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IN PICTURES: OKKO Hotels’ new design-led guestroom concept

730 565 Hamish Kilburn
IN PICTURES: OKKO Hotels’ new design-led guestroom concept

On July of 2019, in the heart of Paris, along the platform No. 2 at Gare de l’Est, OKKO Hotels unveiled its second generation guestroom concept, designed by Studio Catoir, which chose two models from the Ligne Roset Contract collection as testimonies of a strongly claimed design ambition…

The concept of OKKO Hotels’ second generation guestroom is adapted to the use for a single person, as well as the use for a couple. Concretely, this means separated toilets, more storage space and redesigned ergonomics. The sleeping area has also been re-thought. Many changes had been made in line with sustainable development: choice of materials, implementation of sorting and recycling, use of water fountains. The wish to use natural materials, sometimes raw materials, has been kept. The idea of integrating the codes of interior design into hotel language also remains, by the choice of iconic pieces that are no longer used to being discovered in a nice apartment or a hotel. The choice of the Andrey lamp, design by the Studio Catoir and edited by Ligne Roset, with it design all in finesse and elegance is a great example.

Like most of the international luxury brands, the history of Ligne Roset is rooted in the French craft heritage. In 160 years, the brand has become the symbol of an elegance if life, the imprint of a luxury signed by the greatest contemporary design talents around the world. Ligne Roset, the leading creator-manufacturer-distributor of contemporary French furniture showcases nowdays a whole art of living through its full collection of seats, cabinet, decorative items, lightings, rugs, fabrics and know how to decline, adapt and blend in the bespoke décor imagined by architects and interior designers. It is the expertise of Ligne Roset Contract which is expressed today in the drawings of the Studio Catoir for Okko Hotels. For Okko Hotels, collaborating with a French brands which has an expertise that brilliantly combines craftsmanship and technicality is a strong guarantee of quality.

You will find in the bedrooms the Audrey light, the Rocher chair and Nubo desk.

The hats of the actress Audrey Hepburn inspired Studio Catoir for this lamp which combines great sophistication and resolutely design. A true piece of design, which brings a touch of refinement to the sleeping area of the hotel bedroom.

Image credit: Ligne Roset/OKKO Hotels

Iconic piece by the Berlin duo Hertel & Klarhoefer, manufactured by Ligne Roset, the chair Rocher adopts a fractal design, characterised by a faceted construction. The surface of the shell (seat / back and armrests) seems cut like a diamond. On four white lacquered legs, it brings a feeling of lightness as well as comfort and elegantly complements the office space.

With Nubo, designed by GamFratesi, aesthetic astonishment is provided by the unexpected meeting of the ‘déjà vu’ and a surprising new element: the simple spacesaving wall shelf metamorphoses into a treasure box, evocative of a suitcase such as the Air France blue fabric travelling case of the 1960s. Its rounded cloud shape and luminous yet warm association of natural oak and sky blue wool fabric also fall into the same vintage Scandinavian register.

Ligne Roset is one of the brands that has taken advantage of our Industry Support Package. To keep up to date with supplier news, click here.

Main image credit: Ligne Roset/OKKO Hotels

In (Lockdown) Conversation With: Design legend Jean-Michel Gathy

730 565 Hamish Kilburn
In (Lockdown) Conversation With: Design legend Jean-Michel Gathy

If the renders on the boards are anything to go by, Jean-Michel Gathy, who is widely considered as one of the industry’s finest, has embarked on one of his most ambitious hospitality projects to date, to design Amaala Island. Editor Hamish Kilburn learns more…

There is not a hotel designer or architect alive today who has not heard of the name Jean-Michel Gathy, and for good reason. The creative mastermind, who doesn’t just design but more reinvents hotel experiences, has been repainting the backdrop of luxury for what is coming up to three decades.

Not shy of his ambition – he once stated that he wanted to be the first person to design a hotel on the moon – Gathy’s approach to a project is all-encompassing, allowing him to further push (and at times break through) conventional barriers.

Arrival experience, luxury

Image credit: Capella Sanya, designed by Jean-Michel Gathy/Denniston

His latest project, Amaala Island will be an ultra luxury resort destination spanning three sites, a first for the region of Saudi Arabia. Designed to evolve and elevate the very best in travel, the island is an ultra-luxury destination that focuses on curating transformative personal journeys inspired by arts, wellness and the purity of the Red Sea.

