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Luxury

Latest concept in hotel wellness design is the Five-Star Bedroom Spa

730 565 Hamish Kilburn
Latest concept in hotel wellness design is the Five-Star Bedroom Spa

The five-star private spa by Starpool is the latest concept in hotel wellness design that brings modernisation and beauty to the most ancient spa rituals…

Inspired by luxury living, the private spa suites by Starpool offer unique relaxation experience for body and mindthat goes well beyond customers’ expectations in terms of functionality and design.

Awarded with the ‘Best of the Best’ by Reddot Design Award, the iconic Starpool SweetCollection combines high technology and style for a tailor-made environment dedicated to wellness.

The SweetSpa is designed exclusively for luxury hotels that aim to offer only the highest standard spaexperience to their guests. That is the company has incorporated its new sp.a_system to the SweetSpa, where guests can choose from four wellness paths for four wellness goals.

Image credit: Starpool

How sp.a_system works

The sp.a_system helps the user by informing him/her on times and conditions of use of each spa facility. Just choose your goal from one of the four wellness bracelets (relax, tonic, purify, excite), put the bracelet on and follow the guidelines. The facilities in the SweetSpa are marked with a wellness sign that matches the ones displayed on your bracelet, so all you need to do is follow the wellness path and enjoy the private spa experience.

Also, for those of your clients that are jet-lagged or looking for a stress relief solution, the SweetSpabedroom setting provides another luxury facility, designed exclusively for body and mind regeneration– Zerobody.

Zerobody is a dry floatation cloud for deep relaxation and enhancement of sleep duration and quality. The Zerobody cloud is at the forefront of wellness technology, providing multiple health benefits such as muscle and joint pain reduction; improvement of memory capacity and skills; reduction of chronic insomnia and headaches.

How Zerobody works

During the floating experience, your body causes to regulate its temperature and gravitational alignment – two activities that alone absorb 90 per cent of our resources. Once on the Zerobody cloud, your body is free to use the extra energy for quicker muscle and jet lag recovery and reduction of mental pressure. All you need to do is lie down and enjoy the ultimate body and mind recovery booster.

Image credit: Starpool

In combination, Starpool’s new sp.a_system and Zerobody Relax make the SweetSpa unique wellness concept that brings the spa relaxation to the next level of five-star luxury.

Starpool is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: Starpool

Conran and Partners designs spin on flexible working spaces

730 565 Hamish Kilburn
Conran and Partners designs spin on flexible working spaces

Design firm Conran and Partners has completed new flexible working spaces within the lobby that are sheltered inside Crowne Plaza Paris – République…

Conran and Partners has completed a significant redesign of the lobby spaces at Crowne Plaza Paris – République. The launch marks the first step in a wider roll-out of a new concept-design blueprint for the brand in Europe, aiming to deliver a distinctive guest experience globally.

The lobby has been reinvigorated as the brand’s exible work and meeting concept, ‘Plaza Workspace.’ This contemporary hub was developed to meet the changing needs of modern business travellers seeking more comfortable public and semi-public spaces in which to work and relax. Regarded as the largest design innovation in the brand’s history, Crowne Plaza Paris – République is the first hotel to launch the Plaza Workspace in Europe.

Throughout Plaza Workspace there is an abundance of tech savvy elements: tables feature integrated wireless phone chargers and high-speed Wi-Fi is available to address the growing trend in flexible work and life preferences and people’s desire to work from anywhere. Plaza Workspace also includes The Studio, a bookable-by-the-hour meeting space to cater for private meetings and events, complete with its own bar counter and break-out lounge seating. The studio’s design maximises the flow of guests through the spaces, allowing them to transition seamlessly between work and down time.

The former main entrance of the hotel has been relocated from the Place de la République to one side of the building, giving the arrival experience a more private feel with access via a courtyard in the style of a traditional Parisian apartment block. The signature bar is now in a more prominent position closer to the outside terrace, which runs along the hotel’s principal façade.

In contrast to a conventional arrival experience, guests are initially welcomed by a centrally-located monument wall. This wall – referencing the original Haussmann-era architecture of the area – serves to orientate the guest, dividing the space between the ‘plaza’ (the informal and relaxed bar spaces) and the ‘gallerie’ (the refined and elegant recep on and studio spaces). Among the book selection adorning the shelves of the lounge and Plaza Workspace are titles on Haussmann’s contribution to the remodelling of Paris.

Conran and Partners have also completed the design of the European adaptation of the ‘WorkLife’ concept guestroom, a design patented in the United States, which will serve as the basis for the wider redesign of rooms and other non-public facing areas of the hotel in the future.

The Place de la République is famous as the site of the statue of Marianne – the personification of the French Republic – commemorating the founding of the First Republic of France in 1792. The square is important as one of the key locations where Parisians congregate during times of national significance.

The hotel occupies an exceptionally attractive and restored Haussmann building, formerly a department store, Les Magasins Réunis. It is located at the point where three different arrondissements (3rd, 10th and 11th) of the city meet. A couple of original Haussmann features are s ll visible, including the staircase, wrought-iron balustrade and doors onto the original caged lifts at higher levels. Conran and Partners’ design also responds to the different – yet complementary – feel of each adjoining arrondissement (‘Fashionable’ (3rd), ‘Bohemian’ (10th) and ‘Modern’ (11th).

“Within the individual elements of a project there are always opportunities to work with manufacturers to create distinctive furniture commissions and bespoke materials,” said Simon Kincaid, Partner at Conran and Partners and a shortlisted finalist for The Brit List 2019. “For each new development, we study the locale and create a narrative, drawing on our experience of blurring the boundaries between work and leisure to create strong, characterful places.”

Image credit: Anna Stathaki

Conran and Partners’ approach was based on a thorough analysis of Crowne Plaza’s success in the Americas as well as among its European target market. The practice developed an architectural strategy focusing on key elements within a typical guest stay. A series of seating typologies and a hierarchy of signature elements was created which enabled key functional elements to be located, while defining specific design features and focal points. This has given hotel guests and visitors a wider variety of spaces to encourage more dwell time.

The approach has also sought to reinterpret the idea of a ‘plaza’ as a place where people can meet and relax and applied this to the various spaces within the hotel, encouraging guests to move between different types of spaces. The design also responds to changing consumer behaviour, in particular exible working and the ‘always on’ and ‘on-demand’ workplace culture. Spaces and services have been created to facilitate more business- related functions within the plaza workspace, both formal and informal, as well as helping to bring people into the hotel.

“The spaces in Place de la République are tech savvy, while acknowledging the need to embed humanity in the design to create a comfortable place to work and relax,” continues Kincaid. “The narrative we created for Crowne Plaza Paris- Republique is based on the concept of ‘New Modern’. It seeks to demonstrate that business hotels can be exciting by offering guests kind, personal touches, while introducing new, meaningful experiences for them to share and – above all – to appeal to the senses as far as possible.

“Our design narrative has informed the choice of furniture and accessories and even the rug design and the artwork selection (developed in collaboration with Double Decker Artwork Consultants), which seek to reference the various key art movements and ar sts closely associated with Paris since the mid-nineteenth century. Materiality and palette are central to our design thinking.”

Libby Escolme, Global Vice President, Crowne Plaza, commented: “I have always loved travel and staying at an inspiring hotel is o en why I am excited about a business trip. Today’s traveller wants to stay somewhere that inspires them, where innova ve design creates great spaces that work well. We have collaborated on this project with Conran and Partners, a best-in-class design rm, and I feel genuinely excited about how our new hotel spaces will enhance a guest’s stay with us.”

Main image credit: Anna Stathaki

 

 

Parkside delivers custom programme for health and wellbeing project

730 565 Hamish Kilburn
Parkside delivers custom programme for health and wellbeing project

London’s iconic premium health and fitness club, Harbour Club Chelsea, has undergone an extensive refurbishment including a custom floor and wall tile specification from Parkside.

Parkside , which last month opened a new design studio in the Cotswolds, has used its versatility to deliver a mixture of looks across more than 2,000mof space inside Harbour Club Chelsea.

Incorporating the reception area, changing rooms and shower areas, the tile specialist has created a marble-look ceramic tile in a combination of matt and polished finishes has been used to striking effect, setting the scene for members stepping into the luxurious, state-of-the-art health and fitness club. Along the walls of corridors, Parkside sourced a sleek large-format porcelain tile in an off-white matt finish.

To provide a sense of flow, architect Hadfield Cawkwell Davidson has continued the same off-white tile onto the changing room walls, before moving to a high-impact grand marble-effect wall tile in the shower area. Within the female changing rooms, the light veined marble look has been complemented with a pearl floor tile that has excellent slip-resistant properties. For the male changing rooms and to harmonise with the dark veined marble wall tiles, the same porcelain tile has been chosen in a tobacco colourway, providing a safe and durable surface underfoot.

Despite the numerous finishes from different manufacturers chosen for Harbour Club Chelsea’s luxury interior, Parkside was able to manage every aspect of the tile specification process. From presenting viable options with the performance required for the busy health and fitness venue, to their sourcing and timely delivery to site; Parkside has underlined its ability to work with architects and designers to develop unique solutions to the challenges of their project.

“Projects such as these are always great fun as they let us explore the extraordinary depth of ceramic and porcelain finishes available today, working really closely with designers to develop a specification that is without compromise,” said Andy Habbick, architectural consultancy manager at Parkside. “Our ability to work with the world’s most dynamic manufacturers to find just the right products, as well as deliver clients the reliable and timely service they need, makes it a really rewarding collaborative exercise.”

The tiles were expertly installed by contractor DDI Projects, a specialist retail and leisure fit-out and construction company.

Main image credit: Parkside/Harbour Club Chelsea

Laufen expands BASE bathroom furniture collection

730 565 Hamish Kilburn
Laufen expands BASE bathroom furniture collection

Swiss bathroom manufacturer Laufen has extended its popular BASE bathroom furniture range, with the addition of new vanity units for the Ino washbasin collection. The extensive furniture range is timelessly simple and graceful and features Laufen’s trademark attention to detail in carefully thought-through functionality, high-quality materials and the latest colour schemes.

Bathroom furniture helps to create a tidy, uncluttered atmosphere in the bathroom, allowing bathroom accessories and towels to be unobtrusively tucked away out of sight.

The latest additions to Laufen’s BASE range are not only designed to complement the company’s fine-profile SaphirKeramik Ino washbasins, designed by French designer Toan Nguyen, but are cleverly created for an even more refined and sophisticated bathroom ambiance.

A key detail of the new BASE furniture collection is the recessed inverted metal strip handles, which extend for the entire width of each unit. This ensures intuitive, safe handling and also prevents dust and grime from collecting. The handles will be available in two colour variations: anodised aluminium and black aluminium.

The furniture itself is available in matt or gloss white, classic furniture colours which stand for purity and tranquillity. Other available colour variations are light elm and dark elm, plus the new colour option of traffic grey. For special bathroom designs, Laufen offers many other on trend colours in a matt finish on request. All furniture colours can be combined with either handle colour option.

The range features high-end vanity units in a variety of dimensions, along with a generously proportioned tall column cabinet. For the 900 mm-wide Ino washbasin unit, Laufen offers a choice of a wall-mounted frame with one drawer or a floor-mounted frame with two drawers. Smaller washbasins can be combined with vanity units in two sizes with either a left-opening or right-opening door. Further storage space is provided by the matching tall column cabinet, with a vertical strip handle running the whole height of the cabinet.

Laufen is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: Laufen

Coventry’s Telegraph Hotel unveils new interiors

730 565 Hamish Kilburn
Coventry’s Telegraph Hotel unveils new interiors

Operators behind the transformation of the former Coventry Evening Telegraph building into the city’s first four-star hotel have revealed the first completed interiors of Telegraph Hotel….

The £20 million project on the Telegraph Hotel has seen an iconic 1950s building turned into an 88-key boutique hotel embracing its Mid-Century architecture. The hotel features a 160-seat convention room, meeting rooms, 110-cover restaurant and two ground floor bars as well as an expansive rooftop bar and events space which overlooks Belgrade Square.

The released photographs show one of the smallest bedrooms, which has been prepared early as a sample room to enable the finessing of the design. The hotel will open in September 2020 ahead of Coventry being UK City of Culture and is already taking bookings.

The hotel has been developed by Complex Development Projects (CDP) and operated by Bespoke Hotels, the UK’s largest independent hotel group which also operates Gotham Hotel and Oddfellows On The Park.

The guestrooms and public space interiors have been designed by Squid Inc, highly praised for their recent work on Manchester’s award-winning Hotel Gotham. The company has taken inspiration from the building’s history as a thriving newspaper and printworks, as well as the Mid-Century architectural style for which Coventry is famed.

The project is a flagship for the city’s drive to boost the tourist economy and will be one of the major physical legacies of 2021.

“The Telegraph Hotel will bring something truly unique to the region and we have looked across Europe for our inspiration,” said Brian Harrabin of CDP. “ This is the first glimpse of the completed product.

“This will be Coventry’s first four-star hotel since the Hotel Leofric, which was built in the rebirth of Coventry in the 1950s.  It is apt that we are restoring a much-loved 1950s landmark building and recreating the glamour of that Mid-Century era.

“The hotel recaptures the optimism of the era for the renewed confidence in Coventry’s future that we will be celebrating in 2021. In many ways we wanted to signal to the outside world that Coventry has done it again – the improvements to the city in recent years have been immense.

“All the en-suite rooms will be a treat to stay in, offering much more than merely a nod to the 1950s in styling. In a world where most hotels appear the same, it will be very different.”

The project has been supported by the West Midlands Combined Authority.

Main image credit: Telegraph Hotel

In Conversation With: Britain’s design legend Martin Brudnizki

730 565 Hamish Kilburn
In Conversation With: Britain’s design legend Martin Brudnizki

Last year’s crowned Interior Designer of The Year at The Brit List Awards, Martin Brudnizki, invites editor Hamish Kilburn to his Chelsea London studio to explain some of the major milestones in his career as well as how he logistically manages his time in a truly international market…

Design gems are not hard to come by on the British hotel design scene. You have only to open the pages of last year’s edition of The Brit List – and this year’s shortlist for that matter – to find the top 75 influential designers, architects and hoteliers.

However, design legends are less common. It’s not a question of talent or ability, but more a reflection of style, class, personality and being about to really set oneself aside from others in the heavily congested international hotel design market.

There is only – and will only ever be – one Martin Brudnizki, for example. Last year, Hotel Designs’ The Brit List crowned the acclaimed visionary as its Interior Designer of the Year – and for good reason. “Brudnizki is an international leader, standing as an icon as well as inspiration to so many young aspiring designers,” commented last year’s expert judging panel. “His recent work in University Arms Cambridge is a credit to his studio’s ability to give a building a new lease of life in the most sensitive and creative way.”

Image caption/credit: The Library designed by MBDS/University Arms Cambridge

Almost one year later, while the editorial team at Hotel Designs are gearing up for yet another spectacular awards ceremony, I aptly caught up with the Brudnizki in his Chelsea studio in London to find out more about our ‘poster boy’s’ journey to become one of the world’s most celebrated interior designers of the moment.

“I grew up in Stockholm; my mother was a stylist and my father an engineer and I think this blend of approaches to living and design, in particular, rubbed off on me,” Brudnizki explains. “My mother is incredibly stylish and filled our home with beautiful colours, patterns and objet. My father on the other hand, worked in a very precise and thought-through way. Both aspects of their personality has certainly informed the way I work today.”

Brudnizki’s early career in design saw him working at the likes of David Gill Gallery and David Collins Studio before branching off and putting his own practice in 2000, Martin Brudnizki Design Studio (MBDS) in 2000. “I learned a lot during my time in other places,” he adds, “which has served me well when establishing my own studio.”

“We have a number of up-coming projects that I also hope shape our studio’s story. It’s an exciting time.” – Martin Brudnizki

Since then, MBDS has become one of the leading international design studios, with bases in London and New York and projects including The Beekman, University Arms and Four Seasons Athens. But, like all designers, Brudnizki remembers the milestone moments; the hotels and buildings that captured his and his team’s incredible imagination, usually sheltered in iconic shells. “All the projects we work on are exciting and help shape the future of the studio however, there are a few that really stick out as being pivotal,” the designer explains. “Scott’s in Mayfair presented us with the opportunity to design our first fine dining restaurant, it also cemented our relationship with Caprice Holdings, who have since become important clients of ours. Working with Nick Jones on Soho Beach House Miami was exciting as this saw us introduce the successful Soho House brand to a new region. The Beekman in New York opened in 2016 and helped stamp our mark on New York. It’s located in a beautiful building and we were lucky to garner a lot of attention from it. Finally, Annabel’s in London has proved incredibly popular for us. It’s such an iconic club so we felt very honoured to be asked to redesign its incarnation. We have a number of up-coming projects that I also hope shape our studio’s story. It’s an exciting time.”

Dividing his time between both London and New York has given Brudnizki the unique freedom to position himself in two of the world’s most respected design hubs. “Both cities have very unique identities,” Brudnizki explains. “They are both are melting pots of culture and excitement and whilst very different, they both present wonderful opportunities to mark your mark.”

“Luxury travel to me is being able to combine a sense of curated experience with spontaneity; finding new places but also the having the flexibility to be adventurous and go off piste.” – Martin Brudnizki

From the outside looking in, the luxury market in hotel design may look like a desirable place to start when setting out to build a reputation as being a leading designer, but it also comes with risk to cater to the ever-changing demand of the modern luxury traveller. For Brudniki, the true art of luxury travel is a reflection of his own experience and personality. “Luxury travel to me is being able to combine a sense of curated experience with spontaneity; finding new places but also the having the flexibility to be adventurous and go off piste,” he defines.

Since winning at The Brit List 2018, Brudnizki’s vision on a new hotel brand has come to life in the shape of Mr C Hotels, which opened in Miami earlier this year – and has, as a result, put him in the running for the second consecutive year for this year’s awards. “Mr C is situated in a modern new build in the green surroundings of Coconut Grove,” he explains. “New builds have many benefits, including up-to-date technology and no listed statuses to content with however, new builds often lack the characterful details of older properties. With this in mind, we often have to dig deeper to find a strong narrative to wrap the hotel’s design in. For Mr. C we looked to the landscape of the region and the glamorous boating heritage and incorporated elements of this into our scheme.”

As well as technology, another area that has peaked recently in popularity among developers as well as designers and architects is the value of sustainability and designing consciously. “I think it depends on the project and the client, Brudnizki admits. “We are working with Six Senses on their new hotel and resort in Kitzbuehel Alps and the whole design is focused on sustainability and using organic and local materials. This is to mirror the brand’s values so we’ve had an interesting time researching new materiality and local artisans who can help reduce the hotel’s carbon footprint and up their sustainability accreditation.”

Quick-fire round

Hamish Kilburn: Where is next on your travel bucket list?
Martin Brudnizki: Portugal.

HK: What is the number one item you simply cannot travel without?
MB: A silk eye mask.

HK: What is the last item that will show up on your bank statement?
MB: Probably food from Bayley & Sage.

HK: What is your favourite place to unwind in London?
MB: My home in Parsons Green. As a travel so much, it’s nice to just come home and relax in the peace and quiet.

HK: What trend do you hope will never return?
MB: International Beige.

HK: Where are you travelling to next?
MB: My New York Studio next week.

Before I leave the designer in peace to create with his team the hotel interiors of the future, which include hotels in London, Austria, LA and Cape Town (among others), I am interested to explore, on the surface at least, new materials that have emerged on the designer’s radar. “I am really interested in straw marquetry at the moment; it’s such a beautiful natural fibre that can be used in the most unusual of places, such as walls and furniture,” Brudnizki says.

MBDS itself is incubating a strong network of talented designers that will further position Britain as a globally regarded leading design hotspot. With his name on the door of two dynamic studios – and also in the minds of I would argue all aspiring interior designers – Brudnizki is leading the ever-evolving industry into new territory.

The shortlisted finalists this year’s The Brit List have been invited to The Brit List Awards 2019, which takes on November 21 at Patch East London (Aldgate). To purchase limited tickets, click here

Main image credit: Luca Marziale

Lighted mirror, mirror on the lobby wall

730 565 Hamish Kilburn
Lighted mirror, mirror on the lobby wall

While it has become common to specify a lighted mirror in the hotel bathroom, Hotel Designs turns to new Recommended Supplier Electric Mirror to understand how the product can also be utilised in public areas… 

In conclusion to Hotel Designs’ time putting lighting in public areas under the spotlight, we have noticed one company is looking to disrupt the conventional idea that the lighted mirror is reserved for the hotel bathroom.

Electric Mirror, which is leading a clean and innovative path in lighting and mirror technology on the international hotel design scene, has taken the accessories to entirely new places and spaces, creating a memorable experience from the moment the guest enters the hotel.

An Electric Mirror Savvy SmartMirror in the lobby connects guests with hotel features, nearby attractions, and airport schedules. A custom Cameo lighted mirror in the restaurant or lounge brings light and life to the room’s décor theme.

Image credit: Electric Mirror

Lighted mirrors suspended from the ceiling of the hotel’s salon provide optimal lighting to let stylists help their clients look their very best. Dimmable lighted mirrorsin the spa create a peaceful, tranquil space. Corridor lightingon the guestroom floors help guide the way to the guests’ rooms.

Electric Mirrors are one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, email Katy Phillips by clicking here.

For general enquiries, contact the team at +1 425.776.4946 or sales@electricmirror.com. For the Director of Sales, Europe, call +46.790195074 or email gelareh@electricmirror.com.

Main image credit: Electric Mirror

Solar-powered solution for exterior waymarking

730 565 Hamish Kilburn
Solar-powered solution for exterior waymarking

Combining the best in technology and sustainable design, Recommended Supplier Signbox has just unveiled the Smartscape Solar bollard… 

With greenwashing being the hot topic of this week following new research that was published at the Independent Hotel Show, leading sign manufacturer Signbox has unveiled a sustainable and creatively designed waymarking product that will help to create a more conscious hotel exterior.

The uniquely-designed solar system comprises; four integrated PV panels to ensure light is captured from all angles, an intelligent lithium-ion battery, two motion-detecting PIR sensors and two LED lights. One LED runs continuously at a low level to ensure that the bollard itself can be seen from a distance, and the other, a downlight reflector, is activated within 5m close proximity on each side of the unit by one of the PIR sensors which illuminates the pathway.

As the bollard is solar powered by it’s own integrated PV panels, trenching (installation) and running costs associated with mains powered solutions are eliminated and maintenance costs are drastically reduced.

The bollard is available in three housing material options to suit a range of applications; extruded aluminium, sustainable hardwood and performa-cast polymer. With both the aluminium and polymer versions offering a vast range of colour options, as well as the option of embossing the polymer housing, this versatile solution is perfect for any modern green sustainably focussed project.

The SmartScape Solar Bollard is designed, developed and manufactured in a UK-based, ISO 9001:2015 accredited production facility.

The standard product has a base plate mounting but there is an option on the aluminium finish and the polypropylene finish for a more cost effective root mounting fixing that can be buried and possible minded in place. We can send a technical specification on this if required.

This product does comply with the new requirements for “bat friendly lighting”. Bats can not feed at night with light pollution in an upwards direction.

Signbox are one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, email Katy Phillips by clicking here.

Get creative with Creations from Wilton Carpets

730 565 Hamish Kilburn
Get creative with Creations from Wilton Carpets

In creative shades of fjord, demerara, burnt copper and gunmetal, the Creations colour palette is the foundation of many striking woven carpet designs from Wilton Carpets, now curated in ‘Creations; Ready to Weave’, a brochure now available from the Wiltshire manufacturer.

Demonstrating the impressive versatility of designs made with the Creations palette, the brochure charts the ability of Creations to enhance the cool, elegant interiors of hospitality and leisure settings, mansion apartments and high-traffic commercial spaces.

From the vitality and spirit of modern patterns to the contemporary interpretation of traditional motifs, Creations delivers functional base tones and gorgeous radiating highlights for carpets that are not only beautiful but commercially viable too.

As part of the Ready to Weave concept, the Creations palette can be used in any combination of the 12 colours available across any design – library or otherwise – bringing designers the opportunity to deliver a bespoke look that’s perfectly matched to their interior and ready within just four weeks.

“Creations was created as a reaction to the cool and calm greys and blues that have gained traction in commercial interiors,” explains Damian Roscoe, creative director, Wilton Carpets. “The move away from richer, regal bases to these new colours, along with flashes of ultra-popular ochre, green and icy blue working as beautiful highlights; provides a thoroughly modern colourbank in-tune with today’s interior palettes.”

Using Creations as a base for many of its new woven axminster carpet designs, including Havana, Nova Scotia and Urban, Wilton Carpets has underlined the important role that this new ultra-usable palette is playing in its design direction. The ‘Creations; Ready to Weave’ brochure illustrates this beautifully and promises inspiration for designers looking to bring beautiful carpets to their commercial projects.

Main image credit: Wilton Carpets

Editor’s round-up of London Design Festival 2019

730 565 Hamish Kilburn
Editor’s round-up of London Design Festival 2019

Strap yourself in for editor Hamish Kilburn’s annual round-up of London Design Festival (LDF). The 2019 edition was a thought-provoking insight into how the bare bones of the industry, led by innovative manufacturers working with open-minded designers and architects, are taking it upon themselves to design a better future of international hotels from the foundations upwards…  

“Most cities are experts in one or two disciplines,” said Ben Evans, Director of London Design Festival. “But the breadth and depth of London’s expertise is unparalleled.”

For the 11th year, LDF was the epicentre of the design universe, publically displaying in full the ingredients to make the capital an incubator of ideas, creativity and something different.

Initially established in 2003 by Sir John Sorrell and Evans, the festival has grown to encompass a broad range of activities, and attracts visitors from around the world: last year welcomed a record-breaking 588,000 direct visitors from more than 75 countries, generating almost one million visits.

Despite Brexit call-to-actions being plastered across the front of the city’s major newspapers, the festival’s spotlight this year was thankfully not on the political landscape (or landslide) of whether or not this is really happening, but instead the lenses were focused on conscious change for good. With designers being now more aware than ever before on the need for design responsibly, sustainable products, materials and initiatives were evident in all corners of the metropolis, at all of the four Design Destinations. “LDF celebrates and promotes London’s design excellence in a period when showcasing creativity is even more important, adds Evans. And installations around the city from the likes of Matthew McCormack, Sony Design and Paul Cocksedge were a visual reminder of how design can influence change and educate wide-spread audiences of all demographics.

Focus 19

Neatly kicking things off after Hotel Designs led an exclusive roundtable at Arte Wallcovering at Design Centre Chelsea Harbour, Focus19 extended its luxurious arm to welcome a select number of pop-up stands. Whether green is or isn’t this year’s colour is irrelevant. What’s more important for hotel creatives is following how suppliers are turning up the volume on how they are designing with purpose and further bringing the outdoors in using sustainable methods. One area where this is very apparent is in fabrics and large prints – both of which are never in short supply at DCCH. Arte arguably stole the show with the launch of four new collections. Following last year’s collaboration with Moooi, any collection to launch after would be a tough act to follow, but the wallcovering experts delivered and the results are extraordinary.

While fabrics were strong, so too was lighting. Pookey Lighitng’s installation designed by The Brit List 2019 judge Florence Rolfe was a vibrant LED light show. Meanwhile, David Hunt Lighting cut the ribbon on its new permanent hub within the DCCH, showcasing its bespoke service as well as its intricate lamps. As well as hosting a captivating talk with the lighting company’s founder, Vaughan, unveiled a new collection of simple, yet extremely chic sculptured lamps as well as a new range of Tribal Collection shades, that were first unveiled at last year’s show.

Elsewhere, collaborations from the likes of Barnaby Gates, Kit Kemp and others were on display under what will soon become the Design Centre Avenue, but during Focus was a pop-up exhibition of pure, untouched talent.

100% Design

Making its bold, colourful entrance, 100% Design celebrated its 25thbirthday with a bold line-up of speakers, including David Rockwell, Marcel Wonders and Daniel Shofield among others.

Following last year’s move to London’s Olympia, the show found its feet in historic halls as visitors flocked to see the plethora of interactive installations, cutting edge collections and plenty of products. The Two Lovely Gays unveiled an piece entitled Insta-interiors, which featured a playful mix of pastels. “Social media can has brought design to everyone in a way that we love,” the studio explained on its stand. But it can also be a confusing arena, with so many images and ideas vying for attention. Our hope is that it opens up a new freedom in design, promoting diversity and confidence.”

With a noticeable shift in behaviours, especially in public areas of the hotel, it is no surprise that there was a significant focus on furniture. Taking centre stage directly opposite the show’s doors was Benchmark with its latest collaboration with design legend David Rockwell. The Sage Collection has a specific focus on human health and wellbeing. Made with natural, sustainable and non-toxic materials, it meets the standards required for well-certified buildings. The collection includes slick sit-stand desks and tables, dining and meeting tables, high-low sofas, benches, occasional tables and storage.

Hamilton Litestat also exhibited its impressive answer to personalising the hotel experience, by being able to colour-match its products to suit any hotel design brief – something that I saw in person recently when visiting the studio’s Bristol-based hub.

Image credit: Paul Cocksedge’s Please Be Seated

designjunction

In the midst of LDF, just as the feet of the design community start to tire, the VIP party for designjunction comes alive. Offering exclusive access into the show 24 hours before it opens to the public, the event is typically a great opportunity to network as well as catching new products on the market. This year’s event unveiled its catwalk for trends alongside the exclusive Tom Dixon party. Taking place in what I can only describe as LDF’s most interesting design districts, Coals Drop Yard, the event arrived fabulously fashionably late (as ever) to the week-long party.

While the talent sheltered inside was fresh, the narrative of designing responsibly was solid and synonymous among many if not all brands exhibiting at the show. Furniture brands and lighting manufactures put an equally significant emphasis on utilising recyclable materials. Sixteen3, for example, showcased a dynamic range of contemporary furniture pieces that were made from 99 per cent recycled material, while over in the light tunnel, designer Huw Evans unveiled The CONCERTINA COLLECTION, which comprised of both furniture and lighting. Using natural timbers, English Ash and Cherry, the designer accentuated the drama of the product’s raw form by with carefully positioned up-lighting. Meanwhile, Qiang Huang used inspirations from dissembled bike parts to design an equally precise lighting piece. The product follows research that suggests that by 2020, it is estimated that there will be 10 million shared bikes reaching their scrap age, which equates to a staggering 1.6 million tons of solid waste, which Hauang believes can be reduced by designers looking more outwardly when it comes to recycling products and materials.

Whether or not designjunction created a larger mid-week statement than last year’s show on The Southbank is down to interpretation. There was, however, no denying that it sheltered something for everyone, including a number of engaging talks. For that reason alone, it is certainly not an event that should be skipped over when navigating around LDF in future.

London Design Fair

Keeping an understated mantra in the heart of Shoreditch, London Design Fair was this years’ stand-out show for Hotel Designs, because of its ability to allow the products and exhibitors to do the talking. The show, which took place on the iconic Brick Lane, featured meaningful themes, such as biophilic materials and design as well as showcasing the only bathroom pavilion during London Design Festival – highlights of which included Roca’s new collection with Armani and West One Bathrooms’ eco-themed stand.

In addition, the show included its worldwide theme, allowing regions in all pockets of the world to exhibit a little bit of their own personalities and creativity.

As a result, London Design Fair focused on form, function and looking forward, past tomorrow’s trends, to globally identify pieces that will really help to change and shape the landscape of international hotel design.

While the installations, projects and districts differed in style, the thread between each was very much about confronting convention and offering something different, an abstract reality, if you like, of London through the eyes of the creatives.

LDF provides a platform like no other that time and time again harbours creative talent and fascinating stories of product design in action. And with variety being the spice of the life, as so many wise bodies have announced before, this year’s exhibitions were in heavy supply of something different, something new and something fresh for everyone.

