Editor’s Picks

EXCLUSIVE ROUNDTABLE: Adding personality in hotel public areas

730 565 Hamish Kilburn
EXCLUSIVE ROUNDTABLE: Adding personality in hotel public areas

In partnership with Arte Wallcoverings, editor Hamish Kilburn invited some of the leading hotel designers and architects to Design Centre Chelsea Harbour for a live debate on how to add sustainable personality in the ever-evolving arena of public areas. In addition to being involved in the engaging conversation, the designers, directors and principals were also the first to see Arte’s five new collections, which were officially launched a few days later at Focus19 during London Design Festival… 

Design experts around the table:

Regardless of style, size or star-rating, recent hotel openings suggest that public areas are evolving, and fast. No longer an empty air pocket in the building’s structure, the lobbies that are being created or renovated today are unconventional active spaces, designed to flexibly accommodate all guests whether they are checking in for business, for leisure or in many instances, for both.

Hamish Kilburn: How have the ways in which consumers use public areas changed?

Fiona Thompson (FT), Principal, Richmond InternationalGenerally, how guests behave in hotels has changed. The demographic is completely different. At one point, hotels were quite intimidating places, and not very accessible. That’s been one of the most significant changes I have seen. Hotels have become much more outward-looking and much more accessible to everyone. People now use spaces how they want to use them. Therefore, public areas, in general, have a greater sense of informality.

Vitalija Katine (VK), architect, Jestico + WhilesOne of the largest changes I have noticed is the accent of activation points in lobbies. The activation point of, for example, pop-up bars and pop-up receptions can be positioned and adapted easily in the lobby. I think the public space of a hotel has been the highlight of the last four years, because people are lounging in the lobby as opposed to using it simply as transitional space.

David Mason (DM), Director of Hospitality, Scott BrownriggThere’s a lot more awareness now about the ecological message that hotels are trying to amplify. Also, with the appeal to millennials, there’s much more awareness on the public areas. I imagine there will be a lot more focus on some kind of hotel standard where we really start to look into what is going into hotels, and that will come from hotels aiming to achieve an environmental space. Although hotels are already acting to be more eco-friendly, I think it will become even more of a focus.

Caroline Cundall (CC), Director of Interior Design IHG – Europe: How people work and specifically how people hold meetings has changed massively. That has had a large affect on our lobby spaces. More and more people are roaming around with small laptops and lobbies are much less formal than they used to be. Hotels are recognising the value in attracting more than just the guests staying at the hotel, and the current boutique influence is a catalyst in all of this.

Sam Hall (SH), Global Head of FF&E, GA GroupI have seen more awareness in hotel operators in understanding how space is used. There are many examples of hotels that use every inch of the space as a revenue generator. CitizenM, for example, feels very intimate because the space is broken down. The grand volume of entering a hotel is behind us, perhaps not in Asia or the Middle East, but in Europe and elsewhere for sure. Space is at a premium and every inch of it has to make money. Designers are using the materiality to make spaces feel softer and warmer. These grand areas full of marble are not really where it’s at anymore. Instead, designers are trying to make these soft and reduced acoustics, so it feels more comfortable.

“It doesn’t matter what word you throw on it, what people want is a well-designed space.” – Arianne Steinbeck, Managing Director, RPW Design

Arianne Steinbeck (AS), Managing Director, RPW DesignThe launch of W New York on Lexington Avenue in 1998, designed by David Rockwell, was a pivotal moment. Before that, it was unheard of to serve drinks in the hotel [public areas] and play music. And now everyone is doing it. That was the start of this boutique look and feel that we see today. It doesn’t matter what word you throw on it, what people want is a well-designed space. I think that everyone in the industry has upped their game across all brands, which is a result of consumer demands. To be honest, I’m surprised it took so long.

HK: Are you saying that there is less of a space for grand and open lobbies on the international hotel design scene?

AS: I think there will always be a space for this style of hotel. Personally, I love hotels that remind you that they are a hotel, where the service element absolutely completes the overall experience.

SH: I agree with you, and it’s about the coming together of quality and luxury, working as one.

FT: But even some of the smaller luxury resorts capture that feeling of grand luxury. It all comes down to that amazing sense of service, but it is perhaps delivered in a more modern way.

“All these hotels that feature over decoration to differentiate from others will disappear.” – Fiona Thompson, Principal, Richmond International

HK: Trends is a sensitive term in hotel design. But do what extent do emerging trends come into your decisions when selecting wallcoverings on a project?

AS: It’s come full circle. When I started in the ‘80s there were a lot of patterns on the wall. And then it washed out to a symphony of beiges. Now we seem to be coming back to a little bit more colour and pop. In a few years’ time we might perhaps look at this ‘greyeige’ situation again. That’s why we have all these different brands, because there is room in this industry for individuality.

FT: There is going to be a move away, for sure, of this extraneous design for the sake of it. All these hotels that feature over decoration to differentiate from others will disappear. The young generation want something that is a bit more meaningful. All these words get thrown around: timeless, authentic, and I’m not really sure what they all mean. There is going to be this move away and everything will have more of a purpose.

Hotels are typically big environmentally bad beasts that use power and electricity and decimate environments. Therefore, I predict there will be a call for them to be more responsible, and this filters down to the materials being used to design them.

HK: From a product point of view, how does Arte select trends?

Siobhan Kannenberg, Commercial Manager UK & EIRE, Arte Wallcoverings: As a brand, we don’t really have a specific style. You can always recognise Arte by the quality, but we try to cover all basis. Trend-wise, sustainability is becoming more and more important for our customers, so we are using more natural materials and that is certainly what is called for. Also, I am really excited to see tactile patterns are coming back around.

CC: The fashion industry has always had a huge influence on design. There’s so much talk about recycling in the fashion industry at the moment. Like for example reusing materials, and this is already something that hotels are looking at.

FT: The fashion industry is always half a season ahead. However, things are going to change because they are being challenged. It will be interesting to see how this will filter down into the design sector.

SH: Where brands could go wrong is using sustainability as a selling point, whereas I believe it should be the foundation of the brand and not the feature. I’m hoping that everyone will end up speaking the same language in design to use for purpose and just naturally recycle materials. One of the key benefits of wallcoverings is that it is so easy – and much more affordable – to change and update interiors.

AS: I have no problem reusing something from a previous renovation that still looks good. You don’t always have to throw everything out. Sometimes the casegoods, for example, are on par or better than what you could buy new. And with the right wallcovering, the space will look fresh and retouched.

SK: When we are designing our Arte collections, we like to think of wallcoverings as our showstopper. Is that accurate?

FT: I think it hasn’t been in the past, but actually bright colours and patterns are becoming the centre stage.

HK: In all honesty, how much of the budget, time and consideration goes on the wallcovering decisions – and can you talk me through that process?

CC: You can never estimate these things. The fact that Arte has many wallcoverings that are quite distinctly statement pieces is interesting. If an interior designer would put that into specifications there’s no way that would be changed. It’s the one thing that would be a focal element to a scheme. And if that’s an initiative that everyone agrees on then it will go ahead.

DM: Designs are moving massively forward. From what I remember 20 years ago, the range and difference is incredible. There are so many interesting things you can do now with the wallcoverings, and I have been introduced to such a vast range of materials.

AS: It’s also worth mentioning how much more you get in a product these days. Digital printing changed the pace of innovation. You can have so many awesome effects with digital printing, and I expect to see more of that.

HK: What would you say is the biggest misconception from a client’s point of view?

ALL: That the client can do it better!

SH: In all seriousness, all of these interior designer programmes make it look so easy.

HK: How has the evolution of social media changed the ways in which your briefs from clients are coming in?

FT: I don’t think it’s any different from years ago when we were asked to create ‘wow factors’. It’s just a different terminology. I ban Pinterest. It is too easy to find information these days. I really encourage our designers to go out and see hotels in person, because I don’t want them to lose that discovery process.

AS: I always have to ask which page on Pinterest a look came from, because if it’s from the first page, I don’t want to know.

DM: You’re right, and when they see hotels, I encourage them to find something new than what they have seen online. Too often people are looking for the same shot, the same framing that they have already seen on social media, and it is stripping creativity from the process.

We were actually given a brief for an independent hotel which was solely to create an instagrammable hotel, which would never have happened only a few years ago.

We were challenged quite a lot by Hard Rock International when designing the London property. The brand is American and very bold. To be fair to the client, although we did go backwards and forwards, we did manage to convince them to tone down the ‘instagram moments’ for an audience in London.

VK: We are asked quite often by clients what we consider to be ‘our moments’ in the design. The attention that the ‘Instagram moment’ is getting is much larger and much more exposed to the general public. There is no ‘one size fits all’ solution. What works in one region does not necessarily work in others.

HK: With the rise in demand for hotels to feel more boutique and independent, how are the materials you are using in the public areas changing?

SK: From Arte’s point of view, there seems to be a lot of misconception that vinyl is what is asked for from the big brands. Actually, with the influence of independent and boutique hotels, hotel groups are more willing to use range of products and materials. As manufacturers, we see vinyl an essential material for corridors for obvious reasons, but it’s a different story in the lobby. People don’t really touch the walls, so there is the ability you can have more fun with a variety of materials.

CC: Fire regulations is key for the country you are in. As long as a material and product has passed its certification, I totally agree.

HK: How do you predict public areas further changing in the next 10 years?

CC: More people will start to work remotely. Working in London, there isn’t anywhere comfortable to sit and have a meeting with a few people. I think that should be the next focus, to have more discreet places to have a meeting – and hotels could harness this well.

SH: I think that there is more that can be done around connectivity. Public areas can still further become even more accessible.

FT: It will be totally connected to how we work and live. People don’t have the formality so much of going to an office anymore. The behaviour of ‘hotdesking’ is interesting and public spaces in hotels can really respond to that.

Following the exclusive panel discussion, the leading designers and architects were the first to browse Arte Wallcoverings’ five new collections (Expedition, Wildwalk, Essentials – Les Nuances, Velveteen and Sketch (HookedOnWalls)) before they were officially launched a few days later at Focus19.

Editor Checks In: Everyone’s gone eco!

730 565 Hamish Kilburn
Editor Checks In: Everyone’s gone eco!

This September, editor Hamish Kilburn has seen a rise in biophilic and eco design at London Design Festival as he prepares to go on stage at next month’s Independent Hotel Show (October 15) to put the topic firmly under the magnifying glass…

I’ve got a confession to make. I’m not a naturally born eco warrior – and I don’t believe anyone who was born pre-Millennium is either. That’s not to be confused by someone who doesn’t care about the environment. It just means that I, like others, have had to learn – and learn quickly – about the many strands attached to this very real issue before being comfortable speaking about it publicly.

“Reading the latest statistics on global warming sends physical shivers down my spine, like a glacier is melting down by back vertebrae by vertebrae.”

Last year I was privileged to be among the first to interview Martin Pease as the Managing Director of architecture and design firm WATG London. While the interview was memorable, it was his response to one particular question that stayed with me. When asked what the number-one tool for success is, he said: “We have two ears and one mouth for a reason.” Since then, I have made it an editor’s prerogative to listen to many, not just one or a few, before finally being prepared to make sense of chaotic and stigmatised issues. And here I am preparing to dissect what is the most chaotic and complex matters our industry has perhaps ever faced: climate change and finding sustainable, ecological and realistic solutions to create harmony between design and nature.

Reading the latest statistics on global warming sends physical shivers down my spine, like a glacier melting down my back vertebrae by vertebrae. According to NASA, most of the warming has occurred in the last 35 years, with the five warmest years on record taking place since 2010. Meanwhile, The Greenland and Antarctic ice sheets have decreased in mass, having lost an average of 286 billion tons of ice per year between 1993 and 2016.

Designers, architects and suppliers have traditionally been good listeners when it comes to reacting to meeting the needs – and in this case requirements – of consumers. This month has been no exception. London Design Festival 2019 once again attracted the attention of the design world. Firstly, it awarded Dame Vivienne Westwood with the Lifetime Achievement Medal.

Despite my initial concerns, it was not Brexit that was dominating the theme of every conversation in and between the many social events. Instead, it was the boundless possibilities of biophilic design; discussing, at length, who was using nature innovatively for good to create warm and thoughtful interiors. I have my favourites, as do we all, but it feels like it’s creating a free-flowing movement of ideas.

I would argue that we are not quite yet surfing on the crest of the sustainability wave. Although we have the resources to hand when we catch it, we are reliant on each other – developers, owners, operators and investors – in order for it to finally, one day, become common practice to receive a brief to design a fully eco hotel.

Cue next month’s Independent Hotel Show, where I will have the heavy responsibility to lead the discussion on how our global industry can work together to build more conscious and considered hotels. While I can’t promise miracles, I can guarantee that my expert panel and I have turned over every stone to ensure that we offer realistic visions of a sustainable future on the international hotel design scene.

It’s already started, with hotels such as The Pig pledging publically that almost all food that can’t be supplied by the gardens is then impressively sourced within a 25-mile radius. And Monkey Island Estate in Bray-on-Thames, which features its own smoke house among many other intriguing elements in the garden, with still plenty of space for further expansion.

My conclusion (for the purpose of this Editor’s Letter if nothing else) is that it is not rocket science. It’s simply about the industry collectively using creative thinking to offer new and functional solutions. Call it, if you like, the true art of modern hospitality.

Main image credit: Act Studios

MINIVIEW: The Pig at Bridge Place

730 565 Hamish Kilburn
MINIVIEW: The Pig at Bridge Place

Following its hotly anticipated opening in April, The Pig at Bridge Place marks the hotel brand’s sixth authentic boutique hotel within its portfolio. Editor Hamish Kilburn heads back to his home county in Kent to explore the countryside gem… 

With its welcoming red brick façade and ornate Jacobean interior, Bridge Place is an intriguing old building with an usual rock-n-roll vibe. Over the past four decades, this musical honeypot in Bridge, Kent, has been home to some renowned parties and gigs playing host in the ‘70s to Led Zeppelin and The Kinks.

The property houses a wealth of period features, which are most noticeable in the public areas, including large fireplaces, secret stairways, panelled walls and endless nooks and crannies. In the refurbishment, all of these structural nuances have been respected and enhanced to create seven bedrooms along with numerous cosy bars and sitting areas.

But now, the building has turned the page to a new chapter, The Pig at Bridge Place is a 31-key boutique hotel that oozes effortless style thanks to the acclaimed designer Judy Hutson, whose signature style has given The Pig its unique brand of laid-back chic, which has been beloved by guests to date.

The Pig, Bridge Place, Canterbury, Kent, hotel, boutique hotel, gardens, restaurant, bar

Attached to the main building a new, carefully detailed Coach House contains a restaurant with open kitchen. Within The Coach House are 12 bedrooms; four on the ground floor and eight on the first floor. Over the brook via a hand crafted wooden bridge are seven fitting Hop Pickers’ Huts created from reclaimed materials all dotted along a meandering wooden walkway. Each hut houses a double bedroom with cosy bathroom and wood-burning stove. Next to the kitchen garden is The Barn; a large upstairs/downstairs room with vast bathroom and bedroom views across the garden.

Worlds away from the building’s former existence of being an illustrious party scene in the ’70s, the rooms inside The Pig at Bridge Place are a calming oasis reflecting countryside bliss. Overflowing with character and style, each key unlocks its own personality. Original details can be found in each room, which are finished effortlessly with carefully curated artwork and an array of personally chosen vintage features.

“We’ve had a great couple of years, with customers seeming to love what we do. Occupancy is in the mid 90 per cent in our rural locations and we know from our guests and their invaluable feedback that they want more PIGs,” said CEO of Home Grown Hotels Robin Hutson. “After searching far and wide for truly unique properties, we really are over the moon about our new hotel in Kent.”

If the design wasn’t impressive enough, as with every other PIG, the kitchen garden and restaurant sit at the beating heart of this property; anything that can’t be supplied by the gardens are impressively sourced from Kent’s best producers within a 25-mile radius of Bridge.

Main image credit: The Pig at Bridge Place

Top furniture looks to come out of London Design Festival

730 565 Hamish Kilburn
Top furniture looks to come out of London Design Festival

Are you sitting comfortably? Here is Hamish Kilburn’s editor’s pick of the most innovative furniture pieces that were exhibited at London Design Festival 2019…

With the design world watching, London Design Festival (LDF) once again delivered a spectacular performance full of colour, shapes and thoughtful design. Full of twists and turns – and too many highlights to mention – the nine-day festival included events, talks and installations that all explored how product design is changing to cater to the evolving behaviours and demands of modern consumers.

For the purpose of this article, I have selected my top picks from four of LDF’s leading exhibitions that made the most noise – and they were: Focus19, 100% Design, designjunction and London Design Fair.

Winch Design’s Arc Collection for Summit Furniture – weaving new design directions 

Winch Design and Summit Furniture introduced Arc, their debut collaboration, at Focus19. The two companies collaborated to create “the ultimate exterior furniture range”, which is inspired by the sea and the sky.

A signature feature of the range is laminated teak, which is woven between maritime-grade brushed stainless steel rods, alternatively undulating, they arc around the back of the seats in gentle rows. The final result is reminiscent of the woven rope traditionally used on sailing yachts. Winch Design is inspired by the patterns, colours and textures of the natural world, and every design that leaves the studio is imbued with its own unique spirit, identity and story. With dedication to storytelling underpinning their fastidious attention to detail and commitment to design perfection, Arc was brought to life. The name ‘Arc’ is visually evocative and brings to mind the long arcing lines of latitude and longitude, the curve of the horizon, of a full sail, and of the shapes in the sky made by sailors when navigating by the stars using the arc of the marine sextant.

Each piece in the collection complements the other, enabling the client to enjoy a unified, contemporary exterior look. Arc by Winch Design features a lounge chair, dining chair, bar chair, low coffee style table, sun lounger, bar cart, dining table and occasional table.

The low, deep seating style encourages a laid back and relaxed atmosphere, creating the perfect environment to enjoy a drink at sunset. The curve of the woven teak contrasts with the straight, smooth edges and clean lines of the cushions, keeping the overall impression fresh and contemporary. The fabric on any of the soft furnishings is completely customisable.

Ligne Roset – adaptable by nature

Creative and pioneering by nature, Ligne Roset’s bold and contemporary stamp was imprinted on Focus19 and left a lasting impression. The brand presented its iconic ‘Prado’ settle, which adjusts freely with weighted cushions that can easily be moved from sofa to floor. The result is a comfortable, non-conformist piece of furniture that can adapt as quickly as the travel trends and guest behaviours within modern, design-led hotels around the globe.

Andrew Martin – taking a walk on the wild side

Unveiling a multi-layered theatrical approach design, Andrew Martin – in try Andrew Martin style – let the leash off his new collections in his own jungle-covered installation, which was entitled: The Lost City of Ozymandias.

The new collections that were hidden in an enclave of treasure and travel included the Evans side table and Retrospective, in collaboration with Kelly Hoppen, which is a statement collection of more than 40 designs, which includes everything from furniture to lighting.

Benchmark – architecture meets biophilic furniture design

Image credit: Benchmark

Benchmark presented a new collection of furniture by award-winning American architect David Rockwell at 100% Design. The Sage Collection, designed for office and commercial environments as well as the home, has a specific focus on human health and well-being within the built environment and meets the standards required for WELL certified buildings. The tenets of biophilic design inspired the collection, with its natural materials, colours and textures, rounded profiles and inviting ergonomic shapes. These elements are intrinsic in the work of both Benchmark and David Rockwell, which, together with an interest in transformation and mobility, have resulted in a collection that offers moments of both refuge and prospect.

sixteen3 – recycled quality

 

Image credit: sixteen3

Exhibiting at designjunction, sixteen3 unveiled a number of contract furniture pieces that stood out for their eco qualities. Claiming that the product is made from 92 per cent recycled material and is 100 per cent recyclable, the Pop stools has been designed with purpose and is ideal for contemporary urban public areas. Another product launched at the show was Reece are armchairs that have been made from 83 per cent recycled materials and are 100 per cent recyclable.

Inspired by the evolution of the workplace to a more relaxed, social and mobile interior, the brand’s product portfolio offers a softer approach to working, with an extensive collection of seating ranges, stylish cafe chairs and modular space division systems.

Kolho Series by Matthew Day Jackson

Image credit: Made by Choice

As hotel public areas become less defined by hotel branding, and more attuned with the behaviour of guests, there is a opening for suppliers to become more daring with their designs; to take a practical item, like a piece of furniture for example, and bring it to life to make a bold statement. Cue the launch of Kolho Series by designer Matthew Day Jackson. Sheltered at London Design Fair, the new range of tables and chairs take their inspiration from the Apollo landing and a small town called Kolho in Finland.

“The serpent represents temptation and chaos which supports the flat plane of reason,” said Day Jackson. “The space between reason chaos is that of play. This is the space where our human animal truly shows its greatest self.

Hotel Designs’ official LDF round-up will be published shortly.

Main image credit: Made by Choice

The Brit List 2019: Shortlist unveiled

730 565 Hamish Kilburn
The Brit List 2019: Shortlist unveiled

The shortlisted finalists for The Brit List 2019, who are considered to be the leading interior designers, architects and hoteliers operating in Britain today, have been announced. The annual award ceremony will take place on November 21 at Patch East London (tickets available here)…

The wait is over. Hotel Designs has exclusively published the shortlist for The Brit List 2019. The finalists listed below will be invited to the annual award ceremony at Patch East London on November 21 where the The Brit List 2019 and the individual awards will be announced.

It is here where 2019 edition of The List, which is made up of the top 25 interior designers, top 25 hoteliers and the top 25 architects in Britain today, will be unveiled as well as the individual winners crowned.

The nationwide search to find the most influential designers, architects and hoteliers operating in Britain began months ago when Hotel Designs opened up nominations and applications to readers.

Since then, an independent panel of expert judges have gathered to select this year’s individual award winners and also to confirm the 75 individuals who have made it into The Brit List 2019. “Yet again, I am overwhelmed by the number and quality of this year’s candidates who have either applied or have been nominated for The Brit List 2019,” said Hamish Kilburn, editor of Hotel Designs. “Despite Britain sailing into some of what I can only describe as ‘uncharted waters’ with Brexit dominating the headlines and conversations, the creative industry – and hotel development in general – continues to be booming in the UK.

The Brit List was launched three years ago and continues to celebrate the leading figures operating in Britain today. This year’s chosen venue, Patch East London, is the perfect stage for the occasion. Adding an extra layer to the evening will be the currently confirmed 2019 sponsors: Crosswater (headline partner), Hamilton Litestat (event partner) and the British Institute of Interior Design (BIID – industry partner). “I am excited that Hotel Designs will once again provide an unparalleled networking opportunity,” added Kilburn, “further bridging the gap between designers, architects, hoteliers, owners, developers and key-industry suppliers.”

Britlist_28-800x602

The shortlisted finalists for The Brit List 2019 are: 

Interior Designers

Studio Designer
Wimberly Interiors Rachel Johnson
GA Group Edward Davies
Scott Brownrigg David Mason
Dexter Moren Associates Neil Andrew
RPW Design Ariane Steinbeck
DesignLSM Lisa Robertson
Cocovara Rebecca Blow
Nicky Dobree Design Nicky Dobree
Bright Space Design Sarah Antoniou
Philip Watts Philip Watts
Ana Engelhorn Interior Design Ana Engelhorn
IHG Henry Reeve
Sibley Grove Jeremy Grove
WISH London Caroline Smith
Scott Brownrigg Kate Jarrett
David Collins Studio Simon Rawlings
Russell Sage Studio Russell Sage
GA Group Terry McGinnity
Ennismore Charlie North
MBDS Martin Brudnizki
HBA London Constantina Tsoutikou
1508 London Akram Fahmi
MKV Design Maria Vafiadis
Rocco Forte Olga Polizzi
Amanda Rosa Amanda Rosa
Harris & Harris Alex Harris
Space Invader Katie Edgar
Twenty2 Degrees Joe Stella
Twenty2 Degrees Nick Stoupas
Goddard Littlefair Jo Littlefair
Project Orange Christopher Ash
Project Orange James Soane
Shawn Hausman Design Shawn Hausman
Muza Lab Inge Moore
Richmond International Terry McGillicuddy
Soho House Design Marcus Barwell
Soho House Design Scarlett Supple
B3 Designers Stephanie Reidl
Jack Irving Studio Jack Irving
studioisle Ilse Crawford

Architects

Studio Architect
Emil Eve Architects Ross Perkin
Falconer Chester Hall Architects Adam Hall
East Architecture Julian Lewis
Ben Adams Architects Ben Adams
EPR Architects Geoff Hull
Orms Architects Simon Whittaker
Jestico + Whiles James Dilley
WATG Gina Langridge
Foster + Partners Luke Fox
Zaha Hadid Architects Michele Salvi
Gensler Tom Lindblom
Conran + Partners Simon Kincaid
Hawkins/Brown Darryl Chen
Yasmine Mahmoudieh Yasmine Mahmoudieh
jmarchitects Laura Turner
Holland Harvey Architects Richard Holland
RPP Architects Simon Robinson
Tate Harmer Lawrence Pinn
Moxon Architects Scott Gibb
EPR Architects Mark Bruce
Goddard Littlefair David Lee-Hood
LDS Architects Catarina Pina-Bartrum
Simpson Haugh Sarah Matheou
Jane Duncan Architects + Interiors Jane Duncan
3D Reid Gordon Ferrier
Consarc Architects Liz Pickard
Dexter Moren Associates John Harding
Aukett Swanke Nicholas De Klerk
Divercity Architects Dimitris Travasaros
Allison Pike Partnership Paul Dunlop
HOK London Femi Oresanya
ReardonSmith Architects Jonny Sin
ITOLab Barbara Bochnak

Hoteliers

Hotel Hotelier
The Grand Robert Richardson
Cliveden House Francisco Macedo
Bespoke Hotels Robin Sheppard
Hotel Gotham Mario Ovsenjek
Hard Rock Hotel London Ian Fletcher
The Lanesborough Marco Novella
Rosewood London Michael Bonsor
Nadler Hotels Robert Alam
Cuckooz Charlie Rosier
Cuckooz Fabienne O’Neill
Doyle Collection Pat King
Carbis Bay Hotel & Estate Stephen Baker
Carbis Bay Hotel & Estate Jose Baker
Starwood Capital Group Barry Sternlicht
The Standard Bruce Robertson
Wyndham Hotels & Resorts Dimitris Manikis
Café Royal Guillaume Marly
Corinthia London Thomas Kochs
Eccleston Square Hotel Olivia Byrne
Gleneagles Conor O’Leary
The Connaught Sandeep Bhalla
LaLiT Keshav Suri
Great Scotland Yard Hotel Sholto Smith
The Dixon Hasham Soliman
Heckfield Place Olivia Richli
Whatley Manor Sue Williams
Inhabit Nadira Lalji
Ham Yard Hotel London Laura Sharpe
Cottage In The Wood Nick Davies
The London Bridge Hotel Julio Marques
Limewood Group & Home Grown Hotels (The Pig) Robin Hutson
Milsom Hotels Paul Milsom
Sway Manor Tim Holloway
Watergate Bay Hotel Will Ashworth
Exclusive Hotels danny Pecorelli
The Gallivant Harry Cragoe
The Good Hotel Group Marten Dresen
The Athenaeum Joanne Taylor-Stagg
Hotel: Georgian House Hotel Serena von der Heyde
Hotel Indigo Stratford Upon Avon Carl Davies Phillips

The Eco Award

Carole Collet
Harris & Harris
Heckfield Place
Inhabit London
Naturalmat
Sibley Grove
Zuri Zanzibar

Best In Tech

Criton
Eccleston Square
Electric Mirror
FUTURE Designs
Hamilton Litestat
Laufen
Ruark
STAAH

Best in British Product Design

Anthology
Bisque
Chelsom
FUTURE Designs
Harlequin
Knightsbridge
Panaz
The Monkey Puzzletree
Vaughan
Naturalmat

 

There is no shortlist for the award for Outstanding Contribution to the Hospitality Industry, which will be the final award presented at the exclusive ceremony.

To purchase tickets to The Brit List 2019 Awards, click here. If you would like to discuss various sponsorship packages available, please contact Katy Phillips via email, or call 01992 374050.

#TheBritListAwards2019

Headline Partner: Crosswater

Event Partner: Hamilton Litestat

2019 Industry Partner: BIID

SNEAK PEEK: Kimpton Hotel Palomar South Beach

730 565 Hamish Kilburn
SNEAK PEEK: Kimpton Hotel Palomar South Beach

The new chic boutique hotel, which is located in the heart of Miami’s South Beach, is slated to open later this year – and will be Kimpton’s Fifth Property in Florida…

Kimpton Hotel Palomar South Beach is waiting in the wings to open as the boutique hotel company’s fifth in the Sunshine State, complementing its existing hotels in Miami Beach, Downtown Miami and Vero Beach. Featuring striking design by legendary Miami architect and designer Kobi Karp, the 96-key hotel is set to become an iconic addition to the South Beach scene.

Karp’s design takes its cues from the waterfront. Spanning over five stories, the hotel’s guestrooms surround a spacious central atrium. Meant to resemble the hull of a private luxury yacht lilted on its side, the lobby excites the senses with its custom-built light installations and is peppered with art displays, including light panels, abstracted shapes, and large format fabrics meant to resemble the ripples of the Atlantic Ocean. Guestrooms feature private balconies available for nearly every guest and design that is inspired by the oceanic environs.

Sitting atop of the sixth floor, the rooftop pool and two-tier roof deck features stylish décor and lounge area seating, utilising panoramic views of the ocean.

“In addition to what the Altamarea Group will bring in terms of an elevated culinary experience, we are excited to assemble a stellar on-property team for this project,” said Ronny Finvarb, Principal of Finvarb Group,  the property’s developer and owner. “We’re confident that through Kimpton’s collaboration with the Osteria Morini team and our collective expertise in the South Florida market, we’ll be able to create an amazing experience for our hotel guests and Miami locals alike.”

Osteria Morini, from Chef Michael White, will debut shortly following the opening of the hotel. Right off the lobby of the hotel, the restaurant will feature rustic Northern Italian fare in a light and breezy space, drawing inspiration from the area in which it is located off the canal, with both indoor and outdoor seating. It will be open all day, serving breakfast, lunch and dinner.

Main image credit: Kimpton Hotels

Aman announces its debut in Bangkok

730 565 Hamish Kilburn
Aman announces its debut in Bangkok

Slated to open in 2022, the luxury hotel will be Aman’s debut hotel in Bangkok, and second property in Thailand, further proving that the region is a design and hotel development hotspot… 

Luxury hotel brand Aman, which has grown to encompass 38 hotels in 22 destinations around the world, has signed a long-term partnership with Nai Lert Group to manage a hotel and branded residences offered under a long-term leasehold ownership, which will mark the brand’s entrance in Bangkok.

Under the terms of the agreement, Aman and Nai Lert Group will develop a luxury hotel and residences project, with construction works scheduled to commence in the coming months. The project is expected to welcome its first hotel guests and residents in 2022.

“Aman Nai Lert Bangkok will offer a unique connection to the rich heritage and history of Bangkok” – Vladislav Doronin, Chairman and CEO of Aman

“Thailand holds a special place in our hearts ever since the conception of Amanpuri, and our brand, in Phuket over 30 years ago,” said Vladislav Doronin, Chairman and CEO of Aman. “Aman Nai Lert Bangkok will be situated in its namesake iconic central city parkland and will further cement our vision to bring the Aman ethos to global cities. Nestled in the century-old tropical gardens of Nai Lert Park, Aman Nai Lert Bangkok will offer a unique connection to the rich heritage and history of Bangkok enhanced by the gracious traditions of Thailand.”

Pursuing its long-lasting legacy in real estate and hospitality, Nai Lert Group is making its entry into the ultra- luxury segment with the upcoming mixed-use project, Aman Nai Lert Bangkok. Nai Lert Group Managing Director Naphaporn Bodiratnangkura commented: “We are very pleased to be working with world renowned hotel and resort brand Aman, which shares our values of delivering exquisite customer experiences.”