To find out more about the project, and in homage to the designer’s award-winning career, I managed to speak to the architect/designer.

Hamish Kilburn: Jean-Michel, how will the ultra-luxe Amaala Island – aka the “Diamond of the Red Sea” – challenge conventional island developments?

Jean-Michel Gathy: The development of ‘The Island’ will be an immersive and interactive art-inspired jewel. Its lifestyle components, its landscaping, the museums, and art installations together with the art community will transform this island into the “Diamond of the Red Sea”. It will feature many different venues for permanent installations or temporary exhibitions and artistic performances. The graphic layout of its spine will be distinctive from the air and will be recognised internationally as an iconic landmark. The project features all elements programmed and reflects the areas, numbers and facilities. This is truly unique, nothing like it has ever been planned before.

“It’s not a matter of a specific place; it is the fact that when you travel, your mind is continually challenged by the happenings around you.” – Jean-Michel Gathy

HK: How does your approach differ when designing a destination from you’re designing a hotel?

JMG: Constant travel is a huge part of the job. It allows me to observe and to be constantly inquisitive about my surroundings. Travelling builds a subconscious library of ideas, which are expressed in my work and helps my ideas remain innovative and fresh. It’s not a matter of a specific place; it is the fact that when you travel, your mind is continually challenged by the happenings around you. It’s not about where you travel, either – what counts is that you explore. No matter where you are, every country has something new to offer in terms of inspiration.

Luxury spa area that frames unspoilt view through rustic blinds

Image credit: Image credit: The Chedi Muscat, Oman, designed by Jean-Michel Gathy/Denniston

HK: What have been some of your design highlights in your career?

JMG: Perhaps the one for which I am most renowned is the overwater hammocks or ‘basking nets’, which I initiated in the Maldives at the One&Only Reethi Rah in 2000. Until then, you would find balustrades around the terraces of villas. I decided to alter that – if anyone was going to fall off the terrace, they could fall on to the nets. And I put scatter cushions on them.

Image credit: One&Only Reethi Rah Maldives, designed by Jean-Michel Gathy/Denniston

Today, just about every hotel uses this idea. Another pioneering step was turning standalone tents for safari-style camps into a commodity. The accommodation at these hotels used to be basic but this started to change after I designed luxurious tents for the Amanwana in 1990. I am also known for my oversized, dramatic swimming pools such as the one on the roof of Marina Bay Sands in Singapore.

Large, oversized swimming pool

Image credit: The Setai Miami, designed by Jean-Michel Gathy/Denniston

QUICK-FIRE ROUND

HK: What has been the most demanding request you have received from a client to date?

JMG: I guess I take every client that I work with as a challenge more than a demanding request.

HK: Where’s next on your travel bucket list?

JMG: I would love to travel to Iceland to see its rugged landscapes, glaciers, rough seas, hot springs and volcanoes. I’d also like to visit the south of Chile and the peninsula of Kamchatka in Russia, which has extraordinary wildlife and endless forests.

HK: What’s your biggest indulgence when travelling?

JMG: Collecting art – I like to collect and invest in local artwork whilst on my travels.

HK: What lesson would you teach to your younger self?

JMG: The pathway to success is never easy, it takes hard work, dedication and passion.

HK: If you could design a hotel anywhere in the world, where would it be?

JMG: I’d love to design a hotel in Antarctica. There’s an ice hotel in Sweden, but that’s only open four months a year, so I want to do one that permanently remains ice.

HK: What’s been your favourite year on the international design scene?

JMG: To be honest, every year working with my team at Denniston has been and is special to me.

HK: What’s one item you cannot travel without?

JMG: I travel light, but I always ensure I have a cashmere scarf for the plane, and a sweater (I’m a big cashmere fan). I also travel with my camera, a Canon EOS 5D Mark III.

“The hotels where you arrive and lay on the beach and do nothing have progressively disappeared.” – Jean-Michel Gathy.

HK: How is the perception of luxury changing – and how is this evolving the way in which you create spaces in the luxury arena?

