LDS Architects Catarina Pina-Bartrum
Simpson Haugh Sarah Matheou
Jane Duncan Architects + Interiors Jane Duncan
3D Reid Gordon Ferrier
Consarc Architects Liz Pickard
Dexter Moren Associates John Harding
Aukett Swanke Nicholas De Klerk
Divercity Architects Dimitris Travasaros
Allison Pike Partnership Paul Dunlop
HOK London Femi Oresanya
ReardonSmith Architects Jonny Sin
ITOLab Barbara Bochnak

Hoteliers

Hotel Hotelier
The Grand Robert Richardson
Cliveden House Francisco Macedo
Bespoke Hotels Robin Sheppard
Hotel Gotham Mario Ovsenjek
Hard Rock Hotel London Ian Fletcher
The Lanesborough Marco Novella
Rosewood London Michael Bonsor
Nadler Hotels Robert Alam
Cuckooz Charlie Rosier
Cuckooz Fabienne O’Neill
Doyle Collection Pat King
Carbis Bay Hotel & Estate Stephen Baker
Carbis Bay Hotel & Estate Jose Baker
Starwood Capital Group Barry Sternlicht
The Standard Bruce Robertson
Wyndham Hotels & Resorts Dimitris Manikis
Café Royal Guillaume Marly
Corinthia London Thomas Kochs
Eccleston Square Hotel Olivia Byrne
Gleneagles Conor O’Leary
The Connaught Sandeep Bhalla
LaLiT Keshav Suri
Great Scotland Yard Hotel Sholto Smith
The Dixon Hasham Soliman
Heckfield Place Olivia Richli
Whatley Manor Sue Williams
Inhabit Nadira Lalji
Ham Yard Hotel London Laura Sharpe
Cottage In The Wood Nick Davies
The London Bridge Hotel Julio Marques
Limewood Group & Home Grown Hotels (The Pig) Robin Hutson
Milsom Hotels Paul Milsom
Sway Manor Tim Holloway
Watergate Bay Hotel Will Ashworth
Exclusive Hotels danny Pecorelli
The Gallivant Harry Cragoe
The Good Hotel Group Marten Dresen
The Athenaeum Joanne Taylor-Stagg
Hotel: Georgian House Hotel Serena von der Heyde
Hotel Indigo Stratford Upon Avon Carl Davies Phillips

The Eco Award

Carole Collet
Harris & Harris
Heckfield Place
Inhabit London
Naturalmat
Sibley Grove
Zuri Zanzibar

Best In Tech

Criton
Eccleston Square
Electric Mirror
FUTURE Designs
Hamilton Litestat
Laufen
Ruark
STAAH

Best in British Product Design

Anthology
Bisque
Chelsom
FUTURE Designs
Harlequin
Knightsbridge
Panaz
The Monkey Puzzletree
Vaughan
Naturalmat

 

There is no shortlist for the award for Outstanding Contribution to the Hospitality Industry, which will be the final award presented at the exclusive ceremony.

To purchase tickets to The Brit List 2019 Awards, click here. If you would like to discuss various sponsorship packages available, please contact Katy Phillips via email, or call 01992 374050.

#TheBritListAwards2019

Headline Partner: Crosswater

Event Partner: Hamilton Litestat

2019 Industry Partner: BIID

London Design Festival medal winners announced

730 565 Hamish Kilburn
London Design Festival medal winners announced

London Design Festival has announced the four winners of the 2019 London Design Medals…

Launched with the aim to recognise the contribution made by the leading design figures and emerging talents in London and the industry, London Design Festival historically kicks-off the week-long design event by presenting four London Design Medals awarded.

The 2019 medals were presented yesterday at The House of Commons, Westminster, while the capital came to life for the start of this year’s design spectacular.

And the winners are…

London Design Medal: Tom Dixon OBE
Design Innovation Medal: Daniel Charny
Emerging Design Medal: Ross Atkin
Lifetime Achievement Medal: Dame Vivienne Westwood

A panel of established designers, industry commentators and previous winners met to debate and judge the possible recipients of the four medals. This year’s jury members were: Ozwald Boateng OBE, Ian Callum CBE, Sheridan Coakley, Njusja de Gier, Es Devlin OBE, Sarah Douglas, Ben Evans CBE, Dr Tristram Hunt, Domenic Lippa, Jay Osgerby OBE, Raoul Shah, Joff Sharpe, Justine Simons OBE, Sir John Sorrell CBE, Dr Paul Thompson and Jane Withers.

“Each year the jury selects four eminent people who have made a major contribution to design in the UK,” said Ben Evans CBE, London Design Festival Director. “This year the winners are as interesting and deserving as ever.”

Tom Dixon OBE

The London Design Medal, supported by British Airways London City, is the highest accolade bestowed upon an individual who has distinguished themselves within the industry and demonstrated consistent design excellence.

This year’s winner, Tom Dixon, rose to prominence in the mid 1980s as a self-taught British designer. He set up the creative think-tank space, which acted as a shop front for himself and other young designers. By the late 1980s, he was working for Cappellini, for which he designed the iconic S chair. In the late 1990s, Dixon became Creative Director at Habitat and was responsible for rejuvenating the brand while maintaining Terence Conran’s vision of enriching everyday life through simple, modern design.

His works have been acquired by museums across the globe, including the V&A, MoMA and the Pompidou Centre. In 2002 Dixon established his own eponymous brand with own stores in New York, Hong Kong, London, Los Angeles, Milan and Tokyo. More than 600 products are created by the company, ranging from lighting to furniture, from tableware through to fragrance, and are distributed to over 90 countries.

In 2007 Dixon launched Design Research Studio, an interior and architectural design studio. High‑profile projects include the Restaurant at the Royal Academy, Shoreditch House, le Drugstore in Paris and Alto in Hong Kong. In 2018, Dixon opened the Coal Office, his new London Headquarters, in King’s Cross. Created by Design Research Studio, the Coal Office functions as a multi-displinary hub, including an office, restaurant, design studio and shop all under one roof.

“I’m still confused as to why I won’t be getting the ‘Emerging Design Medal’,” said Dixon on the news of his win, “as it still feels very much like I have only just started – I’ve so much left to design! But I’m very touched to be noticed by this super Jury, thank you very much.”

Daniel Charny

Design Innovation Medal, supported by SAP, celebrates entrepreneurship in all its forms, both locally and internationally. It honours an individual for whom design lies at the core of their development and success.

Daniel Charny is a creative director, curator and educator with an inquiring mind and an entrepreneurial streak. He is co-founder of the creative consultancy From Now On, where clients include Dartington Hall, the Design Museum, Google, Heatherwick Studio, Nesta and U+I. His most recent initiative is the creative education think-and-do-tank FixEd.

Charny is best known as curator of the influential exhibition Power of Making at the V&A, which drove him to found the award-winning learning programme Fixperts, now taught in universities and schools worldwide. Other projects include the Aram Gallery, the British Council’s Maker Library Network and the Central Research Laboratory accelerator. As Professor of Design at Kingston University he is interested in the roles of design and making for social benefit.

Charny is active internationally as a speaker and expert advisor, advocating his vision of design, creativity and making as essential tools to unlock a better future.

“Engagement, education and access to design are all critical to assuring the creative responses to a changing world that we all need,” said Daniel Charny. “I’m proud to represent this idea and delighted to be recognised for it in London, a city of unparalleled creativity.”

Ross Atkin

Emerging Design Medal supported by Storey, recognises an impact made on the design scene within five or so years of graduation.

Ross Atkin is a designer and engineer based in east London. His work focuses on two areas: helping disabled people to live more independently, and introducing design and engineering to children.

He maintains his own design and development practice, creating assistive technology and accessibility-focused products that span the digital-physical divide. These include: Sight Line, a system for improving the accessibility of roadworks developed in partnership with The Royal Society for Blind Children and Transport for London; MSE Genie, an app and connected hardware that allows a sensory room to be tailored around the needs and capabilities of the person using it; Responsive Street Furniture, a system created in partnership with Marshalls that enables pieces of urban infrastructure to provide assistance automatically, such as by making street lighting brighter, or by lengthening the duration of road-crossing signals; Smartibot, the world’s first A.I. enabled carboard robot; and LiftCheck, a system that allows lift users to see if the lifts they need to complete their journey are operational before they set off.

Atkin’s design practice is heavily informed by observational research. He regularly conducts participatory shadowing of disabled people as they make journeys around cities.

“I never thought the kind of work that I do would be recognised, so I feel doubly honoured,” said Ross Atkin. “It’s beyond my imagination to be in the company of true legends of design, and it also is an amazing privilege to be representing the world of inclusive design on such a prominent platform as London Design Festival. I look forward to more designers from that world being recognised in the future”.

Dame Vivienne Westwood

Lifetime Achievement Medal Winner supported by Fortnum & Mason, honours a significant and fundamental contribution to the design industry over the course of a career.

Vivienne Westwood was born in 1941 and moved to London 17 years later. She began designing in 1971 along with her then partner, Malcolm McLaren. In 1984, she launched her own fashion line and in 2004 the V&A hosted a Vivienne Westwood retrospective to celebrate her 34 years in fashion – the largest exhibition ever devoted to a living British fashion designer.

Westwood has always used her collections and catwalk shows as a platform for activism. She has personally spent many years speaking out about the effects of climate change and over‑consumption – and inaugurated the ‘Climate Revolution’ at the 2012 London Paralympics closing ceremony.

Along with husband and design partner Andreas Kronthaler, Westwood actively supports the charity Cool Earth in its efforts to halt rainforest destruction. She has also campaigned for a number of NGOs and charities including the Environmental Justice Foundation and Friends of the Earth, and is an ambassador for Greenpeace: in 2013 she designed their official ‘Save the Arctic’ logo.

Since 2011 Westwood has worked with the International Trade Centre – a joint body of the UN – to produce accessories through their Ethical Fashion Initiative. The programme currently supports the work of thousands of women from marginalised African communities. Westwood has written her ideas in a manifesto called ‘Active Resistance to Propaganda’, rooted in culture as a stimulus to save the planet, and more recently designed a set of playing cards to set out a global economic strategy to stop climate change.

Main image credit: LDF 2019

Duravit and Philippe Starck unveils new generation of shower-toilets

730 565 Hamish Kilburn
Duravit and Philippe Starck unveils new generation of shower-toilets

Duravit and Philippe Starck present the new generation shower-toilet, which is available in two versions: SensoWash Starck f Plus and SensoWash Starck f Lite…

Duravit’s SensoWash Starck f Plus and Lite collection has been designed by Philippe Starck to be conveniently operated via a remote control, or can be configured via an app. The innovative remote control with its flat, elegant design feels pleasant in the hand and the functions are controlled intuitively.

The technology has undergone further development and has been reorganized; all is now housed within the ceramic body creating a minimalist design for maximum shower-toilet comfort.  The flat seat now has a height of just 40 mm and the white cover located behind it forms a flush-mounted unit: contemporary design and comfort-enhancing technology in perfect harmony.

Comfort is guaranteed thanks to technical finishing touches such as the motion sensor for automatic cover opening set via the user ID in the seat, there are a wide range of additional options such as seat heating, shower flow and the controllable hot air dryer.

Image credit: Duravit

The associated SensoWash app enables individual configuration of the shower-toilet, or it can be optionally adjusted with the remote control. The flush function and odor extraction system can also be controlled via the remote or app if the wall-mounted element, is combined with the A2 electronic actuator plate.

As a result of the new rimless technology design and an optimised basin and siphon geometry, SensoWash Starck f provides improved water flow for perfect flushing results. HygieneGlaze 2.0, which kills 99.999 per cent of bacteria in a relatively short time, guarantees an optimum hygiene standard. 

The flat, heated toilet seat is made of an especially rugged material and like the cover, is extremely hygienic thanks to its scratch- resistant, pore-free surface.

The design of the new shower-toilet impresses with its pared-down aesthetics and timeless modernity: it is a perfect match for all Duravit design ranges. Developed and manufactured by Duravit and designed by Philippe Starck, the new SensoWash shower- toilet offers attractive pricing, easy installation, and an integrated, fully automated descaling function.

Duravit is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: Duravit

 

Exhibitions to visit during London Design Festival 2019

730 565 Hamish Kilburn
Exhibitions to visit during London Design Festival 2019

While the capital of creatives – AKA London – prepares to once again display its colourful feathers for London Design Festival, editor Hamish Kilburn attempts to cut through the noise to share the key exhibitions and events taking place over week-long celebration of design…

There’s a faint yet noticeable nip in the air as London’s summer haze softens over the cityscape. Emails and invitations have been flooding in for weeks, and it all comes down to this: London Design Festival 2019 has arrived.

With events, installations, exhibitions and parties happening all over the capital, what to see – and where to be seen – is very much down to interpretation and preference. But ahead of the week-long festival, which can feel like running multiple marathons at times, here is an insight into what Hotel Designs is bookmarking with the aim to unlock emerging trends, new products and celebrate London’s creative heroes.

Focus/19  (September 18 – 20)

For six days, Focus/19 at Design Centre, Chelsea Harbour will once again be the design event for excellence. Welcoming trade professionals and design enthusiasts from around the globe, the programme is dedicated to inspiring, informing and delivering the best in world-class talent.

This year, expect more product launches and showroom openings than you can shake a stick at, alongside an array of talks, demonstrations, workshops, discovery tours and guest pop-ups. Sheltered all under one ever-evolving space, guests will be able to see firsthand the latest collections from 120 showrooms and 600-plus international brands. What’s more, entrance is free.

Speakers this year include David Mlinaric, Anthony Collett, Andrzej Zarzycki, Andrew Winch, Paolo Moschino, Staffan Tollg.rd, Luke Edward Hall, Flora Soames, Bryan O’Sullivan, Anna Beeber, Nick Ashley-Cooper and Charu Gandhi.

#Focus19atDCCH

Hotel 360 (September 18 – 19)

One of the UK’s leading hospitality events dedicated to improving hotel profitability is back at ExCel London. This year, as well as showcasing some of the leading brands while connecting the industry’s most ambitious professionals, Hotel 360 will also feature the Innovation Awards, of which I am thrilled to be on the judging panel for. The awards are a celebration of the innovations, services and solutions that have made an outstanding impact on the world of hospitality over the past 12 months.

Each finalist will showcase their product or service the panel in front of a live audience, making for an entertaining and educational break from the hustle and bustle of the show floor – and the city centre.

#Hotel360

100% Design (September 18 – 21)

Returning to Olympia London, 100% Design is billed to be the destination for architects and designers to discover contemporary interior design trends and emerging talent during London Design Festival. This year, the show celebrates its 25th anniversary and features a carefully curated selection of world-class brands within Design London.

The show is free to attend for trade professionals and press, please register to attend [link here] by completing the form below. Public tickets are available for £15 and student tickets are available for £10.

#100Design25

designjunction

Arriving fashionably late to the week is designjunction, which will take place in what I believe to be the most exciting design hub in the city this year, Coal Drops Yard.

Showcasing breakthrough brands shaping the international hotel design scene, the exhibition is the interior design show you don’t want to miss! As part of the newest Design District of London Design Festival, this year’s designjunction, is packed full; from discovering the latest furniture and lighting trends in Cubitt House through to immersing yourself in design debates at the Talks Programme in the Everyman Cinema.

#designjunction

London Design Fair (September 19 – 22)

Located in the creative heart of East London, a thriving design hotspot that is the first to present new and daring trends, the London Design Fair is a four-day event that brings together 550 Exhibitors from more than 40 countries.

As one of the most international destinations of London Design Festival, more than 29,000 influential retail buyers, architects, interior designers, press, designers and design-conscious members of the public attend to see and specify the very latest furniture, lighting, textiles, materials and conceptual installations from around the world.

A global journey in collectable design, Crossovers by Adorno presents 11 countries, 11 curators and 11 collections. Norway returns to the line-up alongside new countries Mexico, Belgium and Iceland.

The Bathroom Gallery, in partnership with Elle Decoration, will be a bespoke, highly curated exhibition of leading bathroom brands, including Roca and Armani among others – and is the only dedicated bathroom showcase during LDF, so certainly not one to miss.

#LDNDesignFair

Hotel Designs will be on the ground for all of London Design Festival. To arrange a meeting with our editorial team, tweet us: @hoteldesigns.

INDUSTRY INSIGHT: Preparing your business to import from the EU in a no-deal Brexit

730 565 Hamish Kilburn
INDUSTRY INSIGHT: Preparing your business to import from the EU in a no-deal Brexit

The United Kingdom (UK) will leave the European Union (EU) on October 31. If the UK leaves the EU without a deal, there may be changes that will almost certainly affect the design industry – the most obvious of which will be the shift in rules and regulations in regards to importing goods. In an attempt to cut through the noise, Hotel Designs has highlighted what businesses need to do in order to be ready… 

Let’s face it, none of us want to be here discussing how things will change come October 31. However, despite the conflicting opinions, Government statements and sensational news stories, things are about to change – and we are, unfortunately, required to confront the changes that are imminently on the horizon, whether we agree with the politics behind them or not.

So, here is a guide, published on the Government website, highlighting what you need to do if your business imports goods from the EU.

1) Make sure your business has an EORI number that starts with GB

You’ll need an Economic Operator Registration and Identification (EORI) number starting with GB to continue importing goods. You this to move goods into or out of the EU (including the UK). Not having one may result in increased costs and delays. For example, if HM Revenue and Customs (HMRC) cannot clear your goods you may have to pay storage fees.

Click here to get an EORI number (the process takes five minutes).

2) Decide who will make the import declarations

You can hire someone to deal with customs for you, or you can do it yourself. If you do hire a person or a business, they and/or the business will need to be established in the EU.

For more information about this, click here.

3) Apply to make importing easier

You can apply to use ‘transitional simplified procedures’ to reduce the amount of information you need to give at the border.

You may also be able to use the Common Transit Convention (CTC) to simplify how your goods pass through customs and when you pay customs duties. Find out if you are eligible to use CTC.

4) Set up duty deferment account if you import regularly

Set up a duty deferment account if you want to be able to make one payment of customs duties a month instead of paying for individual shipments.

You must set one up if you plan to use transitional simplified procedures.

5) Check the rate of tax and duty you’ll need to pay

You’ll need to pay customs duties and VAT on all imports.

You’ll also need to pay excise duties if you’re importing alcohol, tobacco or biofuels. Find out the rate of excise duty on imports.

6) Check what you need to do, and which regulations you need to follow, for the type of goods you import?

Depending on what you’re importing, there might be other things you’ll need to do to get your business ready.

For example, you might need to change the labelling on your goods, apply for licences, or find and approved UK border inspection post where your goods can enter the UK. Check what you need to do for the type of goods you import.

Main image credit: publicdomainpictures.net/CC0 Public Domain

Michaelis Boyd unveils plans for ‘Social FlexAbility’ bar scene at Sleep & Eat

730 565 Hamish Kilburn
Michaelis Boyd unveils plans for ‘Social FlexAbility’ bar scene at Sleep & Eat

Award-winning architecture and design studio, Michaelis Boyd, has revealed a glimpse into its vision for this year’s pop-up bar at Sleep & Eat 2019…

Sleep & Eat has unveiled the first teaser of Michaelis Boyd’s Sleeper Bar, which will be unveiled at this year’s event that takes place on November 19 – 20 at Olympia London. With the area at the show designed anew each year to embody the show’s theme, this year the challenge for Michaelis Boyd is to interpret ‘Social FlexAbility’.

“Our Sleeper Bar has drawn inspiration from The Man Who Planted Trees, a short story by Jean Giono which celebrates the power of the natural environment,” said Tim Boyd and Alex Michaelis ahead of the show. “The tale describes a shepherd’s long and successful effort to single-handedly reforest a desolate valley in the foothills of the Alps in the first half of the 20th Century. Working primarily in timber, our bar is a study in sustainability; investigating the afterlife of the materials through scale, layering, adaptability and recycling. This has led us to create a space that will cater to all walks of life, adjusting to the needs of each individual, and making the bar a rich experience for each visitor.”

This year’s bar follows in the memorable footsteps of Sleeper Bars which have explored such diverse topics as tales of wonder, social tribes and guest loyalty. The theme for 2019 is intended to explore hospitality’s unique place in balancing our desire for human interaction with our need for privacy, an issue made all-the-more pressing by our digital age. Visitors to Sleep & Eat can expect to find a bar buzzing with people doing business, catching up with friends, quietly checking emails, or simply resting weary feet, especially during the late evening networking on day one.

As you might expect of an event recognised worldwide for nudging the hospitality design and development conversation forward, The Sleeper Bar will not be the only space at Sleep & Eat to be specially designed by an international design firm. Plans for this year also include the introduction of a Social Hub together with a new-look VIP Lounge.

Hotel Designs is a proud media partner of the show. This year, the exhibition will be open from 10am on November 19 with an evening drinks reception until 20:30pm, and from 10:00am-18:00pm on November 20.  To register for a complimentary pass, visit registration.

Main image credit: Michaelis Boyd

Bette launches British Institute of Interior Design CPD factory visit

730 565 Hamish Kilburn
Bette launches British Institute of Interior Design CPD factory visit

German glazed titanium-steel bathroom specialist Bette has launched a British Institute of Interior Design (BIID)-approved CPD and tour of its factory in Delbrück, Germany…

Recommended Supplier Bette has launched a CPD offering, which includes a tour of its factory in Delbrück, Germany. The CPD and factory tour provides a comprehensive understanding of the benefits, design and manufacture of glazed titanium-steel baths, shower trays and basins.

The site is the company’s exclusive manufacturing facility for more than 600 bath, shower tray and washbasin designs in a wide range of different colours.

Designers are provided with an in-depth look at the materials and processes used in manufacturing, along with installation and material experience workshops. Participants gain knowledge to help with the planning of bespoke bathroom designs, and information on the robust quality of the glazed titanium-steel products and acoustic and anti-slip solutions.

The CPD takes place over two days and includes return flights from London Heathrow to Dusseldorf, airport transfers to the Bette factory, accommodation and meals. There is no charge to undertake the CPD, which is available to BIID members.

To find out how to book the Bette CPD factory visit, or to enquire about planned future visits, contact Jean Francois on 0780 272 1881 or email JFMarty@Bette.co.uk

The German family-owned business was founded in Delbrück in 1952, and has specialised exclusively in steel-shaping and enamelling processes.

Bette’s assembly processes combine high-tech industrial production techniques with tailor-made manufacturing. More than half of the products are customised in line with customer preferences. Bette uses natural raw materials – glass, water and steel – to produce high-quality products in a wide range of different shapes, sizes and colours. The complete Bette range is verified ISO 14025 according to the Environmental Product Declaration (EPD) relating to materials and products.

