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AB Concept

AB Concept unveils ‘futuristic luxury’ hotel

730 565 Hamish Kilburn
AB Concept unveils ‘futuristic luxury’ hotel

‘Futuristic Luxury’ defines the AB Concept-designed interiors at Laguna Baycourt Club Hotel & Spa Resort…

Ed Ng and Terence Ngan, Founders of international design studio AB Concept, have collaborated on Laguna Baycourt Club Hotel & Spa Resort in Gamagori, with Japanese designers Tanseisha Co., Ltd. and Yasui Architects & Engineers, Inc., to create the interiors of the ultra-luxury members hotel by Resorttrust, Inc. in the Kaiyo-cho area.

AB Concept’s designs extend from the public areas of the receptions, concierge and lobby, to the private domain of the guest rooms, whilst also incorporating the restaurant and members bar.

Speaking about the project, Ed Ng said: “Our interiors are inspired by Laguna Baycourt Club’s coastal location in Mikawa Bay, and the fluidity of the building’s architecture. Contrasting colour schemes and wave-like elements helped us to emulate the surrounding coastline and capture the geographical essence of the area in our designs.”

Entering through the diamond-shaped vestibule, guests are guided into the sculptural space of the lobby by forms reminiscent of waves. Curving acrylic curtains divide the space, their translucency creating private spaces without blocking the dramatic panoramic views. Antique metal panelling and monochrome stone tiles add to the flow of the edgeless space, whilst a handcrafted free-form table in front of the floor-to-ceiling windows is reminiscent of a sea-surge.

Luxe and bright interiors within the suite of the hotel

Image credit: AB Concept

Intricately carved gold screens define Maroce, the hotel’s main dining, designed by AB Concept. Creating dramatic silhouettes and curvaceous forms, the opulence of the shimmering space is palpable throughout the restaurant. Entering through a feather-etched glass door, guests will find a sophisticated blend of light and dark merging seamlessly with the serenity of the surrounding seascape.

In the guest rooms, Ed Ng and Terence Ngan have created different themes in order to create a sense of time passing throughout the day. ‘Sunrise’ defines the Bay Suites, where the soft curves combine with the room’s light openness to create a calm environment, whilst in the Luxury Suites, the theme of ‘Sunset’ is explored through AB Concept’s design combined with the orientation of the room. Neutral tones have been used to emulate the fading afternoon sun, whilst gentle arching forms drawn on the walls and carefully places mirrors induce a sense of infinite time and space.

Image credit: AB Concept

Lastly, deep colours, midnight tones and rich textures characterise the two Royal Suites located at each end of the buildings top floor. Conjuring up images of starry nights, the ‘Twilight’ theme of the suite is accentuated by the seamless transition from interior to exterior, as a balcony outside each suite offers members unparalleled views of the ocean and the night sky.

Laguna Baycourt Club Hotel & Spa Resort opened on 28th March 2019, and is an exclusive membership resort located in the area of Laguna, Gamagori City, Aichi Prefecture. It is the third of the Baycourt Club properties, and follows the Tokyo and Ashiya openings.

Guestroom concept at Four Seasons Kuala Lumper

Four Seasons Hotel Kuala Lumpur opens as urban hideaway

800 450 Hamish Kilburn

It was a collaborative effort to finish the highly anticipated Four Seasons Hotel Kuala Lumpur…

Located within a glittering new skyscraper, designed by NRY Architects, adjacent to the iconic Petronas Towers is the newly opened Four Seasons Hotel Kuala Lumpur. Rising 65 storeys above the bustling streets of the capital below, the new 209-key hotel boasts unparalleled hotel views, which was a major theme in the interior design concept that was taken on by a number of designers.

Exterior shot of the hotel

The 209 rooms (198 guestrooms and 11 suites), designed by Susan Issac (Wilson Associates), are complete with floor-to-ceiling windows that showcase dramatic 180-degree views of the city. The interiors are light, airy and have an open feel with soft hues marrying up with luxurious, warm-metal finishes.

Guestroom concept at Four Seasons Kuala Lumper

Image Caption: Guestroom concept at Four Seasons Kuala Lumpur

Ed Ng and Terence Ngan, the international design duo and co-founders of AB Concept curated three unique spaces within the hotel: Yun House, The Lounge and Bar Trigona.

The main dining area, Yun House, is a space where guests are greeted by a decadent courtyard-style reception and elaborate panelled screening. Symbolic of it’s colonial heritage, the mouldings of plumb blossoms, orchids, bamboo and chrysanthemum are the flowers known as the Four Gentlemen in Chinese art and resemble the yearly Four Seasons.