JMG: Before, hotels were just a place where you go and relax. Today, guests are connected: they want spas, they want food and beverage, they want activities, they want things to do. The hotels where you arrive and lay on the beach and do nothing have progressively disappeared, because life is such that people have become more and more active. I think luxury property clients are now asking for more than simply great rooms. They want retail facilities, a cinema, an extraordinary spa, award-winning F&B offerings and outdoor activities all integrated into the hotel.

“In terms of reliability, price strategy, and brand positioning, Toyota is a fantastic commercial car – but I prefer a Bentley.” – Jean-Michel Gathy.

HK: What’s the value of having designers and architects in your practice?

JMG: There are many good architects, but we have a specific niche. I’m going to compare us to branding: thousands of people buy Toyotas, but few people buy Bentleys. I believe that we are more Bentley than Toyota. This doesn’t mean that a Toyota is not a good car. In terms of reliability, price strategy, and brand positioning, Toyota is a fantastic commercial car – but I prefer a Bentley. Designers are the same; many prefer commercial projects and properties, because their interest is financial. They just want to make money, which means they’re not romantic about their projects. Then you have other designers, which is where I belong, who are more interested in the success of the project, the excitement of the journey of designing a hotel, and having the pride of making something fantastic, even though you earn less money.

Restaurant overlooking ocean in the Maldives

Image credit: One&Only Maldives, designed by Jean-Michel Gathy/Denniston

HK: Has the way in which you source inspiration changed over the years?

JMG: I’m someone who designs from the heart so my style is one that’s charismatic. It’s not an ego trip like the architects who design for themselves. I design elements that are a composition of dramatic effect; I create large and dramatic space, in opposition to intimate areas, so the space is always dynamic. Secondly, I design for the sensation you get out of it. I want every space in the hotel to be comfortable and for my clients to come back and say, I like this space. Sometimes they don’t know why they like it, but if they walk in and feel good, I know I’ve succeeded.

And succeeded Gathy has in widening the path of innovative hotel experiences in far-flung destinations around the world. While his past hotel projects have firmly etched his name into the architecture, design and luxury hospitality history books, his latest ideas and concepts that are currently on the boards highlight Gathy and Denniston’s ambitions. Inspired by his worldly perspective of design and architecture, I believe that Gathy’s aspiration is yet to peak as he continues to think big with the future landscape of luxury international hotel design patiently waiting in his sketchbook for its cue to emerge.

Main image credit: Jean-Michel Gathy/Denniston

Osaka Hotel sets sights on a summer unveiling

730 565 Hamish Kilburn
Osaka Hotel sets sights on a summer unveiling

Palace Hotel Management Company’s first property to open under a new hospitality brand Zentis is being designed by Tara Bernerd of Tara Bernerd & Partners

With a pedigree that flows from the acclaimed Palace Hotel Tokyo and designs on rewriting the playbook for lifestyle brands, the management arm of Palace Hotel Co. Ltd. has announced plans for a Q3 opening of Zentis Osaka, the first property of its new hospitality brand.

Internationally renowned UK designer, Tara Bernerd of Tara Bernerd & Partners, has been tapped for the property’s modern interiors while Café Co. – the esteemed Japanese food & beverage operator behind the one Michelin-starred CRAFTALE in Tokyo – will develop and operate the hotel’s restaurant, bar and lounge. A top-flight team of seasoned staffers from Palace Hotel Tokyo, the first Japanese-brand hotel to achieve the prestigious Forbes Five-Star rating, will guide the standards of service.

“We see an opportunity to really elevate expectations for service, accommodations and F&B in the upper reaches of the select-service category,” said Daisuke Yoshihara, president of Palace Hotel Co. Ltd. “We believe those critical aspects of the stay experience are what will emerge as key standouts to our guests, truly differentiating our brand from those already in the market.”

Image credit: Palace Hotel Management Company

With Zentis’ strong focus on design, the new property is a member of Design Hotels – a curated selection of independent hotels with a passion for genuine hospitality, cultural authenticity, thought-provoking design and architecture. “We are truly privileged to collaborate with Palace Hotel Management Company to bring Zentis to the Design Hotels community. I am certain that our trend-forward and design-conscious travelers will be inspired by this sophisticated lifestyle addition to our portfolio – and our first for Osaka,” said Jinou Park, Vice President of Asia Pacific.