Bette is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: Bette

The Luxury Collection announces opening of eighth hotel in China

730 565 Hamish Kilburn
The Luxury Collection announces opening of eighth hotel in China

With a design narrative that celebrates Chinese culture, the 290-key Na Lotus Hotel, a Luxury Collection Hotel, has opened… 

Following Marriott International’s plans to open more than 30 luxury hotels in 2019, the hotel group, which has recently debuted the W Hotels brand in Oman, has announced the opening of Na Lotus Hotel, a Luxury Collection Hotel, Nanning. Strategically located in the business district of the Guangxi Province, the opening marks the global brand’s eighth property in China.

The contemporary setting merges the rich heritage of the Zhuang Minority Group and showcases their history through beautiful décor, evocative catering and magnificent surroundings.

“The hotel’s interiors echo strong elements of the Zhuang culture.”

“We are excited to introduce Nanning to our Global Explorers, allowing them to discover the destination, also known as the Green City and it’s abundance of lush foliage,” said Anthony Ingham, Global Brand Leader, The Luxury Collection. “As a culturally rich ethnic minority area in Guangxi Province, the destination is a perfect gateway for travellers to experience through the lens of The Luxury Collection.”

Each of the 290 guestrooms, including 26 suites, takes inspiration from the lotus flower, and feature floor-to-ceiling windows offering panoramic views of the city as well as the Yong River and Qingxiu mountain. The hotel’s interiors echo strong elements of the Zhuang culture such as farmlands, symbolizing happiness and prosperity. Na Lotus Hotel also features a 1,100 square metre Ballroom, state-of-the-art fitness centre, and an indoor pool overlooking the skyline.

Indigenous and international cuisines are celebrated at Na Lotus Hotel’s four signature dining venues, including Na Lian, a Chinese restaurant offering a journey of flavors with an emphasis on fresh Guangxi and Cantonese cuisines. Sky Lounge is a popular social hub serves exclusive cocktails, wines and spirits accompanied by distinctive sweet treats. Elsewhere, The Clouds features an all-day dining experience showcasing international delights, while Yun Yue, a Thai and Vietnamese fusion restaurant,  focuses on signature seafood and meat dishes prepared with local and seasonal produce.

Image credit: Marriott International

“As the first Marriott International luxury hotel in Guangxi Province Na Lotus hotel, a Luxury Collection Hotel invites the guests to explore the charm of Nanning,” said Henry Lee, Chief Operations Officer and Managing Director, Greater China, Marriott International. “Na Lotus Hotel is a rare gem of the Zhuang Minority, and we are thrilled to uncover this hidden treasure for our global travelers who are sure to develop a deep connection with this fascinating destination.”

The opening of the hotel follows the hotel group unveiling its three year plan in March of this year. The strategy included adding 1,700 hotels, which would result in between 275,000 and 295,000 more rooms by 2021, supported by the strength of its record 478,000-room pipeline, including roughly 214,000 rooms that were already under construction when the press release was published.

Main image credit: Marriott International

Boom in UK hotel sector drives supply growth

730 565 Hamish Kilburn
Boom in UK hotel sector drives supply growth

Recent data shows that Edinburgh, London, Brighton, York and Birmingham are the five most attractive cities for hotel investment and development…

The UK hotel industry saw the opening of 15,500 new hotel rooms in 2018, representing a 2.4 per cent increase in UK hotel supply, with 2019 expected to continue this uplift in development, with 19,300 new rooms forecast to open, an increase of 2.9 per cent, according to the latest research by global property adviser Knight Frank.

The annual UK Hotel Development Opportunities 2019 report, which was published after it was reported that the UK had the third most hotels in the pipeline in Europe, reveals that the composition of new supply is altering. Whilst the development of new build hotel rooms constitutes the greatest proportion of new supply, during 2018 there was a significant rise in hotel conversion, with a 42 per cent year-on-year uplift.

Hotel conversion constituted 34 per cent of new bedroom stock, as developers capitalised on increased vacancy rates from other asset classes, resulting in the greater availability of assets deemed suitable for hotel conversion. Nevertheless, for the full year 2019, hotel conversions are set to constitute only 20 per cent of new supply, whilst programmes of asset management, in the form of hotel extensions and refurbishments, will constitute a further 17 per cent of the UK’s new hotel supply, and new build hotel rooms expected to continue to form the majority of construction projects, making up 63 per cent of the new supply.

The budget hotel sector continues to dominate the market, with 7,500 new rooms expected to open by the end of 2019, which equates to a five per cent increase on the previous year. However, the continued rise of both branded and independent mid and upscale hotels, partially as a result of the growing trend for lifestyle hotels, has led to a continued decline in the market share of new budget hotel rooms. As such, the market share for new hotel rooms opening in the budget sector accounted for 49 per cent of total new supply in 2016, which is set to decline to 39 per cent for the full year forecast 2019.

There was over £1.1 billion of investment in hotel development projects in 2018 owing to increased investor confidence and the desire for long-term secure income. London attracted 60 per cent of investment volumes, which is fuelling its future pipeline, with supply set to increase by 4.2 per cent in 2019, constituting 38 per cent of the total UK pipeline.

“The hotel sector is undergoing robust levels of development activity, despite the continued uncertainty that Brexit brings,” said Shaun Roy, Head of Hotels at Knight Frank. “This is occurring both in London and the UK more generally and is particularly evident in those markets which have a diverse business mix, with a thriving leisure market such as Edinburgh, Birmingham and Brighton.

“There are clear opportunities for investors in the hotel sector nationwide at the development stage, which presents a long-term strategy providing a guaranteed stream of secure income.”

The Knight Frank UK Hotel Development Index identifies which major UK towns and cities pose the best prospects for hotel investment and development and has named Edinburgh, London, Brighton, York and Birmingham as the UK’s top five most attractive cities.

Unsurprisingly, Edinburgh topped the rankings whilst London leapfrogged the index, climbing ten places up the rankings to second, owing to its solid fundamentals and long-term market strength. Brighton retained its place in the top three whilst York represents this year’s rising star, jumping up 15 positions to enter the top five, as a result of its growth of supply and high occupancy rates of 80 per cent, followed by Birmingham, ranked in fifth place, which is set to host the Commonwealth Games in 2022.

Main image credit: Pixabay

INDUSTRY INSIGHT: The changing colour of hotel bathrooms – going greener

730 565 Hamish Kilburn
INDUSTRY INSIGHT: The changing colour of hotel bathrooms – going greener

In the second part of our colour series (click here for part one), Recommended Supplier UKBathrooms explain how and why designers should opt for greener designs in bathrooms…

Bathrooms make up a huge proportion of a hotel’s water and energy usage, which on average is 84 to 173 gallons per room per day, far higher than the average daily household usage of 66 gallons per day.

This explains why they’ve become the focus for many hoteliers looking not only to save money, but also to minimise their impact on the environment.

However, any environmental worries have to be balanced with the needs of guests. The seamless blend of sustainability and luxury, with little compromise to guest experience is the aim for hotel owners and trends show that this will be the case in the years to come. And ‘green’ considerations go way beyond the bathroom space, with materials used in bathroom products, transportation, waste produced during manufacture and subsequent biodegradable components all being important.

UK Bathrooms, is the leading, independent supplier of designer bathroom products and as such is seeing a change in trends of sales to hoteliers in the UK and internationally. “We’re seeing a trend to natural materials, as well as reclaimed and recycled, such as timber from sustainable forests and stone,” said Graeme Borchard, director of UKBathrooms. “We’re a leading supplier of premium brands. As a company they are ‘a champion of the value of water’, pioneers in environmentally friendly, luxury, bathroom products. Their ongoing research, and development in technology and design, means that hansgrohe produces superb products which are beautifully designed, highly efficient and sustainable.”

A great example of this is EcoSmart. Hansgrohe showers and taps equipped with EcoSmart technology use up to 60 per cent less water than traditional products, not only using less water, but also needing less energy to heat the water.  The Hansgrohe Raindance EcoSmart overhead shower provides guests with a relaxing and therapeutic experience whilst being eco-friendly.

By implementing greener practices, and ensuring guests are aware of these, hotels can make being eco-friendly even more attractive. Hotel bathrooms have a certain ‘luxury’ which people then like to emulate in their own homes, the choices that hotels make end up being reflected in homes around the world.

UKBathrooms is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Super 8 by Wyndham Continues announces six new hotels in Germany

730 565 Hamish Kilburn
Super 8 by Wyndham Continues announces six new hotels in Germany

Wyndham’s stylish economy brand has announced to further expand its German footprint by 2021…

In the wake of latest statistics showing that Germany is leading the hotel development race in Europe, with 382 projects in the pipeline, Wyndham Hotels has announced that it, too, will to expand its footprint in the region, with the opening of new Super 8 by Wyndham hotels in Hamburg, Berlin, Mainz, Koblenz and Augsburg by the end of 2021.

Super 8 by Wyndham, which has recently launched Super 8 by Wyndham in Dresden, is one of the world’s largest economy hotel brands with nearly 2,900 hotels around the world. The brand is designed to elevate the economy hotel experience for the new generation of travellers with contemporary design, modern facilities, friendly service, and convenient locations.

Wyndham Hotels & Resorts introduced Super 8 by Wyndham in Germany in 2016, in partnership with leading hotel management company Gorgeous Smiling Hotels GmbH, Grünwald. From two initial hotels in Munich, the two companies have continued to expand the brand in Freiburg, Oberhausen and recently in Dresden, with plans to reach 10 hotels and over 1,800 rooms by the end of 2021.

“We are extremely proud of the strong momentum of Super 8 by Wyndham in Germany,” said Christian Michel, Vice President Development Europe for Wyndham Hotels & Resorts. “With a growing demand for more affordable accommodation, the brand’s expansion perfectly fits our ambition to make hotel travel possible for all. Gorgeous Smiling Hotels GmbH is a trusted and like-minded partner, and we are delighted to continue to grow Super 8 by Wyndham together in this important market.”

A recent opening for Super 8 by Wyndham included Super 8 by Wyndham Dresden. Opened in June 2019, the 176-key hotel is centrally located near the old and new Green Vault and close to major sights. Its stylish rooms feature modern design and amenities such as flat-screen TVs, safes, free high-speed Wi-Fi and heated bathroom floors. The hotel also features an on-site breakfast restaurant with a live cooking area, a Dallmayr coffee shop, as well as a 24/7 reception desk.

Anticipated Super 8 by Wyndham hotels openings in Germany include:

  • Super 8 by Wyndham Hamburg City: Less than a five-minute ride from the city centre, the hotel boasts 274 bright rooms with comfortable box-spring beds, walk-in showers, smart TVs and safes. Each room comes with a SmartKey, which enables guests to easily check in and check out with their phones. The hotel is expected to open at the end of September 2019.
  •  Super 8 by Wyndham Mainz: The 216-room hotel will be located in the newly-developed urban area of Zollhafen with easy access to the famous old town with its half-timbered houses and medieval market squares. The hotel is set to open in early 2020.
  •  Super 8 by Wyndham Augsburg: Set in the medieval streets of one of the oldest cities in Germany, the new hotel will offer 154 well-appointed rooms with plenty of comfortable space to feel at home. The hotel is estimated to open by the end of 2020.
  •  Super 8 by Wyndham Berlin-Spandau: Set in in the bustling capital of Berlin, the hotel is expected to open in 2021, and will feature 200 rooms with stylish amenities, an on-site breakfast restaurant with a live cooking station, a Dallmayr coffee shop as well as a 24/7 reception desk.
  •  Super 8 by Wyndham Koblenz: Situated on the rivers Moselle and Rhine, Koblenz is the perfect gateway to the Upper Middle Rhine Valley with its terraced vineyards and old castle ruins. The new property, set to open its doors in 2021, will features 112 stylish rooms and a partially green facade.

Heiko Grote, CEO of Gorgeous Smiling Hotels GmbH, added: “Whether it’s for a business trip or a weekend break, we know that today’s travellers look for a quality experience, but at an affordable price point – which is exactly what Super 8 by Wyndham stands for. We are delighted to further leverage the potential of this outstanding brand together with our partner Wyndham Hotels & Resorts and further expand the portfolio in the country.”

Wyndham Hotels & Resorts’ presence in Germany, Austria and Switzerland includes more than 100 hotels and 10 hotel brands, ranging from upper-upscale to economy, to suit any traveller’s needs.

Main image credit: Wyndham Hotels/Marcelo Barbosa

INDUSTRY INSIGHT: The psychology between colour in interior design and wellbeing

730 565 Hamish Kilburn
INDUSTRY INSIGHT: The psychology between colour in interior design and wellbeing

Colour has the power to raise or lower our heartbeat, impact our sleep and influence our overall wellbeing. There’s a tremendous amount of research that’s gone into the psychology of colour and the impact it has on our health. Kicking off our colour series, brand strategist Emma Potter explores how conscious consumers are of their relationship with colour, especially when checking in to a hotel…

Depending on our upbringing, gender, values, geography, and other influencing factors – colour can have very different meanings. For example, orange is often considered friendly, confident and cheerful (think Amazon and Orange); red is excitement, youthful and bold (think Coca-Cola and Lego); blue is trustworthy, dependable and strong (think Unilever and PayPal).  Colour evokes feelings and emotion, and choosing the right colours can make the difference between success of failure of a brand, business, and hotel environment – the colours that adorn and decorate these spaces will evoke feeling that make us connect.

Colour with purpose

Colour has the power to silently influence how consumers think and behave in an environment. Interior designers and hoteliers put a huge amount of effort into the hues they choose to decorate a spaced, be that a lobby, restaurant, bedroom or lounge area, as they appreciate the effect colour has on their consumers emotions. In order to create an appropriate scene for a certain target audience, it’s worth understanding the science of colour psychology and the tremendous ability it has to change entire moods.

A welcoming hotel reception and lobby has the ability to make or break a first impression when a customer walks through the doors. All sorts of creative elements are utilised to deliver the ‘Wow’ factor – this may include impressive sweeping stair cases (Plaza 18), bold curvaceous sculptures, wood-burning fire places that house a Italian marble mantel, sculptural sofas and alternative seating to make customers feel welcome and relaxed, and bold artwork – in some instances they may even look like a gallery.

Exploring colours that are timeless and evoke healthy wellbeing

Some may argue that using neutral colours (beige, cream, grey) will appeal to a broader market. While white may be a natural choice for a Greek Mediterranean style hotel (Mykonos Riviera Hotel & Spa), some people may associate white with cleanliness, whilst others may associate it with hospitals. Either way, white will significantly brighten up a room and will help to reflect light and colour.

Green typically symbolises growth and harmony, which is extremely grounding and brings us back to nature – think rolling countryside surrounded by lush leafy trees or blossoming flowers and open spaces. It is often associated with evoking a feeling of peace, trust and tranquillity, and it helps to reduce feelings of anxiety, whilst stimulating love, balance and harmony in the body. The ideal choice for rural hotels, some would argue. But it can also be injected into urban hotels, such as Nhow London, to add flair, vibrancy and electricity.

Image credit: Project Orange/Nhow

Blue symbolises trust and tranquillity, is often considered a calming colour, and goes well with grey and white to create a Scandinavian style. It’s reminiscent of flowing rivers, the ocean and the sky. The blue blossom of forget-me-nots help to stimulate mental clarity and creative expression, so floral arrangements also need to be considered from a design perspective. Perhaps the ideal choice for hotels by the sea or near water.

Oranges and reds symbolise energy, fire and passion, they resemble a sunset which represents creativity and emotion wellbeing. Mixing these colours with black would create a dramatic, mysterious ambience, perhaps lending themselves to Moroccan or Arabian interiors. However, where natural light is not in abundance, it may best to keep black to a minimum.

From the outset, a designer must work with the hotelier to decide upon the right colour palette to suit not only the style of the hotel, but the environment, ambience and setting they’re aiming to create, and the type of guest they’re aiming to attract.

Colour and the design process

There is no doubt about it, hotels are becoming more personalised – the recent renovation inside W London Leicester Square is a perfect example of this. As the saying in creative development goes: “Structure has integrity”, but designers – and guests checking in for that matter – are multi-faceted people, with multiple interests, so why just present one version ourselves? The core of our personality – or brand DNA / identity – will remain, but we give ourselves the permission to personalise aspects to make every room and space special and stand out in its own right. Be that through an aspect of design, a feature that’s maximised, lighting to create a mood, music to evoke a rhythm, technology to take us into the next millennia, temperature control to make it feel like a fresh spring morning or a hot summers day, it all plays its part in the personalisation process. I liken it to a menu in a restaurant – everything on the menu will reflect the chef behind the brand, but the choice each customer makes creates a unique, individual, memorable experience. Ideally one that each guest wants to talk about. In addition, lighting will change the atmosphere of a room or space, and this continues to be an ever-evolving trend.

Image credit: W Hotels

Design trends through the decades

I’m sure, like many of us, we’re more influenced subconsciously by colour than we realise. Thankfully 2019 has represented a year where bright new colours have returned to the trending palette.

A new word for me this year is ‘Biophilia’ meaning ‘an innate and genetically determined affinity of human beings and the natural world’. To quote Angie Lee: “Biophilia is a design driver that engages the end user by connecting them to primal instincts about the relationship between humans and nature.” As the quest with technology continues to push the boundaries to supposedly make our lives better, more efficient, smarter and more connected – in reality what we crave as ‘human beings’ is connection, and being in nature, hearing the rhythm of waves, being able to touch natural surfaces like stone are wood, is what brings us to a state of consciousness where real life flows. No longer a place to pass through whilst checking in, I love the idea that the hotel lobby has become a place to connect and congregate. Moreover, now we often see artists being commissioned to create bespoke pieces for lobby areas, which ties the concept of ‘art and wallcoverings’ much closer together.

The return of bold colours in 2019

I appreciate that multiple shades and tones of grey have been in fashion for some time now and are timeless and therefore appropriate for the international hotel design scene, but consumers are beginning to become more drawn to bold, warm, vibrate colours such as pink and orange. So, it was heart-warming to see Pantone name ‘Living Coral’ as the colour of the year, described as follows ‘an animating and life-affirming coral hue with a golden undertone that energises and enlivens with a softer edge’. It certainly adds vibrancy and a natural injection of warmth that has perhaps been missing in recent years.

“Rooms should not be put together for show, but to nourish one’s own wellbeing.” – Albert Hadley

Global growth of the wellness industry

Spanning multiple sectors including personal care, beauty and anti-aging; wellness tourism; traditional and complimentary medicine; wellness real estate; and workplace wellness, global growth has sky rocketed in recent years, and at the end of 2018 the wellness economy was dubbed to be worth $4.2 trillion.

Moreover, the projected average annual growth rate for 2017-2022 has been noted at eight per cent for wellness real estate, 6.7 per cent for workplace wellness, and a staggering 6.4 per cent for spa facilities. Perhaps this is due to the human race living longer, poor health as we age, and the increased stress levels this induces? One thing is for sure, the wellness industry is a driving dynamic force that’s converging to create a more connected experience in all areas of our lives – personal, home, work, travel.

Whilst ‘Mindfulness’ may have grown in popularity in recent years, it seems 2019 is fast becoming the year of wellbeing and consciousness – in all areas and aspects of our lives. To quote Albert Hadley: “Rooms should not be put together for show, but to nourish one’s own wellbeing.” Interior design is deeper than simply decorating, colour schemes have the ability to cleverly transform and/or evoke emotions and designing with purpose as a whole will result in space that is more functional, more inviting and more appropriate to the guests checking in.

Main image credit: Hilton Doubletree

Roca inspires with new Escuadra brassware range

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Roca inspires with new Escuadra brassware range

Roca has added to its brassware offering with its latest collection, Escuadra. With its contemporary single lever design, Escuadra creates a stylish impression in any bathroom space…

A versatile choice, Escuadra is available in a range of brassware options, including basin, bidet, bath and shower mixer styles. “When it comes to brassware, there is now more choice than ever before. Many homeowners are moving away from the traditional mixer in favour of something more contemporary”, comments Claire Gay, Marketing Manager at Roca.

“Escuadra meets that demand, its sleek and minimalist design complements a range of basin shapes, making it a functional yet sophisticated choice for homeowners, installers, specifiers and retailers.”

Escuadra features many of Roca’s latest innovations, including the exclusive Roca EverShine® finish. The hardwearing coating ensures the tap retains its shine, along with discouraging limescale build up and preventing stains. Additionally, the ceramic disc cartridge has been thoroughly tested with over one million movements to assure customers that their brassware will continue to function for many years to come.

The basin and bidet mixers are equipped with Roca’s Cold Start technology; this prevents unnecessary energy consumption by only activating the boiler when the handle is turned to hot, this conserves energy and provides a cost-effective solution for homeowners.

To further enhance the sustainability of the range, Roca has utilised many water-saving functions. Soft Turn technology provides the highest levels of precision and puts the homeowner in complete control, with the ability to set the desired water flow and temperature. Furthermore, the integration of flow limiters restricts the water flow, which prevents wastage.

Roca is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.

Main image credit: Roca

Vibrant lobby design

7 unconventional hotel lobby designs

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7 unconventional hotel lobby designs

To launch this month’s spotlight on Lobby Design, Hotel Designs’ editorial team has scoured the globe to identify some of the world’s most unconventional – and most fascinating – hotel lobbies… 

A first impression is a lasting impression, especially when it comes to checking in to the modern-day hotel. And considering it takes the average person just seven seconds for their opinion to be anchored, ultimately right up until they cast their feedback after checking out, designing a hotel lobby is a balancing act worth getting right.

Vibrant lobby design

Regardless of a hotel’s theme, style and to a certain extent target audience, a well-designed lobby is an effortlessly functioning space – and in most cases considered to be the most vital working organ in the hotel’s body that is most relied.

Today’s modern traveller demands for the lobby to be an all-encompassing flexible portal; a home-from-home meeting place, which shelters a social atmosphere. And yet it must also include private break-out areas and accents of personality and sense of place in its design – just enough for something to catch their eye and be included in their first impression. While it is important to ensure that the lobby is multifunctional, ensuring that its design stays in its lane regarding its style is fundamental.

Here are some hotels that have gone further to challenge the conventional lobby design – and as a result designed their own lane.

1) Rosewood Bangkok

Earlier this year, Hotel Designs exclusively unveiled the design story of Rosewood Bangkok. Designed by Celia Chu, her task to design the 159-key hotel was made that much more daunting when having to create a hotel lobby that creates as large of an impression as the exterior does. Instead of competing with the architecture to be bold, Chu looked inwards to sensitively tell the story of Thailand in the words of locals. “The reception space is relatively small,” explains Chu, “but in this area we layer different eras from a timeline that represents Thai culture, with antique craftsmanship, modern polished luxury and artistic contemporary elements all piled up into one cohesive and welcoming space.”