Aman is the latest group to announce hotel openings in Bangkok. According to the Tourism Authority of Thailand (TAT), in 2016 more than 32.59 million tourists visited Thailand, which was an almost 20 per cent increase over the year before, and a record number for the country. With recent openings from Rosewood and Avani Hotels, the region is proving to be a hotel development hotspot in the making.

Main image credit: Amanpuri (Aman’s current hotel offering in Thailand)

Goa is about to welcome a 17-key luxury hotel designed to shelter holistic wellbeing

730 565 Hamish Kilburn
Goa is about to welcome a 17-key luxury hotel designed to shelter holistic wellbeing

Slated to open in early 2020, Kings Mansion, Goa will combine heritage, architecture, design, Ayurvedic philosophies, state-of-the-art medical aesthetics and a global approach to holistic wellbeing…

Located in northern Goa, an area rich in tropical forests, historic Portuguese architecture, avenues of Banyan Trees, and vast, unpopulated sandy beaches, King’s Mansion will open early next year.

Recognising that today, wellness refers to a holistic state of being, where one’s mental, physical, spiritual and emotional health are in balance, the defining experience of King’s Mansion will be one of mindfulness, transformation, recovery and wellbeing.

Modern yet sympathetic architecture and interior design are key elements at the boutique hotel that not only honour Goa’s legacy and culture, but also serve as a welcoming nod to the growing international interest in India as an exciting and evolving luxury and wellness destination.

Image credit: Red Architects

The Indian entrepreneur and Bollywood star, Sachiin Joshi, bought the property in 2017. He is also the Chairman of corporate company, Viiking Ventures, a multi-faceted business working across various industries including film production, fin-tech and charter aviation; Moss Wellness, a leading spa consultancy with experience developing international five-star brands including Aman resorts and Four Seasons. Responsible for the overall design is Indian film producer and interior designer Gauri Khan and Rajiv Parekh, founder of Red Architects, who is bringing a new energy to a modern day India with his past and future projects on the boards.

The 17 luxury suites, which are set over 2,800m2, are being designed as private retreats. Each room will utilise the natural light with floor to ceiling windows, which will stretch out to views of private lush gardens. The large ensuite bathrooms will continue to balance a timeless and luxurious look and feel with the renderings showing a strong use of marble as well as statement matt-black fittings.

Covered pavilions and thickets of Frangipani Trees create pockets of rest and shade in the landscaped gardens, which are set against 50 metres of unspoiled golden coastline and the Arabian Sea.

Five dining and social areas offer guests the chance to explore India’s Ayurvedic culinary culture and international fusions. The hotel’s chefs will create daily menu plans for internal health and harmony, but with an understanding that food and satisfaction are not mutually exclusive. Continuing the theme, food will be cooked using fresh, locally sourced produce.

At the heart of the wellbeing experience will be the spa, which will open as a hidden oasis within the property. With five luxury spa suites, a large hydrotherapy pool, and indoor and outdoor relaxation areas, guests will discover a safe space to surrender, gain awareness and achieve conscious rest and peace.

Image credit: King’s Mansion

Designed to offer personalised, results-focused wellness programmes, the hotel will aim to further help travellers rejuvenate, reset and recover.

Main image credit: King’s Mansion

Editor Checks In: Home comforts in hotel design

730 565 Hamish Kilburn
Editor Checks In: Home comforts in hotel design

In August 2019, editor Hamish Kilburn concludes that trends are overrated when a project close to his heart reaches its highly anticipated conclusion…

I can’t quite believe it has been almost one year since we first started following the award-winning designer Nicky Dobree on her journey to complete her debut hotel design project. Before now, her undisputed talent was recognised for designing the interiors of 007-esqe luxury mountain retreats (Kevin McCloud’s words, not mine unfortunately).

But this year, she has injected her effortless style to restore a 19thcentury building in Vejer, Spain, which is known as Plaza 18 – and Hotel Designs has been there every step of the way.

Now that the season has ramped up to reach its peak, there’s no better time to put down the measuring tape, take a step back and reward Dobree’s “labour of love” as we cut the ribbon. More than 1,300 miles from Andalucia, the team in the London office are gathered around my computer screen as they impatiently wait for the folder to download, of which contains the final images of the new boutique hotel. Until now, you see, we have had to settle for shakey behind-the-scenes, unquestionably raw, photographs taken on location, as well as renders and sketches, which merely tease the luxury home-from-home concept in the making.

You’d be wrong to assume it’s an easy task working on a project of this scale. What the hotel lacks in the number of guestrooms (six to be precise) it makes up for in personality. And if anyone could sensitively re-establish the heritage property in order to give it a new lease of life, it would be Dobree.

“All that is missing is a luxury design-led hotel,” I think to myself as I run past the colourful beach huts (place your bids).

‘Home comforts’ feels like an appropriate theme for this month’s column. Four years after capturing my first solo metropolis memory, which then drove me to chase my career in a number of cities in the UK, I’ve hit a crossroads and have decided to take the right-hand turn, which has result in me hurtling back towards my hometown of Whitstable in Kent. Nestled on the north-east tip of the Garden of England, where home comforts – think sea views that stretch over the horizon and unparalleled sunsets – are never in short supply, this feels like ‘home’ to me. “All that is missing is a luxury design-led hotel,” I think to myself as I run past the colourful beach huts (place your bids).

It seems I am not alone in chasing home comfort. Last year, a study published by Forbes showed that in the 10 cities with the largest Airbnb market share in the US, the entry of Airbnb resulted in 1.3 per cent fewer hotel nights booked and a 1.5 per cent loss in hotel revenue. But as damning as this statistic may seem, hotels are fighting back to offer more home-from-home comforts married together with one-off experiences to capture travellers’ attention.

Examples of this can be found all over the Hotel Designs website this month, from our Miniview of room2’s ‘hometel’ concept in Southampton to a new ‘private members’ bar’-styled hotel that will open in London next year – and not forgetting the exceptional Plaza 18. Perhaps subconsciously, my year-long project with Dobree has led me to positively seek comfort in timeless style as opposed to chasing the short-term thrills of seasonal trends.

Main image credit: ACT Studios

Empty room with various styles of seating

In Conversation With: Matthew Balon at Ruby Leni’s first showing

730 565 Hamish Kilburn
In Conversation With: Matthew Balon at Ruby Leni’s first showing

Ruby Hotels has re-entered the stage to take a second bow in Dusseldorf, Germany. The 170-key Ruby Leni, which takes shelter in a former 1950s theatre, is the hotel group’s seventh hotel to harness ‘lean luxury’. Editor Hamish Kilburn travels just south of the city’s fashion district to meet the group’s lead designer, Matthew Balon, the morning after the night before’s launch party to discuss design details, the significance of paper puppets and the brand’s highly anticipated 2020 arrival in London…

Empty room with various styles of seating

They say that to make any act truly memorable, the performer must enter the stage armed with a spectacular encore up his or her sleeve. In the case of Ruby Hotels in Dusseldorf, the main performance took place last year with the arrival Ruby Coco. The dynamic property is a contemporary urban hub that is nestled within the city’s main shopping district, just off Königsallee – AKA a fashionista’s heaven. The interiors inside are sharp, considered and give more than an apt nod to the fashion quarters that surround it.

[CURTAIN UP]

If Coco was used in the opening scene, engaging its captivated audience with the allure of couture costumes, then the encore is Ruby Leni, which is situated a mere 10 minutes down the road. Although the neighbourhood may feel quieter, its entrance certainly isn’t: a large marquee sign with the words ‘make it your own stay’ frames an appropriate first impression.

Exterior shot of the hotel, showing a colourful courtyard

Image credit: Ruby Leni

[PUBLIC AREAS ENTER FROM STAGE RIGHT]

With large, expansive public spaces that filter into plush private break-out areas, the hotel is designed for both locals and guests checking in. The character and soul has been channelled into the lobby/lounge, where the real story of the iconic 1900s building, which sheltered the Düsseldorfer Schauspielhaus theatre, comes to life. “We looked at the materials, shapes and forms that you would associate to a theatre of that era,” says Lead Designer Matthew Balon. “We then separated that into front-of-house and back-of-house. We wanted to challenge that idea by merging those areas. For example, we have included stage cases in the lobby to really create an authentic feeling of being part of the production, behind the scenes.”

[GUESTROOMS ENTER FROM STAGE LEFT]

Upstairs, the sharp and stylish guestrooms have been designed around the original peculiar structure of the building, creating an interesting layout in each. The design and general make-up of the room, though, is a reflection of the others in the entire hotel group’s portfolio: crisp white beds, refillable toiletries and eco-friendly rain showers to match. The brand calls it ‘lean luxury’, which is posh for ‘uncomplicated, laid-back comfort’ – and it works, especially for bleisure travellers.

White, bright and contemporary guestroom

Image credit: Ruby Leni

Although you would recognise the rooms as ‘Ruby Rooms’ guests with eagle eyes will notice subtle differences, like the wood panelling for example.  “It’s been designed to also reference the story of the hotel,” explains Balon. “I looked into how sets were built and was inspired by the fact that guests in the theatre only ever see the pretty side. I wanted to show the back of the sets, the flats. I was interested to know how these things stood up and how they were constructed. That provided the inspiration for the wall panelling and the reinforced corner detailing.

Another quirky touch that sensitively helps set the theatrical scene is the art above the beds. Bolan initially wanted to do something with shadow puppets, which evolved into creating an immersive and playful paper puppet stage. “I really love introducing interior design elements that are fun and interactive,” says Balon. “We like to have fun with it and make an interesting element to guests’ stay.”

[APPLAUSE]

Image caption: Editor Hamish Kilburn (left) dragged the Lead Designer for Ruby Hotels, Michael Bolan (right), out on ‘stage’ the morning after the launch party before…

Quick-fire round:

Hamish Kilburn: What can you not travel without?
Matthew Bolan: My Darth Vader suitcase. I just love it!

HK: Where’s next on your travel bucket list?
MB: Japan.

HK: What’s your biggest bugbear when checking in to a hotel?
MB: Queuing!

HK: What is the number-one tool for success?
MB: You have to create an emotional connection.

HK: What is the last thing that showed up on your credit card transactions?
MB: A round of drinks I bought last night. It’s your round at the next launch, I’m told…

Most hotel designers are working with many several brands and brand standards, and so it is interesting how Bolan, within his creative realms, can piece together many different stories with the same Ruby strand running through each. “It is all-encompassing,” he says. “What the brand stands for in regards to design is something I can really get behind. When I think about Ruby, I think of all the people who bring the brand to life.”

[CURTAIN CALL]

The brand’s design is spilling out of the seams and leaving a permanent stain on new destinations. The next hotel design hotspot to welcome the arrival of Ruby Hotels is London – to the Southbank to be more specific. “We have done a lot of research into the location, which is a really interesting corner of London,” Balon explains. “I can tell you that Ruby Lucy is going to be fun, colourful, unexpected and I am really looking forward to the opening party!”

Ruby Hotels first unveiled its unique concept with Vienna hotel Ruby Sofie in 2014, before opening two further hotels in Vienna, Ruby Marie and Ruby Lissi, as well as Ruby Lilly in Munich, Ruby Coco in Dusseldorf and most recently Ruby Lotti in Hamburg. In response to the success of these properties, the brand plans further openings including Ruby Lucy in London’s bustling Southbank in early 2020, as well as hotels in Zurich, Cologne, Frankfurt and Shanghai before the end of 2020.

[CURTAIN CLOSED]

Large and expansive public area that is designed to look very residential

MINIVIEW: Discreet luxury unveiled by Nicky Dobree in the heart of Vejer

730 565 Hamish Kilburn
MINIVIEW: Discreet luxury unveiled by Nicky Dobree in the heart of Vejer

To complete the Concept to Completion series with Nicky Dobree, Hotel Designs is given the keys to finally unlock the majestic heavy doors of pure luxury inside Plaza 18… 

Up until now, the designer Nicky Dobree has been synonymous with luxury Alpine chalet design and most recently very high end residential design. Most recently she has turned her attention to Plaza 18, her debut hotel design project in collaboration with Vejer’s Hotel La Casa del Califa.

Large and expansive public area that is designed to look very residential

Set in the former 19th C merchant’s house Nicky Dobree has taken inspiration from this elegant building and brought new life back into this Grand Dame by respecting its history, but also lifting its character to provide an enriched experience for the modern traveller. Working with local trades and craftsmen, the building, which dates back to 1896 and stands on the foundations of an ancient 13th C Arab house, has been entirely restored using authentic organic building materials where ever possible.

“Meticulous care and attention to detail has been maintained throughout the refurbishment of this important historic property.”

Exterior of the hotel

Image credit: Plaza 18/Philip Vile

Dobree was determined to restore and re-use as many of its existing features as possible. The original black and white floor tiles were therefore lifted and re-laid on newly levelled floors. The Montera (large glazed roof lantern over the entrance patio) was carefully dismantled and repaired to its former glory, which now floods the entrance foyer with light. The stone staircase and balustrade were also completely restored, as was all the metal work around the entrance gate. Many of the original shutters and windows were restored along with the front door. Meticulous care and attention to detail has been maintained throughout the refurbishment of this important historic property.

Extremely reclined interiors with personal interiors

Image credit: Plaza 18/Philip Vile

The designer felt that her role was to curate this elegant old building and to bring it a new lease of life, enhancing its beauty with style and a subtle creative twist.

Plaza 18 has been a true labour of love with the inevitable obstacles of planning, working abroad and within a listed building. The trials and tribulations of restoring an old building and the rules and regulations that needed to be adhered to, to convert it into a commercial venture, has meant that the project took two years to get through planning and a further two years to compete.

The hotel is now the secret second home that one has always dreamed of, warm and welcoming with a strong sense of place, an oasis within an oasis.

Whilst the details adhere to the classical principles of the house, there is comfort and elegance through every door. Every room has a story to tell and contains pieces that have been lovingly curated by Dobree from around the world. This is evident from the moment you enter with the oversized black and white mirror by a South African artist which makes a dramatic statement in the entrance.  Dobree designed the bespoke console to sit beneath the mirror that complements the monochromatic entrance scheme.

In the patio whilst your eye is drawn up to the montera and the wonderful central staircase you cannot miss the large scale butterfly painting sourced from an antiques fair.

Stepping into the sitting room, there is nothing more welcoming than a well stocked drinks trolley, an honesty bar, that can be enjoyed by guests at Plaza 18. Standing proud above it is a painting of Admiral Lord de Saumarez who fought at the Battle of Trafalgar (a short drive from the hotel) alongside Admiral Lord Nelson.

“On a clear day the North African coast is visible.”

Leading off the sitting room is the main terrace with views across the old town, sierras and coast line. On a clear day the North African coast is visible. It is here that guests can enjoy breakfast, sitting on olive wicker chairs with outdoor fabrics that complement the vintage printed crockery. No detail has been missed.

Tall black bespoke doors with circular brass handles designed by Dobree create drama and continuity throughout. Behind each of these doors are interiors that are intensely layered and so inviting that everywhere you turn is a visual delight.   Here you will discover more of Dobree’s curated pieces such as a Japanese Boro Kimono or collage painting by Peter Clarke.

All the bathrooms have been beautifully designed using Spanish floor tiles and bespoke marble vanities with Lefroy Brooks deco style fittings echoing the elegance of the house.

The attention to detail is reflected in every aspect of one’s experience here. Dobree worked with a renowned perfumer to provide bespoke toiletries that have been specially formulated to create a signature scent for Plaza 18 and that are soft and subtle on the skin. The scent is inspired by the aromas that perfume Vejer, orange, bergamot, lavender and geranium. The base of olive oil and almond that nourishes the skin is local too.

Plaza 18 has a true home from home feeling that brings Dobree’s collective chic and timeless elegant style to Vejer. It is a place to feel at home, a place to disconnect and re-discover.

Hotel Designs has followed the construction of Plaza 18, Dobree’s first hotel project, from concept to competition. Click here to read part one. Click here to read part two. Click here to read part three

Main image credit: Plaza 18/Philip Vile

INSIDE THE FACTORY WITH: Hamilton Litestat

730 565 Hamish Kilburn
INSIDE THE FACTORY WITH: Hamilton Litestat

Celebrating half a century of being the trusted, reliable and high-quality brand for switch plates and sockets, Hamilton Litestat’s is, without a doubt, an industry leader. The company’s Head of Marketing, Gavin Williams, invites editor Hamish Kilburn along to its headquarters in Bristol to share some of the tools behind its esteemed reputation and ongoing legacy… 

For more than 50 years, Hamilton Litestat, one of the first companies in the world to produce dimmable products and USB charging sockets, has been leading an innovative path.

Following large investment in both equipment and people – from the factory floor right through to the sales and marketing teams, the company remains one of the leading manufacturers for switch plates and sockets.

As a result of its ability to be ahead of the curve when it comes to product innovation without diluting the quality of its products, Hamilton has attracted and retained the attention of large chains such as IHG, Marriott, Millennium Hotels and Radisson among many others, as well as leading independent hotels.

Situated on the fringes of Bristol, the company’s headquarters, and workplace for over 100 employees, stands as an ever-evolving hub of innovation, technology and shelters a driving force that ships out roughly 200,000 products per month most of which are dispatched within 24 hours.

As the majority of hotels on the boards continue to strive to create more personal interiors, it is now more important than ever before for suppliers to offer a variety of products, all of which are stamped with the same quality – and no brand understands the value of this than Hamilton. “The interior designer is one of the key cogs in the chain,” said Gavin Williams, Head of Marketing at Hamilton Litestat. “Therefore, that has created a demand for adding a statement within fixtures and fittings.”

The factory itself is a well-operating formula balancing both practical facilities and creative break-out areas. The space on the ground floor has been designed to create a swift, seamless and free-flowing manufacturing process. The raw materials – metal and plastic sheets – are pressed on one side of the building using state-of-the-art technology. By laser cutting, one sheet takes an average of 30 minutes to cut, producing roughly 150 plates, which are then ready to be wired. This process, as well as the stringent quality control that follows, still to this day is carried out by a dedicated workforce.

“Quality is our number-one priority.” – Gavin Williams, Head of Marketing at Hamilton Litestat

If the lower level of the factory is where the components are cut and fitted together, then the upstairs is then reserved for innovation and fresh ideas. Housed inside a standalone chamber is the result one of Hamilton Litestat’s latest investments. Following popular demand and feedback gathered at international trade shows and from talking to loyal customers, the company has introduced its Paintable Range. With a new high-tech machine and colour expert to operate it, the company can now colour-match the products in the collection to replicate any tone or shade that an interior designer is working with. “Quality is our number-one priority,” says Williams. “So despite innovating, we will always over check the quality before releasing any product to the market. We have fantastic test facilities here in Bristol, which allows us to test the product continuously to and above the British standards.”

With lifestyle and people’s behaviour being a large factor and driver behind the launch of the company’s latest products, Hamilton Litestat’s headquarters also stages an area that assembles together new concepts. Inspired largely by trends – and in an effort to create a conversation with its customers – the product development team often share their vision on the company’s growing Instagram channel. “Having a full-time focus [on social media] allows us to follow trends, key words and connect with new clients from the many shows we attend,” adds Williams. “It also allows us to circulate in the wider world, engaging with perspective clients who would have otherwise never heard of us.”

With a reputation that spans across more than half a century for delivering quality products and a reliable service, Hamilton Litestat is equipped to handle almost any interior design brief. The company’s friendly team will be showcasing its breadth of products at upcoming trade shows, such as 100% Design, The Independent Hotel Show and Decorex International.

Hamilton Litestat is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email  Katy Phillips by clicking here.

Main image credit: Hamilton Litestat

EXCLUSIVE: Pre-show interview with designer of The Conscious Bedroom

730 565 Hamish Kilburn
EXCLUSIVE: Pre-show interview with designer of The Conscious Bedroom

The Founder and Creative Director of Harris & Harris London, Alex Harris, gives Hotel Designs‘ editor, Hamish Kilburn, a sneak peek of The Conscious Bedroom that he and his team are designing for The Independent Hotel Show London 2019… 

It was at the beginning of 2019 when Harris & Harris, the London based multidisciplinary design studio, were first approached by the organisers of Independent Hotel Show to work on this year’s concept room set.

The brief was simple (and came in after the show had viewed the studio’s interior design portfolio online): to design The Conscious Hotel Room for the Independent Hotel Show 2019. The design studio leaped at the opportunity to design the concept room. “It was a seamless fit for the studio and their ethos of looking at the most environmentally and socially conscious way of producing luxury interiors and products,” Alex Harris, the studio’s Founder and Creative Director, explains. Arguably most importantly, though, the space at the show would give Harris & Harris the opportunity to showcase this mentality through the design and curation of brand partners who have similar ethics.

When designing the skeleton of the room, Harris was keen to explore creating a heritage feel. “We wanted it to feel as if the room was located within a historic building instead of a new build,” he explains. “This was to prove that sustainable design practices can also be applied to older buildings, which are more prominent in the UK. This was achieved through introducing Georgian style wall panelling throughout the bedroom and including some historic design references in the interior design but with a modern twist.” 

Parallel to curating sustainable focussed products and brands in the concept room – including factoring in elements like using local suppliers to reduce milage – the studio was also focussed on ensuring the overall design felt fresh, inviting and luxurious, all of which could be achieved whilst minimising the impact on the environment.

Ahead of the official unveiling of the finished room on October 15, we caught up with Harris to understand more about the concept and his drive to design with purpose.

Hamish Kilburn: What sparked your passion for sustainability, both at university and beyond?
Alex Harris: I had the opportunity to gain work experience in 2005, prior to graduating from Bournemouth University, with the award winning furniture designer Russell Pinch (we grew up in the same tiny village in Gloucestershire). One day we traveled down to Benchmark Furniture in Berkshire as Russell was working on a new collection with them and I had the chance to see Benchmark’s incredible workshops, showroom and design office.

They are very focused on sustainability throughout their manufacturing process and the products themselves. Together with their passion for craftsmanship, this definitely resonated with me as a student and I knew that my final year project must represent this ethos that I witnessed with Pinch and Benchmark’s work.

I designed a (fully functioning) wooden wind-up LED lamp for my final year project, which I won an award for sustainability from my university. At the same time I approached the eco-design collective [RE] Design and had the opportunity to exhibit my lamp with them at the London Design Festival in 2006. Then in 2009 (after a stint living and working in Melbourne, Australia) I joined the Benchmark design team, four years after I had previously visited with Russell Pinch, so I had come full circle!

I then went to work for several interior designers in London who were focussed on luxury and not really concerned about sustainability, which was always difficult for me. I vowed that whenever I start my own design studio that we must bring together both ‘luxury’ and ‘sustainability’  to prove that they can work harmoniously.

HK: How will your concept The Conscious Hotel Room showcase environmental and social factors?
AH: We have thought about the design in terms of impact on the environment from floor to ceiling. It was very important to us that every element was considered, so we researched and approached companies that we knew could help us with this vision.

So we have organic and natural wool and linen fabrics, FSC certified timber flooring from Domus, bespoke 100 per cent recycled cardboard and plastic joinery pieces, many products that are made in the UK (to reduce ‘mileage’) such as our Harris & Harris furniture & lighting and the beautifully natural bed from Naturalmat, 100 per cent wool carpets from Axminster with their recycled car-tyres underlay (both also made in the UK). Handmade natural terracotta tiles, also from Domus, feature in the bathroom with Crosswater WC, basin mixers and showers with low water use. Edward Bulmer paint features on the bedroom walls that only uses natural ingredients. We have a boiling and chilled water tap from Quooker together with reusable water bottles at the mini bar, omitting the need for a kettle (as you only use the exact boiling water you need for a cup of tea) and of course no need for single-use plastic water bottles. Even the artwork we have curated with the art consultants ARTIQ has been chosen to minimise impact on the environment, with artists that use recycled materials and natural materials & processes.

“Natural materials are used wherever possible but in particular with the Naturalmat bed and linens from The Fine Cotton Company.” – Alex Harris, Founder and Creative Director, Harris & Harris

The social factors that we have considered include making the space as wheelchair friendly as we can, with clear space around the bed, sofa, desk and bathroom vanity and a wide doorless opening into the bathroom with no change in floor level into the shower. Plants throughout provide better air quality and general well being. Natural materials are used wherever possible but in particular with the Naturalmat bed and linens from The Fine Cotton Company, to provide the best night’s sleep possible. Snacks and beverages will be sourced as locally as possible and that contain healthy ingredients.

HK: What are the challenges of creating a heritage feel from scratch?
AH: Our first approach was to introduce wall panelling and decorative mouldings throughout, this gave the feeling of a Georgian style property which also helped it feel warm, welcoming and luxurious. Materials, colours and patterns were also chosen to be simple and classic throughout and the furniture and joinery designs are pared back to give a timeless feel.

Image caption: Independent Hotel Show Conscious Hotel Room sketch

HK: What are the historic design references that are mentioned in the brief?
AH: As discussed above, the wall panelling and decorative mouldings, gave the feeling of a Georgian style interior. Our Harris & Harris furniture we have specified for the project; ‘Totterdown’ sofa, ‘Orchard’ Bench and ‘Clarke’ dining chair all have subtle references in their designs to 1920s/1930s Art Deco era and our Harris & Harris ‘Wharf’ lights (both table and pendants will be showcased) feature classic reeded glass. Cole & Son’s wallpaper ‘Flamingos’ that feature in the bathroom are a take on their archived designs from the 1960s as do the ‘Palm Jungle’ fabric on the scatter cushions. The herringbone pattern in the Axminster carpet is another classic design feature and the recycled cardboard tubing, used in the joinery and bed backdrop, gives a feeling of fluted columns that were used in Greek and Roman architecture.

“There are so many ways in which hotels can embrace the three ‘R’s (reduce, recycle and reuse).” – Alex Harris, Founder and Creative Director, Harris & Harris

HK: Can a hotel be 100 per cent fully sustainable?
AH: Unfortunately I don’t believe we as human beings can ever be 100 per cent fully sustainable unless we go back to living in a cave! We can all do our bit to help minimise our impact, but we all consume and we all produce waste. There are so many ways in which hotels can embrace the three ‘R’s (reduce, recycle and reuse) and we are excited to showcase just a selection of examples of how this can be employed in the design of The Conscious Hotel Bedroom which we hope will inspire hoteliers for their current and future projects.

HK: Let’s talk about water consumption. So many hotel groups are pledging to reduce their water consumption by ‘X’ amount.. Which suppliers would you say are allowing this to be a reality?
AH: We are working closely with the British bathroom brand Crosswater who are supplying The Conscious Hotel Bedroom with their M Pro range which have WRAS and TMV2 certification. The WC has two flush types to encourage water management and the mixer tap features a Neoperl aerator that has a flow rate of only five litres per minute.

When I lived in Australia we received an egg timer from the local water company to encourage showers of under four minutes. This was such simple idea and gave a fun challenge to try and ‘beat the clock’ whilst saving water. We will be featuring an egg timer in the bathroom of The Conscious Hotel Bedroom.

“There will be many UK produced products that will feature in The Conscious Hotel Bedroom and will be noted in our literature at the show.” – Alex Harris, Founder and Creative Director, Harris & Harris

HK: What is the value of products that have been manufactured in the UK?
AH: We have many great craftsmanship skills and traditions that are hard to find abroad. Harris & Harris are passionate about producing the UK whenever possible and keeping these skills alive. There will be many UK produced products that will feature in The Conscious Hotel Bedroom and will be noted in our literature at the show.

HK: What can designers do to ensure an eco-hotel is still a trendy and fresh hotel?
AH: I think there is no reason why an eco-hotel cannot not still be trendy and fresh. Curating the products and materials specifically for The Conscious Hotel Bedroom galvanised this idea for us. Many brands now offer products which have less impact on the environment but still look fab. It is up to the designer to track these down and encourage their client to use in place of products that could be damaging to the environment.

HK: Can you explain the benefits of Smile Plastics?
AH: Smile plastics have kindly donated their ‘Dapple’ plastic sheets to us for the joinery pieces at The Conscious Hotel Bedroom. Dapple is made from recycled chopping boards and plastic packaging and with all of their ranges, Smile Plastics are produced from waste which would otherwise end up in land fill. With Dapple we felt it had the look of a natural material such as marble, to give a touch of luxury, particularly important in the bathroom where it features on the vanity joinery. Dapple is hard, dense and rigid, 100 per cent waterproof, rot-proof and strong weather resistance. It is solid and consistent, allowing for a decorative edge. It is also UV resistance and is food-grade and can be used for preparation of wet foods.

Harris & Harris will showcase The Conscious Hotel Room at the Independent Hotel Show 2019. In addition to this, Harris will also join editor Hamish Kilburn on stage to discuss this year’s major topic in a live talk entitled The Conscious Bedroom Report, which takes place at 11:30am on October 15, 2019.

Brand Partners (as of August 2019)
ARTIQ– art consultants and rental agency, Axminster- carpets, Cole & Son– wallpaper and fabrics, Crosswater- bathroom items including shower, basin, toilet and tapsCurran Packaging– recycled cardboard tubing, Domus – bathroom floor and wall tiles, timber flooring, Edward Bulmer – paint, The Fine Cotton Company – towels, gowns, slippers and bed linens, Harris & Harris London– furniture and decorative lighting, Naturalmat – bed, mattress and bed linens, Plant Plan – plants and moss/living wall, Quooker – boiling, filtered & chilled water mixer tap, Samsung– television and soundbarSmile Plastics– recycled plastic sheet material, Wandsworth Group – power, lighting sockets and faceplates

London to welcome ‘private members’ club’ hotel in 2020

730 565 Hamish Kilburn
London to welcome ‘private members’ club’ hotel in 2020

Slated to open in Q1 of 2020, The Guardsman is a purpose-built luxury London boutique hotel that is expected to offer the atmosphere, discretion and personal service usually associated with a private members’ club…

Presenting guests with what is being described as “a true home away from home experience”, the 53-key The Guardsman, which will sit on Buckingham Gate, London, and is being designed by architects Dexter Moren Associates and multi-disciplinary design practice Tonik Associates.

The hotel will be sheltered in an intimate property said to cut the same style and atmosphere as that of a private members’ club. The top three floors will encompass six exclusive residences. Designed as the perfect London pied-a-terre, they comprise a selection of one, two and three bedrooms, along with sumptuous living spaces, dining areas and fully fitted kitchens. The Penthouse has a wraparound terrace, whilst two other residences feature a more expansive outdoor space with planting and seating.

The hotel is set amongst some of London’s most historic and prestigiouslandmarks. The Houses of Parliament and Buckingham Palace are both a short walk away, while the neighbourhood has been the seat of government for a thousand years. The hotel extends down the quieter, more hidden, Vandon Street, giving the impression of a sanctuary.

Image credit: Shiva Hotels

From the moment guests arrive, they will instantly be made to feel at home by the discrete yet attentive service. Along with their choice of rooms or residences, they can request their preferred brand of drinks, menu items or bathroom products, all of which will be prepared ready for their arrival. The hotel has an unmistakably British feel that befits such a prestigious address. Interiors are contemporary and relaxed, complemented by a few carefully chosen, classic and sometimes quirky embellishments.

Meanwhile, bespoke furniture will fill the intimate public spaces and curated art adorns the walls. The individually styled bedrooms are exceptionally comfortable. Meticulously considered interior design and clever use of space ensure each room feels spacious, whilst flourishes such as custom-made furnishings and free-standing baths combine with more classic features like herringbone parquet flooring to continue the unmistakably British feel. State-of-the-art integrated televisions and speakers with Chromecast ensure all travellers’ technological needs are met.

Plush snug area

Image credit: Shiva Hotels

The spaces for dining and socialising are set over two levels, perfect for relaxing, reading, small gatherings or enjoying the carefully selected whiskeys and spirits as well as a sommelier curated wine list.