An entirely new build, the 16-storey property’s contemporary yet laid-back feel flows from a natural colour palette of raw materials, including exposed brickwork and timber beams. A stone staircase anchors a lobby wrapped in floor-to-ceiling windows where a double-sided fireplace creates a focal point and connects an intimate lounge space with the landscaped green space that surrounds.

One floor above is the hotel’s bar and main dining area as well as an airy lounge and outdoor terrace featuring lofty, seven-meter-tall ceilings. Also on the second floor is the hotel’s fitness center – outfitted with Life Fitness equipment and accessible 24 hours.

Taking inspiration from the modular design and intuitive functionality of bento boxes, the 212 guestrooms feature the same fresh palettes that are found throughout the hotel. Polished wooden floors, muted tones and splashes of mustard as well as art on the walls commissioned from a local Japanese artist define spaces that make ingenious use of otherwise snug square footage.

At the helm of UPSTAIRZ – the hotel’s dining venue that is likely to emerge as a destination not only for guests, but also discerning locals – will be Executive Chef Shinya Otsuchihashi, who, after having honed his culinary skills over the last two decades in both Japan and France, will be closely overseeing the eatery’s concept and menus from his base at CRAFTALE.

Zentis Osaka is situated where the picturesque, riverside area of Dojimahama and the high-end business entertainment district of Kita-shinchi meet. Nakanoshima, an islet home to some of the city’s premium attractions – including the Osaka Science Museum and the National Museum of Art, Osaka – is a leisurely three-minute stroll from the hotel while Osaka Station, the city’s main rail hub, is a mere five-minute taxi ride away. The two major airports that service Japan’s third largest city – Kansai International Airport and Itami Airport (Osaka International Airport) – are located less than an hour’s drive away.

Main image credit: Palace Hotel Management Company

MINIVIEW: AC Hotels by Marriott arrives in Jamaica

730 565 Hamish Kilburn
MINIVIEW: AC Hotels by Marriott arrives in Jamaica

The design-led European lifestyle brand, AC Hotels by Marriott, makes its debut in the heart of Kingston, Jamaica…

AC Hotels by Marriott, which boasts nearly 150 design-led hotels in 19 countries and territories, has announced the opening of AC Hotel Kingston, Jamaica, bringing the brand’s forward-thinking design approach to the island.

Born from the signature vision of renowned hotelier Antonio Catalan, the brand was founded in 1998 in Spain, and brought into the Marriott International portfolio in 2011, launching AC Hotels by Marriott globally in locations including France, Denmark, the United States, Latin America, Puerto Rico and now Jamaica.

Embracing the AC brand’s focus on purposeful design, the AC Hotel Kingston, Jamaica features 219 rooms to provide guests with thoughtfully-designed moments of beauty and experiences that elevate their stay and help them focus on what is important to them. The result is sophisticated yet unpretentious style and innovative food and beverage programming with locally-inspired experiences for both international travelers and locals.

Guests will have access to a spacious 24-hour fitness centre; an outdoor pool; the brand’s signature AC Kitchen which provides a daily European-inspired breakfast buffet infused with a taste of Jamaica; and the AC Lounge, which offers a chic, open and comfortable ambiance, ideal for co-working and socializing.

“We are delighted to welcome our first AC Hotel to Jamaica, offering travelers a modern aesthetic and intuitive service, as well as an opportunity to slow down and uncover the beauty in the essential while visiting the destination,” said Toni Stoeckl, Vice President, Distinctive Select Brands for Marriott International, and Global Brand Leader, AC Hotels by Marriott.

This new addition to the city is expected to have positive implications for the country’s tourism sector. In a recent walk-through of the hotel, Minister of Tourism for Jamaica, Edmund Bartlett said: “The debut of a brand like AC Hotels in Kingston will solidify the city’s status as a strong city tourism destination.”

Image credit: Marriott Hotels

AC Hotel Kingston Jamaica adds a modern touch not only to the Kingston skyline but to the wider Caribbean region, joining AC Hotel by Marriott San Juan Condado as the brand’s second hotel in the region. The hotel design includes elegant, clean lines that are signature features of the brand, along with thoughtful touches that harmoniously reflect Jamaica’s vibrant flair. Throughout the hotel, guests will find an impressive collection of art, each crafted by Jamaican artists, and one-of-a-kind furnishings that have also been locally made.