Main image credit: designjunction

ACE Hotels to arrive in Australia

730 565 Hamish Kilburn
ACE Hotels to arrive in Australia

ACE Hotel Sydney is slated to open in 2021 and will become the brand’s debut property in Australia… 

Ace Hotel announces their first Australian property with Ace Hotel Sydney, slated to open in 2021. Marking its 20th anniversary this year, Ace Hotel celebrates a double decade with 10 hotels spanning North America, Europe and soon Asia, including hotels in New York City, Los Angeles, London and Kyoto, Japan (Spring 2020).

Atelier Ace, the agency and operator behind Ace Hotel, also launched two new hotel brands this year: Maison de la Luz, a luxury guest house in New Orleans, and Sister City, a thoughtfully designed hotel in NYC inspired by simplicity and beauty.

“Opening an Ace Hotel in Sydney, and on our fourth continent, is a project that aligns with our Pacific roots and love of food, art, architecture, design and cultural creatives — things that are in rich abundance in our new Surry Hills neighbourhood ” said Kelly Sawdon, Ace Hotel Group Partner and Chief Brand Officer. “We’re excited to partner with Golden Age, whose vision and sense of collaboration is in kinship with Ace, to build a central gathering place for locals and travelers alike.”

Jeff Xu, Golden Age Founder and Managing Director commented: “Ace Hotel is one of the best and draws inspiration from the characteristics of the city they operate in. Surry Hills is known for being a culinary hub with a stylish culture and acts as a great canvas to design a hotel from. We’re excited to be bringing the first Ace to Australia and the brand’s fresh approach to the hotel industry is one that has been missing from the local hotel market.”

Holding space in the global imagination as a singular destination, Sydney balances a relaxed spirit with renowned architecture, design and food, embodying kindness, culture and community in kinship with Ace.

Opening in the Surry Hills neighbourhood in a part historic, part new build structure built around Tyne House, one of Sydney’s original brick structures. Ace Hotel Sydney will feature 264 rooms, a ground floor lobby bar, restaurant and cafe, as well as a rooftop bar and restaurant. Inspired by the abundance of natural flora, the city’s rich history as a welcoming hub and its generous quality of life, the hotel stands as a unique intersection of culture, commerce, art and community gathering.

Main image credit: ACE Hotels

Knightsbridge poised and ready for 80th Birthday celebrations at Sleep + Eat 2019

730 565 Hamish Kilburn
Knightsbridge poised and ready for 80th Birthday celebrations at Sleep + Eat 2019

2019 marks the 80thanniversary of Knightsbridge, the award-winning British furniture manufacturer. In order to mark this landmark the company they will celebrates its extraordinary history on stand number E92 at Sleep & Eat, Olympia London (November 19 – 20, 2019)…

If you are planning on attending Sleep & Eat 2019, then make sure you head over to the Knightsbridge stand (E92) where the team will be celebrating 80 years strong as one of the leading British furniture design and manufacturing companies.

Committed to British market-led design, Knightsbridge is one of the very few British contract furniture companies to invest in an in-house design and development team – and new collections for 2019 pay homage to its history taking inspiration from archive pieces.  

Wellbeing has long been established as a benchmark in workplace design, with forward thinking companies providing biophilic, sustainable design that creates healthier environments for their employees. The properties of wellness and biophilic design are now being seen more and more in hospitality and hotel environments; indoor spaces are inspired by nature whilst furniture is designed to be ergonomic aswell as stylish. Knightsbridge will be reflecting this trend on its stand with furniture covered with beautiful fauna & flora designs.

As hotel, bar and restaurant suppliers, Knightsbridge’s hospitality collection contains furniture designed to suit a variety of styles, needs and tastes. Crafted using timber from renewable sources, the company’s portfolio embraces a collection of style-forward products that are ideal for a wide range of environments such as waiting rooms, foyers, dining rooms and lounges.

New to 2019, Knightsbridge will be exhibiting its Caravelle collection which was redeveloped to celebrate Knightsbridge’s 80thanniversary and its rich history, taking influence from a past mid-century piece of furniture. The Caravelle collection consists of an armchair, two-seater and three-seater settee that have the clean lines and organic curves that the period became renowned for. It’s deep seat cushion provides a luxurious seat whilst the beautiful clean styling allows it to be specified into workplace, hospitality and care sectors. The collection is covered with exquisite fabric featuring jungle creatures and foliage from visionary textile designers Timorous Beasties.

Hotel Designs is a long-standing proud media partner for Sleep + Eat, and will at this year’s show to identify key product launches, emerging trends while catching the engaging talks and discussions that will be sheltered in one of Europe’s leading hospitality events.

Main image credit: Knightsbridge

UNILIN injects maximalist luxury vibes new finishes

730 565 Hamish Kilburn
UNILIN injects maximalist luxury vibes new finishes

UNILIN develops products inspired by everything from reclaimed wood, through trending colours, to concrete and brushed precious metals such as gold to create an ideal setting for all hospitality scenes…

Nothing can match gold for injecting glamour into our living and working spaces and the material is now a favourite for high-end interiors looking to deliver a maximalist luxury vibe. However, for most projects the ‘real deal’ is beyond grabs and this is when UNILIN Evola decorative surfaces come into their own.

With UNILIN Evola’s brushed gold decor, space and furniture designers working in retail, hospitality, commercial office spaces and even high-end residential projects can capture the magic with versatile surface finishes in scratch, wear and stain-resistant HPL. Used to create ultra-luxe splashbacks and surrounds in washrooms to stylish feature panels on furniture, or even as a detail highlight on door handles; UNILIN Evola brushed gold brings the look without breaking the bank.

“There’s no doubt that high-end luxury is a major driver in interiors and our brushed gold is the perfect way to get the look while keeping a lid on your budget,” says Jurgen Plas, marketing manager for UNILIN, division panels. “With decors such as brushed gold, marble, ceppo and brushed bronze, the Evola collection can answer the demand for glamour with highly-functional surfaces that are not only cost-effective alternatives, but also functionally better.”

Teamed with the black of a UNILIN MDF door panel to create a fan inlay in radiant gold, offset beautifully against the marble of carrara creamy wall panels, brushed gold brings a look straight out of 1920s decadence. Or bonding it to shelf edges set against the walnut backdrop of Lorenzo, sees the very same elegant gold-effect take on a luxury modern edge: brushed gold can lift any space beyond the ordinary.

With many of the 198 décors in the UNILIN Evola collection completely exclusive, UNILIN, division panels develops products inspired by everything from reclaimed wood, through trending colours, to concrete and brushed precious metals. All UNILIN Evola décors are available in HPL, melamine-faced chipboard and edging-tape; each product providing exceptional quality and a surface that is scratch and UV resistant, as well as easy to look after. With authenticity and practicality, UNILIN Evola is a serious alternative to natural materials.

UNILIN is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: UNILIN

In Conversation With: Andrew Sadler from CTD Architectural Tiles

730 565 Hamish Kilburn
In Conversation With: Andrew Sadler from CTD Architectural Tiles

Editor Hamish Kilburns sits down with the Andrew Sadler, CTD Architectural Tiles specifications sector manager, to discuss how the industrial trend in surfaces is evolving, sustainable wall covering solutions and how tech is driving a new age in tile design… 

2019 is proving to be a pivotal year for surfaces. While trends are being replaced for a burning need for designing with purpose, sustainability is being discussed widely in more ways than ever before.

Meanwhile, art on the international hotel design scene continues to spill outside the frame, and often onto the walls. To understand more about how surface suppliers are coping with the rise in demand for vivid wallcoverings that can completely change an interior designs space, I spoke to CTD Architectural Tiles’ specifications sector manager, Andrew Sadler.

Hamish Kilburn: Can you explain how the industrial trend (especially in wallcoverings) has evolved recently?

Andrew Sadler: The industrial trend has developed mostly due to production technology. The introduction of ‘Continua Plus’ has allowed the production of larger sizes than ever before, which has been a real change in the trend, and the products specified. The first generation slabs were marble-based designs but now we are seeing more industrial design themes such as concrete and metal coming through. See Maiora Concrete 2.4 x 1.2 metre slabs.

Some factories are however are embracing the desire amongst specifiers and clients for authentic production techniques. We can see this in both our Zelij and Croma ranges.

Image caption: Zelig from CTD Architectural Tiles

Another development has been the fusions of traditional ceramic techniques and new industrial design concepts. This is best captured in a range like Diesel Glass Blocks, where a 1950s style glass brick has been captured in ceramic tile using decade-old glazing techniques updated for the 2020s.

HK: What would you say is the biggest pitfall among designers when specifying wallcovering?

AS: With tiles, the biggest pitfall among designers is probably understanding that the tile is just one element of a system. Consideration needs to be given to the substrate the tile is being fixed to and how the area is tanked to mitigate water ingress and potential failure. CTDA work with both Schluter Systems and Jackon to offer the specifier peace of mind through provision of a wide range of wetroom and substrate solutions. From a design perspective, trying to replicate the popular brick bond or herringbone/parquet style of floor tile used on walls can cause a challenge when the room is fitted with spotlights. All of a sudden the lipping on the tiles, unevidenced on the floor becomes all too apparent.

HK: Why are surfaces within public areas more important now than ever before?

AS: The public areas are the key selling areas of the space – the face of the project – so an aspirational appeal is crucial. This appeal needs to married however with a floor surface that is safe to use to protect the client from slips and trips and the hotel from litigation or reputational damage. We have seen the adoption over recent years in the UK of the Pendulum Test as the acceptable measure of a tile’s slip resistance. The implication of this is that we are seeing public spaces being fitted with tiles that have a higher slip resistance than was previously the norm. Whilst this is great from a safety perspective, it does cause challenges with cleaning these spaces as the more textured surfaces are more attractive to dirt. We see therefore a move away from lighter tones (whites, creams and ivories) towards darker tones (grey and anthracites) where the floor does not reveal its secrets so easily.

HK: How sustainable are CTD Architectural Tiles’ products?

AS: There are many advantages to ceramic tiles against alternative materials. Made from water, clay and fire – these elements give rise to a natural and quality material which is free of toxic substances, making it a strong alternative to materials such as plastic laminates or vinyl. Ceramic also has a very long life cycle and is therefore sustainable from a longevity point of view. There also isn’t the need for excessive maintenance, which makes it more advantageous than wood or parquet flooring for example.

HK: How was nature used as inspiration in your latest collections?

AS: Launched earlier this year, our Amazonia collection is the epitome of how botanical influences are finding their way into the commercial and hospitality sector. A celebration and seamless marriage between rustic handmade influences and the trend for biophilic design, the Amazonia collection is versatile and unique. Combining botanical patterns with a pared-back, nature-inspired palette to enliven spaces of all sizes, the collection offers endless opportunities to combine and mix distinctive tiles.

Image caption: Amazonia Grey Hexagon from CTD Architectural Tiles

For a more floral take on the botanical trend, ranges such as Maiora’s Custom Décor’s offer the possibility to create true feature walls with over-sized tiles – see p36 in this catalogue.

HK: How is technology allowing you to create more immersive products?

AS: One of our key launches this year was our 20mm-thick Porcelain Pavers collection, which is a testament to the advances in technology having a direct impact on the options that are available. The Porcelain Pavers collection is made up of 22 different tile ranges and each and every product meets all the technical and design requirements for exterior applications as well as indoor applications. The 20mm thickness means that it is extremely durable and resistant to breaks and scratches as well as being fade and frost resistant. Boasting a +36PTV (wet) slip-resistant structured surface, the tiles are also extremely low maintenance thanks to their exceptionally low porosity.

Image caption: Porcelain Pavers from CTD Architectural Tiles

Offering the added benefit of easy installation, the 20mm ranges can be installed in a number of different formats depending on the environment and project requirements. Providing the ultimate flexibility, the products can even be loose laid onto gravel, sand or pedestals, making them both accessible and re-usable. 

Advances in technology and production have also led to the introduction of a more diverse product portfolio in terms of styles, colours, patterns and designs. One of our most recent collections, Venice Villa, delivers the beauty of terrazzo captured in porcelain. The terrazzo look originates from using left over marble chippings into cement as a way to use excess product. A reinterpretation of this famous look, the Venice Villa collection is an exquisite contemporary twist on the traditional terrazzo trend, combining the appearance of crushed marble fragments with the excellent properties of fully body porcelain stoneware. Available in eight colourways in a polished, natural or structured finish, from monochrome Silver, Grey, Zinc and White to the more colourful options of Earth, Beige, Graphite and Ivory, the Venice Villa tiles offer an intriguing combination of colours that capture and reflect light, enhancing commercial spaces of all types. Expressing the beauty of the material that inspired the collection, the porcelain surfaces of the tiles combine the traditional look with modern materials making a surface that is easy to maintain and clean.

To find out more about CTD Architectural Tiles, please click here.

Main image credit: CTD Architectural Tiles

Six Senses to open first hotel in the Galápagos Islands

730 565 Hamish Kilburn
Six Senses to open first hotel in the Galápagos Islands

Opening 2021, Six Senses’ first hotel in the Galápagos Islands will be designed by world-renowned bamboo architect Simon Velez… 

Following a rise in demand for hotels to open in far-flung destinations around the world, Six Senses Hotels Resorts Spas has announced that its first resort in the Galápagos Islands will open in 2021. Six Senses Galapagos will be located on San Cristobal Island, in the town of Cerro Verde on the Northeastern coast. This is the quietest of the main islands with a relaxed and tranquil vibe.

The Galápagos Islands were named by 16th century Spanish sailors after the saddle-shaped shells (“galápago”) of their most famous resident, the giant tortoise. The 19 islands are home to some of the world’s most amazing wildlife and ecology systems. Guests at the upcoming Six Senses Galapagos will therefore experience a one-of-a-kind natural environment.

UNESCO recognised the Galápagos Islands as a World Heritage Site in 1978 and a Biosphere Reserve in 1985, development is only permitted on three percent of the total area. Permission has been granted to develop the resort on a verdant hill with unspoiled views of the ocean and other topographical landmarks. All building work is in accordance with local laws and with strong involvement from the local community.  The development of this project is being led by Hitesh Mehta of HM Design and will focus on a distinctive planning philosophy which balances economic, environmental, and social impact.

Chief Executive Officer Neil Jacobs of Six Senses Hotels Resorts Spas said: “Sustainability is at the core of our brand, influencing everything from ongoing community engagement and conservation efforts to the local, repurposed materials used in the development. We are excited and delighted to work with the Orgal Group on this extraordinary project in such a special and environmentally sensitive place, staying true to our joint purpose of ecosystem restoration, scientific research of marine species and low-impact tourism.”

Plans are underway for an Earth Lab and Experience Center. The first will showcase the project’s sustainability efforts and the second will host research and educational activities by well-respected academics and NGOs already working in the Galápagos. There will be a particular focus on restoring the original endemic Miconia ecosystem, eradicating invasive species and maintaining a native plant nursery on site. The almost zero light pollution ensures night skies are some of the most spectacular on earth, and an Observation Post will offer guests stargazing and fine dining experiences. All three facilities have been designed by world-renowned bamboo architect Simon Velez.

The Six Senses Spa will have a functional fitness centre, yoga studio and Alchemy Bar and will offer comprehensive wellness programmes incorporating  local healing and herbalist treatments. Following the guiding principles of Eat With Six Senses, the food and beverage program will minimise the need to import any produce. The ultimate aim is self-sufficiency, with an organic vegetable garden complementing produce grown by local farmers or caught by local fishermen. There will also be a Fermentation Room where guests can learn about the joys of pickling and preserving.

The hotel brand currently manages 18 hotels and resorts and 30 spas in 21 countries under the brand names Six Senses, Evason and Six Senses Spas, and has signed a further 19 properties into the development pipeline.

Main image credit: IHG/Six Senses

Accessibility championed at inaugural Blue Badge Access Awards

730 565 Hamish Kilburn
Accessibility championed at inaugural Blue Badge Access Awards

The Blue Badge Access Awards, which took place last night at The Langham London, has created a pivotal moment in international design by celebrating and championing thoughtful accessible design… 

Last night, the inaugural Blue Badge Access Awards were held at The Langham London with the support of charity Leonard Cheshire Disability. Thirteen winners were awarded on the basis of celebrating thoughtful and stylish inclusive design and business practices across the world.

This year’s winners included Shakespeare’s Globe as the most Inclusive Employer and Sea Containers for Best Hotel, sponsored by HEWI.

The evening included a comedy set by British stand-up comedian, writer, actor, presenter, and disability-rights campaigner, Laurence Clark. Laurence was born with cerebral palsy and uses his line of work to alter the general public’s perceptions of disabled people. Alongside this, an inclusive fashion show was put on by Samanta Bullock, founder of SB. SB is an online department store that provides comfortable and fashionable universally-designed clothes with the focus on inclusion and benefiting the seated position.

The 2019 judging panel included Fiona Jarvis, CEO of Blue Badge Style; Tina Norden, Partner at Conran and Partners; Alex Taylor, BBC Journalist; Paul Vaughan, Bespoke Access; Neil Heslop, CEO, Leonard Cheshire Disability and Karen Fewell, daughter of Arnold Fewell.

“Nowhere can be 100 per cent accessible but everyone can start somewhere,” said Fiona Jarvis, Founder of Blue Badge Style. “There is tremendous public interest in the area of accessible design, with a strong desire to honour and recognise businesses that go the extra mile for their customers. We are delighted to champion these venues with Blue Badge Access Awards and will continue to do so to amplify enthusiasm across the hospitality sector, as well as wider tourist attractions, museums, and public organisations.”

“Awards like this are profoundly important because they shine a light on best practice”, added Neil Heslop, Chief Executive of Leonard Cheshire Disability. “Leonard Cheshire exists to improve life choices for people with disabilities globally, and accessibility is key to this. We work with cross-sector organisations every day in supporting individuals to live, learn and work independently, whatever their disability. We congratulate everyone who has been involved to date and hope many more join in, having been inspired by tonight’s winners.”

“We are thrilled to unveil so many exemplary winners at the first Blue Badge Access Awards and celebrate the great work of designers and architects around the world in inclusive design” said Robin Sheppard, Chairman of Bespoke Hotels and Hotel Sector Champion for Disabled People. “It is important to make access a permanent addition to the agenda. No one would have dreamed that sustainability would be as high as a priority as it is now, and we want access to be just lionised in the future.”

The Blue Badge Access Awards are here to accelerate progress, and highlight that the importance of inclusive design should not be underestimated. It gives businesses and venues access to a market of over 1 billion people across the world, a group of more than 13 million people in the UK alone with spending power of over £250 billion.

Main image credit: Blue Badge Access Awards

St. Regis Hotels debuts on the Grand Canal in Venice

730 565 Hamish Kilburn
St. Regis Hotels debuts on the Grand Canal in Venice

The 169-key St. Regis Venice has opened following a two-year, full-scale renovation on the building with the interior design project led by London-based interior design studio Sagrada… 

St. Regis Hotels & Resorts has announced the debut of The St. Regis Venice, which is located steps away from Piazza San Marco and boasting the largest waterfrontage in Venice. The opening follows an extensive project to restore the grandeur of the former Grand Hotel Britannia, which originally opened in 1895 – the same year as the inaugural Venice Biennale.

Many of the guestrooms and suites boast private terraces or Juliet balconies for sweeping views of Venice’s iconic landmarks. Situated across the Grand Canal from Punta della Dogana, the hotel marries its celebrated heritage with the St. Regis brand’s modern design and bespoke service throughout a unique collection of five Venetian palaces, with the oldest dating back to the 17th century. The hotel’s spacious secluded garden sets the hotel apart, making it a lifestyle destination where guests and locals alike can enjoy remarkable views of the Grand Canal. The St. Regis Venice marks the brand’s third location in Italy, joining The St. Regis Florence and The St. Regis Rome.

“Venice is one of the world’s most inimitable cities; one which has inspired royalty, artists, merchants and jet setters alike for more than fifteen centuries,” said Jenni Benzaquen, Vice President of Luxury Brands – Europe, Marriott International. “The St. Regis Venice unites the captivating spirit of the city with the timeless sophistication and service of the brand, re-interpreting Venice’s rich history through a modern lens.”

Throughout its storied history, The St. Regis Venice, in its various guises, has played host to a roster of illustrious guests, global influencers and tastemakers. The five ‘palazzi’ that make up the hotel enjoy a position of privilege overlooking the Grand Canal, with Badoer Tiepolo being the oldest palazzo, which dates back to the 17th century. By the 19th century, palazzi Tiepolo, Barozzi and Regina were converted into the Grand Hotel Britannia, more recently known as Hotel Europa & Regina.

The Grand Hotel Britannia attracted notable intellectuals and socialites as well as renowned painters J.M.W. Turner, John Singer Sargent and Claude Monet, who in the autumn of 1908 was inspired by the hotel’s spectacular views during his stay as a guest and worked to capture the passage of light in his artwork. It is recorded in the book “Monet in Venice” by Philippe Piguet that Claude Monet’s wife, Alice, remarked in her daily letters to her daughter during their stay, “the views from our hotel room are the most magnificent of all Venice, and it’s all for Monet!” The hotel was also the first in Venice to have electricity in every room.

“The St. Regis Venice unites the captivating spirit of the city with the timeless sophistication and service of the brand.” – Jenni Benzaquen, Vice President of Luxury Brands – Europe, Marriott International.

Each room has been reverently furnished to cherish the artistic and cultural heritage of the building, while also embracing the evolution of La Serenissima and the St. Regis brand’s spirit of modern glamour. The exquisitely-designed suites include a two-bedroom, art-inspired Presidential Suite – a true contemporary artist’s residence overlooking the Grand Canal – and a three-bedroom Penthouse Suite with a wraparound furnished terrace showcasing extraordinary views over Venice from three separate viewpoints.

The five Roof Garden Suites spectacularly combine garden-inspired interiors with uninterrupted vistas and contemporary touches while furnished terraces offer a quietly seductive atmosphere. Set against twilight tones, the Venetian Suites showcase crafted details of modern design, influenced by the artistic heritage of the city, while the colour palette of the Monet Suites pay homage to the reflection of light across the Grand Canal. As a hallmark of the St. Regis experience, all guests have access to the signature St. Regis Butler service. Honoured to maintain a long-standing tradition of making guests feel at home, the St. Regis Butler is poised to provide an ever-present, yet unobtrusive, serviceattending to guests’ every need.

Inspired by the Venetian masterpieces of former guest and Impressionist painter Claude Monet, the interiors of the refined guestrooms showcase a distinctive colour palette that represents how light changes throughout the day from dawn to dusk. The design of the public spaces pays homage to Carlo Scarpa, one of Venice’s greatest artists and architects. Venetian styling is seen throughout the hotel in tailored fabrics and custom, handcrafted furnishings inspired by the gentle curves of gondolas, the patterns of the Doge’s Palace, the pavements of St. George’s churchyard and the water flow of the canal.

An eclectic collection of artwork and sculptures will also be curated, bringing ancient Venice to today’s luxury travellers in a modern way. Paying homage to the hotel’s tradition of welcoming famed artists, The St. Regis Venice will host artists from around the world to take residence and create unique pieces inspired by the hotel and its beloved locale. The hotel’s first resident artist, Parisian Olivier Masmonteil, has been commissioned to create original artworks for the Grand Salon and the Monet Suites. The Venetian tradition of glassmaking also lives on, celebrated through a partnership with Glasstress. This unique partnership marries contemporary art and historical glass blowing techniques, inviting world class artists of various disciplines to collaborate with Murano Maestros (masters) to create one-of-a-kind glass works of art.

The hotel opens as part of Marriott International’s strategy to expand its luxury portfolio with the addition of 30 new hotels in 2019. St. Regis Hotels & Resorts, part of Marriott International, Inc., has properties in more than 40 destinations around the world.

Main image credit: Marriott International/St Regis

INTERACTIVE HOTEL REVIEW: Monkey Island Estate, Bray-on-Thames

730 565 Hamish Kilburn
INTERACTIVE HOTEL REVIEW: Monkey Island Estate, Bray-on-Thames

Unearthing eight centuries of history, editor Hamish Kilburn checks in to Bray-on-Thames’ Monkey Island Estate to interactively review a new kind of private countryside luxury…

Travel upstream from London and you eventually arrive in the quintessentially British surroundings of Bray-on-Thames, a quiet suburban village that is arguably most for harbouring two of the UK’s five restaurants that hold three Michelin stars.

But before the existence of award-winning gourmet F&B establishment, some 800 years prior, there quietly sat an empty island, which went on to soak up interesting eras. It was firstly an ideal setting for monks seeking peace on the banks of the river. It is said that after the Great Fire of London in 1666, materials from Oxfordshire, such as stone and brick, were transported down the river for rebuilding the city. On the vessels’ return, rubble would be spread around some of the Thames islands, which greatly reduced erosion and helped to strengthen the foundations.

A few decades later, in 1738, the land was purchased by Charles Spencer, 3rdDuke of Marlborough, who was rumoured to have paid palladian architect Robert Morris £2,277 to erect the first two buildings on the island in order to indulge his hobby of fishing. It took Morri three years to complete, but his work marks an important milestone in the property and island’s history – and it is arguably here where the narrative of what is now known as Monkey Island Estate really begins. But it was only recently when the story took on a new narrative, complete with the introduction of new characters, to become a completely unique boutique hotel.

In 2016, YTL Hotels acquired the land, and work began to restore the property into a modern and relaxed countryside abode. Inspired by the haunts of monks, monarchs, aristocrats and writers alike, New York-based Champalimaud Design was responsible to sensitively orchestrate the interior design of the hotel. Having completed the interior design of YTL’s debut UK property, The Gainsborough Bath and Spa, and more recently The Academy in London, the studio, while also sensitively restoring Raffles Singapore, was well-poised to develop the relationship further.

Unlike any hotel project that lead designer Jon Kastl has faced before, the geography of Monkey Island Estate presented its own unique set of challenges. “You have no idea how difficult it is to work on a island that has no direct car access,” he explains. “Everything had to be carried over the footbridge onto the island. And then, the other challenge was the age of the buildings, and dealing with the neglect of the building. They were in pretty rough shape, almost falling into disrepair.”

Guests’ first impression of the hotel is an understated – almost camouflaged – lobby area in a cosy ‘boathouse’ – the feeling of being taken away from the daily grind does not get much stronger than this so close to the centre of London. “The hotel is relatively small,” adds “

The short walk over the footbridge from the unassuming lobby to the public areas is one of wonder. Architectural landscape designer AV Design has created a majestic garden that compliments the various buildings.

Framing what should be in my opinion the postcard picturesque views of the River Thames, the pavilion building, which shelters the majority of the public areas, sets a relaxing setting – and echoes, on a balmy summer afternoon at least, the same peaceful scene that I imagine was once enjoyed by monks centuries ago.

Caption: The Restaurant | Image credit: ACT Studios

Although the bar and restaurant is, on the surface, seemingly conventional, the building has a few hidden gems. The Monkey Room, for example, stands true to its original form and structure – and even design. “The only thing we changed was the purple paint colours on the ceiling and add the furnishings,” says Kastl. The eye-catching murals on the panelling is all original which has been there from since when the building was first built.

Caption: The Monkey Room | Image credit: ACT Studios

Up the spiral staircase, The Whiskey Room is the latest area that has opened. Designed with the winter months in mind, the cosy and home-from-home atmosphere, complete with tactile wallcoverings, is an expected treat.

It is because of the fact that the 41 guestrooms and one originally restored suite are sheltered in a grade I-listed building that makes the design story even more fascinating. The design of each and every one of the guestrooms utilises the entire space, with some stretching out onto terraces which look over the river, while carefully blending in a modern style that becomes timeless.  “We just had to accept the smallness of the rooms when designing them,” Kastl explains. “We did things like designing miniature shelves and additional service space. We designed rails that lined the rolls for guests to hang items from. Because there is such a limited closet space, we had to rely on these rails.” The furniture is scaled appropriately so that it fits in the limited space neatly. Meanwhile, the blinds and curtains, supplied by Concept Contract Furnishings are deliberately not heavy, and instead naturally flood the rooms with light to make them look and feel more expansive.

INTERACTIVE tour of The Wedgwood Suite | Image credit: ACT Studios

Despite the guestrooms being impressive – and adding to the overall interior design story (and challenges) – the masterpiece of the hotel is perhaps sheltered upstairs in the Wedgewood Suite. “The room, from the panelling to the ceiling, was very much intact,” explains Kastl. “One of the challenges was that it has windows on three sides, so from a layout point of view it created a few headaches.” The ensuite bathroom has been re-gutted and given a fresh and modern look. “ The suite is the coming together of old heritage design and the new.

Moored on the river bank, the hotel’s spa is unlike any other in or around London. The facilities have been curated by Melissa Mettler who took inspiration from its riverine surrounds, past inhabitants in the form of royalty, liturgy and literary stars, as well as elegant architecture. The floating spa, which features two treatment rooms that are uniquely sheltered within a renovated barge, is a celebration of the power of water blended together with natural wellbeing and wellness.

Image credit: ACT Studios

I’m sure, for the designers as much as the operators, that the thought of completing Monkey Island Estate and opening again to the public was a distant day dream. But, considering the drastic rise in demand for wellbeing as well as wellness, the timing of YTL hotel’s countryside retreat could not have been more perfect. Checking out of Monkey Island feeling fully restored in mind, body and spirit myself, following a short by sweet trip to the floating spa before departure, the hotel locks in so many unique and thoughtful moments – and exceeds expectations to become one of the UK’s premium countryside retreats.

Main image credit: ACT Studios

LIGHTING WATCH: Berkley Collection from Christopher Hyde

730 565 Hamish Kilburn
LIGHTING WATCH: Berkley Collection from Christopher Hyde

Christopher Hyde Lighting beautiful Berkeley table lamp was recently supplied in the lobby area of a luxury hotel in Moscow…

The stunning and imposing table lamp allows the interior designer to put the finishing touches into their own five-star project. The design of the Berkeley collection features delicate cast brass details. Available in many different finishes from the ever popular french gold and antique silver to polished rose gold and soft bronze. Complimented by Christopher Hyde’s hand crafted silk lampshades the Berkeley table lamp is sure to brighten up any lobby.

The Berkeley range is on display at the company’s showroom at the Design Centre in Chelsea Harbour, London.

Christopher Hyde’s new catalogue is released soon and is available to order.

Christopher Hyde is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: Christopher Hyde

EXCLUSIVE ROUNDTABLE: Adding personality in hotel public areas

730 565 Hamish Kilburn
EXCLUSIVE ROUNDTABLE: Adding personality in hotel public areas

In partnership with Arte Wallcoverings, editor Hamish Kilburn invited some of the leading hotel designers and architects to Design Centre Chelsea Harbour for a live debate on how to add sustainable personality in the ever-evolving arena of public areas. In addition to being involved in the engaging conversation, the designers, directors and principals were also the first to see Arte’s five new collections, which were officially launched a few days later at Focus19 during London Design Festival… 

Design experts around the table:

Regardless of style, size or star-rating, recent hotel openings suggest that public areas are evolving, and fast. No longer an empty air pocket in the building’s structure, the lobbies that are being created or renovated today are unconventional active spaces, designed to flexibly accommodate all guests whether they are checking in for business, for leisure or in many instances, for both.

Hamish Kilburn: How have the ways in which consumers use public areas changed?

Fiona Thompson (FT), Principal, Richmond InternationalGenerally, how guests behave in hotels has changed. The demographic is completely different. At one point, hotels were quite intimidating places, and not very accessible. That’s been one of the most significant changes I have seen. Hotels have become much more outward-looking and much more accessible to everyone. People now use spaces how they want to use them. Therefore, public areas, in general, have a greater sense of informality.

Vitalija Katine (VK), architect, Jestico + WhilesOne of the largest changes I have noticed is the accent of activation points in lobbies. The activation point of, for example, pop-up bars and pop-up receptions can be positioned and adapted easily in the lobby. I think the public space of a hotel has been the highlight of the last four years, because people are lounging in the lobby as opposed to using it simply as transitional space.

David Mason (DM), Director of Hospitality, Scott BrownriggThere’s a lot more awareness now about the ecological message that hotels are trying to amplify. Also, with the appeal to millennials, there’s much more awareness on the public areas. I imagine there will be a lot more focus on some kind of hotel standard where we really start to look into what is going into hotels, and that will come from hotels aiming to achieve an environmental space. Although hotels are already acting to be more eco-friendly, I think it will become even more of a focus.

