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    Conrad Maldives Rangali Island debuts redesigned villas

    730 565 Hamish Kilburn
    Conrad Maldives Rangali Island debuts redesigned villas

    Conrad Maldives Rangali Island, the luxury destination resort located on the picturesque setting of Rangali Island in the Maldives, is redesigning a unique set of villas available on the property…

    Just more than year after Hotel Designs interviewed the designers and architects behind the world’s first underwater hotel suite, the same hotel, Conrad Maldives Rangali Island has unveiled the design details of its new mix of villas.

    By next month, the resort will introduce five new room types including the Two-Bedroom Deluxe Beach Villa, Grand Water Villa with Pool, Grand Water Villa, Two-Bedroom Grand Water Villa with Pool and Two-Bedroom Grand Water Villa, encouraging all travellers – groups, families and couples alike – to find the room best suited to fit their every need and desire.

    Yuji Yamazaki, principal of Yuji Yamazaki Architecture PLLC, NYC and design collaborator on the underwater THE MURAKA residence will apply his signature style of simple paired back luxury to the updated accommodations. The design of the villas will feature a clean and minimalist aesthetic, giving the space a natural, bright and airy feel intended to focus on the beauty just outside of the villa. The new design will promote a sense of harmony with the surrounding environment, awakening but not overwhelming the senses and providing absolute privacy and exclusivity.

    “Our pioneering innovative hospitality to cater to the passion points and needs of our guests is the cornerstone of this resort,” said Stefano Ruzza, General Manager of Conrad Maldives Rangali Island.“We are thrilled to debut new villa categories to discerning travellers, marking the beginning of the next chapter of Rangali history and our commitment to driving the evolution of travel to the Maldives.”

    The Deluxe Beach Villas were refurbished throughout 2018 and 2019. A selection of villas have recently been converted into new luxury Two-Bedroom Deluxe Beach Villas to offer the ideal space for any Maldivian holiday. The Two-Bedroom Deluxe Beach Villas will feature a new design with a private garden and pool, indoor state of art bathroom, a private outdoor rain-shower and floor-to-ceiling glass windows that illuminate the villa with natural light. Set amongst the tropical greenery, the standout feature of the newly designed villa is the addition of the second bedroom adjacent to the main villa, which has been purposely designed to accommodate a twin bedroom with luxurious floor-to-ceiling glass windows.

    Image credit: Conrad Maldives Rangali Island

    In addition to the Two-Bedroom Deluxe Beach Villas, Conrad Maldives Rangali Island is reinventing the Retreat Water Villas into two villa types – Grand Water Villa and Grand Water Villa with a pool. A popular room category, the Water Villas are set on stilts above the gentle ocean waves where guests can discover the true meaning of indoor-outdoor living. The redesigned villa will greet guests with a large living room, which can be converted into a second bedroom, along with views of the outdoor deck complete with a Jacuzzi or pool. Featuring clean lines and muted natural tones, the villas are located in the Spa Retreat, 100 meters off of the tip of the main island Rangali Finolhu, with vistas across the Indian Ocean to the resort’s second island, Rangali.

    The in-demand Family Water Villa will also be transformed into two villa types and renamed Two- Bedroom Grand Water Villa and Two-Bedroom Grand Water Villa with pool. The design of the Two- Bedroom accommodation will be similar to the Grand Water Villas, but will offer two bedrooms, instead of one and can host any group of guests. Set on stilts over the Indian Ocean, the villas offer views of either the lagoon or ocean and a sunset or sunrise view and can sleep a maximum of four persons – two adults and two children, or four adults.

    Set across two islands connected by an open-air overwater path, Conrad Maldives Rangali Island plans to announce additional enhancements in 2020 offering guests a Maldivian playground full of possibilities.

    Main image credit: Conrad Maldives Rangali Island

    PREVIEW: Surface Design Show 2020

    730 565 Hamish Kilburn
    PREVIEW: Surface Design Show 2020

    The show, of which Hotel Designs is a proud media partner for, is celebrating 15 years of bringing the best in innovative surface design, manufacturing and development to the UK…

    Surface Design Show will once again be bringing the best in surface material innovation to London’s Business Design Centre from February 11- 13 2020, with a focus on the trending topic of ‘Close to Home.’

    Now in its fifteenth year, the show is a must-visit for architects, designers and specifiers looking for material inspiration from the UK and around the world. As well as over 170 exhibitors, visitors can also enjoy a packed programme of talks, plus the ever-popular Opening Night Debate supported this year by the RIBA and the lively PechaKucha evening, which will be hosted by Chris Dyson of Chris Dyson Architects, with speakers including: Daniel Campbell, director at Stiff + Trevillion Architects; Luke Tozer, director at Pitman Tozer Architects; Joe Morris, founding director of Morris+Company; Richard Wilson RA, a renowned sculptor Burrell Foley Fischer; and Stella Ioannou, director of Lacuna.

    The ‘Close to Home’ theme will look beyond aesthetics and into manufacturers’ impact on theenvironment, from the processes used in mining or manufacture, through to the carbon footprint sustained during sales and distribution. Designing with a conscience will also be examined, fromreusing waste materials to looking at what happens at the end of a product’s life cycle.

    Returning exhibitors to the 2020 Surface Design Show include market-leading finishes specialist Armourcoat, family-run tile firm BluePrint Ceramics, Innerspace Cheshire, which connects designers with a wide range of design-led materials, James Latham, distributor of timber and wood-based panel products in the UK and Tile of Spain, a Spanish tile company encompassing more than 100 tile manufacturers.

    Among the new exhibitors joining this edition of the show are British art studio Aster Muro, which produces stunning contemporary frescoes, solid surface supplier KULA and Croatian decorative glass producer Bokart, reflecting the global appeal of the exhibition.

    Surface Spotlight Live is a section of the show which is wholly focused on the ‘Close to Home’theme. Curated by trend expert Sally Angharad and forecasters Colour Hive the exhibit will take a look at what the future holds for materials. Stone Gallery also returns for 2020 accompanied by the Stone Knowledge Hub, supported by the leading industry body Stone Federation GB, which will form a focal point for the event where architects and designers can interact with, and learn more about, specifying natural stone.

    In addition to materials for indoor and outdoor use, Light School is key component of the show,reflecting the fact that London is the world’s capital for lighting design specification. Here, leading manufacturers will demonstrate the relationship between light and surfaces, as well as showcasing the latest architectural lighting products and innovations in lighting technology. Light Talks, a series of sessions supported by the Institution of Lighting Professionals and collated by Rebecca Weir from Lightbout. IQ will underpin this knowledge sharing.

    Surface Design Show 2020 will host approximately 30 presentations from 50 speakers across the purpose-built stages: Light Talks, Stone Knowledge Hub and Main Stage. One of the highlights of the show is expected to be Biophilic Materials in Surface Design, which will be hosted by editor Hamish Kilburn and will hear from Jeremy Grove (head of design and director, Sibley Grove), Richard Holland (director, Holland Harvey Architects) and Fraser Lockley (architectural consultancy manager, Parkside).

    As well as established brands, Surface Design Show is dedicated to supporting promoting up-and- coming designers in the materials sector with its New Talent section appearing once again, curated by internationally acclaimed speaker and forward-thinking chief creative director at Trendease International Jennifer Castoldi. The New Talent area allows designers, who have been in the industry five years or less, to have a devoted exhibition area, giving them the opportunity to showcase to and engage face-to-face with a hard-to-reach and targeted audience. The 45 exhibitors here includeThat’s Caffeine, a start-up that creates products from waste coffee grounds and knitted textile specialist Charlotte Clayton. Appearing for the first time is New Talent Plus, a section of the show that bridges the gap between emerging material talent and existing manufacturers.

    The Surface Design Awards, now in their sixth year, are an intrinsic part of the show, with this year’sedition attracting 107 entries from over 21 countries. The judging panel is co-chaired by Paul Priestman, designer, co-founder and chairman of global design consultancy PriestmanGoode, and Amin Taha, chairman of Groupwork and director of Amin Taha Architects. The remaining judges are Nikki Barton, head of digital design at British Airways; Sean Griffiths, artist, architect and academic practicing at Modern Architect; Charles Holland, principal at Charles Holland Architects; Glenn Johnson, director of design at the Advanced Design Group of Collins Aerospace; Daniel Mota Veiga, global head of product design for KEF / GP Acoustics; and Steve Webb, co-founder of Webb Yates Engineers. The winners will be revealed during a breakfast reception on 13 February at Surface Design Show.

    For all things innovative in surfaces and materials, Surface Design Show provides the perfect platform for architects, designers and specifiers to explore.

    Tickets are free to professional and trade visitors, and registration is now open.

    Main image credit: Surface Design Show

    10 reasons why glazed titanium-steel is the material for the hotel bathroom

    730 565 Hamish Kilburn
    10 reasons why glazed titanium-steel is the material for the hotel bathroom

    Bette explains some of the benefits of using glazed titanium-steel for baths, shower trays and washbasins…

    What makes glazed titanium-steel so perfect for hotel baths and should more hotels be choosing it for shower trays too? German manufacturer, Bette, has been supplying hotels with baths and shower trays made of its glazed titanium-steel, for many years. Here are its top 10 reasons why glazed titanium-steel is the best material for hotel bathrooms, including why it’s the perfect material for shower trays, as well as baths and washbasins.

    1 – So durable Bette has BBQs in its baths!

    Bette baths and shower trays are so durable and scratch resistant that the company has BBQs in its baths to prove how indestructible its glazed titanium-steel is! Once the charcoal has cooled and the bath has been cleaned it looks as good as new. While you might not go that far, durability is key to choosing a product that will stay looking great for many years, with no amount of hotel guests and regular cleaning diminishing its shine and flawless finish. It’s all down to the perfectly uniform thickness of the titanium-steel and the precision of the enamel glaze, which makes it super-strong. Bette is so confident about the durability, that all its glazed titanium-steel products come with a thirty year warranty.

    2 – Easy to clean

    The surface that makes Bette’s products so durable, is also what makes them so easy to clean. It is so hard and smooth (like glass) that dirt simply washes off, as it has no scratches or texture to cling to. No special cleaning formulations are needed. Cosmetics and coloured shampoos and shower gels won’t mark the surface and even nail varnish can be removed easily.

    3 – Sustainable, natural and 100% recyclable

     With a growing focus on the environment and desire to reduce the use of plastics, Bette offers the natural, non-plastic/acrylic alterative. Bette baths, shower trays and basins are made from only natural materials and are 100% recyclable, which means they can be a more sustainable choice. Bette’s sustainability is confirmed by an Environmental Product Declaration (EPD) based on the ISO 14025 and EN 15804 standards.

    4 – Invisible, easy-clean anti-slip

    Bette’s Anti-slip Pro finish isn’t like the ‘gritty’ anti-slip finishes of the past. It’s almost invisible, so you’d hardly know it’s there, even after years of use, and is fully enamelled for easy cleaning. What’s more it’s been tested and meets one of  the highest levels of slip resistance.

    Which is why it makes sense to choose Bette glazed titanium-steel for shower trays too. Bette offers a wide choice in hundreds of sizes and colours, including matt colours to coordinate with flooring.

    Image credit: Bette

    5 – Strong material meets strong design

    Bette has a strong design focus and this, together with the strong titanium-steel, means that Bette products include many clever features, like super-slim rims on baths and washbasins, steep sides for more standing or lying room and ultra-comfortable lying areas.

    6 – Tailored to you  

    Not only does the Bette range offer a large choice of sizes and styles, including space-saving designs, but the manufacturing process means that Bette can tailor products to fit a space perfectly. So, if there’s an awkward space, like a recess, that needs a perfectly sized shower tray or bath, Bette can create it. No compromise required.

    And the hand-crafted element of Bette’s manufacturing process also means that shower trays and fitted baths can be ordered with BetteUpstand to the exact measurements required. So you can say goodbye to silicone where the product meets the wall tiles.

    7 – A choice of 500 Colours

    Because Bette products are made from titanium-steel and then the surface is enamelled there are around 500 colours to choose from. There are matt options, as well as gloss, Bette can colour-match to ceramic items, and for larger projects, Bette can even create bespoke colours.

    8 – A warm, comfortable bath

    Glazed titanium-steel is the perfect heat conductor, taking on the temperature of the room and then of the bathwater, to provide a truly comfortable bath, including around the neck area.

    9 – Quiet with special sound-proofing

    Bette’s expertise extends to clever installation systems that reduce the transmission of noise from the bath or shower tray to the building, so making for a more relaxing experience for everyone.

    10 – UV Resistant

    Bette’s special surface is colour and light-fast so, even after years of use, will be as bright and shiny as new.

    Bette is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

    EXCLUSIVE ROUNDTABLE: Meaningfully differentiating luxury in hotel design

    730 565 Hamish Kilburn
    EXCLUSIVE ROUNDTABLE: Meaningfully differentiating luxury in hotel design

    To continue Hotel Designs’ series of articles to put sustainability under the spotlight, editor Hamish Kilburn chairs an exclusive editorial roundtable, in collaboration with Minotti London, to understand how today’s leading designers are sensitively working to create a more meaningful luxury hotel design landscape. Joining us on the Minotti sofa to discuss this topic:

    With the aim to conceive and design meaningful luxury hotels, there is undoubtedly a question mark on how designers and architects can differentiate their projects to stand out as timeless jewels. With the rise in technology and social media, competition for hotel operators and developers is no longer limited to a single neighbourhood; we have very much entered a global arena. But how are today’s leading designers confronting the evolving hospitality landscape, and just how significant is sense of place when approaching sensitive luxury projects? We invited a handful of the industry’s most distinguished innovators to Minotti London‘s alluring showroom in Fitzrovia to find out more.

    Hamish Kilburn: What are the largest misconceptions when it comes to designing luxury?

    Jo Littlefair, Director and Co-Founder, Goddard Littlefair: Travelling globally, and understanding global attitudes towards luxury is so important. We have clients that have huge misconceptions to whatever project they are developing. We still struggle when clients associate harsh golds and marbles with luxury, for example. I find it really disheartening, because for me, a non-material object like ‘time’ is a luxury. When approaching the design of any luxury hotel, it’s really important to keep in mind the attitude you are trying to create.

    Hamish Brown, Partner, 1508 London: There are a few buzzwords that keep coming up in the studio. We don’t have a ‘house style’ as such, therefore we are really trying capture and create sense of place within each projects. It’s not about fashion but about style. If you look at the great Hollywood movie stars now and compare them to images of themselves 30 to 40 years ago, quite often they will look as relevant now as they did then. That is certainly to do with style over fashion. We look at ways in which classical details and proportions can manifest themselves within a design.

    David Mason, Head of Hospitality, Scott Brownrigg: The definition of luxury is not the same for everyone. Some may see luxury in technology, while others believe it is in the foundations of a hotel. In our studio, we don’t necessarily design the ultra six-star luxury hotel, but many of our clients are interested in ‘luxury’, which can come from anything from the service down to the attention to detail. What is luxurious to one person is different to another.

    Constantina Tsoutsikou, Creative Director, HBA London: I think luxury is also about being generous as a designer. You always give more than what is expected and make sure that the spaces are comfortable and also have longevity. Where I can, I try to avoid anything too shiny. It’s becoming more apparent that the days of clients wanting to the interiors to show off wealth are behind us. Instead, well-designed luxury interiors are more honest and truthful. That in itself is a luxury mindset.

    “We have realised that clients want luxury but almost on a shoestring budget.” – Constantina Tsoutsikou, Creative Director, HBA London

    Image caption: (centre) Hamish Brown, (right) Jo Littlefair

    HK: When did your clients start accepting a shift in consumer demands when it comes to luxury?

    HB: I think it massively goes back to what that hotel means within its location as well as the characteristics of the building. There is certainly more of an acceptance from both sides. Some clients believe that what they want is a grand, sweeping entrance, whereas to really differentiate themselves and to make their hotel work within its location and to be relevant to the building, we suggest to park pre-conceived ideas and think about what would work for that particular hotel.

    CT: We have realised that clients want luxury but almost on a shoestring budget. If you compare it to a good few years ago, budget expectations are certainly getting lower. Perhaps it is a sign of the times. At the same time, palettes are becoming more concise, that’s a good thing because designs are cleaner. There’s still a layering there, but the money that was being spilled into a hotel project before the 2008 crisis is not there anymore. However, the expectation certainly is. So, as designers, we have to work out how to manage that.

    JL: Also, you cannot ignore the noise and influence of social media – it has a lot to answer for. That inaccurately convinces clients and developers that design is easy and disposable, and that it doesn’t take five minutes to produce a moodboard. But in reality, especially when considering sense of place, you’re thinking about a building and a brand. Putting these elements together requires a real curation of things. Otherwise, I have seen it when people go off on tangents and throw details into the canvas. Nothing ends up gelling and it becomes a messy clash of ideas.

    “Trying to get the balance between the soft, the elegant while making these spaces feel comfortable places to work, sit and socialise is a challenge.” – David Mason, Head of Hospitality, Scott Brownrigg

    HK: One of the most obvious changes in hotel design, and in the demand from guests, is in the public areas. How has this changed the way in which you specify furniture?

    CT: Everybody is working from everywhere. We have a beautiful resort project, which is currently on the boards. As a result of the direct demand from modern travels, we are thinking about putting USB charging sockets on the day beds next to the pool. Generally, I think this is a positive step forward for hotels, which have a life on their own. I think it’s wonderful – and a real stamp of approval from the community – when the neighbourhood becomes part of the life inside a hotel. After all, nobody likes a dead public space.

    “All of our furniture is designed at a deliberate height so that each piece can gel with other elements. As opposed to creating one iconic piece, we wanted to create a design DNA.” Digby Summerhill, Director, Minotti London

    DM: It’s a hard balance to strike. When our commercial interior designers get asked create these multifunctional spaces, the way in which they design is very task oriented. Trying to get the balance between the soft, the elegant while making these spaces feel comfortable places to work, sit and socialise is a challenge.

    Digby Summerhill, Director, Minotti London: We’ve always had modular systems that are flexible. All of our furniture is designed at a deliberate height so that each piece can gel with other elements. As opposed to creating one iconic piece, we wanted to create a design DNA; something that runs through an interior design scene. It’s not a coincidence that no individual item stands out in our collections. One thing I think is interesting is that we didn’t design any of these pieces with hospitality necessarily in mind. Instead we very looked at consumer behaviour and understood the demands of consumers within public areas.

    HB: We are often trying to design public spaces to not look like public areas. The idea of a lobby/lounge going against what people would expect in a conventional hotel, to shelter intimate spaces, private nooks where people can work, is very appealing to me. I agree that idea of the community coming in and using the hotel is huge, but perhaps this is something that London has not got right in the past. In other cities there is much more fluidity and it works beautifully. Allowing furniture to adapt to how people are using is a big part of this, and an idea that is really exciting.

    Image caption: (Left) David Mason, (Right) Jo Littlefair

    HK: Let’s talk about sustainability. A study recently showed that 76 per cent of guests believe that hotels could be greener. Is consciousness the new luxury, as I suggested in my recent editor’s letter?

    JL: We’ve been really encouraged recently to have had two projects come to us with sustainability at their hearts. Absolutely every decision has to have a sustainability angle. What we hope is that it continues through to the final touch points, because there will be financial implications along the way. Having filter taps in the room so that hotel guests can refill water bottles is a fresh approach that I love. The design utilities recycled parts of the existing building, giving a whole new meaning of injecting life back into a hotel. We are really thinking about those elements, including timelessness. I agree that it is about style. For us, it’s not about having a hemp interiors, it’s about creating luxury that has a slight assured sense of elegance and quality that has a higher purpose.

    DM: The best way to differentiate luxury when it comes to sustainability is to be clever. Having a brief like this is rare, let alone working on two. So, designers, it is our responsibility to educate our clients and specify materials and items that don’t harm the environment or the end user. Behind this, it’s therefore so important that we understand the products and materials and what sets them apart from others in the market.

    “Luxury is not just about design, it is about service as well and so many other things that are intrinsically layered on top.” – Hamish Brown, Director, 1508 London

    HK: To me it’s very transparent when hotels use words without actions when it comes to sustainability. Is it the designer’s responsibility to ensure clients avoid greenwashing?

    CT: You have to remember, we are designing spaces that will open in three years time. It’s a long time, and things change very quickly. You have to be ahead of the game and lead in that way so that the hotel is relevant when it opens. You have to ensure that the strategy you have in place is looking ahead and avoids the need for significant last-minute changes. On the other hand, as designers, we have a responsibility to influence the clients. But I think soon, it will become a necessity across the entire industry. I predict this will happen faster than we think, and it’s already started with wider conversations with local suppliers.

    HK: What are you all doing at the moment to try and differentiate your luxury projects from others?

    CT: I am always asking myself, how do I position this hotel in the current market, or in a wider sense, how do I position this hotel for an international clientale? This is because the competition is no longer just the hotel’s neighbour, it’s a global arena.

    DM: I suppose it is now about experience. People desire luxury experiences. A hotel group has just bought the Fort of India. How incredible would that be; to stay and experience something totally unmatched like that. Travellers want authenticity and they consider that to be luxury.

    HB: Sense of place cannot be underestimated. The definition of luxury differs from place to place and demographic to demographic, and you have to respond, beneath the surface, to understand what is happening in those locations. Luxury is not just about design, it is about service as well and so many other things that are intrinsically layered on top. When those elements and concepts interlock, that’s when you have a seamless luxury experience when service and design sit side by side and are harmoniously linked.

    HK: Consumer demands of public areas have spilled out into outdoor spaces. Has this changed the way in which you design these areas together?

    JL: We love integrating the outdoor areas so that they becomes a seamless flow where we can. I would say this is especially the case in food and beverage sector. We have recruited designers that only specialise in those areas so that we can get the operational flow right. That connection to the outdoor is integral to our overall wellbeing. Humanity is an element of luxury that we have not touched upon, because our disassociation with human relationships is becoming more enforced by our use of technology. I feel that human touch – it can be as simple as eye contact, and/or just being understood in a different country – is really important that we deliver with hospitality. And first and foremost, design and architecture should enable this.

    “Usually I will use the sustainability angle as an added value and not the primary reason why we are specifying, unless the brief has an eco-friendly thread in its core.” – Jo Littlefair, Director and Co-Founder, Goddard Littlefair.

    HK: Sustainability is becoming a buzzword that some would argue is losing its meaning. What makes a piece of furniture sustainable for you?

    JL: At the end of the day we, as designers, have to ensure that the furniture looks fantastic – and it meets all the needs and demands from our clients as well as regulations. But it really does come down to how we communicate this with the client. We do have to choose our words carefully, but that’s the same as when pitching any idea to the client. Usually I will use the sustainability angle as an added value and not the primary reason why we are specifying, unless the brief has an eco-friendly thread in its core.

    DM: Different cultures are going to be more interested than others, that is for sure. It is all about baby steps, and we do as much as we can.

    Technology and manufacturing has been a massive help. Sustainable products and materials are now at a price point that works for a client and a luxury brief. To then specify a product that is eco-friendly and longer lasting than another becomes a no-brainer. I really believe it is changing. Clients are more aware of the value of reclaimed or reupholstered furniture. Having said this, it is also a balancing act. I am working on a hotel at the moment with the aim to reupholster the casegoods and the beds, and sadly it is actually almost as expensive as buying new pieces.

    “I think if you can justifiably explain how a decision adds value, then cost can sometimes be reconsidered.” – Hamish Brown, Director, 1508 London.

    HK: In regards to luxury, do you believe value outweighs cost?

    HB: It’s a lovely idea, and my view is that value does outweigh cost. If you look at today’s market and the economy, there is a huge sense of getting value. It’s not always about cost. I think if you can justifiably explain how a decision adds value, then cost can sometimes be reconsidered.

    JL: We get closer to understanding the deal that the developer has struck and the budget that has driven the deal, which underpins the whole project. Basically, our client has a figure that they cannot deviate from. So yes, it is common sense, and I do value beautiful furniture, and we do have to be ambassadors that push for quality so that these pieces don’t end up in landfill, but there is a bottom line figure discussion. As a designer, you are the piece of magic in the middle having to constantly and consistently value engineer the project.

    HB: The most successful projects that we work on are the ones where everyone involved is upfront and honest with cost and there is a real transparency there.

    HK: Has the weight on where the budget is spent in the hotel changed?

    DM: It’s always in the ceiling!

    CT: I have seen that generally, not enough budget is left for the finishing touches.

    JL: For me, it’s artwork.

    Following the exclusive panel discussion, the leading designers and architects were able to browse the showroom, which showcased, in an apt setting, Minotti’s 2019 collection of timeless indoor and outdoor furniture.

    Minotti London will be the venue of Hotel Designs’ Meet Up London, which will take place in Spring 2020. More details will follow.

    If you are interested in hosting our next editorial roundtable, please email Katy Phillips or call +44 (0)1992 374050. 

    Checking in to Inhabit Hotel, sheltering a new level of eco design

    730 565 Hamish Kilburn
    Checking in to Inhabit Hotel, sheltering a new level of eco design

    During the London hotel’s soft launch period, editor Hamish Kilburn checks in to discover Inhabit’s debut property, which in the process earns his eco stamp of approval…

    Last year, an insightful study revealed that the city of London had the eighth highest level of pollution in the world, making the sky 67 times brighter than it would be without the contribution of humans. In the same study, it was highlighted that a staggering 84 per cent of Brits spend less than 10 minutes a day enjoying peace and quiet.

    Armed with these statistics, it came with great delight reading about a new hospitality concept of a fresh urban hotel perspective, where wellbeing and sustainable design was at the core of everything. Where the aim is for guests to leave feeling lighter, more free and inspired by taking the pace of life down a gear or two. Where time is luxury. Where Inhabit Hotel becomes a home-from-home.

    After a chaotic experience navigating the London Underground, which I politely consider to be ‘the pits’ of all public transport with it being the most polluted place in the city, I arrived at Paddington’s new boutique hotel in the same state of mind as I imagine most guests do; slightly stressed showing early symptoms of rush-hour rage. Juxtaposing the hustle and bustle of the city’s zone 1, the hotel’s understated is guests’ first indication of a new kind of hotel.

    The sixth-floor urban sanctuary is the brainchild of Nadira and Rihim Lalji, and is the cousins’ first hotel within the portfolio. Created by architecture firm Holland Harvey Architects and Caitlin Henderson Design, the 90-key hotel is designed with busy travellers in mind. My arrival experience feels more as if I am staying with warm hosts rather than a hotel. The lobby sits in perfect harmony between the F&B area, named Yeotown, and book-filled library.

    The check-in desk is down-played, and marries nicely into the laid-back luxury design concept. While checking in, my eyes are drawn to a timetable that I am not familiar with; a yoga and mediation schedule, which I am told launched only this week but was very much part of the core plan for the hotel. “Wellness is at the heart of our brand,” says Nadira Lalji. “Every aspect of our hotel is aligned with what being well means to us. We think of wellness as more than a physical state, but a way of being. Our brand pillars, which stand for social connectedness, intellectual expansion and environmental responsibility, reinforce this belief.”

    The ground-floor library is Inhabit’s answer to the rise in demand for public areas designed with bleisure in mind. The space encourages residents and members of the public to unwind, work and be inspired. The noise-free corner is complete with LED bulbs, which are 80 per cent more efficient in terms of energy used than traditional lighting. Occupancy sensors ensure that no energy is lost and guests are seen in their best light when they require it.

    Image credit: Inhabit Hotel

    Yeotown, is an innovative and thoughtful F&B area, perfect for guests on the move or as a venue for casual meetings. By partnering with food-wastage apps Karma and Too Good to Go, the area allows non-guests to pick up perfectly edible bargains which would otherwise be put into waste. The tables and chairs, made also by Holland and Harvey, have been created using materials honestly and in their natural state. “At Inhabit, we have specified oak flooring and joinery, all finished with a natural sealant to show off their natural colouring and tones,” said architect Richard Holland. “The floor is a natural stone from Fired Earth, which has beautiful variations and tonal differences.”

    Upstairs, the sustainability story continues, which is most impressive when considering that the hotel is sheltered within a Grade II listed building. From Casper eco-friendly mattresses to the REN amenities that are made from recycled plastic – even the soft toilet paper is 100 per cent recycled – the guestrooms and bathrooms are quite obviously designed with conscious guests in mind. But on close inspection, it becomes apparent just how high up on the agenda sustainability is for the hotel. Taking the concept of ‘escapism’, one step further, each room comes complete with Studio ND phone charge and stowaway boxes, made from scrap materials, so that guests can break away from their devices.

    Perhaps it was my perfectly timed stay to sit in-between speaking about this very topic on stage at the Independent Hotel Show – more likely it’s simply the sheer statement of an urban hotel having such an eco-focused message – that has put on a smile on my face when checking out following one of the best night’s sleep I have had in London for a while. I can’t help but feel totally relaxed and reassured that the bottom line of profit is not the only value when it comes to successfully operating a hotel. And it was this that inspired my latest Editor Checks In online column, where I argue that consciousness could very well become the new luxury.

    Main image credit: InHabit London

    Chelsom to exclusively preview Edition 27 at Sleep & Eat 2019

    730 565 Hamish Kilburn
    Chelsom to exclusively preview Edition 27 at Sleep & Eat 2019

    Chelsom will once again be exhibiting at the annual Sleep & Eat event, which takes place at Olympia London on November 19 -20, 2019…

    Lighting manufacturer Chelsom will be at Sleep & Eat 2019, Europe’s leading trade events for interior hospitality products providing an annual meeting for those at the forefront of hotel design, development and architecture.

    This will be Chelsom’s2ndconsecutive year at the eventand this year they will be exhibiting a selection of stunning products from the latest collections, Edition 26, created specifically for the international hospitality and marine sectors.

    In addition, Chelsom will also be providing an exclusive preview of brand-new pieces from the upcoming collection, Edition 27, as designed entirely in-house by Robert and Will Chelsom and will be available from May 2020 onwards.

    “Sleep & Eat is the numberone UK show in terms of interior design for the hospitality market and we are very pleased to be back again,” said Will Chelsom, Managing Director of Chelsom. “Being able to see what the wider market is up to is really inspirational and it’s a great environment for companies to showcase their latest product designs and innovations. The show has become a key date in the diaries of many leading hospitality professionals so it’s exciting for us to be promoting a selection of new pieces from what is undoubtedly set to be our most eclectic collection to date.”

    Chelsom is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

    Manchester’s Hotel Brooklyn to open in February 2020

    730 565 Hamish Kilburn
    Manchester’s Hotel Brooklyn to open in February 2020

    The doors to Manchester’s highly anticipated Hotel Brooklyn will open in February 2020…

    Designed by Squid Inc – the team behind renowned Hotel Gotham – the long-awaited Hotel Brooklyn is scheduled to open in February 2020. The 189-key hotel is inspired by the New York Borough and chosen for its resonating similarities to Manchester, in terms of its buzzing industrial growth, as well as its strength of identity and culture.

    The hotel will pay homage to Brooklyn’s history from early 20th century to the present day, with the inclusive design of the hotel being overseen by Motionspot, the UK’s leading accessible design company. Positioning itself as Manchester’s most accessible hotel, Hotel Brooklyn will be a trailblazer in championing accessible, sexy and modern design for all.

    “We believe Hotel Brooklyn is a perfect fit for Manchester” – Robin Sheppard, Chairman of Bespoke Hotels

    Squid Inc’s starting point was to create a distinctly Mancunian destination that resonated with the characteristics of its counterpart, Brooklyn: the sense of neighbourhood, the grittiness of its culture and edginess of its people. Brooklyn residents, from Mel Brooks to the Beastie Boys, have helped inspire this vibe.

    “It was an honour to work with Bespoke Hotels again on creating another iconic Manchester hotel with a strong identity and character,” said Olly Redfern, Lead Interior Designer of Squid Inc. “Weaving the lines between Manchester and Brooklyn is a bold and inspirational project that draws many parallels and it was incredibly fun to do, partnering with some of the best local suppliers to create the finished look.”

    Beautiful Victorian brownstone buildings have become icons of both Brooklyn and Manchester and Squid Inc have been driven by the ambition that the architects of Brooklyn showed when repurposing an area which had fallen out of favour, transforming it into one of the most exciting parts of town.

    The brownstone idea is explored from the moment guests enter the hotel, with the industrial feel of the architecture softened by the lobby interior and designed to recreate the sense of journeying down a Brooklyn avenue, with brick stone and trees lining the walls.

    Image credit: Bespoke Hotels/Hotel Brooklyn

    Beyond the lobby is a flight of wide-paced steps, designed to provide a communal space to hang-out – paying homage to the iconic stoops of Brooklyn, and the sense of community these have inspired in film and art.  

    The Snug is designed to be a playful, contemporary twist on the traditional.

    Harking back to historic Victorian brownstone buildings and their expansive drawing rooms, The Snug is designed to be a playful, contemporary twist on the traditional.  This space is cosy and intimate – a sanctuary from the hubbub – with an open fireplace and a record player spinning vintage records from the Manchester music scene.

    “Bathrooms have been cleverly-angled to allow their back walls and semi opaque windows to look out across the guestroom.”

    The aesthetic of the 189 guestrooms has been inspired by Brooklyn’s loft spaces, peppered with immaculate features that favour quality and high-spec finishes. Beds have brass adornments, while Turkish rugs have been designed to contrast with the concrete floors. Bathrooms have been cleverly-angled to allow their back walls and semi opaque windows to look out across the guestroom, while street art wall features finish off the bold design direction.

    Image credit: Bespoke Hotels/Hotel Brooklyn

    Bathroom amenities include organic bamboo toothbrushes and ethically sourced toothpaste, green soap and lotion dispensers with minimum waste.

    In addition, the hotel features 18 dynamically designed accessible bedrooms, each of which has been stylishly designed to complement the aesthetics of the hotel. “Accessible accommodation at Hotel Brooklyn features subtle details like basins with integrated hand grips, removable matt black grab rails, accessible bedroom storage and a hidden ceiling track hoist”, said Ed Warner, Founder & CEO of Motionspot. “We hope this high level of attention paid to inclusivity will make Hotel Brooklyn one of the most sought-after venues for guests of all abilities.”

    Hotel Brooklyn’s bar and restaurant, named Runyon’s after Damon Runyon, an American writer renowned for his depictions of Brooklyn characters, will present a diverse menu showcasing European and American influences. Paying respect to the remarkable industrial craftsmanship of the Brooklyn Bridge (immortalised in many iconic images), Squid Inc have taken the bridge’s tension lines as inspiration, giving Runyon’s a flavour of downtown Brooklyn – a mix of gangster and quality, purposeful engineering – adding a desirable irregularity to proceedings.