At the core of the hotel’s personality is the exquisite restaurant, open to residents and their guests only. Although a few select dishes will always be available, menus are developed daily from seasonal produce sourced from carefully selected purveyors, London markets and organic farms. The kitchen will be open all day, and room service will be available around the clock.

The Guardsman is owned and operated by Shiva Hotels and represents a new direction in this market for the group. “The Guardsman is designed for those who want the tailored, personal experience offered by a club, the flexibility and luxury of a hotel and the comfort and familiarity of a home,” said Rishi Sachdev, Managing Director, Shiva Hotels. “It will also have a conscience, wherever possible putting both its people and the environment at the centre of its decisions.”

Main image credit: Shiva Hotels

 

SNEAK PEEK: Inside Hinode Hills Niseko Village, Japan

730 565 Hamish Kilburn
SNEAK PEEK: Inside Hinode Hills Niseko Village, Japan

Nestled at the south base of the 1308m Mount Niseko Annupuri, the design-led 79-key boutique hotel, Hinode Hills Niseko Village, operated by YTL Hotels, will open in Japan on December 1…

Named to pay homage to the rising sun, the elegantly furnished luxury all-suite Hinode Hills Niseko Village hotel is designed with a wabi-sabi aesthetic, unveiling its fine beauty through authenticity, natural forms, and the appreciation for nature.

Blending warm contemporary style with authentic Japanese aesthetics, and complemented with luxury hotel services and amenities, guests’ choice of multiple room and suite configurations up to three-bedrooms, provide a host of opportunities suitable for any type of merriment, from romantic getaways to large family vacations.

“The hotel is also strategically located adjacent to the Upper Village Gondola.”

Situated at the base of Mount Niseko Annupuri, Hinode Hills occupies a prime position at the heart of Niseko Village with stunning Mount Yotei views, ski-in, ski-out access, an in-house onsen, and a host of ski services available on property. The hotel is also strategically located adjacent to the Upper Village Gondola, which provides guests with the convenience of mobility around the mountain with easy lift access replacing the need to walk, drive or take a shuttle bus.

Services at Hinode Hills are held to the usual high standards of YTL Hotels, with concierge facilities and priority privileges at guests’ doorstep. Being part of an integrated resort managed by Niseko Village, all-mountain operations and experiences are designed to be seamless and guests are spoilt for choice with the variety of convivial social settings across diverse dining and retail venues, world-class facilities, indoor and outdoor attractions at The Green Leaf Niseko Village, Hilton Niseko Village, and at the heart of the village itself.

Image credit: YTL Hotels

“Hinode Hills raises the bar for luxury developments in Niseko and is committed to providing guests with a truly integrated and seamless experience,” says Luke Hurford, Senior Vice President of Strategy at YTL Hotels.” You will have the luxury of having your ski school instructors meeting you at your door, to ski-out directly to the ski area and lifts beside the hotel, the convenience of on-site gear rental and the advantage of the gondola beside the hotel to whisk you away to the village dining and shopping area.”

The highly anticipated hotel opened for reservations in April, and will officially open in December, adding to the strong portfolio of YTL Hotels.

Main image credit: YTL Hotels

In Conversation With: Fashion designer Jack Irving

730 565 Hamish Kilburn
In Conversation With: Fashion designer Jack Irving

Having previously designed statement outfits for many international music and fashion icons, Jack Irving’s alternative style has recently spilled out onto the hotel design scene. Editor Hamish Kilburn joins the fashion designer, in between photoshoots, to understand how two worlds have recently collided…

The brand ‘Jack Irving Studio’ and the creative man behind the logo are two very different things. One is bold, disobedient and you would expect – almost encourage – to cause an outrageous impression in almost any social scenario.

The other orders a lemonade on a hazy Thursday afternoon at a media interview as he catches his breath between work engagements. Opposites do attract, after all.

Made famous by creating outlandish outfits for the likes of Lady Gaga and The Spice Girls for their come-back tour, the talented story-telling designer, Jack Irving, made his mark on the fashion industry by producing items that infused glamour and engineered technology.

His innovative work recently emerged on my radar when he unveiled the result of a collaboration with W London Leicester Square, which has been the designer’s first interior design project to date. “The idea of working with W Hotels was mentioned to us at Pride London last year,” says Irving. “But it wasn’t until November, following my first show at the V&A, when we met the team to really discuss what we could do together.”

Fashion shoot of models on bed with cushion

Image credit: Charlotte Rutherford

Presented by a loose brief to bring a flavour of ‘Jack Irving’ into the hotel, it became clear that that the W brand was willing to give the designer the creative reins in order to produce a statement piece for their newly designed guestrooms and suites. “They wanted a replacement for the current cushions and bed throw that met brand standards,” he explains. “The bed, for us, became the canvas.”

One month after the brief was given, Irving pitched what he explained at the time to the client as a ‘crazy tech idea’ for the concept of new cushions. He wanted the items to be inspired his signature sea urchin style, which became famous by his work with Lady Gaga. Irving then wanted to make the interiors more instagrammable. The spiked pillows’ fabric would appear muted to the naked eye until they are brought to life through the click of a camera flash. Through the lens, the smart fabric would transform into an iridescent masterpiece. “To be honest, we were hesitant as to whether or not the client would see our vision,” explains the designer. “What we pitched was as far away from convention as we could have gone.”

Irving and his partner (in life as well as well as in business), Rhys Beynon, received a call from the client while they were on a yoga retreat in Goa over Christmas 2018. “They wanted to see prototypes the first week of January,” Irving explains. “At this point, the pressure for us was on to meet the deadline.”

QUICK-FIRE ROUND

Hamish Kilburn: What would a Jack Irving guestroom look like if you were to design it?
Jack Irving: It would be ridiculous – think sea urchin chairs and UFO beds. I also have the idea to design a Chesterfield sofa in the rainbow smart material.

HK: What’s been the most challenging part going from fashion to interiors?
JI: It hasn’t actually been that challenging because W Hotels were so on board with our idea.

HK: Where’s next on your travel bucket list?
JI: New Zealand and LA!

HK: How do you switch off from work?
JI: Both Rhys and I are really into techno. Oddly, it’s become our sanctuary.

HK: What’s your biggest bugbear when checking in to a conventional hotel?
JI: When hotels don’t stay in their lane.

HK: What materials are really inspiring you at the moment?
JI: For me, smart fabrics and metallic fabrics are really fun to play around with. I want to experiment more with the manufacturing of the material we have been using. That being said, you can’t rely on the fabric. The shape and structure is just as important.

Models on bed with cushion

Image credit: Charlotte Rutherford

With time depleting by the day, and with fabric supplies on order to be delivered when they returned home from India, the next challenge was to secure a manufacturer. “The word ‘impossible’ landed in our inbox a few times,” explains Irving. “We did receive a lot of kickback at this stage from manufacturers, mainly because of the demand and the order size.” Undeterred, Irving and Beynon’s ‘when there’s a will there’s a way’ approach led them both to source the materials themselves to prove that it could be done. “I remember sitting on the beach with Rhys making a cardboard model of the cushion,” says Irving. “It’s one thing drawing the design, but it becomes very real when designing a 3D model.”

As well as the shape of the accessory being unconventional, so too was the material that designer decided to work with. “We call it rainbow smart fabric,” he explains. “We were worried that it would look to synthentic when not lit up, but in reality it was the perfect material to use for creating that contrast.”

As with all creative projects at pitch stage, there is an air of uncertainty, especially when it comes to unveiling to clients a prototype as futuristic as this one. “I was terrified when it came to pitching because you just don’t know how it’s going to go,” admits Irving. “We hadn’t seen the new rooms that our statement accessories would sit in, so it could have gone either way, as these things often do. But they loved it, and the second prototype we made on the beach in Goa over Christmas became the product that’s in the W London today.”

Irving’s interior design work for W Hotels may be just a dip in the ocean for now, but the designer’s ability to disrupt convention through the use of innovative materials and shapes unquestionably makes him a true innovator on the international hotel design scene.

Main image credit: Jack Irving Studio

Render of the Melbourne skyline including the new ZHA designed hotel

SNEAK PEEK: Inside Mandarin Oriental Melbourne designed by Zaha Hadid Architects

730 565 Hamish Kilburn
SNEAK PEEK: Inside Mandarin Oriental Melbourne designed by Zaha Hadid Architects

Following an insight into Zaha Hadid Architects’ Michele Salvi on The Morpheus, Hotel Designs heads backstage on another groundbreaking project the architecture firm is currently working to complete. Editor Hamish Kilburn writes… 

Currently on the boards, Mandarin Oriental Melbourne, designed by Zaha Hadid Architects (ZHA), is a new signature hotel and branded residences that is slated to open in 2023.

Render of the Melbourne skyline including the new ZHA designed hotel

Soon to become the hotel group’s first property in Australia, the mixed-used 185-metre tower will be located in the heart of the city’s financial district.

The 196 spacious guestrooms and suites have been designed to reflect local culture together with features inspired by Mandarin Oriental’s heritage. The Group will also manage 148 residences at Mandarin Oriental, located on the tower’s upper floors, which will provide some of the most well-appointed private homes in the city. Owners will have access to the hotel experience, as well as their own bespoke amenities including a private residents’ lounge.

“The tower’s design conveys the wide variety of interior spaces within; dividing the building’s overall volume into a series of smaller stacked vases.” – ZHA’s project director Michele Pasca di Magliano

The hotel’s design vision was first realised in 2016. When completed, it will feature an all-day dining restaurant and a bar with a landscaped roof terrace. There will also be avariety of meeting spaces and an executive club lounge. A Spa at Mandarin Oriental will offer the Group’s renowned wellness,relaxation and beauty facilities, while further leisure options include a comprehensive fitness centre and an indoor swimming pool.

“The hotel’s façade reinterprets this historical detailing in a contemporary solution, introducing a delicate litre that gently envelops the building,” said ZHA’s project director Michele Pasca di Magliano.“The tower’s design conveys the wide variety of interior spaces within; dividing the building’s overall volume into a series of smaller stacked vases, with each different vase housing the bespoke guestrooms, suites, residences or amenities of Mandarin Oriental’s renowned service and standards.”

The project, which is being developed by Melbourne-based property developer, Landream, is said to have taken its inspiration from the finest examples of historic architecture within the Central Business District. “Mandarin Oriental, Melbourne will set anew standard for bespoke service in the city and will offer a preferred choice to travellers and potential homeowners who desire thenest accommodation,” said Kevin Li, Managing Director of Landream.

Disrupting not only design boundaries, but also the hotel development landscape, Mandarin Oriental Melbourne will open following predictions from experts that the hotel development market in Australia is expected to slow down in the coming years as a result of the regulation-driven curbs on development lending and the increasing construction and land costs, especially in Sydney and Melbourne.

Main image credit: VA

EDITOR CHECKS IN: Proud of diversity in British design

730 565 Hamish Kilburn
EDITOR CHECKS IN: Proud of diversity in British design

As the world focuses its attention on amplifying equality in all forms, editor Hamish Kilburn believes now is the time to break down why diversity in British design is something the industry should celebrate and be proud of…

We’ve come a long way, and although the journey hasn’t exactly been a seamless one, here we are in Britain in 2019 where we are free to love whoever we want. The next mission is now to work towards a society that campaigns for equal opportunities for all.

Our colourful industry, which is full to the brim of creative people, can be at the best of times a forceful catalyst for good and I believe, together, we can significantly do more than our bit in order for that dream to become a reality – and it starts here.

For a little more than a year now, since proudly joining the Hotel Designs editorial desk, I have tried perilously to understand what it is about the UK that makes it one of the major design destinations around the world. Despite its scale, Britain, the tiny little speck of land in the northern hemisphere, attracts the majority of the leading designers, hoteliers, architects and suppliers to train, flourish and go on to lead the industry forward into an innovative direction.

What Britain lacks in size it certainly makes up for in style, creativity and diversity. It’s no coincidence, therefore, that a large handful of the world’s most premium international design fairs, such as Sleep + Eat, 100% Design, Independent Hotel Show and London Design Festival, among many others, take place here.

Today, just two weeks after we officially opened nominations for The Brit List 2019, I’m seeing London from a completely unrivalled perspective – and it is a beautiful moment to witness. Peering over the edge of a rooftop bar, every colour of the rainbow is being amplified loudly on the streets below. As many as 1.5 million people have attended Pride London 2019, which is now being hailed the UK’s largest and most diverse Pride parade to date.

“By celebrating and supporting the concept of diversity – and by not oppressing original ideas that challenge convention – we can allow new thoughts to emerge.”

There’s an Albert Einstein quote that hangs on our office wall. It reads: “Creativity is intelligence having fun.” For some, it may signify the balance of designers, hoteliers, architects and suppliers thinking outside the box while also designing with purpose.  For me, though, it encourages one to take on a challenge and make it fun! That way, with the ability of adding your stamp to your work, you will not only throw intelligence at the problem, but also personality and individual ideas too.

This, I believe, is where the UK flourishes on the international design scene. By celebrating and supporting the concept of diversity – and by not oppressing original ideas that challenge convention – we can allow new thoughts to emerge and evolve, which, as a result, gives original concepts a nudge forward in the right direction. Jack Irving is the perfect example. The fashion designer who has worked with the likes of Lady Gaga and The Spice Girls has just completed his first interior design project. Irving’s commissioned work for W London has resulted in introducing our industry to new, unconventional materials. On the other hand there’s Zaha Hadid Architects, with its firm footprint as an industry leader, that is turning new architecture chapters, with the likes of Morpheus, that create new elegant dimensions.

The Brit List 2019, our annual awards event, is all about championing the most influential and inspirational designers, hoteliers, architects and suppliers. In order to keep the whole process as open as possible, we have ensured that applying for our nationwide search is completely free.

It’s been a varied and colorful month at the helm of Hotel Designs and I for one am proud of our fabulous team. We started our mini July tour in Manchester for Meet Up North, where more 150 of us celebrated creativity outside of the capital. One week later, we further bridged the gap between suppliers and procurement specialists with our highly engaging meet-the-buyers event, Hotel Summit, which allowed me the great honour of interviewing Marco Novello, the Managing Director of The Lanesborough, on stage in front of our live audience. A quick 24 hours in Dusseldorf, Germany, opened up the opportunity for us to speak to Michael Struck, the CEO of Ruby Hotels, as well as Matthew Bolan, the brand’s lead designer, in order to understand more about Ruby Hotels’ aggressive expansion, which includes its highly anticipated debut hotel in London next year.

In an industry full of leaders and visionaries, who are designing the cities of our future, it makes sense for us to also carve the path for others when it comes to celebrating diversity. Here are Hotel Designs, we are determined to continue to praise and offer a platform to people, projects, and plans on the boards that further challenge convention.

Be proud and apply for The Brit List 2019 for free today!

During August, Hotel Designs will be putting Hotel Concepts and Beds under the spotlight. If you would like to contribute to these topics, please do not hesitate to email me.

Editor, Hotel Designs

Main image credit: ACT Studios

In Conversation With: Michele Salvi, Associate at Zaha Hadid Architects

730 565 Hamish Kilburn
In Conversation With: Michele Salvi, Associate at Zaha Hadid Architects

Following the opening of the 770-key Morpheus Hotel in Macau, Zaha Hadid Architects’ Michele Salvi sits down with editor Hamish Kilburn to discuss pushing boundaries, ever-changing public areas and how the pioneering practice is continuing the legacy of a design legend…

When Morpheus first opened to the public in June of last year as the “world’s first free-form high-rise exoskeleton” hotel, to the surprise of nobody, it quickly became one of the most talked-about new-builds of the decade.

Six years in planning, the ambitious brief that the team at Zaha Hadid Architects (ZHA) received by Melco Resorts Entertainment was to design and build the fifth and final tower to complete City of Dreams Resort in Macau.

“Morpheus is a step into the unknown.” – Michele Salvi, Associate, Zaha Hadid Architects

To understand more about the challenges that were attached to such an enormous project – and to get a glimpse into the inner workings of one of the leaders behind many of the decisions – I join project architect and Associate Michele Salvi for one of his typical lunch hours in London’s bustling Clerkenwell district. “I love it here,” he says tucking into a fresh salad. “London’s vibrant culture scene makes Britain such a significant design hub.”

Establishing shot of site against other buildings

Image credit: Ivan Dupont

The architect, who operates from the ZHA’s London HQ and has recently been confirmed among other visionaries to be a jury member for the Outstanding Property Award London, is currently working on projects such as Mandarin Oriental Melbourne as well as several high-end competitions in Europe, Asia and Australia. And while these buildings that are on the boards are full-on commitments, there was nothing that could have prepared Salvi and the ZHA team for the opening of Morpheus. “Throughout the year there were many launch events with the hotel’s grand opening being the most important and expectations were high,” he admits. “The large atrium had been unwrapped from its scaffolding only a few days before and we had been working full speed with the interior contractors to deliver a project of premium quality right up until the last day. To be honest, it was a huge team effort.”

Instead of referencing architectural styles from around the globe, like the majority of other buildings in and around Macau, Morpheus ascended from its own unique environment juxtaposing its neighbouring buildings. “As our client says, Morpheus is a step into the unknown,” adds Salvi, “an unprecedented mix of challenges. More so than previous projects as parametric design tools methodologies have been used extensively in all design stages until construction.”

“It takes more than a comfortable room and premium facilities to make a hotel experience truly special.” – Michele Salvi, Associate, Zaha Hadid Architects

Rewind six years, and it was the late Zaha Hadid herself who had originally signed off the plans for the project. “We started with the envelope and exoskeleton,” explains Salvi. “The massing was given by the brief, the limited footprint leftovers from the existing City of Dreams development and 160m height restrictions because of being in close proximity to the airport.”

To create a fitting first impression that allowed all guests to experience the full scale of the project, the design team decided to keep the public areas as open and exposed as possible. “It takes more than a comfortable room and premium facilities to make a hotel experience truly special,” Salvi explains. “We wanted people to physically experience the building, be amazed and discover something unexpected.” Examples of this can be found no further than the 12 panoramic lifts, which through the full-height atrium provides what can only be described as a breathtaking 45-second experience of defying gravity.

What gives the 40-storey Morpheus its iconic free-form exterior shape are a number of delicately created pockets within the architectural structure. “We carved out three voids from this solid block to increase the amount of unique corner rooms,” explains Salvi. “By bending and curving the façade towards the centre, we enhanced visual connectivity and created unexpected crossing views between different areas of the building, such as two panoramic bridges that host restaurants.”

Exterior shot of the hotel, with irregular details

Image credit: Ivan Dupont

The guestrooms and suites within the hotel are somewhat hidden in the non-uniformed design in collaboration with interior design studio Remedios Studio. “Most rooms are within the flat façade and corners, with unique suites in the transition between flat façade and the voids,” Salvi continues. “All of them are behind the exoskeleton, and the variation of its pattern provides shelter from direct sunlight and generates dynamic filter towards the city.”

QUICK-FIRE ROUND

Hamish Kilburn: How do you escape from the daily grind?
Michele Salvi: Sailing, when I can, and I love travelling

HK: Where’s next on your travel bucket list?
MS: Hong Kong and Jordan are on my list. I would love to visit Patagonia and La Tierra del Fuego

HK: Renders or sketches?
MS: Both of them in every stage of design

HK: If I were to give you unlimited budget to design a hotel, where would it be in the world?
MS: I would love to design a floating hotel, always in motion rather than anchored to a specific context

HK: In your career, so far, what has been the largest change that has affected the way in which you design hotels?
MS: For me, this was when I started to use parametric tools, which could manage more information and has a much higher level of complexity

HK: Who inspired you when you were training to be an architect?
MS: Primarily Zaha Hadid. But also Frank Gehry and later on, from other creative fields, Ernst Haeckel and D’Arcy W. Thompson.

“Zaha’s loss was devastating.” – Michele Salvi, Associate, Zaha Hadid Architects

Despite Morpheus being no-doubt an impressive piece of architecture, it is perhaps the fact that it was one of the last projects that the late Zaha Hadid herself worked on that makes it an important building – and a poignant moment – in the firm’s journey. “Zaha’s loss was devastating,” says Salvi. “However, there is a strong sense of community within the company and we all share the responsibility to continue her legacy.” Salvi joined the studio just more than 15 years ago, first starting in the firm’s Italian studio before moving to London to work within – and later lead – a larger team. “I do feel as if I have contributed to making the company successful,” he says. After more than three years, we are doing incredibly well and continue to deliver unique projects.”

Just like the project itself did over many sketches and renders, Salvi has also evolved since early stages through to the completion. “Due to the extraordinary scale of the project, I feel I’ve learnt a lot,” he says. “From façade technology and interior design to form structure and workflow management, which is now a precious resource on every new project.”

With the architect’s lunch hour over running, and a design competition deadline looming, it’s time for Salvi to head back to the London studio to contribute further in changing the skylines of our cities for the better, all while continuing the work of the woman who changed architecture – and equality within the sector – forever. And with that, the extraordinary work taking shape behind the firm’s studio doors continues into a new chapter, which will no-doubt be complete with new, unique and elegant dimensions.

Main image credit: Jacopo Spilimbergo

INDUSTRY INSIGHT: Styling a hotel for design press

1024 768 Hamish Kilburn
INDUSTRY INSIGHT: Styling a hotel for design press

With first impressions now being made before guests have even considered checking in, making a hotel’s style, personality and character pop in photographs is fundamental in any successful launch campaign. Florence Rolfe, former senior stylist at House & Garden – and judge for The Brit List 2019 – explains some of the tricks of the trade… 

The overriding question I am often asked is: “What do I have to do in order to get my brand into a leading publication?”

As we well know, the role of the journalist is to find the next big scoop, to draw the reader in with interesting content, and ultimately: to tell a story.

When it comes to creating engaging imagery, my advice is that your visuals should also tell a story. They need to express a lifestyle, and, moreover when it comes to hotels, where there is an abundance, that story needs to be aspirational. It needs to offer access to something that you wouldn’t usually experience, and conclusively to communicate this. The image should encapsulate the incredible journey you will have. What do we enjoy most about staying at hotels? For me, I like to indulge: step into my room, kick off my shoes and slip into that soft luxurious robe. I scout out the brand of miniature toiletries carefully curated in the bathroom. Perhaps run a bubble bath, then later tuck into high-thread count, Egyptian cotton sheets freshly turned down by housekeeping, before indulging in a chocolate left on the pillow.

“Whilst emulating the comfort of a home is important, the magic of hotels is also the escapist quality.”

But how can we convey this sublime experience into a photograph? Whilst emulating the comfort of a home is important, the magic of hotels is also the escapist quality. A luxurious element and impression of pampering is key. Detail shots of gorgeous bed linen, or a beautifully presented breakfast on a balcony, or a section of the bed with a thoughtfully styled bedside table, attractive looking cocktails at a beautifully stacked bar, or a good looking dish prepared by the chef. An evocative shot could also capture a neatly rolled towel pristinely perched on a sun lounger.

Are there any quirky design details around the hotel that the stylist and photographer are able to hone in on? Perhaps an interesting art collection, extensive book collection, rooftop pool with panoramic views, or an inviting private beach? Perhaps an unusual design element like a bath tub on the balcony – think The Zetter Townhouse, Marylebone. Draw your focus onto the interior design elements in a hotel, like an oversized bedhead – Kit Kemp style – or a mega chandelier, as seen in The Corinthia London’s lobby. Focus on the materials at your disposal: the tiles, upholstery, curtains, bed linen. Do they contrast with other fittings like dramatic brass door handles? The writing desk in a hotel room. Or a big beautiful armchair. These furnishings are interesting to photograph to show guests how differently the bedroom space can be used (outside the standard realm of bed and en-suite bathroom).

Consider the different mix of materials not as typical or practical in our everyday living spaces: silk curtains, bed throws, velvet armchairs. The prevailing impact that interiors trends have for press and bloggers means that in this day and age photography and styling is really important.

Think about whether you want the pictures to look as though they are ‘guest ready’, preparing for the customers arrival or whether they should encompass a natural ‘lifestyle’ quality? Do you want to create your bedroom shots with a more ‘lived in’ feel. This could be a messy bed, for example. If your shots have been commissioned purely for website purposes, I would stick to ‘guest ready’. Lifestyle are great for video and social media content. I would also always advise having a model on hand for any lifestyle imagery as the human element not only brings things to life, also helps scale in a photograph. A mix of the two works well for website, brochure and social media content. Movement can still be created in a still life image: a running bath or shower, lit candles or a barman pouring a drink or shaking a cocktail.

If the budget allows, I would suggest hiring a stylist and good photographer to bring these elements to life. My job as a stylist is to create this ‘home from home’ environment in a photograph, achieved by sourcing props in interesting shapes and sizes that I know will always photograph well.  You can never go wrong with beautiful flowers. They bring any image to life. Not only will they provide that pop of colour if needed in the photograph, but they can hugely help image proportions.

Flowers is another element I would suggest carefully considering for your branding. Take a look at your surroundings: which flowers and/or plants are native to the country or area that your hotel is based? A hotel or resort based in South Africa might decide to stick with their native flower, which in this case is the ‘Protea’, whereas a hotel or resort in Mexico might opt for succulents in their imagery. As we are all aware, flowers can be pricey and don’t always last long. This isn’t always ideal when you’re on a long shoot, as they need to look as fresh as possible for every shot. Faux flowers might be a good option. Once renowned for having a bad reputation, these days there are some beautifully crafted, really realistic ones available. A good selection of hardback books in various sizes and colours are always useful to fill a neglected area.

To create an image that not only gets you into the press, but also hooks your target market, you need to create emotion. Put yourself in the guest’s shoes. Do not simply take a cold image of a smart room, but rather bring that room to life. Allow the reader to envisage how they would feel when they walk through the door into your hotel room and sense all the wonderful things around them, which you’ve so carefully thought out for them.

Main image credit: CitzenM Kuala Lumpar

SPOTLIGHT ON: Fabric trends to bookmark for 2019 and beyond

730 565 Hamish Kilburn
SPOTLIGHT ON: Fabric trends to bookmark for 2019 and beyond

While Hotel Designs is shining the spotlight on fabrics, Hotel Designs has identified interesting trends and innovate materials on the market… 

There are many factors that determine the trends and movements of which fabrics designers use within products. Sustainability, durability and feel to the touch are all among them. With this in mind, the editorial desk have found the fabrics that should and are being specified in design hotels around the world.

Innovative and instagrammable material

Image credit: W London

Earlier this month, W London unveiled the result of its fashion-forward collaboration with designer to the stars Jack Irving. Completing his first ever interior project, Irving was asked to design a statement product for each room and suite. The designer’s urchant-shaped bed cushions are dynamic, quirky and very W! But what’s arguably more impressive than the shape is the material. “We call it Rainbow material,” says Irving. “That’s because of its ability to change colour. When you take a photo with the flash on, the cushion turns from a black to a multicoloured it glow, which the hotel loved.”

Sustainability

Image credit: Kvadrat

The Denmark-based textile manufacturer Kvadrat has a strong sustainability policy. By launching the sustainable company Really, the company were able to upcycle waste wool and cotton to create different materials, which includes acoustic felts. “We strive to develop sustainable products of high quality – products that add value to public and private spaces.,” said the company which has worked in collaboration with the likes of Anton Alvarez, Ronan & Erwan Bouroullec and Patricia Urquiola, among others.

Another company that is leading the way on the sustainability path on the international hotel design scene is Mitre Linen. The company’s eco range, made from 100 per cent organic cotton and with a 200 thread count, is a classic, crisp white range that feels beautiful and soft to the touch. The cotton also conforms to the Global Organic Textile Standard (GOTS) certificate which means it is guaranteed to be free from potential skin irritants.

Time travelling to the ’50s

Image credit: Sekers

Incorporating a multi-colour looped yarn, Kielder by Sekers captures the essence of the heavy bouclé fabrics typical of the 1950’s but with a modern performance. Supplied with a crib five flame retardant backing and with a Martindale abrasion performance of 100,000 rubs, Kielder meets all relevant UK, US and IMO standards for upholstery. This textural semi plain is perfect for the most demanding upholstery application and the ideal choice for the commercial hospitality, leisure and marine markets.

Faux leathers

Fabric specialist Skopos has recently unveiled three new crib five faux leather products.

Kiri offers an antiqued / aged effect, in a range of leather-look colours. Its design mimics the sophisticated feel of leather and is well suited to hospitality and leisure interiors.

Haiko comes in an array of colours meaning it can be suited and matched to a variety of contract interiors. This finish presents a plentiful palette, pushing designers to work with both colours and naturals in their contract schemes.

Tama is both bold and confident. The emboss on Tama vinyl is subtle, light and understated, pushing the boundaries of colour to include vibrant shades in addition to neutrals, thus potentially appealing to a younger audience.

Fabric in lighting

In an industry that is used to collaborations and convergence, last year Vaughan boldly launched a new range that was inspired by travels around the globe that Lucy Vaughan, the creative director of the brand, has experienced. The result is The Tribal Collection, an array of vibrant lampshades, embroidered cushions and unusual upholstered chairs which aim to celebrate the craftsmanship and culture of fabrics Vaughan and her daughter have sourced. Each unique in their own right, the products within the collection is ideal for boutique hotels looking to create a statement, an editorial story we brought you one week ahead of this launch.

Main image credit: W London

Ruby Hotels opens second hotel in Dusseldorf

730 565 Hamish Kilburn
Ruby Hotels opens second hotel in Dusseldorf

Last night, Hotel Designs was invited to Dusseldorf for the official opening party of Ruby Leni, the disruptive brand’s seventh property. Ahead of the theatrical opening scene, editor Hamish Kilburn lifts the curtain to get a closer look backstage…

Following the hotel group unveiling its aggressive expansion plans last year, Ruby Hotels has officially opened its seventh hotel. Ruby Leni, the group’s second property in Dusseldorf’s central district for the disruptive Munich-based brand.

Shelted within a former 19th century hotel which later housed the iconic Düsseldorfer Schauspielhaus theatre, the 170-key Ruby Leni enjoys a prime position not far from Dusseldorf’s famous Königsallee shopping boulevard and canal.

An expansive bar and rooftop terrace offers a stylish watering hole for guests and locals alike, while an on-property work space and library provide ample space for both work and relaxation. All guest rooms, which range in size from cosy ‘Nest’ rooms (13-15m²) to expansive ‘Loft’ rooms (23-38m²), showcase Ruby Hotels’ sleep-scientist-approved formula for an ideal night’s sleep, with full soundproofing, blackout curtains, high-quality linen and extra-long and wide custom mattresses.

Dressing room style design

Image credit: Ruby Hotels

For guests in search of a longer stay, Ruby Leni offers RESIDENT rooms, which are more spacious and are equipped with a larger wardrobe, a small fridge and a coffee machine. Residents also get access to the residents’ kitchen and lounge. For longer visits, the hotel offers a special extended-stay rate, with significant price discounts for bookings of seven nights or more.

Drawing on both the surrounding area and the building’s creative past life, the design of the hotel is themed around the theatre world of the early 1950s, with antique furniture and artefacts providing a sense of place and history. Ruby Leni is in fact named after Helena from Goethe’s Faust; Gustav Gründgens’ groundbreaking production of the play premiered at the Schauspielhaus in the 1950s before it became a film classic.

As with all Ruby Hotels, a musical theme runs throughout the property with quirky touches such as the inclusion of a Marshall guitar amp in each room, which guests can use both with their own guitar or one borrowed from reception. By night, regular live music events at the bar provide a stage for local musical talent, while by day the space serves as a relaxed space for guests to enjoy an organic breakfast as they listen to the sound of the hotel’s very own ‘Ruby Radio’.

Cutting-edge technology is displayed throughout the property; in each room guests can find a personal tablet PC and smartphone pre-loaded with Ruby Hotels’ carefully-curated Dusseldorf city guide, social media apps and unlimited data and calls to use throughout their stay. A state-of-the-art self-check-in system makes use of tablet computers to reduce check-in time to under one minute, leaving guests free to make the most of their time in Dusseldorf.

