With the belief that great creativity is both enduring and yet perennially fresh, the SS19 collection sees Timothy Oulton bring its authentic handcraftsmanship approach to a gamut of new visceral and richly sensorial materials, which include seleneite crystals, printed velvets, sheepskin, deep handfinished leather and reclaimed Edwardian parquetry. “I like good design, whether traditional or modern,” Oulten said in press material around the collection. using original time-honoured techniques, the studio prides itself on using only the best traditional methods in its products.
The newly unveiled collection includes an update on Timothy Oulton’s innovative lighting range. Continuing last season’s foray into natural minerals and rocks is the Selenite collection of pendants and sconces. For the large Selenite pendant, more than 560 individual crystals are affixed by hand to create a dramatic stalactite-type effect.
“We look for the most authentic, sensory materials and then think how best we can use it.” – Timothy Oulton
Meanwhile, the Inception mirrors – now available in three separate sizes – give a nod to the ’70s. Inspired by the era’s infinity mirrors, each Inception piece lights up to reveal a seemingly endless line of reflections, appearing smaller and smaller as they fade into the distance. When turned off, it becomes an elegant, everyday mirror.
Image credit/caption: Timothy Oulton’s Speakeasy Monaco Bar & City
“It always starts with the materials first, we look for the most authentic, sensory materials and then think how best we can use it,” said Oulton when commenting on the inspiration behind the new designs. “Great interiors have the power to change how you feel, so whether it’s down time or entertaining, it’s about engaging the senses and feeling alive. That’s an energy that we try to embody in all our products, and it was very much the driving force behind our 2019 Collection.”
Among the stand out pieces is the eye-catching Studio Sofa, an addition to the Metro collection, which can now be finished in Acid Jungle velvet fabric, which is, as Oulton describes: “an expression of modern-urban cool”. The new fabric, which depicts a jungle scene against a night-time backdrop, is deliberately not pattern-matched, meaning that no single item within the collection is the same.
Also new to Metro, is the smart and sophisticated City armchair, a leather swivel chair that can transform any room into a multifunctional space. And the rugged yet elegant new Milano chair, with its minimalist oak frame and luxuriously thick leather, is the perfect way to inject style into an urban apartment. The Milano takes its cue from the Italian design movement of Rationalism and in particular the work of Gruppo 7, a group of architects who wanted to reform Italy’s architecture in the 1920s to strike a balance between classicism and industrially-inspired design. The Milano chair embodies the movement’s simplistic yet well engineered furniture with its clean lines and modern, comfortable sit.
Building on the ruggedly refined palette of the Loft range, Timothy Oulton introduces for the first time the Buck’dN Brok’n leather onto the Westminster Button sofa, its classic Chesterfield model. Previously featured on the iconic Saddle Chair, Buck’dN Brok’n is characterised by its deep scores and scratches that evoke an aged and storied life. The idea of a life well lived is also embodied by the new Edwardian collection, featuring tables and mirrors fashioned from reclaimed parquetry oak and mahogany that originally formed the floors of Edwardian dance halls in the UK.
A warm, weathered oak frame and luxuriously thick leather bring a relaxed and welcoming feel to its minimalist silhouette. Milano is perfectly suited to
contemporary interiors and evenings by the fire, just make sure the whisky’s ready nearby.
Extending the range of Timothy Oulton’s offering, the collection changes gears with the wildly luxurious long-haired Yeti Sheepskin, newly available in black and brown. Yeti is showcased on the rustic new Cabin bench, inspired by the cosy feel of traditional forest cabins, and the Trio chair, a creative reinvention of a traditional slipper chair with generous proportions.
Image credit/caption: Timothy Oulton’s Loft Vignette3 Cabana Yeti
While the new collection’s dynamic accessories arguably takes centre stage, the company is also dedicated to produce sustainable items with its Noble Souls collection, which launched last year. Including three sofas within the collection, all of which have different profiles, the feather-filled sofas come in a variety of fabric finishes.
With more than 40 galleries around the world – from New York to Hong Kong to Sydney, and a flagship in Chelsea, London – Timothy Oulton continues its plan of opening new stores in great cities around the globe, with recent additions including Seoul and Abu Dhabi.
In addition to launching innovative products, the studio has also been responsible for the completion of hospitality projects such as 1880 members’ club in Singapore, The Blue Room at the Los Angeles Athletic Club, and Glazebrook House Hotel in Devon, England.
The latest collection from the brand is a refreshing insight into the mind of the visionary behind the brand. Oulton’s journey, which started in 1976 when he set up his first boutique antiques shop that was owned by his father, has led him to become one of the industry’s most creative individuals. Continuing tradition, each Timothy Oulton piece in the SS19 collection is inspired by the past, but reconceived from a modern perspective, producing yet another uniquely authentic collection that further pushes the boundaries of interior design.
Main image credit: Timothy Oulton’s Metro Collection Studio Sofa with Acid Jungle velvet fabric