    On the top floor of the hotel, Salvation is the hotel’s dedicated events bar, featuring exposed brick work, pop art and neon lights to create a lively destination bar for the UK’s preeminent Northern city.

    “We are thrilled to have secured this fantastic site in the heart of Manchester’s historic industrial thoroughfare of Portland Street”, commented Robin Sheppard, Chairman of Bespoke Hotels. “We believe Hotel Brooklyn is a perfect fit for Manchester, not solely in terms of the architectural grandeur and convenience of its location, but the abundant character and feistiness of the city. Portland Street is experiencing a regeneration as the hotel strip of the city”.

    Image credit: Bespoke Hotels/Hotel Brooklyn

    Throughout the hotel, regional suppliers have been selected wherever possible. Deanhouse Interiorswere commissioned to fabricate the entire fit-out package, including cased goods from wardrobe and bedroom fittings, to the reception pods and 9th floor bar counter. Alongside this, PS Interiors sourced several key furniture pieces throughout, including the retro styled bedroom chairs, while sourcing New York street art was overseen by Elegant Clutter Artwork. In addition, Manchester-based The Knot Collective were commissioned to design two bespoke rugs for the hotel’s public spaces.

    Main image credit: Bespoke Hotels/Hotel Brooklyn

    FIRST LOOK: Inside Riggs Washington D.C., a new level of unrivalled luxury

    730 565 Hamish Kilburn
    FIRST LOOK: Inside Riggs Washington D.C., a new level of unrivalled luxury

    Ahead of the highly anticipated opening of the 181-key luxury hotel in Washington D.C., Hotel Designs takes a closer look inside…

    Lore Group, the international hospitality company behind renowned hotels, such as Sea Containers London and Pulitzer Amsterdam, has released model images of Riggs Washington D.C.. The new luxury hotel is the latest hotel development to hit the headlines, and is the brainchild of The Brit List 2019 judge Jacu Strauss, designer, architect and Lore Group’s creative director.

    In concepting and designing the property, Strauss, invoked the spirit of the former bank while preserving and restoring much of the property’s original design features to reimagine the storied building for the modern traveller. The 181-room property features playful nods to the building’s rich past, drawing on the parallels between the activities that take place in banks and at hotels to offer something personal and serendipitous around every corner.

    The hotel’s development, which was first explored by Hotel Designs in a exclusive interview Strauss when he described the Washington D.C. as: “a city with a particularly strong and quirky evolving hotel and F&B market.” As such, the design of Riggs has paid particular attention to the public areas of the hotel, with the aim to add sensitive statement on the hotel design scene in the US capital. In the original barrel-valuted lobby and cafe, restored expansive ceilings, corinthian columns, classic stonework and custom furniture set the scene for an eye-catching arrival experience. A medallion of Juno Moneta, the Goddess of Money, presides over the room, while original features have been given a new lease of life and the grandeur of the building embraced to create a welcoming and inspired hotel that is deeply rooted in D.C. and its impressive history.

    Image credit: Lore Group/Riggs Washington DC

    Upstairs, the 181 guestrooms – including 15 bespoke-designed suites are full with flair and personality. The marble-patterned headboards and wall coverings by Vousta blend together to create a thoughtful motif in each room. The interiors, balanced to create a romantic, sophisticated and calming oasis, have been inspired no doubt by Strauss’ love for travel.

    Image credit: Lore Group/Riggs Washington DC

    Catering to Washington DC’s ever-evolving social scene, the hotel’s 2,500 soft rooftop will offer panoramic views over the capital, and also feature a number of meeting, dining and events space.

    “Lore Group continues to explore ways to deliver inspired and approachable hospitality concepts to interesting places around the world,” said Billy Skelli-Cohen, group CEO. “With Riggs Washington D.C., we have created a hotel and F&B concepts that celebrate both the legacy of the building – and the history of the city – through unexpected details and a thoughtful approach to guest experience.”

    The arrival of Riggs comes an interesting time for Penn Quarter, which has been rejuvenated over the last two years. The new hotel is expected to further raise the level of luxury, creativity and innovative hospitality in the area – and Hotel Designs is keen to follow its progress.

    Main image credit: Lore Group/Riggs Washington DC

    Swissotel aquires Hotel Allegro in Bern, to reopen property in Autumn 2020

    730 565 Hamish Kilburn
    Swissotel aquires Hotel Allegro in Bern, to reopen property in Autumn 2020

    As part of this exciting next chapter for the property, Kongress + Kursaal Bern AG will invest approximately 16 million Swiss Francs on remodeling the property’s 171 guestrooms and public areas. 

    More than 20 years after opening, the Kursaal Bern enters a new chapter in its history. Kongress + Kursaal Bern AG entered into an agreement with Swissôtel Hotels & Resorts whereby, effective in autumn 2020, Hotel Allegro will then be operated as Swissôtel Kursaal Bern.

    Renovations inside the 171-key hotel will commence next January and are due to be completed by autumn 2020, and the hotel will remain open during the refurbishment process. Once complete, guests can look forward to clever design solutions, high-quality furnishings and a carefully thought-out sustainability concept, but also to traditional Swiss hospitality in the midst of one of the country’s most historic cities.

    “Our search for a strong international brand partner led us to Swissôtel. It combines genuine Swiss hospitality with intelligent design and a stimulating atmosphere. This makes us a perfect match,” said Kevin Kunz, CEO Kongress + Kursaal Bern AG. “Regardless of the change in brand, we will of course keep the proven management team in place and will continue offering traditional Bernese hospitality.”

    modern and contemporary guest room in a hotel

    Image credit: Swissotel

    Operating more than 30 hotels in 18 countries, Swissôtel, which will celebrate its 40th anniversary in 2020, has been part of the Accor group since 2016.

    The partnership agreement between the brand and Kursaal Bern is a landmark moment for the tourism sector in the city. Both Kursaal and the hotel will benefit from Accor’s global reservations system, the company’s worldwide sales teams, direct booking channels, and access to new, innovative technologies. Guests at Swissôtel Kursaal Bern will also have the opportunity to become a member in the ALL loyalty program that puts all Accor brands and businesses worldwide under one umbrella.

    “We offer a genuine expression of Swiss values and a steadfast commitment which is deeply rooted in quality, efficiency and reliability,” said Lilian Roten, Vice President Swissôtel Hotels & Resorts. “We are excited to add a third property in the brand’s birthplace. Our contemporary Swiss style combined with local characteristics creates a balanced environment for guests to relax and feel at home.”

    The renovation is led by architects Marazzi + Paul together with interior designer Nina Mair. “She uses high-quality, natural materials and has managed to win us over with well-conceived and confidently stylish functionality,” added Kunz.

    Roten adds: “Our alpine heritage has its roots in craftsmanship, sustainable design and a conscious, active way of life. This is exactly what Nina Mair’s design brings to the new Swissôtel Kursaal Bern. It’s through these approaches that we offer our guests a sense of well-being, energy and joy of life, which is perfectly in-tune with our brand promise ‘Life is a journey. Live it well.’”

    Main image credit: Swissotel

    Viceroy Residences at Ombria Resort wins prestigious sustainability award

    730 565 Hamish Kilburn
    Viceroy Residences at Ombria Resort wins prestigious sustainability award

    Continuing our theme this month to put sustainability under the spotlight, Viceroy Residences at Ombria Resort has been recognised for its commitment to the environment, winning Best Sustainable Residential Development, Portugal at the European Property Awards… 

    Luxury real estate development Ombria Resort in the heart of the Algarve, which is slated to open in 2021, has been honoured at the 2019-2020 European Property Awards.

    Announced at the awards ceremony in London, the destination won the coveted new category recognising excellence in sustainability, the Best Sustainable Residential Development, Portugal, with the Viceroy Residences at Ombria Resort project.

    “We have definitely seen a shift across the last decade in the requirements of prospective buyers – they are much more focused on sustainability.” – Julio Delgado, CEO, Ombria Resort.

    The European Property Awards is considered one of the most prestigious and recognised programme celebrating the highest levels of achievement across the real estate industry. The Sustainable Residential Development category, introduced this year for the first time to reflect the importance of sustainability in real estate, judged developments on their economic, environmental and social responsibility with Ombria Resort demonstrating strong practices in each area.

    Reflecting the resort’s overall ethos Carved by Nature, Ombria Resort has a deep commitment to pioneering sustainable tourism; incorporating environmental, economic and socio-cultural values into innovative, everyday actions that will ensure the natural and cultural surroundings live on for future generations.

    “We are thrilled to win this prestigious achievement and be leading the way in sustainable residential developments,” said Julio Delgado, CEO, Ombria Resort. “We have definitely seen a shift across the last decade in the requirements of prospective buyers – they are much more focused on sustainability, the natural environment and supporting local ecosystems. Our commitment to sustainability and a respect for nature is at the heart of everything we do, so to have such an accolade to recognise our efforts is truly an honour.”

    The Viceroy Residences at Ombria Resort is a collection of 65 one- and two-bedroom freehold apartments serviced by Viceroy Hotels & Resorts, set within the Viceroy at Ombria Resort 5-star hotel, located in the heart of the development which spreads over 150 hectares in the inner Algarve. Ranging in size from 70 to 173 sq.m of gross internal area, the apartments are fully furnished and equipped to exacting five-star standards.

    Designed as an elegant Portuguese village with all the charm and character of a long-established settlement and blending seamlessly into the hills, the resort eature a unique, sustainable vision of NZEBs (Nearly Zero Energy Buildings), which will lead the way for the Portuguese market – including creating a national case study for the use of geothermal energy.

    Its pioneering shallow geothermal system will use water to transfer heat energy found just below the ground surface for climate control, hot water supply and swimming pool heating. Reverse heat pumps utilize the stable temperature of the ground as the main source of energy to produce heating in the winter, cooling in the summer and hot water throughout the year, safely and responsibly. The strategy for a sustainable, efficient Heating, Ventilating and Air Conditioning (HVAC) system is based upon achieving high levels of user-friendly comfort while ensuring low energy consumption and maintenance costs.

    Bioclimatic architecture, both innovative and traditional, allows for energy to be conserved wherever possible, with heat gained or lost through materials with low heat transference coefficients and age-old design tricks to protect from the sun.

    Other innovative sustainable programmes at Ombria Resort include a comprehensive recycling programme, electric vehicle charging points and the conservation and cultivation of the local flora and fauna.

    Adopting and implementing sustainable trade practices and supporting local suppliers with many building materials such as stones, tiles, plasters and insulation materials sourced regionally and nationally, vastly reduces Ombria Resort’s carbon footprint. The overall aim is to become a member of the community and actively contribute to the preservation of local traditions, generating new jobs and business opportunities. Activities at Ombria Resort will include an area for organic farming, honey harvesting facilities, astronomical observatory, paths for nature walks, mountain biking, and other sports facilities.

    Main image credit: Ombria Resort

    INDUSTRY INSIGHT: Simple ways to increase hotel bookings

    730 565 Hamish Kilburn
    INDUSTRY INSIGHT: Simple ways to increase hotel bookings

    TravelDailyMedia in conversation with STAAH uncovers ways technology can help hoteliers increase bookings and maximise revenue, to keep business afloat…

    Following the Independent Hotel Show 2019, it seems as if a common concern shared by hoteliers is how to increase bookings and revenue. It’s a huge challenge when you are also hands-on with the day-to-day operations of the property. Regardless of size of hotel – and empire – no one is spared from this challenge, and who can argue with the prospect of more guests?

    STAAH, an innovator in hospitality solutions, offers products that put property owners in control by empowering them with technology that helps attract, convert, analyse and maximise online reach and revenue. In layman’s terms, STAAH provides hotel owners with the technology that does all the work for them.

    The company offers technology solutions for hospitality distribution, direct bookings and digital marketing services. These are used by all segments of the hospitality industry, from big hotel and motel chains to boutique properties, independent hotels, holiday parks and guest houses.

    It’s is a real-time online distribution platform that allows hoteliers to reach a captive global audience through the company’s 200+ hotel channel manager integrations with OTAs, GDS and other booking platforms.

    Using STAAH’s Channel Manager, hoteliers can manage the rates and inventory anytime, anywhere. This allows them to make informed decisions to grow bookings. It’s the one system that manages all OTAs using a single log-in. It helps hotels grow direct bookings with real-time and quick updates to all channels, ensuring rate parity. Moreover, customise packages, price filtrations, multiple currency handling, dynamic and seasonal pricing any time.

    User-friendly booking engine

    Who doesn’t love direct bookings? When bookings are made on third-party channels, hotels have to pay hefty commissions of up to 30 per cent. However, there are times that booking engines of hotels tend to be daunting and not-so user-friendly. Increase hotel bookings with STAAH’s customisable booking engine.

    STAAH can completely customise the booking engine to meet the creative and operational needs of your property or chain. Equipped with advanced features such as WatchMyRate (a price compare widget) that allows hoteliers to ensure rate parity while encouraging guests to book direct.

    Engaging website is a must

    There is no better way to attract guests than to have a beautiful and engaging website. Convert web visitors into paying guests with great content and amazing web design. STAAH makes it easier for hotels to establish web presence using its intuitive content management system that even non-geeks can operate and instant publish of updates that will increase hotel bookings.

    Improve your online reputation

    Guess what? Your guests’ feedback matters! STAAH’s ReviewMinder is a review management system that alerts owners of new online reviews across multiple sites in one easy dashboard and responds directly to customers.

    Manage your online reputation by knowing what is out there. This way, hotels can share or respond to reviews in a timely manner. Using ReviewMinder, hotels can also consolidate ratings as well as sort reviews by keywords, sentiments and channel partners to get valuable insights.

    Upsell with gift vouchers

    Unleash the true power of gift vouchers with a feature-rich e-shop. It allows guests to buy gift vouchers directly from the website increasing hotel’s revenue. Gift Voucher Engine enhances guest experience by giving them the ability to buy experiences from your existing website with our simple and mobile-friendly design.

    Image credit: STAAH

    STAAH takes pride that its products are easy to use and the fact that one doesn’t have to be tech-savvy to use them. STAAH focuses on developing products that are intuitive and reliable. STAAH works with 9000+ properties in 90+ countries. The company also works closely with its partner properties to continuously improve their effectiveness and efficiency, helping businesses get closer to their goals.

    Whether you own a teeny-tiny B&B or a chain of hotels, STAAH can tailor its technology to increase hotel bookings and serve your needs.

    STAAH is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.

    Main image credit: Pixabay

    The Brit List Awards 2019 becomes sold-out event

    730 565 Hamish Kilburn
    The Brit List Awards 2019 becomes sold-out event

    With less than three weeks to go until Hotel Designs’ premium annual award ceremony, The Brit List Awards 2019 becomes a sold-out event… 

    Following unprecedented demand, The Brit List Awards 2019, which takes place on November 21 at Patch East London, is now sold out. The event, which is Hotel Designs’ annual award ceremony, will be attended by more than 300 of the industry’s leading designers, architects, hoteliers, developers and suppliers.

    The only way now to attend The Brit List Awards 2019 is to become the event’s last remaining partner, which can be secured by contacting Katy Phillips by email or by calling +44(0)1992 374050.

    “The overwhelming demand to attend The Brit List Awards 2019 is a clear indication that Britain remains a strong creative capital on the international design and hospitality scene,” commented editor Hamish Kilburn. “We very much see the event as the after party of show season, and the whole team at Hotel Designs is looking forward to welcoming and celebrating the creative genius’ who are keeping Britain’s design hub an innovative and exciting place to operate – and write about!”

    The event, which is sponsored by Crosswater, Hamilton Litestat, the British Institute of Interior Design and SYS Visual, will be attended by more than 300 of the industry’s finest. These include individuals from the likes of David Collins Studio, Goddard Littlefair, Dexter Moran Associates, Jack Irving Design, Jestico + Whiles, 3D Reid, EPR Architects, Richmond International, ReardonSmith Architects, IHG, Eccleston Square Hotel, Great Scotland Yard Hotel, Inhabit Hotels and Rosewood London, among many others.

     

    The nationwide search to find the most influential designers, architects and hoteliers operating in Britain began months ago when Hotel Designs opened up nominations and applications to readers.

    Since then, an independent panel of expert judges have gathered to select this year’s individual award winners and also to confirm the 75 individuals who have made it into The Brit List 2019.

    Individual award categories:

    • Interior Designer of the Year
    • Architect of the Year
    • Hotelier of the Year
    • Best in Tech
    • The Eco Award 
    • Best in British Product Design – NEW CATEGORY FOR 2019
    • Outstanding Contribution to the Hospitality Industry

    The Shortlist for The Brit List 2019 can be viewed here.

    #TheBritListAwards2019

    Headline Partner: Crosswater

    Event Partner: Hamilton Litestat

    2019 Industry Partner: BIID

    Videography Partner: SYS Visual

    JW Marriott Maldives officially opens

    730 565 Hamish Kilburn
    JW Marriott Maldives officially opens

    The Maldives is booming as JW Marriott Maldives officially opens with what is being called the region’s most impressive culinary facilities, complete with a treetop restaurant, former Nobu chef and ultra-private supersize villas…

    Situated on the island of Vagary, Shaviyani Atoll, JW Marriott Maldives Resort & Spa has officially opened featuring 60 expansive beach and overwater villas all with private pools. Headed up by food and wine expert, general manager Marc Gussing, the resort has one of the most impressive culinary offerings in the Maldives.

    There are five restaurants as well as three fully-serviced bars, and a chef’s garden – an exceptional offering for a remote private island with only 60 villas.

    Guests can feast on a wide range of cuisine that includes and goes beyond classic Maldivian dishes. Highlights include vibrant Thai dishes created by a former Nobu Chef in a treetop restaurant, authentic Japanese Teppanyaki, poolside Woodfired pizzas made in a traditional pizza oven, and freshly caught seafood in a fine-dining, overwater restaurant. Meals are complemented with a choice of sake, Japanese whisky, rum cocktails, smoked cocktails, and both new and old-world wines.

    Image credit: Marriott International Hotel

    The villas start at 234sqm – larger than the average London flat. The resort places a strong emphasis on privacy with private decks and pools designed so they can’t be seen from the outside.

    “Each room draws inspiration from the natural surroundings and local Maldivian culture.”

    There are four ultra-expansive villa types, all with private pools. The two-bedroom, three-bathroom Duplex Beach Pool Villas sleep up to five guests and have upstairs living areas and direct beach access ideal for families, whilst the Duplex Overwater Pool Villas with upstairs living areas have unsurpassed views of the Laccadive Sea. Beautiful One-bedroom Beach Pool Villas and sunrise and sunset Overwater Pool Villas are also available.

    Each room draws inspiration from the natural surroundings and local Maldivian culture, incorporating colours and materials that highlight the island destination. Thatched roofs on villas are reminiscent of inverted Dhoni boats, the traditional Maldivian wooden fishing vessels, and slanted roof tips recall white herons dipping their heads into the water.

    Image credit: Marriott International Hotel

    Situated in the untouched Northern atoll of Shaviyani, the resort is a 55-minute seaplane flight to the north of Male. The island’s surrounding natural reef benefits from the island being far from Male and civilisation and is teeming with sea life. An on-site marine biologist ensures the pristine reef remains untouched and in perfect health whilst overseeing aquatic expeditions including diving and snorkelling.

    An iconic Spa by JW, overwater gym and an open-air yoga pavilion offers cutting-edge and indulgent spa treatments and a daily schedule of yoga and fitness activities.

    Main image credit: Marriott International Hotel

    Naturalmat announces new collaboration

    730 565 Hamish Kilburn
    Naturalmat announces new collaboration

    Leading eco bed supplier Naturalmat launched Another Bed, a collaboration with Another Country, at Decorex International…

    Another Bed marries Another Country’s honest furniture forms with Naturalmat’s excellence in craftsmanship and organic credentials. Oak and upholstery are fused with beautiful dovetail detailing and a piped seam, to realise a timeless design with a double-sided headboard allows the option for either Oak or upholstery to face outward.

    Naturalmat are trail-blazing organic and environmentally sound British-crafted beds, mattresses and bedding. Offering mattresses and beds which are by far the best – free from glues, chemical fire retardants or synthetics of any kind, whilst meeting all British Standards.

    A growing fan-base of high-end boutique hotels as well as chains with a strong sustainability policy which only believe in the very best natural and organic ingredients, are supplied with Naturalmat mattresses, bedsteads and bedding including: Six Senses Resorts and Spas, The Hoxton Group, Z Hotels, The Capital Hotel, Chewton Glen Hotel and Spa, The Cliveden House Hotel, and The Mandrake.

    “Our factory generates its own Green electricity, only sources its wool from certified organic sheep farms within a 50 mile radius of our Devon-based beadwork,” said Naturalmat’s CEO Mark Tremlett who was recently interviewed by Hotel Designs. “It’s here we make all our mattresses and beds from scratch and at the end of its life we pledge to take our customer’s mattress back and rejuvenate it or recycle it and give our customer’s full credit towards the purchase of a new mattress.”

    Naturalmat are market leaders in creating mattresses which meet all British fire-retardant standards and yet are entirely free from chemical treatment.  Naturalmat’s unique combination of wool (which acts as a natural fire retardant) and cotton, means that Naturalmat mattress covers aren’t treated with chemicals in order to pass standard fire regulation checks.  Studies have shown the damaging impact of toxic chemicals commonly used on mattresses and upholstery and in paint throughout the home on human health and the environment.

    Naturalmat’s mission is to promote the use of organic raw materials not just inside your mattress but outside of it as well, and to make Natural and Organic as accessible to Interior Designers and end customers as possible.

    Main image credit: Naturalmat/Another Country

    Five emerging AW/19 interior trends to keep an eye on

    730 565 Hamish Kilburn
    Five emerging AW/19 interior trends to keep an eye on

    Now that autumn has arrived, and winter is fast approaching, all eyes of the international hotel design world are focused on trends and new products as we gear up towards awards season and prepare to wind down for another year. Recommended Supplier Bisque has taken this opportunity to shine the spotlight on emerging AW trends to bookmark… 

    Leading radiator supplier Bisque has taken note of a few key A/W interiors trends on the rise.

    Trend: Tranquil Dawn

    Dulux’s Colour of the Year has been revealed for 2020 as Tranquil Dawn. A cool and calming tone selected by a panel of experts from around the world, this lusciously soft green works for all rooms in the house, no matter how big or small.

    Trend: Brown is the new black

    Image credit: Bisque

    Step aside black, brown is back! A versatile shade that ranges from beige to copper these brown hues – this doesn’t make sense? – it is time to bring these earthy tones back into your home to create a warm and welcoming feel.

    Trend: Dusky pastels

    Image credit: Bisque

    Adding pops of colour into your home, not only is a great way to put a stamp of your personality on a room but adds a statement piece to the room.

    Trend: Soft minimalism

    Keep it simple with soft neutral colours, creating a calming tone throughout your space. Also perfect for those renting out their homes, as it’s a theme that everyone can complement with accessories and soft furnishings.

    Trend: Maximalism  

    Image credit: Bisque

    Electric glamour and indulgent dual tones gives off a sense of power and strong personality. These bold schemes will fit in both traditional and modern homes and great for those also wanted a transitional look.

    Main image credit: Bisque

    ‘Must see’ brands at Sleep & Eat 2019

    730 565 Hamish Kilburn
    ‘Must see’ brands at Sleep & Eat 2019

    With less than three weeks until Sleep & Eat 2019, here are just a few brands and products to look out for… 

    More 160 design-led suppliers are now confirmed to be exhibiting at Sleep & Eat 2019, which takes place on November 19 – 20 at Olympia London. For many years now, the exhibition has been the place where both established and up-and-coming manufacturers not only choose to launch their collections, but where business is done and opportunities to network and socialise are numerous.

    Reflecting the growing convergence between hotel, restaurant and bar design, the exhibitor line-up includes many international companies which supply all three sectors, as well as cruise ships and spas.

    Following our sneak peek inside the doors of the company’s new UK headquarters, Laufen will launch The New Classic collection by Dutch designer Marcel Wanders. Utilising Laufen’s innovative SaphirKeramikmaterial, the designer created a collection combining gentle, feminine curves with angular, masculine elements. “For the first time, the ultra-modern SaphirKeramik has been moulded into a classic and iconic form,” commented Wanders. “This lightweight yet resilient material gave us the unique opportunity to celebrate the beauty of ceramics with our elegant, soft lines.”

    Dramatic view of the full The New Classic collection

    Image credit: Laufen/Marcel Wanders

    Morgan, the British designer and manufacturer of contemporary furniture, will be introducing its new Kaya lounge collection. Taking its name from sacred forests spread along the Kenyan coast, Kaya finds its roots in the openness, honesty and purity of trees. Morgan will also exhibit The Rakino collection of lounge chairs and tables designed by Tim Rundle, and The Goodwood collection designed by Katerina Zachariades in collaboration with artist Mark CcClure.

    A Sleep & Eat newcomer, Prestigious Textiles, will be debuting with a range of prints, jacquards and velvets alongside a rich diversity of plains, semi-plains and sheers. The company will also present its new bespoke service, giving customers the freedom to take their design of choice and translate it onto any print ground using the latest digital printing technology.

    Also new to Sleep & Eat, Marie Martin, the range of exclusive lighting by the Dutch company Lumière, will present its most popular lighting fixtures. Stemming from a passion for interiors, this collection arose from the desire to unite the love for antiques, for Paris, for colour and fully decorated spaces. Marie Martin’s range will feature lush materials – bronze, silk, brocade, and velvet – as well as abundant attention to detail and extravagant colour schemes.

    Spanish architectural and design surfaces producer and distributor Cosentino will be showing a range of its brands. These include Dekton ultra-compact surfaces, Silestonequartz and Sensa by Cosentino natural protected stone.

    German bathroom manufacturer, Bette, will exhibit its award-winning glazed titanium-steel baths, shower floors and washbasins, all of which come with a 30 year warranty. Available in an extensive range of sizes and colours, they are finished in BetteGlaze;  a durable, non-porous, scratch-resistant and easy to clean surface.

    Muted coloured washbasins

    Image credit: Bette

    AHK, the Turkish supplier of joinery and fit-out contractor, will feature its indoor and outdoor loose furniture range and latest case goods collection. AHK will also reveal the AW Simulator – the game-changing meeting room pod that immerses users in a unique experience. Its advanced technologies include a panoramic digital view, exclusively designed expanding table, state-of-the-art AV system, and unparalleled acoustics and soundproofing.

    Chelsom will showcase some of the dynamic and trend-driven designs within its extensive Edition 26 collection. Among the products are The Orb, The Icicle and Roma.

    GROHE will be returning to Sleep & Eat for its 14th year. This year, the brand will showcase its most eclectic and diverse product offering yet. This will include its ground-breaking Icon 3D metal-printed taps, taking pride of place on the stand for its first official showcasing in the UK. “Sleep & Eat is a key event for us, one which has helped us to build very strong industry contacts over the years and where we continue to push the boundaries of innovation,” said Raj Mistry, Marketing Director of GROHE UK.

    Image credit: Grohe

    Terratinta – manufacturer of high-end Italian porcelain stoneware, inspired by Scandinavian design enriched with fresh and unusual aesthetic effects – will display its newest ranges of ceramic tiles, including Sartoria Artigiana, Sartoria Romanza, Hexa Mosaics, and Ceppo.

    The Exhibition will also see the event debut of family-owned Irish manufacturer and fit-out specialist, Abbey Upholsterers, which works with numerous luxury hospitality brands as well as in luxury residential. At Sleep & Eat, the brand will be highlighting its hotel guestroom furniture collections.

    Omexco – the Belgian manufacturer of high-end wallcoverings, specializing in sophisticated printing and embossing techniques – will feature its latest designs, Arubaand Portfolio. Aruba collection, inspired by the exotic Caribbean isle, recognises craftsmen who respect natural materials such as weaves of waterlily and raffia with a range of linen yarns and ecological non-woven wallcoverings, whereas Portfolio collection pays tribute to Omexco’s heritage and features a variety of natural yarns including pure linen, multi-coloured silky cotton and viscose.

    Other familiar names exhibiting at Sleep & Eat will include Astro Lighting, Arte, Camira, Knightsbridge Furniture, Quasar, Roca and VitrA. An array of newcomers this year will include Absolute Lifestyle, Article London, Eichholtz, ELG Solutions, Iconic Images, ILIV Contract Textiles, Kaufmann Ceramics, Sahrai, Tarkett, and VICALVI Contract.

    The event also encompasses a complimentary Conference, Development Roundtables and nine specially designed pop-ups including concept guestrooms, restaurant and bar Sets, The Hub – a co-working space, the VIP Lounge and the Sleeper Bar.

    Sleep & Eat, November 19 – 20 in the National Hall, Olympia London. The show will be open from 10am on Tuesday 19 with an evening drinks reception until 8.30 pm, and from 10am-6pm on Wednesday 20. Click here to register.

    Main image credit/caption: Sleep & Eat/Abstract forms, texture and objects study

    The Brit List 2019 secures Videography Partner for ceremony

    730 565 Hamish Kilburn
    The Brit List 2019 secures Videography Partner for ceremony

    Just weeks ahead of Hotel Designs’ annual award ceremony, The Brit List Awards 2019 secures SYS Visuals as its official Videography Partner… 

    Known for its exceptional 360-degrees video interviews, SYS Visuals has teamed up with The Brit List 2019 to shoot the winners’ interviews at the award ceremony, which takes place on November 21 at Patch East London.

    “SYS Visual drives transformation,” said Fardi Mohamed, Managing Director of SYS Visual. “Our agency around the world help clients to harness the power of visual communication. Our work combines strategy with content creation and execution. Our solution to the Luxury Hotel Industry is to use immersive technology, such as 360° Video Experience, to help hotels transform the way they sell, market and engage with their audience. We use 360° Video Experience to help your potential clients visualise being in your Luxury Hotel so they can book it.”

    Working with companies such as Microsoft, DHL and the Independent Hotel Show this year, SYS Visual is a leading marketing agency that specialises in in visual communication strategies and immersive media.

    “Considering everyone attending The Brit List Awards 2019 operates in a live and visual arena that feeds on innovation, we are delighted to have the support of such a forward-thinking service,” said editor Hamish Kilburn. “Having the 360-degree interviews will be such a quirky element to this year’s event, and will really show off our stunning venue.”

    Among the leading designers who have already confirmed are design directors and principals from Richmond International, Project Orange, Sibley Grove, Harriet Forde Design, Harris + Harris, RPW Design, Scott Brownrigg, David Collins Studio and IHG.

    In regards to architects attending The Brit List Awards 2019, Hotel Designs will welcome associates and directors from the likes of Zaha Hadid Architects, WATG, Jestico + Whiles, Holland Harvey Architects, EPR Architects and Dexter Moren Associates.

    Hoteliers confirmed to attend the annual awards ceremony include, among others, Heckfield Place, Good Hotel London, Limewood Group and Homegrown Hotels, Rosewood London, Cliveden House, The Athenaeum Hotel & Residences London, The Dixon, Bespoke Hotels, Great Scotland Yard Hotel, Eccleston Square, Inhabit London and Hotel Gotham.

    The nationwide search to find the most influential designers, architects and hoteliers operating in Britain began months ago when Hotel Designs opened up nominations and applications to readers.

    Since then, an independent panel of expert judges have gathered to select this year’s individual award winners and also to confirm the 75 individuals who have made it into The Brit List 2019.

    How to attend

    Suppliers:
    Click here if you are a supplier to the industry to secure your ticket for £150 + VAT.

    Designers, architects, hoteliers and developers:
    Click here if you are either a designer, hotelier, developer or architect to secure your ticket for £20 + VAT.

    #TheBritListAwards2019

    Headline Partner: Crosswater

    Event Partner: Hamilton Litestat

    2019 Industry Partner: BIID

    Videography Partner: SYS Visual

    The Mandrake welcomes new artist in residence

    730 565 Hamish Kilburn
    The Mandrake welcomes new artist in residence

    London’s Mandrake Hotel will welcome celebrated photographer Haris Nukem from November 2 – 11 as he takes up residency in Studio 5 as part of the hotel’s Artist in Residence programme…

    The Mandrake, known for its exquisitely designed spaces, provocative and thought invoking art, designed the Artist in Residence programme to celebrate both emerging and established artists and performers.

    The hotel extends guests’ artistic interaction from merely viewing the artwork by providing a unique opportunity to interact with artists and witness the creative process. Guest are often part of the work itself, whether that be paintings, photography, tattoo or mural. By involving guests in this unique process, the hotel truly honours its ‘stay beyond yourself’ philosophy.

    The programme, designed to allow guests and visitors an up close and personal account of the creative process of creating art, has hosted big names including Mark Mahoney, Azzi Glasser, Danny Minnick, Peter John De Villiers, Zoobs and Thomas Hooper.

    Image caption/credit: Dopamine and Leadership Qualities by Haris Nukem

    During his residency, Nukem will be creating one photoshoot per day within The Mandrake, where guests are able to interact and engage with Nukem and the creative process. The hotel’s dedicated art space, Studio 5, will showcase a selection of Nukem’s art for guests to view.

    For an insight into Nukem’s residency, follow @mandrake_air to get behind the scenes access.

    Main image caption/credit: We Need Heroes by Haris Nukem

    Exploring Roca, Armani/Roca, Laufen and Cosmic’s new UK headquarters

    730 565 Hamish Kilburn
    Exploring Roca, Armani/Roca, Laufen and Cosmic’s new UK headquarters

    Editor Hamish Kilburn is invited up to Leicester where he is able to discover the treasures that lie within Roca Group’s new and improved UK headquarters…

    Some businesses would argue that, when reading that the country’s construction has fallen by 2.5 per cent from August to September, which is largely influenced by the unstable political landscape in the UK at the moment, now is not a wise time to invest in expanding UK assets.

    And then there are companies like Roca Group that would disagree entirely to the above statement. Claiming the title of market-leading bathroom manufacturer for more than 20 years, with more than 24,000 employees globally, Roca Group has recently opened a new and gleaming UK headquarters. Based on the outskirts of Leicester, the 145,000 sq-ft base, which also features one of the country’s largest bathroom showrooms, was the subject of my latest warehouse/factory tour.