2) Hard Rock Hotel London

Hotel lobby with memorabilia hanging on the wall

Image credit: Philip Durrant

Designed by Scott Brownrigg, The hotel lobby’s walls are plastered with memorabilia that reference the legacy of legends who stayed in Hard Rock Hotels in decades past, including Jimi Hendrix, Nina Simone, Stevie Wonder, Bob Dylan, Diana Ross and Madonna. Balancing the history and heritage of the brand in a timeless style to avoid cliché moments was the first task for the design firm when confronting the motifs that will be sheltered in the new hotel. “We knew we had to represent the Hard Rock brand in an innovative way for the contemporary London market,” Senior Designer Kate Jarrett explains. “The hotel scene here is competitive so we knew we had to create something that tied into London and Hard Rock’s music heritage, while still being completely contemporary.”

3) Matetsi Victoria Falls, Zimbabwe

soft lobby area, which is open to the elements - and full of natural materials

Image credit: Matetsi Victoria Falls

There are two entrances at Matetsi Victoria Falls, East Camp and West Camp. Both are framed by three traditional Mokoro (dug-out) canoes, which hang from wooden beams and sway in harmony with the soft Zambezi breeze. With no need for a traditional lobby, guests are immediately welcomed into the indoor-outdoor public areas complete with a copper bar and durable outdoor sofas and chairs scattered in a home-from-home setting that has been designed around nature, and not the other way round. “We didn’t take out a single tree when designing these camps, because we wanted these areas to remain as close to nature as we could,” said interior designer Kerry van Leenhoff , a previous graduate from Cape Town University of Technology who was hand-selected by Gardiner and totally supported in all her decisions. Using the striking vista of the Zambezi River, which flows towards the tremendous Victoria Falls, dining tables are placed in such a way to make every meal one to remember. “The lobby areas have been designed in order to encourage guests to connect with people and nature,” adds van Leenhoff.

4) Plaza 18, Vejer, Spain

Almost one year after Hotel Designs started following designer Nicky Dobree’s journey to complete her first ever hotel design, Plaza 18 is now open. With a distinct residential style, the lobby sheltered inside the six-key boutique hotel is unlike any other in the world. “This entrance challenges the conventional ‘hotel lobby’ because there is no check-in at Plaza 18,” Dobree explains. “Instead, check in is done at the adjoining Hotel Casa del Califa enabling guests at Plaza 18 to enjoy the space as if it were their own home, which was my aim.”

5) 1K Paris

Strong vibrant colours and plants in modern and quirky hotel lobby

Image credit: 1K Paris

Bringing the lush forests of South America’s Andes Mountains to Paris, 1K Paris has a hotel lobby that will take guests into a new world. Complete with vibrant walls, ceilings, floors and furniture – and finished with tropical plants and timeless Peruvian artefacts – the area is cleverly also flooded with natural light. The lobby’s strong blue backdrop sets the ultimate tone for the abundance of colours that await guest’s unique journey ahead.

6) Raffles Singapore

Light and bright grand lobby

Image credit: Raffles Singapore

Reminiscent of extravagant parties that were once held there, The Grand Lobby inside Raffles Singapore, which has been sensitively designed by the New York-based Champalimaud Design, is a truly a legend reborn. The lobby includes floor-to-ceiling Victorian pillars and is bathed in soft daylight streaming through the skylight.

7) Ruby Leni, Dusseldorf

Darkly lit modern public areas

Image credit: Ruby Hotels

Taking inspiration from the theatre that With large, expansive public spaces that filter into plush private break-out areas, the hotel is designed for both locals and guests checking in. The character and soul has been channelled into the lobby/lounge, where the real story of the iconic 1900s building, which sheltered the Düsseldorfer Schauspielhaus theatre, comes to life. “We looked at the materials, shapes and forms that you would associate to a theatre of that era,” says Lead Designer Matthew Balon. “We then separated that into front-of-house and back-of-house. We wanted to challenge that idea by merging those areas. For example, we have included stage cases in the lobby to really create an authentic feeling of being part of the production, behind the scenes.”

Hotel Designs is spending this month with Lobby Design and Furniture in the spotlight. If you have a story, or would like to submit a comment, please contact the editorial team. 

Main image credit: 1K Paris

Accor’s JO&JOE brand moves in with IKEA in Vienna

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Accor’s JO&JOE brand moves in with IKEA in Vienna

Construction work will commence in January 2020 on the seven-storey IKEA in Vienna, which will shelter a 345-key hotel…

Accor’s JO&JOE lifestyle brand is partnering with IKEA to open an innovative hospitality concept: the two upper floors of the building will contain an Open House by JO&JOE. After openings in Paris and Hossegor and with seven signed projects, this is the first JO&JOE in the German-speaking region and is slated to open in 2021.

“The JO&JOE brand is characterised by a combination of hostel and traditional hotel elements.”

“The modern architecture and the unique location of the new City IKEA harmonise perfectly with the exciting new world offered by JO&JOE,” said Volkmar Pfaff, Managing Director of Accor Austria. “We are working together to create an inviting, well-connected environment that reflects the lifestyle trends of a young, urban clientele. We are delighted with this strategic partnership with IKEA and welcome further cooperation in the future.”

The JO&JOE brand is characterised by a combination of hostel and traditional hotel elements, impressing guests with its novel accommodation experience, modern design and attractive array of restaurants and services. The Open House concept is equally suited to business and leisure guests who appreciate both a central location and a platform for interaction with the local community.

Image credit: ZoomVP/Accor

“Our first JO&JOE Open Houses have already proven to be wildly popular, as the concept blends the best of private-rental, hostel and hotel formats,” said Francois Leclerc, VP Brand & Operations, JO&JOE. “We are very enthusiastic about our partnership with IKEA and our newest location in Vienna, where we feel our commitment to freedom, autonomy and brilliant design will fit right in with the city’s aesthetic and the guests who travel here.”  

With its modern architecture and the innovative ideas for the interiors, the furniture store on Äussere Mariahilferstrasse will offer customers a unique shopping experience. The shopping concept specifically responds to current megatrends and takes into account changing shopping patterns and new forms of mobility that do not involve cars. For example, customers can have major purchases delivered to their homes within 24 hours. Living facades of greenery and a publicly accessible park on the roof terrace also provide an inviting ambience and a pleasant microclimate.

“By collaborating with JO&JOE, we have found a partner who is an ideal match for our urban target group and who, like us, offers customers unique, new experiences and innovative concepts”, says IKEA Austria Managing Director Viera Juzova.

JO&JOE’s entry into Austria underpins the brand’s international expansion plan. The brand was launched by Accor in September 2016 to cater to millennials and all who value a culture of sharing, spontaneity and individual experiences. JO&JOE is part of Accor’s lifestyle division and rounds out the Group’s portfolio of economy brands.

Main image credit: ZoomVP/Accor

Main image credit: Accor/IKEA

Hotel bathroom trends that guarantee to make a statement

730 565 Hamish Kilburn
Hotel bathroom trends that guarantee to make a statement

Ahead of London Design Festival 2019, bathroom manufacturer Crosswater identifies some of the major emerging design trends in international hotel bathrooms… 

Hospitality is one of the biggest industries in the world as well as being one of the most important branches of commercial design. Acting as a fundamental factor, hotel décor can increase customer satisfaction immensely.

It also acts as a benchmark for the levels of service, quality and comfort that a guest expects. Unlike most businesses, hotels rely almost entirely on aesthetics, which only proves how difficult the design aspect actually is. While travellers often choose a hotel based on five-star dining, luxurious spas, convenient locations or even dreamy beds, the bathroom is one amenity that is often overlooked, so we have put together five of the most popular hotel bathrooms across the UK that focus on the key interior trends for creating a high-end bathroom scheme.

Timeless & Traditional

Fine finishes, elegant fittings and timeless accessories combine to create exquisite bathroom décor in London’s Laslett Hotel. Nestled into Notting Hill, The Laslett is a boutique hotel that comprises 51 guestrooms; meticulously designed by award-winning London based architecture and design studio Waldo Works. A refined palette of grey, black and white has been used to create a seamless continuation of style from hotel suite to bathroom. Although the overall design is traditional, elements of understated contemporary style have been subtly integrated into each space – the porcelain checkerboard tiles add an edgy look whilst the contemporary pendant lighting projects a flattering light across the room, adding a final modern touch. Complete with Crosswater Belgravia brassware, the Laslett hotel bathrooms are the perfect example of how to create a timeless and traditional design scheme suited today’s style-conscious, discerning hotel guest.

“With the demand for more luxurious bathrooms on the rise, hotel designers are opting for a more minimal design aesthetic.”

Refined Luxury

A sophisticated Grade II Listed building situated in the heart of Shepherds Bush, The Dorsett Hotel underwent a stunning transformation by architects Flanagan Lawrence from an old cinema into an elegant eight-storey building. With the demand for more luxurious bathrooms on the rise, hotel designers are opting for a more minimal design aesthetic when it comes to achieving a contemporary bathroom interior. The smaller amenities and touches can often be the deciding factor for a winning hotel bathroom scheme. For hotel designers, choosing the right bathroom suite and bathroom products is vital for reflecting the hotel décor. A seamless blend of luxurious surfaces and chrome detailing, the sleek, smooth edges of the brassware work effortlessly with the marble splashbacks to deliver a truly sought-after bathroom aesthetic that is the epitome of refined luxury.

Monochrome

Seen throughout many hotel interiors across the UK and Europe, monochrome is a timeless trend that continues to be favoured by designers and specifiers. Whether incorporated through subtle hints or fully embraced from floor to ceiling, there are numerous ways that monochrome can create a truly standout hotel bathroom scheme. The Ampersand Hotel is a stunning example of how to create a striking bathroom using a monochromatic palette. Designed by Dexter Moren Associates, the 111-bedroom luxury boutique hotel in the heart of London provides an exquisite Art Deco theme across all of its bathroom interiors. The classic black tiling creates a statement aesthetic and combines flawlessly with contrasting white walls and crisp white ceramics. Working closely with Crosswater, Dexter Moren Associates incorporated complementary contemporary brassware to give the bathroom suites a luxurious finishing touch.

Texture & Pattern

Working as key elements in interior décor, texture and pattern have become popular interior trends used within modern hotel design. The use of these two components has been incorporated in varied ways throughout all style spaces, keeping the concept and project brief in mind. Deep in the Hertfordshire countryside, family-run hotel Sopwell House, is a hidden sanctuary for customers looking for a natural sense of freedom. The combination of the textured wood surfaces with the eye-catching geometric patterned tiles works nicely to create a harmonious and calming aesthetic.  The lighting enhances the tiles, adding texture and creating a relaxing environment for customers. The bathrooms in the hotel guestrooms are complete with Crosswater MPRO rainfall showers and the Crosswater MPRO Brushed Brass Basin Taps, adding a high-quality finish to the overall décor.

Brutalist Glamour

Eclecticism, luxury details and refined finishes make up the bathroom interiors of the Mondrian London Hotel located on the banks of the River Thames. Decorated by award winning designer Tom Dixon, each room features a truly glamorous aesthetic. The hotel embodies the elegance of a transatlantic 1920s liner. Built with 359 guestrooms and furnished with custom designed furniture; the interior features rich colour palettes contrasted against standout metallic finishes, providing a brutalist nautical theme. The use of marble surfaces and black basins within the en-suites works seamlessly to create luxe finish, whilst the public washrooms deliver a high quality appeal featuring porthole mirrors and metallic detailing usually found on board a ship.

For hoteliers looking to achieve the perfect high-end hotel look it is essential to design spaces that offer functionality as well as a deluxe finish. Hotel bathrooms have the capacity to showcase significant design statements, they serve as a sanctuary providing the comforts of home and as such are a key factor when creating a luxurious décor scheme.

Crosswater is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: The Laslett

Germany, France and the UK lead European hotel project development

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Germany, France and the UK lead European hotel project development

Latest hotel development statistics from the TOPHOTELCONSTRUCTION database show the three nations account for 50 per cent of the 1,514 projects that are currently in the pipeline for the region…

Germany, the UK, and France are currently dominating a “booming European hospitality market”, as stated in a report by TOPHOTELCONSTRUCTION. The latest data to be published indicates that the three nations account for 50 per cent of the 1,514 projects currently in the pipeline in Europe.

Germany currently has 382 projects in its own pipeline, which means that it alone is accounting for around one quarter of the upcoming hotels in Europe. The UK, meanwhile, is hot on its heels, with 287 projects in its own pipeline. Meanwhile, there is a significant dropoff between the U.K. and third place France, which has 91 projects in its own pipeline.

Other destinations in the top 10 include Spain (72 projects in the pipeline) and Russia, Italy, Switzerland, Austria, Poland, and Ireland, all of which have less than 70 hotels each in their project pipeline.

The report concludes that Europe’s strong performance is due to Germany being a significant driving force in the hospitality space, as well as globally dominant tourist destinations such as France, Spain, and the UK.

According to TOPHOTELCONSTRUCTION, the 1,541 hotels currently in the pipeline for Europe will ultimately yield as many as 251,730 new guestrooms.

Main image credit: Pixabay

MINIVIEW: Zafiro Palace Alcudia

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MINIVIEW: Zafiro Palace Alcudia

Zafiro Palace Alcudia is a family friendly hotel with a luxury edge. Chantal Borciani checks in to review…

Framed by the majestic landscape of mountains in northern Mallorca, Zafiro Palace Hotel Alcudia occupies an enviable position just five minutes’ walk from the pretty harbour of Alcudia and just 15 minutes from the Medieval Old Town. Surrounded by sea and rolling countryside, it’s easy to see why nature plays a key role in Zafiro’s aesthetic.

From the stylish marble lobby, the eye is immediately drawn outside to the vast gardens that form the focal point of the property. The immaculate tiered lawns are sown with native Mallorcan plants and flowers and feature 11 glittering pools. Despite the impressive aquatic offering, Zafiro Palace Alcudia retains the intimacy of a much smaller hotel with a boutique vibe that sets it apart from other family hotels on the island.

“Antonia Plomer personally selects everything every material and piece of artwork used in the hotel.”

Mature gardens are dotted with shaded hideaways and quiet corners while alongside some of the larger pools, billowing white draped cabana beds are available for all guests to use on a complimentary basis. Raised up a level above the swim-up pool bar and trendy poolside restaurant, the adult-only pool area is another cabana-lined oasis.

Designed with small footprints in mind, kids are well catered for as well, of course with a fantastic pirate ship pool, slides and play area occupying a quadrant of the gardens. ‘Run for families, by families’ is the spirit behind the Zafiro brand, which was set up by father Tomeu Plomer and still rings true today. The hotel has recently had a refresh under daughters Antonia and Maria Plomer who now run the business and have deftly anticipated new trends.

“Lines are clean, minimalist and chic; the white angular buildings emphasising the contemporary feel of the property.”

Antonia Plomer personally selects every material and piece of artwork used in the hotel, sourcing the majority of elements from Mallorcan and Spanish suppliers to great effect. Décor is sophisticated and the neutral palette is calming and light, save small dashes of colour from soft furnishings and modern lighting and framed prints.

While being resolutely family friendly, the all-suite hotel retains a luxury edge in design and feel. Lines are clean, minimalist and chic; the white angular buildings emphasising the contemporary feel of the property. Suites are spacious, elegant and flooded with light thanks to large balconies. Each suite features an open-plan bathroom, while sliding doors in the family rooms mean parents can easily ‘zone off’ sleeping areas for kids.

All 369 suites can be configured to accommodate children while bespoke family suites feature two bedrooms. Handy touches such as microwaves in all rooms, high-end coffee machines and ample storage and wardrobe space add to the thoughtful design.

Image credit: Zafiro Palace Hotels

On the ground level, the aforementioned swim-up suites boast a private garden and direct pool access ideal for families who love to be in and out of the water all day. On the top floor, the penthouse suites are blessed with a rooftop terrace complete with Jacuzzi and Bali beds. With mesmeric views out across the Mallorcan mountains and coast, these sumptuous suites should be top pick for those looking for luxury escapism.

The Presidential Owner’s Suite, usually the reserve of Mallorcan elite and celebrities, occupies 180 square metres and features a vast terrace with Jacuzzi, shower and Bali bed. The decadent interior is accented by design-led furniture and contemporary chandeliers selected from Barcelona-based procurer Santa e Cole, while alongside the master bed sits a decadent marble emerado and white makael bathtub.

In the public areas, Antonia Plomer’s astute eye for design makes great impact. The four á la carterestaurants reflect a different aesthetic and cuisine without becoming overly thematic and each dining area is blessed with stunning views of the gardens and pools thanks to terraces and floor to ceiling windows.

Image credit: Zafiro Palace Hotels

Off season, the hotel is a magnet for cyclists and active travellers keen to make the most of Mallorca’s long season and enviable hiking and cycling routes. In fact, the hotel hosts many of the participants in Alcudia’s annual Ironman and is a fantastic base from which to explore the island. The Old Town of Alcudia is steeped in history and sprinkled with lovely wine bars, while at the harbour guests can hire a classic Mallorcan launch and cruise along the magical coastline.

It’s no mean feat to cater to children while also affording the adults a slice of luxury and relaxation yet Zafiro Palace Hotel Alcudia has done so with ease. Small touches, so often only found in owner-run hotels such as this, make all the difference here alongside the sophisticated family accommodation which feels a world away from the large carbon copy, faceless all inclusives of old.

Main image credit: Zafiro Palace Hotels

SPOTLIGHT ON: September’s features announced

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SPOTLIGHT ON: September’s features announced

Hotel Designs has officially dropped its September editorial features, which are Lobby Design and Furniture… 

Inspired largely by the upcoming London Design Festival (LDF), Hotel Designs’ September features will delve into two areas are arguably mostly influenced by the social changes and trends in hotel design. In addition to attending the capital’s celebration of design, the editorial team will also lead an exclusive roundtable, in collaboration with Arte Wallcoverings, to public areas and the hotel lobby firmly under the spotlight.

Lobby Design 

In addition to publishing a series of editorial around the changing face of the hotel lobby, Hotel Designs has collaborated with Arte Wallcoverings to host an exclusive editorial roundtable ahead of the company unveiling its latest collection at Focus 19. The session entitled: Adding personality in public areas will be attended by leading designers and architects from the likes of Richmond International, 1508 London, IHG, Scott Brownrigg, RPW Design and GA Design among others to be confirmed.

Image credit: Image credit: Virgile Simon Bertrand

Furniture

As well as covering the latest news from its relevant Recommended Suppliers, such as Curtis Furniture, Knightsbridge, Style Library, Roundwood of Mayfield and Morgan, Hotel Designs will also be on the ground at LDF ’19 in order to publish, live and direct, the latest furniture product launches on the international hotel design scene.

If you wish to find out more about Recommended Supplier packages, or know of a product that we should be talking about, please email Katy Phillips

Main image credit: Rosewood Bangkok

Crosswater brings bold design to today’s modern bathroom

730 565 Hamish Kilburn
Crosswater brings bold design to today’s modern bathroom

This season, Crosswater dares designers to be brave in the bathroom. With one of the widest ranges of finishes across its portfolio of brassware, furniture, ceramics, shower enclosures and accessories, the bathroom manufacturer, which is also the confirmed headline partner for The Brit List Awards 2019, presents a bold collection of products and designs for projects that require statement in the bathroom…

Utilising a mixture of deep colours, bright patterns and retro styling with daring brassware finishes, a bold bathroom expresses personality through colour, texture and pattern.

A new bathroom scheme presented by Crosswater is brought to life with a bold botanical print and monochrome pattern tiled floor. The brushed nickel brassware stands out against the dark wallpaper and complements the stylish marble gallery basin. The grey furniture provides practical storage while also being a neutral, subtle grounding feature within this bathroom, as is the white wall hung WC. The entire style is finished with a stunning illuminated mirror and dramatic pendant lighting to make a real style statement.

Other ways of introducing this bold aesthetic into a bathroom design can include featuring eye-catching accessories, such as towel warmers and green plants.

By also incorporating a statement patterned wallpaper, bold colours and darker tones, any home is able to achieve a bold bathroom scheme. The overall finish is one that is creative, unique and playful – a statement room that has maximum impact.

Crosswater is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: Crosswater

The BIID announces LDF ’19 movements

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The BIID announces LDF ’19 movements

As part of London Design Festival (LDF) 2019, The British Institute of Interior Design (BIID), which is an industry partner for The Brit List 2019, will be participating in a range of exciting talks and events across the capital…

Taking place from September 14 – 22, London Design Festival (LDF) brings together trade professionals and design enthusiasts from all over the world. The BIID is supporting some of the key trade shows that are taking place, with BIID members taking part in thought-provoking and informative discussions throughout the week.

“It’s a pleasure to be involved in London Design Festival again this year,” comments BIID President Harriet Forde. We are so excited to see our members participating in discussions, workshops and events throughout the week. This allows us not only to support our talented BIID Members, but the wider community of industry professionals and creatives working in the city.”

Focus/19 at Design Centre, Chelsea Harbour

September 15 – 20, 2019

Design Centre, Chelsea Harbour is once again hosting Focus/19. The annual event has a packed programme of engaging talks, meet the designer sessions, discovery tours and workshops.

On Friday September 20 at 4pm, BIID Member Anna Burles of Run For The Hills will be hosting a design workshop titled, ‘Designers of the World Unite’at the Espresso Design showroom. Anna will be speaking on the importance of eco-sensibility within the design sector and encouraging fellow designers to do their bit for planet earth, offering a range of practical tips and insider insight into things big and small that we can all do to make a difference, whilst still delivering exciting, unexpected and original schemes for clients.

100% Design at Olympia London

September 18 – 21, 2019

Returning to Olympia for its 25thedition, 100% Design is renowned for showcasing emerging talent in the capital, featuring a number of new projects and collaborations that celebrate the best in design and innovation.

As part of 100% Design’s four-day seminar programme, Talks with 100% Design, BIID Past President Daniel Hopwood will be chairing a panel discussion titled, ‘20 ways to achieve #DesignGoals’. Taking place on Saturday September 21 from 12:00pm – 12:45pm in the auditorium, Daniel will be joined by BIID Registered Interior Designers; Anna Burles of Run For The Hills, Dee Gibson of Velvet Orangeand Mathew Freeman of Goddard Littlefair.

The lively discussion will see panellists share their tops tips to help you achieve your #designgoals. Panellists will draw on their own personal experiences to provide design insights and advice to inspire their audience.

designjunction at London’s Kings Cross

September 19 – 22, 2019

Designjunction presents the breakthrough brands having a direct impact on the future of design. Hosted in London’s Kings Cross, the four-day event includes an exciting talks programme and over 200 exhibitors.

