FEATURE: Chelsom’s bespoke approach to lighting

730 565 Hamish Kilburn
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FEATURE: Chelsom’s bespoke approach to lighting

Launching new lighting collections every two years is a challenge, but it also allows Chelsom to explore the industry’s trends and needs in order to create products that are relevant for the design community’s variety of projects. The company’s Will Chelsom explains… 

Within our business the design ethos leads and we are constantly buzzing with new ideas and new design directions.

I hope that our ranges have a cohesive feel and have the Chelsom handwriting on them no matter which space they are designed for, which country they go to or for whatever price level. It’s a wide design brief given that we supply the marine industry as well as the hospitality sector and we export to 70 countries around the world winning hotel projects from three-star to six-star.

Image credit: Chelsom

Along with all our standard product, a huge amount of sales come from the design and manufacture of bespoke lighting products. We are fortunate to have close working relationships with many of the world’s leading interior design practices and for most of them, product design is a part of their skill set. They constantly want to push the boundaries and are always looking for unique lighting to enhance their latest stunning scheme. We massively respect the breadth of their design skills meaning that whereas we as a company focus purely on lighting, they must work with every aspect of interior furnishings and decoration.

Image credit: Chelsom/The Alex

I believe that many interior designers come to Chelsom just because we are so focussed on our own field. We have worked in hospitality lighting for more than 70 years and so we understand not only the aesthetics of a product but its need for perfect and long-term functionality in what can often be a tough environment. The role of someone like us is to understand in the greatest depth the designer’s aesthetic product concept and its relationship with the space in which it sits. It’s also imperative to understand the balance between ambience and light output. The manufacturers’ role must be that of adding technical lighting expertise and manufacturing know how so that the three crucial aspects of design, function and cost come together perfectly.

Saying ‘no’ is not something that comes naturally to us. However, if we are the lighting manufacturer working collaboratively with a designer, we must sound the warning that a design concept will not meet the functional standards required or will be way outside budget constraints. For example we will say no if we know a light source in a confined space will overheat, a portable luminaire will tip over due to insufficient base weight, light output will be insufficient for the task required or compatibility with existing dimming systems is a problem.  Of course we will always find an alternative solution and that’s our duty in the whole scope of the project. On the budget side we have become experts in the value engineering process. There are so many manufacturing tweaks that can be made in order that little or no aesthetic difference can be seen but sometimes as much as 30 per cent can be saved in costings. This is absolutely NOT about reducing quality- it’s just about having the manufacturing skills to know-how the same look is achieved at less cost.

Whether it be hundreds of pieces of a black ceramic bulldog table lamp for guestrooms or a one off five-metre diameter chandelier that drops down three decks on a cruise ship, the skill set and infrastructure to deliver such custom product is paramount and hard earned through experience. Remember every custom piece of lighting is a prototype in that it’s never been manufactured before. It therefore needs all the experience of design drawings, technology skills, engineering capabilities, manufacturing prowess and finish detailing to bring that unique piece to a successful conclusion. Of course that means as a company we are tested and challenged daily but it also brings great pride when a piece of lighting that has never been seen before achieves the intended wow factor and does its job for years to come.

Chelsom is one of our recommended suppliers. To keep up to date with their news, click here. And, if you are interested in becoming one of our recommended suppliers, please email Katy Phillips by clicking here.

Main image credit: Chelsom

Hamish Kilburn / 24.03.2020

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Fun fact: I’m usually the person friends rely on to organise trips, schedules, and group plans.

Workhighlights: Successfully coordinating events from planning through to delivery and seeing everything come together on the day.

Fun fact: I’m a keen cyclist and will happily bore people with copious amounts of cycling chat. My top cycling experience (so far) would have to be riding in the spectacular mountains of Crete.

Work highlights: Charles joined Forum Events in 2022. With a background in publishing, editorial media and events, Charles brings a wealth of experience to his role as Senior Production Manager. Having being involved with SPACE from the outset, he is excited to see the brand grow and develop.

Fun fact: People tell Sienna she gives off Bridget Jones vibes, and she loves to bake, always making sure there are shortbreads floating around the office

Work highlights: Sienna joined Forum Events & Media Group while studying Communications and Media, starting in the sales team where she managed and helped launch the first the PA Life Leading Venues of London SHOWCASE, where she built relationships with luxury venues across the capital. Drawn to the stories behind these spaces, she naturally transitioned into the editorial team, creating social media and editorial content. Upon graduating in June 2026, she is excited to be joining as Assistant Editor for Hotel Designs and SPACE.

Fun fact: When not working, Jess can usually be found tending to her kitchen garden in the Sussex countryside or foraging for herbs in the nearby woods. A keen grower, she recently studied a RHS Level 2 Diploma in the Principles of Horticulture during her spare time.

Work highlights: Jess joined SPACE magazine in 2022 and has since progressed from Assistant Editor to Editor. During this time, she has worked across many aspects of the publication – from shaping editorial strategy and overseeing operations to contributing to art direction and representing the brand on stage at industry events including Surface Design Show and WOW!house.

Alongside her role at SPACE, Jess has built a creative career spanning the arts, culture, design and travel sectors. Prior to joining the magazine, she spent more than a decade in the commercial art industry, in artist liaison, gallery management, and curating collections for the hospitality sector across hotels and cruise ships. During this time, she also worked on freelance projects as a writer, photographer, and creative content producer.
 
Jess studied photojournalism at London College of Communication and the Danish School of Media and Journalism and holds a first-class BA (Hons) in Culture, Criticism and Curation from Central Saint Martins.

Fun fact: Katy has spent years perfecting all kinds of accents and loves a good impersonation!

Work highlights: Katy has been with Hotel Designs since the beginning, way back in 2015 when Forum Events & Media Group acquired the brand.

During this time, she has fostered many meaningful relationships with clients from across the hospitality spectrum, as well as playing a pivotal role in the launch of The Brit List Awards, Hotel Designs MEET UPs, client-led roundtables and panel talks, brand and website redesigns, HD Wellness Sets, DESIGN POD podcast, Hotel Designs LIVE panel talk series, Accessible Design Talks and more. Katy is always on the lookout for the next opportunity to help grow the Hotel Designs brand even further.
 
Most recently Katy has stepped in to the role of Publisher at SPACE magazine, the printed bi-monthly publication focused on hotel design, architecture, and development.

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