    “Roca Group is all about the long-term goals,” Alan Dodds, the Managing Director of Roca Group UK, tells Hotel Designs. “Our products are inspired by materials. Therefore, research and design is paramount.”

    Peering over the interior balcony was the first time I grasped the sheer scale of Roca Group’s UK presence. The warehouse is colossal, complete with 12 dock level loading doors, two level access loading doors and 150 per cent more pallet locations than it sheltered in its previous UK base. “We had been at maximum capacity [in our old headquarters] for years,” adds Dodds. “And it’s refreshing, and it feels like the right time, to be able to bring all brands together under one roof.”

    Although the brands under Roca Group may capture a different segment of the market, the research and development team behind each product launched work in-house and operate across both Roca, Roca/Armani, Laufen and Cosmic equally. “It can take anything from six months to two years for a product to be developed and ready for the market,” explains Dodds. “We may not always be the first to launch new concepts, but we ensure that when we do, we are adding something different. Something that the consumers have demanded.”

    The latest shower toilets from Laufen are a solid example of this. Despite these W/Cs first being introduced in the ‘80s, the group has only recently launched them to the market, after investing time in careful and sensitive R&D. “We realised that consumers did not appreciate the chunkiness of this style of product originally, nor did they speak highly of the complicated and often unnecessary software when it comes to operating them,” said Richard Court, Laufen’s UK training manager. “Therefore, we launched our W/Cs to look discreet – like any other high-end toilet – and offer a one-button solution for operation that can, if preferred, also be adjusted by the remote.”

    In regards to showcasing the latest products on the market across all brands, the new showroom is one of the largest – and most impressive – bathroom showrooms in the UK. In true Roca Group fashion, the space has been dynamically designed to enhance each product’s value and unique selling points. It superbly compliments the group’s ethos to form ideas responsibly and with purpose.

    Often on the battlefield of bathroom manufacturers, one of the main challenges faced by bathroom manufacturers is differentiation. For Roca Group, each brand has its own position, aims and target market. However, all innovations are inspired by materials, form and function.

    Some of these materials used for sanitaryware from other manufacturers include china ceramic, titanium steel, and even cast-iron. However, in 2013, after half a decade of research and in true Swiss design style, Laufen launched a new material that became known as the world’s thinnest ceramic. “Sourcing SaphirKeramik was Laufen’s dining out card for some time,” explains Court. “It allows us to manufacture thin material without sacrificing on strength. It is still to this day the only material that can do so – and we are the only company that uses it.”

    The advantages of SaphirKeramik affect the availability of space. Put simply, less material is required without affecting the durability of the product. This could quite possible inspire future collections from Laufen that include smaller basins, for example, that would be impossible to recreate using any other material.

    In addition to the vast innovation, the brand’s bread and butter has always been valuable collaboration. In 1989/1990, Laufen introduced the first design collection developed with the Porsche Design Group with a press release headed “The bathroom that’s a PORSCHE”. Since then, the brand has partnered with renowned designers such as Patricia Urquiola, Roberto Palomba and Marcel Wanders to take the aesthetics of bathroom design to new heights.

    Next month at Sleep & Eat 2019 (stand L10), Laufen will unveil the result of its latest collaboration with Wanders. The New Classic collection interprets classical styles using Laufen’s SaphirKeramik to create soft, gentle feminine curves, alongside angular, masculine elements.

    Over in the Roca division of the showroom, while the brand is less focused on collaborations, there is one exceptional partnership that has been repositioned and readjusted under the spotlight recently following the brand announcing its second collection with fashion house Armani.

    Image credit: Roca/Armani

    Armani/Roca, as Giorgio Armani explains, “combines all the functional aspects of the bathroom space with elegance and subtly, providing an area that simultaneously provides comfort and wellbeing.” And the way in which the set has been curated within the new showroom with ‘that bath’ being taking centrestage, certainly does that bold statement justice. The latest products within the collection will also be showcased at Sleep & Eat on stand L20.

    “Each brand that is under the Roca Group umbrella is equally dedicated to stay within the confines of its own design lane.

    Adjacent to the Roca section within the showroom, the company displays yet another unique bathroom brand and style. Cosmic was created in 1985 and started by uniquely producing abstract bathroom accessories, such as the free-standing Saku collection. Designed by Ricard Ferrior, the products’ designs were inspired by plant forms which grow and evolve.

    The brand has recently expanded its offering, taking its inspiration from the rise in demand for industrial bathrooms, and included furniture, basins and a new range of lighting and mirrors. The Grid, also designed by Ferrer, is an excellent example of something different to launch in the bathroom furniture market. The parallel lines which frame the objects have been specifically designed for an architecturally engineered bathroom, something that neither Laufen nor Roca would compete to achieve.

    Image credit: Cosmic

    Considering how heavily congested the bathroom manufacturing market is, Roca Group seems to be able to jockey for position and noise within the market place effortlessly. “Roca keeps life very simple, allowing the products’ innovative qualities do the talking,” Dodds concludes. “But if you launch good products, present them in the right way, and have a good team, you will be heard regardless how busy the market place is.”

    Following my insightful trip to the group’s new UK Headquarters, one thing has become more apparent: each brand that is under the Roca Group umbrella is equally dedicated to stay within the confines of its own design lane. While all brands are inspired by outside influences and research, each and every decision is carefully considered to keep all brands at the forefront of the bathroom manufacturing market. Operating in 170 markets in all corners of the world, Roca Group’s long-term thinking has resulted in the launch of unconventional bathroom solutions for all designers.

    Roca and Laufen are both recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, email Katy Phillips by clicking here.

    Main image credit: Roca Group

    Duravit wins five Iconic Awards in the “Innovative Architecture” category

    730 565 Hamish Kilburn
    Duravit wins five Iconic Awards in the “Innovative Architecture” category

    Visionary architecture, forward-looking products and sustainable communication: this year the Iconic Awards, the international design and architecture competition, awarded Duravit with five awards in the ‘Innovative Architecture’ category…

    Duravit walked away from the Iconic Awards with wins for both new and enhanced product lines as well as its booth concept at the ISH, the world’s leading trade fair for HVAC and water, in Frankfurt.

    Duravit and Philippe Starck can count themselves among best of the best thanks to the new SensoWash Starck f product. The innovative shower-toilet earned the “Best of Best” award for the most innovative product. It was marked out by the fact that it can be individually configured via an app, laying the foundation for a new generation of shower-toilets. The flat seat and the white cover located behind it form a flush-mounted unit that combines contemporary design and comfort-enhancing technology.

    Image credit: Duravit

    Philippe Starck is also behind the new “Starck T”accessory range for Duravit, one of the winners in the Product subcategory. The stand-out design feature of this range is its geometric T shape: 16 elements in classic chrome or stylish Black Matt add the finishing touch to the modern bathroom.

    Only recently introduced and already winning awards: in addition to “Starck T”, the new Viu/XViu series from sieger design stood out in the Product subcategory. Organic shapes and precise geometric contours combine to produce a harmonious whole. From matt lacquers to wood finishes, the new surface combinations provide diverse options in the bathroom. Striking V-shaped metal profiles in Champagne Matt or Black Matt forge the characteristic, avant-gardist look of the c-bonded metal consoles, washing areas with vanity unit, mirror, mirrored cabinets, and free-standing bathtub. 

    The new D.1 faucet line from Duravit in collaboration with Matteo Thun and Antonio Rodriguez brings a hi-tech flourish to the washbasin. With clear contours and finely galvanized surfaces in Chrome or Black Matt, D.1 sets an unmistakably unique statement in the bathroom. This is underscored by the Iconic Award for the range. The circular operating button on the D.1e electronic version similarly takes up the clear formal language of the cylinder on the faucet body.

    These new Duravit products were presented at the ISH, the world’s leading trade fair for HVAC and water, in Frankfurt. A space of 1,100 square meters was given over to informative product experiences. This enabled, for instance, the products to be showcased in a range of room ambiences befitting the different series – which ultimately won over the Iconic Awards jury. The innovative booth concept was awarded a prize in the Architecture subcategory.

    Duravit is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

    Main image credit: Duravit

    Anantara to make its debut in Ireland

    730 565 Hamish Kilburn
    Anantara to make its debut in Ireland

    By rebranding The Marker Hotel in Dublin, Anantara will open the brand’s first urban hotel in Europe…

    Anantara Hotels, Resorts & Spas will make its debut in the upcoming months in Ireland with the rebranding of The Marker Hotel in Dublin, one of the Irish capital’s most modern and luxurious buildings. The addition of the property in Dublin will represent the expansion of the luxury brand’s footprint into northwest Europe for the first time and also the first urban Anantara hotel in Europe.

    The hotel is located in the Docklands, one of the most attractive and dynamic areas of the Irish capital, in the heart of Silicon Docks, a nod to Silicon Valley on account of the high concentration of multinational high-tech companies located in the area. Close to the International Financial Services Centre (IFSC) and the Bord Gáis Energy Theatre, the hotel is a perfect cultural and business epicentre for travellers’ keen to experience Ireland’s famous hospitality at its best. The Marker is the only five-star hotel in the area, which has recently emerged as one of the most vibrant and modern parts of the city for living, working and socialising.

    Image credit: Anantara

    Owned by Deka Immobilien, one of Europe’s leading real estate investment managers, and a member of Leading Hotels of the World, The Marker Hotel has a futuristic design and style and offers 187 contemporary guestrooms over six floors (166 deluxe rooms, 18 executive rooms and three suites) plus eight state-of-the-art event and meeting facilities.

    Image caption/credit: The Marker Hotel Dublin: Corner Suite/Anantara

    Services such as an award-winning spa, named Irish Tatler Dublin Spa of the year several times, and stylish rooftop terrace with stunning panoramic 360º views and the restaurant La Brasserie, recently named Best Hotel Restaurant in Dublin by the Restaurant Association of Ireland (RAI), are part of the experience of The Marker Hotel.

    “We are thrilled to announce the expansion of our luxury Anantara brand into northwest Europe in the fair city of Dublin,” commented Dillip Rajakarier, CEO of Minor Hotels, parent company of Anantara Hotels, Resorts & Spas. “The Marker Hotel is already known as one of the city’s leading hotels and bringing the reputation and luxury touch points of Anantara to the property will further elevate the guest experience.”

    In the surrounding area visitors to the city can enjoy a walk through the culture and heritage of the Docklands, which dates back to the eighteenth century, a wide range of options for foodie travellers, including extravagant cafés and high-end restaurants, shopping on nearby Grafton Street, boat rides along the river and in Dublin Bay or sporting activities from a relaxing yoga class to watching a game of Gaelic football at renowned Croke Park.

    “This agreement will enable us to bring a truly different value proposition to the Irish market for the first time,” comments Ramón Aragonés, CEO of NH Hotel Group, operators of Anantara in Europe, under the guidance and brand oversight of Minor Hotels. “The Anantara brand will connect travellers with genuine experiences in a privileged location in the city of Dublin.”

    The Dublin hotel will be the third Anantara in Europe, joining Anantara Vilamoura Algarve Resort in Portugal and the Anantara Villa Padierna Palace in Marbella, Spain.

    Main image credit: Anantara

    The world’s first guitar-shaped hotel arrives in Florida

    730 565 Hamish Kilburn
    The world’s first guitar-shaped hotel arrives in Florida

    Located in the prime spot in Greater Fort Lauderdale, Seminole Hard Rock Hotel, which is the world’s first ever guitar-shaped hotel, has opened following a $1.5 billion property-wide expansion…

    Seminole Hard Rock Hotel has made history this week, becoming the first ever guitar-shaped hotel to have opened. The 638 new luxury guestrooms and suites and an oasis tower housing 168 guest suites all sit within the now iconic structure of the hotel.

    Known as an icon for hospitality and entertainment, The Seminole Hard Rock will also be introducing it’s flagship casino which has doubled in size. The casino will include high-stakes table games, South Florida’s premier poker room and an extensive roster of slot titles.

    Guests can now enjoy a 4.5-acre lagoon-style heated pool area featuring dramatic waterfalls, private cabanas, 182-foot high waterslide, elevated jetted spa, hot tub and Beach Club. There are a plethora of restaurants within the hotel, and a luxury spa.

    The hotel group this year also made its entry into the UK with the opening of Hard Rock London as well as shaking this up in the Maldives.

    Main image credit: Hard Rock Hotels

    Editor Checks In: The new luxury for AW/19 and beyond

    730 565 Hamish Kilburn
    Editor Checks In: The new luxury for AW/19 and beyond

    Following an enlightening month at the helm of the editorial desk, Hamish Kilburn pauses for just a moment on whether or not consciousness is the new luxury in design, architecture and hospitality…

    Am I accurate in saying that a few years working on the international hotel design scene can often feel like a lifetime of achievement? So much seems to happen in such a short period of time.

    Within what feels like a blink of an eye, sketches of projects have become the jewels of populated skylines, while juniors have evolved into directors of studios. Meanwhile, topics we have discussed in the specialist press for decades, such as sustainability and designing with purpose, have finally hit the headlines of the mainstream media to leave whole cities and populations petrified about their future.

    I so vividly remember my first ever trade show in this colourful industry. I was a 22-year-old, fresh-out-of-university features editor. You could spot me in the crowd from a mile away, complete with a three-piece suit, polished black shoes and new glasses to match. I may as well have just worn a sign with the word ‘noob’ printed in permanent ink.

    I scurried towards my pre-booked seat to catch an insightful on-stage Q&A with Martin Brudnizki, who had at the time just completed the extensive renovation of The Ivy in Soho, London. Whether I was shy or just inexperienced (or quite possibly both), I was not a fan of audience participation back then, at least not if it involved speaking up myself. I would rather leave a question burning within my chest than all eyes in the audience potentially focusing on me.

    How things have changed, and thank the high heavens they have too. This month was full of minor milestones for both myself and Hotel Designs, which as a result has made my former self a mere shadow of the editor I feel proud to have become.

    Firstly, in an interview to understand what the designer has achieved since becoming The Brit List 2018’s Interior Designer of the Year, I was finally able to put my questions to Brudnizki. I visited the celebrated designer in his Chelsea studio just a few months ahead of this year’s ceremony, which takes place on November 21 at Patch East London.

    In addition to the award-winning designer unknowingly becoming our poster boy for this year’s awards, I also held the microphone to host the headline panel discussion at the Independent Hotel Show London 2019: The Conscious Bedroom Report. And although this was my fifth time hosting an on-stage session, it was – in many ways – the most significant of them all. For starters, the subject area that was restrained under the spotlight, sustainability and thinking consciously, was one of huge relevance. And also, my panel made up of Alex Harris from Harris + Harris London, Olivia Richli from Heckfield Place, Sue Williams from Whatley Manor and Xenia zu Hohenlohe from Considerate Group made the whole experience seamless and the topic easy to digest.

    “Unmistakably, business owners from up and down the country were, in a way, pledging that they would do more to make a difference.”

    “Let’s have a show of hands,” I said to the overflowing audience as I ignored entirely what my 22-year-old self would be thinking. “Who here is a hotel owner/operator and truly believes that they could do more to be sustainably and socially more conscious?”

    One by one, hands raised and remained firm in the air. It was a moment. Unmistakably, business owners from up and down the country were, in a way, pledging that they would do more to make a difference. Admittedly, this was after hitting them hard with the statistic that 76 per cent of guests believe that hotels could be greener while 72 per cent hope a hotel can provide local produce. I am not a gambling man, but if I was I would bet for the same overwhelming result if we were to put forward the mini yet mighty experiment on our readers – the designers, hoteliers, architects, suppliers, procurement managers, and design and architecture enthusiasts from far and wide. If the session was anything to go by, we can all do more to become more thoughtful in our actions on this global stage.

    “My conclusion for the audience at the show was to not think about sustainability with red tape around it.”

    So where do we go from here? Things are changing. In April 2020, just five months from now, plastic cotton buds, drinks stirrers and straws will be banned in England. This is very much a ‘today’ problem, and in order to keep ahead of the game, all individuals operating within this market need to consider the issues we will face tomorrow instead. I’m talking about food wastage, using upcycled materials in design and eliminating the ingredients for greenwashing. My conclusion for the audience at the show was to not think about sustainability with red tape around it, but to instead brainstorm new and innovative ways to add organic, conscious personality into your hotel or service.

    One of our breakfast planning meeting to establish and define the theme for this year’s show was sheltered inside the extremely quirky and sustainable Artist Residence London. I was inspired and captivated to hear about some of the initiatives that were already happening in a handful of the UK’s leading independent hotels; how they were tackling the war on food wastage, going paperless and spending hours scrolling through search engines for second-hand furniture pieces. But it was Julio Margues, the General Manager of London Bridge Hotel who, for me, hit the nail clean on the head. “My vegetable patch has a great view of The Shard,” he said casually. And that’s the point. Hoteliers, designers and architects should not boast about being sustainable in their day-to-day decisions, which in my opinion should naturally be a common value shared by all. But they should highlight the minor and quirky – somewhat personal – details that set them aside from others.

    I leave you with an open question to sign off October 2019, a period of my editorship I will struggle to forget (for all the right reasons). In an industry and era where and when trends are becoming more and more obsolete, could consciousness become the new luxury?

    Editor, Hotel Designs

    Logistical challenges you don’t hear about when installing art in hotels globally

    730 565 Hamish Kilburn
    Logistical challenges you don’t hear about when installing art in hotels globally

    Kickstarting our time putting Art under the editorial spotlight, Giles Bristow, fine art and logistics specialist at Momentous, lifts the lid on some of the issues you don’t hear about when installing art in hotels…  

    Just like every art collection, art installed in hotels is unique. Art comes in all shapes, sizes and mediums. From one-of-a-kind drawings, oil on canvas and complex works, audio-visual, large sculptures or hanging installations.

    Especially since the rise of using ‘art outside the frame’ in an interior design scheme, designers, architects and hoteliers are also thinking outside the box to come up with new ways to inject personality within their hotel. Therefore, the install process, which often looks on the outside to run seamlessly, also has to be personalised for the project as well as the building that will shelter it and the works themselves. With the aim to dig beneath the surface on what it actually takes to logistically transport and install art, here are some of the common challenges.

    We are commonly required to incorporate the installation of fine art into the hotel logistics and installation programmes we manage for our clients. In these cases, we engage our fine art team who work in close coordination with our FF&E logistics team. Fine art installation requires a unique set of skills, especially when artworks, by their nature are irreplaceable, so having the relevant technicians who understand the medium and the works are able to define the correct techniques and employ these in the art logistics and installation processes is critical to success.

    Starting early

    Installing art is not like any other part of the project. You are installing unique and one of a kind pieces so there is a lot more that goes into the logistics planning, specifically in the early stages of the project.

    The installation is critical but there are many specialist logistical aspects that must be worked through before the artworks are ready for installation.

    Image credit: Matetsi Victoria Falls. Each suite includes an abstract art piece that when put together forms a map off the safari reserve the hotel sits on.

    “In every case, we work directly with the artist to fully understand the works and define the best form of preservation.”

    Where is your artwork coming from?

    We generally work in consultation with the party who has commissioned the work, for example the interior designer, curator and the artist. This means that there will be production times and arrangements that we need preparation to be made prior to collection, coordinating transportation, bringing into storage and inventory control. Preparing the works for transportation is key. Many large pieces will require crating which we organise in coordination with the artist making these according to a specific specification set by our technicians. In every case, we work directly with the artist to fully understand the works and define the best form of preservation. If works are being procured, or even on loan, we would normally work with the gallery or collector to arrange for the packing, crating and handling. You need to ensure that your art is protected so it arrives on location in optimum condition. We would normally provide a detailed condition report of the items before packing and transporting.

    Transportation

    Momentous has transported artwork from overseas galleries, historic pieces and enormous sculptures. In each case, we have to consider the most effective method of transport. Moving art within the UK or across Europe will invariably be by road but it is not the case that it can go on a standard vehicle, it needs a specialist fine art vehicle. Roads often suffer from potholes and city centres have speed control bumps. This means art needs to be transported on trucks with sufficient air-ride suspension and have the necessary anchoring in place to avoid damage, there may also be a need for climate-controlled transportation although this is less common for art installed in a hotel. Even with the best packing and crating methods it is still easy to sustain damage if the wrong transportation method is used.

    We also transport artwork internationally, importing unique items for a project from overseas. In these circumstances, managing the customs process becomes critical as there are materials and items that are subject to restrictions and there can be complicated customs and tax requirements attached which we deal with as part of the process of arranging the international shipment by air and sea. I would always recommend consulting with a specialist international art shipping expert to check you have everything covered and don’t get stuck.

    Condition reporting, storage and inventory management

    Your artworks will be brought in to be held in storage until they are ready for distribution to site and installation. This may require specialist storage with racking and additional security standards to the rest of your FF&E inventory.

    Individual artworks would be expected to have a condition report before being packed and moved. The best form of condition reporting is electronic, with photographic evidence and detailed notes that can be referenced. Condition reports are one of the main aspects regarding administration of artwork, this process can be carried out several times during a project from the original collection point, to delivery into our warehouse and to the installation point.

    Storage options will need to be assessed as different types of artwork require different types of storage for example temperature controlled, oversized items, heavy sculptures that require bespoke pallets, travel frames and crates.

    Image credit: Silo Hotel, Cape Town

    “When it comes to the point of installation, having someone on the project who understands your vision and the nature of the artwork is going to make a big difference.”

    Understand the medium and space

    When it comes to the point of installation, having someone on the project who understands your vision and the nature of the artwork is going to make a big difference. Understanding the materials and the mediums of the works will ensure that the installation process is smooth, and the artwork is displayed to make a maximum impact. Our art technicians will advise on the use of light and any potential environmental factors that could damage the works such as excessive heat, light or moisture. An experienced technician will understand the requirements of the artworks and the space and advise on every aspect to define the best way to install the works and fulfil your project plan.

    Specialist technicians, qualifications and equipment

    Your project manager will select the best team of Art Technicians to support your project specification and the work package requirements. Some projects also require technicians to have CSCS cards and attend site inductions prior to starting work on site. Technicians will follow the floor plans and the work package that has been agreed by both the project management team and designer.

    Certain types of lifting equipment can be required during the installation, for example we use external elevators, cranes, genie lifts, gantry’s and scissor tables. Your project manager would discuss these with you in consultation with the technician.

    Considerations when delivering to site

    Your logistics project manager will ensure coordination of storage and transport services based on the requirements of your overall project plan. If your installation is phased, then specific items will be selected according to a pick list, then prepared, packed and consolidated as a consignment ready for transport and delivery. They will also need to prepare all the necessary documentation and customs preparations if this is an international delivery.

    At location, many hotels, especially in city locations, have access limitations that require assessing early in the project. This should be conducted by your accredited logistics specialist. Risks will need to be assessed expertly, especially taking into account health and safety measures needed to prevent damage to people and the site.

    Your project manager will need to define route plans of your site from delivery point to installation point. These need to be checked daily as working hotels can be very busy which can sometimes lead to routes being obstructed.

    Always factor for noise levels too. If you have guests or local residents, then noise cancelling measures need to be taken. We also carry out work during weekends or evenings depending on the needs of the project.

    On-site installation

    All works will be installed as per the project plan set out by the designers, curator and project management team in coordination with the art technicians. A pre-installation survey will check both access and type of material that the works will be installed against. A risk assessment and method of works are often provided depending on the project specification.

    The type of surface that the artwork will be displayed on or fixed to will define the type of tools and equipment that will need to be used.  For example, drilling into marble must be handled differently to drilling into materials such as panelled or plaster walls, carpet walls, wallpapered areas and wooden walls.

    The type of surface on which the art is being displayed or being hung from should be able to sustain the mass of the artwork. Weight and pull test certificates must be provided for any hanging works or pieces that are considered heavy. We must also consider the age of the building looking if and where required do we need to have asbestos certifications for health and safety reasons.

    As your artworks tend to be displayed in locations that are in reach of guests, then health and safety is going to be high on the list and may also want to consider that your artwork is valuable too. Therefore, fixings must be considered. Your project manager and technician should advise on the safety of fixings and special security fittings. They will also provide written method statements where construction and build are involved.

    If you are installing artwork, then it is recommended that the installation is conducted by art technicians. The level of experience and skills required will be defined by the medium, size, weight and complexity of the items you require installing and the space you are installing them in; height, access, safety requirements, risks, access and others. Ensuring you have the right skills on-site and a logistics project manager who understands art installation and is able to engage technicians with the correct level of experience will help a great deal.

    After all the artworks are installed, the crew will complete an internal snagging report for your team to sign off. They will be able to accommodate and advise on any adaptations that you request.

    Anything else?

    Bringing fine art into your project opens a whole new range of creative possibilities. Unique works can enrich the customer experience and differentiate your residence from the market.

    If you are incorporating art, you are also investing in and creating a collection. You should ensure your works are insured from the point they are collected. Depending on the works, you may need to have valuations, you will also want to ensure you have an updated inventory of what you have on display as well as those you have in storage.

    About Momentous

    Momentous provides specialist logistics solutions for interior design, events and fine art installations.

    1. FF&E logistics for interior design and hotels
    2. Event and tour logistics for the performing arts
    3. Fine art logistics and installations

    Having all these services available through Momentous, means that we can support you with all your specialist packing, crating, condition reporting, storage, consolidation, FF&E inventory management, shipping and installation requirements.

    Visit the website for more information

    Main image credit: Paradiso Ibiza Art Hotel

    Roca takes home gold at Designer Kitchen & Bathroom awards

    730 565 Hamish Kilburn
    Roca takes home gold at Designer Kitchen & Bathroom awards

    Global bathroom manufacturer, Roca is thrilled to announce winning the gold award in the ‘Innovation in Bathroom Product Design’ category at the 2019 Designer Kitchen & Bathroom Awards for its forward-thinking Beyond Colours collection…

    The hugely popular awards are designed to celebrate residential kitchen & bathroom design projects and products from across the world and took place at the De Vere Grand Connaught Rooms in London on October 10.

    Roca won gold in 2018 for the Beyond collection and this year has been celebrated again for its state-of-the-art manufacturing techniques embedded in the new Beyond Colours collection.

    Claire Gay Marketing Manager at Roca, comments, “We are delighted that Beyond Colours has won gold in the Bathroom Product Design category. A lot of research went into designing and manufacturing this collection, for instance, the enamel formulation needed to be exactly right to ensure there were no colour variations within the collection. This award is fantastic for the team as it recognises the dedication and high level of design.”

    The new Beyond colour finishes for vitreous china include Beige, Coffee, Pearl, Onyx and Matt White. These options provide a new level of design and creativity to suit the imagination of Roca’s customers. The Beyond collection includes WC’s, basins, furniture and baths all manufactured from Roca’s latest and most sophisticated materials including FINECERAMIC, which is a high-quality ceramic material that facilitates precision and sophisticated design details previously not possible, with the added benefits of being 40 per cent lighter and 30 per cent more resistant to abrasives than conventional basins. SURFEX is a malleable solid surface material formulated from a combination of minerals and resins, allowing for the creation of shapes that were unthinkable until now.

    Roca are one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, email Katy Phillips by clicking here.

    Main image credit: Roca

    Kempinski opens second luxury hotel in the Americas

    730 565 Hamish Kilburn
    Kempinski opens second luxury hotel in the Americas

    Cabrits Resort & Spa Kempinski has opened, marking the brand’s debut in Dominica ahead of global expansion… 

    Nestled in Douglas Bay on the northwest side of the island of Dominica, the unparalleled luxury destination which now features Cabrits Resort & Spa Kempinski blends harmoniously the Caribbean hospitality with timeless European elegance of Kempinski.

    “Cabrits Resort & Spa Kempinski Dominica is an important addition to Kempinski fast-growing portfolio of iconic and luxurious hotels in the Caribbean, and further emphasizes our development strategy in the region,” said Martin R. Smura, Chairman of the Management Board and Chief Executive Officer of Kempinski Hotels S.A. “The beachfront hideaway is the perfect destination for luxury travellers looking for a different kind of resort experience in deep connection with nature, and combines the best of Kempinski European service with a keen respect for Dominica culture and traditions.”

    Commenting on the opening, Michael Schoonewagen, General Manager, Cabrits Resort & Spa Kempinski Dominica says: “We are excited to bring Kempinski rich heritage of impeccable personal service and incomparable hospitality to Dominica. Cabrits Resort & Spa Kempinski Dominica is the celebration of the destination’s pristine, untouched landscape and Kempinski European refinement. We look forward to welcoming all guests to experience this new pinnacle of luxury in the Caribbean.”

    “Dominica is the land of a variety of flora and fauna, including many rare plants, animals and bird species.”

    Found between Guadeloupe and Martinique, the lush, unspoiled island of Dominica is the Caribbean’s hidden gem. Unexposed to mass tourism, the island attracts both eco-adventurers and those simply wishing to disconnect from everyday life. Surrounded by Cabrits National Park, Cabrits Resort & Spa Kempinski Dominica has been designed to preserve the natural balance between land and the sea, whilst ensuring a modern contemporary guest experience.

    Dominica is the land of a variety of flora and fauna, including many rare plants, animals and bird species. The island is protected by an extensive natural park system that encompasses three national parks, two forest reserves and the Syndicate Parrot Reserve. Adventure seekers can enjoy eco-trekking on countless hiking trails, bird watching or simply observing wildlife in their natural surroundings.

    All of the resort’s 151 luxuriously appointed guestrooms and suites are generously proportioned and guarantee exceptional mountain or ocean views. From deluxe and superior rooms to spacious suites and two-bedroom duplexes, as well as villas, each is inspired by the island’s natural beauty and features a soothing palette of coastal colours, detailed wood accents and ample natural lighting, bringing the beauty of the outdoors in.

    Rooms are equipped with every modern convenience that a guest might need including flat-screen televisions and complimentary WiFi service to in-room espresso machines and luxurious bath amenities.

    For the ultimate Cabrits experience, the 426 sq m Presidential Villa features stunning ocean views, dedicated butler service, a private lobby entrance, two bedrooms, two and a half bathrooms, a dining room, a private spa room with sauna and a large, oversized terrace for outdoor dining, complete with a grill and private pool. A private chef is also available upon request.

    The selection of culinary treasures at Cabrits Resort & Spa Kempinski has been carefully thought out to give all the senses a feast. The resort is a culinary destination featuring both local and international cuisine as well as “farm-to-table” and “sea-to-table” dining.

    The hotel group currently operates 79 five-star hotels and residences in 34 countries, and has plans to add new properties in Europe, the Middle East, Africa, Asia and the Americas.

    Main image credit: Kempinski Hotels

    Permission submitted to integrate 400,000 plants within façade of new London hotel

    730 565 Hamish Kilburn
    Permission submitted to integrate 400,000 plants within façade of new London hotel

    Set to radically change the city’s landscape and add to its eco hotel offering, hotel developer Dominvs Group and architecture firm Sheppard Robson have submitted permission for a living wall to be the façade of a new London hotel, with the aim to absorb more than eight tonnes of the city’s gaseous pollution each year… 

    Following Hotel Designs publishing the results of a new study that showed that 76 per cent of guests believed that hotels could be greener, the architecture firm of a new development in London has submitted planning permission to include 40,000ft² as part of its exterior shell.

    The hospitality-led, mixed-use project designed by Sheppard Robson for Dominvs Group is characterised by one of the largest green walls in the world, creating a distinctive architectural addition to a gateway City site, while absorbing eight tonnes of pollution annually and setting the standard for urban greening in London.

    Radical plans have been submitted to the City of London to create a 382-key five-star hotel, featuring the vertical landscaping, as well as 40,000ft2 of workspace, a sky-bar on the tenth floor, meeting and events space, spa and ground level restaurant and co-working space. Situated on a prominent site on Holborn Viaduct at the gateway of what will be the City’s “Cultural Mile,” the proposed building creates an opportunity to broadcast fresh ideas about how the built environment can address pertinent issues such as air quality, climate change and air pollution.

    “Dominvs Group is incredibly proud of our proposals for 61-65 Holborn Viaduct which aim to play a major role in the regeneration of the Smithfield area,” said Jay Ahluwalia, Director of Dominvs Group. “With the City of London’s vision for the area and the creation of the Culture Mile, we feel this project will support and enhance the overall ambition for this exciting, new cultural destination as the creative heart of the Square Mile.”

    “The wall will also significantly contribute towards improving local air quality, by trapping approximately 500kg of particulate matter (PM2.5 and PM10) per year.”

    Coming after our successful opening of The Dixon at Tower Bridge and the recent breaking of ground at Creed Court, St Pauls we hope our proposals demonstrate our ongoing commitment to providing developments of the highest quality in Central London. We also believe the building’s proposed Living Green Wall, the largest in Europe, could be an exciting, innovative and celebrated addition to London for years to come.”

    By integrating 40,000 square feet of living wall within the façade, the building is projected to annually capture more than eight tonnes of carbon, produce six tonnes of oxygen, and lower the local temperature by three to five degrees Celsius. The wall will also significantly contribute towards improving local air quality, by trapping approximately 500kg of particulate matter (PM2.5 and PM10) per year.

    The project engages with the Urban Greening Policy set out in the GLA’s draft New London Plan, incorporating strategies to encourage more and better urban greening, while adopting measures for an ‘Urban Greening Factor.’ The projected Urban Greening Factor score of 1.37 exceeds requirements by 45 times and has the highest greening score in Greater London.

    The development also includes new public green space, with the roof-top viewing gallery on the eleventh floor open to the public and featuring incredible views overlooking St. Paul’s Cathedral, the Grade I listed Holy Sepulchre, and over the city beyond. At roof level, the greenery continues to wrap around the building, with spaces designed for threatened native wildflower species to flourish.

    Dan Burr, Partner at Sheppard Robson, said: “On a site that is so prominent, there was a real drive to inject some fresh perspectives on how to grapple with some on London’s most urgent environmental issues, including air quality and noise and dust pollution. Rather than having an isolated patch of greenery, we felt that an immersive and integrated approach would have the biggest impact on the local environmental conditions and making a better and more liveable city, as well as articulating a clear architectural statement.”

    Hotel Designs will be exploring the topic of sustainability all next month. If you have story for the editorial team, please email editor Hamish Kilburn. 

    Main image credit: Sheppard Robson

    One month until The Brit List Awards 2019

    730 565 Hamish Kilburn
    One month until The Brit List Awards 2019

    Calling all hotel designers, architects, hoteliers, developers and suppliers: Tickets are selling out fast for The Brit List Awards 2019, which is just one month away… 

    There is just one month to go until Hotel Designs announces the winners of The Brit List 2019. The awards, which will be sheltered at Patch East London on November 21, is the climax of the publication’s nationwide search to find the UK’s top interior designers, architects, hoteliers and suppliers.

