Editor Checks In: Embracing meaningful trends

730 565 Hamish Kilburn
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Editor Checks In: Embracing meaningful trends

Following a colourful year in the hot seat at Hotel Designs, editor Hamish Kilburn looks ahead to a more meaningful future of interior design moments and trends as he gives his thoughts on Pantone’s Colour of the Year, Classic Blue…

If I have learned anything in 2019 from listening to the leading designers, architects, hoteliers and developers who are no doubt shaping the future of the international hotel design scene, it is that every hotel design brief is unique and different.

By giving a new project a fresh perspective on the drawing board and when specifying products, the industry has been able to drive forwards; to unveil creative and exciting spaces unlike anywhere else in the world. The most common element used to emphasise an interior design scheme to create these statement spaces is indeed colour.

A few weeks ago, Hotel Designs was among the first to unveil Pantone’s Colour of the Year. In doing so, I witnessed two things. Firstly, that Pantone is bolding making a defiant move away from the warm, buoyant and energised Living Coral in order to focus on a deeper, calmer and more connected hue as its colour of 2020. My second realisation was more of an affirmation, which was that many within the interior design community continue to turn their heads away from yet another trend – and I have sympathy for those individuals.

“The aim of a commercial designer is to create style and not to repurpose fashion.”

As someone who receives many trend and colour forecasts, all of which are full of contradictions and confusing conclusions, I totally get why there’s a resistance among the leading designers and architects to accept trends. After all, the aim of a commercial designer is to create style and not to repurpose fashion. But every so often, a trend becomes more of a movement; a reflection of modern times, if you like, in order to add meaning into what can often feel like a senseless flow of Instagram and Pinterest posts and mindless moodboards.

It may shock you, therefore, that I recently succumbed to the demand and pressure and put my name to a trends forecast. Hoping to inspire and to create the ingredients for new conversations, as opposed to limit designers in where they should be sourcing their inspiration from, my feature was written sensitively for those who, like me, usually avoid the forecasts.

“If you only have the capacity to humour just one trend this winter, then by all means choose Classic Blue.”

In two separate editorial roundtables that Hotel Designs hosted recently, there was one motif that was louder than others. While each discussion was attended by different leading designers and architects, all seemed to agree that their clients have become much more informed around the connections between design, architecture and people. As a result, now more than ever before, commercial designers and architects are able to make decisions with greater purpose; to create extra layers, instil a stronger sense of place and to make a space more functional so that it can withstand the evolving demands of modern travellers.

While the industry, as a whole, becomes more aware of the environment, sustainable practice and the need for designing consciously, Pantone’s Classic Blue is in my opinion a nod to just how thoughtful design in the hospitality arena currently is. And therefore, if you only have the capacity to humour just one trend this winter, then by all means choose Classic Blue.

On the surface, it’s fair to say that Pantone’s Colour of the Year can be seen as safe, uninspiring and for the lack of a better phrase, just a bit dull. However, when considering the context – and relating it back to the world we are currently trying to make better a place – then Classic Blue becomes a symbol of hope and prosperity.

Having lived through the shelf lives of Greenery in 2017, Ultra Violet in 2018 and more recently Living Coral in 2019, Classic Blue on the contrary has longevity and feels like a harmonious step back to embracing the basics. The colour slots in nicely to create harmony in an era that is obsessed with technology and is increasingly lacking in time.

Classic Blue is flexible as well as firm. It’s dependable, thought-provoking and, paired with the right colour, it can create a number of different ambiances that are more meaningful, allowing the designer to take control. Classic Blue is non-aggressive, simple and has boundless uses in order to create endless interior scenarios.

Moving away from the aesthetical properties, blue is also considered to be beneficial to the mind, body and spirit, with experts going as far to say that it produces a calming effect. The shimmering blue infinity pool in the sanctuary I checked in to at Jade Mountain in Saint Lucia earlier this year certainly had that impact. If nothing else, Classic Blue is peaceful and a strong foundation for creativity to flourish on top.