Just like the group’s other houses, the new hotel follows Ruby Hotels’ ‘Lean Luxury’ philosophy: a top location, high-quality fittings, and outstanding design. All of this is offered at an affordable price by rigorously cutting out the superfluous and focusing on the essential.

For example, a trendy communal space serves an organic, locally-produced breakfast without the need for a kitchen or chef, and instead of overpriced minibars and room service, galley kitchens, vending machines and ironing stations supply guests with all of their needs. Likewise, a modular design sees Ruby hotels occupying mixed-use and former office buildings in the heart of the city, rather than the traditional, prestigious addresses with sky high rents typically favoured by hoteliers.

Ruby Hotels first unveiled its unique concept with Vienna hotel Ruby Sofie in 2014, before opening two further hotels in Vienna, Ruby Marie and Ruby Lissi, as well as Ruby Lilly in Munich, Ruby Coco in Dusseldorf and most recently Ruby Lotti in Hamburg.  In response to the success of these properties, the brand plans further openings including Ruby Lucy in London’s bustling Southbank in early 2020, as well as hotels in Zurich, Cologne, Frankfurt and Shanghai before the end of 2020.

Main image credit: Ruby Hotels

Stock Exchange Hotel in Manchester unveils sneak peek of design

730 565 Hamish Kilburn
Stock Exchange Hotel in Manchester unveils sneak peek of design

Stock Exchange Hotel, one of the most eagerly anticipated hotels in Manchester, will open on November 15, 2019 as a member of Relais & Châteaux…

The former Stock Exchange building, located in the heart of Manchester, is a striking example of Edwardian architecture from the 20th Century and is currently being meticulously transformed into a hotel which will offer a collection of 40 rooms, including two signature suites and a stunning 3,500 square foot penthouse residence. The food and beverage operation within the hotel will be overseen by chef Tom Kerridge.

The sneak peek of the hotel follows Meet Up North, Hotel Designs’ premium northern networking event, which shone the spotlight further on Manchester being a hive of hotel development in the pipeline.

Co-owned by Gary Neville, Ryan Giggs and hotelier Winston Zahra, the boutique property is set to open as a member of global hotel and restaurant fellowship, Relais & Châteaux and will be managed and operated by Manchester based GG Hospitality.

Having purchased the Grade II listed building six years ago, Gary Neville and Ryan Giggs explained that their vision was to bring the building back to life: “We knew the Stock Exchange well from when it was a restaurant but it was only when we viewed it in its entirety that we realised the extent of the history there.

“Most people familiar with the building will know of the domed ceiling above the old trading room floor, but there are many other original features that will not have been seen by many, such as fireplaces, vaults and stained glass windows. For us it was critical that this heritage was protected, and it now sits at the heart of what we hope will be an exciting new concept for Manchester.”

Speaking about the association with Relais & Châteaux, co-owner and GG Hospitality CEO Winston Zahra said: “We are honoured to be the first ever Relais & Châteaux member in Manchester and one of the first properties in the 65 year history of the fellowship to become a member before its doors open. This is testament to all of the work the team has been doing behind the scenes. We have put a great amount of effort into ensuring the design for the property truly respects the history of the building.

“The values and foundations of Relais & Châteaux to protect and defend local arts of living are are reflected in every detail of our offering and we are committed to preserving an important part of Manchester’s heritage, while offering quality service in an exceptional setting.”

Philippe Gombert, President of Relais & Châteaux said: “We are very happy to count Stock Exchange Hotel as a member of our family and to be able to accompany them in the opening of this beautiful house. I am deeply convinced that Gary Neville, Ryan Giggs and Winston Zahra will revive Stock Exchange and its history in a remarkable way. This is a perfect example of what Relais & Châteaux is: properties anchored in their region, ambassadors of their heritage, but also passionate about their craft and deeply committed to forging warm, lasting relationships with their guests.”

The hotel’s interiors have been designed by internationally renowned design studio Autoban.  Their bespoke design – a subtle arrangement of a light palette of colours, combined with luxurious materials, original marble, brass, glass and woodwork – ensures guests will experience spaces deeply rooted in the history and heart of the city, crafted around the remarkable stories of the building.

The collection of unique rooms and suites can be booked as individual rooms or combined into a number of configurations, creating interconnected spaces ideal for guests visiting the city for business or leisure and for families or groups. Whole floors can be hired with full interconnecting capability and the building is also available to be booked out in its entirety for exclusive use.

Render of a lobby

Image credit: Stock Exchange Hotel

The Bradshaw, John Gass and Arthur Hope room collections pay respect to the architects who originally designed the Portland stone building which originally opened in 1906. Additionally, the Kent and Norfolk suite collections complement what will be a very unique accommodation offering in the city.

In addition to the room and suite collections, the hotel includes two signature suites – The 1906 Suite and The Boardroom Suite, measuring 1,070 and 1,700 square feet respectively. The signature suites are available for both short and long term fully serviced stays at the Hotel.

The 1906 Suite, named after the year in which the Stock Exchange opened for trading, is located on the newly constructed fourth floor of the building.  Comprising two bedrooms, this 1,070 square foot suite is a great space for families and friends who want to reside in the same room while retaining an element of privacy.

The Boardroom Suite, accessed via a private staircase off the main lobby of the hotel, is located in one of the most historically significant and architecturally preserved parts of the building – the original Stock Exchange boardroom. Designed to honour its past, the 1,700 square foot space boasts a number of original features, including marble pillars, wood panelling, an ornamental fireplace, stained glass windows, and the original Stock Exchange vault. Other features include a walk-in wardrobe, a large lounge area, dining room and small fitness room. The Boardroom Suite can be extended to 2,300 square feet with the addition of an interconnecting suite that also includes its own private terrace.

Complimenting the best accommodation available in Manchester, The House is an exclusive, fully serviced residence. With its own roof terrace offering views over and across the Manchester skyline, The House is a unique penthouse residence with superlative attention to detail, extensive amenities and spacious facilities, spread over 3500 square feet.

Ideal for both short and long term residency, The House encompasses three meticulously designed bedrooms with en-suite bathrooms, a fully fitted kitchen, breakfast bar, two separate lounge areas, a beverage bar and a stylish dining room. A fitness room completes this exquisite top floor residence, underpinned by the full range of services offered by the team of the hotel.

The heart and soul of the hotel will be a restaurant and bar overseen by chef Tom Kerridge, housed under the magnificent dome which for decades was the trading floor of the Stock Exchange. The space has been designed to be a social space where people can enjoy quality food in a casual and relaxed atmosphere.

In addition to this, private dining and a variety of events will be catered for within The Vault and The Bank. The Vault sits in the lower ground floor of the building and will offer events for up to 120 people.  The Bank, with its own private entrance off Norfolk Street, will offer private dining experiences for up to 14 people in an intimate environment. The Bank comes complete with its own wine cellar which guests can enjoy as part of an overall dining experience. Both event spaces will cater for tailor made events depending on guest requirements.

Main image credit: Stock Exchange Hotel

Four Seasons Hotel Singapore unveils botanical twist

730 565 Hamish Kilburn
Four Seasons Hotel Singapore unveils botanical twist

Four Seasons Hotel Singapore goes botanical, unveiling reinvented interiors, including luxury suites, F&B and wellness areas…

Nestled within a city/country that is widely known as a modern metropolis that is leading the way in sustainable design and architecture, Four Seasons Hotel Singapore has lifted the lid on its newly completed interior design renovation, celebrating the natural, verdant flora that the island is unmistakeably known for.

Somewhat becoming a major source of inspiration for the design team, the hotel is situated amidst lush foliage on the fringe of one of the world’s largest shopping street, Orchard Road, a mere five minutes away from the a UNESCO World Heritage Site, Singapore Botanic Gardens. With the creative direction of celebrity Floral Art Director Nicolai Bergmann since April 2019, guests are greeted fresh florals in the Grand Lobby at arrival.

“Replacing deep, rich palettes are now contemporary interiors that feature a natural colour palette of dusty cool blue tones and lime green accents.”

The guestrooms and luxury themed suites alike were revamped in the last six to twelve months in preparation for the hotel’s Silver Anniversary. Replacing deep, rich palettes are now contemporary interiors that feature a natural colour palette of dusty cool blue tones and lime green accents, inspired by the water and tropical lotus leaves of the Singapore Botanic Garden’s Swan Lake. Each room also features a mural wall composition of traditional Peranakan tiles, adding an artistic touch and reminiscent of Singapore’s rich and multicultural heritage. Peranakan culture represents the union between two or more major ethnicities of the Straits Peninsula – a result of Singapore’s historical significance as a major trading port. Large floor-to-ceiling windows provide sweeping views of the city and surrounding greenery, while white-colonial style doors and windows with plantation shutters, reminiscent of Singapore’s once-agricultural history, allowing for the natural light to brighten the rooms.

Comprising four distinctive residences – the Royal Suite, Governor Suite, Ambassador Suite and the Presidential Suite – the quartet of luxury suites unfurl Singapore’s legacy through subtle design motifs, natural textures and serene palettes of subtle sophistication that portrays and acknowledges the Garden City’s dynamic, cosmopolitan storied history.

The passion for a nature-enlivened, tropical ambiance continues from the private areas to the restaurants and bar at the Four Seasons Hotel Singapore.

Relaunched in March 2019 after a month-long revamp, One-Ninety, the breezy, botanical modern Asian brasserie teases with its Asian twist on wholesome Provençal cuisine. The adjourning resort-style alfresco Terraza is perfect for unwinding with a classic in hand and weekend tete-a-tete over a tri-terraced Floral Afternoon Tea that intrigues with flora-infused treats, launched in end-May 2019. Embodying the concept of “Xiang Le Zhu Yi,” or the principle of enjoyment and happiness, newly minted Michelin-starred restaurant Jiang-Nan Chun is not only evocative of the pastoral lifestyle of Jiang Nan region’s traditional river villages through its rustic décor, but also through its authentic Cantonese cuisine.

Main image credit: Four Seasons Hotels & Resorts

Waldorf Astoria arrives in the Maldives

730 565 Hamish Kilburn
Waldorf Astoria arrives in the Maldives

The 122 all-villa Waldorf Astoria Maldives Ithaafushi spans across three interconnected islands… 

Waldorf Astoria Hotels & Resorts, Hilton’s iconic luxury hotel brand, has announced the highly anticipated opening of Waldorf Astoria Maldives Ithaafushi — which is said to set a new standard of luxury in the Maldives. The 122 all-villa resort spans across three interconnected islands, including an independent private island for those seeking an exclusive enclave equipped with a dedicated staff and luxury amenities.

Each luxuriously appointed beach, reef and overwater villa opens onto either a white sand beach or an expansive deck, and features a private infinity pool with uninterrupted views of the Indian Ocean, allowing guests to bask in the island’s natural beauty in the privacy of their villa.

The resort also features two Stella Maris Ocean Villas, accessible only by boat. These villas feature floor-to-ceiling windows and direct ocean access, providing unmatched views of the sunlit paradise and celestial charm of the nighttime Maldivian sky.

Image credit: Waldorf Astoria Hotels

“Asia Pacific is enjoying a golden age of travel, and the launch of Waldorf Astoria Maldives Ithaafushi is part of the growing momentum of Hilton’s Luxury and Lifestyle portfolio throughout the region,” said Alan Watts, president, Asia Pacific, Hilton. “This is especially significant as the Maldives becomes an increasingly popular destination for global travelers. As the first international hotel brand to have opened in the Maldives over 21 years ago, it is especially fitting that this opening takes place as we celebrate Hilton’s 100th year milestone as a leader in global hospitality.”

Image credit:

At the height of exclusivity is the Ithaafushi Private Island. Accessible only by yacht, the 32,000-square-metre sanctuary features a four-bedroom residence, three-bedroom beach villa and a two-bedroom overwater villa, giving guests a transcendent sense of space. The private island comes complete with a dedicated chef and personal concierge team, an overwater spa and gym, five swimming pools, an entertainment center and pristine beaches, providing endless options in which guests can indulge.

“The debut with our flagship brand in the Maldives is no exception.” – Martin Rinck, executive vice president and global head, Luxury & Lifestyle Brands, Hilton

“The Waldorf Astoria brand has a long-standing legacy of setting the standard for luxury and for providing personalized, graceful service,” said Martin Rinck, executive vice president and global head, Luxury & Lifestyle Brands, Hilton. “The debut with our flagship brand in the Maldives is no exception, and we will continue to redefine what it means to provide luxury escapes and deliver memorable experiences for the discerning traveller.”

Continuing the brand’s legacy as a pioneer in culinary innovation, Waldorf Astoria’s landmark opening in the Maldives will feature an unparalleled array of choices for its guests with 11 celebrated specialty-dining venues — many of which are brand new concepts developed with the Waldorf Astoria guest in mind.

World-renowned chef Dave Pynt, mastermind behind Singapore’s Michelin-starred restaurant Burnt Ends, offers his expertise to the island’s barbeque grill restaurant, The Ledge. The restaurant features his signature, custom-built, four-ton, dual-cavity oven and elevation grills, enabling the use of techniques such as smoking, slow roasting, baking and grilling. Bringing culinary theatre to the Maldives, The Ledge allows guests to witness the preparation of their dish, including favorites such as the Dry Aged OP Rib, a 45-day dry-aged beef rib, and the signature Lobster Roll, a brioche bun stuffed with freshly grilled lobster and lobster aioli.

Other dining highlights include Terra, located on the island’s highest point and providing a unique gastronomic dining experience in private dining pods crafted from natural bamboo. Nestled among boulders, The Rock is a rustic wine cellar and dining experience set in a carved-out space, where guests can indulge in wine pairing meals or an elevated dining experience with a menu that pays homage to renowned wine regions around the world.

Yasmeen offers guests the chance to savor authentic Middle Eastern cuisine. Hot pitas and puffed breads baked in ovens based on centuries-old designs, charcoal-roasted meats, and hot and cold mezzes are served in dining rooms filled with decorative artifacts and antiques, creating an unforgettable sensory experience. The immersive journey continues at Glow, which is set in a greenhouse-like structure shaded by lush greenery. It celebrates the concept of interactive garden-to-table dining by serving healthy and holistic cuisine made from fresh ingredients harvested from the on-island garden.

Waldorf Astoria Maldives Ithaafushi offers guests an endless number of remarkable experiences designed with the ever-growing wellness trend in mind. The calming ambience of the Waldorf Astoria Spa invites guests to indulge in a range of invigorating treatments — all from the tranquility of an overwater or garden villa. Nearby, soft white sand beaches provide the perfect backdrop for a day spent in the sun, while the 40-meter Mirror Pool is an ideal place to cool down.

“We aim to surpass the expectations of today’s luxury traveler with the introduction of our fifth Waldorf Astoria property in Asia Pacific,” said Dino Michael, global head, Waldorf Astoria Hotels & Resorts. “Our guests are searching for new and extraordinary experiences during their travels, and we are confident that this latest luxury destination in the Maldives provides the perfect setting for our guests to Live Unforgettable.”

Main image credit: Waldorf Astoria Hotels

In Conversation With: Simon Naudi, CEO of Corinthia Hotels

730 565 Hamish Kilburn
In Conversation With: Simon Naudi, CEO of Corinthia Hotels

With a Dubai debut around the corner, Corinthia Hotels is strategically expanding its luxury arm one region – and one hotel opening – at a time. Editor Hamish Kilburn caught up with the CEO of Corinthia Hotels, Simon Naudi, to understand the trials and triumphs of evolving one of the world’s most luxurious hotel brands…

Given its esteemed reputation among the design community, luxury enthusiast and of course its loyal returning guests, the news that Corinthia Hotels will open a property in the Middle East comes with little surprise.

The 55-storey hotel, which will add to the ever-expanding city skyline of Dubai, is slated to open in 2020. Considering that the destination’s hotel room supply is set to reach 132,000 by the end of 2019, according to a study by the emirate’s Department of Tourism and Commerce Marketing (Dubai Tourism) – and occupancy levels are forecast to remain at 76-78 per cent despite growth in capacity – the question is not why, but rather more ‘why now’. “Real Estate is expensive,” says Simon Naudi, CEO of Corinthia Hotels. “We are looking to expand sensitively. Our plan is to grow the portfolio sensibly and steadily, prioritising on looking for the right building or site in the right location.”

According to STR, the UAE as a whole gained approximately 8,000 new branded hotel rooms last year. As of June 2018, the Middle East had 358 projects/113,830 rooms under construction, up 13 per cent by projects YOY. “We’ve had several opportunities in the past, but we are happy to have waited for this project to come along,” explains Naudi. “We have the right partners, Meydan Group, and the right location, prime seafront on JBR, and a top-notch project being built to make the very best in the city. From the design of the building itself to the interior elements, the aesthetics of Corinthia Meyden Beach with be synonymous with the Corinthia brand: confident, exquisite and elegant.”

Image caption: Interior render of a suite bedroom inside Corinthia Meydan Beach Dubai

While all eyes and ears focus on the brand’s Middle Eastern arrival, further west there’s also much happening between now and then. “Our main focus remains on Europe and the Mediterranean,” Naudi says. “We are currently working on projects in Bucharest, Brussels, Moscow and several other projects are under consideration. We’re also focused on the USA, Manhattan in particular.”

Having recently featured in a two-part documentary with Corinthia London’s Managing Director Thomas Kochs, who also appeared on Hotel Designs’ Brit List last year, Corinthia London is arguably the brand’s most iconic building, and for good reason. With its headline-grabbing extravagant suites, innovative public areas and an out-of-this-world four-floor spa, the hotel has been a timeless gem for almost a decade since it was redesigned. But while the 283-key majestic hotel has stood the test of time, its interior design has had to evolve along with the brand in order to cater to the shifting demands of modern travellers. “Larger bathrooms, the less decreased demand for fixed TVs, connectivity and interactivity are all trends that have required guestroom designs to be functionally different today than they were previously,” explains Naudi. “In our case, we also continue to explore multiple uses of the foyer and lobby space, to double up as a space for meetings, social interactions and evening dining to a degree.”

With esteemed regular guests including a long list of celebrities as well as world leaders, Corinthia Hotels seems to have mastered the formula for offering seamless luxury. “It is tantamount to making an effort,” explains Naudi. “It is an effort in terms of investment on all levels, in the product, in the generosity of space, the quality of materials, the beauty of finishes and in the architecture. It is investment in technology, upkeep, maintenance. It is also effort in terms of choice of colleagues, investment in their training and wellbeing, and above all giving time to the pursuit of happiness. Uplifting lives is our company philosophy, and that is what we aim to do, both with our guests and our colleagues. If all of the above is in place, luxury follows.”

“Our single most effective weapon is indeed our size,” – Simon Naudi, CEO, Corinthia Hotels

QUICK-FIRE ROUND

Hamish Kilburn: What is the number one item you cannot travel without?
Simon Naudi: My passport!

HK: What has been the highlight of your career to date?
SN: Developing and launching Corinthia London

HK: What is the next destination on your travel bucket list?
SN: The regions of Spain

HK: What would you say is the number-one tool for success?
SN: Hard work, and more hard work

HK: What book are you reading at the moment?
SN: The Wise Men by Walter Isaacson

With so many lifestyle brands emerging in the market under the umbrella of large hotel groups, it’s refreshing to see an independent hotel group, like Corinthia Hotels, expanding and evolving without taking away its own core values as a brand known and loved by so many around the world. “Our single most effective weapon is indeed our size,” Naudi explains. “Being independent, and relatively small, means we can be, and are more open to be, true to who we are, and crucially nimble. We can also stay closer to our colleagues in all our hotels, the people who matter most to our guests and ensure we are all part of the spirit driving the company towards our aim of uplifting lives.”

“In most of our hotels, the spa is a key, central component, with large physical spaces allocated to this activity wherever we could.” – Simon Naudi, CEO, Corinthia Hotels

One of the major trends that seems to be dictating international hotel design, with the aim no doubt to ‘uplift lives’, is wellness and wellbeing, which is one topic that the brand identified early, if its London hotel is anything to go by. “We have always taken wellness seriously,” says Naudi. “In most of our hotels, the spa is a key, central component, with large physical spaces allocated to this activity wherever we could. Our guest profile has evolved over the years, and we are now more geared towards leisure guests, than corporate visitors, although all segments engage with our spas.”

Corinthia London ESPA spa

Image caption: Corinthia London ESPA spa

Hotels, especially ones operating in the luxury sector, seem to be adding value to their properties with the openings and renovations of in-house spas. And with Corinthia Hotels arguably leading the way for other hotels to follow suit, the challenge for brand is more around how to build on its already successful products. “We have had several highly successful partnerships with spa brands and products, but we are evaluating all options for our future in 2019,” says Naudi. “We have beautiful spas being built to add to our portfolio and wish to use this as a basis for a spa strategy that is relevant to our guests.”

Now that the hotel brand has pin-pointed its next destinations and is signing on dotted lines to secure them, calling the shots may be stressful and high-pressure at times, but it also carries with it unparalleled rewards. “I would count two main sources of satisfaction,” adds Naudi. “The first is to see old, abandoned properties, many of which may be heritage sites, rebuilt and launched as luxury hotels, with a legacy to span decades. Corinthia London was a case in point, but also our current projects in Moscow, Brussels and Bucharest too. Secondly, is seeing younger colleagues grow into more senior roles and take on leadership and entrepreneurial positions.” And with that, Corinthia Hotels continues to inspire generations by designing a healthy and strong family of hotels worldwide with a luxury metaphorical thread of impeccable service and innovative design connecting them all together.

SLEEP & EAT: Sleep Set design and architecture firms unveiled

730 565 Hamish Kilburn
SLEEP & EAT: Sleep Set design and architecture firms unveiled

Sleep & Eat has confirmed the designers and architects who will create this years Sleep + Eat sets, two of which were finalists of The Brit List 2018… 

Sleep & Eat, which takes place in Olympia London on November 19 – 20, has announced the architecture and design firms that will create the 2019 Sleep & Eat Sets. The roll call reveals an intriguing roster of new and long-established, multi-cultural practices based in Paris, London, Manchester and Singapore.

The firms are twenty2degrees, Miaja Design Group, Hat Design and Barreca Tibblin, who will each create a concept guestroom. Meanwhile, NAME architecture and Space Invader will both realise a restaurant and bar Set. With the theme for 2019 of “Social FlexAbility”, the six design and architecture companies have been challenged to design flexible and engaging spaces in that guests can activate the social experience of their choice. Once again, the Sets – a cult favourite amongst Sleep & Eat visitors – are poised to provide a conceptual playground which, this year, will explore one of the major issues of our technology-enabled age – connection with other human beings.

twenty2Degrees is one of the most prolific hotel interior design firms in London today. “We are thrilled to be a part of the creative team of designers involved with this year’s Sleep & Eat sets,” says Joseph Stella of twenty2degrees who was last year a finalist in The Brit List. “We look forward to delivering a design that not only encapsulates our studio, but also responds to the challenge of this year’s brief. Our aim is to design a space that feels fresh, excites those who visit and inspires others in the way that we have been when visiting The Sets in previous years.”

Headquartered in Singapore, Miaja Design Group has been bringing artistic design to hotels & resorts, luxury residential and F&B developments since 1995. The founder, Isabelle Miaja, says: “I am very excited to participate in Sleep & Eat 2019. Innovation and inspiration have always been a driving force for me in creating my designs and this event embodies these precepts.”

Paris-based Hat Design already enjoys a hospitality portfolio across Europe. Anne-Marie Sabatier believes that their quest is to design destinations and new experiences of wellbeing that engage all the guest’s senses. “With the prodigious opportunity offered at Sleep & Eat, we will be sharing our vision of relaxed aesthetics and transformable social collaboration,” she explains. “Sleep & Eat is an opening for HAT to a global audience, prestigious representation where functional business design matters.”

Barreca Tibblin was founded in London just last year, an interior design company combining the Scandinavian and French heritage of creative duo Emilie Barreca and Maria Tibblin.Maria Tibblin. “’Tradition of the future’ is my inspiration when designing a space,” says Tibblin. “It honours our heritage and welcomes the next generation. A timeless design combined with the creative sense of tomorrow. When I visited the Sleep & Eat event last year, I was so inspired and eager to be part of the show to share my ideas with a wider audience.”

Based in London and Paris, NAME Architecture is an award-winning architectural practice led by Nathalie Rozencwajg, whose experience ranges from landmark museums to residential spaces and luxury hotels. Rozencwajg was also a finalist in last year’s Brit List. “We are looking forward to contributing to a leading event in the hospitality sector and sharing our vision for the future of the industry,” she says. “Sleep & Eat is a driving force that bridges today’s solutions with visions for tomorrow and designing a Set is a unique opportunity to contribute to the debate and explore the power of design to personalise a social experience through a spatial one.”

Katie Edgar is the interior designer behind Oddfellows On The Park, Hotel Designs’ most recent interactive hotel review. “At Space Invader, we are always looking for new ideas that inspire us as interior designers,” says Edgar. “The Sleep & Eat event is a must for us as it combines new products, thought leadership, opportunities to speak to key figures in our industry and a chance to soak up the buzzing atmosphere. The opportunity to design a Set was a no brainer and a chance for us to come together as a design studio and create something special.”

Sleep & Eat 2019 returns to the National Hall, Olympia London, on 19th-20th November. For more information or to register for a complimentary pass, visit www.sleepandeatevent.com/visit/register-your-interest.

Main image credit: Sleep & Eat

 

DESIGN CONCEPT: Hotel of 2119 imagined by Hilton

730 565 Hamish Kilburn
DESIGN CONCEPT: Hotel of 2119 imagined by Hilton

To celebrate the hotel group’s 100th anniversary, Hilton has just unveiled what it believes will be the hotel in 100 years from now…

Intergalactic getaways, fast-food nutrient pills, two to three hour working days and adaptable, personalised rooms that can transport guests everywhere from jungles to mountain ranges; in celebration of its 100th anniversaryHilton predicts the future trends set to dominate the travel and hospitality industry in the next 100 years.

In a report supported by expert insight from the fields of sustainability, innovation, design, human relations and nutrition, findings reveal how the growing sophistication of technology and climate change will impact the hotel industry in the future.

Key predictions for the hotel of the future include:

Personalisation is King

  • Technology will allow every space, fitting and furnishing to continuously update to respond to an individual’s real-time needs – the Lobby will conjure up anything from a tranquil spa to a buzzy bar, giving every guest the perfect, personal welcome
  • From temperature and lighting, to entertainment and beyond, microchips under the skin will enable us to wirelessly control the setting around us based on what we need, whenever we need it

The Human Touch

  • In a world filled with Artificial Intelligence, human contact and the personal touch will be more critical and sought after than ever
  • Technology will free up time for hotel staff to focus on what matters most: helping guests to connect with one another and building memorable moments

‘Sustainable Everything’ – The Role of Responsibility

  • Only businesses that are inherently responsible will survive the next century
  • Sustainability will be baked into everything about a hotel’s design – from weather-proofed domes, to buildings made from ocean-dredged plastic
  • Hotels will act as the Town Hall of any community, managing local resources and contributing to the areas they serve with community-tended insect farms and vertical hydroponic crop gardens

Menu Surprises and Personalisation

  • Our diets will include more plant-based recipes and some suprising sources of protein – Beetle Bolognese, Plankton Pies and Seaweed Green Velvet Cake will be menu staples!
  • Decadent 3D-printed dinners and room service will provide unrivalled plate personalisation
  • Chefs will be provided with biometric data for each guest, automatically creating meals based on preferences and nutritional requirements

Futuristic Fitness and Digital Detoxes

  • Outswim a virtual sea turtle in the pool, or challenge yourself to climb the digital face of Mount Everest, your exercise routine will be as unique as you are. What’s more, exercise energy generated from workouts will be used to power the hotel, providing a zero-impact, circular system. Guests could even earn rewards based on reaching workout targets
  • Pick up where you left off with trackable workouts and holographic personal trainers
  • Offline will be the new luxury as we seek to find moments of tech-free time

“100 years from now hotels will have to create opportunities to converse, collaborate and connect, delivering moments that matter, individually, to each and every guest.” – Gerd Leonhard.

“Since its inception in 1919, Hilton has pioneered the hospitality industry, introducing first-to-market concepts such as air-conditioning and in-room televisions. Last year, Hilton also became the first hospitality company to set science-based targets to reduce its environmental impact,” commented Simon Vincent, EVP and President, EMEA, Hilton. “We enter our second century with the same commitment to innovation, harnessing the power of our people and technology to respond to guest demands. Our research paints an exciting future for the hospitality industry, highlighting the growing importance of human interaction in an increasingly tech-centric world.”

Futurologist Gerd Leonhard said: “In 2119 we will still be searching for unique experiences, but they will be more personalised than ever. As technology shapes our lives we will seek out moments of offline connection with others, including hotel team members who will help us truly get what we need from our stays. 100 years from now hotels will have to create opportunities to converse, collaborate and connect, delivering moments that matter, individually, to each and every guest.”

The report launches following major announcements regarding Hilton’s growth plans, including debuts among its lifestyle brands in destinations such as Africa, the Caribbean, Asia Pacific and France.

Main image credit: Hilton Hotels

Nature and citizenM’s typical design meet at in citizenM Kuala Lumpur

730 565 Hamish Kilburn
Nature and citizenM’s typical design meet at in citizenM Kuala Lumpur

Design and architecture firm concrete has completed the design of citizenM Kuala Lumpur Bukit Bintang…

Design and architecture firm concrete, which joined editor Hamish Kilburn on stage in May at the Independent Hotel Show, has unveiled the design story of its latest completed project, citizenM Kuala Lumpur Bukit Bintang.

The architecture firm, which stands at the cradle of every citizenM, designed the interior of the hotel and redesigned the architecture in typical citizenM style while being inspired by local nature and art.

Located in Bukit Bintang, a lively area in the centre of Kuala Lumpur that is characterised by many restaurants, shops and Jalan Alor street just 100 metres away from the hotel, citizenM opens the door to the epicentre of Kuala Lumpur for food, fashion and entertainment. The car-free street, with open-air restaurants and terraces on both sides, is mainly visited by locals and known for their food and a great spot to get to know the local culture and atmosphere.

“Only the construction of the building has been preserved, both the façade and the entire interior have been newly designed and built.”

The existing building of the former Sky hotel has been stripped completely and has been rebuilt as a 210-key citizenM. Only the construction of the building has been preserved, both the façade and the entire interior have been newly designed and built. The first floor was removed to increase height, light and air in the lobby on the ground floor and the therefore created void now hosts societyM and meeting rooms.

The ground floor houses the disruptive check-in kiosks, iconic citizenM living rooms with a tribute to the city by local artists Azizi Latiff en Afiq Faris, canteenM for 24/7 food and beverages and collectionM, a one-of-a-kind retail shop. The internally located rooms have a view on the courtyard, which brings daylight in the rooms and the centre of the building. Just like in the lobby on the ground floor, structural beams characterize the space and protrude through the large space. Large planters and green hanging plants give the space atmosphere and create privacy for the guestrooms.

Dog accessory used as a bookstop

Image credit: CitizenM

Eye-catching moments within the hotel’s design include a colorful painted art ceiling in the lobby, which presents the colors and lush nature that Malaysia is known for. A colorful patchwork conceals the parking garage located in the façade and makes citizenM visible on street level.

CitizenM launched in 2008 at Amsterdam Schiphol Airport. The brand, which now welcomes guests in 10 different country’s “to a new kind of hotel” now has 13 properties around the globe within its growing portfolio, with plans to unveil a hotel in Zurich soon.

Main image credit: CitizenM

 

Unbound Collection by Hyatt unveils fourth hotel in Europe

730 565 Hamish Kilburn
Unbound Collection by Hyatt unveils fourth hotel in Europe

Parisi Udvar Hotel Budapest has officially joined the Unbound Collection by Hyatt, marking the brand’s fourth property in Europe…

Hyatt Hotels Corporation has announced the opening of Párisi Udvar Hotel Budapest as part of The Unbound Collection by Hyatt, following major restoration and full-scale renovation. The hotel is managed by Mellow Mood Hotels. It features 110 guestrooms and is situated on Ferenciek Square, between the River Danube and the bustling city center.