    Supplier tickets (£150 + VAT) can be purchased here.
    Delegate tickets (£20 + VAT) can be purchased here.

    Among the leading designers who have already confirmed are design directors and principals from Richmond International, Project Orange, Sibley Grove, Harriet Forde Design, Harris + Harris, RPW Design, Scott Brownrigg, David Collins Studio and IHG.

    In regards to architects attending The Brit List Awards 2019, Hotel Designs will welcome associates and directors from the likes of Zaha Hadid Architects, WATG, Jestico + Whiles, Holland Harvey Architects, EPR Architects and Dexter Moren Associates.

    Hoteliers confirmed to attend the annual awards ceremony include, among others, Heckfield Place, Good Hotel London, Limewood Group and Homegrown Hotels, Rosewood London, Cliveden House, The Athenaeum Hotel & Residences London, The Dixon, Bespoke Hotels, Great Scotland Yard Hotel, Eccleston Square, Inhabit London and Hotel Gotham.

    The nationwide search to find the most influential designers, architects and hoteliers operating in Britain began months ago when Hotel Designs opened up nominations and applications to readers.

    Since then, an independent panel of expert judges have gathered to select this year’s individual award winners and also to confirm the 75 individuals who have made it into The Brit List 2019.

    How to attend

    Suppliers:
    Click here if you are a supplier to the industry to secure your ticket for £150 + VAT.

    Designers, architects, hoteliers and developers:
    Click here if you are either a designer, hotelier, developer or architect to secure your ticket for £20 + VAT.

    If you would like to discuss various sponsorship packages available, please contact Katy Phillips via email, or call 01992 374050.

    #TheBritListAwards2019

    Headline Partner: Crosswater

    Event Partner: Hamilton Litestat

    2019 Industry Partner: BIID

    GROHE to showcase ground-breaking 3D printing concept at Sleep & Eat 2019

    730 565 Hamish Kilburn
    GROHE to showcase ground-breaking 3D printing concept at Sleep & Eat 2019

    GROHE will return to the Sleep & Eat 2019 exhibition for its 14th year in November, delivering continued commitment to the hospitality sector with new product innovations…

    GROHE will showcase its most eclectic and diverse product offering yet including the ICON 3D which has received international recognition since its launch in March 2019.

    This will be the first time the 3D printing concept will be on display in the UK, having already received multiple award-nominations including the Blueprint Awards 2019, plus specification in exciting European projects such as the new Under restaurant in Norway.

    With the launch of another ceramics collection earlier this year, GROHE will use Europe’s leadinghospitality design event to cement its status as a complete supplier of coordinated bathroom fittings offering a seamless and hassle-free way of working with specifiers in the hospitality sector.

    “This is an exciting time for GROHE as we mark our evolution from a sanitaryware brand to an all- encompassing bathroom brand that can offer hoteliers and specifiers a complete and coordinated design from one single, world-recognised supplier,” said Raj Mistry, Marketing Director at GROHE UK. “Sleep & Eat is a key event for us and one which has helped us to build very strong industry contacts over the years. As its founding partner in 2005 we continue to push the boundaries of innovation at the show.”

    GROHE will once again have fantastic placement and visibility within the exhibition space and its carefully curated stand can be found at M50. The stand will include new launches first seen at ISH 2019 earlier this year in Frankfurt, many of which will be showcased in the UK for the first time at the event.

    GROHE are one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, email Katy Phillips by clicking here.

    Main image credit: GROHE

    Aparthotel growth outpacing UK hotel market

    730 565 Hamish Kilburn
    Aparthotel growth outpacing UK hotel market

    Serviced apartments and aparthotels are the fastest growing segment of the UK’s hospitality accommodation market, according to new research by commercial property consultancy Lambert Smith Hampton (LSH)…

    LSH’s latest hotel market research Va Va Vroom! reports that the serviced apartment sector, which includes aparthotels, currently represents just 3% of the total hospitality accommodation in the UK, a significantly lower level than in many international markets.

    In the US, the sector takes a 9% market share, the report says, suggesting that there is considerable room for growth in the UK.  Reflecting this potential, the sector is now expanding at an accelerated rate, with approximately 6,000 new units scheduled to open over the next two years – making up around 13% of the UK’s total active pipeline.

    While serviced apartments have historically been targeted at single travellers on long stays, Va Va Vroom! highlights that the sector is now appealing to a much broader customer base, with aparthotels increasingly popular for short-term stays.  Newer aparthotel concepts are tapping into the changing consumer demands of the Airbnb era, it says, by providing flexible accommodation that offers more of a ‘home-from-home’ experience.

    Innovative formats are also blurring the distinctions between serviced apartments, aparthotels and traditional hotels, it reports, with operators such as Native, Locke and Roomzzz developing increasingly stylish, design-led products.  Ideas from the co-working sector are also being introduced to create home-office hybrids.  While London has historically been the main focus for operators, key target markets for aparthotel operators now include regional centres such as Manchester, Glasgow and Liverpool.

    “The aparthotel sector is currently one of the most exciting parts of the market,” said Simon Stevens, LSH Hotels Director. “While the rise of the Airbnb sector is sometimes viewed as a threat to more traditional types of accommodation, it is actually benefiting aparthotels by making consumers more receptive to alternatives to conventional hotels.

    “With new brands being launched and established operators reinventing their products, serviced apartments and aparthotels will continue to innovate and grow. The sector will remain a melting pot for new ideas; borrowing from alternative concepts such as co-living and co-working to create inventive new hybrids.”

    Main image credit: Accor/Adagio

    Conran and Partners designs spin on flexible working spaces

    730 565 Hamish Kilburn
    Conran and Partners designs spin on flexible working spaces

    Design firm Conran and Partners has completed new flexible working spaces within the lobby that are sheltered inside Crowne Plaza Paris – République…

    Conran and Partners has completed a significant redesign of the lobby spaces at Crowne Plaza Paris – République. The launch marks the first step in a wider roll-out of a new concept-design blueprint for the brand in Europe, aiming to deliver a distinctive guest experience globally.

    The lobby has been reinvigorated as the brand’s exible work and meeting concept, ‘Plaza Workspace.’ This contemporary hub was developed to meet the changing needs of modern business travellers seeking more comfortable public and semi-public spaces in which to work and relax. Regarded as the largest design innovation in the brand’s history, Crowne Plaza Paris – République is the first hotel to launch the Plaza Workspace in Europe.

    Throughout Plaza Workspace there is an abundance of tech savvy elements: tables feature integrated wireless phone chargers and high-speed Wi-Fi is available to address the growing trend in flexible work and life preferences and people’s desire to work from anywhere. Plaza Workspace also includes The Studio, a bookable-by-the-hour meeting space to cater for private meetings and events, complete with its own bar counter and break-out lounge seating. The studio’s design maximises the flow of guests through the spaces, allowing them to transition seamlessly between work and down time.

    The former main entrance of the hotel has been relocated from the Place de la République to one side of the building, giving the arrival experience a more private feel with access via a courtyard in the style of a traditional Parisian apartment block. The signature bar is now in a more prominent position closer to the outside terrace, which runs along the hotel’s principal façade.

    In contrast to a conventional arrival experience, guests are initially welcomed by a centrally-located monument wall. This wall – referencing the original Haussmann-era architecture of the area – serves to orientate the guest, dividing the space between the ‘plaza’ (the informal and relaxed bar spaces) and the ‘gallerie’ (the refined and elegant recep on and studio spaces). Among the book selection adorning the shelves of the lounge and Plaza Workspace are titles on Haussmann’s contribution to the remodelling of Paris.

    Conran and Partners have also completed the design of the European adaptation of the ‘WorkLife’ concept guestroom, a design patented in the United States, which will serve as the basis for the wider redesign of rooms and other non-public facing areas of the hotel in the future.

    The Place de la République is famous as the site of the statue of Marianne – the personification of the French Republic – commemorating the founding of the First Republic of France in 1792. The square is important as one of the key locations where Parisians congregate during times of national significance.

    The hotel occupies an exceptionally attractive and restored Haussmann building, formerly a department store, Les Magasins Réunis. It is located at the point where three different arrondissements (3rd, 10th and 11th) of the city meet. A couple of original Haussmann features are s ll visible, including the staircase, wrought-iron balustrade and doors onto the original caged lifts at higher levels. Conran and Partners’ design also responds to the different – yet complementary – feel of each adjoining arrondissement (‘Fashionable’ (3rd), ‘Bohemian’ (10th) and ‘Modern’ (11th).

    “Within the individual elements of a project there are always opportunities to work with manufacturers to create distinctive furniture commissions and bespoke materials,” said Simon Kincaid, Partner at Conran and Partners and a shortlisted finalist for The Brit List 2019. “For each new development, we study the locale and create a narrative, drawing on our experience of blurring the boundaries between work and leisure to create strong, characterful places.”

    Image credit: Anna Stathaki

    Conran and Partners’ approach was based on a thorough analysis of Crowne Plaza’s success in the Americas as well as among its European target market. The practice developed an architectural strategy focusing on key elements within a typical guest stay. A series of seating typologies and a hierarchy of signature elements was created which enabled key functional elements to be located, while defining specific design features and focal points. This has given hotel guests and visitors a wider variety of spaces to encourage more dwell time.

    The approach has also sought to reinterpret the idea of a ‘plaza’ as a place where people can meet and relax and applied this to the various spaces within the hotel, encouraging guests to move between different types of spaces. The design also responds to changing consumer behaviour, in particular exible working and the ‘always on’ and ‘on-demand’ workplace culture. Spaces and services have been created to facilitate more business- related functions within the plaza workspace, both formal and informal, as well as helping to bring people into the hotel.

    “The spaces in Place de la République are tech savvy, while acknowledging the need to embed humanity in the design to create a comfortable place to work and relax,” continues Kincaid. “The narrative we created for Crowne Plaza Paris- Republique is based on the concept of ‘New Modern’. It seeks to demonstrate that business hotels can be exciting by offering guests kind, personal touches, while introducing new, meaningful experiences for them to share and – above all – to appeal to the senses as far as possible.

    “Our design narrative has informed the choice of furniture and accessories and even the rug design and the artwork selection (developed in collaboration with Double Decker Artwork Consultants), which seek to reference the various key art movements and ar sts closely associated with Paris since the mid-nineteenth century. Materiality and palette are central to our design thinking.”

    Libby Escolme, Global Vice President, Crowne Plaza, commented: “I have always loved travel and staying at an inspiring hotel is o en why I am excited about a business trip. Today’s traveller wants to stay somewhere that inspires them, where innova ve design creates great spaces that work well. We have collaborated on this project with Conran and Partners, a best-in-class design rm, and I feel genuinely excited about how our new hotel spaces will enhance a guest’s stay with us.”

    Main image credit: Anna Stathaki

     

     

    Laufen expands BASE bathroom furniture collection

    730 565 Hamish Kilburn
    Laufen expands BASE bathroom furniture collection

    Swiss bathroom manufacturer Laufen has extended its popular BASE bathroom furniture range, with the addition of new vanity units for the Ino washbasin collection. The extensive furniture range is timelessly simple and graceful and features Laufen’s trademark attention to detail in carefully thought-through functionality, high-quality materials and the latest colour schemes.

    Bathroom furniture helps to create a tidy, uncluttered atmosphere in the bathroom, allowing bathroom accessories and towels to be unobtrusively tucked away out of sight.

    The latest additions to Laufen’s BASE range are not only designed to complement the company’s fine-profile SaphirKeramik Ino washbasins, designed by French designer Toan Nguyen, but are cleverly created for an even more refined and sophisticated bathroom ambiance.

    A key detail of the new BASE furniture collection is the recessed inverted metal strip handles, which extend for the entire width of each unit. This ensures intuitive, safe handling and also prevents dust and grime from collecting. The handles will be available in two colour variations: anodised aluminium and black aluminium.

    The furniture itself is available in matt or gloss white, classic furniture colours which stand for purity and tranquillity. Other available colour variations are light elm and dark elm, plus the new colour option of traffic grey. For special bathroom designs, Laufen offers many other on trend colours in a matt finish on request. All furniture colours can be combined with either handle colour option.

    The range features high-end vanity units in a variety of dimensions, along with a generously proportioned tall column cabinet. For the 900 mm-wide Ino washbasin unit, Laufen offers a choice of a wall-mounted frame with one drawer or a floor-mounted frame with two drawers. Smaller washbasins can be combined with vanity units in two sizes with either a left-opening or right-opening door. Further storage space is provided by the matching tall column cabinet, with a vertical strip handle running the whole height of the cabinet.

    Laufen is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

    Main image credit: Laufen

    Just for fun: What comedians really think about hotels

    730 565 Hamish Kilburn
    Just for fun: What comedians really think about hotels

    With consumer demands ever-evolving, we asked Recommended Supplier STAAH to investigate the truth about what comedians really think about hotels…

    Buffet breakfasts, wake-up calls, tea and coffee making facilities and the five-star service, comedians from around the world go uncut and talk about what they think of staying at a hotel. Here’s what we found.

    Michael McIntyre

    An English comedian, writer, and television presenter, Michael McIntyre talks about Buffet breakfasts, wake-up calls, tea and coffee making facilities and the turn-down service.

    Amit Tandon

    Amit Tandon is a stand-up Comedian from India, who tells stories and makes observations about daily life. In this video he talks about how he gets excited about five star hotels, but never feel at home.

    Erik Griffin

    Erik Griffin is an American stand-up comedian, writer and actor known for such television series and films. In this video Erik Griffin has a couple of complaints for the hotels he frequents.

    If you have any funny experience staying at the hotel, feel free to share it with the team at STAAH. Email them at marketing@staah.com

    Main image credit: Pixabay

    In Conversation With: Britain’s design legend Martin Brudnizki

    730 565 Hamish Kilburn
    In Conversation With: Britain’s design legend Martin Brudnizki

    Last year’s crowned Interior Designer of The Year at The Brit List Awards, Martin Brudnizki, invites editor Hamish Kilburn to his Chelsea London studio to explain some of the major milestones in his career as well as how he logistically manages his time in a truly international market…

    Design gems are not hard to come by on the British hotel design scene. You have only to open the pages of last year’s edition of The Brit List – and this year’s shortlist for that matter – to find the top 75 influential designers, architects and hoteliers.

    However, design legends are less common. It’s not a question of talent or ability, but more a reflection of style, class, personality and being about to really set oneself aside from others in the heavily congested international hotel design market.

    There is only – and will only ever be – one Martin Brudnizki, for example. Last year, Hotel Designs’ The Brit List crowned the acclaimed visionary as its Interior Designer of the Year – and for good reason. “Brudnizki is an international leader, standing as an icon as well as inspiration to so many young aspiring designers,” commented last year’s expert judging panel. “His recent work in University Arms Cambridge is a credit to his studio’s ability to give a building a new lease of life in the most sensitive and creative way.”

    Image caption/credit: The Library designed by MBDS/University Arms Cambridge

    Almost one year later, while the editorial team at Hotel Designs are gearing up for yet another spectacular awards ceremony, I aptly caught up with the Brudnizki in his Chelsea studio in London to find out more about our ‘poster boy’s’ journey to become one of the world’s most celebrated interior designers of the moment.

    “I grew up in Stockholm; my mother was a stylist and my father an engineer and I think this blend of approaches to living and design, in particular, rubbed off on me,” Brudnizki explains. “My mother is incredibly stylish and filled our home with beautiful colours, patterns and objet. My father on the other hand, worked in a very precise and thought-through way. Both aspects of their personality has certainly informed the way I work today.”

    Brudnizki’s early career in design saw him working at the likes of David Gill Gallery and David Collins Studio before branching off and putting his own practice in 2000, Martin Brudnizki Design Studio (MBDS) in 2000. “I learned a lot during my time in other places,” he adds, “which has served me well when establishing my own studio.”

    “We have a number of up-coming projects that I also hope shape our studio’s story. It’s an exciting time.” – Martin Brudnizki

    Since then, MBDS has become one of the leading international design studios, with bases in London and New York and projects including The Beekman, University Arms and Four Seasons Athens. But, like all designers, Brudnizki remembers the milestone moments; the hotels and buildings that captured his and his team’s incredible imagination, usually sheltered in iconic shells. “All the projects we work on are exciting and help shape the future of the studio however, there are a few that really stick out as being pivotal,” the designer explains. “Scott’s in Mayfair presented us with the opportunity to design our first fine dining restaurant, it also cemented our relationship with Caprice Holdings, who have since become important clients of ours. Working with Nick Jones on Soho Beach House Miami was exciting as this saw us introduce the successful Soho House brand to a new region. The Beekman in New York opened in 2016 and helped stamp our mark on New York. It’s located in a beautiful building and we were lucky to garner a lot of attention from it. Finally, Annabel’s in London has proved incredibly popular for us. It’s such an iconic club so we felt very honoured to be asked to redesign its incarnation. We have a number of up-coming projects that I also hope shape our studio’s story. It’s an exciting time.”

    Dividing his time between both London and New York has given Brudnizki the unique freedom to position himself in two of the world’s most respected design hubs. “Both cities have very unique identities,” Brudnizki explains. “They are both are melting pots of culture and excitement and whilst very different, they both present wonderful opportunities to mark your mark.”

    “Luxury travel to me is being able to combine a sense of curated experience with spontaneity; finding new places but also the having the flexibility to be adventurous and go off piste.” – Martin Brudnizki

    From the outside looking in, the luxury market in hotel design may look like a desirable place to start when setting out to build a reputation as being a leading designer, but it also comes with risk to cater to the ever-changing demand of the modern luxury traveller. For Brudniki, the true art of luxury travel is a reflection of his own experience and personality. “Luxury travel to me is being able to combine a sense of curated experience with spontaneity; finding new places but also the having the flexibility to be adventurous and go off piste,” he defines.

    Since winning at The Brit List 2018, Brudnizki’s vision on a new hotel brand has come to life in the shape of Mr C Hotels, which opened in Miami earlier this year – and has, as a result, put him in the running for the second consecutive year for this year’s awards. “Mr C is situated in a modern new build in the green surroundings of Coconut Grove,” he explains. “New builds have many benefits, including up-to-date technology and no listed statuses to content with however, new builds often lack the characterful details of older properties. With this in mind, we often have to dig deeper to find a strong narrative to wrap the hotel’s design in. For Mr. C we looked to the landscape of the region and the glamorous boating heritage and incorporated elements of this into our scheme.”

    As well as technology, another area that has peaked recently in popularity among developers as well as designers and architects is the value of sustainability and designing consciously. “I think it depends on the project and the client, Brudnizki admits. “We are working with Six Senses on their new hotel and resort in Kitzbuehel Alps and the whole design is focused on sustainability and using organic and local materials. This is to mirror the brand’s values so we’ve had an interesting time researching new materiality and local artisans who can help reduce the hotel’s carbon footprint and up their sustainability accreditation.”

    Quick-fire round

    Hamish Kilburn: Where is next on your travel bucket list?
    Martin Brudnizki: Portugal.

    HK: What is the number one item you simply cannot travel without?
    MB: A silk eye mask.

    HK: What is the last item that will show up on your bank statement?
    MB: Probably food from Bayley & Sage.

    HK: What is your favourite place to unwind in London?
    MB: My home in Parsons Green. As a travel so much, it’s nice to just come home and relax in the peace and quiet.

    HK: What trend do you hope will never return?
    MB: International Beige.

    HK: Where are you travelling to next?
    MB: My New York Studio next week.

    Before I leave the designer in peace to create with his team the hotel interiors of the future, which include hotels in London, Austria, LA and Cape Town (among others), I am interested to explore, on the surface at least, new materials that have emerged on the designer’s radar. “I am really interested in straw marquetry at the moment; it’s such a beautiful natural fibre that can be used in the most unusual of places, such as walls and furniture,” Brudnizki says.

    MBDS itself is incubating a strong network of talented designers that will further position Britain as a globally regarded leading design hotspot. With his name on the door of two dynamic studios – and also in the minds of I would argue all aspiring interior designers – Brudnizki is leading the ever-evolving industry into new territory.

    The shortlisted finalists this year’s The Brit List have been invited to The Brit List Awards 2019, which takes on November 21 at Patch East London (Aldgate). To purchase limited tickets, click here

    Main image credit: Luca Marziale

    Lighted mirror, mirror on the lobby wall

    730 565 Hamish Kilburn
    Lighted mirror, mirror on the lobby wall

    While it has become common to specify a lighted mirror in the hotel bathroom, Hotel Designs turns to new Recommended Supplier Electric Mirror to understand how the product can also be utilised in public areas… 

    In conclusion to Hotel Designs’ time putting lighting in public areas under the spotlight, we have noticed one company is looking to disrupt the conventional idea that the lighted mirror is reserved for the hotel bathroom.

    Electric Mirror, which is leading a clean and innovative path in lighting and mirror technology on the international hotel design scene, has taken the accessories to entirely new places and spaces, creating a memorable experience from the moment the guest enters the hotel.

    An Electric Mirror Savvy SmartMirror in the lobby connects guests with hotel features, nearby attractions, and airport schedules. A custom Cameo lighted mirror in the restaurant or lounge brings light and life to the room’s décor theme.

    Image credit: Electric Mirror

    Lighted mirrors suspended from the ceiling of the hotel’s salon provide optimal lighting to let stylists help their clients look their very best. Dimmable lighted mirrorsin the spa create a peaceful, tranquil space. Corridor lightingon the guestroom floors help guide the way to the guests’ rooms.

    Electric Mirrors are one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, email Katy Phillips by clicking here.

    For general enquiries, contact the team at +1 425.776.4946 or sales@electricmirror.com. For the Director of Sales, Europe, call +46.790195074 or email gelareh@electricmirror.com.

    Main image credit: Electric Mirror

    Solar-powered solution for exterior waymarking

    730 565 Hamish Kilburn
    Solar-powered solution for exterior waymarking

    Combining the best in technology and sustainable design, Recommended Supplier Signbox has just unveiled the Smartscape Solar bollard… 

    With greenwashing being the hot topic of this week following new research that was published at the Independent Hotel Show, leading sign manufacturer Signbox has unveiled a sustainable and creatively designed waymarking product that will help to create a more conscious hotel exterior.

    The uniquely-designed solar system comprises; four integrated PV panels to ensure light is captured from all angles, an intelligent lithium-ion battery, two motion-detecting PIR sensors and two LED lights. One LED runs continuously at a low level to ensure that the bollard itself can be seen from a distance, and the other, a downlight reflector, is activated within 5m close proximity on each side of the unit by one of the PIR sensors which illuminates the pathway.

    As the bollard is solar powered by it’s own integrated PV panels, trenching (installation) and running costs associated with mains powered solutions are eliminated and maintenance costs are drastically reduced.

    The bollard is available in three housing material options to suit a range of applications; extruded aluminium, sustainable hardwood and performa-cast polymer. With both the aluminium and polymer versions offering a vast range of colour options, as well as the option of embossing the polymer housing, this versatile solution is perfect for any modern green sustainably focussed project.

    The SmartScape Solar Bollard is designed, developed and manufactured in a UK-based, ISO 9001:2015 accredited production facility.

    The standard product has a base plate mounting but there is an option on the aluminium finish and the polypropylene finish for a more cost effective root mounting fixing that can be buried and possible minded in place. We can send a technical specification on this if required.

    This product does comply with the new requirements for “bat friendly lighting”. Bats can not feed at night with light pollution in an upwards direction.

    Signbox are one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, email Katy Phillips by clicking here.

    Editor’s round-up of London Design Festival 2019

    730 565 Hamish Kilburn
    Editor’s round-up of London Design Festival 2019

    Strap yourself in for editor Hamish Kilburn’s annual round-up of London Design Festival (LDF). The 2019 edition was a thought-provoking insight into how the bare bones of the industry, led by innovative manufacturers working with open-minded designers and architects, are taking it upon themselves to design a better future of international hotels from the foundations upwards…  

    “Most cities are experts in one or two disciplines,” said Ben Evans, Director of London Design Festival. “But the breadth and depth of London’s expertise is unparalleled.”

    For the 11th year, LDF was the epicentre of the design universe, publically displaying in full the ingredients to make the capital an incubator of ideas, creativity and something different.

    Initially established in 2003 by Sir John Sorrell and Evans, the festival has grown to encompass a broad range of activities, and attracts visitors from around the world: last year welcomed a record-breaking 588,000 direct visitors from more than 75 countries, generating almost one million visits.

    Despite Brexit call-to-actions being plastered across the front of the city’s major newspapers, the festival’s spotlight this year was thankfully not on the political landscape (or landslide) of whether or not this is really happening, but instead the lenses were focused on conscious change for good. With designers being now more aware than ever before on the need for design responsibly, sustainable products, materials and initiatives were evident in all corners of the metropolis, at all of the four Design Destinations. “LDF celebrates and promotes London’s design excellence in a period when showcasing creativity is even more important, adds Evans. And installations around the city from the likes of Matthew McCormack, Sony Design and Paul Cocksedge were a visual reminder of how design can influence change and educate wide-spread audiences of all demographics.

    Focus 19

    Neatly kicking things off after Hotel Designs led an exclusive roundtable at Arte Wallcovering at Design Centre Chelsea Harbour, Focus19 extended its luxurious arm to welcome a select number of pop-up stands. Whether green is or isn’t this year’s colour is irrelevant. What’s more important for hotel creatives is following how suppliers are turning up the volume on how they are designing with purpose and further bringing the outdoors in using sustainable methods. One area where this is very apparent is in fabrics and large prints – both of which are never in short supply at DCCH. Arte arguably stole the show with the launch of four new collections. Following last year’s collaboration with Moooi, any collection to launch after would be a tough act to follow, but the wallcovering experts delivered and the results are extraordinary.

    While fabrics were strong, so too was lighting. Pookey Lighitng’s installation designed by The Brit List 2019 judge Florence Rolfe was a vibrant LED light show. Meanwhile, David Hunt Lighting cut the ribbon on its new permanent hub within the DCCH, showcasing its bespoke service as well as its intricate lamps. As well as hosting a captivating talk with the lighting company’s founder, Vaughan, unveiled a new collection of simple, yet extremely chic sculptured lamps as well as a new range of Tribal Collection shades, that were first unveiled at last year’s show.

    Elsewhere, collaborations from the likes of Barnaby Gates, Kit Kemp and others were on display under what will soon become the Design Centre Avenue, but during Focus was a pop-up exhibition of pure, untouched talent.

    100% Design

    Making its bold, colourful entrance, 100% Design celebrated its 25thbirthday with a bold line-up of speakers, including David Rockwell, Marcel Wonders and Daniel Shofield among others.

    Following last year’s move to London’s Olympia, the show found its feet in historic halls as visitors flocked to see the plethora of interactive installations, cutting edge collections and plenty of products. The Two Lovely Gays unveiled an piece entitled Insta-interiors, which featured a playful mix of pastels. “Social media can has brought design to everyone in a way that we love,” the studio explained on its stand. But it can also be a confusing arena, with so many images and ideas vying for attention. Our hope is that it opens up a new freedom in design, promoting diversity and confidence.”

    With a noticeable shift in behaviours, especially in public areas of the hotel, it is no surprise that there was a significant focus on furniture. Taking centre stage directly opposite the show’s doors was Benchmark with its latest collaboration with design legend David Rockwell. The Sage Collection has a specific focus on human health and wellbeing. Made with natural, sustainable and non-toxic materials, it meets the standards required for well-certified buildings. The collection includes slick sit-stand desks and tables, dining and meeting tables, high-low sofas, benches, occasional tables and storage.

    Hamilton Litestat also exhibited its impressive answer to personalising the hotel experience, by being able to colour-match its products to suit any hotel design brief – something that I saw in person recently when visiting the studio’s Bristol-based hub.

    Image credit: Paul Cocksedge’s Please Be Seated

    designjunction

    In the midst of LDF, just as the feet of the design community start to tire, the VIP party for designjunction comes alive. Offering exclusive access into the show 24 hours before it opens to the public, the event is typically a great opportunity to network as well as catching new products on the market. This year’s event unveiled its catwalk for trends alongside the exclusive Tom Dixon party. Taking place in what I can only describe as LDF’s most interesting design districts, Coals Drop Yard, the event arrived fabulously fashionably late (as ever) to the week-long party.

    While the talent sheltered inside was fresh, the narrative of designing responsibly was solid and synonymous among many if not all brands exhibiting at the show. Furniture brands and lighting manufactures put an equally significant emphasis on utilising recyclable materials. Sixteen3, for example, showcased a dynamic range of contemporary furniture pieces that were made from 99 per cent recycled material, while over in the light tunnel, designer Huw Evans unveiled The CONCERTINA COLLECTION, which comprised of both furniture and lighting. Using natural timbers, English Ash and Cherry, the designer accentuated the drama of the product’s raw form by with carefully positioned up-lighting. Meanwhile, Qiang Huang used inspirations from dissembled bike parts to design an equally precise lighting piece. The product follows research that suggests that by 2020, it is estimated that there will be 10 million shared bikes reaching their scrap age, which equates to a staggering 1.6 million tons of solid waste, which Hauang believes can be reduced by designers looking more outwardly when it comes to recycling products and materials.

    Whether or not designjunction created a larger mid-week statement than last year’s show on The Southbank is down to interpretation. There was, however, no denying that it sheltered something for everyone, including a number of engaging talks. For that reason alone, it is certainly not an event that should be skipped over when navigating around LDF in future.

    London Design Fair

    Keeping an understated mantra in the heart of Shoreditch, London Design Fair was this years’ stand-out show for Hotel Designs, because of its ability to allow the products and exhibitors to do the talking. The show, which took place on the iconic Brick Lane, featured meaningful themes, such as biophilic materials and design as well as showcasing the only bathroom pavilion during London Design Festival – highlights of which included Roca’s new collection with Armani and West One Bathrooms’ eco-themed stand.

    In addition, the show included its worldwide theme, allowing regions in all pockets of the world to exhibit a little bit of their own personalities and creativity.

    As a result, London Design Fair focused on form, function and looking forward, past tomorrow’s trends, to globally identify pieces that will really help to change and shape the landscape of international hotel design.

    While the installations, projects and districts differed in style, the thread between each was very much about confronting convention and offering something different, an abstract reality, if you like, of London through the eyes of the creatives.

    LDF provides a platform like no other that time and time again harbours creative talent and fascinating stories of product design in action. And with variety being the spice of the life, as so many wise bodies have announced before, this year’s exhibitions were in heavy supply of something different, something new and something fresh for everyone.

    Main image credit: designjunction

    UNILIN injects maximalist luxury vibes new finishes

    730 565 Hamish Kilburn
    UNILIN injects maximalist luxury vibes new finishes

    UNILIN develops products inspired by everything from reclaimed wood, through trending colours, to concrete and brushed precious metals such as gold to create an ideal setting for all hospitality scenes…

    Nothing can match gold for injecting glamour into our living and working spaces and the material is now a favourite for high-end interiors looking to deliver a maximalist luxury vibe. However, for most projects the ‘real deal’ is beyond grabs and this is when UNILIN Evola decorative surfaces come into their own.

    With UNILIN Evola’s brushed gold decor, space and furniture designers working in retail, hospitality, commercial office spaces and even high-end residential projects can capture the magic with versatile surface finishes in scratch, wear and stain-resistant HPL. Used to create ultra-luxe splashbacks and surrounds in washrooms to stylish feature panels on furniture, or even as a detail highlight on door handles; UNILIN Evola brushed gold brings the look without breaking the bank.

    “There’s no doubt that high-end luxury is a major driver in interiors and our brushed gold is the perfect way to get the look while keeping a lid on your budget,” says Jurgen Plas, marketing manager for UNILIN, division panels. “With decors such as brushed gold, marble, ceppo and brushed bronze, the Evola collection can answer the demand for glamour with highly-functional surfaces that are not only cost-effective alternatives, but also functionally better.”

    Teamed with the black of a UNILIN MDF door panel to create a fan inlay in radiant gold, offset beautifully against the marble of carrara creamy wall panels, brushed gold brings a look straight out of 1920s decadence. Or bonding it to shelf edges set against the walnut backdrop of Lorenzo, sees the very same elegant gold-effect take on a luxury modern edge: brushed gold can lift any space beyond the ordinary.

    With many of the 198 décors in the UNILIN Evola collection completely exclusive, UNILIN, division panels develops products inspired by everything from reclaimed wood, through trending colours, to concrete and brushed precious metals. All UNILIN Evola décors are available in HPL, melamine-faced chipboard and edging-tape; each product providing exceptional quality and a surface that is scratch and UV resistant, as well as easy to look after. With authenticity and practicality, UNILIN Evola is a serious alternative to natural materials.

    UNILIN is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

    Main image credit: UNILIN

    In Conversation With: Andrew Sadler from CTD Architectural Tiles

    730 565 Hamish Kilburn
    In Conversation With: Andrew Sadler from CTD Architectural Tiles

    Editor Hamish Kilburns sits down with the Andrew Sadler, CTD Architectural Tiles specifications sector manager, to discuss how the industrial trend in surfaces is evolving, sustainable wall covering solutions and how tech is driving a new age in tile design… 

    2019 is proving to be a pivotal year for surfaces. While trends are being replaced for a burning need for designing with purpose, sustainability is being discussed widely in more ways than ever before.

    Meanwhile, art on the international hotel design scene continues to spill outside the frame, and often onto the walls. To understand more about how surface suppliers are coping with the rise in demand for vivid wallcoverings that can completely change an interior designs space, I spoke to CTD Architectural Tiles’ specifications sector manager, Andrew Sadler.

    Hamish Kilburn: Can you explain how the industrial trend (especially in wallcoverings) has evolved recently?

    Andrew Sadler: The industrial trend has developed mostly due to production technology. The introduction of ‘Continua Plus’ has allowed the production of larger sizes than ever before, which has been a real change in the trend, and the products specified. The first generation slabs were marble-based designs but now we are seeing more industrial design themes such as concrete and metal coming through. See Maiora Concrete 2.4 x 1.2 metre slabs.

    Some factories are however are embracing the desire amongst specifiers and clients for authentic production techniques. We can see this in both our Zelij and Croma ranges.

