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Clerkenwell Design Week

EDITOR CHECKS IN: Running on empty in Clerkenwell

730 565 Hamish Kilburn
EDITOR CHECKS IN: Running on empty in Clerkenwell

Editor Hamish Kilburn explains some of the benefits that come with being a runner on the editorial desk – especially during Clerkenwell Design Week… 

I believe that nine problems out of 10 within this ever-evolving industry can be solved with a fresh perspective. Whether the issue is a lack of inspiration or perhaps you can’t decide which soft furnishings to purchase for a fussy client, there are times where you – and your project – could benefit from taking some time out so that your ideas and thoughts can authentically mature.

For most, the obvious ‘time out’ would follow booking 10 nights away in bare-foot luxury, and I must conquer that the undisturbed nature of this thought also appeals. However, if it’s simply a case of a blockage of traffic in the brain, then I suggest you hop onto the pavement. For me, it is often only after a gentle jog – at any time of day or night – where most of my editorial ideas for Hotel Designs stem from – or at least final decisions are made.

This month, I went one step further in my fitness therapy and signed myself up to complete what will be my third marathon. But while I have been there, done that and got the T-shirt twice before, one thing has changed – I am the busiest I have ever been. And so, like so many amateur runners who have or are pacing in my footsteps while balancing a career, finding the time to train is often the hardest challenge – a test that carries great unparalleled rewards, including being able to juggle time wisely.

“What’s running got to do with hotel development, design and architecture,” you may ask. Well it turns out, this month in particular, being able to confidently trot around town was an essential skill for those for those of us attending Clerkenwell Design Week as ‘Press’. Entering double digits, this year’s volume of celebrating of design, which witnessed hundreds of showrooms opening their doors to the public, was turned up to the max – and it was, undoubtably so, a fabulous festival to amplify to our readers. For the 10th year, it recognised the UK once more as an incubator for incredible design, architecture and ideas. Despite this, at times it was also like hitting the dreaded wall during a marathon, each showroom becoming more of a fuel station as we got further through the course. Passed the finish line, though, and we were able to reflect on the journey, which was like every long-distance race, full of unforgettable moments including witnessing art outside the frame at almost every turn.

Brick wall with loud and colourful mural of shapes bursting out

Image caption/credit: One of the many art installations at Clerkenwell Design Week 2019 | Sophie Mutevelian

In addition to clocking up the miles around the design hub that is Clerkenwell, my mini adventures on foot have allowed me to experience some pretty incredible places from an unmatched perspective; from the sandy beaches of Barbados to the cobbled streets of Amsterdam – and sprinting through New York’s Time Square at 5am. With the right pair of trainers – and the will power to get out whatever the weather, travelling to – and seeing – these places has been extraordinary.

“Each time I head out for a run in Manchester, usually between exhibitions or events, I notice a new building taking shape.”

Closer to home, Manchester is within my top five locations to go for a run in and around. Having spent a year living in the beehive, I fell in love with the ‘on the boards’ skyline and at times juvenile personality locked within its ever-expanding city walls. Given its striking façade, and spirited soul, it is no coincidence, therefore, that hotel development up north is booming. Each time I head out for a run in Manchester, usually between exhibitions or events, I notice a new building taking shape. Top Hotel Project recently reported that between 2020 and 2021, 11 new hotels will open – the majority of which will be for the luxury sector. In response to this, we’re taking our Meet Up North networking evening back to the city that everyone is talking about, this year taking over Hotel Gotham’s much-admired rooftop bar, Club Brass.

Today, my running shoes have taken me back to my hometown of Whitstable in Kent, a beautiful rustic and trendy town – think Shoreditch style but by the sea and with oysters. The gorgeous weather combined with a steady westerly breeze was all the motivation I needed to add a totally unplanned half marathon (13.1 miles) into this week’s training plan. It was all the motivation I needed to write and complete this column.

During June, Hotel Designs will be putting Hotel Groups and Software & Controls under the spotlight. If you would like to contribute to these topics, please do not hesitate to email me.

Editor, Hotel Designs

5 examples of art outside the frame at Clerkenwell Design Week

730 565 Hamish Kilburn
5 examples of art outside the frame at Clerkenwell Design Week

Clerkenwell Design Week once again inspired designers, architects and Londoners alike to celebrate London as a creative design hub. Editor Hamish Kilburn identifies five installations that took art outside the frame…

In seven exhibitions across London’s much-loved design district, exhibitors at Clerkenwell Design Week displayed the latest products and emerging trends on the market.

But in between each tented venue, creepy crypt and a deserted nightclub were a number of artists, designers and architects reflecting their creativity on the city’s streets. CDW showcased commissioned site specific installations across Clerkenwell. For CDW’s 10 year anniversary, visitors were asked to expect the most exciting street spectacles yet, and here were just a handful of the main attractions.