Once home to Budapest’s most fashionable shops and cafés, building has continuously evolved; from the shopping destination inspired by the Parisian ‘Passages des Panoramas’ that gave the hotel its name, to Budapest’s Central Savings Bank in 1906. Today, it stands as a palatial hotel, offering a novel, story-worthy experience and sense of place in the heart of Budapest.

“The original façade, staircases and decorative tiles have been carefully preserved.”

The hotel incorporates elements from Arabic, Moorish and Gothic design, representing Hungary’s fascinating past. The original façade, staircases and decorative tiles have been carefully preserved and the guestrooms feature tailor-made, Hungarian-crafted furnishings. Entering from the street or the lobby, visitors to the hotel’s restaurants and cafes will see its original iconography, including the Central Savings Bank mascot, the honey bee. Popular points of interest near the property include the State Opera House, Chain Bridge and St. Stephen’s Basilica.

Image credit: Unbound Collection by Hyatt

“Párizs Property Kft and Mellow Mood Hotels are excited to work with The Unbound Collection by Hyatt brand,” said Zuhair Awad and Sameer Hamdan, both Managing Directors at Mellow Mood Hotels. “We are very proud to open this renowned landmark building and to give it back to Budapest. We expect its rich history and stunning architecture will deliver memorable stays for the modern travelers.”

The hotel’s 110 upscale and spacious guestrooms will ensure guests have the ultimate stay. Each palatial Art Nouveau guestroom has been elegantly designed with decorations by Hungarian contemporary artist Agnes Toth, inspired by Gothic, Moorish and Oriental styles to guarantee that guests have an unconventional stay.

There are 18 luxurious suites and two Royal Residencies including the spacious Budapest Residence situated at the top of the hotel, which provides guests with stunning views of the city and a terrace to relax and watch the sunset.

Párisi Udvar Hotel Budapest offers two unique dining options, each with their own style and space. The hotel’s main restaurant, the Párisi Passage Cafe & Brasserie, serves international cuisine but also local and international wines in a cosmopolitan dining area. It is made complete with an open kitchen, allowing guests to interact with the chefs in a relaxing yet lively atmosphere. The Patisserie & Café, best known for its signature dark chocolate dessert, Párisi kocka, will serve hand-crafted juices, artisan coffee and traditional Hungarian pastries. By evening it transforms into a stylish cocktail bar.

Elsewhere, four distinctive multi-functional meeting and event spaces spanning more than 3,229 square feet (300 square meters) which can accommodate up to 160 guests.  Each space is equipped with contemporary conference facilities and the latest audio-visual technology.

Párisi Udvar Hotel Budapest is the fourth property to open in Europe as part of The Unbound Collection by Hyatt. It joins Hôtel Martinez in Cannes, Nish Palas in Istanbul, Turkey, Hotel du Louvre in Paris and Hotel SOFIA Barcelona, in Spain.

Main image credit: Unbound Collection by Hyatt

In Conversation With: Senior designer Kate Jarrett on Hard Rock Hotel London

730 565 Hamish Kilburn
In Conversation With: Senior designer Kate Jarrett on Hard Rock Hotel London

Since becoming a Hotel Designs’ 30 Under 30, Kate Jarrett, senior designer at Scott Brownrigg has completed the Hard Rock Hotel London. Sitting down with editor Hamish Kilburn, Jarrett talks job satisfaction, preferred materials and the challenges that come with being a young designer in 2019…

The early summer vibes are in full swing; the sun is out over the capital and its latest hotel, Hard Rock Hotel London, has arrived.

Upon entering, the hotel is humming with activity. Guests are soaking in the iconic memorabilia hanging on the walls, while locals gather around the bar enjoying a post-work refreshment or two.

The Lobby Bar feels like an apt place to meet Scott Brownrigg’s Kate Jarrett, the senior designer on the project, who earlier this year became a Hotel Designs’ 30 Under 30. “This started with a passion for illustration, something I studied before moving to Brighton University to study Interior Architecture,” she says. “I then started as an interior designer and I haven’t looked back. I have worked across several sectors but my real passion is for hospitality design.”

“We have used drumsticks to create unique lighting over the concierge desk.” – Kate Jarrett

The completion of the new 900-key hotel, which is located a stone’s throw from Oxford Street, is the perfect stage for the designer to amplify what has become a milestone moment in her career. “We drew inspiration from the history of music and specifically instruments themselves, breaking them down in detail seeing how they have been made,” she says. “This was an unusual take on the obvious theme of ‘music’ and we never lost sight of this unique brief in our design. For example, we have used drumsticks to create unique lighting over the concierge desk.”

Drumsticks used as lighting in the hotel's lobby

Image credit: Philip Durrant

The hotel’s walls are plastered with memorabilia that reference the legacy of legends who stayed in Hard Rock Hotels in decades past, including Jimi Hendrix, Nina Simone, Stevie Wonder, Bob Dylan, Diana Ross and Madonna. Balancing the history and heritage of the brand in a timeless style to avoid cliché moments was the first task for design firm Scott Brownrigg when confronting the motifs that will be sheltered in the new hotel. “We knew we had to represent the Hard Rock brand in an innovative way for the contemporary London market,” Jarrett explains. “The hotel scene here is competitive so we knew we had to create something that tied into London and Hard Rock’s music heritage, while still being completely contemporary.”

Contemporary bar

Image credit: Philip Durrant

The F&B structure at the Hard Rock Hotel London originally took its inspiration from the original art-deco style ceiling of the Lyons Corner House that original stood on the site in the early ‘90s. “Great F&B and bars are key to the success of a hotel as they offer a destination for non-hotel guests too,” explains Jarrett. “For that matter, the expectations of hotel customers on what they want from the hotel experience has also changed. They want it to feel like a home, workplace and a space to socialise; the brief is more open than it used to be.”

QUICK-FIRE ROUND

Hamish Kilburn: If budget was no object, what product would you include in a project you are currently working on?
Kate Jarrett: An incredible art collection

HK: Best thing about being a designer in London?
KJ: The constant source of inspiration

HK: Where is next on your travel bucket list?
KJ: Japan – it would be like an experiential mood board. I already have a list of places I want to visit

HK: Where was the last hotel you saw that took your breath away?
KJ: I recently visited the Beekman in New York, and it really impressed me. That central atrium is like something straight out of a 1920s novel.

HK: What does luxury mean to you?
KJ: For me it represents a space that I want to spend time in, a collection of pieces whether its furnishings, art etc. that make me feel like I can sit back and slow down.

HK: What’s the last item that will appear on your bank statement?
KJ: Most likely ASOS… or coffee, as I’m always running around at the moment!

Without a doubt, it’s her ability to let the project do the talking that has made Jarrett the designer she is today. But the challenges of being a young designer in 2019 are far deeper than simply securing projects, or belonging to a leading firm. “London has a lot to offer, however it also means that you have to shout louder, metaphorically, to get yourself heard and to stand out in the industry,” says Jarrett. “Platforms like the 30 Under 30 I find career-affirming as they enable us to get our names out there and really help to showcase the talents of young designers.”

With sustainability arguably as big a talking point as any other at the moment in interior design and trends, Jarrett is insistent, where possible, on using naturally sourced materials within her projects. “I really enjoy working with natural materials,” she says. “Specifically, I like working with the tactile qualities of natural timbers, stones and the effects achieves by a neutral palette.”

“Scott Brownrigg has been really supportive and encouraging with the projects I have worked on.” – Kate Jarrett

At the root of Jarret’s decisions and place in the market is a design firm that has incubated and supported the young designer’s creativity to ultimately develop better places to live, stay and work. “At Scott Brownrigg, we are all encouraged to enrich lives through the environments we design,” she explains. “Scott Brownrigg has been really supportive and encouraging with the projects I have worked on. As a young designer it can be hard to establish yourself in a company, but Scott Brownrigg has really been great at championing me every step of the way. We’re a friendly, social bunch so I have also make some great relationships with colleagues along the way which has really helped.”

Aside from the Hard Rock Hotel London, current projects that Jarrett is working on that on the boards are firm proof that she is anything but a one-trick pony in the race. “We are working on an exciting hotel project in Stratford,” she explains. “This area is having a surge at the moment with lots of new developments, particularly in the hospitality sector. There are also some further Hard Rock projects we are working on; it’s great to get repeat work as it means we are doing something right!”

The fresh and vibrant interiors that surround the new hotel that everyone seems to be talking about are a reflection of the designer that Jarrett is becoming, or arguably already become. Modest, calm-natured and enthusiastic, Jarrett is, in my opinion, a credit to the firm that has helped support her on her way.

Main image credit: Tash Busta Photography

Leading hoteliers and suppliers to attend Hotel Summit

730 565 Hamish Kilburn
Leading hoteliers and suppliers to attend Hotel Summit

Hotel Summit, which returns this year in a new home in Heythrop Park on July 8 – 9, provides hoteliers with direct access to leading hotel suppliers… 

The latest suppliers to book on to this year’s Hotel Summit, which takes place on July 8 – 9 at Heythrop Park, include Elavon, Out of Eden, Ligne Roset, Tevalis, HCI, Phillip Jeffries and Castrads. These companies will join the likes of Mitre Linen, Airwave and Project Blinds among other leading suppliers that will benefit from the two-day premium networking event.

In addition, delegates confirmed to attend the event include the likes of Browns Hotel, Great Hotels of The World, The Gainsborough Bath Spa, The Beaumont and The Lanesborough among many others.*

The Summit, which this year celebrates its 21st anniversary, is specifically organised by Forum Events for senior professionals who are directly responsible for purchasing and procurement within their organisation, and those who provide the latest and greatest products and services within the sector.

Over just two days, the highly focused event consists of pre-arranged one-to-one business meetings, interactive seminars and valuable networking opportunities throughout.

Establishing shot of Heythrop Park

Image caption: Heythrop Park, Oxfordshire, the venue for Hotel Summit 2019

How to register 

If you are a supplier to the hospitality industry looking to meet top hotel professionals, contact Jennie Lane at j.lane@forumevents.co.uk– or click here to book your place.

If you are a hotelier and would like to attend the Summit for free, please contact Liam Cloona on l.cloona@forumevents.co.uk – or click here to book your place.

*Please contact Liam Cloona for complete delegates list.

Six Senses to arrive in Costa Rica and Iceland

730 565 Hamish Kilburn
Six Senses to arrive in Costa Rica and Iceland

The hotel brand, Six Senses Hotels Resorts Spas, that recently joined IHG has announced two significant opens in both Costa Rica (2021) and Iceland (2022)…

Six Senses Hotels Resorts Spas has announce two of the latest projects in the group’s expanding portfolio with Six Senses Papagayo in Costa Rica – opening 2021 – and Six Senses Össurá Valley in Iceland – which will open in 2022.

Six Senses Papagayo, Costa Rica

Commonly referred to as the Switzerland of Latin America, Costa Rica boasts miles of exotic beaches, some of the most extensive rainforests in the world, majestic mountains, volcanoes, lakes and meandering topography. The Six Senses Papagayo, located on the stunning 2,300-acre Papayago Peninsula, will be a private and eco-conscious destination, offering a new adventure for discerning travellers. The hotel brand is working in partnership with the California based Canyon Group – which acquires and develops boutique ultra-luxury resorts in exciting destinations – and the Garnier Group, one of Costa Rica’s best known and most reputable development companies.

Overseeing the design of the resort is award-winning London based architect John Heah. The site stretches from the highest point on Papagayo down to the forested beachfront which will be home to 41 secluded pool villas. There will also be 31 residences available to buy, with owners benefitting from full access to the resort’s amenities

Six Senses Össurá Valley, Iceland

Surrounded by mountain range the vast Össurá Valley and Vatnajökull National Park, the 70-key Six Senses Össurá Valley is owned and is being developed by the Álfaland Hotel ehf alongside its partners; architect John Brevard, fashion entrepreneur, Áslaug Magnúsdóttir and cultural entrepreneur, Jakob Frímann Magnússon.

Built using renewable and locally-sourced materials, the hotel will adhere to high standards of energy and water efficiency the region is known for. The welcome lodge will be integrated into the surrounding environment and include a library, a cinema room, a water bar and an Earth Lab showcasing the project’s sustainability efforts.

Main image credit: IHG/Six Senses

Injecting sense of place in Koh Samui beach hotel

730 565 Hamish Kilburn
Injecting sense of place in Koh Samui beach hotel

SALA Samui Chaweng Beach Resort, the luxury boutique beach resort on Koh Samui, briefed design firm Onion to divide the resort into two distinct parts in order to add architectural drama while creating an unforgettable sense of place.

The moon plays an integral role in Thai culture, with each phase of the lunar cycle holding deep significance. The presence of a full moon, half-moon or dark moon can dictate the timing of festivals, the schedule of planting and harvesting, and even the most auspicious dates in a person’s life.

More recently, they have provided the backdrop to the legendary full, half or dark moon beach parties of Koh Samui and Koh Phangan.

SALA Samui Chaweng Beach Resort, the luxury boutique beach resort on Koh Samui, has divided the resort into two distinct parts – the Oceanfront/Beach Wing and Garden Wing – each of which has been exquisitely designed to reflect the changing phases of the moon.

“The Garden Wing will complete our resort, not only in terms of its rooms and facilities but through the story of its design,” said Erwin van der Veen, General Manager, SALA Samui Chaweng Beach Resort. “Just as the moon moves through cycles, SALA Samui Chaweng Beach Resort will allow guests to journey through a series of spaces which are designed to reflect the different characteristics of the full, half and dark moons. Charming, intimate and atmospheric, our new Garden Wing will provide the perfect contrast to the bright and spacious vibe of the Oceanfront/Beach Wing,”

Image caption/credit: Inside the Garden Wing/SALA Samui Chaweng Beach Resort

Conceived by Onion, the Thailand-based architecture and design studio, the hotel allows guests to channel the energy of the full, half or dark moons through innovative design shifts – from the openness and high energy of the full moon, through smaller half-moon spaces, and into the more intense shades of the dark moon.

Blue and white decor in treehouse-like bar and restaurant

Image caption/Credit: Treehouse restaurant and bar/SALA Samui Chaweng Beach Resort

While the Oceanfront / Beach Wing reflects the energy of a full moon with the circular shapes incorporated into various design elements, from the façade to the aptly named Moon Pool – the new Garden Wing offers a collection of private spaces with an ambience elevated by verdant trees and plants that add a touch of natural tranquillity. The family friendly area includes 82 rooms, pool villas & pool suites, ranging from 45 to 181 square meters in size, with state-of-the-art IPTV and audio systems, and glamourous full-size daybeds. Also included is a Tree House Restaurant and Bar, 25-metre swimming pool, the Garden Pool Bar, SALA Gym, SALA Spa with six private treatment rooms and steam room as well as SALA’s first kids’ club, which includes indoor and outdoor play areas.

Luce interiors with rustic villa furniture

Andronis Arcadia opens in Santorini

730 565 Hamish Kilburn
Andronis Arcadia opens in Santorini

Offering “unrivalled luxury”, earthly Andronis Arcadia shelters 53 design-led pool suites on Santorini, Greece, all with striking vistas towards the Aegean Sea and the island’s unforgettable sunsets…

Andronis Arcadia is the latest addition to the Andronis Exclusive family of five-star hotels and villas. The hotel, which is named after the mythical home of Greek God Pan, is situated on the fringes of Oia, a place of natural harmony and pastoral enchantment.

Luce interiors with rustic villa furniture

Andronis Arcadia’s rustic and earthly-luxe interiors bring elements of nature indoors, from the succulents and plants, to local wood and materials. The Greek forged cement coating technique used throughout, has existed for centuries and creates a minimalistic look. Around 85 – 90 per cent of the furniture is handmade locally and has been constructed inside the hotel. The exterior heavily uses stones, drawing on the colours and textures of the volcano and its lava.

Close up of woven chair and a glass of white wine

Image credit: Carley Rudd Photography

The hotel has 53 suites of six categories including Eden Villa, the largest villa on the island complete with six bedrooms over three floors, plus its own spa, fitness centre, private chef and two pools. All suites have sunset and sea views plus a plunge pool, and guests additionally have access to the 450m2 infinity pool surrounded by cabanas. The suite interiors have geometrical-style design alongside square recesses on the walls, and natural fabrics throughout including linen to give the ultimate sense of light and space.

Evexia Spa is Andronis Arcadia’s Spa & Wellness Centre, developed in partnership with founder of luxury skincare brand ila, Denise Leicester, and Dr Zulia Frost, who pioneered the non-invasive hair profiling test. The largest spa on Santorini, Evexia Spa has five treatment rooms with the option for in-suite treatments.

Three restaurants and two bars occupy the space. Signature restaurant Opson spearheaded by Stefanos Kolimadis showcases dishes inspired by the tastes and ingredients of classical Greece through a several course tasting menu developed in consultation with a classical scholar. Contemporary cuisine and flavours of an ancient time are fused to bring together the best Greek food today with dishes known and loved by legendary forefathers including Aristotle, Plato and Omiros. Althea Restaurant features dazzling Mediterranean seafood as well as local dishes with ingredients grown in the Andronis gardens. Chef showcases the best flavours and produce of the Cycladic islands and wider Mediterranean. Oishii Sushi Bar uses the freshest ingredients fused with traditional Japanese techniques, serving exceptionally well presented and seasonally changing dishes.

View from the hotel terrace withColours of blue, orange, red and yellow in the sunset

Image credit: Andronis Arcadia

The sunset terrace, Senses Cocktail Bar, is a welcome return for island friends. Chic and convivial, it’s designed to be a premium Instagrammable setting. The hotel, which opens as the seventh property within the Andronis Exclusive portfolio, is said to be a game-changer on the island for style, gastronomy and understated luxury.

EDITOR CHECKS IN: Running on empty in Clerkenwell

730 565 Hamish Kilburn
EDITOR CHECKS IN: Running on empty in Clerkenwell

Editor Hamish Kilburn explains some of the benefits that come with being a runner on the editorial desk – especially during Clerkenwell Design Week… 

I believe that nine problems out of 10 within this ever-evolving industry can be solved with a fresh perspective. Whether the issue is a lack of inspiration or perhaps you can’t decide which soft furnishings to purchase for a fussy client, there are times where you – and your project – could benefit from taking some time out so that your ideas and thoughts can authentically mature.

For most, the obvious ‘time out’ would follow booking 10 nights away in bare-foot luxury, and I must conquer that the undisturbed nature of this thought also appeals. However, if it’s simply a case of a blockage of traffic in the brain, then I suggest you hop onto the pavement. For me, it is often only after a gentle jog – at any time of day or night – where most of my editorial ideas for Hotel Designs stem from – or at least final decisions are made.

This month, I went one step further in my fitness therapy and signed myself up to complete what will be my third marathon. But while I have been there, done that and got the T-shirt twice before, one thing has changed – I am the busiest I have ever been. And so, like so many amateur runners who have or are pacing in my footsteps while balancing a career, finding the time to train is often the hardest challenge – a test that carries great unparalleled rewards, including being able to juggle time wisely.

“What’s running got to do with hotel development, design and architecture,” you may ask. Well it turns out, this month in particular, being able to confidently trot around town was an essential skill for those for those of us attending Clerkenwell Design Week as ‘Press’. Entering double digits, this year’s volume of celebrating of design, which witnessed hundreds of showrooms opening their doors to the public, was turned up to the max – and it was, undoubtably so, a fabulous festival to amplify to our readers. For the 10th year, it recognised the UK once more as an incubator for incredible design, architecture and ideas. Despite this, at times it was also like hitting the dreaded wall during a marathon, each showroom becoming more of a fuel station as we got further through the course. Passed the finish line, though, and we were able to reflect on the journey, which was like every long-distance race, full of unforgettable moments including witnessing art outside the frame at almost every turn.

Brick wall with loud and colourful mural of shapes bursting out

Image caption/credit: One of the many art installations at Clerkenwell Design Week 2019 | Sophie Mutevelian

In addition to clocking up the miles around the design hub that is Clerkenwell, my mini adventures on foot have allowed me to experience some pretty incredible places from an unmatched perspective; from the sandy beaches of Barbados to the cobbled streets of Amsterdam – and sprinting through New York’s Time Square at 5am. With the right pair of trainers – and the will power to get out whatever the weather, travelling to – and seeing – these places has been extraordinary.

“Each time I head out for a run in Manchester, usually between exhibitions or events, I notice a new building taking shape.”

Closer to home, Manchester is within my top five locations to go for a run in and around. Having spent a year living in the beehive, I fell in love with the ‘on the boards’ skyline and at times juvenile personality locked within its ever-expanding city walls. Given its striking façade, and spirited soul, it is no coincidence, therefore, that hotel development up north is booming. Each time I head out for a run in Manchester, usually between exhibitions or events, I notice a new building taking shape. Top Hotel Project recently reported that between 2020 and 2021, 11 new hotels will open – the majority of which will be for the luxury sector. In response to this, we’re taking our Meet Up North networking evening back to the city that everyone is talking about, this year taking over Hotel Gotham’s much-admired rooftop bar, Club Brass.

Today, my running shoes have taken me back to my hometown of Whitstable in Kent, a beautiful rustic and trendy town – think Shoreditch style but by the sea and with oysters. The gorgeous weather combined with a steady westerly breeze was all the motivation I needed to add a totally unplanned half marathon (13.1 miles) into this week’s training plan. It was all the motivation I needed to write and complete this column.

During June, Hotel Designs will be putting Hotel Groups and Software & Controls under the spotlight. If you would like to contribute to these topics, please do not hesitate to email me.

Editor, Hotel Designs

MINIVIEW: Hard Rock Hotel London

730 565 Hamish Kilburn
MINIVIEW: Hard Rock Hotel London

In spectacular fashion, as expected, Hard Rock Hotel London has opened its doors, adding 900 stylish rooms to the Capital’s hotel scene. Hotel Designs took a peak inside…

Positioned on the corner of Oxford Street at Marble Arch, Hard Rock Hotel London has arrived, catering to the needs of both business and leisure travelers from around the world. Designed by award-winning design firm Scott Brownrigg, the concept for the interior design was inspired from the heritage of the existing building, which was built in the mid 1700’s.

Drawing on the legacy of legends who stayed here in decades past, including Jimi Hendrix, Nina Simone, Stevie Wonder, Bob Dylan, Diana Ross and Madonna, the new venue pays homage to the site’s rich history through stylish interior design and carefully curated music memorabilia displays. It also is an inspiration to those who have yet to write their own story – Hard Rock Hotel London stands alone as a hotel haven for music lovers everywhere.

Image credit: Roberto Lara Photography

Hard Rock Hotel London accommodates two vibrant bars and a lively Hard Rock Cafe – the second Hard Rock Cafe to open in the Capital City. With 370 seats, the hotel’s Cafe is set to be the ultimate Central hang out. Combining elevated food and drink offerings with weekly live music performances that celebrate both local London and international talent, the Cafe offers an electric atmosphere, perfect for all occasions – from lunch meetings to after work drinks.

“As the original birthplace of Hard Rock, we are delighted to open a new hotel in London, the brand’s spiritual birthplace,” said Ian Fletcher, general manager of the hotel. “In true Hard Rock style, the property offers stylish and contemporary design, incredible in-room amenities, fantastic food and unparalleled service, with the thread that unites them all – music. We know all our guests have an unforgettable experience.”

Image credit: Roberto Lara Photography

Meanwhile, the 42-seat Lobby Bar takes its inspiration from the original art-deco style ceiling of the Lyons Corner House, which originally stood on the site in the early 1900’s. As well as celebrating the site’s unrivalled heritage, the bar embodies Hard Rock’s musical roots, with an abstract installation designed to reflect a master disc and record player. Memorabilia, in true Hard Rock fashion, is suspended in the bar from the walls through guitar strings to replicate a ‘larger than life’ fret board.

‘It has been a great experience working with two established brands, glh hotels and Hard Rock International,” said Kate Jarrett, Interior Designer at Scott Brownrigg who was also credited as a Hotel Designs 30 Under 30 earlier this year. “We have enjoyed collaborating with them to create a unique and sophisticated offer for the London market. Combining the history of the central London location with the iconic musical heritage of the Hard Rock brand.”

With venues in 73 countries including 184 cafes, 237 Rock Shops, 28 hotels and 11 casinos, Hard Rock International (HRI) is one of the most globally recognised companies – and the hotel brand’s most recent opening fittingly returns to where it all began.

Main image credit: Roberto Lara Photography

MKV Design completes chic hotel design in Mykonos

730 565 Hamish Kilburn
MKV Design completes chic hotel design in Mykonos

Design firm MKV Design has completed the interior design of Mykonos Riviera Hotel & Spa, a new 44-key boutique hotel that overlooks the Aegean Sea…

Described as the “perfect setting for rare moments of romance, luxury and personalised service,” Mykonos’ west coast has welcomed the arrival of a new boutique hotel,Mykonos Riviera Hotel & Spa, designed by MKV Design. Just as Hora tumbles down the centuries-old cliff face, so the white Cycladic buildings of Mykonos Riviera are also terraced down the rocky terrain.

With a stepped pathway running through the resort like its spine, and many spaces opening directly onto the pathway, the development resembles a series of little village houses, albeit revealing contemporary pared-back design and many luxurious features when the doors are opened.

“This has been a very special project for us, given our role over the years as interior designer at the Riviera’s sister resort, The Mykonos Grand Hotel & Resort,” says Maria Vafiadis, Founder of MKV Design and finalist of The Brit List 2018. “In this new project, we have created a retreat just a stroll away from the main town in which guests can feel completely connected with the most beautiful and transformative aspects of Mykonos – its natural landscapes, centuries old architectural character and its sense of simple luxury”.

A sunken pathway is the start of the journey through the site, leading to the reception lobby which sits below the elevated infinity pool, only opening out at the far end with a seating area and windows looking over the sea. The genius of the design in this space is the deep, glazed “windows” punched through the ceiling under the pool which transform the lobby into an ethereal underwater experience. By day, the space is constantly alive, shimmering with reflections of water and sunlight and animated by swimmers above. In the evening, it is illuminated by fibre optic lights embedded into the walls which shine upwards through the windows and pierce the water like hundreds of stars twinkling in the night sky. All this life is reflected and amplified by a fully mirrored reception desk, while a suspended sculpture plays with the notion of a diver plunging through the ceiling and recurring design features are established, such as polished concrete finishes and decorative marine rope.

Minimalist check-in desk with colours of turquoise in ceiling and reflection on floor

Image credit: Niall Clutton

The library is also directly off the sunken pathway. A fresh, calm room in which to relax or work, it is one of the very few spaces that looks inwards rather than out to sea. Above, the Blu Room is a space for small private events and guest breakfasts with a stunning custom-designed buffet table above which a parade of lights like elegant sunhats forms an eye-catching display. The Blu Room’s reversal of the island’s usual colour palette of white with blue highlights into a room of dense ultramarine blue emphasises its unique role within the resort as a semi-private facility.

Most of the guestrooms and suites overlook the Aegean Sea. Their interiors are bright, spacious and designed with a sleek nautical touch. A rope motif strung across the ceiling suggests rigging on a boat and splashes of Mykonian blue enliven the otherwise all-white palette; all the rooms enjoy an outdoor terrace. The bathroom area is finished in the iconic white marble of Naxos together with weathered timber, and the free-standing vanities are within the bedroom area, together with, in some rooms, a bath tub.

Bright, airy and clean guestroom

Image credit: Niall Clutton

Among the many room types, there are a number of suites raising the luxury experience to a further level, including suites with a heated jacuzzi on their terrace, duplex spa suites in which the lower floor is dedicated to pampering and fitness and the 70 sq metre Pool Suites, each with a private pool. A three-bedroom maisonette crowns the guest offering with its own infinity pool and a huge, fully furnished terrace.

The rooftop Pool Club restaurant and bar is the hotel’s all-day dining venue. Located opposite the pool and directly looking towards the sea, it offers a panoply of gently changing vistas, from the Mykonian sunset to the yachts and pleasure boats making their way in and out of harbour. The range of seating options is varied to suit loungers and diners, secluded contemplation and lively socialising. Once again, the colour palette is simple and belongs to Mykonos; the white ceiling of the pergola is criss-crossed with white rope and the bar is dressed in rope that sways in the Mykonian breeze.

Lafs, the Greek speciality restaurant, only opens in the evenings and its simple interior is therefore designed to feel cosy and be seen by the light of its many glass pendants and loosely woven raffia shades which cast shadows across the room. From its outdoor terrace overlooking Hora, diners feel like they can touch the town.  Lafs has the air of the best Greek in town – unpretentious, convivial and authentic.

View overlooking the pool and the bar

Image credit: The Mykonos Grand Hotel & Resort

The 500 sq metre spa includes six treatment rooms, a thalassotherapy pool with therapeutic showers, a hammam, sauna, relaxation room and hairdressing salon. The interiors are pure and simple with polished concrete finishes predominating embellished by pebble channels in the floor and a sculptural wall to one side of the pool; although the spa is sunken, natural light penetrates the space via a small outdoor courtyard.

Main image credit: Niall Clutton

New destination bar opens at revamped Hilton Hotel Münich City

730 565 Hamish Kilburn
New destination bar opens at revamped Hilton Hotel Münich City

While Hotel Designs continues its Spotlight On Bars & Restaurants, Hilton Hotel Münich City opens Juliet Rose, a new destination bar…

Interior design firm Goddard Littlefair has completed a striking new destination bar called Juliet Rose at the Hilton Hotel Münich City. The city’s new place-to-be bar was inspired by the F&B concept of unusual botanical extracts and the importance of process in the creation of its singular drinks.

The scheme was inspired by the F&B concept of unusual botanical extracts and the importance of process in the creation of its singular drinks, which includes a range of signature cocktails and what is said to be the best coffee in Munich. The result is an exciting and theatrical zoned space with an alchemical, laboratory feel; a perfect back-drop for outstanding drinks to be made and delivered. The scheme both stands out from and also works subtly in harmony with the overall hotel, which has also undergone a thorough revamp by the Goddard Littlefair team.

The bar’s name, Juliet Rose, is taken from one of the most elite roses in the world, developed over a 15-year period by renowned rose breeder David Austin. As well as lending the concept connotations of craftsmanship and the long-term pursuit of perfection, the ‘Rose’ reference will also be easily understood by a local audience as a nod to Rosenheimer Strasse, the street onto which the bar’s dedicated entrance faces, as well as the Rosenheimer Platz metro station, on top of which the hotel stands.

Modern restaurant and bar

Image credit: Gareth Gardner

The generously-apportioned, 90-seat, 180 sq m bar is located on the hotel’s ground floor, with easy access from both the hotel’s spacious new reception, as well as via its own dedicated Rosenheimer Strasse entrance, introduced to maximise passing trade. Customers can additionally access the hotel and bar directly from the metro station and an adjacent car park below, arriving via a special circulation route through the ground floor of the hotel, offering intriguing glimpses of the back of the bar through semi-opaque windows, so that the bar is referenced and announced from every possible angle.

Juliet Rose is made up of four different seating zones, each with different stand-out features, plus two bars. The main ‘ceremony bar’ is a stunning, monolithic U-shaped design that guests coming from the hotel entrance see as soon as they enter the space, at the far end of a central approach. A second, smaller-scale coffee bar is made of the same dramatic moss-green and highly-polished granite, with the choice of material referencing the earthiness of botanical ingredients. The granite for the main bar has been book-matched to ensure dramatic textural veining from the front. Above and behind the main bar, the gantry structure is made up of brass sections, with an industrial/lab feel, underscored by an apothecary-style bottle display. The barman prepares cocktails at its centre, making full use of dry ice, bell jars and a sense of reveal.

‘The overall design approach for the space was based on form and order, with drama, freedom and an opposing sense of randomness created by the furniture and accessorising’, architect David Lee Hood, Associate at Goddard Littlefair, explained. ‘When it came to structure, we added a number of new elements to the space to give a feeling of overall order and symmetry, whilst also ensuring playful visibility between zones via glazed screens offering varying privacy levels.’