    Image caption: Zelig from CTD Architectural Tiles

    Another development has been the fusions of traditional ceramic techniques and new industrial design concepts. This is best captured in a range like Diesel Glass Blocks, where a 1950s style glass brick has been captured in ceramic tile using decade-old glazing techniques updated for the 2020s.

    HK: What would you say is the biggest pitfall among designers when specifying wallcovering?

    AS: With tiles, the biggest pitfall among designers is probably understanding that the tile is just one element of a system. Consideration needs to be given to the substrate the tile is being fixed to and how the area is tanked to mitigate water ingress and potential failure. CTDA work with both Schluter Systems and Jackon to offer the specifier peace of mind through provision of a wide range of wetroom and substrate solutions. From a design perspective, trying to replicate the popular brick bond or herringbone/parquet style of floor tile used on walls can cause a challenge when the room is fitted with spotlights. All of a sudden the lipping on the tiles, unevidenced on the floor becomes all too apparent.

    HK: Why are surfaces within public areas more important now than ever before?

    AS: The public areas are the key selling areas of the space – the face of the project – so an aspirational appeal is crucial. This appeal needs to married however with a floor surface that is safe to use to protect the client from slips and trips and the hotel from litigation or reputational damage. We have seen the adoption over recent years in the UK of the Pendulum Test as the acceptable measure of a tile’s slip resistance. The implication of this is that we are seeing public spaces being fitted with tiles that have a higher slip resistance than was previously the norm. Whilst this is great from a safety perspective, it does cause challenges with cleaning these spaces as the more textured surfaces are more attractive to dirt. We see therefore a move away from lighter tones (whites, creams and ivories) towards darker tones (grey and anthracites) where the floor does not reveal its secrets so easily.

    HK: How sustainable are CTD Architectural Tiles’ products?

    AS: There are many advantages to ceramic tiles against alternative materials. Made from water, clay and fire – these elements give rise to a natural and quality material which is free of toxic substances, making it a strong alternative to materials such as plastic laminates or vinyl. Ceramic also has a very long life cycle and is therefore sustainable from a longevity point of view. There also isn’t the need for excessive maintenance, which makes it more advantageous than wood or parquet flooring for example.

    HK: How was nature used as inspiration in your latest collections?

    AS: Launched earlier this year, our Amazonia collection is the epitome of how botanical influences are finding their way into the commercial and hospitality sector. A celebration and seamless marriage between rustic handmade influences and the trend for biophilic design, the Amazonia collection is versatile and unique. Combining botanical patterns with a pared-back, nature-inspired palette to enliven spaces of all sizes, the collection offers endless opportunities to combine and mix distinctive tiles.

    Image caption: Amazonia Grey Hexagon from CTD Architectural Tiles

    For a more floral take on the botanical trend, ranges such as Maiora’s Custom Décor’s offer the possibility to create true feature walls with over-sized tiles – see p36 in this catalogue.

    HK: How is technology allowing you to create more immersive products?

    AS: One of our key launches this year was our 20mm-thick Porcelain Pavers collection, which is a testament to the advances in technology having a direct impact on the options that are available. The Porcelain Pavers collection is made up of 22 different tile ranges and each and every product meets all the technical and design requirements for exterior applications as well as indoor applications. The 20mm thickness means that it is extremely durable and resistant to breaks and scratches as well as being fade and frost resistant. Boasting a +36PTV (wet) slip-resistant structured surface, the tiles are also extremely low maintenance thanks to their exceptionally low porosity.

    Image caption: Porcelain Pavers from CTD Architectural Tiles

    Offering the added benefit of easy installation, the 20mm ranges can be installed in a number of different formats depending on the environment and project requirements. Providing the ultimate flexibility, the products can even be loose laid onto gravel, sand or pedestals, making them both accessible and re-usable. 

    Advances in technology and production have also led to the introduction of a more diverse product portfolio in terms of styles, colours, patterns and designs. One of our most recent collections, Venice Villa, delivers the beauty of terrazzo captured in porcelain. The terrazzo look originates from using left over marble chippings into cement as a way to use excess product. A reinterpretation of this famous look, the Venice Villa collection is an exquisite contemporary twist on the traditional terrazzo trend, combining the appearance of crushed marble fragments with the excellent properties of fully body porcelain stoneware. Available in eight colourways in a polished, natural or structured finish, from monochrome Silver, Grey, Zinc and White to the more colourful options of Earth, Beige, Graphite and Ivory, the Venice Villa tiles offer an intriguing combination of colours that capture and reflect light, enhancing commercial spaces of all types. Expressing the beauty of the material that inspired the collection, the porcelain surfaces of the tiles combine the traditional look with modern materials making a surface that is easy to maintain and clean.

    To find out more about CTD Architectural Tiles, please click here.

    Main image credit: CTD Architectural Tiles

    The Annual Hotel Conference kicks off in spectacular fashion

    730 565 Hamish Kilburn
    The Annual Hotel Conference kicks off in spectacular fashion

    As proud media partners, Hotel Designs was on location in Manchester to witness the engaging opening sessions of The Annual Hotel Conference 2019…

    Hosted by Questex Hospitality Group,the 16thAnnual Hotel Conference (AHC) opened yesterday at the Hilton Manchester Deansgate with 28 per cent more speakers than last year, following popular demand.  In addition, the outstanding conference programme features 65 per cent of speakers new to The AHC stage and one third of these are female.

    New sessions to the programme, covering the most topical conversations include:

    Claire King, Event Director of The AHC said: “Never has there been a more pressing time to come together as a community. The AHC is proud to provide a unique, nurturing and fun platform for the industry to gather and collectively, look to the future. This year’s event features more content, more networking and more speakers to deliver the highest quality conference to the gathered audience. We’ve always stayed fiercely true to our “Learn. Network. Be Inspired.” maxim and we’re looking forward to welcoming the industry to The AHC next week”.

    The AHC is for UK hoteliers, owners, operators and managers as well as investors, developers, designers, architects, consultants, tourism leaders and regional tourist boards.

    Day two of The AHC continues…

    Image credit: Twitter/The AHC

    Six Senses to open first hotel in the Galápagos Islands

    730 565 Hamish Kilburn
    Six Senses to open first hotel in the Galápagos Islands

    Opening 2021, Six Senses’ first hotel in the Galápagos Islands will be designed by world-renowned bamboo architect Simon Velez… 

    Following a rise in demand for hotels to open in far-flung destinations around the world, Six Senses Hotels Resorts Spas has announced that its first resort in the Galápagos Islands will open in 2021. Six Senses Galapagos will be located on San Cristobal Island, in the town of Cerro Verde on the Northeastern coast. This is the quietest of the main islands with a relaxed and tranquil vibe.

    The Galápagos Islands were named by 16th century Spanish sailors after the saddle-shaped shells (“galápago”) of their most famous resident, the giant tortoise. The 19 islands are home to some of the world’s most amazing wildlife and ecology systems. Guests at the upcoming Six Senses Galapagos will therefore experience a one-of-a-kind natural environment.

    UNESCO recognised the Galápagos Islands as a World Heritage Site in 1978 and a Biosphere Reserve in 1985, development is only permitted on three percent of the total area. Permission has been granted to develop the resort on a verdant hill with unspoiled views of the ocean and other topographical landmarks. All building work is in accordance with local laws and with strong involvement from the local community.  The development of this project is being led by Hitesh Mehta of HM Design and will focus on a distinctive planning philosophy which balances economic, environmental, and social impact.

    Chief Executive Officer Neil Jacobs of Six Senses Hotels Resorts Spas said: “Sustainability is at the core of our brand, influencing everything from ongoing community engagement and conservation efforts to the local, repurposed materials used in the development. We are excited and delighted to work with the Orgal Group on this extraordinary project in such a special and environmentally sensitive place, staying true to our joint purpose of ecosystem restoration, scientific research of marine species and low-impact tourism.”

    Plans are underway for an Earth Lab and Experience Center. The first will showcase the project’s sustainability efforts and the second will host research and educational activities by well-respected academics and NGOs already working in the Galápagos. There will be a particular focus on restoring the original endemic Miconia ecosystem, eradicating invasive species and maintaining a native plant nursery on site. The almost zero light pollution ensures night skies are some of the most spectacular on earth, and an Observation Post will offer guests stargazing and fine dining experiences. All three facilities have been designed by world-renowned bamboo architect Simon Velez.

    The Six Senses Spa will have a functional fitness centre, yoga studio and Alchemy Bar and will offer comprehensive wellness programmes incorporating  local healing and herbalist treatments. Following the guiding principles of Eat With Six Senses, the food and beverage program will minimise the need to import any produce. The ultimate aim is self-sufficiency, with an organic vegetable garden complementing produce grown by local farmers or caught by local fishermen. There will also be a Fermentation Room where guests can learn about the joys of pickling and preserving.

    The hotel brand currently manages 18 hotels and resorts and 30 spas in 21 countries under the brand names Six Senses, Evason and Six Senses Spas, and has signed a further 19 properties into the development pipeline.

    Main image credit: IHG/Six Senses

    Accessibility championed at inaugural Blue Badge Access Awards

    730 565 Hamish Kilburn
    Accessibility championed at inaugural Blue Badge Access Awards

    The Blue Badge Access Awards, which took place last night at The Langham London, has created a pivotal moment in international design by celebrating and championing thoughtful accessible design… 

    Last night, the inaugural Blue Badge Access Awards were held at The Langham London with the support of charity Leonard Cheshire Disability. Thirteen winners were awarded on the basis of celebrating thoughtful and stylish inclusive design and business practices across the world.

    This year’s winners included Shakespeare’s Globe as the most Inclusive Employer and Sea Containers for Best Hotel, sponsored by HEWI.

    The evening included a comedy set by British stand-up comedian, writer, actor, presenter, and disability-rights campaigner, Laurence Clark. Laurence was born with cerebral palsy and uses his line of work to alter the general public’s perceptions of disabled people. Alongside this, an inclusive fashion show was put on by Samanta Bullock, founder of SB. SB is an online department store that provides comfortable and fashionable universally-designed clothes with the focus on inclusion and benefiting the seated position.

    The 2019 judging panel included Fiona Jarvis, CEO of Blue Badge Style; Tina Norden, Partner at Conran and Partners; Alex Taylor, BBC Journalist; Paul Vaughan, Bespoke Access; Neil Heslop, CEO, Leonard Cheshire Disability and Karen Fewell, daughter of Arnold Fewell.

    “Nowhere can be 100 per cent accessible but everyone can start somewhere,” said Fiona Jarvis, Founder of Blue Badge Style. “There is tremendous public interest in the area of accessible design, with a strong desire to honour and recognise businesses that go the extra mile for their customers. We are delighted to champion these venues with Blue Badge Access Awards and will continue to do so to amplify enthusiasm across the hospitality sector, as well as wider tourist attractions, museums, and public organisations.”

    “Awards like this are profoundly important because they shine a light on best practice”, added Neil Heslop, Chief Executive of Leonard Cheshire Disability. “Leonard Cheshire exists to improve life choices for people with disabilities globally, and accessibility is key to this. We work with cross-sector organisations every day in supporting individuals to live, learn and work independently, whatever their disability. We congratulate everyone who has been involved to date and hope many more join in, having been inspired by tonight’s winners.”

    “We are thrilled to unveil so many exemplary winners at the first Blue Badge Access Awards and celebrate the great work of designers and architects around the world in inclusive design” said Robin Sheppard, Chairman of Bespoke Hotels and Hotel Sector Champion for Disabled People. “It is important to make access a permanent addition to the agenda. No one would have dreamed that sustainability would be as high as a priority as it is now, and we want access to be just lionised in the future.”

    The Blue Badge Access Awards are here to accelerate progress, and highlight that the importance of inclusive design should not be underestimated. It gives businesses and venues access to a market of over 1 billion people across the world, a group of more than 13 million people in the UK alone with spending power of over £250 billion.

    Main image credit: Blue Badge Access Awards

    INTERACTIVE HOTEL REVIEW: Monkey Island Estate, Bray-on-Thames

    730 565 Hamish Kilburn
    INTERACTIVE HOTEL REVIEW: Monkey Island Estate, Bray-on-Thames

    Unearthing eight centuries of history, editor Hamish Kilburn checks in to Bray-on-Thames’ Monkey Island Estate to interactively review a new kind of private countryside luxury…

    Travel upstream from London and you eventually arrive in the quintessentially British surroundings of Bray-on-Thames, a quiet suburban village that is arguably most for harbouring two of the UK’s five restaurants that hold three Michelin stars.

    But before the existence of award-winning gourmet F&B establishment, some 800 years prior, there quietly sat an empty island, which went on to soak up interesting eras. It was firstly an ideal setting for monks seeking peace on the banks of the river. It is said that after the Great Fire of London in 1666, materials from Oxfordshire, such as stone and brick, were transported down the river for rebuilding the city. On the vessels’ return, rubble would be spread around some of the Thames islands, which greatly reduced erosion and helped to strengthen the foundations.

    A few decades later, in 1738, the land was purchased by Charles Spencer, 3rdDuke of Marlborough, who was rumoured to have paid palladian architect Robert Morris £2,277 to erect the first two buildings on the island in order to indulge his hobby of fishing. It took Morri three years to complete, but his work marks an important milestone in the property and island’s history – and it is arguably here where the narrative of what is now known as Monkey Island Estate really begins. But it was only recently when the story took on a new narrative, complete with the introduction of new characters, to become a completely unique boutique hotel.

    In 2016, YTL Hotels acquired the land, and work began to restore the property into a modern and relaxed countryside abode. Inspired by the haunts of monks, monarchs, aristocrats and writers alike, New York-based Champalimaud Design was responsible to sensitively orchestrate the interior design of the hotel. Having completed the interior design of YTL’s debut UK property, The Gainsborough Bath and Spa, and more recently The Academy in London, the studio, while also sensitively restoring Raffles Singapore, was well-poised to develop the relationship further.

    Unlike any hotel project that lead designer Jon Kastl has faced before, the geography of Monkey Island Estate presented its own unique set of challenges. “You have no idea how difficult it is to work on a island that has no direct car access,” he explains. “Everything had to be carried over the footbridge onto the island. And then, the other challenge was the age of the buildings, and dealing with the neglect of the building. They were in pretty rough shape, almost falling into disrepair.”

    Guests’ first impression of the hotel is an understated – almost camouflaged – lobby area in a cosy ‘boathouse’ – the feeling of being taken away from the daily grind does not get much stronger than this so close to the centre of London. “The hotel is relatively small,” adds “

    The short walk over the footbridge from the unassuming lobby to the public areas is one of wonder. Architectural landscape designer AV Design has created a majestic garden that compliments the various buildings.

    Framing what should be in my opinion the postcard picturesque views of the River Thames, the pavilion building, which shelters the majority of the public areas, sets a relaxing setting – and echoes, on a balmy summer afternoon at least, the same peaceful scene that I imagine was once enjoyed by monks centuries ago.

    Caption: The Restaurant | Image credit: ACT Studios

    Although the bar and restaurant is, on the surface, seemingly conventional, the building has a few hidden gems. The Monkey Room, for example, stands true to its original form and structure – and even design. “The only thing we changed was the purple paint colours on the ceiling and add the furnishings,” says Kastl. The eye-catching murals on the panelling is all original which has been there from since when the building was first built.

    Caption: The Monkey Room | Image credit: ACT Studios

    Up the spiral staircase, The Whiskey Room is the latest area that has opened. Designed with the winter months in mind, the cosy and home-from-home atmosphere, complete with tactile wallcoverings, is an expected treat.

    It is because of the fact that the 41 guestrooms and one originally restored suite are sheltered in a grade I-listed building that makes the design story even more fascinating. The design of each and every one of the guestrooms utilises the entire space, with some stretching out onto terraces which look over the river, while carefully blending in a modern style that becomes timeless.  “We just had to accept the smallness of the rooms when designing them,” Kastl explains. “We did things like designing miniature shelves and additional service space. We designed rails that lined the rolls for guests to hang items from. Because there is such a limited closet space, we had to rely on these rails.” The furniture is scaled appropriately so that it fits in the limited space neatly. Meanwhile, the blinds and curtains, supplied by Concept Contract Furnishings are deliberately not heavy, and instead naturally flood the rooms with light to make them look and feel more expansive.

    INTERACTIVE tour of The Wedgwood Suite | Image credit: ACT Studios

    Despite the guestrooms being impressive – and adding to the overall interior design story (and challenges) – the masterpiece of the hotel is perhaps sheltered upstairs in the Wedgewood Suite. “The room, from the panelling to the ceiling, was very much intact,” explains Kastl. “One of the challenges was that it has windows on three sides, so from a layout point of view it created a few headaches.” The ensuite bathroom has been re-gutted and given a fresh and modern look. “ The suite is the coming together of old heritage design and the new.

    Moored on the river bank, the hotel’s spa is unlike any other in or around London. The facilities have been curated by Melissa Mettler who took inspiration from its riverine surrounds, past inhabitants in the form of royalty, liturgy and literary stars, as well as elegant architecture. The floating spa, which features two treatment rooms that are uniquely sheltered within a renovated barge, is a celebration of the power of water blended together with natural wellbeing and wellness.

    Image credit: ACT Studios

    I’m sure, for the designers as much as the operators, that the thought of completing Monkey Island Estate and opening again to the public was a distant day dream. But, considering the drastic rise in demand for wellbeing as well as wellness, the timing of YTL hotel’s countryside retreat could not have been more perfect. Checking out of Monkey Island feeling fully restored in mind, body and spirit myself, following a short by sweet trip to the floating spa before departure, the hotel locks in so many unique and thoughtful moments – and exceeds expectations to become one of the UK’s premium countryside retreats.

    Main image credit: ACT Studios

    LIGHTING WATCH: Berkley Collection from Christopher Hyde

    730 565 Hamish Kilburn
    LIGHTING WATCH: Berkley Collection from Christopher Hyde

    Christopher Hyde Lighting beautiful Berkeley table lamp was recently supplied in the lobby area of a luxury hotel in Moscow…

    The stunning and imposing table lamp allows the interior designer to put the finishing touches into their own five-star project. The design of the Berkeley collection features delicate cast brass details. Available in many different finishes from the ever popular french gold and antique silver to polished rose gold and soft bronze. Complimented by Christopher Hyde’s hand crafted silk lampshades the Berkeley table lamp is sure to brighten up any lobby.

    The Berkeley range is on display at the company’s showroom at the Design Centre in Chelsea Harbour, London.

    Christopher Hyde’s new catalogue is released soon and is available to order.

    Christopher Hyde is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

    Main image credit: Christopher Hyde

    EXCLUSIVE ROUNDTABLE: Adding personality in hotel public areas

    730 565 Hamish Kilburn
    EXCLUSIVE ROUNDTABLE: Adding personality in hotel public areas

    In partnership with Arte Wallcoverings, editor Hamish Kilburn invited some of the leading hotel designers and architects to Design Centre Chelsea Harbour for a live debate on how to add sustainable personality in the ever-evolving arena of public areas. In addition to being involved in the engaging conversation, the designers, directors and principals were also the first to see Arte’s five new collections, which were officially launched a few days later at Focus19 during London Design Festival… 

    Design experts around the table:

    Regardless of style, size or star-rating, recent hotel openings suggest that public areas are evolving, and fast. No longer an empty air pocket in the building’s structure, the lobbies that are being created or renovated today are unconventional active spaces, designed to flexibly accommodate all guests whether they are checking in for business, for leisure or in many instances, for both.

    Hamish Kilburn: How have the ways in which consumers use public areas changed?

    Fiona Thompson (FT), Principal, Richmond InternationalGenerally, how guests behave in hotels has changed. The demographic is completely different. At one point, hotels were quite intimidating places, and not very accessible. That’s been one of the most significant changes I have seen. Hotels have become much more outward-looking and much more accessible to everyone. People now use spaces how they want to use them. Therefore, public areas, in general, have a greater sense of informality.

    Vitalija Katine (VK), architect, Jestico + WhilesOne of the largest changes I have noticed is the accent of activation points in lobbies. The activation point of, for example, pop-up bars and pop-up receptions can be positioned and adapted easily in the lobby. I think the public space of a hotel has been the highlight of the last four years, because people are lounging in the lobby as opposed to using it simply as transitional space.

    David Mason (DM), Director of Hospitality, Scott BrownriggThere’s a lot more awareness now about the ecological message that hotels are trying to amplify. Also, with the appeal to millennials, there’s much more awareness on the public areas. I imagine there will be a lot more focus on some kind of hotel standard where we really start to look into what is going into hotels, and that will come from hotels aiming to achieve an environmental space. Although hotels are already acting to be more eco-friendly, I think it will become even more of a focus.

    Caroline Cundall (CC), Director of Interior Design IHG – Europe: How people work and specifically how people hold meetings has changed massively. That has had a large affect on our lobby spaces. More and more people are roaming around with small laptops and lobbies are much less formal than they used to be. Hotels are recognising the value in attracting more than just the guests staying at the hotel, and the current boutique influence is a catalyst in all of this.

    Sam Hall (SH), Global Head of FF&E, GA GroupI have seen more awareness in hotel operators in understanding how space is used. There are many examples of hotels that use every inch of the space as a revenue generator. CitizenM, for example, feels very intimate because the space is broken down. The grand volume of entering a hotel is behind us, perhaps not in Asia or the Middle East, but in Europe and elsewhere for sure. Space is at a premium and every inch of it has to make money. Designers are using the materiality to make spaces feel softer and warmer. These grand areas full of marble are not really where it’s at anymore. Instead, designers are trying to make these soft and reduced acoustics, so it feels more comfortable.

    “It doesn’t matter what word you throw on it, what people want is a well-designed space.” – Arianne Steinbeck, Managing Director, RPW Design

    Arianne Steinbeck (AS), Managing Director, RPW DesignThe launch of W New York on Lexington Avenue in 1998, designed by David Rockwell, was a pivotal moment. Before that, it was unheard of to serve drinks in the hotel [public areas] and play music. And now everyone is doing it. That was the start of this boutique look and feel that we see today. It doesn’t matter what word you throw on it, what people want is a well-designed space. I think that everyone in the industry has upped their game across all brands, which is a result of consumer demands. To be honest, I’m surprised it took so long.

    HK: Are you saying that there is less of a space for grand and open lobbies on the international hotel design scene?

    AS: I think there will always be a space for this style of hotel. Personally, I love hotels that remind you that they are a hotel, where the service element absolutely completes the overall experience.

    SH: I agree with you, and it’s about the coming together of quality and luxury, working as one.

    FT: But even some of the smaller luxury resorts capture that feeling of grand luxury. It all comes down to that amazing sense of service, but it is perhaps delivered in a more modern way.

    “All these hotels that feature over decoration to differentiate from others will disappear.” – Fiona Thompson, Principal, Richmond International

    HK: Trends is a sensitive term in hotel design. But do what extent do emerging trends come into your decisions when selecting wallcoverings on a project?

    AS: It’s come full circle. When I started in the ‘80s there were a lot of patterns on the wall. And then it washed out to a symphony of beiges. Now we seem to be coming back to a little bit more colour and pop. In a few years’ time we might perhaps look at this ‘greyeige’ situation again. That’s why we have all these different brands, because there is room in this industry for individuality.

    FT: There is going to be a move away, for sure, of this extraneous design for the sake of it. All these hotels that feature over decoration to differentiate from others will disappear. The young generation want something that is a bit more meaningful. All these words get thrown around: timeless, authentic, and I’m not really sure what they all mean. There is going to be this move away and everything will have more of a purpose.

    Hotels are typically big environmentally bad beasts that use power and electricity and decimate environments. Therefore, I predict there will be a call for them to be more responsible, and this filters down to the materials being used to design them.

    HK: From a product point of view, how does Arte select trends?

    Siobhan Kannenberg, Commercial Manager UK & EIRE, Arte Wallcoverings: As a brand, we don’t really have a specific style. You can always recognise Arte by the quality, but we try to cover all basis. Trend-wise, sustainability is becoming more and more important for our customers, so we are using more natural materials and that is certainly what is called for. Also, I am really excited to see tactile patterns are coming back around.

    CC: The fashion industry has always had a huge influence on design. There’s so much talk about recycling in the fashion industry at the moment. Like for example reusing materials, and this is already something that hotels are looking at.

    FT: The fashion industry is always half a season ahead. However, things are going to change because they are being challenged. It will be interesting to see how this will filter down into the design sector.

    SH: Where brands could go wrong is using sustainability as a selling point, whereas I believe it should be the foundation of the brand and not the feature. I’m hoping that everyone will end up speaking the same language in design to use for purpose and just naturally recycle materials. One of the key benefits of wallcoverings is that it is so easy – and much more affordable – to change and update interiors.

    AS: I have no problem reusing something from a previous renovation that still looks good. You don’t always have to throw everything out. Sometimes the casegoods, for example, are on par or better than what you could buy new. And with the right wallcovering, the space will look fresh and retouched.

    SK: When we are designing our Arte collections, we like to think of wallcoverings as our showstopper. Is that accurate?

    FT: I think it hasn’t been in the past, but actually bright colours and patterns are becoming the centre stage.

    HK: In all honesty, how much of the budget, time and consideration goes on the wallcovering decisions – and can you talk me through that process?

    CC: You can never estimate these things. The fact that Arte has many wallcoverings that are quite distinctly statement pieces is interesting. If an interior designer would put that into specifications there’s no way that would be changed. It’s the one thing that would be a focal element to a scheme. And if that’s an initiative that everyone agrees on then it will go ahead.

    DM: Designs are moving massively forward. From what I remember 20 years ago, the range and difference is incredible. There are so many interesting things you can do now with the wallcoverings, and I have been introduced to such a vast range of materials.

    AS: It’s also worth mentioning how much more you get in a product these days. Digital printing changed the pace of innovation. You can have so many awesome effects with digital printing, and I expect to see more of that.

    HK: What would you say is the biggest misconception from a client’s point of view?

    ALL: That the client can do it better!

    SH: In all seriousness, all of these interior designer programmes make it look so easy.

    HK: How has the evolution of social media changed the ways in which your briefs from clients are coming in?

    FT: I don’t think it’s any different from years ago when we were asked to create ‘wow factors’. It’s just a different terminology. I ban Pinterest. It is too easy to find information these days. I really encourage our designers to go out and see hotels in person, because I don’t want them to lose that discovery process.

    AS: I always have to ask which page on Pinterest a look came from, because if it’s from the first page, I don’t want to know.

    DM: You’re right, and when they see hotels, I encourage them to find something new than what they have seen online. Too often people are looking for the same shot, the same framing that they have already seen on social media, and it is stripping creativity from the process.

    We were actually given a brief for an independent hotel which was solely to create an instagrammable hotel, which would never have happened only a few years ago.

    We were challenged quite a lot by Hard Rock International when designing the London property. The brand is American and very bold. To be fair to the client, although we did go backwards and forwards, we did manage to convince them to tone down the ‘instagram moments’ for an audience in London.

    VK: We are asked quite often by clients what we consider to be ‘our moments’ in the design. The attention that the ‘Instagram moment’ is getting is much larger and much more exposed to the general public. There is no ‘one size fits all’ solution. What works in one region does not necessarily work in others.

    HK: With the rise in demand for hotels to feel more boutique and independent, how are the materials you are using in the public areas changing?

    SK: From Arte’s point of view, there seems to be a lot of misconception that vinyl is what is asked for from the big brands. Actually, with the influence of independent and boutique hotels, hotel groups are more willing to use range of products and materials. As manufacturers, we see vinyl an essential material for corridors for obvious reasons, but it’s a different story in the lobby. People don’t really touch the walls, so there is the ability you can have more fun with a variety of materials.

    CC: Fire regulations is key for the country you are in. As long as a material and product has passed its certification, I totally agree.

    HK: How do you predict public areas further changing in the next 10 years?

    CC: More people will start to work remotely. Working in London, there isn’t anywhere comfortable to sit and have a meeting with a few people. I think that should be the next focus, to have more discreet places to have a meeting – and hotels could harness this well.

    SH: I think that there is more that can be done around connectivity. Public areas can still further become even more accessible.

    FT: It will be totally connected to how we work and live. People don’t have the formality so much of going to an office anymore. The behaviour of ‘hotdesking’ is interesting and public spaces in hotels can really respond to that.

    Following the exclusive panel discussion, the leading designers and architects were the first to browse Arte Wallcoverings’ five new collections (Expedition, Wildwalk, Essentials – Les Nuances, Velveteen and Sketch (HookedOnWalls)) before they were officially launched a few days later at Focus19.

    The Standard Hotels brand arrives in the Maldives

    730 565 Hamish Kilburn
    The Standard Hotels brand arrives in the Maldives

    The Standard, Huruvalhi Maldives opens as the brand’s second hotel outside America and its debut hotel in Asia… 

    Following the brand’s first venture outside The States to open in London, The Standard brand has spilled into Asia with the arrival of The Standard, Huruvalhi Maldives. With 115 stunning private pool villas, The Standard, Huruvalhi Maldives is a short sea plane ride away from Male, nestled between the Raa and Baa Atolls, on a naturally protected island.

    The goal of every Standard project — be it a hotel, a rooftop discothèque, or a magazine — is to defy conventions, up the aesthetic stakes, and deliver an experience that can only be had at The Standard. While the Maldives has traditionally been seen as a ‘couple’s destination’, the famed hotel brand has approached the development with a fresh set of eyes. The resort offers an unmatched combination of relaxation, dynamic social life and vibrant cultural programming that also welcomes groups of friends or singles looking to meet others or just reset and recharge in Paradise.

    Each of the 115 villas features its own private lounge deck and plunge pool, and guests can choose from one of six unique culinary offerings. The Standard, Huruvalhi Maldives presents culinary options that are inspired by the bounty and beauty of the Indian Ocean and guided by the brand’s commitment to authenticity. Both local and global cuisines are offered, and special, local ingredients – some grown on its very own island farm – are woven throughout the menu.

    The Standard Spa is a haven for recovery or reboot, offering a communal hammam, aroma cypress steam room, chromotherapy and contrast shower, and ten private treatment rooms. Guests are able to drop in to a daily yoga or personal training session, or chill out at the Spa Deck and Tonic Bar plunge pool.

    Of course, no Standard experience would be complete without nightlife, from tribal beats at a beach bonfire to a glass bottom nightclub. And a disco ball above your bath tub, for guests to enjoy their own private party.

    The hotel brand, which was created in 1999, now has six hotels within its portfolio, which includes properties in New York, Los Angeles, Miami, London and now the Maldives.

    Main image credit: The Standard Hotels

    100% not-for-profit luxury safari, Lepogo Lodges, opens in South Africa

    730 565 Hamish Kilburn
    100% not-for-profit luxury safari, Lepogo Lodges, opens in South Africa

    The safari Lepogo Lodges, joins the ‘Not-for-Profit Conservation Tourism’ Movement and pledges to offset each and every guest’s carbon footprint…

    Lepogo Lodges, one of Africa’s few entirely not-for-profit high-end safari lodges, has opened its very first lodge in South Africa’s Limpopo Province, Noka Camp, which is set within the 50,000-hectare, malaria-free Lapalala Wilderness Reserve.

    Lepogo Lodges is the very first luxury camp in Africa to offset the carbon footprint of every visiting guest, from the time they leave their home to the moment they return. Family-owned and operated, the project has been developed as part of a life-long dream to create a sustainable conservation legacy in Africa, with 100 per cent of any financial gains made re-invested back into the reserve for the benefit of wildlife, conservation and the local community.

    Image credit: Lepogo Lodges

    Noka Camp consists of five stilted villas, including one villa especially designed for families. The villas are joined by a main lodge comprised of dining room, bar, lounge area and sprawling outdoor terrace, all perched atop a 100ft cliff overlooking the winding Palala River below and the endless bush ahead. The camp is entirely off-grid, with all energy self-generated by a bespoke, 250msolar walkway.

    Lepogo Lodges have worked with award-winning Japanese Architect Yuji Yamazakion Noka Camp and its five stilted villas, designed to offer the highest level of luxury while bearing the lightest footprint on the surrounding environment. A glass-fronted design for the main lodge and villas maximises the incredible panoramic views seen at every turn, while the entire property has been built on small concrete pads, which ensure that no scars are left on the land.  Each villa is complete with heated plunge pool, unique ‘sky bed’ with glass floor over the ravine, sunken bathtub and underfloor heating.

    Lepogo Lodges have collaborated with Sarah Ord Interiors on the interior design of Noka Camp. Reputed for her use of colour and eclectic designs, Sarah’s vision was to enhance and reflect the natural colours of the reserve. Noka’s light-filled interiors were inspired by the vast horizon of turning leaves on the terracotta-coloured cliffs, where the sky meets Africa. Walls disappear through the use of expansive glass panes, with each vista becoming a framed work of art on a grand scale. Sarah has made use of sustainable and South-African products, crafts and textiles wherever possible.

    Lepogo Lodges will consist of two lodges, with a second property, Melote House, set to open in 2021. Ideal for multi-generational travel, Melote House will be an exclusive-use property sleeping up to 16 guests.

    Entirely energy self-sufficient thanks to the property’s very own solar walkway, Lepogo Lodges will be the first luxury lodge in Africa to offset the carbon emissions from all guests’ travel, from the time they leave their home to the moment they return. Guests can also participate in conservation efforts, community outreach, school visits and more.

    The owning family of Lepogo Lodges is committed to supporting community projects. For example, the Montebello Design Centre in Cape Town was founded by a close relative as a centre to support the disadvantaged, where students can learn valuable crafting skills and generate income to support their livelihoods. It flourishes today and has produced some remarkable talent, some of which Lepogo is proud to be able to showcase. Lepogo Lodges are also working closely with local communities, who have created bespoke soft accessories for the lodges, toys and clothing for the on-site curio shop and custom amenities including hydrating hair oil made from the fabled Baobab and Moringa trees.

    The family is particularly passionate about the conservation of cheetah, pangolin and rhino, having been attracted to Lapalala as one of the leading private rhino sanctuaries in Africa. Lepogo Lodges have funded research and are working with Lapalala to establish the reserve as a centre of excellence for the release of wild captured cheetah in conjunction with The Endangered Wildlife Trust. A pangolin re-introduction programme will also begin in the coming months and the family look forward to supporting and working with the world renowned Lapalala Wilderness School.

     Main image credit: Lepogo Lodges

    The Standard London, Camden’s new kid on the block

    730 565 Hamish Kilburn
    The Standard London, Camden’s new kid on the block

    In search of a new standard in design, creativity and urban hotels, editor Hamish Kilburn checks in to London’s most talked-about hotels this year to explore another world. The Standard London has opened, making a bold statement on the capital’s new hospitality scene… 

    Something significant is happening in London’s King’s Cross area. It’s been brewing for some time now, but it has only recently erupted.

