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Hotel Indigo arrives in Italy’s fashion capital – Milan

 730 565 Hamish Kilburn
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Hotel Indigo arrives in Italy’s fashion capital – Milan

Hotel Indigo Milan – Corso Monforte becomes the hotel brand’s third hotel in Italy… 

Milan, known as the birthplace of some of the world’s most recognised high-end fashion designers including Prada, Armani and Dolce & Gabbana, has welcomed Hotel Indigo Milan – Corso Monforte to the mix of hotels in the area. The new design-led hotel is centrally located close to the notable fashion district – the perfect location for those looking to explore one of the world’s fashion capitals.

Hotel Indigo properties offer a gateway to discover some of the world’s most inspiring neighbourhoodsand locations. Each hotel brings the outside in; drawing from the local area to inspire every aspect of each hotel, from intriguing design to locally inspired menus.

Hotel Indigo® Milan – Corso Monforte takes inspiration from the surrounding neighbourhood, mixing elements from 1950’s Italian vintage fashion with contemporary cues intrinsically weaved into one seamless interior design theme of fashion through the ages. Throughout the hotel’s 75 rooms, bold prints and colour splash the walls and feature artwork and sketches from Biki, one of the most notable names of the Milan fashion scene in the 30s, 40s and 50s. Opening her first atelier (studio) in 1934 in Milan, Biki paved the way in the development of prét-a-porte fashion (ready-to wear). Her style wastypically classic Italian, specially made for the Milanese ‘vita’ – the high life. Throughout the hotel you can see nods to this through elements such as the large vintage leather-bound classic trunks embossed with the hotel’s initials.

“The hotel boasts unique design features that are recognisable to the fashion connoisseur.”

From ‘hat box’ bedside tables, bowler hat lamps and sewing machines desks, the hotel boasts unique design features that are recognisable to the fashion connoisseur whilst ensuring they blend with thebuilding’s original architecture. Throughout the historic palace, intricately detailed classically coffered ceilings and panelled walls can be seen, lending to the classical era of the hotel. Large arches dominate throughout and surround the interior courtyard, making it the perfect place for an afternoon coffee or drink.

“Set to double its portfolio over the next three to five years, Hotel Indigo continues its strong growth as one of the largest boutique brands in this fast-growing segment,” said Eric Viale, Managing Director Southern Europe, IHG. “The brand is now at home in over 100 different and vibrant neighbourhoods globally, which is an incredibly exciting milestone. We provide guests with the best of both worlds – the promise of a design-led hotel and the reassurance of a consistently upscale experience with the IHG name behind it.” 

There are more than 109 Hotel Indigo properties open globally with more than 103 in the hotel pipeline, including Japan’s first Hotel Indigo, Hotel Indigo® Hakone Gora due to open later this year. In Europe alone, there are 32 hotels open in key neighbourhoods with a further 19 due to open in the next three – five years, depending on forecasts.

Recently, IHG opened the highly anticipated Hotel Indigo® Venice – Saint’Elena, the first IHG branded property on the island of Venice and Hotel Indigo® Stratford upon Avon, in the heart of Shakespeare’s home town. 

Main image credit: IHG

In Conversation With: Fashion designer Jack Irving

 730 565 Hamish Kilburn
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In Conversation With: Fashion designer Jack Irving

Having previously designed statement outfits for many international music and fashion icons, Jack Irving’s alternative style has recently spilled out onto the hotel design scene. Editor Hamish Kilburn joins the fashion designer, in between photoshoots, to understand how two worlds have recently collided…

The brand ‘Jack Irving Studio’ and the creative man behind the logo are two very different things. One is bold, disobedient and you would expect – almost encourage – to cause an outrageous impression in almost any social scenario.

The other orders a lemonade on a hazy Thursday afternoon at a media interview as he catches his breath between work engagements. Opposites do attract, after all.

Made famous by creating outlandish outfits for the likes of Lady Gaga and The Spice Girls for their come-back tour, the talented story-telling designer, Jack Irving, made his mark on the fashion industry by producing items that infused glamour and engineered technology.

His innovative work recently emerged on my radar when he unveiled the result of a collaboration with W London Leicester Square, which has been the designer’s first interior design project to date. “The idea of working with W Hotels was mentioned to us at Pride London last year,” says Irving. “But it wasn’t until November, following my first show at the V&A, when we met the team to really discuss what we could do together.”