Once Upon A Time

Main image credit: Sophie Mutevelian/Once Upon a Time

The installation took inspiration from the rich and sometimes dark historical tales of Clerkenwell. For the initiative, CDW collaborated with Chelsea College of Arts, BA Graphic Design Communication students to create a series of graphic installations inspired by the stories relating to the significant locations. The six winning entries were selected by a judging panel including; Max Fraser, CDW Content Editor; Priya Khanchandani, ICON Editor, and David Barnett, Chelsea College of Art Course Leader, BA Graphic Design Communication. In conjunction with the project, Lansdown’s London hosted a number of historical walking tours during CDW exploring its past as a centre of making, from clock-makers to gin distillers.

Decade

Man looking at the installation on the streets of Clerkenwell

Image credit: Hakwood Adam Dale/Decade

The piece was a dramatic trail of 10, three metre high candle like beacons designed by pioneers within the creative industry. The installations, symbolic of birthday candles also formed part of CDW’s wayfinding strategy to help guide visitors across the exhibition route. With a nod to the area as London’s creative heart, each installation showcased the designers’ individuality and imagination.

Reflect Us

Created by Beau Kerouac in collaboration with ‘The Big Issue’, the installation intended to bridge gaps in society by confronting visitors with 10 door-sized gateways to eyes that are sometimes hard to look into, telling the stories of vendors from our city streets. Using AR technology, Beau Kerouac invited visitors to question how an act of respect; simply making eye contact, can change someone’s day for the better through shared experience.

Scale Rule

The large installation, which was displayed at St John’s Gate arch, responded to the theme of history and heritage by proposing a new structure that subtly draws on the historic form whilst bringing in materials and geometries that reference the design culture of Clerkenwell today.

The concept played with the idea of space and enclosure, by inserting a densely built timber structure within the void of the archway.  This was then carved away to allow a route through and to frame the historic features of the site. The timber frame was filled with moments of colour that intensify towards the top of the arch, drawing visitors’ gaze upwards towards the historic architecture. The colour was created by using recycled materials and fabrics that reference the design identity of the area.

While on the site, the pavilion highlighted details of the archway and drew parallels to the 10 year anniversary of CDW.  When moved to a new location, the pavilion will take with it the geometry of the archway to act as a casting of the original site.

Pareidolia

Man walking past light-like installation

Image credit: Jestico + Whiles

For their second CDW collaboration, Jestico + Whiles and Porcelanosa Group teamed up with Studio Fractal and Architainment Lighting to display a new and experimental immersive experience, which was entitled Pareidolia.

The immersive installation explored concepts of movement, memory and pattern with an impressive large-scale digitally fabricated installation made of Krion, a Porcelanosa product derived from natural minerals.

Hotel Designs was a proud media partner for Clerkenwell Design Week 2019. To read the editor’s round up of the entire festival, including news of the major product launches during the three-day-show, click here.

Main image credit: Sophie Mutevelian

Man walking in front of light installation

Editor’s round up of Clerkenwell Design Week 2019

730 565 Hamish Kilburn
Editor’s round up of Clerkenwell Design Week 2019

The streets of London’s Clerkenwell came alive once more for another three days of exhibitions, installations and product launches. Editor Hamish Kilburn rounds up Clerkenwell Design Week 2019 as the festival enters double digits…

There is no other design festival in the world that harnesses the natural swagger to be able to pull off taking over a much-loved iconic nightclub and a desolate crypt at the same time.

Man walking in front of light installation

But Clerkenwell Design Week is an anything but ordinary festival, taking over an entire district to celebrate London as a leading design hub that incubates ideas, creativity and talent. As a proud media partner for the festival as it turns 10 years old, Hotel Designs was in the centre of the action, and here are some of our many highlights.

Following on from last year’s incredible installation with Brinton’s Carpets on St Johns Square, Timorous Beasties’ iconic designs were this year in the Project tent. The design studio’s provocative textiles were woven into the fabrics of Knightsbridge’s stand. Celebrating 80 years of British manufacturing – which is a feat on its own – the furniture company’s design director, Jason Brown, designed a 60s inspired furniture set, combining rich mustard with Timorous Beasties jungle-like patterns. “Yesterday, today, tomorrow,” he said when asked to describe the timeless collection in three words.

From one iconic design brand to another, Zaha Hadid Design Gallery opened its doors to present ‘Shaping Reality Through Time’, an exploration of Fitz Hansen design evolution. As well as looking to the past, the exhibition also showcased a number of new products that were launched at Milan Design Week, including Plenum, which is Hansen’s first dedicated contract furniture piece.