Caroline Cundall (CC), Director of Interior Design IHG – Europe: How people work and specifically how people hold meetings has changed massively. That has had a large affect on our lobby spaces. More and more people are roaming around with small laptops and lobbies are much less formal than they used to be. Hotels are recognising the value in attracting more than just the guests staying at the hotel, and the current boutique influence is a catalyst in all of this.

Sam Hall (SH), Global Head of FF&E, GA GroupI have seen more awareness in hotel operators in understanding how space is used. There are many examples of hotels that use every inch of the space as a revenue generator. CitizenM, for example, feels very intimate because the space is broken down. The grand volume of entering a hotel is behind us, perhaps not in Asia or the Middle East, but in Europe and elsewhere for sure. Space is at a premium and every inch of it has to make money. Designers are using the materiality to make spaces feel softer and warmer. These grand areas full of marble are not really where it’s at anymore. Instead, designers are trying to make these soft and reduced acoustics, so it feels more comfortable.

“It doesn’t matter what word you throw on it, what people want is a well-designed space.” – Arianne Steinbeck, Managing Director, RPW Design

Arianne Steinbeck (AS), Managing Director, RPW DesignThe launch of W New York on Lexington Avenue in 1998, designed by David Rockwell, was a pivotal moment. Before that, it was unheard of to serve drinks in the hotel [public areas] and play music. And now everyone is doing it. That was the start of this boutique look and feel that we see today. It doesn’t matter what word you throw on it, what people want is a well-designed space. I think that everyone in the industry has upped their game across all brands, which is a result of consumer demands. To be honest, I’m surprised it took so long.

HK: Are you saying that there is less of a space for grand and open lobbies on the international hotel design scene?

AS: I think there will always be a space for this style of hotel. Personally, I love hotels that remind you that they are a hotel, where the service element absolutely completes the overall experience.

SH: I agree with you, and it’s about the coming together of quality and luxury, working as one.

FT: But even some of the smaller luxury resorts capture that feeling of grand luxury. It all comes down to that amazing sense of service, but it is perhaps delivered in a more modern way.

“All these hotels that feature over decoration to differentiate from others will disappear.” – Fiona Thompson, Principal, Richmond International

HK: Trends is a sensitive term in hotel design. But do what extent do emerging trends come into your decisions when selecting wallcoverings on a project?

AS: It’s come full circle. When I started in the ‘80s there were a lot of patterns on the wall. And then it washed out to a symphony of beiges. Now we seem to be coming back to a little bit more colour and pop. In a few years’ time we might perhaps look at this ‘greyeige’ situation again. That’s why we have all these different brands, because there is room in this industry for individuality.

FT: There is going to be a move away, for sure, of this extraneous design for the sake of it. All these hotels that feature over decoration to differentiate from others will disappear. The young generation want something that is a bit more meaningful. All these words get thrown around: timeless, authentic, and I’m not really sure what they all mean. There is going to be this move away and everything will have more of a purpose.

Hotels are typically big environmentally bad beasts that use power and electricity and decimate environments. Therefore, I predict there will be a call for them to be more responsible, and this filters down to the materials being used to design them.

HK: From a product point of view, how does Arte select trends?

Siobhan Kannenberg, Commercial Manager UK & EIRE, Arte Wallcoverings: As a brand, we don’t really have a specific style. You can always recognise Arte by the quality, but we try to cover all basis. Trend-wise, sustainability is becoming more and more important for our customers, so we are using more natural materials and that is certainly what is called for. Also, I am really excited to see tactile patterns are coming back around.

CC: The fashion industry has always had a huge influence on design. There’s so much talk about recycling in the fashion industry at the moment. Like for example reusing materials, and this is already something that hotels are looking at.

FT: The fashion industry is always half a season ahead. However, things are going to change because they are being challenged. It will be interesting to see how this will filter down into the design sector.

SH: Where brands could go wrong is using sustainability as a selling point, whereas I believe it should be the foundation of the brand and not the feature. I’m hoping that everyone will end up speaking the same language in design to use for purpose and just naturally recycle materials. One of the key benefits of wallcoverings is that it is so easy – and much more affordable – to change and update interiors.

AS: I have no problem reusing something from a previous renovation that still looks good. You don’t always have to throw everything out. Sometimes the casegoods, for example, are on par or better than what you could buy new. And with the right wallcovering, the space will look fresh and retouched.

SK: When we are designing our Arte collections, we like to think of wallcoverings as our showstopper. Is that accurate?

FT: I think it hasn’t been in the past, but actually bright colours and patterns are becoming the centre stage.

HK: In all honesty, how much of the budget, time and consideration goes on the wallcovering decisions – and can you talk me through that process?

CC: You can never estimate these things. The fact that Arte has many wallcoverings that are quite distinctly statement pieces is interesting. If an interior designer would put that into specifications there’s no way that would be changed. It’s the one thing that would be a focal element to a scheme. And if that’s an initiative that everyone agrees on then it will go ahead.

DM: Designs are moving massively forward. From what I remember 20 years ago, the range and difference is incredible. There are so many interesting things you can do now with the wallcoverings, and I have been introduced to such a vast range of materials.

AS: It’s also worth mentioning how much more you get in a product these days. Digital printing changed the pace of innovation. You can have so many awesome effects with digital printing, and I expect to see more of that.

HK: What would you say is the biggest misconception from a client’s point of view?

ALL: That the client can do it better!

SH: In all seriousness, all of these interior designer programmes make it look so easy.

HK: How has the evolution of social media changed the ways in which your briefs from clients are coming in?

FT: I don’t think it’s any different from years ago when we were asked to create ‘wow factors’. It’s just a different terminology. I ban Pinterest. It is too easy to find information these days. I really encourage our designers to go out and see hotels in person, because I don’t want them to lose that discovery process.

AS: I always have to ask which page on Pinterest a look came from, because if it’s from the first page, I don’t want to know.

DM: You’re right, and when they see hotels, I encourage them to find something new than what they have seen online. Too often people are looking for the same shot, the same framing that they have already seen on social media, and it is stripping creativity from the process.

We were actually given a brief for an independent hotel which was solely to create an instagrammable hotel, which would never have happened only a few years ago.

We were challenged quite a lot by Hard Rock International when designing the London property. The brand is American and very bold. To be fair to the client, although we did go backwards and forwards, we did manage to convince them to tone down the ‘instagram moments’ for an audience in London.

VK: We are asked quite often by clients what we consider to be ‘our moments’ in the design. The attention that the ‘Instagram moment’ is getting is much larger and much more exposed to the general public. There is no ‘one size fits all’ solution. What works in one region does not necessarily work in others.

HK: With the rise in demand for hotels to feel more boutique and independent, how are the materials you are using in the public areas changing?

SK: From Arte’s point of view, there seems to be a lot of misconception that vinyl is what is asked for from the big brands. Actually, with the influence of independent and boutique hotels, hotel groups are more willing to use range of products and materials. As manufacturers, we see vinyl an essential material for corridors for obvious reasons, but it’s a different story in the lobby. People don’t really touch the walls, so there is the ability you can have more fun with a variety of materials.

CC: Fire regulations is key for the country you are in. As long as a material and product has passed its certification, I totally agree.

HK: How do you predict public areas further changing in the next 10 years?

CC: More people will start to work remotely. Working in London, there isn’t anywhere comfortable to sit and have a meeting with a few people. I think that should be the next focus, to have more discreet places to have a meeting – and hotels could harness this well.

SH: I think that there is more that can be done around connectivity. Public areas can still further become even more accessible.

FT: It will be totally connected to how we work and live. People don’t have the formality so much of going to an office anymore. The behaviour of ‘hotdesking’ is interesting and public spaces in hotels can really respond to that.

Following the exclusive panel discussion, the leading designers and architects were the first to browse Arte Wallcoverings’ five new collections (Expedition, Wildwalk, Essentials – Les Nuances, Velveteen and Sketch (HookedOnWalls)) before they were officially launched a few days later at Focus19.

The Standard Hotels brand arrives in the Maldives

730 565 Hamish Kilburn
The Standard Hotels brand arrives in the Maldives

The Standard, Huruvalhi Maldives opens as the brand’s second hotel outside America and its debut hotel in Asia… 

Following the brand’s first venture outside The States to open in London, The Standard brand has spilled into Asia with the arrival of The Standard, Huruvalhi Maldives. With 115 stunning private pool villas, The Standard, Huruvalhi Maldives is a short sea plane ride away from Male, nestled between the Raa and Baa Atolls, on a naturally protected island.

The goal of every Standard project — be it a hotel, a rooftop discothèque, or a magazine — is to defy conventions, up the aesthetic stakes, and deliver an experience that can only be had at The Standard. While the Maldives has traditionally been seen as a ‘couple’s destination’, the famed hotel brand has approached the development with a fresh set of eyes. The resort offers an unmatched combination of relaxation, dynamic social life and vibrant cultural programming that also welcomes groups of friends or singles looking to meet others or just reset and recharge in Paradise.

Each of the 115 villas features its own private lounge deck and plunge pool, and guests can choose from one of six unique culinary offerings. The Standard, Huruvalhi Maldives presents culinary options that are inspired by the bounty and beauty of the Indian Ocean and guided by the brand’s commitment to authenticity. Both local and global cuisines are offered, and special, local ingredients – some grown on its very own island farm – are woven throughout the menu.

The Standard Spa is a haven for recovery or reboot, offering a communal hammam, aroma cypress steam room, chromotherapy and contrast shower, and ten private treatment rooms. Guests are able to drop in to a daily yoga or personal training session, or chill out at the Spa Deck and Tonic Bar plunge pool.

Of course, no Standard experience would be complete without nightlife, from tribal beats at a beach bonfire to a glass bottom nightclub. And a disco ball above your bath tub, for guests to enjoy their own private party.

The hotel brand, which was created in 1999, now has six hotels within its portfolio, which includes properties in New York, Los Angeles, Miami, London and now the Maldives.

Main image credit: The Standard Hotels

Sleep & Eat unveils design details of this year’s VIP Lounge

730 565 Hamish Kilburn
Sleep & Eat unveils design details of this year’s VIP Lounge

‘Gather’ in the enigmatically designed VIP Lounge. Sleep & Eat announces collaboration with Megre Interiors to create a new design-led experience…

Sleep & Eat, one of Europe’s leading design and innovation event for the hospitality sector, has revealed an enticing glimpse of its new-look VIP Lounge. Created for the first time this year by an international design firm, the lounge will be brought to life by Moscow-based interior design studio Megre Interiors. With this year’s theme of ‘Social FlexAbility’, VIP Lounge guests are promised an experience like never before.

Named ‘Gather’ by the designers, the original oak panelled Olympia Club Room will be transformed into a whimsical flora and fauna-inspired space. Drapes, upholstery and even the flooring will be in a fabric depicting exotic flowers, specially designed for Sleep & Eat by Megre Interiors, cascades of fabric flowers will loop through the space and, in the epicentre, a large-scale light installation will flicker like a fire. This will be surrounded by orbicular seating –referencing the circular gathering places of human history and drawing a parallel to the primeval pleasure of coming together around a firepit.

“In an age marked by the impersonal, it’s vital to trust people over brands.” – Yuna Megre, Founder and Principal of Megre Interiors

Arriving in the entrance reception, guests will find themselves enticed into the space by a single thread of light. Inside, lighting remains low, shapes and forms are obscured and audacious texture and colour prevail. Collections of poufs as well as the circular seating will be underlit to glow like beacons. Vastly adaptable, this will be a room that gives its users the power to interact with it and alter as they wish, moving the seating around to suit their needs. It will be about the opportunity is to meet, talk, learn and relax, and to emerge better connected than before.

“The human soul blossoms fully only when we meaningfully connect with one another,” says Yuna Megre, Founder and Principal of Megre Interiors. “In an age marked by the impersonal, it’s vital to trust people over brands. To meet, to see, to know each other and embark on the adventure of creation together.”

The VIP Lounge will not be the only space at Sleep & Eat to be specially designed by an international design firm. Plans for this year also include the introduction of The Hub – yet to be revealed – as well as the much-loved Sleeper Bar which will host the late evening networking on day one and is this year being designed by Michaelis Boyd.

Sleep & Eat, November 19 – 20 in the National Hall, Olympia London. The show will be open from 10am on Tuesday 19 with an evening drinks reception until 8.30 pm, and from 10am-6pm on Wednesday 20. To register for a complimentary pass, visit registration.

Main image credit: Merge Interiors/Sleep & Eat

TREND WATCH: Super Matt is the new Black

730 565 Hamish Kilburn
TREND WATCH: Super Matt is the new Black

UNILIN, division panels, has developed Fibralux MR Black Super Matt, a black core MDF panel with a fingerprint-resistant, satin-soft matt finish on both sides…

With an MDF core coloured black and a transparent super-matt finish on both sides, Fibralux MR Black Super Matt delivers a new black for interior and furniture use. Showcasing the origins of its fibrous construction through the transparent finish, Black Super Matt, brings a new aesthetic.

UNILIN, division panels has developed a brand-new finish for black MDF panels with a soft-touch effect that’s fingerprint-resistant, as well as resistant to scratches, tough and easy to maintain.

“We’re really excited about Black Super Matt,” said Jurgen Plas, marketing manager, UNILIN, division panels. “The coating technology in our new transparent, matt finish brings a unique aesthetic without compromising on performance.

“As designers continue to hunt for authenticity in the materials they specify, Black Super Matt is one of the first MDF panels to embrace this, revealing the beauty of its raw state in a striking panel that feels incredible too. What’s more, it offers a super-matt finish that breaks form with the standard finishes of other panels, bringing a new black.”

Fibralux MR Black Super Matt is available in 18 and 19mm thickness in a panel size of 122cm x 305cm. Suitable for all process involved in furniture production as well as vertical application in interiors, Fibralux MR Black Super Matt is not recommended for high-wear applications such as work surfaces, desks or table tops.

Main image credit: UNILIN

100% not-for-profit luxury safari, Lepogo Lodges, opens in South Africa

730 565 Hamish Kilburn
100% not-for-profit luxury safari, Lepogo Lodges, opens in South Africa

The safari Lepogo Lodges, joins the ‘Not-for-Profit Conservation Tourism’ Movement and pledges to offset each and every guest’s carbon footprint…

Lepogo Lodges, one of Africa’s few entirely not-for-profit high-end safari lodges, has opened its very first lodge in South Africa’s Limpopo Province, Noka Camp, which is set within the 50,000-hectare, malaria-free Lapalala Wilderness Reserve.

Lepogo Lodges is the very first luxury camp in Africa to offset the carbon footprint of every visiting guest, from the time they leave their home to the moment they return. Family-owned and operated, the project has been developed as part of a life-long dream to create a sustainable conservation legacy in Africa, with 100 per cent of any financial gains made re-invested back into the reserve for the benefit of wildlife, conservation and the local community.

Image credit: Lepogo Lodges

Noka Camp consists of five stilted villas, including one villa especially designed for families. The villas are joined by a main lodge comprised of dining room, bar, lounge area and sprawling outdoor terrace, all perched atop a 100ft cliff overlooking the winding Palala River below and the endless bush ahead. The camp is entirely off-grid, with all energy self-generated by a bespoke, 250msolar walkway.

Lepogo Lodges have worked with award-winning Japanese Architect Yuji Yamazakion Noka Camp and its five stilted villas, designed to offer the highest level of luxury while bearing the lightest footprint on the surrounding environment. A glass-fronted design for the main lodge and villas maximises the incredible panoramic views seen at every turn, while the entire property has been built on small concrete pads, which ensure that no scars are left on the land.  Each villa is complete with heated plunge pool, unique ‘sky bed’ with glass floor over the ravine, sunken bathtub and underfloor heating.

Lepogo Lodges have collaborated with Sarah Ord Interiors on the interior design of Noka Camp. Reputed for her use of colour and eclectic designs, Sarah’s vision was to enhance and reflect the natural colours of the reserve. Noka’s light-filled interiors were inspired by the vast horizon of turning leaves on the terracotta-coloured cliffs, where the sky meets Africa. Walls disappear through the use of expansive glass panes, with each vista becoming a framed work of art on a grand scale. Sarah has made use of sustainable and South-African products, crafts and textiles wherever possible.

Lepogo Lodges will consist of two lodges, with a second property, Melote House, set to open in 2021. Ideal for multi-generational travel, Melote House will be an exclusive-use property sleeping up to 16 guests.

Entirely energy self-sufficient thanks to the property’s very own solar walkway, Lepogo Lodges will be the first luxury lodge in Africa to offset the carbon emissions from all guests’ travel, from the time they leave their home to the moment they return. Guests can also participate in conservation efforts, community outreach, school visits and more.

The owning family of Lepogo Lodges is committed to supporting community projects. For example, the Montebello Design Centre in Cape Town was founded by a close relative as a centre to support the disadvantaged, where students can learn valuable crafting skills and generate income to support their livelihoods. It flourishes today and has produced some remarkable talent, some of which Lepogo is proud to be able to showcase. Lepogo Lodges are also working closely with local communities, who have created bespoke soft accessories for the lodges, toys and clothing for the on-site curio shop and custom amenities including hydrating hair oil made from the fabled Baobab and Moringa trees.

The family is particularly passionate about the conservation of cheetah, pangolin and rhino, having been attracted to Lapalala as one of the leading private rhino sanctuaries in Africa. Lepogo Lodges have funded research and are working with Lapalala to establish the reserve as a centre of excellence for the release of wild captured cheetah in conjunction with The Endangered Wildlife Trust. A pangolin re-introduction programme will also begin in the coming months and the family look forward to supporting and working with the world renowned Lapalala Wilderness School.

 Main image credit: Lepogo Lodges

The Standard London, Camden’s new kid on the block

730 565 Hamish Kilburn
The Standard London, Camden’s new kid on the block

In search of a new standard in design, creativity and urban hotels, editor Hamish Kilburn checks in to London’s most talked-about hotels this year to explore another world. The Standard London has opened, making a bold statement on the capital’s new hospitality scene… 

Something significant is happening in London’s King’s Cross area. It’s been brewing for some time now, but it has only recently erupted.

During London Design Festival and London Fashion Week, the area was the backdrop of a scene of celebrities, models and the odd design editor or two falling out of parties and onto pavements. Soho and Shoreditch were desolate deserts in comparison. It’s the power of real estate like you have never seen before. Selecting its opening date carefully, The Standard has disrupted everything – and it’s about time too!

Although, for years, the district has evolved with the time, it was the expansions to King’s Cross and the new St Pancras International stations adjacent to each other that started the catalyst for change. Strangely enough, my father worked on the construction of both. I remember the odd non-official ‘bring your son to work’ day, the oversized hard hat specifically, as we meandered around the expansive building site unable to imagine the finished picture. “Soon, you will be able to travel from London to Paris in just two hours, imagine that” I remember my father saying overexcitedly. “Right here, where you are standing, is going to become London’s major international train station!”

Whether or not my pops really was one of the first to envision the area’s potential is irrelevant. The station opened and almost instantly the cool, quirky neighbourhood of Camden became even more of a hotspot for the mainstream, without much – if any – loss of its bold and bohemian personality. As a result, the capital’s hotel scene – quick to follow major travel trends – moved outward to put a roof over the raw and rustic scenes that its locals had created.

And here we are, welcoming the city’s new arrival, The Standard, which has been patiently waiting in the wings for some time now. And while all hotels have a story (some more worth sharing than others), The Standards’ narrative is as unique as the interior design scheme locked within; a perfect meeting of American soul and London’s ostentatious quirk.

Housed in the former Camden Town Hall Annex in London’s thriving King’s Cross neighbourhood, the 1974 Brutalist building has been meticulously restored by the legendary ORMS Architects in collaboration, in part, with Archer Humphryes Architects.

The 266-key hotel, which shelters 42 suites, sets the perfect stage for the brand’s first arrival outside America. Uniquely overlooking the iconic St Pancras Station, from street level it’s juxtaposition of architecture that shouldn’t but does work. On the north side is the traditional 19th-century iconic neo-gothic architecture, which has stood the test of time, and two world wars for that matter, unscathed. On the south side is the ultra-modern non-conventional structure, symbolising loudly that times are changing.

“Three new storeys have been added to the top of the building,” explains Simon Whitaker from ORMS Architects. “The form of which has been derived from the host building below, and clad in new stainless steel and glass panels. Two of these floors provide hotel bedrooms, whilst the top floor is dedicated to the new restaurant and bar, with a roof terrace above.”

Image credit: The Standard Hotels

Upon entering, the lobby lounge sets the scene, with a carefully curated library that pays homage to the building’s original use. Further in, sound studio booths host weekly live music and talks. Executive Chef Adam Rawson’s street facing bar, Double Standard, designed by Shawn Hausman, the neighbourhood’s street-facing anchor for lunch, casual drinking and dining throughout the evening.

Although the colour scheme in the guestrooms and suites may not be to everyone’s taste, it is very much so mine. Not so much because of the tones used, but more so because they have been intertwined together with purpose – and unapologetically so for that matter. Complete with bespoke curved sofas and the King’s rooms featuring outdoor terrace bathtubs, the idiosyncratic charm of the hotel is certainly not limited to the public areas.

Image credit: The Standard Hotels

Before it opened, the hotel’s street level, red exterior lift was the ultimate teaser campaign. Now fully open, it shoots guests up directly to the 10th-floor where Chef Peter Sanchez-Iglesias’ restaurant showcases his live-fire cooking and where guests and visitors alike can enjoy the building’s 360-degree views of the city below all-year round thanks to the retractable awning.

No longer do party-hard followers of the brand have to travel stateside to experience The Standard’s retro maximalism. First launched in the late 90s with its debut hotel in Hollywood, which for the record remains to this day a go-to destination on the Sunset Strip, the hotel’s urban cool influence is London’s answer to keeping the Camden’s hospitality scene fresh, authentic and designed with purpose.

It’s next stop? The Maldives, next month in fact, which will be an interesting page to turn in what is an unmistakably climatic chapter for the now international hotel brand.

Main image credit: The Standard Hotels

PRODUCT WATCH: Armani and Roca launch Baia Collection

730 565 Hamish Kilburn
PRODUCT WATCH: Armani and Roca launch Baia Collection

With the new Baia collection, Giorgio Armani once again shows his commitment to promoting comfort and wellbeing, expressing his vision of the bathroom environment through a combination of elements that allow maximum flexibility and adaptability…

Particular attention has been paid to the ergonomics of each piece in the new collection by Roca in collaboration with Armani. The aesthetic intentionally references the past but the retro styling has been interpreted in a modern manner and incorporates avant-garde technology.

The result is a new versatile bathroom collection, which manages to be both contemporary and timeless, in accordance with Giorgio Armani’s well-known design philosophy.

The wide range of countertop and over-countertop washbasins offers endless combinations of brassware, allowing the adaptation of the pieces to suit every type of bathroom. The introduction of exciting new metallic finishes extends the embellishment on offer to help create bathroom spaces of increased sophistication and elegance. Two luxurious shades – a matte gold and dark metallic – are used in a revised version of the shagreen finish. The resulting shagreen matte gold and shagreen dark metallic adds a touch of unusual elegance. The basin options now also include a new, stylish pedestal model, which complements the rest of the collection and can be fitted with integrated metal towel rails in various finishes.

The range also includes a new line of classically inspired brassware: deck-mounted and built-in basin faucets, a bidet faucet, a thermostatic shower column faucet and a thermostatic freestanding bathtub faucet. These are all available in three finishes: greige, brushed steel and chrome. One of the unique features of this brassware range is that, in spite of its classical design, it is equipped with innovative technology; for example, thermostatic technology has been incorporate into the freestanding retro-inspired bath filler and the retro-look shower column, delivering thoroughly modern efficiency.

The highlight of the collection is an elegant piece of metallic furniture with washbasin and an integrated metal towel rail. This provides maximum functionality, while exuding a sense of comfort and convenience. Available both in off-white lacquered wood and greige oak-veneered wood, this piece will instantly endow any bathroom with an undeniably luxurious touch.

To complement the beauty of this iconic piece, the freestanding bathtub, which also has a retro look, makes a perfect focal piece for any bathroom. Updated with a contemporary appearance and paying special attention to ergonomics and comfort, the lines of this bathtub are soft and sinuous. It is also available in an elegant version embellished with four metal handles in three finishes – greige, brushed steel and chrome. These handles are beautiful and functional details which match the rest of the collection.

The importance of flexibility and the added benefit of ‘made-to-measure’ is evident in the shower tray, which comes in an extra-fine resin in custom-made sizes up to 2m x 1m, and is presented in a unique collection of textures and finishes.

A new line of toilets and bidets, both wall-hung and close-coupled, is now included in the collection in order to meet every design requirement. These are complemented with advanced technological electronic flush plates that feature unique glass finishes.

The wide-ranging collection also includes a line of accessories that incorporates towel racks and a wall mirror, both with rounded metallic profiles in various finishes. These recall the same design characteristics as the rest of the collection.

Throughout the Armani/Roca Baia collection, harmonious and fluid forms promote a feeling of comfort.

Main image credit: Roca

In Conversation With: Mark Tremlett, co-founder of Naturalmat

730 565 Hamish Kilburn
In Conversation With: Mark Tremlett, co-founder of Naturalmat

With ‘the bed’ continuing to be the first and arguably most important furniture element to get right when designing any hotel experience, editor Hamish Kilburn sits down with Mark Tremlett, co-founder of Naturalmat, to understand how it has uniquely become one of the world’s leading bed and mattress manufacturers for the hotel industry…

20 years ago, when Britney Spears, Steps and Ricky Martin were dominating the UK pop charts, Naturalmat’s interesting narrative began in rural Devon, where its headquarters remains to this day.

And like all great manufacturing stories, it started with a family business. Mark Tremlett and his father were boat builders, working to design luxury superyachts at their base in Topsham, on the picturesque banks of the River Exe.

Despite consumers investing a lot of money in high-quality interiors, using bespoke fixtures and fittings, let alone the cost of each vessel, the father-and-son duo saw a fundamental issue with the conventional beds that were being specified in the marine industry. “I saw that people were still sleeping on poor quality polyurethane foam mattresses underneath it all,” explains Tremlett, the co-founder of Naturalmat. “This is not a great material to use on a boat (or any bed) as it’s not breathable, leading to issues of damp and mould, and doesn’t give the most comfortable experience.”

Fine-tuning his entrepreneurial skills, Tremlett teamed up with Peter Tindall to develop a mattress that made full use of the organic sheeps’ wool that was naturally in thick supply in the West Country, combined with coconut fibre and natural latex. “This made for a superior night’s sleep, greater longevity and an all-round more comfortable experience for the owner,” he adds.

Following success in the marine industry with the innovative and practical bed solution, Tremlett settled down and began a new journey, fatherhood, which inspired the next branch of Naturalmat’s portfolio to grow.

In 2001, after noticing the lack of sustainable, durable and functional materials on offer when searching for an appropriate cot for his new-born baby, Naturalmat Nursery was formed. “Materials wise,” Tremlett explains, “we have not changed that much for the mattresses. The core organic and natural fibres that you find in our marine mattresses will also be found in our nursery, domestic and hotel mattresses.” The result was a breathable, organic and comfortable mattress for a market that was, prior to Naturalmat’s entrance, screaming out for innovation.

The next turn in the story came in 2008 when Tremlett was approached by Simon Woodroffe who was developing the YOTEL concept. With smaller sized rooms, which the hotel brand refers to as cabins, the stars aligned, which led to Naturalmat further expanding globally and entering what is now its largest market; the international hotel industry. “Simon was looking for a sustainable, organic sleep solution that worked in his compact spaces, but didn’t cut corners on comfort,” explains Tremlett. “We worked together and became the bed consultants for his business.” Following the milestone partnership, more opportunities emerged, such as working with Qbic, Six Senses Resorts, Z Hotels, Hoxton Hotels and more.

Image credit: Naturalmat

Each and every Naturalmat mattress and bed is made by hand in the company’s purpose- built factory in the same site where Tremlett began his venture in 1999. “We believe that people, not machines, make a superior, longer lasting product,” he adds. “Our team ensure every stitch, every fibre, every tufting button and every cover is painstakingly created, teased and checked.”

“When we started, I was making mattresses on my old table tennis table in a small corner of our boatyard.” – Mark Tremlett, co-founder of Naturalmat.

With demand at an all-time high, the company’s British infrastructure also had to grow. “What has changed is the size and space that we need to make all our ranges,” says Tremlett. “When we started, I was making mattresses on my old table tennis table in a small corner of our boatyard. We now have almost 40,000 sq/ft of dedicated space and are

building another new 25,000 sq/ft. We also now design and make a full range bed bases and headboards so our upholstery skill set and our knowledge of fabrics has had to develop to achieve this.

Another unique strand to the fabrics of the company is the method of sourcing its materials. “Our organic lambswool comes from Soil Association certified farms in Devon, Dorset and Somerset,” says Tremlett. “We buy direct from organic farmers, to ensure the highest quality. Buying direct also gives the farmers a better return than taking it to market, so we are supporting our local farming community.”

By keeping a close eye on its supply chain and manufacturing, all the way to delivery, Naturalmat is able to guarantee a great quality product every time, and also meet the needs of hoteliers who have specific requirements. “When a mattress leaves our factory, we are confident it will give years of long lasting comfort,” adds Tremlett.

While the industry is slowly starting to design more consciously and responsibly around the environment, with thanks to a number of catalysts – the obvious being the David Attenborough effect – Naturalmat’s core DNA is, and has always been, to create sustainable and comfortable products. Largely, if not wholly, as result of the company remaining firm in its eco and quality ethos, Naturalmat has become a market-leader in several sectors. “I think that everybody is very conservative at heart and changes just take time to come about,” adds Tremlett. “Also the price initially would have put people off, but now the value of making a sustainable product is much more important in the buying decision than it ever used to be.”

QUICK-FIRE ROUND:

Hamish Kilburn: On a scale of one to 10, how eco-friendly do you consider your lifestyle to be?
Mark Tremlett: A solid 8/10

HK: Where do your product development ideas usually come from?
MT: Our products are created in answer to two big problems that are universal issues. 1) How do we live more sustainably? 2) And how do I get better sleep?

HK: What other eco products on the market are you impressed by at the moment?
MT: We are always keeping an eye on the latest eco technologies and considering how they could be applied to our products. I have been very impressed with some of the emerging fibres and fabrics that we have seen at design and trade shows. We have been playing around with Pinatex, a sustainable alternative to leather that’s made from pineapples. I could see that upholstering a stylish bed!

HK: Can you name one trend you wish never returns?
MT: Supermarket fruit and vegetable plastic packaging – please can we make this an endangered species.

HK: Becoming a parent inspired a new direction in your business. What do you hope your child/children learn from you?
MT: Try hard, work hard, have fun and it will all be ok in the end.

HK: Is the bed still the most important element of a hotel experience?
MT: If I said anything other than yes, I would by lying.

Image credit: Naturalmat

Through conversations that are happening at the moment on the international hotel design scene, the industry seems to be surfing on the crest of the wave when it comes actively designing eco-friendly hotels, but is the future landscape of international hotel design one that is layered with eco hotels? Tremlett seems to believe so. “Whereas for many years eco travel appealed to a niche consumer, it is now very much in the mainstream,” he explains. “The environment is a universal concern and increasing numbers of people are making positive changes to their everyday lives with this in mind, from choosing a reusable cup, to organic furnishings, to locally sourced restaurants, to an eco- friendly trip. It makes sense that the demand for eco hotels will only continue to grow, and that existing hotels will feel a pressure to make more environmentally friendly choices.

In regards to the future, as well as being specified for the Conscious Bedroom concept that Harris & Harris will be unveiling next month at the Independent Hotel Show London, Naturalmat continues to innovate its products to cater for growing and evolving demand. “Our customers have been asking us for better bedding, so we are about to launch our new range of 500 thread count GOTS certified organic cotton bedding,” Tremlett explains. “We are buying direct from source and have been very fussy about the level of what we want, it has taken ages but we will be launching this in the Autumn.”