“It’s been an extraordinary year to be at the helm of the editorial desk.”

Allowing Pantone’s Colour of the Year 2020 to work its magic early; to slow down my human metabolism on the editorial desk as I reflect on some of Hotel Designs’greatest moments of 2019, here are this year’s most-read stories:

As you can see, it’s been an extraordinary year to be at the helm of the editorial desk, which was complete with an extensive rebrand in Q1, publishing exclusive interviews, hotel reviews in far-flung destinations around the world, sharing up-to-date daily news coverage and hosting a plethora of engaging events.

Thank you for being a significant part of our journey, and helping us complete our ultimate goal, which is to define the point on international hotel design. All that is left to say is happy holidays and I look forward to reconnecting with new projects to put under the editorial lens in the New Year.

Editor, Hotel Designs

Hamish Kilburn / 30.12.2019

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Fun fact: I’m usually the person friends rely on to organise trips, schedules, and group plans.

Workhighlights: Successfully coordinating events from planning through to delivery and seeing everything come together on the day.

Fun fact: I’m a keen cyclist and will happily bore people with copious amounts of cycling chat. My top cycling experience (so far) would have to be riding in the spectacular mountains of Crete.

Work highlights: Charles joined Forum Events in 2022. With a background in publishing, editorial media and events, Charles brings a wealth of experience to his role as Senior Production Manager. Having being involved with SPACE from the outset, he is excited to see the brand grow and develop.

Fun fact: People tell Sienna she gives off Bridget Jones vibes, and she loves to bake, always making sure there are shortbreads floating around the office

Work highlights: Sienna joined Forum Events & Media Group while studying Communications and Media, starting in the sales team where she managed and helped launch the first the PA Life Leading Venues of London SHOWCASE, where she built relationships with luxury venues across the capital. Drawn to the stories behind these spaces, she naturally transitioned into the editorial team, creating social media and editorial content. Upon graduating in June 2026, she is excited to be joining as Assistant Editor for Hotel Designs and SPACE.

Fun fact: When not working, Jess can usually be found tending to her kitchen garden in the Sussex countryside or foraging for herbs in the nearby woods. A keen grower, she recently studied a RHS Level 2 Diploma in the Principles of Horticulture during her spare time.

Work highlights: Jess joined SPACE magazine in 2022 and has since progressed from Assistant Editor to Editor. During this time, she has worked across many aspects of the publication – from shaping editorial strategy and overseeing operations to contributing to art direction and representing the brand on stage at industry events including Surface Design Show and WOW!house.

Alongside her role at SPACE, Jess has built a creative career spanning the arts, culture, design and travel sectors. Prior to joining the magazine, she spent more than a decade in the commercial art industry, in artist liaison, gallery management, and curating collections for the hospitality sector across hotels and cruise ships. During this time, she also worked on freelance projects as a writer, photographer, and creative content producer.
 
Jess studied photojournalism at London College of Communication and the Danish School of Media and Journalism and holds a first-class BA (Hons) in Culture, Criticism and Curation from Central Saint Martins.

Fun fact: Katy has spent years perfecting all kinds of accents and loves a good impersonation!

Work highlights: Katy has been with Hotel Designs since the beginning, way back in 2015 when Forum Events & Media Group acquired the brand.

During this time, she has fostered many meaningful relationships with clients from across the hospitality spectrum, as well as playing a pivotal role in the launch of The Brit List Awards, Hotel Designs MEET UPs, client-led roundtables and panel talks, brand and website redesigns, HD Wellness Sets, DESIGN POD podcast, Hotel Designs LIVE panel talk series, Accessible Design Talks and more. Katy is always on the lookout for the next opportunity to help grow the Hotel Designs brand even further.
 
Most recently Katy has stepped in to the role of Publisher at SPACE magazine, the printed bi-monthly publication focused on hotel design, architecture, and development.

Together these platforms offer a comprehensive 360-degree service encompassing digital media, print publishing, and live events – providing unparalleled value to advertisers, partners, and readers alike.