Let there be more light

The feeling of celebration was in the air, which was arguably most felt in the Light exhibition that took over Fabric. The nightclub that famously closed its doors permanently a few years ago was taken over by striking light installations. Many of the new products on display were sustainably designed using materials such as cork and even cardboard in  both the base and shade.

Graypants’ latest flagship Scraplights, made from recycled cardboard and inspired by a collection of pebbles, are cut with a laser and are assembled by hand using non-toxic adhesive. In addition, each and every product is treated with a non-toxic fire retardant, making them ideal for hotel interiors.

Geometric light installation

Image credit: Black Edge Productions

Meanwhile, British lighting brand NOVE displayed its fresh approach on sustainability with pendants in the company’s Cork Collection. Also using the sustainable material was the stylish ARKKI SKIRT & DRUM lamps are lightweight and eco-frindly. The ingenious folding structure allows for a ”pearl necklace” to shine between the pieces, and the white inside of the shade makes it a good light source. There are several wood veneer finishes and a number of laminated paper colors to choose from, all applied on a folding structure of durable corrugated cardboard. The lamps are flat-packed for shipping and mount easily by joining the ends of the fan-like shade and adding a disk that completes the clever structure.

Living room with cardboard lightshades in different colours

Image credit: ARKKI Skirt and Drum

Another highlight from the exhibition – and no stranger to CDW – was Haberdashery. The lighting experts displayed the company’s personalised Dawn To Dusk lamps that evoke the memory of the rising and setting of the sun. As if you were lifting the sun from behind the horizon and placing it in the sky, the light transitions from off through deep red and warm white, to the bright light of midday.

Taking over what used to be the dance floor under the shadow of the main stage was a dynamic installation by LUUM, a company that prides itself on delivering spectacular light installations that stir a sense of wonder, excitement and energy – all of which was captured effortlessly this year with an interesting play on LED technology and geometric, abstract shapes.

Blending architecture with lighting, LEDS C4’s GROK exhibited in the walkway by showcasing its latest products that reacted perfectly with the nightclub’s rustic charm. Visitors were able to immerse themselves around the company’s latest collections such as Ely, the wall light designed by Luca Turrini, new pendants in the Voiles collection by Céline Wright and Circular, which was hung spectacularly over the stand.

Other brands in the Light exhibition included Optelma, atelje Lyktan, Bert Frank, EBB & FLOW, Syska, and XAL among many others.

Mood lighting

Elsewhere around the streets of Clerkenwell, the possibilities of lighting was a topic explored in full. For the duration of festival, artist Liz West took over Domus’ lower ground floor area with her latest work Live Colour. Working against a minimal backdrop of XL format Magnum slabs at Domus, West has imagined a space with blue, pink, green, red and yellow rotating washes of each colour, against white floor and walls, with ‘pure’ white light as part of the cycle to normalise the overall colour intensity.

Audience at seminar in showroom

Image credit: Sophie Mutevelian

The installation uses Rosco’s patented SL1 Mix LED technology to create accurate Rosco gel matches and intense, saturated colour. Through West’s multi-sensory art, visitors to Live Colour will experience pure colour in an immersive environment like never before.

“Live Colour’ plays with people’s individual perception of colour, challenging how they feel when immersed totally in one colour, then quickly drowned in another in deep contrast,” explained West. “Colour is a universal language that is understood by all, although we each bring to the work our individual memories and lived experiences of colour.”

Seamless bathroom style

CDW wasn’t the only birthday celebrated at the festival. Bathroom manufacturer Duravit marked one year in Clerkenwell by exhibiting its latest contemporary products, including the VIU range designed by Sieger Design as well as the masculine matt black furniture and basin options.

Meanwhile, hot off the heals from ISH 2019 and Hotel Designs’ exclusive with VP of Design Michael Seum, GROHE teamed up with tile experts at Mosa to display its latest collections.

Flexible and fresh working spaces

Following on from Hotel Designs’ panel discussion at the Independent Hotel Show Amsterdam entitled ‘Designing For Bleisure’, CDW opened the doors to practical workplaces and furniture that many hotels and hotel designers can draw inspiration from. The modern BOB by Bisley, for example, allows the user to detach and personalise the unit to each consumer’s preference. Also exploring this concept in the Platform exhibition was HEX from Intarc Design. The interactive furniture solutions transforms with every use and has the functional ability to store tables, shelves, drawers and even include power supplies. Another stand-out piece that further blurred the lines between workplace and hotel design was the NAAVA living walls, which were displayed in the Design Fields exhibition. The wall is the only smart and active green wall that revolutionises the air consumers breathe.

man in front of installations made of plastic bottles

Image credit: Sophie Mutevelian

Key elements

Nestled on St Johns Square, which won the award for best suntrap of the week, Elements at CDW brought together a leading selection of ironmongery, hardware, switch plates and architectural accessories. Stand-out pieces included contemporary and colourful radiators by BISQUE and personalised light switches, electrical wiring accessories, circuit protection, smart lighting controls and multi-room audio that was on display on the Hamilton Litestat stand.