Naturalmat is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.

Main image credit: Naturalmat

A new look and feel for Momentous

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A new look and feel for Momentous

Momentous, the specialist logistics company that has recently become Recommended Supplier, has just launched a fresh new look and feel for its international business… 

Momentous, which is part of AGM Group, has just pressed the button on a new website that has been dynamically designed specifically to highlight the company’s three core areas of specialist logistics, which are:

  1. FF&E Logistics for Interior Design
  2. Event and Tour Logistics for the Performing Arts
  3. Fine Art Logistics and Installations

“Momentous provides a versatile service covering multiple specialist and complimentary disciplines.”

Momentous provides international transportation with customs management, digital condition reporting, bespoke case making and installation of pieces of art and sculpture in spaces with specialist lifting equipment. Consolidated storage with FF&E inventory management, distribution and installations for major interior design projects. Its events logistics team provide transport logistics and crews on-site for live events and storage of equipment, film sets and wardrobes. Momentous provides a versatile service covering multiple specialist and complimentary disciplines.

With decades of experience, the team includes project managers who are experts in their fields, experienced fine art technicians and logistics crews with decades of experience, ready to apply their knowledge to plan and execute your project just the way you need.

When it comes to the important aspects such as safety, compliance, equality and sustainability, it is good to know that Momentous is part of the AGM Group which means everything complies to the company’s ISO standards and governance.

“The company provides world class logistics management for its interior design, events and fine art clients.”

“As a group, Momentous offers companies an exceptional level of expertise and service for specialist logistics services,” said Russell Start,  Managing Director of AGM Group.” Momentous caters for projects that are more complex than most.”

The company, which originally began in the 1970s as an independent fine art shipping company, provides world class logistics management for its interior design, events and fine art clients.

These three areas have a clear synergy and are particularly relevant today as fine art is increasingly intrinsic to hotel and interior design projects. Furthermore, where event logistics are now just as relevant to hotel launches and art exhibitions as they are to the thriving live events market. Momentous provides all these services through a single source.

Giles Bristow, Project Manager at Momentous, commented: “Having all these specialist services available under a single Momentous brand, makes complete sense. It means that we provide a flexible and seamless logistics service, enabling us to condition report, pack, move, store and install just about anything for our clients.”

To request a quotation or to discuss your project logistics requirements please click here.

Momentous is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.

PRODUCT WATCH: A Super-fast carpet full of spirit

730 565 Hamish Kilburn
PRODUCT WATCH: A Super-fast carpet full of spirit

Spirit is the latest Ready to Go woven axminster collection from Wilton Carpets, bringing all-over interpretations of repeating geometrics inspired by Greek key patterns…

Impressively versatile, thoroughly modern and perfect for hotels seeking a glamorous deco feel, Spirit comes in three strong patterns that add poise and purpose to corridors, receptions, lounges and guest bedrooms.

Using the rich and luscious colour combinations found in Wilton’s Creations colour palette, Mettle, Moxie and Magic bring an intoxicating and captivating carpet for hospitality interiors.

“Spirit captures the elegance of the Art Deco era for a look that is ideal for hotels wanting to create a rich and lavish interior,” says Damian Roscoe, head of creative, Wilton Carpets. “From the gold and grey combinations in Mettle Demerara to the midnight and gunmetal of Moxie Black, we’ve given Spirit great depth throughout, ensuring it can lend its sophisticated and luxurious period feel in traditional and modern interiors alike.”

Designed and made in Britain, Spirit comes in an enduring eight-row woven axminster construction that’s ideal for all-round use. Crafted from a high-quality, wool-rich blend that delivers superb appearance retention, as part of the Ready to Go collection, Spirit is available in a super-fast turnaround of just 14 days and with no minimum order.

Main image credit: Wilton Carpets

Ruby Hotels to open second hotel in London in 2021

730 565 Hamish Kilburn
Ruby Hotels to open second hotel in London in 2021

The 154-key Ruby Stella will open in London’s Clerkenwell district and is the latest instalment in the ‘Lean Luxury’ hotel brand’s ambitious expansion plan…

Following a theatrical launch in Dusseldorf, Ruby Hotels, the Munich-based hotel brand and pioneer of the ‘Lean Luxury’ philosophy, today announces plans for a second UK property, in London’s Clerkenwell, to open in the first quarter of 2021. The new hotel, Ruby Stella, will follow the launch of Southbank’s Ruby Lucy in January 2020 and will form part of Ruby Hotels’ plan to unveil a total of 12 new hotels by 2022.

Set within a modern purpose-built space which will reflect the historic facades of the surrounding buildings, Ruby Stella will be constructed on Clerkenwell’s Eyre Street Hill in collaboration with real estate partners Geneva Management Group and UDevelopments.

The hotel will shelter 154 rooms, ranging in size from cosy ‘Nest’ rooms (13-15m²) to expansive ‘Loft’ rooms (23-38m²), a stylish bar area, a communal work station and a library. All guest rooms will showcase Ruby Hotels’ sleep-scientist-approved formula for the perfect night’s sleep, with full soundproofing, blackout curtains, high-quality linen and extra-long and wide custom mattresses.

A laid-back, contemporary design will see quirky touches such as the inclusion of a Marshall guitar amp in each room, which guests can use both with their own guitar or one borrowed from reception, and ‘Ruby Radio’, the hotel group’s own internet radio station.

Cutting-edge technology will be on offer throughout the property; in each room guests will find a personal tablet PC pre-loaded with Ruby Hotels’ carefully-curated London city guide, social media apps and unlimited data and calls to use throughout their stay. A state-of-the-art self-check-in system will make use of tablets to reduce check-in time to under one minute, leaving guests free to make the most of their stay.

Just like the group’s other houses, Ruby Stella will follow Ruby Hotels’ ‘Lean Luxury’ philosophy: a top location, high-quality fittings, and outstanding design. All of this is offered at an affordable price by rigorously cutting out the superfluous and focusing on the essential.

For example, a trendy communal space will serve a healthy, locally-produced breakfast without the need for a kitchen or chef, and instead of overpriced minibars and room service, galley kitchens, vending machines and ironing stations will supply guests with all of their needs. Likewise, a modular design sees Ruby hotels occupying mixed-use and former office buildings in the heart of the city, rather than the traditional, prestigious addresses with sky high rents typically favoured by hoteliers.

Main image: Ruby Hotels

PRODUCT WATCH: Versa Designed Surfaces’ CABA

730 565 Hamish Kilburn
PRODUCT WATCH: Versa Designed Surfaces’ CABA

Versa Designed Surfaces’s Caba is a reflection and an adaptation of the times… 

The versatile design of Versa Designed Surfaces’ Caba changes appearance depending on color selection. Designers can choose the look of pleated fabric in neutral color treatments, flowing water in blues, windswept meadows in golds and greens, and wood bark in deep rich tones. 16 colorways provide endless options and a stream of design possibilities.

The designers at Versa experimented with the interplay of light and color to create this deep, three-dimensional embossing that projects luxury while withstanding the heavy traffic of corridors, public spaces, and retail and restaurant environments.

24 oz. Type II low-VOC vinyl on Osnaburg backing, Caba is 52”/54” wide and certified to NSF 342.

To read our In Conversation With with Versa’s Paul Gibson on sustainable wallcoverings in EMEA hotels, click here

Versa Designed Surfaces is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.

Main image credit: Versa Designed Surfaces

PRODUCT WATCH: Latest innovation from Unidrain embraces contemporary corners

730 565 Hamish Kilburn
PRODUCT WATCH: Latest innovation from Unidrain embraces contemporary corners

With its products available across the globe, Unidrain is a world’s leading drainmanufacturer and nobody puts Unidrain in the corner! Unless of course it is the new Reframe corner shelf, which is the latest addition to the award-winning Reframe Collection created by Danish designer Kenneth Waaben

Unidrain’s latest product is further proof that stylish bathroom accessories are a key part of the company’s offering.

The award-winning Refrane Collection has expanded with the addition of the Reframe corner shelf. The ethos behind all the products, within the Reframe Collection, is a desire to improve and reframe the existing; the innovative new corner shelf is no exception.

Most bathroom shelving is linear as corners; in reality tend to not be an exact 90 degree angle. The beauty of the new corner shelf is not only visual but practical as it adapts to the shape of the corner in which it is placed. The shelf has an anti-slip barrier to ensure shower essentials do not slip when the shelf is wet, whilst discreet grooves enable excess water to drain away easily.

The shelf is created from a reinforced steel plate and is available in five different colour options; copper, brass, brushed stainless steel, hand polished stainless steel and black.

Unidrain is not your average drain company; in the last year they have won three prestigious international film awards for their corporate video, these now sit alongside over 12 other design awards.

Unidrain were established in 2003 and have gone from inventing the linear floor drain to creating a leading international brand, spreading Danish design ethics and Nordic minimalism to the rest of the globe. Unidrain products and accessories play a key role in the look and feel of the most stylish bathrooms on the planet, from five star hotels in the Maldives, to the award winning Herman K in Copenhagen.

Winner at The Brit List 2018, Robin Sheppard, given Lifetime Achievement Award

730 565 Hamish Kilburn
Winner at The Brit List 2018, Robin Sheppard, given Lifetime Achievement Award

Bespoke Hotels Chairman, who was last year’s winner of the Outstanding Contribution to the Hospitality Award at The Brit List 2018, has been honoured at 2019 AA Hospitality Awards…

Bespoke Hotels’ Chairman, Robin Sheppard, has been honoured with the Lifetime Achievement accolade at the 2019 AA Hospitality Awards.

Having co-founded Bespoke at the end of 1999, alongside Group CEO Haydn Fentum, Robin enters his 50th year in the hospitality industry, a sector he has described as “the most wonderful family” that comprised “a fellowship that I cherish, but which I could never have anticipated when starting out”.

Now 64, Robin has no thoughts of retirement, and is increasingly focussed on promoting accessible tourism via the Blue Badge Access Awards, alongside encouraging young people to enter hospitality and have a career to be proud of.

Presenting the Lifetime Achievement Award, Simon Numphud, Managing Director of AA Media, referred to Robin’s 2004 diagnosis of Guillain-Barre Syndrome, which resulted in paralysis from the neck down for a period of several months. Following two years of relentless physiotherapy, Robin was ultimately able to return to work and has gone on to spearhead Bespoke’s ongoing growth.

“Robin has been an inspiration to us all”, he stated. “With his career made even more remarkable by the exceptional challenges he has overcome, as well as his involvement in the creation of the Blue Badge Access Awards and appointment as chairman of the Institute of Hospitality.”

“I’m actually on cloud nine”, added Sheppard. “I have just got married, and it’s not often you spend the second night of your honeymoon in the company of 1000 people at Grosvenor House!

“I’ve been around the block a few times, but I’ve no intention to slow down yet. It’s a tremendously exciting time for Bespoke Hotels, with the team currently focused on opening three properties in 2020: Hotel Brooklyn in February, with the Telegraph Hotel in Coventry, and Sun Street Hotel, near Liverpool Street in London, launching later in the year.”

Bespoke Hotels entered its third decade of operations in 2019, and now stands as the UK’s largest independent hotel group with over 200 properties represented worldwide. Co-founded in 1999 by CEO Haydn Fentum and Chairman Robin Sheppard, Bespoke has enjoyed consistent growth and now manages over 9,500 hotel rooms, with £815 million in assets, and 8,000 employees under its wing.

“While the business itself has transformed dramatically over the preceding two decades, I am immensely proud to say our principles and focus have not changed”, he added. “Bespoke has been a fantastic chapter in my career, where I have learned a huge amount from my colleagues, and been able to develop and put into practice many of the ideas I stumbled across in the preceding decades; not forgetting to have some fun along the way, especially in creating our flagship Hotel Gotham brand. And we are far from finished yet!”

Main image credit: AA Hospitality Awards

Editor Checks In: Everyone’s gone eco!

730 565 Hamish Kilburn
Editor Checks In: Everyone’s gone eco!

This September, editor Hamish Kilburn has seen a rise in biophilic and eco design at London Design Festival as he prepares to go on stage at next month’s Independent Hotel Show (October 15) to put the topic firmly under the magnifying glass…

I’ve got a confession to make. I’m not a naturally born eco warrior – and I don’t believe anyone who was born pre-Millennium is either. That’s not to be confused by someone who doesn’t care about the environment. It just means that I, like others, have had to learn – and learn quickly – about the many strands attached to this very real issue before being comfortable speaking about it publicly.

“Reading the latest statistics on global warming sends physical shivers down my spine, like a glacier is melting down by back vertebrae by vertebrae.”

Last year I was privileged to be among the first to interview Martin Pease as the Managing Director of architecture and design firm WATG London. While the interview was memorable, it was his response to one particular question that stayed with me. When asked what the number-one tool for success is, he said: “We have two ears and one mouth for a reason.” Since then, I have made it an editor’s prerogative to listen to many, not just one or a few, before finally being prepared to make sense of chaotic and stigmatised issues. And here I am preparing to dissect what is the most chaotic and complex matters our industry has perhaps ever faced: climate change and finding sustainable, ecological and realistic solutions to create harmony between design and nature.

Reading the latest statistics on global warming sends physical shivers down my spine, like a glacier melting down my back vertebrae by vertebrae. According to NASA, most of the warming has occurred in the last 35 years, with the five warmest years on record taking place since 2010. Meanwhile, The Greenland and Antarctic ice sheets have decreased in mass, having lost an average of 286 billion tons of ice per year between 1993 and 2016.

Designers, architects and suppliers have traditionally been good listeners when it comes to reacting to meeting the needs – and in this case requirements – of consumers. This month has been no exception. London Design Festival 2019 once again attracted the attention of the design world. Firstly, it awarded Dame Vivienne Westwood with the Lifetime Achievement Medal.

Despite my initial concerns, it was not Brexit that was dominating the theme of every conversation in and between the many social events. Instead, it was the boundless possibilities of biophilic design; discussing, at length, who was using nature innovatively for good to create warm and thoughtful interiors. I have my favourites, as do we all, but it feels like it’s creating a free-flowing movement of ideas.

I would argue that we are not quite yet surfing on the crest of the sustainability wave. Although we have the resources to hand when we catch it, we are reliant on each other – developers, owners, operators and investors – in order for it to finally, one day, become common practice to receive a brief to design a fully eco hotel.

Cue next month’s Independent Hotel Show, where I will have the heavy responsibility to lead the discussion on how our global industry can work together to build more conscious and considered hotels. While I can’t promise miracles, I can guarantee that my expert panel and I have turned over every stone to ensure that we offer realistic visions of a sustainable future on the international hotel design scene.

It’s already started, with hotels such as The Pig pledging publically that almost all food that can’t be supplied by the gardens is then impressively sourced within a 25-mile radius. And Monkey Island Estate in Bray-on-Thames, which features its own smoke house among many other intriguing elements in the garden, with still plenty of space for further expansion.

My conclusion (for the purpose of this Editor’s Letter if nothing else) is that it is not rocket science. It’s simply about the industry collectively using creative thinking to offer new and functional solutions. Call it, if you like, the true art of modern hospitality.

Main image credit: Act Studios

Leading designers, architects and hoteliers to attend The Brit List Awards 2019

730 565 Hamish Kilburn
Leading designers, architects and hoteliers to attend The Brit List Awards 2019

Here are some of the leading names that have confirmed to attend Hotel Designs annual award ceremony, The Brit List Awards 2019…

It’s been just seven days since Hotel Designs officially unveiled the shortlisted finalists for The Brit List 2019, and already design directors, principals and hoteliers from the UK’s leading firms and hotels have confirmed to attend the exclusive award ceremony, which will take place at Patch East London on November 21.

Among the leading designers who have already confirmed are design directors and principals from Richmond International, Project Orange, Harriet Forde Design, Harris + Harris, RPW Design, Scott Brownrigg and IHG.

In regards to architects attending The Brit List Awards 2019, Hotel Designs will welcome associates and directors from the likes of Zaha Hadid Architects, WATG, Jestico + Whiles and Dexter Moren Associates.

Hoteliers confirmed to attend the annual awards ceremony include, among others, Good Hotel London, Limewood Group and Homegrown Hotels, Rosewood London, Cliveden House, The Athenaeum Hotel & Residences London, The Dixon, Bespoke Hotels, Eccleston Square, Inhabit London and Hotel Gotham.

The nationwide search to find the most influential designers, architects and hoteliers operating in Britain began months ago when Hotel Designs opened up nominations and applications to readers.

Since then, an independent panel of expert judges have gathered to select this year’s individual award winners and also to confirm the 75 individuals who have made it into The Brit List 2019.

Head of Interior Design at IHG, Emma King, attended last year’s event and was one of the 75 names in The Brit List 2018. “The Brit List recognises the UK’s best hotel design talent,” she said at the time. “We at IHG are proud to be recognised for the hard work we have done to the interior design of our brands in recent years.”

The shortlist is available to read here.

“The Brit List is an unparalleled networking opportunity for all,” said editor Hamish Kilburn. “Bridging the gap between designers, architects, suppliers, hoteliers, developers, owners and operators has always been – and continues to be – the aim of every decision made by the team at Hotel Designs.”

How to attend

Suppliers: Click here if you are a supplier to the industry to secure your ticket for £150 + VAT.
Designers, architects, hoteliers and developers: Click here if you are either a designer, hotelier, developer or architect to secure your ticket for £20 + VAT.

If you would like to discuss various sponsorship packages available, please contact Katy Phillips via email, or call 01992 374050.

#TheBritListAwards2019

Headline Partner: Crosswater

Event Partner: Hamilton Litestat

2019 Industry Partner: BIID

MINIVIEW: The Pig at Bridge Place

730 565 Hamish Kilburn
MINIVIEW: The Pig at Bridge Place

Following its hotly anticipated opening in April, The Pig at Bridge Place marks the hotel brand’s sixth authentic boutique hotel within its portfolio. Editor Hamish Kilburn heads back to his home county in Kent to explore the countryside gem… 

With its welcoming red brick façade and ornate Jacobean interior, Bridge Place is an intriguing old building with an usual rock-n-roll vibe. Over the past four decades, this musical honeypot in Bridge, Kent, has been home to some renowned parties and gigs playing host in the ‘70s to Led Zeppelin and The Kinks.

The property houses a wealth of period features, which are most noticeable in the public areas, including large fireplaces, secret stairways, panelled walls and endless nooks and crannies. In the refurbishment, all of these structural nuances have been respected and enhanced to create seven bedrooms along with numerous cosy bars and sitting areas.

But now, the building has turned the page to a new chapter, The Pig at Bridge Place is a 31-key boutique hotel that oozes effortless style thanks to the acclaimed designer Judy Hutson, whose signature style has given The Pig its unique brand of laid-back chic, which has been beloved by guests to date.

The Pig, Bridge Place, Canterbury, Kent, hotel, boutique hotel, gardens, restaurant, bar

Attached to the main building a new, carefully detailed Coach House contains a restaurant with open kitchen. Within The Coach House are 12 bedrooms; four on the ground floor and eight on the first floor. Over the brook via a hand crafted wooden bridge are seven fitting Hop Pickers’ Huts created from reclaimed materials all dotted along a meandering wooden walkway. Each hut houses a double bedroom with cosy bathroom and wood-burning stove. Next to the kitchen garden is The Barn; a large upstairs/downstairs room with vast bathroom and bedroom views across the garden.

Worlds away from the building’s former existence of being an illustrious party scene in the ’70s, the rooms inside The Pig at Bridge Place are a calming oasis reflecting countryside bliss. Overflowing with character and style, each key unlocks its own personality. Original details can be found in each room, which are finished effortlessly with carefully curated artwork and an array of personally chosen vintage features.

“We’ve had a great couple of years, with customers seeming to love what we do. Occupancy is in the mid 90 per cent in our rural locations and we know from our guests and their invaluable feedback that they want more PIGs,” said CEO of Home Grown Hotels Robin Hutson. “After searching far and wide for truly unique properties, we really are over the moon about our new hotel in Kent.”

If the design wasn’t impressive enough, as with every other PIG, the kitchen garden and restaurant sit at the beating heart of this property; anything that can’t be supplied by the gardens are impressively sourced from Kent’s best producers within a 25-mile radius of Bridge.

Main image credit: The Pig at Bridge Place

Top furniture looks to come out of London Design Festival

730 565 Hamish Kilburn
Top furniture looks to come out of London Design Festival

Are you sitting comfortably? Here is Hamish Kilburn’s editor’s pick of the most innovative furniture pieces that were exhibited at London Design Festival 2019…

With the design world watching, London Design Festival (LDF) once again delivered a spectacular performance full of colour, shapes and thoughtful design. Full of twists and turns – and too many highlights to mention – the nine-day festival included events, talks and installations that all explored how product design is changing to cater to the evolving behaviours and demands of modern consumers.

For the purpose of this article, I have selected my top picks from four of LDF’s leading exhibitions that made the most noise – and they were: Focus19, 100% Design, designjunction and London Design Fair.

Winch Design’s Arc Collection for Summit Furniture – weaving new design directions 

Winch Design and Summit Furniture introduced Arc, their debut collaboration, at Focus19. The two companies collaborated to create “the ultimate exterior furniture range”, which is inspired by the sea and the sky.

A signature feature of the range is laminated teak, which is woven between maritime-grade brushed stainless steel rods, alternatively undulating, they arc around the back of the seats in gentle rows. The final result is reminiscent of the woven rope traditionally used on sailing yachts. Winch Design is inspired by the patterns, colours and textures of the natural world, and every design that leaves the studio is imbued with its own unique spirit, identity and story. With dedication to storytelling underpinning their fastidious attention to detail and commitment to design perfection, Arc was brought to life. The name ‘Arc’ is visually evocative and brings to mind the long arcing lines of latitude and longitude, the curve of the horizon, of a full sail, and of the shapes in the sky made by sailors when navigating by the stars using the arc of the marine sextant.

Each piece in the collection complements the other, enabling the client to enjoy a unified, contemporary exterior look. Arc by Winch Design features a lounge chair, dining chair, bar chair, low coffee style table, sun lounger, bar cart, dining table and occasional table.

The low, deep seating style encourages a laid back and relaxed atmosphere, creating the perfect environment to enjoy a drink at sunset. The curve of the woven teak contrasts with the straight, smooth edges and clean lines of the cushions, keeping the overall impression fresh and contemporary. The fabric on any of the soft furnishings is completely customisable.

Ligne Roset – adaptable by nature

Creative and pioneering by nature, Ligne Roset’s bold and contemporary stamp was imprinted on Focus19 and left a lasting impression. The brand presented its iconic ‘Prado’ settle, which adjusts freely with weighted cushions that can easily be moved from sofa to floor. The result is a comfortable, non-conformist piece of furniture that can adapt as quickly as the travel trends and guest behaviours within modern, design-led hotels around the globe.

Andrew Martin – taking a walk on the wild side

Unveiling a multi-layered theatrical approach design, Andrew Martin – in try Andrew Martin style – let the leash off his new collections in his own jungle-covered installation, which was entitled: The Lost City of Ozymandias.

The new collections that were hidden in an enclave of treasure and travel included the Evans side table and Retrospective, in collaboration with Kelly Hoppen, which is a statement collection of more than 40 designs, which includes everything from furniture to lighting.

Benchmark – architecture meets biophilic furniture design

Image credit: Benchmark

Benchmark presented a new collection of furniture by award-winning American architect David Rockwell at 100% Design. The Sage Collection, designed for office and commercial environments as well as the home, has a specific focus on human health and well-being within the built environment and meets the standards required for WELL certified buildings. The tenets of biophilic design inspired the collection, with its natural materials, colours and textures, rounded profiles and inviting ergonomic shapes. These elements are intrinsic in the work of both Benchmark and David Rockwell, which, together with an interest in transformation and mobility, have resulted in a collection that offers moments of both refuge and prospect.

sixteen3 – recycled quality

 

Image credit: sixteen3

Exhibiting at designjunction, sixteen3 unveiled a number of contract furniture pieces that stood out for their eco qualities. Claiming that the product is made from 92 per cent recycled material and is 100 per cent recyclable, the Pop stools has been designed with purpose and is ideal for contemporary urban public areas. Another product launched at the show was Reece are armchairs that have been made from 83 per cent recycled materials and are 100 per cent recyclable.

Inspired by the evolution of the workplace to a more relaxed, social and mobile interior, the brand’s product portfolio offers a softer approach to working, with an extensive collection of seating ranges, stylish cafe chairs and modular space division systems.

Kolho Series by Matthew Day Jackson

Image credit: Made by Choice

As hotel public areas become less defined by hotel branding, and more attuned with the behaviour of guests, there is a opening for suppliers to become more daring with their designs; to take a practical item, like a piece of furniture for example, and bring it to life to make a bold statement. Cue the launch of Kolho Series by designer Matthew Day Jackson. Sheltered at London Design Fair, the new range of tables and chairs take their inspiration from the Apollo landing and a small town called Kolho in Finland.

“The serpent represents temptation and chaos which supports the flat plane of reason,” said Day Jackson. “The space between reason chaos is that of play. This is the space where our human animal truly shows its greatest self.

Hotel Designs’ official LDF round-up will be published shortly.

Main image credit: Made by Choice

Ritz-Carlton to debut in Montenegro

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Ritz-Carlton to debut in Montenegro

Marriott International has signed an agreement to introduce the Ritz-Carlton brand to Montenegro, with the aim to usher in a “new era of elegance” to the chic LuÅ¡tica Peninsula…

Hotel giant Marriott International has signed a “milestone agreement” with Northstar D.O.O. to bring The Ritz-Carlton brand to Montenegro. Under the plan funded by Al Yasra, The Ritz-Carlton, Montenegro and The Ritz-Carlton Residences, Montenegro are scheduled to bring the brand’s unrivalled elegance and legendary service to the country in 2023.

“With its striking views of the Adriatic coast, Montenegro has quickly become a favourite Mediterranean destination for global travellers,” said Carlton Ervin, Chief Development Officer – Europe, Marriott International. “The signing of The Ritz-Carlton, Montenegro highlights the demand for our luxury brands in this exciting region. Combining the country’s serene, natural beauty together with the brand’s legendary service makes Montenegro the perfect destination for The Ritz-Carlton guest.”

Slated to rise in a prime position on the Western tip of the chic Luštica Peninsula, the hotel and residences are expected to boast panoramic views over the glittering Adriatic Sea. Planned to be accessible by car in 30 minutes from Tivat International Airport or two hours from Dubrovnik International Airport, the coastal property is expected to allow guests and residents to make an unforgettable entrance via the sea at a planned private jetty.

Design plans for the hotel’s 120 elegantly appointed guestrooms and suites envision relaxing sanctuaries for guests, with simple local design planned to merge discreetly with contemporary technology, all with the aim of enhancing the natural beauty of the location. The project’s plans call for low-rise buildings that would blend into the terrain while maximizing sea and sunset views for guests, residents and visitors alike.

Plans call for expansive outdoor event spaces with unobstructed views to create ideal settings for hosting memorable gatherings, alongside creative pop-up activations offering seasonal bar and restaurant options. Adventurous activities, such as mountain biking and nature trail hikes, are also being planned for guests to enjoy. Ambassadors of the Environment, a hands-on, educational program developed by Jean-Michel Cousteau’s Ocean Futures Society in collaboration with The Ritz Carlton, is expected to offer programming that highlights the extraordinary natural reserves surrounding the property, striving to encourage guests of all ages to understand how their actions can help preserve natural resources for future generations.

“The success achieved on this project, bringing the legendary Ritz-Carlton brand to Montenegro, is a result of dedicated work by all parties involved, both from our company, Marriott International, and the Government of Montenegro,” said Mohamed Al Sager, Chairman, Al Yasra. “This is not only a business success, but a personal accomplishment as well. When I first visited Montenegro on holiday, I fell in love with the natural beauty of the country and knew I wanted to be a part of its future development. What began as just a dream has today become a great project on a clear path of execution.”

The hotel and residences are planned as part of a mixed-use development that is poised to include sprawling villas, manicured gardens, a yacht club and a sparkling beach cove. The Ritz-Carlton Residences, Montenegro is expected to offer 180 apartments and 48 villas and is scheduled to complete the first phase of construction in 2023, with the final phase scheduled for completion by 2028. Residential sales are slated to begin in 2020.

Main image credit: Marriott International

Carlton Tel Aviv reveals new public area interior scheme

730 565 Hamish Kilburn
Carlton Tel Aviv reveals new public area interior scheme

Award-winning hotel Carlton Tel Aviv speaks to bleisure trend with infusion of new, contemporary art, stylish lightning schemes, and a circular beachfront lobby bar and beyond…

Carlton Tel Aviv, a The 268-key luxury property that was voted “Israel’s Leading Business Hotel 2019” by World Travel Awards, today officially reveals its newly designed lobby, corridors, business lounge, work spaces and lobby bar.

With the aim to offer guests an infusion of new and artistic decor, lighting schemes, public areas and workspaces, the hotel commissioned interior design studio Yaron Tal to manifest new and fresh renovations as Tel Aviv continues to excel as one of the world’s most attractive destinations for both leisure and business travel.

To make walking through the corridors a more meaningful experience, the new design exists of deep, warm and rich materials. Warm colors such as deep blue and copper are used, and rich materials such as copper and brass. Wallpaper printed with copper accents are to be found throughout the corridors. The unique and reflective, yet romantic lights, gives a sense of lightness in the historic Brutalist building.

The concept in the lobby was to make a lighter, less heavy feel to the lobby that is a blend between business and pleasure. Materials such as oak wood, rich fabrics, glass and brass, allow a more formal atmosphere to mix with young and sophisticated, and with the feeling of a luxury vacation.

In the old floor plan, the bar was somewhat hidden in the back of the lobby. By bringing the bar to the front of the lobby it becomes more inviting, and a central meeting point at the hotel. The design, with ceramic tiles of which both colour and shape complement the view, the bar is now a central area, offering a relaxing environment for breakfast, lunch, dinner and cocktails with a view over the Mediterranean Sea.

Main image credit: Carlton Tel Aviv

Nobu has touched down in Barcelona

730 565 Hamish Kilburn
Nobu has touched down in Barcelona

Nobu Hotel Barcelona has opened it’s doors, bringing with it a sky-high dining destination in the form of the city’s very first Nobu Restaurant on the hotel’s 23rd floor; Nobu Barcelona…

Billed as the city’s hottest new hotel, Nobu Hotel Barcelona is now open. Think sexy, cool, fun and vibrant interiors, the hotel brings with it the city’s very first Nobu Restaurant, achingly sharp design together with breathtaking views of one of the world’s most exciting cities.

The interiors of the new hotel have been designed by New-York based Rockwell Group to reflect a Japanese influence. Studio have introduced Kintsugi – a craft where cracked pottery is repaired with lacquer mixed with precious metals to create collages, textures and spaces throughout the hotel – all cleverly paired with incredible works of art inspired by Catalonia’s legendary maestro, Gaudi.

Located in the Catalan neighbourhood of Eixample, visitors can discover the hidden spots of the city through the hotel’s savvy concierge team; from founders Robert De Niro’s favourite restaurant to the bar Chef Nobu Matsuhisa visits when he’s in town and Meir Teper’s recommendation of where to dance. Just a short stroll from the hotel is Plaza de España, Barcelona’s buzzy La Rambla and the main railway station for high speed links to Madrid, Paris, Lyon and Marseille.

Following the official opening, the hotel will soon welcome a wellness centre complete with a gym and spa, a Kozara terrace for alfresco dining, auditorium and a Café, serving fresh barista-style coffee.

Main image credit: Nobu Hotels

LIGHTING TREND WATCH: Chelsom’s elegant and contemporary orb

730 565 Hamish Kilburn
LIGHTING TREND WATCH: Chelsom’s elegant and contemporary orb

Orb from Chelsom is one of the signature ranges from the latest collection Edition 26, presenting a range of elegant contemporary fittings with timeless appeal that would be an impressive addition to a wide variety of interior schemes…

The Orb ceiling fittings feature matt opal hand blown glass globes teamed with Brushed Brass cups with a decorative laser cut Prince of Wales check pattern. Arms are in contrasting Satin Black fixed to central support rings.