“We always aim to create storytelling designs which bring together the project’s location, history, and the brand itself,” explains Ng. “The very creation of the design concept is what makes this project unique. The biggest challenge, as with all AB Concept projects, is putting ourselves in the mindset of a fictional character at the location, in order to dream up details which truly connect with the values of the place and the local people.”

The Lounge at the Four Seasons, which directly overlooks Kuala Lumpur’s central park, is located on the sixth floor of the hotel and exudes an opulent yet welcoming feel of an antique collector’s home and naturally integrates with the urban scene beneath. The calming ambiance created through the use of rattan is further enhanced by an abundance of light surrounding the communal-style seating area and the greenery outside of the windows. “We researched traditional Malaysian homes and how they would be lived in, and experienced, in order to create a comforting yet refined space,” said Ng when describing the inspiration of The Lounge. “Our stem concept was a colonial residence inhabited by a collector of antiques, generating a sense of nostalgia and bygone romanticism in the design. It was important to veer away from the traditional dark woods and heavy fabrics usually found in antique-filled rooms, and instead create a space that reflected the panoramic views of Kuala Lumpur’s Central Park, so we used pastel fabrics, blond woods and ivory marble as well as soft greens and yellows, combined with lacquered baluster tables and wicker-back chairs.”

The Lounge at Four Seasons Kuala Lumper

Image caption: The Lounge at Four Seasons Kuala Lumpur

Elsewhere, hidden in plain sight, the urban yet sophisticated socialising space at Bar Trgona is adorned by calming shades of imperial blue and teal, and poses as a reserved escape from the surrounding vibrant restaurant. Incorporating leather, glass and bronze, materials traditionally used in Malaysian crafts, the bar space embraces the connection to the cityscape backdrop, whilst the use of shutters on surrounding columns draw on the connection between East and West

For the General Manager of the hotel Tom Roelens and his team of dedicated service specialists, it’s the end of one long journey of preparation, and the start of a new one as they welcome their first guests.  “As the hotel has come to life, we have looked forward to the day when it would be filled with people – international travellers in the city for business or leisure, local guests in our restaurants and spa, and the many residents who are becoming part of the extended Four Seasons family here in Kuala Lumpur.”

In addition to sophisticated and stylish guestrooms and F&B areas, the hotel shelters 1,821 square metres (19,016 square feet) of flexible, state-of-the-art event spaces comprising two exquisitely designed ballrooms and four meeting rooms.

Ed Ng portrait

Seven minutes with Ed Ng from design house AB Concept

1024 619 Hamish Kilburn

Hotel Designs caught up with co-founder of luxury design powerhouse AB Concept to discuss technology, trends and what’s next for AB Concept

Following on from last month’s focus on restaurants, we caught up with co-founder of luxury design powerhouse AB Concept, which has recently completed Mei Ume, an east-meets-west designed restaurant in Four Seasons Ten Trinity Square, London. Editor of Hotel Designs Hamish Kilburn spoke to Ed Ng to find out how technology in hotel and restaurant design is changing, as well as which common pitfalls to avoid when renovating heritage buildings…

Hamish Kilburn: Let’s start with your most recent project, which Hotel Designs covered last year. How does Mei Ume set new standards for design restaurants?

Ed Ng: I wouldn’t really say it sets a certain standard nor does it follow any specific set of rules that is something we tend to avoid for all of our designs. Rules are there to be broken anyway! We’d rather have a bespoke approach for each and every project we are taking on. I think Mei Ume is special in a very unique way as it’s a perfect match in concept, location and building. With the setting being the former Port of Authority Building in London – the crossroads where goods were traded between East and West – there was already a rich narrative in place that we further elaborated on with our design. We wanted to fuse the history and sense of place in a way that celebrated both cultures and as a tribute to the history, keeping the British fundamental and seasoning it with a sprinkle of charming oriental charisma. Through the Chinese glass screen with plum blossoms suspended in between the Corinthian columns, we seamlessly bridged the gap between these two very distinct cultures.

Four Seasons Ten Trinity Square, London

Image credit: Four Seasons Ten Trinity Square, London

HK: What would you say are the most prominent pitfalls when designing modern interiors in heritage buildings?