Inspiration for all 

Among the many engaging talks and seminars that took place over the two days was Morgan Furniture, which opened its showroom to a flood of a designers, architects and students to hear Tom Raffield talk about his latest lighting collection – and the art of steam bending. “Biophilic design is so important,” Raffield said. “I am really inspired by the fact that there are no striaght lines in nature.” Other sessions that went beneith the surface of sustainable design included Jo Ruxton’s Plastic in the Ocean talk at Humanscale and Material Matters by Grant Gibson and Gareth Neal.

One of the many traditional highlights of the festival for many is the Platform exhibition, which takes shape in the House of Detention. The exhibition recognises some of the world’s most exciting up-and-coming design talent. Exploiting the venue’s atmospheric architecture, Platform creates a stunning backdrop for a curated collection of international and cutting-edge design. Among the stand-out stands this year was fabric brand Monkey Puzzle Tree, which launched a new colour of its Passion Flower wallpaper. “We worked with artist Alexis Snell, a printmaker who works with beautifully unique linocuts to create Passion Flower wallpaper,” explained the brand’s Charlotte Raffo. “Known for her strange, dark, angular illustrations that look as if they’ve just emerged from a fairytale, Alexis’s work can been seen illustrating many books and her designs have also been commissioned by the Victoria and Albert Museum.”

Other brands who exhibited underground and projected emerging talent included Spitfire Furniture that combines aviation engineering with design, Trouping Colour, STORE and Russel Bamber.

Something fun to take away

Robot pole dancing

Image credit: Giles Walker/FUTURE Designs

The designer and manufacturer of luminaires and bespoke lighting solutions FUTURE Designs displayed ‘Peep Show’, an installation by kinetic artist Giles Walker. The installation, which featured robotic sculptures that dance, was created as a comment on the perverseness of some advancing technologies and their surveillance capabilities. Peep Show went viral on social media shortly after being shown in its opening exhibition.“There are parallels with the themes that run through my work and the physical creative process,” said Walker about the display. “Over the past 27 years that I have been making moving sculptures there has been a direct correlation between the technological progression of my work and the technological progression in the recycled material available. A lot of the mechanics found in my sculptures still come from under the bonnet of scrapped cars. So not only do my sculptures allude to displaced, rejected and redundant themes surrounding society, but they are also made of this very thing”.

The robotic sculptures included parts from the FUTURE Designs factory that were recycled to help create these thought provoking moving figures.

The 10th edition of CDW has been a celebration of a decade spent in EC1. The three day festival continues to highlight and celebrate the extraordinary creativity housed across London’s historic Clerkenwell. Representing the area’s dynamic energy and creative diversity, CDW has become a show like no other – championing the local community, established and up-and-coming design brands. Hosting more than 200 exhibitors, including more than 100 showrooms, seven installations, seven exhibition venues and a series of workshops, talks and walking tours, CDW 2019 certainly delivered.

Main image credit: Sam Frost

GROHE’s new partnership brings sustainable design to London’s CDW

730 565 Hamish Kilburn
GROHE’s new partnership brings sustainable design to London’s CDW

GROHE’s latest collaboration for London’s Clerkenwell Design Week puts emphasis on a sustainable bathroom future… 

As Clerkenwell Design Week celebrates its 10th year, GROHE and Mosa, contemporary tiles specialist, will reignite their partnership for a second year, coming together in a collaboration that celebrates sustainable design.

United by their common heritage of sustainable brand values, craftmanship and industry-leading design, GROHE and Mosa will present their inspiring design possibilities for bespoke architecture at Mosa’s St Johns Street showroom, located in the very heart of the design suburb. Offering design-inspired products that are crafted with consideration for the earth’s precious resources, GROHE and Mosa are able to support architects with solutions for green buildings and sustainable architecture projects.

Not only will the partnership celebrate a strengthened and shared vision for sustainable design but it will also mark the official opening of the renewed Mosa showroom, which will showcase two permanent GROHE displays along with a GROHE Blue Home still and sparkling water in the kitchen. Visitors to the showroom will be able to seek design inspiration from the beautifully curated product displays and take valuable advice and insight from product experts. With a colourful display of GROHE’s Allure Brilliant and Essence lines against the striking backdrop of Mosa tiles, to the intuitive SmartControl shower system and the latest collections from Mosa, this is a design haven not to be missed.