    During London Design Festival and London Fashion Week, the area was the backdrop of a scene of celebrities, models and the odd design editor or two falling out of parties and onto pavements. Soho and Shoreditch were desolate deserts in comparison. It’s the power of real estate like you have never seen before. Selecting its opening date carefully, The Standard has disrupted everything – and it’s about time too!

    Although, for years, the district has evolved with the time, it was the expansions to King’s Cross and the new St Pancras International stations adjacent to each other that started the catalyst for change. Strangely enough, my father worked on the construction of both. I remember the odd non-official ‘bring your son to work’ day, the oversized hard hat specifically, as we meandered around the expansive building site unable to imagine the finished picture. “Soon, you will be able to travel from London to Paris in just two hours, imagine that” I remember my father saying overexcitedly. “Right here, where you are standing, is going to become London’s major international train station!”

    Whether or not my pops really was one of the first to envision the area’s potential is irrelevant. The station opened and almost instantly the cool, quirky neighbourhood of Camden became even more of a hotspot for the mainstream, without much – if any – loss of its bold and bohemian personality. As a result, the capital’s hotel scene – quick to follow major travel trends – moved outward to put a roof over the raw and rustic scenes that its locals had created.

    And here we are, welcoming the city’s new arrival, The Standard, which has been patiently waiting in the wings for some time now. And while all hotels have a story (some more worth sharing than others), The Standards’ narrative is as unique as the interior design scheme locked within; a perfect meeting of American soul and London’s ostentatious quirk.

    Housed in the former Camden Town Hall Annex in London’s thriving King’s Cross neighbourhood, the 1974 Brutalist building has been meticulously restored by the legendary ORMS Architects in collaboration, in part, with Archer Humphryes Architects.

    The 266-key hotel, which shelters 42 suites, sets the perfect stage for the brand’s first arrival outside America. Uniquely overlooking the iconic St Pancras Station, from street level it’s juxtaposition of architecture that shouldn’t but does work. On the north side is the traditional 19th-century iconic neo-gothic architecture, which has stood the test of time, and two world wars for that matter, unscathed. On the south side is the ultra-modern non-conventional structure, symbolising loudly that times are changing.

    “Three new storeys have been added to the top of the building,” explains Simon Whitaker from ORMS Architects. “The form of which has been derived from the host building below, and clad in new stainless steel and glass panels. Two of these floors provide hotel bedrooms, whilst the top floor is dedicated to the new restaurant and bar, with a roof terrace above.”

    Image credit: The Standard Hotels

    Upon entering, the lobby lounge sets the scene, with a carefully curated library that pays homage to the building’s original use. Further in, sound studio booths host weekly live music and talks. Executive Chef Adam Rawson’s street facing bar, Double Standard, designed by Shawn Hausman, the neighbourhood’s street-facing anchor for lunch, casual drinking and dining throughout the evening.

    Although the colour scheme in the guestrooms and suites may not be to everyone’s taste, it is very much so mine. Not so much because of the tones used, but more so because they have been intertwined together with purpose – and unapologetically so for that matter. Complete with bespoke curved sofas and the King’s rooms featuring outdoor terrace bathtubs, the idiosyncratic charm of the hotel is certainly not limited to the public areas.

    Image credit: The Standard Hotels

    Before it opened, the hotel’s street level, red exterior lift was the ultimate teaser campaign. Now fully open, it shoots guests up directly to the 10th-floor where Chef Peter Sanchez-Iglesias’ restaurant showcases his live-fire cooking and where guests and visitors alike can enjoy the building’s 360-degree views of the city below all-year round thanks to the retractable awning.

    No longer do party-hard followers of the brand have to travel stateside to experience The Standard’s retro maximalism. First launched in the late 90s with its debut hotel in Hollywood, which for the record remains to this day a go-to destination on the Sunset Strip, the hotel’s urban cool influence is London’s answer to keeping the Camden’s hospitality scene fresh, authentic and designed with purpose.

    It’s next stop? The Maldives, next month in fact, which will be an interesting page to turn in what is an unmistakably climatic chapter for the now international hotel brand.

    Main image credit: The Standard Hotels

    PRODUCT WATCH: Armani and Roca launch Baia Collection

    730 565 Hamish Kilburn
    PRODUCT WATCH: Armani and Roca launch Baia Collection

    With the new Baia collection, Giorgio Armani once again shows his commitment to promoting comfort and wellbeing, expressing his vision of the bathroom environment through a combination of elements that allow maximum flexibility and adaptability…

    Particular attention has been paid to the ergonomics of each piece in the new collection by Roca in collaboration with Armani. The aesthetic intentionally references the past but the retro styling has been interpreted in a modern manner and incorporates avant-garde technology.

    The result is a new versatile bathroom collection, which manages to be both contemporary and timeless, in accordance with Giorgio Armani’s well-known design philosophy.

    The wide range of countertop and over-countertop washbasins offers endless combinations of brassware, allowing the adaptation of the pieces to suit every type of bathroom. The introduction of exciting new metallic finishes extends the embellishment on offer to help create bathroom spaces of increased sophistication and elegance. Two luxurious shades – a matte gold and dark metallic – are used in a revised version of the shagreen finish. The resulting shagreen matte gold and shagreen dark metallic adds a touch of unusual elegance. The basin options now also include a new, stylish pedestal model, which complements the rest of the collection and can be fitted with integrated metal towel rails in various finishes.

    The range also includes a new line of classically inspired brassware: deck-mounted and built-in basin faucets, a bidet faucet, a thermostatic shower column faucet and a thermostatic freestanding bathtub faucet. These are all available in three finishes: greige, brushed steel and chrome. One of the unique features of this brassware range is that, in spite of its classical design, it is equipped with innovative technology; for example, thermostatic technology has been incorporate into the freestanding retro-inspired bath filler and the retro-look shower column, delivering thoroughly modern efficiency.

    The highlight of the collection is an elegant piece of metallic furniture with washbasin and an integrated metal towel rail. This provides maximum functionality, while exuding a sense of comfort and convenience. Available both in off-white lacquered wood and greige oak-veneered wood, this piece will instantly endow any bathroom with an undeniably luxurious touch.

    To complement the beauty of this iconic piece, the freestanding bathtub, which also has a retro look, makes a perfect focal piece for any bathroom. Updated with a contemporary appearance and paying special attention to ergonomics and comfort, the lines of this bathtub are soft and sinuous. It is also available in an elegant version embellished with four metal handles in three finishes – greige, brushed steel and chrome. These handles are beautiful and functional details which match the rest of the collection.

    The importance of flexibility and the added benefit of ‘made-to-measure’ is evident in the shower tray, which comes in an extra-fine resin in custom-made sizes up to 2m x 1m, and is presented in a unique collection of textures and finishes.

    A new line of toilets and bidets, both wall-hung and close-coupled, is now included in the collection in order to meet every design requirement. These are complemented with advanced technological electronic flush plates that feature unique glass finishes.

    The wide-ranging collection also includes a line of accessories that incorporates towel racks and a wall mirror, both with rounded metallic profiles in various finishes. These recall the same design characteristics as the rest of the collection.

    Throughout the Armani/Roca Baia collection, harmonious and fluid forms promote a feeling of comfort.

    Main image credit: Roca

    A new look and feel for Momentous

    730 565 Hamish Kilburn
    A new look and feel for Momentous

    Momentous, the specialist logistics company that has recently become Recommended Supplier, has just launched a fresh new look and feel for its international business… 

    Momentous, which is part of AGM Group, has just pressed the button on a new website that has been dynamically designed specifically to highlight the company’s three core areas of specialist logistics, which are:

    1. FF&E Logistics for Interior Design
    2. Event and Tour Logistics for the Performing Arts
    3. Fine Art Logistics and Installations

    “Momentous provides a versatile service covering multiple specialist and complimentary disciplines.”

    Momentous provides international transportation with customs management, digital condition reporting, bespoke case making and installation of pieces of art and sculpture in spaces with specialist lifting equipment. Consolidated storage with FF&E inventory management, distribution and installations for major interior design projects. Its events logistics team provide transport logistics and crews on-site for live events and storage of equipment, film sets and wardrobes. Momentous provides a versatile service covering multiple specialist and complimentary disciplines.

    With decades of experience, the team includes project managers who are experts in their fields, experienced fine art technicians and logistics crews with decades of experience, ready to apply their knowledge to plan and execute your project just the way you need.

    When it comes to the important aspects such as safety, compliance, equality and sustainability, it is good to know that Momentous is part of the AGM Group which means everything complies to the company’s ISO standards and governance.

    “The company provides world class logistics management for its interior design, events and fine art clients.”

    “As a group, Momentous offers companies an exceptional level of expertise and service for specialist logistics services,” said Russell Start,  Managing Director of AGM Group.” Momentous caters for projects that are more complex than most.”

    The company, which originally began in the 1970s as an independent fine art shipping company, provides world class logistics management for its interior design, events and fine art clients.

    These three areas have a clear synergy and are particularly relevant today as fine art is increasingly intrinsic to hotel and interior design projects. Furthermore, where event logistics are now just as relevant to hotel launches and art exhibitions as they are to the thriving live events market. Momentous provides all these services through a single source.

    Giles Bristow, Project Manager at Momentous, commented: “Having all these specialist services available under a single Momentous brand, makes complete sense. It means that we provide a flexible and seamless logistics service, enabling us to condition report, pack, move, store and install just about anything for our clients.”

    To request a quotation or to discuss your project logistics requirements please click here.

    Momentous is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.

    Sleep & Eat announces this year’s conference line-up

    730 565 Hamish Kilburn
    Sleep & Eat announces this year’s conference line-up

    Sleep & Eat has revealed a conference programme that is set fair to live up to the show’s reputation as one of Europe’s leading hospitality design and innovation event…

    With some of the speakers yet to be announced, Sleep & Eat’s 2019 programme already scales new heights and reaches new depths, grapples with hospitality’s response to one of our most pressing social issues and features some of the industry’s greatest influencers, dreamers and doers, including directors of  Standard International, Virgin Galactic and NeueHouse.

    The Conference, which is free-to-attend, will run throughout the two days of the show, November 19 – 20 at London’s Olympia.

    Exceptional by Design

    Amar Lalvani, who as CEO of Standard International, has built the company into one of the most innovative hospitality enterprises in the world, will be flying in from New York to deliver the opening keynote. With his latest hotel opening just completed in London, and with plans to quadruple the company’s footprint to 20 properties in the coming years, he will tackle the challenging issue of how to continue running the group as a platform for creativity. If the strength of the brand currently is a clientele that sees value in a specific lifestyle, will that be enough to fuel aggressive growth?

    Hospitality’s Opportunity: Social Connection

    Sleep & Eat’s theme for 2019 is “Social FlexAbility”. In a world full of evidence that people are disconnecting from each other in favour of digital relationships, the event will be exploring if and how the hospitality sector and its designers can be in the vanguard of combatting this interactional shift, providing guests the opportunity to reconnect with others in-person as and when they want to by offering spaces where users can activate the social experience of their choice.

    Josh Wyatt, the driving-force behind NeueHouse, the U.S. based provider of collaborative workspace, and previously the visionary behind Generator Hostels, will share his opinions in conversation with Conference Curator, Heleri Rande, considering how creativity and design can act as financial drivers for investors, and taking a look at how NeueHouse is using these to create a unique and non-replicable company. Wyatt admits to being shocked by the many executives who still don’t appreciate the importance of design. “I think that as we enter into an era of increasing digitisation, design is ever more important. You can build a somewhat successful company without; but you can build a great company with longevity if you understand that design is the physical foundation for your customers’ emotional experience,”he says.

    The trend for hybrid spaces where guests can socialise, work and network will be under the spotlight when a panel of highly respected hotel operators gathers to discuss Social FlexAbility. Nowadays, public areas need to be engaging and inviting with food and drink concepts that complement both room and non-room areas. But what does that mean operationally and how must brands adapt themselves to manage this efficiently and within a reasonable timeframe? In a data-driven world do we still rely on our teams and human interaction to deliver on the brand promise? These are just some of the questions that Dale MacPhee, General Manager of the Waldorf Astoria Edinburgh and Business Women Scotland’s Hotelier of the Year 2017 and citizenM’s London Area Manager, Eylem Ozgun, will seek to answer. Veteran hotelier and Chairman of Bespoke Hotels, Robin Sheppard, will moderate this thought-provoking discussion, no doubt peppering the discussion with his own perspectives.

    The design of co-experience environments will also be under the spotlight. Harry Harris of SUSD, the developer behind the Curtain Hotel and Members Club and Devonshire Club, will chair a conversation between leaders in hospitality design, including Alex Michaelis of Michaelis Boyd, Matthew Grzywinski of N.Y. based architecture and design firm, Grzywinski + Pons and Yuna Megre, Founder of Moscow-based Megre Interiors which will look at some of the latest design solutions. In addition, the Sleep & Eat Set designers will be on stage to explain their approach to the design of their “Social flexibility” Sets – concept guestrooms, a restaurant and a bar that experiment with the theme and inspire visitors with what might be in their future projects.

    Above and Below

    The second day of the Conference is promising to boldly go not only into space but into the depths of Earth’s oceans. In the morning, Richard Coutts, Principal of Baca Architects, the UK’s foremost architectural practice designing on, near or under water, and Ben Fitzgerald, Director of Core Marine, the engineering firm which earlier this year worked on the headline-grabbing Underrestaurant share the platform. Ben Fitzgerald says: “At the southernmost point of the Norwegian coastline lies Under – Europe’s first underwater restaurant that also doubles up as a research centre for marine life. The combined efforts of the design practice and the engineers into underwater architecture have pushed the boundaries of hospitality experiences below the waves. Far from being an aquarium for touristy expeditions, the magic of the North Sea wildlife captivates with all its awe, rain or shine. When the land is not enough – how do we design and engineer for the next frontier?”

    The speakers from Virgin Galactic may share the sentiment but disagree with the solution when it’s their turn on stage in the afternoon. As the company is preparing to catapult the hospitality experience into space, Jeremy Brown and Martijn Brouwer will set the scene and talk about the absolute imperative of putting a personal approach to service front and centre of their delivery. The duo will explain how such an approach manifests itself operationally and in design considerations, both on and above ground in a conversation destined to fire imaginations and ensure the bucket list has just got longer.

    Other sessions will include an F&B panel in which Lydia Forte, Group Director of F&B at Rocco Forte Hotels will be joined by a stellar group of her peers, namely: Gustaf Pilebjer of Marriott, Karina Elias from The Langham and, from Hong Kong, Anurag Bali of Shangri-La International. The ingredients for this particular discussion will include the hot new concepts that travellers are craving and the thorny question – have hotels finally caught up with independent restaurants and bars in offering the same amount of social excitement and social media worthy content?

    In addition to the Conference, Sleep & Eat 2019 will include an international exhibition together with six concept room Sets, The Sleeper Bar, The Hub and the VIP Lounge, each designed by a major name hospitality design practice. The show will be open from 10 am on Tuesday 19 November with an evening networking reception until 8.30 pm, and from 10.00 am – 6.00 pm on Wednesday 20 November. For more information and to register for a complimentary pass, please visit registration.

    PRODUCT WATCH: Latest innovation from Unidrain embraces contemporary corners

    730 565 Hamish Kilburn
    PRODUCT WATCH: Latest innovation from Unidrain embraces contemporary corners

    With its products available across the globe, Unidrain is a world’s leading drainmanufacturer and nobody puts Unidrain in the corner! Unless of course it is the new Reframe corner shelf, which is the latest addition to the award-winning Reframe Collection created by Danish designer Kenneth Waaben

    Unidrain’s latest product is further proof that stylish bathroom accessories are a key part of the company’s offering.

    The award-winning Refrane Collection has expanded with the addition of the Reframe corner shelf. The ethos behind all the products, within the Reframe Collection, is a desire to improve and reframe the existing; the innovative new corner shelf is no exception.

    Most bathroom shelving is linear as corners; in reality tend to not be an exact 90 degree angle. The beauty of the new corner shelf is not only visual but practical as it adapts to the shape of the corner in which it is placed. The shelf has an anti-slip barrier to ensure shower essentials do not slip when the shelf is wet, whilst discreet grooves enable excess water to drain away easily.

    The shelf is created from a reinforced steel plate and is available in five different colour options; copper, brass, brushed stainless steel, hand polished stainless steel and black.

    Unidrain is not your average drain company; in the last year they have won three prestigious international film awards for their corporate video, these now sit alongside over 12 other design awards.

    Unidrain were established in 2003 and have gone from inventing the linear floor drain to creating a leading international brand, spreading Danish design ethics and Nordic minimalism to the rest of the globe. Unidrain products and accessories play a key role in the look and feel of the most stylish bathrooms on the planet, from five star hotels in the Maldives, to the award winning Herman K in Copenhagen.

    Winner at The Brit List 2018, Robin Sheppard, given Lifetime Achievement Award

    730 565 Hamish Kilburn
    Winner at The Brit List 2018, Robin Sheppard, given Lifetime Achievement Award

    Bespoke Hotels Chairman, who was last year’s winner of the Outstanding Contribution to the Hospitality Award at The Brit List 2018, has been honoured at 2019 AA Hospitality Awards…

    Bespoke Hotels’ Chairman, Robin Sheppard, has been honoured with the Lifetime Achievement accolade at the 2019 AA Hospitality Awards.

    Having co-founded Bespoke at the end of 1999, alongside Group CEO Haydn Fentum, Robin enters his 50th year in the hospitality industry, a sector he has described as “the most wonderful family” that comprised “a fellowship that I cherish, but which I could never have anticipated when starting out”.

    Now 64, Robin has no thoughts of retirement, and is increasingly focussed on promoting accessible tourism via the Blue Badge Access Awards, alongside encouraging young people to enter hospitality and have a career to be proud of.

    Presenting the Lifetime Achievement Award, Simon Numphud, Managing Director of AA Media, referred to Robin’s 2004 diagnosis of Guillain-Barre Syndrome, which resulted in paralysis from the neck down for a period of several months. Following two years of relentless physiotherapy, Robin was ultimately able to return to work and has gone on to spearhead Bespoke’s ongoing growth.

    “Robin has been an inspiration to us all”, he stated. “With his career made even more remarkable by the exceptional challenges he has overcome, as well as his involvement in the creation of the Blue Badge Access Awards and appointment as chairman of the Institute of Hospitality.”

    “I’m actually on cloud nine”, added Sheppard. “I have just got married, and it’s not often you spend the second night of your honeymoon in the company of 1000 people at Grosvenor House!

    “I’ve been around the block a few times, but I’ve no intention to slow down yet. It’s a tremendously exciting time for Bespoke Hotels, with the team currently focused on opening three properties in 2020: Hotel Brooklyn in February, with the Telegraph Hotel in Coventry, and Sun Street Hotel, near Liverpool Street in London, launching later in the year.”

    Bespoke Hotels entered its third decade of operations in 2019, and now stands as the UK’s largest independent hotel group with over 200 properties represented worldwide. Co-founded in 1999 by CEO Haydn Fentum and Chairman Robin Sheppard, Bespoke has enjoyed consistent growth and now manages over 9,500 hotel rooms, with £815 million in assets, and 8,000 employees under its wing.

    “While the business itself has transformed dramatically over the preceding two decades, I am immensely proud to say our principles and focus have not changed”, he added. “Bespoke has been a fantastic chapter in my career, where I have learned a huge amount from my colleagues, and been able to develop and put into practice many of the ideas I stumbled across in the preceding decades; not forgetting to have some fun along the way, especially in creating our flagship Hotel Gotham brand. And we are far from finished yet!”

    Main image credit: AA Hospitality Awards

    Leading designers, architects and hoteliers to attend The Brit List Awards 2019

    730 565 Hamish Kilburn
    Leading designers, architects and hoteliers to attend The Brit List Awards 2019

    Here are some of the leading names that have confirmed to attend Hotel Designs annual award ceremony, The Brit List Awards 2019…

    It’s been just seven days since Hotel Designs officially unveiled the shortlisted finalists for The Brit List 2019, and already design directors, principals and hoteliers from the UK’s leading firms and hotels have confirmed to attend the exclusive award ceremony, which will take place at Patch East London on November 21.

    Among the leading designers who have already confirmed are design directors and principals from Richmond International, Project Orange, Harriet Forde Design, Harris + Harris, RPW Design, Scott Brownrigg and IHG.

    In regards to architects attending The Brit List Awards 2019, Hotel Designs will welcome associates and directors from the likes of Zaha Hadid Architects, WATG, Jestico + Whiles and Dexter Moren Associates.

    Hoteliers confirmed to attend the annual awards ceremony include, among others, Good Hotel London, Limewood Group and Homegrown Hotels, Rosewood London, Cliveden House, The Athenaeum Hotel & Residences London, The Dixon, Bespoke Hotels, Eccleston Square, Inhabit London and Hotel Gotham.

    The nationwide search to find the most influential designers, architects and hoteliers operating in Britain began months ago when Hotel Designs opened up nominations and applications to readers.

    Since then, an independent panel of expert judges have gathered to select this year’s individual award winners and also to confirm the 75 individuals who have made it into The Brit List 2019.

    Head of Interior Design at IHG, Emma King, attended last year’s event and was one of the 75 names in The Brit List 2018. “The Brit List recognises the UK’s best hotel design talent,” she said at the time. “We at IHG are proud to be recognised for the hard work we have done to the interior design of our brands in recent years.”

    The shortlist is available to read here.

    “The Brit List is an unparalleled networking opportunity for all,” said editor Hamish Kilburn. “Bridging the gap between designers, architects, suppliers, hoteliers, developers, owners and operators has always been – and continues to be – the aim of every decision made by the team at Hotel Designs.”

    How to attend

    Suppliers: Click here if you are a supplier to the industry to secure your ticket for £150 + VAT.
    Designers, architects, hoteliers and developers: Click here if you are either a designer, hotelier, developer or architect to secure your ticket for £20 + VAT.

    If you would like to discuss various sponsorship packages available, please contact Katy Phillips via email, or call 01992 374050.

    #TheBritListAwards2019

    Headline Partner: Crosswater

    Event Partner: Hamilton Litestat

    2019 Industry Partner: BIID

    MINIVIEW: The Pig at Bridge Place

    730 565 Hamish Kilburn
    MINIVIEW: The Pig at Bridge Place

    Following its hotly anticipated opening in April, The Pig at Bridge Place marks the hotel brand’s sixth authentic boutique hotel within its portfolio. Editor Hamish Kilburn heads back to his home county in Kent to explore the countryside gem… 

    With its welcoming red brick façade and ornate Jacobean interior, Bridge Place is an intriguing old building with an usual rock-n-roll vibe. Over the past four decades, this musical honeypot in Bridge, Kent, has been home to some renowned parties and gigs playing host in the ‘70s to Led Zeppelin and The Kinks.

    The property houses a wealth of period features, which are most noticeable in the public areas, including large fireplaces, secret stairways, panelled walls and endless nooks and crannies. In the refurbishment, all of these structural nuances have been respected and enhanced to create seven bedrooms along with numerous cosy bars and sitting areas.

    But now, the building has turned the page to a new chapter, The Pig at Bridge Place is a 31-key boutique hotel that oozes effortless style thanks to the acclaimed designer Judy Hutson, whose signature style has given The Pig its unique brand of laid-back chic, which has been beloved by guests to date.

    The Pig, Bridge Place, Canterbury, Kent, hotel, boutique hotel, gardens, restaurant, bar

    Attached to the main building a new, carefully detailed Coach House contains a restaurant with open kitchen. Within The Coach House are 12 bedrooms; four on the ground floor and eight on the first floor. Over the brook via a hand crafted wooden bridge are seven fitting Hop Pickers’ Huts created from reclaimed materials all dotted along a meandering wooden walkway. Each hut houses a double bedroom with cosy bathroom and wood-burning stove. Next to the kitchen garden is The Barn; a large upstairs/downstairs room with vast bathroom and bedroom views across the garden.

    Worlds away from the building’s former existence of being an illustrious party scene in the ’70s, the rooms inside The Pig at Bridge Place are a calming oasis reflecting countryside bliss. Overflowing with character and style, each key unlocks its own personality. Original details can be found in each room, which are finished effortlessly with carefully curated artwork and an array of personally chosen vintage features.

    “We’ve had a great couple of years, with customers seeming to love what we do. Occupancy is in the mid 90 per cent in our rural locations and we know from our guests and their invaluable feedback that they want more PIGs,” said CEO of Home Grown Hotels Robin Hutson. “After searching far and wide for truly unique properties, we really are over the moon about our new hotel in Kent.”

    If the design wasn’t impressive enough, as with every other PIG, the kitchen garden and restaurant sit at the beating heart of this property; anything that can’t be supplied by the gardens are impressively sourced from Kent’s best producers within a 25-mile radius of Bridge.

    Main image credit: The Pig at Bridge Place

    The value of consciously designed HVAC when building eco-friendly hotels

    730 565 Hamish Kilburn
    The value of consciously designed HVAC when building eco-friendly hotels

    Confronting huge pressure from the changing the demands of modern travellers, Gallant believes that the effort to build hotels consciously should start early on in the hotel design process. Editor Hamish Kilburn speaks to the company’s Business Development Director, Lee Bell, to understand more…

    With so much emphasis on eco-friendly initiatives and designs, Hotel Designs digs beneath the surface by speaking to leading HVAC specialists, Gallant, to understand how developers and architects can start from the foundations up when designing and building an sustainable hotel building.

    Hamish kilburn: Can you explain how the company has grown since 2000?

    Lee Bell: The company has achieved successive years of profitable growth during its 19 years of trading and now employs more than 35 individuals and operates from three UK offices to provide the necessary support platform to accomplish our further forecast development over the next three years and beyond.

    HK: How can hotels fulfil their guests’ demands for eco-friendly hotels with the right heating ventilation and air conditioning units?

    LB: An eco friendly ethos is paramount to the design principles utilised to apply air conditioning systems to hotels as we strive for increased energy efficiency. This is achieved via, efficient use of diversity, effective time scheduled operation and integration of  heat recovery ventilation to adhere to regulations including BSEN378 whilst attaining BREEAM and ECA accreditation

    HK: What sets Gallant aside from other companies within the market?

    Gallant takes full, unambiguous responsibility for the entirety of its agreed demarcation of works this includes design, supply, commissioning, after sales service and maintenance, all underpinned by industry leading warranties.

    HK: How have guest behaviours inspired your product designs and services to evolve?

    LB: The guests desire for bespoke control and their familiarity and comfort with their own hand held device has focused our attention into differentiating via more sophisticated control options This emphasis can lead to a hotel guest eventually having the ability to:

    • Book and pay for a room on website(s).
    • Receive subsequent confirmation that the room is ready via email.
    • Being directed to their room via the app.
    • Unlocking the room with the app
    • Controlling the Lights, Blinds, HVAC, TV and Door Lock with the app.
    • Checkout from within the room.

    Image credit: Gallant

    HK: What are your thoughts on the future hotel room being a fully customisable and personalised space?

    LB: Evolution of individual control solutions tailored to each specific individual will allow them to re create their own personal experience in any hotel room in the world. This will allow them to replicate preferred climate conditions and  media / TV content via a hotel rooms services as they would enjoy in the comfort of their own home.

    HK: What is the biggest misconception people have of Gallant?

    HK: The most significant misunderstanding of Gallant is that our scope of supply is only limited to that of comfort cooling.

    HK: What are some common pitfalls designers/hotels fall into when specifying the products that you offer?

    LB: The three main common pitfalls can be summarised as follows:

    1. A complicated, layered route to market providing the end user with a confused method of resolving issues that arise after the initial 12 month defect period.
    2. Unbalanced indoor / outdoor combination ratio’s resulting in too many rooms being over reliant on one condenser.
    3. The impact of an ill disciplined maintenance regime, which jeopardises warranty and increases the likelihood of guest complaints  and off line rooms.

    Gallant is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

    Main image credit: Gallant

    Top furniture looks to come out of London Design Festival

    730 565 Hamish Kilburn
    Top furniture looks to come out of London Design Festival

    Are you sitting comfortably? Here is Hamish Kilburn’s editor’s pick of the most innovative furniture pieces that were exhibited at London Design Festival 2019…

    With the design world watching, London Design Festival (LDF) once again delivered a spectacular performance full of colour, shapes and thoughtful design. Full of twists and turns – and too many highlights to mention – the nine-day festival included events, talks and installations that all explored how product design is changing to cater to the evolving behaviours and demands of modern consumers.

    For the purpose of this article, I have selected my top picks from four of LDF’s leading exhibitions that made the most noise – and they were: Focus19, 100% Design, designjunction and London Design Fair.

    Winch Design’s Arc Collection for Summit Furniture – weaving new design directions 

    Winch Design and Summit Furniture introduced Arc, their debut collaboration, at Focus19. The two companies collaborated to create “the ultimate exterior furniture range”, which is inspired by the sea and the sky.

    A signature feature of the range is laminated teak, which is woven between maritime-grade brushed stainless steel rods, alternatively undulating, they arc around the back of the seats in gentle rows. The final result is reminiscent of the woven rope traditionally used on sailing yachts. Winch Design is inspired by the patterns, colours and textures of the natural world, and every design that leaves the studio is imbued with its own unique spirit, identity and story. With dedication to storytelling underpinning their fastidious attention to detail and commitment to design perfection, Arc was brought to life. The name ‘Arc’ is visually evocative and brings to mind the long arcing lines of latitude and longitude, the curve of the horizon, of a full sail, and of the shapes in the sky made by sailors when navigating by the stars using the arc of the marine sextant.

    Each piece in the collection complements the other, enabling the client to enjoy a unified, contemporary exterior look. Arc by Winch Design features a lounge chair, dining chair, bar chair, low coffee style table, sun lounger, bar cart, dining table and occasional table.

    The low, deep seating style encourages a laid back and relaxed atmosphere, creating the perfect environment to enjoy a drink at sunset. The curve of the woven teak contrasts with the straight, smooth edges and clean lines of the cushions, keeping the overall impression fresh and contemporary. The fabric on any of the soft furnishings is completely customisable.

    Ligne Roset – adaptable by nature

    Creative and pioneering by nature, Ligne Roset’s bold and contemporary stamp was imprinted on Focus19 and left a lasting impression. The brand presented its iconic ‘Prado’ settle, which adjusts freely with weighted cushions that can easily be moved from sofa to floor. The result is a comfortable, non-conformist piece of furniture that can adapt as quickly as the travel trends and guest behaviours within modern, design-led hotels around the globe.

    Andrew Martin – taking a walk on the wild side

    Unveiling a multi-layered theatrical approach design, Andrew Martin – in try Andrew Martin style – let the leash off his new collections in his own jungle-covered installation, which was entitled: The Lost City of Ozymandias.

    The new collections that were hidden in an enclave of treasure and travel included the Evans side table and Retrospective, in collaboration with Kelly Hoppen, which is a statement collection of more than 40 designs, which includes everything from furniture to lighting.

    Benchmark – architecture meets biophilic furniture design

    Image credit: Benchmark

    Benchmark presented a new collection of furniture by award-winning American architect David Rockwell at 100% Design. The Sage Collection, designed for office and commercial environments as well as the home, has a specific focus on human health and well-being within the built environment and meets the standards required for WELL certified buildings. The tenets of biophilic design inspired the collection, with its natural materials, colours and textures, rounded profiles and inviting ergonomic shapes. These elements are intrinsic in the work of both Benchmark and David Rockwell, which, together with an interest in transformation and mobility, have resulted in a collection that offers moments of both refuge and prospect.

    sixteen3 – recycled quality

     

    Image credit: sixteen3

    Exhibiting at designjunction, sixteen3 unveiled a number of contract furniture pieces that stood out for their eco qualities. Claiming that the product is made from 92 per cent recycled material and is 100 per cent recyclable, the Pop stools has been designed with purpose and is ideal for contemporary urban public areas. Another product launched at the show was Reece are armchairs that have been made from 83 per cent recycled materials and are 100 per cent recyclable.

    Inspired by the evolution of the workplace to a more relaxed, social and mobile interior, the brand’s product portfolio offers a softer approach to working, with an extensive collection of seating ranges, stylish cafe chairs and modular space division systems.

    Kolho Series by Matthew Day Jackson

    Image credit: Made by Choice

    As hotel public areas become less defined by hotel branding, and more attuned with the behaviour of guests, there is a opening for suppliers to become more daring with their designs; to take a practical item, like a piece of furniture for example, and bring it to life to make a bold statement. Cue the launch of Kolho Series by designer Matthew Day Jackson. Sheltered at London Design Fair, the new range of tables and chairs take their inspiration from the Apollo landing and a small town called Kolho in Finland.

    “The serpent represents temptation and chaos which supports the flat plane of reason,” said Day Jackson. “The space between reason chaos is that of play. This is the space where our human animal truly shows its greatest self.

    Hotel Designs’ official LDF round-up will be published shortly.

    Main image credit: Made by Choice

    Ritz-Carlton to debut in Montenegro

    730 565 Hamish Kilburn
    Ritz-Carlton to debut in Montenegro

    Marriott International has signed an agreement to introduce the Ritz-Carlton brand to Montenegro, with the aim to usher in a “new era of elegance” to the chic LuÅ¡tica Peninsula…

    Hotel giant Marriott International has signed a “milestone agreement” with Northstar D.O.O. to bring The Ritz-Carlton brand to Montenegro. Under the plan funded by Al Yasra, The Ritz-Carlton, Montenegro and The Ritz-Carlton Residences, Montenegro are scheduled to bring the brand’s unrivalled elegance and legendary service to the country in 2023.

    “With its striking views of the Adriatic coast, Montenegro has quickly become a favourite Mediterranean destination for global travellers,” said Carlton Ervin, Chief Development Officer – Europe, Marriott International. “The signing of The Ritz-Carlton, Montenegro highlights the demand for our luxury brands in this exciting region. Combining the country’s serene, natural beauty together with the brand’s legendary service makes Montenegro the perfect destination for The Ritz-Carlton guest.”

    Slated to rise in a prime position on the Western tip of the chic Luštica Peninsula, the hotel and residences are expected to boast panoramic views over the glittering Adriatic Sea. Planned to be accessible by car in 30 minutes from Tivat International Airport or two hours from Dubrovnik International Airport, the coastal property is expected to allow guests and residents to make an unforgettable entrance via the sea at a planned private jetty.