On Friday September 20, BIID President Harriet Forde will be hosting a BIID Members’ breakfast at Blueprint Café from 9:00 – 11:00am. The breakfast will provide members with an informal tour of the event highlights and the opportunity to network with fellow designers.

Seven-figure refurb begins at City Quay Hotel, Dundee

730 565 Hamish Kilburn
Seven-figure refurb begins at City Quay Hotel, Dundee

Work has commenced on a £1.4 million refurbishment programme at Apex City Quay Hotel & Spa in the heart of Dundee…

Over the coming months the Apex City Quay Hotel & Spa‘s public spaces – including the reception and conference areas, as well as the hotel’s Metro Bar & Brasserie and Yu Spa – will be transformed, bringing a spectacular new look and feel to the hotel. The significant investment comes less than one year after the completion of a £2.4 million bedroom refurbishment.

The full programme of improvements is set to be completed in the New Year, with the hotel operating business as usual throughout the period.

“We’re absolutely thrilled to see work starting on the latest round of refurbishment work at the hotel,” said Ronnie MacKay, the general manager at Apex City Quay Hotel & Spa. “The feedback from guests following the bedroom refurbishment has been exceptionally positive and, given that the plans in place for the public areas look absolutely fantastic, we’re confident our guests will be impressed with the finished result.

“The significant investment in the hotel over the past twelve months or so really underlines Apex’s commitment to constantly raising the bar and ensuring first-class standards for guests across the board. We’ll keep our guests informed of our plans every step of the way, but as the works continue over the coming months, we fully intend to operate business as usual until we unveil the finished product.”

Since late 2017, Apex Hotels has invested approximately £12 million in refurbishment works across its 10 UK hotels.

Main image credit: Apex Hotels

4 reasons why hotels should consider 3D photography

730 565 Hamish Kilburn
4 reasons why hotels should consider 3D photography

In a response to the industry insight on styling a hotel for design press article, Hotel Designs’ official hotel review photographer, ACT Studios, argues that 3D photography is where the future of hotel marketing is heading…

Predictions for trends over the next couple of years in the hotel and hospitality sector abound. But there is general consensus that technology will continue to play a greater role in both the stay of a guest as well as the booking process itself.

Virtual tour photography has an essential part to play here, enhancing the anticipatory experience of the traveller in advance of their stay, as well quickly and easily answering guest’s questions and concerns about location, layout and facilities.

So just how exactly can virtual tour photography enhance the guest experience? And what value can it add to your website?

What is virtual tour photography?

Virtual tour photography is essentially an immersive, three dimensional digital means of bringing a room to life for the viewer. 3d tours are created using a special type of Matterport camera, which produces a 360 degree image of a room, which users can then browse online at their leisure.

Users simply click on the image itself to then ‘step in’ to the picture, with the option to turn in any direction to explore a feature in more detail. Want to view the room from the other side of the bed? It’s Easy. Using your mouse (or a touch screen) you can simply click (or tap) on the picture and spin the view in a direction to suit you. Fancy a peek in the bathroom? Maybe to check if it has a walk in shower? Again, just click or tap on the direction you would like to take.

3D photography even lets you leave the room to explore different rooms on another floor. And essentially look round the whole property, which can be really helpful if you need to check if the bedroom is on the ground floor. Or see if the bathroom has a shower over it. Or where your nearest fire exit is.

The real beauty of 3D virtual tours is that they are incredibly simple to use. And extremely intuitive.

4 ways in which 3D photography can help your hotel business

1) 3D photography can improve your guest experience and ratings

Image credit: Hotel Designs’ interactive hotel review of Oddfellows On The Park. Read full review here.

Positive feedback and ratings count and anything that helps improve the customer journey for a guest deserves serious thought. And when it comes to the hotel guest’s customer journey, 3D photography can play a pivotal role in the consideration phase.

Once a customer is aware that you exist – perhaps via a touch point such as a post on social media or an article in a third party publication – the next phase in the customer journey is consideration. This is when they arrive at your website and look through it in detail before deciding to make a purchase.

It is well known how financially competitive the hospitality industry is and not every accommodation provider wishes to differentiate on price. Therefore, having the ability to see a building in all its dimensions – from a floor plan, to a dollhouse view to stepping into any of the key rooms – can positively influence their decision to buy in your favour. And most importantly, take them away from your competitors.

2) 360 photography can refresh your brand image

Image credit: Hotel Designs’ interactive hotel review of University Arms, Cambridge. Read full review here.

“The quality of the imagery is second to none.” – Mario Ovsenjak, General Manager, Hotel Gotham.

Guests have long come to expect well composed, professionally taken, high resolution photography when it comes to browsing both on and offline.

Which is why the supply of high quality hospitality photography remains a core service for ACT Studios, taking us throughout the UK and Europe to photograph some of the most incredible accommodation providers.

But brands that already have great photography are rightly asking “what’s next?” when it comes to updating their brand image, differentiating their offering and setting themselves apart from the competition.

The answer is 3d photography. Offering guests the ability to virtually ‘step into’ a hotel bedroom, dining room or lounge. To explore an area in minute detail. Or just get an overall feel for what they are about to book.

“Adding a fully immersive experience by adding virtual tour photography can increase occupancy by 14 per cent.”

3) 360 virtual tour photography can help improve your occupancy rates

Image credit: Hotel Designs’ interactive hotel review of Hotel Gotham. Read the full review here.

Recent research by TripAdviser shows that having at least one photo of your property on a property page actually increases the likelihood of a booking enquiry by 225 per cent. And that for properties with at least 100 photos, engagement levels rise to 151 per cent and likelihood of a booking inquiry rises to 238 per cent compared to properties with no photos

In addition, a study by Matterport concluded that adding a fully immersive experience by adding virtual tour photography can increase occupancy by 14 per cent and yield a 15 per cent increase in online engagement.

4) Virtual tours are an honest complement to photography that encourages trust

By offering guests the option of seeing and freely exploring a given room or area in its entirety before they buy, guests can more easily and more quickly judge for themselves how suitable (or not) a hotel is for them. There is therefore genuine honestly in a 3d virtual tour. And as marketers know, honesty breeds trust, which then sees guests returning time after time.

If you would like to find out more about how 3D photography can work alongside your existing photography – or perhaps how you can refresh both your still photography and your virtual tours, to produce a more consistent brand image – then contact ACT Studios here.

Main image credit: ACT Studios

Editor Checks In: Home comforts in hotel design

730 565 Hamish Kilburn
Editor Checks In: Home comforts in hotel design

In August 2019, editor Hamish Kilburn concludes that trends are overrated when a project close to his heart reaches its highly anticipated conclusion…

I can’t quite believe it has been almost one year since we first started following the award-winning designer Nicky Dobree on her journey to complete her debut hotel design project. Before now, her undisputed talent was recognised for designing the interiors of 007-esqe luxury mountain retreats (Kevin McCloud’s words, not mine unfortunately).

But this year, she has injected her effortless style to restore a 19thcentury building in Vejer, Spain, which is known as Plaza 18 – and Hotel Designs has been there every step of the way.

Now that the season has ramped up to reach its peak, there’s no better time to put down the measuring tape, take a step back and reward Dobree’s “labour of love” as we cut the ribbon. More than 1,300 miles from Andalucia, the team in the London office are gathered around my computer screen as they impatiently wait for the folder to download, of which contains the final images of the new boutique hotel. Until now, you see, we have had to settle for shakey behind-the-scenes, unquestionably raw, photographs taken on location, as well as renders and sketches, which merely tease the luxury home-from-home concept in the making.

You’d be wrong to assume it’s an easy task working on a project of this scale. What the hotel lacks in the number of guestrooms (six to be precise) it makes up for in personality. And if anyone could sensitively re-establish the heritage property in order to give it a new lease of life, it would be Dobree.

“All that is missing is a luxury design-led hotel,” I think to myself as I run past the colourful beach huts (place your bids).

‘Home comforts’ feels like an appropriate theme for this month’s column. Four years after capturing my first solo metropolis memory, which then drove me to chase my career in a number of cities in the UK, I’ve hit a crossroads and have decided to take the right-hand turn, which has result in me hurtling back towards my hometown of Whitstable in Kent. Nestled on the north-east tip of the Garden of England, where home comforts – think sea views that stretch over the horizon and unparalleled sunsets – are never in short supply, this feels like ‘home’ to me. “All that is missing is a luxury design-led hotel,” I think to myself as I run past the colourful beach huts (place your bids).

It seems I am not alone in chasing home comfort. Last year, a study published by Forbes showed that in the 10 cities with the largest Airbnb market share in the US, the entry of Airbnb resulted in 1.3 per cent fewer hotel nights booked and a 1.5 per cent loss in hotel revenue. But as damning as this statistic may seem, hotels are fighting back to offer more home-from-home comforts married together with one-off experiences to capture travellers’ attention.

Examples of this can be found all over the Hotel Designs website this month, from our Miniview of room2’s ‘hometel’ concept in Southampton to a new ‘private members’ bar’-styled hotel that will open in London next year – and not forgetting the exceptional Plaza 18. Perhaps subconsciously, my year-long project with Dobree has led me to positively seek comfort in timeless style as opposed to chasing the short-term thrills of seasonal trends.

Main image credit: ACT Studios

Hilton Munich City completes $50 million renovation

730 565 Hamish Kilburn
Hilton Munich City completes $50 million renovation

Hilton Munich City is placing the finishing touches on a $50 million hotel transformation project, which includes a full refurbishment of the hotel, including all public areas, guestrooms, fitness centre and F&B areas…

Hilton Munich City, which opened a new F&B area called Juliet Rose earlier this year, has now been completed a full $50 million renovation. “We are thrilled to present this amazing, refreshed hotel to all our guests and clients,” said Dagmar Muhle, the general manager of Hilton Munich City.

“This way we are able to continue to innovate in the way we deliver our signature hospitality and provide our guests with an enhanced experience here at Hilton Munich City. We are also very excited to have been recognized as ‘Germany’s Leading City Hotel 2019’ at the World Travel Awards Europe 2019, a great achievement and confirmation of the services our team delivers on a daily basis.”

Juliet Rose is made up of four different seating zones, each with different stand-out features, plus two bars. The main ‘ceremony bar’ is a stunning, monolithic U-shaped design that guests coming from the hotel entrance see as soon as they enter the space, at the far end of a central approach. A second, smaller-scale coffee bar is made of the same dramatic moss-green and highly-polished granite, with the choice of material referencing the earthiness of botanical ingredients. The granite for the main bar has been book-matched to ensure dramatic textural veining from the front. Above and behind the main bar, the gantry structure is made up of brass sections, with an industrial/lab feel, underscored by an apothecary-style bottle display. The barman prepares cocktails at its centre, making full use of dry ice, bell jars and a sense of reveal.

Image credit: Hilton Hotels

“The overall design approach for the space was based on form and order, with drama, freedom and an opposing sense of randomness created by the furniture and accessorising’, architect David Lee Hood, Associate at Goddard Littlefair, explained. ‘When it came to structure, we added a number of new elements to the space to give a feeling of overall order and symmetry, whilst also ensuring playful visibility between zones via glazed screens offering varying privacy levels.”

The hotel provides a complement of services and brand amenities, including 483 guestrooms, nine meeting rooms, MONA restaurant, Juliet Rose Bar and a fitness centre.

Main image credit: Hilton Hotels

LDF 2019 announces further festival commissions, projects and speakers

730 565 Hamish Kilburn
LDF 2019 announces further festival commissions, projects and speakers

With weeks to go until the city comes alive for London Design Festival, new details have emerged of even more commissions, projects and speakers…

The hotly anticipated London Design Festival (LDF) has revealed the finer details around a number of holistic design experiences, installations and insightful talks in order to make this year’s event an international destination of all things design.

The week-long festival will welcome two new Special Projects: Idiosyncratic by Martino Gamper at Coal Drops Yard, King’s Cross, coinciding with Festival commission Disco Carbonara; and a playful immersive installation, Take the Plunge, by Volume Creative at OXO Tower Wharf; as well as new keynote speakers Dame Vivienne Westwood, Claire Bergkamp, Fabio Novembre and Astrid Stavro for Global Design Forum, the Festival’s thought leadership programme.

Idiosyncratic by Martino Gamper (supported by Samsung) at Coal Drops Yard, King’s Cross

To coincide with Martino Gamper’s London Design Festival Commission– Disco Carbonara at Coal Drops Yard – Samsung presents Idiosincratico: an exposition of the designer’s creative practice.

The Samsung space will offer a unique vantage point on Gamper’s installation below. As well as viewing the exhibit, visitors can also interact with the latest technology, and take part in an ongoing series of events, workshops and performances.

Image credit: Idiosyncratic by Martino Gamper at Coal Drops Yard, King’s Cross

Presenting three significant projects, Idiosincratico gives insight into Gamper’s creative process – exploring his distinctive and playful approach to dissembling and reinventing familiar domestic objects. At the heart of each of Gamper’s projects is the notion of thinking through making and examining how process informs the physical outcome.

For Hookaloti, Gamper takes a single typology – the wall hook – and riffs on it, improvising with the form, material and expressive possibilities of a simple everyday object. In Metamorfosi, a project to celebrate the 60th anniversary of the Italian furniture company Moroso, Gamper takes pieces from their catalogue and cuts and splices them to create a design mash-up. By contrast, Arnold Circus Stool is a project for the public realm initiated to support the regeneration of the landmark site on Shoreditch’s Boundary Estate, London’s first social housing project.

Take The Plunge by Volume Creative (in collaboration with Virgin Voyages The Bargehouse) at OXO Tower Wharf

Volume Creative, in collaboration with Virgin Voyages, invites visitors to Take the Plunge: a playful installation at The Bargehouse, Oxo Tower Wharf. The interactive project shows the power of design to evoke curiosity, in a stand-alone immersive experience created for London Design Festival.

Image credit: Take The Plunge by Volume Creative at OXO Tower Wharf

Visitors are invited on a journey of discovery and asked to dive into a new experience. The minimalist exterior juxtaposes with the warmth that awaits within. Visitors step into an endless horizon, giving way to an extraordinary secondary space that depicts a sunset under the sea.

The concept is inspired by a love of the sea – the great unknown with the promise of epic discoveries. Take the Plunge hints at this spirit of adventure and celebrates the endless possibilities of great design, using multi-sensory techniques to capture the joyful elements of an oceanic journey.

Global Design Forum

Global Design Forum is the Festival’s curated thought leadership programme, celebrating design and the minds shaping its future. The full 2019 programme has been announced and will explore the issues affecting the design industry itself but more importantly, how design can pave the way for workable solutions to some of the modern world’s most demanding challenges.

The keynote sessions will include, British fashion designer and activist Dame Vivienne Westwood, discussing the role of activism in designing a sustainable future and how to take action; Claire Bergkamp, Worldwide Director of Sustainability and Innovation at Stella McCartney, on engineering a balance between innovation and sustainability in luxury fashion; and Astrid Stavro graphic designer and partner at Pentagram, speaking about the dynamic world of typography. They will join previously announced keynote speakers; Kengo Kuma, Yves Behar and Deborah Riley.

Global Design Forum takes place at the V&A, the official London Design Festival hub, from Saturday 14 – Sunday 22 September 2019. Further information about the full programme and tickets can be found here.

This year, there will also be an offsite keynote in Stratford at the future site of the new V&A East. Supported by INTERNATIONAL QUARTER LONDON and hosted at new shared workspace, Workable, Fabio Novembre, Director, Fabio Novembre Studio and Scientific Director, Domus Academy, will speak from his own experience followed by a panel discussion with industry experts on the importance of nurturing new talent in design.

Main image credit: Disco Carbonara by Martino Gamper at Coal Drops Yard, King’s Cross

CitizenM has announced fourth arrival in London

730 565 Hamish Kilburn
CitizenM has announced fourth arrival in London

Global hotel group, citizenM, announces the acquisition of a Victoria property for its fourth London hotel, opening in 2021…

citizenM has announced that construction will commence in May 2020 for a new hotel in London, following the demolition of the existing Denison House. The 226-room hotel, designed by concrete with architecture by ICA, will comprise basement and ground floor levels, with ten upper floors and will be built using citizenM’s innovative modular construction method.

Each of the rooms will be built and furnished one-by-one in an offsite factory and then moved to the site where they will be assembled to make up the hotel. Prefabrication enables faster construction and easier quality control, and also guides the architectural aesthetic of all citizenM locations. No matter how they’re assembled, citizenM buildings are recognisable in their surroundings for their identifiably square units, clean lines, and artwork on the facades.

citizenM’s hybrid hotels offer travellers luxury accommodation at affordable prices in hyper-busy urban centres. This latest addition, situated in the heart of London, will be close to major London tourist attractions such as Buckingham Palace and Tate Britain, and offer great transport links within Greater London and Gatwick Airport – perfect for all mobile citizens.

“We are excited to have completed this transaction after securing planning consent in a prime location in Westminster. With three hotels already operating successfully in London, this new property will offer a fantastic addition to our existing portfolio and confirms our commitment to expand further in London’s most desirable neighbourhoods,” said Klaas van Lookeren Campagne, CEO of citizenM hotels.

The hotel’s interiors will be designed by citizenM’s Amsterdam-based partner Concrete, and will feature furniture from long-term collaborator Vitra. The guestrooms will include citizenM’s famous XL king-sized beds, powerful rain showers and large flat screen TVs. Guests will be able to enjoy the same creative technology that has marked citizenM as an innovative force in hospitality, from online check in to in-room mood pads.

The new Victoria-based hotel will be located at 292 Vauxhall Bridge Road and will be the fourth stand post of citizenM in London, following openings in Bankside (2012), Tower of London (2016) and Shoreditch (2016).

In Europe, the key target cities for new sites are London, Paris, Milan, Rome, Dublin, Munich, Hamburg, Frankfurt, Stockholm, Copenhagen, Zurich, Geneva, and Barcelona.

Main image credit: citizenM

Empty room with various styles of seating

In Conversation With: Matthew Balon at Ruby Leni’s first showing

730 565 Hamish Kilburn
In Conversation With: Matthew Balon at Ruby Leni’s first showing

Ruby Hotels has re-entered the stage to take a second bow in Dusseldorf, Germany. The 170-key Ruby Leni, which takes shelter in a former 1950s theatre, is the hotel group’s seventh hotel to harness ‘lean luxury’. Editor Hamish Kilburn travels just south of the city’s fashion district to meet the group’s lead designer, Matthew Balon, the morning after the night before’s launch party to discuss design details, the significance of paper puppets and the brand’s highly anticipated 2020 arrival in London…

Empty room with various styles of seating

They say that to make any act truly memorable, the performer must enter the stage armed with a spectacular encore up his or her sleeve. In the case of Ruby Hotels in Dusseldorf, the main performance took place last year with the arrival Ruby Coco. The dynamic property is a contemporary urban hub that is nestled within the city’s main shopping district, just off Königsallee – AKA a fashionista’s heaven. The interiors inside are sharp, considered and give more than an apt nod to the fashion quarters that surround it.

[CURTAIN UP]

If Coco was used in the opening scene, engaging its captivated audience with the allure of couture costumes, then the encore is Ruby Leni, which is situated a mere 10 minutes down the road. Although the neighbourhood may feel quieter, its entrance certainly isn’t: a large marquee sign with the words ‘make it your own stay’ frames an appropriate first impression.

Exterior shot of the hotel, showing a colourful courtyard

Image credit: Ruby Leni

[PUBLIC AREAS ENTER FROM STAGE RIGHT]

With large, expansive public spaces that filter into plush private break-out areas, the hotel is designed for both locals and guests checking in. The character and soul has been channelled into the lobby/lounge, where the real story of the iconic 1900s building, which sheltered the Düsseldorfer Schauspielhaus theatre, comes to life. “We looked at the materials, shapes and forms that you would associate to a theatre of that era,” says Lead Designer Matthew Balon. “We then separated that into front-of-house and back-of-house. We wanted to challenge that idea by merging those areas. For example, we have included stage cases in the lobby to really create an authentic feeling of being part of the production, behind the scenes.”

[GUESTROOMS ENTER FROM STAGE LEFT]

Upstairs, the sharp and stylish guestrooms have been designed around the original peculiar structure of the building, creating an interesting layout in each. The design and general make-up of the room, though, is a reflection of the others in the entire hotel group’s portfolio: crisp white beds, refillable toiletries and eco-friendly rain showers to match. The brand calls it ‘lean luxury’, which is posh for ‘uncomplicated, laid-back comfort’ – and it works, especially for bleisure travellers.

White, bright and contemporary guestroom

Image credit: Ruby Leni

Although you would recognise the rooms as ‘Ruby Rooms’ guests with eagle eyes will notice subtle differences, like the wood panelling for example.  “It’s been designed to also reference the story of the hotel,” explains Balon. “I looked into how sets were built and was inspired by the fact that guests in the theatre only ever see the pretty side. I wanted to show the back of the sets, the flats. I was interested to know how these things stood up and how they were constructed. That provided the inspiration for the wall panelling and the reinforced corner detailing.

Another quirky touch that sensitively helps set the theatrical scene is the art above the beds. Bolan initially wanted to do something with shadow puppets, which evolved into creating an immersive and playful paper puppet stage. “I really love introducing interior design elements that are fun and interactive,” says Balon. “We like to have fun with it and make an interesting element to guests’ stay.”

[APPLAUSE]

Image caption: Editor Hamish Kilburn (left) dragged the Lead Designer for Ruby Hotels, Michael Bolan (right), out on ‘stage’ the morning after the launch party before…

Quick-fire round:

Hamish Kilburn: What can you not travel without?
Matthew Bolan: My Darth Vader suitcase. I just love it!

HK: Where’s next on your travel bucket list?
MB: Japan.

HK: What’s your biggest bugbear when checking in to a hotel?
MB: Queuing!

HK: What is the number-one tool for success?
MB: You have to create an emotional connection.

HK: What is the last thing that showed up on your credit card transactions?
MB: A round of drinks I bought last night. It’s your round at the next launch, I’m told…

Most hotel designers are working with many several brands and brand standards, and so it is interesting how Bolan, within his creative realms, can piece together many different stories with the same Ruby strand running through each. “It is all-encompassing,” he says. “What the brand stands for in regards to design is something I can really get behind. When I think about Ruby, I think of all the people who bring the brand to life.”

