Considerations and inspirations influencing lighting product design from Chelsom

150 150 Daniel Fountain
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Sitting in front of a white sheet of paper waiting for the inspiration to design a light fitting might sound as scary as the author sitting there with his ‘writer’s block’. But given the unique role of lighting in hospitality interiors, given the enduring wish that lighting should add wow factor, given the ever faster rate of change in lighting technology and given the huge global market in which we operate, it’s often the case that designs just come tumbling out.

Interior designers are being challenged more than ever before to create increasingly unique and memorable interior spaces for which lighting plays a fundamental part. This thirst for individuality is something which is equally important for us when it comes to refining our new collections. We are constantly looking to evolve new concept directions and as such, we do start with that clean white sheet of paper, albeit the paper may be framed by the restrictions of budget, function and dimension. That is the design challenge and that is the fun!

In the commercial world, just as the interior designer must rein in his or her purely personal aesthetic preferences in favour of the client’s overall design brief, so we must blend product style with total suitability for contract use, the latest energy saving technology, value engineering to hit the project’s budget and above all the features which a discerning guest notices, likes and wants to come back to. For us, the guest experience is always the focus point at the end of the product design process. We have no way of knowing whether the guest will like blue or green, big or small, contemporary or traditional, but we do know they want lighting which blends ambience with ease of use to suit the increasingly multi-functional nature of the guestroom.

Just like all the other products which go to make up a successful hotel interior, lighting products come with their own set of design considerations. Where is the lighting going? What has it got to do? How much (or how little) does it need to say? How important is light output? How can it be unique and on trend? Can it be built with the quality levels required? What is the budget? The list goes on so it is vitally important that as product designers we thoroughly understand the lighting needs of our complex market and are flexible enough to adapt our ideas accordingly.

Whereas technological advancements are undoubtedly one of the significant forces that create an imperative for new products, it’s important to get the blend right between embracing that new technology without at the same time allowing it to dominate the whole aesthetic design process. The LED revolution has forced us to completely rethink lighting design and LEDs satisfy the sustainability impetus and the increasing client pressure to provide efficient lighting solutions. However, simply using LED for LED’s sake has led several product designers to fall into the trap of incorporating the new light source too early before developments have brought it to the stage where it becomes inconspicuous, gives good light output with the right colour temperature and ultimately becomes a cost-effective solution. Today we can offer an LED light source option for almost every product we manufacture.

Perhaps the final piece of the jigsaw in successful lighting design for hotel interiors is knowing when to say ‘No’! We have always considered ourselves part of the whole team (interior designer, procurement, contractor, operator) which completes a successful lighting scheme in the hospitality market. Our part of that teamwork has to encompass being the expert in the product itself and to that end, if we are presented with a design concept which we think will simply not work for technical or functional reasons, we will always say ‘No’ to the idea. ‘No’ will be followed by our proposals with a solution or our suggestions as to how a better product should be created perhaps involving the latest lamp technology, switching options, dimming controls or simply increased stability and functionality.

Whereas lighting sometimes needs to be inconspicuous and barely noticed by a hotel guest, great lighting products can sometimes be the focal point for an entire interior design scheme. Designing those great products is all about the bigger picture and about pulling together all those different threads which have equal importance and which help create a lighting product with wow, function, style and cost and above all will appeal to the hotel guest for many years to come.

Daniel Fountain / 21.07.2015

Editor, Hotel Designs

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Fun fact: I’m usually the person friends rely on to organise trips, schedules, and group plans.

Workhighlights: Successfully coordinating events from planning through to delivery and seeing everything come together on the day.

Fun fact: I’m a keen cyclist and will happily bore people with copious amounts of cycling chat. My top cycling experience (so far) would have to be riding in the spectacular mountains of Crete.

Work highlights: Charles joined Forum Events in 2022. With a background in publishing, editorial media and events, Charles brings a wealth of experience to his role as Senior Production Manager. Having being involved with SPACE from the outset, he is excited to see the brand grow and develop.

Fun fact: People tell Sienna she gives off Bridget Jones vibes, and she loves to bake, always making sure there are shortbreads floating around the office

Work highlights: Sienna joined Forum Events & Media Group while studying Communications and Media, starting in the sales team where she managed and helped launch the first the PA Life Leading Venues of London SHOWCASE, where she built relationships with luxury venues across the capital. Drawn to the stories behind these spaces, she naturally transitioned into the editorial team, creating social media and editorial content. Upon graduating in June 2026, she is excited to be joining as Assistant Editor for Hotel Designs and SPACE.

Fun fact: When not working, Jess can usually be found tending to her kitchen garden in the Sussex countryside or foraging for herbs in the nearby woods. A keen grower, she recently studied a RHS Level 2 Diploma in the Principles of Horticulture during her spare time.

Work highlights: Jess joined SPACE magazine in 2022 and has since progressed from Assistant Editor to Editor. During this time, she has worked across many aspects of the publication – from shaping editorial strategy and overseeing operations to contributing to art direction and representing the brand on stage at industry events including Surface Design Show and WOW!house.

Alongside her role at SPACE, Jess has built a creative career spanning the arts, culture, design and travel sectors. Prior to joining the magazine, she spent more than a decade in the commercial art industry, in artist liaison, gallery management, and curating collections for the hospitality sector across hotels and cruise ships. During this time, she also worked on freelance projects as a writer, photographer, and creative content producer.
 
Jess studied photojournalism at London College of Communication and the Danish School of Media and Journalism and holds a first-class BA (Hons) in Culture, Criticism and Curation from Central Saint Martins.

Fun fact: Katy has spent years perfecting all kinds of accents and loves a good impersonation!

Work highlights: Katy has been with Hotel Designs since the beginning, way back in 2015 when Forum Events & Media Group acquired the brand.

During this time, she has fostered many meaningful relationships with clients from across the hospitality spectrum, as well as playing a pivotal role in the launch of The Brit List Awards, Hotel Designs MEET UPs, client-led roundtables and panel talks, brand and website redesigns, HD Wellness Sets, DESIGN POD podcast, Hotel Designs LIVE panel talk series, Accessible Design Talks and more. Katy is always on the lookout for the next opportunity to help grow the Hotel Designs brand even further.
 
Most recently Katy has stepped in to the role of Publisher at SPACE magazine, the printed bi-monthly publication focused on hotel design, architecture, and development.

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