The hotel is equipped with more than 18,000 square feet of cutting-edge meeting and banquet facilities, making this the largest meeting space in the city. Whether hosting a small meeting, or a group of up to 600 people, the hotel is ready to cater to groups of various sizes.

“My family and I are determined to play our part in building the economy in the Caribbean. This is a monumental occasion as we venture beyond the beach to establish our first AC Hotel by Marriott,” said Adam Stewart, CD. Deputy Chairman of the Sandals Resorts International and ATL Group of Companies. “We are excited to work with a global company like Marriott International, while retaining the local Jamaican touch for guests visiting the city.”

The Stewart family, who own the AC Hotel Kingston Jamaica, selected Koen Hietbrink to oversee the hotel’s operations as General Manager. In addition to his fourteen years of leadership experience with the Marriott brand, Koen has led the openings of numerous Marriott properties in the Caribbean.

Main image credit: Marriott Hotels

Hotel Indigo opens two new hotels in Germany

730 565 Hamish Kilburn
Hotel Indigo opens two new hotels in Germany

Boutique hotel brand, Hotel Indigo, has unveiled two new hotels in Germany, both of which are inspired by local architecture and culture, and are situated in two of the country’s culture capitals… 

Hotel group IHG has announced the opening of Hotel Indigo Dresden – Wettiner Platz and Hotel Indigo Berlin – East Side Gallery as part of the group’s large expansion plans in Europe. Both hotels have been strategically placed to enhance the brand’s ethos that no two Hotel Indigo locations are either.

Hotel Indigo Dresden – Wettiner Platz is the brand’s first hotel in Saxony, next door to striking baroque architecture and a host of outdoor activities, providing the perfect location for guests looking to discover a culture rich part of Germany. Meanwhile, Hotel Indigo Berlin – East Side Gallery overlooks the world’s largest open air gallery, complete with 1.3 kilometres of original art pieces.

The 132-key Hotel Indigo Dresden – Wettiner Platz is within walking distance to the historic centre of the city. The hotel is close to one of the city’s most famous sites, Brühl’s Terrace, nicknamed the “The Balcony of Europe”, which stretches along the shore of the river Elbe. Just steps from the hotel, Kraftwerk Mitte is a former electricity plant, which has found a new life as an arts centre and regularly play host to some of the biggest DJs in Europe. Within the same neighbourhood, the Academy Of Fine Arts in Dresden, HfBK Dresden, occupies a glorious neo-Renaissance building featuring a beautiful glass dome.

Hotel Indigo Dresden – Wettiner Platz is fully immersed in its neighbourhood, taking its design cues from Dresden’s contrasting architecture styles, from modern, industrial buildings to historical Baroque architecture. In the public areas, a modern industrial feel comes through in the use of filament bulbs, scaffold table legs, and features slabs of solid wood and use of copper and brass. Guest rooms are a contemporary take on the baroque architecture of Dresden, with wood-panelled walls and colours taking inspiration from the copper verdigris (the blue-green patina that metals take on when weathered) of the grand buildings of the city.

Hotel Indigo Berlin – East Side Gallery takes its design inspiration from the creative energy of the East Side neighbourhood, marrying raw industrial architecture with retro elements such as graffiti blocks and a bright colour scheme, inspired by the famous Trabi car. All guest rooms are fully equipped with USB outlets, a 43” inch Smart TV and complementary WiFi throughout.

The onsite restaurant and bar, Gallery Restaurant, gives both guests and locals a place to enjoy traditional German cuisine served in a tapas style, made from locally sourced fresh produce. The Gallery Rooftop Bar, offers panoramic views of the river Spree and is the perfect location to gather for a few drinks.

Whether strolling alongside the East Side Gallery or visiting local boutique shops and street markets, Hotel Indigo® Berlin – East Side Gallery is in a prime location for guests to explore the local neighbourhood. Nearby attractions include Oberbaumbrücke, the former checkpoint between East and West Berlin and Wrangelkiez, an area that forms part of Kreuzberg, with an array with unique shops, cafes and bars. Wrangelkiez, is also famed for its flamboyant street art, curated by some internationally renowned street artists.