    Design plans for the hotel’s 120 elegantly appointed guestrooms and suites envision relaxing sanctuaries for guests, with simple local design planned to merge discreetly with contemporary technology, all with the aim of enhancing the natural beauty of the location. The project’s plans call for low-rise buildings that would blend into the terrain while maximizing sea and sunset views for guests, residents and visitors alike.

    Plans call for expansive outdoor event spaces with unobstructed views to create ideal settings for hosting memorable gatherings, alongside creative pop-up activations offering seasonal bar and restaurant options. Adventurous activities, such as mountain biking and nature trail hikes, are also being planned for guests to enjoy. Ambassadors of the Environment, a hands-on, educational program developed by Jean-Michel Cousteau’s Ocean Futures Society in collaboration with The Ritz Carlton, is expected to offer programming that highlights the extraordinary natural reserves surrounding the property, striving to encourage guests of all ages to understand how their actions can help preserve natural resources for future generations.

    “The success achieved on this project, bringing the legendary Ritz-Carlton brand to Montenegro, is a result of dedicated work by all parties involved, both from our company, Marriott International, and the Government of Montenegro,” said Mohamed Al Sager, Chairman, Al Yasra. “This is not only a business success, but a personal accomplishment as well. When I first visited Montenegro on holiday, I fell in love with the natural beauty of the country and knew I wanted to be a part of its future development. What began as just a dream has today become a great project on a clear path of execution.”

    The hotel and residences are planned as part of a mixed-use development that is poised to include sprawling villas, manicured gardens, a yacht club and a sparkling beach cove. The Ritz-Carlton Residences, Montenegro is expected to offer 180 apartments and 48 villas and is scheduled to complete the first phase of construction in 2023, with the final phase scheduled for completion by 2028. Residential sales are slated to begin in 2020.

    Main image credit: Marriott International

    LIGHTING TREND WATCH: Chelsom’s elegant and contemporary orb

    730 565 Hamish Kilburn
    LIGHTING TREND WATCH: Chelsom’s elegant and contemporary orb

    Orb from Chelsom is one of the signature ranges from the latest collection Edition 26, presenting a range of elegant contemporary fittings with timeless appeal that would be an impressive addition to a wide variety of interior schemes…

    The Orb ceiling fittings feature matt opal hand blown glass globes teamed with Brushed Brass cups with a decorative laser cut Prince of Wales check pattern. Arms are in contrasting Satin Black fixed to central support rings.

    Chandeliers are suspended from three fine strainer wires adjustable for height during installation and are available in a variety of sizes with a wall light alterative also available.

    Chelsom is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

    The Brit List 2019: Shortlist unveiled

    730 565 Hamish Kilburn
    The Brit List 2019: Shortlist unveiled

    The shortlisted finalists for The Brit List 2019, who are considered to be the leading interior designers, architects and hoteliers operating in Britain today, have been announced. The annual award ceremony will take place on November 21 at Patch East London (tickets available here)…

    The wait is over. Hotel Designs has exclusively published the shortlist for The Brit List 2019. The finalists listed below will be invited to the annual award ceremony at Patch East London on November 21 where the The Brit List 2019 and the individual awards will be announced.

    It is here where 2019 edition of The List, which is made up of the top 25 interior designers, top 25 hoteliers and the top 25 architects in Britain today, will be unveiled as well as the individual winners crowned.

    The nationwide search to find the most influential designers, architects and hoteliers operating in Britain began months ago when Hotel Designs opened up nominations and applications to readers.

    Since then, an independent panel of expert judges have gathered to select this year’s individual award winners and also to confirm the 75 individuals who have made it into The Brit List 2019. “Yet again, I am overwhelmed by the number and quality of this year’s candidates who have either applied or have been nominated for The Brit List 2019,” said Hamish Kilburn, editor of Hotel Designs. “Despite Britain sailing into some of what I can only describe as ‘uncharted waters’ with Brexit dominating the headlines and conversations, the creative industry – and hotel development in general – continues to be booming in the UK.

    The Brit List was launched three years ago and continues to celebrate the leading figures operating in Britain today. This year’s chosen venue, Patch East London, is the perfect stage for the occasion. Adding an extra layer to the evening will be the currently confirmed 2019 sponsors: Crosswater (headline partner), Hamilton Litestat (event partner) and the British Institute of Interior Design (BIID – industry partner). “I am excited that Hotel Designs will once again provide an unparalleled networking opportunity,” added Kilburn, “further bridging the gap between designers, architects, hoteliers, owners, developers and key-industry suppliers.”

    Britlist_28-800x602

    The shortlisted finalists for The Brit List 2019 are: 

    Interior Designers

    StudioDesigner
    Wimberly InteriorsRachel Johnson
    GA GroupEdward Davies
    Scott BrownriggDavid Mason
    Dexter Moren AssociatesNeil Andrew
    RPW DesignAriane Steinbeck
    DesignLSMLisa Robertson
    CocovaraRebecca Blow
    Nicky Dobree DesignNicky Dobree
    Bright Space DesignSarah Antoniou
    Philip WattsPhilip Watts
    Ana Engelhorn Interior DesignAna Engelhorn
    IHGHenry Reeve
    Sibley GroveJeremy Grove
    WISH LondonCaroline Smith
    Scott BrownriggKate Jarrett
    David Collins StudioSimon Rawlings
    Russell Sage StudioRussell Sage
    GA GroupTerry McGinnity
    EnnismoreCharlie North
    MBDSMartin Brudnizki
    HBA LondonConstantina Tsoutikou
    1508 LondonAkram Fahmi
    MKV DesignMaria Vafiadis
    Rocco ForteOlga Polizzi
    Amanda RosaAmanda Rosa
    Harris & HarrisAlex Harris
    Space InvaderKatie Edgar
    Twenty2 DegreesJoe Stella
    Twenty2 DegreesNick Stoupas
    Goddard LittlefairJo Littlefair
    Project OrangeChristopher Ash
    Project OrangeJames Soane
    Shawn Hausman DesignShawn Hausman
    Muza LabInge Moore
    Richmond InternationalTerry McGillicuddy
    Soho House DesignMarcus Barwell
    Soho House DesignScarlett Supple
    B3 DesignersStephanie Riedl
    Jack Irving StudioJack Irving
    studioisleIlse Crawford

    Architects

    StudioArchitect
    Emil Eve ArchitectsRoss Perkin
    Falconer Chester Hall ArchitectsAdam Hall
    East ArchitectureJulian Lewis
    Ben Adams ArchitectsBen Adams
    EPR ArchitectsGeoff Hull
    Orms ArchitectsSimon Whittaker
    Jestico + WhilesJames Dilley
    WATGGina Langridge
    Foster + PartnersLuke Fox
    Zaha Hadid ArchitectsMichele Salvi
    GenslerTom Lindblom
    Conran + PartnersSimon Kincaid
    Hawkins/BrownDarryl Chen
    Yasmine MahmoudiehYasmine Mahmoudieh
    jmarchitectsLaura Turner
    Holland Harvey ArchitectsRichard Holland
    RPP ArchitectsSimon Robinson
    Tate HarmerLaurence Pinn
    Moxon ArchitectsScott Gibb
    EPR ArchitectsMark Bruce
    Goddard LittlefairDavid Lee-Hood
    LDS ArchitectsCatarina Pina-Bartrum
    Simpson HaughSarah Matheou
    Jane Duncan Architects + InteriorsJane Duncan
    3D ReidGordon Ferrier
    Consarc ArchitectsLiz Pickard
    Dexter Moren AssociatesJohn Harding
    Aukett SwankeNicholas De Klerk
    Divercity ArchitectsDimitris Travasaros
    Allison Pike PartnershipPaul Dunlop
    HOK LondonFemi Oresanya
    ReardonSmith ArchitectsJonny Sin
    ITOLabBarbara Bochnak

    Hoteliers

    HotelHotelier
    The GrandRobert Richardson
    Cliveden HouseFrancisco Macedo
    Bespoke HotelsRobin Sheppard
    Hotel GothamMario Ovsenjek
    Hard Rock Hotel LondonIan Fletcher
    The LanesboroughMarco Novella
    Rosewood LondonMichael Bonsor
    Nadler HotelsRobert Alam
    CuckoozCharlie Rosier
    CuckoozFabienne O’Neill
    Doyle CollectionPat King
    Carbis Bay Hotel & EstateStephen Baker
    Carbis Bay Hotel & EstateJose Baker
    Starwood Capital GroupBarry Sternlicht
    The StandardBruce Robertson
    Wyndham Hotels & ResortsDimitris Manikis
    Café RoyalGuillaume Marly
    Corinthia LondonThomas Kochs
    Eccleston Square HotelOlivia Byrne
    GleneaglesConor O’Leary
    The ConnaughtSandeep Bhalla
    LaLiTKeshav Suri
    Great Scotland Yard HotelSholto Smith
    The DixonHasham Soliman
    Heckfield PlaceOlivia Richli
    Whatley ManorSue Williams
    InhabitNadira Lalji
    Ham Yard Hotel LondonLaura Sharpe
    Cottage In The WoodNick Davies
    The London Bridge HotelJulio Marques
    Limewood Group & Home Grown Hotels (The Pig)Robin Hutson
    Milsom HotelsPaul Milsom
    Sway ManorTim Holloway
    Watergate Bay HotelWill Ashworth
    Exclusive Hotelsdanny Pecorelli
    The GallivantHarry Cragoe
    The Good Hotel GroupMarten Dresen
    The AthenaeumJoanne Taylor-Stagg
    Hotel: Georgian House HotelSerena von der Heyde
    Hotel Indigo Stratford Upon AvonCarl Davies Phillips

    The Eco Award

    Carole Collet
    Harris & Harris
    Heckfield Place
    Inhabit London
    Naturalmat
    Sibley Grove
    Zuri Zanzibar

    Best In Tech

    Criton
    Eccleston Square
    Electric Mirror
    FUTURE Designs
    Hamilton Litestat
    Laufen
    Ruark
    STAAH

    Best in British Product Design

    Anthology
    Bisque
    Chelsom
    FUTURE Designs
    Harlequin
    Knightsbridge
    Panaz
    The Monkey Puzzletree
    Vaughan
    Naturalmat

     

    There is no shortlist for the award for Outstanding Contribution to the Hospitality Industry, which will be the final award presented at the exclusive ceremony.

    To purchase tickets to The Brit List 2019 Awards, click here. If you would like to discuss various sponsorship packages available, please contact Katy Phillips via email, or call 01992 374050.

    #TheBritListAwards2019

    Headline Partner: Crosswater

    Event Partner: Hamilton Litestat

    2019 Industry Partner: BIID

    London Design Festival medal winners announced

    730 565 Hamish Kilburn
    London Design Festival medal winners announced

    London Design Festival has announced the four winners of the 2019 London Design Medals…

    Launched with the aim to recognise the contribution made by the leading design figures and emerging talents in London and the industry, London Design Festival historically kicks-off the week-long design event by presenting four London Design Medals awarded.

    The 2019 medals were presented yesterday at The House of Commons, Westminster, while the capital came to life for the start of this year’s design spectacular.

    And the winners are…

    London Design Medal: Tom Dixon OBE
    Design Innovation Medal: Daniel Charny
    Emerging Design Medal: Ross Atkin
    Lifetime Achievement Medal: Dame Vivienne Westwood

    A panel of established designers, industry commentators and previous winners met to debate and judge the possible recipients of the four medals. This year’s jury members were: Ozwald Boateng OBE, Ian Callum CBE, Sheridan Coakley, Njusja de Gier, Es Devlin OBE, Sarah Douglas, Ben Evans CBE, Dr Tristram Hunt, Domenic Lippa, Jay Osgerby OBE, Raoul Shah, Joff Sharpe, Justine Simons OBE, Sir John Sorrell CBE, Dr Paul Thompson and Jane Withers.

    “Each year the jury selects four eminent people who have made a major contribution to design in the UK,” said Ben Evans CBE, London Design Festival Director. “This year the winners are as interesting and deserving as ever.”

    Tom Dixon OBE

    The London Design Medal, supported by British Airways London City, is the highest accolade bestowed upon an individual who has distinguished themselves within the industry and demonstrated consistent design excellence.

    This year’s winner, Tom Dixon, rose to prominence in the mid 1980s as a self-taught British designer. He set up the creative think-tank space, which acted as a shop front for himself and other young designers. By the late 1980s, he was working for Cappellini, for which he designed the iconic S chair. In the late 1990s, Dixon became Creative Director at Habitat and was responsible for rejuvenating the brand while maintaining Terence Conran’s vision of enriching everyday life through simple, modern design.

    His works have been acquired by museums across the globe, including the V&A, MoMA and the Pompidou Centre. In 2002 Dixon established his own eponymous brand with own stores in New York, Hong Kong, London, Los Angeles, Milan and Tokyo. More than 600 products are created by the company, ranging from lighting to furniture, from tableware through to fragrance, and are distributed to over 90 countries.

    In 2007 Dixon launched Design Research Studio, an interior and architectural design studio. High‑profile projects include the Restaurant at the Royal Academy, Shoreditch House, le Drugstore in Paris and Alto in Hong Kong. In 2018, Dixon opened the Coal Office, his new London Headquarters, in King’s Cross. Created by Design Research Studio, the Coal Office functions as a multi-displinary hub, including an office, restaurant, design studio and shop all under one roof.

    “I’m still confused as to why I won’t be getting the ‘Emerging Design Medal’,” said Dixon on the news of his win, “as it still feels very much like I have only just started – I’ve so much left to design! But I’m very touched to be noticed by this super Jury, thank you very much.”

    Daniel Charny

    Design Innovation Medal, supported by SAP, celebrates entrepreneurship in all its forms, both locally and internationally. It honours an individual for whom design lies at the core of their development and success.

    Daniel Charny is a creative director, curator and educator with an inquiring mind and an entrepreneurial streak. He is co-founder of the creative consultancy From Now On, where clients include Dartington Hall, the Design Museum, Google, Heatherwick Studio, Nesta and U+I. His most recent initiative is the creative education think-and-do-tank FixEd.

    Charny is best known as curator of the influential exhibition Power of Making at the V&A, which drove him to found the award-winning learning programme Fixperts, now taught in universities and schools worldwide. Other projects include the Aram Gallery, the British Council’s Maker Library Network and the Central Research Laboratory accelerator. As Professor of Design at Kingston University he is interested in the roles of design and making for social benefit.

    Charny is active internationally as a speaker and expert advisor, advocating his vision of design, creativity and making as essential tools to unlock a better future.

    “Engagement, education and access to design are all critical to assuring the creative responses to a changing world that we all need,” said Daniel Charny. “I’m proud to represent this idea and delighted to be recognised for it in London, a city of unparalleled creativity.”

    Ross Atkin

    Emerging Design Medal supported by Storey, recognises an impact made on the design scene within five or so years of graduation.

    Ross Atkin is a designer and engineer based in east London. His work focuses on two areas: helping disabled people to live more independently, and introducing design and engineering to children.

    He maintains his own design and development practice, creating assistive technology and accessibility-focused products that span the digital-physical divide. These include: Sight Line, a system for improving the accessibility of roadworks developed in partnership with The Royal Society for Blind Children and Transport for London; MSE Genie, an app and connected hardware that allows a sensory room to be tailored around the needs and capabilities of the person using it; Responsive Street Furniture, a system created in partnership with Marshalls that enables pieces of urban infrastructure to provide assistance automatically, such as by making street lighting brighter, or by lengthening the duration of road-crossing signals; Smartibot, the world’s first A.I. enabled carboard robot; and LiftCheck, a system that allows lift users to see if the lifts they need to complete their journey are operational before they set off.

    Atkin’s design practice is heavily informed by observational research. He regularly conducts participatory shadowing of disabled people as they make journeys around cities.

    “I never thought the kind of work that I do would be recognised, so I feel doubly honoured,” said Ross Atkin. “It’s beyond my imagination to be in the company of true legends of design, and it also is an amazing privilege to be representing the world of inclusive design on such a prominent platform as London Design Festival. I look forward to more designers from that world being recognised in the future”.

    Dame Vivienne Westwood

    Lifetime Achievement Medal Winner supported by Fortnum & Mason, honours a significant and fundamental contribution to the design industry over the course of a career.

    Vivienne Westwood was born in 1941 and moved to London 17 years later. She began designing in 1971 along with her then partner, Malcolm McLaren. In 1984, she launched her own fashion line and in 2004 the V&A hosted a Vivienne Westwood retrospective to celebrate her 34 years in fashion – the largest exhibition ever devoted to a living British fashion designer.

    Westwood has always used her collections and catwalk shows as a platform for activism. She has personally spent many years speaking out about the effects of climate change and over‑consumption – and inaugurated the ‘Climate Revolution’ at the 2012 London Paralympics closing ceremony.

    Along with husband and design partner Andreas Kronthaler, Westwood actively supports the charity Cool Earth in its efforts to halt rainforest destruction. She has also campaigned for a number of NGOs and charities including the Environmental Justice Foundation and Friends of the Earth, and is an ambassador for Greenpeace: in 2013 she designed their official ‘Save the Arctic’ logo.

    Since 2011 Westwood has worked with the International Trade Centre – a joint body of the UN – to produce accessories through their Ethical Fashion Initiative. The programme currently supports the work of thousands of women from marginalised African communities. Westwood has written her ideas in a manifesto called ‘Active Resistance to Propaganda’, rooted in culture as a stimulus to save the planet, and more recently designed a set of playing cards to set out a global economic strategy to stop climate change.

    Main image credit: LDF 2019

    Duravit and Philippe Starck unveils new generation of shower-toilets

    730 565 Hamish Kilburn
    Duravit and Philippe Starck unveils new generation of shower-toilets

    Duravit and Philippe Starck present the new generation shower-toilet, which is available in two versions: SensoWash Starck f Plus and SensoWash Starck f Lite…

    Duravit’s SensoWash Starck f Plus and Lite collection has been designed by Philippe Starck to be conveniently operated via a remote control, or can be configured via an app. The innovative remote control with its flat, elegant design feels pleasant in the hand and the functions are controlled intuitively.

    The technology has undergone further development and has been reorganized; all is now housed within the ceramic body creating a minimalist design for maximum shower-toilet comfort.  The flat seat now has a height of just 40 mm and the white cover located behind it forms a flush-mounted unit: contemporary design and comfort-enhancing technology in perfect harmony.

    Comfort is guaranteed thanks to technical finishing touches such as the motion sensor for automatic cover opening set via the user ID in the seat, there are a wide range of additional options such as seat heating, shower flow and the controllable hot air dryer.

    Image credit: Duravit

    The associated SensoWash app enables individual configuration of the shower-toilet, or it can be optionally adjusted with the remote control. The flush function and odor extraction system can also be controlled via the remote or app if the wall-mounted element, is combined with the A2 electronic actuator plate.

    As a result of the new rimless technology design and an optimised basin and siphon geometry, SensoWash Starck f provides improved water flow for perfect flushing results. HygieneGlaze 2.0, which kills 99.999 per cent of bacteria in a relatively short time, guarantees an optimum hygiene standard. 

    The flat, heated toilet seat is made of an especially rugged material and like the cover, is extremely hygienic thanks to its scratch- resistant, pore-free surface.

    The design of the new shower-toilet impresses with its pared-down aesthetics and timeless modernity: it is a perfect match for all Duravit design ranges. Developed and manufactured by Duravit and designed by Philippe Starck, the new SensoWash shower- toilet offers attractive pricing, easy installation, and an integrated, fully automated descaling function.

    Duravit is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

    Main image credit: Duravit

     

    INDUSTRY INSIGHT: Preparing your business to import from the EU in a no-deal Brexit

    730 565 Hamish Kilburn
    INDUSTRY INSIGHT: Preparing your business to import from the EU in a no-deal Brexit

    The United Kingdom (UK) will leave the European Union (EU) on October 31. If the UK leaves the EU without a deal, there may be changes that will almost certainly affect the design industry – the most obvious of which will be the shift in rules and regulations in regards to importing goods. In an attempt to cut through the noise, Hotel Designs has highlighted what businesses need to do in order to be ready… 

    Let’s face it, none of us want to be here discussing how things will change come October 31. However, despite the conflicting opinions, Government statements and sensational news stories, things are about to change – and we are, unfortunately, required to confront the changes that are imminently on the horizon, whether we agree with the politics behind them or not.

    So, here is a guide, published on the Government website, highlighting what you need to do if your business imports goods from the EU.

    1) Make sure your business has an EORI number that starts with GB

    You’ll need an Economic Operator Registration and Identification (EORI) number starting with GB to continue importing goods. You this to move goods into or out of the EU (including the UK). Not having one may result in increased costs and delays. For example, if HM Revenue and Customs (HMRC) cannot clear your goods you may have to pay storage fees.

    Click here to get an EORI number (the process takes five minutes).

    2) Decide who will make the import declarations

    You can hire someone to deal with customs for you, or you can do it yourself. If you do hire a person or a business, they and/or the business will need to be established in the EU.

    For more information about this, click here.

    3) Apply to make importing easier

    You can apply to use ‘transitional simplified procedures’ to reduce the amount of information you need to give at the border.

    You may also be able to use the Common Transit Convention (CTC) to simplify how your goods pass through customs and when you pay customs duties. Find out if you are eligible to use CTC.

    4) Set up duty deferment account if you import regularly

    Set up a duty deferment account if you want to be able to make one payment of customs duties a month instead of paying for individual shipments.

    You must set one up if you plan to use transitional simplified procedures.

    5) Check the rate of tax and duty you’ll need to pay

    You’ll need to pay customs duties and VAT on all imports.

    You’ll also need to pay excise duties if you’re importing alcohol, tobacco or biofuels. Find out the rate of excise duty on imports.

    6) Check what you need to do, and which regulations you need to follow, for the type of goods you import?

    Depending on what you’re importing, there might be other things you’ll need to do to get your business ready.

    For example, you might need to change the labelling on your goods, apply for licences, or find and approved UK border inspection post where your goods can enter the UK. Check what you need to do for the type of goods you import.

    Main image credit: publicdomainpictures.net/CC0 Public Domain

    Michaelis Boyd unveils plans for ‘Social FlexAbility’ bar scene at Sleep & Eat

    730 565 Hamish Kilburn
    Michaelis Boyd unveils plans for ‘Social FlexAbility’ bar scene at Sleep & Eat

    Award-winning architecture and design studio, Michaelis Boyd, has revealed a glimpse into its vision for this year’s pop-up bar at Sleep & Eat 2019…

    Sleep & Eat has unveiled the first teaser of Michaelis Boyd’s Sleeper Bar, which will be unveiled at this year’s event that takes place on November 19 – 20 at Olympia London. With the area at the show designed anew each year to embody the show’s theme, this year the challenge for Michaelis Boyd is to interpret ‘Social FlexAbility’.

    “Our Sleeper Bar has drawn inspiration from The Man Who Planted Trees, a short story by Jean Giono which celebrates the power of the natural environment,” said Tim Boyd and Alex Michaelis ahead of the show. “The tale describes a shepherd’s long and successful effort to single-handedly reforest a desolate valley in the foothills of the Alps in the first half of the 20th Century. Working primarily in timber, our bar is a study in sustainability; investigating the afterlife of the materials through scale, layering, adaptability and recycling. This has led us to create a space that will cater to all walks of life, adjusting to the needs of each individual, and making the bar a rich experience for each visitor.”

    This year’s bar follows in the memorable footsteps of Sleeper Bars which have explored such diverse topics as tales of wonder, social tribes and guest loyalty. The theme for 2019 is intended to explore hospitality’s unique place in balancing our desire for human interaction with our need for privacy, an issue made all-the-more pressing by our digital age. Visitors to Sleep & Eat can expect to find a bar buzzing with people doing business, catching up with friends, quietly checking emails, or simply resting weary feet, especially during the late evening networking on day one.

    As you might expect of an event recognised worldwide for nudging the hospitality design and development conversation forward, The Sleeper Bar will not be the only space at Sleep & Eat to be specially designed by an international design firm. Plans for this year also include the introduction of a Social Hub together with a new-look VIP Lounge.

    Hotel Designs is a proud media partner of the show. This year, the exhibition will be open from 10am on November 19 with an evening drinks reception until 20:30pm, and from 10:00am-18:00pm on November 20.  To register for a complimentary pass, visit registration.

    Main image credit: Michaelis Boyd

    Aman announces its debut in Bangkok

    730 565 Hamish Kilburn
    Aman announces its debut in Bangkok

    Slated to open in 2022, the luxury hotel will be Aman’s debut hotel in Bangkok, and second property in Thailand, further proving that the region is a design and hotel development hotspot… 

    Luxury hotel brand Aman, which has grown to encompass 38 hotels in 22 destinations around the world, has signed a long-term partnership with Nai Lert Group to manage a hotel and branded residences offered under a long-term leasehold ownership, which will mark the brand’s entrance in Bangkok.

    Under the terms of the agreement, Aman and Nai Lert Group will develop a luxury hotel and residences project, with construction works scheduled to commence in the coming months. The project is expected to welcome its first hotel guests and residents in 2022.

    “Aman Nai Lert Bangkok will offer a unique connection to the rich heritage and history of Bangkok” – Vladislav Doronin, Chairman and CEO of Aman

    “Thailand holds a special place in our hearts ever since the conception of Amanpuri, and our brand, in Phuket over 30 years ago,” said Vladislav Doronin, Chairman and CEO of Aman. “Aman Nai Lert Bangkok will be situated in its namesake iconic central city parkland and will further cement our vision to bring the Aman ethos to global cities. Nestled in the century-old tropical gardens of Nai Lert Park, Aman Nai Lert Bangkok will offer a unique connection to the rich heritage and history of Bangkok enhanced by the gracious traditions of Thailand.”

    Pursuing its long-lasting legacy in real estate and hospitality, Nai Lert Group is making its entry into the ultra- luxury segment with the upcoming mixed-use project, Aman Nai Lert Bangkok. Nai Lert Group Managing Director Naphaporn Bodiratnangkura commented: “We are very pleased to be working with world renowned hotel and resort brand Aman, which shares our values of delivering exquisite customer experiences.”

    Aman is the latest group to announce hotel openings in Bangkok. According to the Tourism Authority of Thailand (TAT), in 2016 more than 32.59 million tourists visited Thailand, which was an almost 20 per cent increase over the year before, and a record number for the country. With recent openings from Rosewood and Avani Hotels, the region is proving to be a hotel development hotspot in the making.

    Main image credit: Amanpuri (Aman’s current hotel offering in Thailand)

    Hotel Summit shortlisted for the EN Indy Awards

    730 565 Hamish Kilburn
    Hotel Summit shortlisted for the EN Indy Awards

    Hotel Summit, the original and leading meet-the-buyer networking event for hotel operators and key-industry suppliers, has been announced as a shortlisted finalists for the EN Indy Awards 2019 under the category of Best Brand Expansion…

    As the result of more than 20 years’ serving the industry with its highly targeted and successful meet-the-buyer concept, Forum Events’ Hotel Summit has been shortlisted among just seven other applications in the Best Brand Expansion category for the 2019 edition of the EN Indy Awards 2019.

    The announcement follows this year’s successful two-day event taking place in Heythrop Park in June, which included live on-stage interviews, moderated by editor Hamish Kilburn, with Marco Novella (Managing Director of The Lanesborough) and Pedro Colaco (CEO of Great Hotels Of The World), among others.

    More than 60 procurement professionals from leading hotels around the UK such as The Beaumont Hotel, The Gainsborough Bath Spa and Cliveden House and 30 supplier partners attended The Summit that was sheltered within the 18thcentury hotel, which combines both elegant heritage design with contemporary areas.

    “The event was amazing. I met some really great people and it’s always good to network and discover hidden secrets of the industries, and you only find them through events such as this. So, thank you for the invite and I am already looking forward to the next one!” – The Beaumont.

    “Hotel Summit is an interesting event, delivering a mix of supplier meetings, seminars and networking opportunities in various areas of hospitality.” – Great Hotels of the World

    “All staff were incredibly polite, friendly and helpful. The hotel was comfortable and very welcoming and I would be delighted to attend again” – Grasmere House

    For more than 20 years, Hotel Summit has delivered tailor-made, unique events to meet both supplier and delegates’ individual requirements. Complete with carefully planned out itineraries for all attendees, The Summit is designed to bridge together relevant business relationships and opportunities between hotel operators/procurement managers and key-industry suppliers.

    The next Hotel Summit takes place on April 27 – 28, 2020, at Five Lakes Resort, Colchester. If you are a supplier and are interested in exhibiting at next year’s event, please contact Jennie Lane by calling 01992 374098 or by emailing j.lane@forumevents.co.uk. If you are hotel operator or procurement manager and are interested in attending next year’s event, please contact Kerry Naumburger by calling 01992 374099 or by emailing k.naumburger@forumevents.co.uk.

    Bette launches British Institute of Interior Design CPD factory visit

    730 565 Hamish Kilburn
    Bette launches British Institute of Interior Design CPD factory visit

    German glazed titanium-steel bathroom specialist Bette has launched a British Institute of Interior Design (BIID)-approved CPD and tour of its factory in Delbrück, Germany…

    Recommended Supplier Bette has launched a CPD offering, which includes a tour of its factory in Delbrück, Germany. The CPD and factory tour provides a comprehensive understanding of the benefits, design and manufacture of glazed titanium-steel baths, shower trays and basins.

    The site is the company’s exclusive manufacturing facility for more than 600 bath, shower tray and washbasin designs in a wide range of different colours.

    Designers are provided with an in-depth look at the materials and processes used in manufacturing, along with installation and material experience workshops. Participants gain knowledge to help with the planning of bespoke bathroom designs, and information on the robust quality of the glazed titanium-steel products and acoustic and anti-slip solutions.

    The CPD takes place over two days and includes return flights from London Heathrow to Dusseldorf, airport transfers to the Bette factory, accommodation and meals. There is no charge to undertake the CPD, which is available to BIID members.

    To find out how to book the Bette CPD factory visit, or to enquire about planned future visits, contact Jean Francois on 0780 272 1881 or email JFMarty@Bette.co.uk

    The German family-owned business was founded in Delbrück in 1952, and has specialised exclusively in steel-shaping and enamelling processes.

    Bette’s assembly processes combine high-tech industrial production techniques with tailor-made manufacturing. More than half of the products are customised in line with customer preferences. Bette uses natural raw materials – glass, water and steel – to produce high-quality products in a wide range of different shapes, sizes and colours. The complete Bette range is verified ISO 14025 according to the Environmental Product Declaration (EPD) relating to materials and products.

    Bette is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

    Main image credit: Bette

    PRODUCT WATCH: Brintons extends Laura Ashley collection

    730 565 Hamish Kilburn
    PRODUCT WATCH: Brintons extends Laura Ashley collection

    For AW19, Brintons and Laura Ashley have updated the existing stocked collection of carpets with fresh plains and intricate patterns…

    Evolving a collaboration that has spanned a decade, Brintons and Laura Ashley have unveiled the latest designs that have been inspired by heritage prints and informed by colour trends, whilst also experimenting with scale.

    Both brands have strong heritage, renowned for creating bold prints, which adorn interiors globally. Brintons’ designers worked with Laura Ashley’s creative team to delve into their pattern archive, to create the new collection. “Laura Ashley has a strong heritage of creating bold and beautiful prints, working on an extension of the existing range was a natural next step in the development of the partnership,” said senior creative designer at Brintons, Jane Bradley-Bain.

    The collaboration has resulted in an extensive new collection of twelve axminster patterns and four new plains to add to Brintons popular Bell Twist range. Woven in Brintons famous 80 per cent wool, 20 per cent nylon yarn blend, carpets from the Laura Ashley collection offer customers the ultimate combination of performance, longevity and comfort underfoot.

    Image credit: Brintons

    Poppy Marshall-Lawton at Laura Ashley added: “Using the expert knowledge of the Brintons team and their understanding of working with an archive, has ensured that the collection remains true to the iconic Laura Ashley brand, whilst offering customers a fresh and current selection of prints and colourways.”

    Available from stock the wool-rich collection provides a ready-made solution that’s ideal for quick turnaround projects where time is critical and offers a fantastic hard-wearing option that remains tough enough for high traffic areas but won’t compromise on softness or luxury.

    With more than 230 years of heritage creating beautiful bespoke woven carpet for some of the world’s most prestigious buildings, Brintons is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

    Main image credit: Brintons

    Parkside opens new Design Studio in the Cotswolds

    730 565 Hamish Kilburn
    Parkside opens new Design Studio in the Cotswolds

    Hotel Designs headed up to the Cotswolds to attend the official opening party of Parkside’s latest studio opening…

    Design-led tile specification company Parkside has formally opened its Cotswolds Design Studio. Surrounding by the quintessentially British surroundings of the undisturbed region of the Cotswolds, Parkside welcomes designers, architects, contractors, developers and select members of the press to attend the official opening party, which also marked launch of a new collaboration with Barneby Gates.

    The new Design Studio is the fourth in the Parkside portfolio and again demonstrates the company’s dedication to provide inspirational spaces for the architecture and design communities. The ability to see the tile collections displayed and to have in-house support has been an invaluable element in Parkside’s existing Design Studios in Clerkenwell, Chelsea and Leicester.

    The Barneby Gates tile collection sees the design duo’s stunning wallpaper patterns on extra-large format porcelain tiles. The bold and courageous collection focuses on colourful and playful patterns and represents Parkside’s mission to offer distinctive tile collections.

    “Many of the intricacies of modern tile surfaces need to be seen up close to be truly appreciated and we have seen a continued demand from our clients to engage with our products first hand,” said Sarah Holey, marketing manager, Parkside. “Our Cotswolds Design Studio was an obvious progression in providing an invaluable hub for those looking for professional support from our Parkside team. There’s a wide choice of inspirational displays which will show visitors how tiles can provide impact and spark creativity for inventive interior projects.”

    The newly unveiled Design Studio provides an impressive 300m² of space. Continuing the theme from its Clerkenwell Design Studio of treating tiles like pieces of art, Parkside have framed extra-large format porcelain slabs (measuring 3200 x 1600mm) around the edge of the space to provide a dramatic impact upon entering. Display boards of varying sizes sit in front and are grouped by style for easier browsing. A free-standing island unit in the centre of the space houses a meeting room for up to 14 as well as an informal meeting space on top with impressive views out over the rolling Cotswolds hills. The intention is for the space to be used as a hub for the design community with free wi-fi, great coffee and plenty of working space in a relaxed, creative environment.