Chandeliers are suspended from three fine strainer wires adjustable for height during installation and are available in a variety of sizes with a wall light alterative also available.

Chelsom is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Moxy Hotels opens third property in New York City

730 565 Hamish Kilburn
Moxy Hotels opens third property in New York City

Moxy NYC East Village shelters stylish and affordable design-driven guestrooms, co-working spaces, and four new dynamic F&B areas…

Marriott International’s quirky lifestyle brand, Moxy, which currently has 44 hotels in America, Europe and Asia, makes it a hatrick in New York City, with the unveiling of its third property in the city that never sleeps. Moxy NYC East Village has opened in the heart of East Village, where rock ‘n’ roll, renegade art, LGBTQ+ activism, and generations of immigrants all merged to give birth to American counterculture.

Located on East 11th Street between Third and Fourth Avenues, directly across from the legendary concert venue Webster Hall, the hotel features 286 design-driven guestrooms, co-working spaces, and tech-savvy amenities, as well as lively restaurants, bars, and cultural programming – all at an affordable price. Part of Marriott International’s experiential Moxy Hotels brand, Moxy East Village marks the third Moxy property developed by Lightstone, following the successful openings of Moxy Times Square and Moxy Chelsea.

“Moxy East Village is conceived as a vertical timeline, drawing inspiration from various eras in East Village history.”

With interior design by Rockwell Group and architecture by Stonehill Taylor, Moxy East Village is conceived as a vertical timeline, drawing inspiration from various eras in East Village history, from the earliest settlers to the punk era to today. Interior design is inspired by urban archaeology, with the hotel’s 13 floors loosely conceived as homages to different eras in the East Village’s past and present, as well as its future. Three check-in kiosks just inside the entrance are assemblages by local artist Michael Sanzone, made from found objects and materials. Behind the kiosks, striped tapestries hang on the walls and bleed onto the floors. Their alternating bands of graffiti and graphics recall shredded layers of wheat-pasted posters—the kind you might see peeling off a downtown building façade.

The guestrooms are, like all Moxy properties, smartly designed featuring the brand’s iconic peg wall. The rooms are completee with trendy hotel bathrooms, which include walk-in rain showers, glazed lava stone sinks and MUK amenities.

Image credit: Moxy Hotels

Lightstone has once again teamed up with Tao Group Hospitality who oversees the four brand-new dining and drinking areas at Moxy East Village that offer a multitude of scenes all under one roof: Alphabet Bar & Café, Cathedral, Little Sister and a rooftop bar which will launch in Spring 2020. “I don’t think there are any places in New York where you can get an outdoor café vibe, a coffeehouse vibe, a dimly lit bar, a backyard rooftop party, and a grand dining room all in one,” said Noah Tepperberg, Co-Founder of Tao Group Hospitality.

Alphabet Bar & Café, situated in the lobby, serves as the social heart of Moxy East Village, comprising a bar, terrace, co-working lounge, and meeting studios that seamlessly transition from day to night. The seating includes plush sofas and swinging chairs; a Skee-Ball game provides a hit of nostalgia for the arcade era.  An interactive real-time graffiti installation lets guests use a tablet to draw their own tag or sketch a bit of street art, like a latter-day Basquiat or Haring, and see it projected on the wall. The iconic Strand Bookstore will have a cart in Alphabet Bar offering free books, and nearby Academy Records will offer free vinyl LPs and curated collections so guests can listen to the sounds of the East Village’s past, present, and future—to play on a retro turntable, provided in-room on request.  Alphabet Café serves an all-day menu of custom artisanal brews by Intelligentsia Coffee, freshly baked goods, composed salads, and seasonal panini and tartines.

The centrepiece of Moxy East Village is Cathédrale, a French-Mediterranean restaurant conceived by Tao Group Hospitality Chef/Partner Ralph Scamardella, in collaboration with Executive Chef Jason Hall. As diners descend from the lobby—via a staircase that resembles a fire escape between two East Village buildings—they’ll feel like they’re discovering an abandoned architectural treasure. That’s thanks to the show-stopping Rockwell Group-designed main dining room, a triple-height space covered by Italian artist Edoardo Tresoldi’s dramatic wire mesh sculpture that looks like the apparition of a grand domed ceiling. Named by Forbes as one of the 30 most influential European artists under 30, Tresoldi is revered for his installations in public spaces, including Etherea at the 2018 Coachella Music Festival. His ethereal sculpture for the ceiling of Cathédrale pays homage to the interior of the Fillmore East, once known as the “Church of Rock ‘n’ Roll.” The delicate yet monumental sculpture, called Fillmore, is made from Tresoldi’s signature wire mesh and floats above the main dining room, creating a dramatic dialogue with the restaurant’s architecture. Tresoldi describes Fillmore as an “architectural precious wreck” and a “tribute to the legendary cultural background that influenced not only New York’s culture, but several generations worldwide.”

Under Cathedrale’s soaring, 26-foot ceilings, the space includes a blue-tiled, open-hearth kitchen hung with copper pots and equipped with a rotisserie grill. An outdoor dining terrace, with a retractable roof, also feels like a hidden surprise: channelling the improvised backyard gardens tucked behind many East Village restaurants. The Poster Room, a private dining space that seats up to 26, immerses guests in the psychedelic rock era, its walls and ceiling lined with backlit screen prints of vintage concert posters from the Fillmore East.  Cathédrale brings elemental cooking and a poised French-Mediterranean sense of hospitality to its striking setting. The menu is focused on well-prepared but simply arranged dishes that pay quiet deference to the cuisine of Southern France with traces of Italy, Spain, and Greece.

Located on the lower level, adjacent to Moxy East Village, Little Sister is an intimate, seductive, sophisticated lounge – an update from the underground clubs that defined East Village nightlife in the 1990s. Its clandestine, cavern-like feel is enriched by jewel-toned velvet sofas and plush banquettes, embossed leather accents, a glowing copper DJ stand, and a mirrored-copper bar illuminated by an overhead bank of backlit whiskey bottles. Wood-clad, barrel-vaulted ceilings evoke a hidden underground chamber where whiskey might have been stored in the bootlegger era. Legendary doorman Wass Stevens, will conspire to create an exclusive, in-the-know vibe at the ropes.

Opening in Spring 2020, the rooftop bar is designed to resemble a coveted New York City backyard garden, with strung garden lights, abundant foliage, and colorful patio furniture. A retractable roof allows the bar to be used in all seasons. Behind the bar, liquor bottles will be displayed in stacked plastic milk crates—not unlike those you’d spot on an East Village sidewalk. On one wall, interlaced with crawling ivy, will be a mural that overlays a map of the area with images from the neighbourhood’s musical and artistic history. The venue will be available for private events and hotel programming before its official debut.

Authentic, local, and experiential have all become buzzwords in the hotel business,” said Hochberg. “With Moxy Times Square and Moxy Chelsea, we’ve seen how putting visitors and New Yorkers in the same space can foster a sense of community. The East Village’s breadth of experiences and layers of history allow us to take that concept to a whole new level. Moxy East Village is multidimensional—a thrilling mashup that lets people honour the past, experience the present, and dream about the future. We’re embracing it all to create a true sense of magic.”

“Moxy is a brand that has always boldly broken the rules of a conventional hotel experience, and we’re excited to be able to bring our fun and spirited brand to New York’s iconic East Village to help evolve the hospitality scene in the neighborhood,” said Toni Stoeckl, Global Brand Leader, Moxy Hotels, and Vice President, Distinctive Select Brands, Marriott International.

There are 96 Moxy Hotels in the pipeline opening in North America, Asia, The Caribbean & Latin America, and Europe.

Main image credit: Moxy Hotels

The Brit List 2019: Shortlist unveiled

730 565 Hamish Kilburn
The Brit List 2019: Shortlist unveiled

The shortlisted finalists for The Brit List 2019, who are considered to be the leading interior designers, architects and hoteliers operating in Britain today, have been announced. The annual award ceremony will take place on November 21 at Patch East London (tickets available here)…

The wait is over. Hotel Designs has exclusively published the shortlist for The Brit List 2019. The finalists listed below will be invited to the annual award ceremony at Patch East London on November 21 where the The Brit List 2019 and the individual awards will be announced.

It is here where 2019 edition of The List, which is made up of the top 25 interior designers, top 25 hoteliers and the top 25 architects in Britain today, will be unveiled as well as the individual winners crowned.

The nationwide search to find the most influential designers, architects and hoteliers operating in Britain began months ago when Hotel Designs opened up nominations and applications to readers.

Since then, an independent panel of expert judges have gathered to select this year’s individual award winners and also to confirm the 75 individuals who have made it into The Brit List 2019. “Yet again, I am overwhelmed by the number and quality of this year’s candidates who have either applied or have been nominated for The Brit List 2019,” said Hamish Kilburn, editor of Hotel Designs. “Despite Britain sailing into some of what I can only describe as ‘uncharted waters’ with Brexit dominating the headlines and conversations, the creative industry – and hotel development in general – continues to be booming in the UK.

The Brit List was launched three years ago and continues to celebrate the leading figures operating in Britain today. This year’s chosen venue, Patch East London, is the perfect stage for the occasion. Adding an extra layer to the evening will be the currently confirmed 2019 sponsors: Crosswater (headline partner), Hamilton Litestat (event partner) and the British Institute of Interior Design (BIID – industry partner). “I am excited that Hotel Designs will once again provide an unparalleled networking opportunity,” added Kilburn, “further bridging the gap between designers, architects, hoteliers, owners, developers and key-industry suppliers.”

Britlist_28-800x602

The shortlisted finalists for The Brit List 2019 are: 

Interior Designers

Studio Designer
Wimberly Interiors Rachel Johnson
GA Group Edward Davies
Scott Brownrigg David Mason
Dexter Moren Associates Neil Andrew
RPW Design Ariane Steinbeck
DesignLSM Lisa Robertson
Cocovara Rebecca Blow
Nicky Dobree Design Nicky Dobree
Bright Space Design Sarah Antoniou
Philip Watts Philip Watts
Ana Engelhorn Interior Design Ana Engelhorn
IHG Henry Reeve
Sibley Grove Jeremy Grove
WISH London Caroline Smith
Scott Brownrigg Kate Jarrett
David Collins Studio Simon Rawlings
Russell Sage Studio Russell Sage
GA Group Terry McGinnity
Ennismore Charlie North
MBDS Martin Brudnizki
HBA London Constantina Tsoutikou
1508 London Akram Fahmi
MKV Design Maria Vafiadis
Rocco Forte Olga Polizzi
Amanda Rosa Amanda Rosa
Harris & Harris Alex Harris
Space Invader Katie Edgar
Twenty2 Degrees Joe Stella
Twenty2 Degrees Nick Stoupas
Goddard Littlefair Jo Littlefair
Project Orange Christopher Ash
Project Orange James Soane
Shawn Hausman Design Shawn Hausman
Muza Lab Inge Moore
Richmond International Terry McGillicuddy
Soho House Design Marcus Barwell
Soho House Design Scarlett Supple
B3 Designers Stephanie Reidl
Jack Irving Studio Jack Irving
studioisle Ilse Crawford

Architects

Studio Architect
Emil Eve Architects Ross Perkin
Falconer Chester Hall Architects Adam Hall
East Architecture Julian Lewis
Ben Adams Architects Ben Adams
EPR Architects Geoff Hull
Orms Architects Simon Whittaker
Jestico + Whiles James Dilley
WATG Gina Langridge
Foster + Partners Luke Fox
Zaha Hadid Architects Michele Salvi
Gensler Tom Lindblom
Conran + Partners Simon Kincaid
Hawkins/Brown Darryl Chen
Yasmine Mahmoudieh Yasmine Mahmoudieh
jmarchitects Laura Turner
Holland Harvey Architects Richard Holland
RPP Architects Simon Robinson
Tate Harmer Lawrence Pinn
Moxon Architects Scott Gibb
EPR Architects Mark Bruce
Goddard Littlefair David Lee-Hood
LDS Architects Catarina Pina-Bartrum
Simpson Haugh Sarah Matheou
Jane Duncan Architects + Interiors Jane Duncan
3D Reid Gordon Ferrier
Consarc Architects Liz Pickard
Dexter Moren Associates John Harding
Aukett Swanke Nicholas De Klerk
Divercity Architects Dimitris Travasaros
Allison Pike Partnership Paul Dunlop
HOK London Femi Oresanya
ReardonSmith Architects Jonny Sin
ITOLab Barbara Bochnak

Hoteliers

Hotel Hotelier
The Grand Robert Richardson
Cliveden House Francisco Macedo
Bespoke Hotels Robin Sheppard
Hotel Gotham Mario Ovsenjek
Hard Rock Hotel London Ian Fletcher
The Lanesborough Marco Novella
Rosewood London Michael Bonsor
Nadler Hotels Robert Alam
Cuckooz Charlie Rosier
Cuckooz Fabienne O’Neill
Doyle Collection Pat King
Carbis Bay Hotel & Estate Stephen Baker
Carbis Bay Hotel & Estate Jose Baker
Starwood Capital Group Barry Sternlicht
The Standard Bruce Robertson
Wyndham Hotels & Resorts Dimitris Manikis
Café Royal Guillaume Marly
Corinthia London Thomas Kochs
Eccleston Square Hotel Olivia Byrne
Gleneagles Conor O’Leary
The Connaught Sandeep Bhalla
LaLiT Keshav Suri
Great Scotland Yard Hotel Sholto Smith
The Dixon Hasham Soliman
Heckfield Place Olivia Richli
Whatley Manor Sue Williams
Inhabit Nadira Lalji
Ham Yard Hotel London Laura Sharpe
Cottage In The Wood Nick Davies
The London Bridge Hotel Julio Marques
Limewood Group & Home Grown Hotels (The Pig) Robin Hutson
Milsom Hotels Paul Milsom
Sway Manor Tim Holloway
Watergate Bay Hotel Will Ashworth
Exclusive Hotels danny Pecorelli
The Gallivant Harry Cragoe
The Good Hotel Group Marten Dresen
The Athenaeum Joanne Taylor-Stagg
Hotel: Georgian House Hotel Serena von der Heyde
Hotel Indigo Stratford Upon Avon Carl Davies Phillips

The Eco Award

Carole Collet
Harris & Harris
Heckfield Place
Inhabit London
Naturalmat
Sibley Grove
Zuri Zanzibar

Best In Tech

Criton
Eccleston Square
Electric Mirror
FUTURE Designs
Hamilton Litestat
Laufen
Ruark
STAAH

Best in British Product Design

Anthology
Bisque
Chelsom
FUTURE Designs
Harlequin
Knightsbridge
Panaz
The Monkey Puzzletree
Vaughan
Naturalmat

 

There is no shortlist for the award for Outstanding Contribution to the Hospitality Industry, which will be the final award presented at the exclusive ceremony.

To purchase tickets to The Brit List 2019 Awards, click here. If you would like to discuss various sponsorship packages available, please contact Katy Phillips via email, or call 01992 374050.

#TheBritListAwards2019

Headline Partner: Crosswater

Event Partner: Hamilton Litestat

2019 Industry Partner: BIID

London Design Festival medal winners announced

730 565 Hamish Kilburn
London Design Festival medal winners announced

London Design Festival has announced the four winners of the 2019 London Design Medals…

Launched with the aim to recognise the contribution made by the leading design figures and emerging talents in London and the industry, London Design Festival historically kicks-off the week-long design event by presenting four London Design Medals awarded.

The 2019 medals were presented yesterday at The House of Commons, Westminster, while the capital came to life for the start of this year’s design spectacular.

And the winners are…

London Design Medal: Tom Dixon OBE
Design Innovation Medal: Daniel Charny
Emerging Design Medal: Ross Atkin
Lifetime Achievement Medal: Dame Vivienne Westwood

A panel of established designers, industry commentators and previous winners met to debate and judge the possible recipients of the four medals. This year’s jury members were: Ozwald Boateng OBE, Ian Callum CBE, Sheridan Coakley, Njusja de Gier, Es Devlin OBE, Sarah Douglas, Ben Evans CBE, Dr Tristram Hunt, Domenic Lippa, Jay Osgerby OBE, Raoul Shah, Joff Sharpe, Justine Simons OBE, Sir John Sorrell CBE, Dr Paul Thompson and Jane Withers.

“Each year the jury selects four eminent people who have made a major contribution to design in the UK,” said Ben Evans CBE, London Design Festival Director. “This year the winners are as interesting and deserving as ever.”

Tom Dixon OBE

The London Design Medal, supported by British Airways London City, is the highest accolade bestowed upon an individual who has distinguished themselves within the industry and demonstrated consistent design excellence.

This year’s winner, Tom Dixon, rose to prominence in the mid 1980s as a self-taught British designer. He set up the creative think-tank space, which acted as a shop front for himself and other young designers. By the late 1980s, he was working for Cappellini, for which he designed the iconic S chair. In the late 1990s, Dixon became Creative Director at Habitat and was responsible for rejuvenating the brand while maintaining Terence Conran’s vision of enriching everyday life through simple, modern design.

His works have been acquired by museums across the globe, including the V&A, MoMA and the Pompidou Centre. In 2002 Dixon established his own eponymous brand with own stores in New York, Hong Kong, London, Los Angeles, Milan and Tokyo. More than 600 products are created by the company, ranging from lighting to furniture, from tableware through to fragrance, and are distributed to over 90 countries.

In 2007 Dixon launched Design Research Studio, an interior and architectural design studio. High‑profile projects include the Restaurant at the Royal Academy, Shoreditch House, le Drugstore in Paris and Alto in Hong Kong. In 2018, Dixon opened the Coal Office, his new London Headquarters, in King’s Cross. Created by Design Research Studio, the Coal Office functions as a multi-displinary hub, including an office, restaurant, design studio and shop all under one roof.

“I’m still confused as to why I won’t be getting the ‘Emerging Design Medal’,” said Dixon on the news of his win, “as it still feels very much like I have only just started – I’ve so much left to design! But I’m very touched to be noticed by this super Jury, thank you very much.”

Daniel Charny

Design Innovation Medal, supported by SAP, celebrates entrepreneurship in all its forms, both locally and internationally. It honours an individual for whom design lies at the core of their development and success.

Daniel Charny is a creative director, curator and educator with an inquiring mind and an entrepreneurial streak. He is co-founder of the creative consultancy From Now On, where clients include Dartington Hall, the Design Museum, Google, Heatherwick Studio, Nesta and U+I. His most recent initiative is the creative education think-and-do-tank FixEd.

Charny is best known as curator of the influential exhibition Power of Making at the V&A, which drove him to found the award-winning learning programme Fixperts, now taught in universities and schools worldwide. Other projects include the Aram Gallery, the British Council’s Maker Library Network and the Central Research Laboratory accelerator. As Professor of Design at Kingston University he is interested in the roles of design and making for social benefit.

Charny is active internationally as a speaker and expert advisor, advocating his vision of design, creativity and making as essential tools to unlock a better future.

“Engagement, education and access to design are all critical to assuring the creative responses to a changing world that we all need,” said Daniel Charny. “I’m proud to represent this idea and delighted to be recognised for it in London, a city of unparalleled creativity.”

Ross Atkin

Emerging Design Medal supported by Storey, recognises an impact made on the design scene within five or so years of graduation.

Ross Atkin is a designer and engineer based in east London. His work focuses on two areas: helping disabled people to live more independently, and introducing design and engineering to children.

He maintains his own design and development practice, creating assistive technology and accessibility-focused products that span the digital-physical divide. These include: Sight Line, a system for improving the accessibility of roadworks developed in partnership with The Royal Society for Blind Children and Transport for London; MSE Genie, an app and connected hardware that allows a sensory room to be tailored around the needs and capabilities of the person using it; Responsive Street Furniture, a system created in partnership with Marshalls that enables pieces of urban infrastructure to provide assistance automatically, such as by making street lighting brighter, or by lengthening the duration of road-crossing signals; Smartibot, the world’s first A.I. enabled carboard robot; and LiftCheck, a system that allows lift users to see if the lifts they need to complete their journey are operational before they set off.

Atkin’s design practice is heavily informed by observational research. He regularly conducts participatory shadowing of disabled people as they make journeys around cities.

“I never thought the kind of work that I do would be recognised, so I feel doubly honoured,” said Ross Atkin. “It’s beyond my imagination to be in the company of true legends of design, and it also is an amazing privilege to be representing the world of inclusive design on such a prominent platform as London Design Festival. I look forward to more designers from that world being recognised in the future”.

Dame Vivienne Westwood

Lifetime Achievement Medal Winner supported by Fortnum & Mason, honours a significant and fundamental contribution to the design industry over the course of a career.

Vivienne Westwood was born in 1941 and moved to London 17 years later. She began designing in 1971 along with her then partner, Malcolm McLaren. In 1984, she launched her own fashion line and in 2004 the V&A hosted a Vivienne Westwood retrospective to celebrate her 34 years in fashion – the largest exhibition ever devoted to a living British fashion designer.

Westwood has always used her collections and catwalk shows as a platform for activism. She has personally spent many years speaking out about the effects of climate change and over‑consumption – and inaugurated the ‘Climate Revolution’ at the 2012 London Paralympics closing ceremony.

Along with husband and design partner Andreas Kronthaler, Westwood actively supports the charity Cool Earth in its efforts to halt rainforest destruction. She has also campaigned for a number of NGOs and charities including the Environmental Justice Foundation and Friends of the Earth, and is an ambassador for Greenpeace: in 2013 she designed their official ‘Save the Arctic’ logo.

Since 2011 Westwood has worked with the International Trade Centre – a joint body of the UN – to produce accessories through their Ethical Fashion Initiative. The programme currently supports the work of thousands of women from marginalised African communities. Westwood has written her ideas in a manifesto called ‘Active Resistance to Propaganda’, rooted in culture as a stimulus to save the planet, and more recently designed a set of playing cards to set out a global economic strategy to stop climate change.

Main image credit: LDF 2019

Duravit and Philippe Starck unveils new generation of shower-toilets

730 565 Hamish Kilburn
Duravit and Philippe Starck unveils new generation of shower-toilets

Duravit and Philippe Starck present the new generation shower-toilet, which is available in two versions: SensoWash Starck f Plus and SensoWash Starck f Lite…

Duravit’s SensoWash Starck f Plus and Lite collection has been designed by Philippe Starck to be conveniently operated via a remote control, or can be configured via an app. The innovative remote control with its flat, elegant design feels pleasant in the hand and the functions are controlled intuitively.

The technology has undergone further development and has been reorganized; all is now housed within the ceramic body creating a minimalist design for maximum shower-toilet comfort.  The flat seat now has a height of just 40 mm and the white cover located behind it forms a flush-mounted unit: contemporary design and comfort-enhancing technology in perfect harmony.

Comfort is guaranteed thanks to technical finishing touches such as the motion sensor for automatic cover opening set via the user ID in the seat, there are a wide range of additional options such as seat heating, shower flow and the controllable hot air dryer.

Image credit: Duravit

The associated SensoWash app enables individual configuration of the shower-toilet, or it can be optionally adjusted with the remote control. The flush function and odor extraction system can also be controlled via the remote or app if the wall-mounted element, is combined with the A2 electronic actuator plate.

As a result of the new rimless technology design and an optimised basin and siphon geometry, SensoWash Starck f provides improved water flow for perfect flushing results. HygieneGlaze 2.0, which kills 99.999 per cent of bacteria in a relatively short time, guarantees an optimum hygiene standard. 

The flat, heated toilet seat is made of an especially rugged material and like the cover, is extremely hygienic thanks to its scratch- resistant, pore-free surface.

The design of the new shower-toilet impresses with its pared-down aesthetics and timeless modernity: it is a perfect match for all Duravit design ranges. Developed and manufactured by Duravit and designed by Philippe Starck, the new SensoWash shower- toilet offers attractive pricing, easy installation, and an integrated, fully automated descaling function.

Duravit is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: Duravit

 

SNEAK PEEK: Kimpton Hotel Palomar South Beach

730 565 Hamish Kilburn
SNEAK PEEK: Kimpton Hotel Palomar South Beach

The new chic boutique hotel, which is located in the heart of Miami’s South Beach, is slated to open later this year – and will be Kimpton’s Fifth Property in Florida…

Kimpton Hotel Palomar South Beach is waiting in the wings to open as the boutique hotel company’s fifth in the Sunshine State, complementing its existing hotels in Miami Beach, Downtown Miami and Vero Beach. Featuring striking design by legendary Miami architect and designer Kobi Karp, the 96-key hotel is set to become an iconic addition to the South Beach scene.

Karp’s design takes its cues from the waterfront. Spanning over five stories, the hotel’s guestrooms surround a spacious central atrium. Meant to resemble the hull of a private luxury yacht lilted on its side, the lobby excites the senses with its custom-built light installations and is peppered with art displays, including light panels, abstracted shapes, and large format fabrics meant to resemble the ripples of the Atlantic Ocean. Guestrooms feature private balconies available for nearly every guest and design that is inspired by the oceanic environs.

Sitting atop of the sixth floor, the rooftop pool and two-tier roof deck features stylish décor and lounge area seating, utilising panoramic views of the ocean.

“In addition to what the Altamarea Group will bring in terms of an elevated culinary experience, we are excited to assemble a stellar on-property team for this project,” said Ronny Finvarb, Principal of Finvarb Group,  the property’s developer and owner. “We’re confident that through Kimpton’s collaboration with the Osteria Morini team and our collective expertise in the South Florida market, we’ll be able to create an amazing experience for our hotel guests and Miami locals alike.”

Osteria Morini, from Chef Michael White, will debut shortly following the opening of the hotel. Right off the lobby of the hotel, the restaurant will feature rustic Northern Italian fare in a light and breezy space, drawing inspiration from the area in which it is located off the canal, with both indoor and outdoor seating. It will be open all day, serving breakfast, lunch and dinner.

Main image credit: Kimpton Hotels

ibis Styles launches hotel design challenge in search for emerging creatives

730 565 Hamish Kilburn
ibis Styles launches hotel design challenge in search for emerging creatives

ibis Styles and Glug have launched a nationwide competition, giving designers the chance of winning £1,000 for the best hotel design concept…

Known as one of the UK’s leading eco hotel brands, ibis Styles has announced a new design challenges, asking designers to create a moodboard for their dream hotel concept, giving the creative candidates the chance to showcase their skills and unlock a possible £1,000 prize.

Aiming to uncover creative potential in dormant designers, they are hosting a mood-boarding workshop on 18th September at ibis Styles London Southwarkto share inspiration with those entering. Run by two award-winning designers, Clare Morton and Emma Fisher, the hands-on event will equip budding creatives with the know-how to create an eye-catching mood board surrounded by the vibrant West End themed design touches at the hotel.

To launch the ‘ibis Styles By Us’ competition, which closes at midnight on September 25, both Morton and Fisher have crafted and released mood boards for their own hotel design concepts. Emma’s pops with a myriad of eye-catching colours, patterns and geometric forms, and Clare has channelled her passion for Punk culture in hers with magazine cuttings and famous iconography.

Judged by Arun Rana, Design Manager for Accor Northern Europe, the creator of the winning mood board design will be awarded a cash prize of £1,000 and £500 worth of stays at ibis Styles.

“Every one of our ibis Styles properties in the UK is unique,” said Arun Rana, Design Manager for Accor Northern Europe, “bringing to life pop culture through fun themes, eye-catching aesthetics, so it’s really exciting to celebrate this through our challenge with Glug. We’re looking to discover new design talent and seeing how people express themselves through their mood board creations.”

Tickets to the ibis Styles By Us x Glug mood boarding event cost £5 and are available to book via Eventbrite here. To enter the ibis Styles By Us design challenge before the September 25, 2019 by visiting @glugevents on Instagram.

Main image credit: ibis Styles

Aman announces its debut in Bangkok

730 565 Hamish Kilburn
Aman announces its debut in Bangkok

Slated to open in 2022, the luxury hotel will be Aman’s debut hotel in Bangkok, and second property in Thailand, further proving that the region is a design and hotel development hotspot… 

Luxury hotel brand Aman, which has grown to encompass 38 hotels in 22 destinations around the world, has signed a long-term partnership with Nai Lert Group to manage a hotel and branded residences offered under a long-term leasehold ownership, which will mark the brand’s entrance in Bangkok.

Under the terms of the agreement, Aman and Nai Lert Group will develop a luxury hotel and residences project, with construction works scheduled to commence in the coming months. The project is expected to welcome its first hotel guests and residents in 2022.

“Aman Nai Lert Bangkok will offer a unique connection to the rich heritage and history of Bangkok” – Vladislav Doronin, Chairman and CEO of Aman

“Thailand holds a special place in our hearts ever since the conception of Amanpuri, and our brand, in Phuket over 30 years ago,” said Vladislav Doronin, Chairman and CEO of Aman. “Aman Nai Lert Bangkok will be situated in its namesake iconic central city parkland and will further cement our vision to bring the Aman ethos to global cities. Nestled in the century-old tropical gardens of Nai Lert Park, Aman Nai Lert Bangkok will offer a unique connection to the rich heritage and history of Bangkok enhanced by the gracious traditions of Thailand.”

Pursuing its long-lasting legacy in real estate and hospitality, Nai Lert Group is making its entry into the ultra- luxury segment with the upcoming mixed-use project, Aman Nai Lert Bangkok. Nai Lert Group Managing Director Naphaporn Bodiratnangkura commented: “We are very pleased to be working with world renowned hotel and resort brand Aman, which shares our values of delivering exquisite customer experiences.”

Aman is the latest group to announce hotel openings in Bangkok. According to the Tourism Authority of Thailand (TAT), in 2016 more than 32.59 million tourists visited Thailand, which was an almost 20 per cent increase over the year before, and a record number for the country. With recent openings from Rosewood and Avani Hotels, the region is proving to be a hotel development hotspot in the making.

Main image credit: Amanpuri (Aman’s current hotel offering in Thailand)

Hotel Summit shortlisted for the EN Indy Awards

730 565 Hamish Kilburn
Hotel Summit shortlisted for the EN Indy Awards

Hotel Summit, the original and leading meet-the-buyer networking event for hotel operators and key-industry suppliers, has been announced as a shortlisted finalists for the EN Indy Awards 2019 under the category of Best Brand Expansion…

As the result of more than 20 years’ serving the industry with its highly targeted and successful meet-the-buyer concept, Forum Events’ Hotel Summit has been shortlisted among just seven other applications in the Best Brand Expansion category for the 2019 edition of the EN Indy Awards 2019.

The announcement follows this year’s successful two-day event taking place in Heythrop Park in June, which included live on-stage interviews, moderated by editor Hamish Kilburn, with Marco Novella (Managing Director of The Lanesborough) and Pedro Colaco (CEO of Great Hotels Of The World), among others.

More than 60 procurement professionals from leading hotels around the UK such as The Beaumont Hotel, The Gainsborough Bath Spa and Cliveden House and 30 supplier partners attended The Summit that was sheltered within the 18thcentury hotel, which combines both elegant heritage design with contemporary areas.

“The event was amazing. I met some really great people and it’s always good to network and discover hidden secrets of the industries, and you only find them through events such as this. So, thank you for the invite and I am already looking forward to the next one!” – The Beaumont.

“Hotel Summit is an interesting event, delivering a mix of supplier meetings, seminars and networking opportunities in various areas of hospitality.” – Great Hotels of the World

“All staff were incredibly polite, friendly and helpful. The hotel was comfortable and very welcoming and I would be delighted to attend again” – Grasmere House

For more than 20 years, Hotel Summit has delivered tailor-made, unique events to meet both supplier and delegates’ individual requirements. Complete with carefully planned out itineraries for all attendees, The Summit is designed to bridge together relevant business relationships and opportunities between hotel operators/procurement managers and key-industry suppliers.

The next Hotel Summit takes place on April 27 – 28, 2020, at Five Lakes Resort, Colchester. If you are a supplier and are interested in exhibiting at next year’s event, please contact Jennie Lane by calling 01992 374098 or by emailing j.lane@forumevents.co.uk. If you are hotel operator or procurement manager and are interested in attending next year’s event, please contact Kerry Naumburger by calling 01992 374099 or by emailing k.naumburger@forumevents.co.uk.

