Shangri-La, Dubai UAE (Patrick Goff)

Shangri-La, Dubai
1000 666 Daniel Fountain
  • 0

In February 2005 I reported that Shangri-La had signed a lease on the space in then planned Shard, and had already started design work in their Singapore design office. The Shard represented an opportunity for the operator to develop the interiors of the hotel without the constraints had it gone down the route of looking for a conversion of a building or existing hotel to meet Shangri-La standards. The large deluxe guestrooms would be each 42m² and bring a European interpretation of Shangri-La’s Asian style to the city, according to executives.

The building was already being described by Giovanni Angelini, Shangri-La’s then Managing Director, as “iconic”, and provides a dramatic 2nd entry for Shangri-La hotels into the European market, after their recently opened Paris property. The Paris property, I was informed by a Shangri-La executive, had already shaken the Parisian hotel market with its standards , and the expectation was that London’s newest entrant would have a similar impact.

Given that for over 7 years London hotel groups have known that Shangri-La was coming, the expectation was surely that they would start positioning themselves to compete with the fast-growing Asian group. Shangri-La room sizes are regularly matched in European cities only by Rocco Forte Hotels at 42m², and many of London’s latest hotels have used the excuse of high property prices to foist onto the luxury market rooms of 27 or 28m². Is space a luxury? If so if there is no space is your room truly describable as a 5-star room?

Shangri-La, Dubai

If it were only room size that counted than London hotels could rest easy, but it is the quality of design, the quality of fit-out and above all the superb quality of service that will set nerves on edge of existing London operators. Many European hotel operators are about to experience the same impact on their operations that the superior design and service levels of Singapore Airlines or Emirates have had on the operation of European airlines (and the growth of Emirates in particular has been little short of remarkable with Dubai already commissioning a second airport hub to cope whilst London dithers).

Shangri-La are the first of a wave of Asian hoteliers that are moving into the mature Western markets. At the budget end we have seen Malaysian chain Tune moving into compete with Premier Inn, and recent announcements show that much as Intercontinental is developing fast in the Chinese market, so Asian operators are invading its home ground with their own 5 star operations, with more new luxury hotels now under development in 9 Elms, Battersea and in Park Lane.

The hotel in Dubai is one of several in the UAE (staff kept telling me I should go to Shangri-La Abu Dhabi which was “much nicer”) but as an hotel in the Financial Zone of Dubai and with a primarily business audience it seemed appropriate to take a good look at this, one of the first Shangri-La’s outside their home ground. The Shangri-La Dubai is now ten years old and due a major refurbishment in 2014/5, I was told. The design may be slightly dated,but this is only stylistically apparent especially as marble bathrooms with white ceramic and chrome metals never seem to date.

Shangri-La, Dubai

Obviously soft refurbs have taken place over the intervening years but the strength of the original design shows through, and the cosmetic doesn’t impact on the basics such as the size of the rooms (average of 44m²) and the services provided, both physical and human.The original designers also had the sense to use plenty of timber finishes in the design and they have worn well and been well maintained. It is often overlooked how good housekeeping can extend the life of an interior and so contribute to the hotel bottom line.

Olga Polizzi of Forte fame used to tell me she despaired of people in hospitality who never smiled at the guest. “If they don’t like people why be in hospitality” she would say. Shangri-La must use Ken Dodds tickling stick in training as the staff are all smiles in dealing with guests, and at ease talking to them. Their confidence comes not only from training but from a design and build that supports them. This is an hotel on a scale where space enables a relaxed level of service and interaction with the building and guests. Cramped spaces can psychologically raise tensions within guests, working against true relaxation. Space to swing your cat is an essential to any sensible definition of luxury.

Not only is there space within individual bedrooms but also within areas such as the business lounge, the pools (yes pools plural), spa, meeting areas and through to the choice of four food and bar operations. The attitude to serving alcohol in Dubai is an interesting contrast to the experience Hilton inherited at Cape Town’s Hilton. There may be strict laws enforced about drinking alcohol in public (how could anyone prefer it to the delicious camel-milk milkshakes?) but the attitude in the hotel did not appear to be any different to anywhere in Europe.

Shangri-La, Dubai
Maybe this relaxed attitude in this Muslim state reflects the fact that the population of Dubai is apparently nearly 80% ex-pat, and that the operator is an Asian company with their own cultural approach to hospitality. I’m told that only about 5% of the population of Dubai are Emirati.

Quite possibly the overwhelming international architectural styling of Dubai and the nature of business as the major trading post in the Middle East influences this multi-cultural identity – it certainly shows little inheritance of Arab architectural cultural traditions. The operator also offers interesting combinations of international cuisine with restaurants offering Chinese, Vietnamese, Moroccan and an ‘international’ buffet operation. Space for these is created in the mezzanine areas of the reception floors.