Fashion shoot of models on bed with cushion

Image credit: Charlotte Rutherford

Presented by a loose brief to bring a flavour of ‘Jack Irving’ into the hotel, it became clear that that the W brand was willing to give the designer the creative reins in order to produce a statement piece for their newly designed guestrooms and suites. “They wanted a replacement for the current cushions and bed throw that met brand standards,” he explains. “The bed, for us, became the canvas.”

One month after the brief was given, Irving pitched what he explained at the time to the client as a ‘crazy tech idea’ for the concept of new cushions. He wanted the items to be inspired his signature sea urchin style, which became famous by his work with Lady Gaga. Irving then wanted to make the interiors more instagrammable. The spiked pillows’ fabric would appear muted to the naked eye until they are brought to life through the click of a camera flash. Through the lens, the smart fabric would transform into an iridescent masterpiece. “To be honest, we were hesitant as to whether or not the client would see our vision,” explains the designer. “What we pitched was as far away from convention as we could have gone.”

Irving and his partner (in life as well as well as in business), Rhys Beynon, received a call from the client while they were on a yoga retreat in Goa over Christmas 2018. “They wanted to see prototypes the first week of January,” Irving explains. “At this point, the pressure for us was on to meet the deadline.”

QUICK-FIRE ROUND

Hamish Kilburn: What would a Jack Irving guestroom look like if you were to design it?
Jack Irving: It would be ridiculous – think sea urchin chairs and UFO beds. I also have the idea to design a Chesterfield sofa in the rainbow smart material.

HK: What’s been the most challenging part going from fashion to interiors?
JI: It hasn’t actually been that challenging because W Hotels were so on board with our idea.

HK: Where’s next on your travel bucket list?
JI: New Zealand and LA!

HK: How do you switch off from work?
JI: Both Rhys and I are really into techno. Oddly, it’s become our sanctuary.

HK: What’s your biggest bugbear when checking in to a conventional hotel?
JI: When hotels don’t stay in their lane.

HK: What materials are really inspiring you at the moment?
JI: For me, smart fabrics and metallic fabrics are really fun to play around with. I want to experiment more with the manufacturing of the material we have been using. That being said, you can’t rely on the fabric. The shape and structure is just as important.

Models on bed with cushion

Image credit: Charlotte Rutherford

With time depleting by the day, and with fabric supplies on order to be delivered when they returned home from India, the next challenge was to secure a manufacturer. “The word ‘impossible’ landed in our inbox a few times,” explains Irving. “We did receive a lot of kickback at this stage from manufacturers, mainly because of the demand and the order size.” Undeterred, Irving and Beynon’s ‘when there’s a will there’s a way’ approach led them both to source the materials themselves to prove that it could be done. “I remember sitting on the beach with Rhys making a cardboard model of the cushion,” says Irving. “It’s one thing drawing the design, but it becomes very real when designing a 3D model.”

As well as the shape of the accessory being unconventional, so too was the material that designer decided to work with. “We call it rainbow smart fabric,” he explains. “We were worried that it would look to synthentic when not lit up, but in reality it was the perfect material to use for creating that contrast.”

As with all creative projects at pitch stage, there is an air of uncertainty, especially when it comes to unveiling to clients a prototype as futuristic as this one. “I was terrified when it came to pitching because you just don’t know how it’s going to go,” admits Irving. “We hadn’t seen the new rooms that our statement accessories would sit in, so it could have gone either way, as these things often do. But they loved it, and the second prototype we made on the beach in Goa over Christmas became the product that’s in the W London today.”

Irving’s interior design work for W Hotels may be just a dip in the ocean for now, but the designer’s ability to disrupt convention through the use of innovative materials and shapes unquestionably makes him a true innovator on the international hotel design scene.

Main image credit: Jack Irving Studio

EDITOR CHECKS IN: Proud of diversity in British design

 730 565 Hamish Kilburn
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EDITOR CHECKS IN: Proud of diversity in British design

As the world focuses its attention on amplifying equality in all forms, editor Hamish Kilburn believes now is the time to break down why diversity in British design is something the industry should celebrate and be proud of…

We’ve come a long way, and although the journey hasn’t exactly been a seamless one, here we are in Britain in 2019 where we are free to love whoever we want. The next mission is now to work towards a society that campaigns for equal opportunities for all.