[CURTAIN CALL]

The brand’s design is spilling out of the seams and leaving a permanent stain on new destinations. The next hotel design hotspot to welcome the arrival of Ruby Hotels is London – to the Southbank to be more specific. “We have done a lot of research into the location, which is a really interesting corner of London,” Balon explains. “I can tell you that Ruby Lucy is going to be fun, colourful, unexpected and I am really looking forward to the opening party!”

Ruby Hotels first unveiled its unique concept with Vienna hotel Ruby Sofie in 2014, before opening two further hotels in Vienna, Ruby Marie and Ruby Lissi, as well as Ruby Lilly in Munich, Ruby Coco in Dusseldorf and most recently Ruby Lotti in Hamburg. In response to the success of these properties, the brand plans further openings including Ruby Lucy in London’s bustling Southbank in early 2020, as well as hotels in Zurich, Cologne, Frankfurt and Shanghai before the end of 2020.

[CURTAIN CLOSED]

Large and expansive public area that is designed to look very residential

MINIVIEW: Discreet luxury unveiled by Nicky Dobree in the heart of Vejer

730 565 Hamish Kilburn
MINIVIEW: Discreet luxury unveiled by Nicky Dobree in the heart of Vejer

To complete the Concept to Completion series with Nicky Dobree, Hotel Designs is given the keys to finally unlock the majestic heavy doors of pure luxury inside Plaza 18… 

Up until now, the designer Nicky Dobree has been synonymous with luxury Alpine chalet design and most recently very high end residential design. Most recently she has turned her attention to Plaza 18, her debut hotel design project in collaboration with Vejer’s Hotel La Casa del Califa.

Large and expansive public area that is designed to look very residential

Set in the former 19th C merchant’s house Nicky Dobree has taken inspiration from this elegant building and brought new life back into this Grand Dame by respecting its history, but also lifting its character to provide an enriched experience for the modern traveller. Working with local trades and craftsmen, the building, which dates back to 1896 and stands on the foundations of an ancient 13th C Arab house, has been entirely restored using authentic organic building materials where ever possible.

“Meticulous care and attention to detail has been maintained throughout the refurbishment of this important historic property.”

Exterior of the hotel

Image credit: Plaza 18/Philip Vile

Dobree was determined to restore and re-use as many of its existing features as possible. The original black and white floor tiles were therefore lifted and re-laid on newly levelled floors. The Montera (large glazed roof lantern over the entrance patio) was carefully dismantled and repaired to its former glory, which now floods the entrance foyer with light. The stone staircase and balustrade were also completely restored, as was all the metal work around the entrance gate. Many of the original shutters and windows were restored along with the front door. Meticulous care and attention to detail has been maintained throughout the refurbishment of this important historic property.

Extremely reclined interiors with personal interiors

Image credit: Plaza 18/Philip Vile

The designer felt that her role was to curate this elegant old building and to bring it a new lease of life, enhancing its beauty with style and a subtle creative twist.

Plaza 18 has been a true labour of love with the inevitable obstacles of planning, working abroad and within a listed building. The trials and tribulations of restoring an old building and the rules and regulations that needed to be adhered to, to convert it into a commercial venture, has meant that the project took two years to get through planning and a further two years to compete.

The hotel is now the secret second home that one has always dreamed of, warm and welcoming with a strong sense of place, an oasis within an oasis.

Whilst the details adhere to the classical principles of the house, there is comfort and elegance through every door. Every room has a story to tell and contains pieces that have been lovingly curated by Dobree from around the world. This is evident from the moment you enter with the oversized black and white mirror by a South African artist which makes a dramatic statement in the entrance.  Dobree designed the bespoke console to sit beneath the mirror that complements the monochromatic entrance scheme.

In the patio whilst your eye is drawn up to the montera and the wonderful central staircase you cannot miss the large scale butterfly painting sourced from an antiques fair.

Stepping into the sitting room, there is nothing more welcoming than a well stocked drinks trolley, an honesty bar, that can be enjoyed by guests at Plaza 18. Standing proud above it is a painting of Admiral Lord de Saumarez who fought at the Battle of Trafalgar (a short drive from the hotel) alongside Admiral Lord Nelson.

“On a clear day the North African coast is visible.”

Leading off the sitting room is the main terrace with views across the old town, sierras and coast line. On a clear day the North African coast is visible. It is here that guests can enjoy breakfast, sitting on olive wicker chairs with outdoor fabrics that complement the vintage printed crockery. No detail has been missed.

Tall black bespoke doors with circular brass handles designed by Dobree create drama and continuity throughout. Behind each of these doors are interiors that are intensely layered and so inviting that everywhere you turn is a visual delight.   Here you will discover more of Dobree’s curated pieces such as a Japanese Boro Kimono or collage painting by Peter Clarke.

All the bathrooms have been beautifully designed using Spanish floor tiles and bespoke marble vanities with Lefroy Brooks deco style fittings echoing the elegance of the house.

The attention to detail is reflected in every aspect of one’s experience here. Dobree worked with a renowned perfumer to provide bespoke toiletries that have been specially formulated to create a signature scent for Plaza 18 and that are soft and subtle on the skin. The scent is inspired by the aromas that perfume Vejer, orange, bergamot, lavender and geranium. The base of olive oil and almond that nourishes the skin is local too.

Plaza 18 has a true home from home feeling that brings Dobree’s collective chic and timeless elegant style to Vejer. It is a place to feel at home, a place to disconnect and re-discover.

Hotel Designs has followed the construction of Plaza 18, Dobree’s first hotel project, from concept to competition. Click here to read part one. Click here to read part two. Click here to read part three

Main image credit: Plaza 18/Philip Vile

designjunction’s speaker programme set to challenge, provoke and engage

730 565 Hamish Kilburn
designjunction’s speaker programme set to challenge, provoke and engage

designjunction, which is preparing to showcase more than 200 world-class international brands during London Design Festival, has just announced its speakership programme for 2019 which will be sheltered at Everyman Cinema in King’s Cross… 

This year designjunction will launch a brand new talks programme at the Everyman Cinema in King’s Cross, in association with Clippings.

Set against the millennial-pink backdrop of the cinema and curated by design and architecture writer and commentator Grant Gibson, the two-day platform (Thursday 19 – Friday 20 September) is set to challenge, provoke and engage with an eclectic range of topical issues that include: sustainability and the circular economy; the relationship between dyslexia and design; the need for increased diversity in design; and the importance of wellbeing at work.

In responding to this year’s theme Re(act), the two-day programme breaks the mould and opens up a discussion about what truly matters through a series of lively discussions. The diverse and considered programme includes debates and book clubs with a slew of the industry’s leading thinkers and expert voices including: renowned architect Nigel Coates, designer Sevil Peach, leading designers Sam Hecht and Kim Colin of London design studio Industrial Facility, Founder of 1882 Emily Johnson, product designer Matthew Hilton and University of Cambridge researcher, Helen Taylor.

“By clicking here and using the code DJ700, readers of Hotel Designs are entitled a 50 per cent discount off tickets to designjunction, which takes place from September 19-22 in London”

Thursday 19 September

Title: Wellness in the Workplace – Is It Anything More Than A Passing Fad?
Time: 10.00am – 10.45am

Speakers: Interior Architect Sevil Peach; Rosamund Pomeroy, workplace Scientist and Co-founder of brainybirdz; Fabienne O’Neil, Co-founder and Director of Cuckooz and Mark Eltringham, Founder of Workplace Insight. A panel of workplace experts – includingdesigners, journalists and workplace scientists – will unpick our current obsession with wellbeing and ask if it’s simply feng-shui for the new Millennium.

Title: Sheep to Seat, Fleece to Floor: Ella Doran and the Circular Economy
Time: 11.00 – 11.45

The award-winning designer Ella Doran discusses her latest project with the Yorkshire Sculpture Park, Sheep to Seat, Fleece to Floor, where she took fleeces from the sheep grazing in the park’s grounds and turned them into a variety of products that were then sold in the park’s shop. The project involved a host of manufacturing companies including Camira, Coakley & Cox and Alternative Flooring. The talk promises to touch on subjects such as sustainability and the importance of the circular economy.

Title: Lunchtime Book Club | Brinkworth: So Far So Good
Time: 12.00 – 12.45

Speakers: Adam Brinkworth, Founder of Brinkworth and Kevin Brennan, Co-CEO at Brinkworth
Chaired by Riya Patel, Curator at The Aram Gallery and Contributing Editor at ICON

To celebrate the launch of their new monograph – written by Graeme Brookerand with a foreword from Michael Marriott and Peter Higgins – Adam Brinkworth and Kevin Brennan discuss the award-winning practice ‘Brinkworth’ and chart how it has grown from a small workshop in East London into a globally renowned design and architecture studio, with clients ranging from Converse to All Saints.

Title: Dyslexia and Design
Time: 14.00 – 14.45

A high powered panel including designer Ab Rogers of ARD, product designer James Rokos, metal artist Simone ten Hompel and Cambridge University Educational researcherHelen Taylor will be discussing their dyslexia, looking at the impact it has had on their lives, their experience of the education system, and, ultimately, how it has enabled – rather than hindered – their careers.

Title: The Standard London: How the Capital Got its Hottest New Hotel
Time: 16.00 – 16.45

Housed in the former Camden Town Hall Annex a mere stone’s throw from the Everyman Cinema, The Standard London is the brand’s first hotel outside the US. It contains 266 rooms in 42 unique styles and has been described as ‘London’s hottest hotel open for 2019’. In a warm up to the Sleep & Eat show in November, Sleeper magazine’s editor Matthew Turner talks to some of the people that made it happen.

Friday 20 September

Title: Britain Can (Still) Make It
Time: 10.00 – 10.45

Speakers: Emily Johnson, Founder of high end ceramics company 1882; Joni Steiner, Founder of hi-tech furniture firm Open Desk; Furniture and Product Designer, Matthew Hilton and Richard Blackwell, Executive Director at Bisley

A panel discussion that looks at the future of British manufacturing, seeking to unpick the problems and the benefits of making things in this country and asking what role design can play, as well as pondering how technology is likely to disrupt the traditional model. Expect Brexit to be mentioned on at least one occasion.

Title: New Voices in Design
Time: 11.00 – 11.45

Organised in conjunction with Living Etc, this panel talk seeks to discover how new voices from diverse backgrounds can be encouraged into the design industry. It will include a combination of personal stories and policy ideas.

The panel promises to feature industrial ceramic designer and creative director ofThomas Goode, Peter Ting, as well as textile designer Eva Sonaike, Kevin Greenco-founder of STORE STORE and Ella Ritchie, director of Intoart, an art and design studio that works inclusively with people with learning difficulties.

Title: The Future: Design in Turbulent Times
Time: 12.00 – 12.45

Speakers: Central Saint Martins Graduates including Mael Henaff, Elissa Brunato, Benjamin Benmoyal and Graysha Audren.

A session of rapid fire presentations from recent graduates of Central Saint Martins, tying in with its show at the nearby Lethaby Gallery. What will the future of design look like? And what materials will we be using? Can design help society become both more sustainable and equitable?

This talk will be introduced by Carole Collet, Director at CSM LVMH Sustainable Innovation, and hosted by William Knight, former Deputy Director of the London Design Festival.

Title: Queer Culture and the City
Time: 14.00 – 14.45 

Renowned architect, designer and educator Nigel Coates discusses how LGBTQ culture has fundamentally changed – and will continue to transform – the shape of our cities. With Isabel Allen, editor-in-chief of the new architecture magazine, Citizen.

Title: Aperitif Book Club: Industrial Facility
Time: 16.00 – 16.45

To celebrate their recent Phaidon monograph, leading designers Sam Hecht and Kim Colin of Industrial Facility discuss the studio’s history, which has encompassed an array of projects from office furniture forHerman Miller to a spray watering can for Muji via lights for Wastberg and, of course the brilliant Branca chair for Mattiazzi.

This year’s talks programme has been curated by design, craft and architecture writer Grant Gibson.

Grant has been published in The Observer, New Statesman, The Guardian, Daily Telegraph, FRAME, Dwell, House & Garden amongst others.

During a long career in magazines, Grant has been editor of Blueprint, deputy editor of FX, and acting executive editor of the RIBA Journal. More recently he has been editor of Crafts and a contributing editor of the Dutch architecture title MARK. He was also the launch editor of the London Design Festival Guide and co-founded Real to Reel, the UK’s first film festival devoted to making and in 2019 he launched the critically acclaimed new podcast series Material Matters.

Hotel Designs is a proud media partner of designjunction. By using the code DJ700, readers of Hotel Designs are entitled a 50 per cent discount off tickets to designjunction, which takes place from September 19-22 in London… 

Main image credit: designjunction

A beautiful bathroom can also be an affordable bathroom, says Kaldewei

730 565 Hamish Kilburn
A beautiful bathroom can also be an affordable bathroom, says Kaldewei

From budget to luxurious, Kaldewei offers personalised bathroom planning solutions to suit any project…

Studies show that there is huge demand for personalised bathroom design. Ideally, we would all prefer to fit out our bathrooms to suit our personal tastes and needs, without compromising on quality. However, individual bathroom dreams can clash with the reality of higher costs that exceed our budget. Bathroom specialist Kaldewei shows that individual comfort and personal taste in the bathroom doesn’t have to be about money.

The manufacturer, offers attractive bathroom solutions to suit every pocket, from starter bathroom to superior comfort bathroom to luxury bathroom. All Kaldewei showers, baths and washbasins are made of superior steel enamel, making them extra long-lasting, sustainable and beautiful.

Kaldewei’s Cayono model family is the perfect solution for those who value quality and comfort when fitting out their bathroom but don’t want to overstretch theirbudget. Shower, washbasin and bath are available for as little as £1,785. It’s not only the design of Kaldewei bathroom solutions that is a highly attractive and perfectly coordinated. Comfort is key as well: walk-in access is a great advantage of the floor-level shower surface, the bath has plenty of space for up to two bathers, while the washbasin features Kaldewei’s easy-clean finish as standard. Thedistinctive “Made in Germany” quality and the longevity – reinforced with a 30-year guarantee – are additional benefits for builders and developers.

For those who want even more personalisation in their bathroom are well-advised to choose the coloured solutions from the Cono design family. The characteristics of this product family are the perfect interplay of clarity and calm, combined with a clean-lined look – ideal for discerning individuals who wish to make their bathroom into a space in which to relax body and mind. The built-in Conoduo bath with its minimalist lines and centrally-positioned steel enamel waste cover is not only an eye-catching feature in the bathroom but, thanks to its size and two ergonomic backrests, also the ideal place for two people to enjoy a relaxing bath together. To coordinate with the bath, we have the floor-level Conoflat shower surface: flat design with no tripping hazard. The rectangular Miena washbasin bowl goes perfectly with the Cono family bath and shower. The lightness of the Miena, a design icon, creates a distinctive accent in this trinity of products. For that added special touch opt for a dark matt shade from the exclusive Coordinated Colours Collection. The coloured Kaldewei bathroom solutions produce a highly distinctive ambience and elegant look in the bathroom. The trinity of bath, shower and washbasin in City- Anthracite matt is available for as little as £4,194.

Image caption/credit: Kaldewei Miena washbasin bowl, Conoflat shower surface, Conoduo bath, all in City- Anthracite matt from the Coordinated Colours Collection, total price approx. £4,194.

Time is precious. For those spending a lot of time in the bathroom and wanting to turn it into a luxurious personal sanctuary for regeneration are happy to invest more money in it. The ensemble designed by Anke Salomon, consisting of the freestanding Kaldewei Meisterstück Incava bath and the Miena washbasin bowls is a clear winner: the narrow bath rim and the conically shaped panelling lend the bath an especially light feel. This is mirrored in the delicate Miena washbasin bowls. Miena is a perfect example of how to harmoniously combine stable steel and elegant glass. The overall look of the room is rounded off by the floor-level Xetis shower surface which virtually disappears into the bathroom floor. Ultra seamless look: thanks to an integrated wall waste outlet, no waste cover in the floor detracts from the minimalist design of this jointless shower in XXL format. The Kaldewei bathroom solutions in this luxury bathroom cost around £10,263.

Kaldewei is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image caption/credit: Kaldewei Cayonoplan shower surface, wall-hung Puro washbasin, Cayono Duo bath: total price approx. £1,785.

INSIDE THE FACTORY WITH: Hamilton Litestat

730 565 Hamish Kilburn
INSIDE THE FACTORY WITH: Hamilton Litestat

Celebrating half a century of being the trusted, reliable and high-quality brand for switch plates and sockets, Hamilton Litestat’s is, without a doubt, an industry leader. The company’s Head of Marketing, Gavin Williams, invites editor Hamish Kilburn along to its headquarters in Bristol to share some of the tools behind its esteemed reputation and ongoing legacy… 

For more than 50 years, Hamilton Litestat, one of the first companies in the world to produce dimmable products and USB charging sockets, has been leading an innovative path.

Following large investment in both equipment and people – from the factory floor right through to the sales and marketing teams, the company remains one of the leading manufacturers for switch plates and sockets.

As a result of its ability to be ahead of the curve when it comes to product innovation without diluting the quality of its products, Hamilton has attracted and retained the attention of large chains such as IHG, Marriott, Millennium Hotels and Radisson among many others, as well as leading independent hotels.

Situated on the fringes of Bristol, the company’s headquarters, and workplace for over 100 employees, stands as an ever-evolving hub of innovation, technology and shelters a driving force that ships out roughly 200,000 products per month most of which are dispatched within 24 hours.

As the majority of hotels on the boards continue to strive to create more personal interiors, it is now more important than ever before for suppliers to offer a variety of products, all of which are stamped with the same quality – and no brand understands the value of this than Hamilton. “The interior designer is one of the key cogs in the chain,” said Gavin Williams, Head of Marketing at Hamilton Litestat. “Therefore, that has created a demand for adding a statement within fixtures and fittings.”

The factory itself is a well-operating formula balancing both practical facilities and creative break-out areas. The space on the ground floor has been designed to create a swift, seamless and free-flowing manufacturing process. The raw materials – metal and plastic sheets – are pressed on one side of the building using state-of-the-art technology. By laser cutting, one sheet takes an average of 30 minutes to cut, producing roughly 150 plates, which are then ready to be wired. This process, as well as the stringent quality control that follows, still to this day is carried out by a dedicated workforce.

“Quality is our number-one priority.” – Gavin Williams, Head of Marketing at Hamilton Litestat

If the lower level of the factory is where the components are cut and fitted together, then the upstairs is then reserved for innovation and fresh ideas. Housed inside a standalone chamber is the result one of Hamilton Litestat’s latest investments. Following popular demand and feedback gathered at international trade shows and from talking to loyal customers, the company has introduced its Paintable Range. With a new high-tech machine and colour expert to operate it, the company can now colour-match the products in the collection to replicate any tone or shade that an interior designer is working with. “Quality is our number-one priority,” says Williams. “So despite innovating, we will always over check the quality before releasing any product to the market. We have fantastic test facilities here in Bristol, which allows us to test the product continuously to and above the British standards.”

With lifestyle and people’s behaviour being a large factor and driver behind the launch of the company’s latest products, Hamilton Litestat’s headquarters also stages an area that assembles together new concepts. Inspired largely by trends – and in an effort to create a conversation with its customers – the product development team often share their vision on the company’s growing Instagram channel. “Having a full-time focus [on social media] allows us to follow trends, key words and connect with new clients from the many shows we attend,” adds Williams. “It also allows us to circulate in the wider world, engaging with perspective clients who would have otherwise never heard of us.”

With a reputation that spans across more than half a century for delivering quality products and a reliable service, Hamilton Litestat is equipped to handle almost any interior design brief. The company’s friendly team will be showcasing its breadth of products at upcoming trade shows, such as 100% Design, The Independent Hotel Show and Decorex International.

Hamilton Litestat is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: Hamilton Litestat

Checking In: Wyndham Grand Athens

730 565 Hamish Kilburn
Checking In: Wyndham Grand Athens

With unparalleled views casting over the ancient city below, Wyndham Grand Athens opened in 2017 to capture the city from a unique perspective. Editor Hamish Kilburn checks in two years later to explore just how timeless the interiors really are…

It seems to me that Greece – and Athens in particular – is a magnet this year for influencers – my Instagram feed for starters is bursting at the seams with the hashtag #VisitGreece. And so, like all consumers, slaves to the travel trends, I felt obliged to check in on the action to discover hotel design Greek style.

Despite the destination’s pockets of derelict and forgotten-in-time in places, Athens’ authentic charm amplifies through the streets and outwards towards the barefoot-luxury islands. And with a recent report published by GBR Consulting revealing that at least 40 new accommodation units (hotels and room-to-let properties) arrived in the city in the first half of this year, it seems as if my social media is, after all, an accurate tool for measuring travel hotspots.

With the vast number of archaeological sites dotted around – and the 5th Century BC landmarks – I would argue that a good place to start is up high, soaking in the establishing shot from a rooftop bar, which features panoramic views stretching from the ancient acropolis right through to the port of Piraeus. Luckily for me, and after the recommendation from the hotel group’s President and Managing Director, Wyndham Grand Athens offers all of this and more.

The hotel, which is the hotel group’s first property in Greece, is situated on Karaiskaki Place, an area that was once seen as an area to avoid for tourists. However, following a stream of newly opened art galleries, modern coffee shops and restaurants, it became one of the destination’s most up-and-coming neighborhoods – a reputation that Wyndham Hotels only strengthened when it arrived in 2017.

Zeus International transformed the building owned by VIOHALCO, which formerly housed the Hotel Athens Imperial. The now 276-key hotel shelters timeless and dynamic interiors, balancing a healthy mix of warm and sharp public spaces combined with calming guestrooms and suites.

Upon entering, guests are welcomed into a neutral yet inviting lobby, which leads up to FOS Restaurant on the ground floor. The interiors inside FOS, which is the Greek for ‘light’, create an appropriate scene. The contemporary F&B scene sits under a large chandelier that is suspended from an expansive floor-to-ceiling atrium.

From one unforgettable public area to another, located on the rooftop of the hotel is the Above Bar and Restaurant. Complete with unobstructed views over the acropolis, making it one of the best roof-top restaurants in the city, this area is quirky and relaxed. Blue, mustard, grey and black contemporary Enka furniture confidently contrast the geometric flooring, creating a strong mise en scéne for any scenario.

Adjacent to the subdued design-led restaurant and bar is a modest pool, which also captures the same Insta-worthy panoramic views over the city.

The majority of the 249 guestrooms and 27 suites include views over the city and the Acropolis or Lycabettus Hill. The interiors feature soft silvery-toned wallpaper with accents of colour in the furniture and soft furnishings and some include windows that wrap around the room, adding further natural light in.