Visit the Mosa showroom at 56-60 St John St, London from 9am to 3pm on May 21 – 23.

GROHE is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, click here.

CDW PREVIEW: Zaha Hadid Gallery to unveil exhibition with Fritz Hansen

730 565 Hamish Kilburn
CDW PREVIEW: Zaha Hadid Gallery to unveil exhibition with Fritz Hansen

For Clerkenwell Design Week 2019, Fritz Hansen partners with Zaha Hadid Design to present ‘Shaping Reality Through Time’, an exploration of Fritz Hansen’s design evolution…

To celebrate a decade of Clerkenwell Design Week, design studio Zaha Hadid Gallery has partnered with Fitz Hansen to exhibit ‘Shaping Reality Through Time’, which will be held at the Zaha Hadid Gallery, 101 Goswell Road, London between May 21 – June 13.

On Tuesday May 21, to celebrate the opening of the exhibition, a talk will take place between Fritz Hansen head of design, Christian Andresen and Zaha Hadid Architects head of interiors, Kar-Hwa Ho.

The story of Fritz Hansen’s design evolution can best be told through the series of chairs produced since the cabinet maker Fritz Hansen obtained a trade license in 1872, before beginning his own furniture production company.

‘Shaping Reality Through Time’ will offer a rare glimpse at aspects of the Heritage Exhibition, brought to the UK for the first time from Alleroed, Copenhagen – home to the original factory plant and current Head Office.

This London exhibition will include anniversary pieces, early examples of the signature laminated technology still in use today, original prototypes and limited editions, alongside newer pieces launched at this year’s Milan Design Week.

Hansen has worked with Zaha Hadid Design to co-curate and edit the exhibition with a specific focus on chairs carrying a shared aesthetic and design DNA, typified by sculptural form and organic lines.

‘Shaping Reality Through Time’ will also see pieces revealed in the UK for the first time, following their launch at Milan’s Salone del Mobile, April 2019 including ‘Plenum’, Fritz Hansen’s 2018 first dedicated contract furniture piece. Arne Jacobsen’s ‘Little Giraffe’ was first produced in 2019 but created 60 years ago for the S.A.S Royal Hotel, Copenhagen; A new piece by Jaime Hayon will also mark ten years of Hayon’s ongoing collaboration with the brand and heritage pieces will include the limited edition PKO – Fritz Hansen’s first collaboration with Poul Kjaerholm as well as Henning Larsen’s ‘Kar’.

Much of Hansen’s furniture begins life as an imaginative sketch before being transformed into functioning reality through impeccable craftsmanship, precise technology and excellence of materials. Pieces such as the original Swan, Drop, Egg – as well as Nendo’s more recent N01 and Hayon’s earlier Ro – perfectly illustrate the continued evolution of sculptural and at times almost flamboyant expression. The exhibition will be further bought to life with original sketches and drawings as part of an illustrative timeline supporting the historical journey.

Hotel Designs are proud media partners for this year’s highly anticipated Clerkenwell Design Week

Main image credit: Zaha Hadid Gallery/Fritz Hansen

In Conversation With: Designer Mark McClure ahead of Clerkenwell Design Week

730 565 Hamish Kilburn
In Conversation With: Designer Mark McClure ahead of Clerkenwell Design Week

Ahead of Clerkenwell Design Week 2019, Morgan shares an insight into the mind of one of its latest interior design collaborators. Mark McClure discusses how the Goodwood table came to be… 

Furniture brand Morgan is preparing to once again wow visitors who are attending Clerkenwell Design Week later this month.

As well as inviting artist David Shillinglaw to redecorate the showroom with a vibrant feature wall, the company will also unveil two new interior design collaborations – one of which is with designer Mark McClure. Ahead of CDW 2019, Hotel Designs turned the tables, asking its recommended supplier Morgan to carry out an interview with its new design collaborator.

Morgan Furniture: Why did you choose to collaborate with us specifically?
Mark McClure: I worked with you in 2017 – when you invited me to create an installation and exhibition of artworks in their showroom and I found their whole approach to creativity and crossing over of disciplines very much aligned with my own. That, coupled with the beautiful quality and style of their existing collections, made them the obvious people to approach when I was looking to collaborate on some furniture.

MF: How was the experience/process compared to solo working?
MM: The whole process has been so very much smoother than I imagined. Collaborating in general – and especially with the folk at Morgan – brings the benefit of working with experts in their own field. Their knowledge of materials and processes added a whole new thought angle to my own thought process – and Katerina’s creative ideas overlapped nicely with my own even though we were coming to it from different directions.