Bette launches British Institute of Interior Design CPD factory visit

730 565 Hamish Kilburn
Bette launches British Institute of Interior Design CPD factory visit

German glazed titanium-steel bathroom specialist Bette has launched a British Institute of Interior Design (BIID)-approved CPD and tour of its factory in Delbrück, Germany…

Recommended Supplier Bette has launched a CPD offering, which includes a tour of its factory in Delbrück, Germany. The CPD and factory tour provides a comprehensive understanding of the benefits, design and manufacture of glazed titanium-steel baths, shower trays and basins.

The site is the company’s exclusive manufacturing facility for more than 600 bath, shower tray and washbasin designs in a wide range of different colours.

Designers are provided with an in-depth look at the materials and processes used in manufacturing, along with installation and material experience workshops. Participants gain knowledge to help with the planning of bespoke bathroom designs, and information on the robust quality of the glazed titanium-steel products and acoustic and anti-slip solutions.

The CPD takes place over two days and includes return flights from London Heathrow to Dusseldorf, airport transfers to the Bette factory, accommodation and meals. There is no charge to undertake the CPD, which is available to BIID members.

To find out how to book the Bette CPD factory visit, or to enquire about planned future visits, contact Jean Francois on 0780 272 1881 or email JFMarty@Bette.co.uk

The German family-owned business was founded in Delbrück in 1952, and has specialised exclusively in steel-shaping and enamelling processes.

Bette’s assembly processes combine high-tech industrial production techniques with tailor-made manufacturing. More than half of the products are customised in line with customer preferences. Bette uses natural raw materials – glass, water and steel – to produce high-quality products in a wide range of different shapes, sizes and colours. The complete Bette range is verified ISO 14025 according to the Environmental Product Declaration (EPD) relating to materials and products.

Bette is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: Bette

PRODUCT WATCH: Brintons extends Laura Ashley collection

730 565 Hamish Kilburn
PRODUCT WATCH: Brintons extends Laura Ashley collection

For AW19, Brintons and Laura Ashley have updated the existing stocked collection of carpets with fresh plains and intricate patterns…

Evolving a collaboration that has spanned a decade, Brintons and Laura Ashley have unveiled the latest designs that have been inspired by heritage prints and informed by colour trends, whilst also experimenting with scale.

Both brands have strong heritage, renowned for creating bold prints, which adorn interiors globally. Brintons’ designers worked with Laura Ashley’s creative team to delve into their pattern archive, to create the new collection. “Laura Ashley has a strong heritage of creating bold and beautiful prints, working on an extension of the existing range was a natural next step in the development of the partnership,” said senior creative designer at Brintons, Jane Bradley-Bain.

The collaboration has resulted in an extensive new collection of twelve axminster patterns and four new plains to add to Brintons popular Bell Twist range. Woven in Brintons famous 80 per cent wool, 20 per cent nylon yarn blend, carpets from the Laura Ashley collection offer customers the ultimate combination of performance, longevity and comfort underfoot.

Image credit: Brintons

Poppy Marshall-Lawton at Laura Ashley added: “Using the expert knowledge of the Brintons team and their understanding of working with an archive, has ensured that the collection remains true to the iconic Laura Ashley brand, whilst offering customers a fresh and current selection of prints and colourways.”

Available from stock the wool-rich collection provides a ready-made solution that’s ideal for quick turnaround projects where time is critical and offers a fantastic hard-wearing option that remains tough enough for high traffic areas but won’t compromise on softness or luxury.

With more than 230 years of heritage creating beautiful bespoke woven carpet for some of the world’s most prestigious buildings, Brintons is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: Brintons

Parkside opens new Design Studio in the Cotswolds

730 565 Hamish Kilburn
Parkside opens new Design Studio in the Cotswolds

Hotel Designs headed up to the Cotswolds to attend the official opening party of Parkside’s latest studio opening…

Design-led tile specification company Parkside has formally opened its Cotswolds Design Studio. Surrounding by the quintessentially British surroundings of the undisturbed region of the Cotswolds, Parkside welcomes designers, architects, contractors, developers and select members of the press to attend the official opening party, which also marked launch of a new collaboration with Barneby Gates.

The new Design Studio is the fourth in the Parkside portfolio and again demonstrates the company’s dedication to provide inspirational spaces for the architecture and design communities. The ability to see the tile collections displayed and to have in-house support has been an invaluable element in Parkside’s existing Design Studios in Clerkenwell, Chelsea and Leicester.

The Barneby Gates tile collection sees the design duo’s stunning wallpaper patterns on extra-large format porcelain tiles. The bold and courageous collection focuses on colourful and playful patterns and represents Parkside’s mission to offer distinctive tile collections.

“Many of the intricacies of modern tile surfaces need to be seen up close to be truly appreciated and we have seen a continued demand from our clients to engage with our products first hand,” said Sarah Holey, marketing manager, Parkside. “Our Cotswolds Design Studio was an obvious progression in providing an invaluable hub for those looking for professional support from our Parkside team. There’s a wide choice of inspirational displays which will show visitors how tiles can provide impact and spark creativity for inventive interior projects.”

The newly unveiled Design Studio provides an impressive 300m² of space. Continuing the theme from its Clerkenwell Design Studio of treating tiles like pieces of art, Parkside have framed extra-large format porcelain slabs (measuring 3200 x 1600mm) around the edge of the space to provide a dramatic impact upon entering. Display boards of varying sizes sit in front and are grouped by style for easier browsing. A free-standing island unit in the centre of the space houses a meeting room for up to 14 as well as an informal meeting space on top with impressive views out over the rolling Cotswolds hills. The intention is for the space to be used as a hub for the design community with free wi-fi, great coffee and plenty of working space in a relaxed, creative environment.

Parkside is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: Parkside

Zaha Hadid Architects to open Concept to Completion exhibition at LDF 2019

730 565 Hamish Kilburn
Zaha Hadid Architects to open Concept to Completion exhibition at LDF 2019

Following our closer look at The Morpheus, Zaha Hadid Architects’ is giving visitors to London Design Festival 2019 an exclusive look at some of its projects on the boards and about to be unveiled…

During London Design Festival 2019, Zaha Hadid Gallery in London will present ‘Concept to Competition’, an exhibition that will showcase architecture projects by Zaha Hadid Architects set to open in 2020.

The exhibition, which celebrates and embraces the holistic journey of a live architecture project, will feature Bee’ah HQ in the United Arab Emirates, King Abdullah Financial District (KAFD) Metro Station in Saudi Arabia, and One Thousand Museum in the United States.  The projects will be presented through the stages of concept, design, detail and construction, highlighting how the design intentions for a building evolve and develop as a part of the design process.

Zaha Hadid Gallery is offering two architect-guided tours of ‘Concept to Completion’ on Wednesday, September 18 at 2pm and Thursday, September 19 at 5 pm.

The Zaha Hadid Gallery showcases the latest in architecture, interiors, furniture, and product design through curated exhibitions, and provides insight into the process, and ethos of the architecture practice, and design studio that was founded by Zaha Hadid more than 40 years ago.

Main image credit: King Abdullah Financial District (KAFD) Metro Station. ©Picture Property of RDA – All Rights Reserved

Egypt has most active project pipeline in Africa

730 565 Hamish Kilburn
Egypt has most active project pipeline in Africa

The latest data published from TOPHOTELCONSTRUCTION shows Egypt is home to 55 new hotel projects which further adds 15,485 new rooms to the region…

The hospitality market in Africa has been booming for some time, new statistics from the TOPHOTELCONSTRUCTION database has provided an insight into the region’s future growth in development and overall tourism.

A recent report from TOPHOTELCONSTRUCTION finds that Egypt is the country with the most active project pipeline on the entire African continent, with currently 55 projects in the pipeline, which is nearly double that of the next closest country, Morocco with 36 hotels on the boards.

This likely means Africa’s hospitality boom is being powered in part by the rise in tourism in Egypt, where visitors come from across the globe each year to enjoy unique historical sites and landscapes, as luxury travel for most becomes more about experience rather than product.

Some of the significant hotels currently in the pipeline in Egypt include The St. Regis Cairo, Hilton Secon Nile Tower and Four Seasons Resort Sharm El Sheikh.

Egypt is far from the only country in Africa with many hotels currently in its project pipeline. Below Egypt in the hotel development race (in order) is Morocco, Nigeria, Ethiopia, Kenya, Algeria, South Africa, Cape Verde, Senegal, and the Ivory Coast.

On average, Africa’s top ten countries in terms of their hospitality market currently have in the region of 22 hotels in their pipelines, with Egypt standing out its 55 projects on the boards.

The most recent development data compliments The Egyptian tourism ministry’s strategy to target social media influencers to boost tourism in the area and promote it as a travel hotspot destination.

Main image credit: Marriott International/St Regis Cairo

Goa is about to welcome a 17-key luxury hotel designed to shelter holistic wellbeing

730 565 Hamish Kilburn
Goa is about to welcome a 17-key luxury hotel designed to shelter holistic wellbeing

Slated to open in early 2020, Kings Mansion, Goa will combine heritage, architecture, design, Ayurvedic philosophies, state-of-the-art medical aesthetics and a global approach to holistic wellbeing…

Located in northern Goa, an area rich in tropical forests, historic Portuguese architecture, avenues of Banyan Trees, and vast, unpopulated sandy beaches, King’s Mansion will open early next year.

Recognising that today, wellness refers to a holistic state of being, where one’s mental, physical, spiritual and emotional health are in balance, the defining experience of King’s Mansion will be one of mindfulness, transformation, recovery and wellbeing.

Modern yet sympathetic architecture and interior design are key elements at the boutique hotel that not only honour Goa’s legacy and culture, but also serve as a welcoming nod to the growing international interest in India as an exciting and evolving luxury and wellness destination.

Image credit: Red Architects

The Indian entrepreneur and Bollywood star, Sachiin Joshi, bought the property in 2017. He is also the Chairman of corporate company, Viiking Ventures, a multi-faceted business working across various industries including film production, fin-tech and charter aviation; Moss Wellness, a leading spa consultancy with experience developing international five-star brands including Aman resorts and Four Seasons. Responsible for the overall design is Indian film producer and interior designer Gauri Khan and Rajiv Parekh, founder of Red Architects, who is bringing a new energy to a modern day India with his past and future projects on the boards.

The 17 luxury suites, which are set over 2,800m2, are being designed as private retreats. Each room will utilise the natural light with floor to ceiling windows, which will stretch out to views of private lush gardens. The large ensuite bathrooms will continue to balance a timeless and luxurious look and feel with the renderings showing a strong use of marble as well as statement matt-black fittings.

Covered pavilions and thickets of Frangipani Trees create pockets of rest and shade in the landscaped gardens, which are set against 50 metres of unspoiled golden coastline and the Arabian Sea.

Five dining and social areas offer guests the chance to explore India’s Ayurvedic culinary culture and international fusions. The hotel’s chefs will create daily menu plans for internal health and harmony, but with an understanding that food and satisfaction are not mutually exclusive. Continuing the theme, food will be cooked using fresh, locally sourced produce.

At the heart of the wellbeing experience will be the spa, which will open as a hidden oasis within the property. With five luxury spa suites, a large hydrotherapy pool, and indoor and outdoor relaxation areas, guests will discover a safe space to surrender, gain awareness and achieve conscious rest and peace.

Image credit: King’s Mansion

Designed to offer personalised, results-focused wellness programmes, the hotel will aim to further help travellers rejuvenate, reset and recover.

Main image credit: King’s Mansion

Orchard Hotel Singapore opens 360-degree experience in 1950s shell

730 565 Hamish Kilburn
Orchard Hotel Singapore opens 360-degree experience in 1950s shell

Following a multimillion-dollar nine-month refurbishment across the hotel, Orchard Hotel Singapore has unveiled an enhanced 360-degree guest experience with reimagined dining, events and accommodation offerings…

Orchard Hotel Singapore has reopened with upgraded areas include the hotel’s 260 grand deluxe rooms, a grand ballroom, conference centre, lobby and F&B areas.

The history of Orchard Hotel Singapore dates back to late 1950s, where it began as a humble four-storey, 34-key hotel, complete with The Golden Venus home to popular tea dances and emerging musicians of the 1960s. Redeveloped in the 1970s to cater to the tourist boom, the original building was demolished in 1978, and the first inkling of the 656-key, twin-tower Orchard Hotel Singapore as it exists today, took its shape.

Guests are greeted with a new experience from the moment they step through the door and into the bright and enlivened lobby. The hotel’s iconic clock tower has been updated for the modern age with a contemporary chandelier-inspired art sculpture, bordered by two upgraded dining and drinking destinations. The Orchard Cafe renews itslegacy as a local dining icon with a vibrant new style and Signature Class buffet showcasing heritage-inspiredcreations and chef-curated classics. Bar Intermezzo has an air of sophistication with new and inviting interiors andcontemporary botanical-influenced cocktails that toast to Orchard Road’s past. Overlooking the lobby from thesecond floor is Cantonese restaurant Hua Ting Restaurant, which was also given its own extensive makeover in 2018. 

Modern cafe in the lobby

Image caption/credit: The Orchard Cafe | Millennium Hotels/Orchard Hotel Singapore

The 260 Grand Deluxe guestrooms in the hotel’s Orchard Wing have also been updated. Each well- appointed roomhas been elegantly designed to provide maximum comfort and easy living. With today’s sophisticated traveller in mind, the newly refurbished rooms are equipped with upgraded amenities including; six USB ports, both wired andwireless high-speed internet to ensure 24/7 connectivity and a Smart TV loaded with a variety of channels to keepthem plugged into current affairs. Unwind after a long day of shopping along the famed Orchard Road with a relaxingbath in the luxurious Japanese soaking tub (select room configurations) or call for one of 12 signature spice-based cocktails from Bar Intermezzo to be delivered right to the room.

Trends and technology favoured by the modern hotelier are now also included in the enhanced Orchard Hotel Singapore. Step into the future of hospitality with AURA and AUSCA – the hotel’s resident room service and chefassociate robots. While AURA (front-of-house Autonomous Service Delivery Robot) are in charge of delivering roomamenities, as well as the occasional mingling with guests in the lobby, AUSCA (the world’s first Autonomous ServiceChef Associate) is responsible for whipping up perfect eggs during breakfast service at The Orchard Cafe. Responding to the needs of today’s connected travellers, Bar Intermezzo transforms into a coffee bar during the day,providing a tropical co-working oasis for those seeking new connections, fresh ideas or simply a great cup of coffee.

New and improved event spaces for every occasion – the 11 refurbished conference and function rooms andspaces are now more versatile than ever. A key highlight includes one of Singapore’s largest pillar-free grandballrooms, occupying more than 10,000 square feet and six metres high, refitted with a luxurious fresh new look, two floor-to-ceiling LED walls (a first in Singapore), statement lighting, state-of-the-art audio-visual capabilities, an impressive foyer lined with floating orchid-inspired chandeliers and exclusive spaces divided for various uses. The conference centre has also been redesigned with five intimate meeting rooms and upgraded meeting facilities.Event planners will now have the luxury of choice with creative catering options from the hotel’s four award-winningculinary concepts – Hua Ting Restaurant, The Orchard Cafe, Mon Bijou and Bar Intermezzoas well as a Halal-certified kitchen, ensuring that all tastes and diets are catered for.

Main image credit: Millenium Hotels/Orchard Hotel Singapore

Curio Collection by Hilton debuts in South East Asia with hotel in the Maldives

730 565 Hamish Kilburn
Curio Collection by Hilton debuts in South East Asia with hotel in the Maldives

The new 198-key property will form part of the first integrated resort in the Maldives…

Hilton has announced the opening of SAii Lagoon Maldives, Curio Collection by Hilton, a free-spirited tropical escape that offers sun, sea, style and sustainability, creating a playful getaway for groups of fun-seeking friends, couples and families. Nestled within the idyllic Emboodhoo Lagoon, SAii Lagoon Maldives forms part of CROSSROADS Maldives, the country’s first and only integrated resort and game-changing retreat.

The opening of SAii Lagoon Maldives also marks the debut of Curio Collection by Hilton in South East Asia, and the fifth Curio Collection by Hilton property in Asia Pacific. With a total of 198 guestrooms and villas, the resort will be Hilton’s third property in the Maldives, making the global hospitality company the largest and longest-running international hotel operator in the Maldives. Hilton opened the country’s first internationally branded resort in 1997, and today, it operates Conrad Maldives Rangali Island, which features 151 villas, suites and THE MURAKA Residence, as well as the 122-villa Waldorf Astoria Maldives Ithaafushi, which was recently unveiled in July 2019.

“For more than 20 years, through the many firsts that Hilton has introduced in the Maldives, we have been sparking travellers’ imagination of waking up right above the Indian Ocean, or dining and even sleeping beneath the crystal-blue sea,” said Alan Watts, president, Asia Pacific, Hilton. “In addition to putting the Maldives on the global map, we have brought meaningful opportunities for employment and we continue to make positive contributions to the livelihood and well-being of local communities. With the launch of SAii Lagoon Maldives, Curio Collection by Hilton, we are looking to further deepen ‘The Hilton Effect’ in the Maldives and continue to set new benchmarks for hospitality through innovation.”

“We are excited to welcome the world to SAii Lagoon Maldives,” said Martin van der Reijden, General Manager of SAii Lagoon Maldives and Vice President of Operations of CROSSROADS Maldives. “Guests will be able to experience the exquisite beauty of this destination, with plenty of places to stay and play. The architecture is quirky, and the interiors are daring. And yet, the resort also has a wonderfully inspiring ambience. We want everyone to walk into the resort and instantly feel a sense of excitement and exploration.”

“Every room at SAii Lagoon Maldives is adorned with a bright, contemporarily eclectic design that reflects the archipelago’s maritime heritage.”

“The Maldives is a dream destination for global travelers and we are thrilled to pair its tropical charm with Curio Collection’s spirit of discovery,” said Mark Nogal, global head, Curio Collection by Hilton. “SAii Lagoon Maldives is a breathtaking resort with distinct character and direct access to the fantastic facilities at CROSSROADS Maldives. Supported by Hilton’s 100 years of hospitality, guests of this resort are guaranteed memorable experiences in one of the most beautiful destinations in the world.”

Every room at SAii Lagoon Maldives is adorned with a bright, contemporarily eclectic design that reflects the archipelago’s maritime heritage, complete with natural textures, driftwood décor and marine-inspired hues and views. Guests can choose from a series of rooms and villas, including overwater pool villas.

The resort’s innovation is also showcased at its restaurants and bars. Miss Olive Oyl is a vibrant poolside Mediterranean seafood grill and bar, while Mr. Tomyam is an exciting Thai fusion eatery with an open kitchen and alfresco dining areas.

The resort’s ocean-view infinity pool and fitness centre will allow guests to refresh and recharge in paradise. A wide range of water sports and recreational facilities will also be available at The Marina @ CROSSROADS, a 30-berth marina and vibrant lifestyle district.

Main image credit: Hilton Hotels

INDUSTRY INSIGHT: The changing colour of hotel bathrooms – going greener

730 565 Hamish Kilburn
INDUSTRY INSIGHT: The changing colour of hotel bathrooms – going greener

In the second part of our colour series (click here for part one), Recommended Supplier UKBathrooms explain how and why designers should opt for greener designs in bathrooms…

Bathrooms make up a huge proportion of a hotel’s water and energy usage, which on average is 84 to 173 gallons per room per day, far higher than the average daily household usage of 66 gallons per day.

This explains why they’ve become the focus for many hoteliers looking not only to save money, but also to minimise their impact on the environment.

However, any environmental worries have to be balanced with the needs of guests. The seamless blend of sustainability and luxury, with little compromise to guest experience is the aim for hotel owners and trends show that this will be the case in the years to come. And ‘green’ considerations go way beyond the bathroom space, with materials used in bathroom products, transportation, waste produced during manufacture and subsequent biodegradable components all being important.

UK Bathrooms, is the leading, independent supplier of designer bathroom products and as such is seeing a change in trends of sales to hoteliers in the UK and internationally. “We’re seeing a trend to natural materials, as well as reclaimed and recycled, such as timber from sustainable forests and stone,” said Graeme Borchard, director of UKBathrooms. “We’re a leading supplier of premium brands. As a company they are ‘a champion of the value of water’, pioneers in environmentally friendly, luxury, bathroom products. Their ongoing research, and development in technology and design, means that hansgrohe produces superb products which are beautifully designed, highly efficient and sustainable.”

A great example of this is EcoSmart. Hansgrohe showers and taps equipped with EcoSmart technology use up to 60 per cent less water than traditional products, not only using less water, but also needing less energy to heat the water.  The Hansgrohe Raindance EcoSmart overhead shower provides guests with a relaxing and therapeutic experience whilst being eco-friendly.

By implementing greener practices, and ensuring guests are aware of these, hotels can make being eco-friendly even more attractive. Hotel bathrooms have a certain ‘luxury’ which people then like to emulate in their own homes, the choices that hotels make end up being reflected in homes around the world.

UKBathrooms is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Katy Perry’s stylist co-creates hotel suite to appease arguing couples

730 565 Hamish Kilburn
Katy Perry’s stylist co-creates hotel suite to appease arguing couples

Katy Perry’s stylist has co-created a luxury hotel suite – to appease bickering couples who can’t agree when booking a room…

Taking the personalised hotel experience to a new level, Johnny Wujek, who is behind some of the singer Katy Perry’s most memorable looks, has teamed-up with fellow fashionista Kaitlyn Ham, to create a room to please all tastes.

The suite has been described as the ‘perfect compromise’ for couples with drastically different preferences, who crucially can’t agree on what they want from a hotel.

Hotels.com recruited the world-renowned fashion influencers to style the room in London’s The Curtain – in TWO completely opposing styles.

The ‘So Extra So Chic’ suite is split right down the middle and features Wujek’s maximalist décor on one side and the minimalist style of Ham on the other.

“It’s a touch of overgrown Great Expectations with a dash of California casual.” – Johnny Wujek.

Wujek’s extravagant ‘So Extra’ half of the suite features golden ornaments, monkey lamps and a luminescent mini bar.

The stylist to the stars’ side has also been accessorised with clashing prints, colourful rugs and dazzling wallpaper.

“I wanted my side of the room to feel exciting and ‘extra’ but also comfy and cosy,” explains Wujek. “It’s a touch of overgrown Great Expectations with a dash of California casual. Style is all about self-expression and, clearly, I have a lot to express.”

In contrast, Kaitlyn Ham’s ‘So Chic’ half includes a statement white leather lounge chair, bespoke line-drawing art, décor pieces in muted tones and a plush wool throw.

She said: “I took inspiration from modern mid-century design to create a space that feels open and calming. All the pieces were chosen for their style and functionality with a focus on quality. The space should feel modern and light, yet have an inviting warmth that makes it feel like home.”

The creation of the one of a kind room follows international research also commissioned by Hotels.com into different tastes when it comes to planning a holiday. One fifth of the 300 Brits polled in a 7,200 person study would choose a luxury hotel styled with gold, marble and velvet – if money was no object.

In contrast, just eight per cent would opt for a simple ‘shabby chic’ according to the research carried out through OnePoll.

It also emerged those polled would like see their hotel rooms include a free-standing bath (35 per cent), a walk-in wardrobe (26 per cent) and ‘incredible’ lighting (21 per cent).

Liz Oakman, senior director and general manager EMEA, from Hotels.com said: “No matter if it’s shades of grey or an explosion of patterns, we love that people want to stand out with their unique style even when they travel.

“At Hotels.com, we’re all about trying new things, so with the So Extra So Chic suite, style-loving travellers out there can experience both ends of the minimal, maximal spectrum. Now all that’s left is picking which side of the bed you’re on.”

This is not the first time fashion designers and stylists to the stars have filtered on to the hotel design scene. Earlier this year, the iconic fashion designer Jack Irving unveiled his first ever hotel design project, which is now sheltered in W London Leicester Square.

Main image credit: SWNS

HOTEL DEVELOPMENT: Palm Springs is heating up for 2020

730 565 Hamish Kilburn
HOTEL DEVELOPMENT: Palm Springs is heating up for 2020

The desert oasis of Palm Springs is slated to welcome a series of exciting openings in 2020, including two new hotels and a cultural plaza, alongside celebrating the 15th anniversary of its iconic Modernism Week event, offering even more to see for visitors to the sun-soaked city and further boosting the destination as a hotel development hotspot…

Agua Caliente Cultural Plaza – Set to open in 2020
Set to open in 2020, the Agua Caliente Cultural Plaza in downtown Palm Springs will feature a cultural museum, art gallery, gathering plaza, landscaped gardens and a walkable outdoor Oasis Trail complete with meditation labyrinth. The site will also be home to the Agua Caliente Spa and Bathhouse, which will offer treatment rooms, outdoor mineral pools, men’s and women’s bathhouses, a tranquillity garden, fitness centre and salon.

Encompassing a wide-range of experiences and learning opportunities, which will convey the values and legacy ofthe Agua Caliente Band of Cahuilla Indians, the new cultural plaza will build on the traditions of the Agua Caliente people, as well as the renowned natural features of the ancestral lands.

For more information about the Agua Caliente Band of Cahuilla Indians, visit www.aguacaliente-nsn.gov.

Modernism Week – 15-year anniversary
2020 marks the 15th anniversary of the city’s world-renowned Modernism Week festival, which showcases Palm Springs’ design heritage and modernist culture with a series of impressive events. Highlights of the festival, which will run from February 13 – 23, 2020, are expected to include the Premier Double Decker Architectural Bus Tour, the Frey House II Tour, Frank Sinatra’s “Twin Palms” Estate Tour and The Best of Mod with a Twist series.

The full schedule for February’s 11-day festival will be announced on the 25th October 2019, with tickets available from the 1st November 2019.

Those looking to get a taste of what the 2020 Modernism Week event has in store, can attend the annual four-day Modernism Week Fall Preview, this October (17-20). Tickets for Modernism Week Fall Preview are on sale now.

For more information on Modernism Week, visit www.modernismweek.com.

Andaz Palm Springs – 2020 hotel opening
Expected to open in early 2020 the Andaz Palm Springs, which will boast panoramic views of the city and the San Jacinto Mountains, will be located in the heart of the city’s downtown. On the doorstep of the Palm Springs’ vibrant uptown design district, the hotel will serve as a perfect option for those wanting to explore the city’s trendy boutiques, award-winning restaurants and renowned galleries.

The 150-key, 13-suite hotel will be built as a collection of small buildings and guestroom bungalows featuring two outdoor pools, garden areas on an elevated patio terrace, full-service spa and signature restaurant.
For more information, visit https://palmsprings.andaz.hyatt.com/en/hotel/home.html.

Welwood Hotel – 2020 hotel opening
Paying homage to the city’s first hotelier, Dr Welwood Murray, the Welwood Hotel in Palm Springs is set to open its doors to guests in 2020. Previously known as the Ivy Palm Resort, the hotel is currently undergoing a full renovation under the new ownership of Oxygen Hospitality.

Inspired by the mid-twentieth century modernist architecture that Palm Springs is renowned for, the hotel’s redesign is described as angular and artistic, featuring colourful motifs. Renovations of the 100-room, three-acre property will include new guest rooms and suites, featuring clean palettes of neutral and aqua shades, complemented with sleek, rich, modern furnishings. Completing the property’s enhanced offering will be a new restaurant / bar concept and two remodelled pools with cabanas.
For more information on the Welwood Hotel, visit welwoodhotel.com.

Main image credit: Agua Caliente Cultural Centre (Image Credit – Agua Caliente Band of Cahuilla Indians)

Marriott International to eliminate single-use shower toiletry bottles

730 565 Hamish Kilburn
Marriott International to eliminate single-use shower toiletry bottles

By December 2020, the hotel group will introduce new, large amenity bottles to reduce plastic waste…

Following on from IHG’s big announcement last month to ban miniatures, Marriott International is the latest hotel group to announce a change in policy when it comes to bathroom amenities, with the company announcing that it will replace single-use toiletry bottles of shampoo, conditioner and bath gel in guestroom showers with larger, pump-topped bottles.

To date, the company has already rolled out larger bottles at about 1,000 properties in North America, and now expects most of its other hotels to make the switch by December 2020. When fully implemented across the globe, Marriott International’s expanded toiletry program is expected to prevent around 500 million tiny bottles annually from going to landfills; that’s about 1.7 million pounds of plastic, a 30 per cent annual reduction from current amenity plastic usage.

“This is our second global initiative aimed at reducing single-use plastics in just over a year, which underscores how important we believe it is to continuously find ways to reduce our hotels’ environmental impact. It’s a huge priority for us,” said Arne Sorenson, President and Chief Executive Officer of Marriott International. “Our guests are looking to us to make changes that will create a meaningful difference for the environment while not sacrificing the quality service and experience they expect from our hotels.”

“The group first began replacing single-use toiletry bottles in the guest bathrooms of about 450 select-service hotels with larger toiletry bottles that contain more product in January 2018.”

Already, more than 20 per cent of Marriott International’s more than 7,000 properties now offer larger-pump-topped bottles in guestroom showers, doing away with single-use bottles that often end up in landfills.

A typical large, pump-topped bottle contains the same amount of product as about 10 to 12 miniature, single-use bottles. Because miniature bottles are not usually recycled, they end up in the hotels’ trash bins – generating refuse that will never truly decompose in landfills. In addition to allowing guests to use as much of a product as they need, the larger bottles are also recyclable along with other basic containers, such as plastic soda bottles.

Marriott International first began replacing single-use toiletry bottles in the guest bathrooms of about 450 select-service hotels with larger toiletry bottles that contain more product in January 2018. Today, the estimated 1,000 hotels that have made the switch overwhelmingly report positive feedback from guests. Each brand will implement the larger amenity bottles in a way that is consistent with the brand experience and quality standards that Marriott International’s guests have come to expect. The company is already working on ways to reduce single-use items elsewhere in the guestroom.

This initiative furthers Marriott International’s commitment to reducing its environmental impact as part of its Serve 360: Doing Good in Every Direction platform that addresses social and environmental issues. As part of Serve 360, Marriott International is working toward several sustainability goals such as reducing landfill waste by 45 per cent and responsibly sourcing its top 10 product purchase categories – including guestroom amenities – by 2025.

The global shower amenities initiative comes 13 months after the company’s first global plastics-reduction initiative, which addressed disposable plastic straws. In July 2018, the company’s hotels across the portfolio began phasing out disposable plastic straws and stirrers and switching to an on-demand approach with alternative products wherever possible. As of last month, the company had met its goal, resulting in an estimated annual diversion of 1 billion plastic straws from landfills – a first step on its journey to further reduce the portfolio’s reliance on single-use plastics and other disposables.

The latest announcement expands Marriott International’s early 2018 initiative to switch single-use shower toiletry bottles to larger bottles with pump dispensers in five brands: Courtyard by Marriott, SpringHill Suites, Residence Inn, Fairfield by Marriott and TownePlace Suites. In addition, four of Marriott International’s brands – Aloft Hotels, Element by Westin, Four Points and Moxy Hotels – previously implemented the pump-dispenser toiletry concept, while a fifth – AC by Marriott – is also preparing to make the change.

Main image credit: Marriott International

INDUSTRY INSIGHT: The psychology between colour in interior design and wellbeing

730 565 Hamish Kilburn
INDUSTRY INSIGHT: The psychology between colour in interior design and wellbeing

Colour has the power to raise or lower our heartbeat, impact our sleep and influence our overall wellbeing. There’s a tremendous amount of research that’s gone into the psychology of colour and the impact it has on our health. Kicking off our colour series, brand strategist Emma Potter explores how conscious consumers are of their relationship with colour, especially when checking in to a hotel…

Depending on our upbringing, gender, values, geography, and other influencing factors – colour can have very different meanings. For example, orange is often considered friendly, confident and cheerful (think Amazon and Orange); red is excitement, youthful and bold (think Coca-Cola and Lego); blue is trustworthy, dependable and strong (think Unilever and PayPal).  Colour evokes feelings and emotion, and choosing the right colours can make the difference between success of failure of a brand, business, and hotel environment – the colours that adorn and decorate these spaces will evoke feeling that make us connect.