The hotel brand, which is vastly expanding in tier two cities across Europe now that more than 105 properties worldwide, with Hotel Indigo Chester waiting in the wings for its unveiling later this month.

Main image credit: IHG/Hotel Indigo

Canopy by Hilton arrives in Asia Pacific region

730 565 Hamish Kilburn
Canopy by Hilton arrives in Asia Pacific region

Interior design firm CCD has completed the first Canopy by Hilton in Asia Pacific Region, which opens in Chengdu…

Following recent reports of there to be 500 new hotels to arrive in China by 2020, Canopy by Hilton has just debuted in Asia Pacific by opening Canopy by Hilton Chengdu City Centre, with dynamic interiors by Cheng Chung Design (CCD). The first Canopy hotel in Asia Pacific – the property is located in the city that emphasises on the experience of ‘body’, ‘heart’, ‘senses’ and ‘enlightenment’.

The concept of the hotel blends Chinese and Western charms, intertwined with old-fashioned feelings and vitality, elegant and unconventional design, bringing guests a lively Chengdu style and the comfort and warmth of home, with contemporary moments thrown in for good measure.

Art instalment depicting people having their photos taken.

Image credit: Canopy by Hilton

“The design revolves around the story of ‘the scholar goes to the city to take the imperial exam’,” explained designer Joe Cheng. “Traversing the memory corridor of the imperial city, capturing the auspicious details hidden in the green brick wall, on the street view of the market, in the peddler stall and the courtyard.” The history of the hotel has been reconstructed, while exploring and re-writing the new story of the Imperial City memory.

A row of green bamboos is in front of the drop-off area of the hotel, which forms a shadow that can different from the outside world, leaving the prosperous shackles behind, creating a leisurely temperament that calms and slows you down. The design of the door canopy derives from the elements of the arch, and the bags of the ancient scholars, using columns of the wooden strips, interspersed, and laminated to reproduce the beauty of Chinese classical architecture.

Inside, the first floor reception hall is designed as an art exhibition hall, creating a humanistic space under the artistic conception. Up to nine metres tall,  the lobby is an abstract reflection of the historical streetscape of the old imperial city. The streetscape of the past is vividly displayed in front of the guests, under the large art installation of the roof, to open a dialogue of time and space.The chair hanging in the elevator hall is a reproduction of ancient ‘Gongyuan’ scenes by modern artistic techniques. Guests are guided along the roadways (corridors), which are complete with with green bricks, grey tiles and wooden doors.

Large, open and very minimalist lobby with brings as wallcoverings.

Image credit: Canopy by Hilton

In the guestrooms and suites, Canopy’s unique brand colour, bright orange, has been applied throughout the design. The panda in front of each guestroom in different poses gives a further nod to the unique sense-of-location and injects an element of humour. Inside, each room is represented through the quaint texture and exquisite details, showing the calm and unpretentious attitude of life, build a balance in the selection, composition and colour.

Image credit: Canopy by Hilton

The design concept of the guestrooms originated from the idea of “Gong Yuan”and inspired by the film “A Chinese Ghost Story” to connect the whole design to the project. The Canopy brand classic L-shaped bedside, as well as the bedside table inspired by the actor in “A Chinese Ghost Story” Leslie Cheung’s backpack, the shower space of the rice paper laminated glass, also comes from the classic scene of the film – Leslie Cheung breaking through the doors and windows made of Xuan paper, the designer has used the modern techniques to interpret the ancient paper doors and windows, so that the whole design is closely related to the story in terms of form, image and material.

Living green wall inside the hotel - with integrated bookshelf

Image credit: Canopy by Hilton

The hotel also features a number of food and beverage options, including TC Café, the Canopy Lounge and the Leisure Bar, which features a striking floor-to-ceiling living wall with integrated bookshelf to add further to the laid-back luxury feel and tone the hotel sets.

The Canopy by Hilton brand was established in October 2014 as a lifestyle offering under Hilton hotel group. The concept of the brand is guided by ‘lifestyle’, which is dedicated in creating a localised-luxury boutique hotel, providing personalisation.