Image of Goodwood side table in two sizes

Image credit: Goodwood by Morgan

MF: : What sparked your interest in furniture and combining art with a contract piece of furniture?
MM: I’ve always been drawn to the blurred lines between function and creativity. I’m lucky in that my work can be applied all kinds of disciplines and mediums – whether that be a mural on the side of a building, a sculpture in a gallery, or a mosaic for a table surface. I love that change of context and the change of audience and perception that goes with it.

MF: What inspired your design?
MM: A lot of my work is originally inspired by structural and architectural forms – but I’m increasingly contrasting these shapes with more rounded forms which lend the softer, more organic feel to the designs. This addition of more natural forms definitely feels more in tune with the natural grain and colours of the wood.

MF: What was your starting point for this project?
MM: We looked at a selection of existing Morgan pieces – with a view to combining the Morgan shapes with my design – so it all started with the choice of table shape. We opted for quite an understated Goodwood base in two nested sizes. This understated shape avoids a clashing of styles but also lends a complementing elegance to my work, which can be quite bold. Once that decision was made – I had a literal and metaphorical framework to work within.

MF: What is the collection’s USP?
MM: Bold, dynamic, abstract shapes – held together by the modernist elegance of the framework. The contrasting styles balance really well together.

MF: What was the main goal for the collection?
MM: To create something contemporary but classic – a meeting of styles.

MF: What were the challenges?
MM: The biggest challenge was showing restraint. It’s hard not to get carried away with exciting materials and details. But the saying ‘less is more’ exists with good reason – and after exploring a much broader range of materials and colours – we naturally returned to this palette. Even this restrained version still feels dynamic and exciting.

MF: What materials were used for the project?
MM: A mosaic was made up of Beech & Walnut – both painted and untreated – finished with brass details.  This was then integrated into a walnut table framework.

MF: Where do you foresee the collection being specified? (i.e. hotels, restaurants, etc.)
MM: I’d like to think the tables would sit comfortably in hotels, receptions and workplaces. The elegance of the table shapes make them adaptable – while the tabletop design – although distinct and dynamic – isn’t overbearing.

MF: Generally, where do you find your inspiration?
MM: I like to think of my work as a landscape. I’ve always seen beauty in the architectural shapes and structure of the city and these shapes are a constant, but increasingly sparks comes from everywhere and anything – with more organic, rounder elements coming into play. So whilst the structural shapes often form the base for a work – there’s other contrasting elements creeping in that might be inspired by plants, fabrics, music, lighting. The melting pot of disciplines and styles is what makes things interesting – it all makes up the landscape that surrounds us.

MF: What’s the key to a successful collaboration?
MM: I think the key is to collaborate with people you admire and respect. Everyone comes to a solution from their own direction – depending on their background and experience. That’s the beauty of collaboration – and appreciating those different backgrounds and routes is key.

MF: What’s the most interesting trend you’re seeing for 2019?
MM: Playful, geometric tabletops combined with modernist elegance. You saw it here first.

MF: What technology has made the biggest difference to the way you work?
MM: I’m about 20 years late to the CAD party – but I’ve only just started using it as my work has become more engineered and three dimensional. I created a bar with a drinks brand last year and taking what is quite a painterly approach – and drawing it up in CAD was a challenging – but exciting next step. To become loose and instinctive within that realm of 3D CAD is pretty exciting.

Morgan is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, click here.

Hotel Designs is a proud media partner for CDW 2019. In order to arrange a meeting with the team, please tweet us @HotelDesigns

Morgan’s latest art installation portrays colourful ‘confusion of the world’

730 565 Hamish Kilburn
Morgan’s latest art installation portrays colourful ‘confusion of the world’

Ahead of Clerkenwell Design Week 2019, Morgan unveiled ‘Alive in the Human Hive’, an art installation in its London showroom created in collaboration with artist David Shillinglaw… 

Last week, contract furniture design studio and manufacturer Morgan welcomed artists, interior designers, visionaries and the press to an exclusive viewing of its new art installation by David Shillinglaw at its Clerkenwell showroom.

Celebrating the spirit of collaboration and imagination, Morgan has been sharing its showroom with artists since opening in 2014, transforming the interior’s blank walls into thought provoking galleries and colourful canvasses.

Entitled ‘Alive in the Human Hive’, the new installation is a dynamic, large scale mural alongside a selection of Shillinglaw’s recent artworks.

Image credit: Morgan

“We all suffer and celebrate: appetites and desires, fears and misfortunes,” he said when describing his work. “How can I paint a picture of the world? The local and global landscape. Planet Earth is a place so strange, so full of beauty and wonder, mistakes and confusion. This confusion is very important to me, it feeds me and my work.”

The artist brings his energetic imagery to the Clerkenwell showroom for a second time, ever growing his relationship with Morgan. Since graduating from Central Saint Martins 17 years ago, he has been commissioned by Converse, The Dulwich Picture House and agnès b.