    Parkside is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

    Main image credit: Parkside

    Zaha Hadid Architects to open Concept to Completion exhibition at LDF 2019

    730 565 Hamish Kilburn
    Zaha Hadid Architects to open Concept to Completion exhibition at LDF 2019

    Following our closer look at The Morpheus, Zaha Hadid Architects’ is giving visitors to London Design Festival 2019 an exclusive look at some of its projects on the boards and about to be unveiled…

    During London Design Festival 2019, Zaha Hadid Gallery in London will present ‘Concept to Competition’, an exhibition that will showcase architecture projects by Zaha Hadid Architects set to open in 2020.

    The exhibition, which celebrates and embraces the holistic journey of a live architecture project, will feature Bee’ah HQ in the United Arab Emirates, King Abdullah Financial District (KAFD) Metro Station in Saudi Arabia, and One Thousand Museum in the United States.  The projects will be presented through the stages of concept, design, detail and construction, highlighting how the design intentions for a building evolve and develop as a part of the design process.

    Zaha Hadid Gallery is offering two architect-guided tours of ‘Concept to Completion’ on Wednesday, September 18 at 2pm and Thursday, September 19 at 5 pm.

    The Zaha Hadid Gallery showcases the latest in architecture, interiors, furniture, and product design through curated exhibitions, and provides insight into the process, and ethos of the architecture practice, and design studio that was founded by Zaha Hadid more than 40 years ago.

    Main image credit: King Abdullah Financial District (KAFD) Metro Station. ©Picture Property of RDA – All Rights Reserved

    Egypt has most active project pipeline in Africa

    730 565 Hamish Kilburn
    Egypt has most active project pipeline in Africa

    The latest data published from TOPHOTELCONSTRUCTION shows Egypt is home to 55 new hotel projects which further adds 15,485 new rooms to the region…

    The hospitality market in Africa has been booming for some time, new statistics from the TOPHOTELCONSTRUCTION database has provided an insight into the region’s future growth in development and overall tourism.

    A recent report from TOPHOTELCONSTRUCTION finds that Egypt is the country with the most active project pipeline on the entire African continent, with currently 55 projects in the pipeline, which is nearly double that of the next closest country, Morocco with 36 hotels on the boards.

    This likely means Africa’s hospitality boom is being powered in part by the rise in tourism in Egypt, where visitors come from across the globe each year to enjoy unique historical sites and landscapes, as luxury travel for most becomes more about experience rather than product.

    Some of the significant hotels currently in the pipeline in Egypt include The St. Regis Cairo, Hilton Secon Nile Tower and Four Seasons Resort Sharm El Sheikh.

    Egypt is far from the only country in Africa with many hotels currently in its project pipeline. Below Egypt in the hotel development race (in order) is Morocco, Nigeria, Ethiopia, Kenya, Algeria, South Africa, Cape Verde, Senegal, and the Ivory Coast.

    On average, Africa’s top ten countries in terms of their hospitality market currently have in the region of 22 hotels in their pipelines, with Egypt standing out its 55 projects on the boards.

    The most recent development data compliments The Egyptian tourism ministry’s strategy to target social media influencers to boost tourism in the area and promote it as a travel hotspot destination.

    Main image credit: Marriott International/St Regis Cairo

    Goa is about to welcome a 17-key luxury hotel designed to shelter holistic wellbeing

    730 565 Hamish Kilburn
    Goa is about to welcome a 17-key luxury hotel designed to shelter holistic wellbeing

    Slated to open in early 2020, Kings Mansion, Goa will combine heritage, architecture, design, Ayurvedic philosophies, state-of-the-art medical aesthetics and a global approach to holistic wellbeing…

    Located in northern Goa, an area rich in tropical forests, historic Portuguese architecture, avenues of Banyan Trees, and vast, unpopulated sandy beaches, King’s Mansion will open early next year.

    Recognising that today, wellness refers to a holistic state of being, where one’s mental, physical, spiritual and emotional health are in balance, the defining experience of King’s Mansion will be one of mindfulness, transformation, recovery and wellbeing.

    Modern yet sympathetic architecture and interior design are key elements at the boutique hotel that not only honour Goa’s legacy and culture, but also serve as a welcoming nod to the growing international interest in India as an exciting and evolving luxury and wellness destination.

    Image credit: Red Architects

    The Indian entrepreneur and Bollywood star, Sachiin Joshi, bought the property in 2017. He is also the Chairman of corporate company, Viiking Ventures, a multi-faceted business working across various industries including film production, fin-tech and charter aviation; Moss Wellness, a leading spa consultancy with experience developing international five-star brands including Aman resorts and Four Seasons. Responsible for the overall design is Indian film producer and interior designer Gauri Khan and Rajiv Parekh, founder of Red Architects, who is bringing a new energy to a modern day India with his past and future projects on the boards.

    The 17 luxury suites, which are set over 2,800m2, are being designed as private retreats. Each room will utilise the natural light with floor to ceiling windows, which will stretch out to views of private lush gardens. The large ensuite bathrooms will continue to balance a timeless and luxurious look and feel with the renderings showing a strong use of marble as well as statement matt-black fittings.

    Covered pavilions and thickets of Frangipani Trees create pockets of rest and shade in the landscaped gardens, which are set against 50 metres of unspoiled golden coastline and the Arabian Sea.

    Five dining and social areas offer guests the chance to explore India’s Ayurvedic culinary culture and international fusions. The hotel’s chefs will create daily menu plans for internal health and harmony, but with an understanding that food and satisfaction are not mutually exclusive. Continuing the theme, food will be cooked using fresh, locally sourced produce.

    At the heart of the wellbeing experience will be the spa, which will open as a hidden oasis within the property. With five luxury spa suites, a large hydrotherapy pool, and indoor and outdoor relaxation areas, guests will discover a safe space to surrender, gain awareness and achieve conscious rest and peace.

    Image credit: King’s Mansion

    Designed to offer personalised, results-focused wellness programmes, the hotel will aim to further help travellers rejuvenate, reset and recover.

    Main image credit: King’s Mansion

    The Luxury Collection announces opening of eighth hotel in China

    730 565 Hamish Kilburn
    The Luxury Collection announces opening of eighth hotel in China

    With a design narrative that celebrates Chinese culture, the 290-key Na Lotus Hotel, a Luxury Collection Hotel, has opened… 

    Following Marriott International’s plans to open more than 30 luxury hotels in 2019, the hotel group, which has recently debuted the W Hotels brand in Oman, has announced the opening of Na Lotus Hotel, a Luxury Collection Hotel, Nanning. Strategically located in the business district of the Guangxi Province, the opening marks the global brand’s eighth property in China.

    The contemporary setting merges the rich heritage of the Zhuang Minority Group and showcases their history through beautiful décor, evocative catering and magnificent surroundings.

    “The hotel’s interiors echo strong elements of the Zhuang culture.”

    “We are excited to introduce Nanning to our Global Explorers, allowing them to discover the destination, also known as the Green City and it’s abundance of lush foliage,” said Anthony Ingham, Global Brand Leader, The Luxury Collection. “As a culturally rich ethnic minority area in Guangxi Province, the destination is a perfect gateway for travellers to experience through the lens of The Luxury Collection.”

    Each of the 290 guestrooms, including 26 suites, takes inspiration from the lotus flower, and feature floor-to-ceiling windows offering panoramic views of the city as well as the Yong River and Qingxiu mountain. The hotel’s interiors echo strong elements of the Zhuang culture such as farmlands, symbolizing happiness and prosperity. Na Lotus Hotel also features a 1,100 square metre Ballroom, state-of-the-art fitness centre, and an indoor pool overlooking the skyline.

    Indigenous and international cuisines are celebrated at Na Lotus Hotel’s four signature dining venues, including Na Lian, a Chinese restaurant offering a journey of flavors with an emphasis on fresh Guangxi and Cantonese cuisines. Sky Lounge is a popular social hub serves exclusive cocktails, wines and spirits accompanied by distinctive sweet treats. Elsewhere, The Clouds features an all-day dining experience showcasing international delights, while Yun Yue, a Thai and Vietnamese fusion restaurant,  focuses on signature seafood and meat dishes prepared with local and seasonal produce.

    Image credit: Marriott International

    “As the first Marriott International luxury hotel in Guangxi Province Na Lotus hotel, a Luxury Collection Hotel invites the guests to explore the charm of Nanning,” said Henry Lee, Chief Operations Officer and Managing Director, Greater China, Marriott International. “Na Lotus Hotel is a rare gem of the Zhuang Minority, and we are thrilled to uncover this hidden treasure for our global travelers who are sure to develop a deep connection with this fascinating destination.”

    The opening of the hotel follows the hotel group unveiling its three year plan in March of this year. The strategy included adding 1,700 hotels, which would result in between 275,000 and 295,000 more rooms by 2021, supported by the strength of its record 478,000-room pipeline, including roughly 214,000 rooms that were already under construction when the press release was published.

    Main image credit: Marriott International

    TUI Blue to expand in Asia with debut hotel in Vietnam to open in Spring 2020

    730 565 Hamish Kilburn
    TUI Blue to expand in Asia with debut hotel in Vietnam to open in Spring 2020

    TUI’s flagship hotel group, TUI Blu, has announced plans to expand its portfolio in Asia, debuting in Vietnam next year with TUI Blue Nam Hoi An hotel…

    With the opening of TUI Blue Nam Hoi An hotel slated to take place in March 2020, the hotel brand is set to become the world’s largest leisure hotel brand, slated to expand its portfolio to more than 100 hotels by 2020:

    TUI Group’s existing portfolio of own hotels in Asia includes three Robinson Clubs in the Maldives and in Thailand and three Riu hotels in Sri Lanka and the Maldives. In addition, TUI operates three concept hotels in the region. TUI Blue Nam Hoi An is the first hotel of the world’s leading tourism group in Vietnam. The resort, to be converted and extended in the style of the flagship brand, will expand TUI Group’s portfolio of long-haul destinations for European travellers.

    “We see great potential for TUI Blue in Asia and have already started to pursue further growth plans. South East Asian destinations enable us to operate our hotels all year round, reducing our seasonal swing, and to tap into new target groups,” said Sebastian Ebel, TUI Group Executive Board member is charge of Hotels & Resorts. “We also work with local partners”, said Thomas Pietzka, Managing Director TUI Hotels & Resorts. “We are investing in our first hotel in Vietnam in cooperation with our new joint venture partner TMG, a company with many years of experience in the tourism and hospitality sector in Asia. They ideally complement the expertise held by TUI Blue, which will be in charge operating the new hotel.”

    The TUI Blue Nam Hoi An hotel features 318 rooms and is situated in a beachfront location on the fine sandy Tam Tien beach on the Central Vietnamese coast. Holidaymakers can combine their stay with a visit to the coastal town Hoi An. Its well-preserved old town with numerous canals and diverse architecture is a UNESCO World Cultural Heritage site. “Vietnam is a perfect hotel location for travellers interested in culture”, said Artur Gerber, Managing Director TUI Blue. “The country offers ideal conditions for guests wishing to combine their stay with authentic experiences in the region. From 2020, we will label corresponding hotel offerings as ‘TUI Blue For All‘.”

    Main image credit: TUI Group

    Orchard Hotel Singapore opens 360-degree experience in 1950s shell

    730 565 Hamish Kilburn
    Orchard Hotel Singapore opens 360-degree experience in 1950s shell

    Following a multimillion-dollar nine-month refurbishment across the hotel, Orchard Hotel Singapore has unveiled an enhanced 360-degree guest experience with reimagined dining, events and accommodation offerings…

    Orchard Hotel Singapore has reopened with upgraded areas include the hotel’s 260 grand deluxe rooms, a grand ballroom, conference centre, lobby and F&B areas.

    The history of Orchard Hotel Singapore dates back to late 1950s, where it began as a humble four-storey, 34-key hotel, complete with The Golden Venus home to popular tea dances and emerging musicians of the 1960s. Redeveloped in the 1970s to cater to the tourist boom, the original building was demolished in 1978, and the first inkling of the 656-key, twin-tower Orchard Hotel Singapore as it exists today, took its shape.

    Guests are greeted with a new experience from the moment they step through the door and into the bright and enlivened lobby. The hotel’s iconic clock tower has been updated for the modern age with a contemporary chandelier-inspired art sculpture, bordered by two upgraded dining and drinking destinations. The Orchard Cafe renews itslegacy as a local dining icon with a vibrant new style and Signature Class buffet showcasing heritage-inspiredcreations and chef-curated classics. Bar Intermezzo has an air of sophistication with new and inviting interiors andcontemporary botanical-influenced cocktails that toast to Orchard Road’s past. Overlooking the lobby from thesecond floor is Cantonese restaurant Hua Ting Restaurant, which was also given its own extensive makeover in 2018. 

    Modern cafe in the lobby

    Image caption/credit: The Orchard Cafe | Millennium Hotels/Orchard Hotel Singapore

    The 260 Grand Deluxe guestrooms in the hotel’s Orchard Wing have also been updated. Each well- appointed roomhas been elegantly designed to provide maximum comfort and easy living. With today’s sophisticated traveller in mind, the newly refurbished rooms are equipped with upgraded amenities including; six USB ports, both wired andwireless high-speed internet to ensure 24/7 connectivity and a Smart TV loaded with a variety of channels to keepthem plugged into current affairs. Unwind after a long day of shopping along the famed Orchard Road with a relaxingbath in the luxurious Japanese soaking tub (select room configurations) or call for one of 12 signature spice-based cocktails from Bar Intermezzo to be delivered right to the room.

    Trends and technology favoured by the modern hotelier are now also included in the enhanced Orchard Hotel Singapore. Step into the future of hospitality with AURA and AUSCA – the hotel’s resident room service and chefassociate robots. While AURA (front-of-house Autonomous Service Delivery Robot) are in charge of delivering roomamenities, as well as the occasional mingling with guests in the lobby, AUSCA (the world’s first Autonomous ServiceChef Associate) is responsible for whipping up perfect eggs during breakfast service at The Orchard Cafe. Responding to the needs of today’s connected travellers, Bar Intermezzo transforms into a coffee bar during the day,providing a tropical co-working oasis for those seeking new connections, fresh ideas or simply a great cup of coffee.

    New and improved event spaces for every occasion – the 11 refurbished conference and function rooms andspaces are now more versatile than ever. A key highlight includes one of Singapore’s largest pillar-free grandballrooms, occupying more than 10,000 square feet and six metres high, refitted with a luxurious fresh new look, two floor-to-ceiling LED walls (a first in Singapore), statement lighting, state-of-the-art audio-visual capabilities, an impressive foyer lined with floating orchid-inspired chandeliers and exclusive spaces divided for various uses. The conference centre has also been redesigned with five intimate meeting rooms and upgraded meeting facilities.Event planners will now have the luxury of choice with creative catering options from the hotel’s four award-winningculinary concepts – Hua Ting Restaurant, The Orchard Cafe, Mon Bijou and Bar Intermezzoas well as a Halal-certified kitchen, ensuring that all tastes and diets are catered for.

    Main image credit: Millenium Hotels/Orchard Hotel Singapore

    Curio Collection by Hilton debuts in South East Asia with hotel in the Maldives

    730 565 Hamish Kilburn
    Curio Collection by Hilton debuts in South East Asia with hotel in the Maldives

    The new 198-key property will form part of the first integrated resort in the Maldives…

    Hilton has announced the opening of SAii Lagoon Maldives, Curio Collection by Hilton, a free-spirited tropical escape that offers sun, sea, style and sustainability, creating a playful getaway for groups of fun-seeking friends, couples and families. Nestled within the idyllic Emboodhoo Lagoon, SAii Lagoon Maldives forms part of CROSSROADS Maldives, the country’s first and only integrated resort and game-changing retreat.

    The opening of SAii Lagoon Maldives also marks the debut of Curio Collection by Hilton in South East Asia, and the fifth Curio Collection by Hilton property in Asia Pacific. With a total of 198 guestrooms and villas, the resort will be Hilton’s third property in the Maldives, making the global hospitality company the largest and longest-running international hotel operator in the Maldives. Hilton opened the country’s first internationally branded resort in 1997, and today, it operates Conrad Maldives Rangali Island, which features 151 villas, suites and THE MURAKA Residence, as well as the 122-villa Waldorf Astoria Maldives Ithaafushi, which was recently unveiled in July 2019.

    “For more than 20 years, through the many firsts that Hilton has introduced in the Maldives, we have been sparking travellers’ imagination of waking up right above the Indian Ocean, or dining and even sleeping beneath the crystal-blue sea,” said Alan Watts, president, Asia Pacific, Hilton. “In addition to putting the Maldives on the global map, we have brought meaningful opportunities for employment and we continue to make positive contributions to the livelihood and well-being of local communities. With the launch of SAii Lagoon Maldives, Curio Collection by Hilton, we are looking to further deepen ‘The Hilton Effect’ in the Maldives and continue to set new benchmarks for hospitality through innovation.”

    “We are excited to welcome the world to SAii Lagoon Maldives,” said Martin van der Reijden, General Manager of SAii Lagoon Maldives and Vice President of Operations of CROSSROADS Maldives. “Guests will be able to experience the exquisite beauty of this destination, with plenty of places to stay and play. The architecture is quirky, and the interiors are daring. And yet, the resort also has a wonderfully inspiring ambience. We want everyone to walk into the resort and instantly feel a sense of excitement and exploration.”

    “Every room at SAii Lagoon Maldives is adorned with a bright, contemporarily eclectic design that reflects the archipelago’s maritime heritage.”

    “The Maldives is a dream destination for global travelers and we are thrilled to pair its tropical charm with Curio Collection’s spirit of discovery,” said Mark Nogal, global head, Curio Collection by Hilton. “SAii Lagoon Maldives is a breathtaking resort with distinct character and direct access to the fantastic facilities at CROSSROADS Maldives. Supported by Hilton’s 100 years of hospitality, guests of this resort are guaranteed memorable experiences in one of the most beautiful destinations in the world.”

    Every room at SAii Lagoon Maldives is adorned with a bright, contemporarily eclectic design that reflects the archipelago’s maritime heritage, complete with natural textures, driftwood décor and marine-inspired hues and views. Guests can choose from a series of rooms and villas, including overwater pool villas.

    The resort’s innovation is also showcased at its restaurants and bars. Miss Olive Oyl is a vibrant poolside Mediterranean seafood grill and bar, while Mr. Tomyam is an exciting Thai fusion eatery with an open kitchen and alfresco dining areas.

    The resort’s ocean-view infinity pool and fitness centre will allow guests to refresh and recharge in paradise. A wide range of water sports and recreational facilities will also be available at The Marina @ CROSSROADS, a 30-berth marina and vibrant lifestyle district.

    Main image credit: Hilton Hotels

    Boom in UK hotel sector drives supply growth

    730 565 Hamish Kilburn
    Boom in UK hotel sector drives supply growth

    Recent data shows that Edinburgh, London, Brighton, York and Birmingham are the five most attractive cities for hotel investment and development…

    The UK hotel industry saw the opening of 15,500 new hotel rooms in 2018, representing a 2.4 per cent increase in UK hotel supply, with 2019 expected to continue this uplift in development, with 19,300 new rooms forecast to open, an increase of 2.9 per cent, according to the latest research by global property adviser Knight Frank.

    The annual UK Hotel Development Opportunities 2019 report, which was published after it was reported that the UK had the third most hotels in the pipeline in Europe, reveals that the composition of new supply is altering. Whilst the development of new build hotel rooms constitutes the greatest proportion of new supply, during 2018 there was a significant rise in hotel conversion, with a 42 per cent year-on-year uplift.

    Hotel conversion constituted 34 per cent of new bedroom stock, as developers capitalised on increased vacancy rates from other asset classes, resulting in the greater availability of assets deemed suitable for hotel conversion. Nevertheless, for the full year 2019, hotel conversions are set to constitute only 20 per cent of new supply, whilst programmes of asset management, in the form of hotel extensions and refurbishments, will constitute a further 17 per cent of the UK’s new hotel supply, and new build hotel rooms expected to continue to form the majority of construction projects, making up 63 per cent of the new supply.

    The budget hotel sector continues to dominate the market, with 7,500 new rooms expected to open by the end of 2019, which equates to a five per cent increase on the previous year. However, the continued rise of both branded and independent mid and upscale hotels, partially as a result of the growing trend for lifestyle hotels, has led to a continued decline in the market share of new budget hotel rooms. As such, the market share for new hotel rooms opening in the budget sector accounted for 49 per cent of total new supply in 2016, which is set to decline to 39 per cent for the full year forecast 2019.

    There was over £1.1 billion of investment in hotel development projects in 2018 owing to increased investor confidence and the desire for long-term secure income. London attracted 60 per cent of investment volumes, which is fuelling its future pipeline, with supply set to increase by 4.2 per cent in 2019, constituting 38 per cent of the total UK pipeline.

    “The hotel sector is undergoing robust levels of development activity, despite the continued uncertainty that Brexit brings,” said Shaun Roy, Head of Hotels at Knight Frank. “This is occurring both in London and the UK more generally and is particularly evident in those markets which have a diverse business mix, with a thriving leisure market such as Edinburgh, Birmingham and Brighton.

    “There are clear opportunities for investors in the hotel sector nationwide at the development stage, which presents a long-term strategy providing a guaranteed stream of secure income.”

    The Knight Frank UK Hotel Development Index identifies which major UK towns and cities pose the best prospects for hotel investment and development and has named Edinburgh, London, Brighton, York and Birmingham as the UK’s top five most attractive cities.

    Unsurprisingly, Edinburgh topped the rankings whilst London leapfrogged the index, climbing ten places up the rankings to second, owing to its solid fundamentals and long-term market strength. Brighton retained its place in the top three whilst York represents this year’s rising star, jumping up 15 positions to enter the top five, as a result of its growth of supply and high occupancy rates of 80 per cent, followed by Birmingham, ranked in fifth place, which is set to host the Commonwealth Games in 2022.

    Main image credit: Pixabay

    Katy Perry’s stylist co-creates hotel suite to appease arguing couples

    730 565 Hamish Kilburn
    Katy Perry’s stylist co-creates hotel suite to appease arguing couples

    Katy Perry’s stylist has co-created a luxury hotel suite – to appease bickering couples who can’t agree when booking a room…

    Taking the personalised hotel experience to a new level, Johnny Wujek, who is behind some of the singer Katy Perry’s most memorable looks, has teamed-up with fellow fashionista Kaitlyn Ham, to create a room to please all tastes.

    The suite has been described as the ‘perfect compromise’ for couples with drastically different preferences, who crucially can’t agree on what they want from a hotel.

    Hotels.com recruited the world-renowned fashion influencers to style the room in London’s The Curtain – in TWO completely opposing styles.

    The ‘So Extra So Chic’ suite is split right down the middle and features Wujek’s maximalist décor on one side and the minimalist style of Ham on the other.

    “It’s a touch of overgrown Great Expectations with a dash of California casual.” – Johnny Wujek.

    Wujek’s extravagant ‘So Extra’ half of the suite features golden ornaments, monkey lamps and a luminescent mini bar.

    The stylist to the stars’ side has also been accessorised with clashing prints, colourful rugs and dazzling wallpaper.

    “I wanted my side of the room to feel exciting and ‘extra’ but also comfy and cosy,” explains Wujek. “It’s a touch of overgrown Great Expectations with a dash of California casual. Style is all about self-expression and, clearly, I have a lot to express.”

    In contrast, Kaitlyn Ham’s ‘So Chic’ half includes a statement white leather lounge chair, bespoke line-drawing art, décor pieces in muted tones and a plush wool throw.

    She said: “I took inspiration from modern mid-century design to create a space that feels open and calming. All the pieces were chosen for their style and functionality with a focus on quality. The space should feel modern and light, yet have an inviting warmth that makes it feel like home.”

    The creation of the one of a kind room follows international research also commissioned by Hotels.com into different tastes when it comes to planning a holiday. One fifth of the 300 Brits polled in a 7,200 person study would choose a luxury hotel styled with gold, marble and velvet – if money was no object.

    In contrast, just eight per cent would opt for a simple ‘shabby chic’ according to the research carried out through OnePoll.

    It also emerged those polled would like see their hotel rooms include a free-standing bath (35 per cent), a walk-in wardrobe (26 per cent) and ‘incredible’ lighting (21 per cent).

    Liz Oakman, senior director and general manager EMEA, from Hotels.com said: “No matter if it’s shades of grey or an explosion of patterns, we love that people want to stand out with their unique style even when they travel.

    “At Hotels.com, we’re all about trying new things, so with the So Extra So Chic suite, style-loving travellers out there can experience both ends of the minimal, maximal spectrum. Now all that’s left is picking which side of the bed you’re on.”

    This is not the first time fashion designers and stylists to the stars have filtered on to the hotel design scene. Earlier this year, the iconic fashion designer Jack Irving unveiled his first ever hotel design project, which is now sheltered in W London Leicester Square.

    Main image credit: SWNS

    UNVEILED: Amenities guests really want in the hotel

    730 565 Hamish Kilburn
    UNVEILED: Amenities guests really want in the hotel

    The humble shoehorn and bubble shower caps have long since been replaced by newer amenities. Here’s a list edited by STAAH of amenities that modern travellers have requested. Some are essential, some nice to have and others are (admittedly) over-the-top…

    Free Wi-Fi

    You don’t expect your guests to check if your property’s room includes power and indoor plumbing; it is a given.

    Same with wireless and free internet. This is 2019, and we’re all connected. Wi-Fi is not a perk reserved for your loyal or business guests. It should be an amenity that’s available to all. Forcing guests to join your loyalty programme (a common practice) to access free Internet is also a no-no.

    Adequate power points

    Most guests today move around with an average of three to five gadgets. Therefore, they need to be charged. Hotels that feature easily accessible power points, including in the bathroom and by the bed, are a winner modern travellers.

    Quality bathroom toiletries 

    Thanks to airline restrictions, an increasing number of travellers (75 per cent if some statistics are to be believed) use the toiletries provided. So, anything sub par just won’t do. Here’s also an opportunity for you to infuse a bit of local into your rooms. Partner up with a local provider and weave in a story about the toiletries provided. With the increasing demand for conscious hotels – a topic that Hotel Designs will be exploring on stage at the Independent Hotel Show 2019 – the latest hotel groups to pledge miniature-free hotel bathrooms globally include IHG and Marriott International.

    Hair dryer

    This is so popular, it deserves a whole point of its own! Put yourself in your guests’ shoes, travelling with hair dryers is too cumbersome. Be kind to your guests and invest in a few for them. If you want to go the whole nine yards, add in flat irons and curling irons into the mix.

    Laundry facilities

    Another essential, especially if you market yourself as a family-friendly property. Who wants to go home after a holiday with bags full of dirty laundry? Communication is key, though. Eliminating unnecessary laundry is great, but there is no point offering eco-initiatives – such as advising guests to hang up their used towels if they don’t want them washed – if the staff ignore this when on a deadline to clean a room/suite.

    Microwave and small fridge

    There is a rise for ‘hometel’ concepts, such as Room2 Southampton. Not uncommon on the amenities wishlist at all, a fridge and a microwave are appreciated by travellers, especially families with babies and young kids. The pressure-sensitive mini bars that charge you even if you pick up a bottle to read the ingredients are not welcome.

    Lint rollers and stain removers

    A petty investment but a very thoughtful addition to your room amenities. Think of the business traveller running out of the door who spilt coffee on his shirt. Or, a wedding guest who inadvertently brought along her pet’s hair on her special dress.

    Electronic chargers and adapters

    Phone chargers are among the most forgotten travel accessories. And, landing in a foreign country without the required adapter to charge your battalion of gadgets can easily ruin your holiday from the get go. Here’s when hotels are expected to come to the rescue with chargers and adapters to borrow. If you can’t have one in each room, keep some aside on the front desk.

    Coffee, tea and more

    Coffees that are substandard and tea bags that are past their use by date just don’t cut it. Artisan teas, quality coffee (including plunger coffees) and other hot beverage options are almost a norm nowadays.

    Add a cookie or packet of chips as a complimentary extra.

    Entertainment

    From books to board games and television (preferably with channels that are worth watching), hotels are expected to have downtime covered.  Check your list of amenities and see what you offer. The more, the better is the general rule.

    There’s a new trend among hoteliers to add in fun extras such as musical instruments. Nothing like a guitar in the hotel room to wind you down.

    Welcome extras

    Greet your guests with a bottle of wine or a few truffles. Great way to kick start a relationship. And, if the guest is a loyal one, up the ante on what you offer – a free massage maybe?

    STAAH is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.

     

    Marriott International to eliminate single-use shower toiletry bottles

    730 565 Hamish Kilburn
    Marriott International to eliminate single-use shower toiletry bottles

    By December 2020, the hotel group will introduce new, large amenity bottles to reduce plastic waste…

    Following on from IHG’s big announcement last month to ban miniatures, Marriott International is the latest hotel group to announce a change in policy when it comes to bathroom amenities, with the company announcing that it will replace single-use toiletry bottles of shampoo, conditioner and bath gel in guestroom showers with larger, pump-topped bottles.

    To date, the company has already rolled out larger bottles at about 1,000 properties in North America, and now expects most of its other hotels to make the switch by December 2020. When fully implemented across the globe, Marriott International’s expanded toiletry program is expected to prevent around 500 million tiny bottles annually from going to landfills; that’s about 1.7 million pounds of plastic, a 30 per cent annual reduction from current amenity plastic usage.

    “This is our second global initiative aimed at reducing single-use plastics in just over a year, which underscores how important we believe it is to continuously find ways to reduce our hotels’ environmental impact. It’s a huge priority for us,” said Arne Sorenson, President and Chief Executive Officer of Marriott International. “Our guests are looking to us to make changes that will create a meaningful difference for the environment while not sacrificing the quality service and experience they expect from our hotels.”

    “The group first began replacing single-use toiletry bottles in the guest bathrooms of about 450 select-service hotels with larger toiletry bottles that contain more product in January 2018.”

    Already, more than 20 per cent of Marriott International’s more than 7,000 properties now offer larger-pump-topped bottles in guestroom showers, doing away with single-use bottles that often end up in landfills.

    A typical large, pump-topped bottle contains the same amount of product as about 10 to 12 miniature, single-use bottles. Because miniature bottles are not usually recycled, they end up in the hotels’ trash bins – generating refuse that will never truly decompose in landfills. In addition to allowing guests to use as much of a product as they need, the larger bottles are also recyclable along with other basic containers, such as plastic soda bottles.

    Marriott International first began replacing single-use toiletry bottles in the guest bathrooms of about 450 select-service hotels with larger toiletry bottles that contain more product in January 2018. Today, the estimated 1,000 hotels that have made the switch overwhelmingly report positive feedback from guests. Each brand will implement the larger amenity bottles in a way that is consistent with the brand experience and quality standards that Marriott International’s guests have come to expect. The company is already working on ways to reduce single-use items elsewhere in the guestroom.

    This initiative furthers Marriott International’s commitment to reducing its environmental impact as part of its Serve 360: Doing Good in Every Direction platform that addresses social and environmental issues. As part of Serve 360, Marriott International is working toward several sustainability goals such as reducing landfill waste by 45 per cent and responsibly sourcing its top 10 product purchase categories – including guestroom amenities – by 2025.

    The global shower amenities initiative comes 13 months after the company’s first global plastics-reduction initiative, which addressed disposable plastic straws. In July 2018, the company’s hotels across the portfolio began phasing out disposable plastic straws and stirrers and switching to an on-demand approach with alternative products wherever possible. As of last month, the company had met its goal, resulting in an estimated annual diversion of 1 billion plastic straws from landfills – a first step on its journey to further reduce the portfolio’s reliance on single-use plastics and other disposables.

    The latest announcement expands Marriott International’s early 2018 initiative to switch single-use shower toiletry bottles to larger bottles with pump dispensers in five brands: Courtyard by Marriott, SpringHill Suites, Residence Inn, Fairfield by Marriott and TownePlace Suites. In addition, four of Marriott International’s brands – Aloft Hotels, Element by Westin, Four Points and Moxy Hotels – previously implemented the pump-dispenser toiletry concept, while a fifth – AC by Marriott – is also preparing to make the change.

    Main image credit: Marriott International

    Super 8 by Wyndham Continues announces six new hotels in Germany

    730 565 Hamish Kilburn
    Super 8 by Wyndham Continues announces six new hotels in Germany

    Wyndham’s stylish economy brand has announced to further expand its German footprint by 2021…

    In the wake of latest statistics showing that Germany is leading the hotel development race in Europe, with 382 projects in the pipeline, Wyndham Hotels has announced that it, too, will to expand its footprint in the region, with the opening of new Super 8 by Wyndham hotels in Hamburg, Berlin, Mainz, Koblenz and Augsburg by the end of 2021.

    Super 8 by Wyndham, which has recently launched Super 8 by Wyndham in Dresden, is one of the world’s largest economy hotel brands with nearly 2,900 hotels around the world. The brand is designed to elevate the economy hotel experience for the new generation of travellers with contemporary design, modern facilities, friendly service, and convenient locations.

    Wyndham Hotels & Resorts introduced Super 8 by Wyndham in Germany in 2016, in partnership with leading hotel management company Gorgeous Smiling Hotels GmbH, Grünwald. From two initial hotels in Munich, the two companies have continued to expand the brand in Freiburg, Oberhausen and recently in Dresden, with plans to reach 10 hotels and over 1,800 rooms by the end of 2021.

    “We are extremely proud of the strong momentum of Super 8 by Wyndham in Germany,” said Christian Michel, Vice President Development Europe for Wyndham Hotels & Resorts. “With a growing demand for more affordable accommodation, the brand’s expansion perfectly fits our ambition to make hotel travel possible for all. Gorgeous Smiling Hotels GmbH is a trusted and like-minded partner, and we are delighted to continue to grow Super 8 by Wyndham together in this important market.”

    A recent opening for Super 8 by Wyndham included Super 8 by Wyndham Dresden. Opened in June 2019, the 176-key hotel is centrally located near the old and new Green Vault and close to major sights. Its stylish rooms feature modern design and amenities such as flat-screen TVs, safes, free high-speed Wi-Fi and heated bathroom floors. The hotel also features an on-site breakfast restaurant with a live cooking area, a Dallmayr coffee shop, as well as a 24/7 reception desk.