Main image credit: Canopy by Hilton

Northern Lighting debuts lifestyle brand, Norther

731 497 Daniel Fountain

Design studio, Northern Lighting, has unveiled a new lifestyle concept that has been designed to bridge the gap between statement making products and practical designs.

Dubbed Northern, the brand will boast a holistic range of furniture, lighting and interior accessories.

The brand was established with input from design duo Morten and Jonas, which will also launch with items from famous designers, as well as up-and-coming creators.

The entire team is made up of 16 designers from seven countries, who have inspired a line of seating, tables, lighting and interior accessories.

Products from creators such as Rudi Wulff, Gridy, Cecilia Xinyu Zhang, Kyla McCallum, Vera & Kyte, Elina Ulvio, Mattias Stenberg, Ann Kristin Einarsen, Johan Lindsten, Johanna Forsberg, Sami Kallio and Morten and Jonas complete the range of this season’s line-up.

Northern will make its debut on February 6th, 2018 at the Stockholm Furniture Fair.

Canopy by Hilton, Reykjavik

Canopy by Hilton opens first global property in Reykjavik

1000 529 Daniel Fountain

Canopy by Hilton, the new lifestyle brand, along with Icelandair Hotels have announced the opening of the world’s first Canopy hotel in the city of Reykjavik.

Canopy by Hilton Reykjavik City Centre is centrally located on Hverfisgata Street, a thriving area in the heart of the city. The Icelandic capital, with its artistic flair, thriving culinary scene and backdrop of dramatic volcanic landscapes, is the ideal location for Canopy’s global debut.

“Reykjavik is unlike any other city on Earth. Its rich heritage and natural beauty perfectly align with the ethos of the Canopy by Hilton brand,” said Gary Steffen, Global Head, Canopy by Hilton. “We are thrilled to open the doors and begin greeting adventurous travelers searching for a unique experience to this city centre neighborhood in Reykjavik.”

Canopy by Hilton
Canopy by Hilton Reykjavik City Centre is designed as a natural extension of Hverfisgata Street, with local design influences and natural materials used throughout the hotel’s architecture and interiors. The hotel is at the heart of Reykjavik, surrounded by iconic attractions such as Laugavegur, a street known for its shopping, eateries, and pubs, and Harpa Concert Hall and Convention Center, as well as from Old Reykjavik Harbour, which offers incredible views of Mount Esja and the landmark Hallgrimskirkja church.

Canopy by Hilton, Reykjavik
The property honours its musical beginnings with an LP library with records that can be played at any of the 10 on-property record players. From October through to March, guests can watch the stunning Aurora Borealis or Northern Lights from near the hotel, as well as Iceland’s famous midnight sun during the summer months.

“With the support from Hilton Worldwide, as well as our Icelandic partners, this has become a distinguished property for Reykjavik,” said Magnea Thorey Hjálmarsdóttir, Managing Director, Icelandair Hotels. “We’ve changed the face of hospitality in Iceland with the Canopy lifestyle brand, and we look forward to welcoming visitors from around the world.”

Canopy by Hilton, Reykjavik
All 112 rooms and suites are designed to fit in with neighbourhood culture. Shades of ocean blue and grey volcanic rock make the interior comfortable and invigorating – a true reflection of Reykjavik. The rooms have been decorated with fun, local twists, such as a little Reykjavik Music Box which will lull guests to sleep with an Icelandic lullaby.

A 24-hour fitness centre is available, as well as event and meeting space for up to 50 people.

canopy3.hilton.com/en/

Canopy by Hilton, London

Hilton to open Canopy hotel in London’s east end

1000 535 Daniel Fountain

Hilton Worldwide, currently with 35 properties across London, has announced its plans to open a £76 million hotel development in Aldgate in the east of the city.

The company will join forces with site owners 4C Hotel Group to open a Canopy property – its lifestyle brand – next to the train station in 2018. The hotel will form part of a wider residential and office development, which will also have a public garden and public square.

According to the developers, the interior design will draw its inspiration from the ‘legacy of the Whitechapel Gallery and the melting pot of cultures in the area’.
“Aldgate was chosen for its proximity to both the stylish City of London and the more edgy and energetic East End,” said Gary Steffen, global head, Canopy by Hilton.

Canopy by Hilton, London