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  • SPOTLIGHT ON: Lighting public areas in Radisson Blu Hotel Cyprus

    730 565 Hamish Kilburn
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    SPOTLIGHT ON: Lighting public areas in Radisson Blu Hotel Cyprus

    As Hotel Designs conclude putting ‘Public Areas’ under the spotlight, Illumination Physics shares how it gave Radisson Blu Hotel Cyprus’ arrival experience a new meaning with innovative lighting solutions…

    Illumination Physics is famous for integrated façade lighting, however that is not all we do. Radisson Blu Hotel’s Chandelier in Cyprus shows a different side of our activities, albeit with the same focus of project specific custom design.

    The hotel opened its doors to the public in October 2018. One of the new breed of hospitality venues in the rapidly expanding Cypriot leisure market, this Radisson is actually the first business hotel set in an evolving economy. The influx of ex-patriot investment and the opening of casinos in Cyprus for the first time has created an exciting but competitive market in which the developers must make strong visual statements if they are to stand out in the rapidly changing business landscape.

    The Radisson Blu is illuminated externally with dynamic lighting by illumination Physics to draw guests’ attention, as the sense of arrival is critical to their experience. Like most modern hotels, the Radisson Blu has an integrated shopping mall. To succeed, this mall needed a point of difference, both in spectacle and personality.

    “There are 4,032 pendants in total descending out of a matt black sky.”

    A big statement was required

    Therein lay the genesis of the grand chandelier that was conceived of by local architects Fluid Design and Cypriot lighting designers Archtube.

    Grand in concept and dimension, the chandelier occupies five hundred square metres in two vast displays that occupy the entire ceiling of the mall, surrounding the elevator core and, in turn, surrounded by the retail hub.Bold in vision, the chandelier is comprised of pendant polished hardwood elements protruding downwardly from the plane of the ceiling in five variable lengths from 0.3 metres to 1.1 metres. The display is comprised of groups of 16 pendants which are repeated. Approximately 10 per cent of the pendants are self-illuminated rods of light in lengths of 700mm lit and 700mm lit + 400mm unlit, specially created for the project by illumination Physics. There are 4,032 pendants in total descending out of a matt black sky. The chandelier occupies five hundred square metres.

    Since the geometric design of the chandelier was set, the challenge was to design and manufacture the illuminated pendants. Our challenge was to design the pendants so that their elegance and function befitted their purpose. To meet the challenge, we proposed the following:

    • All fixtures should use white light only with a colour temperature of 2700K.
    • All fixtures were to be 50mm in diameter.
    • A gradient in the illumination level over the length of the fixture was desirable (some early tests had been done with continuous linear LED illumination, but the result resembled the homogenised image of a fluorescent tube, which was entirely the wrong image.
    • No shadows should occur within the pendant.
    • The majority of the fixtures should have an illuminated section of 700mm, contiguous from the plane of the ceiling to the bottom of the pendant.
    • A lesser quantity of the pendants would have an illuminated length of 700mm PLUS an unilluminated section length of 400mm.
    • Both types were to terminate into the ceiling with no visible fixings.
    • A diameter of 50mm should be chosen.
    Close up of the lighting installation on the ceiling

    Image credit: UNSEEN VIEWS (Charis Solomou Architectural Photography)

    With regards to drivers and dimming, there were several options that were discussed. The most elegant solution presented itself to us, namely that we could create 63 groups of fixtures and have individual dimming control over each group. Further, illuminated pendants could be allocated to these groups in such a way so that a sea of slow motion could be created – this option is what we eventually selected.

    With regard to the driver protocol, the client requested DALI to interface them with their in-house KNX control system. The first task was to get the optical design and illuminator working perfectly.

    Since the illuminated pendant must provide a perfect shadowless view from any angle, the only way to achieve this was to illuminate the 50mm cylinder axially using a single point of illumination. This could only be done from the top end of the pendant so that the light source could be completely concealed either within the non-illuminated section of the pendant or above the plane of the ceiling. It became apparent that none of the commercially available lenses would be good enough so a custom composite optic was designed for the project. This was crucial because we needed to manage the gradient of intensity precisely. We specified an obvious gradient but with maximum and minimum levels of luminance. The LED lens was designed to interact with a reflector which closed the lower end of the tube. With the aesthetics solved, we moved on to practical issues.

    Complex yet totally practical, maintenance for function is simple, and cleaning (always a challenge with chandeliers) is facilitated by the bayonet mount that allows a pendant to be taken down in seconds. The downlights that augment the overall lighting level in the mall are neatly concealed amongst the forest.

    Now that the decision had been made to have dynamic dimming, some fundamental choices were required. illumination Physics already manufactures a range of LED driver options. Our choice would be influenced by practical considerations.

    The space above the ceiling would be effectively inaccessible so the notion of placing drivers and data in the void was not an option that provided practical maintainability. We dismissed the idea of incorporating an individual driver for each pendant. It was far better to centralise the location of larger drivers capable of controlling many pendants in an easily accessible location away from the ceiling void.

    Close up of lighting installation

    Image credit: UNSEEN VIEWS (Charis Solomou Architectural Photography)

    This decision had a consequence because the ELV cables would be long and we would need to manage any losses. The LED engines required constant current supply so voltage drop was manageable with correctly dimensioned cables. The perfect solution presented itself – the 24V illumination Physics HP-LED Driver 12. Twelve groups of five luminaries could be controlled from one rack-mounted driver. These were to be installed in multiple locations to minimise the cabling. We make both a DMX and a DALI version of this unit and since DALI was being used elsewhere at the Radisson, we went with that protocol.

    The lighting effect fulfils the promise of the initial design. Like a vast inverted forest, the timber and illuminated pendants both add great interest to a grand space, providing an aspirational design looking to the future.

    Illumination Physics is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here. And, if you are interested in also benefitting from this  three-month editorial package, please email Katy Phillips by clicking here.

    Main image credit: UNSEEN VIEWS (Charis Solomou Architectural Photography)

    Hamish Kilburn / 28.04.2020

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