Image credit: Marcelo Barbosa

The stripped-back modern décor of the guestrooms and suites continues in the marble bathrooms. The yellow glow in the suites’ furniture becomes a motif as it is also echoed on the soft reflective surface behind the wide bathroom mirror, creating an ambiance of subtle contemporary luxury.

Although Wyndham Grand Athens is not the latest hotel to emerge on the hotel design scene recently, it is certainly a strong example of how a design-led hotel can significantly lift a destination to become a major go-to travel hotspot.

Main image credit: Marcelo Barbosa

25Hours Hotels to debut in Italy in 2020

730 565 Hamish Kilburn
25Hours Hotels to debut in Italy in 2020

The hotel brand that focuses on individuality, authenticity and striking first impressions has just announced that the opening of 25hours Hotel Piazza San Paolino will mark the brand’s entrance into Italy… 

Irreverent, smart, and authentic, and always with design that starts with a compelling story, 25Hours Hotels will next year open what it is describing as a “first-of-its-kind 173-room hotel in Florence, Italy”. The hotel, which will be posited steps away from Piazza di Santa Maria Novella is slated to open in early summer 2020, unveiling daring interiors by Paola Navone and architecture by Genius Loci Architecture.

25hours Hotel Piazza San Paolino will celebrate the wanderings of the exiled Dante Alighieri, with The Divine Comedy as the basis for its storytelling.

While the local architecture firm will take care of renovating the three existing buildings and integrating them into a single complex, Navone will add her own creative hallmark to the hotel combining the traditional with the contemporary.

The listed group of buildings in the Tuscan capital spans an area of 10,750 square meters and will set a new standard for the neighborhood with plans to incorporate many Florentine businesses and local heroes.

25hours is a young hotel idea that seeks to find contemporary answers to the demands of urban, cosmopolitan travelers. The German-born brand focuses on individuality, authenticity and character, and designs each of its hotels in partnership with various designers and in a unique style, under the motto “Know one, know none”.The hotel brand currently operates 13 hotels in German-speaking countries as well as in Paris. 2020 will also see more openings: The 25hours Hotel Firenze and the 25hours Hotel Dubai. The 25hours Hotel Company formed a strategic alliance with AccorHotels in 2016, and now also pursues hotel projects around the globe.

Main image credit: Studio OTTO

Independent Hotel Show 2019 announces this year’s talks

730 565 Hamish Kilburn
Independent Hotel Show 2019 announces this year’s talks

Editor Hamish Kilburn will host The Conscious Bedroom Report on the Innovation Stage at Independent Hotel Show 2019, which takes place October 15 – 16… 

As proud a long-standing media partner, Hotel Designs, which recently lifted the lid on which trends will emerge during the event, shares this year’s major topics and sessions that will be explored during the Independent Hotel Show 2019, which takes place October 15 – 16 at Olympia London.

October 15

Innovation Stage

Title: The No Commission Mission, presented by eviivo
Time: 10:30am – 11:15am
Host: eviio
Description: Web tools have levelled the playing field for independent hoteliers when it comes to competing for bookings online, enabling savvy businesses to get more of their bookings direct and save on commission. However, with so many options available, how do you know which are the most effective and how can you ensure that your website is working as efficiently as possible? Ideal for: Owner-operators, Marketing Directors, Business Development

Title: The Conscious Bedroom Report 
Time: 11:30am – 12:10pm
Host: Hamish Kilburn (Hotel Designs)
Speakers Alex Harris (Harris & Harris), Olivia Richli (Heckfield Place), Sue Williams (Whatley Manor), Xenia zu Hohenlohe (Considerate Group)
Description: In line with the emerging trends of modern, environmentally savvy hotel guests, we’re introducing a futuristic and boundary pushing hotel room – The Conscious Bedroom. Here our panel will review the feasibility of this statement room and discuss the accompanying research piece to provide insight on capitalising on the thoughtful guest. Ideal for: Guest Relation Managers, Design Directors, Owner-operators

Three men on the Hotel Vision stage

Image caption: Editor Hamish Kilburn leading panel discussion entitled ‘Designing for Bleisure’ at Independent Hotel Show Amsterdam 2019

Title: Social Media 2020
Time: 12:40pm – 1:20pm
Host: Alison Battisby (Acocado Social)
Description: We all know the world of communication evolves rapidly, so join our session to explore what you need to know to make your social media impactful and economical in 2020. With plenty of best practice examples, we’ll delve in to chatbots, stories and the latest advice on influencers! Ideal for: Marketing Directors, Owner-operators, Sales Managers

Title: Unpacking the Wellness Traveller 
Time: 1:50pm – 2:30pm
Speakers: David Connell (South Lodge), Harry Cragoe (The Gallivant), Nadira Lalji (Inhabit Hotels), Rohaise Rose-Bristow (The Torridon)
Description: As travellers show an increasing desire to maintain a healthy lifestyle whether they’re at home, on a holiday, or on the road for business, catering for guest well-being can also lead to a healthier bottom line for you. Discover how to make wellness a revenue stream without having to open a spa, and learn how guest well-being and customer engagement are intrinsically linked.

Title: Discussing Design with SPACE 
Time: 3:00pm – 3:40pm
Speakers: Can Faik (SPACE Magazine), Russell Sage (Russell Sage Studio)

Hotel Vision Stage 

Title: Mental Health: Breaking the Taboo
Time: 11:00am – 11:40am
Speakers: TBC
Description: Long hours, high-pressure working environments and increasingly worrying statistics, and yet mental health continues to be a largely silent issue across the hospitality industry. Thankfully, people are starting to talk about their experiences. Join us as Mitch Collier recounts his own battle and recovery under the employment of Raymond Blanc OBE. Ideal for: HR Directors, General Managers, Owners-operators

Title: Hotel Dynasties 
Time: 12:00pm – 12:40pm
Speakers: Will Ashworth (Watergate Bay Hotel), Peter Hancock (Pride of Britain Hotels), Paul Milsom, (The Milsom Hotels)
Description: There’s no denying that family businesses carry with them a special essence, unique and distinct from competitors. So, whether you own a family-run hotel or not, make sure to be a part of the discussion, to get access to vital intel on how to create a family culture, gain trust and loyalty from your employees and build a strong company ethos. Ideal for: General Managers, Owners-operators, Front of House, Customer Service Staff

Title: Collaboration is Key: Building Successful Partnerships
Time: 1:00pm – 1:40pm
Speakers: Petra Clayton (Custard Communications), Laura Sharpe (Ham Yard Hotel), Chris Ward (Hotel Makers UK)
Description: Brand partnerships, that’s clever collabs with other like-minded businesses, are a valuable way to accelerate the growth of your brand and uncover lucrative new revenue streams. But how do you find the ‘best fit’ and work together to create value? Our panel will discuss the opportunities, so you’re pre-armed with strategies for your own hotel business. Ideal for: Marketing Directors, Owners-operators, Guest Relations Managers, General Managers

October 16

Innovation Stage

Title: How to Drive Direct Bookings, from those winning on the web
Time: 11:30 – 12:10pm
Speakers: TBC
Description: Our panel of industry experts will provide practical tips on exactly how to present yourself online to maximise your direct bookings, and pioneering hoteliers highlight how taking the theory and putting it in to practice really works. No jargon, nothing too techy, just stuff you can go back and do straight away!’ Ideal for: Owner-operators, Marketing Directors, Business Development

Title: The Dark Art of Digital
Time: 12:40 – 1:20pm
Speakers: Olivia Byrne (Eccleston Square Hotel), Julie Grieve (Criton), Steve Lowy (The Hotel Marketing Association)
Description: Hospitality has long been one of the most underserved industries in terms of digital transformation, but now is the time for change. Join our expert panel to unpick how the hotel industry is embracing new digital products and technologies; from AI and automation, to biometics and virtual concierges, this A-Z of opportunity is sure to leave you inspired. Best for: Marketing Directors, IT Directors, General Managers

Title: The Main Ingredients: Digesting the latest trends in F&B
Time: 1.50pm – 2.30pm
Speaker: Juan Diego
Description: With the dining sector facing its own struggles, it’s harder than ever for hotel restaurants to rustle up the winning formula. We’ll be exploring the top trends in food and drink for 2020, as well as the management styles and mindsets that can help hotel restaurants thrive in the modern age. Best for: F&B Directors, Restaurant Managers, Bar Managers, Marketing Directors

Hotel Vision Stage

Title: Community Business 
Time: 11:00 – 11:40am
Speakers: Nick Davies (Cottage in the Woods), Tim Holloway (The Manor at Sway), Julio Marques (The London Bridge Hotel)
Description: Owners and executives share how supporting and working with your local community can help you be an employer of choice, source talent nearby and support the local economy – and what to do when it backfires! Ideal for: Owners, General Managers, Heads of Operations, HR Professionals

Title: Company Culture
Time: 1:00pm – 1:40pm
Speakers: Liz McGivern (Red Carnation Hotels), Julia Murrell (Firmdale Hotels), Adam Rowledge (Rowledge Associates)
Description: New research by jobs website Glassdoor suggests most people believe a strong company culture will make them happier at work than earning a high salary. But if the solutions to the staffing crisis is as simple as having an engaged company culture, how do you actually creat and maintain one that works for your hotel? Ideal for: General Managers, HR Professionals, Heads of Department

Main image credit: Independent Hotel Show 2018

Sensitively carpeting Grade-I listed Hawkstone Hall Hotel

730 565 Hamish Kilburn
Sensitively carpeting Grade-I listed Hawkstone Hall Hotel

Brintons’ sensitive approach to hotel design was required when sensitively creating the timeless interiors inside Hawkstone Hall Hotel, a 37-key luxury abode that has emerged following a two-year restoration…

Grade-I listed 18th century Hawkstone Hall, which is owned by The Distinctly Hospitable Group, has been sympathetically restored over a two-year period and has now opened as a hotel for the first time in its 550-year history.

Located in the beautiful Shropshire countryside and set within 88 acres of gardens, the country mansion, which was originally built as a stately family home, features ceilings gilded with gold, sweeping staircases, four-poster suites and a private Chapel.

The Distinctly Hospitable Group decided to undertake a multi-million renovation of the building and re-open it as a luxury boutique hotel, with designer Kay Petrouis overseeing the renovation. The interior styling results at the newly- opened hotel have been breathtaking, Kay used an English heritage colour palette throughout the property to suit the listed period details and the Georgian manor has been restored to its original splendour, with many original features being reinstated.

The main hall hosts 12 sumptuous suites, all of which are named after British artists, writers, poets, and playwrights. Adjacent to the main building, The Orangery Wing has also undergone complete renovations, encompassing a further 25 bedrooms. Inside the rooms, colour tones mirror that of the main hall using the soft hues of duck-egg blue and calamine pink.

Jane Bradley-Bain, Brintons senior creative designer created bespoke, contemporary carpet designs for the Guest Suites within Hawkstone Hall featuring a warm grey and blue colour palette. The chosen designs capture the latest trend by taking a traditional design form and then giving it an abstract treatment to create a distressed classic elegance. Jane also developed a timeless classic motif design for the Library room using a cool neutral palette, the custom designs complement the sophisticated and contemporary interiors bringing a modern element that harmonises with the period of the building.

Amber Kashan from Brintons Renaissance stocked collection was selected by designer Nasim Köerting at Studio Köerting for the Byron Suite, the intricate large-scale design in bold, rich opulent colours is inspired by the golden age of Persian art and literature and compliments the mansions grand interiors. The design was also used in hotels bar area and snug.

“It was an absolute pleasure to design in a exceptional Grade-I listed building like Hawkstone Hall,” said Köerting. “We were able to create a real fairytale space. Brintons were flexible and could work within our building constraints like creating beautiful edged rugs to protect the original timber plank flooring.”

Traditional trellis patterns from Brintons QuickWeaveTM collection were chosen for key public areas including the Ceremony Room, corridors and reception, the trellis designs treated with texture provides a modern but contemporary feel.

The designs throughout the hotel vary, so each fitted carpet suits the specific finished space accordingly. Designs are classic patterns which harmonise with other interior surfaces and materials.

Main image credit: Aubadecreative

In Conversation With: Unidrain’s Kenneth Waaben on modern bathrooms

730 565 Hamish Kilburn
In Conversation With: Unidrain’s Kenneth Waaben on modern bathrooms

Hotel Designs exclusively sits down with innovative head designer at Unidrain, Kenneth Waaben, to understand more about the process behind the brand’s design of the modern bathroom… 

With the aim to “create aesthetic and functional designs that enhanced the company’s existing portfolio,” Kenneth Waaben started working for Unidrain in 2014. Since then, his clear methodical way of thinking when it comes to balancing practicality and good design has led to the launch of many of Unidrain’s hero products, including the dynamic Reframe Collection. 

For Waaben, who graduated from the Royal Danish Academy of Fine Arts, design is an iterative process that is based on a specific problem, as we find out in our exclusive Q&A.

Hamish Kilburn: What made you want to take on the challenge of designing for Unidrain?

Kenneth Waaben: In my view, good design has to be durable, a design that makes a difference, both aesthetically and functionally. Unidrain wished for products that stood out and solvedproblems in amore elegant and intelligent ways than other products in the market. I was able to design these products, so it was a fine match.

As a designer it is my mission to improve what already exists. Unfortunately, these days many new products are created with no real focus and are not designed to improving anything.

In these days of eco awareness and sustainability this is neither an interesting nor effective approach to product development. As a designer I feel we have to do everything we can to make a positive difference.

“One should dare to be critical of general practice, see possibilities and be open and brave enough to try new things.” – Kenneth Waaben, Unidrain

HK: What is your motto?

KW: Improve the existing – the devil is in the detail!  One should dare to be critical of general practice, see possibilities and be open and brave enough to try new things.

HK: What is the process behind your designs?

KW: I like to look at the things we use and find out where there is room for improvement, and then generate ideas around this.  It can be a challenge to connect the aesthetic with the functional. The process requires repeated tests and adjustments, it’s important to be aware of even the smallest details, since it is often these that make all the difference.

The road towards the goal, the actual design process, is to a great extent an iterative process where inspiration, the idea, the form and function is developed in a constant interactionbetween mind and hands.

It is all collaboration between drafts in 2D and 3D on paper and drafts shaped in cardboard and foam,as well as 3D printing and CAD. Through the entire process it is extremely important to use your experience and intuition.

HK: What was your most recent project?

KW: The Reframe Collection has been taking up my thoughts most recently.  One of the designs that have been under the design microscope is the Reframe corner shelf. I wanted to give new life to an everyday product, improve on the design.

Two other products in the Reframe Collection,the toilet brush and shower wiper, were also being re-framed and re-designed.    We looked at each item; the new toilet brush has been designed with a splash collar that eliminates the accumulationof bacteria between the inner and outer containers.

There is a small, integrated handle, so that you can easily empty the container without coming into contact with any bacteria.  The actual brush head has also been designed to collect as little water and paper as possible, to reduce unwanted dripping.

The shower wiper is a difficult product to keep tidy in the shower space so we designeda way of integrating the shower wiper with the soap shelf.  It is held in place by hidden magnets, which avoids having the wiper standing on the floor or hanging on the mixer tap.

HK: Do you design your products to be long lasting?

KW: Products have to be durable, this is important, plus time has proven that well-designed, long lasting products are also often the most popular.

As a designer, it’s important not to focus on what’s popular right now, as you risk designing a product that quickly becomes irrelevant.  It’s far more interesting to take a long-term approach. Many of the design products that are now celebrated around the world were often created many years ago and not on the basis of contemporary fads and trends.

Unidrain is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Hampton by Hilton becomes first hotel to adjoin famous racecourse

730 565 Hamish Kilburn
Hampton by Hilton becomes first hotel to adjoin famous racecourse

Hampton by Hilton Hamilton Park boasts rooms overlooking one of the most picturesque grounds in British horse racing…

Hampton by Hilton Hamilton Park has opened, unveiling 118 guestrooms located within Hamilton Park Racecourse, a five-star VisitScotland attraction, which is a significant part of Scotland’s racing heritage. The property, owned by Hamilton Park Racecourse and managed by Interstate Hotels & Resorts, will be the first hotel to adjoin the racecourse in its 90-year history.

With contemporary, comfortable and functional rooms offering panoramic views of Hamilton Park Racecourse, guests can watch over the excitement on the racetrack below in comfort and style. The hotel, situated just 10 miles from Glasgow city centre, also provides easy access to a range of shopping, entertainment and historical attractions in both cities. Travellers seeking a relaxing day can head to the nearby Strathclyde and Chatelherault Country Parks, while thrill seekers can visit M&D’s Theme Park, just a few miles away.

“Following a £10 million investment, Hampton by Hilton Hamilton Park opens its doors today, joining six existing Hampton by Hilton properties in Scotland,” said Simon Vincent, Executive Vice President and President, EMEA, Hilton. “We are delighted to offer visitors to Hamilton Park Racecourse a quality accommodation option on-site, becoming the first hotel to adjoin the racecourse in its 90-year history”.

Guests can enjoy Hampton’s signature hot breakfast, with complimentary tea and coffee, to gear up for the races. The property’s 24-hour bar and restaurant offers open views of the racecourse where groups can enjoy a cocktail or light meal without missing the action.

The hotel includes 57 “flex rooms” which are suitable for either three adults, or two adults with children. Guests can make use of the on-site 24-hour fitness centre, open daily from 6am until 10pm ,and enjoy complimentary Wi-Fi and 50-inch flat-screen HDTVs in every room. With complimentary parking and18 fully equipped function rooms within the racecourse, the hotel is also an excellent option for business travellers

Vivien Currie, Chief Executive at Hamilton Park Racecourse, said: “We are delighted to be delivering this landmark project at Hamilton Park Racecourse and are certain it will deliver substantial benefits to the wider economy as well as enhance the Racecourse’s reputation as a world-class sporting and hospitality attraction.”

“Hampton by Hilton’s unmatched, friendly and authentic customer service is backed by the brand’s 100% Hampton Guarantee™,” said Shruti Gandhi Buckley, global head, Hampton by Hilton. “Add to that our modern design and high quality amenities, guests of Hamilton Park will have an unbeatable stay experience.”

Hampton by Hilton Hamilton Park is part of Hilton Honors, the award-winning guest-loyalty program for Hilton’s 17 distinct hotel brands. Members who book directly have access to instant benefits, including a flexible payment slider that allows members to choose nearly any combination of Points and money to book a stay, an exclusive member discount, free standard Wi-Fi and the Hilton Honors mobile app. Book direct at Hilton.com, through the Hilton Honors app or through other official Hilton channels for more perks and a price match guarantee.

Main image credit: Hilton Hotels

SNEAK PEEK: B3 Designers lifts the lid on The Prince Akatoki Hotel London

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SNEAK PEEK: B3 Designers lifts the lid on The Prince Akatoki Hotel London

London-based hospitality interior design specialist B3 Designers is heading towards the finish line of completing the interiors for The Prince Akatoki London, a new hotel located on Great Cumberland Place near Marble Arch…

Opening mid-September, The Prince Akatoki London’s newly designed spaces include 82 guestrooms and suites, a reception and sanctuary, a communal workspace for hotel guests, a Japanese restaurant featuring a sushi counter and robata grill, as well as a lounge and bar offering a tea ceremony room by day and a whiskey bar by night.

The Japanese-owned Prince Akatoki London, the first of its kind, will bring Japanese luxury design and hospitality to the heart of the West End, and this will be reflected in the design throughout the entire hotel. The brief to B3 Designers was to create spaces that encourage guests to relax and recharge in a light, tranquil, mindful and minimalist environment that champions Japanese craftsmanship and unparalleled attention to detail.

B3 Designers has fused quintessentially Japanese touchpoints into its minimalist and modern design to enhance and complete a luxury Japanese experience. The team has drawn inspiration from well-crafted simple joinery details, and has applied a strong use of natural materials, muted and light yet durable fabrics, crafted but modern seating, sleek metallic lighting, modern ceramics with rustic touches, and abundant use of stone and slate.

Image credit: B3 Designers/The Prince Akatoki London

The look and feel of the bedrooms, hotel reception and sanctuary (located adjacent to the reception) evoke a sense of calm through the use of lighter-coloured, fresh and tranquil materials. The use of decorative panels featuring Japanese landscapes, whether dark or light, help guests enjoy a unique, refined incarnation of Japanese hospitality and culture in the heart on London.

The destinational public spaces including the restaurant and a tea ceremony room that transforms into a whiskey bar for evening guests, flaunt a darker colour palette yet still boast natural, well-crafted materials.

The hotel is currently gearing up for its official unveiling, which is slated to take place next month.

Main image credit: B3 Designers/The Prince Akatoki London

CASE STUDY: Furnishing Hard Rock Hotel London

730 565 Hamish Kilburn
CASE STUDY: Furnishing Hard Rock Hotel London

Curtis Furniture explains its role on the first ever Hard Rock Hotel in the UK to bring the brand back to its British London roots…

When Curtis Furniture was tasked to work on the UK’s first ever Hard Rock Hotel, we had to understand the heightened importance of accuracy in order to bring to life the designer’s vision. Key to this was our ability to clarify accurately the requirements in advance, working as partners to the architects, Unwin Jones Partnership as we developed an on-site sample room and rolled this out through the whole hotel.

Benjamin Harvey, Category Buyer at glh Hotels explains: “Shipping supplies from outside the UK carries a risk to the quality of materials and timings of deliveries. To avoid these risks, we wanted to select a British Manufacturer, and Curtis are one of the few with the capacity to supply bespoke case goods for 1,000 rooms over a 12-month project.

Our relationship with them goes back more than 20 years. We needed to choose an expert partner we could trust to turn around the room refurbishments in a timely manner and with minimal disruption, as the hotel remained fully operational throughout.”

“The newly refurbished rooms buzz with the energy associated with the Hard Rock brand.”

Ultimately the success of the project was due to the accuracy and quality of materials supplied by a responsive, client-focused team. The newly refurbished rooms buzz with the energy associated with the Hard Rock brand. Hard Rock Hotel London is no longer simply somewhere to stay while experiencing all that London has to offer, it is now part of the London experience.

Main image credit: Hard Rock Hotel London/ ROBERTO LARA PHOTOGRAPHY

In Conversation With: Versa’s Paul Gibson on sustainable wallcoverings in EMEA hotels

730 565 Hamish Kilburn
In Conversation With: Versa’s Paul Gibson on sustainable wallcoverings in EMEA hotels

As part of its expansion plans for 2019 and beyond, Versa Wallcovering has recently turned up the volume in amplifying its products in Europe. Hotel Designs editor Hamish Kilburn sits down with the company’s new Business Development Manager (EMEA), Paul Gibson, to understand more about his vision and the latest sustainable wallcovering products on the market… 

Having worked with the likes of Marriott International, Hilton Hotels, IHG and Four Seasons, among many other brands, Versa Wallcovering is currently at a crossroads in its journey. Known in the US as one of the go-to contract surface brands, it has recently added a new element within in its strategy in order to expand in the Europe, Middle East and Africa (EMEA).

