The Difficult Contract Supply Criteria (Part 1).

150 150 Daniel Fountain
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Hotels are special places with special demands on designers, contractors and manufacturers serving the refurbishment and new build markets. Subject to much abuse by guests, hotels have to withstand a level of use rarely seen in domestic environments, and with potentially ruinous consequences for designers, suppliers and the hotel itself if mistakes are made.

Hotels rely on letting their rooms. Seems obvious to state this but it must be ever present in designers minds, and in the thinking of contractors and contract suppliers too. For the designer it brings an understanding of the need to programme the work so that a completion date is met. This would involve not only the actual build time but knowing the delivery periods for all the FF&E items, and what order they need to be installed in the rooms, who installs them etc..
In setting a date for handover to the hotel the designer has to be conscious that as soon as an hotel manager is given a date for handover they will be letting rooms. Rooms are often let months in advance so mangers will be looking for handover dates from the beginning of projects on refurbishment. This demands that the designer coordinates work from tender stage on, in close harmony with their contractor, to ensure that named dates are achieved, as if not the penalty may be that the hotel has to be compensated for its loss of profit.

Nothing angers hotel management more than having guest booked in and the rooms not available. Not only does it create relationship problems with guests, but the hotel may have to find rooms for them with a competitor hotel with the attendant risk that the guest transfers their loyalty to the other hotel. As designer relationships with hotels have the potential for being long term ( my own practice had continuing working relationships with some hoteliers for over 30 years) then it is wise for the designer to anticipate and remove problems before the hotel becomes aware they exist. Make no mistake, investors may make decisions and choose a design practice, but if a designer offends the GM the working relationship with the hotel WILL break down.

In creating a work programme the designer needs honest responses and a good straight forward relationship with the producers of the FF&E items and the contractor. No-one can live with exaggerated promises on delivery dates or site performance if they cannot be realised. Whilst the size of orders and potential for repeat orders may be attractive for a manufacturer, no designers will go back to a company that lets them down in this market – their professional reputations are too valuable, and the penalties for non-delivery too high.

So Rule 1: Never promise what you can’t deliver, always deliver on what you promise.

Daniel Fountain / 19.02.2014

Editor, Hotel Designs

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Fun fact: I’m usually the person friends rely on to organise trips, schedules, and group plans.

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Fun fact: People tell Sienna she gives off Bridget Jones vibes, and she loves to bake, always making sure there are shortbreads floating around the office

Work highlights: Sienna joined Forum Events & Media Group while studying Communications and Media, starting in the sales team where she managed and helped launch the first the PA Life Leading Venues of London SHOWCASE, where she built relationships with luxury venues across the capital. Drawn to the stories behind these spaces, she naturally transitioned into the editorial team, creating social media and editorial content. Upon graduating in June 2026, she is excited to be joining as Assistant Editor for Hotel Designs and SPACE.

Fun fact: When not working, Jess can usually be found tending to her kitchen garden in the Sussex countryside or foraging for herbs in the nearby woods. A keen grower, she recently studied a RHS Level 2 Diploma in the Principles of Horticulture during her spare time.

Work highlights: Jess joined SPACE magazine in 2022 and has since progressed from Assistant Editor to Editor. During this time, she has worked across many aspects of the publication – from shaping editorial strategy and overseeing operations to contributing to art direction and representing the brand on stage at industry events including Surface Design Show and WOW!house.

Alongside her role at SPACE, Jess has built a creative career spanning the arts, culture, design and travel sectors. Prior to joining the magazine, she spent more than a decade in the commercial art industry, in artist liaison, gallery management, and curating collections for the hospitality sector across hotels and cruise ships. During this time, she also worked on freelance projects as a writer, photographer, and creative content producer.
 
Jess studied photojournalism at London College of Communication and the Danish School of Media and Journalism and holds a first-class BA (Hons) in Culture, Criticism and Curation from Central Saint Martins.

Fun fact: Katy has spent years perfecting all kinds of accents and loves a good impersonation!

Work highlights: Katy has been with Hotel Designs since the beginning, way back in 2015 when Forum Events & Media Group acquired the brand.

During this time, she has fostered many meaningful relationships with clients from across the hospitality spectrum, as well as playing a pivotal role in the launch of The Brit List Awards, Hotel Designs MEET UPs, client-led roundtables and panel talks, brand and website redesigns, HD Wellness Sets, DESIGN POD podcast, Hotel Designs LIVE panel talk series, Accessible Design Talks and more. Katy is always on the lookout for the next opportunity to help grow the Hotel Designs brand even further.
 
Most recently Katy has stepped in to the role of Publisher at SPACE magazine, the printed bi-monthly publication focused on hotel design, architecture, and development.

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