As visitors arrive from the hotel down the entry circulation route for example, they pass between two large-scale, floor-to-ceiling screens (with added ‘peep holes’), where a brass-effect structure features ribbed glass OLED panels with a striking inset palm print. The screens were bespoke-manufactured for the project and are just one of many bespoke items that ensure design integrity and exclusivity for the project. A second highly striking screen-wall faces the hotel entrance lobby, passed by guests on their way to either the bar or front reception, and is made up of a brass shelving structure with glass backlit panels where a textured opaque manifestation gives the impression of a linen-style finish and plays with light. The structure is decorated on the inner side with judiciously-placed planting.

Image credit: Gareth Gardner

As the existing columns in the space are quite dominant, the design team made a feature of them by using new cladding and mirroring. An existing ceiling was removed so that the space’s full height could be used, with a dramatic new lighting structure that uses brass pipes and large, exposed lamps to add to the geometric, laboratory feel. Inset mirrors within the ceiling area reinforce the structure, as well as adding reflection and sparkle. Architectural lighting for the scheme was created together with DPA Lighting, whilst the stand-out decorative pieces were all bespoke-designed by Goddard Littlefair, with advice from DPA, and manufactured by Peters Design. As well as the overhead grid structure, these include a stand-out ‘test tube’ style pendant light located over the main bar and a number of vertical, glass-clad wall lights, which refer to the test-tube decorative light in style. A number of mid-wall lights throughout feature a circular fitting with a pole attachment to each side. These add layering and create a lower-level light source to bring light to the tables. Flooring throughout features stained oak timber surround and inset panels, made up of a geometric pattern of small white mosaic areas, plus larger slices set at interesting angles.

The four main seating zones include a casual drop-in area, directly to the left of the entrance, primarily for daytime use for coffee and cakes. Further casual seating is to the right, whilst the two sections further back and along both sides of the bar, for day or evening use, feature a mixture of seating types, as well as a communal high table, for groups, cocktails evenings and special events. Planting is used throughout, both for biophilic appeal and to underline the ‘botanical ingredients’ bar concept.

Furniture throughout includes sofas in bottle green leather and loose seating upholstered in pale oyster pink or else in deep orange leather with thin brass upstands and dark turquoise seat backs. Tables are either a marble-effect silestone, a brass-edged timber-topped design or, for the higher communal table, a series of easily-conjoined tables featuring a print taken from a magnified gold-veined leaf print, supplied by Fameed Khalique and manufactured by the lead contractor on the scheme, Engels.

luxurious bar with pendent lighting

Image credit: Gareth Gardner

Four windows which look directly out onto Rosenheimer Strasse, alongside the bar, feature a special chain-mail curtain with a clip detail, playing once again with light and screening, whilst effectively obscuring the busy street view and ensuring customers are enveloped by the bar’s atmosphere.

Located behind the street entrance to the bar, on the other side of a draft lobby area, are two stand-out pieces of bespoke-designed joinery: a waiter station and a moveable cocktail bar, both in high-gloss lacquer with blue-green tones to work well with the planting and moss-green granite bars. The cocktail bar has a removable top with ice and a sink inside so that it can be moved around to cater to guests anywhere in the space.

The hotel reception lobby that connects with the bar features a design treatment in keeping with the overall hotel design scheme, inspired by German Expressionism and particularly Der Blaue Reiter art movement, which had its origins in the city. Stand-out design features in the reception area include feature lighting loops, designed by Goddard Littlefair and manufactured by LED-C4; a high-gloss hexagonal mosaic-fronted reception desk with brass edging; a striking reception back-wall with a pale grey wallcovering and bronze effect vertical dividing strips; a marble fireplace area and artworks chosen by art consultants ARTIQ, taking a cue from the dynamism and strong colour of early 20th century German Expressionism, but updating that for today’s context, with new artworks commissioned for the hotel from contemporary artists. The artworks that lead towards Juliet Rose are partly-abstracted paintings which reference a more natural theme, in keeping with the F&B concept, with bold and interplaying curved lines.

Main image credit: Gareth Gardner

Hard Rock Hotels to arrive in Barcelona

730 565 Hamish Kilburn
Hard Rock Hotels to arrive in Barcelona

Hard Rock International continues growing its European hotel portfolio, announcing the development of Hard Rock Hotel Barcelona…

The global brand, Hard Rock International, is set to bring its signature musical flair to the shores of Barcelona in a €200 million new hotel to be developed on the last available seaside plot in metropolitan Barcelona.

Construction of the 504-room hotel will begin in late 2019, set to open on the shores of Barcelona in early 2022.

“This is set to be another ambitious project for Hard Rock International, alongside ASG,” comments Todd Hricko, senior vice president and head of global hotel development at Hard Rock International. “Hard Rock Hotel Barcelona will bring the brand’s dynamic and vibrant hospitality to Barcelona’s Mediterranean Coast, injecting energy and world-class entertainment into the city’s hotel scene.”

The project is owned by ASG’s fifth real estate fund and will be operated by Hard Rock Hotels. It is the fourth project in ASG’s Spanish hotel development strategy following the dramatic surge in visitor growth in Spain.

Saul Goldstein, ASG’s founder and managing partner, said: “Our agreement with Hard Rock International is an important milestone for this signature investment. It’s our second collaboration with HRI’s renowned hospitality brand following the announcement on the opening of Hard Rock Hotel Madrid. The Barcelona project amps up our hotels’ development strategy in Spain, which targets opportunities in major visitor destinations with a shortage of rooms.”

Hard Rock Hotel Barcelona, which will be designed by B720 Arquitectos, will offer a stunning rooftop terrace and bar with swimming pool, two Speciality Restaurants, Lobby Bar with Grab and Go and Music Bar. Guestrooms will have luxurious private balconies overlooking the Mediterranean Sea.

The brand will bring a selection of its signature amenities to Barcelona, including a Body Rock Fitness Centre and a Rock Spa to keep the mind and body healthy, the Sound of Your Stay in-room music program, a Rock Shop and a Hard Rock Roxity Kids’ Club, providing entertainment for younger guests. The hotel’s seven meeting rooms and ballroom will cover 21,530 square feet of meeting and conference space to accommodate a variety of events and occasions.

Adjacent to the Fòrum beach and Marina in Sant Adrià del Besòs, with direct subway and tram access to Barcelona city centre, Hard Rock Hotel Barcelona will be near Parc del Fòrum and Parc de la Pau, a regular host of spectacular music events and festivals, some of which Hard Rock has previously organised.

Barcelona’s incredible climate, cultural heritage and easily accessible transport links have made this city one of the most visited in Europe. Filled with incredible entertainment and activities, the city is the perfect fit for Hard Rock’s next European venture.

Main image credit: MAAD Architectural Imagery /B720 Arquitectos

MANCHESTER: luxury hotel design scene shows no signs of slowing

730 565 Hamish Kilburn
MANCHESTER: luxury hotel design scene shows no signs of slowing

Ahead of Meet Up North 2019 in Manchester, Hotel Designs takes a peak at the northern city’s hotel design scene to establish why it is considered as one of the most fast-growing design hubs in the UK. Editor Hamish Kilburn investigates… 

Manchester has a lot to be proud of. Not only is it home to two of the country’s most celebrated football teams (one of which is adjacent to a luxury football-themed hotel), the city’s property market has sky-rocketed in recent years.

With no signs of slowing, the market in Manchester for hotel development has recently been described by real estate experts JLL as being “in a league of its own”. With new hotels planning to pop up to join the hive of activity, Manchester has become a magnet for designers aiming to disrupt conventional hotels and make their mark on the city. Some of the most recent openings include Hotel Indigo Manchester and the highly anticipated arrival of Dakota Manchester – but there’s still more to come.

In 2019, according to research carried out by Top Hotel Projects, there will be six new hotel openings in Manchester, adding 835 guestrooms into the city. From the year 2020 to 2021, a further 11 more hotels are slated to open, which further indicates that Manchester is anything but at capacity for hotel development.

Hotel Designs is coming back to Manchester!

Following the success of Meet Up London, Hotel Designs will take its next Meet Up networking event to Manchester’s Hotel Gotham on July 1. The hotel, which in a few years will become the older and wiser sibling of the brand’s latest hotel that is on boards, The Brooklyn, has been an epicentre of the city’s action since it opened in 2015. The general manager of the hotel and brand, Mario Ovsenjak, and the owner, Robin Sheppard, were both listed in The Brit List 2018 as being among the top hoteliers in the country. Located on the rooftop, Club Brass will transform on July 1 from a private members’ bar  into a premium networking evening for designers, hoteliers, architects and suppliers alike – and here’s how you can get your hands on a ticket.

Designer, architect and hotelier tickets: £20 + VAT
– 
If you are a designer, architect or hoteliers to the industry and would like to attend Meet Up North, click here.

Supplier tickets: £150 + VAT
– 
If you are a supplier to the industry and would like to attend Meet Up North, click here.

There are also various sponsorship opportunities and packages available for Meet Up North. If you would like to discuss these with our team then please contact Zoe Guerrier by either emailing z.guerrier@forumevents.co.uk or calling 01992 374059.

Image credit: Hotel Gotham

The inaugural Meet Up North took place last year at King Street Townhouse and was attended by more than 200 designers, architects, hoteliers and key-industry suppliers.

About Hotel Gotham

Hotel Gotham is sheltered in what is arguably the city’s grandest properties and is an exclusive city-centre sanctuary, previously a bank that was designed in 1935 by none other than architect Edwin Lutyens.

The hotel prides itself on offering a modern and comfortable experience in a unique and luxurious environment, with exquisite service all within a bespoke private club in the heart of Manchester.

Main image credit: 20 Stories Manchester

Hotel Indigo stylishly arrives in Venice

730 565 Hamish Kilburn
Hotel Indigo stylishly arrives in Venice

The new hotel, designed by the in-house design team at IHG, debuts in the undiscovered Venice neighbourhood of Sant’Elena…

Hotel group InterContinental Hotels Group (IHG) is has announced the opening of Hotel Indigo® Venice – Sant’Elena, which marks the brand’s debut in Venice, Italy. From palaces to piazzas, gondolas to gelato and canals to carnevale – there is no destination quite so magical as Venice. Filled with beauty and world-famous sights, the city that surrounds the new hotel made up of 55,000 residents attracts more than 30 million annual visitors.

Despite its immense popularity, there are still pockets of the city yet to be discovered, such as the Sant’Elena neighbourhood. Sant’Elena is a global hub for modern art and culture, close to the home of  the Venice International Film Festival and the Murano Glass Factory. The neighbourhood will introduce guests to a side of Venice that few tourists see.

Hotel Indigo® Venice – Sant’Elena is located in the heart of the iconic Italian city, next to the canal Rio Sant’Elena. Formally a 1930’s monastery, the 75 room Hotel Indigo® Venice – Sant’Elena is a peaceful sanctuary reflective of its former heritage that exudes an almost spiritual calm, the perfect place to retreat from the bustle of San Marco square. Composed of two wings joined in the centre by a former chapel, the hotel boasts an interior courtyard and large windows with high ceilings, which is evocative of the local neighbourhood and existing architecture. The hotel also has a private garden, a rarity in Venice, where guests can sit and enjoy a refreshing cocktail and relax after a day of exploring.

Plush guestroom with large bed, velvet headboards

Image credit: Hotel Indigo/IHG

The interior design brings to life the building’s original features with oriental influences inspired by Venice’s traditions and history, with touches of modern elements contrasting with the classic Venetian style. Plush velvet pillows layered on leather seating and brass lighting scattered throughout the hotel contrast the deep wood panelling on the walls in the lobby and the emerald green marble bar top. Ebru paintings are dotted in the public areas, bringing to life Venice’s history of introducing the marbleized papers into their famed repertory of woodblock prints, copperplate engraving and book leather binding.

“The hotel is the perfect example of how Hotel Indigo draws inspiration from the local neighbourhood, bringing to life the historical importance of the building through design while also providing the ideal getaway from the busyness of Venice,” said Marco Costa, Hotel Manager of Hotel Indigo Venice – Sant’Elena. “Just a 15-minute walk from all the main attractions, including St Mark’s Basilica, the Bridge of Sighs and the Doge’s Palace in San Marco, the hotel is the ideal choice for those coming to visit our beautiful town.”

Large leafy parks are a rarity in Venice, but a short walk to the north is the Giardini della Biennale, a park commissioned by Napoleon Bonaparte when Venice was under French rule at the start of the nineteenth century. The park is a year-round hub for modern art and culture, although it really comes alive during the Venice Biennale, which, as its name suggests, takes place every other year.

The designer shaping the future of water at GROHE

730 565 Hamish Kilburn
The designer shaping the future of water at GROHE

Post-ISH, Grohe’s Vice President of Design, Michael Seum, sits down with Hotel Designs to explain how its latest innovations are vastly reshaping the bathroom industry. Editor Hamish Kilburn writes…

If one were to imagine the bathroom industry as a quiet, glass-like lake, surrounded by tranquil surroundings, then ISH 2019 was a competition between creatives on who could make the greatest and loudest splash with just one throw.

While some manufacturers opted to hurl large rocks at the water, GROHE on the other hand decided to make its impact in numbers, by launching more than 500 new innovations and arguably creating the largest ripple effect, which has ultimately disrupted conventional bathroom designs as we know them today.

Ensuring that each product that launched skimmed across the surface, GROHE had a strategic throw to avoid it become submerged in the noise of the show. Its latest collections were designed around five mega trends, ‘new living spaces’, ‘consumers become creators’, ‘simplicity seekers – the search for simplicity’, ‘taking control’, and ‘intelligent life management’. The man leading the innovation of each product is Michael Seum, the Vice President of Design at GROHE, who describes his role simply as “connecting the creative horsepower design team to a business need.”

Image credit: Grohe/ISH 2019

Seum, who is the bridge between the innovators and the board at the company, knows more than anyone that the bathroom products of today will help to shape the way in which all buildings and hotels that are conceived in the future. “We identified big shifts in society, technology and the rise in rejecting single-use objects,” he explains. “We wanted to understand the mindset of consumers and concluded that we should be giving consumers the ability to take better control over the environment and one large framework was built around looking at the consumer, identifying a problem or strain and coming up with a solution.”

Once the solution has been established and visualised, Seum can unleash his weapon; his world-class team of in-house designers to create a new direction in bathroom design. “We honestly go through about 100 prototypes before the end user sees the result of a finished product ready for market,” Seum explains. “Within these, we explore different means of technology and this really in the power of design at GROHE. In a low fidelity way, we can sketch and build a product that can help to get the industry flowing in a certain way.”

QUICK-FIRE ROUND

Hamish Kilburn: I now have in my head that your house is full of prototypes… Am I correct?
Michael Seum: That’s funny. Unfortunately not, my house is actually very minimalist – think Nordic and simple.

HK: What is your biggest bugbear in design?
MS: lack of originality. In our sector in particular, things are copied a lot

HK: Should designers strive to put more colour in the bathroom?
MS: Absolutely!

HK: What is the number-one travel item you cannot travel without?
MS: Books, my headphones and my sketchbook

HK: What is your favourite trend at the moment?
MS: Lightweight furniture!

HK: Where’s next on your travel bucket list?
MS: Surfing in Portugal!

HK: In your opinion, what is the number-one tool for success in this industry?
MS: Learning and understanding the customer experience!

HK: Sustainability is a huge driving force in what you are doing. Is there a hotel that stands out in your mind as being built purely to be sustainable?
MS: Yes, actually. Zuri Zanzibar, which was designed by Jestico + Whiles, is really cool!

The bathroom industry is arguably the most congested sectors in interior design. Staying ahead in such a landscape takes true innovation and not being afraid to disrupt the current lay of the land – something that Seum does with ease. “Our products are not inspired by the bathroom industry,” he says. “Instead, I am more interested to look outside the boundaries of bathroom design and towards wider trends in, for example, lifestyle, fashion and lighting.

Image credit: Grohe

With bathroom manufacturers specifically, there has been a rise in the number of companies that are welcoming outside renowned designers and architects to inspire the look of new collections, but for Seum who is a former design consultant himself, the demand for this at GROHE is non-existent. “I’m not critiquing the designers when I say this, but I am yet to find a designer who has worked on a collection with a bathroom manufacturer that has done anything to conserve water and/or to eliminate single-use plastics,” he explains. “Therefore, its clear that these collaborations are aimed to purely add aesthetics to a product.”

The result of GROHE’s presence at ISH is that the company has defiantly launched products that are tailored to the needs of consumers as well as architects, interior designers and hotel investors. Creating intelligent water solutions to transform lives for the better, Seum and his team is succeeding in providing products that have the power to help designers build and create more intelligent and sustainable hotels around the world.

Main image credit: GROHE

Clerkenwell Design Week 2019 launches and new designs to bookmark

730 565 Hamish Kilburn
Clerkenwell Design Week 2019 launches and new designs to bookmark

Ahead of Clerkenwell Design Week, which takes place from May 21 – 23, Hotel Designs takes a closer look at some of the major product launches and new designs to look forward to… 

Now that the sun has set on Italy’s capital following yet another successful Milan Design Week, Hotel Designs is looking ahead to identify many of the major product launches and new designs that are expected to be unveiled during Clerkenwell Design Week.

Set across seven exhibition spaces, CDW venues include Fabric, The House of Detention, St James Church and Spa Fields. Each venue reflects the unique nature of the culturally rich area, with leading UK and international companies exhibiting and launching new products between May 21 – 23. From luxury interiors to innovative lighting, emerging talent and the best of British brands, the exhibition spaces at CDW encompass every facet of design.

British Collection

British Collection is located in the Crypt of St James’s Church and showcases designers from all over the UK. For the fourth year, quality materials, design excellence and craft techniques will be championed in the striking setting. Iconic British furniture brand, ercol will exhibit its new VON collection by Icelandic designer based in New York, Hlynur V. Atlason which caters for three areas – work, home and play. Following an evident rise in apart hotels, Kitchen designers Pluck will launch Spoke, a new modular shelving unit inspired by Victorian bamboo furniture available in 11 laminate colours including a new palette of fresh yellow laminate with intense fumed oak.

Benchmark, the powerhouse of British craft will be presenting new upholstered versions of the OVO collection designed by Foster + Partners in an ebony finish. Hand & Eye Studio, meanwhilewill present the O-Beam, a highly versatile light that suits a myriad of spaces with a unique texture inspired by ceramics. Other renowned names in the British furniture industry exhibiting include Brixton-based cabinet makers West & Reid, Forest & Maker and Nathan Furniture.

Image credit: Adam Dale

Design Fields

Situated at the northern end of Clerkenwell, Design Fields in partnership with Kitchen Architecture showcases leading furniture, lighting and product design from around the world. Kitchen Architecture’s new outdoor kitchen range by Roshult’s is a unique interpretation of cooking and socialising outdoors. Italian furniture brand Tacchini has chosen to showcase PASTILLES in collaboration with Studiopepe at CDW for the UK launch. The collection comprises of small armchairs, ottomans and coffee tables, with soft, enveloping shapes that bring back childhood memories of sweets. This year sees Bauhaus taking centre stage for its 100 year anniversary and Thonet will celebrate all things Bauhaus at CDW. The company will present new interpretations of the side table series MR 515 by Ludwig Mies van der Rohe and a new colour concept for the iconic Coffee House Chair 214, both by Studio Besau Marguerre. Other exhibiting companies include Danish company True North Designs, La Cividina and Ondarreta from Spain and SilentLab, all displaying innovation and clever use of technology in their designs.

Light

The former cold-store turned nightclub, Fabric aptly hosts Light, an exhibition dedicated to top international lighting brands within its cavernous brick vaults showcasing spectacular stand-alone installations. Exhibitors include NOVE lighting, which specialises in contemporary products using only natural, sustainable materials including cork from Portugal. Award-winning British brand Bert Frank will also present new lighting designs.

Swedish company ateljé Lyktan will present new lighting for both outdoor and indoor use, whilst Austrian based company XAL will present its revolutionary MOVE IT SYSTEM. Other exhibitors include Graypants, John Hollington Design, Lomas Furniture, Syska and ARKKI by Lovi.

Two women looking at lighting stand at exhibition

Image credit: Sophie Mutevelian

Elements

Design is in the detail – and details are showcased at Elements which brings together a leading selection of ironmongery, hardware, switch plates and architectural accessories within a street-market style pavilion on St John’s Square, becoming a go-to destination for designers looking for the perfect finish.

This year, Australian brand TIRAR will showcase beautifully tactile solid timber door furniture designed and made in Sydney, whilst Harbrine will launch Geo hardware, inspired by geometric forms in classical architecture. Designer Doorware will present the multi award-winning Monte Timber Collection. English ironmongers The Beardmore Collection will showcase contemporary products, whilst their master pattern maker will demonstrate the lost-wax casting process for visitors to witness one of the oldest forms of metal working. Aston Matthews will be exhibiting for the first time, showcasing a diverse range of taps and shower fittings including the Acme collection in scuffed brass and Alto in bronze. Other exhibitors confirmed for Elements include Dowsing & Reynolds, Hamilton Litestat (Hotel Designs’ Recommended Supplier)and Carrson International among others.

Detail

For fine craftsmanship and high glamour, Detail at The Order of St. John celebrates the most prestigious names in luxury interiors. The venues crypt, cloister garden and church are the perfect setting for the finest designs. This year at Detail, Sinclair Till will present Swedish company Kasthall’s latest rugs and carpets. Bespoke wallcovering company, Muraspec will present new products including the Eternity textile and Everglades grasscloth collection. Arte have created the Vanguard collection, inspired by abstract art from the 1950s. The company has also collaborated with Moooi to create a luxurious wallcovering collection, Extinct Animals, which first launched at Maison & Objet earlier this year. Each pattern is inspired by characteristics of one extinct animal from Moooi’s Museum of Extinct Animals. Anna Hayman Designs will present maximalist, luxury homeware inspired by the Bloomsbury movement and the Biba era of the swinging sixties. Other exhibitors include Danish furniture brand Cane-Line, Samuel Heath, Artwood and Altfield.

Platform

Platform showcases new design talent in the infamous surroundings of The House of Detention, a former remand prison which opens for the public during CDW. Junction Fifteen  will make its first appearance at CDW to showcase their new Morf Collection, a contemporary furniture collection made using sustainable materials and local craftsmanship. Trouping Colour’s latest exhibtion will showcase uncovered design talent chosen by a guest curator. Gwendoline Porte Design will present a modular concept RAILS, inspired by the form of railway tracks and the concept of ‘journey’. These limited edition functional sculptures are playful, graphic and ergonomic. They can be stacked on top of one another to form a column, multiplied to form a hexagonal, or separated to become a stool, chair, coffee table or side table. INTARC Design will showcase a modular furniture solution which allows for individual or collaborative working environments within a flexible working space, whilst Takumi Woodwork takes inspiration from Japan to create  handcrafted wooden furniture. Monkey Puzzle Tree will also be presenting a selection of unique designs in collaboration with fine artists. The business has a strong social conscience, paying the artists a generous royalty and supporting British manufacturing. Other exhibitors include Arte&Stili, Olenka, Pete Hill Designs, Decimal Design and Glas Design.

Image of colourful door on a church with the numbers 66 written

Image credit: Alistair Ramage

Project

Set within the beautiful grounds of St James Church, Project brings together a leading selection of contract furniture and surface brands from around the globe.  Project’s first outing was so successful it was extended to cover two linked pavilions and will be even bigger for 2019. AllSfär, a brand dedicated to improving workplace wellbeing will showcase a new range of acoustic products including Muffle and DIFFUSE, an innovative range of modular acoustic furniture. Sixteen3 will present a carefully curated collection of upholstered seating, both new and established. Flooring company Modulyss will present a range of carpet tiles for the contract market, whilst Hawk Furniture will exhibit at CDW for the first time, launching two new products perfectly suited to modern workspace interiors. Other exhibitors include Guialmi, Burgess Furniture, aeris, Amtico and Rigg.

In addition to the pop-up appearances, there are also, as ever, an abundance of new showrooms that are expected to arrive in Clerkenwell including Optelma, Vescom, Fredericia, Workstories, Duravit, Abstracta, Piemme Industrie Ceramiche S.P.A, Haiken Ltd, Savile Row Projects, Parkside and JPMA Global. New Clerkenwell resident, Fredericia will officially launch new pieces by the Danish American designer Jens Risom, in the UK for the first time during CDW. Luxury lighting brand Bert Frank will also open its first showroom in EC1 during CDW.

Hotel Designs is a proud media partner for Clerkenwell Design Week 2019. The team will be on the ground during the event – and if you would like to arrange a meeting, please tweet us @HotelDesigns.

Main image credit: Sophie Mutevelian

7 outdoor products that are changing the hotel design landscape

730 565 Hamish Kilburn
7 outdoor products that are changing the hotel design landscape

To mark Hotel Designs’ focus on Outdoor Style, the editorial team have identified outdoor products that are vastly changing the landscape of hotel design…

There’s no doubt about it, the way in which guests consume their hotel experience is changing, and quickly. With this drastic in the demands of modern travellers, which is largely being led by the evolution of social media and technology, hotels are striving to create statement areas many of the public areas.

One way in which to do this is to create arresting outdoor spaces. Whether its bringing the indoors outdoors, shading a statement infinity pool or creating mini escapes in the landscape, it seems as if anything is possible in landscape architecture and style – and here are just some of the products that are leading the way in outdoor style.

1) Tuuci Equinox Cabana

Cabana at the end of an outdoor swimming pool

Image credit: Tuuci

TUUCI Equinox Cabana structures effortlessly transform any patio, poolside or outdoor landscape into open-air living rooms. The structure’s sleek modular design is built to custom specifications; shape, size, finish, walls, seating and lighting options. The outdoors never felt more luxurious.

Its lighting option for the TUUCI Equinox Cabana is marine-grade, LED, and features two lights per beam. Suitable for hotel demands, the TUUCI Equinox Cabana has a number of added features available, including a power outlet option to plug in electronic devices or charge by USB.

 

2) ÖÖD House – Round Wood of Mayfield 

Reflective structure in the middle of greenland

Image credit: ÖÖD House – Round Wood of Mayfield

The ÖÖD house – a stunning, 18 sq/m mini home clad in mirrored glass which blends to its natural surroundings – has been added to Round Wood of Mayfield’s collection of high end outdoor structures.

Originally envisaged as a “pop up” hotel guest room or Airbnb pad by Estonian company ÖÖD, it is now exclusively distributed and assembled by the timber and landscape specialists across the UK.

The stand-alone living space for both commercial and domestic clients, which also make ideal office spaces, guest accommodation or even yoga studios, blends beautifully into any setting courtesy of the striking insulated glazing that covers the front and sides.

Round Wood of Mayfield is one of Hotel Designs’ Recommended Suppliers. 

3) Gina Collection, JANUS et Cie 

Sleek designed outdoor furniture on patio

Image credit: JANUS et CIe

Created exclusively for JANUS et Cie by the renowned Italian design icon Piero Lissoni, the Gina collection is characterised by sensuous contours and sleek lines, precisely executed in harmonious proportion. The collection’s  Gina Recamier recently received the 2019 Red Dot Award for outstanding design and is just one example of many on the furniture market that is allowing designers to bring the interior, cosy feel in outdoor spaces.

4) Glammfire fireplaces

Red seating around low fire

Image credit: Glammfire

From the pleasure of any outdoor space, the Circus brings comfort through its fiery warmth and convenient seats; which can be conveniently stored around the central unit and can easily endure outdoor conditions. Ideal for small-size hotels, the products allows guests to hang out as if they were with friends and family around a cosy fire.

5) Pedrali Soul Outdoor

Image credit: Pedrali

Soul Outdoor is a new, special evolution of the original version made in bent wood and launched by Eugeni Quitllet last year. The inspiration is the same that the Catalan designer defines as “a link between the concrete and the abstract, between the real world and that of dreams, between past and future… the unspoiled state of creation”. An armchair able to express an idea of uncontaminated and pure creativity, defined by its soul.

A curved aluminium tubular frame, with classical shapes but solid proportions, clasps an ergonomic seat in shaped teak slats, almost like an embrace. The contrast between the two outdoor materials and the aesthetic result of the aluminium shininess make this armchair innovative and original. The lines of Soul Outdoor are accentuated by the fluidity of aluminium, which ensures strength and lightness, while presenting a strong visual impact.

6) Outdoor Poufs, Tribù

Modern and contemporary outdoor scene

Image credit: TRIBÙ

TRIBÙ’s eye for detail is evident from the accessories this luxury brand has designed to make your terrace extra cosy. This year irresistible poufs steal the show. They are available in luxurious textured outdoor fabrics, but also in outdoor leather. Thanks to the three dimensions with different heights you can make some beautiful combinations. Ideal as an extra seat or side table. Thanks to the special filling you can leave them easily outside, even if it rains.

7) Case Study: Soho House White City

Jungle-like interiors on terrace

Image credit: Soho House White City House/Modern Garden Company

Set in the former BBC headquarters, Soho House White City House is the newest and largest members club and hotel in London. Modern Garden Company were specified to create a striking outdoor area. Distinguished by its sleek modern design, Cubola is an elegant shade with a slender frame and tilting fabric roof that offers protection against low evening sun, as well as allowing rainfall to run off.

The frame is made from high grade aluminium, joined with specially developed internal corners which guarantee perfect stability, they also ensure that nuts and bolts are hidden from view. The aluminium frames are powder coated producing a very durable finish, available in two standard colour coatings, white and anthracite, although almost any RAL colour can be chosen as part of a special production.

Safety features for the Cubola include a wind sensor, which will retract the Cubola if the pre-set wind speed is exceeded, other options available include rain and sun sensors.It can be installed both freestanding or attached to building walls, and is available with sides to create partially enclosed sides/outdoor rooms.

Main image credit: Round Wood of Mayfield

London’s first hotel unveils new lobby design by Olga Polizzi

730 565 Hamish Kilburn
London’s first hotel unveils new lobby design by Olga Polizzi

Brown’s, a Rocco Forte Hotel, has unveiled the new British springtime-inspired floral front lobby, which has been designed by Olga Polizzi…

Since opening in 1837, Brown’s, which is London’s first hotel, has always been at the forefront of design and, in this latest unveiling, Olga Polizzi, Director of Design for Rocco Forte Hotels pays homage to Brown’s British heritage and illustrious legacy through the exquisite décor and ornately crafted patterns of its new reception area.

The piece de resistance of the new front hall is the hand painted wallpaper featuring whimsical wisteria, created exclusively for Brown’s by renowned British Interior Designer and Artist, Adam Ellis.

Olga Polizzi, the creative mind behind the design process commented: “I wanted to convey the quintessential English garden feel in a fun and playful way. The oversized wisteria, the bright colours and strong patterns are an ode to spring in the United Kingdom and make the front hall interesting and joyful.”

The harmonious palette of blue and mint green hues combine to create a residential-style space where guests are welcomed to their home-away-from-home. The new front hall also features a signature belvedere glass roof that brings an abundance of natural daylight into the centre of the space.

“The new Belvedere glass roof has flooded the reception with light and added a sudden skyward view,” said Polizzi. “The concierge team also now have their own reserved area where they can attend to guests in private.”

Stuart Johnson, Managing Director of Brown’s Hotel, said of the new design: “Olga Polizzi has triumphed once again in completing the final piece of the jigsaw and remodelling the entire ground floor, with an opulent space and feeling of a walk through an English country garden.”

The new front hall follows a larger restoration of Brown’s. The signature Donovan Bar exudes luxury with rich green velvety tones and the restaurant Beck at Brown’s boasts playful foliage patterns. Both spaces were renovated in 2018, and collectively furnish a stunning new look for the entire ground floor.

The front hall celebrates a fresh new approach to welcoming guests whilst continuing Brown’s legacy of being London’s original luxury hotel for more than 180 years.