Our colourful industry, which is full to the brim of creative people, can be at the best of times a forceful catalyst for good and I believe, together, we can significantly do more than our bit in order for that dream to become a reality – and it starts here.

For a little more than a year now, since proudly joining the Hotel Designs editorial desk, I have tried perilously to understand what it is about the UK that makes it one of the major design destinations around the world. Despite its scale, Britain, the tiny little speck of land in the northern hemisphere, attracts the majority of the leading designers, hoteliers, architects and suppliers to train, flourish and go on to lead the industry forward into an innovative direction.

What Britain lacks in size it certainly makes up for in style, creativity and diversity. It’s no coincidence, therefore, that a large handful of the world’s most premium international design fairs, such as Sleep + Eat, 100% Design, Independent Hotel Show and London Design Festival, among many others, take place here.

Today, just two weeks after we officially opened nominations for The Brit List 2019, I’m seeing London from a completely unrivalled perspective – and it is a beautiful moment to witness. Peering over the edge of a rooftop bar, every colour of the rainbow is being amplified loudly on the streets below. As many as 1.5 million people have attended Pride London 2019, which is now being hailed the UK’s largest and most diverse Pride parade to date.

“By celebrating and supporting the concept of diversity – and by not oppressing original ideas that challenge convention – we can allow new thoughts to emerge.”

There’s an Albert Einstein quote that hangs on our office wall. It reads: “Creativity is intelligence having fun.” For some, it may signify the balance of designers, hoteliers, architects and suppliers thinking outside the box while also designing with purpose.  For me, though, it encourages one to take on a challenge and make it fun! That way, with the ability of adding your stamp to your work, you will not only throw intelligence at the problem, but also personality and individual ideas too.

This, I believe, is where the UK flourishes on the international design scene. By celebrating and supporting the concept of diversity – and by not oppressing original ideas that challenge convention – we can allow new thoughts to emerge and evolve, which, as a result, gives original concepts a nudge forward in the right direction. Jack Irving is the perfect example. The fashion designer who has worked with the likes of Lady Gaga and The Spice Girls has just completed his first interior design project. Irving’s commissioned work for W London has resulted in introducing our industry to new, unconventional materials. On the other hand there’s Zaha Hadid Architects, with its firm footprint as an industry leader, that is turning new architecture chapters, with the likes of Morpheus, that create new elegant dimensions.

The Brit List 2019, our annual awards event, is all about championing the most influential and inspirational designers, hoteliers, architects and suppliers. In order to keep the whole process as open as possible, we have ensured that applying for our nationwide search is completely free.

It’s been a varied and colorful month at the helm of Hotel Designs and I for one am proud of our fabulous team. We started our mini July tour in Manchester for Meet Up North, where more 150 of us celebrated creativity outside of the capital. One week later, we further bridged the gap between suppliers and procurement specialists with our highly engaging meet-the-buyers event, Hotel Summit, which allowed me the great honour of interviewing Marco Novello, the Managing Director of The Lanesborough, on stage in front of our live audience. A quick 24 hours in Dusseldorf, Germany, opened up the opportunity for us to speak to Michael Struck, the CEO of Ruby Hotels, as well as Matthew Bolan, the brand’s lead designer, in order to understand more about Ruby Hotels’ aggressive expansion, which includes its highly anticipated debut hotel in London next year.

In an industry full of leaders and visionaries, who are designing the cities of our future, it makes sense for us to also carve the path for others when it comes to celebrating diversity. Here are Hotel Designs, we are determined to continue to praise and offer a platform to people, projects, and plans on the boards that further challenge convention.

Be proud and apply for The Brit List 2019 for free today!

During August, Hotel Designs will be putting Hotel Concepts and Beds under the spotlight. If you would like to contribute to these topics, please do not hesitate to email me.

Editor, Hotel Designs

Main image credit: ACT Studios

Zaha Hadid Design exhibits 2019 collection in spectacular style

 800 533 Hamish Kilburn
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With clear dialogue of style referencing the late Zaha Hadid in each piece, the 2019 collection from Zaha Hadid Design interprets both present and future… 

The new 2019 collection from Zaha Hadid Design dropped on January 18 in dynamic style at Maison & Objet.

