Demise of British Manufacturing (4)

150 150 Daniel Fountain
  • 0

When I started this series at the end of October it was not intended to be in the News columns of HotelDesigns. The first written as an Editorial piece in one of our emails (if you want to receive these then sign up for the Directory and choose which emails you want). However the responses were strong. The third article came out at the beginning of December and again prompted responses, but I have held back from this 4th article until the holiday period was over, as I didn’t want the thread lost in the decorations.

The Editorial was simply an attempt to place in context for designers the reasons behind creating the Company Profiles for them, to increase their understanding of the importance of the processes they are designing for when they seek to produce bespoke units. I said in that first article:

“In many ways the skills of designers such as Katerina Zacharides at Morgan Furniture, artisans such as Frank Triggs at Woodforms who carved the magnificent dragons at the Celtic Manor, or Adam Aaronson at Aaronson Noon are the true inheritors of the William Morris arts and crafts movement. Their involvement in the process from inception to completion is part of a great English tradition”
I have consistently warned that exporting manufacturing abroad would lead to loss of design as that followed the manufacturing. As a result there are less local UK manufacturers for Universities to link to, with the result that design for manufacturing becomes more theoretical and doesn’t become enriched through projects being subject to the scrutiny of the potential manufacturer. The process should be symbiotic – the vision of the designer pushing technical developments in an industry, and the technical developments expanding the horizons for designers.

At a recent exhibition there were shining examples of products benefitting from close collaboration, including some quite magical fabrics from companies like Skopos showing how digital production methods change the nature of the end product, and how important the designers vision is in this process. I know many famous and not so famous designers have made their contribution to the design of products as a part of their interiors work – indeed I have trodden this path myself. However if the manufacturer is not there to collaborate with then the ability to innovate is lessened as the understanding of process disappears.

This view was reinforced for my by one of our new Directory companies, Heritage Silverware. Heritage has manufactured Tableware, Cutlery, Holloware and Bone china for the opening of London’s Corinthia Hotel, Coworth Park and the last Cunard luxury Liner Queen Elizabeth amongst many others in last 12 months. Owner Martin McDonagh has spent “40 years in silverware and tableware building a factory and business here in Birmingham” and went on to say:

“Both my children who graduated in design 6 years ago have come into the business which was a shock as I tried in vain to put them off, but they have embraced and loved the world of manufacturing from the very first day.

This was simply because they were able to step on to the shop floor and see their designs being made within hours of drawing and then learn from our craftsmen that the design would struggle to be made competitively without changes to the way it needed to be made.

Instantly they then grasped what was needed and how they should proceed with future ideas and that no Good Design can be done if conceived or planned in a “vacuum”.

Our Universities churn out every year Graduates into the world as though they have been taught and accredited to instantly work in industry without any practical knowledge or skill as to how to make design work.

That’s what has been missing from British Tableware of late as our factories close these kids don’t have the opportunity or the ability to go and see and experience the actual manufacturing process and understand the limitations of product manufacture and how to go about getting around this and coming up with different and even better solutions”

Rodney McMahon at Morgan Furniture has spent time building relationships with local schools in his area of Hampshire, and trains his own work force offering apprenticeships. His comments about the difficulties created by our civil servants (I think we should call them uncivil servants) and ignorant politicians has been echoed by Gemma Stockberger of Versatil who says

“We are a British manufacturer and have been for 44 years now. We would be only too happy to take on apprentices and trainees, but find that legislation makes it difficult.

Due to the machinery we use, legally employees have to be over 21, which then makes them more expensive to employ. The unemployment rate for young people is at record levels which is an absolute crime when there is so much potential out there.

We also have to monitor them at all times when using the machinery, which makes it doubly time consuming and labour intensive. A real catch 22 situation!”

There is much talk now about rebalancing the economy. Desperately overdue, the rebalancing may come too late to save aviation (we no longer produce complete aeroplanes in the UK), large chunks of shipbuilding (Cunard’s Queens were all built in Italy or France), our railway companies (this in the nation that invented railways). Many in the supply chain to the hotel industry have tried to remain small and nimble in an effort to survive the vicissitudes of the British economy. The reluctance to grow and compete globally must be overcome. Companies like PF Collections have successfully serviced the industry in many countries abroad, but we need more of the industry to compete with our German, Italian etc. competitors.