Beyond the UK, he has exhibited in galleries from Japan and China to The Gambia and Turkey. Evading categorisation, Shillinglaw’s work includes small handmade books, paintings, album covers and set design.

The installation will be on display throughout Clerkenwell Design Week, providing an eye-catching backdrop to an exciting series of events and product launches.

Morgan is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, click here.

Main image credit: Morgan

CDW 19 PREVIEW: Morgan to launch new collaborative projects

800 600 Hamish Kilburn

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CDW 19 PREVIEW: Morgan to launch new collaborative projects

Morgan, contract furniture designer and manufacturer, will showcase two new collaborative projects at its London showroom (1 Dallington Street, EC1V 0BH) during Clerkenwell Design Week from May 21 – 23, 2019…

Morgan is gearing up for Clerkenwell Design Week where it will unveil the result of two authentic collaborations with outside designers.

The architectural Rakino lounge collection, by designer Tim Rundle, juxtaposes soft sculpted upholstery with a strong, low line frame. The clean linear structure emphasises crisp timber detailing born from a dialogue between the precision of CNC manufacturing and a handcrafted finish. The collection will offer two lounge chairs and a selection of coffee tables.

Following Mark McClure’s bold and dynamic installation at the company’s showroom two years ago, Morgan has collaborated for a second time with the artist to create a selection of new feature coffee tables for the Goodwood collection. Pushing the boundaries between furniture and art, the tables are characterised by strong geometric inlay tops with splashes of brass.

Also on display will be the recent additions to the Rio table collection. Combining skills and expertise with architect Mehran Gharleghi of studio INTEGRATE, the expanded collection of tables includes geometric 3D printed components. The first of its kind within the sector to include this cutting edge technology with a commercially viable price point, the sophisticated and singular collection is not to be missed.

The new products will sit alongside a complete showroom transformation, following the theme ‘Plant a Seed’. Morgan has invited artist David Shillinglaw back to its showroom, following the company’s first collaboration in 2015.

“Flowing across the front of the showroom will be an organic lighting installation by Tom Raffield”

‘Alive in the Human Hive’ promises to be an energetic and colourful large-scale art installation that will fill the double height main wall. The piece will be a representation of the human landscape, informed by both local and global environments and the ways we experience the planet. Recent smaller canvases by David will also be up for grabs.

Flowing across the front of the showroom will be an organic lighting installation by Tom Raffield, made up of Aram and Quill pendant and wall lights as well as a spectacular Flock chandelier, inspired by the organic shapes, movements and sequential patterns that surround us.

Launch party, live music and more

Join Morgan at its buzzing Clerkenwell showroom for a number of social and thought-provoking events throughout the week.

Tuesday will include a panel talk by Double Decker curators Wilhelm Finger and Melita Skamnaki, entitled ‘Redefining Hotel Art’, on how they challenge stereotypes in hospitality. The talk will lead into Morgan’s annual product launch party with tasty canapés and live music.

On the Wednesday, Tom Raffield himself will be giving a talk entitled ‘Taking Inspiration from Nature’. During the talk, Tom will share his passion for the organic forms and structures found in the natural world, and why they play such an important role in the brand’s designs, materials and signature curved aesthetic.

Morgan is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, click here.

Contemporary bathroom featuring large bath and Grohe fittings

GROHE announces a new partnership for Clerkenwell Design Week

800 566 Hamish Kilburn

Clerkenwell Design Week 2018 will see bathroom and kitchen supplier GROHE work in tandem with contemporary tiles specialist Mosa for one of the city’s leading design festival.

Sharing sustainable brand values and a premium quality of manufacturing within their respective sectors, GROHE and Mosa’s amalgamation of smart water systems and stylish surfaces makes for the perfect partnership. Both manufacturers have been working with architects and designers internationally for decades to create the best possible solutions for each client’s unique set of requirements. Now, GROHE and Mosa have joined forces for Clerkenwell Design Week 2018 to reflect on the challenges and opportunities of contemporary design during a jam-packed program of events and activities in London.

In Mosa, GROHE finds the perfect backdrop for its range of kitchen and bathroom products. The beauty of the two brands‘ products accentuate and complement the other, which helps to bring to life the vision of a premium interior space for the discerning architect.

The showroom will champion the latest and most innovative products of both the brands including GROHE‘s SmartControl Concealed shower system, and models from the highly anticipated Atrio range, recently launched at Milan Design Week. There will also be two working models of the GROHE Red kettle hot water tap and GROHE Blue Home water systems, the latter of which will be used to serve up delicious mocktails to visitors.

Meanwhile, Mosa’s Solids floor tiles and Murals wall tiles collections will also be on display alongside its Terra Tones series, Global collection and shower drain solutions.