Hilton expands its presence in Morocco

730 565 Hamish Kilburn
Hilton expands its presence in Morocco

Hilton expands its presence in Morocco with opening of Hilton Tangier Al Houara Resort & Spa…

Set on a pristine beach, Hilton Tangier Al Houara Resort & Spa has opened, marking the group’s third property in Morocco. With its upscale accommodations, beachfront location and extensive range of leisure facilities, the resort is an oasis for relaxation and rejuvenation. The 304-key Hilton Tangier Al Houara Resort & Spa is located within a protected national park, offering direct access to five kilometers of idyllic white sandy beach.

Tangier, a cosmopolitan port-city on the Strait of Gibraltar is the embodiment of culture with its UNESCO sights and nearby attractions, such as The Kasbah. Famous for its year-round pleasant weather and beautiful beaches, the city is seeing increasing numbers of visitors every year.

“Morocco is a flourishing tourism destination which welcomed more than 12 million visitors last year,” said Rudi Jagersbacher, President, Middle East, Africa, and Turkey, Hilton. “We are delighted to be expanding our footprint in the country and hope this will continue to support the Moroccan government’s tourism ambition to make Morocco one of the top 20 tourist destinations in the world by 2020.”

Spread across an impressive 850m², the hotel’s eforea spa is equipped with state of the art treatment rooms, a beauty salon, hairdresser, jacuzzi, sauna, steam room and a 24/7 gym. For those looking to perfect their swing during their stay, the hotel offers two spectacular golf courses alongside a Golf Academy.

In addition, The hotel boasts 4,500m² of flexible event space with capacity for up to 1,400 guests. The hotel offers 15 flexible meeting rooms as well as two pillarless ballrooms. With an expansive foyer that leads to an outdoor terrace, the space is ideal for hosting coffee breaks, cocktail receptions and buffets.

Meanwhile, the culinary experience is said to be at the heart of the hotel with the hotel boasting a total of five restaurants and bars.

Boasting 304 exquisite guestrooms and suites, including 50 apartments, all guestrooms feature a blend of Moroccan and international design touches with private balconies overlooking either the Atlantic Ocean or 11 hectares of garden.

“We are excited to introduce Hilton Tangier Al Houara Resort & Spa to our growing brand portfolio,” said Vera Manoukian, senior vice president and global head, Hilton Hotels & Resorts. “The opening of this property highlights our commitment to expanding in key destinations across the world, in the world’s most sought-after destinations for guests who know that where they stay matters.”

With more than 585 hotels across six continents, Hilton Hotels & Resorts properties are located in the world’s most sought-after destinations for guests who know that where they stay matters. This particular opening marks a significant growth in North Africa.

Main image credit: HILTON TANGIER AL HOUARA RESORT & SPA

Rendering of beachside project

Corinthia Hotels to debut in the Middle East

730 565 Hamish Kilburn
Corinthia Hotels to debut in the Middle East

Corinthia Meydan Beach Dubai, which is slated to open in 2020, will be Corinthia Hotel’s debut property in the Middle East…

Corinthia Hotels has announced that it will open the brand’s first hotel in the Middle East. Due to launch in 2020, the contemporary beachfront hotel marks the beginning of ambitious expansion plans by the hotel group. Corinthia Meydan Beach Dubai will be located on the prestigious JBR beachfront, reflecting the enriching brand values for which Corinthia is known.

Rendering of beachside project

Working in partnership with Meydan Group, Corinthia Meydan Beach has been designed as a new beachfront resort and destination that will aim to reflect both the bliss of the beach and the excitement of the city.

“The energy, vision and quality of resources assembled for this project by Meydan means that this hotel is in the enviable position of offering the market something fresh and new.” – Matthew Dixon, Area Managing Director Middle East, Corinthia Hotels

Situated within Dubai Marina, overlooking a pristine stretch of white sand, the 55-storey hotel will be home to 360 guestrooms and suites. This beachfront landmark will be complete with cascading infinity pools, the region’s first ESPALife Spa and unforgettable culinary experiences. It’s also intelligently designed for spectacular views across to the Dubai Eye and Palm Jumeirah. Internationally renowned American design professionals AE7 have ensured each detail of the hotel has been meticulously considered to create a tribute to the region’s tradition of architectural grandeur and cultural traditions.

Plush interiors in render

Image credit: Corinthia Hotels

“Corinthia Meydan Beach is an exciting addition to the region’s hospitality landscape, representing both a landmark milestone for us as a brand, and for Dubai,” said Corinthia’s Area Managing Director Middle East Matthew Dixon. “The energy, vision and quality of resources assembled for this project by Meydan means that this hotel is in the enviable position of offering the market something fresh and new; an interpretation of heritage, culture and service values that we feel have not yet been bought to the UAE. We are confident that this property will enhance the Corinthia brand in the region, brilliantly enhancing our existing portfolio.”

The existing Corinthia portfolio features the flagship Corinthia London, as well as award-winning Corinthia Hotels in Budapest, Malta, St Petersburg, Prague, Lisbon, Khartoum and Tripoli. From city-centre hotels to coastal resorts, each one is connected by a strong Corinthia philosophy. Inspired by its Mediterranean, family-run heritage, the brand is dedicated to providing uplifting moments, unforgettable experiences and exquisite service.

Main image credit: Corinthia Hotels

In Conversation With: Harry Allnatt, Richmond International

730 565 Hamish Kilburn
In Conversation With: Harry Allnatt, Richmond International

Following Hotel Designs’ public unveiling of its 30 Under 30 at Meet Up London, editor Hamish Kilburn catches up with one of the winners, Harry Allnatt from Richmond International, to discuss challenges and opportunities that come with being a young rising star of the industry…

Among Hotel Designs’ celebrated 30 Under 30s, which were spectacularly unveiled at Meet Up London, is Harry Allnatt (29).

A unique and talented young creative whose ability is most certainly not defined by his date of birth, Allnatt is a senior designer at Richmond International. Having been at the firm for eight years, he is now a vital team member who has worked on some of the company’s most important hotel and hospitality projects in recent years, including Four Seasons Hvar, Langham Boston, The Cosmopolitan Las Vegas, P&O Britannia and many others.

The foundations of Allnatt’s career started following an early admiration of design. He attended Nottingham Trent University to study furniture design having been inspired by the ethos of the likes of Jasper Morrison. “My goal at the time was more to be an architect and, in my head, furniture design was like mini architecture.” he says. “As part of the course, in 2009, I was encouraged to partake in a placement year. Before I knew it, I was working for an architectural practice in Milan that specialised in hospitality and high-end design.” It was at this point in his career when Allnatt’s curiosity took over. “Why stop there, I thought. I started to think about more than the pieces I was creating, to the room and space around the furniture,” he explained. “Milan certainly enriched my interest in furniture design, but the placement year also exposed me to so many new projects, which led me into the path of interior design.”

As a result of his studies and the valuable experience he gained in the design incubator of Milan, Allnatt started to acquire a unique set of skills as a creative designer in order go beyond  decoration. “It’s actually really helped me to add value to projects, especially when required to design certain looks,” he said. “It also allows me to design interiors and furniture that is not just aesthetically pleasing, but that also meets operational standards – standing the the test of time and enabling staff to maintain excellent service.” An exceptional example of this is The Sterling Suite in The Langham London, which is frequently praised for its effortless functionality and timeless feel. Allnatt admitted to working on almost all of the six-bedroom suite’s casegoods and laughs: “I don’t think I could do that one again.”

The plush Sterling Suite at Langham London

Image caption: The Sterling Suite, Langham London

Approaching every project around peoples’ movements and behaviors, Allnatt’s ethos is a tight fit for Richmond International, which is known for being a company that designs awe-inspiring hotels that are also practical spaces. “I’m inspired by stripping things back to discover what is necessary,” he says. “To me, that’s what makes a beautiful project – and it’s this approach that is now very relevant in interior design. If a space is designed to be used well, then it will enrich the overall experience of the people using it.” Allnatt’s explanation gives credence to the obvious shift in how modern design is perceived by those checking in; the knowledgeable and more aware consumer.

Unchartered waters ahead

With its prestigious reputation on the international hotel design stage, Richmond International was asked to repackage its luxury hotel visions onto the high seas. With the aim to modernise all spaces, the team, led by Director Terry McGillicuddy, were asked by P&O Cruises to redesign two new ships, Britannia and Iona. “Britannia was by far the most challenging project, purely because of the amount I had to learn and work out on the job,” explains Harry. “I learnt quickly about the regulations from Terry, P&Os incredible technical team and the shipyard. However, going from designing for land to designing for sea was a challenge, but I am so proud that we were one of the first hotel designers to really tackle a project of that magnitude at sea.”

Simple, minimalist cabin on board P&O Britannia

Image credit: P&O Britannia

Following the success of both vessels, Allnatt, the retentive designer, is now a senior designer working on the firm’s next marine project, to create the interiors of a new luxury cruise liner of which the details are yet to be unveiled. “It really is like designing a city on the sea,” Allnatt laughs. “The beauty of it [designing cruise ships] is that we get to create so many different spaces – from the casinos to the theatres, cabins to bars.”

The challenges for young designers

Being young in an industry full of legends can be daunting, to say the least, which adds to weight on the shoulders of having to prove oneself as an individual. The somewhat right-of-passage feeling of unease and overwhelming responsibility that comes to us all in the start of our journey, was for Allnatt the time to stand out. “The industry is saturated with great designers, and the landscape is so subjective,” he explains. “Creating an identity and establishing yourself, inside and outside the company I believe is one of the major challenges that young designers have to face in our industry.”

QUICK-FIRE ROUND

Hamish Kilburn: What’s your favourite colour?
Harry Allnatt: Blue, I love grey and all the different shades.

HK: What’s been your favourite year so far?
HA: 2018 was the year that shaped me the most. It’s been lovely having a local project in London and seeing it through from concept to site completion. Seeing something take shape on a daily basis has been very rewarding, but not without it’s problems.

HK: What is your favourite hotel?
HA: Rosewood London because it all ties together. The rose-bronze gallery from the courtyard entrance, the staff uniform… even the guest signage, which is an open book sitting on a plinth. There is an unmatched sense of discovery in this hotel. Details you notice makes the space more than just a good-looking luxury hotel.

HK: Are there any shortcuts or secrets for getting ahead?
HA: I wish I knew them. It’s as simple as working hard and soaking up information as a sponge. Being a designer is a lifestyle.

HK: Where’s next on your travel bucket list?
HA: I would love to go to the Amalfi Coast.

HK: Who is your current design icon?
HA: Tony Chi and Yabu Pushelberg. They both fool you into thinking a detail is simple, but the process of making something look simple is complicated. 

Having worked on a variety projects, Allnatt is grateful to the company that supports him in becoming a rising star. “Without Richmond International I would not have been given these incredible opportunities to work on so many amazing projects,” he says while reflecting. “Working in collaboration with Vivienne Westwood’s team, for example, on the London West Hollywood, Beverly Hills, was an incredible experience. The aim was to merge fashion and design together, and during this project we created a feature console inspired by their prints and graphics – it was great!”

Large and spacious public area of plush suite

Image Caption: Penthouse of London West Hollywood

The sensitive designer who sits before me is a knowledgeable leader who makes the most of the opportunities that present themselves – and is, as such, a worthy name alongside 29 others who deserves to be included in Hotel Designs’ 30 Under 30.

SALT of Palmar opens in Mauritius as brand’s first hotel

730 565 Hamish Kilburn
SALT of Palmar opens in Mauritius as brand’s first hotel

SALT of Palmar, the first hotel in a new sub-brand from The Lux Collective, has opened in Mauritius…

With a strong commitment to sustainability, SALT of Palmer opens in Mauritius. Setting the foundations for a series of planned openings within the SALT brand, the 59-key hotel introduces a new breed of hospitality for the culturally curious, challenging perceptions of often unexplored regions.

The completely new sub-brand for The Lux Collective has been designed and created by branding agency & SMITH with aim to appeal to a younger generation – one that would celebrate the undiscovered beauty of destinations where travellers may hold preconceived ideas or would traditionally stay within the confines of a resort rather than exploring the local area.

“The first SALT had to be in Mauritius. It’s our home, our love, and our pride and joy,” the hotel’s website states. “Its colours, stories, customs, sounds, and flavours form a brilliant, heady mix that is impossible to ignore or forget. If you experience it. ”

“Every element of the SALT experience is rooted in the island culture.”

Inviting guests to continue this journey of exploration, the hotel offers its guests a guidebook called ‘This is Mauritius’ when checking in. Working in close collaboration with locals, the illustrated book is full of tips and advice for discovering the island’s hidden gems, including maps of where to go in Port Louis, the best sunrise spots, or where to listen to live music.

Back at the hotel, every element of the SALT experience is rooted in the island culture, from the handwoven baskets in each room created by a local craftswoman to the curated menus of seasonal produce and the opportunity to visit a house near the resort to learn how to make rum the Mauritian way.

“Every SALT hotel will have its own farm to provide guests with menus designed around what is in season.”

No endless buffets, no bath menu, no single-use plastics

At the heart of the SALT identity is a brand-wide commitment to sustainability. In addition to prioritising fair trade, organic and non-toxic produce, and limiting energy use, waste and emissions, every SALT hotel will have its own farm to provide guests with menus designed around what is in season and nothing more.

“For Mauritius, the common perception is endless images of white sandy beaches under cloudless blue skies, perfect for honeymooners drinking cocktails or having dinner for two on the beach,” said Rachel Smith, Creative Partner at & SMITH. “From our past visits to the island, we knew the island had so much more to offer and could attract a different audience.

“It’s bursting with vibrant experiences – from brightly coloured houses to bustling markets and the most amazing street food culture. Also, the waterfalls and greenery of the inland are just as beautiful as the beaches. There are so many reasons to step outside the resort and explore Mauritius, so we wanted to create an identity that captured the vitality and depth of the island, and invited travellers to explore on their own.

SALT of Palmar in Mauritius is the first property within the brand portfolio, with plans to open the next hotel in Wolong, China.

Meet Up North 2019: Manchester venue announced

730 565 Hamish Kilburn
Meet Up North 2019: Manchester venue announced

Hotel Designs has announced that it is taking its successful Meet Up networking event concept to Manchester’s Hotel Gotham on July 1, 2019… 

Following the success of Meet Up London last week, Hotel Designs has announced that its Meet Up North networking event will take place at Manchester’s Hotel Gotham on July 1.

Leading designers, architects, hoteliers and key-industry suppliers are expected to gather at the hotel’s exclusive members-only rooftop bar, Club Brass, for drinks and canapés above the city.

The VIP lounge on the 7th floor of the hotel was chosen as the venue for Meet Up North after editor Hamish Kilburn described Hotel Gotham as Manchester’s decadent playground in his interactive hotel review that was published last year.

“If Hotel Gotham is the King of King Street, then Brass is the jewel in the crown,” says Hotel Gotham on its website when describing the members-only rooftop bar.

“We have decided to return to this vibrant city, which is full of raw creativity at every corner, due to popular demand in addition to the recent increase in hotel investment in the city, especially in the luxury market.” – Hamish Kilburn, editor, Hotel Designs.

“There is arguably no greater venue that is more relevant for this year’s Meet Up North event than Hotel Gotham,” Kilburn commented on the announcement. “With the hotel group imminently about to expand its luxury arm even further in Manchester, with the highly anticipated opening of The Brooklyn, Hotel on the cards, Hotel Gotham shelters everything and more we need in order to make this event the best Meet Up North yet. We have decided to return to this vibrant city, which is full of raw creativity at every corner, due to popular demand in addition to the recent increase in hotel investment in the city, especially in the luxury market.”

Early bird tickets now available

Between now and April 30, 2019, early bird tickets for the event are available to purchase:

Suppliers: £99 + VAT (£150 + VAT after early bird offer expires after April 30).
Designers, architects and hoteliers: £10 + VAT (£20 + VAT after early bird offer expires after April 30).

If you are a supplier to the industry and would like to attend Meet Up North, click here.
If you are a designer, architect or hoteliers to the industry and would like to attend Meet Up North, click here.

There are various sponsorship opportunities and packages available for Meet Up North. If you would like to discuss these with our team then please contact Zoe Guerrier by either emailing z.guerrier@forumevents.co.uk or calling 01992 374059.

The inaugural Meet Up North took place last year at King Street Townhouse and was attended by more than 200 designers, architects, hoteliers and key-industry suppliers.

About Hotel Gotham

Hotel Gotham is sheltered in what is arguably the city’s grandest properties and is an exclusive city-centre sanctuary, previously a bank that was designed in 1935 by none other than architect Edwin Lutyens.

The hotel, which opened in 2015, prides itself on offering a modern and comfortable experience in a unique and luxurious environment, with exquisite service all within a bespoke private club in the heart of Manchester.

 

Image credit: Hotel Gotham


Main image credit: Hotel Gotham

Hotel Designs’ 30 Under 30: Winners announced

730 565 Hamish Kilburn
Hotel Designs’ 30 Under 30: Winners announced

Hotel Designs’ unveiled the winners of its 30 Under 30 initiative at Meet Up London on March 28, 2019…

40 shortlisted 30 Under 30 finalists were among the more than 200 interior designers, architects, hoteliers and key-industry suppliers who gathered at Minotti London on March 28 for Meet Up London. The event, which was Hotel Designs’ first networking event of the year, witnessed the unveiling of Hotel Designs’ 30 Under 30.

Speaking at the event, editor Hamish Kilburn said: “I have to say, as a young design editor, I support this initiative with every fibre in my body. Throughout this whole process I have been so impressed to see such interesting in-house schemes in leading design and architecture firms in order to give credit to the rising stars of our industry. But I have been as impressed with individuals going it alone and really proving themselves to be creative geniuses.”

Below are the final winners who have been listed in alphabetical order.

Adam Crabtree
Studio: Chelsom Lighting

Role: Technical Engineer

Adam Crabtree works closely with the sales and projects team to develop solutions for all bespoke lighting enquiries. As a fundamental part of the Technical team Adam is involved in development of the project all the way from design concept stage to final product installation.

Projects:

  • Mandarin Oriental, Hyde Park, London
  • Tottenham Hotspur Football Club
  • The Peninsula Hotel, London
  • Le Meridien, Fort Lauderdale, Florida, USA
  • Great Scotland Yard
  • One Aldwych
  • Plan B
  • Puro Lodz
  • Six Senses, New York

Ali Bacon
Studio: The Gettys Group

Role: Senior Project Designer

Ali Bacon is a dynamic and talented designer who creates thoughtful, memorable places for The Gettys Group’s diverse hospitality clients. She brings more than a decade of experience designing for commercial clients, and her wide-ranging expertise in hospitality, retail, and multi-family residential applications can be found in projects throughout the country and beyond.

Projects:

  • The Blackstone, Autograph Collection, Chicago, IL
  • Hotel LeVeque, Autograph Collection, Columbus, OH
  • White House Napa Valley Inn, Napa Valley, CA
  • Hilton Portland Downtown, Portland, OR
  • Claridge House, Chicago, IL
  • World of Wine, Porto, Portugal
  • Hyatt Centric City Center, Sacramento, CA
  • Sheraton Ft. Worth, TX

Anya Gordon Clark
Dexter Moren Associates
Role: Interior Designer

The most important feature of Anya Gordon Clark’s personality as an interior designer is her desire to create non-banal spaces with a strong mark of her personality along with unstoppable wish to learn new and improve her existing skillset.

Projects:

  • Avon Gorge Hotel
  • Vintry & Mercier hotel

Catherine van der Heide
Studio: HASSELL
Role: Interior Designer

Catherine van der Heide puts a key focus on a project’s complexity to extract a meaningful and bespoke narrative. As an interior designer at HASSELL, Heide has collaborated on a diverse range of projects throughout the UK, South East Asia and Australia.

Charlotte Roe
Studio: WISH London
Role: Interior architect

Since joining WISH London last year, Charlotte Roe has become an invaluable team member who has contributed to the successful design of a variety of projects. Working primarily in the hospitality and commercial sectors, Roe has immersed herself in all aspects of interior design from concept to completion.

Charlotte’s passion for current trends and fine detail has shown through in a recently completed high end commercial project based in Windmill Street, Fitzrovia.

Projects:

  • The Nadler Hotel, Covent Garden

Daniela Anedda
Studio: M Studio London
Role: Interior Designer

Daniela Anedda gained a Bachelor degree in Architecture at the University of Cagliari, Italy, and then moved to London in 2016 to study Interior Design at KLC School of Design. During her course, she had the opportunity to work for the Lelievre showroom where she could deepen her knowledge about fabrics and schemes and have a first glance of the interior design world. With M Studio London she now works on high-end residential and commercial projects, following all stages of the design process.

Projects:

  • InterContinental, Porto

David Jelensky
Studio: M Studio London

Role: Interior Designer

David Jelensky moved to the UK in 2011 to enrich his abilities at University Campus Suffolk, studying Interior Architecture & Design. As an innovative designer, passionate about architecture and design, he is characterised by precision and exquisite attention to detail creating elegant technological designs representing purity, sophisticated use of materials, environmental responsibility. This has been captured through his successful design projects as he was rewarded by first class in Bachelor of Arts, Interior Architecture and Design. His skills has been enriched in London and Dubai working on high-end residential and hospitality projects.

Projects:

  • InterContinental, Porto

Gina Langridge
Studio: WATG
Role: Designer

Gina Langridge is an ambitious and passionate designer who utilises design as a tool to create exciting human experiences. She strives to design spaces that harmonise within the landscape setting, delivering the best possible design solution for both client and guest.

Langridge has experience working on a wide range of projects throughout the UK, Europe, Australasia, and the Middle East. She has a solid grounding in the design of tourism and hospitality facilities, and her involvement in hugely successful renovation projects has strengthened her construction experience.

WATG has a robust internal leadership programme, providing a voice and a platform for our young designers to flourish. As one of WATG’s brightest rising stars, Langridge has been selected to take part in the 2019 programme for her excellent communication skills, strong self-awareness and a passion for excellent design.

Langridge is a leader of tomorrow and has been successful in exceeding expectations at every turn.

“Gina is a talented and astute landscape architect. She has been involved in the design and delivery of some of our most memorable recent work, including refurbishments, which are extremely difficult to deliver,” said John Goldwyn, Vice President, Director of Planning & Landscape, WATG. “Gina demonstrates the perfect blend of skill in client focus and attention-to-detail that hospitality projects require.”

Gioia Corrada
Studio: M Studio London
Role: Interior Designer

Gioia Corrada gained her degree in Interior Design at IED in Milan and then a Master’s degree at Polytechnic of Milan. By the end of her studies, she had learnt how to manage projects, be a team player and to work to high standards with attention to detail. Gioia went on to work for a Design and Architecture studio in Milan which gave her the chance to work on a project for the Salone del Mobile in 2014. After moving to London, she joined M Studio in March 2018 to pursue a career in the world of Interior Design and get a first-hand insight into the world of high-end luxury design.

Harry Allnatt
Studio: Richmond International
Role: Interior Designer

Harry Allnatt, a product and furniture design graduate, joined Richmond in 2011 following a placement year in Milan as part of his degree, which resulted in steering his career direction towards interiors in the hotels and hospitality sector.

With a strong eye for detail, Harry enjoys challenging the norm to achieve sophisticated design solutions on many complex projects.

Allnatt has consistently shown creativity, responsibility and an unwavering level of commitment which has resulted in our recognition of his skills, rapidly progressing him to the position of Senior Designer.

Projects:

  • Langham Boston
  • Cosmopolitan Las Vegas
  • P&O Britannia
  • Four Seasons Hvar

Jen Lees
Studio: HBA London
Role: Interior Designer

Jen Lees found her passion for interiors whilst successfully completing her BA (Hons) in Printed Textiles and Surface Pattern Design degree from Leeds Arts University. Throughout her studying, Jen created a number of her own personal collections, aimed at the interior design sector, gaining a wide understanding of the importance of innovation and originality within design.

After exhibiting her degree show at New Designers 2016, she began her internship placement year at HBA London, working on a variety of global luxury projects. Now a Designer, with a strong focus on FF&E specifications, she applies her eye to detail and knowledge in material culture to create dynamic and fresh aesthetics to suit every client’s vision, whilst still pushing the boundaries of design to form a unique space.

Projects:

  • Amadria Park Capital Zagreb, Croatia
  • InterContinental Munich

Jodie Hatton
Studio: Brintons
Role: Designer

Jodie Hatton was one of the designers at Brintons behind the award-winning collaboration with design studio Timorous Beasties. Unlike most other carpet manufacturers, Brintons designs and develops all of its own looms and supplies carpet to both commercial and residential markets globally.

Projects:

  • Kimpton Fitzroy London
  • Holland Casino, Rotterdam
  • D&D London

Jordyn Dickson
Studio: The Gettys Group
Role: Designer

Designer Jordyn Dickson is a native of Chicago’s north suburbs. She draws interior design inspiration from trends in the world of fashion, and — as a talented musician herself — she spends most of the day plugged into artists like Kurt Vile to fuel her creativity.

Dickson holds a degree from the CIDA-accredited design program at Indiana University.

Projects:

  • Hampton Inn Public Area Prototype Refresh,
  • Hilton Worldwide
  • Hampton Inn Dartmouth, Nova Scotia
  • Holiday Inn Orlando – Disney Springs, FL
  • TownePlace Suites Colorado (5 locations)
  • Residence Inn Deerfield, IL
  • Fairfield Inn San Diego, CA

Josh Piddock
Studio: Project Orange
Role: Architect

Josh Piddock completed his RIBA Part 2 at Sheffield School of Architecture in 2015 and joined Project Orange later that summer having travelled India in between. He completed his Part 3 at the University of Bath and fully qualified as a RIBA chartered Architect in 2017.

Piddock is currently working on an exciting custom build project in Norfolk, amongst other early stage projects in the office, whilst outside office life most of Josh’s time is taken up in the renovation of his flat in Hackney and in entering architectural competitions with his self-confessed wacky ideas.

Projects:

  • My Fortune Guntur, India
  • The Park Hotel Bangalore
  • NHOW London
  • Room 2, Southampton.

Kate Jarrett
Studio: Scott Brownrigg
Role: Interior Designer

Kate Jarrett is a creative young designer who thrives in all elements of the design process, from initial concept to project management and site installation. Having joined Scott Brownrigg in 2016, she has excelled in winning the respect of every client she works with. Jarrett has worked closely with glh Hotels and Hard Rock in delivering the public areas for the exciting new hotel located in London’s Marble Arch. She has also been intrinsic in creating a fun, young and Instagram-able hot spot and destination 10th floor bar on the edge of Leicester Square. A key strength is Jarrett’s all-round ability to communicate extremely well with clients, design team, consultants and contractors, with an end goal to produce an exceptional and innovative final product.

Projects:

  • GLH Hotels
  • Hard Rock Hotel London

Kayleigh Jones
Studio: Brintons
Role: Designer

Kayleigh Jones joined Brintons in 2016 as the result of a close working relationship between the carpet manufacturer and Birmingham City University’s (BCU) School of Fashion and Textiles. Impressed by the originality and inspiring nature of her material concepts, the Brintons panel had no hesitation in awarding the prize to  Jones, a graduate of BA (Hons) Textile Design (Constructed Textiles), for her project ‘Puff, powder, Gloss – cosmetictactility’ which was influenced by the seductive materiality of cosmetics. Following this, Brintons decided to offer the young designer the opportunity of joining their busy design department.

Lauren McEwen
Studio: Goddard Littlefair
Role: FF&E Designer

Lauren McEwen began her career with a five-year stretch at David Collins Studio, establishing herself as an FF&E specialist, with standout schemes for luxury hospitality projects including the Delaire Graff Estate in South Africa and the award-winning Gleneagles Hotel. McEwen was also involved in the design of the public spaces at the prestigious Ritz-Carlton Residences, housed within Ole Scheeren’s Maha Nakhon tower in Bangkok, Thailand, one of the most architecturally significant developments in the region. The project won several major awards including the ‘Best Luxury Condo Development’ at the Thailand Property Awards.

McEwen joined Goddard Littlefair in 2018, which has also challenged her ability to design within budget, another constraint the studio believes makes designers become more creative.

A committed advocate of craft, McEwen regularly keeps up to date with the latest techniques, visiting workshops and factories to reinforce her understanding of how things are made.

Projects:

  • Delaire Graff Estate
  • Ritz-Carlton Residences, Bangkok
  • Gleneageles, Scotland
  • Hilton Vienna
  • Grosvenor Hotel, London

Lisa Liu
Studio: WATG
Role: Architect

Lisa Liu is a RIBA and ARB qualified architect, with a Master’s degree from London’s distinguished Bartlett School of Architecture. Born in China, raised in New Zealand and now living in the UK, Liu has a diverse understanding of culture and locale, which is showcased throughout her work.

Having worked on a variety of land-uses; mainly hospitality, residential, and commercial projects; throughout Europe, Asia, North Africa, and the Middle East, she’s contextual within her design process, bringing the local surroundings into the heart of the project. Lisa has been involved in the design and delivery of some of our most memorable recent work.

“Lisa is a very talented architect, with great design skills. She has designed some of our most outstanding hospitality projects, and has a great sensibility for context and local culture” Nic Jacobs, Vice President, WATG.

Her advanced technological skills have allowed her to become a leader in emerging digital programmes at WATG. She has been a trailblazer in the use of the innovative software, particularly Grasshopper, and is able to use these tools, alongside her impeccable design skills to create a fantastic project.

Liu is a natural leader and an incredible asset to WATG and the architectural profession. We look forward to watching this talented individual grow and flourish.

Mahesh Parekh
Studio: ARA Design
Role: Junior Designer

Mahesh Parekh’s culturally rich background and his travels back home in India have placed him in a strong position for a colourful career in design.

Working his way up the ladder from an intern at ARA Design to now being a junior designer, Mahesh has grown into a confident young creative member of the team who has proven his skills in a number of projects, one of which is Isrotel Hotels.

Marion Pierru
Studio: Wilson Associates
Role: Junior Designer

Marion Pierru is a Junior Designer at the Wilson Associates’ Paris office, leveraging nearly five years of professional experience in the architecture and design industry.

Prior to joining the Wilson Associates team, Pierru was with George Wong Design, where she worked with clients such as Hyatt’s Hotel Louvre in Paris. Having won the opportunity to be on the design team through a student design competition, the Hotel Louvre project sparked Marion’s passion for the hospitality industry and became the catalyst for the career that has followed in the years since. Marion has also worked on projects such as the renovation of Un Hotel Trait D’Union and Baton Rouge Pigalle in Paris.

At Wilson Associates, Pierru assists in all phases of a project’s design. With the approval of the project manager and design director, she prepares a preliminary budget and purchase estimate, secures product samples, and creates specification books and presentation boards. As a primary contact with the purchasing agent, Marion prepares FF&E specifications to adhere to the client’s budget and the overall design direction for the project. At Wilson Associates, Marion works with the design team in Paris on projects across the globe and locally, including the Hotel Scribe in Paris and a range of properties for luxury brands such as Park Hyatt, Carlton and Jumeirah.

Nicola Brook
Studio: Nicola Brook Design
Role: Director

With more than eight years’ experience in the superyacht interior design sector, Nicola Brook recently set up her own firm, a human-centred interior design and creative consultancy studio based in London. Nicola is looking to broaden the studio’s portfolio into hotel design, believing that this fast-paced sector has many close links to the superyacht market which shaped her creative vocabulary.

Omar Nakkash
Studio: Nakkash Design Studio
Role: Co-founder, Designer

Omar Nakkash launched NAKKASH Design Studio which specialises in contemporary designs and furniture sourcing as well as designing signature commercial spaces such as Nourish and Parlour Boutique. Nakkash, who is based in Dubai, made his debut as a solo product designer with Trinity, a sculptural table lamp, at the Beirut Design Fair 2018.

His ability to look past design for aesthetical purpose and more for functionality made him a strong candidate in Esquire 100, which is described as “a list of men and womden who have helped the publication become the voice of the modern man.”