The SWIRL Bowl in crystal glass, a new product for 2019, captures the sweeping gesture of a liquefied vortex. A complex geometry informed by one continuous movement, the Bowl features topographical shifts rippling across the surface. The translucent finish allows the sculpture to coalesce with its surroundings.

Additions to the CELL range include the Platter in Nero Marquina or Statuario marble, and the Plate & Bowl Set in porcelain. A monochromatic colour palette of black or white accentuates the texture, while channels carved into the volumes of the platter and plate allow objects to nest seamlessly on its surfaces.

CELL range include the Platter in Nero Marquina or Statuario marble, and the Plate & Bowl Set in porcelain

Image caption: Cell marble by ZHD

The new CELL Centrepiece in stainless steel reflects the spirit in which it was achieved; true to Hadid’s process, the complex perforations remain undistorted and precise with the use of laser technology. The Centrepiece provokes an emotive response to transitions, through the material and geometry; solid to void; hexagonal to sphere; static to explosive; resulting in the creation of playful compositions.

The HEW Tray in stainless steel is described through a series of subtle movements from the gently upturned surface edge, to the undulating base which peels away to reveal a dual purpose; there are voids for carrying, and dips for resting. This dynamism is further expressed through the contrasting colours of the powder-coated finish on the surface and base.

Referencing Zaha Hadid’s design process, with each new project, Zaha Hadid Design (ZHD) continues to examine its significance within the dialogue of contemporary design. ZHD interprets both the present and the future, by continuing to share Hadid’s story, as Director Woody Yao explains: “The strength of the collection lies in our ability to interpret the ordinary into something unexpected. When designing objects Zaha was never constrained by any given use or spatial context. We continue to follow and draw strength from this approach so that the collection has room to evolve without compromising the integrity of the design.”

The collection follows ZHD’s debut collaboration with performance sportswear brand ODLO, a further example of the design firm’s ability to look into new teriorties in order to fulfill the brief, set by Hadid herself, to constantly push design boundaries.

Main image credit: Zaha Hadid Design

In Conversation With: Moritz Waldemeyer, lighting designer to the stars

 950 633 Hamish Kilburn
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Lighting designer Moritz Waldemeyer speaks to editor Hamish Kilburn about 2019 trends, the power of lighting therapy and how one moment in time can dramatically change the direction of a creative’s career…  

Anyone who has had the pleasure to spend more than five minutes in the company of the multi-talented Moritz Waldemeyer will agree with me when I say that he is a breath of creative, fresh air. Despite having designed LED pieces for major players in popular culture such as music icons Ellie Goulding, WillIAm, Take That and fashion design hero Philip Treacy OBE, Waldemeyer’s head has always remained cool when working on many creative platforms.

Following a career-defining moment of lighting a costume collection for the closing ceremonies of both the 2016 Rio Olympic and Paralympic Games, Waldemeyer’s recent gaze in the hospitality industry saw him at the centre of many interesting conversations at London Design Festival last year. His personalised lighting installation entitled Journey of Colour at Focus18 raised eyebrows among designers from around the world on the potential of lighting within hotel design. “Timing is everything,” Waldemeyer says. “My knowledge of technology, which is an area that has always interested me, placed me in the design sphere with a unique skillset at the right time.”

WAVE chandelier in Intercontinental Davos, which is 1,400 hand-blown glass spheres swirl in a playful shape of a gust of snow,

Image caption: WAVE chandelier in Intercontinental Davos, which is 1,400 hand-blown glass spheres swirl in a playful shape of a gust of snow,

Waldemeyer’s journey in the world of fashion, design and lighting started with an early interest for technology. Following his studies on mechatronics at Kings College London, Waldemeyer began experimenting with his passion for lighting – and after graduating, he gained experience working for Phillips in the product development team. It was at this moment in time, while other employees were working the nine-to-five, when Waldemeyer started to experiment with lighting and its boundaries. His forward-thinking attitude soon sparked the attention of the fashion world, which led to what was arguably his first major career break.

