BDI challenges university innovation funding and effectiveness

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Is the funding of universities to deliver design, innovation and prototyping to industry a good investment of public money?

British Design Innovation (BDI) unequivocally supports the government’s promotion of innovation and manufacturing. We believe it is an effective means of driving economic growth – after all, it’s what we ourselves were set up to do. And therein lies the rub.Over the past few years the government has invested many millions of pounds of public money in initiatives that fund some universities to offer subsidised or free design and innovation services, particularly to small and medium-sized businesses – and setting them up in unfair competition with our members.

BDI represents Industrial Design companies and individuals involved in commercial product, service and interaction development. Throughout the UK, BDI members help entrepreneurs, businesses, universities and public sector organisations to develop ideas. We create intellectual property and new technology in the design of innovative products and services.

Is funding a duplication of what Industrial Designers already do worthwhile?

We think not. With so many talented Industrial Design businesses already in existence (thanks to their massive investments in training and technology), it is surely unfair and anti-competitive to publicly fund new entrants. In most cases we find no evidence that funders properly consider the displacement impact of their interventions on the private sector or the local skills base. Most BDI member companies work without subsidy, and many are based in the most economically disadvantaged areas of the country. In these areas – and particularly in the Midlands and North of England – they report that the ability to grow has been stifled.

Do the organisations that engage in Higher Education Institution (HEI)-delivered schemes receive best practice support?

Not necessarily. BDI members report that these same institutions, although publicly funded to provide design services to SMEs, request academic staff internships – ironically to learn about the very professional design practice they are subsidised to offer. This lack of commercial experience reveals why so few university-based design and innovation centres survive once public funding runs out. If they were providing real value, surely the millions invested would give a competitive advantage (albeit an unfair one) in the open commercial market?

Has the government’s focus on funding HEIs become confused with support for business?

We think so. Many of our members believe that the relationship between some academic institutions and the bodies charged with supporting business has become too close. Furthermore, the failure of some HEIs to consider, or care about, the impact of their activities on design businesses has driven a wedge between parties that previously collaborated well. Endemic in all of this, the BDI board has observed, is the fact that public investment for innovation is provided by a bewildering array of sources.

Britain cannot afford to reinvent something it already has – there is, quite simply, no need to. There is not, and never has been, a need to publicly fund the setting-up or delivery of design, prototyping and innovation services in HEIs and other publicly-funded bodies.

What is BDI’s role in all this?

In all regions of the UK, talented people in small businesses have a track record of working with industry to develop new products and services, using the latest technology and employing best practice in innovation.

BDI members are well-connected and informed about innovation policy, and are actively engaged in advisory and implementation roles for publicly-funded design and innovation interventions. BDI has also taken positive steps toward creating better industry/academic relationships, by forming the University Design Industry Partnership (UDIP) to enhance collaboration between HEIs and the commercial design sector.

So what do we need to do now?

Surely we could all benefit from a more joined-up approach? Too much funding from too many sources cannot be the most effective way of engaging the most competent providers.

● BDI calls on the government and its agencies to support universities by concentrating on education – their core competence – to advance the teaching of design, thereby improving the career prospects of their graduates and enriching the economy.

● BDI calls on the HEIs to join BDI’s efforts to develop more productive collaboration between Industrial Design professionals and education by becoming involved with UDIP.

● BDI calls on industrial designers to become more involved, and be represented by BDI – the only national membership body focused on promoting and representing the Industrial Design profession.

Daniel Fountain / 09.04.2012

Editor, Hotel Designs

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Fun fact: I’m usually the person friends rely on to organise trips, schedules, and group plans.

Workhighlights: Successfully coordinating events from planning through to delivery and seeing everything come together on the day.

Fun fact: I’m a keen cyclist and will happily bore people with copious amounts of cycling chat. My top cycling experience (so far) would have to be riding in the spectacular mountains of Crete.

Work highlights: Charles joined Forum Events in 2022. With a background in publishing, editorial media and events, Charles brings a wealth of experience to his role as Senior Production Manager. Having being involved with SPACE from the outset, he is excited to see the brand grow and develop.

Fun fact: People tell Sienna she gives off Bridget Jones vibes, and she loves to bake, always making sure there are shortbreads floating around the office

Work highlights: Sienna joined Forum Events & Media Group while studying Communications and Media, starting in the sales team where she managed and helped launch the first the PA Life Leading Venues of London SHOWCASE, where she built relationships with luxury venues across the capital. Drawn to the stories behind these spaces, she naturally transitioned into the editorial team, creating social media and editorial content. Upon graduating in June 2026, she is excited to be joining as Assistant Editor for Hotel Designs and SPACE.

Fun fact: When not working, Jess can usually be found tending to her kitchen garden in the Sussex countryside or foraging for herbs in the nearby woods. A keen grower, she recently studied a RHS Level 2 Diploma in the Principles of Horticulture during her spare time.

Work highlights: Jess joined SPACE magazine in 2022 and has since progressed from Assistant Editor to Editor. During this time, she has worked across many aspects of the publication – from shaping editorial strategy and overseeing operations to contributing to art direction and representing the brand on stage at industry events including Surface Design Show and WOW!house.

Alongside her role at SPACE, Jess has built a creative career spanning the arts, culture, design and travel sectors. Prior to joining the magazine, she spent more than a decade in the commercial art industry, in artist liaison, gallery management, and curating collections for the hospitality sector across hotels and cruise ships. During this time, she also worked on freelance projects as a writer, photographer, and creative content producer.
 
Jess studied photojournalism at London College of Communication and the Danish School of Media and Journalism and holds a first-class BA (Hons) in Culture, Criticism and Curation from Central Saint Martins.

Fun fact: Katy has spent years perfecting all kinds of accents and loves a good impersonation!

Work highlights: Katy has been with Hotel Designs since the beginning, way back in 2015 when Forum Events & Media Group acquired the brand.

During this time, she has fostered many meaningful relationships with clients from across the hospitality spectrum, as well as playing a pivotal role in the launch of The Brit List Awards, Hotel Designs MEET UPs, client-led roundtables and panel talks, brand and website redesigns, HD Wellness Sets, DESIGN POD podcast, Hotel Designs LIVE panel talk series, Accessible Design Talks and more. Katy is always on the lookout for the next opportunity to help grow the Hotel Designs brand even further.
 
Most recently Katy has stepped in to the role of Publisher at SPACE magazine, the printed bi-monthly publication focused on hotel design, architecture, and development.

Together these platforms offer a comprehensive 360-degree service encompassing digital media, print publishing, and live events – providing unparalleled value to advertisers, partners, and readers alike.