Intellectual Property – Government Responds To Hargreaves Review

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Are designers supported? Not if it means UK unregistered design rights protection is reduced from 10 to 3 years!

The Government today announced plans to support economic growth by modernising UK intellectual property laws. Accepting the recommendations made in the independent Hargreaves Review which estimate a potential benefit to the UK economy of up to £7.9 billion, Chancellor George Osborne said, “Our future depends on exploiting knowledge and ideas to their full potential and the Government is committed to build upon this country’s great strength in intellectual property, ultimately, success will come down to the creativity of UK people and innovation by businesses, not Government action”. This is true. Anti Copying in Design (ACID) welcomes the Government’s commitment, “To try to create the best conditions to encourage innovation and growth”. However, according to ACID’s CEO Dids Macdonald, “On the one hand Government is saying how important design is to the UK economy (£23 billion invested in 2009) and on the other hand design support could be diluted. I am extremely concerned that the Government wants further research on whether to eliminate national unregistered design rights and bring UK unregistered rights in line with EU. This would mean for 99% of the UK’s 232,000 designers who do not register their rights (only 2111 designs were registered last year), they would have their protection cut from 10 to 3 years. This doesn’t seem to make fair sense when comparisons are made with a songwriter or artist who will get copyright protection for their lifetime plus 70 years after their death. European designers also benefit from unfair competition law which kicks in and runs alongside the rights so once the 3 year period is over, there is still something that can be done. In the UK designers can only rely on passing off which is difficult to pursue and costly, particularly for small businesses.

ACID is encouraged to hear that a fast track IP small claims Court may become a reality, subject to impact assessment, and will seek every opportunity to engage with the UKIPO and Ministers to ensure that this happens. This will go a long way in providing easier access for small IP claims and we hope this will provide a much needed deterrent to those who prey on small businesses. Key to its success would be the right IP training for District Judges.

ACID also welcomes the publication of an updated IP Crime Strategy and hopes that the promised action plan to deal with the increased threat from IP crime online will become a reality. This will enable the UK to robustly and proactively protect its IP interests internationally. Micro firms and SMEs need and should demand a sound IP framework where infringement can be satisfactorily and effectively enforced. Confidence will be lost if the constant threat of infringement means that IP creators cannot be sure of ROI. If innovators are disincentivised this will result in less consumer choice, fewer jobs, and less economic opportunity in the future.

ACID actively supports any moves to improve and enable licensing opportunities, which could be facilitated by the creation of a Digital Copyright Exchange. Before this happens, however, we believe that there is a necessity to clarify competition issues – with full industry consultation – before a framework for discussions is set in place. Adequate security standards must also be put in place to ensure accuracy, so that a DCE would not become a vehicle for misuse by those who may be able to register the rights of others. ACID will be pleased to support the IPO in developing these plans and the viability of designs inclusion in a DCE.

Despite the fact that Government has finally recognized design’s importance to the UK economy, ACID is disappointed to note that there is still no recommendation to have parity of IP rights. ACID has presented an arguable case to bring unregistered design right in line with copyright. Current UKIPO policy is that most design infringement may be inadvertent but, to date, have provided little or no evidence to support this view. ACID’s own research indicates the opposite: 89.7% of companies believe design infringement is blatant and deliberate.

Whilst we are frustrated with the continuing obsession with “further research” rather than real action, ACID will continue to enter into positive debate with the UKIPO to present further arguments supporting their objective for parity of unregistered rights.

Daniel Fountain / 06.08.2011

Editor, Hotel Designs

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Fun fact: I’m usually the person friends rely on to organise trips, schedules, and group plans.

Workhighlights: Successfully coordinating events from planning through to delivery and seeing everything come together on the day.

Fun fact: I’m a keen cyclist and will happily bore people with copious amounts of cycling chat. My top cycling experience (so far) would have to be riding in the spectacular mountains of Crete.

Work highlights: Charles joined Forum Events in 2022. With a background in publishing, editorial media and events, Charles brings a wealth of experience to his role as Senior Production Manager. Having being involved with SPACE from the outset, he is excited to see the brand grow and develop.

Fun fact: People tell Sienna she gives off Bridget Jones vibes, and she loves to bake, always making sure there are shortbreads floating around the office

Work highlights: Sienna joined Forum Events & Media Group while studying Communications and Media, starting in the sales team where she managed and helped launch the first the PA Life Leading Venues of London SHOWCASE, where she built relationships with luxury venues across the capital. Drawn to the stories behind these spaces, she naturally transitioned into the editorial team, creating social media and editorial content. Upon graduating in June 2026, she is excited to be joining as Assistant Editor for Hotel Designs and SPACE.

Fun fact: When not working, Jess can usually be found tending to her kitchen garden in the Sussex countryside or foraging for herbs in the nearby woods. A keen grower, she recently studied a RHS Level 2 Diploma in the Principles of Horticulture during her spare time.

Work highlights: Jess joined SPACE magazine in 2022 and has since progressed from Assistant Editor to Editor. During this time, she has worked across many aspects of the publication – from shaping editorial strategy and overseeing operations to contributing to art direction and representing the brand on stage at industry events including Surface Design Show and WOW!house.

Alongside her role at SPACE, Jess has built a creative career spanning the arts, culture, design and travel sectors. Prior to joining the magazine, she spent more than a decade in the commercial art industry, in artist liaison, gallery management, and curating collections for the hospitality sector across hotels and cruise ships. During this time, she also worked on freelance projects as a writer, photographer, and creative content producer.
 
Jess studied photojournalism at London College of Communication and the Danish School of Media and Journalism and holds a first-class BA (Hons) in Culture, Criticism and Curation from Central Saint Martins.

Fun fact: Katy has spent years perfecting all kinds of accents and loves a good impersonation!

Work highlights: Katy has been with Hotel Designs since the beginning, way back in 2015 when Forum Events & Media Group acquired the brand.

During this time, she has fostered many meaningful relationships with clients from across the hospitality spectrum, as well as playing a pivotal role in the launch of The Brit List Awards, Hotel Designs MEET UPs, client-led roundtables and panel talks, brand and website redesigns, HD Wellness Sets, DESIGN POD podcast, Hotel Designs LIVE panel talk series, Accessible Design Talks and more. Katy is always on the lookout for the next opportunity to help grow the Hotel Designs brand even further.
 
Most recently Katy has stepped in to the role of Publisher at SPACE magazine, the printed bi-monthly publication focused on hotel design, architecture, and development.

Together these platforms offer a comprehensive 360-degree service encompassing digital media, print publishing, and live events – providing unparalleled value to advertisers, partners, and readers alike.