Virtual Reality – Moritz Waldemeyer for Philip Treacy

Image caption: Virtual Reality – Moritz Waldemeyer for Philip Treacy

Paris Fashion Week 2007 witnessed Hussein Chayalan showcase dresses impregnated with servo-driven lasers that were engineered and programmed by Waldemeyer. With the aim to create a sensational atmosphere that captured the attention of the world’s media, Chayalan turned to Waldemeyer to emit laser beams from the dresses on the models who strutted spectacularly down the catwalk. “It’s a great, indescribable feeling to be part of fashion history,” Waldemeyer shares. “And it was after this show I realised just how revolutionary this was when figures in the music industry got in touch asking me how I could work with them to create visual experiences.”

“I am looking at animated lighting, which is super retro and exciting.”

Waldemeyer’s dip into the world of high-fashion, I believe, gives him a unique leverage when it comes to helping to transform lighting within hotel interior design spaces. But when it comes to looking ahead, it seems as if Waldemeyer is left wondering like the rest of us what defines a ‘trend’. “It’s really difficult to look at trends on a year-by-year basis, because I believe that the development isn’t that fast in lighting,” he comments. “However, from my point of view, we have yet to establish the limits of LED potential. I am looking at animated lighting, which is super retro and exciting.”

Flos presented this stunning collaborative project during the Milan Salone 2009 which involved no less than 5 well known contributors: design by Philippe Starck, text by Jenny Holzer, execution by Flos, crystal by Baccarat and custom electronic design by Moritz Waldemeyer.

Image caption: Flos presented this stunning collaborative project during the Milan Salone 2009 which involved no less than five well known contributors: design by Philippe Starck, text by Jenny Holzer, execution by Flos, crystal by Baccarat and custom electronic design by Moritz Waldemeyer.

Following on from our insight into how the public areas of hotels are changing, there has been many debates about how the lobby and the guestroom can continue to evolve into new eras. Technology within lighting has unlocked the door to welcome in the opportunity of more atmospheric areas within the hotel, which is arguably the key to create the personalised hotel of the future. “Considering that the lobby is the first area that guests walk in to, I believe there is room for designers to be more playful,” he explains. “When it comes to the guestroom, though, I believe we as lighting experts need to ensure that we are creating intuitive lighting that works with the user. It’s a challenge to ensure we are creating seamless lighting experiences that don’t hinder the overall guest experience. It’s sometimes easy to forget when working on large pieces to view the experience from a guests’ point of view, but this is so important when it comes to the design of the lighting.”

“We deliberately use a lot of colour, which is arguably therapeutic with the aim to bring people back to themselves.”

One area within the interior design of hotels that continues to divide opinions is understanding the fundamental purpose of lighting in the guestroom. While designers aim to firmly establish lighting’s functional properties as well as its decorative qualities within the guestroom, there are questions rippling through the industry on how wellbeing can be incorporated within hotel design, and Waldemeyer may have the answer. He explains: “We deliberately use a lot of colour, which is arguably therapeutic with the aim to bring people back to themselves. Art pieces that use light to encourage calmness ­– similar to watching a roaring open fire – somewhat sedates the tone of the room and the guests’ minds. Using colour in this way has the complete opposite reaction to what happens when we as consumers stare mindlessly at our phones or devices.”

Moritz Waldemeyer's personalised lighting installation, Journey of Colour, was exhibited at Focus 18.

Image caption: Moritz Waldemeyer’s personalised lighting installation, Journey of Colour, was exhibited at Focus 18.

Waldemeyer strikes me as someone who is constantly looking ahead to establish new ways to be creative with lighting. “I’m excited about craftsmanship, which is really big on our agenda at the moment,” says Waldemeyer. “Travelling the world has allowed me to establish new avenues and my task at the moment is to understand how we can present traditional craftsmanship in lighting to a modern audience, which is challenging but also so rewarding at the same time.”

Waldemeyer’s own ‘journey of colour’ is, I believe, still in the very early stages when establishing what is possible within the future of commercial lighting. I leave the creative with focused lenses, now being able to zoom in to understand further the emotional links between our minds and how our hotels are lit. One of the largest conclusions, though, is seeing how outside influences, from areas such as fashion and popular music, can absolutely shed some light on the direction our industry should be heading when it comes to forward-thinking an innovation.

Moritz Waldemeyer Studio is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, click here.

Main image credit: Moritz Waldemeyer Studio