Patrick McCrae
Studio: ARTIQ
Role: CEO

This year, Patrick McCrae celebrates the tenth anniversary of ARTIQ, the art consultancy he first launched in 2009 to bridge the gap between the art and business worlds and to promote fair pay for artists.

Today, ARTIQ is one of the UK’s leading art consultancy, working with an extensive client base throughout the EMEA to bring outstanding art and experiences to businesses and brands and to push barriers constantly in terms of what art can achieve and who it can reach and engage with.

Projects:

  • Gleneagles, Scotland
  • Sessions House
  • Hilton Imperial Dubrovnik
  • Mode Aparthotel Arc De Triomphe
  • The Principal Edinburgh Charlotte Square

Rebecca Quickfall
Studio: Diamond Interiors
Role: Interior Designer

Formally a designer at Jasper Sanders + Partners, Rebecca Quickfall is a burgeoning talent defined by energy and enthusiasm, as both studios will agree.

Quickfall was an integral part of helping bring Jasper Sanders + Partners’ projects to life. Her creative and thoughtful contribution to every project gives clients the confidence that the solutions are right for their business.

Designing for people and creating valuable experiences that are not just intelligent spaces, Quickfall thrive as part of a team and believe collaboration is essential to good design.

Rosalynn Youdan
Studio: Jestico + Whiles
Role: Designer

Immediately after graduating with a first-class honours degree from Falmouth Rosalynn Youdan joined Jestico + Whiles in 2014 and has since played a pivotal role on several unique hotel and hospitality projects across the globe.

Her wide experience at Jestico + Whiles also includes the award-winning micro-brewery and pub Shilling’s Brewing Co. in Glasgow, which graced the cover of FX magazine in 2018, and the latest venture for etc Venues at London’s historic County Hall.

With experience in cruise liner design Youdan was lead designer for areas of Iona, the first of the next generation of ships for P&O. The ship launching in 2020 is set to be the largest cruise ship to be built exclusively for the British cruise market, with capacity for 5,200 guests and more than five speciality restaurants

Projects:

  • InterContinental Hotel Tbilisi
  • Old Spitalfields Market
  • Ted & Muffy Boutique
  • Shillings Brewing Co.
  • London County Hall
  • Hard Rock Hotel Malta
  • Hard Rock Hotel Berlin
  • Project Gala Cruise Ship
  • W Hotel Edinburgh
  • Hotel Palace Lucerne Switzerland
  • Hotel Titlis Palace Engelberg
  • W Marrakesh

Sarah Murphy
Studio: Jestico + Whiles
Role: Architect

Sarah Murphy joined Jestico + Whiles in 2014 after graduating from the University of Manchester with a First-Class Honours degree in Architecture.

Throughout her time in the practice she has been studying to qualify as an Architect and is currently undertaking her Part III.

Her architectural design background has been reinforced through the wide range of hotel and hospitality projects in which she has played a key role. Murphy has formed invaluable connections with the extensive design team and with self-determination remains close to the project to ensure the final product is as faultless as it can be.

Murphy is currently leading design of key areas of the design of Titlis Palace Hotel, a beautiful grande dame hotel in a mountainous area of Engelberg, Switzerland,  nestled below the shadow of Mount Titlis.

Projects:

  • Paul Street Hotel, London
  • Odeon, Shaftesbury Avenue, London
  • Hard Rock Hotel Malta
  • Hard Rock Hotel Berlin
  • Hotel Palace Lucerne Switzerland
  • Hotel Titlis Palace Engelberg

Scarlett Supple
Studio: Soho House Design
Role: Senior Interior Designer

Scarlett Supple has now been working in the industry for seven years.

It was during her second year as an interior designer that led the design of the main farmhouse, 5 cabins and 2 of the main barns at Soho Farmhouse in Chipping Norton. She said of the project: “The architects and I worked closely to develop a design that was true to the existing features of the space and celebrated the local materials as well as designing bespoke furniture and lighting that made each area unique.”

Arguably, her largest achievement since joining Soho House Design in 2015 was leading the design of Soho House Mumbai. “My time was spent designing bespoke fabric, with inspiration taken from traditional Indian motifs and patterns, working with local craftsman developing bespoke furniture and lighting as well as working with external developers and suppliers to ensure a successful opening of our first Soho House in Asia,” she said.

Projects:

  • Soho House West Hollywood
  • Soho House Greek Street
  • Babbington House
  • Soho House Mumbai
  • Soho House Paris

Simona Mirón
Studio: Gensler
Role: Architect

Simona Mirón taps into her boundless creativity to design unique and contemporary hotel environments – providing design expertise on projects from concept through to completion – for some of the most challenging clients not just in the Europe but also in Saudi Arabia, Malta and North Africa among others. Mirón is currently leading on the design of a complex 5* Hotel in the Middle East that’s part of a $300 million redevelopment. Her responsibilities include providing design expertise, collaborating and coordinating with 11 consulting firms in order to develop solutions that embody her client’s vision and needs.

Her growth within the profession over the last few years has been a joy for her colleagues to observe. Tom Lindblom, Hospitality Leader and Principal at Gensler comments: “Simona has developed a very strong design language for hotel and hospitality design. She makes the very important connection between master planning and architecture to create holistic designs for our clients on projects in Europe, the Middle East, and North Africa. Her combination of clear design thinking, team spirit, amazing computer skills, and relentless work habits allows Gensler to continue to make innovative and successful projects. We look forward to great things for Simona.”

Achievements:

Leading the design of 5* Hotel that’s part of a $300 million redevelopment in the Middle East.

Winner of Europan 13, biennial competition for young architects under 40 years of age to design innovative urban design schemes across Europe, out of 1,862 entries across 15 countries for her Stavanger Project.

Winner of Gensler’s Design Excellent Award which celebrates the company’s most innovative projects.

Stephanie Riedl
Studio: B3 Designers
Role: Interior Architect

Stephanie Riedl’s career began in Stuttgart, Germany, where she gained her Bachelor of Arts in Interior and Architectural Design in 2016. During her studies Steph carried out a number of internships covering interior design, carpentry and residential design consultancy.

Riedll began working for Dittel Architects in Stuttgart after completing her studies and worked on a number of interior and branding projects. She then moved to G20 Architects where she freelanced and assisted in the design of a new build hotel.

Upon moving to London in June 2017, Steph joined B3 Designers; an award-winning interior design and branding studio specialising in restaurants, bars and hotels.

Most recently, Riedll also assisted with the design and attended the opening of the recently refurbished Champions Bar & Restaurant at the Marriott Hotel in Frankfurt.

Yosola Akinwumi
Studio: HBA London
Role: Junior Designer

From a young age Yosola Akinwumi has always been mesmerised and taken inspiration from the built environment she is surrounded by and her educational paths have guided her in the pursuit of her architecture dreams.

She studied Interior Architecture and Design at Nottingham Trent University, which gave her the opportunity to complete a year’s internship with HBA London. After completing her university degree, Akinwumi joined HBA London as a Junior Designer in 2016, fast expanding her skills in technical drawings and FF&E design. She continues to evolve in her design knowledge and flair, creating tailored design solutions. Since working with HBA London, she has been involved with projects in the Middle East, China, Maldives and Europe.

Projects:

  • Waldorf Astoria, Doha
  • Luxury Collection, Doha
  • Raffles Hotel and Residences Istanbul

The full gallery of Meet Up London, where the 30 Under 30s were unveiled in spectacular fashion, can be accessed here.

Meet Up London ’19: In pictures

730 565 Hamish Kilburn
Meet Up London ’19: In pictures

Hotel Designs’ Meet Up London, which took place on March 28 2019, provided an evening full of celebrations…

More than 200 of the industry’s finest attended Meet Up London held at Minotti London’s showroom on March 28 for Hotel Designs’ first networking event of 2019. New to this year, the evening included the final of Hotel Designs’ 30 Under 30, while also publically cutting the ribbon for the unveiling of its new website. Here is the official gallery of the evening.

#MEETUPLONDON19

Please feel free to share any of the above on social media with the hashtag #MEETUPLONDON19
Instagram: @HotelDesigns | Twitter: @HotelDesigns

Hotel Designs’ next Meet Up in the calendar is Meet Up North, which takes place in Manchester on July 1. More details to follow. 

Exclusive style partner: Minotti London

Exclusive headline partner: Hamilton Litestat

Event partner: Tarkett

Gifting Partner: Aslotel

The Lowry Hotel, Manchester, unveils images of new presidential suite

730 565 Hamish Kilburn
The Lowry Hotel, Manchester, unveils images of new presidential suite

The £700,000 renovation of the luxury hotel, The Lowry in Manchester, was led by The Brit List award-winning design firm Goddard Littlefair…

Amidst the increase in luxury hotel development in Manchester, The Lowry Hotel is upping the ‘luxury stakes’ once again by unveiling the first look at its newly renovated Presidential Suite, designed by Goddard Littlefair and the largest both currently available or planned in the city.

The renovations totalled £700,000 and include a complete reconfiguration and redesign of the space, an enlarged dressing room and a new bespoke marble bathroom. The suite also includes a fully equipped kitchen, large bathroom with a double steam shower and free-standing bath, super king size bedroom, a walk-in dressing room and lounge plus a dining room for up to eight people. There is also an additional second bedroom and with adjoining bathroom.

Image of stylish, modern guestroom. Geometric headboard and views over Manchester

Image credit: Gareth Gardner

The floor-to-ceiling windows offer views across the river Irwell and Manchester’s skyline, and the room also comes with a mini grand piano, two in-room bars, two smart TVs and an Amazon Alexa. As well as complimentary valet, luggage management, personalised welcome drinks and in-suite check in, guests can take advantage of a butler, on-site hairdresser, endless beauty treatments, Tesla hire, private chef or personal trainer whilst staying in the luxury suite.

“We drew inspiration from Manchester’s industrial history and in particular from cotton, weaving and the city’s industrial forms, geometry and heritage.” – Goddard Littlefair

Renowned interior designers Goddard Littlefair, Interior Designers of the suite, commented on the inspiration behind the design: “‘This was a special and prestigious project for us, showcasing the first of our new designs for The Lowry Hotel. We drew inspiration from Manchester’s industrial history and in particular from cotton, weaving and the city’s industrial forms, geometry and heritage, including the shape of Trinity Bridge over the River Irwell, directly outside the hotel. We were also inspired by Lowry’s own colour palette, as the artist famously kept to a base palette of only five colours, mixing them to achieve tonal shades that nonetheless stayed within a distinctive overall range.

Marble-lined shower area plus freestanding bath

Image credit: Gareth Gardner

“The new design has a residential feel, with light and bright tonal colours used for the walls, curtains and carpets, offset by darker joinery, geometric-patterned fabrics used for cushions and curtain trims for added visual interest. Colours range from rich bronzes and burnt oranges to off-whites and textured blue-greys. Special joinery features include four sets of double screens around the living and dining areas to help zone the space and a bespoke dining table for eight with a feature veneer inset pattern.

“The bedrooms and bathrooms feature timber slatted walls, which mirror on the opposite wall, whilst the bathroom also has feature walls in luxurious, richly-veined marble. The main bedroom features a bespoke, contemporary version of a four-poster bed, in a room where the colours become softer, more muted and restful. The stunning dressing room, with a large, anthracite velvet ottoman at its centre, is dominated by a tiered feature light, made of threads and inspired by Manchester’s cotton production history.”

Soft interior decor. Geometric wall partitions within the suite and a baby grand piano on the right.

Image credit: Gareth Gardner

In homage to the hotel’s namesake, L.S Lowry, a selection of art has also been chosen for the room by ARTIQ. Kate Terres, Head of Operations at ARTIQ, commented: “The collection at the Lowry presented an exciting opportunity for us, because it is rare for hotels to be named after celebrated artists.  In curating the collection with Goddard Littlefair, ARTIQ pulled specifically on L.S. Lowry’s recognisable palette of charcoals and dark reds against pale smoky backdrops. Alongside these distinctive tonal elements, the curation draws on the shapes evoked by Manchester’s solid industrial architecture of the twentieth and twenty-first century – examples of which can be viewed from the Presidential Suite – as well as heavily abstracted figures that draw on Lowry’s matchstick figures.

“The collection is comprised of painting, sculpture, photography and print, with an emphasis on varied and rich textures that range from highly polished stainless steel – representing the industrial subject – to thickly modelled paintings incorporating found elements. Examples of large format photography depicting an abstracted industrial narrative contrast with the delicacy of the works by artist Kelly M. O’Brien. Kelly’s mixed-media practice involves burning paper and layering with inserts of gold leaf and, for The Presidential Suite, focuses on a linear radiating pattern that recalls the bridge architecture viewed from the window as well as playing with a high/low contrast of material. Also in the collection is work by artist Laetitia Rouget, whose playful series focuses on simplistic line drawings of the human in thickly pulled paint – a modern interpretation of Lowry’s matchstick men.”

 The luxury Lowry Hotel also boasts six Riverside suites, an additional 164 guestrooms, a spa, bar and The River Restaurant.

Main image credit: Gareth Gardner

 

 

 

Hotel Designs launches into a stylish new era at Meet Up London 2019

730 565 Hamish Kilburn
Hotel Designs launches into a stylish new era at Meet Up London 2019

The hotel design industry’s finest gathered at Minotti London last night for Meet Up London, Hotel Designs’ first networking event of 2019, which unveiled many causes for celebrations…

London was at the centre of the design world once more last night, as hundreds of designers, architects, hoteliers and key-industry suppliers descended on city’s Fitzrovia district for Meet Up London.

Providing the perfect stage for Hotel Designs’ first networking event of the year, Minotti London opened its showroom doors to the sea of leaders and visionaries who attended the event.

Among the guests were young designers, directors and principals from studios such as Richmond International, Conran & Partners, WATG, Jestico + Whiles, ARA Design, Scott Brownrigg, Gensler and many more.

Unique to this year’s format, Meet Up London hosted the final of Hotel Designs’ 30 Under 30 initiative. All 40 shortlisted finalists were invited, courtesy of Hotel Designs, following the title’s aim to help bridge the age gap in international hotel design. “Tonight’s concept, and its very important theme, has evolved in order to make our networking events more relevant to our audience,” said editor Hamish Kilburn who made the sofas of Minotti his stage for the evening. “Since the success of The Brit List 2018 Awards last year, we have decided to lightly theme each of our networking events. Tonight, it is about celebrating and profiling young designers and architects who are proving themselves to be true leaders in the making, if not so already.”

Following the unveiling of the final 30 Under 30, the evening’s programme gave guests a sneak peek of Hotel Designs’ new branding and website ahead of its highly anticipated launch that was announced today. “I am delighted that we are turning this page so publically here this evening in order to start our new chapter.” explained Kilburn. “Our new slogan is: ‘Defining the point on international hotel design,’ and we believe that events like these that are attended by so many of you, our readers, do just that.”

Meet Up London continued with an engaging talk from the London School of Architecture’s Director of Critical Projects, James Soane. Aptly entitled Repairing The Future, Soane’s presentation captured the audience’s attention and imagination into understanding how we can, as a collective creative industry, design and build better cities and hotels. “Are you doing what you believe in and are you practicing what you preach” Soane asked the audience. “Or are you just preaching what you would like to practice? Design can make the world a better place. It has a lot to do with equality and the future.”

Attendees were then able to use the evening as a networking event to catch up with like-minded industry experts, while also learning about the latest products on the market from suppliers such as Hamilton Litestat (exclusive headline partner), Tarkett (event partner), Minotti London (style partner), Crosswater, Brintons, Laufen and many more.

Ensuring that no guest left empty handed, gifting partner Aslotel supplied all attendees with a generous goody bag that included a selection of its luxury amenity products.

The full gallery of the evening – and the details for Hotel Designs’ next networking event, Meet Up North – will be announced shortly.

BRITISH STYLE: Questioning design like Ilse Crawford

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BRITISH STYLE: Questioning design like Ilse Crawford

To launch the new chapter of Hotel Designs, Hamish Kilburn investigates how one woman, her editorship and her questions over convention helped to change modern international hotel design by challenging the very foundations it sits on…

Every now and then, the world is introduced to a design icon who, through making their visions into reality, helps to shift attitudes by challenging conventional forms.

For Ilse Crawford, the founding Editor-In-Chief of British Elle Decoration, the design world was somewhat lacking reference of everyday movement when she decided to step into the shoes of her designer readers.

In 1997, a decade on from founding British Elle Decoration, Crawford asked the world to “liberate your senses and change your life” when she published her first book, Sensual Home, which mapped out how the living environment can engage us sensually as well as visually from the perspective of sight, sound, taste, touch and smell. And was, for Crawford, the start of a new journey.  “Writing the book was the ‘ah-hah’ moment, because it wasn’t the current understanding of design,” she explained in the Netflix documentary, Abstract: The Art of Design. “The days of being a two-dimensional person were over.”

The defiant leap from narrator to creator came one year later after she signed off as Editor-In-Chief. Having completed her mission to launch a contemporary magazine for a wide audience, Crawford worked for Donna Karan and getting her hands dirty, she became a maker. Crawford’s first hotel interior design brief was presented to her immediately after she left Elle Decoration when she was asked to convert a stately home for Nick Jones of Soho House into what we now know of as Babington House. “Nick originally wanted this place to look and feel like a stately home, but I was very clear that that’s the last thing it should be,” Crawford explained in Abstract: The Art of Design. “My proposal was that it should be a very informal place where you could just treat as if it was your own, like a family house of a friend where the parents had gone away and left the key the drinks cabinet.” Breaking the rules of the time, Crawford’s design stole the headlines and her journey as an interior design began.

“The project saw the transformation of a former industrial building in the Meatpacking district into a 27-key design hotel.”

From the rural British countryside to the bustling scene of Manhattan, Crawford’s skillful and sensitive approach was called upon to create the first outpost of Soho House outside the UK. The project saw the transformation of a former industrial building in the Meatpacking district into a 27-key design hotel, including bars, a restaurant, cinema and rooftop pool. Soho House New York opened to become the definitive third space for the transatlantic media crowd.

Her aim as an interior designer is to put human needs and desires at the centre of all that she does. Working in commercial and residential design, and blurring the lines between both, Crawford has changed many environments for the better of those who use them. Ett Hem Hotel was a conversion project of a former arts and crafts building. The 12-key guesthouse is described by Crawford as “a place to stay for the modern traveller, a home-from-home, where flexibility of space and function is central to the hotel’s operation,” she says. “There is no division between front and back of house – anything can happen anywhere at any time.”

Residential style in the hotel

Image caption/credit: Ett Hem Hotel. Interiors by Ilse Crawford

As someone who truly lives and breathes the industry in which she used to curate on the pages of Elle Decoration, Crawford wears many hats as a modern designer. In her own admission to Interior Design magazine, she confessed that “the line between my work and life is thin to non-existent.”  Working from her London studio, which is directly below her home, Crawford’s knowledge in interiors has allowed her to extend her portfolio to include product design. The Sinnerlig Collection for IKEA includes 30 pieces of of furniture, lighting and tabletop collection. “They explore natural materials and are simple,” Crawford explains on her website. “They are helpful, background pieces, not showstoppers.” Tactile materials such as cork, ceramic, glass, seagrass and bamboo appealed in the design concept because they felt as good as they looked.

“Maison&Objet awarded Crawford the prestigious title of Designer of the Year 2016.”

The Together Table was another design that challenged existing products on the market. Confronting the design of conventional four-cornered tables, Crawford simply rounded the edges of the table, which as a result naturally invited people to move around it more freely.  The Ilse Sofa was the result of a collaboration with British furniture brand George Smith. The height and depth of the product’s arms and back were calculated and tested to ensure that the sofa supports as many sedentary habits of modern life. “We like to think of it as a room within a room,” Crawford explains when describing the tactile experience.

Beige modern, long, thin table

Image caption/credit: The Together Table by Ilse Crawford

Two years after she was awarded an MBE in recognition for her work in design, Maison&Objet awarded Crawford the prestigious title of Designer of the Year 2016. Since then, the modest designer has continued to evolve the hospitality landscape with completing projects such as The Lounge Plaza 66, Cathy Pacific’s iconic airport lounge in Hong Kong and the warm and inviting home-from-home that is Bukowskis.

Crawford’s philosophical visions to challenge the norm leaves a clear path for young designers who aspire, like her, to make a difference through design. As the founder of the department of Man and Wellbeing at the Design Academy Eindhoven, Crawford’s mission as a visionary is explained on her website as “nurturing a new generation of students to always question why and how their work improves the reality of life.” Her philosophy to improve the future through considered design is what makes her the leader she undoubtably is today. Her work – and her working style – is a simple, effortless reflection of the questions she asks of the designs of today and the possibilities that are garnered by second guessing what the future should look and feel like.

Crawford, an ever-evolving icon of British and international design, has metaphorically cut the ribbon to launch Hotel Designs’ new website by being the subject of the first editorial feature of the title’s new era. The newly launched slogan “defining the point of international design” is a pledge from the editorial team to its readers to cut through the noise to publish conversation starters that will filter into many debates on the hotel design scene that we all know and love. That conversation starts here, with a question that Crawford asks herself when confronted with a new project: “How can design strategically make things better?”

Main image credit: Ilse Crawford/StudioIlse

Accor’s Aparthotel brand Adagio arrives in London

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Accor’s Aparthotel brand Adagio arrives in London

Hotel Designs attended the official launch party of Aparthotel Adagio London Brentford last night, which marked the brand’s official arrival in London, UK… 

Adagio has celebrated the opening of its first London property by hosting a show-stopping party that was attended by more than 150 people.

The 100-key Aparthotel Adagio London Brentford, which informally opened in October of last year, is located just a few miles from London’s main airport Heathrow and is the fourth hotel within in the brand to open in the UK, with more in the pipeline.

“This is an important milestone for us, with many more openings in the UK to be announced,” said Karim Malak, CEO of Aparthotels Adagio at the event. “Our target is to have 20 properties in the UK by 2023.”

Aparthotels Adagio London Brentford’s public spaces have been created as an open area for guests to meet and collaborate. Each apartment offers a fully equipped kitchen, spacious bedroom and living area with a flat-screen smart TV. Guests also have access to a bar, virtual concierge, fitness centre, laundry facilities, business services and onsite parking.

Image credit: Accor/Adagio

The West London property is part of Brentford’s Kew Eye Tower GWQ development. The aparthotel is the fourth UK opening for the brand following launches in Edinburgh, Birmingham and Liverpool. The aparthotel brand is planning further properties in London Stratford, Leicester (opening by the end of 2019) and Glasgow (opening by the end of 2020).

The opening of Aparthotel Adagio London Brentford emerges as part of the brand’s strategy to open 10 new hotels this year and to double the amount of properties it has within its portfolio by 2023.

Hotel Designs will be investigating the rise of aparthotels when it puts Hotel Concepts under the spotlight in August. If you would like to contribute to this topic, please get in touch with the editorial team.

Main image credit: Accor/Adagio

SPOTLIGHT ON: IHG pilots new lighting technology

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SPOTLIGHT ON: IHG pilots new lighting technology

The new lighting technology that is being piloted by IHG is designed specifically to help guests sleep better…

InterContinental Hotels Group (IHG) has partnered with Healthe® by Lighting Science, a global leader in innovative LED lighting solutions, to pilot the use of state-of-the-art circadian lighting to help guests sleep better while travelling.

Crowne Plaza® Atlanta Airport will be the first IHG property to install the JOURNI™ Mobile Task Light in guestrooms. Designed using Healthe®’s patented GoodDay® and GoodNight® spectrum technologies, JOURNI allows access to the alertness and focus-enhancing spectrum during the day, and then easily change to the warm, sleep-enhancing spectrum at night. This versatile, dual-spectrum luminaire can help you to effortlessly bring energy-efficient, circadian lighting right to your hotel room.  Ultimately, JOURNI also helps to regulate the body’s circadian rhythm or 24-hour internal body clock which effects important biological functions such as sleep, hormone levels, body temperature and metabolism.

Committed to investing and leading the way in the latest innovations and technologies to help guests sleep better, IHG already has programs in place across its brands based including:

  • Crowne Plaza® Hotels & Resorts Sleep Advantage™ Programme has been designed to improve the quality of sleep during hotel overnights, improving the quality of the following day. The bed linens provide unbelievable softness and the programme’s unique This Works aromatherapy line contains pure essential oils that help the customer to recover from the day’s stress and to sleep more soundly.
  • EVEN® Hotels lighting profiles allows guests to change the colour of the lighting in their rooms to blue, red, green or yellow to either energise or relax
  • The Holiday Inn® Pillow Menu gives guests the option to choose between a varied range of pillows, from firmness to type and even filling

“At IHG, we want to make sure our guests are getting the best night’s sleep possible across our 5,600 hotels and portfolio of more than 15 brands,” said Brian McGuinness, Senior Vice President of Global Guest Experience Shared Services, IHG. “We are continually testing ways we can enhance the guest experience, loyalty and ultimately, owner value. Our circadian lighting technology pilot is the latest example of the work we are doing to innovate the guest experience. We’re excited to be the first hotel company to pilot Healthe®’s JOURNI product and are already working on what’s coming next.”

Main image credit: IHG

Top 5 stories of the week

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Top 5 stories of the week

From an ibis insight to the three-year growth strategy for Marriott International, Hotel Designs has published some pretty juicy stories over the past five days. Editor Hamish Kilburn breaks down the headline-grabbers as he selects the top five stories of the week… 

I feel as if we are almost bidding farewell to an old friend, as this will be the last ‘Top 5 stories of the week’ to be published on the current website.

In the same week when the team at Hotel Designs HQ put the finishing touches onto the new site before launching on March 29 at 12.00 (GMT), there have been many major stories that the title has broken. Here are the top five stories of the week.

1) In Conversation With: Damien Perrot on defining ibis Hotels’ new design era

Modern Scandinavian room with flexible living spaces

Image credit: FGMF/ibis hotels

The world’s most iconic budget hotel brand is undergoing a major redesign following the growing demands of the modern traveller. To understand all the design details of the new generation of ibis Hotels, Hotel Designs sat down with Damien Perrot, Senior Vice President, Design Solutions for Accor, to find out more about how the new ibis was conceived in three separate designs.

Continue reading.

2) Meet Up London – March 28

With less than a week to go until the industry pour into Minotti London’s fabulous showroom in Fitzrovia for Meet Up London, we have released the latest names of who will be attending.

Continue reading.

3) Editor of Hotel Designs confirmed to speak at Independent Hotel Show Amsterdam

As a proud media partner of the Independent Hotel Show AmsterdamHotel Designs has announced that it will take an active role in the two-day exhibition that takes place on May 8 – 9 with its editor now confirmed to moderate a unique and engaging panel discussion.

Title: Designing for Bleisure
When: Wednesday May 8

Time: 17.00 – 17.45
Where: Hotel Vision Stage, Amsterdam Rai Hall 5
Moderated by: Hamish Kilburn, Hotel Designs
Panelists: Hans Meyer, Zoku and Rob Wagemans, Concrete

Continue reading. 

4) Marriott International announces three-year growth plans

Image credit: Marriott International

Marriott International has presented the company’s three-year growth plan, which includes opening more than 1,700 hotels around the world, at its meeting with institutional investors and security analysts at the New York Marriott Marquis.

Continue reading.

5) Rosewood Hotels arrives in Hong Kong

Rosewood Hong Kong has opened as a magnificent new ultra-luxury property in the heart of the Victoria Dockside district on the shores of Victoria Harbour. Situated on one of Hong Kong’s most significant waterfront locations in Tsim Sha Tsui – Kowloon’s dynamic, culturally compelling heart – the property is set to become a grand icon for the city, celebrating the area’s role as Hong Kong’s new creative and cultural epicentre.

Continue reading.

! NEW WEBSITE INCOMING !

Launching on: 29.03.19 at 12.00pm (GMT)
Head over to our Hotel Designs Instagram channel for all the updates.

If you would like to contribute to new content for Hotel Designs, please contact the editorial desk. April’s features have been announced as Interior Design and Outdoor Style. 

FEATURE: “Industrial bathrooms are here to stay,” say bathroom experts

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FEATURE: “Industrial bathrooms are here to stay,” say bathroom experts

Following ISH this month, PR and marketing firm Esprit breaks down why industrial bathrooms are not going anywhere soon in international hotel design…

Historically a 20th Century style, the industrial trend has a new look and feel.

No longer relegated to offices or loft style apartments, industrial design elements can be seen all over the home even in the bathroom.

“This somewhat harsh, gritty, uniquely urban, style has evolved.”

The original industrial trend has been around for years; but this somewhat harsh, gritty, uniquely urban, style has evolved.  The most obvious aspects such as rough textures, weathered surfaces, concrete, exposed brick and pipe work can look a little harsh in the home.  The use of muted and matt colours, such cool greys, blacks and anthracite work well, helping to achieve a “softer” Industrial look.

The use of metals including steel and aluminium, in both product design and construction, sets the scene, whilst dim lighting and brushed metal drains with matching bathroom accessories completes the industrial vibe.

Image credit: Kaldewei

The versatile, Nexsys Shower Solution is an innovative, award-winning four-in-one system which can be installed immediately, there are 17 different surface colour options including Cantania Grey Matt and City-Anthracite Matt, these can then be combined with five different waste channels variants.

The delicate filigree design of the free standing Miena washbasin made from a single layer of Kaldewei’s superior steel enamel perfectly complements an industrial style bathroom, due to its simplistic form and shape.

The industrial look in the bathroom can be further enhanced with a radiator from VASCO.  Providing a combination of energy efficiency and warmth VASCO radiators are available in variety of contemporary colours and textures; including Metallic Grey, Grey Aluminium, Anthracite Grey and Slate Grey.

Select from edgier, textured radiators such as the Bryce or the Carre which can be supplied as a curved radiator and further endorses this trend with its narrow bar design.

Image caption: Happy D2 from Duravit

Dark, industrial colour accents never fail to impress. By adding a contemporary, monochrome element, AQATA’s Matte Black Collection is a new addition to their successful Design Solutions range, available on DS400 shower screens and DS440 double entry shower screens. As well as matte black profiles and steady bars, there are also three glass patterns; grid, horizontal and border designs available.

In collaboration with sieger design, Duravit’s latest Happy D.2 Plus series reflects current industrial trends in colours, design and finishes. The above-counter washbasins striking individuality comes from the new striking two-tone colour variants of Anthracite Matt and glossy White. The colour concept of Happy D.2 Plus extends to toilets and bidets, with the interior of the toilets finished in glossy Anthracite for optimum hygiene.

Duravit’s Stonetto shower tray is designed to give the appearance of stripped back, water–worn stone, available in lighter shades, when used in anthracite or concrete gives the bathroom an edgier industrial feel.

Image of various industrial products from the range

Image credit: Unidrain

Finally, for maximum impact, Unidrain’s award-winning Reframe Collection brings together the finishing touches to an urban bathroom with their Scandinavian inspired designer accessories including; soap shelf, towel bar, toilet brush. The Reframe Collection mixes sleek design with metallic tones, available in five different colours including; Black, Copper, Brass and Brushed and Polished Stainless Steel.

Hotel Designs will be focusing the spotlight on the bathrooms this May and is currently acccepting editorial ideas. To submit your news/feature ideas, please email the editorial desk.

Main image credit: Aqata

Rosewood Hotels arrives in Hong Kong

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A new global icon for Rosewood Hotels & Resorts is established at the most distinguished address in its home city of Hong Kong…

Rosewood Hong Kong has opened as a magnificent new ultra-luxury property in the heart of the Victoria Dockside district on the shores of Victoria Harbour. Situated on one of Hong Kong’s most significant waterfront locations in Tsim Sha Tsui – Kowloon’s dynamic, culturally compelling heart – the property is set to become a grand icon for the city, celebrating the area’s role as Hong Kong’s new creative and cultural epicentre.

The opening of Rosewood Hong Kong is a defining milestone for the group, solidifying its stature as one of the world’s most dynamic hotel brands and a leader in global style.  This showpiece of the brand’s highest aspirations epitomises Rosewood’s essence and represents the complete manifestation of a differentiated and modern expression of ultra-luxury hospita