The individual who has been tasked to direct the traffic forwards in the EMEA regions is Paul Gibson. With more 15 years’ experience in the sector, Gibson is, in Versa Wallcovering’s eyes, the ideal industry expert for the job. “This is very much a clean page for Versa,” he says. “The company has always had an element of a presence in the UK through distribution, but they decided about a year ago to do a full-on sales attack in Europe.”

What seems to set the company aside from other conventional wallcovering brands is its sustainability qualities – not only in designing durable products that are built to last but also considering materials at manufacturing stages. “We have the technology to recycle and recover used vinyl and factory waste,” explains Gibson. “We cover it to be used in new products, which is a completely unique process. We have a range called Second Look, which is created using recycled materials. There are recycled materials in all of our products with no sacrifice in appearance, durability and quality. The other thing we have launching later this year is a PVC-free vinyl.”

Image caption: Paul Gibson, Versa Wallcovering’s Business Development Manager (EMEA),

Quick-fire round

Hamish Kilburn: A trend you hope to never return?
Paul Gibson: Artex on walls. It’s hideous.

HK: What is the wallcoverings market as a whole really focusing on at the moment?
G: I want to say sustainability, but more needs to be done first. I guess innovation of design.

HK: Where’s next on your travel bucket list?
PG: Tokyo

HK: What is the number-one item you can’t travel without?
PG: My phone

HK: What’s the last transaction that will show up on your statement?
PG: Probably an ITunes download, or coffee!

HK: How has technology changed since you entered the market?
PG: I started in 2004, and there were silk vinyl copies that were plastic and shiny and it didn’t look real. Now, you can’t really tell the difference because they are so realistic. Just how far tech has come in a relatively short period of time is incredible.

One area in the hotel that benefits more than others from innovative and creative wallcoverings is the lobby – and a fairly simple way to give these public areas personality is to inject colour in them. “The days of having one tone of colour on a vinyl are almost over,” explains Gibson. “We have a very sophisticated printing process where we can print multiple layers.

“What people couldn’t achieve a few years ago they now can because tech allows them to. Digital wallcoverings is now moving more towards achieving more intricate detailed. Now are using digital printing methods in standard wallcoverings where we can print on a texture or print over a colour to create more varied effects.”

Versa Wallcovering’s latest collection, which includes Caba, Capri and Crush, is proof in the pudding that the company’s focus remains on hotels within all levels and its inspiration comes from nature – think stones, peacocks and floral aesthetics but with a modern twist. “Our design team are very good at looking outside our direct industry for inspiration is key,” adds Gibson. “They are visionaries who are thinking outside the box and I am very proud of the new collection that has been a result of that method.”

Keeping brand values close to home, the company’s ‘everything we sell, we manufacture’ policy keeps its products and service seamless and absolute. In addition, and as an incentive for designers to select more sustainable products at affordable costs, Versa Wallcovering promises competitive prices and endeavours to deliver samples the next day (where possible even same day).

Now that Versa Wallcovering has turned the page to enter a new chapter on a prosperous journey, its global reach of eco-sourced products has inspired designers, architects, owners and operators to think more about the materials used when designing the hotels of our future.

Versa Wallcovering is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Franklite is the only UK company that is equipped to offer complete photometric files – and here’s why

730 565 Hamish Kilburn
Franklite is the only UK company that is equipped to offer complete photometric files – and here’s why

Franklite, which believes it has the product to fit any lighting requirement, also one of the very few decorative and soft commercial lighting companies that has their own photometer and spectrometer and the only UK company which owns a Rigo 801-1500 near-field Goniophotometer – a cutting edge device used for measurement of light emitted from an object at different angles.

This investment now enables the company to offer complete photometric files compatible with designer’ssoftware in ELUMDAT .(ltd) and IESNA (.ies) formats.

Wojciech Miller, Franklites Technical Specialist states: ‘The Photometer allows us to gather information about the quality and quantity of light being produced by our luminaires. By utilizing this information, we are able to design and produce quality lighting products which also offer excellent energy saving credentials. In recent years lighting technology has evolved at a tremendous pace and with this investment it enablesFranklite to lead the field.”

Franklite is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

PRODUCT WATCH: Laufen launches contemporary Moderna range

730 565 Hamish Kilburn
PRODUCT WATCH: Laufen launches contemporary Moderna range

The new Moderna bathroom collection from Lauren, designed by Peter Wirz, is the epitome of contemporary design, a stylish range that places functionality at its heart…

Laufen’s new Moderna range gives a timeless, minimalist look, in the best Swiss design tradition. Created by Swiss designer Peter Wirz, Moderna combines practicality with perfect contouring to ensure it is accessible to all bathroom décors.

The exceptionally high-quality finish of the Moderna collection delivers a bathroom with a luxurious feel whilst ensuring the range is also excellent value for money.

When paired with the Moderna furniture series and the new Laurin brassware range, Moderna’s strong character is evident, with its expressive furniture contrasting the wonderfully clear and gentle lines to create a style statement.

“The characteristic features of this successful bathroom are honesty, reliability, independence, paired with high functional values – traditional Swiss design approaches that contribute to the foundations of timeless design,” said Peter Wirz.

The intentionally minimalist range consists of a selection of washbasins and vanity units that can be flexibly adapted to suit the bathroom space. The furniture is available in a selection of colours including Ash Honey, Dark Oak, Matt White and High Gloss White, to please across all aspects. Complemented with the Laufen Pro and Palace range WC’s this versatile collection maintains a sophisticated design to create a pleasant, well-ordered atmosphere in the bathroom.

Laufen is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: Laufen

Blackpool Pleasure Beach welcomes new luxury hotel

730 565 Hamish Kilburn
Blackpool Pleasure Beach welcomes new luxury hotel

Boulevard Hotel is expected to be a game changer luxury hotel that is about to arrive on Pleasure Beach in Blackpool… 

The entertainment capital of the north west – AKA Blackpool – is about to add a new luxury hotel to the mix as part of a multi-million pound investment plan to reinforce the destination’s reputation as one of the UK’s most popular attractions. Situated on Ocean Boulevard, adjacent to iconic beaches, Boulevard Hotel is on the brink of opening its luxury offering.

With architecture by Allison Pike, the £12 million Boulevard Hotel comprises 120 stylish rooms designed by Amanda Thompson OBE, Managing Director of Blackpool Pleasure Beach. Accommodation offering will include eight junior suites, two park view suites and eight coastal suites, all with either coastal vistas or direct views of the attractions and rollercoasters – perfect for building the excitement.All boast bespoke artwork complemented by materials sourced from renowned British companies, including handmade furniture by Tetrad, Designers Guild fabrics and wallcoverings by Andrew Martin.

This superior accommodation will be complemented by a 90-seat signature restaurant, The Beachside, which uses locally sourced ingredients to create an array of exquisite dishes from around the globe.

“We are delighted to be able to build on the success of the Big Blue Hotel by offering both leisure and business visitors another hotel which exceeds all expectations,” said Thompson OBE. “This is a continuation of Blackpool Pleasure Beach’s ongoing investment and a pivotal moment for the town as a whole. We are proud to be at the very heart of a transformation that will see Blackpool become one of the UK’s most exciting resorts.”

The hotel is the latest addition to the Blackpool Pleasure Beach accommodation offering, which also includes the adjacent award-winning Big Blue Hotel. Both these properties are part of the Blackpool Pleasure Beach portfolio which has been operated by the Thompson family since the resort’s inception in 1896.

Main image credit: Boulevard Hotels

 

PRODUCT WATCH: Criterion from Chelsom

730 565 Hamish Kilburn
PRODUCT WATCH: Criterion from Chelsom

Criterion from Chelsom is one of the signature ranges from the lighting company’s latest collection, Edition 26…

Last year, Chelsom presented to the world, Edition 26, an innovate range of elegant contemporary fittings with timeless appeal that would be an impressive addition to a wide variety of interior schemes. Among the products launched was Criterion, a classic and stylish wall and ceiling lighting option suitable for many, if not all, hospitality scenes.

Available as part of a wider collection of coordinated wall and bathroom lighting, the Criterion ceiling fittings feature dimmable integral LED light sources which sparkle and refract through individual solid clear glass rods creating a striking light effect. Faux alabaster acrylic bottom diffusers create softly diffused downlight. The range is available in Polished Brass and Polished Chrome as standard with special finish options available on request for orders of over 50 pieces.

Chelsom is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: Chelsom

London to welcome ‘private members’ club’ hotel in 2020

730 565 Hamish Kilburn
London to welcome ‘private members’ club’ hotel in 2020

Slated to open in Q1 of 2020, The Guardsman is a purpose-built luxury London boutique hotel that is expected to offer the atmosphere, discretion and personal service usually associated with a private members’ club…

Presenting guests with what is being described as “a true home away from home experience”, the 53-key The Guardsman, which will sit on Buckingham Gate, London, and is being designed by architects Dexter Moren Associates and multi-disciplinary design practice Tonik Associates.

The hotel will be sheltered in an intimate property said to cut the same style and atmosphere as that of a private members’ club. The top three floors will encompass six exclusive residences. Designed as the perfect London pied-a-terre, they comprise a selection of one, two and three bedrooms, along with sumptuous living spaces, dining areas and fully fitted kitchens. The Penthouse has a wraparound terrace, whilst two other residences feature a more expansive outdoor space with planting and seating.

The hotel is set amongst some of London’s most historic and prestigiouslandmarks. The Houses of Parliament and Buckingham Palace are both a short walk away, while the neighbourhood has been the seat of government for a thousand years. The hotel extends down the quieter, more hidden, Vandon Street, giving the impression of a sanctuary.

Image credit: Shiva Hotels

From the moment guests arrive, they will instantly be made to feel at home by the discrete yet attentive service. Along with their choice of rooms or residences, they can request their preferred brand of drinks, menu items or bathroom products, all of which will be prepared ready for their arrival. The hotel has an unmistakably British feel that befits such a prestigious address. Interiors are contemporary and relaxed, complemented by a few carefully chosen, classic and sometimes quirky embellishments.

Meanwhile, bespoke furniture will fill the intimate public spaces and curated art adorns the walls. The individually styled bedrooms are exceptionally comfortable. Meticulously considered interior design and clever use of space ensure each room feels spacious, whilst flourishes such as custom-made furnishings and free-standing baths combine with more classic features like herringbone parquet flooring to continue the unmistakably British feel. State-of-the-art integrated televisions and speakers with Chromecast ensure all travellers’ technological needs are met.

Plush snug area

Image credit: Shiva Hotels

The spaces for dining and socialising are set over two levels, perfect for relaxing, reading, small gatherings or enjoying the carefully selected whiskeys and spirits as well as a sommelier curated wine list.

At the core of the hotel’s personality is the exquisite restaurant, open to residents and their guests only. Although a few select dishes will always be available, menus are developed daily from seasonal produce sourced from carefully selected purveyors, London markets and organic farms. The kitchen will be open all day, and room service will be available around the clock.

The Guardsman is owned and operated by Shiva Hotels and represents a new direction in this market for the group. “The Guardsman is designed for those who want the tailored, personal experience offered by a club, the flexibility and luxury of a hotel and the comfort and familiarity of a home,” said Rishi Sachdev, Managing Director, Shiva Hotels. “It will also have a conscience, wherever possible putting both its people and the environment at the centre of its decisions.”

Main image credit: Shiva Hotels

 

Is this the most instagrammable hotel in Barcelona?

730 565 Hamish Kilburn
Is this the most instagrammable hotel in Barcelona?

During August Hotel Designs is shining the Spotlight On Hotel Concepts. The editorial team believe that Hotel Arts Barcelona has all the ingredients in the mix to be Barcelona’s most instagrammable hotel. It’s a bold statement, but here’s why…

Exclusive and indulgent, the 28 penthouses at the top of the tallest building in Barcelona give guests a behind-the-scenes experience to those photos on Instagram – where luxury is the bare minimum. Beneath them, is the entrance of a hotel that has been designed around essence of wellness and wellbeing.

Iconic design, incredible culinary experiences and the sparkling Mediterranean are what draw visitors to Barcelona, Spain. These elements are also what attract luxury travelers to Hotel Arts Barcelona. Towering 44 floors above the sea, the 5-star hotel is a striking tower of blue glass and steel with beautifully designed accommodations, a two Michelin-star restaurant and spaces, including a rooftop spa and two outdoor pools, that overlook the sea.

Beautifully curated by world-renowned Catalonian designer Jaime Tresserra, the penthouses display unforgettable wraparound views over the city and the Azur of the Mediterranean beyond, making Hotel Arts Barcelona an unmistakable icon of Catalonia’s capital.

The hotel has been designed to evoke a certain wellness ambiance to shelter a collection of Insta-worthy and bespoke experiences including private cocktail mixology classes by highly acclaimed mixologist and high-end cuisine. From bright sunrises to soft pink sunsets, guests of the Royal, Presidential, Barcelona or Arts Penthouse can also book expertly taught, mindful yoga classes or have the professional therapists from the hotel’s 43 The Spa set up terrace massages for Natura Bissé spa treatments paired with undoubtedly Europe’s finest views.

Each Penthouse also features indulgent Bvlgari amenities, daily personalised breakfasts and personal use of a MINI Cooper Cabrio. Unparalleled service throughout, combined with dynamic design, the Penthouses boast exclusive check-ins as well as dedicated, multilingual butlers and magnificent flower arrangements by celebrity florist Donna Stain.

Main image credit: Hotel Arts Barcelona

THE BRIT LIST 2019: Last chance to claim early bird tickets

730 565 Hamish Kilburn
THE BRIT LIST 2019: Last chance to claim early bird tickets

Early bird tickets for The Brit List 2019 Awards, which takes place on November 21 at Patch East London, expire on August 4…

There are just two days left in order to claim your early bird tickets to The Brit List 2019 Awards. Hotel Designs’ annual awards, which as well as recognising individual winners also lists the top 75 influencers who are operating in Britain on the hotel design and hospitality scene. The awards evening takes place on November 21 at Patch East London.

Click here to purchase your tickets

The concept of The Brit List, which launched in 2017, results in 75 names, split into three categories (designers, architects and hoteliers), being listed as true movers and shakers. The list will be created around the nominations (applications close on August 9) from the following awards that are up for grabs:

  • Interior Designer of the Year
  • Architect of the Year
  • Hotelier of the Year
  • Best in Tech
  • The Eco Award 
  • Best in British Product Design – NEW CATEGORY FOR 2019
  • Outstanding Contribution to the Hospitality Industry

Suppliers: £99 + VAT (£150 + VAT after early bird offer expires after August 4)
Designers, hoteliers, developers and architects: £10 + VAT (£20 + VAT after early bird offer expires after August 4)

Please click here if you are a supplier to the industry to secure your ticket NOW!

Please click here if you are either a designer, hotelier, developer or architect and secure your ticket NOW!

In addition to attending The Brit List 2019 Awards, there are also various sponsorship opportunities for suppliers. If you would like to know more about these, please contact Katy Phillips on email or by calling 01992 474050.

Headline Partner: Crosswater

 

Event Partner: Hamilton Litestat

2019 Industry Partner: BIID

In Conversation With: Fashion designer Jack Irving

730 565 Hamish Kilburn
In Conversation With: Fashion designer Jack Irving

Having previously designed statement outfits for many international music and fashion icons, Jack Irving’s alternative style has recently spilled out onto the hotel design scene. Editor Hamish Kilburn joins the fashion designer, in between photoshoots, to understand how two worlds have recently collided…

The brand ‘Jack Irving Studio’ and the creative man behind the logo are two very different things. One is bold, disobedient and you would expect – almost encourage – to cause an outrageous impression in almost any social scenario.

The other orders a lemonade on a hazy Thursday afternoon at a media interview as he catches his breath between work engagements. Opposites do attract, after all.

Made famous by creating outlandish outfits for the likes of Lady Gaga and The Spice Girls for their come-back tour, the talented story-telling designer, Jack Irving, made his mark on the fashion industry by producing items that infused glamour and engineered technology.

His innovative work recently emerged on my radar when he unveiled the result of a collaboration with W London Leicester Square, which has been the designer’s first interior design project to date. “The idea of working with W Hotels was mentioned to us at Pride London last year,” says Irving. “But it wasn’t until November, following my first show at the V&A, when we met the team to really discuss what we could do together.”

Fashion shoot of models on bed with cushion

Image credit: Charlotte Rutherford

Presented by a loose brief to bring a flavour of ‘Jack Irving’ into the hotel, it became clear that that the W brand was willing to give the designer the creative reins in order to produce a statement piece for their newly designed guestrooms and suites. “They wanted a replacement for the current cushions and bed throw that met brand standards,” he explains. “The bed, for us, became the canvas.”

One month after the brief was given, Irving pitched what he explained at the time to the client as a ‘crazy tech idea’ for the concept of new cushions. He wanted the items to be inspired his signature sea urchin style, which became famous by his work with Lady Gaga. Irving then wanted to make the interiors more instagrammable. The spiked pillows’ fabric would appear muted to the naked eye until they are brought to life through the click of a camera flash. Through the lens, the smart fabric would transform into an iridescent masterpiece. “To be honest, we were hesitant as to whether or not the client would see our vision,” explains the designer. “What we pitched was as far away from convention as we could have gone.”

Irving and his partner (in life as well as well as in business), Rhys Beynon, received a call from the client while they were on a yoga retreat in Goa over Christmas 2018. “They wanted to see prototypes the first week of January,” Irving explains. “At this point, the pressure for us was on to meet the deadline.”

QUICK-FIRE ROUND

Hamish Kilburn: What would a Jack Irving guestroom look like if you were to design it?
Jack Irving: It would be ridiculous – think sea urchin chairs and UFO beds. I also have the idea to design a Chesterfield sofa in the rainbow smart material.

HK: What’s been the most challenging part going from fashion to interiors?
JI: It hasn’t actually been that challenging because W Hotels were so on board with our idea.

HK: Where’s next on your travel bucket list?
JI: New Zealand and LA!

HK: How do you switch off from work?
JI: Both Rhys and I are really into techno. Oddly, it’s become our sanctuary.

HK: What’s your biggest bugbear when checking in to a conventional hotel?
JI: When hotels don’t stay in their lane.

HK: What materials are really inspiring you at the moment?
JI: For me, smart fabrics and metallic fabrics are really fun to play around with. I want to experiment more with the manufacturing of the material we have been using. That being said, you can’t rely on the fabric. The shape and structure is just as important.

Models on bed with cushion

Image credit: Charlotte Rutherford

With time depleting by the day, and with fabric supplies on order to be delivered when they returned home from India, the next challenge was to secure a manufacturer. “The word ‘impossible’ landed in our inbox a few times,” explains Irving. “We did receive a lot of kickback at this stage from manufacturers, mainly because of the demand and the order size.” Undeterred, Irving and Beynon’s ‘when there’s a will there’s a way’ approach led them both to source the materials themselves to prove that it could be done. “I remember sitting on the beach with Rhys making a cardboard model of the cushion,” says Irving. “It’s one thing drawing the design, but it becomes very real when designing a 3D model.”

As well as the shape of the accessory being unconventional, so too was the material that designer decided to work with. “We call it rainbow smart fabric,” he explains. “We were worried that it would look to synthentic when not lit up, but in reality it was the perfect material to use for creating that contrast.”

As with all creative projects at pitch stage, there is an air of uncertainty, especially when it comes to unveiling to clients a prototype as futuristic as this one. “I was terrified when it came to pitching because you just don’t know how it’s going to go,” admits Irving. “We hadn’t seen the new rooms that our statement accessories would sit in, so it could have gone either way, as these things often do. But they loved it, and the second prototype we made on the beach in Goa over Christmas became the product that’s in the W London today.”

Irving’s interior design work for W Hotels may be just a dip in the ocean for now, but the designer’s ability to disrupt convention through the use of innovative materials and shapes unquestionably makes him a true innovator on the international hotel design scene.

Main image credit: Jack Irving Studio

NEW FOR DESIGNERS & HOTELIERS: Bisque debuts new online platform

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NEW FOR DESIGNERS & HOTELIERS: Bisque debuts new online platform

Pioneering British design brand Bisque has announced a new online platform for interior designers, specifiers and architects…

A new section of Bisque’s website has been developed specifically to cater to the demands of designers, specifiers and architects in order to provide this audience with all the information it may need to specify Bisque products in new projects and developments.

For more than 40 years, Bisque has been the brand of choice for interior designers thanks to its class-leading selection of designer radiators. In fact, Bisque has been specified in a wide range of projects, from big budget hotels to independent, boutique outlets. These include the The Savoy, Shrangi-La at the Shard and Chewton Glen. Whatsmore, Bisque is also an accredited partner of SBID, the Society of British Interior Designers, founded by Vanessa Brady OBE, who was also a judge for The Brit List 2017.

“For a long time Bisque has enjoyed fruitful relationships with some of the UK’s finest interior designers, from both established names to up-and-coming talent,” explained Brand leader Ellie Sawdy. “The launch of this new section on our website signifies our ongoing commitment to providing designers with all they need to specify our products, and make the entire process as seamless as possible.”

Bisque provides a range of services for interior designers, which can be accessed via the new platform. This includes: an online resource library with downloadable images and CAD files, bespoke sizes and finishes, bespoke brackets and fittings, and a dedicated technical service team to assist throughout the entire process, from design to installation.

Main image credit: Designer – Edwina Boase/Bisque

 

HOTEL CONCEPT: Cliff-hanging hotel on the boards

730 565 Hamish Kilburn
HOTEL CONCEPT: Cliff-hanging hotel on the boards

A spectacular architecture concept has emerged from a Turkish architectural design studio showing plans for a luxury boutique hotel to be built into a cliff…

Istanbul-based Architecture firm Hayri Atak Architectural Design Studio. has released the first renders of a new project that shows a luxury hotel built into the side of a 2000-foor cliff in Norway. The concept would be constructed to blend into the natural surroundings with the exception of a statement pool that would extend over the edge of the cliff edge.

The hotel that is currently on the boards is proposed to be built directly into the rock within the cliff and would spread out over five levels. Straying from convention, guests would enter the hotel from the top level, which will be shared by a large viewing platform. The three floors underneath would shelter the guestrooms and suites. Each floor would have its own curved balcony, taking full use of the panoramic views own offer.

Pushing the boundaries of design and architecture, the firm’s renders shows an instagrammable narrow pool, which is arguably the most striking feature of the property. The pool, which extends out from the cliff on the lower lever, is complete with translucent sides and bottom in order to create a totally unmatched experience.