Visit the Mosa showroom at 56-60 St John St, London from 22 – 24 May.
Showroom opening times: Tuesday 22nd May 9am to 5.30pm Wednesday 23rd May 9am to 4pm Thursday 24th May 9am to 2pm

Hotel Designs editor Hamish Kilburn will be at Clerkenwell Design Week on the 24 May. Please tweet us if you would like to book in a meeting.

Grohe are one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, click here.

Brintons and Timorous Beasties to launch Craigend Collection at Clerkenwell Design Week

800 755 Hamish Kilburn

Carpet manufacturer Brintons will launch the new Craigend Collection designed by long-term collaborators Timorous Beasties at Clerkenwell Design Week 2018. Taking over St Johns Square the collection will be debuted in a pop-up installation designed by Studio Shaw Architects.

Famous for their outstanding diversity of pattern, Scottish design duo Timorous Beasties will present Craigend, their third collection with Brintons. Named after Craigend Place, home of the Glasgow based Timorous Beasties studio and birth place of the designs, the collection name is also inspired by the old Gaelic word ‘Creag’, which means rock.

Render of the Brintons and Timorous Beasties installation designed by Studio Shaw Architects at Clerkenwell Design Week 2018 to launch the Craigend Collection

This commercial collection is inspired by textures and surfaces found naturally underfoot, including sand dunes, stone moss and lichen, all reimagined in the Brintons’ signature 80/20 blend of 80 per cent wool and 20 per cent nylon. With Craigend, Timorous Beasties have called upon their fascination with the oftenbrutal beauty of the natural world, as well as taking aesthetic inspiration from different crafting materials including paint, ink and fabric.

Emma Cassidy, Head of Creative Design EMEA at Brintons commented: “Brintons are delighted to launch the highly anticipated Craigend Collection, our latest collaboration with Timorous Beasties which celebrates our 10-year anniversary of collaborating together. The collection brings to life a diverse range of bold, colourful and dynamic designs that will inspire and surprise the design community; pushing the boundaries of what’s possible in carpet design, for commercial spaces.”

Above from left: Alistair McAuley and Paul Simmons, Timorous Beasties in the Glasgow studio

The installation will showcase a unique selection of woven carpets taken from the new Craigend Collection. Visitors will be taken on a journey through the pop-up installation, where the full-scale patterns will transport the audience into a world inspired by the textures and sights of the natural world.

Founders of Timorous Beasties Alistair McAuley and Paul Simmons comment, “For our new Craigend collection, we took inspiration from what we see under our feet, taking cues from natural carpets such as sand dunes, moss, stone, and waves of water. We also thought about how carpet can be dramatic in transitional spaces such as lobbies, corridors, and grand dining rooms. We also considered how the functional aspects and minimal aesthetic can work in more personal spaces such as bedrooms, whilst still keeping the link between the dramatic and the serene. We first collaborated with Brintons a decade ago, and our love of pattern repeats from our wallpapers and fabrics, has been a very productive pairing, and adapts perfectly to carpet design.

Alistair McAuley and Paul Simmons will be taking part in the Conversations at Clerkenwell talks programme and will be in conversation with Priya Khanchandani, deputy editor of ICON Magazine on Tuesday 22 May, 10.30am. Book your place here.

Hotel Designs editor Hamish Kilburn will be at Clerkenwell Design Week on the 24 May. Please tweet us if you would like to book in a meeting.

Brintons are one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, click here.

Hansgrohe Metropol

Hansgrohe showcasing ISH products at Clerkenwell

999 623 Daniel Fountain

Hansgrohe UK, the award-winning kitchen and bathroom specialist, is showcasing a selection of their latest products straight from ISH, in Frankfurt, for the first time in the UK.

The new products will be installed at The Water Studio as part of Clerkenwell Design Week (CDW), the UK’s leading independent design festival from 23rd-25th May.

The Water Studio is Hansgrohe UK’s hub of inspiration in the heart of Clerkenwell and is the number one destination for anyone serious about creating show-stopping bathrooms. From 23rd – 25th May, The Water Studio will be an open house for visitors to come and explore, ask questions, try out different working products and meet the Hansgrohe Project Team.

Following the success of ISH where the Hansgrohe Group exhibited over 500 new products and had a record number 61,000 visitors, on display at The Water Studio, Hansgrohe UK will display a new line of showerheads and taps with expressive and consistent geometric design. Also showcasing is an innovative solution for the comfortable and convenient control of multi-jet showers. From the AXOR brand, a new unprecedented spray type, which has been perfected during years of research and is a unique homage to the precious element of water, elevates showering to a luxurious experience in new dimensions.

Product highlights in 2017 will include AXOR Uno and Metropol.