Rodney McMahon has staff who have given his company a lifetime of service. I have a decorated scroll on my office wall salvaged from the London office of Wall Paper Manufacturers Ltd. recording 4 employees who devoted a total of 195 years service to the company.

For manufacturing to survive and prosper over the fifty years ahead we need commitments from all political parties on stable levels of taxation. We need a national industrial strategy that is not going to change every three or four years. We need tax and NI systems simplified, and confidence given to manufacturers so that they take on employees for the long term. Most of all we need to get the monkey that is the national bureaucratic administration system off manufacturers backs.

You can add your views in the comments area under this article – all are checked before publication – be aware that adverts will be deleted!

©Patrick Goff, Editor

Daniel Fountain / 09.01.2012

Editor, Hotel Designs

Share

  • 0

Fun fact: I’m usually the person friends rely on to organise trips, schedules, and group plans.

Workhighlights: Successfully coordinating events from planning through to delivery and seeing everything come together on the day.

Fun fact: I’m a keen cyclist and will happily bore people with copious amounts of cycling chat. My top cycling experience (so far) would have to be riding in the spectacular mountains of Crete.

Work highlights: Charles joined Forum Events in 2022. With a background in publishing, editorial media and events, Charles brings a wealth of experience to his role as Senior Production Manager. Having being involved with SPACE from the outset, he is excited to see the brand grow and develop.

Fun fact: People tell Sienna she gives off Bridget Jones vibes, and she loves to bake, always making sure there are shortbreads floating around the office

Work highlights: Sienna joined Forum Events & Media Group while studying Communications and Media, starting in the sales team where she managed and helped launch the first the PA Life Leading Venues of London SHOWCASE, where she built relationships with luxury venues across the capital. Drawn to the stories behind these spaces, she naturally transitioned into the editorial team, creating social media and editorial content. Upon graduating in June 2026, she is excited to be joining as Assistant Editor for Hotel Designs and SPACE.

Fun fact: When not working, Jess can usually be found tending to her kitchen garden in the Sussex countryside or foraging for herbs in the nearby woods. A keen grower, she recently studied a RHS Level 2 Diploma in the Principles of Horticulture during her spare time.

Work highlights: Jess joined SPACE magazine in 2022 and has since progressed from Assistant Editor to Editor. During this time, she has worked across many aspects of the publication – from shaping editorial strategy and overseeing operations to contributing to art direction and representing the brand on stage at industry events including Surface Design Show and WOW!house.

Alongside her role at SPACE, Jess has built a creative career spanning the arts, culture, design and travel sectors. Prior to joining the magazine, she spent more than a decade in the commercial art industry, in artist liaison, gallery management, and curating collections for the hospitality sector across hotels and cruise ships. During this time, she also worked on freelance projects as a writer, photographer, and creative content producer.
 
Jess studied photojournalism at London College of Communication and the Danish School of Media and Journalism and holds a first-class BA (Hons) in Culture, Criticism and Curation from Central Saint Martins.

Fun fact: Katy has spent years perfecting all kinds of accents and loves a good impersonation!

Work highlights: Katy has been with Hotel Designs since the beginning, way back in 2015 when Forum Events & Media Group acquired the brand.

During this time, she has fostered many meaningful relationships with clients from across the hospitality spectrum, as well as playing a pivotal role in the launch of The Brit List Awards, Hotel Designs MEET UPs, client-led roundtables and panel talks, brand and website redesigns, HD Wellness Sets, DESIGN POD podcast, Hotel Designs LIVE panel talk series, Accessible Design Talks and more. Katy is always on the lookout for the next opportunity to help grow the Hotel Designs brand even further.
 
Most recently Katy has stepped in to the role of Publisher at SPACE magazine, the printed bi-monthly publication focused on hotel design, architecture, and development.

Together these platforms offer a comprehensive 360-degree service encompassing digital media, print publishing, and live events – providing unparalleled value to advertisers, partners, and readers alike.