Although there is yet to be confirmation as to whether the hotel will ever be built, it raises some interesting questions around the landscape of hotel design, its boundaries and most importantly, the possibilities to blend together nature and architecture in designing future hotels.

Main image credit: Cover Images/Hayri Atak Architectural Design Studio

 

Soft and loose luxury interiors

Aparthotels Adagio announces to quadruple UK portfolio

730 565 Hamish Kilburn
Aparthotels Adagio announces to quadruple UK portfolio

Aparthotels Adagio has announced major plans for UK expansion, with plans to quadruple its UK portfolio over the next four years…

Aparthotels Adagio will strengthen its presence in central locations across the UK, with a new opening planned in Leicester by the end of 2019. Other openings in the planning stages include a complex of 136 apartments in Stratford, London scheduled to open in 2020 and a 162 apartment premise in Saint Enoch, Glasgow in 2021.

Soft and loose luxury interiors

The brands latest signing will be located in Whitechapel, London in the heart of the historic East End and will open its doors in 2021.

Adagio Whitechapel will have 147 apartments; made up of 112 studios and 35 apartments comprised of two connecting rooms, all featuring a modern and innovative design. For optimal comfort, the new communal areas will benefit from one of the latest Adagio concept “The Circle”, which transforms the public spaces based on customer desire and usage.

“The market for aparthotels in the UK and Ireland is booming, both from an investor and a customer perspective,” said Karim Malak, CEO of Adagio. “Consolidating Adagio Aparthotel’s growing position in the region is key in our ambitious global development strategy. To achieve our goal of quadrupling the number of aparthotels by 2023, we have hired new talent locally.”

The planned expansion reflects the strengthening of Aparthotels Adagio’s presence in Europe and worldwide. By the end of 2019 the brand will have 115 aparthotels worldwide, representing more than 13,000 apartments in 13 countries. By 2023, the brand plans to manage a total of 220 assets, consolidating its leading position in the aparthotels sector.

Main image credit: Adagio

16th century shell transforms to open modern boutique design hotel

730 565 Hamish Kilburn
16th century shell transforms to open modern boutique design hotel

The in-house design team at IHG, construction firm Stepnell and architecture practice Hitchman Stone Partnership have together completed a £13.2 million restoration projects on a Grade II listed building, which now sheltered the boutique 93-key Hotel Indigo Stratford-Upon-Avon

Located in the heart of Shakespeare’s birthplace, a three-storey Grade II listed building, which dates back to the 16th century, now shelters Hotel Indigo Stratford-Upon-Avon.

“It is a truly unique site, our first Hotel Indigo in a town, and what a town,” says Henry Reeve, Director of Interior Design at IHG. “We could not have picked a better site.”

Hotel Indigo Stratford-upon-Avon, formerly known as The Falcon Hotel, has upgraded its internal facilities whilst preserving the heritage of its historic exterior during a comprehensive refurbishment. “It’s been amazing to work on such an interesting project, helping to preserve a piece of history that can be enjoyed by the public,” adds Paul Fish, operations manager at Stepnell. “The work was incredibly specialist from a refurbishment perspective, so we had a real sense of achievement upon completion.”

Exterior shot of hotel

Image credit: IHG

Plans were originally laid out to refurbish the roof, but the job quickly grew in size when it was found to be beyond repair and had to be removed entirely, along with the internal plastering which was reinstated by a specialist company. Measures were also taken to preserve and replace the external beams and timber flooring in a bid to protect to the hotel’s defining features.

“We used bold contemporary botanics to reflect the surrounding flora and add a punch of drama.” – Henry Reeve, Director of Interior Design at IHG

Fish added: “We faced a few challenges during the build regarding conservation and access to the site due to the historic nature of the hotel, but the team managed to push forward with the works and the outcome is truly stunning.”

The traditional timber build is now complemented by a contemporary interior and lavish decor to give guests a unique boutique hotel experience, with three style of rooms to choose from, including the Tudor room, Georgian townhouse and contemporary rooms. The hotel features 65 custom axminster rugs and 10 luxurious hand tufted rugs supplied by Brintons that are showcased in guest rooms and public areas.”Pattern and colour is reflective of the English countryside, deep rich greens and autumnal browns work together to create a space that feels instantly comfortable, familiar and welcoming,” explains Reeve. “We used bold contemporary botanics to reflect the surrounding flora and add a punch of drama and of course as it’s Hotel Indigo we have some perhaps surprising detailing hidden across the site.”

Beautiful bar area with aimless interiors

Image credit: IHG

Newly equipped with a state-of-the-art gym, a private dining room, snug lounge, cocktail bar and modern meeting rooms, the hotel also offers a luxury dining experience for its guests. The Woodsman Restaurant has been created by restaurateur and chef Mike Robinson who has the only Michelin star pub in London. The Woodsman’s focus is on sustainable, wild British food, cooked over charcoal and wood. Customers can sit and eat delicious local produce while watching the chefs work their magic.

With the aim to bring a building back to life, and to create a hotel that in Reeve’s words: “Felt truely English and reflective of the stunning surrounding Midland countryside,” Hotel Indigo Stratford-upon-Avon is showcases the tradition of a 16th century building through a timeless contemporary lens.

Main image credit: IHG

PRODUCT WATCH: Duravit’s contemporary design and easy installation

730 565 Hamish Kilburn
PRODUCT WATCH: Duravit’s contemporary design and easy installation

The new contemporary Tempano shower tray system from Duravit can be installed anywhere, making it suitable for all hotel bathroom scenes…

One of the largest challenges facing fitters during hotel renovation and new-build projects is the shower area. When developing the new, slick Tempano, Duravit paid close attention to the requirements for installation and fitting. 

Flexibility, speed, and safety are key factors. The height can be flexibly adjusted on site depending on the specific installation requirements. With a standard water trap height of 50 mm (DIN EN 274), the Duravit outlet, specially developed for installation with a support frame, enables heights of 110 mm and above to be realised.

When installing without a support frame and with a recess in the screed, the minimum height is just 40 mm. The support frame is supplied in a preassembled format and can be easily adapted to the height of the floor structure on site using templates and the adjustable feet that are accessible from above. The Duravit outlet and connected outlet pipe can be visually inspected for leaks before the shower tray is installed. 

Image credit: Duravit

The sealing strip is bonded to the lower part of the shower tray in the factory and integrated into the composite waterproofing, so it is easy to create the waterproof seal pursuant to DIN 18534. It meets both the requirements under DIN 4109 relating to soundproofing and the even stricter SIA 181 Swiss standard. 

The new Tempano shower tray system from Duravit can be installed anywhere, either flush with the floor, semi-recessed, or floor-mounted, with or without a support frame. The state-of-the-art design has a linear slope which, combined with the drain located towards the side, allows a high drainage rate. A total of 27 different sizes are available. The high-gloss, white acrylic is an ideal match for the ceramics. All shower trays are also available with the “Anti-slip” coating. Thanks to this transparent but noticeable coating, in compliance with the DIN 51097 standard, the feet gain a more secure grip in the shower for added safety when showering.

Duravit is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: Duravit

EDITOR CHECKS IN: Proud of diversity in British design

730 565 Hamish Kilburn
EDITOR CHECKS IN: Proud of diversity in British design

As the world focuses its attention on amplifying equality in all forms, editor Hamish Kilburn believes now is the time to break down why diversity in British design is something the industry should celebrate and be proud of…

We’ve come a long way, and although the journey hasn’t exactly been a seamless one, here we are in Britain in 2019 where we are free to love whoever we want. The next mission is now to work towards a society that campaigns for equal opportunities for all.

Our colourful industry, which is full to the brim of creative people, can be at the best of times a forceful catalyst for good and I believe, together, we can significantly do more than our bit in order for that dream to become a reality – and it starts here.

For a little more than a year now, since proudly joining the Hotel Designs editorial desk, I have tried perilously to understand what it is about the UK that makes it one of the major design destinations around the world. Despite its scale, Britain, the tiny little speck of land in the northern hemisphere, attracts the majority of the leading designers, hoteliers, architects and suppliers to train, flourish and go on to lead the industry forward into an innovative direction.

What Britain lacks in size it certainly makes up for in style, creativity and diversity. It’s no coincidence, therefore, that a large handful of the world’s most premium international design fairs, such as Sleep + Eat, 100% Design, Independent Hotel Show and London Design Festival, among many others, take place here.

Today, just two weeks after we officially opened nominations for The Brit List 2019, I’m seeing London from a completely unrivalled perspective – and it is a beautiful moment to witness. Peering over the edge of a rooftop bar, every colour of the rainbow is being amplified loudly on the streets below. As many as 1.5 million people have attended Pride London 2019, which is now being hailed the UK’s largest and most diverse Pride parade to date.

“By celebrating and supporting the concept of diversity – and by not oppressing original ideas that challenge convention – we can allow new thoughts to emerge.”

There’s an Albert Einstein quote that hangs on our office wall. It reads: “Creativity is intelligence having fun.” For some, it may signify the balance of designers, hoteliers, architects and suppliers thinking outside the box while also designing with purpose.  For me, though, it encourages one to take on a challenge and make it fun! That way, with the ability of adding your stamp to your work, you will not only throw intelligence at the problem, but also personality and individual ideas too.

This, I believe, is where the UK flourishes on the international design scene. By celebrating and supporting the concept of diversity – and by not oppressing original ideas that challenge convention – we can allow new thoughts to emerge and evolve, which, as a result, gives original concepts a nudge forward in the right direction. Jack Irving is the perfect example. The fashion designer who has worked with the likes of Lady Gaga and The Spice Girls has just completed his first interior design project. Irving’s commissioned work for W London has resulted in introducing our industry to new, unconventional materials. On the other hand there’s Zaha Hadid Architects, with its firm footprint as an industry leader, that is turning new architecture chapters, with the likes of Morpheus, that create new elegant dimensions.

The Brit List 2019, our annual awards event, is all about championing the most influential and inspirational designers, hoteliers, architects and suppliers. In order to keep the whole process as open as possible, we have ensured that applying for our nationwide search is completely free.

It’s been a varied and colorful month at the helm of Hotel Designs and I for one am proud of our fabulous team. We started our mini July tour in Manchester for Meet Up North, where more 150 of us celebrated creativity outside of the capital. One week later, we further bridged the gap between suppliers and procurement specialists with our highly engaging meet-the-buyers event, Hotel Summit, which allowed me the great honour of interviewing Marco Novello, the Managing Director of The Lanesborough, on stage in front of our live audience. A quick 24 hours in Dusseldorf, Germany, opened up the opportunity for us to speak to Michael Struck, the CEO of Ruby Hotels, as well as Matthew Bolan, the brand’s lead designer, in order to understand more about Ruby Hotels’ aggressive expansion, which includes its highly anticipated debut hotel in London next year.

In an industry full of leaders and visionaries, who are designing the cities of our future, it makes sense for us to also carve the path for others when it comes to celebrating diversity. Here are Hotel Designs, we are determined to continue to praise and offer a platform to people, projects, and plans on the boards that further challenge convention.

Be proud and apply for The Brit List 2019 for free today!

During August, Hotel Designs will be putting Hotel Concepts and Beds under the spotlight. If you would like to contribute to these topics, please do not hesitate to email me.

Editor, Hotel Designs

Main image credit: ACT Studios

citizenM Amstel Amsterdam hotel opens in 1920s shell

730 565 Hamish Kilburn
citizenM Amstel Amsterdam hotel opens in 1920s shell

citizenM’s third hotel in Amsterdam – 17th property worldwide – moves into a sensational location in a stylish 1920s building as location remains everything…

Returning to its humble roots, citizenM has opened its third hotel in Amsterdam, which becomes the Dutch brand’s 17th property globally. Staying true to the quest for triple-A urban locations, citizenM Amstel Amsterdam is tucked into Amsterdam’s historical canal ring, between the areas of Weesperbuurt-en-Plantage and Oude Pijp.

Designed by Amsterdam-based partner Concrete, the hotel is described as “a beauty to behold from the outside”. The property is a conversion of an existing structure dating back to 1928, built in the Amsterdam School style of architecture. The decorative red brick exterior with its multitude of elegantly slender windows stands out among the neighbouring buildings on Sarphatistraat. At street level, the hotel will distinguish itself even more with a bespoke art installation across the eight main windows. The artistic photographer duo – and our previous Schiphol collaborators – Freudenthal Verhagen have created a series of water-themed pieces inspired by Amsterdam’s centuries-long reliance on rivers and canals. It will undoubtedly become a notable photo-op in the neighbourhood.

Guests enter the hotel through existing doors, restored to keep the historical character of the building. Inside, they’ll reach a split-level check-in area and the famous citizenM living room with a 24/7 bar, canteenM kitchen, designated work areas, designer furniture by Vitra, and tall bookcases filled with interesting objects, art and browsable books. Amsterdam-based artist Pablo Lucker has created a special artwork for the entrance, as well as unique black-and-white wallpaper for the hotel corridors. The artist duo Pinar & Viola have painted the living room ceiling, and created four additional loose pieces for display. At the rear of the living room, double doors lead to a real hidden treasure – an enclosed courtyard with greenery and garden furniture, ideal for relaxing after a long day of business or sightseeing in the city.

Image credit: Richard Powers

Upstairs, 88 guestrooms have been designed especially to fit the existing structure. The sleek furniture is by Vitra, and the famous XL king-size beds are topped with luxury mattresses, duvets, and fluffier-than-snow pillows. Powerful rain showers wash away all travel fatigue, and large flatscreen TVs make for enjoyable viewing of the huge free movie libraries, international TV channels, or own-content streaming using the superfast free Wi-Fi. Room ambiance is controlled by a MoodPad – an iPad that manages everything from entertainment to blinds and temperature. There are also pre-programmed moods for relaxation, party, romance and movies. Art – an essential part of the citizenM in-room experience – is curated by the world-renowned Foam Editions, the gallery of FOAM Photography Museum in Amsterdam. The contributing artists are Isabelle Wenzel, Sanja Marusic and Lisette Appeldorn.

As always, citizenM sticks to its philosophy of ‘affordable luxury for the people’ by giving the guests everything they want, and nothing they don’t. There are never queues to reception, because there is no reception desk – instead, self check-in kiosks put a key in every guest’s hand in just one minute. In a prominent place nearby, guests will find collectionM – the carefully curated retail selection for the modern traveller, where essential travel items and stylishly amusing gifts make it easy to take a little bit of citizenM home. At canteenM, food and drinks are within an arm’s reach 24 hours a day, to satisfy thirst, hunger, and snack attacks of travellers from all time zones. In the living room, ultra-comfortable Vitra couches, tables and desks encourage the guests to leave the bedroom and relax, watch TV, enjoy a freshly shaken cocktail, and even meet up with friends.

Business travellers seeking a professional yet inspiring place to meet don’t need to leave the hotel. citizenM Amstel Amsterdam includes two societyM creative meeting rooms for up to 14 participants. The rooms are available for AM, PM and all-day sessions, and come with all tech essentials like AV equipment and cables for a multitude of devices; unlimited coffee, tea and water; stationery, designer furniture, and blackboard or whiteboard walls to draw on. societyM is bookable anytime online in just five simple steps, and catering is available on request.

citizenM Amstel Amsterdam – the 17th citizenM hotel in 11 years – is poised to become a favourite location in the Netherlands’ capital for leisure and business travellers seeking an affordable luxury alternative to traditional hotels.

Main image credit: Richard Powers

Trends forecast ahead of Independent Hotel Show London 2019

730 565 Hamish Kilburn
Trends forecast ahead of Independent Hotel Show London 2019

Ahead of the Independent Hotel Show London 2019, which takes place on October 15 – 16 at Olympia London, design partners and exhibitors identify four key areas predicted to be hot in hotel design… 

Now that registration is officially open for the Independent Hotel Show London 2019 – and following the announcement that Hotel Designs has once again come on board as a media partner for the show – here are a few trends that visitors should expect to see emerging during the two-day event.

Bold and bright décor

Soft, muted shades have been the preferred palette for hotel bedrooms and lobbies for many years, but it’s now time to ‘banish the beige’ and embrace bold and bright colours, says Gemma Tate, director of House of Sloane. “Gone are the days where all the rooms are filled with beige upon beige and look exactly the same,” explains Tate. “Boutique hotels are becoming more confident in their use of bold and colourful decor, mixing eclectic elements when styling individual rooms and giving the guest a captivating experience.”

As design partner to the Innovation Stage, House of Sloane is planning to fulfil the brief of ‘modern eclecticism meets maximalist glamour’ by kitting the stage out with bold hues, luxurious velvets, a dash of animal print and eclectic accessories.

Susi Bellamy, founder of her eponymous agency and wallpaper partner to the Independent Hotel Show, says the ‘trend for a more eclectic approach to interiors seems to be here to stay’ and notes a ‘growing appetite’ for brighter colours. “Jewel tones, acid brights and candy colours are omnipresent in hospitality interiors and add a joyful tone to spaces,” Bellamy says as she explains the three striking wallpaper designs – Grey Stucco, Grey Stucco Pebbles and Pietra Grigia – she has selected to hang on walls at this year’s show. “The palette of these designs means they work in harmony with one another and provide a versatile backdrop for a range of hotel settings,” Bellamy adds. “Grey Stucco and Grey Stucco Pebbles inject a pop of colour into a setting and feel very bohemian. Grey Stucco Pebbles layers some collage over the top of the design and is a slightly more eccentric choice for interiors that truly stand out. Pietra Grigia combines tones of pale greyish greens and works well alongside cream and neutrals. These designs are some of our bestsellers, owing to their adaptable colour scheme and understated elegance.”

Image caption: Shot from last year’s Independent Hotel Show London

Make a statement

If there’s no budget or time for a full re-design, investing in one eye-catching piece of furniture per room, or to place in a communal area is one way to refresh a hotel’s look and help your business seem on-trend. A similar impact can be found by painting or wallpapering a single feature wall or ceiling.

“Invest in a statement sofa or chair,” advises Tate. “This is potentially one of the first things your guests will see on arrival and actually says a lot of about a hotel. Be brave with your choice of colour and shape. This should be about what works for your brand and should be a part of your overall room design. We would highly recommend this is one of those high-ticket items that you don’t cheap out on. Eclectic pieces, hand built with quality craftsmanship that are sturdy and made to last is a winning combination. Anything else is a false economy.”

Felicity Randolph, of Cheeky Chairs, an exhibitor at this year’s Independent Hotel Show, agrees and believes that unique statement pieces lend themselves particularly well to boutique independent hotels. “With the ever-increasing influence of Instagram and Pinterest, consumers are seeking a more esoteric individual style of hotel,” Randolph says. “Independent hotels are perfectly placed to capitalise on this trend and offer something truly unique and unexpected.”

The company’s boutique collection of crafted designer chairs and bar stools feature naturally soft seats upholstered in striking designer fabric.

“Our approach has been very much along the lines of a fashion collection on the runway,” Randolph adds. “Our models are carefully chosen for a specific feature of their shape; perhaps it’s the subtle curve of their leg, the length of their back, their enveloping seat or the flick of their ankle. Each finished product is a unique combination of model, designer fabric and colour to create a truly unique statement piece.”

“If you are unsure of how to incorporate more colour and pattern into your interiors, consider having a single feature wall or using wallpaper in the back of a bookcase to provide a hint of colour and print,” says Bellamy.

Shot from last year's Independent Hotel Show London

Image credit: Shot from last year’s Independent Hotel Show London

Create a home-from-home

The way guests use hotels is changing and interiors need to accommodate these shifts in behaviour if they want to survive. Starchy, formal and defined areas are no longer in vogue. Instead, guests want to be able to access services wherever and whenever they want within a hotel, so designing multi-purpose, flexible spaces that can cater for these changing needs is key. “A home-from-home approach is where hotels are moving towards, expanding the lobby into a living room space, almost a common room area where guests can find intimate places to relax,” says Tate.

“Décor can also help hotels provide a more homely feel to spaces,” includes Bellamy. “Carefully selected ‘objets’ on mantelpieces, and soft furnishings like luxurious throws or plush cushions are an ideal finishing touch that transform a space to feel more homely and cosy.”

The home from home feel can also be achieved on a more practical level by making it easy for guests to settle in quickly by providing them with the tools to do so. “We also see a connection between home and life through technology which is here now and working, so an easy transition from home to hotel is essential,” says Nick Sunderland of Two’s Company, design partner for The Suite who recommends swapping light sockets to include USB chargers so guests can easily charge electronic devices during their stay.

A conscious approach

There is no doubt about it, sustainability is a hot topic. With everyone showing increasing concern for their carbon footprint, and investigating ways they can reduce it, it’s a topic that will be under the spotlight throughout the show. Hotels are no exception and forward-thinking hoteliers are keen to lessen their business’s impact on the environment in all areas, including design.

The Independent Hotel Show’s live installation this year is The Conscious Hotel Room where sustainability has been considered across “every inch of the room” according to Alex Harris, director of Harris & Harris, the multidisciplinary design studio in charge of creating it.

Brand partners, which include Axminster, Cole & Son and Naturalmat, will provide furnishings that include recycled, organic, natural or sustainably-sourced materials while others, like Crosswater, will showcase energy-efficient bathroom items.

“It was also felt important that the ‘mileage’ of each product was kept to a minimum by sourcing items that have been produced in the UK, an ethos which also helps support local businesses and communities,” adds Harris.

Sunderland of Two’s Company also regards sustainability as a key trend and will integrate this ethos into the design of The Suite. The area will feature tables from Nature Squared, which uses sustainable natural resources such as feathers, egg shells and seashells to create unusual surfaces.

“Conscious design doesn’t simply mean using sustainable furnishings and products, however. It also encompasses areas such as accessibility, so The Conscious Hotel Room has been designed in a way that is mindful of the needs of guests with mobility issues,” says Harris.

“Generous space was allowed around the bed, desk, and joinery as well as omitting the door to the dressing room and bathroom. Space was allowed below the vanity unit and a large wet-room style shower, with no change in the floor heights, making the bathroom wheelchair accessible,” Harris concludes. “Through articles in the media and better education, travellers are becoming more eco-savvy and are now demanding that hotels provide a more sustainable stay for them. Hoteliers need to keep up with this trend, which won’t be a passing fad but a new and better way of living. Hotels have the opportunity to be the best expression of sustainable living which can then inspire guests to live in a more conscious way when they return home,” he concludes.

Hotel Designs’ editor Hamish Kilburn will be on stage to host the opening session on October 15. More details on who will be joining him – and the topic he will be presenting – will emerge shortly. Register your place by clicking here.

Main image credit: House of Sloane