EN: Different challenges are to be faced when designing within a heritage building compared to a brand-new concrete shell, as there is already a long trace of history, familiarity and a story in place that is widely recognized. Therefore, such spaces need be treated very carefully and with a lot of respect. However, it’s a very thin line between trying to recreate the past – which easily could turn into an overly “themed” restaurant – and trying to cut too many ties and going for a very invasive approach. That would be missing the point for designing within a heritage building. I often try to play around with the existing elements and use the history as the foundation and then try to introduce contemporary touches to the design. Bringing a unique visual to the space, the design should seem as though it has always been there yet feel very contemporary at the same time.

HK: How have consumer demands changed over the last 10 years – and how has this effected how you design F&B areas in hotels?

EN: The last decade has marked the birth and incredible growth of smartphones, something that has become the platform of a social media phenomenon. The likes of Facebook and Instagram have become the “eyes to the world” and everything that is happening in the new and exciting in the lifestyle sphere is very much influencing where we dine, chill and stay. In the quest for likes, the Instagram moment has become a very important focal point for bars and restaurants, from a design perspective to come up with a visually stunning feature within the space that narrates the story and captures the attention of the guest.

 

HK: This month, we are talking about all things technology. Is technology for the user in hotels limited to guestrooms?

EN:Absolutely not. I think technology should really be able to weave into the total hospitality experience seamlessly and sometimes, without us even realizing it, we are exposed to technology throughout our whole stay and even prior to it. Starting with visiting the hotel website to making the booking, all the way to arrival, check-in, communal spaces, conference areas and banqueting facilities, dining, space, fitness, check-out and post-stay emails. Sometimes it’s ubiquitous and sometimes it’s subtly working it’s magic behind the scenes but technology is ever present. Having said that, one extremely important criterion is that technology is here to make our life easier, not complicate it for the sake of employing technology. Therefore, the best technology is the one that is hidden yet elevates our experience.

Four Seasons Ten Trinity Square, London

Image credit: Four Seasons Ten Trinity Square, London

HK: What would you say has been the most rewarding project to have completed?

EN: Every project has it’s own charm and is rewarding in a way, since Terence and I are constantly challenging ourselves to always create an extremely tailored design for each project. We always take a great amount of time to personally experience the project’s numerous aspects such as it’s locating city, culture, history, local materials, and of course, the expectations and requirements of the brand and functionality. We really absorb and condense all these references before we lay our hands on the drawing board. Throughout this process, we’re always able to learn a little more about what we can do and there is nothing more rewarding than seeing another unique piece of work being created. For example, we have just completed Paper Moon Giardino in Milan, the latest flagship restaurant of the brand that is housed within the 200 year old Palazzo Reina where we kept the original feature facade in honour of the history and architectural value, a project that could never be replicated anywhere no matter how much money one spends.

HK: What’s next for AB Concept?

EN: We are very excited to see our project at Four Seasons Kuala Lumpur come to fruition soon. We have been entrusted to design three F&B venues within the stunning property; The Lounge at Four Seasons, Bar Trigona, and Yun House, the latter which derives from the city’s rich cultural heritage, merging and bringing balance between colonial and Asian influences to create a level of luxury and sophistication synonymous with the Four Seasons brand. Meanwhile, we are also working on the W Hotel Xian, where we designed the entire hotel, a very eclectic project that will see The New York party boy come to play with the ancient terracotta warriors in Xian.

HK: If you were designing a hotel from scratch, where would it be in the world?

EN: Honestly, it could be anywhere… as long as it fits the following criteria
1. A supportive owner who understands and respects our design approach
2. There must be chemistry between us and the location (culturally or landscape-wise)

Modern hotel Rosewood

Image credit: Rosewood Sanya

HK: What are your opinions on trends, and are you noticing any dominant ones at the moment?

EN: The only trend we ever follow is: ‘Don’t Look for the Trend’. I can never stress enough how much we try to stay away from designing spaces by trends and how impossible it is to do so. We could be designing a hotel by following a certain trend but as hotels can have a 2 to 8 years time span before the doors finally open, by that time, it will probably have been replaced by 2 or 3 other trends. The design-by-trend would look dated even before the hotel is in operation. As a design studio, fortunate enough to be working with a variety of brands from Four Seasons to W Hotels, we have a deep understanding of their DNA, which is always firmly rooted, slightly adapting throughout the years but never ever follows trends. It keeps a brand consistent. For Rosewood we are now working on developing their new lifestyle brand called KHOS that is aimed at younger, vibrant and cosmopolitan travellers. All these brands are very distinct from each other, creating their own design language, uniqueness and elements that appeal to different guests.