Colour with purpose

Colour has the power to silently influence how consumers think and behave in an environment. Interior designers and hoteliers put a huge amount of effort into the hues they choose to decorate a spaced, be that a lobby, restaurant, bedroom or lounge area, as they appreciate the effect colour has on their consumers emotions. In order to create an appropriate scene for a certain target audience, it’s worth understanding the science of colour psychology and the tremendous ability it has to change entire moods.

A welcoming hotel reception and lobby has the ability to make or break a first impression when a customer walks through the doors. All sorts of creative elements are utilised to deliver the ‘Wow’ factor – this may include impressive sweeping stair cases (Plaza 18), bold curvaceous sculptures, wood-burning fire places that house a Italian marble mantel, sculptural sofas and alternative seating to make customers feel welcome and relaxed, and bold artwork – in some instances they may even look like a gallery.

Exploring colours that are timeless and evoke healthy wellbeing

Some may argue that using neutral colours (beige, cream, grey) will appeal to a broader market. While white may be a natural choice for a Greek Mediterranean style hotel (Mykonos Riviera Hotel & Spa), some people may associate white with cleanliness, whilst others may associate it with hospitals. Either way, white will significantly brighten up a room and will help to reflect light and colour.

Green typically symbolises growth and harmony, which is extremely grounding and brings us back to nature – think rolling countryside surrounded by lush leafy trees or blossoming flowers and open spaces. It is often associated with evoking a feeling of peace, trust and tranquillity, and it helps to reduce feelings of anxiety, whilst stimulating love, balance and harmony in the body. The ideal choice for rural hotels, some would argue. But it can also be injected into urban hotels, such as Nhow London, to add flair, vibrancy and electricity.

Image credit: Project Orange/Nhow

Blue symbolises trust and tranquillity, is often considered a calming colour, and goes well with grey and white to create a Scandinavian style. It’s reminiscent of flowing rivers, the ocean and the sky. The blue blossom of forget-me-nots help to stimulate mental clarity and creative expression, so floral arrangements also need to be considered from a design perspective. Perhaps the ideal choice for hotels by the sea or near water.

Oranges and reds symbolise energy, fire and passion, they resemble a sunset which represents creativity and emotion wellbeing. Mixing these colours with black would create a dramatic, mysterious ambience, perhaps lending themselves to Moroccan or Arabian interiors. However, where natural light is not in abundance, it may best to keep black to a minimum.

From the outset, a designer must work with the hotelier to decide upon the right colour palette to suit not only the style of the hotel, but the environment, ambience and setting they’re aiming to create, and the type of guest they’re aiming to attract.

Colour and the design process

There is no doubt about it, hotels are becoming more personalised – the recent renovation inside W London Leicester Square is a perfect example of this. As the saying in creative development goes: “Structure has integrity”, but designers – and guests checking in for that matter – are multi-faceted people, with multiple interests, so why just present one version ourselves? The core of our personality – or brand DNA / identity – will remain, but we give ourselves the permission to personalise aspects to make every room and space special and stand out in its own right. Be that through an aspect of design, a feature that’s maximised, lighting to create a mood, music to evoke a rhythm, technology to take us into the next millennia, temperature control to make it feel like a fresh spring morning or a hot summers day, it all plays its part in the personalisation process. I liken it to a menu in a restaurant – everything on the menu will reflect the chef behind the brand, but the choice each customer makes creates a unique, individual, memorable experience. Ideally one that each guest wants to talk about. In addition, lighting will change the atmosphere of a room or space, and this continues to be an ever-evolving trend.

Image credit: W Hotels

Design trends through the decades

I’m sure, like many of us, we’re more influenced subconsciously by colour than we realise. Thankfully 2019 has represented a year where bright new colours have returned to the trending palette.

A new word for me this year is ‘Biophilia’ meaning ‘an innate and genetically determined affinity of human beings and the natural world’. To quote Angie Lee: “Biophilia is a design driver that engages the end user by connecting them to primal instincts about the relationship between humans and nature.” As the quest with technology continues to push the boundaries to supposedly make our lives better, more efficient, smarter and more connected – in reality what we crave as ‘human beings’ is connection, and being in nature, hearing the rhythm of waves, being able to touch natural surfaces like stone are wood, is what brings us to a state of consciousness where real life flows. No longer a place to pass through whilst checking in, I love the idea that the hotel lobby has become a place to connect and congregate. Moreover, now we often see artists being commissioned to create bespoke pieces for lobby areas, which ties the concept of ‘art and wallcoverings’ much closer together.

The return of bold colours in 2019

I appreciate that multiple shades and tones of grey have been in fashion for some time now and are timeless and therefore appropriate for the international hotel design scene, but consumers are beginning to become more drawn to bold, warm, vibrate colours such as pink and orange. So, it was heart-warming to see Pantone name ‘Living Coral’ as the colour of the year, described as follows ‘an animating and life-affirming coral hue with a golden undertone that energises and enlivens with a softer edge’. It certainly adds vibrancy and a natural injection of warmth that has perhaps been missing in recent years.

“Rooms should not be put together for show, but to nourish one’s own wellbeing.” – Albert Hadley

Global growth of the wellness industry

Spanning multiple sectors including personal care, beauty and anti-aging; wellness tourism; traditional and complimentary medicine; wellness real estate; and workplace wellness, global growth has sky rocketed in recent years, and at the end of 2018 the wellness economy was dubbed to be worth $4.2 trillion.

Moreover, the projected average annual growth rate for 2017-2022 has been noted at eight per cent for wellness real estate, 6.7 per cent for workplace wellness, and a staggering 6.4 per cent for spa facilities. Perhaps this is due to the human race living longer, poor health as we age, and the increased stress levels this induces? One thing is for sure, the wellness industry is a driving dynamic force that’s converging to create a more connected experience in all areas of our lives – personal, home, work, travel.

Whilst ‘Mindfulness’ may have grown in popularity in recent years, it seems 2019 is fast becoming the year of wellbeing and consciousness – in all areas and aspects of our lives. To quote Albert Hadley: “Rooms should not be put together for show, but to nourish one’s own wellbeing.” Interior design is deeper than simply decorating, colour schemes have the ability to cleverly transform and/or evoke emotions and designing with purpose as a whole will result in space that is more functional, more inviting and more appropriate to the guests checking in.

Main image credit: Hilton Doubletree

Roca inspires with new Escuadra brassware range

730 565 Hamish Kilburn
Roca inspires with new Escuadra brassware range

Roca has added to its brassware offering with its latest collection, Escuadra. With its contemporary single lever design, Escuadra creates a stylish impression in any bathroom space…

A versatile choice, Escuadra is available in a range of brassware options, including basin, bidet, bath and shower mixer styles. “When it comes to brassware, there is now more choice than ever before. Many homeowners are moving away from the traditional mixer in favour of something more contemporary”, comments Claire Gay, Marketing Manager at Roca.

“Escuadra meets that demand, its sleek and minimalist design complements a range of basin shapes, making it a functional yet sophisticated choice for homeowners, installers, specifiers and retailers.”

Escuadra features many of Roca’s latest innovations, including the exclusive Roca EverShine® finish. The hardwearing coating ensures the tap retains its shine, along with discouraging limescale build up and preventing stains. Additionally, the ceramic disc cartridge has been thoroughly tested with over one million movements to assure customers that their brassware will continue to function for many years to come.

The basin and bidet mixers are equipped with Roca’s Cold Start technology; this prevents unnecessary energy consumption by only activating the boiler when the handle is turned to hot, this conserves energy and provides a cost-effective solution for homeowners.

To further enhance the sustainability of the range, Roca has utilised many water-saving functions. Soft Turn technology provides the highest levels of precision and puts the homeowner in complete control, with the ability to set the desired water flow and temperature. Furthermore, the integration of flow limiters restricts the water flow, which prevents wastage.

Roca is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.

Main image credit: Roca

True-to-life surfaces with UNILIN, division panels

730 565 Hamish Kilburn
True-to-life surfaces with UNILIN, division panels

Through the UNILIN Evola collection, interior designers can unlock true-to-life surfaces with the benefits of scratch-resistance, durability and easy maintenance…

Through its UNILIN Evola product range, UNILIN, division panels gives designers access to a collection of decorative panels that utilise the company’s expertise in creating true-to-life surfaces entirely in-house.

With many of the décors in the UNILIN Evola collection completely exclusive, UNILIN, division panels develops products inspired by everything from reclaimed wood, through trending colours, to concrete and brushed precious metals.

Going through a process that sees intensive research and incredibly close attention to the replication of original detail, each UNILIN Evola décor is almost indistinguishable from the real thing. From the pronounced depth of grain markings in the Deepwood structure of Nordic Pine, through to the smooth, Topmat structure of Carrara Frosted White marble, each décor excels in its ability to deliver incredible authenticity.

Yet, despite these impressive true-to-life structures, all UNILIN Evola decors share the same principles of resilience and ease of maintenance. Scratch-resistant, UV-resistant and simple to maintain, UNILIN Evola is designed to stand-up in busy commercial spaces. With authenticity and practicality, UNILIN Evola is a serious alternative to natural materials. The collection’s 168 decors are available as A4-sized samples from the website.

“The full range of products from UNILIN, division panels is made in Europe, using 85 per cent recycled wood for all chipboard products.”

UNILIN, division panels also manufactures ready-to-paint panels, raw chipboard, doors, shelves and the innovative ClicWall MDF wall panelling system. Using patented Uniclic technology, ClicWall is simple-to-fit and comes in a range of true-to-life decors. Ideal for use in fast-track refurbishment projects, the system is also available in a special fire-retardant specification, ClicWall FR, as well as ClicWall Deco, ready for finishing with paint, fabric, wallpaper or digital print. Again, samples can be obtained from unilinpanels.com.

The full range of products from UNILIN, division panels is made in Europe, using 85 per cent recycled wood for all chipboard products. The vast majority of this recycled material is locally-sourced ‘urban wood’, with some 650,000 tonnes processed annually from pallets, packaging, old furniture and reclaimed lumber. All non-recyclable wood waste from production is turned to energy at on-site biomass plants.

UNILIN, division panels is part of the UNILIN Group (also home to world famous Quick-Step flooring brand and SIPs from division insulation), a subsidiary of MOHAWK Industries Inc., the world’s largest floorcoverings group.

UNILIN is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.

Main image credit: UNILIN

Hard Rock Hotels arrives in the Maldives

730 565 Hamish Kilburn
Hard Rock Hotels arrives in the Maldives

The iconic music and lifestyle brand hits the high note with Hard Rock Hotel Maldives, which marks the brand’s 30th property… 

Following the opening of its first London hotel, Hard Rock International has announced its arrival in the Maldives, which marks the brand’s 30th property worldwide. Opening as part of CROSSROADS Maldives, the 178-key hotel is the country’s first and only integrated resort and is situated across the Emboodhoo lagoon.

“Hard Rock Hotel Maldives offers the beauty and serenity of the destination perfectly paired with the lifestyle and energy that only the Hard Rock brand can deliver,” said Dale Hipsh, senior vice president of Hard Rock Hotels. “We’re excited to showcase the property’s unique experience and signature brand amenities to locals and visitors from around the world.”

Image credit: Hard Rock Hotels

Offering a variety of dining options, Hard Rock Hotel Maldives appeals to all appetites with a variety of food and beverage offerings, including the brand signature Sessions, where diners are treated to a world of contemporary flavors with indoor and outdoor seating, while The Elephant and The Butterfly presents Latin American-inspired cuisine in a picturesque oceanfront setting. Just steps away, the Hard Rock Cafe at the Marina CROSSROADS offers world-famous, all-American cuisine, live music, events and music memorabilia.

“Beginning with an Eric Clapton guitar, Hard Rock owns the world’s most valuable collection of music memorabilia.”

Inspired by local Maldivian culture, Hard Rock Hotel Maldives infuses contemporary design features with tropical architecture throughout the property, alongside regionally-inspired, authentic music memorabilia, including items from regional sensations Chun Xioa and Khun Asanee Chotikul, as well as international superstars like Shakira and Justin Timberlake. Unique to this hotel, the two-bedroom Silver Family Suite allows parents and kids to stay together in style with bunk beds and direct beach access, while the 4,950 square foot Rock Star Villa features spacious outdoor living areas, an infinity pool, a tuk-tuk bar on the terrace, panoramic ocean views and even a private boat jetty.

Image credit: Hard Rock Hotels

With venues in 75 countries, including 188 Hard Rock Cafes, 241 Rock Shops, 30 hotels and 11 casinos, Hard Rock International (HRI) is one of the most globally recognised companies. Beginning with an Eric Clapton guitar, Hard Rock owns the world’s most valuable collection of music memorabilia, which is displayed at its locations around the globe.

Vibrant lobby design

7 unconventional hotel lobby designs

730 565 Hamish Kilburn
7 unconventional hotel lobby designs

To launch this month’s spotlight on Lobby Design, Hotel Designs’ editorial team has scoured the globe to identify some of the world’s most unconventional – and most fascinating – hotel lobbies… 

A first impression is a lasting impression, especially when it comes to checking in to the modern-day hotel. And considering it takes the average person just seven seconds for their opinion to be anchored, ultimately right up until they cast their feedback after checking out, designing a hotel lobby is a balancing act worth getting right.

Vibrant lobby design

Regardless of a hotel’s theme, style and to a certain extent target audience, a well-designed lobby is an effortlessly functioning space – and in most cases considered to be the most vital working organ in the hotel’s body that is most relied.

Today’s modern traveller demands for the lobby to be an all-encompassing flexible portal; a home-from-home meeting place, which shelters a social atmosphere. And yet it must also include private break-out areas and accents of personality and sense of place in its design – just enough for something to catch their eye and be included in their first impression. While it is important to ensure that the lobby is multifunctional, ensuring that its design stays in its lane regarding its style is fundamental.

Here are some hotels that have gone further to challenge the conventional lobby design – and as a result designed their own lane.

1) Rosewood Bangkok

Earlier this year, Hotel Designs exclusively unveiled the design story of Rosewood Bangkok. Designed by Celia Chu, her task to design the 159-key hotel was made that much more daunting when having to create a hotel lobby that creates as large of an impression as the exterior does. Instead of competing with the architecture to be bold, Chu looked inwards to sensitively tell the story of Thailand in the words of locals. “The reception space is relatively small,” explains Chu, “but in this area we layer different eras from a timeline that represents Thai culture, with antique craftsmanship, modern polished luxury and artistic contemporary elements all piled up into one cohesive and welcoming space.”

2) Hard Rock Hotel London

Hotel lobby with memorabilia hanging on the wall

Image credit: Philip Durrant

Designed by Scott Brownrigg, The hotel lobby’s walls are plastered with memorabilia that reference the legacy of legends who stayed in Hard Rock Hotels in decades past, including Jimi Hendrix, Nina Simone, Stevie Wonder, Bob Dylan, Diana Ross and Madonna. Balancing the history and heritage of the brand in a timeless style to avoid cliché moments was the first task for the design firm when confronting the motifs that will be sheltered in the new hotel. “We knew we had to represent the Hard Rock brand in an innovative way for the contemporary London market,” Senior Designer Kate Jarrett explains. “The hotel scene here is competitive so we knew we had to create something that tied into London and Hard Rock’s music heritage, while still being completely contemporary.”

3) Matetsi Victoria Falls, Zimbabwe

soft lobby area, which is open to the elements - and full of natural materials

Image credit: Matetsi Victoria Falls

There are two entrances at Matetsi Victoria Falls, East Camp and West Camp. Both are framed by three traditional Mokoro (dug-out) canoes, which hang from wooden beams and sway in harmony with the soft Zambezi breeze. With no need for a traditional lobby, guests are immediately welcomed into the indoor-outdoor public areas complete with a copper bar and durable outdoor sofas and chairs scattered in a home-from-home setting that has been designed around nature, and not the other way round. “We didn’t take out a single tree when designing these camps, because we wanted these areas to remain as close to nature as we could,” said interior designer Kerry van Leenhoff , a previous graduate from Cape Town University of Technology who was hand-selected by Gardiner and totally supported in all her decisions. Using the striking vista of the Zambezi River, which flows towards the tremendous Victoria Falls, dining tables are placed in such a way to make every meal one to remember. “The lobby areas have been designed in order to encourage guests to connect with people and nature,” adds van Leenhoff.

4) Plaza 18, Vejer, Spain

Almost one year after Hotel Designs started following designer Nicky Dobree’s journey to complete her first ever hotel design, Plaza 18 is now open. With a distinct residential style, the lobby sheltered inside the six-key boutique hotel is unlike any other in the world. “This entrance challenges the conventional ‘hotel lobby’ because there is no check-in at Plaza 18,” Dobree explains. “Instead, check in is done at the adjoining Hotel Casa del Califa enabling guests at Plaza 18 to enjoy the space as if it were their own home, which was my aim.”

5) 1K Paris

Strong vibrant colours and plants in modern and quirky hotel lobby

Image credit: 1K Paris

Bringing the lush forests of South America’s Andes Mountains to Paris, 1K Paris has a hotel lobby that will take guests into a new world. Complete with vibrant walls, ceilings, floors and furniture – and finished with tropical plants and timeless Peruvian artefacts – the area is cleverly also flooded with natural light. The lobby’s strong blue backdrop sets the ultimate tone for the abundance of colours that await guest’s unique journey ahead.

6) Raffles Singapore

Light and bright grand lobby

Image credit: Raffles Singapore

Reminiscent of extravagant parties that were once held there, The Grand Lobby inside Raffles Singapore, which has been sensitively designed by the New York-based Champalimaud Design, is a truly a legend reborn. The lobby includes floor-to-ceiling Victorian pillars and is bathed in soft daylight streaming through the skylight.

7) Ruby Leni, Dusseldorf

Darkly lit modern public areas

Image credit: Ruby Hotels

Taking inspiration from the theatre that With large, expansive public spaces that filter into plush private break-out areas, the hotel is designed for both locals and guests checking in. The character and soul has been channelled into the lobby/lounge, where the real story of the iconic 1900s building, which sheltered the Düsseldorfer Schauspielhaus theatre, comes to life. “We looked at the materials, shapes and forms that you would associate to a theatre of that era,” says Lead Designer Matthew Balon. “We then separated that into front-of-house and back-of-house. We wanted to challenge that idea by merging those areas. For example, we have included stage cases in the lobby to really create an authentic feeling of being part of the production, behind the scenes.”

Hotel Designs is spending this month with Lobby Design and Furniture in the spotlight. If you have a story, or would like to submit a comment, please contact the editorial team. 

Main image credit: 1K Paris

Four Seasons opens in Philadelphia’s tallest building

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Four Seasons opens in Philadelphia’s tallest building

Foster + Partners’ Norman Foster is responsible for the architecture and interior design of Four Seasons Hotel Philadelphia at Comcast Centre, which is sheltered in the 48th and 60th floors of the city’s tallest building…

The newly opened Four Seasons Hotel Philadelphia at Comcast Center is located on the uppermost floors of what is now the city’s tallest building and 10th highest in the United States.

The entire building and the interiors and furnishings of the hotel have been designed by world-renowned architect Norman Foster of Foster + Partners, while artistic director Jeff Leatham has created stunning floral art in his signature style. His designs are found throughout the property from the ground floor entry to the 60th floor hotel lobby. In addition, Tokyo-based teamLab has envisioned a giant digital floral experience as a modern expression of traditional Japanese painting techniques in the hotel’s arrival lobby.

Image credit: Four Seasons Hotels & Resorts

“This exceptional new property represents the very best of Four Seasons,” said Christian Clerc, President, Worldwide Hotel Operations, Four Seasons Hotels and Resorts. “From architecture to design, artistry and innovation, culinary mastery and wellness expertise, we have worked closely with our visionary partners at Comcast and Liberty Property Trust to assemble an all-star team of virtuosos who are elevating Four Seasons service, quality and artistry to new heights.”

Framing what are arguably the best vistas over the city, the 180 guestrooms and 39 suites have been designed to reflect a timeless and relaxed style, while also to adding thoughtful and hidden technology throughout. For example, in partnership with Comcast, all guestrooms and suites also offer the award winning X1 Video Experience.

The hotel’s dining scene is on the 59th floor inside the Jean-Georges Philadelphia restaurant and the 60th floor inside JG SkyHigh cocktail bar. Norman Foster’s soaring space showcases the internationally acclaimed French-American chef’s signature cuisine within an atrium featuring 40 foot (12 metre) glass walls and a cleverly mirrored ceiling that reflects both diners and the city below.

Taking wellness and wellbeing to new height, the hotel’s 57th floor is a haven of health and wellness that includes an enormous indoor pool that “spills” into the sky; a state-of-the-art fitness centre.

Main image credit: Four Seasons Hotels & Resorts

W Hotels debuts first luxury hotel in Aspen in 25 years

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W Hotels debuts first luxury hotel in Aspen in 25 years

The 88-key luxury W Aspen, designed by interior design firm NEMAWORKSHOP and architects Rowland + Broughton, is the town’s only year-round mountainside rooftop venue…

Following the opening of W Hotels first hotel in Oman, Marriott International Inc. has announced the much-anticipated opening of W Aspen & The Sky Residences at W Aspen, located at the base of the world-renowned, eponymous mountain.

With ski-in/ski-out access to some of the world’s most coveted slopes, 360° mountain views and striking architectural and interior design, W Aspen is the second W Mountain Escape globally, following W Verbier in the Swiss Alps. Poised to carve out a new era of luxury in Aspen, the brand is bringing its bold point of view to the iconic mountain town for year-round access to alpine adventure.

“Aspen’s people, vibrancy and natural beauty make this year-round mountain town the perfect place for the W lifestyle,” said Anthony Ingham, Global Brand Leader, W Hotels Worldwide. “W Aspen reimagines the traditional ski chalet and allows people to experience the town in a way they never have before, through evocative design, inclusive programming and a social scene that is sure to become an essential stop on the global jet-setting calendar. The first new build W Escape in the USA for 10 years, W Aspen marks a milestone in the brand’s reinvigorated focus on North America.”

W Aspen & The Sky Residences at W Aspen are owned by Northridge Capital of Washington, DC, the owner for 16 years of the former Sky Hotel situated on the same site, and co-developed by Northridge and local partner Sarpa Development. “After more than five years of hard work,” commented Northridge’s owner and president Dave Jackson, “we are thrilled to finally be opening the W Aspen for the enjoyment of its guests and the local community, and grateful to our partners at W Hotels, Haselden Construction, and too many other team members to name for their tireless efforts to reach this goal.”

“W Aspen centres on the natural beauty and bounty of the mountains and the historical context of the city it surrounds.”

W Aspen brings a luxurious, playful style to the historically-rich town of Aspen. Designed by global interior design firm NEMAWORKSHOP and Aspen-based architects Rowland + Broughton, alongside the W Brand’s award-winning design team, W Aspen centres on the natural beauty and bounty of the mountains and the historical context of the city it surrounds.

It begins with the exterior: a modern mountain chalet with long, sloping roof lines that draw inspiration from the Rocky Mountain landscape. The essence of the outdoors continues throughout the interior, where the Welcome Desk wood formations echo the Rocky Mountains and intricately-detailed terrariums represent seasonal Aspen activities from hiking and biking to skiing and snowboarding.

On the second floor is The Living Room, which serves as the central point of the Escape experience and showcases a grid-pattern display on the bar – a nod to traditional millwork structures used to create mine tunnels in Aspen during the silver boom. Seating in The Living Room features brass and polished rods that surround plush, velvety cushions synonymous with Aspen’s bohemian counterculture of the early ’70s. Along the side, stadium seating leads to an iconic suspended DJ booth that takes its cue from the largest silver nugget discovered in Aspen at the turn of the century. Continuing to honor Aspen’s role in the Colorado Silver Boom, light fixtures are informed by the look of a miner’s headlamp and floors are swept with curving patterns that echo the soil found at the bottom of a smuggler’s cove. At sundown, The Living Room’s outdoor fire pit acts as a beacon at the base of the mountain – signaling to the skiers above it is time to après.

Art reminiscent of iconic Americana paintings of the Rocky Mountains layer the walls of W Aspen. Commissioned artists impart a more modern vision through the lens of classic landscape paintings like those done by Albert Bierstad and other greats. Longtime W collaborator Gaia showcases a series of works throughout the Escape that tease an infatuation with American landscape paintings but are superimposed with local millennial fragmented culture spirit guides – adding a contemporary veil to the traditional. Accent pillows in the Living Room and guestrooms are inspired by artists Herbert Bayer and Thomas Benton and pay homage to the historical residents of Durant Street, named the ‘Soiled Doves of Durant’.

“Selected rooms feature a W design first, quad-queen bunk beds, which can sleep up to eight to cater to a younger adult clientele.”

W Aspen features 88 guestrooms and 11 W-branded residences, along with four WOW suites and one Extreme WOW suite that can be a one, two or three bedroom, all of which offer modern takes on Ute patterns and furniture inspired by the decadence of ‘70s Aspen “pleasure palaces.” All guestrooms and suites are playfully marked with room plates in a style reminiscent of the pop culture icon Bob Ross, while interiors reference the cozy warmth of Swiss chalet architecture through the use of rustic wood finishes, sloped rooflines and a fireplace-inspired W MixBar. Each guestroom features pit and platform lounge seating that nods to the plasticity of mile-high bohemia and is complete with Ute-inspired accent pillows. Selected rooms feature a W design first, quad-queen bunk beds, which can sleep up to eight to cater to a younger adult clientele, as well as offer a wink to the more hedonistic qualities of Aspen’s past.

The two-bedroom Extreme WOW Suite is inspired by Aspen’s mountain culture and is the quintessential location to play and stay. The suite features modern industrial touches, rich ski-wear fabrics, a central fire pit surrounded by curved pit seating, a hot tub open to the living area, a crystal and glass barrier embracing a circular bed on a pivoting platform, and a DJ booth with a mini LP vinyl player and curated music library – all playing on vintage luxury. The plush reds, blues and oranges in addition to psychedelic detailing add extra electricity to this warm mountain escape.

39 Degrees, a legendary après ski bar in the former Sky Hotel, returns as an underground ultra-lounge cocktail bar and grotto inspired by the famed Red-Light District of Aspen. Outfitted with platform and pit seating, crushed velvet touches, cheeky Gonzo-style posters and pillows and a W-commissioned, Gabriel Alcala mural that portrays an Aspen landscape through the lens of ‘excess,’ this hidden spot will keep the energy going late into the night.

“The buzz and excitement for the debut of W Aspen has been building for some time and we could not be readier to bring the infectious energy, spirit and programming of W to this iconic American town,” says Greg Durrer, General Manager, W Aspen. “We know that W Aspen will not only serve as a year-round destination for travellers but that it will bring a bold new point of view to the local social scene and become the latest player in the legacy of this incredible cultural mecca.”

Image credit: Marriott International

The Sky Residences at W Aspen offer an exclusive shared ownership opportunity with 11 W-branded Residences located slope-side on Aspen Mountain. With a limited collection of only six three-bedroom and five two-bedroom Residences, owners have access to a private, owners-only roof deck with a spa, lounge seating, BBQ grills, outdoor kitchen and fire pit. In addition, owners can enjoy all of the Escape’s amenities and services at W Aspen, including Welcome Ambassadors and round the clock security; in-residence dining and STYLE housekeeping services; WHEELS valet service; FIT® state-of-art fitness facilities; two WET® Deck pools; and W’s signature Whatever/Whenever® service promise, providing residents and hotel guests alike with whatever they want, whenever they want it! The Sky Residences at W Aspen are currently offered for sale by Forte Aspen. “The Sky Residences at W Aspen feature compelling statements of space and design that defy expectations,” said R.J. Gallagher, Jr. of Forte Aspen. “It’s where an owner can get away from it all, while having it all. Effortless ownership, where quality time with family and friends is the only order of the day. And night.”

The hotel’s opening further marks W Hotels and Marriot International’s commitment to add more than 30 luxury properties to its portfolio this year. W, a significant element to the planned expansion, is defying expectations and breaking the norms of traditional luxury wherever the iconic W sign lands. With a mission to fuel guests’ lust for life, W ignites an obsessive desire to soak it in, live it up and hit repeat. The brand’s provocative design, iconic Whatever/Whenever service and buzzing Living Rooms create an experience that is often copied but never matched.

Main image credit: Marriott International

Chelsom creates bespoke lighting scheme for chic Miami hotel

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Chelsom creates bespoke lighting scheme for chic Miami hotel

Chelsom worked with Martin Brudnizki Design Studio (MBDS) to create a bespoke lighting scheme for the guestrooms and public areas of one of Miami’s coolest hotels, Mr.C Coconut Grove

The overall design scheme of Mr. C Coconut Grove was completely individual in its entirety as to be expected from MBDS and the lighting pieces designed for the project were no exception.

A selection of Art Deco inspired fittings were created for the public areas including the reception and lobby and Bellini’s, the main restaurant and bar area. Channelling Miami chic at its finest, fittings for the restaurant include delicate glass wall lights with Brass detailing, decorative Art Deco table lamps with domed glass shades and Brass metalwork adorn the banquet seating teamed with classic Brass picture lights to frame the artwork. Toadstool shaped Art Deco lights with perforated Brass shades adorn the main bar area with a statement pendant above the bar making a dramatic visual impact. The custom designed fitting is an oversized shade style pendant in cream with Brass trim detail suspended from a Brass canopy. Oversized floor lamps adorn the lobby area with Brushed Brass and walnut table lamps with delicately concaved domed shades specified for the reception desk.

Key pieces for the guestrooms and suites includestatement bespoke ceiling pendants in Antique Brass with six opalglass globes branching from a central stem with larger double tiered versions specified for the suites. Bespoke floor lamps in Brushed Brass with a curved arm and decorative locking key joint are teamed with tapered cylindrical shades in cream linen supplemented by Art Decotable lampsand wall lights perfectly in-keeping with both the flawless interior scheme created by the team at MBDS and the historic building itself.

Chelsom is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: Mr C Coconut Grove/James McDonald

1 Hotels to debut in Canada

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1 Hotels to debut in Canada

1 Hotel Toronto, which is being designed using reclaimed materials, will be unveiled next year as a design-led, sustainable urban retreat…

Barry Sternlicht, 1 Hotels Founder and CEO & Chairman of Starwood Capital Group, who earlier this year announced a new lifestyle hotel brand, has confirmed plans for 1 Hotel Toronto. The hotel, which is slated to open next year, is inspired by Canada’s natural beauty, the vibrant character of King Street West and the Toronto marketplace.

The hotel is being developed in partnership with Mohari Hospitality, a global real estate investment company and owner of the building which is currently operated as the Thompson Toronto. The downtown property will undergo an extensive transformation into a relaxing luxury sustainable 1 retreat.

“The hotel group purposefully reuses existing structural and reclaimed materials gathered from the local community, including timber, driftwood and local limestone.”

1 Hotels brings its sustainable vision to life by incorporating nature in its design and culinary collaborations, connecting with the local community to make a meaningful impact in the way people travel, eat, live and work. The hotel group purposefully reuses existing structural and reclaimed materials gathered from the local community, including timber, driftwood and local limestone. The hotel’s design balances refined elements with a comfortably curated atmosphere, inspired by the creativity and craftsmanship of local artists, builders, chefs, and others. Its operating philosophy reflects our commitment to sustainability. 1 Toronto is not just a place to stay; it’s a place to get inspired, focus, grow, connect and recharge.

“1 Hotel Toronto will introduce the city to a new standard for an eco-conscious luxury experience, and is the first of its kind in Canada,” said Sternlicht. We look forward to sharing our mission to inspire conscious consumption with guests from across the globe as well as the local community. Our partnership with Mohari is key to the re-development of the project, and we are pleased to be collaborating with them.”

“1 Toronto is not just a place to stay; it’s a place to get inspired, focus, grow, connect and recharge.”