Shangri-La, Dubai

Catering training here seems to be well thought out with the ethnic chefs training in the homelands of the cuisine offered. Unless it be an operation like Youngs or Shire Hotels I can’t think of a chain that operates an Anglo-centric design and food operation equivalent. Again like the Shard, the building occupied by Shangri-La Dubai is a multi occupancy building. The hotel has the first 4 floors for its public areas, floors 5 to 8 being offices. There are 62 residential apartments, and 126 serviced apartments (serviced by the hotel) before floor 29 sees the start of the hotel’s 302 bedrooms, which include 1, 2 and 3 bedroom apartments. The upper floors are the the business floors (the Horizon rooms and club) with above them the pool, gym and presidential suite of over 430 square metres.

Good staff training, plentiful staff (and with mostly ex-pats, not cheaply staffed I would think, either)combine with a building selected to fit with Shangri-La’s operational philosophy. The parallels with the intentions stated in press releases for the Shard operation bode well for success in London.

Shangri-La, Dubai

The interior design of the hotel has lasted well, and was quality to start with. London has had an influx of new hotels at this level (the latest Intercontinental Westminster, the ME in the Aldwych for example, but none would seem to match the gerosity of size, nor the guest facilities provided by the Shangri-La. This is old style 5 star luxury – and this is the end of the hospitality market where profit growth is most marked and which has weathered recent economic stroms most effectively.
Space, the last frontier…

From a stay in May 2013. © Words and Pictures Patrick Goff 2013

Daniel Fountain / 05.06.2013

Editor, Hotel Designs

Share

  • 0

Fun fact: I’m usually the person friends rely on to organise trips, schedules, and group plans.

Workhighlights: Successfully coordinating events from planning through to delivery and seeing everything come together on the day.

Fun fact: I’m a keen cyclist and will happily bore people with copious amounts of cycling chat. My top cycling experience (so far) would have to be riding in the spectacular mountains of Crete.

Work highlights: Charles joined Forum Events in 2022. With a background in publishing, editorial media and events, Charles brings a wealth of experience to his role as Senior Production Manager. Having being involved with SPACE from the outset, he is excited to see the brand grow and develop.

Fun fact: People tell Sienna she gives off Bridget Jones vibes, and she loves to bake, always making sure there are shortbreads floating around the office

Work highlights: Sienna joined Forum Events & Media Group while studying Communications and Media, starting in the sales team where she managed and helped launch the first the PA Life Leading Venues of London SHOWCASE, where she built relationships with luxury venues across the capital. Drawn to the stories behind these spaces, she naturally transitioned into the editorial team, creating social media and editorial content. Upon graduating in June 2026, she is excited to be joining as Assistant Editor for Hotel Designs and SPACE.

Fun fact: When not working, Jess can usually be found tending to her kitchen garden in the Sussex countryside or foraging for herbs in the nearby woods. A keen grower, she recently studied a RHS Level 2 Diploma in the Principles of Horticulture during her spare time.

Work highlights: Jess joined SPACE magazine in 2022 and has since progressed from Assistant Editor to Editor. During this time, she has worked across many aspects of the publication – from shaping editorial strategy and overseeing operations to contributing to art direction and representing the brand on stage at industry events including Surface Design Show and WOW!house.

Alongside her role at SPACE, Jess has built a creative career spanning the arts, culture, design and travel sectors. Prior to joining the magazine, she spent more than a decade in the commercial art industry, in artist liaison, gallery management, and curating collections for the hospitality sector across hotels and cruise ships. During this time, she also worked on freelance projects as a writer, photographer, and creative content producer.
 
Jess studied photojournalism at London College of Communication and the Danish School of Media and Journalism and holds a first-class BA (Hons) in Culture, Criticism and Curation from Central Saint Martins.

Fun fact: Katy has spent years perfecting all kinds of accents and loves a good impersonation!

Work highlights: Katy has been with Hotel Designs since the beginning, way back in 2015 when Forum Events & Media Group acquired the brand.

During this time, she has fostered many meaningful relationships with clients from across the hospitality spectrum, as well as playing a pivotal role in the launch of The Brit List Awards, Hotel Designs MEET UPs, client-led roundtables and panel talks, brand and website redesigns, HD Wellness Sets, DESIGN POD podcast, Hotel Designs LIVE panel talk series, Accessible Design Talks and more. Katy is always on the lookout for the next opportunity to help grow the Hotel Designs brand even further.
 
Most recently Katy has stepped in to the role of Publisher at SPACE magazine, the printed bi-monthly publication focused on hotel design, architecture, and development.

Together these platforms offer a comprehensive 360-degree service encompassing digital media, print publishing, and live events – providing unparalleled value to advertisers, partners, and readers alike.