The 39-floor luxury hotel, Renaissance New York Chelsea Hotel, has opened as plans for the brand to open another hotel in the city move forward…
Renaissance New York Chelsea Hotel has officially opened its doors to become one of the tallest properties in Manhattan’s Chelsea neighborhood.
Rising an impressive 39 floors at 430 feet high, the brand’s first hotel in Chelsea is crowned with one of the highest rooftop pools in the city, offering unparalleled 360-degree views.
Located on the former site of the iconic Antiques Garage flea market, the hotel pays homage to the site’s history and the area’s charming antique shops with a theatrical design concept by architecture and interior design firm Stonehill Taylor. Drawing inspiration from the surrounding neighbourhood, spaces within the hotel aim to surprise and delight guests with unexpected moments, each thoughtfully designed to tell a story.
“Renaissance New York Chelsea Hotel encourages guests to discover this iconic location with a sense of reimagined curiosity,” said George Fleck, vice president of global brand marketing and management, Renaissance Hotels. “This new hotel, coupled with our significant growth and renovation strategy in North America, further reinforces our brand’s global commitment to ensuring that guests experience the DNA of the neighbourhood through our dramatic design and engaging guest experiences – ultimately leaving with a new appreciation of the destination.”
Underscoring Renaissance Hotels’ unexpected design aesthetic, Stonehill Taylor created an escape that plays on the contrasting dichotomy of the hotel’s industrial, antique and floral market surroundings to create the illusion of walking through a secret garden. The hotel’s top-floor exterior features a sleek, modern glass facade, while the entrance embodies the look and feel of an English manor. Behind a stone-walled arcade entry lays a private, open-air courtyard studded with lush foliage and seating for guests to lounge.
Tapped to curate the hotel’s collection of artwork, art consultant Indiewalls led a massive two-story installation of antique knobs, locks and keys created by local artist Laura Morrison that takes center stage as the backdrop to the lobby staircase. As guests pass through the space, they are encouraged to touch and interact with these whimsical wares. Indiewalls also oversaw mixed media artist Liam Alexander’s creation of various video art moments throughout the hotel, reflecting inspiration from the flower district and flea market concepts in the surrounding locale, eliciting the feeling of a “living painting.” Trellage-Ferrill Studio fabricated custom pieces like a collection of upside-down bird cages, as well as a large pendant at the elevator lobby inspired by a bird’s nest to pique the curiosity of travelers. Inside the elevator cabs, leather tiles made from vintage belts coat the walls, adding intrigue of the hotel’s overall design.
Earth tones dominate the color palette of the 341 guest rooms and suites. Interiors are outfitted with wood-panelled printed wallcoverings and unexpected playful touches include gnome desk lamps and rabbit coat hooks. Guest bathrooms evoke a quaint garden shed with concrete sinks, porcelain tiles and mirrors etched with silhouettes of wildflowers. Suites on the fourth and 36th floors are distinguished by their 14-foot high ceilings. A focal point of each suite is a floor-to-ceiling framed wallcovering art installation of a magnified peacock feather, as well as an oversized mural of a woman’s silhouette comprised of fuchsia roses by artist Sara Byrne.
The hotel is the latest property to debut under the brand’s growing North American portfolio which includes recently opened hotels in Philadelphia, Toledo, Reno, Dallas and Newport Beach, as well as renovated properties in Los Angeles, Minneapolis and Palm Desert, among others. Additionally, the brand is set to grow its New York City footprint two-fold over the next two years with highly anticipated openings in both Flushing and Harlem.
Main image credit: Marriott/Renaissance Hotels