Mark Scheinberg, founder of Mohari Hospitality, said: “We’re excited to be partnering with 1 Hotels to open this luxury hotel and brand in the heart of Toronto. At Mohari, we look for innovative projects that are changing the hospitality market and 1 Hotel Toronto perfectly fits that mould.”

1 Toronto will be enhanced by a level of luxury and personalisation that puts guests in an urban oasis. It’s expected to become a place to unwind, connect, eat well, and discover warmth and community in an environment which embraces nature, making it a luxurious and welcome respite for business travellers and world wanderers alike.

Main image credit: 1 Hotels

Germany, France and the UK lead European hotel project development

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Germany, France and the UK lead European hotel project development

Latest hotel development statistics from the TOPHOTELCONSTRUCTION database show the three nations account for 50 per cent of the 1,514 projects that are currently in the pipeline for the region…

Germany, the UK, and France are currently dominating a “booming European hospitality market”, as stated in a report by TOPHOTELCONSTRUCTION. The latest data to be published indicates that the three nations account for 50 per cent of the 1,514 projects currently in the pipeline in Europe.

Germany currently has 382 projects in its own pipeline, which means that it alone is accounting for around one quarter of the upcoming hotels in Europe. The UK, meanwhile, is hot on its heels, with 287 projects in its own pipeline. Meanwhile, there is a significant dropoff between the U.K. and third place France, which has 91 projects in its own pipeline.

Other destinations in the top 10 include Spain (72 projects in the pipeline) and Russia, Italy, Switzerland, Austria, Poland, and Ireland, all of which have less than 70 hotels each in their project pipeline.

The report concludes that Europe’s strong performance is due to Germany being a significant driving force in the hospitality space, as well as globally dominant tourist destinations such as France, Spain, and the UK.

According to TOPHOTELCONSTRUCTION, the 1,541 hotels currently in the pipeline for Europe will ultimately yield as many as 251,730 new guestrooms.

Main image credit: Pixabay

MINIVIEW: Zafiro Palace Alcudia

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MINIVIEW: Zafiro Palace Alcudia

Zafiro Palace Alcudia is a family friendly hotel with a luxury edge. Chantal Borciani checks in to review…

Framed by the majestic landscape of mountains in northern Mallorca, Zafiro Palace Hotel Alcudia occupies an enviable position just five minutes’ walk from the pretty harbour of Alcudia and just 15 minutes from the Medieval Old Town. Surrounded by sea and rolling countryside, it’s easy to see why nature plays a key role in Zafiro’s aesthetic.

From the stylish marble lobby, the eye is immediately drawn outside to the vast gardens that form the focal point of the property. The immaculate tiered lawns are sown with native Mallorcan plants and flowers and feature 11 glittering pools. Despite the impressive aquatic offering, Zafiro Palace Alcudia retains the intimacy of a much smaller hotel with a boutique vibe that sets it apart from other family hotels on the island.

“Antonia Plomer personally selects everything every material and piece of artwork used in the hotel.”

Mature gardens are dotted with shaded hideaways and quiet corners while alongside some of the larger pools, billowing white draped cabana beds are available for all guests to use on a complimentary basis. Raised up a level above the swim-up pool bar and trendy poolside restaurant, the adult-only pool area is another cabana-lined oasis.

Designed with small footprints in mind, kids are well catered for as well, of course with a fantastic pirate ship pool, slides and play area occupying a quadrant of the gardens. ‘Run for families, by families’ is the spirit behind the Zafiro brand, which was set up by father Tomeu Plomer and still rings true today. The hotel has recently had a refresh under daughters Antonia and Maria Plomer who now run the business and have deftly anticipated new trends.

“Lines are clean, minimalist and chic; the white angular buildings emphasising the contemporary feel of the property.”

Antonia Plomer personally selects every material and piece of artwork used in the hotel, sourcing the majority of elements from Mallorcan and Spanish suppliers to great effect. Décor is sophisticated and the neutral palette is calming and light, save small dashes of colour from soft furnishings and modern lighting and framed prints.

While being resolutely family friendly, the all-suite hotel retains a luxury edge in design and feel. Lines are clean, minimalist and chic; the white angular buildings emphasising the contemporary feel of the property. Suites are spacious, elegant and flooded with light thanks to large balconies. Each suite features an open-plan bathroom, while sliding doors in the family rooms mean parents can easily ‘zone off’ sleeping areas for kids.

All 369 suites can be configured to accommodate children while bespoke family suites feature two bedrooms. Handy touches such as microwaves in all rooms, high-end coffee machines and ample storage and wardrobe space add to the thoughtful design.

Image credit: Zafiro Palace Hotels

On the ground level, the aforementioned swim-up suites boast a private garden and direct pool access ideal for families who love to be in and out of the water all day. On the top floor, the penthouse suites are blessed with a rooftop terrace complete with Jacuzzi and Bali beds. With mesmeric views out across the Mallorcan mountains and coast, these sumptuous suites should be top pick for those looking for luxury escapism.

The Presidential Owner’s Suite, usually the reserve of Mallorcan elite and celebrities, occupies 180 square metres and features a vast terrace with Jacuzzi, shower and Bali bed. The decadent interior is accented by design-led furniture and contemporary chandeliers selected from Barcelona-based procurer Santa e Cole, while alongside the master bed sits a decadent marble emerado and white makael bathtub.

In the public areas, Antonia Plomer’s astute eye for design makes great impact. The four á la carterestaurants reflect a different aesthetic and cuisine without becoming overly thematic and each dining area is blessed with stunning views of the gardens and pools thanks to terraces and floor to ceiling windows.

Image credit: Zafiro Palace Hotels

Off season, the hotel is a magnet for cyclists and active travellers keen to make the most of Mallorca’s long season and enviable hiking and cycling routes. In fact, the hotel hosts many of the participants in Alcudia’s annual Ironman and is a fantastic base from which to explore the island. The Old Town of Alcudia is steeped in history and sprinkled with lovely wine bars, while at the harbour guests can hire a classic Mallorcan launch and cruise along the magical coastline.

It’s no mean feat to cater to children while also affording the adults a slice of luxury and relaxation yet Zafiro Palace Hotel Alcudia has done so with ease. Small touches, so often only found in owner-run hotels such as this, make all the difference here alongside the sophisticated family accommodation which feels a world away from the large carbon copy, faceless all inclusives of old.

Main image credit: Zafiro Palace Hotels

InterContinental Hotels debuts first luxury hotel in renowned hot spring destination

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InterContinental Hotels debuts first luxury hotel in renowned hot spring destination

InterContinental Hotels & Resorts continues to pioneer new luxury destinations with the opening of ANA InterContinental Beppu Resort & Spa, which is injected with local design and architecture references throughout… 

Located in the Oita Prefecture in Southwestern Japan, ANA InterContinental Beppu Resort & Spa has opened as the region’s first international luxury resort.

The opening strengthens the long-term venture with ANA and IHG in Japan and joins more than 200 InterContinental Hotels & Resorts worldwide. Leading the way in luxury, the resort isone of four immersive resorts to open in 2019, with InterContinental Hayman Island Resort opened on 1 July and InterContinental Maldives Maamunagau Resort and InterContinental Phuket Resort opening in September.

“On behalf of IHG and IHG/ANA Japan, we are extremely proud to open the first international luxury hot spring resort and spa in Beppu,” said Hans Heijligers, Head of Japan, IHG, and IHG ANA Hotels Group Japan. “InterContinental has been pioneers in luxury travel for more than 70 years, delivering the allure of the InterContinental Life in all corners of the world. We are delighted to continue bringing the brand’s iconic hospitality, combining international know-how and local wisdom to new destinations as IHG continues to grow its luxury presence across the globe and in Japan.”

Image credit: IHG

Renowned for its rich culture and distinguished local craftsmanship, Beppu lends itself to offering guests rare access into authentic Japanese experiences. As the world’s second largest volume of hot spring water, the onsen tradition is a synonymous part of the guest experience in Beppu. The resort offers two large outdoor onsens, each meticulously designed with the selection and arrangement of Beppu stones selected by skilled masons, and placed to create a waterfall effect as if the hot spring water is overflowing from the mountain.

The private onsen rooms offer a modern onsen experience within an exclusive space complete with a luxurious day bed, bathroom and minimalist design. The heart of the resort is the iconic infinity pool, designed to unite the sky with the view overlooking Beppu’s hot springs below.

“Featured across the resort is work from local artists and craftsmen.”

Elevating the cleansing and healing powers of myobanwater is the resort spa. In partnership with luxury Thai spa brand HARNN, the spa offers a selection of tailor-made treatments and therapies using materials derived from nature, along with rich aroma scent to rejuvenate the mind and body. The spa offers five treatment rooms with private en suites and outdoor garden, and two double massage rooms featuring a jacuzzi made from Japanese cypress.

Imagined by the in-house design team at IHG, the resort shelters a distinct design philosophy, steeped in tradition and inspired by the elements. Featured across the resort is work from local artists and craftsmen, using traditional materials from various parts of Kyushu and local Oita prefecture. Beginning in the resort’s lobby, the soaring space is reminiscent of an art gallery with its high-quality bamboo art work, ancient pottery and wooden furniture with bold designs.

Traditionally designed Japanese guest room, with low-level bed

Image credit: IHG

Elsewhere, the 89 guestrooms, including 10 suites, range from a luxurious 62-212 square meters, including large onsen or hot baths, spacious design and an abundance of natural materials for a sense of relaxation. All Suites and Club InterContinental rooms feature private open-air baths on the terrace with views sweeping the Beppu Bay.

Continuing the philosophy of harmonious nature and design, the resort features five restaurants and bars inspired by Japan’s five elements: earth, water, fire, wind and void.

The latest addition to the IHG portfolio proves further its continues its legacy of pioneering luxury travel in emerging destinations. 

Main image credit: IHG

Hammerson launches latest City Quarters concept, in Leeds, England

730 565 Hamish Kilburn
Hammerson launches latest City Quarters concept, in Leeds, England

The revealed plans for a 14-storey, 205-key hotel adjacent to Victoria Gate in Leeds aims to enhance Leeds cultural quarter by driving additional footfall and spend to the city…

Hammerson, which owns and manages Victoria Leeds, has today launched plans for the regeneration of a 1,670 sq m site in Leeds City Centre, adjacent to its flagship destination, Victoria Gate.

The plans will see the site, which is currently a temporary surface car park, redeveloped to provide a 14-storey hotel catering for business and leisure guests.

The Victoria Gate Hotel is one of the first schemes Hammerson has brought forward as part of its new City Quarters concept: creating vibrant mixed-use neighbourhoods surroundingHammerson’s existing flagship destinations, in thriving locations in the UK. The concept will see Hammerson transform many of its city venues beyond pure retail into successful neighbourhoods providing homes, workspace, hotel space and accessible public realm. This announcement follows the recent submission of mixed-use masterplan applications for both Martineau Galleries in Birmingham and the Goodsyard in Shoreditch.

The iconic building would sit adjacent to Victoria Gate in Leeds City Centre and see the regeneration of the land between the existing Victoria Gate multi-storey car park and St Peter’sStreet (A61). Designed by architects Acme, who delivered Victoria Gate, the façade takes inspiration from the surrounding architecture and the city’s rich merchandising and textilehistory. The hotel will feature 205 spacious rooms, an on-site gym and conferencing facilities.

A new contemporary bar and restaurant on the ground floor will welcome both guests and visitors to the City’s Cultural Quarter.

“We are pleased to be able to share plans for a new hotel within the Victoria Estate as we continue the roll out of our City Quarters concept in thriving locations around the UK and Ireland,” said Robin Dobson, UK Director of Development and Project Management at Hammerson. “Hammerson has a strong track record of delivery in Leeds City Centre and these plans for a new, contemporary hotel represent the next step in our wider regeneration plans, creating a mixed-use destination where people can live, work and relax, centered around our premium flagship destination, Victoria Leeds.”

The proposed hotel marks the next step in the continued regeneration of this part of the City Centre, following the development of Victoria Gate by the group in 2016. Hammerson also owns a 10 acre site just north of Victoria Leeds which will be brought forward for development in due course, creating a new mixed-use City Quarters neighbourhood.

Main image: Hammerson

 

Crosswater brings bold design to today’s modern bathroom

730 565 Hamish Kilburn
Crosswater brings bold design to today’s modern bathroom

This season, Crosswater dares designers to be brave in the bathroom. With one of the widest ranges of finishes across its portfolio of brassware, furniture, ceramics, shower enclosures and accessories, the bathroom manufacturer, which is also the confirmed headline partner for The Brit List Awards 2019, presents a bold collection of products and designs for projects that require statement in the bathroom…

Utilising a mixture of deep colours, bright patterns and retro styling with daring brassware finishes, a bold bathroom expresses personality through colour, texture and pattern.

A new bathroom scheme presented by Crosswater is brought to life with a bold botanical print and monochrome pattern tiled floor. The brushed nickel brassware stands out against the dark wallpaper and complements the stylish marble gallery basin. The grey furniture provides practical storage while also being a neutral, subtle grounding feature within this bathroom, as is the white wall hung WC. The entire style is finished with a stunning illuminated mirror and dramatic pendant lighting to make a real style statement.

Other ways of introducing this bold aesthetic into a bathroom design can include featuring eye-catching accessories, such as towel warmers and green plants.

By also incorporating a statement patterned wallpaper, bold colours and darker tones, any home is able to achieve a bold bathroom scheme. The overall finish is one that is creative, unique and playful – a statement room that has maximum impact.

Crosswater is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: Crosswater

The BIID announces LDF ’19 movements

730 565 Hamish Kilburn
The BIID announces LDF ’19 movements

As part of London Design Festival (LDF) 2019, The British Institute of Interior Design (BIID), which is an industry partner for The Brit List 2019, will be participating in a range of exciting talks and events across the capital…

Taking place from September 14 – 22, London Design Festival (LDF) brings together trade professionals and design enthusiasts from all over the world. The BIID is supporting some of the key trade shows that are taking place, with BIID members taking part in thought-provoking and informative discussions throughout the week.

“It’s a pleasure to be involved in London Design Festival again this year,” comments BIID President Harriet Forde. We are so excited to see our members participating in discussions, workshops and events throughout the week. This allows us not only to support our talented BIID Members, but the wider community of industry professionals and creatives working in the city.”

Focus/19 at Design Centre, Chelsea Harbour

September 15 – 20, 2019

Design Centre, Chelsea Harbour is once again hosting Focus/19. The annual event has a packed programme of engaging talks, meet the designer sessions, discovery tours and workshops.

On Friday September 20 at 4pm, BIID Member Anna Burles of Run For The Hills will be hosting a design workshop titled, ‘Designers of the World Unite’at the Espresso Design showroom. Anna will be speaking on the importance of eco-sensibility within the design sector and encouraging fellow designers to do their bit for planet earth, offering a range of practical tips and insider insight into things big and small that we can all do to make a difference, whilst still delivering exciting, unexpected and original schemes for clients.

100% Design at Olympia London

September 18 – 21, 2019

Returning to Olympia for its 25thedition, 100% Design is renowned for showcasing emerging talent in the capital, featuring a number of new projects and collaborations that celebrate the best in design and innovation.

As part of 100% Design’s four-day seminar programme, Talks with 100% Design, BIID Past President Daniel Hopwood will be chairing a panel discussion titled, ‘20 ways to achieve #DesignGoals’. Taking place on Saturday September 21 from 12:00pm – 12:45pm in the auditorium, Daniel will be joined by BIID Registered Interior Designers; Anna Burles of Run For The Hills, Dee Gibson of Velvet Orangeand Mathew Freeman of Goddard Littlefair.

The lively discussion will see panellists share their tops tips to help you achieve your #designgoals. Panellists will draw on their own personal experiences to provide design insights and advice to inspire their audience.

designjunction at London’s Kings Cross

September 19 – 22, 2019

Designjunction presents the breakthrough brands having a direct impact on the future of design. Hosted in London’s Kings Cross, the four-day event includes an exciting talks programme and over 200 exhibitors.

On Friday September 20, BIID President Harriet Forde will be hosting a BIID Members’ breakfast at Blueprint Café from 9:00 – 11:00am. The breakfast will provide members with an informal tour of the event highlights and the opportunity to network with fellow designers.

Seven-figure refurb begins at City Quay Hotel, Dundee

730 565 Hamish Kilburn
Seven-figure refurb begins at City Quay Hotel, Dundee

Work has commenced on a £1.4 million refurbishment programme at Apex City Quay Hotel & Spa in the heart of Dundee…

Over the coming months the Apex City Quay Hotel & Spa‘s public spaces – including the reception and conference areas, as well as the hotel’s Metro Bar & Brasserie and Yu Spa – will be transformed, bringing a spectacular new look and feel to the hotel. The significant investment comes less than one year after the completion of a £2.4 million bedroom refurbishment.

The full programme of improvements is set to be completed in the New Year, with the hotel operating business as usual throughout the period.

“We’re absolutely thrilled to see work starting on the latest round of refurbishment work at the hotel,” said Ronnie MacKay, the general manager at Apex City Quay Hotel & Spa. “The feedback from guests following the bedroom refurbishment has been exceptionally positive and, given that the plans in place for the public areas look absolutely fantastic, we’re confident our guests will be impressed with the finished result.

“The significant investment in the hotel over the past twelve months or so really underlines Apex’s commitment to constantly raising the bar and ensuring first-class standards for guests across the board. We’ll keep our guests informed of our plans every step of the way, but as the works continue over the coming months, we fully intend to operate business as usual until we unveil the finished product.”

Since late 2017, Apex Hotels has invested approximately £12 million in refurbishment works across its 10 UK hotels.

Main image credit: Apex Hotels

Modern, fresh and vibrant interiors of a guest room

W Hotels Debuts in Oman

730 565 Hamish Kilburn
W Hotels Debuts in Oman

The “lavish playground” of W Muscat is set to shake up the coastal haven with bold design, eclectic programming and Oman’s First Siddharta Lounge By Buddha-Bar…

W Hotels Worldwide, part of Marriott International Inc., has announced the opening of W Muscat, the brand’s newest beachfront W Escape and the second to open in the Middle East this year. Set against the backdrop of the rugged Al Hajar Mountains, which form a stark contrast to the historic capital city’s lively waterfront, W Muscat sits at the intersection of the bustling Shatti Al Qurum area.

Modern, fresh and vibrant interiors of a guest room

The hotel opens as part of Marriott International’s plans add more than 30 luxury hotels to its portfolio this year, furthering the company’s global perspective on luxury travel with its ensemble of eight distinct luxury brands.

“Muscat is a fascinating and exciting city. Its cultural DNA honors millennia of tradition while looking to what’s new and next – an ideal match for the W brand,” said Anthony Ingham, Global Brand Leader, W Hotels Worldwide. “The arrival of W in Muscat marks a new chapter for both the brand and this buzzing metropolis. The hotel reinterprets Omani design and cultural traditions to create a modern, energetic and stylish Escape unlike anything the sultanate has seen before.”

“Its striking design is inspired by the diverse and vibrant natural locale – from the rugged mountain range to the vast Omani desert, the sparkling bay to the azure waters of the Arabian Sea.”

The architectural narrative of W Muscat immerses guests in the concept of exploration and the illustrious storytelling tradition of the nomadic Bedouin traveller. Its striking design is inspired by the diverse and vibrant natural locale – from the rugged mountain range to the vast Omani desert, the sparkling bay to the azure waters of the Arabian Sea. Colorful hints of Muscat’s vibrant culture are interspersed throughout the spaces to evoke the mystery and adventure of the city’s rich heritage and storied past. W Muscat is a bold remix of traditional charm, natural beauty and the disruptive W DNA.

Bold design with Arabian themed interiors in the lobby lounge

Image credit: W Hotels

Welcoming guests upon arrival is a striking, nine-ton frankincense tree sculpture designed by renowned artist Pongsatat Uaiklang that pays tribute to Omani culture. Standing at an impressive 10 meters tall, the piece is made of solid stainless steel, welded from 28 winding pieces. In traditional Omani culture, frankincense was used to bless and welcome weary travelers after their long journeys. In that same tradition, guests are then ushered into the inviting Living Room (W’s signature take on the lobby) where they can relax and unwind in an Arabic Majlis, beneath an oversized installation of the Omani Kummas, chic headgears that are unmistakable marks of the Omani attire. Whether looking for a re-energizing iced tea or a cocktail, The Living Room is the perfect venue to see and be seen.

“Asymmetrical corridors across the floors depict an artistic theme of ‘every girl has a story’ through locally commissioned holographic artworks.”

All of the 279 guestrooms and suites at W Muscat provide uninterrupted views of the glistening blue water, with their design drawing inspiration from the ocean as well as the asymmetrical lines of the nearby mountains, caves and desert. These are contrasted with art deco detailing, reminiscent of traditional Omani charm. Asymmetrical corridors across the floors depict an artistic theme of ‘every girl has a story’ through locally commissioned holographic artworks depicting a female perspective of power, love, peace and beauty. Designed for an extra spacious and edgy stay is the EWOW suite (the brand’s take on the traditional Presidential Suite) which features subtle Arabic characteristics with a distinctive W edge. The corner Majlis seating showcases a Zanzibar-inspired print, a nod to the Omani Kumma or headgear, set against an inviting coffee table in celebration of Arabic coffee or Qahwa. The ceiling features tilted white paneling, evoking the intimacy of relaxing inside a tent. A saddle-like leather chair, bold mustard yellow stool, and faux fur wall are inspired by horse or camelback travel. Stacked luggage trunks comprise the MIXBAR (the W spin on the minibar) while a trunk closet lined with exotic silk links back to the narrative of the nomad.

An 1800 sqm beachfront pool offers unparalleled views of the Gulf of Oman and forms part of the W brand’s iconic WET experience. Here, guests can swim, soak up the sun and enjoy signature beverages while listening to live DJ performances. WET is the hottest place to cool off, take a dip, make a splash, and get your glow on. W Muscat will be hosting a FUEL Weekend in October – the W brand’s signature fitness and wellness retreat – where WET will take center stage. FUEL guests can expect next level, energy-soaked celebrity workouts, killer parties and delicious beverage and food offerings all celebrating the brand’s DETOX. RETOX. REPEAT. philosophy.

Elsewhere, the Escape’s AWAY® Spa offers 10 treatment rooms, a steam room, a hammam and a couples’ treatment room. The design is inspired by the ancient ritual of stargazing where guests are enveloped under a bejeweled night sky with the intimacy of cave-like comfort.

The highly anticipated Siddharta Lounge By Buddha-Bar makes an Oman debut at W Muscat, bringing its signature flair for culinary prowess and inventive mixology to the rooftop restaurant and lounge. Overlooking the sweeping coastline of Shatti Al Qurum, the space interlocks both indoor and outdoor venues and celebrates the story of Bedouin travellers through innovative design and artistic representation. Ocean vistas are framed by an extraordinary rooftop infinity pool that invites guests to literally dive into the action and order a cocktail at the swim up bar. Siddharta Lounge By Buddha-Bar transforms from a daytime respite for lounging and relaxing amongst gorgeous views to a scene-setting hotspot when the sun goes down and the music turns up.

Trailblazing its way around the globe, with more than 50 hotels, W is defying expectations and breaking the norms of traditional luxury wherever the iconic W sign lands. With a mission to fuel guests’ lust for life, W ignites an obsessive desire to soak it in, live it up and hit repeat. The brand’s provocative design, iconic Whatever/Whenever service and buzzing Living Rooms create an experience that is often copied but never matched.

Main image credit: W Hotels

4 reasons why hotels should consider 3D photography

730 565 Hamish Kilburn
4 reasons why hotels should consider 3D photography

In a response to the industry insight on styling a hotel for design press article, Hotel Designs’ official hotel review photographer, ACT Studios, argues that 3D photography is where the future of hotel marketing is heading…

Predictions for trends over the next couple of years in the hotel and hospitality sector abound. But there is general consensus that technology will continue to play a greater role in both the stay of a guest as well as the booking process itself.

Virtual tour photography has an essential part to play here, enhancing the anticipatory experience of the traveller in advance of their stay, as well quickly and easily answering guest’s questions and concerns about location, layout and facilities.

So just how exactly can virtual tour photography enhance the guest experience? And what value can it add to your website?

What is virtual tour photography?

Virtual tour photography is essentially an immersive, three dimensional digital means of bringing a room to life for the viewer. 3d tours are created using a special type of Matterport camera, which produces a 360 degree image of a room, which users can then browse online at their leisure.

Users simply click on the image itself to then ‘step in’ to the picture, with the option to turn in any direction to explore a feature in more detail. Want to view the room from the other side of the bed? It’s Easy. Using your mouse (or a touch screen) you can simply click (or tap) on the picture and spin the view in a direction to suit you. Fancy a peek in the bathroom? Maybe to check if it has a walk in shower? Again, just click or tap on the direction you would like to take.

3D photography even lets you leave the room to explore different rooms on another floor. And essentially look round the whole property, which can be really helpful if you need to check if the bedroom is on the ground floor. Or see if the bathroom has a shower over it. Or where your nearest fire exit is.

The real beauty of 3D virtual tours is that they are incredibly simple to use. And extremely intuitive.

4 ways in which 3D photography can help your hotel business

1) 3D photography can improve your guest experience and ratings

Image credit: Hotel Designs’ interactive hotel review of Oddfellows On The Park. Read full review here.

Positive feedback and ratings count and anything that helps improve the customer journey for a guest deserves serious thought. And when it comes to the hotel guest’s customer journey, 3D photography can play a pivotal role in the consideration phase.

Once a customer is aware that you exist – perhaps via a touch point such as a post on social media or an article in a third party publication – the next phase in the customer journey is consideration. This is when they arrive at your website and look through it in detail before deciding to make a purchase.

It is well known how financially competitive the hospitality industry is and not every accommodation provider wishes to differentiate on price. Therefore, having the ability to see a building in all its dimensions – from a floor plan, to a dollhouse view to stepping into any of the key rooms – can positively influence their decision to buy in your favour. And most importantly, take them away from your competitors.

2) 360 photography can refresh your brand image

Image credit: Hotel Designs’ interactive hotel review of University Arms, Cambridge. Read full review here.

“The quality of the imagery is second to none.” – Mario Ovsenjak, General Manager, Hotel Gotham.

Guests have long come to expect well composed, professionally taken, high resolution photography when it comes to browsing both on and offline.

Which is why the supply of high quality hospitality photography remains a core service for ACT Studios, taking us throughout the UK and Europe to photograph some of the most incredible accommodation providers.

But brands that already have great photography are rightly asking “what’s next?” when it comes to updating their brand image, differentiating their offering and setting themselves apart from the competition.

The answer is 3d photography. Offering guests the ability to virtually ‘step into’ a hotel bedroom, dining room or lounge. To explore an area in minute detail. Or just get an overall feel for what they are about to book.

“Adding a fully immersive experience by adding virtual tour photography can increase occupancy by 14 per cent.”

3) 360 virtual tour photography can help improve your occupancy rates

Image credit: Hotel Designs’ interactive hotel review of Hotel Gotham. Read the full review here.

Recent research by TripAdviser shows that having at least one photo of your property on a property page actually increases the likelihood of a booking enquiry by 225 per cent. And that for properties with at least 100 photos, engagement levels rise to 151 per cent and likelihood of a booking inquiry rises to 238 per cent compared to properties with no photos

In addition, a study by Matterport concluded that adding a fully immersive experience by adding virtual tour photography can increase occupancy by 14 per cent and yield a 15 per cent increase in online engagement.

4) Virtual tours are an honest complement to photography that encourages trust

By offering guests the option of seeing and freely exploring a given room or area in its entirety before they buy, guests can more easily and more quickly judge for themselves how suitable (or not) a hotel is for them. There is therefore genuine honestly in a 3d virtual tour. And as marketers know, honesty breeds trust, which then sees guests returning time after time.

If you would like to find out more about how 3D photography can work alongside your existing photography – or perhaps how you can refresh both your still photography and your virtual tours, to produce a more consistent brand image – then contact ACT Studios here.

Main image credit: ACT Studios

Downtown Manhattan inspires new guestrooms inside Andaz Wall Street

730 565 Hamish Kilburn
Downtown Manhattan inspires new guestrooms inside Andaz Wall Street

Hospitality-focused architecture and interior design firm Stonehill Taylor recently completed the interior design renovation of the Andaz Wall Street’s 253 guest rooms in Manhattan…

Inspired by downtown Manhattan, the new interior design sheltered within Andaz Wall Street is modern, crisp and includes a number of twists. The designers at Stonewall Taylor contemplated what an artist loft and studio might look like for a Wall Street Executive turned artist.

The design team took great care to inject personal touches into the guestroom design, incorporating art pieces, distinct furniture and lighting, and the space’s signature moment: hand-sketched wall coverings and line work that reflects downtown Manhattan’s evocative and rich architectural forms. Sketched in-house, the overall concept adds a personal touch to the design that seems to come almost from the hands of the creatives who live and work in the neighborhood.

Clean and modern guestroom

Image credit: Andaz Wall Street

Starting at 345-square-feet in size, the guestrooms are among the most spacious in New York City. Each room offers modern design, hardwood floors, walk-in rain showers and 12-foot ceilings with oversized windows to let in ample amounts of light. Each room features veined quartz, end-grain bamboo, and grey wood finishes, plus elegant bay window seating for reading and relaxation.

Main image credit: Andaz Wall Street

Editor Checks In: Home comforts in hotel design

730 565 Hamish Kilburn
Editor Checks In: Home comforts in hotel design

In August 2019, editor Hamish Kilburn concludes that trends are overrated when a project close to his heart reaches its highly anticipated conclusion…

I can’t quite believe it has been almost one year since we first started following the award-winning designer Nicky Dobree on her journey to complete her debut hotel design project. Before now, her undisputed talent was recognised for designing the interiors of 007-esqe luxury mountain retreats (Kevin McCloud’s words, not mine unfortunately).

But this year, she has injected her effortless style to restore a 19thcentury building in Vejer, Spain, which is known as Plaza 18 – and Hotel Designs has been there every step of the way.

Now that the season has ramped up to reach its peak, there’s no better time to put down the measuring tape, take a step back and reward Dobree’s “labour of love” as we cut the ribbon. More than 1,300 miles from Andalucia, the team in the London office are gathered around my computer screen as they impatiently wait for the folder to download, of which contains the final images of the new boutique hotel. Until now, you see, we have had to settle for shakey behind-the-scenes, unquestionably raw, photographs taken on location, as well as renders and sketches, which merely tease the luxury home-from-home concept in the making.

You’d be wrong to assume it’s an easy task working on a project of this scale. What the hotel lacks in the number of guestrooms (six to be precise) it makes up for in personality. And if anyone could sensitively re-establish the heritage property in order to give it a new lease of life, it would be Dobree.

“All that is missing is a luxury design-led hotel,” I think to myself as I run past the colourful beach huts (place your bids).

‘Home comforts’ feels like an appropriate theme for this month’s column. Four years after capturing my first solo metropolis memory, which then drove me to chase my career in a number of cities in the UK, I’ve hit a crossroads and have decided to take the right-hand turn, which has result in me hurtling back towards my hometown of Whitstable in Kent. Nestled on the north-east tip of the Garden of England, where home comforts – think sea views that stretch over the horizon and unparalleled sunsets – are never in short supply, this feels like ‘home’ to me. “All that is missing is a luxury design-led hotel,” I think to myself as I run past the colourful beach huts (place your bids).

It seems I am not alone in chasing home comfort. Last year, a study published by Forbes showed that in the 10 cities with the largest Airbnb market share in the US, the entry of Airbnb resulted in 1.3 per cent fewer hotel nights booked and a 1.5 per cent loss in hotel revenue. But as damning as this statistic may seem, hotels are fighting back to offer more home-from-home comforts married together with one-off experiences to capture travellers’ attention.

Examples of this can be found all over the Hotel Designs website this month, from our Miniview of room2’s ‘hometel’ concept in Southampton to a new ‘private members’ bar’-styled hotel that will open in London next year – and not forgetting the exceptional Plaza 18. Perhaps subconsciously, my year-long project with Dobree has led me to positively seek comfort in timeless style as opposed to chasing the short-term thrills of seasonal trends.

Main image credit: ACT Studios